WEBVTT - QLS Classic: Seth Rogen

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. Hey what's up, y'all?

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<v Speaker 1>You know I love the QLs episodes with comedians, and

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<v Speaker 1>right before the pandemic, we had Seth Rogan on. We Laugh,

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<v Speaker 1>We talked Hollywood shop, we talk hip hop, stand up,

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<v Speaker 1>listen back as Laiah Sugar, Steve Boss Bill, and I

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<v Speaker 1>spoke with Seth, who was so fun to hang out

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<v Speaker 1>with and listen to this and let us know some

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<v Speaker 1>of the comedians you would like on the show. All right,

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<v Speaker 1>wait what.

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<v Speaker 2>Stop?

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<v Speaker 1>Stop stop stop stop stop the thing, keep it going,

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<v Speaker 1>stop the thing. Wait. You said that if you sit

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<v Speaker 1>next to Seth Rogan, you're gonna be rich on the

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<v Speaker 1>first of January.

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<v Speaker 3>Yes, if I start the year sitting next.

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<v Speaker 1>To Seventh Smith, yes, I'm gonna be rich and funny. Okay,

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<v Speaker 1>here we go.

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<v Speaker 2>Suprema something something, Supremo, roll car Suprema some Supremo, roll car,

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<v Speaker 2>Suprema something Supreme, roll call, Suprema, Son, Supremo, Roll Quest Love.

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<v Speaker 1>Here thinking, yeah, which is which? Yeah, maybe I need

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<v Speaker 1>to switch my seat. Yeah, so I too can get

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<v Speaker 1>rich car Supreme.

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<v Speaker 2>I'm just saying Supremo, roll Call, Suprema something something, Supremo.

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<v Speaker 4>Roll Car is Sugar. Yeah, Yeah, I'm a mess. Yeah,

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<v Speaker 4>I've been smoking way too much Pineapple.

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<v Speaker 2>Express, Supreme Something Supreme roll Car, Suprema s Suprema roll Car.

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<v Speaker 5>This is boss Bill. Yeah, back again my friends. Yeah,

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<v Speaker 5>this is the third line. Yeah, and this is the

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<v Speaker 5>end car.

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<v Speaker 2>Suprema Something something so Prima roll call Suprema su Supremo

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<v Speaker 2>roll call.

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<v Speaker 6>Yeah with Seth of course. Yeah, I don't know what

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<v Speaker 6>to tell you. Yeah, this will better than a horse.

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<v Speaker 1>So you went to a dark place.

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<v Speaker 7>Supreme Supremo roll Call.

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<v Speaker 8>My name is Seth. Yeah, I'm feeling old, yeah handed

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<v Speaker 8>New York. Yeah, I'm fucking cold.

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<v Speaker 9>Roll Supreme U Suck Suck Supprima roll Call, Supreme Suck

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<v Speaker 9>Suck Supprimo roll Call Supreme Supreme roll Supremium.

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<v Speaker 1>This is how we're going to start.

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<v Speaker 7>We're going to twenty twenty. This is a bad omen

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<v Speaker 7>all right.

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<v Speaker 1>The god song to it that we should have no

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<v Speaker 1>more theme. Get to it, ladies and gentlemen. Uh, this

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<v Speaker 1>is the newly rich neuvau Reese Quest Love another episode,

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<v Speaker 1>Happy New Year. This is January first, twenty twenty. Everybody,

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<v Speaker 1>how do you feel good?

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<v Speaker 10>Old and cold?

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<v Speaker 1>How is your How was your holiday? Your festivities? It

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<v Speaker 1>was old and cold.

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<v Speaker 10>No, we had a great time, of course, okay.

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<v Speaker 7>Great, we can't remember.

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<v Speaker 1>Did the checks come through?

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<v Speaker 10>Yeah, the honk checks clear it Solf as well.

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<v Speaker 1>I'm actually shocked because whenever any of your brothers come

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<v Speaker 1>on the show, your your you always your roll call

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<v Speaker 1>is usually geared towards you do jewy call.

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<v Speaker 4>Yeah, yeah, I started incorporating the jewy part, but just

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<v Speaker 4>left it with the stone apart Ston.

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<v Speaker 1>I think. Yeah, I'm about to say, I think.

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<v Speaker 7>Are pretty like there's a lot of overlaps.

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<v Speaker 1>Paid Bill would not approve anyway. I'm your host Questlove,

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<v Speaker 1>joined to day by my croonies, Boss Bill, Sugar, Steve unpaid, pilled.

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<v Speaker 1>Surprisingly isn't here? Yeah here wit? Is he not coming?

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<v Speaker 1>Or did we call him? Do we let him know?

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<v Speaker 1>Let him?

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<v Speaker 3>You know he does play sesame streets and stuff.

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<v Speaker 1>Okay, so he's can chill the muppets enough bagel jokes.

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<v Speaker 10>We can make out anyway.

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<v Speaker 1>Uh, not to stall anymore, Ladies and gentlemen, we have comedian, director, producer, actor, writer,

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<v Speaker 1>leading man cannabis connoisseur. I also uh advocate for sleeping

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<v Speaker 1>in the bedroom under sixty seven degrees.

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<v Speaker 7>Yes, it's true.

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<v Speaker 8>We will we will get that later.

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<v Speaker 1>I guess. Uh Philadelphia music culture fan voice him in

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<v Speaker 1>the roots. Uh ladies and gentlemen, and and hip hop

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<v Speaker 1>head and Canadian ladies and gentlemen, please welcome to the show.

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<v Speaker 1>Seth Rogan. Wait, I gotta all right, we this is

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<v Speaker 1>this is a show of rabbit holing. Let's just start

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<v Speaker 1>getting first, all right, I'm a little I'm miffed. All right,

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<v Speaker 1>so I have to explain that.

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<v Speaker 7>A lot of backstories.

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<v Speaker 1>I was very fortunate. I was very fortunate to attend

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<v Speaker 1>uh sets uh Hilarity for charity event. Shout out to

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<v Speaker 1>uh Mnisian and Mary Ellis Museum.

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<v Speaker 7>Yeah.

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<v Speaker 1>Yeah, So I went there and the discussion of how

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<v Speaker 1>much sleep does a person need to have a healthy brain? Yes, yes, No,

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<v Speaker 1>I learned a lot. I learned that. As of lately,

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<v Speaker 1>I'll say the last two months, I've been back into

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<v Speaker 1>the eight hour range of sleeping because right because people

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<v Speaker 1>were always like, when do you sleep? When do you

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<v Speaker 1>see to sleep? I was three, I was three to

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<v Speaker 1>five hour guy, and I was told that you don't

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<v Speaker 1>even reach r em state until six hours and forty

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<v Speaker 1>seven minutes and for your body to heal. And you know,

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<v Speaker 1>I'm adjusting my lifestyle right now. I'm trying to get

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<v Speaker 1>back to a healthier place. I gotta do somewhere between

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<v Speaker 1>eight to ten hours for the magic to begin. So,

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<v Speaker 1>but then you guys left me with this, this gem

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<v Speaker 1>of the room has to be cold.

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<v Speaker 8>Yeah, you sleep best if the room is freezing. I've

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<v Speaker 8>heard that before, like sixty in the sixties.

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<v Speaker 1>Well, yeah, my girlfriend took that to heart and now

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<v Speaker 1>every night.

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<v Speaker 7>Yeah, it's cold as hell.

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<v Speaker 1>It's been sixty five degrees in the bedroom.

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<v Speaker 7>Are you sleeping better?

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<v Speaker 3>No, blanket?

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<v Speaker 1>No, I'm sleeping well. But it's not like I needed

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<v Speaker 1>to be Africa hot.

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<v Speaker 7>My wife.

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<v Speaker 8>Well, that's why my wife likes it much colder than me.

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<v Speaker 8>And that's why they have heating pad. That's what we're

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<v Speaker 8>talking about. There's there's paths from actress where you can

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<v Speaker 8>set the temperature so you could keep your side hot

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<v Speaker 8>and side cold.

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<v Speaker 7>And it's something that throughout the DLT.

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<v Speaker 8>Yeah perfect, I'm sorry, it's exactly right, but uh no,

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<v Speaker 8>it's fun. And I think I think as men get older,

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<v Speaker 8>they get colder. It is we would get older, they

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<v Speaker 8>get hotter. Yeah, yeah, me and my wife have kind

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<v Speaker 8>of We were just talking about how we like crossed over.

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<v Speaker 8>Like when we first started dating, I was always hot

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<v Speaker 8>and she was always cold, and now I'm always cold

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<v Speaker 8>and she's always hot. And we probably had like three

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<v Speaker 8>years where we were both the same temperature and we

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<v Speaker 8>didn't realize how good that time was until it was gone.

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<v Speaker 1>No, it could be really probably problematic because I'll get up,

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<v Speaker 1>I'll reach my limit at exactly like four to seventeen am.

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<v Speaker 7>And you're freezing.

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<v Speaker 1>Are you sure I'll sneak up? Isn't that?

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<v Speaker 7>Remember it?

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<v Speaker 1>All right? You remember Sesame Street, the green guy in

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<v Speaker 1>the in the in the trench coat that used to

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<v Speaker 1>always sell ernie like a letter hey.

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<v Speaker 8>But yeah, yeah exactly, letter dealer, right, So like his

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<v Speaker 8>little creep music, creeping tiptoe music.

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<v Speaker 1>Yes, exactly. So I'm in my own house that I

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<v Speaker 1>pay for creeping putting that ship back to like something

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<v Speaker 1>normal like sixty eight.

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<v Speaker 8>Yeah, I don't go below sixty eight ars. So that's

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<v Speaker 8>where we've landed. My wife Lauren would go to this

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<v Speaker 8>like low sixties over thirty five.

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<v Speaker 3>You gotta go to sixty six bra for a woman,

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<v Speaker 3>because you.

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<v Speaker 6>Got us put on another blanket and then make it

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<v Speaker 6>hot underneath it. You know what I'm saying, that's the goal.

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<v Speaker 3>Think about it.

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<v Speaker 4>What's the what's the logic behind keeping it colder? What's

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<v Speaker 4>the physics of And.

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<v Speaker 1>Then the thing is that your your brain is divided

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<v Speaker 1>into two parts. There's the conscious brain and like the

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<v Speaker 1>concert beans like hey, uh, I'm gonna go to work,

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<v Speaker 1>I'm gonna go to work later today, I'm gonna take

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<v Speaker 1>the subway home, I'm gonna lose weight, I'm going to

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<v Speaker 1>ask that girl out. And then it's a subconscious which

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<v Speaker 1>does stuff like I'm gonna make sure your heart's beating,

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<v Speaker 1>I'm gonna make sure you're waste. So it's the it's

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<v Speaker 1>the part of your brain whoa yeah, what do you say?

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<v Speaker 7>And so it's actually a fish song of course, And so.

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<v Speaker 1>Your body has to be totally knocked out. So you

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<v Speaker 1>get to that ram state at exactly six hours and

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<v Speaker 1>forty five minutes. When you're that sleep, then your right

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<v Speaker 1>side of the brain's like waking up.

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<v Speaker 7>Like all right, he's asleep, let's get to work.

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<v Speaker 1>And so then that's where the fat burns. That's where

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<v Speaker 1>like all the things that you want to help have

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<v Speaker 1>happened for your life to be good. Your your brain's

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<v Speaker 1>like all right, they're knocked out. Now now we can

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<v Speaker 1>get to work. But the thing is that most of

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<v Speaker 1>us don't get that much sleep, so we're doing ourselves

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<v Speaker 1>a disservice by only sleeping six to seven hours.

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<v Speaker 7>It's terrible for you.

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<v Speaker 10>Yeah, you didn't answer my questions. Why does it have

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<v Speaker 10>to be cold?

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<v Speaker 7>Probably because people it probably because it was cold at night.

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<v Speaker 10>You're you mean like before we had houses.

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<v Speaker 8>Yeah, Like, it's probably like we're conditioned to sleep in

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<v Speaker 8>colder environments, so.

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<v Speaker 1>I think so. So at this event, Okay, can we

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<v Speaker 1>disagree that this entire hour is going to be about this.

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<v Speaker 1>I'm kind of when you're side of the fence. Why

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<v Speaker 1>does it have to be so damn cold? No?

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<v Speaker 10>I mean, I'm just asking, no, no, no, I'm asking.

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<v Speaker 4>I'm what's the scientific part of I don't think coldness helps.

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<v Speaker 7>I don't know.

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<v Speaker 1>That's where I want to know.

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<v Speaker 6>Google, where we changed the subject.

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<v Speaker 1>I'm just going to suggest everybody hop on Google.

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<v Speaker 7>Yeah, Google, and then we can continue. Anyway, let's talk

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<v Speaker 7>about movies.

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<v Speaker 1>Where are you?

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<v Speaker 7>But you do sleep better?

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<v Speaker 1>What it's cold? And that's the.

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<v Speaker 8>Uh, we don't need wise, are we giving wise? We're

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<v Speaker 8>just giving answers here. It's been said completely unsubstantiated information scientists.

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<v Speaker 1>Scientists have gone on record and said.

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<v Speaker 7>We had a doctor he substantiated it.

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<v Speaker 4>Yeah, I believe me and my curiosity.

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<v Speaker 1>So you were born in Vancouver, Vancouver, British Columbia. Uh huh,

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<v Speaker 1>home home of the the hip hop national anthem.

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<v Speaker 6>Wait who else was Alia Chang?

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<v Speaker 3>Because he's yeah.

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<v Speaker 7>This episode has manager. Yeah, you know so, I think

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<v Speaker 7>I've met her over the years.

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<v Speaker 1>Actually she'll be on the future episodes anyway. Yeah, I know.

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<v Speaker 7>The Rascals are a hip hop group from Vancouver.

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<v Speaker 8>That were the Rascals, the Rascals they were called like

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<v Speaker 8>uh and uh Northern Touch, Yeah, Rascals, checkmate, Cardinal Allen

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<v Speaker 8>thrust Claire, how do you know this? How do you

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<v Speaker 8>know that? Very no American knows that song?

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<v Speaker 1>I do my research.

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<v Speaker 8>Well, maybe you can help you straight to steal the

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<v Speaker 8>beat of that song for a song.

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<v Speaker 7>Yeah, there is a d MX song with.

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<v Speaker 8>The exact same beat as Northern Touch, And I think

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<v Speaker 8>if you're Canadian it's very jarring.

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<v Speaker 7>But if you're like, oh, this is a good beat.

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<v Speaker 1>Still I can't yeh express bt express ample that E

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<v Speaker 1>P m D used head banger ev Well no, no, no

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<v Speaker 1>for uh uh you know what I'm saying. Northern Touch first,

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<v Speaker 1>get the bows that No, E B M D was first,

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<v Speaker 1>and then Northern Touch yes maybe, and then DMX came

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<v Speaker 1>and just took it.

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<v Speaker 7>Did you did you?

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<v Speaker 1>Did you know that your your hometown is also uh

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<v Speaker 1>what what? I consider that the national anthem of hip hop?

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<v Speaker 1>Did you know that Apache was created in Vancouver?

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<v Speaker 7>Apache?

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<v Speaker 1>Yes? Apache was recorded and created in Vancouver.

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<v Speaker 7>Really?

0:13:04.600 --> 0:13:07.360
<v Speaker 1>Yes, I did not know that. Yes, that's one of

0:13:07.440 --> 0:13:09.240
<v Speaker 1>my favorite factoids.

0:13:08.679 --> 0:13:11.280
<v Speaker 8>About that is a very good fact with Vancouver and

0:13:11.320 --> 0:13:13.760
<v Speaker 8>the other and Nard Wars from Vancouver is the other.

0:13:13.960 --> 0:13:14.640
<v Speaker 1>I love Artwar.

0:13:14.760 --> 0:13:17.600
<v Speaker 8>Yeah, your interviews with him are great. Have you interviewed

0:13:18.000 --> 0:13:19.480
<v Speaker 8>been I've been interviewed by him once.

0:13:19.640 --> 0:13:24.120
<v Speaker 1>Have you ever seen a non savory NRD war interview

0:13:24.160 --> 0:13:25.840
<v Speaker 1>like a lot of the earlier ones where they don't

0:13:25.880 --> 0:13:27.440
<v Speaker 1>you know if he's trolling them or not?

0:13:27.600 --> 0:13:27.760
<v Speaker 7>Oh?

0:13:27.840 --> 0:13:29.560
<v Speaker 8>Yes, So, I mean I grew up watching him, So

0:13:29.600 --> 0:13:31.520
<v Speaker 8>I've seen like so many.

0:13:31.679 --> 0:13:32.920
<v Speaker 1>How long has he been doing this?

0:13:33.280 --> 0:13:41.560
<v Speaker 7>Like thirty years? He's like fifty something. Yes, he's younger

0:13:41.559 --> 0:13:41.840
<v Speaker 7>than me.

0:13:42.200 --> 0:13:45.920
<v Speaker 8>No, there's actually an amazing yard War interview with Nirvana,

0:13:46.240 --> 0:13:48.680
<v Speaker 8>like backstage at the P and E Forum, which is

0:13:48.720 --> 0:13:51.680
<v Speaker 8>the place in Vancouver from like nineteen ninety, like three

0:13:51.800 --> 0:13:53.760
<v Speaker 8>or something like Courtney Love is there and it's like

0:13:53.800 --> 0:13:57.440
<v Speaker 8>a very long interview that's filmed and throughout it's like

0:13:57.480 --> 0:13:59.560
<v Speaker 8>forty minutes or something like. Throughout the course of it,

0:13:59.600 --> 0:14:02.720
<v Speaker 8>you see Kurt Kobad like slowly realize he's a genius,

0:14:02.880 --> 0:14:05.120
<v Speaker 8>and like, at first it's this thing where it's just like,

0:14:05.160 --> 0:14:07.320
<v Speaker 8>why is this fucking guy here bothering me? And then

0:14:07.360 --> 0:14:11.400
<v Speaker 8>he slowly like clues in the house. Yeah, he totally

0:14:11.400 --> 0:14:13.920
<v Speaker 8>does know. But I've seen because now people know who

0:14:13.960 --> 0:14:17.720
<v Speaker 8>he is. Like, but for years I would watch interviews

0:14:17.720 --> 0:14:20.280
<v Speaker 8>where famous musicians would just get interviewed by him and

0:14:20.320 --> 0:14:23.480
<v Speaker 8>be like, who the fuck is this guy? And even

0:14:23.560 --> 0:14:26.720
<v Speaker 8>still some people don't I feel like, don't get it.

0:14:26.760 --> 0:14:29.720
<v Speaker 8>I feel like people all right, So that jay Z

0:14:29.840 --> 0:14:31.880
<v Speaker 8>interviews jay Z didn't seem to appreciate.

0:14:32.000 --> 0:14:32.920
<v Speaker 7>No.

0:14:33.040 --> 0:14:35.640
<v Speaker 1>I warned him about it. I begged him to do it,

0:14:35.720 --> 0:14:39.440
<v Speaker 1>and then Forrell doubled down. Yeah, so he did it.

0:14:40.160 --> 0:14:42.240
<v Speaker 1>Because if we say it's a thing then jay Z

0:14:42.400 --> 0:14:44.280
<v Speaker 1>is just one of them, fomo. I don't want to

0:14:44.280 --> 0:14:44.680
<v Speaker 1>miss out.

0:14:44.800 --> 0:14:46.360
<v Speaker 7>He's got no question.

0:14:50.040 --> 0:14:56.920
<v Speaker 1>Anyway. And so but I'll say that the first time

0:14:57.800 --> 0:15:00.440
<v Speaker 1>he interviewed me, I was paranoid because he just knew way.

0:15:00.680 --> 0:15:01.440
<v Speaker 7>Oh it's weird.

0:15:01.560 --> 0:15:03.040
<v Speaker 1>Too much information he.

0:15:03.080 --> 0:15:06.280
<v Speaker 8>Knew about me. That was he brought out your books. Yeah,

0:15:06.280 --> 0:15:09.520
<v Speaker 8>he had my high school yearbooks. Literally, he like knew people.

0:15:10.120 --> 0:15:13.280
<v Speaker 8>He knew names that I hadn't heard in like, yeah,

0:15:13.440 --> 0:15:14.600
<v Speaker 8>twenty five years.

0:15:14.840 --> 0:15:16.320
<v Speaker 1>Back from the shop at your mommy store.

0:15:16.440 --> 0:15:20.400
<v Speaker 7>Yes, literally that. Yeah, it's totally crazy.

0:15:20.440 --> 0:15:21.280
<v Speaker 1>It would freak me out.

0:15:21.360 --> 0:15:24.760
<v Speaker 8>It was super fucking freaky. But his knowledge is bizarre.

0:15:24.760 --> 0:15:27.120
<v Speaker 8>He's always trying to get to Kanye. He's like that's

0:15:27.160 --> 0:15:29.200
<v Speaker 8>his holy grail. He like emails me and.

0:15:29.160 --> 0:15:33.320
<v Speaker 7>Tells me are YouTube? Oh not at all? Yes, I

0:15:33.360 --> 0:15:34.560
<v Speaker 7>can see that going very bad.

0:15:36.600 --> 0:15:40.040
<v Speaker 1>He somehow thinks that I have the magic touch to

0:15:40.160 --> 0:15:41.480
<v Speaker 1>get him to the Obamas.

0:15:41.840 --> 0:15:47.120
<v Speaker 7>Wow, I would be for Kanye. So yeah, that's a

0:15:47.160 --> 0:15:49.040
<v Speaker 7>big step in a much better direction.

0:15:50.120 --> 0:15:53.400
<v Speaker 5>I read somewhere somebody said online that, uh that when

0:15:53.440 --> 0:15:55.320
<v Speaker 5>you get to the purlegates of Heaven, it's nard war

0:15:55.480 --> 0:16:01.280
<v Speaker 5>that Yeah, he's the one that reviewing your entire life there.

0:16:02.360 --> 0:16:06.160
<v Speaker 1>So, speaking of your hometown, are you is every time

0:16:06.200 --> 0:16:12.480
<v Speaker 1>I ask anybody from Vancouver, are you knowledgeable the La

0:16:12.560 --> 0:16:16.960
<v Speaker 1>Cassa gelato or is that just for tour suckers like me?

0:16:17.400 --> 0:16:18.240
<v Speaker 1>It's the place that.

0:16:18.400 --> 0:16:22.920
<v Speaker 7>Has like hundreds of flavors of Gilado. Yeah, it's near.

0:16:23.600 --> 0:16:26.120
<v Speaker 7>It's on like the like north end of kind of

0:16:26.160 --> 0:16:27.120
<v Speaker 7>the east side of Vancouver.

0:16:27.240 --> 0:16:29.560
<v Speaker 1>It's my favorite place. Ever, I might.

0:16:29.640 --> 0:16:32.240
<v Speaker 8>It's not somewhere I grew up going, but it's somewhere

0:16:32.280 --> 0:16:34.520
<v Speaker 8>that I've heard of it.

0:16:35.160 --> 0:16:36.440
<v Speaker 1>I think it might be kind of a you know,

0:16:36.480 --> 0:16:38.040
<v Speaker 1>it's like mc vinegar.

0:16:39.240 --> 0:16:40.800
<v Speaker 8>Yeah, it was one of the first places to start

0:16:40.840 --> 0:16:42.560
<v Speaker 8>doing like weird flavors or ship like that.

0:16:42.680 --> 0:16:46.760
<v Speaker 1>Yeah. They basically just cheese ice cream, man.

0:16:46.800 --> 0:16:48.640
<v Speaker 7>Like a tobacco one or something like that.

0:16:48.880 --> 0:16:49.600
<v Speaker 3>Yeah, for a while.

0:16:49.720 --> 0:16:50.680
<v Speaker 7>Yeah, Well, I mean.

0:16:50.640 --> 0:16:52.640
<v Speaker 1>Something that some of the weird ones I liked, Like

0:16:52.680 --> 0:16:54.120
<v Speaker 1>they have black pepper vanilla.

0:16:54.400 --> 0:16:56.040
<v Speaker 7>That's weird. How is cheddar cheese?

0:16:57.600 --> 0:17:01.080
<v Speaker 1>Well that's the thing. You you basically you sample all

0:17:01.080 --> 0:17:03.120
<v Speaker 1>the weird ones and you get the rocky road.

0:17:03.160 --> 0:17:08.520
<v Speaker 8>That's you know, that's a purely like North American thing

0:17:08.560 --> 0:17:09.600
<v Speaker 8>is sampling ice cream.

0:17:09.800 --> 0:17:12.720
<v Speaker 7>Like, uh, what I was considered rude. Well, I was

0:17:12.720 --> 0:17:15.080
<v Speaker 7>in Italy and uh not to brag.

0:17:16.600 --> 0:17:19.239
<v Speaker 8>That was in Italy in a gelato shop and there

0:17:19.320 --> 0:17:21.760
<v Speaker 8>was like a rush of Americans left and me and

0:17:21.800 --> 0:17:23.679
<v Speaker 8>my wife for the holy people at the restaurant, and

0:17:23.680 --> 0:17:26.160
<v Speaker 8>the woman behind the counter like very quietly looked at us.

0:17:26.119 --> 0:17:28.280
<v Speaker 7>And goes, can I ask you a question? We're like, yeah,

0:17:28.720 --> 0:17:35.239
<v Speaker 7>how come American always ask the taste? And she's like,

0:17:35.359 --> 0:17:38.880
<v Speaker 7>what is this? Like nowhere else you asked to taste them?

0:17:39.040 --> 0:17:40.679
<v Speaker 8>And I was like, you're right when you put it

0:17:40.720 --> 0:17:43.159
<v Speaker 8>like that, it is pretty fucking weird, Like nowhere else

0:17:43.240 --> 0:17:43.560
<v Speaker 8>you'd be like.

0:17:43.560 --> 0:17:45.159
<v Speaker 7>Can I try that sandwich? Piece of.

0:17:47.359 --> 0:17:47.679
<v Speaker 1>Ros?

0:17:47.720 --> 0:17:48.840
<v Speaker 7>That's what I said.

0:17:48.480 --> 0:17:50.600
<v Speaker 8>I said, I think it all roots back to this

0:17:50.640 --> 0:17:52.959
<v Speaker 8>one place, basket Robbins, where they encourage people to do

0:17:53.000 --> 0:17:56.360
<v Speaker 8>it and that ruined really ice cream all over the

0:17:57.080 --> 0:17:58.640
<v Speaker 8>Yeah there that the sun.

0:18:00.960 --> 0:18:03.960
<v Speaker 3>They I'm like, yeah, they combined with Duncan donuts.

0:18:03.960 --> 0:18:08.720
<v Speaker 1>No, No, that's the thing. I know that the Sun

0:18:09.040 --> 0:18:14.959
<v Speaker 1>inherited the empire, and because you know, like generations are

0:18:14.960 --> 0:18:18.639
<v Speaker 1>the opposite of what their parents were, the Sun wasn't like,

0:18:19.000 --> 0:18:22.280
<v Speaker 1>you know, he didn't he was concerned about the cows.

0:18:22.280 --> 0:18:28.360
<v Speaker 1>They were using and wanted free range, and so instead

0:18:28.400 --> 0:18:31.080
<v Speaker 1>he took the family money and did this expose on

0:18:31.240 --> 0:18:36.360
<v Speaker 1>how like ice cream companies are ruining cows or environment

0:18:36.440 --> 0:18:37.120
<v Speaker 1>and all those things.

0:18:37.160 --> 0:18:38.480
<v Speaker 7>It's like ice cream succession.

0:18:38.800 --> 0:18:45.359
<v Speaker 1>So they that's crazy basket around.

0:18:45.400 --> 0:18:47.280
<v Speaker 3>I was just saying the ice cream industry.

0:18:46.960 --> 0:18:49.600
<v Speaker 1>Which explains why they had to partner.

0:18:49.520 --> 0:18:57.520
<v Speaker 6>With that Margarita flavor. Still there is good Margarite ice

0:18:57.560 --> 0:18:58.680
<v Speaker 6>cream have a Margarita flavor.

0:18:58.720 --> 0:18:59.399
<v Speaker 3>They've had it forever.

0:18:59.840 --> 0:19:02.520
<v Speaker 8>My good to condition children at a young age to

0:19:02.840 --> 0:19:04.560
<v Speaker 8>develop a taste from Margarita's.

0:19:06.359 --> 0:19:10.879
<v Speaker 1>So twenty minutes. So twenty minutes into this interview, let's start.

0:19:13.920 --> 0:19:17.960
<v Speaker 1>So you being born in the early eighties in Vancouver,

0:19:19.400 --> 0:19:23.440
<v Speaker 1>what was the what was your environment like in your household?

0:19:23.800 --> 0:19:29.320
<v Speaker 8>My household, I lived on the East Side of Vancouver,

0:19:29.480 --> 0:19:34.359
<v Speaker 8>which in like a one hundred percent like East Indian neighborhood,

0:19:35.359 --> 0:19:39.040
<v Speaker 8>So it was it was great. It was like I

0:19:39.040 --> 0:19:40.879
<v Speaker 8>would walk around a lot. I was just arguing with

0:19:40.920 --> 0:19:43.480
<v Speaker 8>my parents. Their memory was that I never walked around alone,

0:19:43.560 --> 0:19:46.840
<v Speaker 8>and I definitively did all the time. It would take

0:19:46.920 --> 0:19:50.000
<v Speaker 8>the bus all around the city. But uh yeah, but

0:19:50.080 --> 0:19:51.280
<v Speaker 8>I went to school on the West side.

0:19:51.400 --> 0:19:52.320
<v Speaker 7>I grew up.

0:19:52.720 --> 0:19:54.439
<v Speaker 8>I started doing stand up when I was young, like

0:19:54.480 --> 0:19:58.400
<v Speaker 8>twelve or thirteen, and I would started writing around then too.

0:19:58.400 --> 0:20:02.000
<v Speaker 7>And I smoked weed a lot. Not much has changed

0:20:02.040 --> 0:20:03.080
<v Speaker 7>my life since I was twelve.

0:20:03.119 --> 0:20:08.480
<v Speaker 1>I ag So the myth, the myth of super Bad

0:20:08.520 --> 0:20:12.119
<v Speaker 1>and you crafting this at such a young age is one.

0:20:13.600 --> 0:20:14.920
<v Speaker 7>Yes, for sure. Yeah.

0:20:14.960 --> 0:20:17.760
<v Speaker 8>Me and my partner Evan, who I still work with,

0:20:18.640 --> 0:20:21.159
<v Speaker 8>met in bar Mitzvah class when we were twelve and

0:20:21.200 --> 0:20:24.520
<v Speaker 8>then started writing together not long after that, and we

0:20:24.680 --> 0:20:27.400
<v Speaker 8>had Yeah, we probably finished the draft to super Bad

0:20:27.400 --> 0:20:29.959
<v Speaker 8>when we were like fourteen or fifteen from the complete

0:20:30.520 --> 0:20:32.920
<v Speaker 8>yeah by then, but we started we were like thirteen,

0:20:33.000 --> 0:20:35.080
<v Speaker 8>And there is some and it's like it's one of

0:20:35.080 --> 0:20:37.280
<v Speaker 8>those things where it's almost sad that, like, I'm not

0:20:37.440 --> 0:20:39.479
<v Speaker 8>that much smarter or fuddier that I was when I

0:20:39.520 --> 0:20:42.040
<v Speaker 8>was thirteen years old, because there are some jokes in

0:20:42.080 --> 0:20:44.640
<v Speaker 8>the movie that like we wrote when we were thirteen

0:20:44.680 --> 0:20:46.560
<v Speaker 8>that are still in the movie, that are in the

0:20:46.560 --> 0:20:49.800
<v Speaker 8>movie that like that held up and that are still Yeah,

0:20:49.920 --> 0:20:51.879
<v Speaker 8>you'd like to think you got better in that amount

0:20:51.880 --> 0:20:52.960
<v Speaker 8>of time at fourteen.

0:20:53.400 --> 0:20:55.439
<v Speaker 3>Yes, look like a professional, I'm.

0:20:55.280 --> 0:20:57.840
<v Speaker 8>Trying to say, I I asked my mom to buy

0:20:57.880 --> 0:21:00.919
<v Speaker 8>me Final Draft, which was the script writing software, and

0:21:00.960 --> 0:21:03.280
<v Speaker 8>she did. My parents were like super supportive because I

0:21:03.280 --> 0:21:05.639
<v Speaker 8>also didn't stand up, so they saw that like I

0:21:05.640 --> 0:21:07.280
<v Speaker 8>would work hard, you know what I mean?

0:21:07.280 --> 0:21:08.040
<v Speaker 1>This is ninety six.

0:21:08.480 --> 0:21:11.399
<v Speaker 8>Yeah, this is probably ninety five or ninety six or

0:21:11.440 --> 0:21:14.320
<v Speaker 8>something like that. Yeah, ninety five, I would say ninety six.

0:21:14.400 --> 0:21:17.280
<v Speaker 1>Yeah, Like all right, I'm curious. And this is leads

0:21:17.400 --> 0:21:21.840
<v Speaker 1>back to the conscious subconscious. When you're subconscious, it's convinced

0:21:22.240 --> 0:21:27.520
<v Speaker 1>of something, then your body does it, which which explains

0:21:27.560 --> 0:21:32.880
<v Speaker 1>why you know, Kanye uses outward affirmations I am the greatest, yes,

0:21:33.520 --> 0:21:37.080
<v Speaker 1>and then everything happens for him, the same way with Trump,

0:21:37.359 --> 0:21:39.640
<v Speaker 1>the same way with Diddy, the same with with Jay.

0:21:39.720 --> 0:21:42.520
<v Speaker 3>Remember Day remix it and called it a secret six million.

0:21:42.240 --> 0:21:48.120
<v Speaker 8>Dollars account six million do secret?

0:21:45.880 --> 0:21:46.119
<v Speaker 6>I have.

0:21:48.560 --> 0:21:50.280
<v Speaker 1>Six million dollars in my make account.

0:21:50.040 --> 0:21:51.360
<v Speaker 7>Right now, right now.

0:21:51.560 --> 0:21:59.480
<v Speaker 1>So I'm curious what what inside you gave you the

0:21:59.480 --> 0:22:01.800
<v Speaker 1>the balls to even be like, yo, let's write a

0:22:01.840 --> 0:22:04.560
<v Speaker 1>movie now, Like it didn't even start with like, let's

0:22:05.040 --> 0:22:06.440
<v Speaker 1>start with community theater.

0:22:06.760 --> 0:22:08.280
<v Speaker 7>Yeah, hey, how do you do this?

0:22:08.440 --> 0:22:09.919
<v Speaker 1>Or did you see a movie? One day? Is like

0:22:10.280 --> 0:22:13.440
<v Speaker 1>I could do literally that's what happened? Like what movie

0:22:13.480 --> 0:22:14.640
<v Speaker 1>did you see that sets you off?

0:22:14.680 --> 0:22:18.200
<v Speaker 8>I can't remember, and we are all we loved fiction.

0:22:18.600 --> 0:22:21.080
<v Speaker 8>That was like no, like that was something. I had

0:22:21.080 --> 0:22:25.000
<v Speaker 8>a pulp fiction poster on my bedroom door, like throughout.

0:22:24.640 --> 0:22:26.679
<v Speaker 1>If you were a teenager in the nineties, you had.

0:22:26.720 --> 0:22:29.240
<v Speaker 8>Yeah, I mean that came out in ninety four, maybe

0:22:29.280 --> 0:22:31.080
<v Speaker 8>I was twelve, so we saw it around then, and

0:22:31.359 --> 0:22:35.199
<v Speaker 8>it was it was also the era of like independent

0:22:35.320 --> 0:22:37.439
<v Speaker 8>It was like the resurgence of this independent film like

0:22:37.880 --> 0:22:41.919
<v Speaker 8>Clarks came out and Rushmore and Wes Anderson had Bottle Rocket,

0:22:42.080 --> 0:22:44.000
<v Speaker 8>so there was saw this film. Oh yeah, we were

0:22:44.000 --> 0:22:46.480
<v Speaker 8>obsessed with them. And it's also one of those things

0:22:46.480 --> 0:22:50.280
<v Speaker 8>that was my parents loved movies and they were just

0:22:50.400 --> 0:22:52.440
<v Speaker 8>huge movie fans, so they would like watch a lot

0:22:52.440 --> 0:22:53.960
<v Speaker 8>of movies and collect movies.

0:22:54.280 --> 0:22:57.760
<v Speaker 7>Vancouver. They made some stuff.

0:22:57.440 --> 0:23:00.440
<v Speaker 8>There, so it's not like Hollywood, but like you would

0:23:00.520 --> 0:23:04.040
<v Speaker 8>see movie sets around and so there was like it

0:23:04.119 --> 0:23:06.520
<v Speaker 8>wasn't this like completely unobtainable thing.

0:23:06.960 --> 0:23:08.000
<v Speaker 7>And then in.

0:23:08.000 --> 0:23:10.480
<v Speaker 8>High school, our high school was right across the street

0:23:10.480 --> 0:23:13.800
<v Speaker 8>from to video store like giant video stores, and we

0:23:13.800 --> 0:23:16.000
<v Speaker 8>would rent movies, like we watched.

0:23:16.200 --> 0:23:17.359
<v Speaker 7>All we would do is like smoke.

0:23:17.400 --> 0:23:21.320
<v Speaker 8>We'd watch movies basically, and when you watch enough movies

0:23:21.359 --> 0:23:23.520
<v Speaker 8>you start to think, maybe we could do this, and

0:23:23.560 --> 0:23:27.199
<v Speaker 8>if we write something that's like cheap, then maybe that

0:23:27.320 --> 0:23:29.760
<v Speaker 8>was always the thought was like it was said in

0:23:29.840 --> 0:23:31.919
<v Speaker 8>high school, super Bad, and we were like, where it

0:23:31.920 --> 0:23:34.280
<v Speaker 8>comes to worst, like this becomes something we like we

0:23:34.320 --> 0:23:35.919
<v Speaker 8>made movies with like our like you know, we had

0:23:35.920 --> 0:23:38.080
<v Speaker 8>a video camera. We were like, we could technically make

0:23:38.119 --> 0:23:40.399
<v Speaker 8>this ourselves if we wanted to.

0:23:40.880 --> 0:23:46.720
<v Speaker 1>You know, what was your north star in terms of Okay?

0:23:46.920 --> 0:23:50.200
<v Speaker 1>So now it's just hitting me that because I have

0:23:50.400 --> 0:23:54.000
<v Speaker 1>family that worked at an independent movie theater, yeah, back

0:23:54.040 --> 0:23:58.280
<v Speaker 1>in ninety one ninety two, so I always have free tickets.

0:23:58.840 --> 0:24:01.119
<v Speaker 1>But you know, we're seeing al Rachi, We're seeing like

0:24:01.160 --> 0:24:05.000
<v Speaker 1>all these indie films, which I mean the time, I

0:24:05.000 --> 0:24:08.720
<v Speaker 1>didn't realize it, but it was grooming me to gear

0:24:08.800 --> 0:24:11.879
<v Speaker 1>towards art house stuff as opposed to mainstream stuff. But

0:24:12.040 --> 0:24:15.960
<v Speaker 1>for you, what were your Were you a film snob

0:24:16.080 --> 0:24:17.760
<v Speaker 1>or were you just like I got Poor GI's and

0:24:17.800 --> 0:24:18.240
<v Speaker 1>Hot Dog?

0:24:18.400 --> 0:24:21.760
<v Speaker 7>Yeah, no, the Ski Movie, yeah, of course.

0:24:22.920 --> 0:24:29.080
<v Speaker 8>I liked Hamburger the motion pictures, Yeah, Hamburger, Hamburger.

0:24:30.240 --> 0:24:31.520
<v Speaker 7>Was there a Hamburger movie.

0:24:31.560 --> 0:24:34.160
<v Speaker 1>Yes, I gotta see it.

0:24:34.160 --> 0:24:35.720
<v Speaker 7>It was amazing on TV.

0:24:35.880 --> 0:24:41.000
<v Speaker 1>There's a specific like C movie VHS section, anything that

0:24:41.080 --> 0:24:43.600
<v Speaker 1>was on HBO late night, and like in we.

0:24:43.600 --> 0:24:45.560
<v Speaker 8>Would just rent movies based on what the cover of

0:24:45.560 --> 0:24:47.240
<v Speaker 8>the box looking garbage.

0:24:47.560 --> 0:24:48.880
<v Speaker 3>Anybody can find the garbage.

0:24:49.080 --> 0:24:51.880
<v Speaker 8>It's funny, Busy do might movie just came out. I watched,

0:24:52.119 --> 0:24:54.719
<v Speaker 8>But we were we were obsessed with Dolemite because like

0:24:54.800 --> 0:24:56.840
<v Speaker 8>it was one of those reason that like purely based

0:24:56.880 --> 0:24:59.080
<v Speaker 8>on the we're like what is this?

0:25:00.080 --> 0:25:01.560
<v Speaker 5>We did the same We did the same thing, like

0:25:01.600 --> 0:25:03.040
<v Speaker 5>every Friday night, we would all meet up at this

0:25:03.040 --> 0:25:05.199
<v Speaker 5>Mexican restaurant in town and then we would all like

0:25:05.280 --> 0:25:07.760
<v Speaker 5>caravan over to the video store, argue for about half

0:25:07.760 --> 0:25:09.200
<v Speaker 5>an hour about what video we're going to pick out.

0:25:09.400 --> 0:25:10.520
<v Speaker 7>Oh, we would argue for hours.

0:25:10.640 --> 0:25:12.280
<v Speaker 8>We spend more time in the video store than we

0:25:12.280 --> 0:25:14.439
<v Speaker 8>would watching the movies we rented at the video Like

0:25:14.480 --> 0:25:16.680
<v Speaker 8>that was the activity was going to the video store

0:25:16.720 --> 0:25:18.600
<v Speaker 8>inside we argue over.

0:25:18.520 --> 0:25:18.960
<v Speaker 7>What we did.

0:25:19.119 --> 0:25:21.040
<v Speaker 5>We called it a tasteless movie night. We would try to

0:25:21.040 --> 0:25:22.879
<v Speaker 5>find the most tasteless movie we could find in the

0:25:22.960 --> 0:25:24.679
<v Speaker 5>video stoffect Yeah, and we would just go to my

0:25:24.680 --> 0:25:26.600
<v Speaker 5>friend Darren's basement and watch it and just like it

0:25:26.640 --> 0:25:30.119
<v Speaker 5>was commentary, it was perfect commentary involved. I'm sure if

0:25:30.119 --> 0:25:32.040
<v Speaker 5>there had been. Well his mom was a teachers that.

0:25:32.000 --> 0:25:35.840
<v Speaker 1>Would never So what were your go to films?

0:25:36.280 --> 0:25:38.360
<v Speaker 7>Well, I think it's like one thing I look at

0:25:38.480 --> 0:25:39.800
<v Speaker 7>is like the movies.

0:25:39.840 --> 0:25:41.719
<v Speaker 8>It's obviously something I've thought about, you know, is like

0:25:41.800 --> 0:25:45.000
<v Speaker 8>the movies my parents owned, Like they owned like forty

0:25:45.040 --> 0:25:47.480
<v Speaker 8>movies on like vhs that they would like there was

0:25:47.520 --> 0:25:48.880
<v Speaker 8>like three movies to a VHS.

0:25:48.920 --> 0:25:51.560
<v Speaker 7>They would tape them off TV yes when they came

0:25:51.600 --> 0:25:52.680
<v Speaker 7>on and like.

0:25:52.680 --> 0:25:53.840
<v Speaker 1>Would you ever watch them?

0:25:54.000 --> 0:25:55.320
<v Speaker 7>I did all the time.

0:25:55.440 --> 0:25:59.600
<v Speaker 8>And those movies are like cementing in my brain. I know,

0:26:00.160 --> 0:26:02.960
<v Speaker 8>reward to every one of me. And I also bet

0:26:03.000 --> 0:26:04.880
<v Speaker 8>that if I like made a list of all those

0:26:04.920 --> 0:26:09.240
<v Speaker 8>movies they like directly correlate to the movies that I've

0:26:09.280 --> 0:26:13.880
<v Speaker 8>made since then basically like well, it's like Ghostbusters, they

0:26:14.200 --> 0:26:15.000
<v Speaker 8>and movies like that.

0:26:15.080 --> 0:26:16.280
<v Speaker 7>My dad loved Bill Murray.

0:26:17.280 --> 0:26:20.479
<v Speaker 8>They also loved like Woody Allen and like Independent like

0:26:20.520 --> 0:26:22.359
<v Speaker 8>they like they had like Hannah and Her Sisters and

0:26:22.440 --> 0:26:24.320
<v Speaker 8>like any halland movies like that. And I would watch

0:26:24.320 --> 0:26:27.320
<v Speaker 8>those movies a lot. And then they had like Albert

0:26:27.359 --> 0:26:29.879
<v Speaker 8>Brooks movies, and my dad loved Billy Crystal and so

0:26:30.040 --> 0:26:31.399
<v Speaker 8>like it was a lot of that stuff. And my

0:26:31.520 --> 0:26:33.960
<v Speaker 8>mom though, loved action movies, and so we had like

0:26:34.040 --> 0:26:38.159
<v Speaker 8>Die Hard and Total Recall and like Under Siege, I

0:26:38.240 --> 0:26:40.720
<v Speaker 8>remember we had right when it came out, and Lethal

0:26:40.800 --> 0:26:42.840
<v Speaker 8>Weapon was like, it's like one of my mom's favorite movies.

0:26:43.119 --> 0:26:47.720
<v Speaker 8>And so I would watch these like emotionally driven kind

0:26:47.800 --> 0:26:51.560
<v Speaker 8>of comedy drama movies and like the most violent, insane

0:26:51.760 --> 0:26:55.240
<v Speaker 8>action movies. And that's kind of a lot of the

0:26:55.320 --> 0:27:02.640
<v Speaker 8>stuff we make now, I see. Yeah, And so all

0:27:02.720 --> 0:27:05.879
<v Speaker 8>those movies like we loved, and then when yeah, and

0:27:05.920 --> 0:27:07.760
<v Speaker 8>then when Paul Fiction and those movies started to come out,

0:27:07.840 --> 0:27:10.399
<v Speaker 8>we became cessam Reservoir Dogs we loved and like.

0:27:11.840 --> 0:27:12.960
<v Speaker 7>And then we got.

0:27:12.800 --> 0:27:15.680
<v Speaker 8>Really in a Sam Raimie and Peter Jackson's early movies

0:27:15.720 --> 0:27:18.480
<v Speaker 8>like Army of Darkness we watched over and over and

0:27:18.480 --> 0:27:20.600
<v Speaker 8>over again and Dead Alive we watched.

0:27:20.640 --> 0:27:21.600
<v Speaker 7>We watched a lot.

0:27:21.480 --> 0:27:24.320
<v Speaker 8>And like, uh yeah, and then to see those guys

0:27:24.359 --> 0:27:27.360
<v Speaker 8>go on that was another thing. Is like you'd see like, oh,

0:27:27.400 --> 0:27:29.960
<v Speaker 8>like Sam Raimi's Drict and Spider Man and like these

0:27:30.000 --> 0:27:32.760
<v Speaker 8>guys who like we were already fans of for making

0:27:32.800 --> 0:27:36.960
<v Speaker 8>like the weirdest shit ever were then crossing over and

0:27:37.000 --> 0:27:40.000
<v Speaker 8>becoming really successful and I think making big things and

0:27:40.040 --> 0:27:42.680
<v Speaker 8>that was also I think something we always liked and

0:27:43.000 --> 0:27:45.800
<v Speaker 8>that was interesting to us. But no, I mean we

0:27:45.920 --> 0:27:47.280
<v Speaker 8>just like devoured.

0:27:46.920 --> 0:27:50.560
<v Speaker 1>The Vancouver have much of a social or nightlife because

0:27:50.560 --> 0:27:54.520
<v Speaker 1>I'm a I'm almost thinking of I'm thinking that Vancouver

0:27:54.760 --> 0:27:58.720
<v Speaker 1>is almost like all right, what Minneapolis was to print, yeah,

0:27:58.760 --> 0:28:02.240
<v Speaker 1>and how there was a scene there, but because there's

0:28:02.320 --> 0:28:05.119
<v Speaker 1>not much to do. Yes, he had a lot of

0:28:05.160 --> 0:28:06.480
<v Speaker 1>time to hone his craft.

0:28:06.200 --> 0:28:08.800
<v Speaker 8>Yes, to do music a lot, Yes, And the weather

0:28:09.280 --> 0:28:12.640
<v Speaker 8>determines staying in Vancouver is a city where people sit,

0:28:12.880 --> 0:28:15.000
<v Speaker 8>like go to someone's house and smoke weed.

0:28:15.280 --> 0:28:18.480
<v Speaker 7>That's like the activity your experience.

0:28:19.240 --> 0:28:22.040
<v Speaker 8>That is like what people do there, or and when

0:28:22.040 --> 0:28:24.800
<v Speaker 8>it's nice out, you go to a not a nature

0:28:24.880 --> 0:28:27.960
<v Speaker 8>place and smoke weed. It's like a very like weed

0:28:28.160 --> 0:28:31.560
<v Speaker 8>was like super prevalent and like it's a huge It's

0:28:31.560 --> 0:28:33.640
<v Speaker 8>like one of the most progressive cities in the world

0:28:33.720 --> 0:28:35.159
<v Speaker 8>when it comes to weed.

0:28:34.960 --> 0:28:38.360
<v Speaker 1>Even in the nineties. So you've never been arrested for

0:28:39.000 --> 0:28:39.400
<v Speaker 1>the right.

0:28:39.440 --> 0:28:41.479
<v Speaker 8>When I moved to La I got arrested because I

0:28:41.560 --> 0:28:45.800
<v Speaker 8>didn't understand how much more strict it wash than it

0:28:45.840 --> 0:28:48.000
<v Speaker 8>was in Vancouver. Like all throughout high school, if we

0:28:48.040 --> 0:28:51.200
<v Speaker 8>got caught with weed, the cops wouldn't would just take it.

0:28:51.560 --> 0:28:53.480
<v Speaker 8>They wouldn't even always take it. They would just be

0:28:53.600 --> 0:28:59.360
<v Speaker 8>like go away, like like it was such dulow on priority,

0:28:59.480 --> 0:29:02.960
<v Speaker 8>like on the priorities, because Vancouver had like a terrible,

0:29:03.200 --> 0:29:06.280
<v Speaker 8>terrible heroin problem and it was like had a really

0:29:06.400 --> 0:29:09.920
<v Speaker 8>rough drug problem, and so weed very early on became

0:29:10.040 --> 0:29:13.920
<v Speaker 8>deprioritized and decriminalized. And from when I was a kid,

0:29:13.920 --> 0:29:15.760
<v Speaker 8>there was a coffee shop you could go smoke weed

0:29:15.840 --> 0:29:19.000
<v Speaker 8>in and there was like indoor like places you go

0:29:19.040 --> 0:29:19.680
<v Speaker 8>inside and smoke.

0:29:19.720 --> 0:29:23.400
<v Speaker 3>We seth you never know, we would see I have.

0:29:23.880 --> 0:29:25.440
<v Speaker 7>But yeah, when I first moved to l A, we'd

0:29:25.440 --> 0:29:26.720
<v Speaker 7>buy pounds of Mexican weed.

0:29:29.080 --> 0:29:32.840
<v Speaker 1>Wait virgin here was I mean, I mean lots of

0:29:32.880 --> 0:29:36.200
<v Speaker 1>seeds and this is reggie.

0:29:35.840 --> 0:29:37.880
<v Speaker 3>So it's call it reggie regular weed.

0:29:37.960 --> 0:29:40.600
<v Speaker 6>But to me, if Vancouver has been in the hierarchy

0:29:40.680 --> 0:29:42.760
<v Speaker 6>of the weed gang, I would just assume that like

0:29:43.080 --> 0:29:44.200
<v Speaker 6>you're that.

0:29:44.280 --> 0:29:45.240
<v Speaker 7>Good like hydroponic.

0:29:45.400 --> 0:29:48.880
<v Speaker 8>You don't want to seeds, you know, it takes that's

0:29:48.920 --> 0:29:52.920
<v Speaker 8>a sterile part to wait I don't know if that's true.

0:29:56.640 --> 0:30:00.600
<v Speaker 7>I don't know if there's size. That's what associated.

0:30:00.720 --> 0:30:03.680
<v Speaker 1>That's what I'm saying. Why is it taking three years

0:30:03.680 --> 0:30:05.600
<v Speaker 1>for me to really wait? How are you just gonna

0:30:05.640 --> 0:30:07.400
<v Speaker 1>let Laya come here and drink your milk?

0:30:07.440 --> 0:30:07.680
<v Speaker 7>Seeds?

0:30:07.800 --> 0:30:10.760
<v Speaker 6>Right, all of our parents spoke with seeds in them,

0:30:10.800 --> 0:30:12.560
<v Speaker 6>and we stole them. We have to pick them out

0:30:12.760 --> 0:30:15.560
<v Speaker 6>and it pops into birds of seats, seats, this leather.

0:30:16.080 --> 0:30:17.640
<v Speaker 7>Sure, it falls out of the joint.

0:30:17.640 --> 0:30:19.520
<v Speaker 3>Sometimes. My dad's a cull for it all the time. God,

0:30:19.640 --> 0:30:21.920
<v Speaker 3>damn daddy, always looking in your car, look at them holes.

0:30:23.520 --> 0:30:36.760
<v Speaker 1>Sorry, I didn't know that you started standing up at

0:30:36.760 --> 0:30:37.480
<v Speaker 1>a young age.

0:30:37.560 --> 0:30:39.560
<v Speaker 7>Fourteen? Yeah, thirteen or fourteen?

0:30:39.760 --> 0:30:43.160
<v Speaker 1>Okay, so the only person I know they had the

0:30:43.200 --> 0:30:44.480
<v Speaker 1>experience with Chappelle.

0:30:44.880 --> 0:30:47.680
<v Speaker 7>How I think Eddie Murphy started around that age. Yeah,

0:30:47.720 --> 0:30:48.680
<v Speaker 7>so very much better.

0:30:48.760 --> 0:30:53.800
<v Speaker 1>How do you how do you even negotiate your way

0:30:53.880 --> 0:30:55.680
<v Speaker 1>into a club? Yeah?

0:30:57.160 --> 0:31:00.000
<v Speaker 8>My mom helped, She would talk to She drove me

0:31:00.080 --> 0:31:05.120
<v Speaker 8>to every show, literally because I couldn't drive. And yeah,

0:31:05.120 --> 0:31:09.400
<v Speaker 8>and what's funny is very early on it's one of

0:31:09.440 --> 0:31:12.239
<v Speaker 8>those like happy coincidences. I did a show that I

0:31:12.240 --> 0:31:14.680
<v Speaker 8>did a fundraiser when I was like fourteen, a small

0:31:14.720 --> 0:31:18.120
<v Speaker 8>one that the premiere who's like the governor kind of

0:31:18.120 --> 0:31:21.120
<v Speaker 8>a British Columbia, was at and my mother cornered him

0:31:21.440 --> 0:31:23.880
<v Speaker 8>and was like, if my son's performing at a bar,

0:31:24.240 --> 0:31:25.800
<v Speaker 8>can he be in the bar? And the guy was like,

0:31:25.880 --> 0:31:29.000
<v Speaker 8>legally yes, And she caught his office to send a

0:31:29.080 --> 0:31:33.160
<v Speaker 8>letter wow saying that as long as I was performing,

0:31:33.280 --> 0:31:35.600
<v Speaker 8>it is legal for me to be in the premises

0:31:35.640 --> 0:31:37.440
<v Speaker 8>and I and I would have to leave right after.

0:31:37.760 --> 0:31:40.680
<v Speaker 8>So like I would sit backstage and I would show

0:31:40.680 --> 0:31:42.600
<v Speaker 8>it to the club. There was only four clubs anyway,

0:31:42.600 --> 0:31:44.120
<v Speaker 8>but once they had all seen it, they would let

0:31:44.160 --> 0:31:47.480
<v Speaker 8>me perform there and and then I performed like regularly,

0:31:47.520 --> 0:31:49.400
<v Speaker 8>and I was like, I was like pretty good, Like

0:31:49.480 --> 0:31:49.880
<v Speaker 8>I wasn't.

0:31:50.040 --> 0:31:51.840
<v Speaker 3>What was a check like at the age? Did you

0:31:51.840 --> 0:31:52.320
<v Speaker 3>get a check?

0:31:52.400 --> 0:31:54.160
<v Speaker 8>Every once in a while, I would like open for

0:31:54.240 --> 0:31:56.560
<v Speaker 8>a comic and I'd get like one hundred and fifty

0:31:56.560 --> 0:31:58.480
<v Speaker 8>bucks or something like that, which when you're fucking but

0:31:59.280 --> 0:32:00.440
<v Speaker 8>like fantastic.

0:32:00.080 --> 0:32:02.840
<v Speaker 1>You use your your kiddom, did you use your youth?

0:32:03.160 --> 0:32:05.360
<v Speaker 7>I tried not to. I tried to.

0:32:05.560 --> 0:32:08.160
<v Speaker 8>I would talk well at first, I didn't at all,

0:32:08.360 --> 0:32:11.040
<v Speaker 8>and I because I was so self conscious about being

0:32:11.080 --> 0:32:13.480
<v Speaker 8>like gimmicky that I would try.

0:32:13.240 --> 0:32:16.800
<v Speaker 1>To tell you fourteen, I know it like rocket adult.

0:32:17.160 --> 0:32:21.160
<v Speaker 8>I was very neurotic, and I didn't want to be

0:32:21.520 --> 0:32:24.320
<v Speaker 8>like the kid comics, so I tried to write jokes

0:32:24.520 --> 0:32:27.080
<v Speaker 8>that that any comic would write that were like more

0:32:27.120 --> 0:32:28.520
<v Speaker 8>like observational humor, but.

0:32:28.480 --> 0:32:31.320
<v Speaker 1>It were I was always wanted to.

0:32:35.600 --> 0:32:38.400
<v Speaker 8>I didn't actually at first at all. Also, but then

0:32:38.640 --> 0:32:41.080
<v Speaker 8>I remember this comic Daryl Lennox, who still does stand

0:32:41.160 --> 0:32:42.920
<v Speaker 8>up and he's great.

0:32:43.560 --> 0:32:46.200
<v Speaker 7>He was like I was telling just.

0:32:46.280 --> 0:32:48.960
<v Speaker 8>Like like all the cogs would make fun of me

0:32:48.960 --> 0:32:50.760
<v Speaker 8>because I had a joke about like crazy glue. What's

0:32:50.760 --> 0:32:54.120
<v Speaker 8>so crazy about it? It was like this like observational

0:32:54.720 --> 0:32:58.480
<v Speaker 8>tumor of all time. And then and then Darryl I remember,

0:32:58.720 --> 0:33:00.960
<v Speaker 8>like sat me down and I was like fifteen, and

0:33:01.000 --> 0:33:04.120
<v Speaker 8>he was like, dude, like you are the only one

0:33:04.160 --> 0:33:07.400
<v Speaker 8>of us who is like experiencing all these things like

0:33:07.480 --> 0:33:10.320
<v Speaker 8>in real time, Like you're trying to kiss girls for

0:33:10.360 --> 0:33:12.440
<v Speaker 8>the first time, you're trying to get your driver's license,

0:33:12.440 --> 0:33:14.320
<v Speaker 8>you're trying to buy beer, you're trying to go to parties,

0:33:14.360 --> 0:33:17.080
<v Speaker 8>you're trying to sneak into strip clubs, like right, jokes

0:33:17.120 --> 0:33:20.480
<v Speaker 8>about that, like that's something that like everyone's gone through

0:33:20.520 --> 0:33:23.640
<v Speaker 8>in some way and you're living it like right now,

0:33:24.160 --> 0:33:27.360
<v Speaker 8>and and I was like okay. And then that was

0:33:27.400 --> 0:33:29.680
<v Speaker 8>also one of the things that really influenced Super Bad,

0:33:29.720 --> 0:33:32.000
<v Speaker 8>where at first it was more like, let's write a

0:33:32.040 --> 0:33:33.760
<v Speaker 8>high school movie, and then we were like, no, let's

0:33:33.760 --> 0:33:37.479
<v Speaker 8>write like whenever something happens to us, let's put it

0:33:37.480 --> 0:33:40.720
<v Speaker 8>in the movie, and let's make us the characters in

0:33:40.760 --> 0:33:42.680
<v Speaker 8>the movie, and let's like structure it around.

0:33:42.680 --> 0:33:44.920
<v Speaker 1>So those things happened to you guys in.

0:33:44.920 --> 0:33:47.600
<v Speaker 8>Super Bad, not all in one night, but almost a

0:33:48.040 --> 0:33:51.440
<v Speaker 8>lot of the stuff in the movie happened, Yeah, like

0:33:51.520 --> 0:33:54.160
<v Speaker 8>in some form or another, like and everything.

0:33:54.200 --> 0:33:56.120
<v Speaker 1>So you grind it up against the girl, and.

0:33:56.240 --> 0:33:57.520
<v Speaker 7>That happened at a school dance.

0:33:57.600 --> 0:34:04.120
<v Speaker 8>Yeah, that that that actually, And in real life, I

0:34:04.440 --> 0:34:07.200
<v Speaker 8>was one of the guys. Like it played out almost

0:34:07.360 --> 0:34:10.359
<v Speaker 8>verbatim as it did in the movie, except one of

0:34:10.400 --> 0:34:13.319
<v Speaker 8>our friends was the Jodah character in real life, and

0:34:13.360 --> 0:34:14.440
<v Speaker 8>I was one of the guys.

0:34:14.200 --> 0:34:15.840
<v Speaker 7>Who was like, what is that, Like, what's on your

0:34:15.920 --> 0:34:19.320
<v Speaker 7>leg there? And that's what happened.

0:34:19.360 --> 0:34:20.960
<v Speaker 8>And so, yeah, it was a school dance and we

0:34:21.000 --> 0:34:23.080
<v Speaker 8>all put our stuff in like the locker room in

0:34:23.320 --> 0:34:26.240
<v Speaker 8>the gym locker room like before, and we were getting

0:34:26.280 --> 0:34:29.319
<v Speaker 8>it after the dance and yeah, and like one of

0:34:29.360 --> 0:34:31.200
<v Speaker 8>our friends was like, did you spill it yourself? And

0:34:31.200 --> 0:34:33.279
<v Speaker 8>I think we were there like looking at it and

0:34:33.320 --> 0:34:34.880
<v Speaker 8>then and then what happened?

0:34:34.920 --> 0:34:36.680
<v Speaker 7>And we kind of allude to this to the movies.

0:34:36.719 --> 0:34:38.680
<v Speaker 8>We noticed on the other side of the locker room

0:34:38.719 --> 0:34:41.279
<v Speaker 8>there was another group of guys having the exact same

0:34:41.400 --> 0:34:45.240
<v Speaker 8>conversation and they were all like looking at their friend's legs,

0:34:45.239 --> 0:34:46.759
<v Speaker 8>poking at me like what is that?

0:34:46.760 --> 0:34:48.800
<v Speaker 7>Did you spill themselves?

0:34:49.160 --> 0:34:51.719
<v Speaker 8>And then like the two groups like locked eyes from

0:34:51.719 --> 0:34:53.520
<v Speaker 8>across the room and it was like this, guys are

0:34:53.560 --> 0:34:55.240
<v Speaker 8>so same moment where it was like, oh.

0:34:55.200 --> 0:34:59.919
<v Speaker 7>No, I think we have a situation on our.

0:35:01.600 --> 0:35:04.120
<v Speaker 8>And then there was a lot of like cross referencing

0:35:04.200 --> 0:35:07.200
<v Speaker 8>who they had danced with and.

0:35:07.440 --> 0:35:10.560
<v Speaker 1>Wait, I got a preface for two people who haven't

0:35:10.920 --> 0:35:14.120
<v Speaker 1>not seen Super Bad. There's there's a crucial scene where

0:35:15.640 --> 0:35:18.680
<v Speaker 1>there's a dance sort of grindy dance moment in which

0:35:18.680 --> 0:35:23.560
<v Speaker 1>a girl rubs her crouch on Jonah Hills. I think

0:35:23.600 --> 0:35:35.880
<v Speaker 1>it's pronounced I forgot inside, unbeknown that Jonah Hill is

0:35:37.160 --> 0:35:40.160
<v Speaker 1>thighs or his jeans are now maroon five.

0:35:40.360 --> 0:35:45.040
<v Speaker 7>Yes, they got period, their bloody period, it happened.

0:35:45.360 --> 0:35:46.520
<v Speaker 1>Oh wait, you're just getting that now.

0:35:46.640 --> 0:35:48.279
<v Speaker 3>I just remember I thought I couldn't remember if k

0:35:48.400 --> 0:35:49.080
<v Speaker 3>on himself.

0:35:48.880 --> 0:35:56.799
<v Speaker 7>Or also on the table, the waking about it that.

0:35:56.800 --> 0:35:58.560
<v Speaker 1>Was in long shot almost.

0:36:00.080 --> 0:36:00.200
<v Speaker 6>You know.

0:36:01.239 --> 0:36:06.279
<v Speaker 1>My favorite thing about I visit a lot of local

0:36:06.360 --> 0:36:09.880
<v Speaker 1>comedy houses in New York. My favorite thing is actually

0:36:10.239 --> 0:36:17.480
<v Speaker 1>watching people bomb yeahfl no, no, no, only because like

0:36:18.560 --> 0:36:20.160
<v Speaker 1>now I'm entering the stage of my life where I'm

0:36:20.200 --> 0:36:23.640
<v Speaker 1>i have to give a lot more public addressing, and

0:36:23.880 --> 0:36:27.680
<v Speaker 1>it's always how you handle yourself in that moment that

0:36:28.000 --> 0:36:31.320
<v Speaker 1>separates the men from the boys. So a lot of times,

0:36:31.400 --> 0:36:34.239
<v Speaker 1>like if you watch if you go to like I

0:36:34.360 --> 0:36:38.200
<v Speaker 1>love going to the store in LA when it's the

0:36:38.640 --> 0:36:41.640
<v Speaker 1>like the one am show, the very last show, and

0:36:41.800 --> 0:36:44.880
<v Speaker 1>usually like the last three people's are always like the doorman,

0:36:45.880 --> 0:36:47.799
<v Speaker 1>the bell guy like okay, I'll let you go up

0:36:47.800 --> 0:36:49.560
<v Speaker 1>and do five minutes, like everyone's left the room.

0:36:50.080 --> 0:36:52.040
<v Speaker 7>I performed there at that time when I was like

0:36:52.560 --> 0:36:53.319
<v Speaker 7>sixteen years old.

0:36:53.640 --> 0:36:57.000
<v Speaker 1>Because I feel in my mind that whenever I'm watching them,

0:36:57.719 --> 0:37:02.799
<v Speaker 1>then I believe at one point either not Jerar Carmichael

0:37:03.040 --> 0:37:06.560
<v Speaker 1>who's the guy that I liked Neighbors nigh Yeah, Jamar

0:37:06.640 --> 0:37:09.640
<v Speaker 1>Nighbors was one of those guys and he's hilarious, Like

0:37:09.680 --> 0:37:13.720
<v Speaker 1>he's one of Jerari Carmichael's dudes. But like it's always

0:37:13.880 --> 0:37:16.880
<v Speaker 1>the last three people on the late the Graveyard shift

0:37:17.640 --> 0:37:19.960
<v Speaker 1>that I love watching them the most to see how

0:37:20.040 --> 0:37:23.279
<v Speaker 1>they adjust to it. Have you, when you were in

0:37:23.960 --> 0:37:27.399
<v Speaker 1>sort of developing your skills or whatnot, have you ever

0:37:27.520 --> 0:37:31.319
<v Speaker 1>had to resort to what they would call the what's

0:37:31.360 --> 0:37:36.400
<v Speaker 1>the syndrome? Uh, like aristocrat syndrome or when you know

0:37:36.560 --> 0:37:40.800
<v Speaker 1>that you've done a bad set and you're just performing

0:37:40.880 --> 0:37:43.560
<v Speaker 1>for your buds, like, oah, I fucked up in always

0:37:43.719 --> 0:37:46.040
<v Speaker 1>did everyone do the aristocrats? It was at another thing

0:37:46.120 --> 0:37:47.120
<v Speaker 1>where I.

0:37:47.200 --> 0:37:50.480
<v Speaker 8>Never did that specifically, but there was I mean, yeah,

0:37:50.560 --> 0:37:53.239
<v Speaker 8>shit would go bad and there was and there would

0:37:53.280 --> 0:37:56.839
<v Speaker 8>be times yeah where you would just kind of throw

0:37:56.880 --> 0:38:00.920
<v Speaker 8>it all out and it was like a yeah, Like,

0:38:01.239 --> 0:38:06.200
<v Speaker 8>I think managing the audience's discomfort is something that is

0:38:06.360 --> 0:38:09.000
<v Speaker 8>a lesson that I learned at a young age, and

0:38:09.080 --> 0:38:13.840
<v Speaker 8>that like, you can carry with you across many different

0:38:14.040 --> 0:38:15.120
<v Speaker 8>avenues of life.

0:38:15.400 --> 0:38:18.520
<v Speaker 7>And I think that that's something that is very valuable

0:38:18.560 --> 0:38:20.880
<v Speaker 7>and I did it, Yeah, I remember doing. But my

0:38:21.040 --> 0:38:22.320
<v Speaker 7>friends could never come watch.

0:38:22.200 --> 0:38:24.319
<v Speaker 8>Me though, because I was a kid and they weren't

0:38:24.320 --> 0:38:27.400
<v Speaker 8>allowed it to the club, so it was always strangers.

0:38:27.480 --> 0:38:30.080
<v Speaker 8>But I had times when it's group tablesful adults, we

0:38:30.160 --> 0:38:32.239
<v Speaker 8>get up and leave. It was terrible and they I

0:38:32.360 --> 0:38:34.759
<v Speaker 8>remember performing at the Impro. I remember coming to La

0:38:35.360 --> 0:38:37.360
<v Speaker 8>to audition for the Just for Last Festival when I

0:38:37.440 --> 0:38:42.080
<v Speaker 8>was like fifteen and going to the improv and Jerry

0:38:42.200 --> 0:38:46.640
<v Speaker 8>Seinfeld decided to drop in at the Just for Last

0:38:46.760 --> 0:38:50.440
<v Speaker 8>stand up comedy showcase went on right before me.

0:38:51.719 --> 0:38:54.840
<v Speaker 7>Fucking annihilated when that happened.

0:38:55.000 --> 0:38:57.759
<v Speaker 1>When the big star comes in, it's like, hey, I

0:38:57.840 --> 0:38:59.200
<v Speaker 1>want to practice that thirty.

0:38:59.280 --> 0:39:01.640
<v Speaker 7>Comedy show on a fucking showcase.

0:39:01.800 --> 0:39:03.480
<v Speaker 3>Did you ever get to tell Jerry what he did

0:39:03.520 --> 0:39:03.680
<v Speaker 3>to you?

0:39:03.960 --> 0:39:05.800
<v Speaker 7>Yes? He could not have been more indifferent.

0:39:09.560 --> 0:39:12.120
<v Speaker 8>And then I went up after him, and I literally,

0:39:12.320 --> 0:39:15.160
<v Speaker 8>like to this day, remember standing on the stage and

0:39:15.280 --> 0:39:18.719
<v Speaker 8>it being so quiet. I could hear the electric hum

0:39:18.840 --> 0:39:23.279
<v Speaker 8>of the and I'd been doing stand up for years

0:39:23.320 --> 0:39:25.680
<v Speaker 8>at that point and I had never heard that sound.

0:39:25.840 --> 0:39:28.360
<v Speaker 8>I remember like thinking to myself, like wow, like have

0:39:28.440 --> 0:39:30.280
<v Speaker 8>the speaker's always been making that sound?

0:39:30.400 --> 0:39:32.359
<v Speaker 7>And I just haven't heard it or do These ones

0:39:32.440 --> 0:39:36.680
<v Speaker 7>had like a particularly loud but I just remember hearing

0:39:36.760 --> 0:39:40.279
<v Speaker 7>like I was like, oh that's a new one. Yeah.

0:39:40.280 --> 0:39:40.840
<v Speaker 7>It was brutal.

0:39:41.000 --> 0:39:43.480
<v Speaker 8>So at the time I didn't get into the just

0:39:43.520 --> 0:39:48.600
<v Speaker 8>for last festival, Jerry, Yes, could.

0:39:48.440 --> 0:39:54.279
<v Speaker 1>You explain how you got inside of the I guess

0:39:54.360 --> 0:40:00.480
<v Speaker 1>the mafia of the what I call the app Town mafia. Yeah,

0:40:00.520 --> 0:40:04.279
<v Speaker 1>I mean it was all I I. I was doing

0:40:04.360 --> 0:40:06.560
<v Speaker 1>stand up and I got an agent through stand up

0:40:06.680 --> 0:40:10.360
<v Speaker 1>and I was like sixteen or seventeen until high school

0:40:10.440 --> 0:40:12.680
<v Speaker 1>was like gonna end, and I like was not gonna

0:40:12.680 --> 0:40:13.280
<v Speaker 1>go to college.

0:40:13.320 --> 0:40:15.920
<v Speaker 7>So I was like, I should I need money, so

0:40:16.400 --> 0:40:18.799
<v Speaker 7>I should start trying to audition for things.

0:40:18.880 --> 0:40:22.200
<v Speaker 8>And my plan, if you asked me that point where

0:40:22.239 --> 0:40:23.440
<v Speaker 8>my plan was, I'll be like, oh, I'll moved to

0:40:23.600 --> 0:40:26.000
<v Speaker 8>LA after high school and I'll try to do stand

0:40:26.080 --> 0:40:26.680
<v Speaker 8>up And so.

0:40:26.760 --> 0:40:28.480
<v Speaker 1>You wanted to be a straight up stand up coming, Yeah,

0:40:28.480 --> 0:40:28.759
<v Speaker 1>And then.

0:40:28.640 --> 0:40:30.240
<v Speaker 8>I thought maybe I'll get like on like a sitcom

0:40:30.320 --> 0:40:31.800
<v Speaker 8>that was kind of like the only precedent of that

0:40:32.160 --> 0:40:35.240
<v Speaker 8>in that time. That was like the thing that seemed

0:40:35.280 --> 0:40:37.719
<v Speaker 8>the most achievable because it was like Seinfeld was on

0:40:38.120 --> 0:40:40.719
<v Speaker 8>like everybody loves Raymon and Martin like that. Like at

0:40:40.760 --> 0:40:42.520
<v Speaker 8>the time, it seemed like if you were a successful

0:40:42.560 --> 0:40:45.680
<v Speaker 8>stand up, you got a sitcom. And I always liked

0:40:45.800 --> 0:40:49.279
<v Speaker 8>movies more and so that was always something that I

0:40:49.440 --> 0:40:52.760
<v Speaker 8>like wanted, but it wasn't as like it didn't seem

0:40:53.239 --> 0:40:54.960
<v Speaker 8>it seemed like the types of movies I wanted to

0:40:55.000 --> 0:40:57.640
<v Speaker 8>make at that time especially were like very small, independent movies,

0:40:57.680 --> 0:41:00.239
<v Speaker 8>And at that time, Super Bad seemed like it would

0:41:00.239 --> 0:41:02.160
<v Speaker 8>be like like Rushmore, you know what I mean, like

0:41:02.800 --> 0:41:05.440
<v Speaker 8>not in its artfulness, but just in its scope, you know.

0:41:06.239 --> 0:41:10.080
<v Speaker 8>And I think that then I moved so I auditioned

0:41:10.160 --> 0:41:13.040
<v Speaker 8>for Freaking Geeks. Was a second audition I got out

0:41:13.280 --> 0:41:15.719
<v Speaker 8>sent out on and they auditioned kids out of Vancouver,

0:41:16.280 --> 0:41:17.480
<v Speaker 8>like they did international.

0:41:17.800 --> 0:41:19.440
<v Speaker 1>Wait, you all were from Vancouver.

0:41:19.600 --> 0:41:20.799
<v Speaker 7>No, they did international.

0:41:21.640 --> 0:41:23.840
<v Speaker 8>So they auditioned in New York, in Chicago and Boston

0:41:23.920 --> 0:41:26.800
<v Speaker 8>and Toronto and Vancouver, and I like, I went in

0:41:27.200 --> 0:41:30.279
<v Speaker 8>for an audition one morning in Vancouver and and then

0:41:30.320 --> 0:41:30.680
<v Speaker 8>I got it.

0:41:30.760 --> 0:41:32.319
<v Speaker 7>And then I moved to LA and uh.

0:41:32.440 --> 0:41:38.560
<v Speaker 1>I watched I watched that show in the first man,

0:41:38.640 --> 0:41:41.040
<v Speaker 1>don't let people. I know people now like to revision it,

0:41:41.160 --> 0:41:44.200
<v Speaker 1>like yo, man, freaking gigs with my ship man. You're like, oh, yeah,

0:41:44.320 --> 0:41:47.400
<v Speaker 1>well but it was then why why don't watch it?

0:41:48.800 --> 0:41:49.000
<v Speaker 7>Well?

0:41:49.120 --> 0:41:53.040
<v Speaker 1>I watched it because during the time of us recording,

0:41:53.719 --> 0:41:56.000
<v Speaker 1>Uh do you want more? Yeah, there was always a

0:41:56.080 --> 0:41:56.759
<v Speaker 1>TV on the break.

0:41:57.000 --> 0:41:57.920
<v Speaker 7>Yeah. So that's how I.

0:41:57.920 --> 0:42:01.759
<v Speaker 1>Remember freaking geeks. That was my favorite. I thought, oh man,

0:42:01.800 --> 0:42:05.440
<v Speaker 1>this is way better than my so called life years Damn.

0:42:05.480 --> 0:42:07.520
<v Speaker 3>I was just thinking about that as he was talking shit, I.

0:42:07.719 --> 0:42:12.560
<v Speaker 1>Get away like, were you excited of the the critical

0:42:12.719 --> 0:42:13.279
<v Speaker 1>claim it got?

0:42:13.360 --> 0:42:13.759
<v Speaker 7>And did you?

0:42:14.800 --> 0:42:18.920
<v Speaker 8>I had no, Like I was like a seventeen year

0:42:18.960 --> 0:42:23.080
<v Speaker 8>old pothead from Vancouver who, like I had no concept

0:42:23.200 --> 0:42:26.040
<v Speaker 8>of any of that shit, Like I remember Pee being

0:42:26.080 --> 0:42:28.439
<v Speaker 8>like you're in a business man, yet I just didn't.

0:42:28.760 --> 0:42:32.040
<v Speaker 7>I think I was. So I was.

0:42:33.000 --> 0:42:37.920
<v Speaker 8>I was really confident and I felt like everything like

0:42:38.000 --> 0:42:40.160
<v Speaker 8>when someone's like yours everyone loves your show, like it

0:42:40.239 --> 0:42:41.680
<v Speaker 8>has one hundred percent good reviews.

0:42:41.680 --> 0:42:43.120
<v Speaker 7>I was like, yeah, it's fucking.

0:42:42.880 --> 0:42:46.279
<v Speaker 8>Great, like like it wasn't like really, it was like,

0:42:46.400 --> 0:42:48.839
<v Speaker 8>of course we're putting out great shit, like there's nothing

0:42:48.920 --> 0:42:52.640
<v Speaker 8>like this on TV, like of course everyone like and

0:42:52.800 --> 0:42:55.319
<v Speaker 8>if anything, that made it more frustrating that no one

0:42:55.480 --> 0:42:58.040
<v Speaker 8>was watching it because like we knew it was good,

0:42:58.400 --> 0:43:00.800
<v Speaker 8>and that's like I look back on and like, I

0:43:00.800 --> 0:43:02.640
<v Speaker 8>didn't even think of the quality of the show when

0:43:02.680 --> 0:43:05.759
<v Speaker 8>I went and did it, Like I it could have

0:43:05.800 --> 0:43:07.879
<v Speaker 8>been the word Like I was just like a job,

0:43:07.960 --> 0:43:09.719
<v Speaker 8>I'll take it. And then I remember getting to la

0:43:09.920 --> 0:43:12.359
<v Speaker 8>and to shoot the pilot and it wasn't even until

0:43:12.400 --> 0:43:15.399
<v Speaker 8>then that I got the full script, like the day

0:43:15.480 --> 0:43:17.560
<v Speaker 8>before we started filming, and then I remember reading it

0:43:17.680 --> 0:43:19.920
<v Speaker 8>and being like, oh, there's like jokes about shrooms in

0:43:20.000 --> 0:43:21.719
<v Speaker 8>here and shit like that. And then we rehearsed for

0:43:21.800 --> 0:43:24.040
<v Speaker 8>one day and they were like, what would you say here?

0:43:24.120 --> 0:43:26.480
<v Speaker 8>And then all of a sudden we were improvising and

0:43:26.560 --> 0:43:29.120
<v Speaker 8>they were letting us add jokes about Hitler and all

0:43:29.200 --> 0:43:31.960
<v Speaker 8>this stuff, and we were like, this is really different.

0:43:32.040 --> 0:43:34.320
<v Speaker 8>And then when we started shooting it, we were like

0:43:34.600 --> 0:43:38.000
<v Speaker 8>again Like the director was from the independent film world,

0:43:38.080 --> 0:43:40.800
<v Speaker 8>Jake Kasden had just made Zero Effect, which was a

0:43:40.920 --> 0:43:44.319
<v Speaker 8>movie I was a big fan of. So it was like, oh, yeah,

0:43:44.400 --> 0:43:48.080
<v Speaker 8>we have like these writers and directors who were like

0:43:48.280 --> 0:43:50.560
<v Speaker 8>doing the exact stuff that I liked. So when it

0:43:50.680 --> 0:43:53.759
<v Speaker 8>turned out great, it was like again I was So

0:43:54.960 --> 0:43:57.320
<v Speaker 8>I was really like spoiled at that time because I

0:43:57.400 --> 0:43:58.640
<v Speaker 8>was just like, yeah, you make something.

0:44:00.280 --> 0:44:03.720
<v Speaker 1>So you together, like, oh, they creator the Larry Sanders

0:44:03.800 --> 0:44:04.880
<v Speaker 1>Show has this new.

0:44:06.000 --> 0:44:07.640
<v Speaker 7>Knew that, but I didn't.

0:44:08.320 --> 0:44:11.720
<v Speaker 8>Again, I didn't realize, I think, how like I didn't

0:44:11.719 --> 0:44:13.759
<v Speaker 8>realize a how just because you did something good before,

0:44:13.800 --> 0:44:16.480
<v Speaker 8>it doesn't mean you'll keep doing things that everyone appreciates.

0:44:16.680 --> 0:44:18.360
<v Speaker 7>Like I was a fan of the Larry.

0:44:18.200 --> 0:44:20.920
<v Speaker 8>Sanders Show, a huge fan and grew up watching it,

0:44:21.080 --> 0:44:24.960
<v Speaker 8>and but I didn't, like I think when I took

0:44:25.000 --> 0:44:26.600
<v Speaker 8>the when I first got cast on the show, I

0:44:26.600 --> 0:44:28.560
<v Speaker 8>had no idea jud it even I didn't know judge.

0:44:29.560 --> 0:44:30.719
<v Speaker 1>What was I know?

0:44:30.760 --> 0:44:33.000
<v Speaker 8>Judd worked on Larry Sanders Show. There was no IMDb

0:44:33.160 --> 0:44:35.759
<v Speaker 8>at this time, Like there was no way to look

0:44:35.880 --> 0:44:39.920
<v Speaker 8>up you were working with Evan. Yeah, like I had

0:44:40.040 --> 0:44:42.839
<v Speaker 8>no idea the internet. Yeah, there was no like work

0:44:42.920 --> 0:44:44.920
<v Speaker 8>Maybe there's IMDb, but I didn't know how to use it. Yeah,

0:44:44.920 --> 0:44:47.040
<v Speaker 8>there was no like organized way of checking any of

0:44:47.120 --> 0:44:47.439
<v Speaker 8>that shit.

0:44:47.520 --> 0:44:49.480
<v Speaker 3>This is like and did James Franklin didn't even hit

0:44:49.520 --> 0:44:50.319
<v Speaker 3>the soap shit right?

0:44:50.520 --> 0:44:53.040
<v Speaker 8>Like no, it was like no one had done any

0:44:53.480 --> 0:44:56.480
<v Speaker 8>and so yeah it was. But then it started Eric

0:44:56.640 --> 0:44:58.200
<v Speaker 8>as we were shooting, and then they just were like,

0:44:58.239 --> 0:44:59.960
<v Speaker 8>no one's watching this ship and it was on set

0:45:00.000 --> 0:45:02.880
<v Speaker 8>Saturday night at eight or some shit like that against cops.

0:45:03.040 --> 0:45:05.759
<v Speaker 8>I remember Judge like joking, like cops beats us. We're

0:45:05.840 --> 0:45:07.640
<v Speaker 8>fucked and they cops beat us.

0:45:07.840 --> 0:45:14.000
<v Speaker 1>And he was, no, So what are you gunnry about Undeclared?

0:45:15.560 --> 0:45:15.600
<v Speaker 5>No?

0:45:15.840 --> 0:45:18.080
<v Speaker 1>Because again I was did you feel like, okay, well,

0:45:18.280 --> 0:45:19.640
<v Speaker 1>we'll do a better version.

0:45:20.120 --> 0:45:21.239
<v Speaker 8>I was like, oh, this time, we'll do like a

0:45:21.320 --> 0:45:23.200
<v Speaker 8>more commercial version and we kind of work out the

0:45:23.280 --> 0:45:25.879
<v Speaker 8>kinks and like again it was like the exact same

0:45:25.960 --> 0:45:28.320
<v Speaker 8>thing happened where it was like very critically acclaimed and

0:45:28.400 --> 0:45:29.400
<v Speaker 8>then no one watched it.

0:45:30.239 --> 0:45:32.000
<v Speaker 1>But but that, but I was.

0:45:32.360 --> 0:45:34.880
<v Speaker 8>I was thrilled, honestly, like I was a writer and

0:45:34.960 --> 0:45:37.520
<v Speaker 8>an actor on Undeclared. I was eighteen years old, Like

0:45:37.760 --> 0:45:41.000
<v Speaker 8>it was, you know, it was like a very exciting

0:45:41.280 --> 0:45:42.359
<v Speaker 8>thing for me to be doing.

0:45:42.480 --> 0:45:47.359
<v Speaker 1>So, uh, how hard is it living hands and mouth

0:45:47.440 --> 0:45:50.160
<v Speaker 1>in that period? Because I are you, well.

0:45:50.760 --> 0:45:52.239
<v Speaker 3>Feel like has he never had a did you ever

0:45:52.280 --> 0:45:53.400
<v Speaker 3>have a regular job or anything?

0:45:53.400 --> 0:45:57.000
<v Speaker 7>Well? I after Undeclared, I didn't work for like three

0:45:57.560 --> 0:46:00.800
<v Speaker 7>or four years. Basicly, what did you do? I fucking

0:46:01.280 --> 0:46:02.520
<v Speaker 7>spent very little.

0:46:02.360 --> 0:46:06.160
<v Speaker 6>Money, but you still never have to work at piece

0:46:06.160 --> 0:46:08.719
<v Speaker 6>of head or be a server and I would help.

0:46:09.920 --> 0:46:12.800
<v Speaker 8>Judd was very nice and he would get these super

0:46:12.920 --> 0:46:16.320
<v Speaker 8>high priced rewriting jobs and then he would give me

0:46:16.480 --> 0:46:18.719
<v Speaker 8>a little to help him do it. So like I

0:46:18.840 --> 0:46:24.440
<v Speaker 8>helped rewrite Bad Boys Too. As an example, Wait, time out.

0:46:24.840 --> 0:46:28.600
<v Speaker 8>First of all, that its out, yes, so it's like

0:46:28.640 --> 0:46:30.719
<v Speaker 8>a secret thing. We wrote that joke, and that was

0:46:30.760 --> 0:46:32.440
<v Speaker 8>in the trailer where they're singing the song and they

0:46:32.520 --> 0:46:35.040
<v Speaker 8>forget the word they like don't know the words like.

0:46:37.040 --> 0:46:40.839
<v Speaker 7>Oh yeah, yeah and yeah.

0:46:41.000 --> 0:46:42.880
<v Speaker 8>It was like, yeah, we that was one of the

0:46:43.000 --> 0:46:45.640
<v Speaker 8>many things we did so maintenance work.

0:46:45.800 --> 0:46:46.520
<v Speaker 1>So what else did you do?

0:46:47.160 --> 0:46:50.279
<v Speaker 8>Little things here and there? Like uh, one of the

0:46:50.280 --> 0:46:53.040
<v Speaker 8>Big Mama's House movies I helped on for a few days.

0:46:56.920 --> 0:47:00.600
<v Speaker 6>Wait, in this moment, I was I saying this because

0:47:00.600 --> 0:47:02.040
<v Speaker 6>I know my whole family gonna get mad at me.

0:47:02.120 --> 0:47:04.560
<v Speaker 3>But in this moment, are you understanding your white funny man?

0:47:05.680 --> 0:47:08.360
<v Speaker 3>Because you know that you are like you like this

0:47:08.520 --> 0:47:11.640
<v Speaker 3>is a seriously it's a serious question. Like nobody else.

0:47:11.680 --> 0:47:13.839
<v Speaker 6>If you hear the struggles of other comedians and things

0:47:13.920 --> 0:47:16.360
<v Speaker 6>and other colors, women, da da da dah, there is

0:47:16.480 --> 0:47:19.560
<v Speaker 6>never a moment where they haven't had to like serve

0:47:19.719 --> 0:47:21.320
<v Speaker 6>or do something that they didn't want to do.

0:47:21.480 --> 0:47:22.560
<v Speaker 3>But it seems like since you.

0:47:22.600 --> 0:47:26.279
<v Speaker 6>Were fourteen years old, Yeah, you was on it. You

0:47:26.360 --> 0:47:28.439
<v Speaker 6>needed final draft, you had it, you needed the camera,

0:47:28.560 --> 0:47:31.239
<v Speaker 6>you had it. You this is any moment did you

0:47:31.320 --> 0:47:31.759
<v Speaker 6>realize this?

0:47:32.160 --> 0:47:36.319
<v Speaker 8>I was super, Yes, I was. I was very Yeah.

0:47:36.400 --> 0:47:41.320
<v Speaker 8>I was never felt particularly downtrodden. I was very I

0:47:41.400 --> 0:47:43.800
<v Speaker 8>felt lucky. I was very I always felt lucky and

0:47:43.960 --> 0:47:47.920
<v Speaker 8>was very fortunate and like and and got that.

0:47:48.280 --> 0:47:48.480
<v Speaker 7>Yeah.

0:47:48.480 --> 0:47:50.120
<v Speaker 8>I mean there was a time when I was maybe

0:47:50.200 --> 0:47:52.120
<v Speaker 8>gonna like but there was a moment I was like

0:47:52.120 --> 0:47:53.719
<v Speaker 8>I might have to move back to Vancouver because I

0:47:53.840 --> 0:47:55.880
<v Speaker 8>was just running out of money and couldn't afford to

0:47:55.920 --> 0:48:00.879
<v Speaker 8>live in la anymore. And that's when I got hired

0:48:00.920 --> 0:48:03.560
<v Speaker 8>on the Ali g Show. And that like continue that

0:48:03.760 --> 0:48:07.520
<v Speaker 8>like yeah, it was like a great It was like

0:48:07.600 --> 0:48:10.439
<v Speaker 8>a great job to have because like it was even

0:48:10.600 --> 0:48:13.160
<v Speaker 8>it was like it sounded great in a room, Like

0:48:13.520 --> 0:48:15.160
<v Speaker 8>it was like when we went on meetings and we

0:48:15.239 --> 0:48:18.880
<v Speaker 8>were like, oh we got yeah, we got dominated for Emmys.

0:48:18.960 --> 0:48:19.439
<v Speaker 7>That was great.

0:48:19.520 --> 0:48:23.080
<v Speaker 8>Like it was something that like basically I haven't stopped

0:48:23.080 --> 0:48:26.000
<v Speaker 8>working since that. It was like that was like the

0:48:26.080 --> 0:48:27.400
<v Speaker 8>thing that kind of kept me going.

0:48:27.360 --> 0:48:30.640
<v Speaker 1>Because his brand of comedy sasa veryon cornet because he's

0:48:31.160 --> 0:48:34.880
<v Speaker 1>such a rogue, yeah, kind of artsy comedian. How do

0:48:34.960 --> 0:48:36.200
<v Speaker 1>you find his voice?

0:48:36.760 --> 0:48:40.320
<v Speaker 8>It was kind of Uh, it was hard, and I

0:48:40.440 --> 0:48:42.520
<v Speaker 8>think he liked and I think it was good that

0:48:42.600 --> 0:48:45.480
<v Speaker 8>we were so young and malleable at this time when

0:48:45.520 --> 0:48:48.640
<v Speaker 8>we were working for him, Like we were like twenty

0:48:48.719 --> 0:48:50.719
<v Speaker 8>two or something like that, and so like he could

0:48:50.840 --> 0:48:54.960
<v Speaker 8>really I think without some of like the kid gloves

0:48:55.000 --> 0:48:57.240
<v Speaker 8>you would use with older people, being.

0:48:57.160 --> 0:48:59.200
<v Speaker 7>Like, here's what you have to do, here's.

0:48:58.960 --> 0:48:59.440
<v Speaker 1>What we do.

0:48:59.680 --> 0:49:04.200
<v Speaker 7>Do exactly fucking this and nothing else. Forget everything, you know,

0:49:04.920 --> 0:49:05.640
<v Speaker 7>just do this.

0:49:05.880 --> 0:49:09.759
<v Speaker 8>So like yeah, and and and he would literally lock

0:49:09.840 --> 0:49:12.120
<v Speaker 8>us in a room and be like write two hundred

0:49:12.200 --> 0:49:16.560
<v Speaker 8>interview questions for me to be interviewing like an environmentalist

0:49:16.680 --> 0:49:18.960
<v Speaker 8>in a tree, like and like, don't come out of

0:49:19.000 --> 0:49:21.000
<v Speaker 8>that room till you've written me two hundred questions.

0:49:22.440 --> 0:49:22.759
<v Speaker 3>Well he did.

0:49:23.040 --> 0:49:25.520
<v Speaker 8>Yeah, we came on for Bruno and then we went

0:49:25.560 --> 0:49:27.000
<v Speaker 8>on the road with him. We went to spring Break,

0:49:27.040 --> 0:49:29.880
<v Speaker 8>We did all the spring Break stuff with Bruno. It

0:49:30.000 --> 0:49:37.080
<v Speaker 8>was insane. He almost got killed. What happens when you

0:49:37.200 --> 0:49:41.359
<v Speaker 8>go to like Daytona beach yeah, it was crazy. What's

0:49:41.400 --> 0:49:43.800
<v Speaker 8>funny is I had to kind of hide because I

0:49:44.000 --> 0:49:47.560
<v Speaker 8>was not famous, but I was like one in every hundred.

0:49:47.640 --> 0:49:51.320
<v Speaker 8>People knew me from freaks and geeks, and so I

0:49:51.640 --> 0:49:53.960
<v Speaker 8>was kind of had to like I was like relegated

0:49:54.040 --> 0:49:56.800
<v Speaker 8>to the hotel room because like they were. He was

0:49:56.880 --> 0:49:58.879
<v Speaker 8>just like the chance that zone sees you and puts

0:49:58.960 --> 0:50:01.800
<v Speaker 8>two and two together is like two great. So, like

0:50:01.920 --> 0:50:03.880
<v Speaker 8>we would travel from city to city and me and

0:50:03.960 --> 0:50:06.440
<v Speaker 8>Evan would literally just sit in a hotel room and

0:50:06.480 --> 0:50:08.400
<v Speaker 8>whatever city we were in and like and pray.

0:50:08.239 --> 0:50:08.959
<v Speaker 1>They come back alive.

0:50:09.080 --> 0:50:09.640
<v Speaker 7>Yeah, exactly.

0:50:09.920 --> 0:50:12.000
<v Speaker 8>They would come back and they would show us the

0:50:12.040 --> 0:50:13.640
<v Speaker 8>footage of what they had done that day and we

0:50:13.719 --> 0:50:16.440
<v Speaker 8>would all just laugh hysterically and be amazed that they

0:50:16.520 --> 0:50:18.040
<v Speaker 8>hadn't gotten killed, and like it was.

0:50:19.040 --> 0:50:21.120
<v Speaker 7>It was fun. Yeah, it was great. Wow.

0:50:22.360 --> 0:50:26.680
<v Speaker 1>All right, So I have so many questions about your movies,

0:50:26.719 --> 0:50:28.560
<v Speaker 1>but I'm afraid we'll just get stuck in one of them.

0:50:28.680 --> 0:50:32.319
<v Speaker 7>Yeah, but.

0:50:34.160 --> 0:50:36.440
<v Speaker 3>This is it, I mean yeah, one, yes, well, I

0:50:36.480 --> 0:50:37.040
<v Speaker 3>mean there's.

0:50:36.880 --> 0:50:41.480
<v Speaker 1>So many, but I will say that for you know,

0:50:41.640 --> 0:50:47.719
<v Speaker 1>foty year old Virgin was to me, like, how how

0:50:48.239 --> 0:50:53.040
<v Speaker 1>much input are you given for scripts? Or how open

0:50:53.120 --> 0:50:56.800
<v Speaker 1>is Judd to having you guys adjust the comedy the

0:50:56.880 --> 0:50:59.440
<v Speaker 1>way that it looked. It almost seemed like, oh, this

0:50:59.560 --> 0:51:00.839
<v Speaker 1>got to be on the spot, and he just say

0:51:00.960 --> 0:51:01.919
<v Speaker 1>keep the cameras rolling.

0:51:02.120 --> 0:51:03.640
<v Speaker 7>A lot of it was improvised.

0:51:04.120 --> 0:51:08.040
<v Speaker 8>Yeah, I was, I would say, like, because super Bad

0:51:08.160 --> 0:51:11.279
<v Speaker 8>had been written and no one would make it, and

0:51:11.960 --> 0:51:14.840
<v Speaker 8>same with Pineapple Express, so you was still shopping it actively.

0:51:15.920 --> 0:51:19.680
<v Speaker 8>And me and Evan and my especially because Evan was

0:51:19.719 --> 0:51:22.000
<v Speaker 8>in college at the time and wasn't there all the time.

0:51:22.560 --> 0:51:24.400
<v Speaker 8>Like I was always like, people want to see a

0:51:24.480 --> 0:51:27.400
<v Speaker 8>movie where people talk like this, like more than anything.

0:51:27.600 --> 0:51:31.680
<v Speaker 8>That's what I had a strong feeling of, was like,

0:51:32.160 --> 0:51:35.600
<v Speaker 8>they want a comedy where people where it's conversational and

0:51:35.760 --> 0:51:39.200
<v Speaker 8>not so like plucky and jokey, and it just feels

0:51:39.239 --> 0:51:42.200
<v Speaker 8>like people talking, they're swearing a lot, and and and

0:51:42.640 --> 0:51:45.799
<v Speaker 8>like it's like taking like again because we grew up

0:51:45.840 --> 0:51:47.560
<v Speaker 8>loving pulp fiction and clerks, and we were just like,

0:51:47.680 --> 0:51:51.040
<v Speaker 8>if you can really gear that towards like comedy and

0:51:51.200 --> 0:51:54.359
<v Speaker 8>like in a great way, and and since no one

0:51:54.400 --> 0:51:58.440
<v Speaker 8>would make super Bad, jud Like and me and him

0:51:58.520 --> 0:52:02.320
<v Speaker 8>together just thought that if we could make these the

0:52:02.400 --> 0:52:04.760
<v Speaker 8>guys who work in the store kind of be almost

0:52:04.840 --> 0:52:07.200
<v Speaker 8>like it's almost almost like a weird testing ground for

0:52:07.400 --> 0:52:12.400
<v Speaker 8>like that type of conversational comedy, whereas Corel's character was

0:52:12.440 --> 0:52:13.440
<v Speaker 8>this like sweet.

0:52:13.480 --> 0:52:15.000
<v Speaker 7>Kind of like island.

0:52:15.040 --> 0:52:16.560
<v Speaker 8>In the middle of the movie, we were like, if

0:52:16.600 --> 0:52:18.799
<v Speaker 8>we can make these guys like, why don't we try

0:52:18.880 --> 0:52:22.200
<v Speaker 8>this where we improvise and have it be very conversational

0:52:22.320 --> 0:52:24.400
<v Speaker 8>and you guys can swear a lot and say all

0:52:24.440 --> 0:52:26.760
<v Speaker 8>the sick shit you say to each other that makes

0:52:26.800 --> 0:52:30.719
<v Speaker 8>each other laugh behind the scenes, but we never say

0:52:30.760 --> 0:52:33.120
<v Speaker 8>it on camera because always like that's too much, that's

0:52:33.120 --> 0:52:35.920
<v Speaker 8>too crazy, or people won't like that. But we were like,

0:52:35.960 --> 0:52:39.000
<v Speaker 8>what if we do that on camera, you know? And

0:52:39.280 --> 0:52:42.840
<v Speaker 8>that was really like the first time that any of

0:52:42.960 --> 0:52:46.120
<v Speaker 8>us had done that, I think, like it was they

0:52:46.160 --> 0:52:49.600
<v Speaker 8>had done Anchorman, where it was it was different though,

0:52:49.600 --> 0:52:52.839
<v Speaker 8>because the movie is tonally not real, so like it's

0:52:52.880 --> 0:52:55.280
<v Speaker 8>not they improvised a lot, but it wasn't like actual

0:52:55.440 --> 0:52:58.200
<v Speaker 8>conversations because it's like under this umbrella of like a

0:52:58.280 --> 0:53:01.799
<v Speaker 8>false reality, you know. But this was the first time

0:53:01.840 --> 0:53:04.520
<v Speaker 8>where it was literally like you can just say whatever

0:53:04.920 --> 0:53:07.879
<v Speaker 8>you think you would say in this situation and there's

0:53:08.040 --> 0:53:13.280
<v Speaker 8>no rating, like and we had never played in that environment.

0:53:12.920 --> 0:53:16.320
<v Speaker 7>Before, and it was really the first time where we

0:53:16.400 --> 0:53:18.160
<v Speaker 7>were all like, oh, we can really let it rip.

0:53:18.400 --> 0:53:22.759
<v Speaker 8>And I remember the I had improvised that thing about

0:53:22.800 --> 0:53:25.440
<v Speaker 8>going to Tijuana and like seeing a woman fucking a horse,

0:53:25.520 --> 0:53:29.320
<v Speaker 8>and it's like it's like he comes into the or

0:53:29.440 --> 0:53:31.759
<v Speaker 8>he comes it's like Corel comes into work and he

0:53:31.880 --> 0:53:34.560
<v Speaker 8>explained making an egg salad sandwich and he's like, what

0:53:34.600 --> 0:53:35.880
<v Speaker 8>did you do this weekend? I'm like, oh, I went

0:53:35.880 --> 0:53:38.640
<v Speaker 8>to Tijuana. We went to see this woman horse and

0:53:38.760 --> 0:53:40.960
<v Speaker 8>like it was not that cool, like it was kind

0:53:40.960 --> 0:53:44.680
<v Speaker 8>of gross. Uh and and I remember like and it

0:53:44.800 --> 0:53:47.080
<v Speaker 8>was like pretty it was like on the scale of

0:53:47.160 --> 0:53:49.879
<v Speaker 8>like the types of things people were saying in movies.

0:53:49.600 --> 0:53:51.960
<v Speaker 7>At that time, on like the very far end of

0:53:52.040 --> 0:53:54.120
<v Speaker 7>the spectrum, which is that's.

0:53:54.040 --> 0:53:56.200
<v Speaker 1>Why I asked you about the aristocrats exactly.

0:53:58.160 --> 0:54:00.239
<v Speaker 8>Yeah, and so that and we were just making each

0:54:00.239 --> 0:54:03.120
<v Speaker 8>other laugh and I remember before the first screening we

0:54:03.239 --> 0:54:07.120
<v Speaker 8>were like if people like, if that works, then like

0:54:08.000 --> 0:54:11.160
<v Speaker 8>then we're fine. Like then all these instincts we have

0:54:11.480 --> 0:54:14.040
<v Speaker 8>of like what people want might be right. And I

0:54:14.160 --> 0:54:18.200
<v Speaker 8>remember like it was like like on like that moment

0:54:18.360 --> 0:54:20.400
<v Speaker 8>was like a life changing moment in many ways, like

0:54:20.440 --> 0:54:22.840
<v Speaker 8>sitting in the theater when that part came on for

0:54:22.920 --> 0:54:26.000
<v Speaker 8>the first time and seeing the audience just like explode

0:54:26.120 --> 0:54:28.960
<v Speaker 8>in laughter, and like you could see it was just

0:54:29.120 --> 0:54:32.959
<v Speaker 8>like shocking to them, but all so funny and also

0:54:33.120 --> 0:54:35.120
<v Speaker 8>felt kind of real. And I remember so many people

0:54:35.200 --> 0:54:36.520
<v Speaker 8>come up to me after we came out and be like,

0:54:36.560 --> 0:54:38.520
<v Speaker 8>you remind me so much of a guy I used

0:54:38.520 --> 0:54:40.279
<v Speaker 8>to work with, or you remind me so much of

0:54:40.360 --> 0:54:42.680
<v Speaker 8>this weirdo who was in the back room at this

0:54:43.040 --> 0:54:45.320
<v Speaker 8>place I would go to and like and and and

0:54:45.719 --> 0:54:48.120
<v Speaker 8>you could see that we were kind of like tapping

0:54:48.200 --> 0:54:53.040
<v Speaker 8>into this like relatable form of comedy that people, you know,

0:54:53.200 --> 0:54:54.919
<v Speaker 8>at that time, it was like Dumb and Dumber, which

0:54:54.960 --> 0:54:56.839
<v Speaker 8>I love, like it's one of my favorite movies ever,

0:54:56.920 --> 0:55:03.120
<v Speaker 8>but it is not relatable, natural li stick conversational comedy.

0:55:03.280 --> 0:55:03.440
<v Speaker 7>You know.

0:55:03.760 --> 0:55:09.920
<v Speaker 8>It's huge, crazy gags and very specifically like written in

0:55:10.040 --> 0:55:12.279
<v Speaker 8>staged bits right and very smart.

0:55:12.320 --> 0:55:14.960
<v Speaker 6>Can I just give you credit to for putting an

0:55:15.080 --> 0:55:20.279
<v Speaker 6>actor in their lesser known name Kevin hart Hart, the

0:55:20.440 --> 0:55:22.319
<v Speaker 6>dude Jared. I want to say his name right, Jerry.

0:55:23.320 --> 0:55:25.920
<v Speaker 6>He's funny, the Indian guy who's just stopped everywhere.

0:55:27.000 --> 0:55:27.760
<v Speaker 1>Is he okay?

0:55:28.000 --> 0:55:36.000
<v Speaker 7>He is Okay. The other guy Okay, Jerry's fine.

0:55:36.880 --> 0:55:38.520
<v Speaker 3>One that was working in the store that was kept

0:55:38.560 --> 0:55:39.319
<v Speaker 3>saying nasty ship.

0:55:39.400 --> 0:55:43.000
<v Speaker 7>Yes, about mixed up with the other guy. The other

0:55:43.080 --> 0:55:45.759
<v Speaker 7>guy who still be in jail is in jail.

0:55:46.280 --> 0:55:50.160
<v Speaker 8>Okay, okay, yeah, making sure, making sure Ry's great.

0:55:50.320 --> 0:55:57.279
<v Speaker 7>Yeah, Kevin Hart was great. Attempted jail.

0:56:00.080 --> 0:56:02.799
<v Speaker 1>That happened because murder is bad, and I.

0:56:02.920 --> 0:56:03.960
<v Speaker 7>Do not like murder.

0:56:04.200 --> 0:56:06.160
<v Speaker 8>You know the conversations on the South when you have

0:56:06.280 --> 0:56:08.800
<v Speaker 8>to explain that you're feeling is murderous.

0:56:08.880 --> 0:56:13.800
<v Speaker 7>Back, let me just clarify murders.

0:56:13.440 --> 0:56:16.880
<v Speaker 1>Back Sokay, succeed.

0:56:17.280 --> 0:56:18.200
<v Speaker 7>What I'm succeeding.

0:56:18.320 --> 0:56:21.160
<v Speaker 1>What I want to ask is, when you got the

0:56:21.200 --> 0:56:24.440
<v Speaker 1>pitch for knocked Up? Yes, how is it pitched to

0:56:24.560 --> 0:56:30.759
<v Speaker 1>you so that you wouldn't take it personally? Because the

0:56:30.840 --> 0:56:34.000
<v Speaker 1>thing is because because the underhand tone of what knocked

0:56:34.080 --> 0:56:39.239
<v Speaker 1>Up really is is we're gonna pair this hot girl.

0:56:40.040 --> 0:56:43.360
<v Speaker 7>With like you, I told you, it's something.

0:56:43.520 --> 0:56:47.040
<v Speaker 1>It's a joke. I was, but I appreciate you because

0:56:47.440 --> 0:56:50.160
<v Speaker 1>you I was in on the joke, right, That's the thing.

0:56:50.239 --> 0:56:52.120
<v Speaker 8>How do you not do the person I think and

0:56:52.239 --> 0:56:54.680
<v Speaker 8>what I always I would actually think that like one

0:56:54.760 --> 0:56:56.799
<v Speaker 8>of the first other pieces of advice. A stand up

0:56:56.840 --> 0:56:59.960
<v Speaker 8>comic Gamy, when I was like thirteen, was like, whatever,

0:57:00.560 --> 0:57:02.800
<v Speaker 8>what's funny is this stand up comic looked exactly like

0:57:02.920 --> 0:57:04.959
<v Speaker 8>Garth from Wayne's World. Like he was like a super

0:57:05.040 --> 0:57:08.279
<v Speaker 8>skinny dude with long blonde hair and glasses. And he

0:57:08.480 --> 0:57:10.840
<v Speaker 8>was like whatever. He's like, you have to let the

0:57:10.960 --> 0:57:14.879
<v Speaker 8>audience know that you are self aware or they'll be uncomfortable.

0:57:15.000 --> 0:57:17.200
<v Speaker 8>And he's like, so if there's something about you that

0:57:17.400 --> 0:57:21.200
<v Speaker 8>reads very obviously like, don't ignore that thing, Like let

0:57:21.280 --> 0:57:23.840
<v Speaker 8>them know you are more aware of it than they

0:57:23.920 --> 0:57:25.920
<v Speaker 8>could ever imagine. And he was like, He's like, my

0:57:26.000 --> 0:57:28.360
<v Speaker 8>whole opening five minutes is about that I look like Garth.

0:57:28.560 --> 0:57:31.280
<v Speaker 8>Like I fucking get it. And so I was always

0:57:31.360 --> 0:57:35.120
<v Speaker 8>aware that I came across as like a schlubby, kind

0:57:35.200 --> 0:57:38.960
<v Speaker 8>of stonery loser, and I was not. I wasn't in

0:57:39.080 --> 0:57:43.640
<v Speaker 8>any way way self conscious about representing myself like that, because.

0:57:43.280 --> 0:57:46.720
<v Speaker 7>I knew I was not that you got super confidence.

0:57:46.800 --> 0:57:49.000
<v Speaker 7>I was highly productive.

0:57:49.360 --> 0:57:53.960
<v Speaker 8>I could date women like that that were that were

0:57:54.120 --> 0:57:58.240
<v Speaker 8>well out of my league on a physical level. I like,

0:57:58.560 --> 0:58:00.480
<v Speaker 8>I had a job, I would game, I had a

0:58:00.560 --> 0:58:03.040
<v Speaker 8>nice apartment, I had a nice car, like I was

0:58:03.120 --> 0:58:05.520
<v Speaker 8>like at that point, like getting successful, you know, So

0:58:05.920 --> 0:58:08.200
<v Speaker 8>it was not it was funny to me. And I

0:58:08.280 --> 0:58:11.440
<v Speaker 8>remember jud we kept pitching these like crazy movies, mean,

0:58:11.480 --> 0:58:13.000
<v Speaker 8>and we were trying to make Pineapple Express. We're like

0:58:13.040 --> 0:58:15.280
<v Speaker 8>wanting a big action movie, and he was like that,

0:58:15.720 --> 0:58:17.960
<v Speaker 8>Like He's like, you first just have to make something

0:58:18.000 --> 0:58:22.120
<v Speaker 8>that like establishes who you are in the most like normal,

0:58:22.280 --> 0:58:26.360
<v Speaker 8>relatable type of setting. And he just said it conversationally

0:58:26.400 --> 0:58:27.880
<v Speaker 8>one day. It was literally like like like if you

0:58:27.960 --> 0:58:29.840
<v Speaker 8>got a girl pregnant on the first date or something like,

0:58:30.120 --> 0:58:31.960
<v Speaker 8>that's the type of movie we should make. And it

0:58:32.080 --> 0:58:33.320
<v Speaker 8>was one of those things where it was like, oh,

0:58:33.840 --> 0:58:35.760
<v Speaker 8>we actually could. That's actually a really good idea.

0:58:35.800 --> 0:58:36.480
<v Speaker 7>What would that be like?

0:58:36.680 --> 0:58:40.120
<v Speaker 8>Like and him and his wife had got pregnant very

0:58:40.200 --> 0:58:43.560
<v Speaker 8>early on in their relationship, and I think had to

0:58:43.640 --> 0:58:46.040
<v Speaker 8>make some quick decisions as to whether or not they

0:58:46.080 --> 0:58:48.000
<v Speaker 8>were going to kind of stay together and give it

0:58:48.080 --> 0:58:51.880
<v Speaker 8>a go, you know, are just or what the just

0:58:51.960 --> 0:58:53.880
<v Speaker 8>what the dynamics of the relationship were gonna be, you

0:58:53.960 --> 0:58:54.840
<v Speaker 8>know what I mean, I think.

0:58:54.680 --> 0:58:56.600
<v Speaker 7>They weren't planning on having a kid at that time.

0:58:57.080 --> 0:59:03.920
<v Speaker 8>From my understanding, yes, exactly, Leslie's great, yeah, very funny,

0:59:03.960 --> 0:59:07.200
<v Speaker 8>and so it was yeah, so it was personal. It

0:59:07.320 --> 0:59:10.120
<v Speaker 8>was personal to me because and I think the way

0:59:10.160 --> 0:59:12.920
<v Speaker 8>that we were able to represent my living situation especially

0:59:13.000 --> 0:59:15.000
<v Speaker 8>was highly personal to me. And all the roommates and

0:59:15.840 --> 0:59:17.480
<v Speaker 8>and all those guys were actually my friends, and I

0:59:17.520 --> 0:59:19.720
<v Speaker 8>actually had lived with almost all of them at one

0:59:19.760 --> 0:59:23.120
<v Speaker 8>point or another, and so like it did seem like

0:59:23.240 --> 0:59:26.120
<v Speaker 8>I really yeah, yeah, I was totally happy with it

0:59:26.200 --> 0:59:28.080
<v Speaker 8>and thought I would be funny with it, you know,

0:59:28.760 --> 0:59:30.080
<v Speaker 8>And there was a thing where I was just I

0:59:30.160 --> 0:59:31.680
<v Speaker 8>remember being like, oh, I can just make this guy

0:59:31.760 --> 0:59:33.080
<v Speaker 8>like worse and worse and worse.

0:59:33.200 --> 0:59:35.640
<v Speaker 7>Like like just dumber and dumber and dumber.

0:59:35.760 --> 0:59:38.240
<v Speaker 8>And it's almost like the bower inappropriate, like the worst

0:59:38.320 --> 0:59:40.440
<v Speaker 8>thing I could say on a date almost is like

0:59:40.520 --> 0:59:44.080
<v Speaker 8>the funnier the whole movie becomes so yeah.

0:59:44.400 --> 0:59:54.439
<v Speaker 1>Wow, Okay, well I mean okay, well, yeah, I'll guess

0:59:54.440 --> 0:59:57.320
<v Speaker 1>I'll ask. Okay, you don't have to, no, no, no,

0:59:57.560 --> 1:00:00.280
<v Speaker 1>it's not that I'm just saying that, is there ever?

1:00:00.400 --> 1:00:00.640
<v Speaker 7>Fear?

1:00:00.720 --> 1:00:05.480
<v Speaker 1>Okay. I go to thirty Rock University and all that entails,

1:00:06.120 --> 1:00:11.080
<v Speaker 1>you know. So I'm in in the iosorum. It's it's

1:00:11.120 --> 1:00:13.600
<v Speaker 1>a university sess and now it's a big giant campus.

1:00:13.520 --> 1:00:16.280
<v Speaker 7>In cathedral to which entertainment is built.

1:00:17.560 --> 1:00:22.520
<v Speaker 1>So when you're how hard is it, in your opinion,

1:00:22.600 --> 1:00:25.080
<v Speaker 1>how hard is it for women to get a seat

1:00:25.160 --> 1:00:25.720
<v Speaker 1>at the table?

1:00:27.760 --> 1:00:31.280
<v Speaker 7>Insanely hard, way harder, And in.

1:00:31.400 --> 1:00:34.320
<v Speaker 1>Light of what's happening now and how comedy sort of

1:00:34.360 --> 1:00:40.720
<v Speaker 1>has to re examine itself and what was cool in

1:00:41.280 --> 1:00:45.800
<v Speaker 1>two thousand and six might get a raised eyebrow, Now,

1:00:46.680 --> 1:00:47.280
<v Speaker 1>how has.

1:00:47.240 --> 1:00:52.120
<v Speaker 7>That eighteen we get a raised eyebrow out?

1:00:53.720 --> 1:00:57.240
<v Speaker 1>Yeah, so how does that affect not not how does

1:00:57.280 --> 1:00:59.080
<v Speaker 1>it affect your world, but how does it affect the

1:00:59.120 --> 1:01:01.800
<v Speaker 1>creative process, the fraternity process?

1:01:01.960 --> 1:01:03.560
<v Speaker 3>Yeah, where's the woman in the in the team?

1:01:04.480 --> 1:01:05.560
<v Speaker 7>We have women on our team?

1:01:08.400 --> 1:01:12.960
<v Speaker 1>But are you more or is it the climate right

1:01:13.040 --> 1:01:15.920
<v Speaker 1>now in Hollywood? Are they super aware of it now where.

1:01:15.840 --> 1:01:16.640
<v Speaker 7>They say they are?

1:01:16.800 --> 1:01:19.480
<v Speaker 8>But I don't think a lot has changed. And if

1:01:19.560 --> 1:01:22.160
<v Speaker 8>you look at the movies that come out, almost all

1:01:22.240 --> 1:01:25.000
<v Speaker 8>of them are made by white dudes, like you know,

1:01:25.240 --> 1:01:31.720
<v Speaker 8>like it's very like not that the actual like decision

1:01:31.880 --> 1:01:34.800
<v Speaker 8>to spend hundreds of millions of dollars in a new

1:01:34.960 --> 1:01:39.120
<v Speaker 8>social direction has not happened. I don't think I think

1:01:39.160 --> 1:01:41.000
<v Speaker 8>people are talking about it. And it's like a topic

1:01:41.040 --> 1:01:43.040
<v Speaker 8>of conversation that's like fun for people to say. And

1:01:43.080 --> 1:01:46.040
<v Speaker 8>I think there's they're like inching towards that. But have

1:01:46.200 --> 1:01:47.960
<v Speaker 8>I seen like, oh, all of a sudden, if you

1:01:48.000 --> 1:01:50.760
<v Speaker 8>look at the slate of every major studio and they're all.

1:01:51.400 --> 1:01:53.600
<v Speaker 7>More equally distributed between men and women.

1:01:54.040 --> 1:02:01.240
<v Speaker 6>No, that's not the case at all women, And I

1:02:01.320 --> 1:02:01.840
<v Speaker 6>think that that.

1:02:02.720 --> 1:02:05.080
<v Speaker 7>But I think for us, I think we're lucky with

1:02:05.200 --> 1:02:09.880
<v Speaker 7>comedy for us because we never like pedaled in that.

1:02:10.160 --> 1:02:12.680
<v Speaker 8>I don't think like we never pedled in something that

1:02:12.760 --> 1:02:16.600
<v Speaker 8>I would have considered to be like, you know, I

1:02:16.680 --> 1:02:20.560
<v Speaker 8>think our comedy like I'm never complaining that, like about

1:02:20.640 --> 1:02:22.960
<v Speaker 8>like people being PC or like we can't say the

1:02:23.000 --> 1:02:25.400
<v Speaker 8>stuff that we want to be able to say. Like

1:02:25.920 --> 1:02:28.920
<v Speaker 8>to me, that is like not an issue, and like

1:02:30.160 --> 1:02:33.600
<v Speaker 8>you're either the type of person that like you want

1:02:33.680 --> 1:02:36.360
<v Speaker 8>your you know, your work reflects who you are no

1:02:36.520 --> 1:02:40.800
<v Speaker 8>matter what, and so if you have your sensibilities trying

1:02:40.880 --> 1:02:42.960
<v Speaker 8>to be in the right place at any given moment,

1:02:43.040 --> 1:02:46.080
<v Speaker 8>then your work will reflect that. And I've found myself

1:02:46.520 --> 1:02:49.200
<v Speaker 8>not really having to defend that much of what I've

1:02:49.280 --> 1:02:51.760
<v Speaker 8>done in the moment that it has come out. I

1:02:51.960 --> 1:02:55.160
<v Speaker 8>acknowledge that again a week later you look back and

1:02:55.200 --> 1:02:59.440
<v Speaker 8>you're like, WHOA, that's age poorly. Sometimes you know, like yeah,

1:02:59.480 --> 1:03:01.720
<v Speaker 8>I think there's jokes and sausage party that like twenty

1:03:01.800 --> 1:03:06.640
<v Speaker 8>four hours after it came out, we're inappropriate. So maybe

1:03:06.680 --> 1:03:09.840
<v Speaker 8>twenty four hours before it came out. But I think that,

1:03:10.600 --> 1:03:14.640
<v Speaker 8>you know, we we try not to be offensive, We

1:03:14.760 --> 1:03:17.600
<v Speaker 8>try not to exclude people in our work. We try

1:03:17.640 --> 1:03:21.000
<v Speaker 8>to be inclusive as possible, and and and we ourselves

1:03:21.440 --> 1:03:23.600
<v Speaker 8>are those types of people. So it isn't this like

1:03:23.720 --> 1:03:26.040
<v Speaker 8>chore to weave that into our work.

1:03:26.960 --> 1:03:28.880
<v Speaker 1>And so lets just know that people now are hyper

1:03:28.960 --> 1:03:34.360
<v Speaker 1>aware that that has to happen or that has to

1:03:34.680 --> 1:03:37.400
<v Speaker 1>be a thing, whereas you know before you don't think like, okay,

1:03:37.760 --> 1:03:39.800
<v Speaker 1>it might be inclusive. Am I in finding this group

1:03:39.880 --> 1:03:40.320
<v Speaker 1>or that group?

1:03:40.440 --> 1:03:43.480
<v Speaker 8>I think that, I think anthing we're trying to be

1:03:43.720 --> 1:03:46.080
<v Speaker 8>aware of for the last few years. I think Neighbors

1:03:46.120 --> 1:03:50.320
<v Speaker 8>is the first movie that we really made really trying

1:03:50.400 --> 1:03:56.800
<v Speaker 8>to go into it acknowledging that traditionally, especially that type

1:03:56.840 --> 1:03:59.960
<v Speaker 8>of relationship that mean rose like a husband wife, really

1:04:00.000 --> 1:04:02.720
<v Speaker 8>relationship in a movie is like always done a certain way,

1:04:02.840 --> 1:04:04.800
<v Speaker 8>and we had to not do that and like it's

1:04:04.840 --> 1:04:06.560
<v Speaker 8>always based on the fact that they hate each other

1:04:06.920 --> 1:04:08.400
<v Speaker 8>and that they're not happy, and that there's all this

1:04:08.480 --> 1:04:11.240
<v Speaker 8>conflict in their relationship and that she's fucking lame most

1:04:11.280 --> 1:04:13.520
<v Speaker 8>of the time and that like he's like the carefree,

1:04:13.560 --> 1:04:17.880
<v Speaker 8>fun one and she's yeah, and like so that was

1:04:18.040 --> 1:04:20.760
<v Speaker 8>I think the and it was before all this, you know,

1:04:21.280 --> 1:04:24.400
<v Speaker 8>all the current you know, kind of revelations that are happening.

1:04:24.520 --> 1:04:26.840
<v Speaker 8>But even then we were like, just how do we

1:04:27.080 --> 1:04:29.880
<v Speaker 8>not do this in a lame way, you know? And

1:04:30.000 --> 1:04:32.680
<v Speaker 8>how do we And also like, we want the actors

1:04:32.720 --> 1:04:35.840
<v Speaker 8>in the movie to be proud and happy with their work.

1:04:35.880 --> 1:04:37.960
<v Speaker 8>And I think as someone who is both an actor

1:04:38.040 --> 1:04:40.120
<v Speaker 8>and a writer and a director and a producer, like

1:04:40.640 --> 1:04:44.120
<v Speaker 8>I I understand what all those jobs entail, and I

1:04:44.200 --> 1:04:46.560
<v Speaker 8>understand what it takes to make all the people doing

1:04:46.640 --> 1:04:49.840
<v Speaker 8>those jobs feel like they're really doing something that they

1:04:49.880 --> 1:04:52.880
<v Speaker 8>can be proud of and happy with. And that's something

1:04:52.960 --> 1:04:55.160
<v Speaker 8>that was just started to become very important when I

1:04:55.240 --> 1:04:58.040
<v Speaker 8>started to realize, like, oh, like if we cast Rose

1:04:58.040 --> 1:05:00.000
<v Speaker 8>Burn in this role, we have to make it good

1:05:00.520 --> 1:05:02.960
<v Speaker 8>and funny, and we have to make her excited to

1:05:03.040 --> 1:05:05.160
<v Speaker 8>come into work every day, and we have to make

1:05:05.200 --> 1:05:06.560
<v Speaker 8>it that when she leaves work at the end of

1:05:06.600 --> 1:05:09.120
<v Speaker 8>the day, she really felt like she was as funny

1:05:09.160 --> 1:05:11.280
<v Speaker 8>as anyone else and given the opportunity to be as

1:05:11.280 --> 1:05:13.560
<v Speaker 8>funny as anyone else, not like she was told, like

1:05:13.880 --> 1:05:15.920
<v Speaker 8>you tell us to shut up as we say funny

1:05:15.960 --> 1:05:17.520
<v Speaker 8>shit over here, you know what I mean?

1:05:17.960 --> 1:05:20.760
<v Speaker 1>How does that work? Okay? So how does that work?

1:05:20.880 --> 1:05:23.720
<v Speaker 1>Like break it down like in third grade? Yeah, all right,

1:05:23.920 --> 1:05:28.520
<v Speaker 1>So if you're heading a project, yeah, and you have

1:05:28.640 --> 1:05:31.720
<v Speaker 1>to write for a specific character that you might not

1:05:32.720 --> 1:05:34.720
<v Speaker 1>really have put a lot of effort or you know,

1:05:34.960 --> 1:05:37.320
<v Speaker 1>like what's their background? And first of all, when you

1:05:37.560 --> 1:05:41.200
<v Speaker 1>write for a character or write for a movie, does

1:05:41.280 --> 1:05:44.280
<v Speaker 1>each character have to have their own bio in your mind?

1:05:44.480 --> 1:05:48.560
<v Speaker 8>Like to some degree, I think like backstory, Yeah, I

1:05:48.600 --> 1:05:51.080
<v Speaker 8>think to some degree. I think it's it depends on

1:05:51.240 --> 1:05:54.520
<v Speaker 8>how in like what's funny is like in this is

1:05:54.560 --> 1:05:58.640
<v Speaker 8>the end? Like none of us really have any backstory, Like.

1:05:59.000 --> 1:06:01.440
<v Speaker 7>We're kind of just who you assume we are and you.

1:06:01.560 --> 1:06:05.640
<v Speaker 8>Slowly and the emotional conflicts are very of the moment.

1:06:05.840 --> 1:06:09.440
<v Speaker 8>It's based on you know, you're seeing it play out

1:06:09.520 --> 1:06:13.400
<v Speaker 8>in real time basically, so, but in general, yes, like

1:06:13.520 --> 1:06:16.760
<v Speaker 8>some sense of backstory is is helpful and the more

1:06:16.840 --> 1:06:19.440
<v Speaker 8>you can think of, the more it's probably good. But

1:06:19.880 --> 1:06:23.520
<v Speaker 8>for I think for something like Neighbors, the conversations were

1:06:23.640 --> 1:06:26.200
<v Speaker 8>literally like, how do we create a plot and a

1:06:26.280 --> 1:06:30.160
<v Speaker 8>flow of events where that isn't contingent on these two

1:06:30.280 --> 1:06:33.920
<v Speaker 8>characters having conflict with one another and instead is contingent

1:06:34.000 --> 1:06:37.520
<v Speaker 8>on these two characters really being on the same team

1:06:37.560 --> 1:06:42.200
<v Speaker 8>as one another, And right away that allowed both characters

1:06:42.280 --> 1:06:45.520
<v Speaker 8>to be outrageous and silly and stupid, and neither one

1:06:45.680 --> 1:06:48.040
<v Speaker 8>was trying to control the other. If anything, they were

1:06:48.160 --> 1:06:51.680
<v Speaker 8>always like encouraging the other to do stupidor and stupider

1:06:51.800 --> 1:06:56.480
<v Speaker 8>shit kind of. And so it's more understanding the dynamics

1:06:57.160 --> 1:07:00.320
<v Speaker 8>going in and what the result that will do. So

1:07:00.400 --> 1:07:01.880
<v Speaker 8>it's like, if we go into the movie with this

1:07:02.040 --> 1:07:04.160
<v Speaker 8>type of dynamic, the result will be this, And if

1:07:04.160 --> 1:07:05.680
<v Speaker 8>we go and do with this type dnamic, the result

1:07:05.720 --> 1:07:08.680
<v Speaker 8>will be this. And so that's something we were aware of,

1:07:08.880 --> 1:07:10.280
<v Speaker 8>is like, if we want the result to be this,

1:07:10.880 --> 1:07:13.480
<v Speaker 8>the dynamic has to be very specific going into it,

1:07:13.640 --> 1:07:15.680
<v Speaker 8>you know, And that that's what we tried to do.

1:07:15.880 --> 1:07:18.720
<v Speaker 1>So kind of a three part question. Yeah, all right,

1:07:20.800 --> 1:07:27.920
<v Speaker 1>now in your career. What is your preference. Would you

1:07:28.400 --> 1:07:35.120
<v Speaker 1>rather lean towards directing a project or writing a project

1:07:35.680 --> 1:07:40.120
<v Speaker 1>to give to someone else to direct, or what I

1:07:40.120 --> 1:07:44.760
<v Speaker 1>would just say, blind job, as in doing a project

1:07:44.840 --> 1:07:49.560
<v Speaker 1>that you neither had no directing or no hand in

1:07:49.880 --> 1:07:50.320
<v Speaker 1>writing it.

1:07:51.720 --> 1:07:55.919
<v Speaker 8>I do that less and less, Like I don't act

1:07:56.040 --> 1:07:59.680
<v Speaker 8>in a lot of other people's movies. I don't get

1:07:59.680 --> 1:08:05.600
<v Speaker 8>asked a lot of other people's movies. But vehicles, Yeah, yes.

1:08:05.520 --> 1:08:08.840
<v Speaker 7>Exactly, But yeah, so it happens, and I do do it.

1:08:09.040 --> 1:08:12.360
<v Speaker 8>Sometimes I think what I'm what I really enjoy is

1:08:12.440 --> 1:08:15.360
<v Speaker 8>writing something with the hopes that I will direct it

1:08:15.520 --> 1:08:17.120
<v Speaker 8>and act in it, which has happened.

1:08:17.240 --> 1:08:18.559
<v Speaker 1>You want to wear all three hats?

1:08:18.880 --> 1:08:20.559
<v Speaker 7>Yeah? Is that a nightmare?

1:08:20.880 --> 1:08:24.120
<v Speaker 8>No, it's it's almost at a weird thing We've also

1:08:24.240 --> 1:08:26.400
<v Speaker 8>found is, in some ways, the more control we have

1:08:26.560 --> 1:08:29.240
<v Speaker 8>over something and the more jobs we are feeling, the

1:08:29.400 --> 1:08:32.400
<v Speaker 8>less stressful it ultimately is because most of our stress

1:08:32.479 --> 1:08:34.519
<v Speaker 8>comes from fear that other people are going to fuck

1:08:34.520 --> 1:08:36.640
<v Speaker 8>our shit up, and so as long as we are

1:08:36.760 --> 1:08:40.840
<v Speaker 8>controlling it, I'm not that worried. I'm more worried is

1:08:40.920 --> 1:08:42.240
<v Speaker 8>the director going to ruin this thing?

1:08:42.479 --> 1:08:45.719
<v Speaker 1>So that leads to this leads to what have you learned?

1:08:45.760 --> 1:08:49.760
<v Speaker 1>What have you what have you learned about? Actually I

1:08:49.800 --> 1:08:52.400
<v Speaker 1>want to do too, what have you learned about? Green Hornet?

1:08:52.840 --> 1:08:55.840
<v Speaker 1>And the Simpsons? Which I think for comedy writer is

1:08:55.920 --> 1:09:00.320
<v Speaker 1>sort of like this this honor of Wow, I'm I'm

1:09:01.200 --> 1:09:04.120
<v Speaker 1>doing this, I'm writing controlling a Simpsons episode. Yeah, So

1:09:04.320 --> 1:09:07.600
<v Speaker 1>what lessons have you learned in those two instances that

1:09:08.080 --> 1:09:12.720
<v Speaker 1>you would have changed now or made you wiser? Yeah?

1:09:12.760 --> 1:09:16.320
<v Speaker 8>I mean green Hornet was and I'm not a no

1:09:16.360 --> 1:09:19.640
<v Speaker 8>no no iconic hid no. Yeah, it's not really Like

1:09:20.520 --> 1:09:23.080
<v Speaker 8>I think a few things when I look back at that.

1:09:24.680 --> 1:09:28.760
<v Speaker 8>One is I really overestimated, like our control at that

1:09:28.960 --> 1:09:31.760
<v Speaker 8>point in our careers. Like I think that at that

1:09:32.000 --> 1:09:34.560
<v Speaker 8>point we had kind of always been able to do

1:09:34.600 --> 1:09:38.960
<v Speaker 8>whatever we wanted, you know, And I didn't predict how

1:09:39.240 --> 1:09:42.280
<v Speaker 8>much a bigger budget, like, but all the movies we'd

1:09:42.280 --> 1:09:44.240
<v Speaker 8>made at that point were like twenty thirty million dollars

1:09:44.280 --> 1:09:46.439
<v Speaker 8>in Green Hornet was like one hundred and twenty million dollars,

1:09:46.479 --> 1:09:49.719
<v Speaker 8>And I didn't quite predict what that hundred million dollars

1:09:49.760 --> 1:09:53.360
<v Speaker 8>would do to the process and how before I would

1:09:53.479 --> 1:09:55.840
<v Speaker 8>we literally wouldn't talk to the studio ever all of

1:09:55.880 --> 1:09:57.519
<v Speaker 8>a sudden, we were having meetings where we go through

1:09:57.640 --> 1:10:00.640
<v Speaker 8>like every page of the script basically and how like

1:10:00.800 --> 1:10:05.640
<v Speaker 8>destructive that was to the process and how Yeah, and

1:10:05.760 --> 1:10:08.320
<v Speaker 8>like the biggest the biggest thing was was like we

1:10:08.439 --> 1:10:10.920
<v Speaker 8>had an idea going into it that was slowly like

1:10:11.040 --> 1:10:15.840
<v Speaker 8>completely you know, deconstructed and built into something else.

1:10:15.880 --> 1:10:18.320
<v Speaker 7>And it's one of those things that happened so slowly that.

1:10:18.560 --> 1:10:21.080
<v Speaker 1>Like so they took your product, yeah, and then said, well,

1:10:21.120 --> 1:10:22.320
<v Speaker 1>we need to change this to make.

1:10:22.240 --> 1:10:24.040
<v Speaker 7>This the exactly what if we did this, Oh, we

1:10:24.120 --> 1:10:26.240
<v Speaker 7>need a big actor for this role and went about

1:10:26.280 --> 1:10:27.600
<v Speaker 7>this and we need this and like but.

1:10:27.600 --> 1:10:30.479
<v Speaker 1>Then with Gandri directing, Yeah, whom I thought.

1:10:30.560 --> 1:10:33.080
<v Speaker 8>Would be good, I think what he and I've seen

1:10:33.160 --> 1:10:34.960
<v Speaker 8>him since then, Like I think what he didn't predict

1:10:35.040 --> 1:10:38.960
<v Speaker 8>also was the scope of it and how And that's

1:10:39.000 --> 1:10:41.680
<v Speaker 8>what because I think with artists and you probably can

1:10:41.760 --> 1:10:43.720
<v Speaker 8>relate to this, Like I think the more you do

1:10:43.960 --> 1:10:47.200
<v Speaker 8>your craft or whatever, the more you realize it's not

1:10:47.520 --> 1:10:49.760
<v Speaker 8>only what you are doing, but it is how you

1:10:49.880 --> 1:10:52.360
<v Speaker 8>were doing it. Like, if you're a painter, you not

1:10:52.520 --> 1:10:54.439
<v Speaker 8>only want to choose what to paint, you want to

1:10:54.520 --> 1:10:56.280
<v Speaker 8>choose what paint you use and you want to make

1:10:56.320 --> 1:10:58.360
<v Speaker 8>your own canvas maybe, and you want to choose where

1:10:58.479 --> 1:10:59.880
<v Speaker 8>you painted and all the.

1:11:00.320 --> 1:11:01.280
<v Speaker 7>Stuff, you know what I mean.

1:11:02.160 --> 1:11:05.760
<v Speaker 8>But with film it's sometimes that gets wrestled away from you,

1:11:05.800 --> 1:11:07.920
<v Speaker 8>where it's like, here's the shot I want and here's

1:11:07.960 --> 1:11:10.080
<v Speaker 8>how I think we should do it, and they'll be like, Nope,

1:11:10.120 --> 1:11:12.600
<v Speaker 8>too expensive, here's how you're gonna do it, and and that,

1:11:13.560 --> 1:11:15.840
<v Speaker 8>and that ruins the process, especially when you have a

1:11:15.920 --> 1:11:18.200
<v Speaker 8>director like Gondry. And what I realized, I think what

1:11:18.320 --> 1:11:21.280
<v Speaker 8>he realized is like his whole magic is not only

1:11:21.400 --> 1:11:24.160
<v Speaker 8>in what he's doing, it's how he's doing it right.

1:11:24.200 --> 1:11:30.960
<v Speaker 8>It's the materials used, literally, and that did not always

1:11:31.040 --> 1:11:35.680
<v Speaker 8>apply to this scope of filmmaking basically, and uh and

1:11:35.840 --> 1:11:40.759
<v Speaker 8>it was just like uh, an inorganic combination of elements.

1:11:40.840 --> 1:11:42.880
<v Speaker 8>And then there was a point I think where you're

1:11:42.960 --> 1:11:45.599
<v Speaker 8>just kind of like, this seems like it's going poorly.

1:11:45.760 --> 1:11:47.640
<v Speaker 8>I slept terribly throughout the whole thing.

1:11:47.680 --> 1:11:50.960
<v Speaker 1>You felt you felt even during the process, like this

1:11:51.120 --> 1:11:52.840
<v Speaker 1>might not get out good for sure.

1:11:52.960 --> 1:11:55.120
<v Speaker 7>It was like because it was rocky for like the

1:11:55.320 --> 1:11:57.000
<v Speaker 7>year leading up to it. And there was a point

1:11:57.040 --> 1:11:57.439
<v Speaker 7>and this was.

1:11:57.439 --> 1:12:00.120
<v Speaker 8>Also something I would probably do differently now, Like we

1:12:00.200 --> 1:12:02.120
<v Speaker 8>had just spent years working on it, and there's a

1:12:02.200 --> 1:12:05.280
<v Speaker 8>moment where you're like do we stop or just keep going?

1:12:05.680 --> 1:12:09.600
<v Speaker 8>Cause like after years it was it felt weird to

1:12:09.880 --> 1:12:12.400
<v Speaker 8>just stop anywhere. It was just like, I think we

1:12:12.600 --> 1:12:15.439
<v Speaker 8>just have to see this through, like and and that

1:12:15.840 --> 1:12:18.320
<v Speaker 8>is something that I probably wouldn't do now. Honestly, I

1:12:18.360 --> 1:12:20.120
<v Speaker 8>think after that experience, I would just be.

1:12:20.240 --> 1:12:21.360
<v Speaker 7>Like, let's just pull the plug.

1:12:21.439 --> 1:12:23.360
<v Speaker 8>And maybe we all wasted three years, but maybe we

1:12:23.400 --> 1:12:25.000
<v Speaker 8>all learned a lot in that three years and have

1:12:25.120 --> 1:12:28.240
<v Speaker 8>some good experiences. But I think like that's something at

1:12:28.280 --> 1:12:30.960
<v Speaker 8>the time that I wasn't prepared to do, which was

1:12:31.080 --> 1:12:33.160
<v Speaker 8>just say like, you know what, like, let's not fucking

1:12:33.320 --> 1:12:34.080
<v Speaker 8>do this, you know.

1:12:34.640 --> 1:12:38.439
<v Speaker 1>So my parallel question to you is, Okay, now, as

1:12:38.479 --> 1:12:40.240
<v Speaker 1>a person that's been doing what I've been doing at

1:12:40.320 --> 1:12:46.439
<v Speaker 1>least what I'm known for twenty five plus years, you know,

1:12:46.520 --> 1:12:48.920
<v Speaker 1>we kind of had this discussion like are we sabotaging

1:12:48.960 --> 1:12:53.559
<v Speaker 1>ourselves but not like wanting to go to bigger houses. Yeah,

1:12:53.840 --> 1:12:56.840
<v Speaker 1>Like we're now in the place where it's like, hey,

1:12:57.040 --> 1:12:59.040
<v Speaker 1>you guys, do know that we could book a night

1:12:59.080 --> 1:13:01.240
<v Speaker 1>at blah blah blah if you guys have the album

1:13:01.240 --> 1:13:04.120
<v Speaker 1>in time whatever, And my immediate thing was fear, like, no,

1:13:04.600 --> 1:13:07.080
<v Speaker 1>I don't want to play you know, seventeen thousand, da

1:13:07.160 --> 1:13:10.479
<v Speaker 1>da da, because I feel like my zone has always

1:13:10.600 --> 1:13:12.240
<v Speaker 1>been in smaller theaters.

1:13:12.320 --> 1:13:13.400
<v Speaker 7>Yeah, so for you.

1:13:15.160 --> 1:13:18.560
<v Speaker 1>Is is a nine figure budget sort of like a

1:13:19.080 --> 1:13:26.960
<v Speaker 1>dragnet Horns. It's like, like, would you attempt to really

1:13:27.040 --> 1:13:30.479
<v Speaker 1>go big or do you feel that you know when

1:13:30.520 --> 1:13:32.200
<v Speaker 1>you do lower budget stuff?

1:13:33.200 --> 1:13:37.360
<v Speaker 8>Then I think now in order, we're writing a movie

1:13:37.439 --> 1:13:40.760
<v Speaker 8>now that would be expensive, like a pretty expensive movie,

1:13:41.080 --> 1:13:42.000
<v Speaker 8>not quite Green Heart.

1:13:41.840 --> 1:13:44.080
<v Speaker 1>But I mean like a popcorn film, like yes, but

1:13:44.240 --> 1:13:45.960
<v Speaker 1>like a Summer of twenty twenty one.

1:13:46.160 --> 1:13:48.040
<v Speaker 8>Yeah, but like, but we're really trying to make it

1:13:48.160 --> 1:13:50.719
<v Speaker 8>have all the stuff that we like out of movies,

1:13:50.800 --> 1:13:54.439
<v Speaker 8>but we're trying to make like it's a more it's

1:13:54.640 --> 1:13:57.960
<v Speaker 8>still like an R rated like action comedy basically, but

1:13:59.400 --> 1:14:03.559
<v Speaker 8>we're the types of movies that are in theaters have changed,

1:14:03.680 --> 1:14:05.560
<v Speaker 8>and I think that's something that we're also aware of,

1:14:05.720 --> 1:14:10.360
<v Speaker 8>is we like a lot of what are It's interesting,

1:14:10.439 --> 1:14:14.599
<v Speaker 8>like we work backwards to some degree from like audience reaction,

1:14:15.200 --> 1:14:18.080
<v Speaker 8>and we go to movies and we sit in theaters

1:14:18.120 --> 1:14:21.960
<v Speaker 8>and you know what makes people cheer, and what makes

1:14:22.000 --> 1:14:25.240
<v Speaker 8>people laugh and what makes people shocked, and what makes

1:14:25.439 --> 1:14:29.960
<v Speaker 8>people scared, and that changes over the course of years,

1:14:30.080 --> 1:14:34.599
<v Speaker 8>you know, like the things. You know, there's some movies

1:14:34.680 --> 1:14:36.479
<v Speaker 8>that have come out that ten years ago got a

1:14:36.520 --> 1:14:38.960
<v Speaker 8>certain reaction in theaters, and that same thing would not

1:14:39.080 --> 1:14:42.960
<v Speaker 8>seem very exciting by today's standards, that shocking by today's standards.

1:14:43.240 --> 1:14:47.200
<v Speaker 8>And so we are trying to evolve. We instinctually must

1:14:47.280 --> 1:14:52.160
<v Speaker 8>evolve with the climate. And we like making movies for theaters,

1:14:52.200 --> 1:14:55.320
<v Speaker 8>and we creatively think backwards a lot from what would

1:14:55.360 --> 1:14:58.600
<v Speaker 8>make a theater full of people have like this experience,

1:14:58.880 --> 1:15:01.000
<v Speaker 8>Like what would make a beater ful of people be

1:15:02.000 --> 1:15:05.280
<v Speaker 8>on edge and then excited and then laughing and then

1:15:05.439 --> 1:15:09.400
<v Speaker 8>sad and and and in or. But the theater part

1:15:09.680 --> 1:15:12.800
<v Speaker 8>is the tricky part, because a lot of movies like

1:15:12.880 --> 1:15:15.080
<v Speaker 8>Super Bad today, for example, probably wouldn't be in theaters.

1:15:15.080 --> 1:15:16.320
<v Speaker 8>It be hard to get it in theaters, you know

1:15:16.360 --> 1:15:18.479
<v Speaker 8>what I mean. Knocked Up even would more likely be

1:15:18.560 --> 1:15:21.880
<v Speaker 8>a Netflix movie today. It's just people talking in rooms,

1:15:22.360 --> 1:15:26.320
<v Speaker 8>like there's no you know, there's no big action in it,

1:15:26.439 --> 1:15:30.000
<v Speaker 8>there's no like it's literally people sitting and talking for

1:15:30.080 --> 1:15:32.960
<v Speaker 8>two hours you know, like we go to.

1:15:33.000 --> 1:15:36.080
<v Speaker 1>Circus organically, it wouldn't happen. But I mean, you gotta

1:15:36.080 --> 1:15:40.280
<v Speaker 1>admit that you're coming from the canon of the Uptown Mafia. Yeah,

1:15:40.400 --> 1:15:43.960
<v Speaker 1>so even by six degrees of separation, like you personally

1:15:43.960 --> 1:15:47.320
<v Speaker 1>would have to you would I would think you'd have

1:15:47.400 --> 1:15:51.439
<v Speaker 1>to release eight bona fide below ten rotten to me

1:15:53.280 --> 1:15:56.160
<v Speaker 1>before I'm like, nah, I ain't seen Seth Morgan.

1:15:56.280 --> 1:15:57.960
<v Speaker 7>You know, not all horror movies do well.

1:15:58.120 --> 1:16:00.200
<v Speaker 1>I mean, you know, like but even man, I'm I'm

1:16:00.240 --> 1:16:03.439
<v Speaker 1>aware of it, it's still yeah, there's still some thing

1:16:03.479 --> 1:16:04.760
<v Speaker 1>where it's like, oh, you're in it.

1:16:05.000 --> 1:16:06.680
<v Speaker 7>It might be good.

1:16:06.760 --> 1:16:09.560
<v Speaker 8>Yeah, you know, it's out there, but it's still like

1:16:10.720 --> 1:16:13.519
<v Speaker 8>it's harder to get movies in theaters and it's harder

1:16:13.560 --> 1:16:16.639
<v Speaker 8>to compete for the cultural attention like that, I think,

1:16:16.720 --> 1:16:19.680
<v Speaker 8>and that to us is very important also is we

1:16:19.960 --> 1:16:22.120
<v Speaker 8>like it when we make We've seen that in the past.

1:16:22.160 --> 1:16:24.679
<v Speaker 8>We've made movies that like work their way into culture

1:16:24.720 --> 1:16:28.439
<v Speaker 8>and they're referenced in rap songs and in other movies

1:16:28.560 --> 1:16:31.320
<v Speaker 8>and on TV shows, and we like that, like we

1:16:31.720 --> 1:16:33.760
<v Speaker 8>And that's not always a one to one thing with

1:16:34.000 --> 1:16:37.599
<v Speaker 8>like success, it's just you know, It's something that only

1:16:37.640 --> 1:16:39.960
<v Speaker 8>happens though, really with movies that are in theaters, like

1:16:41.040 --> 1:16:44.280
<v Speaker 8>movies on Netflix, it's are just streaming movies. It's much

1:16:44.320 --> 1:16:46.519
<v Speaker 8>harder for them to capture a piece of the culture.

1:16:46.680 --> 1:16:49.000
<v Speaker 8>And a movie like Mid Nineties, which was seen probably

1:16:49.080 --> 1:16:51.439
<v Speaker 8>by one iota the amount of people that sees the

1:16:51.479 --> 1:16:55.479
<v Speaker 8>average Netflix movie, capture the cultural attention in a way

1:16:55.560 --> 1:16:58.160
<v Speaker 8>that very few Netflix movies do because it was in

1:16:58.280 --> 1:17:00.360
<v Speaker 8>theaters and when people saw it, they turn their phone

1:17:00.360 --> 1:17:02.240
<v Speaker 8>off for two hours and they sat in a dark

1:17:02.320 --> 1:17:03.480
<v Speaker 8>room and they actually.

1:17:03.400 --> 1:17:06.240
<v Speaker 7>Watch it, and you don't do that with Netflix movies.

1:17:06.560 --> 1:17:09.760
<v Speaker 8>And I think that is going to become when I

1:17:09.920 --> 1:17:12.320
<v Speaker 8>look at why I want movies and theaters.

1:17:12.040 --> 1:17:14.120
<v Speaker 3>That is it like, But that's not all the way true.

1:17:14.160 --> 1:17:15.920
<v Speaker 6>Those stuff I was gonna tell you, Like some certain

1:17:15.960 --> 1:17:18.559
<v Speaker 6>movies command you to turn off the lights, watch watched,

1:17:18.680 --> 1:17:20.160
<v Speaker 6>like when The Irishman was one of those.

1:17:20.200 --> 1:17:22.919
<v Speaker 3>This season, Dolomite was one of those seasons. It just depends.

1:17:22.960 --> 1:17:23.200
<v Speaker 7>I think.

1:17:23.240 --> 1:17:26.360
<v Speaker 1>First, some people they choose to watch Every Friend's just

1:17:26.479 --> 1:17:28.000
<v Speaker 1>gonna have Nero Patino.

1:17:28.840 --> 1:17:31.320
<v Speaker 3>It's the same thing with dol But there are stranger things.

1:17:31.160 --> 1:17:33.559
<v Speaker 8>And there's a million people watching the Irishman like as

1:17:33.600 --> 1:17:36.320
<v Speaker 8>they're on Twitter. Yes, I mean, and if it's in

1:17:36.400 --> 1:17:38.439
<v Speaker 8>the theater, you don't even have to option, like you

1:17:38.680 --> 1:17:39.400
<v Speaker 8>have to watch it.

1:17:39.439 --> 1:17:41.320
<v Speaker 1>And I think I saw it in the theater me too.

1:17:41.320 --> 1:17:43.880
<v Speaker 1>I didn't want to watch me too Netflix, And I

1:17:44.040 --> 1:17:44.360
<v Speaker 1>love it.

1:17:44.720 --> 1:17:46.439
<v Speaker 8>And I think when you put a movie in the theater,

1:17:46.520 --> 1:17:50.599
<v Speaker 8>you're telling culturally, you were saying, like, this is worth

1:17:50.680 --> 1:17:53.840
<v Speaker 8>you putting your phone in your pocket for two hours, like,

1:17:54.520 --> 1:17:58.200
<v Speaker 8>and you're asking people to do that, and that asks

1:17:58.240 --> 1:18:00.680
<v Speaker 8>that it is a big ask. And I think that

1:18:00.960 --> 1:18:03.439
<v Speaker 8>to that end, that's why we're writing a very expensive

1:18:03.840 --> 1:18:04.679
<v Speaker 8>big fund.

1:18:06.160 --> 1:18:06.240
<v Speaker 6>Us.

1:18:06.680 --> 1:18:09.599
<v Speaker 8>We understand what we're asking is not a light ask.

1:18:09.720 --> 1:18:13.439
<v Speaker 8>We're asking you to give up your timon courtesy, and

1:18:14.640 --> 1:18:16.439
<v Speaker 8>in order to do that, we have to repay you

1:18:16.560 --> 1:18:18.280
<v Speaker 8>with something that is worthy of it.

1:18:18.400 --> 1:18:20.599
<v Speaker 3>So can I ask apatop mafia question?

1:18:20.760 --> 1:18:22.679
<v Speaker 6>And for that reason, I'm gonna go back to something

1:18:22.720 --> 1:18:24.080
<v Speaker 6>that I wanted to ask you guys when y'all were

1:18:24.080 --> 1:18:26.679
<v Speaker 6>having the back and forth. Do y'all ever consider because

1:18:26.920 --> 1:18:29.240
<v Speaker 6>as a woman of color, being a fan of what

1:18:29.400 --> 1:18:31.840
<v Speaker 6>you guys do, I love it wouldn't change it. Blah

1:18:31.840 --> 1:18:32.320
<v Speaker 6>blah blah.

1:18:32.439 --> 1:18:34.360
<v Speaker 3>However, time to change it, and not for nothing.

1:18:34.400 --> 1:18:37.400
<v Speaker 6>I would be curious to see how a woman of

1:18:37.439 --> 1:18:39.519
<v Speaker 6>color would be written to some of these situations, right,

1:18:39.520 --> 1:18:41.599
<v Speaker 6>because when you look at the majority of the movies

1:18:41.640 --> 1:18:44.000
<v Speaker 6>that you guys do, like you said, I know, you

1:18:44.120 --> 1:18:46.920
<v Speaker 6>introduced the rose Burn situation, but not really so have

1:18:47.040 --> 1:18:51.400
<v Speaker 6>y'all started considering maybe, yes, maybe the next thing.

1:18:51.400 --> 1:18:52.840
<v Speaker 3>Maybe I don't know yet, but you're working on.

1:18:52.960 --> 1:18:55.880
<v Speaker 7>Something, yes, very much. I mean, it is. It is

1:18:55.960 --> 1:18:58.240
<v Speaker 7>a prevalent topic of conversation, but not on purpose.

1:18:58.280 --> 1:18:59.519
<v Speaker 6>I don't want y'all to do it just because oh

1:18:59.560 --> 1:19:01.479
<v Speaker 6>my god, everybody's demanding that we have a woman and

1:19:01.520 --> 1:19:02.640
<v Speaker 6>then we have to have a woman of color, but

1:19:02.720 --> 1:19:04.920
<v Speaker 6>just because you see that, hey wait a minute, that

1:19:04.960 --> 1:19:07.640
<v Speaker 6>would be funny to get that perspective in this storyline,

1:19:09.240 --> 1:19:09.600
<v Speaker 6>and like.

1:19:10.400 --> 1:19:13.000
<v Speaker 8>Yeah, I mean it's something that Yeah, I mean, the

1:19:13.080 --> 1:19:16.400
<v Speaker 8>more perspectives and the more different people you have working

1:19:16.439 --> 1:19:18.840
<v Speaker 8>on your material, the better it all is.

1:19:19.280 --> 1:19:21.720
<v Speaker 7>Yeah. I mean, we produce the show Black Monday with

1:19:21.800 --> 1:19:22.479
<v Speaker 7>don Cheatle and.

1:19:22.479 --> 1:19:23.800
<v Speaker 3>Regina and.

1:19:26.640 --> 1:19:29.160
<v Speaker 7>It's great and The Preacher Yeah, and we've just seen

1:19:29.200 --> 1:19:30.960
<v Speaker 7>and and it is and Preacher exactly. We've seen.

1:19:31.000 --> 1:19:34.120
<v Speaker 8>It's very rewarding and and and and it and people

1:19:34.240 --> 1:19:37.360
<v Speaker 8>get great. You know, it's the more representation the better.

1:19:37.360 --> 1:19:39.400
<v Speaker 8>I would never argue otherwise, but I want to see

1:19:39.439 --> 1:19:40.120
<v Speaker 8>you like I got.

1:19:40.160 --> 1:19:41.880
<v Speaker 3>I love the daun Chet in the Regina Hall, but

1:19:41.960 --> 1:19:43.320
<v Speaker 3>I was like, man, I want to see.

1:19:43.240 --> 1:19:43.800
<v Speaker 7>That'd be great.

1:19:44.160 --> 1:19:50.320
<v Speaker 1>I'm in Okay, So in the hindsight, the like I

1:19:50.479 --> 1:19:53.920
<v Speaker 1>was paying attention to it, but I don't recall. I

1:19:53.960 --> 1:19:59.040
<v Speaker 1>remember the email fallouts with Sony. The interview would be interview,

1:19:59.520 --> 1:20:01.320
<v Speaker 1>Yeah did was it worth it?

1:20:02.960 --> 1:20:03.080
<v Speaker 9>Uh?

1:20:03.720 --> 1:20:06.760
<v Speaker 7>Yeah? Because it was crazy and like and was.

1:20:10.439 --> 1:20:13.439
<v Speaker 8>Not to us like other people, I mean talking about sexism.

1:20:13.600 --> 1:20:16.240
<v Speaker 8>Like the only real person to be horribly damaged by

1:20:16.280 --> 1:20:18.639
<v Speaker 8>it was Amy Pascal, her.

1:20:18.720 --> 1:20:22.800
<v Speaker 7>Boss Michael Linton. He wasn't damaged, but but she was

1:20:23.000 --> 1:20:23.919
<v Speaker 7>terribly damaged.

1:20:24.320 --> 1:20:27.439
<v Speaker 1>Wait just collect me if I'm wrong. The the fallout,

1:20:27.560 --> 1:20:30.920
<v Speaker 1>the fallout with the damn with the interview was if

1:20:30.920 --> 1:20:34.040
<v Speaker 1>you guys released this, we'll hack into your emails.

1:20:34.200 --> 1:20:38.000
<v Speaker 8>And then they eventually they had her. They had already

1:20:38.040 --> 1:20:40.880
<v Speaker 8>hacked into Sony and they eventually threatened to like bomb

1:20:40.960 --> 1:20:44.120
<v Speaker 8>movie theaters that played the movie basically, and that's why

1:20:44.160 --> 1:20:44.479
<v Speaker 8>they pulled.

1:20:45.439 --> 1:20:49.759
<v Speaker 1>Okay, so it was released stream or was it Google

1:20:49.960 --> 1:20:53.200
<v Speaker 1>Plays I've seen it. I just forgot where Google released it.

1:20:53.280 --> 1:20:56.360
<v Speaker 8>And then Netflix released it all within like, uh, Google

1:20:56.439 --> 1:20:58.000
<v Speaker 8>released it. Actually the date was supposed to come out

1:20:58.000 --> 1:21:01.000
<v Speaker 8>in theaters, and the Netflix released did two weeks later.

1:21:02.120 --> 1:21:04.080
<v Speaker 1>Ah okay, And.

1:21:05.840 --> 1:21:09.120
<v Speaker 7>Again, was it was it worth it? It was?

1:21:10.120 --> 1:21:15.160
<v Speaker 8>I mean it was like it was a really interesting exercise,

1:21:15.320 --> 1:21:21.160
<v Speaker 8>Like I don't the result of which is still fascinating,

1:21:21.200 --> 1:21:23.080
<v Speaker 8>And I don't even when you say is it worth it?

1:21:23.160 --> 1:21:25.680
<v Speaker 8>I don't even I'm not even sure anyone knows what

1:21:25.840 --> 1:21:28.679
<v Speaker 8>the fuck actually happened. Like there was a big article

1:21:28.720 --> 1:21:30.640
<v Speaker 8>in the Hollywood Reporter the other day that was like

1:21:30.720 --> 1:21:31.960
<v Speaker 8>what really happened in the sonya ha?

1:21:32.040 --> 1:21:34.439
<v Speaker 7>Can you read the article? And you're just like, there's no,

1:21:34.640 --> 1:21:37.519
<v Speaker 7>I don't know what happened. I don't know what happened.

1:21:37.840 --> 1:21:40.880
<v Speaker 7>People don't. They're not sure North Korea did it. They don't.

1:21:41.040 --> 1:21:44.320
<v Speaker 7>Like no, people people think they did.

1:21:44.960 --> 1:21:49.160
<v Speaker 8>So like it's hard to it's hard to retrospectively gain

1:21:49.320 --> 1:21:52.639
<v Speaker 8>a lot of insight from something where you honestly aren't

1:21:52.640 --> 1:21:53.200
<v Speaker 8>even sure what.

1:21:53.280 --> 1:21:54.080
<v Speaker 7>The fuck happened.

1:21:54.439 --> 1:21:58.519
<v Speaker 8>Like as a movie, Honestly, to me, the most the

1:21:58.600 --> 1:22:01.640
<v Speaker 8>biggest bummer is that the movie pretty shitty reviews and

1:22:01.840 --> 1:22:03.800
<v Speaker 8>that doesn't happen to us that often, and that that

1:22:03.960 --> 1:22:07.320
<v Speaker 8>fed me out, Like honestly, yeah, it was like for us,

1:22:07.479 --> 1:22:10.240
<v Speaker 8>like pretty bad. And so that to me was the

1:22:10.320 --> 1:22:12.240
<v Speaker 8>thing that if I look back and could change something,

1:22:12.240 --> 1:22:14.200
<v Speaker 8>I'd be like, Oh, I wish the second act had

1:22:14.280 --> 1:22:16.000
<v Speaker 8>like a better set piece in it, and I wish

1:22:16.400 --> 1:22:19.040
<v Speaker 8>like we rounded out the third act more emotionally. But

1:22:19.400 --> 1:22:21.519
<v Speaker 8>I but like because that was the stuff that was

1:22:21.600 --> 1:22:23.479
<v Speaker 8>in my control, you know what I mean, Like the

1:22:23.640 --> 1:22:26.040
<v Speaker 8>actual product, the film was the thing we were in

1:22:26.160 --> 1:22:29.040
<v Speaker 8>control of. And what I'm yeah, what I don't love

1:22:29.120 --> 1:22:31.280
<v Speaker 8>is that it just wasn't received as well as movies.

1:22:32.439 --> 1:22:34.360
<v Speaker 1>This just hit me, and I know we're gonna wind

1:22:34.439 --> 1:22:37.920
<v Speaker 1>up pretty soon, but uh, it just hit me that

1:22:38.160 --> 1:22:44.400
<v Speaker 1>you're one of the cameos in one of Yauk's last pieces. Yes, uh,

1:22:44.800 --> 1:22:46.160
<v Speaker 1>make some No, I'm about to call it fight for

1:22:46.240 --> 1:22:46.680
<v Speaker 1>You right too.

1:22:46.840 --> 1:22:49.960
<v Speaker 7>Yeah, make video.

1:22:50.439 --> 1:22:52.400
<v Speaker 1>Yeah, there was an incident version that was called fight

1:22:52.439 --> 1:22:54.439
<v Speaker 1>for You right reviews. So how did that? How was

1:22:54.479 --> 1:22:55.559
<v Speaker 1>that picture come together?

1:22:56.160 --> 1:22:56.200
<v Speaker 9>Just?

1:22:56.760 --> 1:22:58.680
<v Speaker 1>Oh man, are you guys aware at the time what

1:22:58.840 --> 1:23:01.280
<v Speaker 1>his condition was? And this was sort of like this

1:23:01.439 --> 1:23:02.880
<v Speaker 1>swan song or we kind.

1:23:02.720 --> 1:23:04.880
<v Speaker 8>Of got that sense as we were shooting it, like

1:23:05.240 --> 1:23:09.600
<v Speaker 8>I knew he had been sick, but I there was

1:23:09.720 --> 1:23:11.840
<v Speaker 8>kind of like the public word on this on the

1:23:11.880 --> 1:23:13.880
<v Speaker 8>street was that he was getting better, you know.

1:23:15.360 --> 1:23:16.840
<v Speaker 7>And then he just called me.

1:23:16.880 --> 1:23:19.840
<v Speaker 8>One day, I got a call from adamill Coke call yeah,

1:23:19.960 --> 1:23:22.479
<v Speaker 8>and it was just like the greatest fucking phone call

1:23:22.600 --> 1:23:23.360
<v Speaker 8>you ever got.

1:23:23.479 --> 1:23:26.160
<v Speaker 7>A huge BC Boys fan my whole life.

1:23:26.360 --> 1:23:30.040
<v Speaker 8>Like I'd met him once or twice before at like

1:23:30.160 --> 1:23:33.040
<v Speaker 8>south By Southwest, I think, and yeah, and he was

1:23:33.080 --> 1:23:35.000
<v Speaker 8>just like, we're making a music video and I want

1:23:35.320 --> 1:23:36.640
<v Speaker 8>you to be Mike d.

1:23:38.360 --> 1:23:41.000
<v Speaker 7>And that was fucking great.

1:23:41.080 --> 1:23:44.040
<v Speaker 8>And then we shot that video for three days, which

1:23:44.160 --> 1:23:48.000
<v Speaker 8>is crazy for a music video, and and every famous

1:23:48.040 --> 1:23:50.080
<v Speaker 8>person ever was in and I think it was like

1:23:50.200 --> 1:23:52.439
<v Speaker 8>halfway through day two where I was like, oh, this

1:23:52.600 --> 1:23:53.640
<v Speaker 8>is like a kind of like.

1:23:53.680 --> 1:23:55.360
<v Speaker 7>A big last Tursh Swan song.

1:23:55.520 --> 1:23:58.840
<v Speaker 8>Yeah, And and then it got kind of sad and bittersweet,

1:23:58.920 --> 1:24:01.280
<v Speaker 8>but was also fun like when when I look back

1:24:01.560 --> 1:24:06.560
<v Speaker 8>and think of was like he was just telling like

1:24:06.920 --> 1:24:09.200
<v Speaker 8>it was literally like we were all his like g

1:24:09.400 --> 1:24:12.000
<v Speaker 8>I Joe toys and he was just playing with us

1:24:12.120 --> 1:24:14.800
<v Speaker 8>and it was like for your birthday, here's all your

1:24:14.880 --> 1:24:18.840
<v Speaker 8>favorite comedians and they'll do whatever the fuck you tell

1:24:18.920 --> 1:24:21.640
<v Speaker 8>them to do for three days straight on this New

1:24:21.760 --> 1:24:24.920
<v Speaker 8>York City backlot and like that's literally like he would

1:24:24.960 --> 1:24:28.120
<v Speaker 8>just be laughing, Daddy, kick the store in except throw

1:24:28.200 --> 1:24:30.599
<v Speaker 8>this beard him, you guys, dance on the cough car

1:24:30.880 --> 1:24:33.240
<v Speaker 8>and like and he would just be like laughing his

1:24:33.479 --> 1:24:36.240
<v Speaker 8>ass off as we were just like what like there

1:24:36.360 --> 1:24:39.080
<v Speaker 8>was no questions there was. It was never like why

1:24:39.120 --> 1:24:41.519
<v Speaker 8>would I do that? He was just like sure, yeah, whatever,

1:24:41.800 --> 1:24:44.640
<v Speaker 8>whatever the fuck you want, We're it, and like we

1:24:45.400 --> 1:24:47.759
<v Speaker 8>and it started to kind of imitate the video itself

1:24:47.800 --> 1:24:49.840
<v Speaker 8>because we were there all the time, Me and Danny

1:24:49.920 --> 1:24:52.240
<v Speaker 8>and Elijah who were the Beastie Boys, and then other

1:24:52.800 --> 1:24:55.320
<v Speaker 8>cameos would come in for like a couple hours, and

1:24:55.439 --> 1:24:56.639
<v Speaker 8>we were like in this mindset.

1:24:56.720 --> 1:24:57.479
<v Speaker 7>It was like crazy.

1:24:57.640 --> 1:25:00.719
<v Speaker 8>We were just like so geared to just do whatever

1:25:01.040 --> 1:25:03.120
<v Speaker 8>we were told to do. With Eddie, like if they

1:25:03.160 --> 1:25:05.000
<v Speaker 8>were just like body slam Laura Dirt, I was like

1:25:05.040 --> 1:25:10.080
<v Speaker 8>all right, was like no, Like I was just like

1:25:10.439 --> 1:25:13.080
<v Speaker 8>in this like state of like I'll just do whatever

1:25:13.160 --> 1:25:15.680
<v Speaker 8>the fuck this guy tells me. That's what we're here for.

1:25:16.040 --> 1:25:17.680
<v Speaker 8>And you could see people would come in and be

1:25:17.760 --> 1:25:19.880
<v Speaker 8>like this is crazy, Like what are you guys doing

1:25:20.000 --> 1:25:22.479
<v Speaker 8>in here? This is like you've you've gone nuts and

1:25:22.560 --> 1:25:25.080
<v Speaker 8>that really like we were just spraying beer, a fake

1:25:25.200 --> 1:25:28.559
<v Speaker 8>beer on everyone's faces and like throwing like we Yeah,

1:25:28.640 --> 1:25:28.840
<v Speaker 8>it was.

1:25:29.040 --> 1:25:31.560
<v Speaker 3>It was a maddening Danny McBride must be like he

1:25:31.720 --> 1:25:32.599
<v Speaker 3>writes to correct.

1:25:32.680 --> 1:25:35.920
<v Speaker 8>Yeah, he writes Eastbounding down and the Righteous Gemstone right,

1:25:36.040 --> 1:25:37.479
<v Speaker 8>So yeah, he.

1:25:37.520 --> 1:25:38.599
<v Speaker 3>Must be like awesome to work.

1:25:38.600 --> 1:25:40.120
<v Speaker 6>In my mind, everybody who was in this is the

1:25:40.280 --> 1:25:41.920
<v Speaker 6>end in a way to do their own writing, But

1:25:41.960 --> 1:25:44.479
<v Speaker 6>who is like awesome to write with? It blows your

1:25:44.520 --> 1:25:46.280
<v Speaker 6>mind and you just like the fuck you come up

1:25:46.320 --> 1:25:46.800
<v Speaker 6>with that ship.

1:25:47.120 --> 1:25:51.560
<v Speaker 8>They're all great in their own ways. Like yeah, Like

1:25:51.720 --> 1:25:54.720
<v Speaker 8>Danny Jonah is truly the one. Like on set is

1:25:54.840 --> 1:25:58.679
<v Speaker 8>like it's pretty remarkable to watch, like he's he he's

1:25:58.840 --> 1:26:02.160
<v Speaker 8>like he gets like very locked in and is like

1:26:03.120 --> 1:26:06.360
<v Speaker 8>it's like a pretty miraculous thing. From time to time,

1:26:06.760 --> 1:26:11.439
<v Speaker 8>Danny is very loose and had and biting and like

1:26:11.720 --> 1:26:14.080
<v Speaker 8>he's the comedian that kind of the other comedians are

1:26:14.080 --> 1:26:18.559
<v Speaker 8>a little afraid to improvise with hurts, yeah, because I mean,

1:26:20.000 --> 1:26:21.160
<v Speaker 8>but he's very sweet and nice.

1:26:21.240 --> 1:26:24.439
<v Speaker 1>But it was like I saw him once and I

1:26:24.560 --> 1:26:28.280
<v Speaker 1>did not say because I just felt like.

1:26:28.640 --> 1:26:31.559
<v Speaker 8>He don't know, you know, he's very sweet and such

1:26:31.560 --> 1:26:34.200
<v Speaker 8>a nice dude and like not and what it is

1:26:34.320 --> 1:26:36.360
<v Speaker 8>one of those funny things where like he created those

1:26:36.479 --> 1:26:38.519
<v Speaker 8>characters as a way to make fun of the guys

1:26:38.600 --> 1:26:40.000
<v Speaker 8>he didn't like growing up.

1:26:40.080 --> 1:26:45.760
<v Speaker 7>Basically that is who he is and his biggest fan

1:26:45.920 --> 1:26:53.120
<v Speaker 7>base is probably which is a bummer videos.

1:26:53.920 --> 1:26:58.760
<v Speaker 1>How did Kanye contact you to do bund We.

1:26:58.840 --> 1:27:01.679
<v Speaker 8>Just did it on our own and then he did

1:27:02.040 --> 1:27:04.600
<v Speaker 8>really yes, and then he did ask so he just

1:27:04.680 --> 1:27:05.080
<v Speaker 8>released it.

1:27:05.720 --> 1:27:06.280
<v Speaker 1>We released it.

1:27:06.520 --> 1:27:08.599
<v Speaker 7>He did it. No, we just did it. He released

1:27:08.640 --> 1:27:11.480
<v Speaker 7>his video and literally within.

1:27:11.280 --> 1:27:14.200
<v Speaker 8>An hour of seeing it, I was like, we're recreating it,

1:27:16.040 --> 1:27:19.360
<v Speaker 8>and we had ours up like twenty four hours later.

1:27:19.560 --> 1:27:21.880
<v Speaker 1>Like it was you know, it was I've never seen

1:27:21.960 --> 1:27:22.760
<v Speaker 1>Kanye's version.

1:27:23.000 --> 1:27:23.679
<v Speaker 7>Oh that's funny.

1:27:23.680 --> 1:27:27.559
<v Speaker 1>You just saw ours fun fat I never seen Kanye.

1:27:29.800 --> 1:27:38.439
<v Speaker 6>It's okay, I never saw so much worse.

1:27:43.880 --> 1:27:46.720
<v Speaker 1>You wait, what, what's what's the Patino film? Okay, I'm

1:27:46.760 --> 1:27:47.200
<v Speaker 1>reding it.

1:27:48.160 --> 1:27:49.240
<v Speaker 7>What's the film? O?

1:27:50.640 --> 1:27:56.519
<v Speaker 1>Not Donnie Frosco. You were the end of Carlido's way.

1:27:56.640 --> 1:27:58.400
<v Speaker 1>When you think they're going to get away with it,

1:27:58.439 --> 1:27:59.760
<v Speaker 1>It's like, hey, no, you go.

1:28:01.640 --> 1:28:07.080
<v Speaker 7>You yeah, you ca he stabbed you.

1:28:08.760 --> 1:28:11.599
<v Speaker 1>No, I'm sorry. I've seen the college drap out ones,

1:28:11.640 --> 1:28:12.720
<v Speaker 1>but I haven't seen post that.

1:28:12.960 --> 1:28:14.720
<v Speaker 7>No, but he did ask us to come do it

1:28:14.800 --> 1:28:17.519
<v Speaker 7>at his wedding. Wow, Franco.

1:28:17.680 --> 1:28:18.599
<v Speaker 3>Yeah, I don't understand.

1:28:18.640 --> 1:28:20.960
<v Speaker 7>He called us and was like, will you come do

1:28:21.120 --> 1:28:24.040
<v Speaker 7>that at my wedding? And did you know it? Well?

1:28:24.120 --> 1:28:24.160
<v Speaker 6>Know?

1:28:24.280 --> 1:28:25.719
<v Speaker 8>Like it was one of those things were like throughout

1:28:25.800 --> 1:28:30.719
<v Speaker 8>the conversation, I like, you thought willed him to realize

1:28:30.800 --> 1:28:33.920
<v Speaker 8>how uncomfortable it would be, which he slowly.

1:28:33.720 --> 1:28:37.479
<v Speaker 7>Did he and I was just like, so we're just

1:28:38.240 --> 1:28:40.760
<v Speaker 7>and he's just like he's like, as I say this,

1:28:40.920 --> 1:28:44.719
<v Speaker 7>I realized how comfortable. He's like, it would be funny

1:28:44.760 --> 1:28:45.400
<v Speaker 7>for ten seconds.

1:28:45.439 --> 1:28:47.120
<v Speaker 8>But he's like, I've asked you to fly to verside

1:28:47.160 --> 1:28:49.920
<v Speaker 8>for like literally ten seconds and ship He's like, we

1:28:49.960 --> 1:28:50.519
<v Speaker 8>shouldn't do it.

1:28:50.640 --> 1:28:57.800
<v Speaker 1>But so I meant, I mean you you lived, You

1:28:57.920 --> 1:29:03.240
<v Speaker 1>lived a charmed sort of listy life. I want to know,

1:29:04.280 --> 1:29:06.600
<v Speaker 1>did a project ever get away from you that you

1:29:06.760 --> 1:29:11.280
<v Speaker 1>had your eyes on that you wish you I wish

1:29:11.360 --> 1:29:16.400
<v Speaker 1>we did, like you had a chance to no write

1:29:16.560 --> 1:29:17.840
<v Speaker 1>or direct blah blah blah.

1:29:17.920 --> 1:29:18.960
<v Speaker 7>But there are.

1:29:19.040 --> 1:29:23.120
<v Speaker 1>Things like no I mean, yeah, did Lynn Manuel come

1:29:23.160 --> 1:29:27.479
<v Speaker 1>up to Hamilton get away from your kid?

1:29:28.960 --> 1:29:33.320
<v Speaker 8>No, there are things that like that we that came

1:29:33.360 --> 1:29:37.800
<v Speaker 8>across our desk that then became very successful. But I

1:29:37.920 --> 1:29:40.640
<v Speaker 8>don't think when I look like, oh, like, should we

1:29:40.720 --> 1:29:43.400
<v Speaker 8>have really like spent like two years making like you know,

1:29:43.520 --> 1:29:47.240
<v Speaker 8>like Hobbs and Shaw, I.

1:29:47.240 --> 1:29:49.200
<v Speaker 7>Don't know, like maybe it would have been fun.

1:29:50.600 --> 1:29:52.040
<v Speaker 8>Like yeah, I mean I don't know if it was

1:29:52.080 --> 1:29:53.960
<v Speaker 8>like outwardly offered, but there was a point where it's like,

1:29:54.040 --> 1:29:55.400
<v Speaker 8>come in, you want to meet on the Hobbs and

1:29:55.479 --> 1:29:58.639
<v Speaker 8>char movies like Deadpool Baby years ago, very long time.

1:29:59.520 --> 1:30:03.639
<v Speaker 8>But like I think that it's not It just wasn't

1:30:03.680 --> 1:30:06.160
<v Speaker 8>our thing, you know what I mean, Like we weren't like, uh,

1:30:06.479 --> 1:30:08.639
<v Speaker 8>the idea like plugging in. I think that's what green

1:30:08.680 --> 1:30:10.920
<v Speaker 8>Hornet scared us off of more than anything, was like

1:30:11.280 --> 1:30:12.120
<v Speaker 8>plugging into.

1:30:12.000 --> 1:30:14.320
<v Speaker 7>This like saying yes to everything, yeah exactly, and.

1:30:14.400 --> 1:30:18.040
<v Speaker 8>Plugging into like an IP that is like very established, yeah,

1:30:18.080 --> 1:30:20.880
<v Speaker 8>already established, and having to like work within that so

1:30:21.080 --> 1:30:24.080
<v Speaker 8>like like and working with like a big company is

1:30:24.160 --> 1:30:26.240
<v Speaker 8>like just scary, like working with like a Marvel or

1:30:26.439 --> 1:30:28.360
<v Speaker 8>you know, like and not to say we wouldn't do it.

1:30:28.439 --> 1:30:29.800
<v Speaker 7>It's just it's just scary, you know.

1:30:30.040 --> 1:30:32.840
<v Speaker 8>And and I think and making like a friend, yeah,

1:30:32.880 --> 1:30:34.559
<v Speaker 8>like making like a Hobs and Shot type movie where

1:30:34.560 --> 1:30:36.439
<v Speaker 8>it's just like, this movie's gonna get made no matter what.

1:30:36.960 --> 1:30:40.639
<v Speaker 7>We're just the people like, you know, serving you the dish.

1:30:40.760 --> 1:30:43.760
<v Speaker 1>Well, the silver lining of Greenhorn is that you got

1:30:43.800 --> 1:30:45.160
<v Speaker 1>your health in check.

1:30:45.360 --> 1:30:48.200
<v Speaker 7>Yes, and it started working out. Yeah I know that.

1:30:50.120 --> 1:30:52.960
<v Speaker 8>Well yeah, No, it was a lot of good and

1:30:53.200 --> 1:30:57.000
<v Speaker 8>we learned like so much like we that movie was

1:30:57.040 --> 1:31:00.599
<v Speaker 8>made in a way movies aren't made anymore. Like everything

1:31:00.640 --> 1:31:03.080
<v Speaker 8>it was practical effects, it was visual effects. There was

1:31:03.479 --> 1:31:06.600
<v Speaker 8>there was huge stunt teams. There was like literally the

1:31:06.640 --> 1:31:08.840
<v Speaker 8>stunt team that did Indianda Jones did the movie. Like

1:31:09.080 --> 1:31:12.920
<v Speaker 8>we got to learn from these like amazing people, and

1:31:13.560 --> 1:31:16.160
<v Speaker 8>and Gondry himself was someone who was amazing to learn from.

1:31:16.200 --> 1:31:19.519
<v Speaker 8>And even though the result was debatable, like I think

1:31:19.960 --> 1:31:23.760
<v Speaker 8>very few experiences made us understand the production process and

1:31:23.840 --> 1:31:27.280
<v Speaker 8>filmmaking in general, uh more than that movie because it

1:31:27.400 --> 1:31:31.840
<v Speaker 8>was as logistically complicated a movie as as exists in

1:31:31.920 --> 1:31:34.240
<v Speaker 8>the world. And we had like a front row seat

1:31:34.320 --> 1:31:38.200
<v Speaker 8>to every step of the process. So that was really interesting.

1:31:38.320 --> 1:31:40.720
<v Speaker 7>Yeah. Wow, which it made a better movie.

1:31:42.760 --> 1:31:44.280
<v Speaker 3>Can I show a stoner question real quick?

1:31:44.280 --> 1:31:46.760
<v Speaker 6>Because I remember famously listening to you on Stern one

1:31:46.840 --> 1:31:49.120
<v Speaker 6>day and he was asking you about working out and

1:31:49.439 --> 1:31:50.800
<v Speaker 6>working out why you were smoking, and.

1:31:50.800 --> 1:31:52.240
<v Speaker 3>You were like, yeah, I'll tell you a couple of totes.

1:31:52.439 --> 1:31:52.920
<v Speaker 1>Do you do that?

1:31:53.280 --> 1:31:55.320
<v Speaker 3>Yeah, I've done it in this.

1:31:55.360 --> 1:31:57.400
<v Speaker 7>Little Jill Queen when I do everything.

1:32:00.760 --> 1:32:02.479
<v Speaker 6>I want you to give advice to young stoners because

1:32:02.479 --> 1:32:04.599
<v Speaker 6>I think you have to graduate to that level. Yeah,

1:32:04.640 --> 1:32:06.000
<v Speaker 6>And I wanted to know when you got to the

1:32:06.040 --> 1:32:09.559
<v Speaker 6>point where you knew that you could do everything Stone

1:32:10.520 --> 1:32:11.679
<v Speaker 6>That's that's like next level.

1:32:12.680 --> 1:32:18.879
<v Speaker 7>It takes a while. Yeah, tell a baby, baby, Yeah, exactly,

1:32:20.000 --> 1:32:22.920
<v Speaker 7>Like the thing most people.

1:32:23.479 --> 1:32:26.360
<v Speaker 8>I'm always telling people to smoke a little bit of wheat,

1:32:26.520 --> 1:32:28.680
<v Speaker 8>Like to take one hit of wheat. That's what Like,

1:32:28.880 --> 1:32:30.960
<v Speaker 8>I just I was just with David Chay on his

1:32:31.560 --> 1:32:34.200
<v Speaker 8>Netflix show, and like we went around smoked weed all day,

1:32:34.240 --> 1:32:37.040
<v Speaker 8>and I just the whole time was like one little

1:32:37.120 --> 1:32:39.960
<v Speaker 8>tiny hit and that'll get you going for you'll be

1:32:40.160 --> 1:32:42.559
<v Speaker 8>fine and like like or set a timer, take one

1:32:42.640 --> 1:32:44.280
<v Speaker 8>hit and then see you feel in twenty minutes and

1:32:44.360 --> 1:32:47.040
<v Speaker 8>then maybe have another hit. But like most people just

1:32:47.120 --> 1:32:49.479
<v Speaker 8>make way too much weed and who don't smoke a

1:32:49.520 --> 1:32:52.200
<v Speaker 8>lot of weed, and weat is super strong and one

1:32:52.400 --> 1:32:55.000
<v Speaker 8>hit is enough literally and.

1:32:55.560 --> 1:33:01.040
<v Speaker 3>Get any I'm also, yeah, did you do you smoke

1:33:01.080 --> 1:33:01.360
<v Speaker 3>the team?

1:33:01.760 --> 1:33:06.600
<v Speaker 1>I'm yeah, well I prefer uh was it? I'm like

1:33:06.720 --> 1:33:08.799
<v Speaker 1>so new. I'm literally like seven months into.

1:33:08.640 --> 1:33:11.479
<v Speaker 3>This, so we've been trying for thirty years.

1:33:11.680 --> 1:33:11.880
<v Speaker 7>Yeah.

1:33:11.920 --> 1:33:14.680
<v Speaker 1>But but the thing is, when I do it, it

1:33:14.760 --> 1:33:18.120
<v Speaker 1>always hits me at the most inopportune moment, like I'll

1:33:18.160 --> 1:33:21.519
<v Speaker 1>do it all right. One time I did it at night, Yeah,

1:33:22.080 --> 1:33:23.840
<v Speaker 1>and it felt a little weird, like, oh god, let

1:33:23.920 --> 1:33:27.280
<v Speaker 1>me just sit down and relax. I fell asleep rightep

1:33:28.160 --> 1:33:30.040
<v Speaker 1>and woke up in the morning. It's like, oh damn,

1:33:30.040 --> 1:33:33.120
<v Speaker 1>I didn't get high. That was a waste. And then

1:33:33.520 --> 1:33:36.320
<v Speaker 1>twenty minutes and then twenty minutes into my day right

1:33:36.400 --> 1:33:37.880
<v Speaker 1>when I got on the drum set of fell and

1:33:38.280 --> 1:33:38.920
<v Speaker 1>you all.

1:33:41.520 --> 1:33:42.519
<v Speaker 3>From the night before.

1:33:42.920 --> 1:33:43.400
<v Speaker 7>That's weird.

1:33:43.600 --> 1:33:44.479
<v Speaker 3>Yeah, that is weird.

1:33:45.120 --> 1:33:48.719
<v Speaker 1>I Well, see, I do edibles.

1:33:48.720 --> 1:33:49.000
<v Speaker 10>I don't.

1:33:49.000 --> 1:33:49.880
<v Speaker 1>I don't smoke.

1:33:52.280 --> 1:33:54.400
<v Speaker 7>Are on edible.

1:33:55.320 --> 1:33:58.800
<v Speaker 8>I do edibles very sparingly because they're wildly unpredicted. Yeah

1:33:58.880 --> 1:34:02.040
<v Speaker 8>like that, like they're uh, they're hard to it's hard

1:34:02.080 --> 1:34:05.280
<v Speaker 8>to get time them. Yeah, it's hard to get the

1:34:05.280 --> 1:34:07.519
<v Speaker 8>dose is right, it's hard to time them. Sometimes it

1:34:07.600 --> 1:34:09.519
<v Speaker 8>depends on what. Sometimes they take an hour to kick in,

1:34:09.960 --> 1:34:12.080
<v Speaker 8>two hours to kick in, depends what. It takes five hours.

1:34:12.439 --> 1:34:14.160
<v Speaker 3>You need to take note of the stone is around you.

1:34:14.240 --> 1:34:15.639
<v Speaker 3>Do you ever see Steve eating his weed?

1:34:16.880 --> 1:34:18.719
<v Speaker 10>If you eat your weed, there's none left to smoke.

1:34:23.880 --> 1:34:24.680
<v Speaker 7>Sorry forgive me.

1:34:26.200 --> 1:34:33.040
<v Speaker 1>Again, my my My final question is uh, Oftentimes, like

1:34:33.160 --> 1:34:37.439
<v Speaker 1>right now I'm watching the Morning Show, which is notably everyone.

1:34:38.240 --> 1:34:41.400
<v Speaker 1>I've knew them. I knew them from the funny world,

1:34:41.680 --> 1:34:46.360
<v Speaker 1>the comedy world. But yeah, they're doing drama. Like, would

1:34:46.439 --> 1:34:49.880
<v Speaker 1>you consider because you did Steve Jobs correct the movie?

1:34:51.040 --> 1:34:52.360
<v Speaker 7>No, I did Steve Jobs.

1:34:56.920 --> 1:35:04.760
<v Speaker 1>Technically, would you want to further explore into the world

1:35:04.840 --> 1:35:05.679
<v Speaker 1>of drama?

1:35:06.320 --> 1:35:06.559
<v Speaker 7>Yeah?

1:35:08.240 --> 1:35:12.559
<v Speaker 1>And what role are you? What is your like your

1:35:12.720 --> 1:35:15.920
<v Speaker 1>fantasy thing that you haven't done yet that you really

1:35:15.960 --> 1:35:16.320
<v Speaker 1>want to do?

1:35:16.640 --> 1:35:17.240
<v Speaker 7>We're writing that.

1:35:17.360 --> 1:35:19.439
<v Speaker 8>I mean, that's what's nice about being able to write

1:35:19.560 --> 1:35:21.719
<v Speaker 8>your own movies, is like, I've no one to blame

1:35:21.800 --> 1:35:25.040
<v Speaker 8>but myself for if if my career seems limited in

1:35:25.200 --> 1:35:29.240
<v Speaker 8>scope as an actor, like yeah, I mean, what uh

1:35:29.640 --> 1:35:32.160
<v Speaker 8>the thing we're working on now I'm obsessed with, Like

1:35:32.240 --> 1:35:35.439
<v Speaker 8>Buster Keaton and Jackie Chan and so like, I've always

1:35:35.479 --> 1:35:40.120
<v Speaker 8>wanted to make like a highly physical, like action movie,

1:35:40.280 --> 1:35:44.320
<v Speaker 8>like our action comedy, like something that is almost entirely

1:35:44.479 --> 1:35:48.080
<v Speaker 8>predicated on action and not a lot of talking at all.

1:35:48.320 --> 1:35:51.160
<v Speaker 8>And that has just always been something that I always

1:35:51.240 --> 1:35:54.559
<v Speaker 8>enjoy shooting that type of stuff, and so that something

1:35:54.600 --> 1:35:55.160
<v Speaker 8>that we want to.

1:35:55.160 --> 1:35:57.960
<v Speaker 7>Do, and that's what we're working on right now. Yeah,

1:35:58.000 --> 1:35:59.559
<v Speaker 7>kind of like a really violent mister Bean.

1:36:05.680 --> 1:36:08.519
<v Speaker 1>All right, Well, you know, Seth, we really thank you. Damn,

1:36:08.520 --> 1:36:10.400
<v Speaker 1>we don't even get to your your hip hop. It's

1:36:11.520 --> 1:36:13.320
<v Speaker 1>we'll just assume that you like hip hop. I love

1:36:13.360 --> 1:36:17.360
<v Speaker 1>it anyway. No, we really want to thank you for coming.

1:36:19.200 --> 1:36:21.360
<v Speaker 3>And you want to appreciate to love that.

1:36:22.280 --> 1:36:25.479
<v Speaker 1>Yes on behalf of Sugar Steve and Unpaid Bill and

1:36:25.600 --> 1:36:31.519
<v Speaker 1>Boss Bill and lie In. This is Quest Love. You've

1:36:31.520 --> 1:36:33.840
<v Speaker 1>been listening to Quest Love Supreme. Thank you very much, Seth.

1:36:34.280 --> 1:36:36.599
<v Speaker 1>We will see you on the next go round. Happy

1:36:36.640 --> 1:36:38.559
<v Speaker 1>New Year, Happy New Year, A little bit of week,

1:36:39.360 --> 1:37:01.000
<v Speaker 1>just a little For more podcasts from my iHeartRadio, visit

1:37:01.040 --> 1:37:04.640
<v Speaker 1>the iHeartRadio app, Apple Podcasts, or wherever you listen to

1:37:04.680 --> 1:37:05.479
<v Speaker 1>your favorite shows.