WEBVTT - Questlove Supreme: Seth Rogen

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. Wait what stop?

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<v Speaker 1>Stop the thing, stop the theme, keep it going, stop the theme.

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<v Speaker 1>Wait you said that if you sit next to Seth Rogan,

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<v Speaker 1>you're gonna be rich on.

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<v Speaker 2>The first of January. Yes, if I started the year

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<v Speaker 2>sitting next to.

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<v Speaker 3>Seventh, yeah, I'm gonna be rich and funny. Okay, here

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<v Speaker 3>we go.

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<v Speaker 4>Supreme Supremo, roll Call, Suprema Sun s Supremo, roll Call,

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<v Speaker 4>Suprema something Something, Supremo, roll Call, Suprema.

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<v Speaker 1>Son Son, Supremo, roll Now Quest Love here thinking, Yeah,

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<v Speaker 1>which is which? Yeah? Maybe I need to switch my seat. Yeah,

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<v Speaker 1>so I too can get rich Supreme.

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<v Speaker 4>I'm just saying Supremo, roll Call, Suprema something Something, Supremo,

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<v Speaker 4>roll call Sugar.

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<v Speaker 3>Yeah.

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<v Speaker 5>Yeah, I'm a mess. Yeah, I've been smoking way too

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<v Speaker 5>much Pineapple expressed.

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<v Speaker 4>Supreme Suprema, Roll Suprema Suprema roll Call.

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<v Speaker 6>This is boss Bill. Yeah, back again, my friends. Yeah,

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<v Speaker 6>this is the third line.

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<v Speaker 3>Yeah, and this is the end.

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<v Speaker 4>Suprema Sun Supremo, roll Call, Supreme Supremo, roll call.

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<v Speaker 2>Yeah with Seth of course. Yeah, I don't know what

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<v Speaker 2>to tell you. Yeah, this will be better than a horse.

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<v Speaker 3>You went to a dark place. Suprema Supremo roll call.

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<v Speaker 3>My name is Seth. Yeah, I'm feeling old, yeah handed

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<v Speaker 3>New York. Yeah, I'm fucking cold.

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<v Speaker 4>Supreme up Son Son Suprema roll call Supreme, so Supreme.

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<v Speaker 1>Roll, Supreme, Supreme roll.

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<v Speaker 3>So this is how we're going to start.

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<v Speaker 6>We're going to this is a bad omen all right.

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<v Speaker 1>The God saw to it that we should have no

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<v Speaker 1>more theme. Get to it, ladies and gentlemen. Uh, this

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<v Speaker 1>is the newly rich neuvau Reese Quest Love another episode.

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<v Speaker 1>Happy New Year. This is January first, twenty twenty.

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<v Speaker 3>Everybody, how do you feel good?

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<v Speaker 1>Old and cold?

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<v Speaker 7>How is your How is your holiday? Your festivities?

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<v Speaker 3>It was old and cold.

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<v Speaker 1>No, we had a great time, of course, Okay, all great.

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<v Speaker 7>We can't remember did the checks come through?

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<v Speaker 3>Yeah?

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<v Speaker 1>The honk check's clear. So well. I'm actually shocked because

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<v Speaker 1>whenever any of your brother come on the show, your

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<v Speaker 1>your you always your roll call is usually geared towards

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<v Speaker 1>you call.

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<v Speaker 5>Yeah, yeah, start incorporating the Jewy Park, but just left

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<v Speaker 5>it with the stone a stoner.

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<v Speaker 3>I think. Yeah, I'm about to say, I think are

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<v Speaker 3>pretty like there's a lot of overlap. Would not anyway.

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<v Speaker 1>I'm your host Questlove, joined to day by my croonies,

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<v Speaker 1>Boss Bill Sugar, Steve unpaid bills. Surprisingly isn't here? Yeah, boy,

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<v Speaker 1>is he not coming?

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<v Speaker 3>Or did we call him? Did we let him know?

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<v Speaker 2>Let him? You know he does play streets and stuff.

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<v Speaker 1>Okay, so he can muppets enough bagel jokes. We can

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<v Speaker 1>make anyway, uh not to stall anymore, Ladies and gentlemen,

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<v Speaker 1>we have comedian, director, producer, actor, writer, leading man cannabis connoisseur,

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<v Speaker 1>also uh advocate for sleeping in the bed room under

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<v Speaker 1>sixty seven degrees.

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<v Speaker 3>It's true. We will get.

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<v Speaker 1>I guess uh Philadelphia Music culture event, fan police, the

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<v Speaker 1>man in the roots, Ladies and gentlemen, and hip hop

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<v Speaker 1>head and Canadian ladies and gentlemen, please welcome to the show.

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<v Speaker 3>Seth Rogan.

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<v Speaker 1>Wait, I gotta all right, we this this is a

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<v Speaker 1>show of rabbit holing. Let's just start first, all right,

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<v Speaker 1>I'm a little I'm miffed.

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<v Speaker 3>All right, so I have to explain that a lot

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<v Speaker 3>of backstory.

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<v Speaker 1>I was very fortunate. I was very fortunate to attend

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<v Speaker 1>uh sets uh Hilarity for charity event. Shout out to

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<v Speaker 1>uh Menisian and Mary Ellis Museum.

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<v Speaker 3>Yeah.

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<v Speaker 1>Yeah, So I went there and the discussion of how

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<v Speaker 1>much sleep does a person need to.

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<v Speaker 3>Have that healthy brain? Yeah, brain health, Yes, yes, No.

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<v Speaker 7>I learned a lot.

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<v Speaker 3>I learned that.

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<v Speaker 1>As of lately, I'll say, in the last two months,

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<v Speaker 1>I've been back into the eight hour range of sleeping.

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<v Speaker 1>That's good because, right because people were always like, when

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<v Speaker 1>do you sleep? When do you slee You didn't used

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<v Speaker 1>to sleep, right, I was three. I was three to

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<v Speaker 1>five hour guy, and I was told that you don't

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<v Speaker 1>even reach r EM state until six hours and forty

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<v Speaker 1>seven minutes and for your body to heal. And you know,

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<v Speaker 1>I'm adjusting my lifestyle right now. I'm trying to get

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<v Speaker 1>back to a healthier place. I got to do somewhere

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<v Speaker 1>between eight to ten hours for the magic to begin. So,

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<v Speaker 1>but then you guys left me with this this gem

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<v Speaker 1>of the room has to be cold.

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<v Speaker 3>Yeah, you sleep best if the room is freezing. I've

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<v Speaker 3>heard that before, like sixty in the sixties.

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<v Speaker 1>Well, yeah, my girlfriend took that the heart and now

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<v Speaker 1>reading night, Yeah, it's cold as hell. It's been sixty

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<v Speaker 1>five degrees in the bedroom.

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<v Speaker 3>Are you sleeping better?

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<v Speaker 1>No, No, I'm sleeping well, but it's not like I

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<v Speaker 1>needed to be Africa hot.

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<v Speaker 3>My wife, Well, that's why my wife likes it much

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<v Speaker 3>colder than me, and that's why they have heating pad.

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<v Speaker 3>That's what we're talking about. There's there's pads from Actress

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<v Speaker 3>where you can set the temperature so you could keep

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<v Speaker 3>your side hot and her side cold, and it's something

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<v Speaker 3>that's throughout l Yeah. Perfect, I'm sorry, it's exactly right,

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<v Speaker 3>but uh no, it's fun. And I think I think

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<v Speaker 3>as bed get older, they get colder. It is we

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<v Speaker 3>would get older, they get hotter. Yeah. Yeah, me and

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<v Speaker 3>my wife have kind of We were just talking about

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<v Speaker 3>how we like crossed over. Like when we first started dating,

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<v Speaker 3>I was always hot and she was always cold, and

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<v Speaker 3>now I'm always cold and she's always hot. And we

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<v Speaker 3>probably had like three years where we were both the

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<v Speaker 3>same temperature and we didn't realize how good that time

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<v Speaker 3>was until it was gone.

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<v Speaker 1>No, it could be really probably problematic because I'll get up,

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<v Speaker 1>I'll reach my limit at exactly like four to seventeen am.

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<v Speaker 3>And you're freezing. Are you sure I'll sneak up with nothing?

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<v Speaker 3>Don't you remember? Do it all right? You remember on.

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<v Speaker 1>Sesame Street the green guy in the in the in

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<v Speaker 1>the trench coat that used to always sell Ernie like

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<v Speaker 1>a letter Hey.

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<v Speaker 3>But yeah, yeah exactly, letter dealer, right, so like his

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<v Speaker 3>little creep music, creeping tiptoe music. Yes, exactly.

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<v Speaker 1>So I'm in my own house that I paid for creeping,

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<v Speaker 1>putting that ship back to like something normal like sixty eight.

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<v Speaker 3>I don't go below sixty eight ars. That's where we've landed.

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<v Speaker 3>My wife Lauren would go to this like low sixties.

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<v Speaker 2>Over thirty five. You got to go to sixty six, brom.

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<v Speaker 2>You got put on another blanket and then make it

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<v Speaker 2>hot underneath it. You know what I'm saying. That's the gold.

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<v Speaker 2>Think about it.

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<v Speaker 5>What's the what's the logic keeping it colder? What's the

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<v Speaker 5>physics of well?

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<v Speaker 1>And then the thing is that your your brain is

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<v Speaker 1>divided into two parts. There's the conscious brain, and like

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<v Speaker 1>the concert is like hey, uh, I'm gonna go to work.

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<v Speaker 1>I'm gonna go to work later today, I'm gonna take

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<v Speaker 1>the subway home, I'm gonna lose weight, I'm going to

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<v Speaker 1>ask that girl out. And then it's a subconscious which

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<v Speaker 1>does stuff like I'm gonna make sure your heart's beating

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<v Speaker 1>I'm gonna make sure you're waist. So it's the it's

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<v Speaker 1>the part of your brain.

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<v Speaker 3>WHOA, yeah, what you said. And so it's actually a

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<v Speaker 3>fish song of course. And so.

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<v Speaker 1>Your body has to be totally knocked out. So you

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<v Speaker 1>get to that R. E. M state at exactly six

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<v Speaker 1>hours and forty five minutes. When you're that sleep, then

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<v Speaker 1>you're right out of brains, like waking up like.

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<v Speaker 7>All right, he's asleep, let's get to work.

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<v Speaker 1>And so then that's where the fat burns. That's where

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<v Speaker 1>like all the things that you want to help have

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<v Speaker 1>happened for your life to be good. Your your brain's

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<v Speaker 1>like all right, they're knocked out. Now now we can

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<v Speaker 1>get to work. But the thing is that most of

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<v Speaker 1>us don't get that much sleep, so we're doing ourselves

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<v Speaker 1>a disservice by only sleeping six to seven hours.

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<v Speaker 3>It's terrible for you.

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<v Speaker 1>But yeah, you didn't answer my question. Why does it

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<v Speaker 1>have to be cold?

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<v Speaker 3>Probably because people probably because it was cold at night.

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<v Speaker 1>You're you mean like before we had houses.

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<v Speaker 3>Yeah, Like it's probably like we're conditioned to sleep in

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<v Speaker 3>colder environments.

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<v Speaker 1>So I think so at this.

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<v Speaker 3>Event, Okay, can we just agree that this entire hours.

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<v Speaker 1>I'm kind of on you're side of the fence. Why

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<v Speaker 1>does it have to be so damn cold? No, I

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<v Speaker 1>mean I'm just asking.

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<v Speaker 3>No, no, no, I'm asking.

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<v Speaker 5>I'm what's the scientific part of I don't think this helps.

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<v Speaker 3>I don't know. That's why I want to know.

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<v Speaker 2>Google where we changed the subject.

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<v Speaker 7>I'm just going to suggest everybody hop on Google.

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<v Speaker 3>Yeah, Google, and then anyway, let's talk about movies. But

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<v Speaker 3>you do sleep better what it's called, and that's that's fact. So, uh, give,

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<v Speaker 3>we don't need wise? Are we giving wise? We're just

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<v Speaker 3>giving answers here. It's said that completely unsubstantiated information scientists.

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<v Speaker 1>Scientists have going on a record and said.

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<v Speaker 3>So we had a doctor he substantiated it.

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<v Speaker 5>Yeah, I kind of believe me and my curiosity exactly.

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<v Speaker 1>So you were born in Vancouver, Vancouver, British Columbia. Huh,

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<v Speaker 1>home of the the hip hop national anthem.

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<v Speaker 7>Wait, who else was Alfia Chang?

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<v Speaker 2>Because he's yeah episode.

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<v Speaker 3>Yeah, I think I've bet her over the years.

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<v Speaker 1>Actually she'll be on the future episodes. Great anyway, Yeah,

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<v Speaker 1>I know.

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<v Speaker 3>The Rascals are a hip hop group from Vancouver that

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<v Speaker 3>were the The Rascals they were called like, uh and

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<v Speaker 3>uh Northern Touch, Yeah, rascals, checkmate, Cardinal Allen thrust Claire,

0:11:26.840 --> 0:11:29.280
<v Speaker 3>how do you know this? How do you know that

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<v Speaker 3>very no American knows that song? I do my research

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<v Speaker 3>is well, maybe you can help you to steal the

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<v Speaker 3>beat of that song for a song. Yeah, there is

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<v Speaker 3>a d m X song with the exact same beat

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<v Speaker 3>as Northern Touch, and I think if you're Canadian, it's

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<v Speaker 3>very jarring. But you're like, oh, this is a good beat.

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<v Speaker 1>It I can't yeah, express bt express sample that E

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<v Speaker 1>P M D used head banger ev Well, no, no,

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<v Speaker 1>no for uh uh you know what I'm saying.

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<v Speaker 3>Yeah, Northern Touch first, get the bows that no EBMD

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<v Speaker 3>was first, and then Northern Touch, yes maybe.

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<v Speaker 1>And then DMX came and just took it. Did Did

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<v Speaker 1>you know that your your hometown is also uh what

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<v Speaker 1>I consider that the national anthem of hip hop? Did

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<v Speaker 1>you know that Apache was created in Vancouver?

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<v Speaker 3>Apache? Yes?

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<v Speaker 1>Apache was recorded and created in Vancouver.

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<v Speaker 3>Really? Yes, I did not know that.

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<v Speaker 1>Yes, that's one of my favorite factoids about that is

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<v Speaker 1>a very good fact with Vancouver and the other and Wars.

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<v Speaker 3>From Vancouver is the other I love. Yeah, Your interviews

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<v Speaker 3>with him are great. Have you interviewed been I've been

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<v Speaker 3>interviewed by him once.

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<v Speaker 1>Have you ever seen a non savory nord war interview

0:12:48.920 --> 0:12:50.600
<v Speaker 1>like a lot of the earlier ones where they don't

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<v Speaker 1>you know if he's trolling them or not.

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<v Speaker 3>Oh? Yes, so, I mean I grew up watching him,

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<v Speaker 3>So I've seen like so many.

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<v Speaker 1>How long has he been doing this?

0:12:58.000 --> 0:13:06.319
<v Speaker 3>Like thirty years? He's like fifty something. Yes, he's younger

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<v Speaker 3>than me.

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<v Speaker 1>No.

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<v Speaker 3>There's actually an amazing yardbar interview with Nirvana, like backstage

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<v Speaker 3>at the P and E Forum, which is the place

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<v Speaker 3>in Vancouver from like nineteen ninety, like three or something

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<v Speaker 3>like Courtney Love is there and it's like a very

0:13:19.160 --> 0:13:22.800
<v Speaker 3>long interview that's filmed and throughout it's like forty minutes

0:13:22.880 --> 0:13:24.720
<v Speaker 3>or something like. Throughout the course of it, you see

0:13:24.800 --> 0:13:27.920
<v Speaker 3>Kurt Kobad like slowly realize he's a genius, and like

0:13:27.960 --> 0:13:30.120
<v Speaker 3>at first it's this thing where it's just like, why

0:13:30.160 --> 0:13:32.280
<v Speaker 3>is this fucking guy here bothering me? And then he's

0:13:32.280 --> 0:13:36.120
<v Speaker 3>slowly like clues in the house is yeah, he totally

0:13:36.160 --> 0:13:38.600
<v Speaker 3>does know. But I've seen because now people know who

0:13:38.679 --> 0:13:42.440
<v Speaker 3>he is, Like, but for years I would watch interviews

0:13:42.480 --> 0:13:45.040
<v Speaker 3>where famous musicians would just get interviewed by him and

0:13:45.080 --> 0:13:48.240
<v Speaker 3>be like, who the fuck is this guy? And even

0:13:48.320 --> 0:13:51.440
<v Speaker 3>still some people don't. I feel like, don't get it.

0:13:51.480 --> 0:13:55.000
<v Speaker 3>I feel like people all right, So that jay Z interviews,

0:13:55.040 --> 0:13:58.240
<v Speaker 3>the jay Z didn't seem to appreciate. No, I warned

0:13:58.320 --> 0:14:00.400
<v Speaker 3>him about it. Yeah, I take him do it.

0:14:00.480 --> 0:14:04.160
<v Speaker 1>And then Farrell doubled down. Yeah, so he did it.

0:14:04.880 --> 0:14:06.920
<v Speaker 1>Because if we say it's a thing, yeah, then jay

0:14:06.960 --> 0:14:07.400
<v Speaker 1>Z's just.

0:14:07.320 --> 0:14:07.679
<v Speaker 3>One of them.

0:14:07.679 --> 0:14:09.400
<v Speaker 1>Folmo, I don't want to miss out.

0:14:09.520 --> 0:14:16.520
<v Speaker 3>He's got no question you know anyway.

0:14:17.320 --> 0:14:22.720
<v Speaker 1>And so but I'll say that the first time he

0:14:22.800 --> 0:14:24.560
<v Speaker 1>interviewed me, I was paranoid because.

0:14:24.320 --> 0:14:27.320
<v Speaker 3>He just knew ways. Oh it's weird. Too much information

0:14:27.720 --> 0:14:31.000
<v Speaker 3>he knew about me. That was he brought out your books. Yeah,

0:14:31.040 --> 0:14:34.240
<v Speaker 3>he had my high school yearbooks. Literally, he like knew people,

0:14:34.880 --> 0:14:38.000
<v Speaker 3>He knew names that I hadn't heard in like, yeah,

0:14:38.200 --> 0:14:39.359
<v Speaker 3>twenty five years.

0:14:39.160 --> 0:14:41.040
<v Speaker 7>Got a bag from the shop at your mommy store.

0:14:41.240 --> 0:14:45.120
<v Speaker 3>Yes literally that. Yeah, it was totally crazy.

0:14:45.160 --> 0:14:46.000
<v Speaker 7>It would freak me out.

0:14:46.120 --> 0:14:49.440
<v Speaker 3>It was super fucking freaky. But his knowledge is bizarre.

0:14:49.520 --> 0:14:51.880
<v Speaker 3>He's always trying to get to Kanye. He's like, that's

0:14:51.920 --> 0:14:54.280
<v Speaker 3>his holy Grail. He like emails me and tells me

0:14:54.480 --> 0:14:58.200
<v Speaker 3>a YouTube oh alone, not at all. Yeah, I can

0:14:58.240 --> 0:14:59.280
<v Speaker 3>see that going very bad.

0:15:01.360 --> 0:15:04.800
<v Speaker 1>He somehow thinks that I have the magic touch to

0:15:04.920 --> 0:15:06.239
<v Speaker 1>get him to the Obamas.

0:15:06.600 --> 0:15:13.800
<v Speaker 3>Wowane, Yeah, that's a big step in a much better direction.

0:15:14.880 --> 0:15:18.160
<v Speaker 6>I read somewhere somebody said online that, uh that when

0:15:18.160 --> 0:15:20.080
<v Speaker 6>you get to the parlegates of Heaven, it's ard war

0:15:20.240 --> 0:15:26.040
<v Speaker 6>that he's the one that's reviewing your entire life there.

0:15:27.080 --> 0:15:30.920
<v Speaker 1>So, speaking of your hometown, are you is every time

0:15:30.960 --> 0:15:37.280
<v Speaker 1>I ask anybody from Vancouver, are you knowledgeable the La

0:15:37.320 --> 0:15:41.720
<v Speaker 1>Cassa gelato or is that just for tour suckers like me?

0:15:42.160 --> 0:15:46.400
<v Speaker 7>It's the place that has.

0:15:44.280 --> 0:15:48.560
<v Speaker 3>Like hundreds of flavors of gelato. Yeah, it's near. It's

0:15:48.600 --> 0:15:50.960
<v Speaker 3>on like the like north end of kind of the

0:15:50.960 --> 0:15:51.880
<v Speaker 3>east side of Vancouver.

0:15:52.000 --> 0:15:54.320
<v Speaker 1>It's my favorite place ever, I might.

0:15:54.400 --> 0:15:56.960
<v Speaker 3>It's not somewhere I grew up going, but it's somewhere

0:15:57.000 --> 0:16:00.720
<v Speaker 3>that I've heard of Its suckers might be kind of

0:16:00.720 --> 0:16:05.280
<v Speaker 3>a vinegar. Yeah. It was one of the first places

0:16:05.280 --> 0:16:09.080
<v Speaker 3>to start doing like weird flavors or ship like that. Yeah.

0:16:08.520 --> 0:16:12.480
<v Speaker 1>Yeah, basically cheese ice cream man like a tobacco one

0:16:12.560 --> 0:16:13.400
<v Speaker 1>or something like that.

0:16:13.600 --> 0:16:15.800
<v Speaker 3>Yeah for a while. Yeah, well, I mean something.

0:16:15.640 --> 0:16:17.560
<v Speaker 1>That some of the weird ones I liked, Like they

0:16:17.560 --> 0:16:18.880
<v Speaker 1>have black pepper vanilla.

0:16:19.160 --> 0:16:23.000
<v Speaker 3>That's weird. How is cheddar cheese? Well that's the thing.

0:16:23.080 --> 0:16:26.640
<v Speaker 1>You you basically you sample all the weird ones and

0:16:26.960 --> 0:16:27.840
<v Speaker 1>you get the rocky road.

0:16:27.880 --> 0:16:33.240
<v Speaker 3>That's you know, that's a purely like North American thing

0:16:33.280 --> 0:16:37.200
<v Speaker 3>is sampling ice cream? Like, uh, what I was considered rude? Well,

0:16:37.240 --> 0:16:41.400
<v Speaker 3>I was in Italy and uh not to brag that

0:16:41.720 --> 0:16:44.280
<v Speaker 3>Italy in a gelato shop and there was like a

0:16:44.360 --> 0:16:47.040
<v Speaker 3>rush of Americans left and me and by wife for

0:16:47.120 --> 0:16:49.000
<v Speaker 3>the holy people of the restaurant, and the woman behind

0:16:49.000 --> 0:16:51.160
<v Speaker 3>the counter like very quietly looked at us and goes,

0:16:51.160 --> 0:16:53.640
<v Speaker 3>can I ask you a question? We're like, yeah, how

0:16:53.640 --> 0:17:01.120
<v Speaker 3>come American always ask the taste? She's like, what is this? Like?

0:17:01.800 --> 0:17:05.040
<v Speaker 3>Nowhere else to t I was like, you're right when

0:17:05.080 --> 0:17:07.000
<v Speaker 3>you put it like that, it is pretty fucking weird,

0:17:07.280 --> 0:17:08.840
<v Speaker 3>Like nowhere else you'd be like can I try that

0:17:08.920 --> 0:17:14.080
<v Speaker 3>sand which piece? That's what I said. I said. I

0:17:14.119 --> 0:17:16.520
<v Speaker 3>think it all roots back to this one place basket Robins,

0:17:16.560 --> 0:17:18.560
<v Speaker 3>where they encourage people to do it and that ruined

0:17:19.400 --> 0:17:22.720
<v Speaker 3>really ice cream all over the the Yeah, because I

0:17:22.760 --> 0:17:23.200
<v Speaker 3>know that the.

0:17:23.160 --> 0:17:28.720
<v Speaker 2>Sun you are, I'm like, yeah, they combined with dun donuts.

0:17:28.720 --> 0:17:32.000
<v Speaker 3>No, no, no, yeah there. That's the thing though, are they.

0:17:32.400 --> 0:17:38.280
<v Speaker 1>I know that the Sun inherited the empire and because

0:17:38.440 --> 0:17:40.680
<v Speaker 1>you know, like generations are the opposites of what their

0:17:40.920 --> 0:17:45.320
<v Speaker 1>parents were, the Sun wasn't like you know, he didn't

0:17:45.640 --> 0:17:47.280
<v Speaker 1>he was concerned about the cows.

0:17:47.040 --> 0:17:48.640
<v Speaker 3>They were using and.

0:17:50.680 --> 0:17:54.439
<v Speaker 1>Range and so instead he took the family money and

0:17:54.520 --> 0:17:57.840
<v Speaker 1>did this expose on how like ice cream companies are

0:17:58.880 --> 0:18:01.120
<v Speaker 1>ruining cows environment.

0:18:01.920 --> 0:18:03.240
<v Speaker 3>It's like ice cream succession.

0:18:03.520 --> 0:18:10.720
<v Speaker 8>So they that's crazy basket around. I was just in

0:18:10.800 --> 0:18:13.679
<v Speaker 8>the ice cream industry, which explains why they had to

0:18:13.720 --> 0:18:14.720
<v Speaker 8>partner with.

0:18:17.320 --> 0:18:17.639
<v Speaker 3>Basket.

0:18:19.080 --> 0:18:22.480
<v Speaker 2>That Margarita flavor is still there is good Margerite ice cream.

0:18:22.560 --> 0:18:24.119
<v Speaker 2>Have a Margarita flavor. They've had it forever.

0:18:24.640 --> 0:18:27.240
<v Speaker 3>Wow. Good to condition children at a young age to

0:18:27.560 --> 0:18:32.159
<v Speaker 3>develop a taste from Margarita's. So twenty minutes.

0:18:33.119 --> 0:18:39.320
<v Speaker 1>So twenty minutes into this interview, let's start. So you

0:18:39.440 --> 0:18:44.560
<v Speaker 1>being born in the early eighties in Vancouver, what was

0:18:44.600 --> 0:18:48.320
<v Speaker 1>the what was your environment like in your household?

0:18:48.560 --> 0:18:54.040
<v Speaker 3>My household, I lived on the East side of Vancouver,

0:18:54.200 --> 0:18:59.119
<v Speaker 3>which in like a one hundred percent like East Indian neighborhood.

0:19:00.160 --> 0:19:02.879
<v Speaker 3>So it was, uh, it was great. It was like

0:19:03.720 --> 0:19:05.520
<v Speaker 3>I would walk around a lot. I was just arguing

0:19:05.520 --> 0:19:07.600
<v Speaker 3>with my parents. Their memory was that I never walked

0:19:07.640 --> 0:19:11.159
<v Speaker 3>around alone, and I definitively did all the time. It

0:19:11.200 --> 0:19:14.680
<v Speaker 3>would take the bus all around the city. But uh, yeah,

0:19:14.680 --> 0:19:16.480
<v Speaker 3>but I went to school on the West Side, I

0:19:16.600 --> 0:19:19.040
<v Speaker 3>grew up. I started doing stand up when I was young,

0:19:19.119 --> 0:19:22.560
<v Speaker 3>like twelve or thirteen, and I would started writing around

0:19:22.560 --> 0:19:26.040
<v Speaker 3>then too, and I smoked weed a lot, and not

0:19:26.160 --> 0:19:28.320
<v Speaker 3>much has changed my life since I was twelve. I ag.

0:19:30.680 --> 0:19:33.520
<v Speaker 1>So the myth, the myth of super Bad and you

0:19:34.080 --> 0:19:36.680
<v Speaker 1>crafting this at such a young age is.

0:19:38.320 --> 0:19:41.320
<v Speaker 3>Yes, for sure. Yeah. Me and my partner Evan, who

0:19:41.320 --> 0:19:44.920
<v Speaker 3>I still work with, met in bar Mitzvah class when

0:19:44.960 --> 0:19:48.440
<v Speaker 3>we were twelve and then started writing together not long

0:19:48.480 --> 0:19:51.359
<v Speaker 3>after that, and we had yeah, we probably finished the

0:19:51.440 --> 0:19:53.280
<v Speaker 3>draft to Super Bad when we were like fourteen or

0:19:53.320 --> 0:19:56.840
<v Speaker 3>fifteen for a complete yeah by then, but we started

0:19:56.840 --> 0:19:58.959
<v Speaker 3>when we were like thirteen, And there is some and

0:19:59.000 --> 0:20:01.080
<v Speaker 3>it's like what the things were. It's almost sad that

0:20:01.200 --> 0:20:03.719
<v Speaker 3>like I'm not that much smarter or fuddier than I

0:20:03.800 --> 0:20:06.000
<v Speaker 3>was when I was thirteen years old, because there are

0:20:06.040 --> 0:20:08.360
<v Speaker 3>some jokes in the movie that like we wrote when

0:20:08.359 --> 0:20:10.879
<v Speaker 3>we were thirteen that are still in the movie, that

0:20:10.920 --> 0:20:13.480
<v Speaker 3>are in the movie that like that held up and

0:20:13.520 --> 0:20:15.800
<v Speaker 3>that are still Yeah, you'd like to think you got

0:20:15.800 --> 0:20:16.880
<v Speaker 3>better in that amount of time.

0:20:17.119 --> 0:20:19.840
<v Speaker 2>At fourteen, you look like a professional.

0:20:19.880 --> 0:20:21.960
<v Speaker 3>I'm trying to say. I remember I made I asked

0:20:21.960 --> 0:20:24.000
<v Speaker 3>my mom to buy me Final Draft, which was the

0:20:24.080 --> 0:20:26.879
<v Speaker 3>script writing software, and she did. My parents were like

0:20:26.920 --> 0:20:29.000
<v Speaker 3>super supportive because I also didn't stand up, so they

0:20:29.040 --> 0:20:31.680
<v Speaker 3>saw that, like I would work hard. You know what

0:20:31.720 --> 0:20:34.119
<v Speaker 3>I mean? This is ninety six, Yeah, this is probably

0:20:34.200 --> 0:20:37.240
<v Speaker 3>ninety five or ninety six or something like that. Yeah,

0:20:37.320 --> 0:20:39.080
<v Speaker 3>ninety five, I would say, ninety six.

0:20:39.160 --> 0:20:41.920
<v Speaker 1>Yeah, Like all right, I'm curious, and this is lead

0:20:42.040 --> 0:20:46.000
<v Speaker 1>just back to the conscious subconscious. Yeah, when you're subconscious,

0:20:46.000 --> 0:20:51.200
<v Speaker 1>it's convinced them of something. Yeah, then your body does it,

0:20:51.240 --> 0:20:56.200
<v Speaker 1>which which explains why you know, Kanye uses outward affirmations

0:20:56.520 --> 0:21:00.000
<v Speaker 1>I am the greatest, yes, and then everything happens for him,

0:21:00.640 --> 0:21:03.159
<v Speaker 1>the same way with Trump, the same way with Diddy,

0:21:03.400 --> 0:21:04.400
<v Speaker 1>the same with Jay.

0:21:04.480 --> 0:21:08.399
<v Speaker 2>Remember Day remix it and called it a secret secret.

0:21:12.960 --> 0:21:15.080
<v Speaker 7>I have six million dollars in my bank account right now,

0:21:15.640 --> 0:21:16.080
<v Speaker 7>right now.

0:21:16.320 --> 0:21:24.240
<v Speaker 1>So I'm curious what what inside you gave you the

0:21:24.240 --> 0:21:26.520
<v Speaker 1>the boss to even be like, yo, let's write a

0:21:26.560 --> 0:21:29.359
<v Speaker 1>movie now, Like it didn't even start with like let's

0:21:29.800 --> 0:21:31.160
<v Speaker 1>start with community theater.

0:21:32.000 --> 0:21:33.000
<v Speaker 3>Hey, how do you do this?

0:21:33.200 --> 0:21:34.400
<v Speaker 7>Or did you see a movie one day?

0:21:34.480 --> 0:21:37.360
<v Speaker 3>Is like I could do better. Literally, that's what happened.

0:21:37.480 --> 0:21:39.360
<v Speaker 3>Like what movie did you see that sets you off?

0:21:39.440 --> 0:21:43.080
<v Speaker 3>I can't remember and we are all we love picture

0:21:43.359 --> 0:21:45.840
<v Speaker 3>that was like no, like that was something. I had

0:21:45.840 --> 0:21:48.880
<v Speaker 3>a pulp fiction poster on my bedroom door, like.

0:21:48.880 --> 0:21:51.200
<v Speaker 7>Throughout if you were a teenager in the nineties, you.

0:21:51.119 --> 0:21:53.680
<v Speaker 3>Had Yeah, I mean that came out in ninety four,

0:21:53.760 --> 0:21:55.600
<v Speaker 3>maybe I was twelve, so we saw it around then,

0:21:55.720 --> 0:21:59.919
<v Speaker 3>and it was it was also the era of like independent.

0:22:00.119 --> 0:22:02.159
<v Speaker 3>It was like the resurgence of this independent film like

0:22:02.600 --> 0:22:06.679
<v Speaker 3>Clark Car and Rushmore and Wes Anderson had Bottle Rocket,

0:22:06.840 --> 0:22:09.360
<v Speaker 3>so there was oh yeah, we were obsessed with them.

0:22:09.480 --> 0:22:11.960
<v Speaker 3>And it's also one of those things that was my

0:22:12.240 --> 0:22:16.000
<v Speaker 3>parents loved movies and they were just huge movie fans,

0:22:16.000 --> 0:22:17.720
<v Speaker 3>so they would like watch a lot of movies and

0:22:17.720 --> 0:22:23.359
<v Speaker 3>collect movies. Vancouver. They made some stuff there, so it's

0:22:23.400 --> 0:22:26.919
<v Speaker 3>not like Hollywood, but like you would see movie sets

0:22:26.960 --> 0:22:29.399
<v Speaker 3>around and so there was like it wasn't this like

0:22:29.520 --> 0:22:33.920
<v Speaker 3>completely unobtainable thing. And then in high school, our high

0:22:33.920 --> 0:22:36.480
<v Speaker 3>school was right across the street from to video store,

0:22:36.640 --> 0:22:39.960
<v Speaker 3>like uh giant video stores, and we would rent movies,

0:22:40.040 --> 0:22:42.119
<v Speaker 3>like we watched. All we would do is like smoke.

0:22:42.119 --> 0:22:46.040
<v Speaker 3>We'd watch movies basically, and and when you watch enough movies,

0:22:46.080 --> 0:22:48.280
<v Speaker 3>you start to think, maybe we could do this, and

0:22:48.320 --> 0:22:51.919
<v Speaker 3>if we write something that's like cheap, then maybe that

0:22:52.040 --> 0:22:54.520
<v Speaker 3>was always the thought was, like it was said in

0:22:54.600 --> 0:22:56.679
<v Speaker 3>high school super bad, and we were like, where it

0:22:56.680 --> 0:22:59.040
<v Speaker 3>comes to worst, like this becomes something we like we

0:22:59.080 --> 0:23:00.639
<v Speaker 3>made movies with like our like you know, we had

0:23:00.640 --> 0:23:02.800
<v Speaker 3>a video camera. We were like, we could technically make

0:23:02.880 --> 0:23:05.119
<v Speaker 3>this ourselves if we wanted to.

0:23:05.600 --> 0:23:11.480
<v Speaker 1>You know, what was your north star in terms of Okay,

0:23:11.680 --> 0:23:14.879
<v Speaker 1>So now now it's just hitting me that because I

0:23:15.119 --> 0:23:18.840
<v Speaker 1>family that worked at an independent movie theater back in

0:23:19.240 --> 0:23:23.080
<v Speaker 1>ninety one ninety two, so I always have free tickets.

0:23:23.560 --> 0:23:25.879
<v Speaker 1>But you know, we're seeing al Marachi, We're seeing like

0:23:25.920 --> 0:23:29.640
<v Speaker 1>all these indie films, which I mean at the time

0:23:29.680 --> 0:23:31.600
<v Speaker 1>I didn't realize it, but it was grooming me to

0:23:33.240 --> 0:23:36.199
<v Speaker 1>gear towards art house stuff as opposed to mainstream stuff.

0:23:36.560 --> 0:23:40.359
<v Speaker 1>But for you, what were your Were you a film

0:23:40.440 --> 0:23:41.879
<v Speaker 1>snob or were you just like you know, I got

0:23:41.920 --> 0:23:43.160
<v Speaker 1>Poor GI's and Hot Dog.

0:23:43.160 --> 0:23:46.520
<v Speaker 3>Yeah, no, we were hot the Ski movie, Yeah, of course.

0:23:46.600 --> 0:23:50.200
<v Speaker 7>I liked Hamburger the motion picture.

0:23:50.280 --> 0:23:56.240
<v Speaker 3>Yeah, Hamburger, Hamburger Bucker. Was there a Hamburger movie?

0:23:56.320 --> 0:23:58.720
<v Speaker 1>Yes, I gotta see it.

0:23:58.880 --> 0:24:00.480
<v Speaker 3>It was amazing TV.

0:24:00.640 --> 0:24:05.480
<v Speaker 1>There's a specific like C movie yeh VHS section.

0:24:05.320 --> 0:24:07.320
<v Speaker 7>Anything that was on HBO late night and liked.

0:24:07.400 --> 0:24:09.520
<v Speaker 3>In the mid eighties, we would just rent movies based

0:24:09.560 --> 0:24:12.000
<v Speaker 3>on what the cover of the box looking garbage.

0:24:12.320 --> 0:24:13.640
<v Speaker 2>Anybody can find the garbage.

0:24:13.840 --> 0:24:16.440
<v Speaker 3>It's funny. Busy Domight movie just came out. I would

0:24:16.440 --> 0:24:18.920
<v Speaker 3>watch it. But we were we were obsessed with Dollmkee

0:24:18.960 --> 0:24:20.560
<v Speaker 3>because like it was one of those reason that like

0:24:20.800 --> 0:24:23.800
<v Speaker 3>purely based on the colt We're like, what is this?

0:24:23.920 --> 0:24:26.160
<v Speaker 3>We did? We did the same We did the same thing.

0:24:26.240 --> 0:24:27.680
<v Speaker 6>Like every Friday night we would all meet up with

0:24:27.680 --> 0:24:29.639
<v Speaker 6>this Mexican restaurant in town and then we would all

0:24:29.880 --> 0:24:32.320
<v Speaker 6>like caravan over to the video store, argue for about

0:24:32.320 --> 0:24:33.919
<v Speaker 6>half an hour about what video we're going to pick out?

0:24:34.160 --> 0:24:36.120
<v Speaker 3>Oh, we would argue for hours. We spend more time

0:24:36.119 --> 0:24:38.159
<v Speaker 3>in the video store than we would watching the movies

0:24:38.200 --> 0:24:40.120
<v Speaker 3>we rented at the video like that was the activity

0:24:40.280 --> 0:24:43.080
<v Speaker 3>was going to the video store. Inside we argue over

0:24:43.280 --> 0:24:43.720
<v Speaker 3>what we did.

0:24:43.880 --> 0:24:45.800
<v Speaker 6>We called it tasteless movie night. We would try to

0:24:45.800 --> 0:24:47.639
<v Speaker 6>find the most tasteless movie we could find in the

0:24:47.680 --> 0:24:49.399
<v Speaker 6>video suffect. Yeah, and we would just go to my

0:24:49.440 --> 0:24:51.320
<v Speaker 6>friend Darren's basement and watch it. And just like it

0:24:51.359 --> 0:24:54.840
<v Speaker 6>was commentary, it was perfect commentary involved. I'm sure if

0:24:54.880 --> 0:24:56.960
<v Speaker 6>there had been well his mom was a teacher, sect.

0:24:56.800 --> 0:25:01.359
<v Speaker 3>Would never So where were you go? Uh? Well, I

0:25:01.359 --> 0:25:03.439
<v Speaker 3>think it's like one thing I look at is like

0:25:03.480 --> 0:25:06.080
<v Speaker 3>the movies. It's obviously something I've thought about, you know,

0:25:06.240 --> 0:25:09.240
<v Speaker 3>is like the movies my parents owned, Like they owned

0:25:09.240 --> 0:25:11.679
<v Speaker 3>like forty movies on like vhs that they would like,

0:25:12.000 --> 0:25:14.040
<v Speaker 3>there was like three movies to a VHS. They would

0:25:14.080 --> 0:25:17.359
<v Speaker 3>tape them off TV yes when they came on, and like,

0:25:17.440 --> 0:25:20.080
<v Speaker 3>would you ever watch them? I did all the time.

0:25:20.160 --> 0:25:24.280
<v Speaker 3>And those movies are like cementing in my brain. I

0:25:24.320 --> 0:25:27.720
<v Speaker 3>know every word to every one. And I also bet

0:25:27.720 --> 0:25:29.640
<v Speaker 3>that if I like made a list of all those

0:25:29.680 --> 0:25:34.000
<v Speaker 3>movies they like directly correlate to the movies that I've

0:25:34.040 --> 0:25:38.359
<v Speaker 3>made since then basically like one, well, it's like Ghostbusters,

0:25:38.440 --> 0:25:41.000
<v Speaker 3>they and movies like that. My dad loved Bill Murray.

0:25:42.040 --> 0:25:45.199
<v Speaker 3>They also loved like Woody Allen and like Independent like

0:25:45.280 --> 0:25:47.159
<v Speaker 3>they like they had like Hannah and Her Sisters and

0:25:47.160 --> 0:25:49.040
<v Speaker 3>like any halland movies like that, and I would watch

0:25:49.080 --> 0:25:52.080
<v Speaker 3>those movies a lot. And then they had like Albert

0:25:52.080 --> 0:25:54.600
<v Speaker 3>Brooks movies, and my dad loved Billy Crystal and so

0:25:54.760 --> 0:25:56.159
<v Speaker 3>like it was a lot of that stuff. And my

0:25:56.280 --> 0:25:58.720
<v Speaker 3>mom though, loved action movies, and so we had like

0:25:58.760 --> 0:26:02.919
<v Speaker 3>die Hard and Total reco and like Under Sage I

0:26:03.000 --> 0:26:05.360
<v Speaker 3>remember we had right when it came out, and Lef

0:26:05.400 --> 0:26:06.920
<v Speaker 3>a Weapon was like, it's like one of my mom's

0:26:06.960 --> 0:26:11.159
<v Speaker 3>favorite movies. And so I would watch these like emotionally

0:26:11.359 --> 0:26:15.640
<v Speaker 3>driven kind of comedy drama movies and like the most violent,

0:26:15.760 --> 0:26:19.960
<v Speaker 3>insane action movies. And that's kind of a lot of

0:26:19.960 --> 0:26:26.879
<v Speaker 3>the stuff we make now, Yeah, I see, yeah, And

0:26:26.960 --> 0:26:30.560
<v Speaker 3>so all those movies like we loved, and then when yeah,

0:26:30.600 --> 0:26:32.159
<v Speaker 3>and then when Paul fiction of those movies started to

0:26:32.200 --> 0:26:35.159
<v Speaker 3>come out, we became cessin Reservoir Dogs we loved and like,

0:26:36.600 --> 0:26:38.720
<v Speaker 3>and then we got really in a Sam Raimi and

0:26:38.760 --> 0:26:42.400
<v Speaker 3>Peter Jackson's early movies like Army of Darkness we watched

0:26:42.600 --> 0:26:45.359
<v Speaker 3>over and over and over again, and Dead Alive we watched.

0:26:45.400 --> 0:26:48.120
<v Speaker 3>We watched a lot and like, uh yeah, and then

0:26:48.160 --> 0:26:50.400
<v Speaker 3>to see those guys go on that was another thing.

0:26:50.560 --> 0:26:53.160
<v Speaker 3>Is like you'd see like, oh, like Sam Raimi's direct

0:26:53.200 --> 0:26:55.560
<v Speaker 3>and Spider Man and like these guys who like we

0:26:55.560 --> 0:26:59.320
<v Speaker 3>were already fans of for making like the weirdest shit ever,

0:27:00.119 --> 0:27:03.240
<v Speaker 3>we're then crossing over and becoming really successful and I

0:27:03.240 --> 0:27:05.640
<v Speaker 3>think making big things. And that was also I think

0:27:05.680 --> 0:27:08.920
<v Speaker 3>something we always liked and that was interesting to us.

0:27:09.040 --> 0:27:12.000
<v Speaker 3>But no, I mean we just like devoured.

0:27:11.680 --> 0:27:15.280
<v Speaker 1>The Vancouver have much of a social or nightlife because

0:27:15.280 --> 0:27:19.240
<v Speaker 1>I'm a I'm almost thinking of I'm thinking that Vancouver

0:27:19.520 --> 0:27:23.480
<v Speaker 1>is almost like all right, what Minneapolis was to print, yeah,

0:27:23.520 --> 0:27:27.000
<v Speaker 1>and how there was a scene there, but because there's

0:27:27.080 --> 0:27:29.879
<v Speaker 1>not much to do. Yes, he had a lot of

0:27:29.920 --> 0:27:32.760
<v Speaker 1>time to hone his craft, yes, to do music a lot, yes,

0:27:33.040 --> 0:27:35.520
<v Speaker 1>And the weather determines staying in.

0:27:35.600 --> 0:27:38.320
<v Speaker 3>Vancouver is a city where people sit, like go to

0:27:38.400 --> 0:27:42.640
<v Speaker 3>someone's house and smoke weed. That's like the activity your

0:27:42.680 --> 0:27:46.600
<v Speaker 3>experience that is like what people do there or and

0:27:46.640 --> 0:27:49.119
<v Speaker 3>when it's nice out, you go to a not a

0:27:49.240 --> 0:27:52.080
<v Speaker 3>nature place and smoke weed. It's like a very like

0:27:52.400 --> 0:27:55.560
<v Speaker 3>weed was like super prevalent and like it's a huge

0:27:56.119 --> 0:27:58.119
<v Speaker 3>It's like one of the most progressive cities in the

0:27:58.160 --> 0:28:00.560
<v Speaker 3>world when it comes to weed, even in your in

0:28:00.600 --> 0:28:04.160
<v Speaker 3>the night. So you've never been arrested for the right.

0:28:04.200 --> 0:28:06.080
<v Speaker 3>When I moved to l A, I got arrested because

0:28:06.119 --> 0:28:10.119
<v Speaker 3>I didn't understand how much more strict it was, uh

0:28:10.280 --> 0:28:12.480
<v Speaker 3>than it was in Vancouver. Like all throughout high school,

0:28:12.520 --> 0:28:15.399
<v Speaker 3>if we got caught with weed, the cops wouldn't would

0:28:15.480 --> 0:28:17.760
<v Speaker 3>just take it. They wouldn't even always take it. They

0:28:17.760 --> 0:28:21.600
<v Speaker 3>would just be like go away, like like it was

0:28:21.920 --> 0:28:26.960
<v Speaker 3>such jewelow on priority, like on the priorities, because Vancouver

0:28:27.000 --> 0:28:30.240
<v Speaker 3>had like a terrible, terrible heroin problem and it was

0:28:30.280 --> 0:28:33.399
<v Speaker 3>like had a really rough drug problem. And so weed

0:28:33.640 --> 0:28:38.200
<v Speaker 3>very early on became deprioritized and decriminalized. And from when

0:28:38.200 --> 0:28:39.680
<v Speaker 3>I was a kid, there was a coffee shop you

0:28:39.680 --> 0:28:43.040
<v Speaker 3>could go smoke weed in, and there was like indoor

0:28:43.080 --> 0:28:44.680
<v Speaker 3>like places you go inside and smoke weed.

0:28:45.160 --> 0:28:48.520
<v Speaker 2>Seth you never know we would see I have.

0:28:48.640 --> 0:28:50.360
<v Speaker 3>But yeah, when I first moved to la we'd buy

0:28:50.360 --> 0:28:56.920
<v Speaker 3>pounds of Mexican weed. Wait, virgin here was I It

0:28:57.040 --> 0:29:00.840
<v Speaker 3>means lots of seeds and you Reggie, so.

0:29:00.800 --> 0:29:03.600
<v Speaker 2>It's call it Reggie regular weed. But to me, if

0:29:04.080 --> 0:29:06.080
<v Speaker 2>Vancouver has been in the hierarchy of the weed game,

0:29:06.440 --> 0:29:08.320
<v Speaker 2>I would just assume that, like and you're at a.

0:29:09.040 --> 0:29:11.280
<v Speaker 3>Good like hydroponic, you don't want to smoke the seeds.

0:29:11.080 --> 0:29:14.400
<v Speaker 2>Because you know it takes you. That's a sterile part to.

0:29:15.240 --> 0:29:21.440
<v Speaker 3>Wait, I don't know if that's true. Time out, I

0:29:21.440 --> 0:29:24.440
<v Speaker 3>don't know if there.

0:29:24.400 --> 0:29:27.680
<v Speaker 1>That's what That's what I'm saying. Why is it taking

0:29:27.880 --> 0:29:29.920
<v Speaker 1>three years for me to really wait? How are you

0:29:30.000 --> 0:29:32.160
<v Speaker 1>just gonna let you come here and drink your milk?

0:29:32.200 --> 0:29:32.480
<v Speaker 3>Seeds?

0:29:32.520 --> 0:29:36.160
<v Speaker 2>Right? Parents smoke weed with seeds in them, and we

0:29:36.240 --> 0:29:37.880
<v Speaker 2>stole them. We have to pick them out, and it

0:29:37.960 --> 0:29:39.720
<v Speaker 2>pops and burns and seats and seats.

0:29:39.720 --> 0:29:42.720
<v Speaker 3>This leather falls out of the joint. Sometimes.

0:29:42.720 --> 0:29:44.920
<v Speaker 2>My dad's a cut all the time. God damn daddy,

0:29:44.920 --> 0:29:46.320
<v Speaker 2>always smoking in your car looking at them.

0:29:46.320 --> 0:29:51.040
<v Speaker 3>Hosy, I did that.

0:30:00.240 --> 0:30:02.080
<v Speaker 1>You started stand up at a young age?

0:30:02.120 --> 0:30:04.280
<v Speaker 3>Yeah? Fourteen? Yeah, thirteen or fourteen?

0:30:04.520 --> 0:30:07.880
<v Speaker 1>Okay, So the only person I know they had the

0:30:07.960 --> 0:30:09.000
<v Speaker 1>experience with Chappelle.

0:30:09.160 --> 0:30:12.360
<v Speaker 3>Yeah, how I think Eddie Murphy started around that. Yeah,

0:30:12.440 --> 0:30:14.000
<v Speaker 3>so happy much better. How do you.

0:30:16.840 --> 0:30:19.880
<v Speaker 1>How do you even negotiate your way into a club?

0:30:20.120 --> 0:30:24.640
<v Speaker 3>Yeah? My mom helped, She would talk to She drove

0:30:24.680 --> 0:30:29.840
<v Speaker 3>me to every show, literally because I couldn't drive at Yeah,

0:30:29.880 --> 0:30:34.160
<v Speaker 3>And what's funny is very early on it's one of

0:30:34.160 --> 0:30:36.960
<v Speaker 3>those like happy coincidences. I did a show that I

0:30:37.000 --> 0:30:39.440
<v Speaker 3>did a fundraiser when I was like fourteen, a small

0:30:39.480 --> 0:30:42.880
<v Speaker 3>one that the premiere who's like the governor kind of

0:30:42.880 --> 0:30:45.840
<v Speaker 3>of British Columbia, was at and my mother cornered him

0:30:46.200 --> 0:30:48.600
<v Speaker 3>and was like, if my son's performing at a bar,

0:30:49.000 --> 0:30:50.560
<v Speaker 3>can he be in the bar? And the guy was like,

0:30:50.640 --> 0:30:53.720
<v Speaker 3>legally yes, And she caught his office to send a

0:30:53.840 --> 0:30:57.920
<v Speaker 3>letter wow, saying that as long as I was performing,

0:30:58.000 --> 0:31:00.360
<v Speaker 3>it is legal for me to be in the press

0:31:00.400 --> 0:31:02.200
<v Speaker 3>and I and I would have to leave right after.

0:31:02.520 --> 0:31:05.440
<v Speaker 3>So like I would sit backstage and I would show

0:31:05.440 --> 0:31:07.320
<v Speaker 3>it to the club. There was only four clubs anyway,

0:31:07.360 --> 0:31:08.840
<v Speaker 3>but once they had all seen it, they would let

0:31:08.880 --> 0:31:12.240
<v Speaker 3>me perform there. And and then I performed like regularly,

0:31:12.280 --> 0:31:14.160
<v Speaker 3>and I was like, I was like pretty good, Like

0:31:14.200 --> 0:31:15.120
<v Speaker 3>I wasn't what was it?

0:31:15.200 --> 0:31:17.040
<v Speaker 2>Check? Like ad age did you get a check?

0:31:17.160 --> 0:31:18.920
<v Speaker 3>Every once in a while, I would like open for

0:31:18.960 --> 0:31:21.320
<v Speaker 3>a comic and I'd get like one hundred and fifty

0:31:21.320 --> 0:31:23.400
<v Speaker 3>bucks or something like that, which when you're fucking.

0:31:23.120 --> 0:31:26.320
<v Speaker 1>But did you use did you use your your kiddom?

0:31:26.600 --> 0:31:27.600
<v Speaker 1>Did you use your youth?

0:31:27.920 --> 0:31:31.040
<v Speaker 3>I tried not to. I tried to. I would well,

0:31:31.080 --> 0:31:34.040
<v Speaker 3>at first, I didn't at all, and I because I

0:31:34.160 --> 0:31:37.320
<v Speaker 3>was so self conscious about being like gimmicky that I

0:31:37.360 --> 0:31:39.880
<v Speaker 3>would try to tell your fourteen I know, things like

0:31:40.560 --> 0:31:44.160
<v Speaker 3>the rocket as I was very neurotic, and I didn't

0:31:44.400 --> 0:31:48.200
<v Speaker 3>want to be like the kid comics, so I tried

0:31:48.200 --> 0:31:51.240
<v Speaker 3>to write jokes that that any comic would write that

0:31:51.280 --> 0:31:54.240
<v Speaker 3>were like more like observational humor, but it were you Blue.

0:31:54.720 --> 0:32:01.840
<v Speaker 3>I was always wanted Blue. I didn't actually at first

0:32:01.880 --> 0:32:04.800
<v Speaker 3>at all. Also, but then I remember this comic Darryl Lennox,

0:32:04.840 --> 0:32:09.040
<v Speaker 3>who still does stand up and he's great. He was like,

0:32:10.200 --> 0:32:12.880
<v Speaker 3>I was telling you just like like all the cogs

0:32:12.920 --> 0:32:14.560
<v Speaker 3>would make fun of me because I had a joke about

0:32:14.600 --> 0:32:16.520
<v Speaker 3>like crazy glue, what's so crazy about it? And it

0:32:16.560 --> 0:32:20.800
<v Speaker 3>was like the dumb MISSI observational tumer of all time.

0:32:21.240 --> 0:32:24.000
<v Speaker 3>And then and then Darryl I remember like sat me

0:32:24.120 --> 0:32:26.640
<v Speaker 3>down and I was like fifteen, and he was like, dude,

0:32:26.720 --> 0:32:29.840
<v Speaker 3>like you are the only one of us who's like

0:32:30.000 --> 0:32:33.960
<v Speaker 3>experiencing all these things like in real time, Like you're

0:32:33.960 --> 0:32:36.080
<v Speaker 3>trying to kiss girls for the first time, you're trying

0:32:36.080 --> 0:32:38.040
<v Speaker 3>to get your driver's license, you're trying to buy beer,

0:32:38.080 --> 0:32:39.840
<v Speaker 3>you're trying to go to parties, you're trying to sneak

0:32:39.840 --> 0:32:43.520
<v Speaker 3>into strip clubs, like right. Jokes about that, like that's

0:32:43.560 --> 0:32:46.040
<v Speaker 3>something that like everyone's gone through in some way and

0:32:46.080 --> 0:32:49.920
<v Speaker 3>you're living it like right now, and and I was

0:32:49.960 --> 0:32:52.720
<v Speaker 3>like okay. And then that was also one of the

0:32:52.760 --> 0:32:55.240
<v Speaker 3>things that really influenced Super Bad, where we at first

0:32:55.240 --> 0:32:57.440
<v Speaker 3>it was more like let's write a high school movie,

0:32:57.480 --> 0:32:59.800
<v Speaker 3>and then we were like, no, let's write like whenever

0:33:00.080 --> 0:33:02.800
<v Speaker 3>something happens to us, let's put it in the movie,

0:33:02.840 --> 0:33:06.040
<v Speaker 3>and let's make us the characters in the movie, and

0:33:06.120 --> 0:33:07.400
<v Speaker 3>let's like structure it around.

0:33:07.440 --> 0:33:10.160
<v Speaker 1>So those things happened to you guys in super.

0:33:09.960 --> 0:33:13.040
<v Speaker 3>Bed, not on in one night, but almost a lot

0:33:13.080 --> 0:33:16.440
<v Speaker 3>of the stuff in the movie happened, yeah, like in

0:33:16.480 --> 0:33:18.280
<v Speaker 3>some form or another, like.

0:33:18.440 --> 0:33:21.240
<v Speaker 1>And everything you grind it up against the girl, and that.

0:33:21.160 --> 0:33:23.720
<v Speaker 3>Happened at a school dance. Yeah, that that that actually

0:33:27.080 --> 0:33:30.440
<v Speaker 3>And in real life, I was one of the guys,

0:33:30.480 --> 0:33:33.320
<v Speaker 3>Like it played out almost verbatim as it did in

0:33:33.360 --> 0:33:36.960
<v Speaker 3>the movie, except one of our friends was the Jodah

0:33:37.040 --> 0:33:38.680
<v Speaker 3>character in real life, and I was one of the

0:33:38.720 --> 0:33:40.440
<v Speaker 3>guys who was like what is that? Like what's on

0:33:40.480 --> 0:33:44.720
<v Speaker 3>your leg there? And that's what happened. And so, yeah,

0:33:44.760 --> 0:33:46.120
<v Speaker 3>it was a school dance and we all put our

0:33:46.120 --> 0:33:48.440
<v Speaker 3>stuff in like the locker roob in like the Jym

0:33:48.520 --> 0:33:51.440
<v Speaker 3>locker roob like before, and we were getting it after

0:33:51.480 --> 0:33:54.520
<v Speaker 3>the dance and yeah, and like one of our friends

0:33:54.560 --> 0:33:56.800
<v Speaker 3>was like, did you spill it yourself? We were there

0:33:56.800 --> 0:33:59.600
<v Speaker 3>like looking at it and then and then what happened?

0:33:59.640 --> 0:34:01.400
<v Speaker 3>And we kind of allude to this to the movies.

0:34:01.440 --> 0:34:03.440
<v Speaker 3>We noticed on the other side of the locker room

0:34:03.480 --> 0:34:06.040
<v Speaker 3>there was another group of guys having the exact same

0:34:06.160 --> 0:34:09.680
<v Speaker 3>conversation and they were all like looking at their friend's

0:34:09.719 --> 0:34:14.120
<v Speaker 3>legs pokagaping like what is that? Did you spill? I mean,

0:34:14.280 --> 0:34:16.920
<v Speaker 3>like the two groups like locked eyes from across the

0:34:17.000 --> 0:34:18.680
<v Speaker 3>room and it was like this, guys are so like

0:34:18.719 --> 0:34:23.200
<v Speaker 3>moment bro. It was like, oh no, I think we

0:34:23.320 --> 0:34:27.080
<v Speaker 3>have a situation on our hands. And then there was

0:34:27.160 --> 0:34:31.960
<v Speaker 3>a lot of like cross referencing who they had danced with, and.

0:34:32.200 --> 0:34:35.279
<v Speaker 1>Wait, I got a preface for two people who haven't

0:34:35.840 --> 0:34:40.680
<v Speaker 1>seen Super Bad. There's there's a crucial scene where there's

0:34:40.840 --> 0:34:43.520
<v Speaker 1>a dance sort of grindy dance moment in which a

0:34:43.560 --> 0:34:48.960
<v Speaker 1>girl rubs her crouch on Jonah Hill's I think it's pronounced.

0:34:51.200 --> 0:34:54.839
<v Speaker 3>I forgot it's inside yea.

0:34:54.920 --> 0:35:02.799
<v Speaker 1>Anyway, I'm una bekno to Jonah Hill. His thighs or

0:35:02.840 --> 0:35:07.240
<v Speaker 1>his jeans are now maroon five. Yes, they got period

0:35:07.280 --> 0:35:08.880
<v Speaker 1>of their bloody period.

0:35:09.320 --> 0:35:11.279
<v Speaker 3>It happened. Oh wait, you're just getting that now.

0:35:11.360 --> 0:35:13.840
<v Speaker 2>I just remember I thought he I couldn't remember on himself.

0:35:13.600 --> 0:35:23.399
<v Speaker 3>Or also on the table that was long shot almost.

0:35:25.600 --> 0:35:25.799
<v Speaker 2>You know.

0:35:26.000 --> 0:35:30.640
<v Speaker 1>My favorite my favorite thing about I visit a lot

0:35:30.680 --> 0:35:33.719
<v Speaker 1>of local comedy houses in New York. My favorite thing

0:35:34.000 --> 0:35:40.879
<v Speaker 1>is actually watching uh people bomb NFL. No, no, only

0:35:40.920 --> 0:35:44.640
<v Speaker 1>because like now I'm entering the stage of my life

0:35:44.640 --> 0:35:47.440
<v Speaker 1>where I'm gonna have to give a lot more public addressing.

0:35:48.360 --> 0:35:51.400
<v Speaker 1>And it's always how you handle yourself in that moment

0:35:52.360 --> 0:35:55.640
<v Speaker 1>that separates the men from the boys. So a lot

0:35:55.680 --> 0:35:57.680
<v Speaker 1>of times, like if you watch, if you go to

0:35:58.800 --> 0:36:02.520
<v Speaker 1>like I love going to the store in LA when

0:36:02.560 --> 0:36:06.000
<v Speaker 1>it's the like the one am show, the very last show,

0:36:06.360 --> 0:36:08.840
<v Speaker 1>and usually like the last three people's are always like

0:36:09.000 --> 0:36:12.279
<v Speaker 1>the doorman, the bell guy, like okay, I'll let you

0:36:12.360 --> 0:36:14.319
<v Speaker 1>go up and do five minutes, like everyone's left the room.

0:36:14.440 --> 0:36:16.719
<v Speaker 3>Yeah, I performed there at that time when I was

0:36:16.760 --> 0:36:18.080
<v Speaker 3>like sixteen years old.

0:36:18.400 --> 0:36:21.839
<v Speaker 1>Because I feel in my mind that whenever I'm watching them,

0:36:22.480 --> 0:36:27.560
<v Speaker 1>then I believe at one point either not Jerard Carmichael,

0:36:27.760 --> 0:36:32.680
<v Speaker 1>who's the guy that I liked, America's Yea, Jamar Nighbors

0:36:32.800 --> 0:36:35.520
<v Speaker 1>was one of those guys and he's hilarious, like he's

0:36:35.520 --> 0:36:39.759
<v Speaker 1>one of Jerrod Carmichael's dudes. But like it's always the

0:36:39.840 --> 0:36:43.440
<v Speaker 1>last three people on the late the graveyard shift that

0:36:43.760 --> 0:36:45.839
<v Speaker 1>I love watching them the most to see how they

0:36:45.840 --> 0:36:49.879
<v Speaker 1>adjust to it. Have you, when you were in sort

0:36:49.920 --> 0:36:53.359
<v Speaker 1>of developing your skills or whatnot, have you ever had

0:36:53.400 --> 0:36:57.640
<v Speaker 1>to resort to what they would call the what's the syndrome?

0:36:59.239 --> 0:37:02.839
<v Speaker 1>Like aristocrat syndrome or when you know that you've done

0:37:02.840 --> 0:37:07.759
<v Speaker 1>a bad set and you're just performing for your buds, like, yeah,

0:37:07.800 --> 0:37:10.879
<v Speaker 1>I fucked up in always did everyone do the aristocrats?

0:37:10.880 --> 0:37:14.319
<v Speaker 3>It was at another thing where I never did that specifically,

0:37:14.440 --> 0:37:17.120
<v Speaker 3>but there was I mean, yeah, shit would go bad

0:37:17.200 --> 0:37:21.080
<v Speaker 3>and they would and there would be times yeah, where

0:37:21.560 --> 0:37:23.279
<v Speaker 3>you would just kind of throw it all out and

0:37:24.200 --> 0:37:28.080
<v Speaker 3>it was like, uh yeah. Like I think managing the

0:37:28.160 --> 0:37:33.480
<v Speaker 3>audience's discomfort is something that is a lesson that I

0:37:33.560 --> 0:37:36.879
<v Speaker 3>learned at a young age, and that like you can

0:37:36.960 --> 0:37:41.239
<v Speaker 3>carry with you across many different avenues of life, and

0:37:41.280 --> 0:37:44.319
<v Speaker 3>I think that that's something that is very valuable. And

0:37:44.400 --> 0:37:47.000
<v Speaker 3>I did it, Yeah, I remember doing But my friends

0:37:47.040 --> 0:37:49.200
<v Speaker 3>could never come watch me though, because I was a

0:37:49.280 --> 0:37:51.480
<v Speaker 3>kid and they weren't allowed it to the club, so

0:37:51.880 --> 0:37:54.279
<v Speaker 3>it was always strangers. But I had times when just

0:37:54.440 --> 0:37:56.640
<v Speaker 3>group tablesful adults would get up and leave. It was

0:37:56.760 --> 0:37:59.279
<v Speaker 3>terrible and they I remember performing at the Impro. I

0:37:59.320 --> 0:38:02.520
<v Speaker 3>remember coming la to audition for the Just for Last

0:38:02.520 --> 0:38:05.480
<v Speaker 3>Festival when I was like fifteen and going to the

0:38:05.520 --> 0:38:11.440
<v Speaker 3>improv and Jerry Seinfeld decided to drop in at the

0:38:11.680 --> 0:38:15.359
<v Speaker 3>Just for Last stand up comedy showcase went on right

0:38:15.480 --> 0:38:19.000
<v Speaker 3>before me fucking annihilated.

0:38:19.800 --> 0:38:22.520
<v Speaker 1>Hey when that happened, When the big star comes in,

0:38:22.600 --> 0:38:24.360
<v Speaker 1>it's like, hey, I'm want to practice that.

0:38:24.960 --> 0:38:27.360
<v Speaker 3>Comedy show Yes on a fucking showcase.

0:38:27.480 --> 0:38:29.200
<v Speaker 2>Did you ever get to tell Jerry what he did

0:38:29.200 --> 0:38:29.560
<v Speaker 2>to you?

0:38:29.680 --> 0:38:35.680
<v Speaker 3>Yes, he could not have been more indifferent. And then

0:38:35.800 --> 0:38:38.359
<v Speaker 3>I went up after him, and I literally, like to

0:38:38.400 --> 0:38:41.319
<v Speaker 3>this day, remember standing on the stage and it being

0:38:41.440 --> 0:38:44.839
<v Speaker 3>so quiet. I could hear the electric hum of the

0:38:44.880 --> 0:38:49.120
<v Speaker 3>s and I'd been doing set up for years at

0:38:49.120 --> 0:38:52.080
<v Speaker 3>that point and I had never heard that sound. Remember

0:38:52.120 --> 0:38:54.680
<v Speaker 3>like thinking to myself like, wow, like have the speaker's

0:38:54.680 --> 0:38:57.239
<v Speaker 3>always been making that sound and I just haven't heard it?

0:38:57.360 --> 0:39:01.840
<v Speaker 3>Or do these ones have like a particularly loud I

0:39:01.840 --> 0:39:04.640
<v Speaker 3>just remember hearing like I was like, oh that's a

0:39:04.680 --> 0:39:08.279
<v Speaker 3>new one. Yeah. It was brutal. So at the time

0:39:08.320 --> 0:39:09.799
<v Speaker 3>I didn't get into the just for last est.

0:39:12.400 --> 0:39:18.560
<v Speaker 1>So Jerry, yes, could you explain how you got inside

0:39:18.600 --> 0:39:22.440
<v Speaker 1>of the I guess the mafia of the what I

0:39:22.520 --> 0:39:25.360
<v Speaker 1>call the app Townia MAFIAU.

0:39:25.960 --> 0:39:30.000
<v Speaker 3>Yeah, I mean it was all I. I was doing

0:39:30.040 --> 0:39:32.279
<v Speaker 3>stand up and I got an agent through stand up.

0:39:32.400 --> 0:39:36.080
<v Speaker 3>And I was like sixteen or seventeen until high school

0:39:36.120 --> 0:39:38.040
<v Speaker 3>was like going to end, and I like was not

0:39:38.120 --> 0:39:39.799
<v Speaker 3>going to go to college. So I was like, I

0:39:39.800 --> 0:39:43.600
<v Speaker 3>should I need money so I should start trying to

0:39:43.640 --> 0:39:47.400
<v Speaker 3>audition for things. And my plan if you asked me

0:39:47.440 --> 0:39:48.759
<v Speaker 3>that point when my plan was I'll be like, oh,

0:39:48.760 --> 0:39:51.200
<v Speaker 3>I'll move to LA after high school and I'll try

0:39:51.200 --> 0:39:52.040
<v Speaker 3>to do stand up.

0:39:51.960 --> 0:39:53.560
<v Speaker 1>And so you wanted to be a straight up stand

0:39:53.600 --> 0:39:54.239
<v Speaker 1>up comment, Yeah, And.

0:39:54.239 --> 0:39:55.520
<v Speaker 3>Then I thought maybe I'll get like on like a

0:39:55.560 --> 0:39:57.400
<v Speaker 3>sitcom that was kind of like the only precedent of

0:39:57.440 --> 0:40:00.399
<v Speaker 3>that in that time. That was like the thing that

0:40:00.600 --> 0:40:03.480
<v Speaker 3>seemed the most achievable because it was like Seinfeld was on,

0:40:03.840 --> 0:40:06.440
<v Speaker 3>like everybody loves Raymond and Martin like that. Like at

0:40:06.480 --> 0:40:08.239
<v Speaker 3>the time, it seemed like if you were a successful

0:40:08.280 --> 0:40:11.399
<v Speaker 3>stand up, you got a sitcom. And I always liked

0:40:11.480 --> 0:40:15.080
<v Speaker 3>movies more and so that was always something that I

0:40:15.160 --> 0:40:18.600
<v Speaker 3>like wanted, but it wasn't as like it didn't seem

0:40:18.920 --> 0:40:20.680
<v Speaker 3>it seemed like the types of movies I wanted to

0:40:20.680 --> 0:40:23.360
<v Speaker 3>make at that time especially were like very small independent movies,

0:40:23.400 --> 0:40:25.879
<v Speaker 3>and at that time, Super Bad seemed like it would

0:40:25.920 --> 0:40:27.920
<v Speaker 3>be like like Rushmore, you know what I mean, like

0:40:28.480 --> 0:40:31.200
<v Speaker 3>not in its artfulness, but just in its scope, you know.

0:40:31.960 --> 0:40:35.800
<v Speaker 3>And I think that then I moved. So I auditioned

0:40:35.840 --> 0:40:38.799
<v Speaker 3>for Freaking Geeks. Was a second audition I got out

0:40:38.960 --> 0:40:41.480
<v Speaker 3>sent out on and the auditioned kids out of Vancouver

0:40:42.000 --> 0:40:45.400
<v Speaker 3>like they did international. Wait, you all were from Vancouver. No,

0:40:45.560 --> 0:40:48.600
<v Speaker 3>they did international, So they auditioned in New York, in

0:40:48.680 --> 0:40:51.840
<v Speaker 3>Chicago and Boston and Toronto and Vancouver, and I like,

0:40:52.080 --> 0:40:55.000
<v Speaker 3>I went in for an audition one morning in Vancouver

0:40:55.080 --> 0:40:57.000
<v Speaker 3>and and then I got it. And then I moved

0:40:57.000 --> 0:41:00.640
<v Speaker 3>to LA and uh, the same people I watched.

0:41:01.560 --> 0:41:04.680
<v Speaker 1>I watched that show in the first man, don't let

0:41:04.760 --> 0:41:07.480
<v Speaker 1>people I know people now like to revision it like yo, man,

0:41:07.880 --> 0:41:08.960
<v Speaker 1>freaking gigs with my ship.

0:41:09.040 --> 0:41:09.200
<v Speaker 3>Man.

0:41:09.239 --> 0:41:11.000
<v Speaker 1>You're like, oh, yeah, well if it was, then why

0:41:11.400 --> 0:41:13.120
<v Speaker 1>why watch it?

0:41:13.239 --> 0:41:13.439
<v Speaker 3>Yeah?

0:41:14.520 --> 0:41:18.839
<v Speaker 1>Well I watched it because during the time of us recording,

0:41:19.400 --> 0:41:20.399
<v Speaker 1>Uh do you want more?

0:41:20.560 --> 0:41:22.520
<v Speaker 7>Yeah, there was always a TV on the break.

0:41:22.680 --> 0:41:22.839
<v Speaker 3>Yeah.

0:41:22.960 --> 0:41:26.280
<v Speaker 1>So that's how I remember freaking geeks. That was my favorite.

0:41:26.719 --> 0:41:28.960
<v Speaker 1>I thought, oh man, this is way better than my

0:41:29.040 --> 0:41:30.880
<v Speaker 1>so called life years Like.

0:41:30.960 --> 0:41:32.320
<v Speaker 2>Damn, I was just thinking about that as he was

0:41:32.360 --> 0:41:33.239
<v Speaker 2>talking shit, I.

0:41:33.239 --> 0:41:38.320
<v Speaker 1>Can get like, were you excited of the the critical

0:41:38.400 --> 0:41:39.040
<v Speaker 1>claim it got?

0:41:39.080 --> 0:41:43.960
<v Speaker 3>And did you I had no. I was like a

0:41:44.000 --> 0:41:47.479
<v Speaker 3>seventeen year old podhead from Vancouver who like, I had

0:41:47.560 --> 0:41:51.880
<v Speaker 3>no concept of any of that shit. Like I remember being.

0:41:51.760 --> 0:41:54.200
<v Speaker 1>Like, you're in a business man, yet I just didn't.

0:41:54.480 --> 0:42:00.640
<v Speaker 3>I think I was so I was. I was really confident,

0:42:00.800 --> 0:42:04.719
<v Speaker 3>and I felt like everything like when someone's like your's

0:42:04.760 --> 0:42:06.800
<v Speaker 3>everyone loves your show, like it has one hundred percent

0:42:06.880 --> 0:42:09.560
<v Speaker 3>good reviews, I was like, yeah, it's fucking great, like

0:42:09.560 --> 0:42:12.480
<v Speaker 3>like it wasn't like really, it was like, of course

0:42:12.520 --> 0:42:14.840
<v Speaker 3>we're putting out great shit, like there's nothing like this

0:42:14.920 --> 0:42:19.080
<v Speaker 3>on TV, like of course everyone like and if anything,

0:42:19.120 --> 0:42:21.759
<v Speaker 3>that made it more frustrating that no one was watching it,

0:42:21.840 --> 0:42:24.719
<v Speaker 3>because like we knew it was good. And that's like

0:42:24.760 --> 0:42:26.879
<v Speaker 3>I look back on and think, like I didn't even

0:42:26.960 --> 0:42:29.319
<v Speaker 3>think of the quality of the show when I went

0:42:29.400 --> 0:42:32.080
<v Speaker 3>and did it, like I it could have been the world.

0:42:32.200 --> 0:42:34.120
<v Speaker 3>Like I was just like a job, I'll take it.

0:42:34.160 --> 0:42:36.520
<v Speaker 3>And then I remember getting to la and to shoot

0:42:36.520 --> 0:42:38.520
<v Speaker 3>the pilot, and it wasn't even until then that I

0:42:38.640 --> 0:42:42.360
<v Speaker 3>got the full script, like the day before we started filming,

0:42:42.360 --> 0:42:43.880
<v Speaker 3>and then I remember reading it and being like, oh,

0:42:43.880 --> 0:42:46.520
<v Speaker 3>there's like jokes about shrooms in here and shit like that.

0:42:46.600 --> 0:42:48.759
<v Speaker 3>And then we rehearsed for one day and they were

0:42:48.760 --> 0:42:50.120
<v Speaker 3>like what would you say here? And then all of

0:42:50.160 --> 0:42:52.920
<v Speaker 3>a sudden, we were improvising and they were letting us

0:42:52.920 --> 0:42:55.640
<v Speaker 3>add jokes about Hitler and all this stuff, and we

0:42:55.640 --> 0:42:58.200
<v Speaker 3>were like, this is really different. And then when we

0:42:58.239 --> 0:43:01.440
<v Speaker 3>started shooting it, we were like again, Like the director

0:43:02.160 --> 0:43:04.640
<v Speaker 3>was from the independent film world, Jake Kasden had just

0:43:04.640 --> 0:43:07.319
<v Speaker 3>made Zero Effect, which was a movie I was a

0:43:07.320 --> 0:43:10.160
<v Speaker 3>big fan of. So it was like, oh, yeah, we

0:43:10.280 --> 0:43:14.240
<v Speaker 3>have like these writers and directors who were like doing

0:43:14.280 --> 0:43:16.640
<v Speaker 3>the exact stuff that I liked. So when it turned

0:43:16.640 --> 0:43:20.560
<v Speaker 3>out great, it was like again I was So I

0:43:20.840 --> 0:43:23.160
<v Speaker 3>was really like spoiled at that time because I was

0:43:23.200 --> 0:43:25.160
<v Speaker 3>just like, yeah, you make something a Chrystmas.

0:43:27.360 --> 0:43:30.000
<v Speaker 1>Together, Like, Oh, the creator the Larry Sanders Show has

0:43:30.040 --> 0:43:32.160
<v Speaker 1>this new knew that.

0:43:32.400 --> 0:43:36.240
<v Speaker 3>But I didn't. Again, I didn't realize I think, how

0:43:36.560 --> 0:43:38.759
<v Speaker 3>like I didn't realize a how just because you did

0:43:38.760 --> 0:43:41.040
<v Speaker 3>something good before it doesn't mean you'll keep doing things

0:43:41.040 --> 0:43:43.520
<v Speaker 3>that everyone appreciates. Like I was a fan of the

0:43:43.600 --> 0:43:46.719
<v Speaker 3>Larry Sanders Show, a huge fan and grew up watching it,

0:43:46.760 --> 0:43:50.680
<v Speaker 3>and but I didn't like I think when I took

0:43:50.719 --> 0:43:52.279
<v Speaker 3>the when I first got cast on the show, I

0:43:52.320 --> 0:43:54.240
<v Speaker 3>had no idea jud it even I didn't know Judge

0:43:55.920 --> 0:43:57.719
<v Speaker 3>was I know Judd worked on the Larry Sanders Show.

0:43:57.800 --> 0:44:00.680
<v Speaker 3>There was no IMDb at this time. There was no

0:44:00.760 --> 0:44:05.080
<v Speaker 3>way to look up who you were working with. Yeah,

0:44:05.120 --> 0:44:08.000
<v Speaker 3>like I had no idea the internet. Yeah, there was

0:44:08.040 --> 0:44:09.880
<v Speaker 3>no like work. Maybe there's IMDb, but I didn't know

0:44:09.880 --> 0:44:11.719
<v Speaker 3>how to use it. Yeah, there was no like organized

0:44:11.719 --> 0:44:13.120
<v Speaker 3>way of checking any of that ship.

0:44:13.239 --> 0:44:15.200
<v Speaker 2>This is like and did Jane Franklin didn't even hit

0:44:15.200 --> 0:44:16.040
<v Speaker 2>the soap shit right?

0:44:16.200 --> 0:44:18.880
<v Speaker 3>Like no, it was like no one had done anything.

0:44:19.200 --> 0:44:22.200
<v Speaker 3>And so yeah it was. But then it started airing

0:44:22.320 --> 0:44:23.920
<v Speaker 3>as we were shooting, and then they just were like,

0:44:23.960 --> 0:44:26.120
<v Speaker 3>no one's watching this ship. And it was on Saturday

0:44:26.200 --> 0:44:28.640
<v Speaker 3>night at eight or some shit like that against cops.

0:44:28.760 --> 0:44:31.440
<v Speaker 3>I remember just like joking like cops beats us. We're

0:44:31.520 --> 0:44:34.279
<v Speaker 3>fucked and they cops beat us, and it was like, oh.

0:44:34.280 --> 0:44:42.080
<v Speaker 1>No, So when you gunny about Undeclared, no, because again

0:44:42.160 --> 0:44:44.600
<v Speaker 1>I was did you feel like, okay, well we'll do

0:44:44.640 --> 0:44:45.400
<v Speaker 1>a better version.

0:44:45.800 --> 0:44:47.000
<v Speaker 3>I was like, oh, this time, will do like a

0:44:47.000 --> 0:44:48.920
<v Speaker 3>more commercial version and we kind of work out the

0:44:49.000 --> 0:44:51.600
<v Speaker 3>kinks and like again it was like the exact same

0:44:51.640 --> 0:44:54.080
<v Speaker 3>thing happened where it was like very critically acclaimed and

0:44:54.080 --> 0:44:57.799
<v Speaker 3>then no one watched it. But but that but I was.

0:44:58.080 --> 0:45:01.000
<v Speaker 3>I was thrilled, honestly, like a writer and an actor.

0:45:01.120 --> 0:45:03.799
<v Speaker 3>On Undeclared, I was eighteen years old, like it was.

0:45:05.120 --> 0:45:07.359
<v Speaker 3>You know, it was like a very exciting thing for

0:45:07.400 --> 0:45:08.120
<v Speaker 3>me to be doing.

0:45:08.200 --> 0:45:13.080
<v Speaker 1>So, Uh, how hard is it living hand to mouth

0:45:13.120 --> 0:45:13.720
<v Speaker 1>in that period?

0:45:13.719 --> 0:45:17.799
<v Speaker 2>Because are you well he never had a did you

0:45:17.800 --> 0:45:19.120
<v Speaker 2>ever have a regular job or anyone?

0:45:19.400 --> 0:45:23.399
<v Speaker 3>I after undeclared, I didn't work for like three or

0:45:23.440 --> 0:45:27.240
<v Speaker 3>four years. Basically, what did you do? I fucking spent

0:45:27.480 --> 0:45:33.759
<v Speaker 3>very little money, but you still a server and I

0:45:33.800 --> 0:45:37.839
<v Speaker 3>would help. Jud was very nice and he would get

0:45:37.880 --> 0:45:41.320
<v Speaker 3>these super high priced rewriting jobs and then he would

0:45:41.640 --> 0:45:43.960
<v Speaker 3>give me a little bitter to help him do it.

0:45:44.040 --> 0:45:47.480
<v Speaker 3>So like I helped rewrite Bad Boys Too. As an example,

0:45:48.200 --> 0:45:53.000
<v Speaker 3>time wait, time out. First of all, shut app it's out. Yes,

0:45:54.040 --> 0:45:55.920
<v Speaker 3>it's like a secret thing. We wrote that joke, and

0:45:56.239 --> 0:45:57.879
<v Speaker 3>that was in the trailer where they're singing the song

0:45:57.920 --> 0:46:00.000
<v Speaker 3>and they forget the war, they like don't know the world.

0:46:02.760 --> 0:46:08.279
<v Speaker 3>Oh yeah, and yeah it was like, yeah, that was

0:46:08.320 --> 0:46:11.560
<v Speaker 3>one of the many things we did so maintenance. So

0:46:11.560 --> 0:46:14.320
<v Speaker 3>what else did you do? Little things here and there?

0:46:14.360 --> 0:46:17.200
<v Speaker 3>Like uh, one of the Big Mama's House movies I

0:46:17.239 --> 0:46:22.400
<v Speaker 3>helped on for a few days.

0:46:22.640 --> 0:46:25.919
<v Speaker 2>Wait, so stop in this moment because I was saying

0:46:25.920 --> 0:46:27.560
<v Speaker 2>this because I know my whole family gonna get mad

0:46:27.600 --> 0:46:29.600
<v Speaker 2>at me. But in this moment, are you understanding your

0:46:29.600 --> 0:46:33.040
<v Speaker 2>white funny man because you know that you are like

0:46:33.480 --> 0:46:36.000
<v Speaker 2>you like, this is a seriously it's a serious question.

0:46:36.120 --> 0:46:38.560
<v Speaker 2>Like nobody else. If you hear the struggles of other

0:46:38.600 --> 0:46:41.720
<v Speaker 2>comedians and things of other colors, women, da da da da,

0:46:41.800 --> 0:46:44.399
<v Speaker 2>there is never a moment where they haven't had to

0:46:44.440 --> 0:46:47.120
<v Speaker 2>like serve or do something that they didn't want to do.

0:46:47.200 --> 0:46:50.080
<v Speaker 2>But it seems like since you were fourteen years old,

0:46:50.719 --> 0:46:53.400
<v Speaker 2>you was on it. You needed final draft, you had it,

0:46:53.440 --> 0:46:55.600
<v Speaker 2>you needed the camera, you had it. You this is

0:46:56.239 --> 0:46:57.600
<v Speaker 2>any moment did you realize this?

0:46:57.840 --> 0:47:02.040
<v Speaker 3>I was super, Yes, I was. I was very Yeah,

0:47:02.080 --> 0:47:07.080
<v Speaker 3>I was never felt particularly downtrodden. I was very I

0:47:07.080 --> 0:47:09.520
<v Speaker 3>felt lucky. I was very I always felt lucky and

0:47:09.640 --> 0:47:14.160
<v Speaker 3>was very fortunate and like and and got that. Yeah,

0:47:14.160 --> 0:47:15.879
<v Speaker 3>I mean there was a time when I was maybe

0:47:15.880 --> 0:47:17.880
<v Speaker 3>gonna like there was a momentere I was like, I

0:47:17.960 --> 0:47:19.640
<v Speaker 3>might have to move back to Vancouver because I was

0:47:19.680 --> 0:47:21.719
<v Speaker 3>just running out of money and couldn't afford to live

0:47:21.760 --> 0:47:26.680
<v Speaker 3>in la anymore. And that's when I got hired on

0:47:26.680 --> 0:47:30.680
<v Speaker 3>the Algy Show. And that like continued that like yeah,

0:47:30.719 --> 0:47:33.360
<v Speaker 3>and it was like a great. It was like a

0:47:33.400 --> 0:47:36.360
<v Speaker 3>great job to have because like it was even it

0:47:36.440 --> 0:47:39.359
<v Speaker 3>was like it sounded great in a room, Like it

0:47:39.400 --> 0:47:41.279
<v Speaker 3>was like when we went on meetings and we were like, oh,

0:47:41.280 --> 0:47:45.160
<v Speaker 3>we got yeah, we got nominated for Emmys. That was great.

0:47:45.239 --> 0:47:48.760
<v Speaker 3>Like it was something that like basically I haven't stopped

0:47:48.800 --> 0:47:51.719
<v Speaker 3>working since that. It was like that was like the

0:47:51.800 --> 0:47:52.759
<v Speaker 3>thing that kind of kept me.

0:47:52.800 --> 0:47:56.400
<v Speaker 1>Going because his because his brand of comedy sasa very cornant,

0:47:56.480 --> 0:48:01.840
<v Speaker 1>because he's such a rogue, yeah, kind of archy comedian.

0:48:01.960 --> 0:48:03.520
<v Speaker 1>How do you find his voice?

0:48:04.360 --> 0:48:05.000
<v Speaker 3>Like how do you?

0:48:05.800 --> 0:48:07.920
<v Speaker 1>It was like, and the type of stuff he does

0:48:08.040 --> 0:48:08.800
<v Speaker 1>is more strolling.

0:48:09.320 --> 0:48:13.239
<v Speaker 3>It was kind of it was hard, and I think

0:48:13.280 --> 0:48:15.359
<v Speaker 3>he liked and I think it was good that we

0:48:15.360 --> 0:48:18.200
<v Speaker 3>were so young and malleable at this time when we

0:48:18.200 --> 0:48:21.480
<v Speaker 3>were working for him, like we were like twenty two

0:48:21.560 --> 0:48:23.760
<v Speaker 3>or something like that, and so like he could really

0:48:24.239 --> 0:48:27.640
<v Speaker 3>I think without some of like the kid gloves you

0:48:27.640 --> 0:48:30.440
<v Speaker 3>would use with older people, being like here's what you

0:48:30.560 --> 0:48:33.800
<v Speaker 3>have to do, here's what we do. Do exactly fucking

0:48:33.920 --> 0:48:38.359
<v Speaker 3>this and nothing else, forget everything, you know, just do this.

0:48:38.480 --> 0:48:41.600
<v Speaker 3>So he likes like yeah, and and and he would

0:48:41.680 --> 0:48:43.840
<v Speaker 3>literally lock us in a room and be like write

0:48:43.880 --> 0:48:47.440
<v Speaker 3>two hundred interview questions for me to be an interviewing

0:48:47.680 --> 0:48:51.200
<v Speaker 3>like an environmentalist in a tree, like and like, don't

0:48:51.200 --> 0:48:52.759
<v Speaker 3>come out of that room till you've written me two

0:48:52.880 --> 0:48:53.640
<v Speaker 3>hundred questions.

0:48:55.000 --> 0:48:55.359
<v Speaker 2>Well he did.

0:48:55.600 --> 0:48:58.120
<v Speaker 3>Yeah, we came on for Bruno and then we went

0:48:58.160 --> 0:48:59.560
<v Speaker 3>on the road with him. We went to spring Break,

0:48:59.600 --> 0:49:03.239
<v Speaker 3>we did other spring break stuff with Bruno. It was insane.

0:49:04.400 --> 0:49:05.320
<v Speaker 3>He almost got killed.

0:49:07.239 --> 0:49:10.040
<v Speaker 1>What happens when you go to.

0:49:10.320 --> 0:49:14.240
<v Speaker 3>Uh like Daytona Beach. Yeah, it was crazy. What's funny

0:49:14.280 --> 0:49:16.640
<v Speaker 3>is I had to kind of hide because I was

0:49:16.719 --> 0:49:20.200
<v Speaker 3>not famous, but I was like one in every hundred.

0:49:20.200 --> 0:49:24.000
<v Speaker 3>People knew me from freaks and geeks, and so I

0:49:24.239 --> 0:49:26.560
<v Speaker 3>was kind of had to like I was like relegated

0:49:26.600 --> 0:49:29.400
<v Speaker 3>to the hotel room because like they were. He was

0:49:29.440 --> 0:49:31.479
<v Speaker 3>just like the chance that someone sees you and puts

0:49:31.520 --> 0:49:34.400
<v Speaker 3>two and two together is like two great. So, like

0:49:34.480 --> 0:49:36.480
<v Speaker 3>we would travel from city to city and me and

0:49:36.520 --> 0:49:39.040
<v Speaker 3>Evan would literally just sit in a hotel room and

0:49:39.040 --> 0:49:41.120
<v Speaker 3>whatever city we were in and like Andy, they come

0:49:41.120 --> 0:49:43.800
<v Speaker 3>back Elast, yeah exactly. And they would come back and

0:49:43.840 --> 0:49:45.440
<v Speaker 3>they would show us the footage and what they had

0:49:45.480 --> 0:49:47.960
<v Speaker 3>done that day, and we would all just laugh hysterically

0:49:48.000 --> 0:49:50.279
<v Speaker 3>and be amazed that they hadn't gotten killed and like

0:49:50.360 --> 0:49:53.720
<v Speaker 3>it was, uh, it was fun. Yeah, it was great. Wow.

0:49:54.960 --> 0:49:59.240
<v Speaker 1>All right, So I have so many questions about your movies,

0:49:59.280 --> 0:50:00.879
<v Speaker 1>but I'm afraid we'll do just get stuck in one

0:50:00.920 --> 0:50:01.320
<v Speaker 1>of them.

0:50:03.360 --> 0:50:07.040
<v Speaker 3>One but this is it?

0:50:07.440 --> 0:50:10.880
<v Speaker 1>Yes, yes, well, I mean there's so many, but I

0:50:11.400 --> 0:50:15.160
<v Speaker 1>will say that for you know, forty year old Virgin

0:50:16.400 --> 0:50:22.279
<v Speaker 1>was to me like, how how much input are you

0:50:22.480 --> 0:50:27.280
<v Speaker 1>given for scripts? Or how open is Judd to having

0:50:27.560 --> 0:50:30.360
<v Speaker 1>you guys adjust the comedy? The way that it looked,

0:50:30.520 --> 0:50:32.680
<v Speaker 1>it almost seemed like this got to be on the

0:50:32.719 --> 0:50:34.719
<v Speaker 1>spot and he just say keep the cameras rolling.

0:50:34.719 --> 0:50:39.040
<v Speaker 3>A lot of improvised Yeah, I was, I would say,

0:50:39.120 --> 0:50:43.000
<v Speaker 3>like because super Bad had been written and no one

0:50:43.000 --> 0:50:45.880
<v Speaker 3>would make it. And same with Pineapple Express. So you

0:50:45.960 --> 0:50:49.920
<v Speaker 3>was still shopping it actively and me and Evan and

0:50:50.120 --> 0:50:53.080
<v Speaker 3>my especially because Evan was in college at the time

0:50:53.280 --> 0:50:56.000
<v Speaker 3>and wasn't there all the time. Like I was always like,

0:50:56.080 --> 0:50:58.600
<v Speaker 3>people want to see a movie where people talk like this,

0:50:58.800 --> 0:51:02.160
<v Speaker 3>like more than anything. That's what I had a strong

0:51:02.800 --> 0:51:06.440
<v Speaker 3>feeling of, was like they want a comedy where people

0:51:06.440 --> 0:51:10.840
<v Speaker 3>where it's conversational and not so like Plucky and jokey,

0:51:11.000 --> 0:51:13.800
<v Speaker 3>and it just feels like people talking, they're swearing a lot,

0:51:14.120 --> 0:51:17.880
<v Speaker 3>and and and like it's like taking like again because

0:51:17.960 --> 0:51:19.799
<v Speaker 3>we grew up loving pulp fiction and clerks, and we

0:51:19.800 --> 0:51:22.440
<v Speaker 3>were just like, if you can really gear that towards

0:51:22.440 --> 0:51:26.400
<v Speaker 3>like comedy and like in a great way. And and

0:51:26.480 --> 0:51:30.320
<v Speaker 3>since no one would make super Bad Judd like and

0:51:30.520 --> 0:51:34.200
<v Speaker 3>me and him together thought that if we could make

0:51:34.320 --> 0:51:36.799
<v Speaker 3>these the guys who work in the store kind of

0:51:36.840 --> 0:51:38.879
<v Speaker 3>be almost like a it's almost almost like a weird

0:51:38.920 --> 0:51:43.840
<v Speaker 3>testing ground for like that type of conversational comedy, whereas

0:51:43.920 --> 0:51:47.600
<v Speaker 3>Corel's character was this like sweet kind of like island

0:51:47.640 --> 0:51:49.160
<v Speaker 3>in the middle of the movie. We were like, if

0:51:49.200 --> 0:51:51.440
<v Speaker 3>we can make these guys like, why don't we try

0:51:51.440 --> 0:51:54.800
<v Speaker 3>this where we improvise and have it be very conversational

0:51:54.880 --> 0:51:57.000
<v Speaker 3>and you guys can swear a lot and say all

0:51:57.040 --> 0:51:59.320
<v Speaker 3>the sick shit you say to each other that makes

0:51:59.360 --> 0:52:03.319
<v Speaker 3>each other laugh behind the scenes, but we never say

0:52:03.320 --> 0:52:06.240
<v Speaker 3>it on camera, always like that's too much, that's too crazy,

0:52:06.320 --> 0:52:08.680
<v Speaker 3>or people won't like that. But we were like, what

0:52:08.680 --> 0:52:11.920
<v Speaker 3>if we do that on camera, you know? And that

0:52:12.080 --> 0:52:15.680
<v Speaker 3>was really like the first time that any of us

0:52:15.680 --> 0:52:18.839
<v Speaker 3>had done that. I think, like it was they had

0:52:18.880 --> 0:52:22.439
<v Speaker 3>done Anchorman where it was it was different though, because

0:52:22.440 --> 0:52:25.560
<v Speaker 3>the movie is tonally not real, so like it's not

0:52:25.600 --> 0:52:28.759
<v Speaker 3>They improvised a lot, but it wasn't like actual conversations

0:52:28.800 --> 0:52:31.600
<v Speaker 3>because it's like under this umbrella of like a false reality,

0:52:31.640 --> 0:52:34.839
<v Speaker 3>you know. But this was the first time where it

0:52:34.920 --> 0:52:38.040
<v Speaker 3>was literally like you can just say whatever you think

0:52:38.040 --> 0:52:41.440
<v Speaker 3>you would say in this situation and there's no rating,

0:52:41.920 --> 0:52:45.840
<v Speaker 3>like and we had never played in that environment before

0:52:46.360 --> 0:52:49.080
<v Speaker 3>and it was really the first time where we were

0:52:49.120 --> 0:52:51.080
<v Speaker 3>all like, oh, we can really let it rip. And

0:52:51.120 --> 0:52:55.560
<v Speaker 3>I remember the I had improvised that thing about going

0:52:55.560 --> 0:52:58.040
<v Speaker 3>to Tijuana and like seeing a woman fucking a horse,

0:52:58.080 --> 0:53:01.960
<v Speaker 3>and it's like it's like he comes into the or

0:53:02.000 --> 0:53:04.360
<v Speaker 3>he comes it's like Corell comes into work and he

0:53:04.480 --> 0:53:07.160
<v Speaker 3>explained making an egg salad sandwich and he's like, what

0:53:07.280 --> 0:53:08.960
<v Speaker 3>you do this weekend? I'm like, why I went to Tijuaana.

0:53:08.960 --> 0:53:11.600
<v Speaker 3>We went to see this woman horse and like it

0:53:11.680 --> 0:53:15.359
<v Speaker 3>was not that cool, Like it was kind of gross,

0:53:14.920 --> 0:53:18.319
<v Speaker 3>and I remember like and it was like pretty. It

0:53:18.400 --> 0:53:20.480
<v Speaker 3>was like on the scale of like the types of

0:53:20.520 --> 0:53:22.880
<v Speaker 3>things people were saying in movies at that time, on

0:53:23.040 --> 0:53:25.759
<v Speaker 3>like the very far end of the spectrum.

0:53:25.280 --> 0:53:28.800
<v Speaker 1>Which is why I asked you about the Aristocrats exactly.

0:53:30.719 --> 0:53:32.759
<v Speaker 3>Yeah, and so that and we were just making each

0:53:32.800 --> 0:53:35.799
<v Speaker 3>other laugh. And I remember before the first screening we

0:53:35.800 --> 0:53:39.719
<v Speaker 3>were like, if people like, if that works, then like

0:53:40.560 --> 0:53:43.919
<v Speaker 3>then we're fine. Like then all these instincts we have

0:53:44.040 --> 0:53:46.680
<v Speaker 3>of like what people want might be right. And I

0:53:46.719 --> 0:53:50.800
<v Speaker 3>remember like it was like like on like that moment

0:53:50.920 --> 0:53:53.000
<v Speaker 3>was like a life changing moment in many ways, like

0:53:53.040 --> 0:53:55.440
<v Speaker 3>sitting in the theater when that part came on for

0:53:55.520 --> 0:53:58.600
<v Speaker 3>the first time and seeing the audience just like explode

0:53:58.680 --> 0:54:01.640
<v Speaker 3>in laughter, and like you could see it was just

0:54:01.680 --> 0:54:05.560
<v Speaker 3>like shocking to them, but all so funny and also

0:54:05.680 --> 0:54:07.760
<v Speaker 3>felt kind of real. And I remember so many people

0:54:07.760 --> 0:54:09.080
<v Speaker 3>come up to me after we came out and be like,

0:54:09.160 --> 0:54:11.080
<v Speaker 3>you remind me so much of a guy I used

0:54:11.120 --> 0:54:12.840
<v Speaker 3>to work with, And you remind me so much of

0:54:12.920 --> 0:54:15.319
<v Speaker 3>this weirdo who was in the back room at this

0:54:15.600 --> 0:54:18.040
<v Speaker 3>place I would go to and like and and and

0:54:18.320 --> 0:54:20.760
<v Speaker 3>you could see that we were kind of like tapping

0:54:20.760 --> 0:54:25.560
<v Speaker 3>into this like relatable form of comedy that people you

0:54:25.560 --> 0:54:27.280
<v Speaker 3>know at that time. It was like Dumb and Dumber,

0:54:27.320 --> 0:54:29.000
<v Speaker 3>which I love, like it is one of my favorite

0:54:29.000 --> 0:54:35.759
<v Speaker 3>movies ever. But it is not relatable, naturalistic conversational comedy.

0:54:35.880 --> 0:54:42.040
<v Speaker 3>You know, it's huge, crazy gags and very specifically like

0:54:42.040 --> 0:54:44.879
<v Speaker 3>written in staged bits right and very smart.

0:54:44.880 --> 0:54:47.520
<v Speaker 2>Can I just give you credit to for putting an

0:54:47.640 --> 0:54:51.120
<v Speaker 2>actor in their lesser known name, Evin Hart, Kevin Hart,

0:54:52.840 --> 0:54:55.759
<v Speaker 2>the dude Jared, I want to say his name, right, Jerry,

0:54:55.880 --> 0:54:59.279
<v Speaker 2>He's funny. The East Indian guy who's just stopped everyway?

0:54:59.520 --> 0:55:05.680
<v Speaker 3>Is he okay? He is? Okay? The other guy not okay? Yeah,

0:55:05.840 --> 0:55:08.880
<v Speaker 3>I was like, Jerry's fine.

0:55:09.360 --> 0:55:10.800
<v Speaker 2>The one that was working in the store that was

0:55:10.960 --> 0:55:11.879
<v Speaker 2>kept saying nasty ship.

0:55:12.000 --> 0:55:14.480
<v Speaker 3>Yes, what's funny about the guy who mixed up with

0:55:14.560 --> 0:55:16.919
<v Speaker 3>the other guy? Not the other guy who might still

0:55:16.960 --> 0:55:20.520
<v Speaker 3>be in jail. He is in jail, yes, okay, okay, okay, yeah,

0:55:20.719 --> 0:55:23.640
<v Speaker 3>making sure he making sure Rry's great. Yeah, Kevin Hart

0:55:23.640 --> 0:55:31.480
<v Speaker 3>was great. Attempted he did succeed, though, Damn damn.

0:55:31.719 --> 0:55:35.239
<v Speaker 1>It's a shame that happened, because murder is bad and

0:55:35.320 --> 0:55:36.600
<v Speaker 1>I do not like murder.

0:55:36.800 --> 0:55:38.799
<v Speaker 3>You know, the conversations on the South when you have

0:55:38.880 --> 0:55:44.520
<v Speaker 3>to explain that your feeling is murderers back. Let me

0:55:44.640 --> 0:55:46.280
<v Speaker 3>just clarify murders back.

0:55:47.840 --> 0:55:50.759
<v Speaker 1>So what I succeeding.

0:55:50.880 --> 0:55:52.120
<v Speaker 3>What I want to ask is.

0:55:53.600 --> 0:55:56.120
<v Speaker 1>When you got the pitch, When you got the pitch

0:55:56.200 --> 0:56:00.520
<v Speaker 1>for forty old Virgin, Yeah, I'm when you got the

0:56:00.520 --> 0:56:01.279
<v Speaker 1>pitch for knocked Up?

0:56:01.440 --> 0:56:01.680
<v Speaker 3>Yes?

0:56:03.960 --> 0:56:08.240
<v Speaker 1>How is it pitched to you so that you wouldn't

0:56:08.680 --> 0:56:12.719
<v Speaker 1>take it personally? Because the thing is because because the

0:56:12.840 --> 0:56:17.640
<v Speaker 1>underhand tone of what knocked Up really is is we're

0:56:17.719 --> 0:56:19.600
<v Speaker 1>gonna pair this hot.

0:56:19.360 --> 0:56:24.040
<v Speaker 3>Girl yeah with like you, I told you it's something.

0:56:24.160 --> 0:56:27.800
<v Speaker 3>It's a joke. I was it. I appreciate you because

0:56:28.080 --> 0:56:30.879
<v Speaker 3>you I was in on the joke, right. That's the thing.

0:56:30.880 --> 0:56:32.440
<v Speaker 1>How do you not do the person I.

0:56:32.400 --> 0:56:34.239
<v Speaker 3>Think and what I always I would actually think of that?

0:56:34.360 --> 0:56:37.080
<v Speaker 3>Like one of the first other pieces of advice a

0:56:37.120 --> 0:56:39.200
<v Speaker 3>stand up comic game. Me when I was like thirteen,

0:56:39.760 --> 0:56:42.279
<v Speaker 3>was like whatever, he what's funny is this stand up

0:56:42.320 --> 0:56:45.040
<v Speaker 3>comic looked exactly like Garth from Wayne's World. Like he

0:56:45.080 --> 0:56:47.319
<v Speaker 3>was like a super skinny dude with long blonde hair

0:56:47.360 --> 0:56:50.880
<v Speaker 3>and glasses. And he was like whatever. He's like, you

0:56:50.960 --> 0:56:53.760
<v Speaker 3>have to let the audience know that you are self

0:56:53.800 --> 0:56:56.480
<v Speaker 3>aware or they'll be uncomfortable. And he's like, so, if

0:56:56.480 --> 0:57:00.360
<v Speaker 3>there's something about you that reads very obviously like don't

0:57:00.560 --> 0:57:03.640
<v Speaker 3>ignore that thing, like let them know you are more

0:57:03.680 --> 0:57:05.680
<v Speaker 3>aware of it than they could ever imagine. And he

0:57:05.760 --> 0:57:07.800
<v Speaker 3>was like, he's like, my whole opening five minutes is

0:57:07.840 --> 0:57:10.239
<v Speaker 3>about that I look like Garth, Like I fucking get it.

0:57:10.560 --> 0:57:14.200
<v Speaker 3>And so I was always aware that I came across

0:57:14.239 --> 0:57:17.960
<v Speaker 3>as like a schlubby, kind of stonery loser, and I

0:57:18.160 --> 0:57:21.440
<v Speaker 3>was not. I wasn't in any way way self conscious

0:57:21.440 --> 0:57:24.800
<v Speaker 3>about representing myself like that because I knew I was

0:57:24.880 --> 0:57:29.680
<v Speaker 3>not that you got super confidence. I was too highly productive.

0:57:30.000 --> 0:57:34.760
<v Speaker 3>I could date women like that that were that were

0:57:34.800 --> 0:57:37.960
<v Speaker 3>well out of my league on a physical level. I

0:57:38.560 --> 0:57:40.960
<v Speaker 3>I like, I had a job, I was gaining I

0:57:41.000 --> 0:57:42.960
<v Speaker 3>had a nice apartment, I had nice car, like I

0:57:43.680 --> 0:57:46.000
<v Speaker 3>was like at that point, like getting successful, you know.

0:57:46.120 --> 0:57:48.800
<v Speaker 3>So it was not it was funny to me. And

0:57:48.840 --> 0:57:52.000
<v Speaker 3>I remember jud we kept pitching these like crazy movies,

0:57:52.000 --> 0:57:53.600
<v Speaker 3>mean and we were trying to make Pineapple Express Man

0:57:53.600 --> 0:57:55.400
<v Speaker 3>like I want a big action movie, and he was

0:57:55.440 --> 0:57:58.040
<v Speaker 3>like that, like he's like, you first just have to

0:57:58.040 --> 0:58:01.680
<v Speaker 3>make something that like establishes who you are in the

0:58:01.720 --> 0:58:05.920
<v Speaker 3>most like normal, relatable type of setting. And he just

0:58:05.960 --> 0:58:08.280
<v Speaker 3>said it conversationally one day. It was literally like like

0:58:08.280 --> 0:58:09.720
<v Speaker 3>like if you got a girl pregnant on the first

0:58:09.800 --> 0:58:11.720
<v Speaker 3>date or something like, that's the type of movie we

0:58:11.760 --> 0:58:13.560
<v Speaker 3>should make. And it was one of those things where

0:58:13.560 --> 0:58:15.800
<v Speaker 3>it was like, oh, we actually could, That's actually a

0:58:15.840 --> 0:58:18.600
<v Speaker 3>really good idea. What would that be like like? And

0:58:18.680 --> 0:58:21.320
<v Speaker 3>him and his wife had got pregnant very early on

0:58:21.360 --> 0:58:24.600
<v Speaker 3>in their relationship, and I think had to make some

0:58:24.720 --> 0:58:26.960
<v Speaker 3>quick decisions as to whether or not they were going

0:58:27.000 --> 0:58:28.960
<v Speaker 3>to kind of stay together and give it a go,

0:58:29.200 --> 0:58:32.800
<v Speaker 3>you know, are just or what the just what the

0:58:32.840 --> 0:58:34.680
<v Speaker 3>dynamics of the relationship were going to be, you know

0:58:34.720 --> 0:58:36.360
<v Speaker 3>what I mean. I think they weren't planning on having

0:58:36.400 --> 0:58:41.880
<v Speaker 3>a kid at that time. From my understanding, yes, exactly.

0:58:42.480 --> 0:58:46.560
<v Speaker 3>Leslie's great, yeah, very funny, and so it was Yeah,

0:58:46.600 --> 0:58:49.720
<v Speaker 3>so it was personal. It was personal to me because

0:58:50.120 --> 0:58:51.360
<v Speaker 3>and I think the way that we were able to

0:58:51.400 --> 0:58:54.640
<v Speaker 3>represent my living situation especially was highly personal to me.

0:58:54.680 --> 0:58:57.280
<v Speaker 3>And all the roommates and and all those guys were

0:58:57.280 --> 0:58:59.680
<v Speaker 3>actually my friends, and I actually had lived with almost

0:58:59.720 --> 0:59:01.400
<v Speaker 3>all of them at one point or another, and so

0:59:02.080 --> 0:59:05.640
<v Speaker 3>like it did seem like I really yeah, yeah, I

0:59:05.720 --> 0:59:07.800
<v Speaker 3>was totally happy with it and thought I would be

0:59:07.880 --> 0:59:10.160
<v Speaker 3>funny with it, you know, And there was a thing

0:59:10.160 --> 0:59:11.600
<v Speaker 3>where I was just I remember being like, oh, I

0:59:11.640 --> 0:59:13.280
<v Speaker 3>can just make this guy like worse and worse and

0:59:13.320 --> 0:59:16.600
<v Speaker 3>worse and like just dumber and dumber and dumber. And

0:59:16.680 --> 0:59:19.120
<v Speaker 3>it's almost like the Bower inappropriate, like the worst thing

0:59:19.200 --> 0:59:21.240
<v Speaker 3>I could say on a date almost is like the

0:59:21.240 --> 0:59:25.680
<v Speaker 3>funnier the whole movie becomes. So yeah, wow.

0:59:25.520 --> 0:59:27.600
<v Speaker 2>Okay, did you and Catherinehige who ever circle back and

0:59:27.600 --> 0:59:28.320
<v Speaker 2>become besties?

0:59:29.320 --> 0:59:35.400
<v Speaker 3>No, we've run into each other, but yeah, I have

0:59:35.440 --> 0:59:37.840
<v Speaker 3>no Yeah, I wish you the best. Get that?

0:59:41.640 --> 0:59:52.680
<v Speaker 1>Yeah, Well, I mean okay, well I guess I'll ask.

0:59:52.960 --> 0:59:53.760
<v Speaker 3>Okay, you don't have.

0:59:54.880 --> 0:59:57.720
<v Speaker 1>No, no, No, it's not that I'm just saying that, is.

0:59:57.680 --> 0:59:58.920
<v Speaker 3>There ever a fear? Okay?

0:59:59.160 --> 1:00:04.120
<v Speaker 1>I go to thirty University and all that entails, you know,

1:00:04.320 --> 1:00:08.880
<v Speaker 1>so I'm in in the io stormly is it's it's

1:00:08.880 --> 1:00:11.520
<v Speaker 1>a university, sess. And now it's a big giant campus.

1:00:11.280 --> 1:00:14.120
<v Speaker 3>In cathedral to which entertainment is built.

1:00:15.320 --> 1:00:20.320
<v Speaker 1>So when you're how hard is it, in your opinion,

1:00:20.400 --> 1:00:22.920
<v Speaker 1>how hard is it for women to get a seat

1:00:22.920 --> 1:00:23.520
<v Speaker 1>at the table.

1:00:25.520 --> 1:00:29.200
<v Speaker 3>Insanely hard, way harder, And.

1:00:29.000 --> 1:00:32.040
<v Speaker 1>In light of what's happening now and how comedy sort

1:00:32.040 --> 1:00:34.080
<v Speaker 1>of has to re examine itself.

1:00:34.760 --> 1:00:38.880
<v Speaker 7>And what was cool in.

1:00:39.040 --> 1:00:43.240
<v Speaker 1>Two thousand and six might get a raised eyebrow.

1:00:43.400 --> 1:00:49.480
<v Speaker 3>Now, how has that eighteen we get a raised eyebrow

1:00:49.680 --> 1:00:50.160
<v Speaker 3>out right?

1:00:51.480 --> 1:00:55.040
<v Speaker 1>Yeah, So how does that affect not not how does

1:00:55.040 --> 1:00:56.880
<v Speaker 1>it affect your world, but how does it affect the

1:00:56.920 --> 1:00:59.640
<v Speaker 1>creative process? The fraternity process?

1:01:00.120 --> 1:01:01.520
<v Speaker 2>Is a woman in the in the team.

1:01:02.240 --> 1:01:03.360
<v Speaker 3>We have women on our team.

1:01:06.200 --> 1:01:10.760
<v Speaker 1>But are you more or is it the climate right

1:01:10.800 --> 1:01:11.840
<v Speaker 1>now in Hollywood?

1:01:11.880 --> 1:01:13.040
<v Speaker 7>Are they super aware of it?

1:01:13.120 --> 1:01:15.800
<v Speaker 3>Now? They say they are, But I don't think a

1:01:15.840 --> 1:01:18.720
<v Speaker 3>lot has changed. And if you look at the movies

1:01:18.760 --> 1:01:20.960
<v Speaker 3>that come out, almost all of them are made by

1:01:21.160 --> 1:01:25.840
<v Speaker 3>white dudes, like you know, like it's very like not

1:01:26.200 --> 1:01:31.440
<v Speaker 3>that the actual like decision to spend hundreds of millions

1:01:31.520 --> 1:01:36.160
<v Speaker 3>of dollars in a new social direction has not happened.

1:01:36.200 --> 1:01:38.000
<v Speaker 3>I don't think. I think people are talking about it,

1:01:38.040 --> 1:01:40.080
<v Speaker 3>and it's like a topic of conversation that's a fun

1:01:40.120 --> 1:01:41.840
<v Speaker 3>for people to say. And I think there's they're like

1:01:42.240 --> 1:01:45.080
<v Speaker 3>inching towards that. But have I seen, like, oh, all

1:01:45.120 --> 1:01:46.560
<v Speaker 3>of a sudden if you look at the slate of

1:01:46.560 --> 1:01:50.840
<v Speaker 3>every major studio and they're all more equally distributed between

1:01:50.840 --> 1:01:51.440
<v Speaker 3>men and women.

1:01:51.800 --> 1:01:56.240
<v Speaker 2>No, that's not the case at all women.

1:01:56.360 --> 1:02:01.000
<v Speaker 3>But yeah, and I think that that. But I think

1:02:01.080 --> 1:02:03.880
<v Speaker 3>for us, I think we're lucky with comedy for us

1:02:03.920 --> 1:02:08.600
<v Speaker 3>because we never like pedaled in that I don't think

1:02:08.680 --> 1:02:10.920
<v Speaker 3>like we never pedled in something that I would have

1:02:11.040 --> 1:02:16.080
<v Speaker 3>considered to be Like, you know, I think our comedy like,

1:02:16.320 --> 1:02:19.440
<v Speaker 3>I'm never complaining that, like about like people being PC

1:02:19.840 --> 1:02:21.919
<v Speaker 3>or like we can't say the stuff that we want

1:02:21.960 --> 1:02:24.680
<v Speaker 3>to be able to say. Like to me, that is

1:02:24.760 --> 1:02:28.840
<v Speaker 3>like not an issue, and like you're either the type

1:02:28.880 --> 1:02:32.439
<v Speaker 3>of person that like you want your you know, your

1:02:32.440 --> 1:02:35.400
<v Speaker 3>work reflects who you are no matter what, and so

1:02:35.560 --> 1:02:39.280
<v Speaker 3>if you have your sensibilities trying to be in the

1:02:39.360 --> 1:02:41.800
<v Speaker 3>right place at any given moment, then your work will

1:02:41.800 --> 1:02:45.320
<v Speaker 3>reflect that. And I've found myself not really having to

1:02:45.360 --> 1:02:47.920
<v Speaker 3>defend that much of what I've done in the moment

1:02:48.000 --> 1:02:51.600
<v Speaker 3>that it has come out. I acknowledge that again a

1:02:51.600 --> 1:02:53.880
<v Speaker 3>week later, you look back and you're like, WHOA, that's

1:02:53.920 --> 1:02:57.680
<v Speaker 3>age poorly sometimes you know, like, yeah, I think there's

1:02:57.760 --> 1:03:00.360
<v Speaker 3>jokes and sausage party that like twenty four hours after

1:03:00.400 --> 1:03:05.200
<v Speaker 3>it came out, we're inappropriate. So maybe twenty four hours

1:03:05.240 --> 1:03:08.600
<v Speaker 3>before it came out, But I think that you know,

1:03:09.000 --> 1:03:12.840
<v Speaker 3>we we try not to be offensive, we try not

1:03:12.880 --> 1:03:15.600
<v Speaker 3>to exclude people in our work. We try to be

1:03:15.680 --> 1:03:19.800
<v Speaker 3>inclusive as possible, and and and we ourselves are those

1:03:19.880 --> 1:03:21.960
<v Speaker 3>types of people. So it isn't this like chore to

1:03:22.560 --> 1:03:23.880
<v Speaker 3>weave that into our work.

1:03:24.760 --> 1:03:26.280
<v Speaker 1>And so I do just know that people now are

1:03:26.360 --> 1:03:32.040
<v Speaker 1>hyper aware that that has to happen or that has

1:03:32.120 --> 1:03:35.320
<v Speaker 1>to be a thing, Whereas you know before you don't think, like, okay,

1:03:35.560 --> 1:03:37.680
<v Speaker 1>it might be inclusive. Am I infending this group or

1:03:37.720 --> 1:03:38.120
<v Speaker 1>that group?

1:03:38.240 --> 1:03:41.840
<v Speaker 3>I think, I think anything we're trying to be aware

1:03:41.880 --> 1:03:43.880
<v Speaker 3>of for the last few years. And I think Neighbors

1:03:43.960 --> 1:03:48.160
<v Speaker 3>is the first movie that we really made really trying

1:03:48.200 --> 1:03:54.600
<v Speaker 3>to go into it acknowledging that traditionally, especially that type

1:03:54.600 --> 1:03:58.280
<v Speaker 3>of relationship that mean rose, like a husband wife relationship

1:03:58.280 --> 1:04:00.560
<v Speaker 3>in a movie is like always done as certain way,

1:04:00.640 --> 1:04:02.600
<v Speaker 3>and we had to not do that, and like it's

1:04:02.600 --> 1:04:04.400
<v Speaker 3>always based on the fact that they hate each other

1:04:04.720 --> 1:04:06.200
<v Speaker 3>and that they're not happy, and that there's all this

1:04:06.280 --> 1:04:09.000
<v Speaker 3>conflict in their relationship and that she's fucking lame most

1:04:09.040 --> 1:04:11.280
<v Speaker 3>of the time and that like he's like the carefree,

1:04:11.320 --> 1:04:15.920
<v Speaker 3>fun one and she's and like so that was I

1:04:15.960 --> 1:04:18.560
<v Speaker 3>think the and it was before all this, you know,

1:04:18.680 --> 1:04:22.280
<v Speaker 3>all the current you know kind of revelations that are happening.

1:04:22.320 --> 1:04:24.720
<v Speaker 3>But even then we were like, just how do we

1:04:24.840 --> 1:04:27.720
<v Speaker 3>not do this in a lame way, you know? And

1:04:27.800 --> 1:04:30.480
<v Speaker 3>how do we And also like, we want the actors

1:04:30.520 --> 1:04:33.640
<v Speaker 3>in the movie to be proud and happy with their work.

1:04:33.680 --> 1:04:35.760
<v Speaker 3>And I think as someone who is both an actor

1:04:35.800 --> 1:04:39.760
<v Speaker 3>and a writer and a director and a producer like I,

1:04:39.040 --> 1:04:41.880
<v Speaker 3>I I understand what all those jobs entail, and I

1:04:42.000 --> 1:04:44.400
<v Speaker 3>understand what it takes to make all the people doing

1:04:44.400 --> 1:04:47.640
<v Speaker 3>those jobs feel like they're really doing something that they

1:04:47.680 --> 1:04:50.680
<v Speaker 3>can be proud of and happy with. And that's something

1:04:50.720 --> 1:04:53.000
<v Speaker 3>that was just started to become very important when I

1:04:53.000 --> 1:04:55.840
<v Speaker 3>started to realize, like, oh, like, if we cast Rose

1:04:55.840 --> 1:04:58.000
<v Speaker 3>Byrne in this role, we have to make it good

1:04:58.320 --> 1:05:00.760
<v Speaker 3>and funny, and we have to make her excited to

1:05:00.800 --> 1:05:02.920
<v Speaker 3>come into work every day, and we have to make

1:05:02.960 --> 1:05:04.360
<v Speaker 3>it that when she leaves work at the end of

1:05:04.400 --> 1:05:06.920
<v Speaker 3>the day, she really felt like she was as funny

1:05:06.960 --> 1:05:09.080
<v Speaker 3>as anyone else and given the opportunity to be as

1:05:09.080 --> 1:05:10.960
<v Speaker 3>funny as anyone else. So wait, not like she was

1:05:10.960 --> 1:05:13.080
<v Speaker 3>told like you tell us to shut up as we

1:05:13.120 --> 1:05:16.000
<v Speaker 3>say funny shit over here, you know, what I mean, how.

1:05:15.920 --> 1:05:18.760
<v Speaker 1>Does that work? Okay, so how does that work? Like

1:05:19.160 --> 1:05:21.600
<v Speaker 1>break it down like we're in third grade? Yeah, all right,

1:05:21.680 --> 1:05:26.360
<v Speaker 1>So if you're heading a project, yeah, and you have

1:05:26.400 --> 1:05:29.560
<v Speaker 1>to write for a specific character that you might not

1:05:30.480 --> 1:05:32.560
<v Speaker 1>really have put a lot of effort or you know,

1:05:32.760 --> 1:05:35.280
<v Speaker 1>like what's their background? And first of all, when you

1:05:35.320 --> 1:05:39.000
<v Speaker 1>write for a character or write for a movie, does

1:05:39.040 --> 1:05:42.080
<v Speaker 1>each character have to have their own bio in your mind?

1:05:42.280 --> 1:05:46.360
<v Speaker 3>Like to some degree I think, like backstory? Yeah, I

1:05:46.360 --> 1:05:48.880
<v Speaker 3>think to some degree, I think it's it depends on

1:05:49.040 --> 1:05:52.320
<v Speaker 3>how in like what's funny is like in this is

1:05:52.360 --> 1:05:56.080
<v Speaker 3>the end? Like none of us really have any backstory.

1:05:56.760 --> 1:05:59.080
<v Speaker 3>We're kind of just who you assume we are and

1:05:59.160 --> 1:06:03.480
<v Speaker 3>you slowly and the emotional conflicts are very of the moment.

1:06:03.600 --> 1:06:06.760
<v Speaker 3>It's based on you know, the word, you're seeing it

1:06:06.800 --> 1:06:11.040
<v Speaker 3>play out in real time basically so. But in general, yes,

1:06:11.160 --> 1:06:14.360
<v Speaker 3>like some sense of backstory is is helpful and the

1:06:14.360 --> 1:06:17.120
<v Speaker 3>more you can think of, the more it's probably good.

1:06:17.160 --> 1:06:21.160
<v Speaker 3>But for I think for something like Neighbors, the conversations

1:06:21.160 --> 1:06:23.880
<v Speaker 3>were literally like how do we create a plot and

1:06:23.920 --> 1:06:27.760
<v Speaker 3>a flow of events where that isn't contingent on these

1:06:27.800 --> 1:06:31.160
<v Speaker 3>two characters having conflict with one another and instead is

1:06:31.240 --> 1:06:34.680
<v Speaker 3>contingent on these two characters really being on the same

1:06:35.040 --> 1:06:39.400
<v Speaker 3>team as one another, and right away that allowed both

1:06:39.520 --> 1:06:43.080
<v Speaker 3>characters to be outrageous and silly and stupid, and neither

1:06:43.120 --> 1:06:45.680
<v Speaker 3>one was trying to control the other. If anything, they

1:06:45.680 --> 1:06:49.000
<v Speaker 3>were always like encouraging the other to do stupid or

1:06:49.000 --> 1:06:53.160
<v Speaker 3>and stupider shit kind of. And so it's more understanding

1:06:53.360 --> 1:06:58.040
<v Speaker 3>the dynamics going in and what the result that will produce.

1:06:58.080 --> 1:06:59.560
<v Speaker 3>So it's like, if we go into the movie with

1:06:59.600 --> 1:07:02.000
<v Speaker 3>this dynamic, the result will be this, And if we

1:07:02.040 --> 1:07:03.880
<v Speaker 3>go and do it this typynamic, the result will be this.

1:07:04.000 --> 1:07:06.840
<v Speaker 3>And so that's something we were aware of, is like,

1:07:06.920 --> 1:07:09.320
<v Speaker 3>if we want the result to be this, the dynamic

1:07:09.400 --> 1:07:11.640
<v Speaker 3>has to be very specific going into it, you know,

1:07:12.200 --> 1:07:13.520
<v Speaker 3>And that that's what we tried to do.

1:07:13.680 --> 1:07:18.720
<v Speaker 1>So kind of a three part question. Yeah, all right, Now,

1:07:19.200 --> 1:07:26.360
<v Speaker 1>in your career, what is your preference would you rather

1:07:26.480 --> 1:07:33.560
<v Speaker 1>lean towards directing a project or writing a project, to

1:07:33.560 --> 1:07:38.160
<v Speaker 1>give to someone else to direct or what I would

1:07:38.200 --> 1:07:42.720
<v Speaker 1>just say blind job, as in doing a project that

1:07:42.800 --> 1:07:48.200
<v Speaker 1>you neither had no directing or no hand in writing it.

1:07:49.520 --> 1:07:53.760
<v Speaker 3>I do that less and less, like I don't act

1:07:53.800 --> 1:07:57.320
<v Speaker 3>in a lot of other people's movies, and I don't

1:07:57.320 --> 1:08:01.480
<v Speaker 3>get asked to do a lot of other people's movies. Vehicles,

1:08:01.600 --> 1:08:06.439
<v Speaker 3>Yeah exactly, But yeah, so it happens, and I do

1:08:06.440 --> 1:08:09.600
<v Speaker 3>do it. Sometimes I think what I'm what I really

1:08:09.680 --> 1:08:12.560
<v Speaker 3>enjoy is writing something with the hopes that I will

1:08:12.720 --> 1:08:14.960
<v Speaker 3>direct it and act in it, which has happened.

1:08:15.040 --> 1:08:16.439
<v Speaker 7>You want to wear all three hats?

1:08:16.640 --> 1:08:21.320
<v Speaker 3>Yeah? Is a nightmare. No, it's it's almost at a weird.

1:08:21.320 --> 1:08:23.400
<v Speaker 3>Thing We've also found is, in some ways, the more

1:08:23.520 --> 1:08:26.320
<v Speaker 3>control we have over something and the more jobs we

1:08:26.400 --> 1:08:29.599
<v Speaker 3>are filling, the less stressful it ultimately is because most

1:08:29.600 --> 1:08:31.800
<v Speaker 3>of our stress comes from fear that other people are

1:08:31.840 --> 1:08:33.960
<v Speaker 3>going to fuck our ship up. And so as long

1:08:34.000 --> 1:08:36.880
<v Speaker 3>as we are controlling it, I'm not that worried. I'm

1:08:36.920 --> 1:08:40.040
<v Speaker 3>more worried is the director going to ruin this thing?

1:08:40.240 --> 1:08:42.280
<v Speaker 1>So that leads to this leads to.

1:08:42.880 --> 1:08:43.600
<v Speaker 3>What have you learned? What?

1:08:45.280 --> 1:08:47.120
<v Speaker 1>What have you learned about?

1:08:47.160 --> 1:08:47.479
<v Speaker 3>Actually?

1:08:47.479 --> 1:08:49.360
<v Speaker 1>I want to do too, what have you learned about?

1:08:49.479 --> 1:08:53.080
<v Speaker 1>Green Hornet and the Simpsons? Which I think for comedy

1:08:53.080 --> 1:08:57.360
<v Speaker 1>writer is sort of like this this honor of Wow,

1:08:57.520 --> 1:09:01.960
<v Speaker 1>I'm doing it, I'm telling a Simpsons episode. Yeah, so

1:09:02.080 --> 1:09:05.519
<v Speaker 1>what lessons have you learned in those two instances that

1:09:05.840 --> 1:09:10.519
<v Speaker 1>you would have changed now or made you wiser? Yeah,

1:09:10.520 --> 1:09:14.320
<v Speaker 1>I mean Green Hornet was and I'm not a no, no,

1:09:14.400 --> 1:09:15.400
<v Speaker 1>no iconic kid.

1:09:15.600 --> 1:09:19.120
<v Speaker 3>No, Yeah, it's not really Like I think a few

1:09:19.200 --> 1:09:23.040
<v Speaker 3>things when I look back at that. One is I

1:09:23.160 --> 1:09:27.799
<v Speaker 3>really overestimated like our control at that point in our careers.

1:09:28.040 --> 1:09:31.559
<v Speaker 3>Like I think that at that point we had kind

1:09:31.560 --> 1:09:33.599
<v Speaker 3>of always been able to do whatever we wanted, you know,

1:09:34.400 --> 1:09:38.960
<v Speaker 3>And I didn't predict how much a bigger budget, like,

1:09:39.240 --> 1:09:40.760
<v Speaker 3>but all the movies we'd made at that point were

1:09:40.760 --> 1:09:42.800
<v Speaker 3>like twenty thirty million dollars. In Green Hornet was like

1:09:42.800 --> 1:09:45.400
<v Speaker 3>one hundred and twenty million dollars. And I didn't quite

1:09:45.439 --> 1:09:48.240
<v Speaker 3>predict what that hundred million dollars would do to the

1:09:48.320 --> 1:09:52.320
<v Speaker 3>process and how before I would we literally wouldn't talk

1:09:52.360 --> 1:09:54.240
<v Speaker 3>to the studio. Ever, all of a sudden, we were

1:09:54.240 --> 1:09:56.400
<v Speaker 3>having meetings where we go through like every page of

1:09:56.400 --> 1:10:00.680
<v Speaker 3>the script basically, and how like destructive that was to

1:10:00.800 --> 1:10:04.760
<v Speaker 3>the process and how Yeah, and like the biggest, the

1:10:04.760 --> 1:10:07.240
<v Speaker 3>biggest thing was was like we had an idea going

1:10:07.280 --> 1:10:11.920
<v Speaker 3>into it that was slowly like completely you know, deconstructed

1:10:12.040 --> 1:10:14.200
<v Speaker 3>and built into something else. And it's one of those

1:10:14.200 --> 1:10:16.519
<v Speaker 3>things that happened so slowly that like.

1:10:16.520 --> 1:10:19.200
<v Speaker 1>So they took yeah, and then said, well, we need

1:10:19.240 --> 1:10:20.200
<v Speaker 1>to change this to make this.

1:10:20.200 --> 1:10:22.040
<v Speaker 3>The exactly what if we did this, Oh, we need

1:10:22.080 --> 1:10:24.160
<v Speaker 3>a big actor for this role, and what about this,

1:10:24.200 --> 1:10:25.639
<v Speaker 3>and we need this and like but then.

1:10:25.560 --> 1:10:28.400
<v Speaker 1>With Condri directing, Yeah, whom I thought.

1:10:28.360 --> 1:10:30.880
<v Speaker 3>Would be good, I think what he and I've seen

1:10:30.920 --> 1:10:32.799
<v Speaker 3>him since then, like, I think what he didn't predict

1:10:32.840 --> 1:10:36.760
<v Speaker 3>also was the scope of it and how, And that's

1:10:36.800 --> 1:10:39.519
<v Speaker 3>what because I think with artists and you probably can

1:10:39.560 --> 1:10:41.639
<v Speaker 3>relate to this, Like I think the more you do

1:10:41.760 --> 1:10:45.040
<v Speaker 3>your craft or whatever, the more you realize it's not

1:10:45.320 --> 1:10:47.600
<v Speaker 3>only what you are doing, but it is how you

1:10:47.640 --> 1:10:50.200
<v Speaker 3>were doing it. Like, if you're a painter, you not

1:10:50.320 --> 1:10:52.240
<v Speaker 3>only want to choose what to paint, you want to

1:10:52.320 --> 1:10:54.080
<v Speaker 3>choose what paint you use, and you want to make

1:10:54.080 --> 1:10:56.240
<v Speaker 3>your own canvas maybe, and you want to choose where

1:10:56.240 --> 1:10:59.080
<v Speaker 3>you painted and all this stuff, you know what I mean.

1:10:59.840 --> 1:11:03.560
<v Speaker 3>But with film it's sometimes that gets wrestled away from you,

1:11:03.600 --> 1:11:05.719
<v Speaker 3>where it's like here's the shot I want and here's

1:11:05.720 --> 1:11:07.880
<v Speaker 3>how I think we should do it, and they'll be like, Nope,

1:11:07.880 --> 1:11:10.280
<v Speaker 3>too expensive, here's how you're gonna do it and and

1:11:10.360 --> 1:11:13.519
<v Speaker 3>that and that ruins the process, especially when you have

1:11:13.600 --> 1:11:15.960
<v Speaker 3>a director like Gondry. And what I realized, I think

1:11:15.960 --> 1:11:18.320
<v Speaker 3>what he realized is like his whole magic is not

1:11:18.840 --> 1:11:21.960
<v Speaker 3>only in what he's doing, it's how he's doing it right.

1:11:21.960 --> 1:11:28.759
<v Speaker 3>It's the materials used, literally, and that did not always

1:11:28.800 --> 1:11:33.559
<v Speaker 3>apply to this scope of filmmaking basically and uh and

1:11:33.600 --> 1:11:38.600
<v Speaker 3>it was just like uh, an inorganic combination of elements.

1:11:38.640 --> 1:11:40.679
<v Speaker 3>And then there was a point, I think where you're

1:11:40.760 --> 1:11:43.439
<v Speaker 3>just kind of like, this seems like it's going poorly.

1:11:43.520 --> 1:11:45.439
<v Speaker 3>I slept terribly throughout the whole thing.

1:11:45.479 --> 1:11:48.640
<v Speaker 1>You felt you felt, even yea during the process like

1:11:48.680 --> 1:11:50.639
<v Speaker 1>this might not get out good for sure.

1:11:50.720 --> 1:11:52.960
<v Speaker 3>It was like because it was rocky for like the

1:11:53.120 --> 1:11:54.800
<v Speaker 3>year leading up to it. And there was a point

1:11:54.840 --> 1:11:57.479
<v Speaker 3>and this was also something I would probably do differently now,

1:11:57.560 --> 1:11:59.559
<v Speaker 3>Like we had just spent years working on it, and

1:11:59.600 --> 1:12:02.040
<v Speaker 3>there's a moment where you're like do we stop or

1:12:02.240 --> 1:12:06.439
<v Speaker 3>just keep going? Because like after years it was it

1:12:06.479 --> 1:12:09.240
<v Speaker 3>felt weird to just stop anywhere. It was just like,

1:12:09.760 --> 1:12:12.080
<v Speaker 3>I think we just have to see this through, like

1:12:12.600 --> 1:12:16.040
<v Speaker 3>and and that is something that I probably wouldn't do now. Honestly,

1:12:16.080 --> 1:12:18.120
<v Speaker 3>I think after that experience, I would just be like,

1:12:18.200 --> 1:12:20.280
<v Speaker 3>let's just pull the plug and maybe we all wasted

1:12:20.320 --> 1:12:21.960
<v Speaker 3>three years, but maybe we all learned a lot in

1:12:22.000 --> 1:12:24.479
<v Speaker 3>that three years and have some good experiences. But I

1:12:24.520 --> 1:12:27.200
<v Speaker 3>think like that's something at the time that I wasn't

1:12:27.240 --> 1:12:30.120
<v Speaker 3>prepared to do, which was just say like, you know what, like,

1:12:30.320 --> 1:12:31.920
<v Speaker 3>let's not fucking do this, you know.

1:12:32.400 --> 1:12:36.200
<v Speaker 1>So my parallel question to you is, Okay, now, as

1:12:36.240 --> 1:12:38.040
<v Speaker 1>a person that's been doing what I've been doing at

1:12:38.120 --> 1:12:42.400
<v Speaker 1>least what I'm known for uh twenty five plus years,

1:12:44.040 --> 1:12:46.000
<v Speaker 1>you know, we kind of had this discussion like are

1:12:46.000 --> 1:12:50.160
<v Speaker 1>we sabotaging ourselves but not like wanting to go to

1:12:50.200 --> 1:12:51.000
<v Speaker 1>bigger houses?

1:12:51.120 --> 1:12:52.599
<v Speaker 3>Yeah, Like we're now in the.

1:12:52.520 --> 1:12:55.720
<v Speaker 1>Place where it's like, hey, you guys do know that

1:12:55.760 --> 1:12:58.080
<v Speaker 1>we could book a night at blah blah blah. Yeah,

1:12:58.120 --> 1:13:01.000
<v Speaker 1>if you guys had the album time whatever immediate thing

1:13:01.080 --> 1:13:03.800
<v Speaker 1>was fear like, no, I don't want to play you know,

1:13:03.920 --> 1:13:07.320
<v Speaker 1>seventeen thousand, da da da, because I feel like my

1:13:07.479 --> 1:13:11.280
<v Speaker 1>zone has always been in smaller theaters. Yeah, so for you,

1:13:12.920 --> 1:13:16.360
<v Speaker 1>is is a nine figure budget sort of like a

1:13:16.840 --> 1:13:17.879
<v Speaker 1>dragnet horns.

1:13:20.960 --> 1:13:24.440
<v Speaker 3>It's like, like, would you attempt.

1:13:23.800 --> 1:13:28.000
<v Speaker 1>To really go big or do you feel that, you know,

1:13:28.080 --> 1:13:31.760
<v Speaker 1>when you do lower budget stuff, then.

1:13:31.720 --> 1:13:35.400
<v Speaker 3>I think now in order, we're writing a movie now

1:13:35.439 --> 1:13:38.960
<v Speaker 3>that would be expensive, like a pretty expensive movie, not

1:13:39.040 --> 1:13:39.720
<v Speaker 3>quite Green Heart, but.

1:13:39.720 --> 1:13:42.120
<v Speaker 1>I mean like a popcorn film, like yes, but like

1:13:42.160 --> 1:13:43.760
<v Speaker 1>a Summer of twenty twenty one.

1:13:43.920 --> 1:13:45.880
<v Speaker 3>Yeah, but like, but we're really trying to make it

1:13:45.920 --> 1:13:48.559
<v Speaker 3>have all the stuff that we like out of movies,

1:13:48.600 --> 1:13:52.400
<v Speaker 3>but we're trying to make like it's a more it's

1:13:52.400 --> 1:13:55.760
<v Speaker 3>still like an R rated like action comedy basically, but

1:13:57.200 --> 1:14:01.360
<v Speaker 3>we're the types of movies that are in theaters have changed,

1:14:01.439 --> 1:14:03.400
<v Speaker 3>and I think that's something that we're also aware of,

1:14:03.479 --> 1:14:08.200
<v Speaker 3>is we like a lot of what are It's interesting,

1:14:08.200 --> 1:14:12.400
<v Speaker 3>Like we work backwards to some degree from like audience reaction,

1:14:13.000 --> 1:14:15.880
<v Speaker 3>and we go to movies and we sit in theaters

1:14:15.880 --> 1:14:19.760
<v Speaker 3>and you know, what makes people cheer and what makes

1:14:19.800 --> 1:14:23.080
<v Speaker 3>people laugh, and what makes people shocked and what makes

1:14:23.240 --> 1:14:27.799
<v Speaker 3>people scared, and that changes over the course of years,

1:14:27.840 --> 1:14:32.400
<v Speaker 3>you know, like the things. You know, there's some movies

1:14:32.439 --> 1:14:34.280
<v Speaker 3>that have come out that ten years ago got a

1:14:34.320 --> 1:14:36.800
<v Speaker 3>certain reaction in theaters, and that same thing would not

1:14:36.880 --> 1:14:40.759
<v Speaker 3>seem very exciting by today's standards. That shocking by today's standards,

1:14:41.040 --> 1:14:45.040
<v Speaker 3>and so we are trying to evolve. We instinctually must

1:14:45.040 --> 1:14:49.240
<v Speaker 3>evolve with the climate. And and we like making movies

1:14:49.240 --> 1:14:52.599
<v Speaker 3>for theaters, and we creatively think backwards a lot from

1:14:52.640 --> 1:14:55.320
<v Speaker 3>what would make a theater full of people have like

1:14:55.439 --> 1:14:58.320
<v Speaker 3>this experience, Like what would make a theater full of

1:14:58.320 --> 1:15:02.679
<v Speaker 3>people be on edge and then excited and then laughing

1:15:02.800 --> 1:15:06.320
<v Speaker 3>and then sad and and and in or. But the

1:15:06.320 --> 1:15:10.000
<v Speaker 3>theater part is the tricky part because a lot of

1:15:10.080 --> 1:15:12.519
<v Speaker 3>movies like Super Bad today, for example, probably wouldn't be

1:15:12.520 --> 1:15:13.920
<v Speaker 3>in theaters. It be hard to get it in theaters,

1:15:13.960 --> 1:15:15.840
<v Speaker 3>you know what I mean. Knocked Up even would more

1:15:15.960 --> 1:15:19.040
<v Speaker 3>likely be a Netflix movie today. It's just people talking

1:15:19.120 --> 1:15:23.479
<v Speaker 3>in rooms. Like there's no you know, there's no big

1:15:23.520 --> 1:15:27.200
<v Speaker 3>action in it, there's no like it's literally people sitting

1:15:27.280 --> 1:15:30.640
<v Speaker 3>and talking for two hours, you know, like we go

1:15:30.680 --> 1:15:31.080
<v Speaker 3>to circus.

1:15:31.600 --> 1:15:34.080
<v Speaker 1>Organically, it wouldn't happen. But I mean, you gotta admit

1:15:34.200 --> 1:15:37.639
<v Speaker 1>that you're coming from the canon of the app Town

1:15:37.800 --> 1:15:42.120
<v Speaker 1>Apptown Mafia. Yeah, so even by six degrees of separation,

1:15:42.439 --> 1:15:48.080
<v Speaker 1>like you know, you would you personally would have to myself,

1:15:48.280 --> 1:15:50.679
<v Speaker 1>you would I would think you'd have to release eight

1:15:50.960 --> 1:15:56.280
<v Speaker 1>bona Fide below ten rotten to me before I'm like

1:15:57.040 --> 1:15:58.439
<v Speaker 1>n ninety seen Seth Morgan.

1:15:58.560 --> 1:16:00.680
<v Speaker 3>You know, not all horror movies do well. I mean,

1:16:00.720 --> 1:16:03.320
<v Speaker 3>you know, like, but even then I'm aware of it.

1:16:03.320 --> 1:16:06.639
<v Speaker 1>It's still yeah, there's still some thing where it's like, oh,

1:16:06.680 --> 1:16:08.400
<v Speaker 1>you're in it.

1:16:07.280 --> 1:16:10.680
<v Speaker 3>It might be good. Yeah, you know, it's out there,

1:16:10.680 --> 1:16:14.680
<v Speaker 3>but it's still like it's harder to get movies in

1:16:14.720 --> 1:16:17.719
<v Speaker 3>theaters and it's harder to compete for the cultural attention

1:16:18.200 --> 1:16:20.240
<v Speaker 3>like that, I think, and that to us is very

1:16:20.280 --> 1:16:23.360
<v Speaker 3>important also is we like it when we make We've

1:16:23.400 --> 1:16:25.559
<v Speaker 3>seen that in the past. We've made movies that like

1:16:25.640 --> 1:16:29.200
<v Speaker 3>work their way into culture and they're referenced in rap

1:16:29.280 --> 1:16:32.000
<v Speaker 3>songs and in other movies and on TV shows, and

1:16:32.040 --> 1:16:35.080
<v Speaker 3>we like that, like we And that's not always a

1:16:35.080 --> 1:16:38.840
<v Speaker 3>one to one thing with like success, it's just you know,

1:16:39.080 --> 1:16:41.360
<v Speaker 3>it's something that only happens though really with movies that

1:16:41.400 --> 1:16:45.439
<v Speaker 3>are in theaters, like movies on Netflix, it's are just

1:16:45.479 --> 1:16:47.760
<v Speaker 3>streaming movies. It's much harder for them to capture a

1:16:47.760 --> 1:16:50.240
<v Speaker 3>piece of the culture. And a movie like Mid Nineties,

1:16:50.240 --> 1:16:52.640
<v Speaker 3>which was seen probably by one iota the amount of

1:16:52.640 --> 1:16:56.440
<v Speaker 3>people that sees the average Netflix movie capture the cultural

1:16:56.439 --> 1:16:59.559
<v Speaker 3>attention in a way that very few Netflix movies do

1:16:59.680 --> 1:17:01.920
<v Speaker 3>because it was in theaters and when people saw it,

1:17:01.920 --> 1:17:03.599
<v Speaker 3>they turned their phone off for two hours and they

1:17:03.800 --> 1:17:06.080
<v Speaker 3>sat in a dark room and they actually watch it,

1:17:06.439 --> 1:17:09.439
<v Speaker 3>And you don't do that with Netflix movies. And I

1:17:09.439 --> 1:17:12.559
<v Speaker 3>think that is going to become when I look at

1:17:12.600 --> 1:17:15.400
<v Speaker 3>why I want movies and theaters, that is it like.

1:17:15.439 --> 1:17:16.840
<v Speaker 2>But that's not all the way true. Those stuff I

1:17:16.880 --> 1:17:19.200
<v Speaker 2>was gonna tell you, Like some certain movies command you

1:17:19.240 --> 1:17:21.360
<v Speaker 2>to turn off the lights, watch watched, like when The

1:17:21.400 --> 1:17:23.920
<v Speaker 2>Irishman was one of those. This season, Dolamite was one

1:17:23.920 --> 1:17:25.639
<v Speaker 2>of those season. It just depends, I think.

1:17:25.960 --> 1:17:28.960
<v Speaker 3>Some I think for some people they choose.

1:17:28.640 --> 1:17:34.360
<v Speaker 1>To watch Everythriend's just gonna have Nero Patinos.

1:17:35.200 --> 1:17:37.639
<v Speaker 3>And there's a million people watching The Irishman like as

1:17:37.640 --> 1:17:40.400
<v Speaker 3>they're on Twitter. Yes, I mean, And if it's in

1:17:40.439 --> 1:17:42.880
<v Speaker 3>the theater, you don't even have watch like you have

1:17:43.000 --> 1:17:43.439
<v Speaker 3>to watch it.

1:17:43.479 --> 1:17:45.360
<v Speaker 1>And I think I saw it in the theater me too.

1:17:45.360 --> 1:17:47.920
<v Speaker 1>I didn't want to watch me too, Netflix, and I

1:17:48.080 --> 1:17:48.439
<v Speaker 1>love it.

1:17:48.760 --> 1:17:50.439
<v Speaker 3>And I think when you put a movie in the theater,

1:17:50.560 --> 1:17:54.639
<v Speaker 3>you're telling culturally. You were saying, like this is worth

1:17:54.720 --> 1:17:57.960
<v Speaker 3>you putting your phone in your pocket for two hours, like,

1:17:58.560 --> 1:18:02.240
<v Speaker 3>and you're asking people to do that, and that asks.

1:18:02.240 --> 1:18:05.080
<v Speaker 3>It is a big ask, and I think that to

1:18:05.160 --> 1:18:08.160
<v Speaker 3>that end, that's why we're writing a very expensive, big

1:18:08.200 --> 1:18:13.639
<v Speaker 3>fun We understand what we're asking is not a light ask.

1:18:13.720 --> 1:18:18.760
<v Speaker 3>We're asking you to give up your timon and in

1:18:18.840 --> 1:18:20.640
<v Speaker 3>order to do that, we have to repay you with

1:18:20.760 --> 1:18:22.400
<v Speaker 3>something that is worthy of it.

1:18:22.439 --> 1:18:25.200
<v Speaker 2>So can I ask it apatole Mafia question? And for

1:18:25.320 --> 1:18:26.920
<v Speaker 2>that reason, I'm gonna go back to something that I

1:18:26.960 --> 1:18:28.320
<v Speaker 2>wanted to ask you guys when y'all were having the

1:18:28.360 --> 1:18:31.439
<v Speaker 2>back and forth. Do y'all ever consider because as a

1:18:31.479 --> 1:18:34.040
<v Speaker 2>woman of color, being a fan of what you guys do,

1:18:34.360 --> 1:18:36.799
<v Speaker 2>I love it. Wouldn't change it, blah blah blah. However,

1:18:36.960 --> 1:18:38.800
<v Speaker 2>time to change it, and not for nothing. I would

1:18:38.840 --> 1:18:41.880
<v Speaker 2>be curious to see how a woman of color would

1:18:41.880 --> 1:18:43.920
<v Speaker 2>be written to some of these situations, right, because when

1:18:43.920 --> 1:18:45.880
<v Speaker 2>you look at the majority of the movies that you

1:18:45.920 --> 1:18:48.560
<v Speaker 2>guys do, like you said, I know you introduced the

1:18:48.640 --> 1:18:51.599
<v Speaker 2>rose burn situation, but not really so have y'all started

1:18:51.640 --> 1:18:55.920
<v Speaker 2>considering maybe yes, maybe the next thing. Maybe I don't

1:18:55.920 --> 1:18:57.040
<v Speaker 2>know yet, but you're working on.

1:18:56.960 --> 1:19:00.559
<v Speaker 3>Something, Yes, very much. I mean it is a prevalent

1:19:00.600 --> 1:19:02.080
<v Speaker 3>topic of conversation.

1:19:01.640 --> 1:19:02.960
<v Speaker 2>But not on perfect I don't want you to do

1:19:03.000 --> 1:19:05.040
<v Speaker 2>it just because oh my god, everybody's demanding that we

1:19:05.080 --> 1:19:06.040
<v Speaker 2>have a woman and then we have to have a

1:19:06.040 --> 1:19:08.280
<v Speaker 2>woman of color. But just because you see that, hey

1:19:08.280 --> 1:19:10.080
<v Speaker 2>wait a minute, that would be funny to get that

1:19:10.160 --> 1:19:11.760
<v Speaker 2>perspective in this storyline.

1:19:11.960 --> 1:19:16.760
<v Speaker 3>No, and like, yeah, I mean it's something that. Yeah.

1:19:16.760 --> 1:19:19.759
<v Speaker 3>I mean, the more perspectives and the more different people

1:19:19.840 --> 1:19:23.519
<v Speaker 3>you have working on your material, the better it all is. Yeah.

1:19:23.560 --> 1:19:26.680
<v Speaker 3>I mean, we produce the show Black Monday with Don Cheatle.

1:19:26.439 --> 1:19:27.800
<v Speaker 2>And Regina and.

1:19:30.640 --> 1:19:33.200
<v Speaker 3>It's great and the Preacher. Yeah, and we've just seen

1:19:33.240 --> 1:19:35.200
<v Speaker 3>and and it is in Preacher exactly. We've seen it's

1:19:35.320 --> 1:19:38.800
<v Speaker 3>very rewarding and and and and it and people get great.

1:19:39.200 --> 1:19:41.719
<v Speaker 3>You know. It's the more representation the better. I would

1:19:41.720 --> 1:19:43.719
<v Speaker 3>never argue otherwise, but I want to see.

1:19:43.479 --> 1:19:45.080
<v Speaker 2>You like I got I love the Daun Cheat in

1:19:45.120 --> 1:19:46.880
<v Speaker 2>the Regina Hall. But I was like, man, I want

1:19:46.880 --> 1:19:47.840
<v Speaker 2>to see that'd be great.

1:19:48.160 --> 1:19:54.439
<v Speaker 1>I'm in OK So in the hindsight, the like I

1:19:54.479 --> 1:19:58.000
<v Speaker 1>was paying attention to it, but I don't recall I

1:19:58.000 --> 1:20:03.080
<v Speaker 1>remember the email fallouts with Sony. Yeah, with the interview,

1:20:04.040 --> 1:20:05.800
<v Speaker 1>did was it worth it?

1:20:07.000 --> 1:20:13.760
<v Speaker 3>Uh? Yeah? Because it was crazy and like and did

1:20:14.439 --> 1:20:17.480
<v Speaker 3>not to us like other people, I mean talk about sexism.

1:20:17.600 --> 1:20:20.280
<v Speaker 3>Like the only real person to be horribly damaged by

1:20:20.280 --> 1:20:25.240
<v Speaker 3>it was Amy Pascal, her boss, Michael Litton. He wasn't damaged,

1:20:25.760 --> 1:20:29.120
<v Speaker 3>but but she was terribly damaged. Wait, just collect me

1:20:29.120 --> 1:20:29.679
<v Speaker 3>if I'm wrong.

1:20:30.280 --> 1:20:33.640
<v Speaker 1>The the fallout, the fallout of the damn with the

1:20:33.680 --> 1:20:37.280
<v Speaker 1>interview was if you guys released this, we'll hack into

1:20:37.320 --> 1:20:38.080
<v Speaker 1>your emails.

1:20:38.200 --> 1:20:42.040
<v Speaker 3>And then they eventually they had her. They had already

1:20:42.080 --> 1:20:44.880
<v Speaker 3>hacked into Sony and they eventually threatened to like bomb

1:20:44.960 --> 1:20:48.120
<v Speaker 3>movie theaters that played the movie basically, and that's why

1:20:48.160 --> 1:20:53.200
<v Speaker 3>they pulled. Okay, so it was released stream or was

1:20:53.240 --> 1:20:56.160
<v Speaker 3>it Google play? I've seen ITAs. I just forgot where

1:20:56.400 --> 1:20:59.439
<v Speaker 3>Google released it, and then Netflix released it all within

1:20:59.520 --> 1:21:01.880
<v Speaker 3>like Google released Actually the day was supposed to come

1:21:01.880 --> 1:21:07.040
<v Speaker 3>out in theaters and the Netflix released it two weeks later. Okay,

1:21:08.000 --> 1:21:13.240
<v Speaker 3>And again, was it was it worth it? It was?

1:21:13.800 --> 1:21:19.240
<v Speaker 3>I mean, it was like it was a really interesting exercise,

1:21:19.320 --> 1:21:25.200
<v Speaker 3>like I don't the result of which is still fascinating

1:21:25.240 --> 1:21:27.160
<v Speaker 3>and I don't even when you say is it worth it.

1:21:27.200 --> 1:21:29.840
<v Speaker 3>I don't even I'm not even sure anyone knows what

1:21:29.880 --> 1:21:32.719
<v Speaker 3>the fuck actually happened. Like, there was a big article

1:21:32.720 --> 1:21:34.680
<v Speaker 3>in the Hollywood Reporter the other day that was like,

1:21:34.720 --> 1:21:36.479
<v Speaker 3>what really happened in the Sony Hack? Can you read

1:21:36.479 --> 1:21:39.000
<v Speaker 3>the article and you're just like, there's no, I don't

1:21:39.080 --> 1:21:42.479
<v Speaker 3>know what happened. I don't know what happened. People don't.

1:21:42.640 --> 1:21:45.600
<v Speaker 3>They're not sure North Korea did it. They don't. Like no,

1:21:45.920 --> 1:21:50.519
<v Speaker 3>people people think they did. So like, it's hard to

1:21:51.160 --> 1:21:54.559
<v Speaker 3>it's hard to retrospectively gain a lot of insight from

1:21:54.640 --> 1:21:58.120
<v Speaker 3>something where you honestly aren't even sure what the fuck happened,

1:21:58.439 --> 1:22:02.600
<v Speaker 3>like as a movie, honestly, to me, the most the

1:22:02.640 --> 1:22:05.320
<v Speaker 3>biggest bubber is that the movie got pretty shitty reviews

1:22:05.640 --> 1:22:07.799
<v Speaker 3>and that doesn't happen to us that often, and that

1:22:07.800 --> 1:22:10.800
<v Speaker 3>that bummed me out, Like honestly, yeah, it was like

1:22:11.000 --> 1:22:13.680
<v Speaker 3>for us, like pretty bad. And so that to me

1:22:14.080 --> 1:22:15.680
<v Speaker 3>was the thing that if I look back and could

1:22:15.760 --> 1:22:17.840
<v Speaker 3>change something, I'd be like, oh, I wish the second

1:22:17.880 --> 1:22:19.640
<v Speaker 3>act had like a better set piece in it, and

1:22:19.680 --> 1:22:22.879
<v Speaker 3>I wish like we rounded out the third act more emotionally.

1:22:23.000 --> 1:22:25.439
<v Speaker 3>But I but like, because that was the stuff that

1:22:25.520 --> 1:22:27.400
<v Speaker 3>was in my control, you know what I mean, Like

1:22:27.479 --> 1:22:30.000
<v Speaker 3>the actual product, the film was the thing we were

1:22:30.040 --> 1:22:32.920
<v Speaker 3>in control of. And what I'm yeah, what I don't

1:22:32.920 --> 1:22:35.320
<v Speaker 3>love is that it just wasn't received as well as movies.

1:22:36.479 --> 1:22:38.400
<v Speaker 1>It's just hit me, and I know we're gonna wind

1:22:38.439 --> 1:22:42.080
<v Speaker 1>up pretty soon, but uh, it just hit me that

1:22:42.200 --> 1:22:47.720
<v Speaker 1>you're one of the cameos in one of Yauk's last pieces. Yes,

1:22:48.800 --> 1:22:50.240
<v Speaker 1>make some No, I'm about to call it fight for

1:22:50.280 --> 1:22:50.760
<v Speaker 1>You Right too.

1:22:50.840 --> 1:22:53.960
<v Speaker 3>Yeah, make video.

1:22:54.439 --> 1:22:56.439
<v Speaker 7>Yeah, there was an incidented version that was called fight

1:22:56.479 --> 1:22:57.040
<v Speaker 7>for Your Right review.

1:22:57.160 --> 1:22:59.599
<v Speaker 1>So how did that? How was that picture come together?

1:23:00.200 --> 1:23:00.280
<v Speaker 3>Just?

1:23:00.760 --> 1:23:02.800
<v Speaker 1>Oh, man, were you guys aware at the time what

1:23:02.840 --> 1:23:05.360
<v Speaker 1>his condition was? And this was sort of like their

1:23:05.479 --> 1:23:06.080
<v Speaker 1>swan song.

1:23:06.360 --> 1:23:08.760
<v Speaker 3>We kind of got that sense as we were shooting it,

1:23:08.840 --> 1:23:13.479
<v Speaker 3>Like I knew he had been sick, but I there

1:23:13.560 --> 1:23:15.760
<v Speaker 3>was kind of like the public word on this on

1:23:15.840 --> 1:23:17.960
<v Speaker 3>the street was that he was getting better, you know.

1:23:19.360 --> 1:23:21.400
<v Speaker 3>And then he just called me. One day, I got

1:23:21.439 --> 1:23:24.200
<v Speaker 3>a call from Adam Hill Coke call. Yeah, and it

1:23:24.280 --> 1:23:27.519
<v Speaker 3>was just like the greatest fucking phone call you ever got.

1:23:27.520 --> 1:23:31.679
<v Speaker 3>A huge BC Boys fan my whole life, Like I'd

1:23:31.680 --> 1:23:35.120
<v Speaker 3>met him once or twice before at like south By Southwest,

1:23:35.120 --> 1:23:37.360
<v Speaker 3>I think, and yeah, and he was just like, we're

1:23:37.400 --> 1:23:40.040
<v Speaker 3>making a music video and I want you to be

1:23:40.280 --> 1:23:45.920
<v Speaker 3>Mike d And that was fucking great. And then we

1:23:45.960 --> 1:23:48.920
<v Speaker 3>shot that video for three days, which is crazy for

1:23:48.960 --> 1:23:53.120
<v Speaker 3>a music video, and and every famous person ever was

1:23:53.160 --> 1:23:55.240
<v Speaker 3>in and I think it was like halfway through day

1:23:55.320 --> 1:23:57.040
<v Speaker 3>two where I was like, oh, this is like a

1:23:57.280 --> 1:24:00.519
<v Speaker 3>kind of like a big last Tura Swan song. Yeah,

1:24:00.600 --> 1:24:02.880
<v Speaker 3>and and then it got kind of sad and bittersweet

1:24:02.920 --> 1:24:04.960
<v Speaker 3>but was also fun. And like when when I look

1:24:05.080 --> 1:24:10.280
<v Speaker 3>back and think of was like he was just telling

1:24:10.520 --> 1:24:13.080
<v Speaker 3>like it was literally like we were all his like

1:24:13.160 --> 1:24:16.080
<v Speaker 3>g I Joe toys and he was just playing with us,

1:24:16.120 --> 1:24:18.880
<v Speaker 3>and it was like for your birthday, here's all your

1:24:18.880 --> 1:24:22.880
<v Speaker 3>favorite comedians and they'll do whatever the fuck you tell

1:24:22.960 --> 1:24:25.680
<v Speaker 3>them to do for three days straight on this New

1:24:25.760 --> 1:24:28.960
<v Speaker 3>York City backlot and like that's literally like he would

1:24:29.000 --> 1:24:32.160
<v Speaker 3>just be laughing, Daddy, kick the store in except throw

1:24:32.200 --> 1:24:34.439
<v Speaker 3>this bear at him, you guys, dance on the cop

1:24:34.479 --> 1:24:37.120
<v Speaker 3>car and like and he would just be like laughing

1:24:37.200 --> 1:24:39.760
<v Speaker 3>his ass off as we were just like what like

1:24:40.120 --> 1:24:42.920
<v Speaker 3>there was no questions, there was It was never like

1:24:42.960 --> 1:24:45.599
<v Speaker 3>why would I do that? He was just like sure, yeah, whatever,

1:24:45.840 --> 1:24:48.800
<v Speaker 3>whatever the fuck you want, We're it and like we

1:24:49.400 --> 1:24:51.799
<v Speaker 3>and it started to kind of imitate the video itself

1:24:51.840 --> 1:24:53.880
<v Speaker 3>because we were there all the time, Me and Danny

1:24:53.920 --> 1:24:56.280
<v Speaker 3>and Elijah who were the Beastie Boys, and then other

1:24:56.840 --> 1:24:59.400
<v Speaker 3>cameos would come in for like a couple hours and

1:24:59.439 --> 1:25:01.760
<v Speaker 3>we were like this mindset. It was like crazy. We

1:25:01.760 --> 1:25:05.240
<v Speaker 3>were just like so geared to just do whatever we

1:25:05.240 --> 1:25:07.280
<v Speaker 3>were told to do with Eddie, like if they were

1:25:07.320 --> 1:25:10.120
<v Speaker 3>just like body slam Laura Dirt, I was like all right,

1:25:11.320 --> 1:25:14.840
<v Speaker 3>was like no, Like I was just like in this

1:25:14.960 --> 1:25:17.479
<v Speaker 3>like state of like I'll just do whatever the fuck

1:25:17.560 --> 1:25:20.160
<v Speaker 3>this guy tells me. That's what we're here for. And

1:25:20.200 --> 1:25:21.880
<v Speaker 3>you could see people would come in and be like

1:25:21.960 --> 1:25:24.360
<v Speaker 3>this is crazy, Like what are you guys doing in here?

1:25:24.640 --> 1:25:27.040
<v Speaker 3>This is like you you've gone nuts? And that really

1:25:27.120 --> 1:25:29.640
<v Speaker 3>like we were just spraying beer, a fake beer on

1:25:29.680 --> 1:25:33.160
<v Speaker 3>everyone's faces, like throwing like we Yeah, it was it

1:25:33.160 --> 1:25:33.799
<v Speaker 3>was a mad.

1:25:33.800 --> 1:25:36.599
<v Speaker 2>Danny McBride must be like he writes too correct.

1:25:36.720 --> 1:25:39.920
<v Speaker 3>Yeah, he writes eastpounding down and the righteous Gemstone right,

1:25:40.040 --> 1:25:40.799
<v Speaker 3>So yeah.

1:25:41.400 --> 1:25:43.040
<v Speaker 2>He must be like awesome to work. In my mind,

1:25:43.080 --> 1:25:44.680
<v Speaker 2>everybody who was in this is the end in a

1:25:44.720 --> 1:25:46.800
<v Speaker 2>way to do their own writing, but who is like

1:25:46.920 --> 1:25:48.960
<v Speaker 2>awesome to write with? It blows your mind and you

1:25:49.120 --> 1:25:50.840
<v Speaker 2>just like the fuck you come up with that shit?

1:25:51.160 --> 1:25:55.640
<v Speaker 3>They're all great in their own ways. Like yeah, like

1:25:55.760 --> 1:25:58.840
<v Speaker 3>Danny Jonah is truly the one like on set is

1:25:58.880 --> 1:26:02.839
<v Speaker 3>like it's pretty remark to watch, like he's he he's

1:26:02.880 --> 1:26:06.240
<v Speaker 3>like he gets like very locked in and is like

1:26:07.160 --> 1:26:10.439
<v Speaker 3>it's like a pretty miraculous thing. From time to time,

1:26:10.760 --> 1:26:15.479
<v Speaker 3>Danny is very loose and had and biting and like

1:26:15.720 --> 1:26:18.120
<v Speaker 3>he's the comedian that kind of the other comedians are

1:26:18.120 --> 1:26:24.080
<v Speaker 3>a little afraid to improvise with because yeah, because but

1:26:24.120 --> 1:26:26.880
<v Speaker 3>he's very sweet and nice. But it was like I

1:26:26.920 --> 1:26:34.639
<v Speaker 3>saw him once and he don't know, you know, he's

1:26:34.760 --> 1:26:37.680
<v Speaker 3>very sweet, such a nice dude and like not and

1:26:37.760 --> 1:26:39.479
<v Speaker 3>what's it is one of those funny things where like

1:26:39.520 --> 1:26:41.960
<v Speaker 3>he created those characters as a way to make fun

1:26:42.000 --> 1:26:46.040
<v Speaker 3>of the guys he didn't like growing up. Basically that

1:26:46.160 --> 1:26:50.519
<v Speaker 3>is who he is and his biggest fan base is

1:26:50.560 --> 1:26:57.160
<v Speaker 3>probably which is a bummer. Videos.

1:26:57.960 --> 1:27:02.479
<v Speaker 1>How how did Kanye contact you to do Bound?

1:27:03.080 --> 1:27:05.400
<v Speaker 3>Well, hey, you know you did on your just did

1:27:05.400 --> 1:27:09.040
<v Speaker 3>it on our own and then he did really yes,

1:27:09.280 --> 1:27:11.479
<v Speaker 3>and then he did ask so he just released it.

1:27:12.000 --> 1:27:14.280
<v Speaker 3>We released it, he did it, No, we just did it.

1:27:14.360 --> 1:27:18.320
<v Speaker 3>He released his video and literally within an hour of

1:27:18.400 --> 1:27:22.720
<v Speaker 3>seeing it, I was like, we're recreating it, and we

1:27:22.760 --> 1:27:26.400
<v Speaker 3>had ours up like twenty four hours later. Like it was.

1:27:26.800 --> 1:27:29.080
<v Speaker 1>It was I've never seen Kanye's version.

1:27:29.280 --> 1:27:30.759
<v Speaker 3>Oh, that's funny. You just saw ours?

1:27:30.960 --> 1:27:33.840
<v Speaker 1>Fun fat I never seen Kanye.

1:27:35.280 --> 1:27:37.240
<v Speaker 2>Wait, it's okay, I never seen found.

1:27:40.840 --> 1:27:40.880
<v Speaker 4>That.

1:27:43.640 --> 1:27:53.040
<v Speaker 9>Wow, you wait, what's what's that Patino film? Okay, I'm

1:27:53.040 --> 1:27:54.400
<v Speaker 9>reading it.

1:27:54.439 --> 1:27:55.160
<v Speaker 3>What's the film?

1:27:56.920 --> 1:28:00.920
<v Speaker 1>Not Donnie Frosco's way.

1:28:01.360 --> 1:28:02.840
<v Speaker 3>You were the end of his way.

1:28:02.920 --> 1:28:05.800
<v Speaker 1>When you think they're gonna get away with it, He's like, hey, no,

1:28:05.880 --> 1:28:07.000
<v Speaker 1>you go here and.

1:28:07.920 --> 1:28:15.120
<v Speaker 3>You just the Yeah, he came in shy, he stabbed you. No,

1:28:15.479 --> 1:28:15.960
<v Speaker 3>I'm sorry.

1:28:16.040 --> 1:28:18.320
<v Speaker 1>I've seen the college drap out ones, but I haven't

1:28:18.320 --> 1:28:19.040
<v Speaker 1>seen post that.

1:28:19.240 --> 1:28:21.040
<v Speaker 3>No, but he did ask us to come do it

1:28:21.080 --> 1:28:23.839
<v Speaker 3>at his wedding. Wow Franco.

1:28:23.960 --> 1:28:24.919
<v Speaker 2>Yeah, I don't understand.

1:28:24.920 --> 1:28:27.280
<v Speaker 3>He called us and was like, will you come do

1:28:27.400 --> 1:28:30.519
<v Speaker 3>that at my wedding? And did you know it? Well know,

1:28:30.600 --> 1:28:32.040
<v Speaker 3>Like it was one of those things were like throughout

1:28:32.080 --> 1:28:37.080
<v Speaker 3>the conversation, I like you thought willed him to realize

1:28:37.120 --> 1:28:41.519
<v Speaker 3>how uncomfortable it would be, which he slowly did he

1:28:42.680 --> 1:28:45.519
<v Speaker 3>and I was just like, so just and he's just

1:28:45.520 --> 1:28:47.880
<v Speaker 3>like he's like, as I say this, I realized how

1:28:48.000 --> 1:28:51.679
<v Speaker 3>fucking uncomfortable. He's like, it would be funny for ten seconds.

1:28:51.720 --> 1:28:53.120
<v Speaker 3>But he's like, I've asked you to fly to her

1:28:53.200 --> 1:28:55.760
<v Speaker 3>side for like literally ten seconds and ship He's like,

1:28:56.160 --> 1:28:56.880
<v Speaker 3>we shouldn't do it.

1:28:56.920 --> 1:29:04.479
<v Speaker 1>But I mean, I mean, you you lived, you lived

1:29:04.479 --> 1:29:09.639
<v Speaker 1>a charm sort of bucket listy life. I want to know,

1:29:10.560 --> 1:29:12.920
<v Speaker 1>did a project ever get away from you that you

1:29:13.040 --> 1:29:13.960
<v Speaker 1>had your eyes.

1:29:13.720 --> 1:29:19.760
<v Speaker 3>On that you wish you I wish we did, like you.

1:29:19.760 --> 1:29:24.120
<v Speaker 1>Had a chance to no write or direct, blah blah blah.

1:29:24.200 --> 1:29:28.639
<v Speaker 3>But there are things like no, I mean, yeah.

1:29:28.120 --> 1:29:31.800
<v Speaker 1>Did Lynn Manuel come up to Hamilton.

1:29:32.920 --> 1:29:37.559
<v Speaker 3>Get away from your kid? No? There are things that

1:29:37.680 --> 1:29:41.559
<v Speaker 3>like that we that came across our desk that then

1:29:41.640 --> 1:29:46.320
<v Speaker 3>became very successful. But I don't think when I look like, oh, like,

1:29:46.560 --> 1:29:48.880
<v Speaker 3>should we have really like spent like two years making

1:29:49.000 --> 1:29:53.920
<v Speaker 3>like you know, like Hobbs and Shaw, Like, I don't know,

1:29:54.120 --> 1:29:57.400
<v Speaker 3>like maybe it would have been fun or like yeah,

1:29:57.400 --> 1:29:59.280
<v Speaker 3>I mean I don't know if it was like outwardly offered,

1:29:59.280 --> 1:30:00.559
<v Speaker 3>but there was a point where it's like, come in,

1:30:00.600 --> 1:30:02.360
<v Speaker 3>you want to meet on the hobs and char movies

1:30:02.400 --> 1:30:04.920
<v Speaker 3>like Deadpool Baby years ago, like a very long time.

1:30:05.840 --> 1:30:09.960
<v Speaker 3>But like I think that it's not it just wasn't

1:30:09.960 --> 1:30:12.479
<v Speaker 3>our thing, you know what I mean, Like we weren't like, uh,

1:30:12.760 --> 1:30:14.920
<v Speaker 3>the idea like plugging in. I think that's what green

1:30:14.960 --> 1:30:17.320
<v Speaker 3>Hornet scared us off of more than anything. Was like

1:30:17.600 --> 1:30:21.200
<v Speaker 3>plugging into this like saying yeah exactly, and plugging into

1:30:21.240 --> 1:30:25.320
<v Speaker 3>like an IP that is like very established, yeah, already established,

1:30:25.360 --> 1:30:27.800
<v Speaker 3>and having to like work within that. So like like

1:30:27.880 --> 1:30:31.200
<v Speaker 3>and working with like a big company is like just scary,

1:30:31.240 --> 1:30:33.320
<v Speaker 3>like working with like a Marvel or you know, like

1:30:33.400 --> 1:30:35.040
<v Speaker 3>and not to say we wouldn't do it, it's just

1:30:35.080 --> 1:30:37.679
<v Speaker 3>it's just scary, you know. And and I think and

1:30:37.720 --> 1:30:39.920
<v Speaker 3>making like a friend yeah, like making like a Hobbs

1:30:39.960 --> 1:30:41.840
<v Speaker 3>and Shot type movie where it's just like this movie's

1:30:41.840 --> 1:30:44.200
<v Speaker 3>gonna get made no matter what. We're just the people

1:30:45.000 --> 1:30:46.960
<v Speaker 3>like you know, serving you the dish.

1:30:47.040 --> 1:30:49.760
<v Speaker 1>Well, the silver lining of green horn is that you

1:30:49.880 --> 1:30:51.719
<v Speaker 1>got your health in check.

1:30:51.640 --> 1:30:57.080
<v Speaker 3>Yes, and it started working out. Yeah I know, well yeah, no,

1:30:57.400 --> 1:31:00.120
<v Speaker 3>it was a lot of good and we learned and

1:31:00.560 --> 1:31:03.640
<v Speaker 3>like so much like we that movie was made in

1:31:03.640 --> 1:31:06.879
<v Speaker 3>a way movies aren't made anymore, Like we built everything.

1:31:06.920 --> 1:31:09.439
<v Speaker 3>It was practical effects, it was visual effects. There was

1:31:09.760 --> 1:31:12.920
<v Speaker 3>there was huge stunt teams. There was like literally the

1:31:12.920 --> 1:31:15.200
<v Speaker 3>stunt team that did Indiana Jones did the movie. Like

1:31:15.360 --> 1:31:19.840
<v Speaker 3>we got to learn from these like amazing people, and

1:31:19.840 --> 1:31:22.439
<v Speaker 3>and Gondry himself was someone who was amazing to learn from.

1:31:22.479 --> 1:31:25.880
<v Speaker 3>And even though the result was debatable, Like I think

1:31:26.240 --> 1:31:30.080
<v Speaker 3>very few experiences made us understand the production process and

1:31:30.120 --> 1:31:33.800
<v Speaker 3>filmmaking in general more than that movie because it was

1:31:33.880 --> 1:31:38.759
<v Speaker 3>as logistically complicated a movie as as exists in the world,

1:31:38.880 --> 1:31:41.559
<v Speaker 3>and we had like a front row seat to every

1:31:41.560 --> 1:31:45.719
<v Speaker 3>step of the process. So that was really interesting. Yeah, wow,

1:31:45.880 --> 1:31:47.240
<v Speaker 3>which that made a better movie?

1:31:49.080 --> 1:31:51.679
<v Speaker 2>Cans Stone a question real quick, because I remember famously

1:31:51.680 --> 1:31:54.240
<v Speaker 2>listening to you on Stern one day and he was

1:31:54.280 --> 1:31:56.519
<v Speaker 2>asking you about working out and working out why you

1:31:56.560 --> 1:31:57.920
<v Speaker 2>were smoking, and you were like, yeah, I take you

1:31:57.920 --> 1:31:58.559
<v Speaker 2>a couple of totes.

1:31:58.760 --> 1:31:59.240
<v Speaker 3>Do you do that?

1:31:59.560 --> 1:32:02.960
<v Speaker 2>Yeah, I've done it in its little weird when I

1:32:03.000 --> 1:32:08.000
<v Speaker 2>do everything. Number One, I want you to give advice

1:32:08.000 --> 1:32:09.840
<v Speaker 2>a young Stoners because I think you have to graduate

1:32:09.920 --> 1:32:11.840
<v Speaker 2>to that level. Yeah, and I wanted to know when

1:32:11.840 --> 1:32:13.800
<v Speaker 2>you got to the point where you knew that you

1:32:13.840 --> 1:32:18.000
<v Speaker 2>could do everything Stone that's that's like next level.

1:32:18.960 --> 1:32:19.800
<v Speaker 3>It takes a while.

1:32:19.880 --> 1:32:22.360
<v Speaker 2>Yeah, tell a baby, that's.

1:32:23.360 --> 1:32:29.240
<v Speaker 3>Baby, Yeah exactly. For I like the thing most people,

1:32:29.760 --> 1:32:32.679
<v Speaker 3>I'm always telling people to smoke a little bit of wheed,

1:32:32.800 --> 1:32:35.080
<v Speaker 3>like to take one hit of wheat. That's what. Like.

1:32:35.160 --> 1:32:37.320
<v Speaker 3>I just I was just with David Chay on his

1:32:37.840 --> 1:32:40.519
<v Speaker 3>Netflix show and like we went around smoked weed all day,

1:32:40.520 --> 1:32:43.360
<v Speaker 3>and I just the whole time was like one little

1:32:43.400 --> 1:32:46.280
<v Speaker 3>tiny hit and that'll get you going for you'll be

1:32:46.439 --> 1:32:48.840
<v Speaker 3>fine and like like or set a timer, take one

1:32:48.920 --> 1:32:50.600
<v Speaker 3>hit and then see you feel in twenty minutes and

1:32:50.640 --> 1:32:53.320
<v Speaker 3>then maybe have another hit. But like most people just

1:32:53.400 --> 1:32:55.840
<v Speaker 3>make way too much weed, and who don't smoke a

1:32:55.840 --> 1:32:58.519
<v Speaker 3>lot of weed, And weat is super strong and one

1:32:58.680 --> 1:33:02.679
<v Speaker 3>hit is enough literally and get any strange.

1:33:02.680 --> 1:33:04.879
<v Speaker 1>I'm also I'm also a reactor.

1:33:05.000 --> 1:33:07.599
<v Speaker 2>Yeah, why do you do you smoke the tea?

1:33:08.040 --> 1:33:12.960
<v Speaker 1>I'm yeah, well I prefer uh was it. I'm like

1:33:13.000 --> 1:33:16.720
<v Speaker 1>so new. I'm literally like seven months into this, so.

1:33:16.240 --> 1:33:17.840
<v Speaker 2>We've been trying for thirty years.

1:33:17.960 --> 1:33:18.200
<v Speaker 3>Yeah.

1:33:18.240 --> 1:33:21.040
<v Speaker 1>But but the thing is when I do it, it

1:33:21.040 --> 1:33:24.439
<v Speaker 1>always hits me at the most inopportune moment, like I'll

1:33:24.479 --> 1:33:25.479
<v Speaker 1>do it all right.

1:33:25.520 --> 1:33:26.160
<v Speaker 7>One time I.

1:33:26.120 --> 1:33:29.559
<v Speaker 1>Did it at night, Yeah, and it felt a little weird, like,

1:33:29.600 --> 1:33:32.400
<v Speaker 1>oh God, let me just sit down and relax. I

1:33:32.439 --> 1:33:35.920
<v Speaker 1>fell asleep right and woke up in the morning. It's like,

1:33:35.920 --> 1:33:39.040
<v Speaker 1>oh damn, I didn't get high. That was a waste.

1:33:39.120 --> 1:33:41.800
<v Speaker 1>And then twenty minutes and then twenty minutes into my

1:33:41.920 --> 1:33:44.240
<v Speaker 1>day right when I got on the drum set of fell.

1:33:44.120 --> 1:33:45.560
<v Speaker 3>And all.

1:33:47.800 --> 1:33:48.839
<v Speaker 2>From the night before.

1:33:49.200 --> 1:33:49.679
<v Speaker 3>That's weird.

1:33:49.920 --> 1:33:51.240
<v Speaker 2>Yeah, that is weird.

1:33:51.400 --> 1:33:55.040
<v Speaker 7>I have well, see I do edibles.

1:33:55.040 --> 1:34:01.760
<v Speaker 3>I don't. I don't smoke, are on, don't do I

1:34:01.800 --> 1:34:05.479
<v Speaker 3>do edibles very sparingly because they're wildly unpredicted. Yeah like that,

1:34:05.600 --> 1:34:11.040
<v Speaker 3>Like they're they're hard to it's hard to get them. Yeah,

1:34:11.040 --> 1:34:12.439
<v Speaker 3>it's hard to get the dose, is right. It's hard

1:34:12.479 --> 1:34:14.880
<v Speaker 3>to time them. Sometimes it depends on what. Sometimes they

1:34:14.880 --> 1:34:16.920
<v Speaker 3>take an hour to kick in, two hours to kick in,

1:34:16.960 --> 1:34:18.400
<v Speaker 3>depends what. It takes five hours.

1:34:19.680 --> 1:34:21.320
<v Speaker 2>The stone is around you. Do you ever see Steve

1:34:21.360 --> 1:34:21.960
<v Speaker 2>eating his weed?

1:34:23.160 --> 1:34:25.000
<v Speaker 1>If you eat your weed, there's none left to smoke.

1:34:30.520 --> 1:34:31.040
<v Speaker 3>Forgive me.

1:34:32.479 --> 1:34:39.360
<v Speaker 1>Again, my my my final question is uh, Oftentimes, like

1:34:39.439 --> 1:34:43.080
<v Speaker 1>right now, I'm watching The Morning Show, which is notably

1:34:43.360 --> 1:34:47.679
<v Speaker 1>everyone I've knew them. I knew them from the funny world,

1:34:47.960 --> 1:34:52.679
<v Speaker 1>the comedy world. But yeah, they're doing drama. Like, would

1:34:52.720 --> 1:34:56.600
<v Speaker 1>you consider because you did Steve Jobs correct the movie?

1:34:57.320 --> 1:34:58.720
<v Speaker 3>No, I did Steve Jobs.

1:35:03.240 --> 1:35:11.080
<v Speaker 1>Technical, would you want to further explore into the world

1:35:11.120 --> 1:35:12.000
<v Speaker 1>of drama?

1:35:12.640 --> 1:35:14.520
<v Speaker 3>Yeah?

1:35:14.520 --> 1:35:18.920
<v Speaker 1>And what role are you? What is your like your

1:35:19.000 --> 1:35:22.200
<v Speaker 1>fantasy thing that you haven't done yet that you really

1:35:22.280 --> 1:35:22.720
<v Speaker 1>want to do.

1:35:22.920 --> 1:35:25.080
<v Speaker 3>We're writing that. I mean, that's what's nice about being

1:35:25.120 --> 1:35:27.519
<v Speaker 3>able to write your own movies, is like, I've no

1:35:27.560 --> 1:35:30.559
<v Speaker 3>one to blame but myself for if if my career

1:35:30.600 --> 1:35:34.559
<v Speaker 3>seems limited in scope as an actor, Like yeah, i mean,

1:35:34.880 --> 1:35:38.240
<v Speaker 3>what uh, the thing we're working on now, I'm obsessed

1:35:38.280 --> 1:35:41.120
<v Speaker 3>with like Buster Keaton and Jackie Chan and so, like,

1:35:41.240 --> 1:35:45.080
<v Speaker 3>I've always wanted to make like a highly physical, like

1:35:45.240 --> 1:35:48.960
<v Speaker 3>action movie, like our action comedy, like something that is

1:35:49.640 --> 1:35:53.519
<v Speaker 3>almost entirely predicated on action and not a lot of

1:35:53.560 --> 1:35:56.759
<v Speaker 3>talking at all. And that has just always been something

1:35:56.800 --> 1:36:00.040
<v Speaker 3>that I always enjoy shooting that type of stuff. And

1:36:00.080 --> 1:36:01.880
<v Speaker 3>so that's something that we want to do, and that's

1:36:01.920 --> 1:36:04.559
<v Speaker 3>what we're working on right now. You're kind of like

1:36:04.560 --> 1:36:05.840
<v Speaker 3>a really violent mister bean.

1:36:11.960 --> 1:36:14.479
<v Speaker 1>All right, well, you know, Seth, we really thank you.

1:36:14.600 --> 1:36:16.360
<v Speaker 1>Damn we didn't even get to your your hip hop.

1:36:16.560 --> 1:36:20.240
<v Speaker 3>It's just that you like hip hop. I love it anyway.

1:36:22.240 --> 1:36:27.120
<v Speaker 1>No, we really want to thank you for coming to you.

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<v Speaker 1>Yes on behalf of Sugar Steve and Unpaid Bill and

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<v Speaker 1>Boss Bill and lie In. This is quest Love. You've

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<v Speaker 1>been listening to Quest Love Supreme. Thank you very much, Seth.

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<v Speaker 1>We will see you on the next go round. Happy

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<v Speaker 1>New Year, Happy New Year.

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<v Speaker 3>A little bit of week, just a little.

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<v Speaker 1>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

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<v Speaker 1>or wherever you listen to your favorite shows.