WEBVTT - Andrew McCarthy on redefining a bad reputation

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<v Speaker 1>What do you do when life doesn't go according to plan?

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<v Speaker 1>That moment you lose a job, or a loved one,

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<v Speaker 1>or even a piece of yourself. I'm Brookshields and this

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<v Speaker 1>is now What, a podcast about pivotal moments as told

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<v Speaker 1>by people who lived them. Each week, I sit down

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<v Speaker 1>with a guest to talk about the times they were

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<v Speaker 1>knocked off course and what they did to move forward.

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<v Speaker 1>Some stories are funny, others are gut wrenching, but all

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<v Speaker 1>are unapologetically human and remind us that every success and

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<v Speaker 1>every setback is accompanied by a choice, and that choice

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<v Speaker 1>answers one question, now what? So you have a nine.

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<v Speaker 2>Year old I do, and a sixteen year old sick.

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<v Speaker 2>My daughter Willow is sixteen and Sam is twenty one.

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<v Speaker 2>We're going to see Taylor Swift tomorrow night, so excited.

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<v Speaker 2>And she got me a very spangly silver, sparkly blazer

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<v Speaker 2>that I'm to wear at the concert.

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<v Speaker 1>Are you a swifty? Now? You're a swifty?

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<v Speaker 2>Well? I can say that. I hear a lot of

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<v Speaker 2>tailors Swift in the car, and I think she's kind

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<v Speaker 2>of great. But I yeah, I'm by proxy, I gilt

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<v Speaker 2>by association.

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<v Speaker 1>My guest today is an old friend and a familiar

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<v Speaker 1>face to anyone who came of age in the eighties.

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<v Speaker 1>Andrew McCarthy is a writer, director, actor, and famously a

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<v Speaker 1>member of the Brat Pack. He became a household name

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<v Speaker 1>thanks to films like Pretty in Pink and Weekend at

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<v Speaker 1>Bernie's before pivoting to a successful career as a TV

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<v Speaker 1>and travel writer and director. We got to know each

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<v Speaker 1>other well when we co starred on the show Lipstick Jungle,

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<v Speaker 1>and time and again I was impressed by his versatility,

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<v Speaker 1>charm and quiet intelligence. His hustle and flexibility are something

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<v Speaker 1>to be admired, and I can't wait for all of

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<v Speaker 1>you to get to know him a little better and

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<v Speaker 1>take a fun trip down memory link. Here is Andrew McCarthy.

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<v Speaker 1>I'm trying to think of how long we've known each other.

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<v Speaker 1>We've known each other quite a while.

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<v Speaker 2>Yeah, I don't know why.

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<v Speaker 1>But it's interesting because I feel like I really just

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<v Speaker 1>got to know you for real life when you directed

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<v Speaker 1>Lipstick Jungle. When you acted in it, obviously, but when

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<v Speaker 1>I really got to experience you as a human being,

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<v Speaker 1>it was being directed by you.

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<v Speaker 2>I wonder what the difference was being directed by me?

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<v Speaker 2>Is just acting with me.

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<v Speaker 1>It was different, I think because I'm really I really

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<v Speaker 1>do take one hat off and put another one on.

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<v Speaker 1>And I think it's the first time I really had

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<v Speaker 1>been directed by an actor. When did you become a director?

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<v Speaker 1>When did you first direct?

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<v Speaker 2>Go on that show for real Life? No, you had

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<v Speaker 2>I directed a short film before that that I made myself.

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<v Speaker 1>And the episode you directed was very well. There were

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<v Speaker 1>so many moving pieces to it, like That's what was

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<v Speaker 1>so interesting to me was it was a big episode,

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<v Speaker 1>meaning like lots of people and lots of activity, and

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<v Speaker 1>I remember thinking, damn, like he's so multi talented. It

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<v Speaker 1>always amazes me how people I'm gonna say, like us,

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<v Speaker 1>because I'm gonna put myself in your category who sort

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<v Speaker 1>of become very well known and sort of extremely famous early,

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<v Speaker 1>how little people expect we're capable of.

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<v Speaker 2>Well, I would certainly put myself into your category, not

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<v Speaker 2>you into mine. But that's really true. That's really true,

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<v Speaker 2>And I imagine more so even for a woman clearly

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<v Speaker 2>and a beautiful woman, because those are two things that

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<v Speaker 2>they immediately you know, you're immediately thought of as having

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<v Speaker 2>less intelligence, you know still, but yes, for me, it

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<v Speaker 2>was more I was perceived as like, well he didn't

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<v Speaker 2>even not going to care, Like it was a show

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<v Speaker 2>up and think people other people are going to do

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<v Speaker 2>the work. You know. But what you and I both

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<v Speaker 2>have and what we learned very young, and one of

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<v Speaker 2>the things I always most admire about you is you

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<v Speaker 2>know how to work and go to work and like

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<v Speaker 2>be prepared and show up and go to work. And

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<v Speaker 2>that's you know a lot of people don't.

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<v Speaker 1>Where was that stigma for you? Like I was blue

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<v Speaker 1>Lagoon or pretty where you were brad Packed?

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<v Speaker 2>Yeah? Yeah, the minute I was, the minute the brad

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<v Speaker 2>Pack label was leveled, that was it yould at a

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<v Speaker 2>certain level of movie. That's the kind of actor you were,

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<v Speaker 2>And that was that and I was, you know, dismissed

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<v Speaker 2>as that. You know what's weird is that, of course,

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<v Speaker 2>the brad Pack label has grown to be this iconically

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<v Speaker 2>affectionate term for a moment in pop culture, and me

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<v Speaker 2>and other members of the brad Pack and you to

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<v Speaker 2>a lesser degree because you're so you're your own unique

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<v Speaker 2>kind of thing, but you know, we are the avatars

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<v Speaker 2>of a certain generation. So it's you're now seen with

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<v Speaker 2>great affection all but the brad Pack was a very

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<v Speaker 2>derogatory term when it was first leveled.

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<v Speaker 1>Our affection took about forty years to kick in on

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<v Speaker 1>that line.

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<v Speaker 2>Yeah, no, I think so. I think so into a

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<v Speaker 2>very real I think people have I had affection for

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<v Speaker 2>the brat pack more quickly than I did. Why Why

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<v Speaker 2>Because I it was cast in aspersion. It was cast

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<v Speaker 2>as its way of going your brats and you're in

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<v Speaker 2>this pack and who wants to be seen as a

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<v Speaker 2>pack when you're a young actor and all that, And

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<v Speaker 2>it was just a labeling and a branding and you know,

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<v Speaker 2>all any of us ever want is to be seen,

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<v Speaker 2>right see who I am? And you know, as my

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<v Speaker 2>career was starting, is that, you know, I was like

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<v Speaker 2>wondrous and wonderful and exciting and thrilling, and then sudden

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<v Speaker 2>we're in the brat pack and it was just like

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<v Speaker 2>a I lost control of the narrative of my career

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<v Speaker 2>and in many ways my life. Because forty odd years later,

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<v Speaker 2>thirty five years later, in any introduction of me, brad

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<v Speaker 2>pack will still be mentioned in the first sentence, you know,

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<v Speaker 2>But I have come. I'm speaking about it with some

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<v Speaker 2>spleen now because that's what it was like back then.

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<v Speaker 2>But I have come to see. You know, when people

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<v Speaker 2>look at me and they come up to me now

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<v Speaker 2>about Putty in Pink or whatever, they have such a

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<v Speaker 2>glassy eyed look of affection in their eyes, and you

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<v Speaker 2>know they're talking about themselves that in their youth, and

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<v Speaker 2>that I've come to represent that to them. Took me decades,

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<v Speaker 2>but to realize what a beautiful thing that is.

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<v Speaker 1>Doing the documentary about it help you reclaim it.

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<v Speaker 2>Writing the book about it helped me to understand it.

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<v Speaker 2>So I wrote a book a couple of years ago

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<v Speaker 2>about that time infe because I'd never looked at it,

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<v Speaker 2>and I'd run from it, you know, and I just

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<v Speaker 2>wanted to get on with my whatever, and I thought,

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<v Speaker 2>I shaid, it's not going anywhere. Maybe you should try

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<v Speaker 2>to look at this seminal moment in your life and

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<v Speaker 2>actually see what went on there. And so, as you know,

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<v Speaker 2>when you write something, and you said, it helps you

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<v Speaker 2>understand it, and then you have to be careful when

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<v Speaker 2>you write something because then it becomes what happened. And

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<v Speaker 2>so I took pains to kind of go, wait, what

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<v Speaker 2>actually happened, as opposed to just the story said I'm

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<v Speaker 2>going to tell, Because we tell these stories that happened.

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<v Speaker 2>Oh yeah, and you tell stories, you've told them for decades,

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<v Speaker 2>and yet you have what really happened. And so when

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<v Speaker 2>I kind of looked at it and realized, and you know,

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<v Speaker 2>I'm much more than the sum of my parts because

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<v Speaker 2>I'm in the member of the brat packet. Actually what

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<v Speaker 2>a you know, a wondrous kind of thing it was,

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<v Speaker 2>And that was a wondrous. It was a seismic change

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<v Speaker 2>in popular culture and in movie culture at that time.

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<v Speaker 2>We forget now, but movies weren't about young people till

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<v Speaker 2>you did, like, you know, to Animal House and you

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<v Speaker 2>did Blue Lagoon, and that started movies to be about

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<v Speaker 2>young people, you know what I mean. And then suddenly

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<v Speaker 2>are little movies come on, and then the Brat pack

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<v Speaker 2>comes along with John Hughes, where they're taking young people seriously,

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<v Speaker 2>and Hollywood has realized, suddenly, oh my god, these kids

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<v Speaker 2>are going five, six, seven times. Grown ups only go once.

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<v Speaker 2>Screw that, Let's make movies for kids. And Hollywood has

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<v Speaker 2>never recovered from that.

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<v Speaker 1>Are you able to look back and be proud of it?

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<v Speaker 2>Oh? I think they're awesome. I think they're fantastic. I'd

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<v Speaker 2>have great affection for them. Now. I think some of

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<v Speaker 2>the movies are wouldn't be made today, certainly, like you're

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<v Speaker 2>never going to make Mannequin today.

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<v Speaker 1>You're not gonna make pretty Baby today, and.

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<v Speaker 2>Not gonna make pretty Bigy. You know, You're not going

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<v Speaker 2>to make most of the movies. You're not going to

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<v Speaker 2>make saying almost fired today, Emilio is a stalker and

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<v Speaker 2>you know, and all those kinds of suff So you're

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<v Speaker 2>not going to make any of those movies or a

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<v Speaker 2>lot of the John Hughes movies either, because they're you know,

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<v Speaker 2>I have they're exploitative in certain ways, but I have

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<v Speaker 2>great affection for them now because I do think that

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<v Speaker 2>they you know.

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<v Speaker 1>It's a shame that it takes us this long to

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<v Speaker 1>have affection. I don't have the same kind of affection

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<v Speaker 1>because the thing that I never got to do was

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<v Speaker 1>grow as a talent. And I will say that what

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<v Speaker 1>I when I look at your films and any of

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<v Speaker 1>the ones you just mentioned, I remember and I was

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<v Speaker 1>this was I was there at the time. I remember

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<v Speaker 1>watching those movies and thinking, God, those people got to

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<v Speaker 1>actually really act, and they got to grow and they

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<v Speaker 1>got to be directed.

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<v Speaker 2>Well, Brooke, I mean that's I was running around with

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<v Speaker 2>a mannequin and dragging a dead body around. I don't

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<v Speaker 2>know how much acting I was, but I think.

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<v Speaker 1>That's what It's harder to do that kind of comedy.

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<v Speaker 1>It's harder. I mean I was walking around hair on

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<v Speaker 1>my boobs, like with a squeaky voice, not not accessing

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<v Speaker 1>any emotion.

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<v Speaker 2>Like yeah, I mean, you know, one of the amazing

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<v Speaker 2>things about you is that you know you were wildly

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<v Speaker 2>exploited in this way, and yet you just sort of

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<v Speaker 2>have owned your life, and you know, so I thought

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<v Speaker 2>it was in such respect for that. But you know,

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<v Speaker 2>maybe you tell me this is a little pop psychologizing,

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<v Speaker 2>but you know that's your thing, that's your is you,

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<v Speaker 2>Like I didn't get a chance to go. I remember

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<v Speaker 2>when I were acting with you, when we were on

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<v Speaker 2>that show together, all you wanted to do was really

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<v Speaker 2>dig into the work and like be seen as as

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<v Speaker 2>an actor and like someone who really enjoyed the work

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<v Speaker 2>and was interested in doing good work and stuff. And

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<v Speaker 2>whether that wasn't asked of you or we each have

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<v Speaker 2>our thing of what we have a lens through which

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<v Speaker 2>we look at the world, and like when I was younger,

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<v Speaker 2>I looked at the world I'm not smart, and so

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<v Speaker 2>that's how I perceived other people perceived me in a

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<v Speaker 2>certain way.

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<v Speaker 1>Why why did you say that?

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<v Speaker 2>Oh, because I was terrible at school.

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<v Speaker 1>Which which is analogous to you. I'm not smart.

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<v Speaker 2>Yes, And when you're growing up and you're in school

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<v Speaker 2>schools for smart people, you don't do well in school,

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<v Speaker 2>you're not smart. Obviously that's incorrect.

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<v Speaker 1>But that's why you're so much smarter than ninety nine

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<v Speaker 1>percent of the people like that.

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<v Speaker 2>Nobody, but like, I'm the same thing about you, Like

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<v Speaker 2>you do know how to work, and you do. But

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<v Speaker 2>because this is a perception we get early about ourselves

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<v Speaker 2>where it's you know, body dysmorphy or whatever the world is,

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<v Speaker 2>you know it? Or life? Yeah, you know what I mean.

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<v Speaker 2>And I think we get in a lot of trouble

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<v Speaker 2>when we put on those pair of glasses and apply

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<v Speaker 2>them universally in our lives, because they don't really apply.

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<v Speaker 1>I've recently just done Pretty Baby, the documentary. Right, I

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<v Speaker 1>didn't produce it, I didn't direct it. I just was

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<v Speaker 1>in it. But what's been interesting to me is I

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<v Speaker 1>didn't know how people were going to respond to it,

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<v Speaker 1>but people have been coming away from it with a

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<v Speaker 1>broader understanding of actually who I am. Is there something

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<v Speaker 1>that you wish people really heard and knew about you?

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<v Speaker 2>Well, maybe it's just because I've I turned sixty this year,

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<v Speaker 2>and so that's really kind of threw me for a

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<v Speaker 2>loop for a while. I'd never blinked about my age,

0:11:30.760 --> 0:11:32.440
<v Speaker 2>you know, forty fifty and over blinked in six. I

0:11:32.480 --> 0:11:34.880
<v Speaker 2>was like, Wow, it's the beginning of being old, and

0:11:35.559 --> 0:11:39.280
<v Speaker 2>particularly someone like who's famous for being young. Now you're like,

0:11:39.360 --> 0:11:42.400
<v Speaker 2>what happened to the middle Anyway, I kind of found

0:11:42.440 --> 0:11:44.959
<v Speaker 2>myself I don't really care. I don't really need you

0:11:45.360 --> 0:11:50.320
<v Speaker 2>want to know anything. I want to be successful only

0:11:50.360 --> 0:11:53.160
<v Speaker 2>in the sense that just for ego wise, because that

0:11:53.200 --> 0:11:56.559
<v Speaker 2>feels good for eight minutes. But I don't really think

0:11:56.600 --> 0:11:58.959
<v Speaker 2>of myself as even having a career in any way anymore.

0:11:59.000 --> 0:12:01.440
<v Speaker 2>I just wanted things to be successful so that the

0:12:01.440 --> 0:12:03.880
<v Speaker 2>next thing that I want to do i'm allowed to

0:12:03.920 --> 0:12:07.240
<v Speaker 2>do more easily. I've sort of given up on perception

0:12:07.360 --> 0:12:08.400
<v Speaker 2>and how I'm received.

0:12:08.760 --> 0:12:10.840
<v Speaker 1>Isn't that freedom, though? Like, isn't it?

0:12:10.880 --> 0:12:13.160
<v Speaker 2>Oh? It feels great, it feels I wish.

0:12:12.960 --> 0:12:15.760
<v Speaker 1>We didn't have to get to sixty to we didn't

0:12:15.800 --> 0:12:18.920
<v Speaker 1>have to but maybe that's the point of all of it.

0:12:19.160 --> 0:12:22.520
<v Speaker 2>Well, and suddenly much more spacious. It's a lot more spacious,

0:12:22.559 --> 0:12:25.079
<v Speaker 2>for sure. And you know there's something about that drive

0:12:25.080 --> 0:12:27.360
<v Speaker 2>and ambition younger that can be useful.

0:12:27.679 --> 0:12:30.240
<v Speaker 1>But also you know you've you've done a thing that

0:12:30.360 --> 0:12:33.280
<v Speaker 1>I think I did by default. I don't know if

0:12:33.480 --> 0:12:37.440
<v Speaker 1>if you planned it, but the versatility of your talent.

0:12:38.480 --> 0:12:41.679
<v Speaker 1>Yes you're an actor, Yes you're a director, you're a writer,

0:12:42.160 --> 0:12:47.240
<v Speaker 1>but you keep adding to your list of fruition within

0:12:47.280 --> 0:12:50.080
<v Speaker 1>your talent. You went to NYU, Okay, you went to

0:12:50.080 --> 0:12:53.640
<v Speaker 1>study theater. You got kicked out. I don't know why.

0:12:53.720 --> 0:12:54.679
<v Speaker 1>Why'd you get kicked out?

0:12:54.800 --> 0:12:56.520
<v Speaker 2>Because I didn't go to my classes?

0:12:57.559 --> 0:12:59.760
<v Speaker 1>You know what that it's interesting that they didn't just

0:12:59.800 --> 0:13:01.040
<v Speaker 1>keep taking your tuition.

0:13:01.800 --> 0:13:03.400
<v Speaker 2>Well they would have. After I did my first movie.

0:13:03.400 --> 0:13:04.840
<v Speaker 2>They kicked me out, and I did my first movie,

0:13:04.840 --> 0:13:06.480
<v Speaker 2>and then they invited me back and I could if

0:13:06.520 --> 0:13:08.800
<v Speaker 2>I paid the tuition, I could use that for independent study.

0:13:08.840 --> 0:13:11.959
<v Speaker 1>And I said, fuck they did they give you an honorary.

0:13:11.480 --> 0:13:15.400
<v Speaker 2>Degree, not yet. But like you though, Brooke, all of that,

0:13:15.800 --> 0:13:18.280
<v Speaker 2>all of that has come by necessity in a certain way,

0:13:18.559 --> 0:13:22.640
<v Speaker 2>because I stopped being successful as an actor, you know,

0:13:22.960 --> 0:13:25.320
<v Speaker 2>brat pack stuff sort of and then diminishing returns, and

0:13:25.360 --> 0:13:27.200
<v Speaker 2>I had personally, you know, I drank too much. It

0:13:27.240 --> 0:13:29.240
<v Speaker 2>took me a while to sort that problem out, and

0:13:29.280 --> 0:13:31.679
<v Speaker 2>when I could have came out of that fog, I

0:13:31.760 --> 0:13:34.880
<v Speaker 2>was then chasing like acting, and I realized, oh, this

0:13:34.960 --> 0:13:37.400
<v Speaker 2>is heartbreaking. I can't be doing this. So I stumbled

0:13:37.440 --> 0:13:40.160
<v Speaker 2>into travel writing. So I embraced that fully and it

0:13:40.200 --> 0:13:42.400
<v Speaker 2>was a real creative rebirth for me. And then that

0:13:42.480 --> 0:13:44.160
<v Speaker 2>led to books. And then when I realized, you know,

0:13:44.160 --> 0:13:45.800
<v Speaker 2>you can't really make enough money travel writing, so I

0:13:45.840 --> 0:13:47.560
<v Speaker 2>got to go back, Oh, well, I'll start directing. And

0:13:47.600 --> 0:13:50.120
<v Speaker 2>I stumbled into directing and realized I had an aptitude

0:13:50.120 --> 0:13:50.440
<v Speaker 2>for it.

0:13:50.480 --> 0:13:52.400
<v Speaker 1>So it's not a stumbling. And I want to kind

0:13:52.440 --> 0:13:55.480
<v Speaker 1>of just stop you there for a second, because if

0:13:55.520 --> 0:13:59.480
<v Speaker 1>you weren't highly intelligent, you might have gotten a job,

0:13:59.480 --> 0:14:01.160
<v Speaker 1>but you wouldn't have been able to get another one

0:14:01.200 --> 0:14:04.160
<v Speaker 1>and keep going with it. Right, So there's a humility

0:14:04.240 --> 0:14:06.640
<v Speaker 1>that we I'm going to say, we try to have

0:14:06.720 --> 0:14:10.400
<v Speaker 1>by saying, oh, it just we stumbled and we just reacted.

0:14:10.440 --> 0:14:12.160
<v Speaker 2>Well when I say stumbled, no, you're right. There was

0:14:12.240 --> 0:14:15.160
<v Speaker 2>absolute clear intent on both those things. I learned a

0:14:15.200 --> 0:14:17.160
<v Speaker 2>lot from the first time when I became. When I

0:14:17.200 --> 0:14:19.040
<v Speaker 2>was a young actor, I had no I just knew

0:14:19.080 --> 0:14:20.560
<v Speaker 2>I wanted to do that, and I didn't know anything,

0:14:20.600 --> 0:14:22.960
<v Speaker 2>and stuff happened, and it was like stuff happened to me,

0:14:23.520 --> 0:14:25.200
<v Speaker 2>and then the brack pack happened to me. And so

0:14:25.240 --> 0:14:28.120
<v Speaker 2>when I started writing and wanting to be a travel writer,

0:14:28.280 --> 0:14:30.600
<v Speaker 2>I was very careful how I curated it and how

0:14:30.640 --> 0:14:32.480
<v Speaker 2>I approached people, like no one knew I was the

0:14:32.480 --> 0:14:34.920
<v Speaker 2>broadpack actor being a travel writer, because you know, I

0:14:34.960 --> 0:14:36.840
<v Speaker 2>did it. Everything in that world is done by email,

0:14:37.000 --> 0:14:39.120
<v Speaker 2>so I would just email people. And when when I

0:14:39.160 --> 0:14:42.760
<v Speaker 2>was finally outed for being, oh, the actor, I think

0:14:42.840 --> 0:14:44.880
<v Speaker 2>he's a travel writer. By then I'd already written, you

0:14:44.960 --> 0:14:47.000
<v Speaker 2>use your name. Yeah, but I mean there's lots of whatever.

0:14:47.040 --> 0:14:50.080
<v Speaker 2>Nobody's thinking these kind of things. But by the time

0:14:50.080 --> 0:14:51.560
<v Speaker 2>I was out it, I'd already written for the New

0:14:51.640 --> 0:14:54.480
<v Speaker 2>York Times and National Geographic Travel and The Atlantic and so.

0:14:54.600 --> 0:14:56.520
<v Speaker 2>And I was very careful to curate to write for

0:14:56.640 --> 0:14:59.160
<v Speaker 2>those outlets so that when I am outed, they can't

0:14:59.160 --> 0:15:00.080
<v Speaker 2>easily dismiss me.

0:15:00.480 --> 0:15:01.880
<v Speaker 1>Do you like one more than the other?

0:15:02.320 --> 0:15:04.800
<v Speaker 2>Well? I had an act in about ten fifteen years

0:15:04.800 --> 0:15:07.360
<v Speaker 2>when I was just on a or ten years anyway,

0:15:07.440 --> 0:15:10.240
<v Speaker 2>on a show last season, and I really enjoyed acting.

0:15:10.280 --> 0:15:12.720
<v Speaker 2>It was really you know, it was like breathing to me.

0:15:12.800 --> 0:15:14.520
<v Speaker 2>We've been doing it since we're children, you know, So

0:15:14.560 --> 0:15:17.800
<v Speaker 2>I really located myself in that. But you know, I

0:15:17.840 --> 0:15:19.600
<v Speaker 2>do like sitting in a room alone. I have to say,

0:15:19.760 --> 0:15:21.640
<v Speaker 2>is something about that that I really enjoy as long

0:15:21.680 --> 0:15:23.160
<v Speaker 2>as I have something that's going on.

0:15:23.360 --> 0:15:26.480
<v Speaker 1>I don't think people know that about you when I

0:15:26.600 --> 0:15:30.400
<v Speaker 1>think of you, when someone says you to me, I'm like,

0:15:31.320 --> 0:15:35.640
<v Speaker 1>very intellectual and serious, very analytical, but in the most

0:15:35.640 --> 0:15:36.240
<v Speaker 1>beautiful way.

0:15:36.320 --> 0:15:38.120
<v Speaker 2>Well you see me, you know. But see, that's one

0:15:38.120 --> 0:15:41.360
<v Speaker 2>of the things, Brooke, because you were not seen. You're

0:15:41.480 --> 0:15:45.720
<v Speaker 2>very active in your desire to see other people. And

0:15:45.760 --> 0:15:47.280
<v Speaker 2>I think that's a great gift because that's all any

0:15:47.280 --> 0:15:49.320
<v Speaker 2>of us really want in the world is to be seen.

0:15:49.400 --> 0:15:51.800
<v Speaker 2>And you were clearly not seen for who you are,

0:15:52.280 --> 0:15:54.000
<v Speaker 2>and so you do that.

0:15:54.480 --> 0:15:57.240
<v Speaker 1>Why do you think you drank so much?

0:15:57.480 --> 0:15:59.960
<v Speaker 2>Because I'm an alcoholic, you know. I mean, I don't

0:16:00.000 --> 0:16:03.960
<v Speaker 2>believe alcoholism is a reaction to anything else, but I

0:16:04.400 --> 0:16:06.880
<v Speaker 2>you know, I always say I drank better vodka because

0:16:06.880 --> 0:16:08.960
<v Speaker 2>I was in the movies, but the movie being successful

0:16:08.960 --> 0:16:10.600
<v Speaker 2>and the movies did not make me an alcoholic and

0:16:10.640 --> 0:16:12.480
<v Speaker 2>being too young for success and all that crap.

0:16:13.000 --> 0:16:15.160
<v Speaker 1>What did it do though? What did you like about it?

0:16:15.160 --> 0:16:17.320
<v Speaker 2>It relieved my fear for a while.

0:16:17.360 --> 0:16:19.120
<v Speaker 1>And what was the fear about? Fear of what?

0:16:19.440 --> 0:16:21.400
<v Speaker 2>I don't know. I was just sort of a fearful person.

0:16:21.440 --> 0:16:24.520
<v Speaker 2>I was afraid of. You know, what do you got?

0:16:25.360 --> 0:16:27.360
<v Speaker 2>Fear is also just sort of feeds on itself. So

0:16:27.440 --> 0:16:30.360
<v Speaker 2>fear just sort of is a a thing that sort

0:16:30.360 --> 0:16:33.360
<v Speaker 2>of sits right in front of something. So anything you

0:16:33.480 --> 0:16:35.480
<v Speaker 2>funnel through it, it comes out with fear on it

0:16:35.520 --> 0:16:37.200
<v Speaker 2>because it's sitting in front of you. You know.

0:16:37.480 --> 0:16:38.920
<v Speaker 1>Was that from when you were a little kid?

0:16:39.000 --> 0:16:39.360
<v Speaker 2>Yeahah?

0:16:39.880 --> 0:16:41.640
<v Speaker 1>Does it? Parents? Is it? I don't know.

0:16:41.640 --> 0:16:43.440
<v Speaker 2>As a parent, I don't know. I was I was

0:16:43.520 --> 0:16:45.600
<v Speaker 2>terrified of my father, But was it because of him?

0:16:45.680 --> 0:16:46.880
<v Speaker 2>I don't, you know, I don't know.

0:16:47.240 --> 0:16:51.200
<v Speaker 1>I'm always interested in, like again, nature nurture, but the

0:16:51.280 --> 0:16:56.960
<v Speaker 1>fear my Okay, I'll share something. My fear was obviously

0:16:57.000 --> 0:16:59.760
<v Speaker 1>never being good enough. But that's because I had an

0:16:59.800 --> 0:17:05.040
<v Speaker 1>in satiable mother and her what she was insatiable for

0:17:05.320 --> 0:17:10.040
<v Speaker 1>and about and whatever was love. So like with my father,

0:17:10.480 --> 0:17:14.440
<v Speaker 1>I know he loved me, but like I never felt

0:17:14.480 --> 0:17:17.800
<v Speaker 1>good enough for him, But not because of anything he did,

0:17:18.080 --> 0:17:20.720
<v Speaker 1>just because the image of who my father was to

0:17:20.840 --> 0:17:25.480
<v Speaker 1>me was so much larger than life, and I loved

0:17:25.560 --> 0:17:28.840
<v Speaker 1>him so much, but I just always felt something wasn't

0:17:28.920 --> 0:17:32.880
<v Speaker 1>right with right enough with me. But I'm not a guy,

0:17:32.960 --> 0:17:36.320
<v Speaker 1>and I'm curious about men and their relationships with their father.

0:17:36.800 --> 0:17:39.760
<v Speaker 2>Oh, I just think I was. I had a very

0:17:39.840 --> 0:17:45.920
<v Speaker 2>highly oversensitized temperament, and I always felt my dad didn't

0:17:46.040 --> 0:17:48.200
<v Speaker 2>like me. Actually I thought, well, I think if you

0:17:48.280 --> 0:17:50.920
<v Speaker 2>were to pop psychoanalyzed it in a way, it would

0:17:50.920 --> 0:17:53.160
<v Speaker 2>be my mother's showered affection on me, and my father

0:17:53.240 --> 0:17:54.840
<v Speaker 2>was jealous, and so he didn't like me, and so

0:17:54.960 --> 0:17:57.680
<v Speaker 2>I was then frightened of him, so fear just I

0:17:57.680 --> 0:17:59.919
<v Speaker 2>don't know. He was just in a company accompanied me

0:18:00.040 --> 0:18:03.080
<v Speaker 2>from very as long as I know, So I don't

0:18:03.160 --> 0:18:05.760
<v Speaker 2>where it came from. I don't know. It doesn't even matter,

0:18:05.840 --> 0:18:07.480
<v Speaker 2>you know why. I'm kind of relieved to see that

0:18:07.520 --> 0:18:10.600
<v Speaker 2>my kids don't seem to have it. I know how

0:18:10.720 --> 0:18:13.600
<v Speaker 2>that happen, and that's I'm glad for them. But although

0:18:13.640 --> 0:18:15.840
<v Speaker 2>I have to say having a lot of fear in life.

0:18:16.200 --> 0:18:19.200
<v Speaker 2>It's given me kind of it's my what if people

0:18:19.200 --> 0:18:24.120
<v Speaker 2>put my secret superpowers? The kids say, because I can

0:18:24.200 --> 0:18:26.320
<v Speaker 2>see it, because I'm so aware of it and myself.

0:18:26.359 --> 0:18:29.080
<v Speaker 2>I can see it in other people operating all the time,

0:18:29.280 --> 0:18:31.000
<v Speaker 2>and most of the time people are not even aware

0:18:31.000 --> 0:18:33.199
<v Speaker 2>they're operating from a place of fear, and so I

0:18:33.240 --> 0:18:36.480
<v Speaker 2>can see that they're operating from fear, and I go, Okay,

0:18:36.640 --> 0:18:38.760
<v Speaker 2>I know something about them now that they don't might

0:18:38.760 --> 0:18:41.000
<v Speaker 2>not even know. And that really helps me navigate a

0:18:41.000 --> 0:18:43.240
<v Speaker 2>lot of situations. So in many ways, I'm very grateful

0:18:43.280 --> 0:18:43.640
<v Speaker 2>for it.

0:18:49.000 --> 0:18:53.600
<v Speaker 1>Tell me a little about your new book, Walking with Sam.

0:18:54.320 --> 0:18:57.720
<v Speaker 1>I find it interesting in so many ways. It's so

0:18:57.960 --> 0:19:00.640
<v Speaker 1>layered and beautiful. Talk to me a little bit about

0:19:00.640 --> 0:19:02.639
<v Speaker 1>the book. It's subject.

0:19:02.960 --> 0:19:06.040
<v Speaker 2>Why it's about us walking five hundred miles along the

0:19:06.040 --> 0:19:09.119
<v Speaker 2>Camino to Santiago, this old ancient pilgrimage route in Spain.

0:19:09.160 --> 0:19:15.119
<v Speaker 2>And I walked it twenty five years earlier alone or alone. Yeah,

0:19:15.200 --> 0:19:17.280
<v Speaker 2>it was after my early sort of success and all that,

0:19:17.320 --> 0:19:19.960
<v Speaker 2>and I guess I was kind of lost without really

0:19:20.000 --> 0:19:22.440
<v Speaker 2>even being aware that I was. And I heard about

0:19:22.440 --> 0:19:24.320
<v Speaker 2>the Camino, I read about it, and suddenly I just said,

0:19:24.320 --> 0:19:25.560
<v Speaker 2>I got to do that, and I went and I

0:19:25.600 --> 0:19:28.720
<v Speaker 2>did it, and I hated it until I had like

0:19:28.800 --> 0:19:31.040
<v Speaker 2>this breakdown in a field of wheak, and it was

0:19:31.119 --> 0:19:33.119
<v Speaker 2>I had one of these kind of white light experiences.

0:19:33.119 --> 0:19:36.960
<v Speaker 2>We're just talking about fear, and I became aware how

0:19:37.000 --> 0:19:39.639
<v Speaker 2>strong fear was in my life. And it was the

0:19:39.680 --> 0:19:42.080
<v Speaker 2>first time I was aware of its presence in my life.

0:19:42.080 --> 0:19:43.880
<v Speaker 2>Because it had been so ever present in my life,

0:19:43.920 --> 0:19:46.280
<v Speaker 2>I was afraid. I was relieved of it for this

0:19:46.440 --> 0:19:51.200
<v Speaker 2>moment and I felt like myself fully for the first time.

0:19:51.720 --> 0:19:55.080
<v Speaker 2>And that changed my life. And fear, of course, is

0:19:55.119 --> 0:19:57.320
<v Speaker 2>very cunning. It doesn't just go way once you identify it,

0:19:57.359 --> 0:19:59.200
<v Speaker 2>but at least it can never have the blind hold

0:19:59.200 --> 0:20:01.480
<v Speaker 2>it had on you before that. So that changed one.

0:20:01.520 --> 0:20:03.479
<v Speaker 2>So I always wanted to go back to Spain and

0:20:03.520 --> 0:20:06.879
<v Speaker 2>do that walk again. And as my son was becoming

0:20:07.280 --> 0:20:08.959
<v Speaker 2>a man, and I go back to go out into

0:20:08.960 --> 0:20:11.320
<v Speaker 2>the world. And I also should say when I we

0:20:11.320 --> 0:20:13.400
<v Speaker 2>were talking about my dad, I left home at seventeen

0:20:13.440 --> 0:20:15.720
<v Speaker 2>and I never really had a relationship with him for

0:20:15.760 --> 0:20:17.760
<v Speaker 2>the rest of his life until we reconciled when he

0:20:17.800 --> 0:20:20.080
<v Speaker 2>was dying, which was a beautiful thing, but we didn't

0:20:20.119 --> 0:20:22.359
<v Speaker 2>have any relationship, and I didn't want that with my kids.

0:20:22.440 --> 0:20:24.080
<v Speaker 1>And this is your older son.

0:20:24.359 --> 0:20:26.760
<v Speaker 2>My oldest son. Yeah, so he was nineteen at the time.

0:20:26.840 --> 0:20:28.200
<v Speaker 1>Who is an actor?

0:20:28.440 --> 0:20:30.720
<v Speaker 2>Yeah, he's on a Circle Dead to me on Netflix.

0:20:30.720 --> 0:20:33.119
<v Speaker 2>He's an actor, Yeah, and a lovely actor.

0:20:33.840 --> 0:20:37.560
<v Speaker 1>What was his reaction to both the book and the experience?

0:20:38.240 --> 0:20:40.280
<v Speaker 2>Well, day two he said, Dad, what's the point of

0:20:40.280 --> 0:20:41.119
<v Speaker 2>this fucking walk?

0:20:41.640 --> 0:20:46.520
<v Speaker 1>And I kindly agree with him, but now I got it.

0:20:46.560 --> 0:20:48.880
<v Speaker 2>On the last day he said, Dad, that's the only

0:20:48.920 --> 0:20:51.720
<v Speaker 2>ten out of ten thing I've ever done in my life.

0:20:51.119 --> 0:20:53.639
<v Speaker 1>What did you say to him when he asked you

0:20:53.680 --> 0:20:54.200
<v Speaker 1>that question.

0:20:54.680 --> 0:20:56.919
<v Speaker 2>I was smart enough not to say anything. You know,

0:20:56.960 --> 0:20:58.800
<v Speaker 2>I had the ultimate luxury your parent gets with an

0:20:58.800 --> 0:21:00.919
<v Speaker 2>that old child, which was time. I didn't need to

0:21:00.960 --> 0:21:02.960
<v Speaker 2>be wise and have answers and be smart and be

0:21:03.280 --> 0:21:06.440
<v Speaker 2>full of advice. I could just walk and listen to him,

0:21:06.800 --> 0:21:08.120
<v Speaker 2>really create space for him.

0:21:09.160 --> 0:21:10.760
<v Speaker 1>Did you know you were going to write the book

0:21:10.800 --> 0:21:12.160
<v Speaker 1>as you were walking.

0:21:13.560 --> 0:21:15.639
<v Speaker 2>Well, being a travel writer, you know you're always going

0:21:15.680 --> 0:21:18.200
<v Speaker 2>to write about pretty much everywhere you go at at

0:21:18.200 --> 0:21:20.520
<v Speaker 2>some point in some form. So I was keeping notes

0:21:20.680 --> 0:21:26.680
<v Speaker 2>of the sort, and then about halfway in the walk

0:21:26.720 --> 0:21:30.119
<v Speaker 2>goes for five hundred miles to the Santiago de Compostella,

0:21:30.160 --> 0:21:33.040
<v Speaker 2>which is fifty miles from the sea, and that's where

0:21:33.040 --> 0:21:36.960
<v Speaker 2>the pilgrimage ends. But a lot of people continue walking

0:21:37.000 --> 0:21:39.080
<v Speaker 2>those last fifty miles to the ocean. They just feel

0:21:39.119 --> 0:21:41.600
<v Speaker 2>compelled to make that walk. I did not, and I

0:21:41.600 --> 0:21:45.160
<v Speaker 2>had no desire to do that either time. And Sam said,

0:21:45.240 --> 0:21:49.320
<v Speaker 2>I'm the place is called finished theare. So Sam said

0:21:49.320 --> 0:21:52.000
<v Speaker 2>he was going to walk to finishtare. He just wanted

0:21:52.000 --> 0:21:53.639
<v Speaker 2>to keep going. It was like he was, you know,

0:21:54.119 --> 0:21:56.840
<v Speaker 2>just go beyond. So the notion of him going beyond

0:21:57.520 --> 0:22:01.560
<v Speaker 2>my accomplishments in the metaphor, the communal abound. Everything on

0:22:01.600 --> 0:22:05.439
<v Speaker 2>the communal to Santiago's a metaphor. So the idea that

0:22:05.480 --> 0:22:07.560
<v Speaker 2>he was going to go beyond my accomplishments, which is

0:22:07.600 --> 0:22:09.919
<v Speaker 2>what is hardwired in every parent, is that our children

0:22:10.000 --> 0:22:11.840
<v Speaker 2>go beyond us, right, So, and he was going to

0:22:11.880 --> 0:22:14.080
<v Speaker 2>go beyond me. I just thought, oh my god, there's

0:22:14.080 --> 0:22:14.760
<v Speaker 2>a book in there.

0:22:15.200 --> 0:22:17.800
<v Speaker 1>Were you only trying because you said I didn't want

0:22:17.800 --> 0:22:21.120
<v Speaker 1>to have the same relationship with my son my father?

0:22:21.240 --> 0:22:25.640
<v Speaker 1>Was there anything else that you any other expectations you

0:22:25.760 --> 0:22:29.440
<v Speaker 1>possibly put onto doing no walk.

0:22:29.600 --> 0:22:33.160
<v Speaker 2>No, I just want I knew, having had experience with it,

0:22:33.880 --> 0:22:36.280
<v Speaker 2>having walked it and had a life changing experience. I

0:22:36.359 --> 0:22:40.040
<v Speaker 2>knew if you just keep them walking and keep walking

0:22:40.040 --> 0:22:43.439
<v Speaker 2>beside him, what needs to happen will happen, you know.

0:22:43.520 --> 0:22:46.080
<v Speaker 2>So I did not have any expectations of wanting the

0:22:46.119 --> 0:22:48.639
<v Speaker 2>relationship to become this. All I wanted was for us

0:22:48.680 --> 0:22:50.800
<v Speaker 2>to see each other like we were talking about, as

0:22:50.840 --> 0:22:54.640
<v Speaker 2>adults and as human beings, as opposed to parent child dynamic.

0:22:54.920 --> 0:22:56.960
<v Speaker 1>Where did this come in his career?

0:22:57.280 --> 0:22:59.520
<v Speaker 2>Yeah, he'd been I think he had done two seasons

0:22:59.520 --> 0:23:02.320
<v Speaker 2>of dead time me by that before the third one,

0:23:02.600 --> 0:23:05.680
<v Speaker 2>and I think it's solidified in him a desire to act.

0:23:05.960 --> 0:23:07.440
<v Speaker 1>Did you have reservations about that?

0:23:07.520 --> 0:23:10.879
<v Speaker 2>Were you him acting? Yeah? My daughter has also been

0:23:10.920 --> 0:23:13.280
<v Speaker 2>on Broadway number of times, So I like, the last

0:23:13.280 --> 0:23:14.760
<v Speaker 2>thing you ever want is your kids to become an

0:23:14.800 --> 0:23:17.960
<v Speaker 2>actor if you're an actor, right at all?

0:23:18.200 --> 0:23:20.639
<v Speaker 1>Or how about a model at all? I trumped you

0:23:20.720 --> 0:23:22.399
<v Speaker 1>with that one even worse?

0:23:22.520 --> 0:23:26.280
<v Speaker 2>Yeah, exactly so. But you know, acting saved my life

0:23:26.320 --> 0:23:28.239
<v Speaker 2>when I was fifteen, So who am I to say? So?

0:23:28.480 --> 0:23:30.680
<v Speaker 2>You know, if you're a teenager, you have to find something.

0:23:30.920 --> 0:23:32.359
<v Speaker 1>Are you going to take a trip with any of

0:23:32.400 --> 0:23:34.200
<v Speaker 1>your other children.

0:23:34.440 --> 0:23:36.439
<v Speaker 2>Yeah. I just came back from Botswana with my nine

0:23:36.520 --> 0:23:38.240
<v Speaker 2>year old Rowan. I was doing a story for a

0:23:38.280 --> 0:23:42.160
<v Speaker 2>magazine and so we went on a safari type thing together.

0:23:42.200 --> 0:23:44.560
<v Speaker 2>So that was kind of great. Although we were looking

0:23:44.560 --> 0:23:47.919
<v Speaker 2>at the lions one day, you know, you drive up

0:23:47.920 --> 0:23:49.399
<v Speaker 2>in the jeep and you're looking at these lines and

0:23:49.440 --> 0:23:51.679
<v Speaker 2>I'm like, oh my god, amazing and these and then

0:23:51.720 --> 0:23:54.400
<v Speaker 2>he just leans on his dad, I got a poop,

0:23:54.920 --> 0:23:58.639
<v Speaker 2>Like Okay, so I go, can we pull away from

0:23:58.640 --> 0:24:00.199
<v Speaker 2>the lines a little bit? So we go and you know,

0:24:00.280 --> 0:24:01.760
<v Speaker 2>I go, or we got to dig a hole. You're

0:24:01.760 --> 0:24:04.120
<v Speaker 2>going to dig a hole? He said, what go? Yeah,

0:24:04.119 --> 0:24:05.440
<v Speaker 2>I got to dig a hole and poop the ground.

0:24:05.640 --> 0:24:07.360
<v Speaker 2>And so any way we do, and like that night

0:24:07.440 --> 0:24:10.119
<v Speaker 2>we come back and he's facetiming his mom and she's like,

0:24:10.119 --> 0:24:12.360
<v Speaker 2>how are the lions and the elephants? And he's like, mom,

0:24:12.440 --> 0:24:15.879
<v Speaker 2>I pop around. You know, so this is this is

0:24:15.920 --> 0:24:16.360
<v Speaker 2>the big deal.

0:24:16.520 --> 0:24:18.600
<v Speaker 1>Do you have a little bag with the paper? Like,

0:24:18.680 --> 0:24:20.280
<v Speaker 1>because you got to put the paper in a bag

0:24:20.440 --> 0:24:22.840
<v Speaker 1>unless it's biodegradable, which you've got to hope that.

0:24:23.240 --> 0:24:24.680
<v Speaker 2>We just went home and took a. We just went

0:24:24.720 --> 0:24:25.600
<v Speaker 2>home and took a shower.

0:24:26.280 --> 0:24:29.280
<v Speaker 1>I wanted to go deep on the poop. When I

0:24:29.359 --> 0:24:33.040
<v Speaker 1>pitched this show see where I hired, I called it

0:24:33.119 --> 0:24:38.520
<v Speaker 1>now What because I said, listen, every single person has

0:24:38.600 --> 0:24:40.960
<v Speaker 1>now what moments in their life where they're all of

0:24:41.000 --> 0:24:45.440
<v Speaker 1>a sudden, like, fuck, does anyone now what moments stick

0:24:45.480 --> 0:24:46.200
<v Speaker 1>out in your life?

0:24:46.640 --> 0:24:47.760
<v Speaker 2>She says? Every morning?

0:24:50.400 --> 0:24:52.480
<v Speaker 1>Now what do I do? I've just wait awakened.

0:24:53.440 --> 0:24:56.960
<v Speaker 2>Yeah, no, I mean I kind of you know that

0:24:57.119 --> 0:24:59.280
<v Speaker 2>I feel I've always I felt like that all the

0:24:59.320 --> 0:25:01.040
<v Speaker 2>time my whole life, you know what I mean. That's

0:25:01.040 --> 0:25:03.080
<v Speaker 2>one of the things that comes to being a freelancer too.

0:25:03.200 --> 0:25:06.120
<v Speaker 2>You know, I've had You've had, you know, hundreds of jobs.

0:25:06.400 --> 0:25:08.159
<v Speaker 2>They're like, okay, now what now? What do we do?

0:25:08.680 --> 0:25:10.960
<v Speaker 2>And although every now what I've ever had has always

0:25:11.000 --> 0:25:15.200
<v Speaker 2>spurred me to something more interesting, you know, it's always

0:25:15.240 --> 0:25:17.560
<v Speaker 2>a frightened because I'm so used to fear. I think

0:25:17.880 --> 0:25:20.560
<v Speaker 2>that now what is always filled with dread and fear,

0:25:21.200 --> 0:25:24.480
<v Speaker 2>and so I've just come to be so used to

0:25:24.560 --> 0:25:29.240
<v Speaker 2>that feeling that I don't mind it that much because

0:25:29.240 --> 0:25:31.800
<v Speaker 2>it's just this normal state, I mean, and it has

0:25:31.920 --> 0:25:34.520
<v Speaker 2>always led to like I say, oh, I can't do

0:25:34.520 --> 0:25:37.040
<v Speaker 2>that anymore. Okay, Now what what do I do now? Okay?

0:25:37.080 --> 0:25:39.520
<v Speaker 2>I became a traveler and okay that doesn't pay enough. Okay,

0:25:39.520 --> 0:25:41.400
<v Speaker 2>now what Okay, So I guess I'll become direct Okay,

0:25:41.400 --> 0:25:43.560
<v Speaker 2>that's not happening now, Okay, I guess I'm going to

0:25:43.600 --> 0:25:46.199
<v Speaker 2>make this documentary because okay, and you know, you just

0:25:46.240 --> 0:25:51.280
<v Speaker 2>sort of and all those obstacles and things that precede

0:25:51.280 --> 0:25:54.440
<v Speaker 2>and now what are you know, always seen as an

0:25:54.480 --> 0:25:57.639
<v Speaker 2>oh shit, but then they you look back and go, oh,

0:25:57.680 --> 0:25:58.960
<v Speaker 2>thank god exactly.

0:25:59.240 --> 0:26:04.919
<v Speaker 1>I mean, you're such an inspiration on so many levels,

0:26:04.960 --> 0:26:08.040
<v Speaker 1>and I also feel akin to you just because that's

0:26:08.080 --> 0:26:11.520
<v Speaker 1>the way I've lived my life. You know that the

0:26:11.640 --> 0:26:14.280
<v Speaker 1>documentary is it finished? Is it?

0:26:14.520 --> 0:26:16.480
<v Speaker 2>You know? I'm in the process of sort of finishing it,

0:26:16.600 --> 0:26:18.760
<v Speaker 2>in the process of finishing it, so hopefully in the

0:26:19.200 --> 0:26:20.200
<v Speaker 2>fall it'll come out.

0:26:20.520 --> 0:26:23.400
<v Speaker 1>Was there anything that surprised you about because you recently

0:26:23.480 --> 0:26:25.080
<v Speaker 1>just talked to me, By the way, I was supposed

0:26:25.080 --> 0:26:27.600
<v Speaker 1>to have lunch with her today and you fucked that

0:26:27.760 --> 0:26:31.040
<v Speaker 1>up because I can't. I can't. I can't be sitting

0:26:31.040 --> 0:26:32.840
<v Speaker 1>on a couch with Ali and de me, which is

0:26:32.880 --> 0:26:36.560
<v Speaker 1>where I was invited. Is there anything about those conversations that.

0:26:36.520 --> 0:26:38.120
<v Speaker 2>Would be much that would have been much better?

0:26:38.200 --> 0:26:42.160
<v Speaker 1>We should have done the podcast from Allie's couch? Are

0:26:42.200 --> 0:26:43.359
<v Speaker 1>you so? Where were you're talking?

0:26:43.359 --> 0:26:46.639
<v Speaker 2>All of I talked to most of them, and well,

0:26:46.640 --> 0:26:48.040
<v Speaker 2>I've talked to all of the most of them have

0:26:48.119 --> 0:26:50.720
<v Speaker 2>participated a couple as still being a little you know,

0:26:51.080 --> 0:26:52.040
<v Speaker 2>cagey about it.

0:26:52.160 --> 0:26:54.240
<v Speaker 1>But anything that surprised you.

0:26:54.720 --> 0:26:57.320
<v Speaker 2>It surprised me how much affection we all had for

0:26:57.400 --> 0:26:59.439
<v Speaker 2>each other because we didn't back in the day. You know,

0:26:59.480 --> 0:27:02.439
<v Speaker 2>we're young and scared and whatever was going on. But

0:27:02.480 --> 0:27:04.280
<v Speaker 2>I mean, just how much like I hadn't seen Robin

0:27:04.359 --> 0:27:06.320
<v Speaker 2>thirty thirty five years, same with Amelia, and just like

0:27:06.359 --> 0:27:08.679
<v Speaker 2>how much affection I had for him and four more

0:27:08.760 --> 0:27:13.160
<v Speaker 2>then our youth and like to just sort of an

0:27:13.240 --> 0:27:16.800
<v Speaker 2>understanding that we have. I don't know them at all,

0:27:16.880 --> 0:27:19.119
<v Speaker 2>and yet I know them deeply because we both we

0:27:19.160 --> 0:27:23.520
<v Speaker 2>all went through kind of a very similar thing. So yeah,

0:27:23.600 --> 0:27:26.800
<v Speaker 2>that was a really lovely feeling to sort of just

0:27:26.800 --> 0:27:29.000
<v Speaker 2>connect with it and then connect with them connected me

0:27:29.040 --> 0:27:30.679
<v Speaker 2>to my own youth, and I had count we had

0:27:30.720 --> 0:27:32.480
<v Speaker 2>so much more affection for my youth, which led me

0:27:32.520 --> 0:27:35.000
<v Speaker 2>to then have more affection for myself at that time

0:27:35.080 --> 0:27:37.200
<v Speaker 2>in those movies and all that. So it's been very

0:27:38.480 --> 0:27:39.440
<v Speaker 2>lovely experience.

0:27:40.040 --> 0:27:46.119
<v Speaker 1>One last question, what is your proudest moment from the

0:27:46.160 --> 0:27:49.000
<v Speaker 1>walk with your son and something that you'll always remember.

0:27:49.760 --> 0:27:52.760
<v Speaker 2>Well, when he was marching to finish stare after at

0:27:52.760 --> 0:27:54.640
<v Speaker 2>the end there, I took a taxi out to meet him.

0:27:54.880 --> 0:27:57.360
<v Speaker 2>And it's a little it's a little daunting to realize

0:27:57.440 --> 0:27:59.280
<v Speaker 2>you can take cover a half hour in a car

0:27:59.359 --> 0:28:01.480
<v Speaker 2>what it took you through days the walk. But I

0:28:01.520 --> 0:28:04.560
<v Speaker 2>went out to meet him and just as he came

0:28:05.080 --> 0:28:06.760
<v Speaker 2>marching up the hill with his shirt off, on his

0:28:06.840 --> 0:28:09.399
<v Speaker 2>arms pumping and just sweat ford and the grin on

0:28:09.440 --> 0:28:13.320
<v Speaker 2>his face, to just stand there and receive him, you know,

0:28:13.440 --> 0:28:18.320
<v Speaker 2>and that he allowed me to receive him. And that

0:28:18.440 --> 0:28:19.240
<v Speaker 2>was a beautiful moment.

0:28:21.720 --> 0:28:24.920
<v Speaker 1>That was the brilliant Andrew McCarthy. If you want to

0:28:24.960 --> 0:28:27.320
<v Speaker 1>hear more about his incredible trip with a son, go

0:28:27.359 --> 0:28:30.879
<v Speaker 1>pick up a copy of his new memoir Walking with Sam.

0:28:31.359 --> 0:28:34.280
<v Speaker 1>That's it for us today, Talk to you next week.

0:28:37.560 --> 0:28:37.720
<v Speaker 2>Now.

0:28:37.760 --> 0:28:41.440
<v Speaker 1>What with Burke Shields is a production of iHeartRadio. Our

0:28:41.520 --> 0:28:45.680
<v Speaker 1>lead producer and wonderful showrunner is Julia Weaver. Additional research

0:28:45.920 --> 0:28:50.280
<v Speaker 1>and editing by Darby Masters and Abu zafar Our. Executive

0:28:50.280 --> 0:28:55.280
<v Speaker 1>producer is Christina Everett. The show is mixed by Baheed Fraser.