1 00:00:01,480 --> 00:00:07,400 Speaker 1: The Walmost Dangerous Morning Show, the Breakfast Club Club Business. 2 00:00:08,119 --> 00:00:10,600 Speaker 1: Y'all together, y'all are like a mega for us. Y'all 3 00:00:10,640 --> 00:00:14,079 Speaker 1: just took over him with your podcast. So this is 4 00:00:14,120 --> 00:00:17,280 Speaker 1: Chris Brown. I've officially joined the Breakfast Club. Say something, Mother, 5 00:00:17,480 --> 00:00:21,480 Speaker 1: I'm with it, Walmo Dangerous Morning Show, Breakflace Club petitiones. 6 00:00:33,000 --> 00:00:35,600 Speaker 1: Good morning Usa. Yo ya ya ya ya ya ya 7 00:00:35,680 --> 00:00:37,199 Speaker 1: ya ya ya ya ya ya ya ya ya ya 8 00:00:37,280 --> 00:00:38,960 Speaker 1: ya ya ya yo yo yo yo yo yo yo 9 00:00:39,040 --> 00:00:41,760 Speaker 1: yo yo yo yo yo yo yo. Good morning angela 10 00:00:41,840 --> 00:00:48,360 Speaker 1: ye goad money, Charlotte Nay. Peace to the planet is Thursday, Thursday. 11 00:00:48,400 --> 00:00:50,960 Speaker 1: New Market Alert, new market Alert. Yes, we have a 12 00:00:51,280 --> 00:00:54,760 Speaker 1: very special family member that has joined on this okay, okay, 13 00:00:54,840 --> 00:00:57,880 Speaker 1: talked to us from Jim ninety four five. Yes, our 14 00:00:57,960 --> 00:01:01,000 Speaker 1: family out in Beantail. Want to clue bombs for Boston. 15 00:01:01,080 --> 00:01:04,760 Speaker 1: Dammit day one in Boston. Good morning everybody in Boston. 16 00:01:04,880 --> 00:01:06,759 Speaker 1: How do we pull this one off? I don't know. 17 00:01:06,959 --> 00:01:09,720 Speaker 1: I like Boston. I've always liked Boston. You got a boss, 18 00:01:09,720 --> 00:01:12,600 Speaker 1: I got a special place in your penis. Yeah. It 19 00:01:12,640 --> 00:01:15,080 Speaker 1: does actually uh smooth to my guy g Spen. You 20 00:01:15,120 --> 00:01:20,720 Speaker 1: know what I mean. Oh, there's a roach yes, okay, 21 00:01:20,880 --> 00:01:24,040 Speaker 1: you know what this is. Boston is like. This is 22 00:01:24,040 --> 00:01:25,560 Speaker 1: why you can't have black people on the radio in 23 00:01:25,600 --> 00:01:27,720 Speaker 1: the morning. Oh my god, did somebody get it? Hell? 24 00:01:27,840 --> 00:01:31,640 Speaker 1: Is that roaches ahead? All you dirty negroes? That being 25 00:01:31,720 --> 00:01:34,000 Speaker 1: here at night? You need to stop coming in here. 26 00:01:34,040 --> 00:01:36,040 Speaker 1: I know y'all saw this video on World Star. Come 27 00:01:36,080 --> 00:01:38,160 Speaker 1: here and kill this roach? How there? I don't kill 28 00:01:38,240 --> 00:01:40,200 Speaker 1: roaches no more. I ain't have roaches around me and 29 00:01:40,319 --> 00:01:45,000 Speaker 1: yees Oh my god, come on, man, listen. I know 30 00:01:45,120 --> 00:01:48,360 Speaker 1: y'all saw y'all saw World Saw a couple of days ago. 31 00:01:49,120 --> 00:01:50,880 Speaker 1: It's a guy by the name of DJ Self. You 32 00:01:50,880 --> 00:01:52,880 Speaker 1: see him on Loving Hip Hop New York. That's right, 33 00:01:52,960 --> 00:01:55,520 Speaker 1: he was in here with French Montana. All them dirty 34 00:01:55,600 --> 00:01:58,800 Speaker 1: negroes bought the roaches. I don't know last night. I 35 00:01:58,840 --> 00:02:00,440 Speaker 1: just want to say, Charlotte needs to clean up his 36 00:02:00,520 --> 00:02:03,000 Speaker 1: area over there. The roaches is in your area. I 37 00:02:03,160 --> 00:02:06,360 Speaker 1: keep you, My little dirty area is clean, but their 38 00:02:06,400 --> 00:02:09,200 Speaker 1: little dirty air's clean. Last that, I think. Shout to 39 00:02:09,200 --> 00:02:10,639 Speaker 1: the boy DJ. So if he had a little dirt 40 00:02:10,720 --> 00:02:13,240 Speaker 1: up here and a little Dirk bar, Oh my god, 41 00:02:13,320 --> 00:02:16,160 Speaker 1: Dirk and Nori had Dirk and Noria Chicago goon and 42 00:02:16,200 --> 00:02:18,840 Speaker 1: the Queen's left frack goon. They definitely bought roaches, They 43 00:02:18,880 --> 00:02:23,480 Speaker 1: definitely brought the definitely left the roaching here. A damn shame. Welcome. 44 00:02:23,560 --> 00:02:25,600 Speaker 1: I ain't even seen a roaching yet. I ain't seen 45 00:02:25,919 --> 00:02:27,919 Speaker 1: in years. God bless my life. Drop on a clues 46 00:02:27,960 --> 00:02:29,560 Speaker 1: bomb for my life. I ain't seen a roach. You 47 00:02:29,600 --> 00:02:31,160 Speaker 1: know where we live, they called the water bugs. Now 48 00:02:31,200 --> 00:02:33,680 Speaker 1: it's a little different. They're not really roaching roaches. The 49 00:02:33,680 --> 00:02:40,480 Speaker 1: water bugs that the water water bugs home. Water bugs. 50 00:02:40,560 --> 00:02:43,799 Speaker 1: Water bugs are on a different level. Okay, yes, that 51 00:02:43,840 --> 00:02:46,600 Speaker 1: was a roach. Water bugs fly. Roaches represent the point 52 00:02:46,639 --> 00:02:49,000 Speaker 1: disenfranchised and sects of them. If he went to somebody's 53 00:02:49,040 --> 00:02:51,920 Speaker 1: house and they have roaches, I would leave. I would 54 00:02:52,080 --> 00:02:55,799 Speaker 1: close my bag, keep my bags with there, goes back. 55 00:02:56,040 --> 00:02:59,679 Speaker 1: Is it flying? I don't see it? All right? He 56 00:02:59,760 --> 00:03:06,920 Speaker 1: got la mayn't kill it, may kill it ten times? 57 00:03:07,080 --> 00:03:10,160 Speaker 1: Run well, keep going, I got it. You got it. 58 00:03:10,320 --> 00:03:14,560 Speaker 1: Sure ain't smashed from gushi, But I don't. You didn't 59 00:03:14,560 --> 00:03:18,160 Speaker 1: get it. It's biotic roach. You just all right, well 60 00:03:18,240 --> 00:03:20,440 Speaker 1: and get that damn roach before the days of Angie 61 00:03:20,480 --> 00:03:26,000 Speaker 1: Martinez will be joining us this morning. Want to come now, Sorry, Boston. 62 00:03:26,080 --> 00:03:27,680 Speaker 1: We didn't want you all to meet us like this. Sorry, 63 00:03:27,760 --> 00:03:29,360 Speaker 1: not like this. We should have cleaned the house up 64 00:03:29,360 --> 00:03:31,120 Speaker 1: a little bit. Definitely should have cleaned out. They might 65 00:03:31,200 --> 00:03:32,440 Speaker 1: not come back if they come back in it and 66 00:03:32,480 --> 00:03:34,000 Speaker 1: they see what is the first time I did. Our 67 00:03:34,040 --> 00:03:36,680 Speaker 1: camera guy for Root is filming the roach, not killing it. 68 00:03:36,840 --> 00:03:39,200 Speaker 1: That's a job. But the legendary Angree Martinez will be 69 00:03:39,240 --> 00:03:40,880 Speaker 1: here this morning. She's got a new book, My Voice, 70 00:03:40,880 --> 00:03:45,920 Speaker 1: which you will be in bookstores next week May seventeen, straps. So, yeah, 71 00:03:48,000 --> 00:03:50,920 Speaker 1: Angela looks terrified right now. I got you. I'm gonna 72 00:03:50,920 --> 00:03:54,680 Speaker 1: get that. It's still kid. I think I killed it though, 73 00:03:54,880 --> 00:03:58,760 Speaker 1: But then where is the back got it? Get it? 74 00:03:58,960 --> 00:04:01,000 Speaker 1: Get it when we come back? Got front page. Dudes, 75 00:04:01,040 --> 00:04:03,800 Speaker 1: don't go and you got them, got them. It's the 76 00:04:03,880 --> 00:04:10,880 Speaker 1: breakfast clarido and good morning man. So it's no interns 77 00:04:10,960 --> 00:04:12,720 Speaker 1: day to clean up the roach cuts. No, it's no 78 00:04:12,840 --> 00:04:15,360 Speaker 1: intern to clean up the roach cuts. Body. This is 79 00:04:15,400 --> 00:04:17,280 Speaker 1: the day that one of those interns would have really 80 00:04:17,320 --> 00:04:20,400 Speaker 1: earned some scripes because there's some roach cuts on the wall. Taylor, 81 00:04:20,480 --> 00:04:24,240 Speaker 1: come on, you still have intern status status? Come here, Taylor, 82 00:04:24,320 --> 00:04:27,600 Speaker 1: Taylor anymore? Taylor clean the roach. Come on, you're the 83 00:04:27,640 --> 00:04:29,560 Speaker 1: only person that works that I still got roaches at home. 84 00:04:29,600 --> 00:04:34,000 Speaker 1: So come you have experience, you do have experience. Well, 85 00:04:34,080 --> 00:04:37,400 Speaker 1: good morning, everybody's DJ m vy angela Ye, Charlomagne, the 86 00:04:37,440 --> 00:04:39,160 Speaker 1: guy we are the breakfast club. Good morning. So I 87 00:04:39,240 --> 00:04:43,400 Speaker 1: knew his family member Jim ninety four five roaches in 88 00:04:43,440 --> 00:04:46,000 Speaker 1: the studio. Every now we don't know, We usually don't. 89 00:04:46,080 --> 00:04:50,200 Speaker 1: I'm telling you, come back French Montana, DJ self, Noria 90 00:04:50,200 --> 00:04:54,120 Speaker 1: a little dirt. One of those four Negroes bought those roaches, guaranteed, 91 00:04:54,440 --> 00:04:56,480 Speaker 1: my goodness. All right, well, let's get in some front 92 00:04:56,520 --> 00:04:59,880 Speaker 1: page news. Now. NBA Playoffs. The Raptors beat the Heat 93 00:05:00,040 --> 00:05:02,360 Speaker 1: nine ninety one to take a three two series lead. 94 00:05:02,680 --> 00:05:05,000 Speaker 1: The Warriors beat the Blazes one twenty five to one 95 00:05:05,160 --> 00:05:08,280 Speaker 1: twenty one to advance to the Western Conference. I'm telling you, man, 96 00:05:08,320 --> 00:05:12,320 Speaker 1: the Warriors remind me so much of that seventy Bulls team, 97 00:05:12,360 --> 00:05:14,120 Speaker 1: really any Bulls team. And the reason why it is 98 00:05:14,120 --> 00:05:16,599 Speaker 1: because even when they're down, you just feel like they're 99 00:05:16,600 --> 00:05:18,520 Speaker 1: gonna win. You can't count. That's how it always wasn't 100 00:05:18,600 --> 00:05:21,159 Speaker 1: used to watch those Chicago dynasties. You just knew Michael Jordan, 101 00:05:21,200 --> 00:05:22,720 Speaker 1: the bulls were gonna find a way to win. It's 102 00:05:22,720 --> 00:05:24,320 Speaker 1: the same thing with Steph Curry in the wards. I 103 00:05:24,400 --> 00:05:26,400 Speaker 1: feel the same way. Now, let's talk about that team 104 00:05:26,440 --> 00:05:29,799 Speaker 1: that committed to suicide live on periscope social that's awful. 105 00:05:29,839 --> 00:05:32,880 Speaker 1: I'm gonna tell you what's even a right. Let's start 106 00:05:32,920 --> 00:05:36,760 Speaker 1: with that. She doesn't show herself actually committing suicide, but 107 00:05:36,800 --> 00:05:38,760 Speaker 1: it's all leading up to the suicide. There were five 108 00:05:38,839 --> 00:05:41,200 Speaker 1: live sessions. The last one was twenty nine minutes and 109 00:05:41,320 --> 00:05:43,520 Speaker 1: it was recorded moments before she killed herself. It's no 110 00:05:43,600 --> 00:05:47,440 Speaker 1: longer obviously available on periscope, but apparently she was upset 111 00:05:47,480 --> 00:05:50,560 Speaker 1: because she had been raped by her former boyfriend. Jesus, 112 00:05:50,720 --> 00:05:52,680 Speaker 1: she was about eighteen or nineteen years old. She sent 113 00:05:52,760 --> 00:05:55,400 Speaker 1: a text message to a friend of her former boyfriend 114 00:05:55,400 --> 00:05:58,200 Speaker 1: a few hours before she killed herself on Tuesday, and 115 00:05:58,279 --> 00:06:00,800 Speaker 1: in the text message she mentions islence and a rape 116 00:06:01,240 --> 00:06:03,280 Speaker 1: that he inflicted on her and said that she is 117 00:06:03,400 --> 00:06:06,040 Speaker 1: ending her days because of that harm that that young 118 00:06:06,120 --> 00:06:09,520 Speaker 1: man did to her. Killed a boyfriend. I don't know. 119 00:06:09,760 --> 00:06:12,640 Speaker 1: I can't answer those How nobody die? How about nobody? 120 00:06:13,680 --> 00:06:16,800 Speaker 1: I will tell you this that people were on periscope 121 00:06:16,880 --> 00:06:19,159 Speaker 1: encouraging her to kill herself. That's listen. First of all, 122 00:06:19,240 --> 00:06:21,000 Speaker 1: that's be clear about this. I keep telling y'all this 123 00:06:21,120 --> 00:06:23,120 Speaker 1: over and over. If you have problems, do not take 124 00:06:23,160 --> 00:06:24,960 Speaker 1: them to social media. If you think that you're gonna 125 00:06:24,960 --> 00:06:26,559 Speaker 1: go to social media and people are gonna be happy 126 00:06:26,720 --> 00:06:28,480 Speaker 1: and tell you good things that may talk you off 127 00:06:28,520 --> 00:06:30,280 Speaker 1: to legend, know they're gonna tell you things to make 128 00:06:30,320 --> 00:06:33,159 Speaker 1: you jump. Stop it. There's nothing but savages on social media. 129 00:06:33,200 --> 00:06:35,200 Speaker 1: And why would you take parias? Why would you take 130 00:06:35,240 --> 00:06:37,760 Speaker 1: your problems to social media? Everything is not a joke too. 131 00:06:37,800 --> 00:06:41,040 Speaker 1: When somebody is actually threatening to kill themselves, it's really 132 00:06:41,720 --> 00:06:44,040 Speaker 1: a nasty, disgusting thing to tell them go ahead and 133 00:06:44,120 --> 00:06:47,040 Speaker 1: do it, hurry up, kill yourself. That's awful. She jumped 134 00:06:47,040 --> 00:06:50,520 Speaker 1: in front of a tree. Yes, no, yeah, so she 135 00:06:50,640 --> 00:06:52,800 Speaker 1: was like by the tracks on pariscope. Was in Paris. 136 00:06:53,360 --> 00:06:55,360 Speaker 1: Nobody called, I don't know what is the not one 137 00:06:55,360 --> 00:06:56,960 Speaker 1: one in price whatever is in Paris? Body called the 138 00:06:57,040 --> 00:07:00,240 Speaker 1: number for emergency. She could have called, but he's just 139 00:07:00,360 --> 00:07:05,400 Speaker 1: Christ called yeah now, also Zimmerman. I hate Zimmermann speaking 140 00:07:05,400 --> 00:07:08,560 Speaker 1: to people. People who need to number no um. George 141 00:07:08,640 --> 00:07:10,920 Speaker 1: Zimmerman is auctioning off a gun that was used in 142 00:07:11,040 --> 00:07:14,800 Speaker 1: Trayvon Martin's death. Now he's saying the firearm for still 143 00:07:14,920 --> 00:07:16,880 Speaker 1: is a firearm that was used to defend my life 144 00:07:16,960 --> 00:07:20,720 Speaker 1: and end the brutal attack from Trayvon Martin. This is 145 00:07:20,760 --> 00:07:23,400 Speaker 1: a piece of American history. It has been featured in 146 00:07:23,520 --> 00:07:28,120 Speaker 1: several publications and in current university textbooks. According to George Zimmerman, 147 00:07:28,200 --> 00:07:31,520 Speaker 1: he has received several offers for this firearm, and he 148 00:07:31,600 --> 00:07:35,040 Speaker 1: said some individuals whose plans for the guns didn't sit 149 00:07:35,200 --> 00:07:38,040 Speaker 1: well with him. I cannot wait till karma comes back 150 00:07:38,080 --> 00:07:39,800 Speaker 1: to George Zama. I've been waiting for a long time 151 00:07:40,440 --> 00:07:41,880 Speaker 1: coming back. I mean, for all we know, he could 152 00:07:41,880 --> 00:07:43,560 Speaker 1: be going through a lot of things right now. He 153 00:07:43,640 --> 00:07:45,560 Speaker 1: may can't sleep at clearly he's trying to sell that 154 00:07:45,680 --> 00:07:47,960 Speaker 1: to make some money. I pray that Trayvon Martin spirit 155 00:07:48,120 --> 00:07:51,040 Speaker 1: is haunting him every night in his life, knocking over 156 00:07:51,120 --> 00:07:54,080 Speaker 1: things in the house and making noises, all kind of stuff. 157 00:07:54,320 --> 00:07:56,760 Speaker 1: All right, well that's front page news. Now tell him 158 00:07:56,760 --> 00:07:59,880 Speaker 1: why you're mad now, eight five eight five one on five. 159 00:08:00,040 --> 00:08:02,120 Speaker 1: Want to call us up right now? Maybe there's roaches 160 00:08:02,160 --> 00:08:03,800 Speaker 1: in your place of work and you're mad about that, 161 00:08:03,840 --> 00:08:06,040 Speaker 1: and put your live on air and tell us why 162 00:08:06,120 --> 00:08:08,240 Speaker 1: you're mad. Maybe you're mad at traffic. Maybe you're mad 163 00:08:08,320 --> 00:08:11,120 Speaker 1: your favorite NBA team lost. Maybe you're mad you didn't 164 00:08:11,160 --> 00:08:13,600 Speaker 1: getting one last night. Maybe you're having a herpes outbreak 165 00:08:13,640 --> 00:08:15,800 Speaker 1: this morning. That could be somebody in Boston's having a 166 00:08:15,840 --> 00:08:17,480 Speaker 1: herpes outbreak this morning. I want you to know that 167 00:08:17,600 --> 00:08:19,200 Speaker 1: this show is here for you. Oh boy, we don't 168 00:08:19,240 --> 00:08:21,720 Speaker 1: hurt pe Shane people here, Okay, all right? Eight ondred 169 00:08:22,200 --> 00:08:24,400 Speaker 1: five eight five one oh five one. A number again, 170 00:08:24,440 --> 00:08:27,000 Speaker 1: it's one eight hundred five eight five one oh five one, 171 00:08:27,080 --> 00:08:29,400 Speaker 1: and welcome to I knew his family member jam at 172 00:08:29,440 --> 00:08:32,360 Speaker 1: ninety four five in Boston. Hey, Boston man, did I 173 00:08:32,400 --> 00:08:35,839 Speaker 1: tell y'all six years ago, sou to my guy to 174 00:08:35,880 --> 00:08:37,640 Speaker 1: a Celtics heat game. He brought me to a Celtics 175 00:08:37,679 --> 00:08:40,600 Speaker 1: heat comes and then I went to the he's trying 176 00:08:40,600 --> 00:08:42,520 Speaker 1: to court you to work here. I don't even know. 177 00:08:42,920 --> 00:08:45,480 Speaker 1: Maybe I guess because I ended up working here. Worked. 178 00:08:45,559 --> 00:08:47,280 Speaker 1: But she's been through me at Ali you when it 179 00:08:47,360 --> 00:08:50,079 Speaker 1: came to a female, drop one the clues bombs. But 180 00:08:50,240 --> 00:08:52,360 Speaker 1: she can't hurt you. I don't know, but I can 181 00:08:52,440 --> 00:08:54,120 Speaker 1: tell the story because my wife is sleeping right now, 182 00:08:55,000 --> 00:08:56,559 Speaker 1: but mind you, this is six years ago as well. 183 00:08:57,240 --> 00:08:58,920 Speaker 1: Was in a different space in mind before you were married. 184 00:08:58,960 --> 00:09:00,640 Speaker 1: Another way before I was married. But you with your 185 00:09:00,679 --> 00:09:03,000 Speaker 1: wife since sixteen. But yeah, but that was in a 186 00:09:03,000 --> 00:09:04,959 Speaker 1: different space in my life. She was in South Carolina. 187 00:09:04,960 --> 00:09:07,679 Speaker 1: I was up here, okay, trying to make it but 188 00:09:07,920 --> 00:09:10,559 Speaker 1: um yeah, she spent throw me a great alley and 189 00:09:10,559 --> 00:09:15,120 Speaker 1: then whatever happened, I got married, not to her? Who 190 00:09:15,240 --> 00:09:17,319 Speaker 1: the girlfriend Boston? No, No, no, no, of course not 191 00:09:17,880 --> 00:09:19,760 Speaker 1: you guys still friends? Are you allowed to be friends? No? 192 00:09:19,800 --> 00:09:21,640 Speaker 1: I haven't spoke to her. She moved on with her 193 00:09:21,679 --> 00:09:24,959 Speaker 1: life as well. No, guyn't try to contact you. No, 194 00:09:25,600 --> 00:09:27,719 Speaker 1: she's in a relationship now. Great, she's a great girl. 195 00:09:27,840 --> 00:09:31,040 Speaker 1: That's crazy. That's your fundest memory of Boston. That's that's why, guys. 196 00:09:31,360 --> 00:09:33,880 Speaker 1: That's how guys remember things based off the vagina that 197 00:09:33,960 --> 00:09:37,640 Speaker 1: they received. And she blacked all of us on social media. 198 00:09:37,720 --> 00:09:39,200 Speaker 1: So I don't know what goes on in her life. 199 00:09:39,559 --> 00:09:45,360 Speaker 1: She has really damn that I didn't do anything. All right, Well, 200 00:09:45,360 --> 00:09:48,680 Speaker 1: tell them why you man? No recollection of me five 201 00:09:49,120 --> 00:09:51,000 Speaker 1: one of five one, Tell them why you man? Shout 202 00:09:51,040 --> 00:09:53,240 Speaker 1: the g spin shout, the pup dog shout the Maverick. 203 00:09:53,240 --> 00:09:55,280 Speaker 1: We appreciate you guys out in Boston and it's the 204 00:09:55,320 --> 00:10:02,880 Speaker 1: Breakfast the Morning, the Breakfast Club. Hey, Yo, Stax, you 205 00:10:02,960 --> 00:10:06,320 Speaker 1: know what makes you mad, but we can't handle them truth, 206 00:10:06,840 --> 00:10:08,560 Speaker 1: tell them why you mad? Want to pick the club? 207 00:10:09,960 --> 00:10:12,679 Speaker 1: This is Mario Open Bean town, baby Bean till what 208 00:10:12,800 --> 00:10:15,280 Speaker 1: I'm married, I'll tell them why you mad? Bro? Yo, Man, 209 00:10:15,320 --> 00:10:17,760 Speaker 1: I'm mad. At took this damn long for Boston to 210 00:10:17,840 --> 00:10:21,280 Speaker 1: get a real radio station. Man, y'all have to put 211 00:10:21,320 --> 00:10:25,120 Speaker 1: some real respect on Boston radio. Salute to Boston, Slute 212 00:10:25,120 --> 00:10:30,760 Speaker 1: to the beam Man after you man, it took that long. Man. Finally, finally, finally, man, 213 00:10:30,840 --> 00:10:34,160 Speaker 1: y'all better stick around. Man, we're planning too. We had plans. 214 00:10:34,200 --> 00:10:36,880 Speaker 1: We're coming to Buston soon too. Not listen, Whether we 215 00:10:36,920 --> 00:10:38,920 Speaker 1: stick around or not, it's not up to us, okay, 216 00:10:39,160 --> 00:10:41,000 Speaker 1: just like being on Boston was not up to us. 217 00:10:41,080 --> 00:10:43,079 Speaker 1: But we hope to be around. We're gonna keep it running. Hello, 218 00:10:43,120 --> 00:10:46,000 Speaker 1: who's this yo? Yo? Was handing the k train man 219 00:10:46,040 --> 00:10:49,400 Speaker 1: out of Columbian stock. A lot of what happening? Tell 220 00:10:49,440 --> 00:10:52,000 Speaker 1: them why you mad? Man, louke Man, I'm trying to 221 00:10:52,080 --> 00:10:55,319 Speaker 1: figure out what kind of well with Carolina. I got 222 00:10:55,400 --> 00:10:58,640 Speaker 1: to work this morning, and uh, nobody was already must 223 00:10:58,679 --> 00:11:02,559 Speaker 1: at four o'clock. I'm trying to talk to the clock. 224 00:11:03,240 --> 00:11:06,160 Speaker 1: You can't perspiate that month in the morning before you 225 00:11:06,280 --> 00:11:09,240 Speaker 1: get to the clock in and that you already. Maybe 226 00:11:09,240 --> 00:11:11,000 Speaker 1: they didn't go home last night, and maybe they put 227 00:11:11,040 --> 00:11:13,640 Speaker 1: on the same shirt they had on yesterday. Well, you 228 00:11:13,760 --> 00:11:15,920 Speaker 1: need to rewriter. You need to watch your clothe one 229 00:11:16,559 --> 00:11:18,800 Speaker 1: from Rome. Man, that's crazy. I can't stand the old, 230 00:11:18,840 --> 00:11:21,000 Speaker 1: funny and smelling ass boy in the morning. I'll tell 231 00:11:21,000 --> 00:11:25,800 Speaker 1: you man, he were meristed with all. Damn Hello, who's 232 00:11:25,840 --> 00:11:29,160 Speaker 1: this hey? Gotta tell y'all while I'm mad, But first 233 00:11:29,160 --> 00:11:31,160 Speaker 1: of all, I gotta respect for all. Y'all have been 234 00:11:31,200 --> 00:11:34,480 Speaker 1: following y'all career for a long time, so appreciate lucy y'all. 235 00:11:34,960 --> 00:11:37,440 Speaker 1: I'm mad, man because I live in the nap of Indiana. 236 00:11:37,520 --> 00:11:39,720 Speaker 1: First of all, y'all ain't down here. And the second 237 00:11:39,760 --> 00:11:45,360 Speaker 1: thing is, these potholes in these streets are Hardy's linement. 238 00:11:45,400 --> 00:11:47,480 Speaker 1: It's all jacked up. I hate it. I think it's 239 00:11:47,720 --> 00:11:51,600 Speaker 1: horrible and need to get it done. It's terrible. Thank you, bro. Hello, 240 00:11:51,679 --> 00:11:54,440 Speaker 1: who's this hey? This quarter party? Guard? Good Morning Guard, 241 00:11:54,559 --> 00:11:57,040 Speaker 1: Porter Party Guy with up. I'm good man, I want 242 00:11:57,080 --> 00:11:59,679 Speaker 1: to talk about this George Zimmerman thing man, talk to 243 00:11:59,760 --> 00:12:02,400 Speaker 1: me up with George Man bargaining out here? Man, he 244 00:12:02,960 --> 00:12:07,079 Speaker 1: got away with murder and you're pushing it. Yep, hey, y'all. 245 00:12:07,120 --> 00:12:09,280 Speaker 1: But I sent you guys my music tool man. Oh yeah, 246 00:12:09,280 --> 00:12:11,719 Speaker 1: I saw that yesterday. Charlomagne said that we would play 247 00:12:11,720 --> 00:12:13,760 Speaker 1: your record, and Envy got the record. I don't know 248 00:12:13,800 --> 00:12:16,079 Speaker 1: if he's gonna play it. You're gonna play it to 249 00:12:16,200 --> 00:12:18,080 Speaker 1: people are waiting for him to come back. I guess 250 00:12:18,080 --> 00:12:20,280 Speaker 1: we'll play it all right, Yo, got out to the 251 00:12:20,320 --> 00:12:25,679 Speaker 1: breakfast club, Porter Party, and you tell everybody, You call 252 00:12:25,720 --> 00:12:27,440 Speaker 1: all your friends, and you found your family and tell 253 00:12:27,480 --> 00:12:29,080 Speaker 1: her you about to be on the radio. I don't 254 00:12:29,080 --> 00:12:30,599 Speaker 1: know how to make music, but when you're on the 255 00:12:30,640 --> 00:12:33,559 Speaker 1: Porter Party. We don't know Porter Party Guy's real name 256 00:12:33,600 --> 00:12:35,959 Speaker 1: because I know his family, don't call him Porter Party guy. 257 00:12:36,360 --> 00:12:38,000 Speaker 1: I don't know, but tell him why you're mad. Eight 258 00:12:38,120 --> 00:12:40,520 Speaker 1: hundred five eight five one to five one. If you're upset, 259 00:12:40,559 --> 00:12:42,920 Speaker 1: you need to vent call us right now. It's the 260 00:12:42,960 --> 00:12:50,360 Speaker 1: Breakfast Club. Good morning, the Breakfast Club. Hey y'all, y hey, y'all, 261 00:12:50,400 --> 00:12:52,880 Speaker 1: good lord. I'll tell you why, Man, tell you why 262 00:12:52,920 --> 00:12:54,559 Speaker 1: back man, because I don't know in the club last 263 00:12:54,640 --> 00:12:56,200 Speaker 1: night and there was too many good girls in there yo. 264 00:12:56,280 --> 00:12:57,640 Speaker 1: For men, we don't need none of your good girls 265 00:12:57,640 --> 00:12:59,840 Speaker 1: in the pub. We need loose girlfriend they drop girvidys 266 00:13:00,120 --> 00:13:02,640 Speaker 1: because we didn't go call away. We don't need you guys. 267 00:13:02,679 --> 00:13:04,760 Speaker 1: Go to the go go away. Talk about it and 268 00:13:04,840 --> 00:13:07,120 Speaker 1: tell me why you mad breakfast club for REALM tell 269 00:13:07,160 --> 00:13:11,320 Speaker 1: you why. I'm man Zimmermann, y'all. I feel like if 270 00:13:11,360 --> 00:13:14,680 Speaker 1: this should is poking line is stick right now? That's 271 00:13:14,720 --> 00:13:17,960 Speaker 1: crazy that that's because you know one kills me. Man. 272 00:13:18,000 --> 00:13:20,040 Speaker 1: I think about all these rappers who'll be talking tough. 273 00:13:20,120 --> 00:13:22,600 Speaker 1: They'll make Instagram videos saying they're gonna torch your radio 274 00:13:22,679 --> 00:13:25,320 Speaker 1: personalities like myself. You don't never see them say they're 275 00:13:25,320 --> 00:13:28,360 Speaker 1: gonna ride on George Zimmerman though, right, right, right right? 276 00:13:28,440 --> 00:13:32,760 Speaker 1: The one man that that truly truly is I feel 277 00:13:32,760 --> 00:13:36,719 Speaker 1: like he definitely you might have some folks at one 278 00:13:36,920 --> 00:13:40,440 Speaker 1: talking about you want to buy a rope? That's crazy. 279 00:13:40,600 --> 00:13:42,920 Speaker 1: Hey use the word tw many times now, young thug, 280 00:13:42,960 --> 00:13:44,400 Speaker 1: how about you make a video saying you're gonna talk 281 00:13:44,440 --> 00:13:46,440 Speaker 1: you George M burn man, how about you and your 282 00:13:46,480 --> 00:13:48,120 Speaker 1: guns run up on George him and tell him put 283 00:13:48,160 --> 00:13:51,400 Speaker 1: some respect on your name. Let's respect on Trayvon Martin's name. Hello. 284 00:13:51,480 --> 00:13:54,800 Speaker 1: Who's this yo? It's up man, It's a Bobby from Boston. Man, 285 00:13:55,040 --> 00:13:57,040 Speaker 1: what's up? Bro? The morning? I listen to you all 286 00:13:57,080 --> 00:14:00,360 Speaker 1: the time? Man? So o, man, you want dolf? Why 287 00:14:00,360 --> 00:14:02,199 Speaker 1: are y'all black people awake in Boston this time of 288 00:14:02,200 --> 00:14:03,480 Speaker 1: the morning, And why you will make y'all get up 289 00:14:03,480 --> 00:14:05,319 Speaker 1: at a certain time out? They've got a job, man? 290 00:14:05,480 --> 00:14:09,040 Speaker 1: You get for years? No, No, I'm not working, okay, 291 00:14:09,120 --> 00:14:11,680 Speaker 1: so do you man when you work at I lost? 292 00:14:12,000 --> 00:14:14,240 Speaker 1: All right? Well we got to Porter Party record. Oh 293 00:14:14,240 --> 00:14:16,480 Speaker 1: we got Porter Party record. A little bit of it. 294 00:14:16,600 --> 00:14:18,480 Speaker 1: Let's do a little out, a little context with people. 295 00:14:18,559 --> 00:14:21,000 Speaker 1: Let's just joining us like Boston Porter Party guys. A 296 00:14:21,320 --> 00:14:24,080 Speaker 1: listener who calls up here every morning, every morning. He's 297 00:14:24,240 --> 00:14:26,360 Speaker 1: listening for five years, big supporter. He comes to our 298 00:14:26,400 --> 00:14:28,840 Speaker 1: breakfast club and a roshery parties and everything, and he 299 00:14:28,960 --> 00:14:32,120 Speaker 1: cleans Porter parties for a living. But he does music, yes, 300 00:14:32,400 --> 00:14:34,440 Speaker 1: so he just he just wants that one shot, that 301 00:14:34,560 --> 00:14:37,120 Speaker 1: one chance to blow you know what I mean? Lucas 302 00:14:37,320 --> 00:14:42,560 Speaker 1: lose yourself moment. Porter Partty Guy aka Sean Stone featuring 303 00:14:43,280 --> 00:14:47,920 Speaker 1: Jeff Light. All right, let's play it mane hustless. How 304 00:14:47,960 --> 00:14:49,880 Speaker 1: to get it for the jungle because men at the 305 00:14:50,000 --> 00:14:51,800 Speaker 1: time out I'm paid dudes out of them at MOS 306 00:14:51,840 --> 00:14:53,880 Speaker 1: nine get for the stunt and say nine get on 307 00:14:54,040 --> 00:14:56,440 Speaker 1: doing like that. Tell me why are you moving? Like? 308 00:14:56,920 --> 00:14:58,960 Speaker 1: Tell me why you moving like? I'm joy to hate 309 00:14:59,000 --> 00:15:00,720 Speaker 1: his trying to take shots that he shooting like shack, 310 00:15:00,880 --> 00:15:10,280 Speaker 1: come on, le roller yo, Sean shot, drop it down, 311 00:15:11,200 --> 00:15:14,800 Speaker 1: ship popped in the ship. Boy. We know at the time, 312 00:15:15,040 --> 00:15:18,280 Speaker 1: guy's being locked and we're loud from from the boy. 313 00:15:18,280 --> 00:15:21,240 Speaker 1: Don't get it. Them stacks right next to me, Ben 314 00:15:21,400 --> 00:15:24,280 Speaker 1: Steve and like on sid listen, I'm standing right next 315 00:15:24,320 --> 00:15:27,080 Speaker 1: to me. Yeah, so that was Porter Potty's record drop 316 00:15:27,200 --> 00:15:28,880 Speaker 1: one of the clues bombs from Porter Party Guy. I'm 317 00:15:28,880 --> 00:15:31,200 Speaker 1: gonna be honest with you. Play enough listen. I had 318 00:15:31,240 --> 00:15:33,400 Speaker 1: to put it in context. I'm thinking to myself, I'm like, 319 00:15:33,440 --> 00:15:35,400 Speaker 1: that's not bad for a Porter Party Guy. I didn't 320 00:15:35,400 --> 00:15:37,280 Speaker 1: know what a Porter Party guy would sound like. That 321 00:15:37,480 --> 00:15:39,840 Speaker 1: actually don't sound bad, but not for nothing. He has 322 00:15:39,880 --> 00:15:42,880 Speaker 1: a little auto tune in his voice that he could 323 00:15:42,920 --> 00:15:44,520 Speaker 1: have used in the Porter potty a lot of future, 324 00:15:44,520 --> 00:15:46,080 Speaker 1: a lot of tea pain. He might have recorded that 325 00:15:46,120 --> 00:15:47,960 Speaker 1: in the Porter Party. That's why I got that effect. 326 00:15:48,080 --> 00:15:49,960 Speaker 1: Shout all right, shout to him. Tell me if y'all 327 00:15:50,000 --> 00:15:52,120 Speaker 1: like that, recommend hit us up at DJMV on Twitter, 328 00:15:52,200 --> 00:15:54,040 Speaker 1: at Angelie on Twitter, I see the God on Twitter, 329 00:15:54,160 --> 00:15:56,720 Speaker 1: or at Breakfast Club Am on Twitter. All right, when 330 00:15:56,760 --> 00:15:58,840 Speaker 1: we come back like that record, we got rumors up you, 331 00:15:58,960 --> 00:16:01,160 Speaker 1: we're gonna talk about a brand new TV show that's coming. 332 00:16:01,240 --> 00:16:04,640 Speaker 1: Also Amber Rose, is she bringing the slut Walk back? 333 00:16:04,880 --> 00:16:08,840 Speaker 1: We'll tell you about that. And Kylie Jenner and Tiger 334 00:16:09,280 --> 00:16:13,120 Speaker 1: allegedly it's over for good this time? Oh all right, 335 00:16:13,200 --> 00:16:15,480 Speaker 1: all that and more, keep it locking over getting next hour, 336 00:16:15,640 --> 00:16:18,400 Speaker 1: Angie Martinez will be joining us. She has a new book. 337 00:16:18,640 --> 00:16:21,200 Speaker 1: We'll talk to her all about it. So don't go anywhere. 338 00:16:21,200 --> 00:16:28,040 Speaker 1: It's the Breakfast Club, Good Morning, the Breakfast Club, Blister. 339 00:16:28,880 --> 00:16:35,320 Speaker 1: It's just oh gosh, it's the rumor reports. It's rum 340 00:16:35,480 --> 00:16:39,520 Speaker 1: report Breakfast Club. Well now, the rumor is that Kylie 341 00:16:39,640 --> 00:16:42,080 Speaker 1: Jenner and Tiger are finished broken up for good. They 342 00:16:42,160 --> 00:16:44,680 Speaker 1: broken up a few times in the past, but apparently 343 00:16:44,760 --> 00:16:47,040 Speaker 1: they didn't walk the red carpet at the met ball together. 344 00:16:47,120 --> 00:16:49,720 Speaker 1: They were both there, they didn't show up together. They 345 00:16:49,760 --> 00:16:52,200 Speaker 1: had actually broken up before that, but she was upset 346 00:16:52,280 --> 00:16:54,560 Speaker 1: he got invited because of her. But he still went 347 00:16:54,720 --> 00:16:56,920 Speaker 1: even though they were broken up, so she felt like 348 00:16:57,000 --> 00:16:59,880 Speaker 1: she should have made sure he was uninvited. Now, somebody 349 00:17:00,080 --> 00:17:02,880 Speaker 1: told me behind the scenes that the reason they broke 350 00:17:02,960 --> 00:17:04,480 Speaker 1: up is because he borrowed some money from her and 351 00:17:04,480 --> 00:17:08,120 Speaker 1: then wouldn't pay her back. First of all, Kylie, if 352 00:17:08,160 --> 00:17:10,320 Speaker 1: I borrow money from you, I can't pay you back. 353 00:17:10,400 --> 00:17:12,040 Speaker 1: How can I pay you back? If I'm borrowing money 354 00:17:12,080 --> 00:17:14,119 Speaker 1: from you, think about it. Maybe you shouldn't check on 355 00:17:14,160 --> 00:17:15,600 Speaker 1: the way. Baby should have a shaw. I'll get it 356 00:17:15,640 --> 00:17:17,280 Speaker 1: right back. If I was t god, I'd stay with Kylie. 357 00:17:17,359 --> 00:17:19,240 Speaker 1: Would have benefits. But let's be clear, Well he wants 358 00:17:19,280 --> 00:17:21,840 Speaker 1: to I'm sure mc Kylie don't want to look to say, 359 00:17:21,840 --> 00:17:23,479 Speaker 1: and since she turned eighteen she was hot on when 360 00:17:23,520 --> 00:17:27,280 Speaker 1: she was under underage. Yes, that's a creepy thing to say. 361 00:17:27,400 --> 00:17:32,679 Speaker 1: What's the truth, but she's not aging well, but moving on. Allegedly, 362 00:17:32,800 --> 00:17:35,200 Speaker 1: Tiger also took his mom and a model out to 363 00:17:35,359 --> 00:17:38,120 Speaker 1: lunch from Mother's Day and he's not telling his friends 364 00:17:38,160 --> 00:17:40,520 Speaker 1: whether or not that's his new girlfriend. So looks like 365 00:17:40,640 --> 00:17:45,200 Speaker 1: that's a doom for failure now. Chris Brown versus Kevin McCall. Now, 366 00:17:45,240 --> 00:17:47,800 Speaker 1: I don't even understand quite how this beef just started. 367 00:17:47,800 --> 00:17:49,199 Speaker 1: I know they've been going back and forth a few 368 00:17:49,280 --> 00:17:51,399 Speaker 1: times in the past. It's in a while now, right, 369 00:17:51,520 --> 00:17:53,760 Speaker 1: But the way this one just now started, I'm not 370 00:17:53,880 --> 00:17:57,920 Speaker 1: really sure. No one, Yeah, what just happened now? Kevin 371 00:17:58,000 --> 00:18:01,480 Speaker 1: McCall tweeted, Uh, Chris Brown, why am I signed to you? 372 00:18:01,640 --> 00:18:03,600 Speaker 1: You're not cut from the same cloth as me. That's 373 00:18:03,640 --> 00:18:06,000 Speaker 1: why you get jealous and try to blackball me, especially 374 00:18:06,040 --> 00:18:08,879 Speaker 1: after my cousin Rihanna called my cell phone in the 375 00:18:08,920 --> 00:18:11,320 Speaker 1: studio way back and your thirsty crack pipe ass all 376 00:18:11,359 --> 00:18:13,920 Speaker 1: in my phone and started tripping out. He went on 377 00:18:14,080 --> 00:18:15,960 Speaker 1: and on and on, and then he said, when I 378 00:18:16,040 --> 00:18:18,160 Speaker 1: no longer have any ties to Chris Brown, I'll chill. 379 00:18:18,240 --> 00:18:20,879 Speaker 1: He stole from two babies and stole from me. He 380 00:18:21,119 --> 00:18:25,320 Speaker 1: knows that fade and paperwork. Chris Brown responded, this n 381 00:18:25,400 --> 00:18:28,120 Speaker 1: word is standing outside playing keyboard at his grandma's house. 382 00:18:28,400 --> 00:18:31,280 Speaker 1: He would have gotten more change in Hollywood Boulevard. RCA 383 00:18:31,400 --> 00:18:33,639 Speaker 1: dropped you you blocked your own blessing. I'm cool with 384 00:18:33,720 --> 00:18:37,040 Speaker 1: boat both your baby mothers. Why aren't you paper trail shorty? 385 00:18:37,119 --> 00:18:39,600 Speaker 1: He is crying for help, So I'll be really talk 386 00:18:40,040 --> 00:18:42,440 Speaker 1: taking your money when this tour starts. All those Kevin 387 00:18:42,520 --> 00:18:44,440 Speaker 1: mccaugh fans are just waiting to spend their money on 388 00:18:44,520 --> 00:18:46,520 Speaker 1: some seats. It's lonely at the top, but I bet 389 00:18:46,560 --> 00:18:48,280 Speaker 1: it super sucks all the way at the bottom and 390 00:18:48,359 --> 00:18:52,640 Speaker 1: broke now. He also posted this video on Instagram, Chris Brown, 391 00:18:52,960 --> 00:18:56,160 Speaker 1: I just woke up and I thought about something. If 392 00:18:56,240 --> 00:18:58,640 Speaker 1: this wrote all these songs that he claiming he wrote, 393 00:18:58,880 --> 00:19:01,680 Speaker 1: why he right? No more? Oh wait, this is just 394 00:19:01,800 --> 00:19:04,720 Speaker 1: one part of my house. This is life before came 395 00:19:04,800 --> 00:19:10,320 Speaker 1: Mat and life after came Mat. Man, I'm gonna stop 396 00:19:10,359 --> 00:19:13,919 Speaker 1: playing with this. I have no problem with Kevin mccaull 397 00:19:13,960 --> 00:19:16,240 Speaker 1: threatening the safety of the khaki colored kids of the world. 398 00:19:16,320 --> 00:19:19,280 Speaker 1: Watch your mouth. Um. You know, sometimes beige guys need 399 00:19:19,320 --> 00:19:21,640 Speaker 1: a beating. But they both look silly on social media 400 00:19:21,760 --> 00:19:24,040 Speaker 1: going back and forth. Y'all both live in La. Either 401 00:19:24,119 --> 00:19:26,080 Speaker 1: meet up and catch each other's face. Doesn't seem like 402 00:19:26,119 --> 00:19:28,400 Speaker 1: it's at If you're Chris, let let him out the paperwork. 403 00:19:28,480 --> 00:19:30,520 Speaker 1: Whatever all that social media and back and forth. You 404 00:19:30,600 --> 00:19:33,240 Speaker 1: both look like Sissy's all right, amber Rose, it's gonna 405 00:19:33,240 --> 00:19:35,760 Speaker 1: be doing her second annual SlutWalk. That's gonna happen in 406 00:19:35,840 --> 00:19:38,280 Speaker 1: downtown LA on October first, So everybody that wants to 407 00:19:38,359 --> 00:19:41,320 Speaker 1: sign up for that, just letting you know, make your plans. 408 00:19:42,560 --> 00:19:44,920 Speaker 1: I will say this, I saw something yesterday. I feel 409 00:19:44,960 --> 00:19:48,119 Speaker 1: like Amber Rose has finally honed in on exactly what 410 00:19:48,280 --> 00:19:49,840 Speaker 1: she wants to slut walk to be, because I saw 411 00:19:49,880 --> 00:19:53,600 Speaker 1: the thing that says it's a fight against gender inequality 412 00:19:53,680 --> 00:19:56,720 Speaker 1: and rape culture. Okay, that's what it says on the 413 00:19:56,840 --> 00:19:59,879 Speaker 1: actual flyer or whatever. Even though I don't like to 414 00:20:00,160 --> 00:20:02,600 Speaker 1: terms SlutWalk. I think you said that on the website 415 00:20:02,760 --> 00:20:04,359 Speaker 1: if you went to it last year. Also, well, I 416 00:20:04,400 --> 00:20:07,560 Speaker 1: don't read um details like that, but I'm just saying like, 417 00:20:07,600 --> 00:20:09,879 Speaker 1: I like, I don't like the name slut walk, but 418 00:20:10,000 --> 00:20:12,720 Speaker 1: I like the cause that it's against, right, you know 419 00:20:12,760 --> 00:20:15,160 Speaker 1: what I mean. But walk is not originated by Amber Rose. 420 00:20:15,160 --> 00:20:17,480 Speaker 1: It's something that's been going on in different countries, different 421 00:20:17,520 --> 00:20:21,240 Speaker 1: cities for years now, and that is your rumor report. 422 00:20:21,280 --> 00:20:23,879 Speaker 1: I'm angela ye all right, missie. Now again, welcome to 423 00:20:23,960 --> 00:20:26,800 Speaker 1: our newest family member, Jim and Nanny four five in Boston, 424 00:20:27,600 --> 00:20:30,600 Speaker 1: Luthalla Cape Verdians in Boston, and Verdians what I say, 425 00:20:32,200 --> 00:20:33,280 Speaker 1: I don't know what that say. They know what I 426 00:20:33,359 --> 00:20:36,720 Speaker 1: met Verdians. And then Ambrose, one of them produce is 427 00:20:36,720 --> 00:20:39,320 Speaker 1: actually Kate Verdian too. You don't look as good as Ambrose. 428 00:20:39,600 --> 00:20:43,480 Speaker 1: He had the same kind of haircut. You never seen 429 00:20:43,560 --> 00:20:47,440 Speaker 1: him in the Babishi Luthalla Cape Verdi in Boston Bean Town. 430 00:20:48,480 --> 00:20:51,200 Speaker 1: All right, Well, when we come back, Angie Martinez will 431 00:20:51,200 --> 00:20:53,919 Speaker 1: be joining the legendary Angie Martinez. You put some respect 432 00:20:53,960 --> 00:20:57,399 Speaker 1: on Angie Martine's name and her career. Her book. Mob 433 00:20:57,520 --> 00:20:59,719 Speaker 1: voices in books I wanted to say in Fetus if 434 00:20:59,720 --> 00:21:01,440 Speaker 1: they were you can say that because it reads like 435 00:21:01,520 --> 00:21:04,520 Speaker 1: a movie. But it's in book starts May seventeen, pre 436 00:21:04,640 --> 00:21:07,200 Speaker 1: order right now, amazing book. We're gonna talk about it 437 00:21:07,240 --> 00:21:08,800 Speaker 1: when we come back. It's a lot to talk about, 438 00:21:09,240 --> 00:21:10,399 Speaker 1: keep a lot. I don't know how much we can 439 00:21:10,440 --> 00:21:13,959 Speaker 1: talk about though, because it's like, well, let's see, there's 440 00:21:14,000 --> 00:21:15,760 Speaker 1: a lot of great stories in there. So we'll tell 441 00:21:15,800 --> 00:21:17,840 Speaker 1: you a few of them with Angie, and then you 442 00:21:17,960 --> 00:21:19,840 Speaker 1: have to figure out there's a lot more great stuff 443 00:21:19,840 --> 00:21:22,159 Speaker 1: in there. All right, Angie Martinez, when we come back, 444 00:21:22,200 --> 00:21:25,119 Speaker 1: it's the Breakfast Club, Go Morning. That was Tory Lane's 445 00:21:25,160 --> 00:21:29,080 Speaker 1: would saying morning. Everybody is dj MG, Angela Ye, Charlomagne 446 00:21:29,160 --> 00:21:31,879 Speaker 1: the guy we are the breakfast Club. Well, we have 447 00:21:32,000 --> 00:21:34,680 Speaker 1: to builder out this lady's face because it's on Diddy's 448 00:21:35,359 --> 00:21:38,080 Speaker 1: voting book. And did he rarely after reading the book, 449 00:21:38,119 --> 00:21:41,640 Speaker 1: doesn't want her. I think they have to reading the book. 450 00:21:41,640 --> 00:21:43,880 Speaker 1: I think they clean they clean out. Yeah, yeah, yeah yeah, 451 00:21:44,040 --> 00:21:48,800 Speaker 1: say your phrase is not blurt? All right? Starting me 452 00:21:49,119 --> 00:21:51,800 Speaker 1: nervous at the time. First of all, this book, my 453 00:21:51,960 --> 00:21:55,359 Speaker 1: voice is amazing. Angie does not like compliments with. This 454 00:21:55,480 --> 00:21:58,119 Speaker 1: book is a testamental book and a documentation of a 455 00:21:58,200 --> 00:22:01,560 Speaker 1: classic career in class six stories. And I love it. 456 00:22:01,960 --> 00:22:04,399 Speaker 1: And Andy read the book and he hasn't read a 457 00:22:04,440 --> 00:22:07,080 Speaker 1: book in fifteen years. That alone is very exciting. He 458 00:22:07,160 --> 00:22:08,440 Speaker 1: read it. I'm gonna tell you why he read it. 459 00:22:08,920 --> 00:22:10,359 Speaker 1: Me and Angelie came in here one day and he 460 00:22:10,400 --> 00:22:19,080 Speaker 1: was like, yom and you smoke crack and that day 461 00:22:19,119 --> 00:22:20,800 Speaker 1: and I said, not only did she smoke crack, but 462 00:22:20,880 --> 00:22:32,280 Speaker 1: the crack was originally ready to read. Everybody's like, how 463 00:22:32,359 --> 00:22:35,920 Speaker 1: many times smoke crack a crackhead a little question, and 464 00:22:36,040 --> 00:22:38,680 Speaker 1: she did it with a pipe. She had plans to 465 00:22:38,720 --> 00:22:42,680 Speaker 1: do it again on New Year. Wait. Wait, so this 466 00:22:42,800 --> 00:22:44,040 Speaker 1: is what it takes for you to want to read 467 00:22:44,040 --> 00:22:47,960 Speaker 1: a book. This is what it takes. I didn't believe you. 468 00:22:47,960 --> 00:22:51,720 Speaker 1: Should see his eyes. He was like, it was a mistake. 469 00:22:52,000 --> 00:22:55,479 Speaker 1: Oh God, that's gonna be the head. It was a mistake. 470 00:22:56,840 --> 00:22:58,560 Speaker 1: It was a mistake. I mean it was a mistake 471 00:22:58,600 --> 00:23:00,399 Speaker 1: in terms of I was a kid. I know, it 472 00:23:00,480 --> 00:23:03,720 Speaker 1: wasn't a big ecademic kid. It wasn't like known to everybody, 473 00:23:03,760 --> 00:23:06,280 Speaker 1: so it was just another way to smoke weed or 474 00:23:06,359 --> 00:23:09,440 Speaker 1: whatever that wasn't there. The only reason plain it is 475 00:23:09,440 --> 00:23:10,760 Speaker 1: because we don't want to make it seem like you 476 00:23:10,880 --> 00:23:14,040 Speaker 1: like I'm a crackhead. Please. It was an accident. I 477 00:23:14,119 --> 00:23:16,280 Speaker 1: think that's a great comeback. You started off a crackhead, 478 00:23:16,320 --> 00:23:20,480 Speaker 1: and now I look at you, that's a hello, Hello, 479 00:23:21,400 --> 00:23:23,440 Speaker 1: Shut the hell out. It was one time, though. I 480 00:23:23,440 --> 00:23:25,080 Speaker 1: just want to make it clear. It was one time, 481 00:23:25,160 --> 00:23:27,040 Speaker 1: and it was kind of an accident, and I mean 482 00:23:27,080 --> 00:23:30,080 Speaker 1: it was stupid. Look, come on, man, okay, I should 483 00:23:30,119 --> 00:23:34,640 Speaker 1: probably did something as a kid where you were like, okay, well, 484 00:23:34,640 --> 00:23:37,280 Speaker 1: what's the same thing that was a crack fried cocaine 485 00:23:38,440 --> 00:23:41,520 Speaker 1: that Now I didn't know that at the moment until 486 00:23:41,680 --> 00:23:44,040 Speaker 1: literally after it happened, and I'm watching the news and 487 00:23:44,080 --> 00:23:46,040 Speaker 1: I was like, oh god. I was like, maybe I 488 00:23:46,080 --> 00:23:48,040 Speaker 1: should smoke crack then, because I want to have a 489 00:23:48,160 --> 00:23:54,880 Speaker 1: nice career, like as you I'd say it in the book. 490 00:23:55,000 --> 00:23:57,040 Speaker 1: That's the thing. It's like, it was great, it was amazing, 491 00:23:58,440 --> 00:24:00,800 Speaker 1: plans to do it again. I'm let me tell you 492 00:24:00,880 --> 00:24:03,560 Speaker 1: all the page it it's like half a paragraph, and 493 00:24:03,680 --> 00:24:05,320 Speaker 1: I was the whole book is going to be about 494 00:24:05,400 --> 00:24:08,280 Speaker 1: this one bad review, a crack for you to start 495 00:24:09,080 --> 00:24:11,000 Speaker 1: that was it? No? Because it wasn't. It was like 496 00:24:11,040 --> 00:24:13,080 Speaker 1: a special and that all of a sudden, then maybe 497 00:24:13,119 --> 00:24:14,760 Speaker 1: it was out already and people were talking. Maybe I 498 00:24:14,800 --> 00:24:17,320 Speaker 1: wasn't paying attention until I had. Then you do it 499 00:24:17,359 --> 00:24:18,800 Speaker 1: and then you're like, oh, I think that's what just 500 00:24:18,880 --> 00:24:21,120 Speaker 1: happened to me. Now I feel I did ecstasy before, 501 00:24:21,119 --> 00:24:23,760 Speaker 1: and then I saw that special family on ecstasy, and 502 00:24:23,800 --> 00:24:27,800 Speaker 1: then you were like, maybe I should not do this again. 503 00:24:28,680 --> 00:24:35,600 Speaker 1: Friends crack still crack. Question that special may not have 504 00:24:35,680 --> 00:24:39,640 Speaker 1: affected your friends? First of all a friends friends movie. 505 00:24:40,000 --> 00:24:43,240 Speaker 1: It was first of all, It wasn't like my friends. 506 00:24:43,320 --> 00:24:44,879 Speaker 1: It was like some kids that I hung out with 507 00:24:45,119 --> 00:24:47,800 Speaker 1: my grandmother's house in her neighborhood at the park. It 508 00:24:47,920 --> 00:24:49,800 Speaker 1: was just bad influences and who knows. I don't know 509 00:24:49,840 --> 00:24:51,359 Speaker 1: what happened to that. I haven't seen them. Those they 510 00:24:51,359 --> 00:24:53,160 Speaker 1: weren't like my friends. They were like the kids. God, 511 00:24:53,200 --> 00:24:55,440 Speaker 1: they were like the kids from my grandmother's black Glad 512 00:24:55,440 --> 00:24:57,399 Speaker 1: you got better friends, thank you, man. Yeah, none of 513 00:24:57,480 --> 00:24:59,639 Speaker 1: my friends. Absolutely, it seemed like you've always been a 514 00:24:59,680 --> 00:25:02,159 Speaker 1: pretty private present. Wasn't hard because you like kind of 515 00:25:02,240 --> 00:25:06,399 Speaker 1: gave up a lot. Yeah, I did, I know, And 516 00:25:06,480 --> 00:25:09,000 Speaker 1: it's strange how comfortable I didn't feel about it. Yeah, 517 00:25:09,040 --> 00:25:11,399 Speaker 1: I feel like I gave myself out. So when I 518 00:25:11,440 --> 00:25:13,800 Speaker 1: started writing, I was like, I'm gonna just write everything 519 00:25:13,920 --> 00:25:16,600 Speaker 1: as it is. I mean with everybody, with my family, 520 00:25:16,640 --> 00:25:18,399 Speaker 1: with mine, like whatever, let me just write it as 521 00:25:18,440 --> 00:25:20,720 Speaker 1: it is, and then I'll assess and then I'll be 522 00:25:20,800 --> 00:25:22,760 Speaker 1: like I could either cut but do all that. But 523 00:25:22,880 --> 00:25:25,159 Speaker 1: once it's out and you realize, like everything happens for 524 00:25:25,200 --> 00:25:27,000 Speaker 1: a reason, even that even the cracting. I use that 525 00:25:27,000 --> 00:25:29,520 Speaker 1: as an example to say, like I have compassion for 526 00:25:29,600 --> 00:25:32,120 Speaker 1: people who have addictions and who get go down bad 527 00:25:32,200 --> 00:25:34,720 Speaker 1: roads because of things like that. So I think everything 528 00:25:34,800 --> 00:25:37,359 Speaker 1: in my story in my life is for a reason. 529 00:25:37,560 --> 00:25:39,240 Speaker 1: So there's nothing I'm ashamed of. And so I just 530 00:25:39,320 --> 00:25:42,000 Speaker 1: wrote it. And then I was like, what about other 531 00:25:42,080 --> 00:25:44,440 Speaker 1: people that you're telling stories about? Some of these people 532 00:25:44,520 --> 00:25:46,680 Speaker 1: in my book, and maybe some of them are not 533 00:25:46,760 --> 00:25:49,000 Speaker 1: going to be in the most flattering light in their opinion, 534 00:25:49,040 --> 00:25:51,680 Speaker 1: but it's your story and what really happened. Yeah, you're 535 00:25:51,680 --> 00:25:53,840 Speaker 1: a pointing you did you have to say? Okay, let 536 00:25:53,920 --> 00:25:55,760 Speaker 1: me let them know. I keep saying that I'm going to. 537 00:25:55,840 --> 00:25:58,640 Speaker 1: I haven't made the calls yet, but maybe before maybe, Yeah, 538 00:25:58,680 --> 00:26:01,199 Speaker 1: I'm gonna maybe today when I leave here, I'll make 539 00:26:01,240 --> 00:26:03,960 Speaker 1: those calls. I'll make them buy a copy. I'm torn 540 00:26:04,000 --> 00:26:07,040 Speaker 1: about it because I feel like whatever happened people know happen. 541 00:26:07,320 --> 00:26:09,560 Speaker 1: So I'm not saying anything that's not true. Number one, 542 00:26:09,680 --> 00:26:13,160 Speaker 1: And it's but you went a little in some people's feelings, 543 00:26:13,680 --> 00:26:17,320 Speaker 1: But those are my feelings I don't talk about. It's 544 00:26:17,320 --> 00:26:19,600 Speaker 1: not from a judgmental or I'm trying to hurt nobody. 545 00:26:19,840 --> 00:26:21,720 Speaker 1: I'm just telling you, like what my route is and 546 00:26:21,840 --> 00:26:24,440 Speaker 1: how I learned lessons because of things that happened. So 547 00:26:25,040 --> 00:26:27,080 Speaker 1: as long as it's under that umbrella, I felt okay 548 00:26:27,160 --> 00:26:29,200 Speaker 1: with it, and I don't feel like I hurt anybody, 549 00:26:29,320 --> 00:26:32,639 Speaker 1: like anybody's life. Did people hit you and say did 550 00:26:32,680 --> 00:26:34,159 Speaker 1: you put me in the book? I get that all 551 00:26:34,200 --> 00:26:35,720 Speaker 1: the time, Like, first of all, you're not even in 552 00:26:35,760 --> 00:26:39,399 Speaker 1: the book. I don't know why people that are like 553 00:26:39,480 --> 00:26:41,680 Speaker 1: I kind of know, like did I make the book? 554 00:26:41,720 --> 00:26:43,840 Speaker 1: They're like, no, I'm so sorry. You don't surprised me. 555 00:26:45,000 --> 00:26:48,720 Speaker 1: Finances with you? You was terrible, money was terrible, bad. 556 00:26:48,800 --> 00:26:50,840 Speaker 1: Well you said that surprised is very suprise You didn't 557 00:26:50,840 --> 00:26:53,959 Speaker 1: have those problems when you started. No, you gotta really twice. 558 00:26:54,119 --> 00:26:55,800 Speaker 1: I've been in that situation once where I had to 559 00:26:55,840 --> 00:26:58,040 Speaker 1: go to court? Were you already known it on the radio? 560 00:26:58,160 --> 00:27:00,520 Speaker 1: And good thing was the problems with my things when 561 00:27:00,520 --> 00:27:02,359 Speaker 1: I got fired from Wendy. She had to end up 562 00:27:02,400 --> 00:27:04,399 Speaker 1: going to court. But it was just that feeling like that, 563 00:27:04,840 --> 00:27:06,840 Speaker 1: you're so popping you were do whenever you were on radio, 564 00:27:06,880 --> 00:27:10,600 Speaker 1: you were doing every club. I was like why Then 565 00:27:10,640 --> 00:27:12,960 Speaker 1: I was down at that eviction notice like this with 566 00:27:13,080 --> 00:27:15,960 Speaker 1: the hoodie on, like, oh god, why did this happen 567 00:27:16,040 --> 00:27:19,879 Speaker 1: to me? I just was irresponsible I just was I 568 00:27:20,000 --> 00:27:22,200 Speaker 1: had never really learned how to do that, and so 569 00:27:22,359 --> 00:27:24,320 Speaker 1: I was like, you know, you get an envelope of 570 00:27:24,400 --> 00:27:27,520 Speaker 1: cash and you just spend it, right, And I was ripping. 571 00:27:27,560 --> 00:27:29,760 Speaker 1: I'm talking about from morning to night, working in the 572 00:27:29,800 --> 00:27:32,200 Speaker 1: club and come home, so you know, my mailbox. I 573 00:27:32,240 --> 00:27:34,200 Speaker 1: would check it, like you know, once every two weeks. 574 00:27:34,320 --> 00:27:36,880 Speaker 1: It just wasn't something in those bills were an important 575 00:27:36,920 --> 00:27:38,720 Speaker 1: in pain. It was a life of people feel like that. 576 00:27:38,800 --> 00:27:40,480 Speaker 1: And even now, I think one thing you didn't I 577 00:27:40,480 --> 00:27:42,080 Speaker 1: don't see. He explained that how did you and Mary 578 00:27:42,119 --> 00:27:44,000 Speaker 1: gets still cool that you could pick up the phone 579 00:27:44,040 --> 00:27:48,840 Speaker 1: and some money. This was Mary was popping at this time. Yeah, 580 00:27:48,880 --> 00:27:50,560 Speaker 1: but Mary, you know, I don't want to ever tell 581 00:27:50,600 --> 00:27:53,080 Speaker 1: her business. But you know, Mary has gone through things 582 00:27:53,119 --> 00:27:55,159 Speaker 1: in her life too, and we've both been friends to 583 00:27:55,240 --> 00:27:57,119 Speaker 1: each other during those times. I think Mary trust me, 584 00:27:57,160 --> 00:27:59,680 Speaker 1: and I've always trusted her, even in this, even writing 585 00:27:59,680 --> 00:28:01,440 Speaker 1: a story about something that she helped me. I'm gonna 586 00:28:01,480 --> 00:28:03,560 Speaker 1: let her know, like you know, I'm telling the story, 587 00:28:03,760 --> 00:28:06,240 Speaker 1: you know, so she knows, and I think she just 588 00:28:06,359 --> 00:28:07,680 Speaker 1: you know, we came up at the same time, so 589 00:28:07,800 --> 00:28:10,480 Speaker 1: she's putting her first album out. I'm just getting started 590 00:28:10,520 --> 00:28:12,800 Speaker 1: popping on the radio. It was her. She would listen 591 00:28:12,840 --> 00:28:14,159 Speaker 1: to the radio and then she'd come up to my 592 00:28:14,200 --> 00:28:15,760 Speaker 1: show and she was like, I love you so much 593 00:28:15,800 --> 00:28:17,040 Speaker 1: on the radio, and we just, I don't know, we 594 00:28:17,160 --> 00:28:18,399 Speaker 1: just clicked and then we would go out and we 595 00:28:18,520 --> 00:28:20,640 Speaker 1: hang out, and then you know, she has some things 596 00:28:20,680 --> 00:28:22,240 Speaker 1: going on in her life, and we just were always 597 00:28:22,480 --> 00:28:24,840 Speaker 1: We're both capricorns. We have like a very I don't know, 598 00:28:24,960 --> 00:28:27,440 Speaker 1: a unique kind of understanding of each other. I wanted 599 00:28:28,119 --> 00:28:30,840 Speaker 1: even to now, like even now Mary and Angie going 600 00:28:30,840 --> 00:28:33,080 Speaker 1: into a check cash and play. Do you understand what 601 00:28:33,119 --> 00:28:34,680 Speaker 1: I'm saying in the middle of did she have a 602 00:28:34,800 --> 00:28:37,800 Speaker 1: check order? I don't know why I love that story 603 00:28:37,840 --> 00:28:40,680 Speaker 1: because I don't. It's so her, She's so regular. She's 604 00:28:40,760 --> 00:28:42,600 Speaker 1: such a regular girl. You know, by the way, if 605 00:28:42,600 --> 00:28:47,120 Speaker 1: you missed those two stories, the crack story and can't 606 00:28:47,160 --> 00:28:51,560 Speaker 1: find one in the hood, why the story? Why have 607 00:28:51,720 --> 00:28:53,400 Speaker 1: all the stories in the book goes in the two 608 00:28:53,480 --> 00:28:58,560 Speaker 1: things that you are negative ass resonated to them. That's 609 00:28:58,560 --> 00:29:00,840 Speaker 1: what saddened me about the book though, because it's like, y'all, era, 610 00:29:01,160 --> 00:29:03,680 Speaker 1: you'll never see that again, like you and Mary coming 611 00:29:03,720 --> 00:29:08,640 Speaker 1: up together. Listen to my album and the Queen. We're 612 00:29:08,680 --> 00:29:10,760 Speaker 1: not getting that some of those things I just take 613 00:29:10,800 --> 00:29:13,440 Speaker 1: for granted. What everybody knows these stories. You know, everybody 614 00:29:13,520 --> 00:29:16,160 Speaker 1: knows that Jay Z and R Kelly got into something 615 00:29:16,200 --> 00:29:18,040 Speaker 1: at the garden and pulled the show in the middle 616 00:29:18,040 --> 00:29:19,560 Speaker 1: of the show and then came up to the radio 617 00:29:19,600 --> 00:29:21,320 Speaker 1: station and interviewed with me at two in the morning. 618 00:29:21,480 --> 00:29:24,560 Speaker 1: Everybody knows that story. But then you write these stories 619 00:29:24,640 --> 00:29:27,000 Speaker 1: and you start talking to people. I did colleges last week, 620 00:29:27,080 --> 00:29:28,920 Speaker 1: and I'm telling these stories and they're like, what it 621 00:29:29,000 --> 00:29:31,720 Speaker 1: doesn't seem real. Like even reading I'm like, well, this 622 00:29:31,880 --> 00:29:34,120 Speaker 1: really happened. It makes me realize how important it is 623 00:29:34,160 --> 00:29:36,040 Speaker 1: to document it. I feel like a lot of stories, 624 00:29:36,080 --> 00:29:38,440 Speaker 1: especially radio, things that happened on the radio that just 625 00:29:38,520 --> 00:29:40,560 Speaker 1: for some reason like not well documented. I don't know 626 00:29:40,640 --> 00:29:43,160 Speaker 1: what that why? Or you know, you know everything about artists, 627 00:29:43,160 --> 00:29:45,920 Speaker 1: you know everything about videos because it's all visual, you've 628 00:29:45,920 --> 00:29:48,360 Speaker 1: seen it on TV. But the stories that happen on radio, 629 00:29:48,760 --> 00:29:51,360 Speaker 1: who documents that? Right? All? Right, Well, we have more 630 00:29:51,440 --> 00:29:54,040 Speaker 1: with Angie Martinez when we come back. Keep a Lock, 631 00:29:54,120 --> 00:29:57,280 Speaker 1: Don't go Anywhere. It's the Breakfast clogal Morning, the Breakfast 632 00:29:57,360 --> 00:30:02,960 Speaker 1: Club that was back to sleep, Chris Brown The Morning, 633 00:30:03,000 --> 00:30:06,239 Speaker 1: Everybody as DJ n Vy, Angela Yee, Charlomagne the Guy. 634 00:30:06,280 --> 00:30:09,080 Speaker 1: We are the breakfast club. We have Angie Martinez in 635 00:30:09,160 --> 00:30:11,120 Speaker 1: the building. She has a new book called My Voice, 636 00:30:11,160 --> 00:30:13,320 Speaker 1: and you could pre order that now. I was really surprised. 637 00:30:13,360 --> 00:30:15,080 Speaker 1: You got so personal in this book. You gave so 638 00:30:15,160 --> 00:30:17,240 Speaker 1: much of your personal life, but you can't write about 639 00:30:17,280 --> 00:30:21,320 Speaker 1: your life. Did he like, we know, like it was 640 00:30:21,360 --> 00:30:23,640 Speaker 1: just hate? It is a terrible word. Did He at 641 00:30:23,680 --> 00:30:26,400 Speaker 1: one point said he wasn't my favorite person? At one 642 00:30:26,480 --> 00:30:32,880 Speaker 1: pointed as we broadcast on vote, didn't We both have 643 00:30:33,000 --> 00:30:35,200 Speaker 1: come a very long way because when we worked in 644 00:30:35,200 --> 00:30:37,520 Speaker 1: the other building, it was like, no what Diddy with 645 00:30:37,600 --> 00:30:39,520 Speaker 1: Diddy and nobody else with Diddy? That's what it was. 646 00:30:39,760 --> 00:30:42,560 Speaker 1: That's a damn line that plenty of people messed with him. 647 00:30:42,640 --> 00:30:44,760 Speaker 1: I just chose to not because we didn't have the 648 00:30:44,800 --> 00:30:46,560 Speaker 1: best relationship and I didn't want to ever have to 649 00:30:46,600 --> 00:30:48,360 Speaker 1: fake it, and we never talked about it. I guess 650 00:30:48,360 --> 00:30:50,200 Speaker 1: we should probably talk about it after this, especially since 651 00:30:50,280 --> 00:30:52,680 Speaker 1: this airs on a vote. But you know, we've come 652 00:30:52,720 --> 00:30:54,560 Speaker 1: a long way. Man. I tell a story about him 653 00:30:54,600 --> 00:30:57,080 Speaker 1: being super supportive during the marathon and donating all that 654 00:30:57,160 --> 00:30:59,440 Speaker 1: money and you know he's who he is. But what 655 00:30:59,600 --> 00:31:02,640 Speaker 1: was it? You didn't h it was just moments you 656 00:31:02,720 --> 00:31:04,520 Speaker 1: read the book. Well, I'm saying it for people who 657 00:31:04,560 --> 00:31:06,720 Speaker 1: are listening. There were moments that happened. Well, they could 658 00:31:06,720 --> 00:31:11,360 Speaker 1: read the book too. There are moments that happened where 659 00:31:11,440 --> 00:31:14,400 Speaker 1: you know his agenda was different than mine, and you 660 00:31:14,480 --> 00:31:17,960 Speaker 1: know he was aggressive about his agenda as I was mine, 661 00:31:18,160 --> 00:31:21,360 Speaker 1: and so sometimes that just kind of bumped heads. Ran 662 00:31:21,480 --> 00:31:24,480 Speaker 1: up on you one time, well ran up a strong Yeah, 663 00:31:24,560 --> 00:31:28,080 Speaker 1: I mean it was like a suitable he ran up 664 00:31:28,160 --> 00:31:30,600 Speaker 1: on you and you said in the head he forced 665 00:31:30,640 --> 00:31:40,000 Speaker 1: me to smoke crack crack and then out of my 666 00:31:40,000 --> 00:31:44,240 Speaker 1: apartment and I was evicted. I was hopeless, a puffy 667 00:31:44,520 --> 00:31:48,040 Speaker 1: and then you did um had tupockets you in here 668 00:31:48,120 --> 00:31:50,920 Speaker 1: as well. Yeah, that says a lot about your character 669 00:31:51,080 --> 00:31:53,040 Speaker 1: because I know for me, if that was me and 670 00:31:53,080 --> 00:31:56,480 Speaker 1: I when I did, you would have totally aired. I'm 671 00:31:57,880 --> 00:32:00,920 Speaker 1: you won't believe. Here's the thing. I love that about you, 672 00:32:01,200 --> 00:32:04,120 Speaker 1: and I like and I respect different people's perspectives on 673 00:32:04,240 --> 00:32:06,000 Speaker 1: how they choose to use their mics, on how they 674 00:32:06,080 --> 00:32:08,600 Speaker 1: choose because it's important to have different voices you know, 675 00:32:08,640 --> 00:32:11,040 Speaker 1: it's important to have people who just want to tell 676 00:32:11,080 --> 00:32:14,680 Speaker 1: it as it is, point blank. What I've learned is 677 00:32:14,800 --> 00:32:18,080 Speaker 1: that I can't bend myself to do what other people do. 678 00:32:18,240 --> 00:32:20,560 Speaker 1: Like if I spent my day trying to be Charlemagne, 679 00:32:20,600 --> 00:32:23,720 Speaker 1: I would fail miserably, right, And so it's and I 680 00:32:23,960 --> 00:32:26,960 Speaker 1: need security. And then that's one of the things. It's like, 681 00:32:27,040 --> 00:32:28,840 Speaker 1: there's a place for all these different type of voices. 682 00:32:28,880 --> 00:32:31,040 Speaker 1: And it took me a while to really appreciate my 683 00:32:31,160 --> 00:32:33,120 Speaker 1: own and want to make sure that I'm always true 684 00:32:33,160 --> 00:32:35,960 Speaker 1: to it. What made you tell that story? What the story? 685 00:32:36,320 --> 00:32:40,280 Speaker 1: The pop story? And you talked about that story that 686 00:32:40,480 --> 00:32:42,280 Speaker 1: was honestly, if I could tell, if I could be honest, 687 00:32:42,360 --> 00:32:46,280 Speaker 1: that was one of the milder stories. Really, yeah, it was. Yeah, 688 00:32:46,320 --> 00:32:50,160 Speaker 1: that was old story. He tells that was a milder story. 689 00:32:50,280 --> 00:32:52,800 Speaker 1: And and honestly, one of the reasons I've dreaded ever 690 00:32:52,880 --> 00:32:55,920 Speaker 1: putting stuff out was because of how it affect outside 691 00:32:55,920 --> 00:32:58,640 Speaker 1: people that weren't involved. You know, But at this point, 692 00:32:59,000 --> 00:33:01,440 Speaker 1: I'm starting to realize that it's kind of part of history. 693 00:33:01,600 --> 00:33:04,800 Speaker 1: It's not for me to protect. I think everybody's kind 694 00:33:04,800 --> 00:33:07,640 Speaker 1: of moved on with their lives. At this point, the 695 00:33:07,680 --> 00:33:09,720 Speaker 1: whole two hours, I am at some point you know, 696 00:33:10,040 --> 00:33:11,640 Speaker 1: you know what, Oh, you know what upsets me is 697 00:33:11,680 --> 00:33:13,960 Speaker 1: that I've been trying to reach POC's mom for the 698 00:33:14,000 --> 00:33:15,720 Speaker 1: past like a couple of months to try to figure 699 00:33:15,760 --> 00:33:17,640 Speaker 1: I've been trying to get with her, to try to 700 00:33:17,720 --> 00:33:19,200 Speaker 1: talk to her about a couple of things, about what 701 00:33:19,360 --> 00:33:21,640 Speaker 1: her thoughts were. I really wanted to be respectful about 702 00:33:21,680 --> 00:33:25,040 Speaker 1: however it comes out. And also she has the original. 703 00:33:25,280 --> 00:33:26,920 Speaker 1: I put a note in there that Pockets set me 704 00:33:27,080 --> 00:33:29,160 Speaker 1: and his mom has the original. So I was trying 705 00:33:29,160 --> 00:33:30,720 Speaker 1: to get in touch with her for both of those things, 706 00:33:30,960 --> 00:33:34,000 Speaker 1: and unfortunately she passed. So I'm not sure where it's 707 00:33:34,000 --> 00:33:36,280 Speaker 1: going to happen, but it just has to be like 708 00:33:36,480 --> 00:33:39,200 Speaker 1: respectful and done well. At this point, it's been so 709 00:33:39,320 --> 00:33:40,720 Speaker 1: long that you said you didn't want to put it 710 00:33:40,760 --> 00:33:42,400 Speaker 1: out because you didn't want to call it problems. But 711 00:33:42,520 --> 00:33:45,520 Speaker 1: then Pocket Big both got killed. Yeah, but imagine they 712 00:33:45,560 --> 00:33:47,160 Speaker 1: would have both got killed and I would have put 713 00:33:47,200 --> 00:33:49,200 Speaker 1: it out. I would make you feel that I would 714 00:33:49,240 --> 00:33:51,200 Speaker 1: have ever held that like, did I have something to 715 00:33:51,240 --> 00:33:53,440 Speaker 1: do with that? Is it? Because of you know, I 716 00:33:53,480 --> 00:33:55,960 Speaker 1: would have always worried that's something so grateful that I didn't, 717 00:33:55,960 --> 00:33:57,680 Speaker 1: because honestly, I would have lived with that forever. I 718 00:33:57,800 --> 00:33:59,280 Speaker 1: agree with that lot of the moves that you made 719 00:33:59,320 --> 00:34:01,640 Speaker 1: in the book because I felt like a lot of 720 00:34:01,680 --> 00:34:03,480 Speaker 1: said that Angie Martinez did if I was in that 721 00:34:03,600 --> 00:34:06,000 Speaker 1: same situation, I'm like, I probably would have did the 722 00:34:06,040 --> 00:34:08,000 Speaker 1: same thing, yeah, because I do feel like a sense 723 00:34:08,080 --> 00:34:12,120 Speaker 1: of responsibility to other people and not causing more issues 724 00:34:12,160 --> 00:34:15,440 Speaker 1: than necessary, especially when something can be violent the way 725 00:34:15,480 --> 00:34:17,760 Speaker 1: that it was as harsh as it was. It's crazy 726 00:34:17,800 --> 00:34:19,719 Speaker 1: when you think about that time and how hostile it 727 00:34:19,800 --> 00:34:21,960 Speaker 1: wasn't how I mean you remember like everybody it was 728 00:34:22,640 --> 00:34:25,480 Speaker 1: it was real, like if it wasn't like a gossip 729 00:34:25,520 --> 00:34:28,160 Speaker 1: blog like it was scary, it was like real. You 730 00:34:28,280 --> 00:34:30,640 Speaker 1: felt like people were gonna get touched, and people did 731 00:34:30,840 --> 00:34:32,640 Speaker 1: and they did and we but you didn't know to 732 00:34:32,719 --> 00:34:34,880 Speaker 1: what extent how many like it just felt like this, 733 00:34:35,080 --> 00:34:37,360 Speaker 1: It felt very dark, like a bad time. It was. 734 00:34:37,480 --> 00:34:38,640 Speaker 1: It was a bad time. What did the gems? I 735 00:34:38,680 --> 00:34:40,600 Speaker 1: would say I got from you and watching you is 736 00:34:40,840 --> 00:34:43,080 Speaker 1: what people don't understand is you know how to do everything. 737 00:34:43,560 --> 00:34:46,440 Speaker 1: You know how to clutch tape, how to run your 738 00:34:46,440 --> 00:34:49,160 Speaker 1: own ball, and you're real anal with that, Like if 739 00:34:49,200 --> 00:34:52,360 Speaker 1: somebody works with age, you gotta know she wanted perfect 740 00:34:52,400 --> 00:34:54,719 Speaker 1: and people don't know that about you, like you do everything. Yeah, 741 00:34:54,840 --> 00:34:59,200 Speaker 1: let nobody do anything to this day you still Angie's 742 00:34:59,200 --> 00:35:01,759 Speaker 1: gotten a few fired over here for you know what 743 00:35:01,800 --> 00:35:06,759 Speaker 1: I'm saying. But that's not my fault. That's whoever that 744 00:35:06,920 --> 00:35:09,759 Speaker 1: person's fault. It's like, you know, I can't and I 745 00:35:09,800 --> 00:35:11,680 Speaker 1: think as I've gotten older and more like I just 746 00:35:12,280 --> 00:35:15,799 Speaker 1: I don't can't tolerate being like somebody that's not good. 747 00:35:16,120 --> 00:35:19,200 Speaker 1: The platters, can't tolerate people who are lazy or people 748 00:35:19,239 --> 00:35:21,239 Speaker 1: who are not committed. I'm committed to what I do, 749 00:35:21,640 --> 00:35:23,839 Speaker 1: so if you are part of my team, I need 750 00:35:23,880 --> 00:35:25,680 Speaker 1: you also to be committed to whatever your piece of 751 00:35:25,800 --> 00:35:27,920 Speaker 1: that is. But like editing, I still take prior to 752 00:35:28,120 --> 00:35:30,640 Speaker 1: my my stuff. So I feel like until I have 753 00:35:30,760 --> 00:35:32,920 Speaker 1: another are Martinez next to me who can edit it 754 00:35:33,040 --> 00:35:35,120 Speaker 1: and know exactly what I want to do, then I 755 00:35:35,160 --> 00:35:37,440 Speaker 1: gotta do it myself. There ever be another Aree Martine, 756 00:35:37,520 --> 00:35:40,399 Speaker 1: because you don't see kids doing the internships the way 757 00:35:40,520 --> 00:35:42,600 Speaker 1: that we did coming up, and think of that nature 758 00:35:42,800 --> 00:35:48,440 Speaker 1: working in the promo department. Yeah, because they're lazy. I 759 00:35:48,480 --> 00:35:49,719 Speaker 1: don't even know how to tell kids to be a 760 00:35:49,800 --> 00:35:53,200 Speaker 1: radio personality anymore. Yeah, no, probably a different path. It's 761 00:35:53,200 --> 00:35:55,280 Speaker 1: a different like you have to go online, guess onlines 762 00:35:55,320 --> 00:35:58,359 Speaker 1: people that are becoming celebrities in other places and then 763 00:35:58,600 --> 00:36:00,759 Speaker 1: wind up. It's just it's just a different path. But 764 00:36:00,960 --> 00:36:04,359 Speaker 1: the work ethic and the drive has to still be there. 765 00:36:04,560 --> 00:36:06,560 Speaker 1: You know, you can't do exactly what you did or 766 00:36:06,600 --> 00:36:09,080 Speaker 1: I did, or any of us did. You should take 767 00:36:09,239 --> 00:36:11,400 Speaker 1: from it the work ethic and the drive and the 768 00:36:11,680 --> 00:36:13,320 Speaker 1: you know, in the time you put into what you do. 769 00:36:13,880 --> 00:36:15,920 Speaker 1: All right, we have more with Angie Martinez when we 770 00:36:16,040 --> 00:36:18,359 Speaker 1: come back, keeping it locked. It's the Breakfast Club. Good Morning. 771 00:36:18,920 --> 00:36:21,960 Speaker 1: That was anned old Travis Scott, Good morning everybody. It's 772 00:36:22,040 --> 00:36:24,880 Speaker 1: DJ Envy angela Ye, Charlemagne the guy we all the 773 00:36:24,920 --> 00:36:27,239 Speaker 1: Breakfast Club, and good morning too. I knew his family 774 00:36:27,320 --> 00:36:29,879 Speaker 1: member out in Boston, Jim and ninety four or five. 775 00:36:29,960 --> 00:36:32,800 Speaker 1: Good morning to Boston. That we have Angie Martinez in 776 00:36:32,840 --> 00:36:34,560 Speaker 1: the building. She has a new book called The Voice. 777 00:36:34,600 --> 00:36:36,600 Speaker 1: You could pre order that right now. Go Forward, is 778 00:36:36,640 --> 00:36:38,440 Speaker 1: by j Cole. A lot of people. First of all, 779 00:36:38,440 --> 00:36:39,640 Speaker 1: I didn't know so many people didn't know what the 780 00:36:39,640 --> 00:36:41,840 Speaker 1: foreword was because people are like, I know, they're like, 781 00:36:41,960 --> 00:36:46,000 Speaker 1: what does that mean? Why? I'm like, come on, that's honestly. 782 00:36:46,040 --> 00:36:47,359 Speaker 1: That's the only thing I didn't like about the book. 783 00:36:48,280 --> 00:36:50,439 Speaker 1: And I liked what he wrote, but I just didn't 784 00:36:50,480 --> 00:36:52,960 Speaker 1: feel like, what made you to stay closed? Yeah, I 785 00:36:52,960 --> 00:36:56,600 Speaker 1: feel like Jay Z or somebody, Oh, I feel opposite. 786 00:36:56,760 --> 00:36:58,840 Speaker 1: I felt opposite because I think my space in the 787 00:36:58,920 --> 00:37:01,720 Speaker 1: culture is that, like, you know, I have this history, 788 00:37:01,840 --> 00:37:03,560 Speaker 1: but I'm also still very much in it. I mean, 789 00:37:03,600 --> 00:37:05,919 Speaker 1: you could check my ratings in the afternoon. We're still 790 00:37:09,880 --> 00:37:13,759 Speaker 1: but I'm very great, but we have amazing numbers in 791 00:37:13,800 --> 00:37:17,000 Speaker 1: the afternoons. And so it's like I feel I have 792 00:37:17,160 --> 00:37:18,800 Speaker 1: like one foot and this side and one foot in 793 00:37:18,840 --> 00:37:21,000 Speaker 1: this sidem, which is a unique position to be in. 794 00:37:21,320 --> 00:37:22,839 Speaker 1: I talk about one of the interviews in the book 795 00:37:22,840 --> 00:37:25,680 Speaker 1: about having rock him meet aside Rocky for the first time, 796 00:37:26,320 --> 00:37:29,080 Speaker 1: and to me, that's like my perfect space in the culture, 797 00:37:29,160 --> 00:37:31,120 Speaker 1: somebody that could speak to who rock Ham is and 798 00:37:31,560 --> 00:37:33,640 Speaker 1: what he means and have that passion for it, but 799 00:37:33,800 --> 00:37:36,400 Speaker 1: also look at somebody like aside Rocky and appreciate him 800 00:37:36,440 --> 00:37:39,000 Speaker 1: and want to show, you know, want to put that together. 801 00:37:39,040 --> 00:37:41,600 Speaker 1: And so for Cole, the thing about Cole is. I 802 00:37:41,640 --> 00:37:43,400 Speaker 1: feel like Cole is really a student of the culture, 803 00:37:43,440 --> 00:37:46,440 Speaker 1: like he's somebody who cares, and so in telling my 804 00:37:46,600 --> 00:37:49,360 Speaker 1: story to not just the people that were there, but 805 00:37:49,480 --> 00:37:51,279 Speaker 1: telling my story to people that are new and may 806 00:37:51,320 --> 00:37:53,719 Speaker 1: not know these stories, it was he's the perfect person 807 00:37:53,840 --> 00:37:56,439 Speaker 1: to kind of deliver it to that and he also 808 00:37:56,480 --> 00:37:58,520 Speaker 1: speaks to the fact that there's things to be learned 809 00:37:58,560 --> 00:38:00,400 Speaker 1: from the way we came up and the way that 810 00:38:00,560 --> 00:38:02,440 Speaker 1: you know, radio was at that time and hip hop 811 00:38:02,600 --> 00:38:04,439 Speaker 1: was at that time. So it was perfect. I really 812 00:38:04,480 --> 00:38:07,560 Speaker 1: asked him for a quote in the back, but he 813 00:38:07,760 --> 00:38:10,040 Speaker 1: just was like, I just wrote what I felt. I know, 814 00:38:10,120 --> 00:38:11,560 Speaker 1: it's a little long, I don't really know what you 815 00:38:11,600 --> 00:38:14,359 Speaker 1: want to do with it, and I just I think 816 00:38:14,400 --> 00:38:16,200 Speaker 1: he's amazing, and I was. I was. It was the 817 00:38:16,280 --> 00:38:17,920 Speaker 1: perfect one. I think Jay would have been like so 818 00:38:18,120 --> 00:38:21,640 Speaker 1: predictable and so like what could he say that hasn't 819 00:38:21,640 --> 00:38:23,920 Speaker 1: already been said in terms of like, we don't know, 820 00:38:24,840 --> 00:38:26,680 Speaker 1: maybe he could, maybe he could have, Maybe he could 821 00:38:26,719 --> 00:38:29,600 Speaker 1: have then, but maybe Part two, maybe yeah, maybe the 822 00:38:29,640 --> 00:38:32,200 Speaker 1: second maybe the second book, he'll he'll grace me with 823 00:38:32,320 --> 00:38:34,600 Speaker 1: a with a forward. I just felt like where I 824 00:38:34,680 --> 00:38:37,040 Speaker 1: am in twenty sixteen right now and the reasons I'm 825 00:38:37,080 --> 00:38:39,680 Speaker 1: doing the book and how I feel about my career. 826 00:38:40,320 --> 00:38:42,759 Speaker 1: I thought Cole was the perfect person, speaking of whole 827 00:38:42,840 --> 00:38:45,000 Speaker 1: he used to let you hit all his albums before 828 00:38:45,040 --> 00:38:46,840 Speaker 1: you put him out. Was there ever any songs you 829 00:38:46,880 --> 00:38:49,359 Speaker 1: told him was whack that still ended up being hits? Yeah? 830 00:38:49,840 --> 00:38:51,919 Speaker 1: Probably his biggest song ever was a hard Knock Life. 831 00:38:51,960 --> 00:38:54,880 Speaker 1: I hated it, really I did. I hated it singing 832 00:38:54,960 --> 00:38:57,160 Speaker 1: because I used to love the Anti soundtrack and I 833 00:38:57,280 --> 00:38:59,359 Speaker 1: just was like, you come on, this is I thought 834 00:38:59,360 --> 00:39:06,200 Speaker 1: it was like, this is terrible, terrible, but I was like, 835 00:39:06,320 --> 00:39:08,279 Speaker 1: it's all right, are you gonna single? Like I don't 836 00:39:08,280 --> 00:39:09,840 Speaker 1: think And of course it's you know, it's biggest, one 837 00:39:09,840 --> 00:39:11,920 Speaker 1: of his biggest songs ever. What did he say after that? 838 00:39:12,600 --> 00:39:15,120 Speaker 1: I think he just would always take opinion and just 839 00:39:15,280 --> 00:39:17,239 Speaker 1: kind of take it for what it was. I don't 840 00:39:17,280 --> 00:39:18,880 Speaker 1: think it was like he's like, I'm gonna change my 841 00:39:18,960 --> 00:39:20,560 Speaker 1: single now because you don't like it. I don't think 842 00:39:20,600 --> 00:39:22,480 Speaker 1: it was that, but I think he liked to the 843 00:39:22,520 --> 00:39:23,880 Speaker 1: same way. It's like, I gave this book to a 844 00:39:23,920 --> 00:39:25,759 Speaker 1: few people and it's soul like, especially when you guys 845 00:39:25,840 --> 00:39:28,440 Speaker 1: gave me feedback. People who are in your career, who 846 00:39:29,160 --> 00:39:31,239 Speaker 1: you know. It's important to hear what you resonated to 847 00:39:31,360 --> 00:39:33,080 Speaker 1: what you liked that you didn't like. So I think 848 00:39:33,120 --> 00:39:34,520 Speaker 1: for him it was the same thing. And I think 849 00:39:34,560 --> 00:39:36,719 Speaker 1: he trusted me and and so that became like a thing. 850 00:39:37,080 --> 00:39:39,000 Speaker 1: Are you at the point where you realize that you 851 00:39:39,120 --> 00:39:45,920 Speaker 1: and your peers are indeed legends. I don't know. I 852 00:39:46,000 --> 00:39:48,640 Speaker 1: mean some of my peers, absolutely, I do. I feel 853 00:39:48,640 --> 00:39:50,919 Speaker 1: like I feel like I've made my mark. I feel 854 00:39:50,960 --> 00:39:52,600 Speaker 1: like I have done some great things, but there's so 855 00:39:52,719 --> 00:39:54,359 Speaker 1: much other things I want to do that I feel 856 00:39:54,400 --> 00:39:57,200 Speaker 1: like people like some One of the college kids asked 857 00:39:57,239 --> 00:39:58,960 Speaker 1: me the other day, when did you feel like you 858 00:39:59,080 --> 00:40:00,759 Speaker 1: made it? I was like, I I still don't feel like. 859 00:40:00,800 --> 00:40:03,600 Speaker 1: I mean, I still feel like I want to do films. 860 00:40:03,640 --> 00:40:05,759 Speaker 1: I want to write a movie script, I want to 861 00:40:05,800 --> 00:40:07,600 Speaker 1: do TV. I want to do but could be a 862 00:40:07,719 --> 00:40:11,279 Speaker 1: movie I want to maybe it will be yea. I 863 00:40:11,360 --> 00:40:13,200 Speaker 1: was talking about that the other day. I think I 864 00:40:13,239 --> 00:40:16,520 Speaker 1: could see everything as like im like a mix between 865 00:40:16,560 --> 00:40:19,239 Speaker 1: like a modern like coming of age, like a brown 866 00:40:19,320 --> 00:40:22,520 Speaker 1: sugar in the crack pipe and the trail will be 867 00:40:25,640 --> 00:40:29,800 Speaker 1: let me. There's a love stories, there's fights, there's work, 868 00:40:30,280 --> 00:40:34,319 Speaker 1: there's struggle, there's success. Who would play that? Was? That's 869 00:40:34,360 --> 00:40:36,160 Speaker 1: the question though? Who would play me? I don't know. 870 00:40:36,560 --> 00:40:40,920 Speaker 1: I don't know as a youngster Selena Gomez, Selena Gomez? 871 00:40:41,040 --> 00:40:45,440 Speaker 1: Who you got? Who? Then? Probably unknown? Yeah, I have 872 00:40:45,440 --> 00:40:47,319 Speaker 1: to be an unknown problem. You talked about your love life, 873 00:40:47,320 --> 00:40:50,160 Speaker 1: which was surprising. Could you couldn't wait to get to 874 00:40:50,239 --> 00:40:53,000 Speaker 1: that man? There was one guy and you dated him 875 00:40:53,040 --> 00:40:55,200 Speaker 1: and I know him too that I'm back in the 876 00:40:55,320 --> 00:40:57,439 Speaker 1: day and when I work at Woutang he worked out loud. 877 00:40:57,719 --> 00:41:05,239 Speaker 1: Oh yeah you did. Was always a cute couple, the 878 00:41:05,320 --> 00:41:08,439 Speaker 1: first one of the first pop power, the first power. Yeah, 879 00:41:08,440 --> 00:41:10,279 Speaker 1: but we were so like people didn't really know. No, 880 00:41:10,400 --> 00:41:12,560 Speaker 1: we were very kind of just like below the radar, 881 00:41:12,640 --> 00:41:16,080 Speaker 1: So we didn't tell you. Wendy Williams, Oh, don't get 882 00:41:16,120 --> 00:41:18,360 Speaker 1: off the qute tip things so fast now, because you know, 883 00:41:18,400 --> 00:41:23,680 Speaker 1: they tell a lot of women nowadays, what's happening. They 884 00:41:23,760 --> 00:41:25,759 Speaker 1: tell a lot of women in radio nowadays. Don't mix 885 00:41:26,000 --> 00:41:28,319 Speaker 1: the business with the pleasure. Yeah. Did they tell men 886 00:41:28,400 --> 00:41:30,319 Speaker 1: that too? Or just women? Just women? It's a double 887 00:41:30,600 --> 00:41:33,280 Speaker 1: Why is that? Why is that? I don't know, It's stupid. 888 00:41:34,520 --> 00:41:36,399 Speaker 1: I mean, you know, it's whoever. Some people, I guess 889 00:41:36,440 --> 00:41:38,320 Speaker 1: it works for some people, it doesn't. You know, I 890 00:41:38,560 --> 00:41:40,960 Speaker 1: dated somebody that I dated somebody who wasn't. It doesn't matter. 891 00:41:41,000 --> 00:41:42,600 Speaker 1: It just depends who the persons who you like. It's 892 00:41:42,640 --> 00:41:44,279 Speaker 1: who you like and it's how well they deal with 893 00:41:44,440 --> 00:41:46,360 Speaker 1: what you do. And because that was the thing with 894 00:41:46,640 --> 00:41:49,040 Speaker 1: why I would mention any guy in there is because 895 00:41:49,120 --> 00:41:51,239 Speaker 1: to tell you some of those challenges of being a woman. 896 00:41:51,640 --> 00:41:53,440 Speaker 1: It's like, you know, when your man's like, what are 897 00:41:53,440 --> 00:41:56,839 Speaker 1: you going to interview Tupac four? Yeah, Like I think 898 00:41:56,960 --> 00:41:59,160 Speaker 1: girls need to know that. I think girls need to 899 00:41:59,280 --> 00:42:01,960 Speaker 1: I put myself that situation. I'm like, if my girl, 900 00:42:02,080 --> 00:42:08,440 Speaker 1: that's why we wouldn't have made it exactly. Yeah, I'm 901 00:42:08,480 --> 00:42:13,479 Speaker 1: going with you. We're going I feel, you know, Auntie, 902 00:42:13,520 --> 00:42:15,200 Speaker 1: because I wouldn't want to date a guy that would 903 00:42:15,200 --> 00:42:16,680 Speaker 1: have an issue with me going to do something that 904 00:42:16,719 --> 00:42:18,640 Speaker 1: could be one of the biggest things in my career. Ever. 905 00:42:18,840 --> 00:42:20,600 Speaker 1: This is what I'm saying, especially on you. It's one 906 00:42:20,640 --> 00:42:22,520 Speaker 1: thing if you're married, you're married and you have four 907 00:42:22,600 --> 00:42:24,839 Speaker 1: or five kids, that's a different type of relationship. When 908 00:42:24,880 --> 00:42:27,120 Speaker 1: you're in your young twenties and you're dating somebody who 909 00:42:27,400 --> 00:42:30,960 Speaker 1: is not on board with what your vision is for 910 00:42:31,040 --> 00:42:34,279 Speaker 1: your life. You gotta keep a pushing bye bye. You 911 00:42:34,320 --> 00:42:36,000 Speaker 1: know what I'm saying, Not that you're a bad guy, 912 00:42:36,080 --> 00:42:37,880 Speaker 1: but you're not on my track right now. And a 913 00:42:37,960 --> 00:42:40,359 Speaker 1: couple of the couple of relationships that I do talk about, 914 00:42:40,400 --> 00:42:42,319 Speaker 1: it's the same. They didn't work for the same reason. 915 00:42:42,400 --> 00:42:44,960 Speaker 1: It's like, you're not going where I'm going, and so 916 00:42:45,600 --> 00:42:47,640 Speaker 1: it's not why you ever getting dumb arguments like you'd 917 00:42:47,640 --> 00:42:49,440 Speaker 1: be like your Midnight Maraudus is classic, Like y'are you 918 00:42:49,480 --> 00:42:56,000 Speaker 1: just saying that because you're dating Tip classic classic, super 919 00:42:56,080 --> 00:42:58,480 Speaker 1: duper classic. No, I don't know. People don't really know 920 00:42:58,800 --> 00:43:01,000 Speaker 1: at the time. I think people knew, like after we 921 00:43:01,120 --> 00:43:03,600 Speaker 1: broke up then we weren't together for many years and 922 00:43:03,680 --> 00:43:05,640 Speaker 1: we're good friends, and people thought we were dating them, 923 00:43:05,680 --> 00:43:07,800 Speaker 1: Like it's so late on that, So there wasn't a 924 00:43:07,840 --> 00:43:09,279 Speaker 1: lot of those Did he lose a lot of music 925 00:43:09,360 --> 00:43:11,560 Speaker 1: in that situation? I don't want to say. I'm talking 926 00:43:11,560 --> 00:43:13,640 Speaker 1: talking about a tribe music that's already done that nobody 927 00:43:13,680 --> 00:43:16,320 Speaker 1: maybe even heard. Yeah, I'm sure. Yeah, all types of stuff. 928 00:43:16,400 --> 00:43:19,960 Speaker 1: Oh my god, that was terrible. They're talking about the fire. Yeah, 929 00:43:20,000 --> 00:43:22,839 Speaker 1: I was I'm sure music, big beats, songs that were 930 00:43:22,880 --> 00:43:25,600 Speaker 1: completed samples, all that that y'a were arguing at that time. 931 00:43:25,640 --> 00:43:27,239 Speaker 1: Did you think that you set the house on fire first? 932 00:43:27,440 --> 00:43:29,239 Speaker 1: That everyone through was mine because y'all were arguing you 933 00:43:34,280 --> 00:43:40,680 Speaker 1: to catch you on fire? Okay, so much, because that's 934 00:43:40,920 --> 00:43:44,239 Speaker 1: because that's gonna be the headline a bailer alert. All right, 935 00:43:44,280 --> 00:43:46,399 Speaker 1: We got more with Angie Martinez when we come back. 936 00:43:46,480 --> 00:43:48,200 Speaker 1: Keep It Locked is the breakfast club of the morning, 937 00:43:48,840 --> 00:43:54,759 Speaker 1: the breakfast club that was jump Man, jump Man, jump Man, 938 00:43:54,840 --> 00:43:58,880 Speaker 1: jump Man Morning. Everybody's DJ mvy Angela Yee, Charlomagne the 939 00:43:58,920 --> 00:44:01,240 Speaker 1: guy we are to breakfast up that. This is usually 940 00:44:01,239 --> 00:44:03,840 Speaker 1: where we do the room lit's, but we have Angie 941 00:44:03,880 --> 00:44:05,959 Speaker 1: Martinez in the building. She has a book. It comes 942 00:44:06,000 --> 00:44:08,319 Speaker 1: out make seventeenth is called My Voice. You can pre 943 00:44:08,520 --> 00:44:11,200 Speaker 1: order it right now. And we really appreciate the book. 944 00:44:11,239 --> 00:44:14,560 Speaker 1: I love the book. I'm really so happy for the 945 00:44:14,680 --> 00:44:16,480 Speaker 1: moving parts, and I love how you talk about by 946 00:44:16,520 --> 00:44:17,840 Speaker 1: the way, we're not going to discuss it, but you 947 00:44:17,920 --> 00:44:20,400 Speaker 1: see that ring on her finger. I love that relationship 948 00:44:20,440 --> 00:44:24,640 Speaker 1: and how congratulations blastomus a good guy. He's a good guy. 949 00:44:25,080 --> 00:44:27,919 Speaker 1: That ring Angie my friend Shocker was like, it's so weird. 950 00:44:28,000 --> 00:44:29,960 Speaker 1: You just put a piece of hardware just turned you 951 00:44:30,040 --> 00:44:38,239 Speaker 1: into like a lady Jesus. You know she knows, you know, 952 00:44:38,920 --> 00:44:40,719 Speaker 1: she does a different side of me. That's one part 953 00:44:40,760 --> 00:44:41,880 Speaker 1: of the book. Were you just up and left your 954 00:44:41,920 --> 00:44:45,600 Speaker 1: baby daddy? Oh wow? What did he say? You are really? Wow? 955 00:44:45,920 --> 00:44:49,160 Speaker 1: Wow happened. Let's leave that in the book. Let's leave 956 00:44:49,200 --> 00:44:51,239 Speaker 1: that the book. Let's leave that. But I was I 957 00:44:51,400 --> 00:44:52,840 Speaker 1: was say that was a little bit careful of that, 958 00:44:52,960 --> 00:44:56,080 Speaker 1: just because family and mic side everything, but also it 959 00:44:56,280 --> 00:44:58,440 Speaker 1: was a lesson. Listen anything that I share and if 960 00:44:58,520 --> 00:45:01,000 Speaker 1: somebody else gets into it, I'm so al. But honestly, 961 00:45:01,040 --> 00:45:03,960 Speaker 1: I've learned something from all of those situations. I learned 962 00:45:04,000 --> 00:45:07,480 Speaker 1: something about jumping into relationships too soon before you know somebody. 963 00:45:07,800 --> 00:45:09,880 Speaker 1: I learned something about trying to find somebody who is 964 00:45:09,920 --> 00:45:12,520 Speaker 1: your peer, who has the same vision as you for 965 00:45:12,640 --> 00:45:15,440 Speaker 1: what your future is, so that it doesn't hold you back. 966 00:45:15,560 --> 00:45:17,400 Speaker 1: You know, there's a lesson in everything, and so it's 967 00:45:17,440 --> 00:45:19,680 Speaker 1: my attention is not to make nobody look crazy or 968 00:45:19,719 --> 00:45:21,919 Speaker 1: anything like that. But it's like, if I don't tell 969 00:45:21,960 --> 00:45:23,759 Speaker 1: you the story, then how do I even get to 970 00:45:24,000 --> 00:45:25,560 Speaker 1: what I learned from it and how I how I 971 00:45:25,680 --> 00:45:28,080 Speaker 1: even got here today, And I even say the books 972 00:45:28,080 --> 00:45:37,719 Speaker 1: like you know sometimes sweet shouts. That's the good thing 973 00:45:37,760 --> 00:45:40,120 Speaker 1: about this book too. It makes you respect other people 974 00:45:40,239 --> 00:45:42,080 Speaker 1: in your life. Right, It's like it ain't really been 975 00:45:42,160 --> 00:45:45,600 Speaker 1: down since they wanted. Yeah, I've always loved mary Ji Blacke, 976 00:45:45,640 --> 00:45:47,960 Speaker 1: but just makes you really love her that that type 977 00:45:47,960 --> 00:45:50,439 Speaker 1: of person I even hold is that down the earth 978 00:45:50,480 --> 00:45:52,640 Speaker 1: to where he let you hear his music beforehand. It 979 00:45:52,680 --> 00:45:55,000 Speaker 1: really wants an honest opinion, like it's still a friend 980 00:45:55,000 --> 00:45:57,919 Speaker 1: to this day. Yeah, yeah, yeah, yeah, that's what you said. 981 00:45:57,960 --> 00:46:00,319 Speaker 1: Nick Nick, Nick is my best friend since I'm eight, 982 00:46:00,800 --> 00:46:02,720 Speaker 1: and so write in writing and telling all these stories 983 00:46:02,719 --> 00:46:04,919 Speaker 1: and realizing, God, she was here, God she was here, 984 00:46:05,200 --> 00:46:08,200 Speaker 1: and she was here. It's pretty good pack us two 985 00:46:08,239 --> 00:46:10,279 Speaker 1: as a couple of good moments. It's the only one 986 00:46:10,320 --> 00:46:11,480 Speaker 1: other thing we need you to do. We need you 987 00:46:11,560 --> 00:46:17,160 Speaker 1: to break dance. He's picture in the book. Yeah that's 988 00:46:17,200 --> 00:46:20,320 Speaker 1: not gonna happeny. But thank you though, I thank you 989 00:46:20,360 --> 00:46:23,040 Speaker 1: for the opportunity, but that's not gonna happen today. It's 990 00:46:23,040 --> 00:46:24,399 Speaker 1: a lot more in this book that we didn't even 991 00:46:24,520 --> 00:46:27,320 Speaker 1: get remotely discussing that's the problem with talking about books 992 00:46:27,360 --> 00:46:29,719 Speaker 1: and movies. Nobody's seen no you know what I mean. 993 00:46:29,960 --> 00:46:31,719 Speaker 1: But go get this book. If you're a hip hop 994 00:46:31,840 --> 00:46:34,320 Speaker 1: a story and if you're a radio historian, you have 995 00:46:34,880 --> 00:46:36,719 Speaker 1: to get to And if you know nothing about radio 996 00:46:36,880 --> 00:46:39,560 Speaker 1: or anything like that, you're still interesting. It's very well 997 00:46:39,600 --> 00:46:43,520 Speaker 1: written in great stories no matter what outliers. I love 998 00:46:43,560 --> 00:46:45,360 Speaker 1: like you said that. That's so dope to me. And 999 00:46:45,440 --> 00:46:47,719 Speaker 1: it's interesting to see, like who resonates to what? Like 1000 00:46:47,800 --> 00:46:49,879 Speaker 1: you resonated to me talking about how used to write 1001 00:46:49,920 --> 00:46:52,520 Speaker 1: lyrics down The lady of my publishing company, she's like 1002 00:46:52,760 --> 00:46:54,960 Speaker 1: thirty year old white ladies. She was like, I love 1003 00:46:55,040 --> 00:46:57,520 Speaker 1: the book. I'm like you did, like what part? Like 1004 00:46:57,640 --> 00:46:59,840 Speaker 1: what part did you resonate? Wasn't the poc or She 1005 00:47:00,120 --> 00:47:02,200 Speaker 1: was like, you know the nine to eleven part. She's 1006 00:47:02,200 --> 00:47:04,719 Speaker 1: because she's from New York and she said that she 1007 00:47:05,400 --> 00:47:08,400 Speaker 1: really like resonated with her. So it's it's amazing to 1008 00:47:08,480 --> 00:47:10,719 Speaker 1: feel how different parts kind of resonate with people. And 1009 00:47:10,760 --> 00:47:13,200 Speaker 1: I'm really proud of it. I'm you know, there's everything 1010 00:47:13,239 --> 00:47:16,160 Speaker 1: I stand by in there. I'm so happy. Like the Classic, man, 1011 00:47:16,280 --> 00:47:19,000 Speaker 1: it's the classic, a great documentation of a classic story 1012 00:47:19,080 --> 00:47:21,120 Speaker 1: from a classic person. Make sure you pre order it 1013 00:47:21,239 --> 00:47:23,080 Speaker 1: right now. It comes out on the seventeen right, Yes, 1014 00:47:23,239 --> 00:47:25,920 Speaker 1: May seventeen, Lady seventeen. It's the Breakfast Club is miss 1015 00:47:26,040 --> 00:47:42,200 Speaker 1: edgemore tea that I was a donkey, don't get charl 1016 00:47:43,239 --> 00:47:51,080 Speaker 1: devil Club, don't get to day for Thursday, May twelfth 1017 00:47:51,160 --> 00:47:53,040 Speaker 1: goes to a man I wish when she used to exist, 1018 00:47:53,400 --> 00:47:56,200 Speaker 1: George Jimman. I don't wish bad on anyone. The only 1019 00:47:56,239 --> 00:47:58,520 Speaker 1: thing I wish for is justice to be served, regardless 1020 00:47:58,560 --> 00:48:00,600 Speaker 1: of fits in a cart of law from the universe. 1021 00:48:00,719 --> 00:48:03,239 Speaker 1: And I don't know what's happening in George Zimman's personal life. 1022 00:48:03,239 --> 00:48:05,640 Speaker 1: He may be suffering from a rectile dysfunction of some 1023 00:48:05,760 --> 00:48:08,040 Speaker 1: kind of health issues. He may can't sleep at night, 1024 00:48:08,160 --> 00:48:11,080 Speaker 1: he may suffer from constant constipation. I don't know. All 1025 00:48:11,160 --> 00:48:13,560 Speaker 1: I know is if he's going through hard times, I 1026 00:48:13,680 --> 00:48:15,719 Speaker 1: want to see it, put it on public display for 1027 00:48:15,760 --> 00:48:17,640 Speaker 1: the world to see. I want to see George Zimmerman 1028 00:48:17,719 --> 00:48:21,960 Speaker 1: suffer live via Snapchat, periscope, anywhere sufferings can be displayed. 1029 00:48:22,040 --> 00:48:26,400 Speaker 1: See this piece of Joscelyn Hernandez's thesis named George Zimmerman 1030 00:48:26,680 --> 00:48:28,640 Speaker 1: is in the news again because, according to the New 1031 00:48:28,760 --> 00:48:33,240 Speaker 1: York Post, he is auctioning off the firearm he used 1032 00:48:33,560 --> 00:48:38,280 Speaker 1: to kill unarmed teenager Trayvon Martin in Florida in two twelve. 1033 00:48:38,480 --> 00:48:40,520 Speaker 1: I can't make this kind of stuff up. Let's go 1034 00:48:40,600 --> 00:48:42,560 Speaker 1: to Fox Furry five Lando to see what this devil 1035 00:48:42,640 --> 00:48:45,200 Speaker 1: had to say. This is the posting of the auction website. 1036 00:48:45,200 --> 00:48:47,960 Speaker 1: You can see the opening that starts at five thousand dollars. 1037 00:48:48,160 --> 00:48:49,919 Speaker 1: We asked him why he wants to auction it off. 1038 00:48:50,320 --> 00:48:54,240 Speaker 1: I recently received it back from the Department of Justice, 1039 00:48:54,600 --> 00:48:57,719 Speaker 1: and I thought it's time to move past the firearm, 1040 00:48:57,880 --> 00:49:01,200 Speaker 1: and if I sell it and it's selves, I move 1041 00:49:01,280 --> 00:49:04,480 Speaker 1: past it. Otherwise it's going in a safe for my 1042 00:49:04,560 --> 00:49:09,640 Speaker 1: grandkids and never to be used or seeing again. What 1043 00:49:09,880 --> 00:49:12,120 Speaker 1: is your reaction to the people who may not approve 1044 00:49:12,200 --> 00:49:14,160 Speaker 1: of this going on option? They're not going to be 1045 00:49:14,239 --> 00:49:16,600 Speaker 1: bidding on him, so I couldn't care less about them. 1046 00:49:16,920 --> 00:49:19,640 Speaker 1: What I've decided to do is not power. I'm a 1047 00:49:19,840 --> 00:49:23,080 Speaker 1: free American and I can do what i'd like with 1048 00:49:23,360 --> 00:49:26,320 Speaker 1: my possessions. Why is Prince gone but George him and 1049 00:49:26,600 --> 00:49:29,560 Speaker 1: living his life like a golden I guarantee you he's 1050 00:49:29,600 --> 00:49:32,120 Speaker 1: voting for Donald Trump. George him and talks about radicals. Well, 1051 00:49:32,120 --> 00:49:34,719 Speaker 1: people are being radical enough. I don't feel sorry for you, 1052 00:49:34,800 --> 00:49:37,759 Speaker 1: George Man, because you're receiving death threats. I want you 1053 00:49:37,800 --> 00:49:39,720 Speaker 1: to live underpression for the rest of your life, because 1054 00:49:39,760 --> 00:49:41,800 Speaker 1: not only did you kill Trayvon Martin and cold blood, 1055 00:49:42,000 --> 00:49:43,799 Speaker 1: you have no remorse for it. And I don't want 1056 00:49:43,840 --> 00:49:46,200 Speaker 1: to hear all that. Well, but jury found him not guilty. 1057 00:49:46,280 --> 00:49:48,879 Speaker 1: A jury found Old J. Simpson not guilty too. Y'all 1058 00:49:48,880 --> 00:49:51,759 Speaker 1: saw the fact special and karma eventually caught up with 1059 00:49:51,800 --> 00:49:54,200 Speaker 1: Old J. Simpson the same way. I pray it catches 1060 00:49:54,280 --> 00:49:56,640 Speaker 1: up with George him in one day. So getting found 1061 00:49:56,640 --> 00:49:58,239 Speaker 1: guilty in a court of law means nothing to me, 1062 00:49:58,400 --> 00:50:01,560 Speaker 1: especially when we all, you know, witness to blaton injustice. 1063 00:50:01,600 --> 00:50:04,239 Speaker 1: Sometimes our justice system fails us, and this is one 1064 00:50:04,280 --> 00:50:06,879 Speaker 1: of those cases. And George Van doesn't care the fact 1065 00:50:06,960 --> 00:50:09,160 Speaker 1: he is able to cash in on murdering Trayvon Martin. 1066 00:50:09,200 --> 00:50:12,040 Speaker 1: This guy is signed up for celebrity boxing matches. He 1067 00:50:12,200 --> 00:50:15,200 Speaker 1: had a land Or autograph signing at a gun store 1068 00:50:15,239 --> 00:50:17,320 Speaker 1: and now he's and now he's selling the gun that 1069 00:50:17,360 --> 00:50:20,120 Speaker 1: he used to kill Trayvon Martin. Crazy our battle and 1070 00:50:20,160 --> 00:50:22,560 Speaker 1: struggle with even talking about George because I don't like 1071 00:50:22,640 --> 00:50:26,080 Speaker 1: to give any attention, any energy. But as we have 1072 00:50:26,280 --> 00:50:28,880 Speaker 1: learned in life, ignoring a problem doesn't make it go away. 1073 00:50:29,360 --> 00:50:31,360 Speaker 1: And it saddens me that all you tough guys can 1074 00:50:31,440 --> 00:50:34,880 Speaker 1: act so tough with each other, make Snapchat videos threatening 1075 00:50:34,920 --> 00:50:36,719 Speaker 1: each other's show off every gun in the world you 1076 00:50:36,840 --> 00:50:39,640 Speaker 1: got on Instagram. Oh, a rapper will be quick to 1077 00:50:39,760 --> 00:50:41,440 Speaker 1: make a video talking about what he's going to do 1078 00:50:41,560 --> 00:50:45,200 Speaker 1: to the radio guy. But George Zimmerman just roaming around 1079 00:50:45,280 --> 00:50:48,359 Speaker 1: Florida flourishing like he's some kind of American hero. Then 1080 00:50:48,400 --> 00:50:50,040 Speaker 1: he had the nerve to say he will use the 1081 00:50:50,160 --> 00:50:54,000 Speaker 1: proceeds from the gun sale to ensure the demise of 1082 00:50:54,120 --> 00:50:56,720 Speaker 1: Hillary Clinton. Why aren't we taking a threat under presidential 1083 00:50:56,760 --> 00:51:00,359 Speaker 1: candidate more serious but doesn't ensure the demise? Will someone 1084 00:51:00,480 --> 00:51:03,520 Speaker 1: mean when it's a known murderer saying it? In fact, 1085 00:51:03,600 --> 00:51:06,120 Speaker 1: we need to monitor and keep track of everybody who 1086 00:51:06,200 --> 00:51:09,000 Speaker 1: bids on this gun because they are a threat to 1087 00:51:09,080 --> 00:51:11,600 Speaker 1: the rest of us living our lives in this country. Okay, 1088 00:51:11,600 --> 00:51:13,839 Speaker 1: anybody who thinks what Georgie Iman did the Trayvon Martin 1089 00:51:13,960 --> 00:51:16,400 Speaker 1: is okay and wants to have the murder weapon that 1090 00:51:16,440 --> 00:51:18,719 Speaker 1: cut this seventeen year old kid's life short. It's just 1091 00:51:19,040 --> 00:51:21,239 Speaker 1: it's sick. It's George Zimmerman. I don't even know what 1092 00:51:21,320 --> 00:51:22,960 Speaker 1: can be said about George's the minute this point. I 1093 00:51:23,000 --> 00:51:24,759 Speaker 1: really don't even like acknowledging this guy, but I do 1094 00:51:24,840 --> 00:51:26,319 Speaker 1: it because I want to make the jurist who let 1095 00:51:26,400 --> 00:51:28,959 Speaker 1: him walk for killing Trayvon Martin feel bad. This guy's 1096 00:51:29,000 --> 00:51:32,160 Speaker 1: been arrested several times since killing Trayvon Martin, everything ranging 1097 00:51:32,160 --> 00:51:34,800 Speaker 1: from domestic violence to assault. He has showed time and 1098 00:51:34,920 --> 00:51:37,320 Speaker 1: time again that he is a horrible, disgusting person, and 1099 00:51:37,440 --> 00:51:40,719 Speaker 1: Trayvon Martina's family did not receive justice because of you, guys, 1100 00:51:40,760 --> 00:51:42,759 Speaker 1: the jurist. So any chance we get to make the 1101 00:51:42,880 --> 00:51:45,239 Speaker 1: jurist in this case feel bad, we should do it. 1102 00:51:45,640 --> 00:51:47,600 Speaker 1: I just don't think it's fair that a Phoenish call 1103 00:51:48,040 --> 00:51:51,319 Speaker 1: Prince Pavid Bowie Fife dog will fossil from Lyon, King 1104 00:51:51,440 --> 00:51:53,279 Speaker 1: Ricky from Boys in the Hood. I just don't think 1105 00:51:53,320 --> 00:51:55,040 Speaker 1: it's fair that Trayvon Martin, all those people are just 1106 00:51:55,160 --> 00:51:57,800 Speaker 1: named are dead and gone, okay, but George Zimman is 1107 00:51:57,840 --> 00:52:04,719 Speaker 1: still just out here. Give George in the beginning that 1108 00:52:05,040 --> 00:52:08,000 Speaker 1: was Bryson till it would exchange morning. Everybody is DJ 1109 00:52:08,360 --> 00:52:11,239 Speaker 1: mvy Angela, Ye, Charlomagne, the guy, we are the breakfast club. 1110 00:52:11,560 --> 00:52:13,600 Speaker 1: It's time to ask ye. If you have a question 1111 00:52:13,640 --> 00:52:18,040 Speaker 1: for ye, you can call it right now. Hello. Who's this? Hey? 1112 00:52:18,160 --> 00:52:20,440 Speaker 1: What's your question for ye? Okay, So, if you're in 1113 00:52:20,480 --> 00:52:23,200 Speaker 1: a relationship, like on the last person y'allay was talking to, 1114 00:52:23,360 --> 00:52:25,680 Speaker 1: they said, if the person is not on the same 1115 00:52:25,760 --> 00:52:28,440 Speaker 1: path with you, then you should let them go. If 1116 00:52:28,480 --> 00:52:30,800 Speaker 1: you were in a relationship and the guy is asking, 1117 00:52:30,800 --> 00:52:34,000 Speaker 1: you're telling me, guy, you want to do music, you 1118 00:52:34,280 --> 00:52:36,879 Speaker 1: do the music at home or your computer. So he's 1119 00:52:36,920 --> 00:52:39,359 Speaker 1: always saying, okay, you do well there, but you don't 1120 00:52:39,400 --> 00:52:40,759 Speaker 1: need to be in the studio if you don't need 1121 00:52:40,760 --> 00:52:42,640 Speaker 1: to go in the way she dom home. So he 1122 00:52:42,719 --> 00:52:46,480 Speaker 1: did tell you, so okay, specifically your boyfriend. Specifically, your 1123 00:52:46,520 --> 00:52:50,040 Speaker 1: boyfriend is telling you not to he doesn't support you 1124 00:52:50,120 --> 00:52:53,640 Speaker 1: being a musician. Okay, So he thinks you're good though, 1125 00:52:54,280 --> 00:52:56,799 Speaker 1: Yeah he said so, and part of it all right. 1126 00:52:56,800 --> 00:52:59,600 Speaker 1: So there's a lot of things going on here, number one. 1127 00:52:59,800 --> 00:53:02,080 Speaker 1: And I think this happens with family members too. Sometimes 1128 00:53:02,120 --> 00:53:05,279 Speaker 1: people are nervous that things aren't going to work out 1129 00:53:05,280 --> 00:53:06,680 Speaker 1: the way you want them to, and it does take 1130 00:53:06,719 --> 00:53:09,760 Speaker 1: a long time to establish yourself, so he might be nervous. 1131 00:53:09,800 --> 00:53:11,160 Speaker 1: You know, people will tell you like, oh, you need 1132 00:53:11,200 --> 00:53:13,160 Speaker 1: to have a backup plan, you need this, you need that. 1133 00:53:13,520 --> 00:53:15,359 Speaker 1: So I do feel like a lot of times people 1134 00:53:15,400 --> 00:53:19,640 Speaker 1: that don't take risk themselves are nervous for your right 1135 00:53:19,920 --> 00:53:22,200 Speaker 1: So he might not be that type of person that 1136 00:53:22,480 --> 00:53:25,040 Speaker 1: is a risk taker at all, not at all, right, 1137 00:53:25,280 --> 00:53:27,000 Speaker 1: So it could just be a personality thing that he 1138 00:53:27,000 --> 00:53:28,719 Speaker 1: doesn't understand, and a lot of us have had those 1139 00:53:28,760 --> 00:53:31,400 Speaker 1: issues with people in our family, with somebody that we're dating. 1140 00:53:31,840 --> 00:53:34,400 Speaker 1: Part of it could also be he's nervous that you 1141 00:53:34,480 --> 00:53:37,040 Speaker 1: could potentially be successful and then what happens to your 1142 00:53:37,120 --> 00:53:41,200 Speaker 1: relationship because a lot, right, I think a lot of 1143 00:53:41,280 --> 00:53:44,160 Speaker 1: it is that too. What if she blows up, she's 1144 00:53:44,160 --> 00:53:46,319 Speaker 1: not gonna want to be with me anymore, She's gonna 1145 00:53:46,360 --> 00:53:49,240 Speaker 1: want to be with some other musician, and our relationship 1146 00:53:49,320 --> 00:53:50,839 Speaker 1: is going to be over. So that might be also 1147 00:53:51,000 --> 00:53:55,600 Speaker 1: his insecurity. Okay, so I feel like your dreams are 1148 00:53:55,680 --> 00:53:57,920 Speaker 1: important to you. You don't ever want to say, well, 1149 00:53:57,960 --> 00:53:59,960 Speaker 1: I listen to my boyfriend because of course, She's still 1150 00:54:00,000 --> 00:54:01,239 Speaker 1: gonna do what you want to do. You're still going 1151 00:54:01,280 --> 00:54:03,120 Speaker 1: to pursue your goals in your dreams. If he chooses 1152 00:54:03,120 --> 00:54:05,840 Speaker 1: to stay and be supportive, great, If he doesn't, you 1153 00:54:05,960 --> 00:54:08,600 Speaker 1: know what you're most passionate about. But I would explain 1154 00:54:08,680 --> 00:54:11,839 Speaker 1: to him it bothers me instead of saying you never 1155 00:54:12,000 --> 00:54:14,399 Speaker 1: or you always, just say it bothers me that you're 1156 00:54:14,440 --> 00:54:16,880 Speaker 1: not supporting me because it is difficult for me to 1157 00:54:16,920 --> 00:54:18,759 Speaker 1: do what it is that I'm doing, and I know 1158 00:54:18,840 --> 00:54:21,120 Speaker 1: it's going to take some time for me to be successful. 1159 00:54:21,400 --> 00:54:23,400 Speaker 1: But I need you to have a more positive outlook 1160 00:54:23,400 --> 00:54:26,479 Speaker 1: than I need you to be supportive. Okay, that's what's 1161 00:54:26,520 --> 00:54:29,520 Speaker 1: going to help our relationship. But sometimes we get defensive 1162 00:54:29,520 --> 00:54:33,120 Speaker 1: about our own work. Yeah, you dam You need to 1163 00:54:33,160 --> 00:54:34,640 Speaker 1: find out if she's a good rapper because she might 1164 00:54:34,680 --> 00:54:37,040 Speaker 1: not be a good rappers? Are you a rapper? No? 1165 00:54:37,560 --> 00:54:41,239 Speaker 1: Or sing? All right? But let's hear something? Here we go, 1166 00:54:43,120 --> 00:54:49,200 Speaker 1: We're ready? Hello? Hello? She hung up mad fast. Yeah, 1167 00:54:50,440 --> 00:54:54,440 Speaker 1: girl got to stick with her man to be her 1168 00:54:54,520 --> 00:54:57,080 Speaker 1: man for a singing career. She wouldn't even sing for us. 1169 00:54:57,280 --> 00:55:00,920 Speaker 1: I said, no, no, no, I told her that if 1170 00:55:01,000 --> 00:55:03,240 Speaker 1: that's what she's really passionate about and he's not supportive 1171 00:55:03,280 --> 00:55:05,600 Speaker 1: and it's causing issues. But she got to understand that 1172 00:55:05,680 --> 00:55:07,879 Speaker 1: he probably has his own securities about what she's doing. 1173 00:55:08,120 --> 00:55:10,560 Speaker 1: All right, Maybe he doesn't think that she's that good exactly. 1174 00:55:10,640 --> 00:55:13,120 Speaker 1: Probably not the portant because she sucks. No, that could 1175 00:55:13,160 --> 00:55:15,960 Speaker 1: be true. That probably all of it. Maybe you sucked, 1176 00:55:17,560 --> 00:55:20,400 Speaker 1: she's good. Yeah, you say that one's sing, But then 1177 00:55:21,680 --> 00:55:23,520 Speaker 1: they should be able to be honest with you. I 1178 00:55:23,600 --> 00:55:26,080 Speaker 1: think I gotta tell you you sucked eight hundred five 1179 00:55:26,160 --> 00:55:28,600 Speaker 1: eight five one oh five one. If you need relationship advice, 1180 00:55:28,760 --> 00:55:30,560 Speaker 1: any type of advice, call Ye right now. It's the 1181 00:55:30,560 --> 00:55:35,080 Speaker 1: Breakfast Club. Go Morning. That was we Geremion Morning. Everybody 1182 00:55:35,200 --> 00:55:37,800 Speaker 1: is dj en Vie, Angela, Yee, Charlemagne the guy. We 1183 00:55:37,880 --> 00:55:41,040 Speaker 1: are to Breakfast Club. It's time to ask Ye. If 1184 00:55:41,040 --> 00:55:43,040 Speaker 1: you need relationship advice, you can call Ye right now. 1185 00:55:43,080 --> 00:55:44,880 Speaker 1: She'll put your live on the air, or you can 1186 00:55:44,920 --> 00:55:47,799 Speaker 1: always email at Breakfast Club amat gmail dot com. Hello, 1187 00:55:47,880 --> 00:55:51,520 Speaker 1: who's this Hey? This is EA from California. EA. What's 1188 00:55:51,520 --> 00:55:53,840 Speaker 1: your question for Ye? My question for Ye is that 1189 00:55:54,000 --> 00:55:57,480 Speaker 1: the double standards is still exists for you know, married 1190 00:55:57,560 --> 00:56:01,000 Speaker 1: women and married men. Okay, you know if a married 1191 00:56:01,080 --> 00:56:04,799 Speaker 1: woman stepped out of their marriage. It's like, you know, um, 1192 00:56:05,239 --> 00:56:07,640 Speaker 1: it's like a sleeve bucket. But when a hand does. 1193 00:56:07,920 --> 00:56:10,439 Speaker 1: Oh he's a man. No, I don't know. I don't 1194 00:56:10,440 --> 00:56:12,120 Speaker 1: know if that means that he's a man. But what 1195 00:56:12,480 --> 00:56:16,239 Speaker 1: is there something specific with you that's upsetting you? Yeah, 1196 00:56:16,360 --> 00:56:18,920 Speaker 1: because you know it's like, oh, she got a good man, 1197 00:56:18,960 --> 00:56:21,640 Speaker 1: why would you do that? Well, he also has a 1198 00:56:21,719 --> 00:56:23,640 Speaker 1: good woman. Why would he do it? So are you 1199 00:56:23,760 --> 00:56:29,400 Speaker 1: cheating on your husband? Um? An't happen, you know. I 1200 00:56:29,520 --> 00:56:33,600 Speaker 1: still yeah, Charlemagne, stop it. Here's the thing. I still 1201 00:56:33,719 --> 00:56:37,360 Speaker 1: get backlash on that. Okay, So you cheated on your 1202 00:56:37,440 --> 00:56:40,319 Speaker 1: husband he found out, Yeah, and he did the same 1203 00:56:40,680 --> 00:56:43,359 Speaker 1: and he cheated on you also, So who is giving 1204 00:56:43,360 --> 00:56:45,320 Speaker 1: you backlash? Who is making you feel bad about it? 1205 00:56:45,360 --> 00:56:50,520 Speaker 1: Your husband's fright. Family friends, it's always brought up in conversation, 1206 00:56:50,920 --> 00:56:53,120 Speaker 1: but they're acting like it's okay that he did it. Hey, 1207 00:56:53,200 --> 00:56:55,320 Speaker 1: it's okay, it's well, it's not, it's it's like it 1208 00:56:55,480 --> 00:56:59,759 Speaker 1: even it didn't even it don't even exit. Who did 1209 00:56:59,800 --> 00:57:05,400 Speaker 1: you with a friend? Oh? Oh oh, and it's not 1210 00:57:05,520 --> 00:57:08,400 Speaker 1: even Christmas. Stop calling her home. It's not nice to 1211 00:57:08,440 --> 00:57:11,120 Speaker 1: call women homes. You don't even know her, Oh sear man, 1212 00:57:11,160 --> 00:57:12,840 Speaker 1: you don't even know what's going on. Now, Who did 1213 00:57:12,880 --> 00:57:14,799 Speaker 1: he chat? And what made you? What made you cheat? 1214 00:57:15,360 --> 00:57:17,280 Speaker 1: It was awful. It was like a tip for cat 1215 00:57:17,360 --> 00:57:20,160 Speaker 1: situation because he cheated on you, so you did it 1216 00:57:20,240 --> 00:57:25,240 Speaker 1: as revenge? Right, Okay? Uh, I mean listen, two wrongs 1217 00:57:25,320 --> 00:57:27,200 Speaker 1: never make it right. And I'm sure you already know that. 1218 00:57:27,520 --> 00:57:29,840 Speaker 1: And here's the thing. He decided he wanted to stay 1219 00:57:29,880 --> 00:57:33,520 Speaker 1: with you even after you cheated as revenge. Hello, So 1220 00:57:33,960 --> 00:57:36,440 Speaker 1: if he decides to stay with you, everybody got a 1221 00:57:36,560 --> 00:57:38,240 Speaker 1: chill and stop bringing it up. First of all, it's 1222 00:57:38,280 --> 00:57:41,960 Speaker 1: nobody else's business in the family, So they need to 1223 00:57:41,960 --> 00:57:45,320 Speaker 1: shut up in mind their business and not pass judgment 1224 00:57:45,360 --> 00:57:47,680 Speaker 1: because I'm sure those same people passing judgment on you 1225 00:57:47,960 --> 00:57:50,080 Speaker 1: have committed their own sins and done things that they've 1226 00:57:50,120 --> 00:57:53,080 Speaker 1: regretted that aren't necessarily things that people would say, Oh, 1227 00:57:53,120 --> 00:57:56,800 Speaker 1: what a great person. We've all made mistakes. That's right, Okay. 1228 00:57:58,200 --> 00:58:02,120 Speaker 1: I love listener to you tell them. But if he did, 1229 00:58:02,240 --> 00:58:03,959 Speaker 1: I do think it's wrong to just cheat on somebody 1230 00:58:03,960 --> 00:58:05,840 Speaker 1: because they cheated on you. You wanted to hurt his feelings. 1231 00:58:05,880 --> 00:58:07,920 Speaker 1: You were hurt as well. I also think that men 1232 00:58:08,040 --> 00:58:10,880 Speaker 1: can't handle cheating as well as women can, because unfortunately, 1233 00:58:11,000 --> 00:58:13,560 Speaker 1: we are so conditioned to believe that men cheat and 1234 00:58:13,640 --> 00:58:15,800 Speaker 1: that's just what they do. So for a man, it's 1235 00:58:15,840 --> 00:58:18,760 Speaker 1: harder for him to fathom that sometimes. And they also 1236 00:58:18,840 --> 00:58:22,400 Speaker 1: feel like women cheat because it's more of an emotional connection. 1237 00:58:22,840 --> 00:58:24,720 Speaker 1: Men feel like they can cheat and not have any 1238 00:58:24,760 --> 00:58:26,760 Speaker 1: emotions attach to it, and it's just a physical act. 1239 00:58:27,000 --> 00:58:29,400 Speaker 1: For women, people look at us like, oh, she cheated, 1240 00:58:29,480 --> 00:58:31,680 Speaker 1: She really cared about that person. She must have had 1241 00:58:31,720 --> 00:58:33,959 Speaker 1: some type of emotional attachment. They feel like women can't 1242 00:58:34,000 --> 00:58:36,400 Speaker 1: just physically be with another man. Can we stop? And 1243 00:58:37,080 --> 00:58:39,520 Speaker 1: around of applause? Wow, There is no better whole avational 1244 00:58:39,560 --> 00:58:42,560 Speaker 1: speaker than Angelie. She is a whole avational speaker. She 1245 00:58:42,640 --> 00:58:46,120 Speaker 1: can make a whole feel good. Shut up, and she's 1246 00:58:46,160 --> 00:58:48,280 Speaker 1: not a help. And closing, I would like to say this, 1247 00:58:48,720 --> 00:58:51,400 Speaker 1: he cheated on you. You forgave him, You opted to stay. 1248 00:58:51,640 --> 00:58:53,440 Speaker 1: Now when you forgive somebody and opt to say you 1249 00:58:53,520 --> 00:58:55,600 Speaker 1: have to do just that, you can't go and try 1250 00:58:55,600 --> 00:58:57,480 Speaker 1: to get revenge just to make yourself feel better and 1251 00:58:57,520 --> 00:58:59,880 Speaker 1: try to hurt somebody. But you did that and he 1252 00:59:00,200 --> 00:59:04,480 Speaker 1: did respond by perhaps you know, dragging you and being upset. 1253 00:59:04,560 --> 00:59:07,000 Speaker 1: He can't handle it, but he decided to stay also, 1254 00:59:07,880 --> 00:59:10,440 Speaker 1: so when you decided to stay with somebody, you have 1255 00:59:10,680 --> 00:59:12,680 Speaker 1: to move on past it and stop bringing it up 1256 00:59:12,720 --> 00:59:15,200 Speaker 1: every day, and sometimes that does take time. Is if 1257 00:59:15,240 --> 00:59:17,800 Speaker 1: it's something that's still fresh every day, it should get 1258 00:59:17,840 --> 00:59:20,440 Speaker 1: better every month. It should get better with his friend, Angela, 1259 00:59:20,680 --> 00:59:25,240 Speaker 1: she said, a friend, his friend. Stop here, what you 1260 00:59:25,320 --> 00:59:27,880 Speaker 1: want to hear, Charlottamagne, I bet you, I bet you. 1261 00:59:27,920 --> 00:59:31,200 Speaker 1: He was a friend of the family. Though no negative, 1262 00:59:31,320 --> 00:59:33,920 Speaker 1: I don't believe. Okay, see you're wrong, but anyway, just 1263 00:59:34,080 --> 00:59:35,880 Speaker 1: let him know you made a mistake. You messed up. 1264 00:59:36,000 --> 00:59:38,120 Speaker 1: He made a mistake. He messed up. You were wrong 1265 00:59:38,200 --> 00:59:40,680 Speaker 1: for the tip for tat situation. But y'all got to 1266 00:59:40,760 --> 00:59:44,000 Speaker 1: move on and tell your family minded business. Before I 1267 00:59:44,040 --> 00:59:47,760 Speaker 1: started bringing up everything y'all did. Hello, You think you 1268 00:59:47,840 --> 00:59:49,760 Speaker 1: feel like a ge now because Angela, you didn't give 1269 00:59:49,760 --> 00:59:52,040 Speaker 1: you that whole talk, that whole pep talk. She gonna 1270 00:59:52,080 --> 00:59:55,080 Speaker 1: roll the windows down and put Beyonce. Sorry on for anyway, 1271 00:59:55,560 --> 00:59:58,800 Speaker 1: Thank you very much, that was asking. Thank you for 1272 00:59:58,920 --> 01:00:02,880 Speaker 1: calling now asking. I ain't picking every Wednesday and Thursday 1273 01:00:03,320 --> 01:00:08,240 Speaker 1: to come now. You even got rumors coming up. Yes, 1274 01:00:08,360 --> 01:00:10,520 Speaker 1: we are going to talk about DJ Khalid. What does 1275 01:00:10,560 --> 01:00:13,120 Speaker 1: he do whenever he sees Beyonce? You'll find this answer 1276 01:00:13,160 --> 01:00:16,440 Speaker 1: to be pretty funny. Also, Kanye, his new manager, Scootlebraun 1277 01:00:16,560 --> 01:00:19,920 Speaker 1: talks about why he is fifty three million dollars in 1278 01:00:20,080 --> 01:00:25,400 Speaker 1: debt managing Kanye Ye. Yes, what is the explanation I 1279 01:00:25,520 --> 01:00:28,640 Speaker 1: founded Justin Bieber If you don't know he's managing Kanye, 1280 01:00:28,680 --> 01:00:30,200 Speaker 1: We'll get into that when we come back. Keeping locked 1281 01:00:30,240 --> 01:00:36,840 Speaker 1: as the Breakfast Club in the morning, the Breakfast Club. Listen, 1282 01:00:37,640 --> 01:00:44,479 Speaker 1: it's just oh goshu report guys, it's a rule report 1283 01:00:44,600 --> 01:00:47,920 Speaker 1: the Breakfast Club. Well. Caitlyn Jenner, who as me no 1284 01:00:48,080 --> 01:00:50,160 Speaker 1: transition from a man to a woman last year, is 1285 01:00:50,200 --> 01:00:54,800 Speaker 1: now considering de transitioning, according to The Rap Now, the 1286 01:00:54,920 --> 01:00:57,360 Speaker 1: author of a new book about the Kardashian family is 1287 01:00:57,480 --> 01:01:01,280 Speaker 1: saying that one source has confirmed Caitlyn has made whispers 1288 01:01:01,320 --> 01:01:03,600 Speaker 1: of sex change regret and hinting that she might go 1289 01:01:03,720 --> 01:01:06,960 Speaker 1: back to being Bruce Jenner. What can you do? How 1290 01:01:07,000 --> 01:01:09,040 Speaker 1: can you just pick and choose? If it's if you 1291 01:01:09,120 --> 01:01:12,240 Speaker 1: can identify with being a woman and that's your thing, 1292 01:01:12,680 --> 01:01:14,120 Speaker 1: and you've been doing that for years. How can you 1293 01:01:14,160 --> 01:01:15,360 Speaker 1: just pick and choose and say I want to go 1294 01:01:15,360 --> 01:01:17,919 Speaker 1: back to being a man. Well, it never cuts thing off. Yeah, 1295 01:01:17,960 --> 01:01:19,720 Speaker 1: but I thought that's a woman lives inside you. I 1296 01:01:19,800 --> 01:01:22,600 Speaker 1: thought it's like natural, biological. I don't know. This is 1297 01:01:22,640 --> 01:01:25,880 Speaker 1: all very confusing now. According to Ian Halper and the 1298 01:01:25,960 --> 01:01:28,440 Speaker 1: author of Kardashian Dynasty, he's saying it hasn't been easy 1299 01:01:28,480 --> 01:01:30,680 Speaker 1: for Caitlyn. It's been very hard. She's thrilled that she 1300 01:01:30,760 --> 01:01:33,400 Speaker 1: has raised awareness about how transgender people have long been 1301 01:01:33,480 --> 01:01:35,960 Speaker 1: discriminated against. But I think there's a chance she'll de 1302 01:01:36,120 --> 01:01:38,520 Speaker 1: transition in the next couple of years. See. That's the 1303 01:01:38,560 --> 01:01:41,600 Speaker 1: bad part though, because you know when a transgender transsexual 1304 01:01:41,680 --> 01:01:45,600 Speaker 1: screams discrimination, as soon as they go back to whatever 1305 01:01:45,640 --> 01:01:48,280 Speaker 1: they were originally, the discrimination is over. I can't turn 1306 01:01:48,520 --> 01:01:50,920 Speaker 1: my block on and off. No, you can't know. I 1307 01:01:51,040 --> 01:01:53,640 Speaker 1: just can't. All right now, Drake is going to be 1308 01:01:53,720 --> 01:01:56,440 Speaker 1: on SNL over the weekend, and they've released some promos 1309 01:01:56,800 --> 01:02:00,600 Speaker 1: about what's going to happen with cast member less Lee Jones. 1310 01:02:00,720 --> 01:02:02,760 Speaker 1: Check it out. Okay, I have an idea for a 1311 01:02:02,800 --> 01:02:05,080 Speaker 1: sketch in which I spank you like a baby. I 1312 01:02:05,160 --> 01:02:07,720 Speaker 1: don't I don't know if I want to play a baby, okay, okay, 1313 01:02:07,800 --> 01:02:10,360 Speaker 1: then we two cocks okay, okay, and then we bust 1314 01:02:10,400 --> 01:02:13,760 Speaker 1: into the scene and catch the robbers, right. I like that, Okay? 1315 01:02:14,120 --> 01:02:17,840 Speaker 1: And then I spank you like a baby. It's a goody. 1316 01:02:17,880 --> 01:02:19,720 Speaker 1: You always have the best, you could do a song 1317 01:02:19,800 --> 01:02:27,960 Speaker 1: and everything. Yeah, spanking like a baby. Visual looks way better. Yeah, 1318 01:02:28,200 --> 01:02:30,240 Speaker 1: visual looks way better. All right now. Kali did an 1319 01:02:30,280 --> 01:02:32,400 Speaker 1: interview with The New York Times magazine and he talks 1320 01:02:32,440 --> 01:02:35,640 Speaker 1: about Beyonce being on her formation tour and what is 1321 01:02:35,640 --> 01:02:37,600 Speaker 1: it like being around her. He said, I'm very quiet. 1322 01:02:37,920 --> 01:02:39,440 Speaker 1: Every time I've ever seen her is when I'm with 1323 01:02:39,560 --> 01:02:41,080 Speaker 1: my brother jay Z and I just say hi, and 1324 01:02:41,120 --> 01:02:42,920 Speaker 1: I looked the other way so fast, and I kind 1325 01:02:42,960 --> 01:02:44,920 Speaker 1: of run. I just don't want to say nothing too much. 1326 01:02:44,920 --> 01:02:48,960 Speaker 1: I'm not messing that up. I'm not gonna say too 1327 01:02:49,040 --> 01:02:51,760 Speaker 1: much because I say something dumb. Yeah, but then she 1328 01:02:51,800 --> 01:02:53,640 Speaker 1: probably thinks something wrong with you because she probably follows 1329 01:02:53,640 --> 01:02:55,200 Speaker 1: you on Snapchat and you're like, damn, he's always so 1330 01:02:55,280 --> 01:02:58,040 Speaker 1: loud on Snapchat? Why are you so quiet? Does he 1331 01:02:58,160 --> 01:03:00,280 Speaker 1: not like me? He just doesn't want to end arrass 1332 01:03:00,360 --> 01:03:04,600 Speaker 1: himself if anything crazy that Africa Bandbatter recently did an 1333 01:03:04,720 --> 01:03:09,080 Speaker 1: interview and he denies the allegations against him about touching 1334 01:03:09,400 --> 01:03:14,120 Speaker 1: and molesting young boys. Check it out he ever abused 1335 01:03:14,280 --> 01:03:19,080 Speaker 1: any underage boy. I never abused nobody. You know, it 1336 01:03:19,280 --> 01:03:23,360 Speaker 1: just sounds crazy to people to say that you abuse me. 1337 01:03:23,920 --> 01:03:26,480 Speaker 1: You know, my thing is you know all my people 1338 01:03:26,560 --> 01:03:29,920 Speaker 1: back then, You know the hundreds of people that have 1339 01:03:30,000 --> 01:03:32,480 Speaker 1: been around me. You know if something like that happened. 1340 01:03:32,520 --> 01:03:35,960 Speaker 1: While you never want to none of them. Nobody cares 1341 01:03:35,960 --> 01:03:38,400 Speaker 1: about the truth from the line more entertaining. Sorry, right, 1342 01:03:38,480 --> 01:03:41,400 Speaker 1: And to be clear, it is definitely hard for victims 1343 01:03:41,560 --> 01:03:45,240 Speaker 1: when they're young. You know of any at any age 1344 01:03:45,480 --> 01:03:48,120 Speaker 1: that are attacked or molested or assaulted, Not that they were, 1345 01:03:48,400 --> 01:03:50,800 Speaker 1: but it is a difficult thing. It is definitely a 1346 01:03:50,880 --> 01:03:52,680 Speaker 1: proven thing that they don't always come right out with 1347 01:03:52,720 --> 01:03:55,320 Speaker 1: it because it's embarrassing the shame, and they think people 1348 01:03:55,320 --> 01:03:57,760 Speaker 1: won't believe that and truth it. We just don't know 1349 01:03:57,880 --> 01:04:00,040 Speaker 1: what the real story is. But you know, Africa and 1350 01:04:00,120 --> 01:04:02,919 Speaker 1: Body can defend himself all he want. Nobody cares about 1351 01:04:02,960 --> 01:04:05,040 Speaker 1: the truth when the lie is more entertaining. It's more 1352 01:04:05,120 --> 01:04:07,480 Speaker 1: fun to say Africa Bam bottom than it is to 1353 01:04:07,920 --> 01:04:10,800 Speaker 1: bam bottom. That's not fun, man. It's just more fun 1354 01:04:10,880 --> 01:04:12,920 Speaker 1: to do stuff like that than it is to say 1355 01:04:13,000 --> 01:04:14,520 Speaker 1: whatever the truth if you don't know what the truth is. 1356 01:04:14,560 --> 01:04:17,560 Speaker 1: All right, Kanye's new manager, Scooter Braun, is talking about 1357 01:04:17,680 --> 01:04:21,400 Speaker 1: Kanye's debt. He's fifty three million dollars in debt, as 1358 01:04:21,440 --> 01:04:24,080 Speaker 1: he told us on Twitter. If you recall now, he 1359 01:04:24,120 --> 01:04:26,360 Speaker 1: said a lot of people have an assumption about Kanye 1360 01:04:26,520 --> 01:04:29,000 Speaker 1: that he might be selfish or arrogant. Scooter said, the 1361 01:04:29,000 --> 01:04:30,920 Speaker 1: guy I've gotten to know who I'm learning to translate 1362 01:04:31,000 --> 01:04:33,800 Speaker 1: to others, to someone who literally got himself in financial 1363 01:04:33,880 --> 01:04:35,720 Speaker 1: trouble because he would give the shirt off of his 1364 01:04:35,840 --> 01:04:38,400 Speaker 1: bat to help someone. He's literally one of the most 1365 01:04:38,480 --> 01:04:40,200 Speaker 1: giving human beings I've ever met in my life. He 1366 01:04:40,240 --> 01:04:42,560 Speaker 1: doesn't know how to say no when someone needs help, 1367 01:04:42,640 --> 01:04:44,720 Speaker 1: and he feels like he can truly help everyone. And 1368 01:04:44,800 --> 01:04:46,680 Speaker 1: when he gets frustrated, it's because he's not trying to 1369 01:04:46,760 --> 01:04:49,160 Speaker 1: make money or he's not trying to take as much wealth. 1370 01:04:49,160 --> 01:04:50,640 Speaker 1: He's trying to say, let me help, let me help, 1371 01:04:50,760 --> 01:04:53,840 Speaker 1: let me help. There you go, all right, all right, 1372 01:04:53,880 --> 01:04:56,560 Speaker 1: and that is your rumor report. I'm angela ye, all right, 1373 01:04:56,640 --> 01:04:59,200 Speaker 1: Miss ye now shout to our Revolt family. Check out 1374 01:04:59,280 --> 01:05:01,800 Speaker 1: the show respe back. The DJ comes on this Sunday 1375 01:05:02,240 --> 01:05:06,320 Speaker 1: at nine thirty pm and at twelve thirty am. But 1376 01:05:06,440 --> 01:05:09,400 Speaker 1: they got on there this week. It's still me okay, still, 1377 01:05:09,680 --> 01:05:11,440 Speaker 1: I'm still That means that did he have the kind 1378 01:05:11,440 --> 01:05:13,240 Speaker 1: of checked to shoot another episode yet? Now now they're 1379 01:05:13,240 --> 01:05:16,720 Speaker 1: shooting this monthly, so they robbed monthly. It's monthly. Yeah, 1380 01:05:16,760 --> 01:05:20,920 Speaker 1: so you can check me out behind the production group. Yes, 1381 01:05:21,280 --> 01:05:23,680 Speaker 1: you know that's out where I'm a vote every morning. Definitely, 1382 01:05:23,880 --> 01:05:25,800 Speaker 1: it's only one guy with a light phorm. They got 1383 01:05:25,880 --> 01:05:29,520 Speaker 1: a whole chemic crew upstairs. Oh okay, okay, all right, Well, 1384 01:05:29,600 --> 01:05:31,600 Speaker 1: eating breakfast in here, and I'm nervous because there was 1385 01:05:31,640 --> 01:05:35,320 Speaker 1: a roach this morning. I gotta eat this fast thinking 1386 01:05:35,360 --> 01:05:39,800 Speaker 1: about it. We'll see you guys on Monday, Our Revolte family. 1387 01:05:40,080 --> 01:05:42,640 Speaker 1: Everybody else. The People's Choice mixes up next. You want 1388 01:05:42,680 --> 01:05:44,800 Speaker 1: to hear something eight hundred five eight five one oh 1389 01:05:44,880 --> 01:05:47,600 Speaker 1: five one or at DJ Envy whatever you want to hear, 1390 01:05:47,680 --> 01:05:50,400 Speaker 1: absolutely positively got you right to hit us up right now. 1391 01:05:50,600 --> 01:05:51,800 Speaker 1: It's the Breakfast Club. Good morning,