1 00:00:01,280 --> 00:00:04,320 Speaker 1: Welcome to Stuff You Missed in History Class, a production 2 00:00:04,360 --> 00:00:13,760 Speaker 1: of I Heart Radio, Hello, and Happy Friday. I'm Tracy V. 3 00:00:13,920 --> 00:00:17,040 Speaker 1: Wilson and I'm Holly Fry And this week we talked 4 00:00:17,040 --> 00:00:22,320 Speaker 1: on the show about Lola Montes after getting a listener 5 00:00:22,400 --> 00:00:26,319 Speaker 1: request that jogged my memory about something past hosts of 6 00:00:26,320 --> 00:00:30,680 Speaker 1: the show said more than ten years ago, Which is 7 00:00:30,720 --> 00:00:33,920 Speaker 1: weird because I often don't remember anything we have talked 8 00:00:33,960 --> 00:00:38,239 Speaker 1: about on the show, and so the fact that this 9 00:00:38,360 --> 00:00:40,919 Speaker 1: one thing from an episode we weren't even part of 10 00:00:40,960 --> 00:00:43,479 Speaker 1: just stuck in my head kind of cracked me up. 11 00:00:44,280 --> 00:00:47,960 Speaker 1: That's how memory works. It surprises you, does its own thing. 12 00:00:49,159 --> 00:00:54,880 Speaker 1: I find Lola Montez really fascinating. I mean, she's not 13 00:00:54,920 --> 00:00:57,040 Speaker 1: the only person we've ever talked about on the show 14 00:00:57,120 --> 00:01:02,200 Speaker 1: who kind of reinvented themselves in some way. And the 15 00:01:02,240 --> 00:01:05,160 Speaker 1: fact that she reinvented herself to just be such a 16 00:01:05,240 --> 00:01:10,840 Speaker 1: character that was only loosely based on Spanish dance and culture. 17 00:01:11,840 --> 00:01:15,640 Speaker 1: Uh Like, I mean I keep trying to think about, 18 00:01:15,680 --> 00:01:18,720 Speaker 1: like if you went on vacation somewhere once and then 19 00:01:18,760 --> 00:01:23,039 Speaker 1: that became your entire identity. Yeah, she had a very 20 00:01:23,080 --> 00:01:27,120 Speaker 1: cavalier relationship with the truth well and uh. And it 21 00:01:27,240 --> 00:01:32,280 Speaker 1: was also clear that the people who were reviewing her performances, 22 00:01:32,920 --> 00:01:36,720 Speaker 1: especially in like the first European appearances, when it was 23 00:01:36,760 --> 00:01:39,200 Speaker 1: like a brief thing that she was doing between the 24 00:01:39,240 --> 00:01:42,280 Speaker 1: acts of something else. It was also clear that the 25 00:01:42,280 --> 00:01:46,039 Speaker 1: people reviewing her were not really knowledgeable about what she 26 00:01:46,200 --> 00:01:50,520 Speaker 1: was supposedly doing it all, um, because different reviewers at 27 00:01:50,520 --> 00:01:53,160 Speaker 1: different times have just sort of assumed that she was 28 00:01:53,200 --> 00:01:58,320 Speaker 1: doing a range of different Spanish dances, and whether there's 29 00:01:58,440 --> 00:02:04,240 Speaker 1: any reality to that assessment is kind of up in 30 00:02:04,280 --> 00:02:08,600 Speaker 1: the air. Um. You know, she was definitely using music 31 00:02:08,680 --> 00:02:12,120 Speaker 1: that sounded Spanish, and she had castinets, which are associated 32 00:02:12,120 --> 00:02:15,160 Speaker 1: with the number of Spanish dances, but like a lot 33 00:02:15,200 --> 00:02:17,600 Speaker 1: of it seemed to be like a reviewer kind of 34 00:02:17,639 --> 00:02:21,720 Speaker 1: filling in mental blanks with their own assumptions about what 35 00:02:22,080 --> 00:02:26,160 Speaker 1: Spanish dances and culture were. Like it's like, you you 36 00:02:26,320 --> 00:02:30,920 Speaker 1: don't have cultural literacy. You're just kind of taking this 37 00:02:30,960 --> 00:02:35,440 Speaker 1: at face value. Okay, okay. Well, in that kind of 38 00:02:35,560 --> 00:02:40,480 Speaker 1: um circles around to the running joke on the Apple 39 00:02:40,480 --> 00:02:45,560 Speaker 1: Plus show Dickinson, have you watched this show before? No? Okay, 40 00:02:45,600 --> 00:02:47,480 Speaker 1: I don't know. If I don't know that it would 41 00:02:47,480 --> 00:02:50,560 Speaker 1: be for you. It is, it would not. That's why 42 00:02:50,560 --> 00:02:52,880 Speaker 1: I I don't want a dog on it, because I 43 00:02:52,880 --> 00:02:55,320 Speaker 1: know people who love it, but I know it's not. 44 00:02:55,400 --> 00:02:58,919 Speaker 1: It's not my show. It's really a show that it's 45 00:02:58,919 --> 00:03:01,760 Speaker 1: like if somebody and in a pitch room was like, well, 46 00:03:01,880 --> 00:03:05,040 Speaker 1: here's what we think Tracy V. Wilson would like. She 47 00:03:05,120 --> 00:03:08,080 Speaker 1: would like a totally irreverent look at the life of 48 00:03:08,120 --> 00:03:13,760 Speaker 1: Emily Dickinson, with every episode structured around one of her 49 00:03:13,800 --> 00:03:19,240 Speaker 1: poems and a lot of irreverent humor and also drama. 50 00:03:19,360 --> 00:03:22,079 Speaker 1: It's like one of the some of the criticisms I've 51 00:03:22,120 --> 00:03:24,239 Speaker 1: read of it are sort of like, I don't think 52 00:03:24,280 --> 00:03:26,760 Speaker 1: this show knows what kind of show it is because 53 00:03:26,800 --> 00:03:29,760 Speaker 1: it's not funny enough to strictly be a comedy and 54 00:03:29,800 --> 00:03:32,320 Speaker 1: it's not dramatic enough to strictly be a drama. But 55 00:03:32,440 --> 00:03:35,360 Speaker 1: sometimes it's comedic and sometimes it's dramatic, And I'm like, 56 00:03:35,400 --> 00:03:39,640 Speaker 1: I'm here for all of this, and I guess if 57 00:03:39,680 --> 00:03:45,720 Speaker 1: you are concerned about spoilers, skip ahead maybe one minute. Um. 58 00:03:45,760 --> 00:03:50,960 Speaker 1: In the second season of It, Emily's sister Lavinia meets Um, 59 00:03:51,040 --> 00:03:53,680 Speaker 1: one of the people that we mentioned in this episode, 60 00:03:54,240 --> 00:03:57,840 Speaker 1: who is the person that she whipped in Grass Valley, 61 00:03:57,920 --> 00:04:00,160 Speaker 1: and of course I've forgotten his name since some talking 62 00:04:00,200 --> 00:04:06,360 Speaker 1: extemporaneously and he references having been involved with this Lola 63 00:04:06,400 --> 00:04:09,720 Speaker 1: Montez and says that she shot him. And then from 64 00:04:09,760 --> 00:04:12,160 Speaker 1: that point on, for the rest of the season, every 65 00:04:12,200 --> 00:04:15,480 Speaker 1: time there's a mention of Lola Montez, Lavinia's eyes just 66 00:04:15,600 --> 00:04:18,480 Speaker 1: kind of get this little far away look to them, 67 00:04:18,520 --> 00:04:23,400 Speaker 1: and there's a little musical background flourished with some castanets, 68 00:04:23,440 --> 00:04:26,960 Speaker 1: and it just it keeps building through the whole season. Um. 69 00:04:26,960 --> 00:04:29,360 Speaker 1: And I am glad that I stopped what I was 70 00:04:29,360 --> 00:04:32,240 Speaker 1: watching to get caught up on that when I read 71 00:04:32,440 --> 00:04:35,680 Speaker 1: in my research that there was a Lola Montez running joke. 72 00:04:36,600 --> 00:04:40,720 Speaker 1: If you are looking for a like reverent bio pic 73 00:04:41,120 --> 00:04:45,120 Speaker 1: of Emily Dickinson, if it was not clear already, that 74 00:04:45,160 --> 00:04:52,400 Speaker 1: show is not that. Uh. It's, as I said, a 75 00:04:52,480 --> 00:04:55,200 Speaker 1: show that I really love, though, and I'm looking forward 76 00:04:55,240 --> 00:05:00,160 Speaker 1: to the third season of Hooray. Um. Yeah, I think 77 00:05:00,160 --> 00:05:02,720 Speaker 1: I would need it a baseline to like Emily Dickinson's 78 00:05:02,760 --> 00:05:06,000 Speaker 1: work more to be into it. That's kind of my 79 00:05:06,120 --> 00:05:08,680 Speaker 1: hang up on that one. Sure, and it's for sure 80 00:05:08,720 --> 00:05:12,080 Speaker 1: a show that can be um discussed along the lines 81 00:05:12,120 --> 00:05:16,039 Speaker 1: of whether references are jokes, which is the thing that 82 00:05:16,040 --> 00:05:18,800 Speaker 1: that I've seen various people be like if you reference 83 00:05:18,880 --> 00:05:21,320 Speaker 1: something and people are like, ah, I get that reference, 84 00:05:21,320 --> 00:05:25,200 Speaker 1: that's not the same as a joke. Um. Sure, there 85 00:05:25,240 --> 00:05:27,440 Speaker 1: are many references in the show that I find to 86 00:05:27,480 --> 00:05:31,760 Speaker 1: be hilarious and funny. So again, someone said, Tracy V. Wilson, 87 00:05:32,160 --> 00:05:35,400 Speaker 1: what would she like on on on a streaming service 88 00:05:35,440 --> 00:05:38,320 Speaker 1: that she watches on an iPad? See I'm a monster? 89 00:05:38,520 --> 00:05:41,479 Speaker 1: And when there are too many like references as jokes 90 00:05:41,640 --> 00:05:43,839 Speaker 1: in my head, I go, aren't you clever? Like I 91 00:05:43,920 --> 00:05:49,599 Speaker 1: don't find them funny. I've become a shrew and that's 92 00:05:49,640 --> 00:05:53,680 Speaker 1: just not intentionally and I'm like, let them have their cleverness. 93 00:05:53,720 --> 00:05:55,880 Speaker 1: But then they're to war in my head and I'm 94 00:05:56,200 --> 00:06:01,120 Speaker 1: already over Yes. Yes, so I think I said this 95 00:06:01,200 --> 00:06:06,320 Speaker 1: in the episode. But I'm pretty sure the most comprehensive 96 00:06:07,960 --> 00:06:12,760 Speaker 1: modern biography of her is Bruce Seymour's lowlamantez a Life, 97 00:06:13,240 --> 00:06:17,960 Speaker 1: which came out. Um, I'm pretty sure he funded the 98 00:06:17,960 --> 00:06:23,279 Speaker 1: research of it by having been on Jeopardy I love. Yeah, 99 00:06:23,279 --> 00:06:27,280 Speaker 1: he don't included like traveling and getting access to all 100 00:06:27,320 --> 00:06:30,840 Speaker 1: kinds of papers and really trying to filter out like 101 00:06:31,000 --> 00:06:37,280 Speaker 1: what really happened versus what is just reporting her backstory 102 00:06:37,400 --> 00:06:41,040 Speaker 1: and her account of the events. Um. It is quite 103 00:06:41,040 --> 00:06:46,000 Speaker 1: a long book, considering especially that it it details the 104 00:06:46,040 --> 00:06:50,320 Speaker 1: life of someone who did not see age forty. This 105 00:06:50,360 --> 00:06:55,000 Speaker 1: week we talked about Daphne to Marie. Yeah that and 106 00:06:55,240 --> 00:06:59,159 Speaker 1: it was first she pronounced her last name herself in 107 00:06:59,200 --> 00:07:01,800 Speaker 1: a very French way, and I felt like trying to 108 00:07:01,800 --> 00:07:05,880 Speaker 1: be very French with her pronunciation would just be distracting 109 00:07:06,680 --> 00:07:11,880 Speaker 1: in the context of the podcast. Also, this, as we 110 00:07:11,920 --> 00:07:14,160 Speaker 1: said in the show, and the episode was prompted by 111 00:07:14,200 --> 00:07:18,360 Speaker 1: me having read Rebecca. Uh. The first thing is I 112 00:07:18,440 --> 00:07:20,280 Speaker 1: got to the end of Rebecca and I was like, 113 00:07:20,400 --> 00:07:24,280 Speaker 1: this feels like it was written by someone who was 114 00:07:24,400 --> 00:07:30,720 Speaker 1: maybe repressing some stuff. And then I learned all these 115 00:07:30,760 --> 00:07:33,320 Speaker 1: things in her biography that she really seems to have 116 00:07:33,360 --> 00:07:36,280 Speaker 1: been struggling with and like trying to figure out how 117 00:07:36,360 --> 00:07:40,120 Speaker 1: to understand about her own self and her gender and 118 00:07:40,160 --> 00:07:42,840 Speaker 1: her sexuality, and I was like, wow that, I really 119 00:07:42,880 --> 00:07:45,800 Speaker 1: feel like a lot of that came through in that book. 120 00:07:46,120 --> 00:07:50,120 Speaker 1: Then the other thing was I wonder how I would 121 00:07:50,160 --> 00:07:57,800 Speaker 1: have responded to Rebecca had I read it as a team. Yeah, 122 00:07:58,040 --> 00:08:03,000 Speaker 1: because like, my first exposure to Jane Eyre was when 123 00:08:03,040 --> 00:08:05,920 Speaker 1: I was probably in fifth grade and there was an 124 00:08:05,920 --> 00:08:09,040 Speaker 1: adaptation of it on PBS, and I thought it was 125 00:08:09,080 --> 00:08:12,320 Speaker 1: an incredibly romantic story. Um. I wonder if I would 126 00:08:12,320 --> 00:08:15,240 Speaker 1: have thought Rebecca was an incredibly romantic story if I 127 00:08:15,280 --> 00:08:17,280 Speaker 1: have read it as a young person. I guess we're 128 00:08:17,320 --> 00:08:21,360 Speaker 1: about to spoil Rebecca. If people have strong feelings about 129 00:08:21,360 --> 00:08:25,480 Speaker 1: a nearly century old novel, Uh, wow, I don't find 130 00:08:25,480 --> 00:08:31,240 Speaker 1: it romantic at all. I find it horrifying. Yeah, I 131 00:08:31,360 --> 00:08:37,120 Speaker 1: have never perceived it as particularly romantic. Yeah. Daphne Dumaria 132 00:08:37,280 --> 00:08:39,960 Speaker 1: was definitely like, are you are you all reading the 133 00:08:40,000 --> 00:08:42,120 Speaker 1: book that I read? These people that seem to think 134 00:08:42,120 --> 00:08:47,760 Speaker 1: it's a a romance, because um, like Maxim Dewinter is 135 00:08:47,880 --> 00:08:52,280 Speaker 1: not very nice to the unnamed narrator, Like when he 136 00:08:52,360 --> 00:08:54,679 Speaker 1: proposes to her, I think he calls her a little 137 00:08:54,760 --> 00:08:59,640 Speaker 1: fool because she doesn't really know what he's talking. He's like, 138 00:08:59,840 --> 00:09:01,520 Speaker 1: She's like, are you playing a joke on me? He's 139 00:09:01,640 --> 00:09:05,120 Speaker 1: just not very nice to her for a lot of 140 00:09:05,120 --> 00:09:08,800 Speaker 1: the book. And then it's revealed that he murdered his 141 00:09:08,880 --> 00:09:13,320 Speaker 1: first wife and hit her body by sinking her boat 142 00:09:13,320 --> 00:09:15,880 Speaker 1: and told everyone that she drowned in an accident. And 143 00:09:15,920 --> 00:09:24,200 Speaker 1: I'm like that this, this is horrifying, horrifying. Yes, well, 144 00:09:24,240 --> 00:09:27,199 Speaker 1: and I also wonder if the turn in that right. 145 00:09:27,240 --> 00:09:30,200 Speaker 1: This is very spoilery, but you know it's it's then 146 00:09:30,280 --> 00:09:35,640 Speaker 1: revealed that the wife may have kind of wanted that, 147 00:09:37,160 --> 00:09:40,960 Speaker 1: which gets a little bit into a whole weird thing. Um. 148 00:09:41,720 --> 00:09:46,280 Speaker 1: I feel like what's really interesting about this in relation 149 00:09:46,320 --> 00:09:49,240 Speaker 1: to the film is that I you really get the 150 00:09:49,320 --> 00:09:52,040 Speaker 1: sense reading do Marie. And again, it's been a very 151 00:09:52,080 --> 00:09:56,720 Speaker 1: long time for me, but I remember being like, oh, 152 00:09:56,880 --> 00:10:00,439 Speaker 1: this is the kind of like plot pacing in the 153 00:10:00,520 --> 00:10:05,440 Speaker 1: turns and the reveals are what made Alfred Hitchcock's career 154 00:10:07,240 --> 00:10:10,320 Speaker 1: really all because of this person who plotted all of 155 00:10:10,360 --> 00:10:12,920 Speaker 1: her books or most of her her writing. To the 156 00:10:12,920 --> 00:10:15,760 Speaker 1: best of my knowledge in that way, which is sort 157 00:10:15,760 --> 00:10:18,480 Speaker 1: of interesting because we associated with him as an auteur 158 00:10:19,480 --> 00:10:21,800 Speaker 1: and like this genius filmmaker, and it's like, yeah, but 159 00:10:22,000 --> 00:10:25,079 Speaker 1: it came off the page that somebody else wrote, right, 160 00:10:25,880 --> 00:10:29,040 Speaker 1: which is is not to denigrate his work, because he did. 161 00:10:29,080 --> 00:10:32,520 Speaker 1: He's a complicated character on his own. Um. And those 162 00:10:32,520 --> 00:10:35,800 Speaker 1: films are very, very beautiful and his his shooting style 163 00:10:36,080 --> 00:10:38,880 Speaker 1: tremendously beautiful. But yeah, it is interesting to me that 164 00:10:38,880 --> 00:10:41,360 Speaker 1: what we associate in many ways with him is really 165 00:10:41,640 --> 00:10:46,520 Speaker 1: his source material, right right for sure. Um, we didn't 166 00:10:46,520 --> 00:10:49,640 Speaker 1: really get into it in the in the episode at all, um, 167 00:10:49,679 --> 00:10:53,079 Speaker 1: But one of the characters in Rebecca is the housekeeper, 168 00:10:53,200 --> 00:11:00,760 Speaker 1: Mrs Danver's. The sinister housekeeper is very sinister and is 169 00:11:00,880 --> 00:11:06,720 Speaker 1: often very easily in my opinion, read with like lesbian undertones. 170 00:11:07,280 --> 00:11:10,160 Speaker 1: And there's some suggestion that maybe she had some kind 171 00:11:10,160 --> 00:11:14,280 Speaker 1: of physical relationship with Rebecca, Like there's like that whole 172 00:11:14,360 --> 00:11:17,120 Speaker 1: layer of it. Um. And she's become kind of a 173 00:11:17,200 --> 00:11:21,880 Speaker 1: camp figure, which is unsurprising. And some of that comes 174 00:11:21,920 --> 00:11:24,920 Speaker 1: as much from the Alfred Hitchcock film and the way 175 00:11:24,920 --> 00:11:28,079 Speaker 1: she was portrayed there as it does from the actual 176 00:11:28,160 --> 00:11:30,080 Speaker 1: text that was on the page in the first place. 177 00:11:30,640 --> 00:11:33,640 Speaker 1: I can imagine how baffled she was when she was like, 178 00:11:33,880 --> 00:11:35,880 Speaker 1: what do you mean people think this is a romance? 179 00:11:36,360 --> 00:11:39,880 Speaker 1: Why why is my publisher marketing this as a romance? 180 00:11:39,920 --> 00:11:44,400 Speaker 1: And why do people believe him? I do not understand, um. 181 00:11:44,440 --> 00:11:47,160 Speaker 1: I mean, I have theories about why it would have 182 00:11:47,200 --> 00:11:51,240 Speaker 1: been marketed as a romance, but they're literally all conjecture, yeah, 183 00:11:51,400 --> 00:11:54,720 Speaker 1: which is that it's kind of a purposeful bait and switch, 184 00:11:54,920 --> 00:11:58,280 Speaker 1: right of like, no, we'll lure them in with the 185 00:11:58,360 --> 00:12:01,960 Speaker 1: idea that this is about a woman who is intimidated 186 00:12:01,960 --> 00:12:08,280 Speaker 1: by her predecessors, Aura or whatever, and that seems sort 187 00:12:08,320 --> 00:12:12,560 Speaker 1: of romantic on the surface, but of course as it 188 00:12:12,640 --> 00:12:16,079 Speaker 1: picks apart, it becomes a very different thing entirely. Um, 189 00:12:16,120 --> 00:12:18,800 Speaker 1: and they may be like, you know that, what matters 190 00:12:18,840 --> 00:12:21,040 Speaker 1: is they paid for the book, whether they got the romance. 191 00:12:25,120 --> 00:12:28,240 Speaker 1: I still have not seen the Alfred Hitchcock film in 192 00:12:28,360 --> 00:12:31,720 Speaker 1: full uh, and I have not checked out the new 193 00:12:31,760 --> 00:12:37,600 Speaker 1: Netflix adaptation that just came out late last year. Um, 194 00:12:37,640 --> 00:12:39,560 Speaker 1: you made a face and I'm like, did you see it? 195 00:12:39,559 --> 00:12:42,880 Speaker 1: In half thoughts, So, I'm thinking about the first time 196 00:12:42,920 --> 00:12:48,240 Speaker 1: I saw the Alfred Hitchcock one, which was at my 197 00:12:48,480 --> 00:12:51,560 Speaker 1: grandparents house on one of the few summer trips we 198 00:12:51,600 --> 00:12:54,880 Speaker 1: ever took to visit them, and it came on and 199 00:12:54,920 --> 00:12:58,240 Speaker 1: the opening titles came up, and I don't know what 200 00:12:58,320 --> 00:13:01,920 Speaker 1: my mom thought it was, but she was like, you 201 00:13:01,920 --> 00:13:05,800 Speaker 1: shouldn't watch this. Hits pornography, and I was like, well, 202 00:13:05,840 --> 00:13:08,000 Speaker 1: I'm definitely watching it now. I think I was like 203 00:13:08,040 --> 00:13:10,520 Speaker 1: eleven or twelve, and I remember me like, where is 204 00:13:10,520 --> 00:13:14,040 Speaker 1: the pornography here? Um, which is kind of a strange. 205 00:13:14,120 --> 00:13:17,840 Speaker 1: I don't I don't know what film she thought it was. Yeah, well, 206 00:13:18,200 --> 00:13:22,160 Speaker 1: like I was really into Alfred Hitchcock when I was 207 00:13:22,200 --> 00:13:25,200 Speaker 1: a kid, Like we had some VHS tapes of various 208 00:13:25,240 --> 00:13:30,720 Speaker 1: Alfred Hitchcock movies, like I remember watching north By Northwest repeatedly. Um, 209 00:13:30,840 --> 00:13:35,040 Speaker 1: and uh, I think Alfred Hitchcock Presents was in syndication 210 00:13:35,200 --> 00:13:37,480 Speaker 1: somewhere and I was I would watch that. There was 211 00:13:37,520 --> 00:13:40,480 Speaker 1: one year when I tried to be Alfred Hitchcock for Halloween. 212 00:13:41,400 --> 00:13:44,800 Speaker 1: Um It, I don't think I could carry that off 213 00:13:45,480 --> 00:13:48,360 Speaker 1: as like whatever twelve year old or whatever I was. 214 00:13:49,400 --> 00:13:51,960 Speaker 1: But I sure didn't think Alfred Hitchcock was great as 215 00:13:51,960 --> 00:13:54,560 Speaker 1: a child. So it just surprises me that somehow this 216 00:13:54,760 --> 00:13:57,920 Speaker 1: was a film that I still have managed not to 217 00:13:57,960 --> 00:14:01,240 Speaker 1: see at the age of forty six. Well, there are 218 00:14:01,280 --> 00:14:05,160 Speaker 1: lots of of Alfred Hitchcock things, so there sure are 219 00:14:05,200 --> 00:14:08,880 Speaker 1: You know, maybe your mom also thought it was pornography. 220 00:14:09,200 --> 00:14:16,440 Speaker 1: My mom could have very that. That doesn't seem unreasonable. Honestly, um, 221 00:14:16,480 --> 00:14:19,440 Speaker 1: I mean gerdainly. There are adults themes to it, and 222 00:14:19,480 --> 00:14:21,480 Speaker 1: there are issues around it that I could see a 223 00:14:21,600 --> 00:14:23,560 Speaker 1: parent being like, no, this is a little too much 224 00:14:23,560 --> 00:14:25,920 Speaker 1: for you, but I don't know why my mom made 225 00:14:25,920 --> 00:14:33,640 Speaker 1: that jump. Well, I will look forward to reading some 226 00:14:33,760 --> 00:14:36,960 Speaker 1: more Daffy Do Marie novels and short stories and things 227 00:14:37,000 --> 00:14:39,200 Speaker 1: in the future now that I have had my my 228 00:14:39,240 --> 00:14:43,560 Speaker 1: appetite wedded by Rebecca. There you go. So happy Friday 229 00:14:43,640 --> 00:14:46,920 Speaker 1: again everyone. We hope whatever is on your plate this 230 00:14:46,960 --> 00:14:49,880 Speaker 1: weekend that it goes well and we will be back 231 00:14:50,120 --> 00:14:57,720 Speaker 1: Saturday with Saturday Classic in a brand new episode on Monday. 232 00:14:58,720 --> 00:15:00,880 Speaker 1: Stuff you missed in History Class is the production of 233 00:15:00,920 --> 00:15:04,160 Speaker 1: I Heart Radio. For more podcasts from I Heart Radio, 234 00:15:04,320 --> 00:15:07,480 Speaker 1: visit the iHeart Radio app, Apple Podcasts, or wherever you 235 00:15:07,600 --> 00:15:09,800 Speaker 1: listen to your favorite shows. H