WEBVTT - "Drumma Boy" 0:00:01.360 --> 0:00:07.560 Hold on, hold up, I'd rather kick you with ary 0:00:07.720 --> 0:00:09.760 s be the hardest to keep in the boat, So 0:00:09.760 --> 0:00:11.600 why would you wait every day? Still it's too because 0:00:11.600 --> 0:00:12.959 I know for faces they' gonna say, hm we So 0:00:13.200 --> 0:00:15.280 I bay my call on the station, ain't know, not anxious. 0:00:15.280 --> 0:00:17.280 I'm waiting on them to go list if it ain't them, 0:00:17.320 --> 0:00:18.919 and I'll right in the silence. I promise that no 0:00:18.960 --> 0:00:20.960 one can do what they do. It's like hundreds of 0:00:21.000 --> 0:00:23.880 station that's Aaron, but I'd rather listen to Are Sue 0:00:24.480 --> 0:00:32.760 Are Suprian sup Arian Suprian sup Arian so a soup 0:00:34.240 --> 0:00:40.599 su Borrian sup so Ocome to the ball or Alert 0:00:40.680 --> 0:00:45.720 Show starring Bari Simmons and Sue Solo. What's going on? 0:00:45.800 --> 0:00:48.560 What's happening? Is the ball Alert Show podcast available everywhere 0:00:48.600 --> 0:00:50.360 you get your podcast. I know by the name of 0:00:50.440 --> 0:00:53.280 Karari Simmons. Hey young, what's your best friend? Sue Solo? 0:00:53.360 --> 0:00:56.480 And we got a very special guest today. I want 0:00:56.480 --> 0:00:59.160 to claim him as Atlanta's own, but he wasn't more 0:00:59.240 --> 0:01:01.840 in Atlanta, so I'm not sure if I can. But 0:01:02.080 --> 0:01:06.560 the Infamous dropped a boy already a little out to 0:01:06.560 --> 0:01:12.280 the Atlanta. Yes, sir, born and raised man I think 0:01:12.319 --> 0:01:14.600 the first time I found out that you weren't from Atlanta, 0:01:14.640 --> 0:01:18.920 I was like, what, he's not from Atlanta? How everybody 0:01:18.920 --> 0:01:20.560 to be like that? Because I was here since I 0:01:20.680 --> 0:01:22.320 was nineteen, so I was, you know what I'm saying, 0:01:22.360 --> 0:01:24.000 fresh out of college. You know what I'm saying. One 0:01:24.040 --> 0:01:26.080 of the first songs that I did was pop their pussy, 0:01:26.160 --> 0:01:28.880 make them get their money right, Make them get their 0:01:28.920 --> 0:01:32.440 money right. We came in the game like young enough. 0:01:32.440 --> 0:01:34.160 I wouldn't even old enough to get in the strip club, 0:01:34.560 --> 0:01:35.679 you know what I'm saying. But I had one of 0:01:35.680 --> 0:01:37.640 the strip club anthems, and you know what I'm saying, 0:01:37.680 --> 0:01:41.440 just got embraced like Jazzy fag here he from Memphis. Um, 0:01:41.920 --> 0:01:43.280 you know what I'm saying. It was. It was just 0:01:43.319 --> 0:01:46.000 like so many different connections. My brother was cool with jazz, 0:01:46.160 --> 0:01:48.800 so I would always end up going the noontime and 0:01:49.280 --> 0:01:52.120 bumped in the till bumping the Jeezy, bumped in the Gucci. 0:01:52.560 --> 0:01:55.640 It was just always a reason being Alma. Speaking of that, 0:01:55.680 --> 0:01:58.200 you have, you have so many legendary records. You you 0:01:58.200 --> 0:02:01.640 were bragging on Instagram, which you serve every moment to 0:02:01.720 --> 0:02:03.880 do that. I saw that you posted I think it 0:02:03.920 --> 0:02:06.600 was Jeezy and his biggest record with his most streams 0:02:07.080 --> 0:02:09.320 is the record you produced. And then who who else? 0:02:09.360 --> 0:02:11.560 Who was the other person you post? I forgot the 0:02:11.880 --> 0:02:14.919 other person was Wilder? You know what I'm saying. No 0:02:15.120 --> 0:02:19.760 record was the biggest record that streamed on that particular platform. 0:02:20.400 --> 0:02:24.519 Nothing has beat that record in the whole of last years. 0:02:24.800 --> 0:02:28.920 So you were talking to that, Oh yeah, you know, 0:02:29.000 --> 0:02:31.440 we still ain't nobody topped us, you know what I'm saying, 0:02:31.480 --> 0:02:33.600 letting us and went by the whole decade. So you 0:02:33.639 --> 0:02:35.880 know what I mean. It's just a blessing to be 0:02:35.880 --> 0:02:37.640 able to be a part of those records and to 0:02:37.639 --> 0:02:40.160 be able to wait, wait, wait, let's talk about how 0:02:40.320 --> 0:02:43.680 I want to say confident. You are so cool and mellow. 0:02:43.960 --> 0:02:46.440 You never really like you don't have to brag. I 0:02:46.440 --> 0:02:50.600 guess you know, uh, you have so many songs that 0:02:50.639 --> 0:02:54.680 you have produced, legendary records, and you just so cool. 0:02:54.840 --> 0:02:56.760 Like in these day, in this day and age when 0:02:56.760 --> 0:02:59.880 people are always bragging and you know, talking smack on 0:03:00.120 --> 0:03:03.280 the social media, you really don't say anything. You just like, 0:03:03.320 --> 0:03:07.200 look a look at the plaques behind you, like there 0:03:07.200 --> 0:03:10.160 ain't no regular thing. A little black a little I 0:03:10.520 --> 0:03:12.560 got there. We're talking about the Walker record. I pulled 0:03:12.600 --> 0:03:15.400 up this one home. I'm a little bit. I'm glad 0:03:15.440 --> 0:03:18.799 I waited there on three million records. Now keep going, 0:03:18.960 --> 0:03:22.679 come on, keep going. This just can't shout out to 0:03:22.760 --> 0:03:24.880 my boy. Wow, I ain't never had no glucim ain't 0:03:24.919 --> 0:03:27.360 plaque all the records I did with Google up. So 0:03:27.400 --> 0:03:28.840 I had to order this when I was like, I 0:03:28.880 --> 0:03:34.400 ain't even realized this record, win goal and record is this? 0:03:34.400 --> 0:03:37.800 This is uh the State versus Roger Davis. I produced 0:03:37.840 --> 0:03:41.880 classical and shout out to Coach Kakes. Coach k called 0:03:41.920 --> 0:03:47.280 the Blee Club from from Spellman, So that's who the 0:03:47.480 --> 0:03:51.280 shout out to the Glee Club spell Man, Um, that's 0:03:51.280 --> 0:03:53.120 who we're saying on that. This is no one I 0:03:53.200 --> 0:03:57.280 just got. Ain't wrapped this, ye NBA, young boy. More 0:03:57.360 --> 0:04:01.640 recent I did. We're popping on that featuring bird Man 0:04:01.560 --> 0:04:05.480 until the del called her name project. But Yo, it's 0:04:05.520 --> 0:04:07.560 a blessing to be able to deliver and come through 0:04:07.600 --> 0:04:09.360 for the guy man. And I don't I don't really 0:04:09.360 --> 0:04:13.720 be popping off like that because when you come from Stacks, 0:04:14.160 --> 0:04:17.960 when you come from Motown, when you come from Isaac 0:04:18.000 --> 0:04:20.640 Hayes in my living room, al Green. We come from 0:04:20.640 --> 0:04:23.480 the church, were like everybody in Memphis. We come from 0:04:23.480 --> 0:04:26.120 that church. I grew up in the church, so that's 0:04:26.120 --> 0:04:30.599 where the music come from for me. And everybody was 0:04:30.640 --> 0:04:33.200 just so humble and personal. Like if you look at 0:04:33.240 --> 0:04:36.840 Michael Jackson, Michael Jackson, the biggest who, the biggest who, 0:04:36.839 --> 0:04:41.560 bigger than Michael Jackson, No, how humble was he? Now, 0:04:41.600 --> 0:04:44.960 he were too humble? You know what I mean? You 0:04:45.000 --> 0:04:46.560 know what I mean. But I just want to say 0:04:46.600 --> 0:04:49.520 thank you. I want to and nan see, when you 0:04:49.600 --> 0:04:52.600 have grace, it's called grace. One thing to have confidence, 0:04:53.000 --> 0:04:55.240 but it's another thing to have grace and to just 0:04:55.279 --> 0:04:58.080 be graceful. Because when you really do what you do, 0:04:58.200 --> 0:05:00.240 when you really always you who you say you are, 0:05:00.320 --> 0:05:02.479 you don't have to do all that. Some people have 0:05:02.600 --> 0:05:05.600 to pop off just to bring that attention. My attention. 0:05:05.600 --> 0:05:07.200 I get through the music. I don't even have to 0:05:07.240 --> 0:05:09.280 say not until y'all just make the music and y'all 0:05:09.680 --> 0:05:14.760 you need Oh yeah boy A year boy came from 0:05:14.880 --> 0:05:17.560 my rap. I was rapping on the gainst the booth feature. Yeah, 0:05:17.640 --> 0:05:19.600 I was rapping on the doing a feature for gamester 0:05:19.640 --> 0:05:23.440 Boot and that those were my lives. So behind my wraps, 0:05:23.440 --> 0:05:26.880 I always be a year what like just turned up, 0:05:26.960 --> 0:05:29.440 Like you know what I'm saying, that's that's that's like 0:05:29.800 --> 0:05:31.840 the call. When people hear me say that in front 0:05:31.839 --> 0:05:33.880 of a record, they know what time to be. You 0:05:33.960 --> 0:05:35.760 know what I'm saying. I could be in the I 0:05:35.760 --> 0:05:37.320 could be in the middle of Memphis and some ship 0:05:37.400 --> 0:05:40.600 go down and be like, hey, yeah, what motherfucker's gonna 0:05:40.839 --> 0:05:43.240 You know what I'm saying. So she was like, man, 0:05:43.279 --> 0:05:46.320 you need you there food and we ran with it. 0:05:46.600 --> 0:05:48.640 A signature I know that I can say like when 0:05:48.680 --> 0:05:51.760 I was in high school, my my prime time days, 0:05:51.960 --> 0:05:56.800 my club chocolate days. Hearing that drop, we knew we 0:05:56.800 --> 0:06:01.560 was about to write something or recite some thug As lyrics. 0:06:01.640 --> 0:06:05.360 We just knew it was about to go down. Yeah. Absolutely, 0:06:05.400 --> 0:06:07.960 But Jazz it would always tell me, Man, put your 0:06:08.000 --> 0:06:10.800 tag on that, mom, Man got the be vocal man, 0:06:10.839 --> 0:06:12.160 you know what I mean, Like if you look at 0:06:12.160 --> 0:06:16.880 the vocal producers that I'm the ones, you Knowdre Kanye, 0:06:17.120 --> 0:06:21.240 Swiss Beach, you know what I mean, Like Travis Scott, 0:06:21.839 --> 0:06:24.120 you know what I mean, Tyler the Creator, Like you 0:06:24.160 --> 0:06:26.599 know what I'm seeing any producer that really like step 0:06:26.640 --> 0:06:28.680 on the other side of the microphone. It just put 0:06:28.720 --> 0:06:30.320 us in a different line. Like the more I've been 0:06:30.400 --> 0:06:32.520 rapping out and made over a million dollars rapping them, 0:06:32.560 --> 0:06:34.760 you know what I'm saying, Like that's a whole other budget, 0:06:35.240 --> 0:06:38.240 endorsement deals and all kind of now that you're in 0:06:38.240 --> 0:06:40.880 front of the scene, Oh damn, you drunk, You drunk, 0:06:41.160 --> 0:06:43.440 you drunk. Putting the face with a name has been 0:06:43.440 --> 0:06:45.080 a thing for me to pass three or four years. 0:06:45.160 --> 0:06:47.000 I actually love that because I feel like the list 0:06:47.040 --> 0:06:49.280 that you just named, I don't feel like any of 0:06:49.320 --> 0:06:52.280 those people are real big braggers, Like they really just 0:06:52.360 --> 0:06:55.080 let the work do the talking. You don't got it 0:06:55.600 --> 0:06:58.240 cloud when your work does what it needs to do. 0:06:58.600 --> 0:07:01.320 Oh yeah, you know, we we park when when necessary, 0:07:01.400 --> 0:07:03.880 you know what I'm saying. And you know I say 0:07:03.920 --> 0:07:07.720 that that Memphis mentality. I try to say that for 0:07:07.839 --> 0:07:10.560 when it's needed, when it's necessary, you know what I mean, 0:07:10.600 --> 0:07:13.040 and just stay in a I'm happy. I love what 0:07:13.080 --> 0:07:15.120 I do, so I'm always in a good mood. And 0:07:15.160 --> 0:07:16.680 you know what I'm saying that it ain't never been 0:07:16.680 --> 0:07:20.560 no no reason. I feel like a level of stunting 0:07:20.720 --> 0:07:24.560 is looking down upon so you can you can stunt 0:07:24.640 --> 0:07:27.040 and feel good. You can talk ship and feel good. 0:07:27.080 --> 0:07:28.800 And when I do that, or I might say something 0:07:28.840 --> 0:07:31.520 on the Instagram, pop my ship. I'm just doing that 0:07:31.640 --> 0:07:33.840 in a in a you know this field good. It's 0:07:33.880 --> 0:07:38.440 not directed towards nothing or talking down upon other producers 0:07:38.440 --> 0:07:41.520 that haven't done what I've done. I'm picking producers up. 0:07:41.760 --> 0:07:45.120 I started producers way, we got our royalty loops sample 0:07:45.160 --> 0:07:48.200 loop website. Now giving back to the community, the producers, 0:07:48.200 --> 0:07:51.360 and giving them some of my key ingredients sounds, uh 0:07:51.440 --> 0:07:54.480 that I've always used and man, we you know, just 0:07:54.640 --> 0:07:59.720 always dedicating a spotlight. We'll do right back with more 0:07:59.720 --> 0:08:09.200 of the boiler Alert shall really listening to a special 0:08:09.320 --> 0:08:12.440 edition of The Baller Alert Show already man salute while alert. 0:08:12.520 --> 0:08:15.320 Drummer Board you've always been You've been saying, we this 0:08:15.360 --> 0:08:19.320 whole interview, and um, we as in your team. So 0:08:19.400 --> 0:08:22.200 let's talk about your team because I know drummer Board 0:08:22.240 --> 0:08:26.800 Fresh has a team. Oh yeah, talk about that. Man, 0:08:27.160 --> 0:08:33.160 Graphics pr you know, public relations set up this interview 0:08:33.400 --> 0:08:37.000 with us today. Um, you know, I tell guys its 0:08:37.000 --> 0:08:40.720 producers man or artists spend some of that money that 0:08:40.800 --> 0:08:43.719 you make back on your stuff and promote what you 0:08:43.840 --> 0:08:47.000 got going. Yeah you want Jez album, Yeah you want 0:08:47.040 --> 0:08:49.440 Walker Flucker album, And it will be producers who got 0:08:49.480 --> 0:08:52.200 bigger songs on these albums than I did. I didn't 0:08:52.200 --> 0:08:55.320 stand in ovation well because I had a publicist. Because 0:08:55.360 --> 0:08:59.080 I had that pr they took me in a different 0:08:59.200 --> 0:09:02.760 realm where other guys weren't getting that spotlight attention because 0:09:02.760 --> 0:09:05.360 they simply weren't putting that money on themselves. So a 0:09:05.480 --> 0:09:08.400 pubs has been has been very essential for me. My 0:09:08.480 --> 0:09:13.760 management squeaked collecting the money, following up with the labels, hassling, 0:09:14.400 --> 0:09:17.720 you know, the guys that are a little late making payments, 0:09:18.440 --> 0:09:20.640 you know what I mean, or you know, making sure 0:09:20.679 --> 0:09:24.920 that the contracts are proof reread, you know, making sure 0:09:24.920 --> 0:09:29.280 that everybody's tied in the the lawyers tied in with 0:09:29.559 --> 0:09:32.959 their lawyer and you know, the agreements and everything in place. 0:09:33.040 --> 0:09:37.880 So it's it's it's definitely like a squad and it's 0:09:38.120 --> 0:09:41.120 been a blessing to just you know, have that guy's 0:09:41.160 --> 0:09:43.360 from my older brother in St. Wayne R. I p 0:09:44.840 --> 0:09:47.240 ain't good dude, And a lot of times when I 0:09:47.240 --> 0:09:50.840 say we I'm speaking on the family, the legacy of 0:09:51.160 --> 0:09:54.520 Big Bro and his folk kids, his folk grand babies, 0:09:54.600 --> 0:09:56.720 you know what I mean. So I got a whole 0:09:56.800 --> 0:10:00.559 of state thing going that we build, and uh and 0:10:00.559 --> 0:10:06.079 and and look at your talent. I can really see 0:10:06.240 --> 0:10:10.000 why you have longevity. I mean you you seem very humbule, 0:10:10.679 --> 0:10:12.840 you know, and and the work definitely speaks for us. 0:10:12.880 --> 0:10:15.400 So let's talk about your mama being a part time 0:10:15.480 --> 0:10:18.560 opera singer. How we go from being in the house 0:10:18.600 --> 0:10:21.679 listening to opera to producing the ship that you produce? Now, 0:10:21.720 --> 0:10:25.760 how did we get there? Because Mama was a chameleon, 0:10:26.160 --> 0:10:27.839 you know what I'm saying. Mama knew how to get 0:10:27.880 --> 0:10:34.000 in front of white America, Black America, corporate middle class, 0:10:34.360 --> 0:10:37.640 Section eight. We everywhere with it. So Mama would be 0:10:37.640 --> 0:10:39.199 in the arpora. But then she she was in the 0:10:39.280 --> 0:10:42.120 Baptist church choir as well. You know what I'm saying. 0:10:42.200 --> 0:10:45.840 She's singing Isaac hay Is and Al Green Temptations and 0:10:45.960 --> 0:10:48.520 Marv and Gamee whatnot. You know what I mean. It's crazy. 0:10:48.600 --> 0:10:51.400 She started off putting her wound to the stomach playing 0:10:51.960 --> 0:10:54.840 Michael Jackson Temptations. Should be like, man, you start kicking 0:10:54.840 --> 0:10:58.319 when I played Michael Jackson. So I have music coming 0:10:58.320 --> 0:11:01.120 through my ears before I'm even on, you know what 0:11:01.200 --> 0:11:03.360 I mean, And that I used to have dreams of 0:11:03.960 --> 0:11:06.560 making beats or just something I always playing in my head. 0:11:06.640 --> 0:11:08.560 And it used to be nightmares until I learned how 0:11:08.600 --> 0:11:10.200 to make beats and get it out of my head, 0:11:11.320 --> 0:11:13.840 you know what I'm saying. So it's crazy, like Mama 0:11:13.960 --> 0:11:18.400 was just a cool uh pam Grid type of woman, 0:11:19.240 --> 0:11:21.400 you know what I'm saying, That Pa and grif Field, 0:11:21.480 --> 0:11:22.960 you know what I'm saying, coming to the the house singing 0:11:23.440 --> 0:11:25.760 and then she'll jump into some opera whatnot. And she 0:11:25.880 --> 0:11:28.920 met my dad at the University of Memphis. My mom 0:11:28.960 --> 0:11:33.360 was the first bachelor's music degree, the first black African 0:11:33.360 --> 0:11:36.800 American woman to get to meet her music degree from 0:11:36.880 --> 0:11:39.680 University of Memphis. You know what I'm saying. So she 0:11:39.800 --> 0:11:42.920 met my dad taking my brother in St. Wayne to 0:11:43.000 --> 0:11:47.040 saxophone lessons. My dad played clarinet, taught clarinet at the 0:11:47.120 --> 0:11:52.679 University of Memphis. Also music. It's just it's just everywhere. 0:11:52.679 --> 0:11:54.600 I ain't hand no choice grad where I go. It's 0:11:54.600 --> 0:11:56.800 like might pop over here in the orchestra, mom, over 0:11:56.840 --> 0:11:58.520 here in the opera, you know, what I'm saying, that 0:11:58.679 --> 0:12:01.520 big bro in the streets. So I'm hanging around Big 0:12:01.520 --> 0:12:05.640 Brow a day, probably like around teen eleven twelve, I 0:12:05.720 --> 0:12:08.240 just started being with him every day. And now I'm 0:12:08.280 --> 0:12:11.319 starting to see studios and you know what I'm saying, 0:12:11.400 --> 0:12:14.920 I'm you know, we're playing pool, listening to balling g 0:12:15.360 --> 0:12:19.240 or you know, three season Mafield player Fly against the Black, 0:12:19.920 --> 0:12:26.240 you know what I mean. He said, playing fly come 0:12:26.240 --> 0:12:29.520 on ma M three mane all day and uh you 0:12:29.559 --> 0:12:31.760 know that that that gave me a lot of work, 0:12:32.320 --> 0:12:34.280 you know, just working with all the guys from Memphis, 0:12:34.360 --> 0:12:37.559 working with the upcoming scene. Money bag Yo young Dolf 0:12:38.520 --> 0:12:40.400 Yo Gotti. I came up with Gotta you know what 0:12:40.400 --> 0:12:42.960 I'm saying, bumped into him when I moved to Cordova, 0:12:43.280 --> 0:12:44.760 you know what I mean. He started getting familiar with 0:12:44.760 --> 0:12:48.040 the North Memphis. IM from South Memphis. Like around fourteen fifteen, 0:12:48.080 --> 0:12:51.560 I moved to Cordova, which the suburbs like Cordova right 0:12:51.600 --> 0:12:55.439 there about Riley Millington with justin Timberlake at you know 0:12:55.480 --> 0:12:57.880 what I mean. So that put me in a different 0:12:57.920 --> 0:13:01.480 area where now the whole city and is familiar. And 0:13:01.520 --> 0:13:04.200 after that passed the trust out of reaching out Big 0:13:04.240 --> 0:13:07.719 Block reached out on the boys in the hood. After that, 0:13:07.840 --> 0:13:11.240 Jeez went solo. Standing Ovation was my first platinum plaque, 0:13:11.720 --> 0:13:15.880 and then from there Berdman Money to Blow, Rocko, I'm 0:13:15.880 --> 0:13:22.760 gonna do me, uh apply shanty, keep going to chains, 0:13:22.800 --> 0:13:26.600 I'm running around. I'm getting it. You know what I mean. August, 0:13:26.679 --> 0:13:29.880 I've seen a no Love. You know what I mean. 0:13:29.920 --> 0:13:32.679 We come with the remix featuring Nicki Minaj. You know 0:13:32.720 --> 0:13:35.800 what I mean. Jeezy White Girl, I put on lose 0:13:35.920 --> 0:13:41.240 my mind. You know, it's flexing, just so many different 0:13:41.240 --> 0:13:43.880 records that just just coming back to back walking, flocking, 0:13:43.880 --> 0:13:46.880 no hands um and then you know, looking at my 0:13:46.960 --> 0:13:50.360 dad for the me goes um and then we're popping 0:13:50.440 --> 0:13:56.040 for NBA Young Boy and just boocool plethora of street music, 0:13:56.920 --> 0:14:02.000 DJ drama, Oh my day dreaming. Oh man, it's so 0:14:02.040 --> 0:14:06.559 many records. I can't even keep up, and it's so crazys. 0:14:07.200 --> 0:14:09.679 It's wild because people don't even know the half of 0:14:09.679 --> 0:14:11.840 what you've done. Like I think, if anybody thinks of 0:14:12.360 --> 0:14:15.720 drummer Boy, especially from my time, they're probably thinking of 0:14:15.760 --> 0:14:18.000 your older records. But to hear that you are still 0:14:18.040 --> 0:14:21.520 in the lab with these new cats and it's it's 0:14:21.560 --> 0:14:26.040 so refreshing, it's it's it's on trend, it's on time. 0:14:26.160 --> 0:14:29.280 Like you are so talented to be able to evolve 0:14:29.400 --> 0:14:32.040 like that, because we all know hip hop changes. The sound, 0:14:32.120 --> 0:14:34.440 the foundation the same, but the sound of hip hop 0:14:34.520 --> 0:14:38.000 changes with every generation, and you, my guy, are are 0:14:38.080 --> 0:14:41.880 consistent as fun. Man, I think I had to cheat 0:14:41.920 --> 0:14:44.680 code being in the game and like fifteen, you know 0:14:44.760 --> 0:14:47.560 what I mean. So I'm on the thirty seven. So 0:14:48.040 --> 0:14:51.000 having that twenty years in the game is still in 0:14:51.080 --> 0:14:54.000 my thirties is like I think a little little part 0:14:54.040 --> 0:14:59.400 of the cheek cool as well as having relationships with 0:15:00.000 --> 0:15:03.040 pretty much everybody. You know what I'm saying, and you 0:15:03.040 --> 0:15:05.880 know when you're cool, and people know that you ain't 0:15:05.880 --> 0:15:09.880 no big talking as loud mouthfast, very humble, respectful person. 0:15:10.360 --> 0:15:13.800 People trust you differently, you know what I'm saying, like 0:15:14.280 --> 0:15:16.360 and as well as respect you differently. So I think 0:15:16.360 --> 0:15:20.120 my respect level of trust is in a different area. 0:15:20.520 --> 0:15:22.800 And you you you said something perfect with se What 0:15:22.920 --> 0:15:26.080 seguatees me to ask you this question, is boy gonna 0:15:26.160 --> 0:15:28.880 do with versus? And if you did do a versus, 0:15:29.000 --> 0:15:32.840 who would be a person of interest? Because we heard. 0:15:32.880 --> 0:15:36.280 We all heard. DJ Drama said if I do it, 0:15:36.520 --> 0:15:39.560 I'm gonna do it with DJ Clue. So now, drummer 0:15:39.640 --> 0:15:42.720 Boy Fresh, if you were to do a versus versus 0:15:42.760 --> 0:15:46.600 a producer, who would it be? Man being from Memphis, 0:15:47.400 --> 0:15:49.560 an't want known versus to send me my paperwork. We've 0:15:49.600 --> 0:15:51.880 been talking about this as I posted. I said, anybody 0:15:51.920 --> 0:15:55.800 who wanted, whoever ready, whenever they were ready, let's get 0:15:55.840 --> 0:15:57.400 it on. You know what I'm saying. But I would 0:15:57.440 --> 0:16:00.840 say to making interesting coming from Memphis, it's only to 0:16:01.160 --> 0:16:05.480 two cats who can even even saying. Drama said like 0:16:05.720 --> 0:16:07.840 be close to hanging with me and that that would 0:16:07.840 --> 0:16:11.480 be Jazzy Faith, which we did it already on Welcome 0:16:11.480 --> 0:16:14.920 to dream Land. So we can run that back, uh 0:16:15.160 --> 0:16:23.160 or Juicy Jake? What about what about? Say told him 0:16:23.520 --> 0:16:25.480 we did that before, and we can run that back 0:16:25.520 --> 0:16:27.520 to you know what I'm saying, be in my showcase 0:16:27.520 --> 0:16:30.600 a couple of years back. You can remembers. Yea, we can. 0:16:30.600 --> 0:16:33.480 We can run that back. Was before the verses though, Yeah, 0:16:33.560 --> 0:16:35.000 we can run it back. Let's do it on the 0:16:35.040 --> 0:16:39.840 Lives on the live scale. It's no problem. We can 0:16:39.920 --> 0:16:41.920 run it back. You can bring somebody do. It's no 0:16:42.040 --> 0:16:48.280 problem many fresh man listen. It don't matter to me. 0:16:48.400 --> 0:16:50.360 It's it's gonna be a big gass history lesson. I 0:16:50.400 --> 0:16:53.840 know that. So the mom is gonna be comment through 0:16:53.880 --> 0:17:00.640 that moment down, drone down, drowne down. You really got 0:17:00.760 --> 0:17:06.240 those bangers like Niggas is really still playing standing ovation, 0:17:06.320 --> 0:17:08.960 they still playing put on the just still playing the 0:17:09.040 --> 0:17:12.359 record and what What's what's crazy? What's crazy is I 0:17:12.400 --> 0:17:14.880 could take I could take a catalog from two thousand 0:17:14.960 --> 0:17:18.720 and fifteen up to now and still be you know 0:17:18.760 --> 0:17:21.080 what I'm saying, there's so many records. Yeah, you ain't 0:17:21.080 --> 0:17:25.040 even familiar that I've done recently or like in the past. 0:17:25.160 --> 0:17:27.399 You know what I'm saying. Do you hear songs and 0:17:27.520 --> 0:17:30.320 be like, oh, such and such made that? Can you 0:17:30.440 --> 0:17:38.200 hear a beat and know which producer did it? Uh? Sometimes? Okay? Sometimes? 0:17:38.280 --> 0:17:40.040 You know what I mean. The way the way people 0:17:40.119 --> 0:17:43.200 copying and paste and medy and copying loops and ship 0:17:43.320 --> 0:17:46.760 like now, it's it's it's hard to distinguish because the 0:17:46.920 --> 0:17:49.720 sound is all like the same right now, everybody makes 0:17:50.440 --> 0:17:53.160 you know what I'm saying, Everybody got similar style beach 0:17:53.280 --> 0:17:56.119 right now, like the producer that sticks out to me 0:17:56.320 --> 0:17:59.920 right now is here before pet Boys in his own 0:18:00.000 --> 0:18:02.560 on like you know what I'm saying, he just went 0:18:02.720 --> 0:18:06.680 straight to the club got Zilly. When I hear club 0:18:06.760 --> 0:18:08.680 guy Zill, I know there's a club guy zilla be 0:18:09.359 --> 0:18:11.280 you know what I mean, Because it's new, it's fresh. 0:18:11.359 --> 0:18:14.800 He coming with his own flavor. Even if everybody, like 0:18:14.880 --> 0:18:18.280 all of us, were infused with something, you know what 0:18:18.359 --> 0:18:22.639 I'm saying. But it's just especially when you hear somebody 0:18:22.760 --> 0:18:27.719 like nobody did that when three six Mafia sound was out, 0:18:27.760 --> 0:18:30.080 when they was coming with that ship Juicy J, DJ 0:18:30.280 --> 0:18:34.680 Pau like, man, nothing sounded like that. When Drama Board 0:18:34.760 --> 0:18:36.720 was coming out, Ain't nothing sound like that? Then it's 0:18:37.000 --> 0:18:40.040 it's the whole world making trap. Now we started trapping. 0:18:40.119 --> 0:18:42.840 This was some ship he started. I'm a founder of 0:18:42.960 --> 0:18:45.720 trapp Bro. You know what I'm saying. Trap was a 0:18:45.800 --> 0:18:47.639 location when we was coming up every by the time 0:18:47.680 --> 0:18:51.480 I crank music, you know what I'm saying, then fingers 0:18:51.520 --> 0:18:54.879 snap music. You know what I'm saying. We was on 0:18:55.000 --> 0:18:56.800 trap ship because this is where we was at. I'm 0:18:56.840 --> 0:18:59.760 in the trap, I'm I'm I'm I'm off Elvis President 0:18:59.800 --> 0:19:06.640 and in South mempers My. You see saying I'm I'm anyway. 0:19:06.720 --> 0:19:10.040 That that's that's the difference with me. I'm anywhere in 0:19:10.119 --> 0:19:16.159 the United States. No, you are in entrenches, you know 0:19:16.200 --> 0:19:20.800 what I mean, as well as the top corporate headquarters, 0:19:20.840 --> 0:19:24.359 you know what I mean, and and delivering results. And 0:19:24.480 --> 0:19:27.320 that's that's what it's about for me. Making these kids smile, 0:19:27.880 --> 0:19:30.880 motivating these kids to get into music, motivating these kids 0:19:30.920 --> 0:19:35.159 to learn how to play keyboards and learning music theory 0:19:35.480 --> 0:19:39.520 and making beats. Beats is away out now, you know 0:19:39.560 --> 0:19:43.439 what I'm saying. Like we we started, the people was hooping, 0:19:43.480 --> 0:19:48.240 playing basketball, going to college, everybody making beats now, everybody 0:19:48.600 --> 0:19:50.960 making music now. So it's it's a blessing man, It's 0:19:51.240 --> 0:19:53.640 it's flattery to see the whole world. You did the moonwalk, 0:19:53.680 --> 0:19:55.160 and you see the whole world doing the moon walks. 0:19:55.160 --> 0:19:57.679 And I keep going back to Michael Jackson. That's how 0:19:57.720 --> 0:19:59.879 I feel like, I don't know, I don't know. Oh 0:20:00.040 --> 0:20:02.560 my generation on the Michael Jackson making beats. We'll be 0:20:02.720 --> 0:20:07.720 right back with more of the Baller Alert Show. Back 0:20:07.800 --> 0:20:12.320 to the Baller Alert Show starting Ferrari Simmons and Sues 0:20:12.480 --> 0:20:16.720 so long. So when you feel the current state of production. 0:20:17.320 --> 0:20:20.280 I think it's interesting because it's making people be creative, 0:20:20.400 --> 0:20:22.600 Like you know what I mean? Even for me, Okay, 0:20:22.600 --> 0:20:24.720 I jump into the reggae world, still give you a 0:20:24.840 --> 0:20:27.680 top team. We're gonna do a recordar Depth to Depths 0:20:27.720 --> 0:20:30.400 and Debbie though the Vito. You know what I'm saying, 0:20:30.480 --> 0:20:34.120 Like it's it's about the versatility and being able to evolve. 0:20:34.240 --> 0:20:38.119 And when you make music when you can read, write, arranged, composed, 0:20:38.800 --> 0:20:42.120 is nothing I can't make. I can make genres when 0:20:42.160 --> 0:20:44.000 I when I feel like it. You know what I'm 0:20:44.040 --> 0:20:46.560 saying that, Like, that's what we do is push the limit. 0:20:46.680 --> 0:20:51.680 The for Rel's, the Justice Leagues, um Man, Hit Board, 0:20:51.840 --> 0:20:54.760 even Wheezy. You know what I'm saying, Big fan Man. 0:20:54.880 --> 0:20:58.159 So many producers I love eight or eight Mafia, the 0:20:58.320 --> 0:21:01.240 whole Mafia squad. You know I'm saying, like where it's 0:21:01.240 --> 0:21:03.480 a it's a lot of producers that I give credit 0:21:03.520 --> 0:21:06.920 to this that's doing anything. Murder beats Now that you 0:21:07.040 --> 0:21:11.159 said something. Was there ever a time artists made it 0:21:11.600 --> 0:21:14.240 hard for you to work with them? Um? I would 0:21:14.280 --> 0:21:16.760 say one particular time, but you know he need getting 0:21:16.800 --> 0:21:18.560 the booth, So how could I work with you hein't 0:21:18.560 --> 0:21:21.520 need getting the booth, and we was trusting, you know, 0:21:21.640 --> 0:21:24.320 everybody just coming through, coming through, dropping hooks like Verse 0:21:24.440 --> 0:21:28.480 City and I mean Verse Simmons and rock City and 0:21:28.960 --> 0:21:32.400 Man all the jazzy fade and just book whose songwriters. 0:21:32.480 --> 0:21:34.680 Everybody coming through, everybody getting in the booth. But you 0:21:35.640 --> 0:21:37.920 you know what I mean. So it's a little difficult occasion. 0:21:38.880 --> 0:21:41.760 But I showed made some hits out of the sessions. 0:21:43.160 --> 0:21:45.520 It took some of them ruggords and placed some other places, 0:21:45.600 --> 0:21:47.040 you know what I'm saying. But you know what I'm saying. 0:21:47.040 --> 0:21:49.000 I don't even want to tell know names, but it 0:21:49.160 --> 0:21:51.240 was it was you know, he only had one song 0:21:51.400 --> 0:21:54.240 for real, and you you know what I'm saying. We 0:21:54.400 --> 0:21:58.760