1 00:00:17,440 --> 00:00:21,000 Speaker 1: I don't hear anything. Oh wait, maybe here? Oh now 2 00:00:21,000 --> 00:00:26,280 Speaker 1: I do. Okay, I hear something. Now are we live? Yeah? 3 00:00:26,400 --> 00:00:28,520 Speaker 1: We are. I finally can hear you. I can hear 4 00:00:28,560 --> 00:00:31,240 Speaker 1: you in my left headphone. Can you hear me in 5 00:00:31,280 --> 00:00:33,240 Speaker 1: the right headphone? I can hear you now on the 6 00:00:33,320 --> 00:00:37,200 Speaker 1: right headphone. Everything seems to be coming together, Garrett technology. Okay, 7 00:00:37,280 --> 00:00:40,519 Speaker 1: so which one do I head first? That one? Okay, 8 00:00:41,000 --> 00:00:43,160 Speaker 1: which one? We'll see this one here? No, how about 9 00:00:43,200 --> 00:00:45,560 Speaker 1: this one? Hit a bunch of buttons. I don't know 10 00:00:45,600 --> 00:00:48,919 Speaker 1: which one it is? Everything? Oh no, not that one. No, no, 11 00:00:48,960 --> 00:00:50,800 Speaker 1: we don't want to go there. Let's not go there. 12 00:00:51,479 --> 00:00:53,680 Speaker 1: Let's see very easy. I know you would think that 13 00:00:53,680 --> 00:00:58,000 Speaker 1: that would be what would you talk about on your 14 00:00:58,240 --> 00:01:11,480 Speaker 1: on your podcasts show? Yeah, all right, ladies and gentlemen, 15 00:01:11,560 --> 00:01:14,360 Speaker 1: boys and girls, children of all ages? Do you think 16 00:01:14,440 --> 00:01:16,960 Speaker 1: children are actually listening? But I always like to say 17 00:01:17,000 --> 00:01:18,679 Speaker 1: that it kind of all goes together. You know, you 18 00:01:18,680 --> 00:01:21,520 Speaker 1: went to the circus ones exactly, Ladies and gentlemen, boys 19 00:01:21,520 --> 00:01:25,920 Speaker 1: and girls, children of all ages come on in well, 20 00:01:26,200 --> 00:01:28,360 Speaker 1: as we always say here on the fifteen minute Morning Show. 21 00:01:28,600 --> 00:01:30,840 Speaker 1: If you were hearing my voice, I'm Greg T and 22 00:01:31,120 --> 00:01:35,199 Speaker 1: that voice yes, that's Garrett. Garrett. Then you know that 23 00:01:35,319 --> 00:01:39,720 Speaker 1: the Elves Turan Morning Show is behind a closed studio 24 00:01:39,800 --> 00:01:43,840 Speaker 1: door recording something right now with a celebrity. Which celebrity 25 00:01:43,880 --> 00:01:48,160 Speaker 1: are they interviewing right now? You're supposed to tell them 26 00:01:48,400 --> 00:01:50,840 Speaker 1: you didn't hear that. Guys, you listen, you did not 27 00:01:50,960 --> 00:01:53,400 Speaker 1: hear what Garrett just said. Okay, so because you didn't 28 00:01:53,400 --> 00:01:56,760 Speaker 1: hear that, then you don't know who they're interviewing now. 29 00:01:56,960 --> 00:01:59,280 Speaker 1: If you don't know, that's good because later on in 30 00:01:59,280 --> 00:02:01,960 Speaker 1: the week they're gonna play it back as if that 31 00:02:02,080 --> 00:02:05,640 Speaker 1: celebrities here live Today's Tuesday. They're playing it all stop. 32 00:02:05,640 --> 00:02:07,680 Speaker 1: Don't tell you guys didn't hear that? What makes you 33 00:02:07,720 --> 00:02:14,160 Speaker 1: the great and powerful? I'm listen, I'm pulling the curtain 34 00:02:14,200 --> 00:02:17,160 Speaker 1: back from the great and powerful. Come on in, everybody. 35 00:02:17,280 --> 00:02:19,480 Speaker 1: Um so, yeah, so that's what's going on. So when 36 00:02:19,520 --> 00:02:22,160 Speaker 1: the Elvis dray In Morning Show has to go record 37 00:02:22,240 --> 00:02:25,920 Speaker 1: something with said celebrity, well then you know, our producer 38 00:02:26,040 --> 00:02:29,120 Speaker 1: Nate looks to us and goes t Garrett other studio, 39 00:02:29,280 --> 00:02:31,400 Speaker 1: and we know exactly what to do. We march on 40 00:02:31,520 --> 00:02:34,720 Speaker 1: down and here we are. You know, the Morning Show 41 00:02:34,800 --> 00:02:37,600 Speaker 1: is the equivalent of Dwayne the Rock Johnson, we are 42 00:02:37,639 --> 00:02:41,160 Speaker 1: the stunt doubles. So when it's time for the Rock 43 00:02:41,440 --> 00:02:44,000 Speaker 1: to to raise in a car off the cliff, the 44 00:02:44,080 --> 00:02:47,360 Speaker 1: Rock doesn't do that. He's got too much invested in absolutely, 45 00:02:48,639 --> 00:02:51,480 Speaker 1: So they turned to the stunt doubles being great Tina 46 00:02:51,800 --> 00:02:54,519 Speaker 1: and saying, okay, drive off the cliff. But you know, 47 00:02:54,800 --> 00:02:58,040 Speaker 1: here's the thing. Think about this, though, in every single 48 00:02:58,440 --> 00:03:01,640 Speaker 1: office or in every single you know, facet of life, 49 00:03:02,040 --> 00:03:04,760 Speaker 1: there is a group of people and there are people 50 00:03:04,960 --> 00:03:08,120 Speaker 1: such as you and I that are these stunt doubles 51 00:03:08,400 --> 00:03:11,119 Speaker 1: where the others get to do. Like, for instance, when 52 00:03:11,360 --> 00:03:13,840 Speaker 1: when my wife used to work in an office, she 53 00:03:13,960 --> 00:03:16,280 Speaker 1: was an executive in New York City, when there was 54 00:03:16,320 --> 00:03:19,040 Speaker 1: a big meeting that took place, she may or may 55 00:03:19,080 --> 00:03:20,720 Speaker 1: not been able to be a part of that meeting. 56 00:03:21,000 --> 00:03:23,160 Speaker 1: Many times she was because she was, you know, a 57 00:03:23,280 --> 00:03:25,799 Speaker 1: higher up, but there were sometimes that she wasn't. So 58 00:03:26,160 --> 00:03:28,000 Speaker 1: you could be working right now in an office where 59 00:03:28,040 --> 00:03:30,600 Speaker 1: like everybody seems to uh go to these meetings in 60 00:03:30,639 --> 00:03:34,440 Speaker 1: these departments and you don't. That's Garrett and I, we don't. 61 00:03:34,520 --> 00:03:38,880 Speaker 1: We're not apart, never seen a meeting. I know. Right now, 62 00:03:39,000 --> 00:03:41,600 Speaker 1: people are listening and they think that we're making this up. 63 00:03:41,680 --> 00:03:44,760 Speaker 1: But this is reality. This is the reality. And you 64 00:03:44,840 --> 00:03:47,400 Speaker 1: know what, you have to learn your place on that 65 00:03:47,520 --> 00:03:50,720 Speaker 1: totem pole, and you know what it is? What it is? Right? 66 00:03:51,880 --> 00:03:57,520 Speaker 1: Is it recording again? So it kept on going. Oh sorry, 67 00:03:58,480 --> 00:04:01,960 Speaker 1: So anyway, we just by the way, if all of 68 00:04:02,000 --> 00:04:03,920 Speaker 1: a sudden it sounded a little bit weird right there, 69 00:04:04,160 --> 00:04:06,320 Speaker 1: we just had what's called a technical glitch. You know 70 00:04:06,360 --> 00:04:08,440 Speaker 1: what I'm all about calling everything on the carpet. So 71 00:04:08,680 --> 00:04:10,960 Speaker 1: as I'm gonna leave this as is, alright, So here 72 00:04:11,040 --> 00:04:13,960 Speaker 1: Garrett's going to explain exactly what happened. Garrett, tellmen happened. 73 00:04:14,000 --> 00:04:17,400 Speaker 1: We stopped mid sentence, were stopped mid sentence, and uh, Grace, 74 00:04:17,480 --> 00:04:19,360 Speaker 1: he was still talking. I looked over to the computer 75 00:04:19,680 --> 00:04:22,040 Speaker 1: that sits behind us. I'm I'm looking directly at it, 76 00:04:22,480 --> 00:04:26,359 Speaker 1: and it stopped recording. So, as opposed to what most 77 00:04:26,480 --> 00:04:29,640 Speaker 1: would do, take this all out right, we're gonna leave 78 00:04:29,680 --> 00:04:31,760 Speaker 1: it that. We're gonna leave it to show you how 79 00:04:31,920 --> 00:04:34,280 Speaker 1: real this is. That's awesome. Yeah, we're giving you a 80 00:04:34,400 --> 00:04:36,640 Speaker 1: slice of reality here. So what you would have had 81 00:04:36,839 --> 00:04:39,159 Speaker 1: was so anyway, right, and then we would have picked 82 00:04:39,200 --> 00:04:40,720 Speaker 1: up from there. But at the end of the day. 83 00:04:41,680 --> 00:04:43,520 Speaker 1: Let's try to be as real as possible on this one. 84 00:04:43,560 --> 00:04:45,840 Speaker 1: We are inviting as many as we can up on 85 00:04:46,000 --> 00:04:48,440 Speaker 1: stage right now to look behind the curtain of what's 86 00:04:48,480 --> 00:04:50,520 Speaker 1: going on over here. You know. So so the computer 87 00:04:50,680 --> 00:04:53,120 Speaker 1: literally shut down and said you ran out of room 88 00:04:53,200 --> 00:04:55,280 Speaker 1: here and there. Yeah, we're in a studio full of 89 00:04:55,360 --> 00:04:58,159 Speaker 1: computer screens. We've got one, two, three, four or five 90 00:04:58,560 --> 00:05:01,320 Speaker 1: six computer screens in this room with us all doing 91 00:05:01,680 --> 00:05:05,360 Speaker 1: something different. So you know, we're just talking about being uh, 92 00:05:05,600 --> 00:05:07,760 Speaker 1: you know the stunt double that that extra person in 93 00:05:07,839 --> 00:05:11,120 Speaker 1: the office. And I think I was gonna say something like, uh, 94 00:05:11,400 --> 00:05:13,080 Speaker 1: you know, when mom and dad left your home, they 95 00:05:13,480 --> 00:05:15,320 Speaker 1: you know, forgot to leave out dinner, and you survived 96 00:05:15,360 --> 00:05:16,720 Speaker 1: on your own. You found a way. And if you 97 00:05:16,800 --> 00:05:18,920 Speaker 1: can't survive on your own, we have directions on how 98 00:05:19,000 --> 00:05:21,200 Speaker 1: to survive. Now, Garrett, if you look up here on 99 00:05:21,240 --> 00:05:25,480 Speaker 1: the wall with these pink colorful pushpins on, we have 100 00:05:25,640 --> 00:05:28,800 Speaker 1: like a bolton board and we have um pushpins that 101 00:05:28,880 --> 00:05:31,440 Speaker 1: are holding pads of paper, you know, on the wall, 102 00:05:31,720 --> 00:05:35,640 Speaker 1: and those pads are with directions of how to operate 103 00:05:35,720 --> 00:05:38,320 Speaker 1: the system here when something should crash. It's not even 104 00:05:38,400 --> 00:05:40,720 Speaker 1: that those are phone numbers of people to call, not 105 00:05:40,920 --> 00:05:44,400 Speaker 1: emergency numbers, not even what we need to push something over? Here? 106 00:05:44,480 --> 00:05:46,680 Speaker 1: Isn't this one like this way here, let me walk 107 00:05:46,680 --> 00:05:49,240 Speaker 1: away for a second. But this one here, Garrett, this 108 00:05:49,400 --> 00:05:52,400 Speaker 1: one is though. Look at this I have here in 109 00:05:52,480 --> 00:05:56,359 Speaker 1: front of me. All of these papers. These are crinkled papers. 110 00:05:56,680 --> 00:06:00,280 Speaker 1: They've got coffee stains on them, cigarette butt stains on them, 111 00:06:00,560 --> 00:06:03,200 Speaker 1: They've got all kinds. Now, this is how we are 112 00:06:03,320 --> 00:06:06,680 Speaker 1: to operate the studio in case of a crash. So 113 00:06:06,800 --> 00:06:09,840 Speaker 1: in case that computers crash, we are to do all 114 00:06:09,960 --> 00:06:12,360 Speaker 1: of these, you know, these things in order. We have 115 00:06:12,520 --> 00:06:15,280 Speaker 1: to you know, press uh E and then L and 116 00:06:15,279 --> 00:06:18,039 Speaker 1: then the PT and then do it on. Then speak 117 00:06:18,040 --> 00:06:21,320 Speaker 1: it to the microphone and say radio on. It will 118 00:06:21,360 --> 00:06:23,599 Speaker 1: record our voice. Then. I mean, there's so many different 119 00:06:23,600 --> 00:06:26,159 Speaker 1: things to do. How you can operate a radio station 120 00:06:26,440 --> 00:06:29,120 Speaker 1: without a college degree. I have no idea. Well, you 121 00:06:29,240 --> 00:06:32,599 Speaker 1: do it from time to time. That's a low blow, 122 00:06:32,640 --> 00:06:34,800 Speaker 1: but I'll take it. That's not a low blow. It's 123 00:06:34,839 --> 00:06:38,040 Speaker 1: not a blow. You didn't graduate college. I did graduate college. 124 00:06:38,240 --> 00:06:41,400 Speaker 1: I graduated Fairley Dickinson. I did graduate college. I know 125 00:06:41,520 --> 00:06:43,200 Speaker 1: you guys don't think I didn't. But I did, I 126 00:06:43,279 --> 00:06:45,600 Speaker 1: have a degree. Do you want me to bring my diploma? 127 00:06:46,120 --> 00:06:48,479 Speaker 1: All right? You know what I'm gonna look. I will 128 00:06:48,560 --> 00:06:50,320 Speaker 1: try to find it. I don't know where it is. 129 00:06:50,440 --> 00:06:52,520 Speaker 1: My mom might still be like hugging it. But I 130 00:06:52,640 --> 00:06:55,480 Speaker 1: swear I have a diploma. Imagine it's just like one 131 00:06:55,480 --> 00:06:58,239 Speaker 1: of those pets, like you grew up having having Sparky 132 00:06:58,279 --> 00:07:00,360 Speaker 1: in the house and you always thought, you know, BARKI 133 00:07:00,560 --> 00:07:03,160 Speaker 1: lived forever. Same thing. I think with your diploma, your 134 00:07:03,200 --> 00:07:05,080 Speaker 1: mom said you had it. No, I know I have 135 00:07:05,320 --> 00:07:08,000 Speaker 1: never had it. No, I swear I graduated. I did 136 00:07:08,120 --> 00:07:10,360 Speaker 1: with honors. I swear. If you come in with construction 137 00:07:10,400 --> 00:07:12,880 Speaker 1: paper and say my mom had this. Well, listen, you 138 00:07:12,960 --> 00:07:15,720 Speaker 1: know yesterday here's a topic for everybody. Let me throw 139 00:07:15,880 --> 00:07:18,320 Speaker 1: this out at you at the fifteen minute morning show 140 00:07:18,480 --> 00:07:21,160 Speaker 1: fan Base. Yesterday, I was in the car and I 141 00:07:21,240 --> 00:07:24,200 Speaker 1: was flipping around stations and that that's allowed. I mean, 142 00:07:24,280 --> 00:07:25,960 Speaker 1: just because they work at a radio station doesn't mean 143 00:07:25,960 --> 00:07:28,320 Speaker 1: I can't listen to other radio stations. We always say, 144 00:07:28,640 --> 00:07:31,080 Speaker 1: does a guy that serves pizza eat pizza all day long, 145 00:07:31,160 --> 00:07:34,800 Speaker 1: every single day? No way? You think so? You think 146 00:07:34,800 --> 00:07:37,440 Speaker 1: a guy that makes pizza really eats pizza all day long, 147 00:07:37,600 --> 00:07:40,720 Speaker 1: every day, not every day, but but he still has 148 00:07:40,800 --> 00:07:43,080 Speaker 1: pizza most of the time. Does a hot dog vendor 149 00:07:43,120 --> 00:07:45,160 Speaker 1: eat hot dogs all the time? Yeah? Or maybe he 150 00:07:45,240 --> 00:07:47,120 Speaker 1: goes over to the pretzel guy. So you think the 151 00:07:47,160 --> 00:07:49,559 Speaker 1: guy that sells pretzels are eating pretzels all the time. Again, 152 00:07:49,600 --> 00:07:53,400 Speaker 1: it's not healthy. Well, here at the radio station, I 153 00:07:53,440 --> 00:07:55,680 Speaker 1: don't listen to the station all the time. I listen 154 00:07:55,720 --> 00:07:58,520 Speaker 1: to other stations. So I happened to find I'm gonna 155 00:07:58,560 --> 00:08:01,280 Speaker 1: call it. No, let's let's let's since i'm calling everyone 156 00:08:01,320 --> 00:08:05,360 Speaker 1: out on how how much do you actually listen to 157 00:08:05,400 --> 00:08:07,360 Speaker 1: the radio station when you when you leave here? This 158 00:08:07,560 --> 00:08:10,200 Speaker 1: radio station on the station right here, when we leave, 159 00:08:10,600 --> 00:08:13,560 Speaker 1: I listen to it all the time. I okay, I'll 160 00:08:13,560 --> 00:08:16,320 Speaker 1: believe you. I very seldom listen to the same station 161 00:08:16,360 --> 00:08:18,560 Speaker 1: that we work on. I very seldom, and it's just 162 00:08:18,760 --> 00:08:22,800 Speaker 1: because I'm hearing it's in my it's in my headphones, 163 00:08:22,880 --> 00:08:25,440 Speaker 1: it's in my head I gotta get away from this place, 164 00:08:25,480 --> 00:08:27,840 Speaker 1: so I can't possibly listen to it because if I do, 165 00:08:27,960 --> 00:08:30,240 Speaker 1: when I hear the DJs, it's like I'm there, like 166 00:08:30,280 --> 00:08:32,719 Speaker 1: I never left. So I need something else. Okay, So 167 00:08:32,800 --> 00:08:34,800 Speaker 1: you're listening to the radio and this song came on. 168 00:08:34,880 --> 00:08:37,079 Speaker 1: I play it out of my phone. This is by 169 00:08:37,280 --> 00:08:40,760 Speaker 1: Social Distortion. Is a band. This is a band called 170 00:08:40,840 --> 00:08:43,680 Speaker 1: Social Distortion. I don't even know if they're still around anymore. 171 00:08:43,679 --> 00:08:45,880 Speaker 1: I don't know if they make music anymore. But back 172 00:08:45,960 --> 00:08:47,800 Speaker 1: in the day when I used to skateboard right with 173 00:08:47,880 --> 00:08:50,560 Speaker 1: my buddies. Now you see it on TV, like on ESPN, 174 00:08:50,840 --> 00:08:52,800 Speaker 1: where the skateboarders go up and down a ramp and 175 00:08:52,840 --> 00:08:54,559 Speaker 1: then they fly out and they do these circles in 176 00:08:54,600 --> 00:08:57,559 Speaker 1: the end. The X Games. No lie, before there was 177 00:08:57,800 --> 00:09:00,520 Speaker 1: X Games, I may not have been able to do 178 00:09:00,600 --> 00:09:03,560 Speaker 1: as many revolutions in the air. I could do one, 179 00:09:03,720 --> 00:09:06,560 Speaker 1: maybe one, one revolution or two. I don't know how many. 180 00:09:06,800 --> 00:09:08,319 Speaker 1: But it took me a while. I could do a 181 00:09:08,400 --> 00:09:11,640 Speaker 1: revolution in the air. You don't believe me, you don't 182 00:09:11,720 --> 00:09:14,760 Speaker 1: believe me. You can't call me out. That's fine again, 183 00:09:14,800 --> 00:09:16,599 Speaker 1: I'm gonna call you out on this, that's fine. I 184 00:09:16,679 --> 00:09:19,160 Speaker 1: wanna I wanna have no video on his back in 185 00:09:19,200 --> 00:09:21,760 Speaker 1: the day. I'm not asking for a video videotape that 186 00:09:21,920 --> 00:09:24,520 Speaker 1: but you have some type of muscle memory, of course. 187 00:09:25,440 --> 00:09:28,720 Speaker 1: I wrote a Christian Hussui skateboard. That was my skateboard. 188 00:09:28,760 --> 00:09:31,640 Speaker 1: Christian was not not questioning it. I think if I 189 00:09:31,720 --> 00:09:34,360 Speaker 1: bring you to a skate park, yeah, I couldn't. You 190 00:09:34,400 --> 00:09:36,240 Speaker 1: would have to have some type of muscle memory. I'd 191 00:09:36,240 --> 00:09:40,880 Speaker 1: be a revolution or whatever, but you have to have 192 00:09:41,000 --> 00:09:43,000 Speaker 1: some type of muscle memory. I could do it. I 193 00:09:43,240 --> 00:09:45,679 Speaker 1: I played piano for almost ten years of my life. 194 00:09:45,800 --> 00:09:47,800 Speaker 1: I have a little muscle memory in the fact that 195 00:09:47,840 --> 00:09:50,160 Speaker 1: I could play the beginning of a Laddin a whole 196 00:09:50,160 --> 00:09:52,760 Speaker 1: New world. But skateboarding is different. Back then I was 197 00:09:52,800 --> 00:09:55,240 Speaker 1: a kid. I mean, I'm an adult now. I can't 198 00:09:55,280 --> 00:09:57,440 Speaker 1: even bend down to grab my skateboard like that anymore 199 00:09:57,640 --> 00:10:00,120 Speaker 1: and do those tricks. You gotta bend down grand been 200 00:10:00,160 --> 00:10:02,040 Speaker 1: from behind and turn it around. You can't do it. 201 00:10:02,200 --> 00:10:05,000 Speaker 1: I can't skateboard like that anymore. You're high school skinny again, 202 00:10:07,440 --> 00:10:12,080 Speaker 1: high school skinny. Well, anyway, listen, so when we were punks, right, 203 00:10:12,360 --> 00:10:16,160 Speaker 1: we'll be sitting around smoking some mood, some weed. Dude, 204 00:10:16,200 --> 00:10:18,960 Speaker 1: I'm gonna get on that skateboard. We're we're punks, right, 205 00:10:19,040 --> 00:10:22,839 Speaker 1: We're seriously, we're high school punk skateboarding, right, and we 206 00:10:22,960 --> 00:10:26,440 Speaker 1: used to skateboard to like, you know, like thrash your music, 207 00:10:26,800 --> 00:10:29,319 Speaker 1: and one of the one of the groups was Social Distortion, 208 00:10:29,800 --> 00:10:32,000 Speaker 1: and I haven't heard them in I'm telling you, man, 209 00:10:32,120 --> 00:10:34,559 Speaker 1: it's got to be close to twenty years that I 210 00:10:34,640 --> 00:10:37,280 Speaker 1: haven't heard a Social Distortion song. And as I was 211 00:10:37,280 --> 00:10:39,880 Speaker 1: flipping through some of the channels, the song came on 212 00:10:40,520 --> 00:10:43,080 Speaker 1: and I'm like, it took me back. So I'm gonna 213 00:10:43,080 --> 00:10:45,000 Speaker 1: give you a little piece of it, okay, out of 214 00:10:45,040 --> 00:10:48,880 Speaker 1: my phone. I just I just googled it. You hear this, 215 00:10:50,240 --> 00:10:53,839 Speaker 1: This is the kind of music that I used to 216 00:10:53,880 --> 00:10:59,079 Speaker 1: skateboard too. Listen to his voice. It's so raspy, it's 217 00:10:59,120 --> 00:11:08,400 Speaker 1: like and it's certain now hear that love that h 218 00:11:10,120 --> 00:11:12,840 Speaker 1: This song is called Story of My Life by Social 219 00:11:12,920 --> 00:11:19,000 Speaker 1: Distortion and that alright anyway, Okay, so that's the name. 220 00:11:19,400 --> 00:11:21,599 Speaker 1: You heard it and it brought me back. So I 221 00:11:21,720 --> 00:11:24,079 Speaker 1: thought of it today and I didn't get a chance 222 00:11:24,080 --> 00:11:25,800 Speaker 1: because we had so much going on with the morning show, 223 00:11:26,120 --> 00:11:29,559 Speaker 1: but I wanted to pitch this topic idea, what song 224 00:11:30,240 --> 00:11:33,319 Speaker 1: have you heard or do you hear sometimes and it 225 00:11:33,440 --> 00:11:36,840 Speaker 1: brings you back to that time? And I know everybody 226 00:11:36,880 --> 00:11:38,679 Speaker 1: can say, well, it's my wedding song or it's this 227 00:11:39,440 --> 00:11:41,720 Speaker 1: I don't want to do the wedding songs. I get 228 00:11:41,800 --> 00:11:44,640 Speaker 1: that everybody can hear a song go oh that's when 229 00:11:45,400 --> 00:11:47,679 Speaker 1: I fell in love or that I get get all that. 230 00:11:48,280 --> 00:11:50,040 Speaker 1: This was not a song when I fell in love. 231 00:11:50,480 --> 00:11:52,240 Speaker 1: This was a song when I was I was a 232 00:11:52,240 --> 00:11:56,600 Speaker 1: little boy, little tea on a skateboard, innocent tea having 233 00:11:56,600 --> 00:12:00,319 Speaker 1: a little bit of smoking some ganja, thinking I was cool, 234 00:12:00,760 --> 00:12:02,959 Speaker 1: you know, being a little punk with ear rings and 235 00:12:03,320 --> 00:12:05,880 Speaker 1: white hair and everything. So that's the kind of thing 236 00:12:05,920 --> 00:12:09,280 Speaker 1: I'm asking for. Is what song do you hear or 237 00:12:09,440 --> 00:12:11,520 Speaker 1: have you heard that has brought you back to a 238 00:12:11,640 --> 00:12:15,360 Speaker 1: certain portion of your life, a certain timeline. Do you 239 00:12:15,440 --> 00:12:18,400 Speaker 1: know offhand? I'll think about it. I don't have one 240 00:12:18,400 --> 00:12:21,640 Speaker 1: off so that that was it, and that song it 241 00:12:21,800 --> 00:12:25,800 Speaker 1: made me feel different. Like as soon as I heard it, 242 00:12:26,120 --> 00:12:27,920 Speaker 1: I didn't just start singing along with it because I 243 00:12:28,000 --> 00:12:30,480 Speaker 1: know every single LERI it wasn't that from from a 244 00:12:30,559 --> 00:12:33,000 Speaker 1: boy to a man. Yeah, I actually turned it up 245 00:12:33,000 --> 00:12:36,560 Speaker 1: a little bit and I listened. I listened to the music, 246 00:12:37,240 --> 00:12:42,439 Speaker 1: and I started thinking about where is little Greg t today? 247 00:12:42,960 --> 00:12:45,679 Speaker 1: Like where is he? Is he? I can if I 248 00:12:45,720 --> 00:12:48,760 Speaker 1: start crying right now? Is he is he? Proud of me, 249 00:12:49,480 --> 00:12:52,280 Speaker 1: is little Greg te proud of who have become? Is 250 00:12:52,400 --> 00:12:56,720 Speaker 1: little Greg T? Mad at me? Is little Greg Let's 251 00:12:56,760 --> 00:12:58,800 Speaker 1: take one thing out of time? So is little Greg 252 00:12:58,840 --> 00:13:01,679 Speaker 1: Tea proud of Big Greg Tea? And I don't know. 253 00:13:01,960 --> 00:13:05,400 Speaker 1: I was trying to think, because because you're you, Greg T, 254 00:13:05,640 --> 00:13:07,440 Speaker 1: are the only person that can talk to a little 255 00:13:07,480 --> 00:13:10,680 Speaker 1: Gregg T. I I can't, right, I can't. I miss 256 00:13:10,760 --> 00:13:12,800 Speaker 1: little Greg Tea. So I'll be honest. I miss him. 257 00:13:13,040 --> 00:13:15,200 Speaker 1: Miss Try to envision yourself as a little Great Tea 258 00:13:15,320 --> 00:13:18,520 Speaker 1: right now and answer your first question. I well, okay, 259 00:13:18,640 --> 00:13:21,559 Speaker 1: if I was little Greg T at the time, I 260 00:13:21,640 --> 00:13:23,840 Speaker 1: would think, oh my god, I I really wanna start 261 00:13:23,840 --> 00:13:28,520 Speaker 1: crying on this. This is how how crazy. I would 262 00:13:28,559 --> 00:13:31,040 Speaker 1: be very proud of me. I would say, you're a 263 00:13:31,120 --> 00:13:33,040 Speaker 1: guy could look up to. You're a guy that you're 264 00:13:33,080 --> 00:13:35,559 Speaker 1: pretty cool. Man. That's a little great Tea would say. 265 00:13:35,559 --> 00:13:37,360 Speaker 1: A little Great Tea would be like, you know what, 266 00:13:38,040 --> 00:13:40,360 Speaker 1: You're pretty cool, Big Greg Tea. I think I want 267 00:13:40,360 --> 00:13:41,720 Speaker 1: to be like you when I grow up. I think 268 00:13:41,760 --> 00:13:45,040 Speaker 1: you'd be very proud of the decisions that I've made 269 00:13:45,080 --> 00:13:47,480 Speaker 1: in life. You know, But I do miss him. I 270 00:13:47,559 --> 00:13:50,439 Speaker 1: miss a little Greg T hanging out putting on those 271 00:13:50,520 --> 00:13:55,160 Speaker 1: grungy sneakers. I had like these these canvas converse that 272 00:13:55,360 --> 00:13:58,360 Speaker 1: had holes in them, you know. And I had a 273 00:13:58,559 --> 00:14:01,640 Speaker 1: collected group of friends that were so different than my 274 00:14:01,800 --> 00:14:04,640 Speaker 1: friends I have now. It was just different different times. 275 00:14:05,080 --> 00:14:07,400 Speaker 1: But I think that even though I want to say 276 00:14:07,440 --> 00:14:11,000 Speaker 1: the little Greg T you're a cool kid, Bro, keep 277 00:14:11,040 --> 00:14:13,760 Speaker 1: being cool. Oh my god, I'm gonna start crying. Seriously, 278 00:14:14,960 --> 00:14:17,439 Speaker 1: I'm know I'm gonna start crying, and I'm gonna and 279 00:14:17,679 --> 00:14:19,000 Speaker 1: I want to say, you know what, things are gonna 280 00:14:19,000 --> 00:14:21,800 Speaker 1: be cool for you. You're you pushed through and things 281 00:14:21,840 --> 00:14:24,080 Speaker 1: are gonna be all right. That's what I wanted to say, 282 00:14:24,320 --> 00:14:29,760 Speaker 1: all because of stortion, social distortion. What you said, you said, 283 00:14:29,800 --> 00:14:34,280 Speaker 1: you're a punk, right, I was. So then you would 284 00:14:34,680 --> 00:14:37,880 Speaker 1: look at Big Greg T and say, what the hell 285 00:14:37,960 --> 00:14:41,840 Speaker 1: happened to your hair? And that's funny? And then and 286 00:14:41,920 --> 00:14:44,160 Speaker 1: then old Gregg T would be like, well, you know, 287 00:14:44,640 --> 00:14:48,480 Speaker 1: and then then and then little Greg T would tell 288 00:14:48,560 --> 00:14:51,240 Speaker 1: Big Greg T, did you just call me Bro? Yeah? Right, 289 00:14:51,280 --> 00:14:54,080 Speaker 1: we'll see that still stays with dude. Dude, and Bro 290 00:14:54,280 --> 00:14:56,360 Speaker 1: has stayed with me for Greg would call you? Do 291 00:14:56,600 --> 00:14:59,280 Speaker 1: do I say Bro too much? It's just I don't 292 00:14:59,280 --> 00:15:01,840 Speaker 1: even know. It's something that I've just always done. I 293 00:15:02,000 --> 00:15:03,800 Speaker 1: was going to have a bro intervention with you. No, 294 00:15:03,960 --> 00:15:05,720 Speaker 1: you were not, really, So you think we need to 295 00:15:05,720 --> 00:15:07,920 Speaker 1: have a bro intervention. You need a bro intervention. Do 296 00:15:08,000 --> 00:15:09,360 Speaker 1: you like this topic? You think it's your pitch to 297 00:15:09,400 --> 00:15:11,920 Speaker 1: Elvis for tomorrow? Yeah? You just need you know, you 298 00:15:11,960 --> 00:15:15,440 Speaker 1: need your spin on it. The car crashes fun time 299 00:15:15,480 --> 00:15:18,120 Speaker 1: I did crash up three cars was bad. What songs 300 00:15:18,160 --> 00:15:21,680 Speaker 1: are you listening to? I think one was a social 301 00:15:22,160 --> 00:15:26,120 Speaker 1: boyd No, No, alright, guy that does a little all right, 302 00:15:26,120 --> 00:15:28,360 Speaker 1: goodbye a little Greg T. You're a rat dude, man, 303 00:15:28,600 --> 00:15:35,920 Speaker 1: rad rat dude, tell your talk out fifteen minute morning show. 304 00:15:38,640 --> 00:15:40,160 Speaker 1: That was. That was