1 00:00:01,080 --> 00:00:03,520 Speaker 1: Hey, time travelers. This has Head the Iron Horn, co 2 00:00:03,640 --> 00:00:07,440 Speaker 1: creator of Nicki Fixes Time Mix Up. Next, be kind 3 00:00:07,480 --> 00:00:10,200 Speaker 1: and rewind to the nineties for a most epic episode 4 00:00:10,200 --> 00:00:13,240 Speaker 1: of Nicki Fix. But first, a quick word from our sponsor, 5 00:00:18,360 --> 00:00:21,720 Speaker 1: Iron Horn's Epic Productions, and I Heart Radio present Nikki 6 00:00:21,800 --> 00:00:31,920 Speaker 1: Fixes Time mix Your name is Leonard, not not well. 7 00:00:32,080 --> 00:00:35,000 Speaker 1: My legal name is still Leonard, but my show biz 8 00:00:35,080 --> 00:00:38,720 Speaker 1: name is now Dante Diamond. I've been thinking about it 9 00:00:38,800 --> 00:00:41,279 Speaker 1: every night since we met with Mr Ruby. What do 10 00:00:41,320 --> 00:00:47,640 Speaker 1: you think. I think you're Leonard. Dante is a different person, 11 00:00:47,880 --> 00:00:53,880 Speaker 1: entirely exactly. But you look so different. I feel different. 12 00:00:54,280 --> 00:00:57,960 Speaker 1: That's the power of a name. I have to sit down. 13 00:00:59,160 --> 00:01:02,160 Speaker 1: You look like you're a feint there for a second. No, 14 00:01:02,320 --> 00:01:08,200 Speaker 1: I'm okay. I'm just having a lot of confusing feelings 15 00:01:08,319 --> 00:01:11,600 Speaker 1: right now, good feelings right because we're about to do 16 00:01:11,680 --> 00:01:16,880 Speaker 1: this show together and make music history. This is the 17 00:01:16,920 --> 00:01:20,440 Speaker 1: show that makes you That's what I've been saying. But 18 00:01:20,520 --> 00:01:22,840 Speaker 1: it's not quite the way that you made it seem. 19 00:01:23,200 --> 00:01:27,920 Speaker 1: It's much smaller, just a bunch of second rate bands 20 00:01:28,000 --> 00:01:32,560 Speaker 1: in a dusty old lot that's called Spin. Nikki Spin 21 00:01:32,720 --> 00:01:35,600 Speaker 1: is our friend with the name change. In the story 22 00:01:35,680 --> 00:01:38,839 Speaker 1: I've been telling around this show, I'm creating the myth 23 00:01:38,920 --> 00:01:42,880 Speaker 1: of Dante Diamond. And after I make me seem like 24 00:01:43,000 --> 00:01:46,520 Speaker 1: the next big thing, I'm going to make you seem 25 00:01:46,640 --> 00:01:51,800 Speaker 1: like the next big thing. You want me, Nicky fix 26 00:01:52,240 --> 00:01:55,720 Speaker 1: to work with Dante Diamond. We could really go places. 27 00:01:56,240 --> 00:01:59,040 Speaker 1: What do you think? I think that would change the 28 00:01:59,080 --> 00:02:03,400 Speaker 1: future in a big way. That's the point. If we 29 00:02:03,480 --> 00:02:06,200 Speaker 1: spend a good enough story, the future will be whatever 30 00:02:06,240 --> 00:02:08,960 Speaker 1: we tell people it's going to be. And do you 31 00:02:09,000 --> 00:02:14,320 Speaker 1: want to help launch my career here now at this show? 32 00:02:14,960 --> 00:02:20,240 Speaker 1: In I'll make you a star? I know I can. 33 00:02:21,080 --> 00:02:24,520 Speaker 1: I have to think me opening at this show, Well, 34 00:02:25,680 --> 00:02:29,080 Speaker 1: that would be different, but maybe in a good way. 35 00:02:30,040 --> 00:02:33,160 Speaker 1: You'd be said on a different path. Our futures could 36 00:02:33,160 --> 00:02:36,360 Speaker 1: be changed for the better. We could save the rank 37 00:02:36,800 --> 00:02:40,360 Speaker 1: and I could get what I want. Let's change our 38 00:02:40,440 --> 00:02:45,120 Speaker 1: fates together, Nikki, sign with me. Destiny doesn't wait forever. 39 00:02:46,400 --> 00:02:52,240 Speaker 1: Destiny show day is tomorrow. Time is running out. Believe 40 00:02:52,280 --> 00:03:15,919 Speaker 1: me that I know. All right, guys, fore it all 41 00:03:16,000 --> 00:03:19,160 Speaker 1: right over here? What is going on? Liam? I can't 42 00:03:19,160 --> 00:03:21,920 Speaker 1: afford to pay for any of this. Don't worry, it's covered. 43 00:03:22,120 --> 00:03:24,600 Speaker 1: I got the college radio station to sponsor the rental 44 00:03:24,720 --> 00:03:27,799 Speaker 1: for the upgraded sound system, and thanks to Bobby and 45 00:03:27,840 --> 00:03:31,160 Speaker 1: her zine, she got the local lumber company to donate 46 00:03:31,200 --> 00:03:35,480 Speaker 1: the wood to expand the stage. You're welcome. Wow, you 47 00:03:35,640 --> 00:03:39,000 Speaker 1: kids are resourceful. Why was the rink shutting down in 48 00:03:39,080 --> 00:03:41,520 Speaker 1: your time? If I had this kind of help? I 49 00:03:41,560 --> 00:03:46,280 Speaker 1: think maybe we weren't quite as helpful back in our time, 50 00:03:46,640 --> 00:03:49,119 Speaker 1: And with all these favors from the community, it might 51 00:03:49,200 --> 00:03:52,040 Speaker 1: just work. That's the kind of vibe by light. I 52 00:03:52,040 --> 00:03:53,880 Speaker 1: think that there are a lot of ideas here that 53 00:03:53,960 --> 00:03:56,720 Speaker 1: you could make permanent things that would help the rink 54 00:03:56,760 --> 00:04:00,320 Speaker 1: weather hard times. What hard times? I thought you said 55 00:04:00,360 --> 00:04:03,440 Speaker 1: this was going to happen. What Bobby means is the 56 00:04:03,560 --> 00:04:06,960 Speaker 1: future can be so oh no, you don't you know 57 00:04:07,040 --> 00:04:11,160 Speaker 1: what's coming? Give me a hint more aliens, pandemic, climate change, 58 00:04:11,400 --> 00:04:16,080 Speaker 1: it's just the usual stuff. Then sure, go with that, 59 00:04:16,480 --> 00:04:18,720 Speaker 1: all right? Then prepare for the works. Only a couple 60 00:04:18,720 --> 00:04:20,359 Speaker 1: of years left to get ready for Y two K? 61 00:04:22,800 --> 00:04:26,080 Speaker 1: What's why two K a variant? Maybe? I guess we 62 00:04:26,120 --> 00:04:30,279 Speaker 1: can't tell Ben about two thousand one or two or 63 00:04:31,960 --> 00:04:39,120 Speaker 1: or or you know ever, Yeah, the mind would melt. Hey, 64 00:04:39,200 --> 00:04:44,320 Speaker 1: Nicky's back, Nickie. I this place is looking like a 65 00:04:44,360 --> 00:04:48,839 Speaker 1: real venue, the one we know. Nice work, Thanks, Nikki, 66 00:04:50,000 --> 00:04:55,080 Speaker 1: I'll be back. I just gotta go check on the soundboard. Nicky, 67 00:04:55,360 --> 00:05:00,120 Speaker 1: you okay? You seem Oh, I'm good. Just you know, 68 00:05:00,560 --> 00:05:04,880 Speaker 1: the past can be a little crazy sometimes, Speaking of which, 69 00:05:05,480 --> 00:05:10,440 Speaker 1: you and Lean look pretty cozy. What, No, we don't. 70 00:05:11,440 --> 00:05:14,039 Speaker 1: I mean he's not as bad as we thought he was. 71 00:05:14,680 --> 00:05:19,960 Speaker 1: He's not his dad. Yeah, he's not Dante Diamond. Let 72 00:05:20,000 --> 00:05:23,560 Speaker 1: me ask you something. Do you think we can change 73 00:05:23,680 --> 00:05:28,320 Speaker 1: destiny in our future by doing something radical here in 74 00:05:28,400 --> 00:05:31,880 Speaker 1: the past. I mean, we are, in fact trying to 75 00:05:31,960 --> 00:05:35,680 Speaker 1: change the future. You're gonna play two shows in one day, 76 00:05:36,160 --> 00:05:38,400 Speaker 1: But I'm not sure what you mean. Like, do you 77 00:05:38,440 --> 00:05:41,520 Speaker 1: think someone is faded to forever become who they are? 78 00:05:41,960 --> 00:05:45,960 Speaker 1: Not necessarily? Kindness can go a long way, you know, 79 00:05:46,880 --> 00:05:50,760 Speaker 1: saying the right thing the right person at the right time. Yeah, 80 00:05:51,440 --> 00:05:55,320 Speaker 1: that's what I think. Oh my gosh, are those your 81 00:05:55,400 --> 00:06:03,200 Speaker 1: dad's as teenagers? They're adorable? Hey Nikki, Hello Nikki. Wow, 82 00:06:04,279 --> 00:06:08,359 Speaker 1: this place is looking great. We saw the posters for 83 00:06:08,400 --> 00:06:12,080 Speaker 1: this all over town. It's gonna be huge. He's always 84 00:06:12,080 --> 00:06:14,960 Speaker 1: been such a major supporter, oh man, Ever since you 85 00:06:15,040 --> 00:06:17,719 Speaker 1: heard our demo. He's acted like we're the best thing 86 00:06:17,760 --> 00:06:19,760 Speaker 1: to come out of Old Bridge. I mean, we are 87 00:06:20,120 --> 00:06:24,560 Speaker 1: we fabulous this place up, Bobby, this is Dan and 88 00:06:24,640 --> 00:06:28,800 Speaker 1: keVs Dan and Kev's. Oh my gosh, you guys. It 89 00:06:28,920 --> 00:06:32,800 Speaker 1: is amazing to see you again again. Have we met right? No, 90 00:06:33,480 --> 00:06:38,040 Speaker 1: I'm Bobby. It's so great to meet you for the 91 00:06:38,080 --> 00:06:42,680 Speaker 1: first time ever. But I'm such a fan. I am 92 00:06:42,760 --> 00:06:45,280 Speaker 1: so glad that you're doing the show. And you are 93 00:06:45,320 --> 00:06:50,520 Speaker 1: both too cute. Thank you, Nicky Bobby. You are both 94 00:06:50,720 --> 00:06:53,839 Speaker 1: very weird and I am here for it. I am 95 00:06:53,880 --> 00:06:55,840 Speaker 1: going to go take my foot out of my mouth 96 00:06:56,200 --> 00:06:59,480 Speaker 1: and make some more copies of my zine. Nikki. Hit 97 00:06:59,520 --> 00:07:02,200 Speaker 1: me up on the walkie talking if you need me. So, 98 00:07:02,240 --> 00:07:05,120 Speaker 1: what are you here for? The show is not till tomorrow. Oh, 99 00:07:05,160 --> 00:07:08,520 Speaker 1: we're here to help out volunteers reporting for duty. You 100 00:07:08,640 --> 00:07:12,400 Speaker 1: two are amazing. We're also supposed to do a sound 101 00:07:12,440 --> 00:07:16,240 Speaker 1: check with some guy named Liam. Oh yeah, he's the 102 00:07:16,240 --> 00:07:20,680 Speaker 1: one in the blue shirt over by the soundboard. Cute yours. No, 103 00:07:21,560 --> 00:07:26,240 Speaker 1: but Bobby's maybe if my instincts are correct, And I'm 104 00:07:26,280 --> 00:07:29,440 Speaker 1: glad you're here because we're going to be so busy 105 00:07:29,480 --> 00:07:33,120 Speaker 1: tomorrow and before I go home, I wanted to say 106 00:07:33,120 --> 00:07:35,960 Speaker 1: that it's been great meeting you both, me and Dan. 107 00:07:36,240 --> 00:07:39,240 Speaker 1: We're not going anywhere, Haney except just over the Hudson, 108 00:07:39,840 --> 00:07:43,160 Speaker 1: and you're welcome to visit anytime. Once for friends with someone. 109 00:07:43,480 --> 00:07:47,560 Speaker 1: It's a lifetime commitment. I feel that Nicky. I saw 110 00:07:47,600 --> 00:07:51,080 Speaker 1: your name on the performers list. Are you playing? Yeah, 111 00:07:51,240 --> 00:07:53,600 Speaker 1: I'm working on a song about the rink. Oh, let's 112 00:07:53,600 --> 00:07:56,800 Speaker 1: hear it. Wait, you want to hear my song? We'd 113 00:07:56,800 --> 00:08:10,800 Speaker 1: love to hear. Use my guitar come out of place 114 00:08:10,920 --> 00:08:19,040 Speaker 1: and a time. Well, everyone thinks I'm just fine. Mm hmm. 115 00:08:22,480 --> 00:08:26,200 Speaker 1: Show date. I can't believe it's here. Ticket this line. 116 00:08:26,560 --> 00:08:29,520 Speaker 1: The door is looking great, and some hippie lady put 117 00:08:29,520 --> 00:08:32,280 Speaker 1: an empty water jug over there and people are dumping 118 00:08:32,320 --> 00:08:37,360 Speaker 1: all their's fair change into it. This is incredible. Old 119 00:08:37,400 --> 00:08:41,719 Speaker 1: grams over here, only a two dollar donation. Tickets, Thank you. 120 00:08:42,160 --> 00:08:46,840 Speaker 1: Here you go, You've learned all about your performers, the rings, 121 00:08:47,000 --> 00:08:51,200 Speaker 1: best skaters and the history of this old bridge institution. 122 00:08:51,360 --> 00:08:55,960 Speaker 1: Tickets throw grams to adults and four kids. Great, here 123 00:08:56,040 --> 00:09:00,480 Speaker 1: you go, sir, Hello party people. The Calvary has our 124 00:09:01,160 --> 00:09:05,520 Speaker 1: Kevin Dan I'm blown away. It feels like the whole 125 00:09:05,520 --> 00:09:07,800 Speaker 1: town is here. It's so much more than we could 126 00:09:07,800 --> 00:09:10,320 Speaker 1: have imagined. You look like you could use a break. 127 00:09:10,520 --> 00:09:12,679 Speaker 1: We've arrived to take over for the next hour or so. 128 00:09:13,400 --> 00:09:19,040 Speaker 1: Thank goodness, I have to uh we got this next 129 00:09:19,040 --> 00:09:26,120 Speaker 1: in line. I'm so proud of us. We went back 130 00:09:26,120 --> 00:09:28,839 Speaker 1: in time and did the thing. Do you think it 131 00:09:29,000 --> 00:09:32,280 Speaker 1: actually worked? Look at this, I don't know how much 132 00:09:32,320 --> 00:09:37,480 Speaker 1: better we could have done. Grew bug you, Julium. We 133 00:09:37,720 --> 00:09:41,840 Speaker 1: did this together, and no matter what happens, as long 134 00:09:41,840 --> 00:09:46,160 Speaker 1: as we stick together, we'll get through it. We do 135 00:09:46,360 --> 00:09:48,959 Speaker 1: make quite the team. I have to go get Bosso 136 00:09:49,040 --> 00:09:51,440 Speaker 1: set up so we can start spinning for the opening shift. 137 00:09:52,559 --> 00:09:57,040 Speaker 1: But there's still one missing element, the time tone strings. 138 00:09:57,320 --> 00:10:00,440 Speaker 1: Anyone come by to drop those off? Yet nothings so far. 139 00:10:00,760 --> 00:10:02,760 Speaker 1: Do you think once they arrived the portal that's just 140 00:10:02,800 --> 00:10:05,320 Speaker 1: going to open? Right then? We'll still have to string 141 00:10:05,400 --> 00:10:09,560 Speaker 1: up the guitar and I think you have to play it, Nikki. 142 00:10:10,240 --> 00:10:12,880 Speaker 1: That's how we got here, so that's probably how we 143 00:10:12,920 --> 00:10:17,280 Speaker 1: get back. Okay, So even though this show might change 144 00:10:17,320 --> 00:10:21,520 Speaker 1: the future, the portal will still open. I think changing 145 00:10:21,520 --> 00:10:24,000 Speaker 1: the future to save the rink was exactly what we 146 00:10:24,000 --> 00:10:27,679 Speaker 1: were supposed to do, but if there were any unintended 147 00:10:27,720 --> 00:10:32,280 Speaker 1: side effects, well we won't know until we get back. 148 00:10:32,679 --> 00:10:36,560 Speaker 1: Well keep your fingers crossed then, and everyone keep your 149 00:10:36,640 --> 00:10:43,920 Speaker 1: radios on. Roger, Hey, Nicky stands. Want to uncover more 150 00:10:43,960 --> 00:10:47,440 Speaker 1: epic time travel secrets, head to e ep universe on 151 00:10:47,520 --> 00:10:51,480 Speaker 1: Instagram and TikTok for more totally twisty details. More Nikki 152 00:10:51,520 --> 00:11:03,160 Speaker 1: fixes up next, but first a quick word from our sponsor. Hey, 153 00:11:03,160 --> 00:11:06,480 Speaker 1: time Travelers, welcome back. I want to uncover more totally 154 00:11:06,480 --> 00:11:10,000 Speaker 1: twisty time travel secrets. Head to e ep universe dot 155 00:11:10,040 --> 00:11:24,400 Speaker 1: com to learn more. Hello, Hello, Hello. My name is 156 00:11:24,440 --> 00:11:27,240 Speaker 1: Ben Brown and I've been the owner here at the 157 00:11:27,280 --> 00:11:32,400 Speaker 1: Millennium Rink for well a while now. I just wanted 158 00:11:32,440 --> 00:11:35,360 Speaker 1: to say a few words before the show starts. First, 159 00:11:35,679 --> 00:11:38,880 Speaker 1: thank you all for coming out. It warms my heart 160 00:11:38,880 --> 00:11:41,079 Speaker 1: to see every one of your faces here and to 161 00:11:41,200 --> 00:11:44,600 Speaker 1: know you care about this old place enough to be here. 162 00:11:45,440 --> 00:11:49,360 Speaker 1: Who listened to that brink? The show is happening, so 163 00:11:49,559 --> 00:11:52,520 Speaker 1: getting now. Look, I'm not the kind of guy who 164 00:11:52,600 --> 00:11:54,880 Speaker 1: is prone to get emotional, but I have to say 165 00:11:54,920 --> 00:11:58,480 Speaker 1: it really touches my heart to see how the kids staff, 166 00:11:58,920 --> 00:12:01,840 Speaker 1: fans of the rink all came together for this special, 167 00:12:01,880 --> 00:12:06,040 Speaker 1: special day. I promise that with the money raised here today, 168 00:12:06,559 --> 00:12:09,680 Speaker 1: we'll be able to look towards a bright future for 169 00:12:09,840 --> 00:12:14,760 Speaker 1: the rink. Oh and as a gesture of my fans, 170 00:12:15,080 --> 00:12:17,680 Speaker 1: don't forget to grab a free skate rental coupon on 171 00:12:17,720 --> 00:12:21,679 Speaker 1: the way out. Now we have w n f X 172 00:12:21,840 --> 00:12:29,520 Speaker 1: is on boss O King to kick things off. Hey, 173 00:12:29,600 --> 00:12:32,400 Speaker 1: all you kids out there, young and over. And I 174 00:12:32,520 --> 00:12:35,720 Speaker 1: say that because no matter your age, when you're fliding 175 00:12:35,760 --> 00:12:39,440 Speaker 1: over hardwood, okay, rink, you listen to me. I want 176 00:12:39,440 --> 00:12:41,840 Speaker 1: what's best for you, and I know in my bones 177 00:12:42,240 --> 00:12:44,920 Speaker 1: that you want what's best for me. So let's help 178 00:12:44,960 --> 00:12:47,360 Speaker 1: each other out. I'm about to get you what you want, 179 00:12:47,679 --> 00:12:50,400 Speaker 1: the money for Ben to save you. So when we 180 00:12:50,440 --> 00:12:52,720 Speaker 1: get to the future, you're gonna be all shiny and 181 00:12:52,960 --> 00:12:56,320 Speaker 1: bright and full of crowds like this. You are going 182 00:12:56,400 --> 00:12:59,000 Speaker 1: to be loved and those people are going to love 183 00:12:59,040 --> 00:13:04,880 Speaker 1: me too. Promise. I've always loved that spot in the 184 00:13:04,880 --> 00:13:08,040 Speaker 1: wall in the rink. Anything there in the future. Then 185 00:13:08,600 --> 00:13:11,960 Speaker 1: your speech was great. Aren't you excited with how this 186 00:13:12,040 --> 00:13:14,959 Speaker 1: is all going? That's why I came over, So thank 187 00:13:15,000 --> 00:13:17,840 Speaker 1: you to see the whole community here with so much 188 00:13:17,880 --> 00:13:21,040 Speaker 1: love for the rinks. Really, something makes me feel like 189 00:13:21,080 --> 00:13:24,360 Speaker 1: I've been doing something important all this time. Everything is 190 00:13:24,360 --> 00:13:26,960 Speaker 1: going to work out. To know this place means so 191 00:13:27,040 --> 00:13:29,840 Speaker 1: much to you, so many years from now. The fact 192 00:13:29,920 --> 00:13:32,600 Speaker 1: that you go through all this just to keep it alive. 193 00:13:33,040 --> 00:13:36,720 Speaker 1: I've dreamt, oh my wildest dreams here, dare to even 194 00:13:36,760 --> 00:13:39,960 Speaker 1: have a dream to begin with. I guess you and 195 00:13:40,000 --> 00:13:45,920 Speaker 1: your friends will be leaving soon, I think so. So 196 00:13:46,080 --> 00:13:49,440 Speaker 1: this is goodbye, Well not really. You mean you'll see 197 00:13:49,480 --> 00:13:52,200 Speaker 1: me when you get back home, of course, And I 198 00:13:52,200 --> 00:13:55,560 Speaker 1: still have my set back here later. Back here, you're 199 00:13:55,600 --> 00:13:58,560 Speaker 1: going over to play that show next door. Huh, Diamond 200 00:13:58,640 --> 00:14:02,880 Speaker 1: days and nights. Well, me and Leonard or Dante Diamond 201 00:14:03,400 --> 00:14:06,840 Speaker 1: as he's calling himself as of today, made a little deal. 202 00:14:07,679 --> 00:14:10,080 Speaker 1: I help him out, and he helps you out too. 203 00:14:10,840 --> 00:14:12,520 Speaker 1: He said he's going to put his profits from his 204 00:14:12,600 --> 00:14:15,560 Speaker 1: show towards the rink. That's how I know you'll have 205 00:14:15,679 --> 00:14:20,160 Speaker 1: enough to buy the building. Really, I'm surprised you seem 206 00:14:20,200 --> 00:14:23,960 Speaker 1: to be taking the whole situation a little hard. It 207 00:14:24,080 --> 00:14:26,240 Speaker 1: was the only way to be certain there'd be enough money. 208 00:14:27,880 --> 00:14:30,360 Speaker 1: And then the part of the wall is still blank 209 00:14:30,400 --> 00:14:33,800 Speaker 1: in the future. Maybe I've been saving it for something 210 00:14:33,840 --> 00:14:44,640 Speaker 1: that hasn't happened yet. House to sound board, over soundboard here, 211 00:14:44,920 --> 00:14:47,680 Speaker 1: any word on the ticket sales? Ticket sales are good, 212 00:14:47,960 --> 00:14:51,080 Speaker 1: and Liam, I think we have everything we need, but 213 00:14:51,520 --> 00:14:53,520 Speaker 1: we don't. Do you know what's in front of me 214 00:14:53,680 --> 00:15:00,640 Speaker 1: right now? Yes? One package of genuine seven gay Time 215 00:15:00,680 --> 00:15:08,560 Speaker 1: Tone brand guitar strings. WHOA, I know it. Thank you Universe, 216 00:15:08,920 --> 00:15:16,000 Speaker 1: thank you Time to leam, come in, come in over? Sorry? Sorry? 217 00:15:16,640 --> 00:15:18,720 Speaker 1: Did you see with him in there? What do they 218 00:15:18,760 --> 00:15:21,960 Speaker 1: look like? Honestly, I'm not sure. I saw this one 219 00:15:22,120 --> 00:15:25,160 Speaker 1: weirdly dressed person hovering by the bin for a minute, 220 00:15:25,320 --> 00:15:27,200 Speaker 1: and they could have been a man or a woman 221 00:15:27,800 --> 00:15:31,240 Speaker 1: or even non binary. They were totally different depending on 222 00:15:31,280 --> 00:15:37,680 Speaker 1: the angle Trippy, I know where is Nikki. I can 223 00:15:37,760 --> 00:15:40,120 Speaker 1: string up the guitar and then let's see if it works. 224 00:15:40,800 --> 00:15:42,760 Speaker 1: She said she was going dark when she goes to 225 00:15:42,800 --> 00:15:46,200 Speaker 1: play Leonard show. Then she's coming back to player set 226 00:15:46,280 --> 00:15:56,520 Speaker 1: here our said here, thank you, Jerry. That's the guy 227 00:15:56,520 --> 00:15:59,160 Speaker 1: from the record store. I think he changes his name 228 00:15:59,200 --> 00:16:02,480 Speaker 1: and becomes so one that we've heard of your right, 229 00:16:03,240 --> 00:16:10,080 Speaker 1: so I gotta get right you, dear thing lives. Try 230 00:16:10,800 --> 00:16:20,840 Speaker 1: you right, Hi, Hold up there, I'm on the ticket, 231 00:16:21,360 --> 00:16:25,360 Speaker 1: NICKI fix and first help? All right, all right, I 232 00:16:25,400 --> 00:16:34,280 Speaker 1: got you right through here, Leonard, Who are this? I said, 233 00:16:34,320 --> 00:16:36,880 Speaker 1: I'm good for it. The show was just warming up 234 00:16:37,000 --> 00:16:39,000 Speaker 1: and we're going to get a flood of people from 235 00:16:39,080 --> 00:16:43,240 Speaker 1: next door. That sounds like a prediction, and predictions don't 236 00:16:43,280 --> 00:16:48,600 Speaker 1: make money. Trust mature. I'll trust you, thank you, thank you. 237 00:16:48,800 --> 00:16:52,040 Speaker 1: The only problem is my boss, Mr Ruby. He ain't 238 00:16:52,080 --> 00:16:54,480 Speaker 1: so trusting the guys me. And when I told him 239 00:16:54,480 --> 00:16:57,120 Speaker 1: your pre sales were garbage, he told me to come 240 00:16:57,120 --> 00:16:59,400 Speaker 1: down here and make sure he got his money, and 241 00:16:59,480 --> 00:17:02,880 Speaker 1: he will. Well. Mr Ruby wants to believe you. He 242 00:17:02,960 --> 00:17:05,240 Speaker 1: thinks this diamond days a nice thing, could be a 243 00:17:05,320 --> 00:17:09,280 Speaker 1: real good hook. Problem is could be don't fill his wallet. 244 00:17:09,440 --> 00:17:11,240 Speaker 1: So I'll be here at the end of the show 245 00:17:11,600 --> 00:17:15,639 Speaker 1: and You'll have Mr Ruby's money ready for me in cash. 246 00:17:15,920 --> 00:17:19,359 Speaker 1: Got it? Yeah, I got it, I said, Do you 247 00:17:19,600 --> 00:17:23,160 Speaker 1: got it? Yeah? I got it. Then we're in agreement. 248 00:17:23,520 --> 00:17:27,520 Speaker 1: Have a great show. Leonard. It's Dante. Not yet. It 249 00:17:27,600 --> 00:17:40,919 Speaker 1: ain't break a leg, sweetheart, Um, Leonard, it's Dante. Oh, Nikki, 250 00:17:41,600 --> 00:17:46,639 Speaker 1: there you are? Where is everyone? Are you in trouble. Well, 251 00:17:46,840 --> 00:17:50,920 Speaker 1: it's still kind of early, and technically this crowd is 252 00:17:50,960 --> 00:17:54,520 Speaker 1: bigger than the rink. Technically, yes, I guess. Then I 253 00:17:54,640 --> 00:17:58,919 Speaker 1: have delivered what I promised besides no offense and no 254 00:17:58,960 --> 00:18:01,840 Speaker 1: one comes for the open band. Am sure you always 255 00:18:01,880 --> 00:18:04,159 Speaker 1: planned too, but then before you know it, you're an 256 00:18:04,160 --> 00:18:08,000 Speaker 1: hour late. The important thing is that the people I 257 00:18:08,160 --> 00:18:11,000 Speaker 1: invited to see you have checked in. A and R 258 00:18:11,119 --> 00:18:14,720 Speaker 1: folks really to see me. I worked the phones and 259 00:18:14,760 --> 00:18:17,040 Speaker 1: I got a couple of mid sized labels to come out. 260 00:18:17,640 --> 00:18:20,560 Speaker 1: They're hungry and everyone is looking for the next big scene. 261 00:18:21,000 --> 00:18:23,560 Speaker 1: I mean, think of it. Atlantis Morrissett just came out 262 00:18:23,560 --> 00:18:26,960 Speaker 1: with that album, and you're better than her. I'm a 263 00:18:27,000 --> 00:18:29,040 Speaker 1: little worried about that backup band you got for me, 264 00:18:29,080 --> 00:18:32,840 Speaker 1: though we haven't practiced except for sound check yesterday. Don't 265 00:18:32,880 --> 00:18:36,160 Speaker 1: get nervous. They're total pros. They got it down from 266 00:18:36,160 --> 00:18:39,359 Speaker 1: the tape I made. They'll follow you and the adjustments 267 00:18:39,400 --> 00:18:42,320 Speaker 1: to the song you made. I like them, but they 268 00:18:42,320 --> 00:18:45,760 Speaker 1: seem a little busy. I was practicing the song acoustic 269 00:18:45,920 --> 00:18:48,600 Speaker 1: and it sounded really good. These A and R guys 270 00:18:48,640 --> 00:18:52,560 Speaker 1: aren't looking for acoustic acts. Do it my way and 271 00:18:52,600 --> 00:18:55,240 Speaker 1: you'll kno get out of the park. You've got the look, 272 00:18:55,520 --> 00:19:01,600 Speaker 1: you've got the song, and you've got me. Okay, this 273 00:19:01,760 --> 00:19:05,600 Speaker 1: is it. This is going to be my big break. 274 00:19:06,040 --> 00:19:08,960 Speaker 1: This is the start of something huge. Nikki. With me 275 00:19:09,080 --> 00:19:11,600 Speaker 1: at your side, you have the potential to go all 276 00:19:11,600 --> 00:19:15,639 Speaker 1: the way. So are you ready to become a star? 277 00:19:16,280 --> 00:19:27,200 Speaker 1: Ready as I'll ever be. Hello, my name is Dante 278 00:19:27,359 --> 00:19:30,760 Speaker 1: Diamond and welcome to the very first Diamond Days and 279 00:19:30,960 --> 00:19:35,919 Speaker 1: Nights Fest of all. Please, welcome to the stage a 280 00:19:36,119 --> 00:19:39,600 Speaker 1: bright new talent. The whole country is going to know 281 00:19:39,720 --> 00:19:42,800 Speaker 1: her name soon, but you all are going to get 282 00:19:42,840 --> 00:19:46,520 Speaker 1: to brag that you were at her very first show. 283 00:19:47,359 --> 00:19:56,399 Speaker 1: Welcome to the stage, Nikki fas Hi. My name is 284 00:19:56,480 --> 00:20:00,160 Speaker 1: Nicky Fix. I'm from here, well and I'm from here, 285 00:20:00,240 --> 00:20:04,520 Speaker 1: but I'm visiting and I wrote the song thinking about 286 00:20:04,560 --> 00:20:17,119 Speaker 1: what this place means. I'm not a nice Look at 287 00:20:17,320 --> 00:20:22,920 Speaker 1: Nicky up there. She doesn't look like herself and she's 288 00:20:23,080 --> 00:20:26,080 Speaker 1: racking it. Let's go to the side stage. We'll grab 289 00:20:26,119 --> 00:20:29,639 Speaker 1: her when she finishes her song. That backing band is 290 00:20:29,680 --> 00:20:33,200 Speaker 1: a little generic, but it's nice to hear her play 291 00:20:33,280 --> 00:20:36,360 Speaker 1: with the band sounds like a band that my dad 292 00:20:36,440 --> 00:20:54,880 Speaker 1: would like. Oh, hey, I see Nikki. She just got 293 00:20:54,920 --> 00:20:59,159 Speaker 1: off Stageco's getting all those parting her. Excuse me, Nikki, 294 00:21:01,119 --> 00:21:04,040 Speaker 1: we got the strings. It's time ago. Who knows how 295 00:21:04,119 --> 00:21:07,000 Speaker 1: much time we've got left? She sees us here she comes. 296 00:21:09,600 --> 00:21:13,159 Speaker 1: Did you see me, Nicky? You were amazing? It was 297 00:21:13,320 --> 00:21:16,920 Speaker 1: so nervous. Did you tell it was this? So you 298 00:21:17,000 --> 00:21:21,000 Speaker 1: are so cool? What about the band? You were amazing? Right, 299 00:21:21,160 --> 00:21:26,639 Speaker 1: they were so good, But you were so good making 300 00:21:26,720 --> 00:21:29,440 Speaker 1: You were incredible. And I hate to break up this party. 301 00:21:29,520 --> 00:21:33,719 Speaker 1: But we did it. Wait, we did. We got an 302 00:21:33,800 --> 00:21:37,200 Speaker 1: incredible number of donations at the door. When I pulled 303 00:21:37,320 --> 00:21:40,840 Speaker 1: everything out of the bin, there were fifties and hundreds 304 00:21:40,880 --> 00:21:43,840 Speaker 1: in there. The total was enough, and you counted it 305 00:21:44,200 --> 00:21:46,240 Speaker 1: and put it in Ben's hands. It's in a safe. 306 00:21:46,880 --> 00:21:50,399 Speaker 1: And guess what else we found in the donations? Time 307 00:21:50,560 --> 00:21:55,199 Speaker 1: tone strings? You really? Yep? And I got them all 308 00:21:55,359 --> 00:22:00,840 Speaker 1: strong on the guitar right here. Feel it. It's warm 309 00:22:01,040 --> 00:22:04,840 Speaker 1: and starting to glow and vibrating. This is it. We 310 00:22:05,000 --> 00:22:08,440 Speaker 1: did it almost. I don't think we should take a 311 00:22:08,520 --> 00:22:11,560 Speaker 1: chance on playing it anywhere other than where we woke 312 00:22:11,640 --> 00:22:14,800 Speaker 1: up in the back store room over at the range. 313 00:22:15,280 --> 00:22:19,320 Speaker 1: So let's go, Come on, NICKI, okay, okay, I just 314 00:22:19,440 --> 00:22:25,520 Speaker 1: want wait, Nikki, there you are, Leonard. Do you hear 315 00:22:25,560 --> 00:22:29,480 Speaker 1: the crowd call me Dante? But yes, this is amazing. 316 00:22:29,960 --> 00:22:33,760 Speaker 1: They want an encore. Can't be real. I've never seen 317 00:22:33,800 --> 00:22:36,920 Speaker 1: anything like it. But you have to get back out there? Go? 318 00:22:37,520 --> 00:22:40,359 Speaker 1: Will you guys? Wait for me? Um, this guitar is 319 00:22:40,400 --> 00:22:42,800 Speaker 1: about to get too bright to hide. What do we do? 320 00:22:43,200 --> 00:22:45,840 Speaker 1: We can go to the store room perfect, I'll play 321 00:22:45,880 --> 00:22:48,240 Speaker 1: the song and meet you there. I'll be right behind you. 322 00:22:48,480 --> 00:22:51,040 Speaker 1: I don't think we should split up. Can't we just go? 323 00:22:51,880 --> 00:22:54,719 Speaker 1: We did it? Who cares if you don't play the encore, 324 00:22:55,320 --> 00:22:57,680 Speaker 1: You're already going to miss the show. We were supposed 325 00:22:57,720 --> 00:23:00,040 Speaker 1: to play together at the rink, Bobby, We're going to 326 00:23:00,119 --> 00:23:03,560 Speaker 1: have a million chances to play together back in our time. 327 00:23:04,440 --> 00:23:08,760 Speaker 1: But listen to that when we get back. I don't 328 00:23:08,760 --> 00:23:10,800 Speaker 1: know if I'll ever have a moment like this again. 329 00:23:11,560 --> 00:23:15,640 Speaker 1: Maybe maybe not. What if this is the only time ever? 330 00:23:16,440 --> 00:23:19,399 Speaker 1: What if this is the biggest moment of my whole career. 331 00:23:21,000 --> 00:23:26,440 Speaker 1: Just promise one song and you'll come straight there. I promise. Okay, 332 00:23:26,800 --> 00:23:30,200 Speaker 1: enough of this heart to heart silliness and get out there. 333 00:23:30,400 --> 00:23:45,240 Speaker 1: I'm going come on, Bobby, let's go. Thank you, Thank 334 00:23:45,240 --> 00:23:48,680 Speaker 1: you so much, Ridge, I love you and always. Well, 335 00:23:50,040 --> 00:23:53,840 Speaker 1: that was radically king Nicky, that was all so much. Guys, 336 00:23:54,400 --> 00:23:57,160 Speaker 1: you were an amazing band. I had so much fun 337 00:23:57,240 --> 00:24:01,400 Speaker 1: out there. Hey, have any of you seen I mean Dante? 338 00:24:02,160 --> 00:24:04,919 Speaker 1: Anyone know where Dante is? I saw him run over 339 00:24:04,960 --> 00:24:10,080 Speaker 1: towards the rink when you went back out. I'm cool. Well, 340 00:24:10,240 --> 00:24:12,920 Speaker 1: I really have to go. Can you tell him? I 341 00:24:13,000 --> 00:24:20,560 Speaker 1: said thank you for everything? I guess okay, thanks, um bye. 342 00:24:28,320 --> 00:24:32,000 Speaker 1: Where is she? I'm sure she's on her way, probably 343 00:24:32,119 --> 00:24:35,040 Speaker 1: just got hung up saying goodbye to her dad's or something. Nikki, 344 00:24:35,200 --> 00:24:40,080 Speaker 1: come in, Nikki, come in. This is Bobby over. It's okay, Bobby, 345 00:24:40,960 --> 00:25:04,880 Speaker 1: She'll be here. I know she will. Yeah. H Leonard, 346 00:25:05,560 --> 00:25:11,800 Speaker 1: how how much did you see enough? How could you 347 00:25:12,280 --> 00:25:15,560 Speaker 1: you saw those guys I was talking to backstage? Those 348 00:25:15,560 --> 00:25:18,520 Speaker 1: are not guys you mess with. And I still had 349 00:25:18,600 --> 00:25:22,840 Speaker 1: my keys and Ben hadn't changed the combination, that's all. 350 00:25:23,000 --> 00:25:26,960 Speaker 1: Ben's Oh, return it as soon as I can. I 351 00:25:27,119 --> 00:25:31,680 Speaker 1: promise you know I will. But those guys, he's Ben 352 00:25:31,800 --> 00:25:34,119 Speaker 1: knew what this was for, what kind of spot I'm in? 353 00:25:34,560 --> 00:25:37,600 Speaker 1: He'd want me to have it so did you ask him? Nicky? 354 00:25:38,080 --> 00:25:40,560 Speaker 1: I'm sorry. I don't have time to litigate this with you. 355 00:25:41,520 --> 00:25:50,520 Speaker 1: I have to go, but but Nicki, come in, come in. 356 00:25:51,200 --> 00:25:54,080 Speaker 1: We need you here now. I don't know how much 357 00:25:54,119 --> 00:25:57,480 Speaker 1: of a window we have here. Oh, Nicky, you're here. 358 00:25:57,720 --> 00:26:02,120 Speaker 1: I'm here here. Take the guitar. We need you to play. Now. 359 00:26:02,640 --> 00:26:09,320 Speaker 1: Here goes nothing. It's working, it's happening. The portal is opening. 360 00:26:09,760 --> 00:26:14,119 Speaker 1: Keep playing. It's getting bigger. I can see the other side. 361 00:26:14,440 --> 00:26:23,920 Speaker 1: Do I go. I'm stepping through. I got it. Don't 362 00:26:24,000 --> 00:26:35,080 Speaker 1: let go my hand, Nicky, I'm through me too. Nigi, 363 00:26:35,240 --> 00:26:38,320 Speaker 1: come fro now you hold me at a second. The 364 00:26:38,440 --> 00:26:42,240 Speaker 1: portal is shrinking. What is she doing? What is she 365 00:26:42,440 --> 00:26:45,680 Speaker 1: looking at? Think he's not gonna make it, Leam. We 366 00:26:45,880 --> 00:26:49,000 Speaker 1: got to go back, can't. The portal is too small 367 00:26:49,080 --> 00:26:55,480 Speaker 1: now we'd be trushed. Nig Sorry, we didn't do it. 368 00:26:55,720 --> 00:27:10,760 Speaker 1: We didn't say this is Nigame. Ironhorn's Epic Productions and 369 00:27:10,880 --> 00:27:14,760 Speaker 1: I Heart Radio presented Nicki Fix's Time Mix, created an 370 00:27:14,800 --> 00:27:20,040 Speaker 1: executive produced by Heather Ironhorn and Adam Stafferni. Executive produced 371 00:27:20,080 --> 00:27:26,480 Speaker 1: by iHeart Radio head writer Cecil Castelluchi, writers Blue Beckford 372 00:27:26,480 --> 00:27:32,919 Speaker 1: Barow Louis Cornfeld, Natalia Yancha and Adam Stafferroni directed by 373 00:27:33,080 --> 00:27:37,359 Speaker 1: Rebecca Cunningham, with performances by Judy Alice Lee as Nicky 374 00:27:37,440 --> 00:27:41,440 Speaker 1: fix To, Lea Romina as Bobby, Joshua evans Is, Leah 375 00:27:41,880 --> 00:27:45,960 Speaker 1: Tyler Kies as Dante, Diamond and Leonard and Baron Bass 376 00:27:46,040 --> 00:27:51,960 Speaker 1: has been additional voices more of Vincent Haleb Yen, David Shatrow, 377 00:27:52,640 --> 00:27:56,200 Speaker 1: Late Walsh Letter and Scott Hoffman as record shop clerk. 378 00:27:56,720 --> 00:28:01,240 Speaker 1: Post sound by Chapter four Sounds Provision and sound designed 379 00:28:01,320 --> 00:28:06,040 Speaker 1: by Sarah Gibbi Lasker. Assistant sound editor by Andrew Berger, 380 00:28:06,280 --> 00:28:11,240 Speaker 1: Natalie Escudera and Zachary Spiser. Music composed by Murray A 381 00:28:11,400 --> 00:28:17,400 Speaker 1: lightburn Lyrics by Natalia Yanchick and Murray A Lightburner. Produced 382 00:28:17,440 --> 00:28:24,400 Speaker 1: by Arupe Sanakayla, Development writer, Scott Hoffman, Development executive Greg Lackard, 383 00:28:25,040 --> 00:28:30,280 Speaker 1: line producer Anna Stepcom, Production coordinator and script supervisor, Laura 384 00:28:30,359 --> 00:28:37,119 Speaker 1: Martin Operations, Laura Kaufman Marketing and Publicity, Jesse Post Digital Marketing, 385 00:28:37,480 --> 00:28:42,880 Speaker 1: Jennifer Gennaro Social Media, Ashley Lynn Nicolete Great of Direction 386 00:28:42,920 --> 00:28:46,880 Speaker 1: and designed by Ryan McCann. A special thank you to 387 00:28:47,320 --> 00:28:51,840 Speaker 1: the Shadow Uniforn, Einhorn's Epic Productions, and I Heart Radio 388 00:28:51,880 --> 00:29:01,400 Speaker 1: present Nikki Fix's Time Meets a Time Travelers. Check out 389 00:29:01,480 --> 00:29:05,480 Speaker 1: more incredible adventures at ep universe dot com. Dig into 390 00:29:05,520 --> 00:29:08,479 Speaker 1: the secrets of time travel, or explore our other shows 391 00:29:08,840 --> 00:29:13,040 Speaker 1: lethalt A Tiktah's Mystery, See You in Your Nightmares, Daughters 392 00:29:13,080 --> 00:29:14,360 Speaker 1: of DC, and more.