1 00:00:00,760 --> 00:00:03,080 Speaker 1: I am all in. 2 00:00:08,240 --> 00:00:19,000 Speaker 2: That's just you. I Am all in with Scott Patterson 3 00:00:19,239 --> 00:00:20,640 Speaker 2: an iHeartRadio podcast. 4 00:00:20,760 --> 00:00:25,640 Speaker 3: Everybody Scott Patterson, I Am all In Podcast one eleven productions, iHeartRadio, iHeartMedia, 5 00:00:25,680 --> 00:00:31,680 Speaker 3: iHeart Podcast. One on one interview with Jonathan Decker, who 6 00:00:31,840 --> 00:00:36,880 Speaker 3: is an LMFT. He is a licensed marriage and Family 7 00:00:36,920 --> 00:00:41,559 Speaker 3: therapist and the CEO of Cinema Therapy and clinical director 8 00:00:41,680 --> 00:00:45,159 Speaker 3: of Mended Light. He is a movie buff who has 9 00:00:45,280 --> 00:00:49,960 Speaker 3: started a YouTube channel of therapizing if that's a word, 10 00:00:50,120 --> 00:00:55,200 Speaker 3: a TV and film. He's got some links to Laurele 11 00:00:55,240 --> 00:01:00,480 Speaker 3: I and Emily Scenes, Luke and Laurel I Scene, all 12 00:01:00,560 --> 00:01:01,320 Speaker 3: kinds of things. 13 00:01:03,200 --> 00:01:06,720 Speaker 1: iHeart podcasts. Listen on the iHeartRadio app. 14 00:01:08,120 --> 00:01:13,240 Speaker 3: Tell us a little bit about how you ended up 15 00:01:13,840 --> 00:01:19,040 Speaker 3: analyzing films and TV shows and characters they're in. 16 00:01:19,400 --> 00:01:24,360 Speaker 2: Yeah, well, thank you for having me. I am a 17 00:01:24,360 --> 00:01:28,200 Speaker 2: forty three year old late bloomer for Gilmore Girls. I 18 00:01:28,440 --> 00:01:30,480 Speaker 2: missed it by a couple of decades and now I'm 19 00:01:30,520 --> 00:01:32,440 Speaker 2: just adoring it and can't get enough of it. But 20 00:01:33,200 --> 00:01:37,160 Speaker 2: I've gotten to psychology. I wanted to be a filmmaker 21 00:01:37,280 --> 00:01:39,240 Speaker 2: or director or a therapist, and when I was in 22 00:01:39,280 --> 00:01:41,200 Speaker 2: school that's I was leaning one way or the other. 23 00:01:41,680 --> 00:01:44,600 Speaker 2: Finally some work with some Matris teenagers, kind of like Jess. 24 00:01:44,959 --> 00:01:47,520 Speaker 2: It steered me in the direction of psychology and therapy. 25 00:01:48,240 --> 00:01:52,160 Speaker 2: But my passion for film never left me. And you know, 26 00:01:52,240 --> 00:01:55,760 Speaker 2: I'd love to use movies and TV shows to illustrate 27 00:01:55,800 --> 00:01:58,800 Speaker 2: abstract concepts about when you're talking about. Because I became 28 00:01:58,840 --> 00:02:03,600 Speaker 2: a family therapist, healthy relationships, unhealthy relationships, What do these 29 00:02:03,600 --> 00:02:07,160 Speaker 2: principles look like? Applied? And I found that film and 30 00:02:07,200 --> 00:02:11,560 Speaker 2: TV was perfect in classes and in therapy for illustrating 31 00:02:11,560 --> 00:02:12,520 Speaker 2: what I was talking about. 32 00:02:12,680 --> 00:02:14,239 Speaker 1: So why did you choose Gilmore Girls? 33 00:02:15,200 --> 00:02:18,720 Speaker 2: I chose Gilmore Girls. That was actually our fans. So 34 00:02:18,760 --> 00:02:21,440 Speaker 2: I've got the two channels Cinema Therapy and then Mended 35 00:02:21,520 --> 00:02:24,960 Speaker 2: Light and Men Died Light. We do more television breakdowns, 36 00:02:25,560 --> 00:02:27,840 Speaker 2: and the fans on Mended Light. I was asking, you know, 37 00:02:27,880 --> 00:02:29,840 Speaker 2: what should I do next? I covered a couple of things, 38 00:02:30,520 --> 00:02:33,160 Speaker 2: Buffy the Vampire Schleayer, Euphoria, a couple of things, and 39 00:02:33,320 --> 00:02:39,560 Speaker 2: overwhelmingly the demand was for Gilmore Girls, far more than 40 00:02:39,639 --> 00:02:43,040 Speaker 2: any show that's airing now, I have to say, And 41 00:02:43,200 --> 00:02:45,760 Speaker 2: I was in my twenties when Gilmore Girls came out. 42 00:02:46,600 --> 00:02:49,600 Speaker 2: I was not especially interested at the time. I was 43 00:02:49,600 --> 00:02:52,040 Speaker 2: super into twenty four and Lost in the Office and 44 00:02:52,080 --> 00:02:54,480 Speaker 2: things like that. And what's funny to me now that 45 00:02:54,520 --> 00:02:58,000 Speaker 2: I'm watching Gilmore Girls is Luke is a character who 46 00:02:58,080 --> 00:03:00,720 Speaker 2: would likely not watch a show called Gilmore Girls. 47 00:03:02,520 --> 00:03:03,200 Speaker 1: That's for sure. 48 00:03:04,320 --> 00:03:06,040 Speaker 2: So I see it, but I see him. If I 49 00:03:06,040 --> 00:03:08,080 Speaker 2: had watched it, then I really I would have realized, Oh, 50 00:03:08,400 --> 00:03:11,320 Speaker 2: Luke is, in addition to being a wonderful character in 51 00:03:11,360 --> 00:03:15,240 Speaker 2: his own right, strategically, he's the surrogate for the boyfriends 52 00:03:15,240 --> 00:03:17,440 Speaker 2: and the husbands who might not take interest to are 53 00:03:17,480 --> 00:03:20,040 Speaker 2: forced to watch this show with their girlfriends or their wives. 54 00:03:20,400 --> 00:03:22,200 Speaker 2: And then and then they attached to Luke. You know 55 00:03:22,240 --> 00:03:24,960 Speaker 2: that that Luke kind of keeps everything real, keeps everything dry, 56 00:03:25,040 --> 00:03:26,000 Speaker 2: brings it down to earth. 57 00:03:26,480 --> 00:03:26,600 Speaker 4: Uh. 58 00:03:26,960 --> 00:03:30,040 Speaker 2: But and so I started doing reaction videos to talk 59 00:03:30,080 --> 00:03:33,560 Speaker 2: about the relationships on Gilmore Girls, and they are far 60 00:03:33,560 --> 00:03:36,280 Speaker 2: and away our most popular videos on the channel. People 61 00:03:36,360 --> 00:03:39,240 Speaker 2: just can't get enough of them, which staying power because 62 00:03:39,400 --> 00:03:40,920 Speaker 2: you know, it's been a minute since you've been on 63 00:03:40,960 --> 00:03:43,240 Speaker 2: the air, and people just revisit it and love it 64 00:03:43,240 --> 00:03:46,920 Speaker 2: and share it with their their own daughters. And strangely 65 00:03:47,040 --> 00:03:48,080 Speaker 2: I'm drawn into it. 66 00:03:48,320 --> 00:03:49,880 Speaker 1: Let's get into the therapy of it. 67 00:03:49,920 --> 00:03:50,080 Speaker 2: Then. 68 00:03:50,440 --> 00:03:53,600 Speaker 3: Yeah, so we think laurla I moved too fast into 69 00:03:53,640 --> 00:03:56,640 Speaker 3: a relationship with Christopher. What do you think was her 70 00:03:56,680 --> 00:04:01,320 Speaker 3: thought processing that was trying to use him to heal 71 00:04:01,440 --> 00:04:02,280 Speaker 3: from Luke. 72 00:04:03,440 --> 00:04:06,640 Speaker 2: Yeah, well, I listen. Having so a little bit of 73 00:04:06,800 --> 00:04:09,520 Speaker 2: a quick background, I was part way through the fourth 74 00:04:09,560 --> 00:04:12,560 Speaker 2: season when I got contacted about this podcast, and I 75 00:04:12,600 --> 00:04:14,440 Speaker 2: have crammed for the Final Life so in the past 76 00:04:14,480 --> 00:04:17,240 Speaker 2: week and a half binging gil Girls from season four, 77 00:04:17,360 --> 00:04:20,080 Speaker 2: season seven, and so it's all very fresh for me. 78 00:04:20,160 --> 00:04:24,719 Speaker 2: And I do think Loralai has always used Christopher as 79 00:04:25,640 --> 00:04:28,359 Speaker 2: the It was the plan that she had in mind 80 00:04:28,560 --> 00:04:30,360 Speaker 2: if he ever grew up right, if he ever got 81 00:04:30,360 --> 00:04:33,880 Speaker 2: his act together. And I absolutely think she realized that 82 00:04:33,960 --> 00:04:36,800 Speaker 2: Luke is her soulmate. I think she realized that Luke 83 00:04:36,920 --> 00:04:38,680 Speaker 2: is better to her than anyone's ever been to her, 84 00:04:39,320 --> 00:04:41,599 Speaker 2: and that wound is so fresh and so deep that 85 00:04:41,640 --> 00:04:44,760 Speaker 2: she's going to go to what she's comfortable with, even 86 00:04:44,800 --> 00:04:47,560 Speaker 2: though she knows it's wrong, right wrong for her. She's 87 00:04:47,640 --> 00:04:51,120 Speaker 2: been down that road with Christopher several times, and the 88 00:04:51,160 --> 00:04:53,880 Speaker 2: biggest determinant of that is not because Christopher has grown 89 00:04:53,960 --> 00:04:55,680 Speaker 2: up in a lot of ways, but is where her 90 00:04:55,720 --> 00:05:00,240 Speaker 2: heart lies. And her heart absolutely lies with Luke. There's 91 00:05:00,480 --> 00:05:02,760 Speaker 2: no ifs ans or butts about that. I was team 92 00:05:02,839 --> 00:05:07,479 Speaker 2: Luke from the first episode. By the way, I'm not 93 00:05:07,520 --> 00:05:11,039 Speaker 2: even brown nosing. I'm just saying, before I even knew 94 00:05:11,040 --> 00:05:12,480 Speaker 2: that you had a podcast or that you and I 95 00:05:12,560 --> 00:05:14,320 Speaker 2: were going to be interacting in all my videos, I 96 00:05:14,400 --> 00:05:17,000 Speaker 2: just kept saying, if she doesn't lose, if she doesn't 97 00:05:17,040 --> 00:05:19,000 Speaker 2: choose Luke by the end, I'm gonna riot. 98 00:05:21,480 --> 00:05:22,640 Speaker 1: And riot we will. 99 00:05:24,160 --> 00:05:27,159 Speaker 3: So the obvious advice would be for Laura I to 100 00:05:27,200 --> 00:05:33,240 Speaker 3: give herself more time between dumping Luke and getting involved 101 00:05:33,279 --> 00:05:34,159 Speaker 3: with Christopher again. 102 00:05:34,200 --> 00:05:37,480 Speaker 1: But do you think that part of her wanted to. 103 00:05:37,440 --> 00:05:39,480 Speaker 3: At least try to see if it could work out 104 00:05:40,200 --> 00:05:42,839 Speaker 3: to complete her own family dynamic. 105 00:05:43,440 --> 00:05:45,680 Speaker 2: She didn't want to live with it. What if. I 106 00:05:45,680 --> 00:05:47,080 Speaker 2: don't know that she needed to take it all the 107 00:05:47,080 --> 00:05:50,120 Speaker 2: way to marriage, but to always whether she ended up 108 00:05:50,160 --> 00:05:52,400 Speaker 2: with Luke or not, should I close the door on 109 00:05:52,480 --> 00:05:56,200 Speaker 2: Christopher permanently or could it work out this time? And 110 00:05:56,600 --> 00:05:59,440 Speaker 2: I think she needed to explore that space in order 111 00:05:59,480 --> 00:06:02,960 Speaker 2: to have to have closure, and for all she knew 112 00:06:03,880 --> 00:06:05,840 Speaker 2: it was going to work out this time. Right, and 113 00:06:05,880 --> 00:06:11,200 Speaker 2: she entered into it perhaps headstrong and perhaps on the 114 00:06:11,200 --> 00:06:13,760 Speaker 2: rebound and perhaps hurting, but I think she entered into 115 00:06:13,760 --> 00:06:16,640 Speaker 2: it with good faith of want I want to have 116 00:06:16,720 --> 00:06:19,680 Speaker 2: this family dynamic that I've always wanted to have. And 117 00:06:19,680 --> 00:06:22,440 Speaker 2: what I love about the previous episode to the one 118 00:06:22,480 --> 00:06:24,960 Speaker 2: we're talking about today, or at least I guess the 119 00:06:25,000 --> 00:06:27,599 Speaker 2: past couple episodes, when she writes that letter for Luke, 120 00:06:27,680 --> 00:06:31,920 Speaker 2: it's because she realizes that Luke has been more of 121 00:06:31,960 --> 00:06:36,520 Speaker 2: a father to Rory than Christopher ever was, and he's 122 00:06:36,880 --> 00:06:38,560 Speaker 2: in that sense been more of a partner to me 123 00:06:38,600 --> 00:06:40,080 Speaker 2: and in a lot of other senses as well. 124 00:06:40,400 --> 00:06:44,760 Speaker 3: M all right, so you know that Christopher really pushed 125 00:06:44,760 --> 00:06:50,000 Speaker 3: her to marry him in Paris? Yeah, what would have 126 00:06:50,080 --> 00:06:54,120 Speaker 3: been a different option to handle the forceful way Christopher 127 00:06:54,400 --> 00:06:57,160 Speaker 3: was asking Laurel I to marry him. 128 00:06:57,160 --> 00:06:59,880 Speaker 1: What should Laurel I maybe have done? 129 00:07:00,240 --> 00:07:03,040 Speaker 2: I think if there is one of one of loural 130 00:07:03,080 --> 00:07:08,400 Speaker 2: Live's weaknesses and one of her beautiful characteristics, honestly, is 131 00:07:08,440 --> 00:07:14,600 Speaker 2: that she can be spontaneous and what she's feeling is 132 00:07:14,640 --> 00:07:18,080 Speaker 2: what she runs with, and sometimes she regrets that and 133 00:07:18,120 --> 00:07:22,880 Speaker 2: sometimes following her gut leads her down the path. Christopher 134 00:07:22,920 --> 00:07:27,080 Speaker 2: pressured her, and she yielded, And I think she yielded, 135 00:07:27,200 --> 00:07:28,920 Speaker 2: as you were saying, for all for other reasons you're 136 00:07:28,920 --> 00:07:31,920 Speaker 2: talking about. I think she wanted to test this family dynamic, 137 00:07:31,960 --> 00:07:35,040 Speaker 2: see that could finally work. I think the fact that 138 00:07:35,120 --> 00:07:39,239 Speaker 2: if you have ever loved somebody and there's still goodwill 139 00:07:39,360 --> 00:07:42,320 Speaker 2: between you, then that love is always there. It may 140 00:07:42,400 --> 00:07:44,560 Speaker 2: change form, it may no longer be romantic, it may 141 00:07:44,600 --> 00:07:47,320 Speaker 2: no longer be sexual, but the people that matter to 142 00:07:47,400 --> 00:07:50,200 Speaker 2: us will always matter to us. And so it gets 143 00:07:50,280 --> 00:07:52,120 Speaker 2: kind of hazy. So what could she have done? She 144 00:07:52,160 --> 00:07:55,960 Speaker 2: could have asked for time. She could have said, you know, 145 00:07:56,120 --> 00:08:00,400 Speaker 2: we're in Paris and I'm heartbroken and I don't want 146 00:08:00,400 --> 00:08:04,040 Speaker 2: to end up alone, and so I don't know if 147 00:08:04,360 --> 00:08:06,920 Speaker 2: I want to say yes to you, Christopher. I don't 148 00:08:06,960 --> 00:08:09,760 Speaker 2: know if that's Paris and my loneliness talking, or if 149 00:08:09,800 --> 00:08:13,840 Speaker 2: that's because this is right and I've been through enough 150 00:08:13,840 --> 00:08:15,920 Speaker 2: that I really want to make sure it's on stable footing. 151 00:08:15,960 --> 00:08:19,800 Speaker 2: So I'm not saying no. I'm saying, let me let 152 00:08:19,800 --> 00:08:21,960 Speaker 2: me think about it, and let me let me examine 153 00:08:21,960 --> 00:08:23,400 Speaker 2: my heart and see what it is that I want 154 00:08:23,400 --> 00:08:23,680 Speaker 2: to do. 155 00:08:24,480 --> 00:08:26,640 Speaker 3: What do you think of Christopher's he is he just 156 00:08:26,680 --> 00:08:28,120 Speaker 3: selfish or is he a narcissist? 157 00:08:29,440 --> 00:08:31,720 Speaker 1: Because it always seems to come back. I mean even 158 00:08:31,800 --> 00:08:34,199 Speaker 1: when he's you know, it's always about him. 159 00:08:34,200 --> 00:08:37,720 Speaker 3: He always makes it about him, and he has inconvenience 160 00:08:37,760 --> 00:08:40,680 Speaker 3: and he was busy and I'm sorry I couldn't. You know, 161 00:08:40,679 --> 00:08:42,800 Speaker 3: he didn't show up at the hospital in season seven 162 00:08:43,320 --> 00:08:45,000 Speaker 3: for Richard because he was a little in a snit 163 00:08:45,080 --> 00:08:45,640 Speaker 3: over Luke. 164 00:08:46,679 --> 00:08:49,880 Speaker 2: I would say more selfish than narcissism. I mean, you 165 00:08:49,920 --> 00:08:53,040 Speaker 2: can say there's narcissistic traits there. The key thing about 166 00:08:53,280 --> 00:08:57,600 Speaker 2: you know, narcissistic personality disorder that separates it from ego 167 00:08:57,840 --> 00:09:01,599 Speaker 2: or self absorption is a lack of passion, is a 168 00:09:01,679 --> 00:09:06,040 Speaker 2: lack of empathy. And Christopher feels genuine remorse when he 169 00:09:06,120 --> 00:09:08,320 Speaker 2: hurts people. The issue with him is that he's so 170 00:09:08,520 --> 00:09:12,520 Speaker 2: consistently he's the yin to you to Luke's yang, because 171 00:09:12,960 --> 00:09:17,360 Speaker 2: Christopher so consistently puts himself first, and then he feels 172 00:09:17,400 --> 00:09:20,040 Speaker 2: bad for hurting others for when he does that and 173 00:09:20,120 --> 00:09:23,440 Speaker 2: Luke does the opposite. He consistently puts other people first, 174 00:09:24,160 --> 00:09:26,440 Speaker 2: and then what's left for him, you know, And I 175 00:09:26,440 --> 00:09:29,160 Speaker 2: think that's one of the reasons why Luke is so 176 00:09:29,320 --> 00:09:34,400 Speaker 2: often unhappy and grumpy is because he gives so much 177 00:09:34,400 --> 00:09:38,160 Speaker 2: because he doesn't know how to not give. And I 178 00:09:38,600 --> 00:09:42,160 Speaker 2: love watching some of you know, Luke's journey to kind 179 00:09:42,160 --> 00:09:49,720 Speaker 2: of a healthier self interest, right to finding that balance 180 00:09:50,240 --> 00:09:51,880 Speaker 2: because the thing that I love about Luke all the 181 00:09:51,920 --> 00:09:54,400 Speaker 2: way back to one of my favorite moments very early on, 182 00:09:54,880 --> 00:09:58,079 Speaker 2: is he hates and mocks the whole we're going to 183 00:09:58,160 --> 00:10:01,000 Speaker 2: go stand out in the snow and do the Revolutionary 184 00:10:01,040 --> 00:10:04,440 Speaker 2: War reenactment, but he still brings the guy's coffee, right, 185 00:10:04,960 --> 00:10:06,560 Speaker 2: and then when they ask for when they say can 186 00:10:06,600 --> 00:10:09,079 Speaker 2: we get hot chocolate or apple cider instead? Instead of 187 00:10:09,080 --> 00:10:12,000 Speaker 2: saying are you kidding me? He just goes and they 188 00:10:12,080 --> 00:10:15,520 Speaker 2: starts taking people's words, Like Luke is always gonna do 189 00:10:15,640 --> 00:10:20,080 Speaker 2: the selfless thing, and I think Christopher is the opposite 190 00:10:20,080 --> 00:10:20,320 Speaker 2: of that. 191 00:10:20,720 --> 00:10:22,440 Speaker 3: Well, let's move on to the breakup. Do you think 192 00:10:22,440 --> 00:10:26,640 Speaker 3: that Christopher could have changed his jealous ways when it 193 00:10:26,720 --> 00:10:31,560 Speaker 3: came to Luke and because he displayed this kind of 194 00:10:31,559 --> 00:10:34,240 Speaker 3: immaturity and jealousy. First of all, do you think that 195 00:10:34,320 --> 00:10:38,400 Speaker 3: jealousy was justified? Do you think her behavior was in 196 00:10:38,480 --> 00:10:41,920 Speaker 3: any way antagonistic or disrespectful toward Christopher. 197 00:10:43,480 --> 00:10:47,000 Speaker 2: Ah, if it was, it certainly wasn't deliberate, right. I 198 00:10:47,000 --> 00:10:50,400 Speaker 2: think Loralai was coming from a place of sincerity. And 199 00:10:50,440 --> 00:10:53,320 Speaker 2: the thing about Christopher is, we're watching someone across the series, 200 00:10:53,320 --> 00:10:56,120 Speaker 2: and when all the characters are like this, we're watching 201 00:10:56,120 --> 00:11:00,120 Speaker 2: a growth arc, right, We're watching people grow into maturity. 202 00:11:00,679 --> 00:11:04,000 Speaker 2: And Christopher has come a long way since we first 203 00:11:04,040 --> 00:11:07,400 Speaker 2: met him, but in other ways he hasn't, And especially 204 00:11:07,400 --> 00:11:11,720 Speaker 2: when his insecurity is he I think wants to be 205 00:11:13,360 --> 00:11:15,720 Speaker 2: He wants to be desired and he wants to be loved, 206 00:11:16,040 --> 00:11:19,280 Speaker 2: and that's fine, that's a human need. But the issue 207 00:11:19,320 --> 00:11:23,080 Speaker 2: is if somebody else is desired and loved instead of me, 208 00:11:23,840 --> 00:11:26,720 Speaker 2: is that a deficiency on my part instead of just 209 00:11:26,800 --> 00:11:31,080 Speaker 2: simply this is who the other person chooses, you know. 210 00:11:31,200 --> 00:11:33,680 Speaker 2: And in defense of Christopher, they are. They are married 211 00:11:34,640 --> 00:11:40,079 Speaker 2: and so he's not entitled. But I do understand that 212 00:11:40,080 --> 00:11:42,440 Speaker 2: that would be a painful thing to recognize and realize. 213 00:11:43,080 --> 00:11:46,360 Speaker 2: But the mature, the mature way to handle it is 214 00:11:46,440 --> 00:11:50,360 Speaker 2: always if it's if it's truly love, I want you 215 00:11:50,440 --> 00:11:52,080 Speaker 2: to be with me, but more than that, I want 216 00:11:52,080 --> 00:11:54,959 Speaker 2: you to be happy. And if you're not going to 217 00:11:55,040 --> 00:11:56,720 Speaker 2: be happy with me. If you're going to be happier 218 00:11:56,720 --> 00:11:58,440 Speaker 2: with Luke, if you're going to be happier on your own, 219 00:11:58,520 --> 00:12:01,960 Speaker 2: then I want that for you. And what I see 220 00:12:01,960 --> 00:12:05,680 Speaker 2: with Christopher a lot is is not necessarily actual love 221 00:12:05,840 --> 00:12:10,680 Speaker 2: for Lorli. The attraction is there, attack is there, even 222 00:12:10,760 --> 00:12:13,640 Speaker 2: affection is there like and it's all genuine and sincere. 223 00:12:14,320 --> 00:12:16,120 Speaker 2: But in order for it to be love, it has 224 00:12:16,200 --> 00:12:19,240 Speaker 2: to be what do you what do you need for 225 00:12:19,280 --> 00:12:20,760 Speaker 2: your happiness? And I want that for you? 226 00:12:22,559 --> 00:12:26,960 Speaker 1: And he just wasn't willing. Well. He eventually did come 227 00:12:27,000 --> 00:12:27,679 Speaker 1: around to that. 228 00:12:28,480 --> 00:12:32,480 Speaker 3: Yeah, yeah, you know he was. He was afraid of 229 00:12:32,520 --> 00:12:35,800 Speaker 3: losing hers. He was really just hanging on for dear life. 230 00:12:35,880 --> 00:12:38,120 Speaker 2: Yeah, I think, And I think that's a very compassionate 231 00:12:38,160 --> 00:12:39,840 Speaker 2: way to look at him. And the fact is we 232 00:12:39,840 --> 00:12:42,000 Speaker 2: we tend to be very judgmental of people and their 233 00:12:42,040 --> 00:12:45,560 Speaker 2: behaviors and just in general. And if you look at 234 00:12:45,600 --> 00:12:49,080 Speaker 2: any Gilmore Girls fan forums, I mean there's people of 235 00:12:49,120 --> 00:12:52,079 Speaker 2: all sorts of opinions and get fired up because they 236 00:12:52,160 --> 00:12:56,120 Speaker 2: care so much. But the fact is, most of our 237 00:12:56,160 --> 00:12:59,400 Speaker 2: most harmful behaviors, most of the things that we do 238 00:12:59,440 --> 00:13:02,720 Speaker 2: that cause the most pain, come from a place of 239 00:13:02,760 --> 00:13:06,520 Speaker 2: our own pain come from we want to Everyone wants 240 00:13:06,559 --> 00:13:10,520 Speaker 2: to feel safe, respected and loved, and our worst behaviors 241 00:13:10,559 --> 00:13:13,280 Speaker 2: are either efforts to be safe, respected and loved or 242 00:13:13,480 --> 00:13:17,680 Speaker 2: reactions to not feeling safe, respected and loved. And so 243 00:13:18,120 --> 00:13:21,040 Speaker 2: I don't fault Christopher. I just feel like it's a 244 00:13:21,080 --> 00:13:24,880 Speaker 2: shame he lacks the maturity because if he could show 245 00:13:24,960 --> 00:13:29,840 Speaker 2: up with maturity, with selflessness, with integrity, and with accountability, 246 00:13:31,000 --> 00:13:32,760 Speaker 2: he could have ended up with Laura Lai. There are 247 00:13:32,800 --> 00:13:35,959 Speaker 2: several times while watching the show, I'm like, oh, I mean, 248 00:13:36,320 --> 00:13:38,920 Speaker 2: I'm team Luke, but I can I wouldn't hate it 249 00:13:38,960 --> 00:13:41,040 Speaker 2: if she ended up with Christopher. I thought that several 250 00:13:41,040 --> 00:13:44,840 Speaker 2: times during the show. But every time he did something, 251 00:13:46,120 --> 00:13:48,200 Speaker 2: you know, out of his own self interest first and 252 00:13:48,240 --> 00:13:52,520 Speaker 2: foremost before his daughter and the mother of his daughter, 253 00:13:53,400 --> 00:13:56,719 Speaker 2: I fell back on your side, brom. 254 00:13:59,080 --> 00:14:02,360 Speaker 3: So, all right, so this, you know, it all ended 255 00:14:02,360 --> 00:14:04,800 Speaker 3: between Laura and Christopher, with her saying you're the man 256 00:14:06,040 --> 00:14:08,240 Speaker 3: I want to want. Why do you think it took 257 00:14:08,280 --> 00:14:20,960 Speaker 3: her so long to get there? Let's go to the 258 00:14:21,000 --> 00:14:21,920 Speaker 3: end of the relationship. 259 00:14:21,960 --> 00:14:22,280 Speaker 1: Okay. 260 00:14:22,320 --> 00:14:26,480 Speaker 3: So with Laura I and Christopher mutually agreeing that they 261 00:14:26,520 --> 00:14:30,880 Speaker 3: should go their separate ways, she says, you're the man 262 00:14:31,880 --> 00:14:35,160 Speaker 3: I want to want. 263 00:14:35,680 --> 00:14:38,400 Speaker 1: Why do you think it took her this long to 264 00:14:38,440 --> 00:14:38,920 Speaker 1: get there? 265 00:14:40,440 --> 00:14:44,280 Speaker 2: I think the Gilmours are a passionate family. I look 266 00:14:44,320 --> 00:14:47,040 Speaker 2: at Richard and Emily and for all their pretenses of 267 00:14:47,520 --> 00:14:50,640 Speaker 2: high society and doing things the proper way, you look 268 00:14:50,680 --> 00:14:54,040 Speaker 2: at any time they feel offended or slided, and it's 269 00:14:54,080 --> 00:14:58,640 Speaker 2: all passion. And it's a similar thing with Rory and 270 00:14:58,680 --> 00:15:05,200 Speaker 2: with Laura. I it's hard to follow your head when 271 00:15:05,200 --> 00:15:08,840 Speaker 2: you're just guided by your heart. And that's the thing 272 00:15:08,880 --> 00:15:13,800 Speaker 2: about these these passionate characters, is Lorelai why did it 273 00:15:13,840 --> 00:15:15,600 Speaker 2: take her so long to say this to Christopher to 274 00:15:15,680 --> 00:15:21,200 Speaker 2: get there? Because of Max Medina, because of Luke, because 275 00:15:21,400 --> 00:15:23,400 Speaker 2: of the things that she wants out of her life, 276 00:15:23,480 --> 00:15:26,680 Speaker 2: because the times that she's felt hurt and had to 277 00:15:26,680 --> 00:15:30,200 Speaker 2: protect herself, you know, from from a million things where 278 00:15:31,000 --> 00:15:35,040 Speaker 2: it's hard to know what you actually want when you're 279 00:15:35,040 --> 00:15:36,640 Speaker 2: focused on the feeling of the moment. 280 00:15:37,080 --> 00:15:40,000 Speaker 1: Boy, is that that is the truest statement? 281 00:15:40,720 --> 00:15:44,080 Speaker 3: Yeah, Well, people really get lost in the moment, don't they, 282 00:15:44,160 --> 00:15:47,800 Speaker 3: And they just forget about the macro they do. 283 00:15:48,000 --> 00:15:49,920 Speaker 2: And that's and that's one thing I always liked about 284 00:15:50,000 --> 00:15:52,600 Speaker 2: Luke you know, and I don't want to be a 285 00:15:53,120 --> 00:15:55,720 Speaker 2: such a Luke stand here that I can't admit his faults. 286 00:15:55,720 --> 00:15:59,240 Speaker 2: But is Luke from the opening episode, Luke knows exactly 287 00:15:59,280 --> 00:16:03,080 Speaker 2: who is. He loves his diner, you know, he tolerates 288 00:16:03,240 --> 00:16:05,640 Speaker 2: the people in the town and secretly adores them and 289 00:16:05,680 --> 00:16:07,320 Speaker 2: would do anything for them, but he's not going to 290 00:16:07,440 --> 00:16:12,000 Speaker 2: let them know that, you know. And he craves a 291 00:16:12,080 --> 00:16:18,400 Speaker 2: simple life and deeply he craves he craves connection. But 292 00:16:19,040 --> 00:16:21,240 Speaker 2: you know, when when Richard's trying to get Luke to 293 00:16:21,320 --> 00:16:25,440 Speaker 2: franchise uh and and Emily's basically telling Luke you're not 294 00:16:25,480 --> 00:16:27,520 Speaker 2: good enough, it, it shakes him in it for a moment. 295 00:16:28,320 --> 00:16:32,000 Speaker 2: But what Luke always comes back to is I know 296 00:16:32,040 --> 00:16:34,400 Speaker 2: what I want. And I think Luke is the opposite 297 00:16:34,440 --> 00:16:37,040 Speaker 2: of Loraai because Luke sometimes is too much in his head. 298 00:16:37,080 --> 00:16:40,320 Speaker 2: I think he's too much what's here's the here's the choice, 299 00:16:40,480 --> 00:16:43,680 Speaker 2: here's what I'm doing, here's my life. And you know, 300 00:16:43,800 --> 00:16:46,400 Speaker 2: especially in seasons five and you see kind of lore 301 00:16:46,480 --> 00:16:51,040 Speaker 2: Lie opening up more of that that heart side of 302 00:16:51,120 --> 00:16:55,160 Speaker 2: Luke that he's kept buried. And that's why I think 303 00:16:55,160 --> 00:16:57,840 Speaker 2: they're a good balance for each other because Luke is 304 00:16:57,880 --> 00:17:02,920 Speaker 2: a stabilizing influence for Law overall, and Lorelai helps Luke 305 00:17:02,960 --> 00:17:05,360 Speaker 2: to come out and to feel and to be presentent 306 00:17:05,440 --> 00:17:06,880 Speaker 2: and not be detached and distant. 307 00:17:07,240 --> 00:17:11,959 Speaker 3: Right, right, let's do a sidebar, yeah, because because I 308 00:17:12,000 --> 00:17:15,160 Speaker 3: want to talk about a little bit about and then 309 00:17:15,200 --> 00:17:18,760 Speaker 3: we'll get back on the Luke Laurelei Christopher dynamic. But 310 00:17:19,200 --> 00:17:25,760 Speaker 3: since since it's so prevalent in season seven, but tell 311 00:17:25,800 --> 00:17:29,160 Speaker 3: me about your thoughts on because the thing I always 312 00:17:29,200 --> 00:17:33,960 Speaker 3: wondered and what I found fascinating about Laurel's character is 313 00:17:34,080 --> 00:17:36,119 Speaker 3: how quippy she is and how clever she is, and 314 00:17:36,160 --> 00:17:38,159 Speaker 3: how fast and funny she is, and how the humor 315 00:17:38,240 --> 00:17:40,719 Speaker 3: is constant. 316 00:17:41,400 --> 00:17:43,040 Speaker 1: And people often. 317 00:17:42,840 --> 00:17:49,200 Speaker 3: Do that because they are uncomfortable in a situation and 318 00:17:49,520 --> 00:17:53,000 Speaker 3: they know intimacy or they can't be intimate in that 319 00:17:53,040 --> 00:17:55,359 Speaker 3: situation with loved ones or friends or whatever. 320 00:17:55,440 --> 00:17:57,320 Speaker 1: So it's just like joke after joke after show. 321 00:17:57,680 --> 00:18:01,359 Speaker 2: Yeah, it's a it's a defense makes it's a protective mask. 322 00:18:01,840 --> 00:18:04,640 Speaker 2: This is something in our in our mended light reactions 323 00:18:04,760 --> 00:18:08,720 Speaker 2: to Gilmore Girls that I've said is simultaneously endearing to 324 00:18:08,840 --> 00:18:13,480 Speaker 2: Lauraai about about Loralai to me and drives me crazy. 325 00:18:14,440 --> 00:18:19,040 Speaker 2: Is anytime there is an apology to be made, she 326 00:18:19,520 --> 00:18:25,600 Speaker 2: leads with a very awkward icebreaker and further alienates the 327 00:18:25,600 --> 00:18:30,520 Speaker 2: people that she's hurt. He sees then and then I 328 00:18:30,560 --> 00:18:33,399 Speaker 2: remember there's a different episode where Rory does the same thing, 329 00:18:33,440 --> 00:18:35,919 Speaker 2: and I said, yep, they are family. But that's just 330 00:18:36,200 --> 00:18:38,040 Speaker 2: but that's just good writing. You know that that type 331 00:18:38,040 --> 00:18:43,760 Speaker 2: of consistency, and it absolutely is this this fear of vulnerability, 332 00:18:44,200 --> 00:18:46,520 Speaker 2: and I think she comes by that honestly. You know, 333 00:18:46,680 --> 00:18:51,639 Speaker 2: vulnerability was punished in her family growing up. Declaring what 334 00:18:51,720 --> 00:18:54,960 Speaker 2: you want, declaring your hurt was met with defensiveness and 335 00:18:55,000 --> 00:19:02,160 Speaker 2: blame shifting and and Laurie, Laura, I was never allowed 336 00:19:02,720 --> 00:19:06,760 Speaker 2: to just be real. And so this is how she 337 00:19:06,840 --> 00:19:10,040 Speaker 2: learned to cope. And you see this with her parents 338 00:19:10,080 --> 00:19:14,840 Speaker 2: all the time. Loralai is always throwing jokes towards her 339 00:19:14,840 --> 00:19:19,000 Speaker 2: parents that her parents don't think is funny, but Laura 340 00:19:19,119 --> 00:19:22,920 Speaker 2: doesn't care. They're not for them, for her, They're gonna 341 00:19:22,920 --> 00:19:25,200 Speaker 2: help her. They're gonna help her to feel more comfortable. 342 00:19:25,200 --> 00:19:27,240 Speaker 2: Like she's having a little one woman show and she's 343 00:19:27,280 --> 00:19:29,200 Speaker 2: both the performer and the audience, you. 344 00:19:29,080 --> 00:19:35,280 Speaker 4: Know, exactly exactly, Yeah, but you also see, speaking of 345 00:19:35,359 --> 00:19:40,159 Speaker 4: character growth, when she's truly comfortable with a person, she 346 00:19:40,200 --> 00:19:41,560 Speaker 4: doesn't feel the need to do that. 347 00:19:41,640 --> 00:19:44,080 Speaker 2: There are times with Rory that she doesn't lead with jokes. 348 00:19:44,119 --> 00:19:46,200 Speaker 2: There are times with Luke that she doesn't lead with jokes. 349 00:19:46,720 --> 00:19:49,520 Speaker 2: There are times you know in this episode that I 350 00:19:49,560 --> 00:19:52,399 Speaker 2: that we just watched a season seven episode fifteen, she 351 00:19:52,440 --> 00:19:56,280 Speaker 2: has a beautiful conversation with her mother where she tells 352 00:19:56,280 --> 00:19:58,679 Speaker 2: her mother that she and Christopher broke up and I 353 00:19:58,720 --> 00:20:01,159 Speaker 2: wrote it down. I thought it was so f she says, 354 00:20:02,320 --> 00:20:04,760 Speaker 2: we split up. I don't know, and then Emily says, 355 00:20:04,800 --> 00:20:07,320 Speaker 2: I don't know what to say, and Laurai says, really, 356 00:20:07,440 --> 00:20:08,320 Speaker 2: that's great. 357 00:20:08,119 --> 00:20:10,040 Speaker 1: And that's great. You don't ever have to say anything. 358 00:20:10,040 --> 00:20:12,200 Speaker 1: We don't have to talk about it, right, it's good. 359 00:20:12,200 --> 00:20:15,240 Speaker 2: We're we're all good. Yeah. But Emily for the first 360 00:20:15,240 --> 00:20:17,960 Speaker 2: time shows just not maybe not for the first time, 361 00:20:18,040 --> 00:20:20,679 Speaker 2: but we're seeing late in the in the series, Emily 362 00:20:21,160 --> 00:20:26,080 Speaker 2: more and more just being real and valuing emotion over 363 00:20:27,400 --> 00:20:31,280 Speaker 2: over prestige or status or stat or or the norms 364 00:20:31,680 --> 00:20:34,840 Speaker 2: right that she's supposed to fulfill. And when Lauraai feels 365 00:20:34,840 --> 00:20:38,760 Speaker 2: comfortable with her mom, she jokes less m and then 366 00:20:38,800 --> 00:20:42,000 Speaker 2: when LAURAAI jokes, it's not to protect herself, it's just 367 00:20:42,000 --> 00:20:44,560 Speaker 2: because she's still She's still her, she still likes to 368 00:20:44,640 --> 00:20:46,920 Speaker 2: amuse herself, right, but it's no longer a mask. 369 00:20:48,119 --> 00:20:48,359 Speaker 5: Uh. 370 00:20:48,640 --> 00:20:50,640 Speaker 2: And that's the difference, right. 371 00:20:50,720 --> 00:20:53,000 Speaker 3: Would you say that with Laura l I there's a 372 00:20:53,040 --> 00:20:58,560 Speaker 3: reservoir of anger toward Emily and even toward Richard because 373 00:20:58,600 --> 00:21:02,480 Speaker 3: of the experience of being pregnant sixteen pretty much being 374 00:21:02,920 --> 00:21:09,200 Speaker 3: banished for not yeah, you know, telling the Gilmore line 375 00:21:09,240 --> 00:21:09,800 Speaker 3: as it were. 376 00:21:12,720 --> 00:21:14,840 Speaker 1: Do you do you find that to be the case? 377 00:21:15,520 --> 00:21:18,199 Speaker 2: Yeah? I mean, and we see that all throughout the series, 378 00:21:18,280 --> 00:21:22,239 Speaker 2: that there are steps towards healing. But I like to 379 00:21:22,240 --> 00:21:25,800 Speaker 2: tell people we have the wrong idea about forgiveness. We 380 00:21:25,880 --> 00:21:28,800 Speaker 2: think forgiveness is a I forgive you and then it's done. 381 00:21:28,840 --> 00:21:31,679 Speaker 2: It's like it never happened. But forgiveness to me is 382 00:21:31,720 --> 00:21:33,840 Speaker 2: like exercise. You have to you have to do it 383 00:21:33,880 --> 00:21:38,480 Speaker 2: consistently to see the benefits, and this family takes It's hard. 384 00:21:38,720 --> 00:21:41,840 Speaker 2: It's hard to forgive because there's so little accountability. But 385 00:21:41,920 --> 00:21:47,880 Speaker 2: whenever it does happen and steps are made, the pain resurfaces. Right, 386 00:21:48,400 --> 00:21:50,639 Speaker 2: Those wounds don't just go away. So it's not like 387 00:21:50,680 --> 00:21:53,560 Speaker 2: you forgive somebody and then the wounds are gone. I 388 00:21:53,600 --> 00:21:56,920 Speaker 2: forgive every time the pain comes up. I forgive every 389 00:21:56,960 --> 00:22:00,080 Speaker 2: time the offense happens, because that's how I have to 390 00:22:00,080 --> 00:22:03,159 Speaker 2: deal with it. And so what we see across the 391 00:22:03,320 --> 00:22:07,960 Speaker 2: entire series is a family healing baby steps, just these 392 00:22:08,040 --> 00:22:09,879 Speaker 2: tiny little micro steps at a time. 393 00:22:10,280 --> 00:22:16,199 Speaker 3: So it's your defining forgiveness as something that is to 394 00:22:16,280 --> 00:22:19,719 Speaker 3: make a commitment too, because it's going to that forgiveness. 395 00:22:19,760 --> 00:22:22,080 Speaker 3: Is that same forgiveness of that same issue is going 396 00:22:22,119 --> 00:22:25,520 Speaker 3: to rise up time and time and time again throughout 397 00:22:25,560 --> 00:22:27,160 Speaker 3: your life with that individual. 398 00:22:28,000 --> 00:22:31,920 Speaker 2: Yes, And I want to make a caveat because forgiveness, 399 00:22:32,200 --> 00:22:36,000 Speaker 2: forgiveness and trust are not the same thing. I think 400 00:22:36,040 --> 00:22:39,080 Speaker 2: trust has to be earned, and in order for us 401 00:22:39,080 --> 00:22:41,640 Speaker 2: to have close relationships, there has to be trust, which 402 00:22:41,680 --> 00:22:45,200 Speaker 2: is why several times throughout the series you see Loralai 403 00:22:45,280 --> 00:22:48,320 Speaker 2: withdrawing from her parents because there's no trust there, there's 404 00:22:48,320 --> 00:22:50,960 Speaker 2: no safety there. It doesn't mean she hates them, it 405 00:22:51,000 --> 00:22:53,159 Speaker 2: doesn't mean she doesn't love them. It just means she 406 00:22:53,200 --> 00:22:58,679 Speaker 2: doesn't feel safe with them. Forgiveness is I'm releasing bitterness 407 00:22:58,720 --> 00:23:00,920 Speaker 2: and anger so that I don't carry it with me. 408 00:23:01,240 --> 00:23:02,520 Speaker 1: Right, So it's for you. 409 00:23:02,640 --> 00:23:05,320 Speaker 3: It's almost a selfish thing, or it's a healing thing, 410 00:23:05,720 --> 00:23:07,040 Speaker 3: a personal healing thing. 411 00:23:07,520 --> 00:23:10,399 Speaker 2: It's a self healing thing, and we extend compassion to 412 00:23:10,440 --> 00:23:13,639 Speaker 2: the person who gives offense by understanding where they come from. 413 00:23:14,640 --> 00:23:18,200 Speaker 2: If Loralai were in therapy with me throughout the series, 414 00:23:18,240 --> 00:23:21,400 Speaker 2: I'd be like, look, we can't control what your parents do. 415 00:23:21,800 --> 00:23:23,600 Speaker 2: We can try to influence, we can try and help 416 00:23:23,600 --> 00:23:26,240 Speaker 2: them have light bulb moments to see things differently, but 417 00:23:26,320 --> 00:23:29,639 Speaker 2: they've shown their incredibly rigid so we can't control what 418 00:23:29,640 --> 00:23:31,960 Speaker 2: they do. We can control what you do, and every 419 00:23:32,000 --> 00:23:34,080 Speaker 2: time they hurt you when you choose to let go, 420 00:23:34,760 --> 00:23:37,199 Speaker 2: not to condone and not to say it's okay, but 421 00:23:37,320 --> 00:23:42,119 Speaker 2: to say, Emily's gonna and Emily's gonna Emily and Richard's gonna. Richard, Right, 422 00:23:42,119 --> 00:23:45,760 Speaker 2: They're gonna do what they do. So how close do 423 00:23:45,800 --> 00:23:48,320 Speaker 2: I want to be with them depends on how much 424 00:23:48,359 --> 00:23:51,640 Speaker 2: I trust them. Not a lot Friday night dinners, Right, 425 00:23:51,720 --> 00:23:54,720 Speaker 2: that's what we got. We're not much in each other's 426 00:23:54,760 --> 00:23:57,879 Speaker 2: lives other than that because there's no trust there. But 427 00:23:58,480 --> 00:24:02,639 Speaker 2: Loralai could be happier unless bothered by what Emily and 428 00:24:02,720 --> 00:24:07,200 Speaker 2: Richard do by practicing forgiveness. Again, it's not because they 429 00:24:07,240 --> 00:24:10,399 Speaker 2: deserve it. It's because this is how I keep my 430 00:24:10,520 --> 00:24:12,919 Speaker 2: side of the street clean. It's how I heal and 431 00:24:12,960 --> 00:24:15,560 Speaker 2: when we have interactions, it's how I keep things from 432 00:24:15,600 --> 00:24:18,800 Speaker 2: going bad on my end, right, I help de escalate 433 00:24:18,840 --> 00:24:19,400 Speaker 2: the situation. 434 00:24:19,840 --> 00:24:25,760 Speaker 3: Interesting, forgiveness is a powerful thing. It is, yeah, a powerful, 435 00:24:25,840 --> 00:24:26,520 Speaker 3: powerful thing. 436 00:24:35,560 --> 00:24:37,000 Speaker 1: What do you think about the way. 437 00:24:38,359 --> 00:24:42,639 Speaker 3: Luke and Laurel I communicate because it seems like it 438 00:24:42,720 --> 00:24:48,880 Speaker 3: seems like, you know, we discussed in a nauseum about 439 00:24:49,280 --> 00:24:56,159 Speaker 3: the April coming and seeing him wanting to spend time 440 00:24:56,240 --> 00:24:58,719 Speaker 3: with her away from Laurel I, and he kind of 441 00:24:58,960 --> 00:25:00,919 Speaker 3: shut Laurel I e out of that whole experience. 442 00:25:00,960 --> 00:25:02,920 Speaker 1: What do you think about that whole arc? 443 00:25:05,400 --> 00:25:11,919 Speaker 2: So as candidly, there's two parts of me. There's a 444 00:25:11,960 --> 00:25:16,160 Speaker 2: part of me that is frustrated because it feels like, well, 445 00:25:16,200 --> 00:25:18,000 Speaker 2: we don't have a finish line for the series, so 446 00:25:18,040 --> 00:25:21,840 Speaker 2: we're creating some new drama when after all these seasons, 447 00:25:21,920 --> 00:25:23,560 Speaker 2: I like a lot of people just want to see 448 00:25:23,640 --> 00:25:27,080 Speaker 2: Luke and Loralei together and more or less happy, right, 449 00:25:28,600 --> 00:25:31,080 Speaker 2: But at the same time, I don't think it's untrue 450 00:25:31,600 --> 00:25:35,840 Speaker 2: to Luke. Luke and Lorali both strike me as people 451 00:25:35,880 --> 00:25:39,879 Speaker 2: who've experienced what I call micro traumas right. We often 452 00:25:40,119 --> 00:25:42,199 Speaker 2: in the psychological world we think of trauma. We think 453 00:25:42,240 --> 00:25:46,120 Speaker 2: of near death experiences, right or abuse or some heinous 454 00:25:46,119 --> 00:25:49,639 Speaker 2: acts of violence, or near or almost dying. But the 455 00:25:49,680 --> 00:25:52,080 Speaker 2: fact is, like the little things can pile up and 456 00:25:52,160 --> 00:25:57,080 Speaker 2: have the same response in our in our brains right 457 00:25:57,080 --> 00:25:59,720 Speaker 2: where where we feel triggered, and then we want to 458 00:25:59,760 --> 00:26:02,280 Speaker 2: with wrong, and we take actions to protect ourselves, and 459 00:26:02,320 --> 00:26:05,119 Speaker 2: we lie instinctively because we don't want to be hurt again, 460 00:26:05,359 --> 00:26:06,919 Speaker 2: or because we don't want to hurt a person that 461 00:26:06,960 --> 00:26:10,280 Speaker 2: we care about. Was I frustrated that Luke didn't tell 462 00:26:10,359 --> 00:26:12,520 Speaker 2: Laura Liaie for such an extended period of time. Yes, 463 00:26:13,040 --> 00:26:17,719 Speaker 2: I think everybody was. I'm you you probably were. But 464 00:26:17,760 --> 00:26:20,720 Speaker 2: at the same time, I don't think it's it's untrue 465 00:26:20,760 --> 00:26:24,720 Speaker 2: to somebody like Luke who has had his heart broken 466 00:26:24,800 --> 00:26:29,000 Speaker 2: a bunch of times, someone like Luke who has lost 467 00:26:29,040 --> 00:26:32,480 Speaker 2: his lost his father, has had a rocky relationship with 468 00:26:32,520 --> 00:26:37,239 Speaker 2: his sister, who took Jess in and completely gave his 469 00:26:37,320 --> 00:26:40,280 Speaker 2: heart and soul to Jess. I mean the fact that 470 00:26:40,359 --> 00:26:42,639 Speaker 2: he was you know, a bit of a bit of 471 00:26:42,680 --> 00:26:44,680 Speaker 2: a punk about it the whole time is just Luke, 472 00:26:44,920 --> 00:26:47,520 Speaker 2: but but he was, he was one hundred percent there 473 00:26:47,560 --> 00:26:51,960 Speaker 2: for Jess. And how many times this man feels like 474 00:26:52,920 --> 00:26:56,480 Speaker 2: I've done something where I screwed it up, because that's 475 00:26:56,520 --> 00:27:00,840 Speaker 2: that's part of Luke's selflessness is he also takes responsibility 476 00:27:00,840 --> 00:27:04,120 Speaker 2: for the happiness of other people, right, And so Luke 477 00:27:04,520 --> 00:27:07,960 Speaker 2: having a daughter that he didn't know about, he now 478 00:27:08,000 --> 00:27:11,040 Speaker 2: feels like I missed all these years where I could 479 00:27:11,040 --> 00:27:12,440 Speaker 2: have been a dad, where I could have been there 480 00:27:12,480 --> 00:27:15,120 Speaker 2: for her. I imagine there's a little bit of looking 481 00:27:15,119 --> 00:27:17,320 Speaker 2: in the mirror, feeling like a failure of why didn't 482 00:27:17,320 --> 00:27:20,520 Speaker 2: the mother tell me and involve me in this? And 483 00:27:20,560 --> 00:27:23,439 Speaker 2: then Laurai has made it very clear several times like 484 00:27:24,320 --> 00:27:26,320 Speaker 2: and and I know Luke and Lauray have talked about 485 00:27:26,359 --> 00:27:28,560 Speaker 2: having kids together. But then there are also times where 486 00:27:28,600 --> 00:27:30,879 Speaker 2: she thought she was pregnant, right, and she was, and 487 00:27:30,920 --> 00:27:32,919 Speaker 2: she didn't tell Luke about this, But there's just biased 488 00:27:32,920 --> 00:27:34,399 Speaker 2: from Laura. I'm like, oh, gosh, I don't want a 489 00:27:34,400 --> 00:27:37,480 Speaker 2: baby right now, like oh to bring another person into 490 00:27:37,520 --> 00:27:41,600 Speaker 2: their lives, and I think Luke panics, And so this 491 00:27:41,680 --> 00:27:44,400 Speaker 2: is all listen. I don't want to be too big 492 00:27:44,440 --> 00:27:46,639 Speaker 2: of a I'm biased, but I think therapy helps with 493 00:27:46,680 --> 00:27:51,439 Speaker 2: these types of things. And that leads up, Oh, that 494 00:27:51,480 --> 00:27:53,680 Speaker 2: opens up another avenue of how do you get someone 495 00:27:53,760 --> 00:27:59,199 Speaker 2: like Luke into therapy because it's it's not his jam 496 00:27:59,400 --> 00:28:02,639 Speaker 2: and I and I have to say, as a therapist, 497 00:28:02,720 --> 00:28:05,840 Speaker 2: my absolute favorite Luke moment is when he's listening to 498 00:28:05,880 --> 00:28:09,439 Speaker 2: the tapes and the and the whole time he's just like, 499 00:28:09,480 --> 00:28:11,840 Speaker 2: this is such bull crap, and he's just he thinks 500 00:28:11,840 --> 00:28:13,960 Speaker 2: it's so ridiculous, and that he has a light bulb 501 00:28:14,000 --> 00:28:18,320 Speaker 2: moment that you know, of who do you choose? Who 502 00:28:18,320 --> 00:28:19,760 Speaker 2: do you really want to be with? Who do you 503 00:28:19,760 --> 00:28:20,359 Speaker 2: want to see? 504 00:28:20,359 --> 00:28:21,880 Speaker 1: Who's face do you see? 505 00:28:22,119 --> 00:28:22,320 Speaker 2: Right? 506 00:28:22,440 --> 00:28:22,600 Speaker 5: Right? 507 00:28:22,640 --> 00:28:25,000 Speaker 2: Who's face are you thinking of? 508 00:28:25,200 --> 00:28:25,360 Speaker 5: Right? 509 00:28:25,480 --> 00:28:28,199 Speaker 1: That that whole right and. 510 00:28:28,880 --> 00:28:32,600 Speaker 2: Two things happen for Luke. One is on the much 511 00:28:32,640 --> 00:28:35,560 Speaker 2: bigger important level, is that he realizes Laura lies. The 512 00:28:35,560 --> 00:28:39,200 Speaker 2: one but two for me as a therapist is realizing, oh, 513 00:28:39,240 --> 00:28:42,080 Speaker 2: maybe this isn't such you know malarkey after all. 514 00:28:44,400 --> 00:28:47,840 Speaker 3: So let's move on to you know, some of the 515 00:28:47,880 --> 00:28:55,240 Speaker 3: parental relationships in the show. You know, Laurel I not 516 00:28:55,400 --> 00:29:01,280 Speaker 3: having a stable male figure in her life, either growing 517 00:29:01,400 --> 00:29:04,360 Speaker 3: up or in the early part of her adult life. 518 00:29:04,400 --> 00:29:06,840 Speaker 1: Other than Luke, I would say. 519 00:29:07,080 --> 00:29:13,560 Speaker 3: Yeah, how do you think this affects Rory going forward 520 00:29:13,720 --> 00:29:18,400 Speaker 3: and Rory making her choices life partner? 521 00:29:21,320 --> 00:29:24,120 Speaker 2: I think Rory has had a wonderful model in her mother. 522 00:29:25,680 --> 00:29:28,400 Speaker 2: You know, you can say in a lot of traditional 523 00:29:28,480 --> 00:29:33,840 Speaker 2: mom things, Lorlai is not that she's a very different person, 524 00:29:34,240 --> 00:29:38,320 Speaker 2: but in what truly matters, the support and the unconditional 525 00:29:38,360 --> 00:29:43,120 Speaker 2: love and the sense of belonging you know that she 526 00:29:43,240 --> 00:29:47,000 Speaker 2: gives Rory. I think Rory knows that she can do 527 00:29:47,040 --> 00:29:49,840 Speaker 2: it on her own because she's seen her mom do it. 528 00:29:51,240 --> 00:29:54,360 Speaker 2: And so my hope for Rory and I understand there's 529 00:29:54,440 --> 00:29:56,480 Speaker 2: a Gilmore Girls A year in the life again. I 530 00:29:57,440 --> 00:30:00,280 Speaker 2: spent the past couple of weeks catching up on three 531 00:30:00,280 --> 00:30:02,560 Speaker 2: seasons of Gilmore Girls to get up to where we 532 00:30:02,600 --> 00:30:05,240 Speaker 2: are today. So I don't know what happens after this. 533 00:30:05,680 --> 00:30:08,280 Speaker 3: All right, we'll have you back on after you watch 534 00:30:08,440 --> 00:30:10,080 Speaker 3: the Netflix episodes. 535 00:30:10,120 --> 00:30:12,040 Speaker 2: Okay, I would love that. Yeah, I would love that, 536 00:30:12,120 --> 00:30:17,240 Speaker 2: Thank you. Yeah, But I do hope for Rory that, Okay, 537 00:30:17,520 --> 00:30:19,760 Speaker 2: I can do it on my own. So if I 538 00:30:19,840 --> 00:30:22,560 Speaker 2: have somebody, it's because I want this person not because 539 00:30:22,560 --> 00:30:25,000 Speaker 2: I need a man, not because I need a partner. 540 00:30:25,480 --> 00:30:28,680 Speaker 2: It's because I want to share this experience, my life 541 00:30:28,720 --> 00:30:31,040 Speaker 2: and maybe create starting a family or whatever with this 542 00:30:31,160 --> 00:30:35,320 Speaker 2: specific person. And I think Rory has been a lot 543 00:30:35,400 --> 00:30:38,640 Speaker 2: like Laura LII, and that Laura Liai knows that she 544 00:30:38,680 --> 00:30:41,640 Speaker 2: can stand on her own, but she still really wants somebody, 545 00:30:42,960 --> 00:30:48,160 Speaker 2: and sometimes she wants it so painfully that she makes 546 00:30:48,200 --> 00:30:53,080 Speaker 2: not great choices. That's Laurali. That's also Rory right again, 547 00:30:53,280 --> 00:30:56,320 Speaker 2: very passionate people, but you see them across the series 548 00:30:56,360 --> 00:30:59,480 Speaker 2: grow more into Okay, I'm going to bring my my 549 00:30:59,600 --> 00:31:03,760 Speaker 2: judgment up to my passion right that I'm going to 550 00:31:03,880 --> 00:31:05,640 Speaker 2: I'm going to lead with my head and my heart 551 00:31:05,720 --> 00:31:08,240 Speaker 2: when it comes to when it comes to relationships. And 552 00:31:08,280 --> 00:31:11,280 Speaker 2: so that's my assessment of Rory. So we'll see what 553 00:31:11,360 --> 00:31:12,640 Speaker 2: happens if I'm right or not. 554 00:31:13,360 --> 00:31:15,680 Speaker 1: See what happens. What do you think of Season seven? 555 00:31:16,080 --> 00:31:16,880 Speaker 2: So far? So good? 556 00:31:17,080 --> 00:31:18,160 Speaker 1: There's some good episodes. 557 00:31:18,200 --> 00:31:21,080 Speaker 3: There's some actually very very good episodes in season seven 558 00:31:21,200 --> 00:31:21,560 Speaker 3: so far. 559 00:31:22,120 --> 00:31:25,920 Speaker 2: I have gotten into the fan debate, and I know 560 00:31:25,960 --> 00:31:28,520 Speaker 2: there's something for a lot of TV shows and a 561 00:31:28,520 --> 00:31:30,320 Speaker 2: lot of my favorite TV shows there's like a five 562 00:31:30,360 --> 00:31:33,360 Speaker 2: season curse. You have a really solid five seasons and 563 00:31:33,400 --> 00:31:37,160 Speaker 2: then after that it's hit or miss. I think The Office, 564 00:31:37,240 --> 00:31:39,640 Speaker 2: twenty four, Buffy the Vampire Slayer, these all shows that 565 00:31:39,680 --> 00:31:42,960 Speaker 2: I like that that happens with. So here's my take 566 00:31:43,000 --> 00:31:46,720 Speaker 2: on season seven. The writing isn't as sharp and it's 567 00:31:46,760 --> 00:31:51,000 Speaker 2: not as consistent, but there are moments that make up 568 00:31:51,040 --> 00:31:51,360 Speaker 2: for it. 569 00:31:51,360 --> 00:31:54,360 Speaker 3: It's very well said, that's very well set. There's some 570 00:31:54,400 --> 00:31:55,680 Speaker 3: big moments, very well set. 571 00:31:55,840 --> 00:31:59,000 Speaker 2: This moment between Lorli and Emily in this episode we 572 00:31:59,120 --> 00:32:03,280 Speaker 2: just watched, where Laurla is expecting her mom's judgment and 573 00:32:03,320 --> 00:32:09,960 Speaker 2: disdain and just gets acceptance is beautiful, is wonderful. Frankly, 574 00:32:10,000 --> 00:32:12,479 Speaker 2: I feel I don't know if you followed uh The 575 00:32:12,520 --> 00:32:14,360 Speaker 2: Office all the way to the end, but their their 576 00:32:14,400 --> 00:32:16,560 Speaker 2: final season reminds me a lot of Season seven of 577 00:32:16,600 --> 00:32:20,520 Speaker 2: Gilmore Girls, in that, Okay, we're no longer in the prime, 578 00:32:21,080 --> 00:32:24,719 Speaker 2: but we're substitute. We're trading some of the wit and 579 00:32:24,760 --> 00:32:28,719 Speaker 2: some of the consistency for a few standout moments that 580 00:32:29,040 --> 00:32:33,400 Speaker 2: everyone really wants and needs. You know, not not to 581 00:32:33,440 --> 00:32:35,320 Speaker 2: get off the Gilmore Girls too much, but like if 582 00:32:35,360 --> 00:32:37,280 Speaker 2: you go into the Office, Jim and Pam and their 583 00:32:37,280 --> 00:32:40,240 Speaker 2: marriage is on the rocks and they reconcile, or or 584 00:32:40,320 --> 00:32:43,560 Speaker 2: Jim and Dwight becoming friends instead of being enemies. You know. 585 00:32:43,600 --> 00:32:48,719 Speaker 2: There there there are emotional bits of closure that are worthwhile. 586 00:32:48,800 --> 00:32:50,560 Speaker 2: And that's what I'm finding with season seven. 587 00:32:51,720 --> 00:32:57,000 Speaker 3: Interesting Jonathan, It's been a delight. There's so much more 588 00:32:57,040 --> 00:32:59,320 Speaker 3: to unpack. We're gonna let's let's have you back on 589 00:33:00,360 --> 00:33:06,040 Speaker 3: very interesting insights. Yeah, watch the episodes and we'll. 590 00:33:05,880 --> 00:33:07,840 Speaker 1: Chat about it. Okay, I'll come back. 591 00:33:08,000 --> 00:33:09,680 Speaker 2: Yes, thank you, Thank you very much. I would love 592 00:33:09,680 --> 00:33:11,800 Speaker 2: to be here. And for your listeners, if you want 593 00:33:11,800 --> 00:33:14,680 Speaker 2: to see me break down Gilmore Girls, it's on mended 594 00:33:14,800 --> 00:33:17,160 Speaker 2: Light YouTube channel and just go in there and search 595 00:33:17,200 --> 00:33:20,880 Speaker 2: Gilmore Girls and you can you can watch just how 596 00:33:20,960 --> 00:33:24,160 Speaker 2: much I gush over Luke as a straight middle aged man. 597 00:33:24,240 --> 00:33:26,720 Speaker 2: It's kind of embarrassing. But here we are so. 598 00:33:29,160 --> 00:33:33,040 Speaker 3: Appreciate your time and your insights, and uh, you know, 599 00:33:33,080 --> 00:33:34,080 Speaker 3: hopefully we'll see you soon. 600 00:33:34,480 --> 00:33:34,800 Speaker 2: Thank you. 601 00:33:34,840 --> 00:33:37,240 Speaker 1: It's been a pleasure, all right, Jonathan. Great meeting and 602 00:33:37,320 --> 00:33:38,720 Speaker 1: great talking to you. Be well. 603 00:33:39,000 --> 00:33:56,960 Speaker 5: Thank you. 604 00:34:08,120 --> 00:34:11,160 Speaker 3: Hey everybody, and don't forget follow us on Instagram at 605 00:34:11,440 --> 00:34:15,600 Speaker 3: I Am all In podcast and email us at Gilmore 606 00:34:15,600 --> 00:34:27,680 Speaker 3: at iHeartRadio dot com