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Speaker 1: Oh, okay, everybody, it's Friday morning. We're feeling great. Uh

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Speaker 1: sometimes and I do need to say this's get into it.

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Speaker 2: That's so incredible.

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Speaker 1: That's sounding you mean? Io.

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Speaker 2: I woke up this morning. There's a bird perched on

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Speaker 2: my big toe. There's my toe. When I sleep, my

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Speaker 2: feet out. The feet are out, No, not the window,

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Speaker 2: I'm sorry, just out the bottom of the tent covers

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Speaker 2: and then out the tent y, out the door of

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Speaker 2: the tent, and they my feet are bad, culin. I

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Speaker 2: got some bad piggies down there.

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Speaker 3: Color I can tell when you walked in.

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Speaker 2: They're trying to get a little fresh air. And so

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Speaker 2: I'll be sleeping this here, and then my piggies will

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Speaker 2: sneak out and they make that no with some fresh air.

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Speaker 2: They're all trying to go to thank you for keeping

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Speaker 2: us grounded. The bird that was person of my big

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Speaker 2: toe was singing in it sounds exactly.

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Speaker 3: Sounds like that. I've heard a lot of birds sound exactly.

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Speaker 1: And I do a bunch of bird calls. I'm not

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Speaker 1: going to get into all of them now, but I

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Speaker 1: do that, and then I do twet tweet tweet twet tweets,

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Speaker 1: and I do another one squawk and I do one more.

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Speaker 2: Hello, Hello, Polly wants a cracker.

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Speaker 1: Polly wants a cracker. So we do the show every

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Speaker 1: damn week and we try always to have a guest.

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Speaker 1: This week is no different. Some people are probably they

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Speaker 1: the description and they said, had they released a pro

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Speaker 1: version from behind the paywall to the main feed, because

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Speaker 1: sometimes we do that, you know, around Christmas time. Nope,

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Speaker 1: this is the main episode. We're here, of course, with

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Speaker 1: a guest, very funny online tweeting.

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Speaker 2: The guy does it all.

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Speaker 3: No one does that anymore.

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Speaker 1: No but you.

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Speaker 2: But you're keeping the flame list and you have this show.

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Speaker 1: I don't want to.

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Speaker 2: Get too far out of ourselves, and just I mean

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Speaker 2: to add a little context for why you're here and

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Speaker 2: all your communications. You were like, I got the show

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Speaker 2: on Netflix. They want me to do podcasts. Yes, they're like,

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Speaker 2: go out and do some podcasts.

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Speaker 1: I'm like, Netflix loves when people make past so good.

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Speaker 2: Oh my god. Yeah, Netflix is making someone do a podcast,

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Speaker 2: and I get to be the one that they're making

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Speaker 2: him do that. That's so awesome that we had a

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Speaker 2: call about it where it was like, Okay, we couldn't

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Speaker 2: we couldn't even get through because we were calling each

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Speaker 2: other at the same time. As soon as the email

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Speaker 2: comes up a busy signal because they still try to

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Speaker 2: call me. I'll try to wait, we're both trying away

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Speaker 2: for like one second, we have to call again. Okay,

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Speaker 2: just making our podcast.

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Speaker 1: Yes, that was so rewarding. Obviously we've been in the

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Speaker 1: game for a minute or two.

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Speaker 3: I mean, you guys have earned it, like you've put

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Speaker 3: in the work to get here, and so I'm happy

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Speaker 3: to be a part of this.

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Speaker 1: When I said that I did bird Calls before, I

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Speaker 1: don't want to just blow by.

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Speaker 2: It, and you said, I have your album right on

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Speaker 2: it too, really quick. He's joking, yeah, but joking, so

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Speaker 2: really fast joking.

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Speaker 3: I mean, look he's joking around.

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Speaker 1: You're not.

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Speaker 3: No, I know you didn't do uc bing.

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Speaker 2: So this is interesting.

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Speaker 1: Where'd you get your chops? Oh?

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Speaker 2: You know, just like schoolyard like yeah, you know, fasting

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Speaker 2: around the ball, Sit down, shut up on Fox.

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Speaker 3: I know what that is. That's a show.

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Speaker 2: This is so amazing. I mean it's like you were

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Speaker 2: just like dropped on, like you just washed up on

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Speaker 2: the beach. You know, you don't know your animation domination

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Speaker 2: history and here you are animated show, no improvfinite, no improv,

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Speaker 2: no animation, no lampoon, no Harford where Like, who did

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Speaker 2: you study? Or you just you just came fully formed?

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Speaker 2: He here's another question.

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Speaker 1: I have for you. Did they give you a steady

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Speaker 1: hand on the wheel.

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Speaker 2: Did they say, okay, well we'll we'll make use of

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Speaker 2: Collin's talent, his creativity.

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Speaker 1: But he probably needs a grown up around, doesn't he?

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Speaker 1: Or it was literally this fucking madman who essentially, in

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Speaker 1: his estimation, invented joking around. It's just gonna be monkey

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Speaker 1: and a zoo keeper out there the show.

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Speaker 3: They were like, you're a freak man, They're freaking. Everything's

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Speaker 3: so stupid. And that's the highest compliment I can pay

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Speaker 3: to you. Yeah, And there was just a lot of that.

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Speaker 3: They called me a freak, they call me inexperienced and stupid. Yeah,

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Speaker 3: And I was just like that.

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Speaker 2: You're a psychoed, you fucking freak. Yeah, you had to

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Speaker 2: psycho mailing your freak show?

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Speaker 1: Is wrong with you, ay man? And I'm always like, hey, wow.

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Speaker 2: You really are way hard than a little bit.

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Speaker 3: Talk about my wife, it's it's a cool relationship.

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Speaker 1: What's he saying?

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Speaker 2: About the wife thinks he's beautiful, and which.

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Speaker 1: Is nice, but we're bringing this up so often, Ted, Yeah,

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Speaker 1: I know, yeah, it's it's there's a little bit of

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Speaker 1: a question in it of like, what's going on with

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Speaker 1: the wife in terms of the beautiful white, so beautiful

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Speaker 1: right here, this freaky bitch, you freaking sometimes I wonder

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Speaker 1: how this freak got a beautiful wife, and it's and

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Speaker 1: what's their arrangement?

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Speaker 3: And the whole room just loves that and talk about

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Speaker 3: you guys want to show running.

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Speaker 2: Well, it's.

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Speaker 1: It's a much maligned art form these days. I don't

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Speaker 1: think people appreciate what goes into it. You're a mad scientist.

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Speaker 1: You're a businessman, yes, you're a manager, also an artist.

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Speaker 3: Mm hmmm, artist and a surgeon I like to say that.

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Speaker 2: A bull rider, oh wow.

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Speaker 3: An architect, architect, fishmonger.

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Speaker 1: You have to well, because ultimately you're a used car salesman.

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Speaker 3: Yeah, right, that's what we're doing here. They made me

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Speaker 3: do this.

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Speaker 1: You got forced to be on the show, and so

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Speaker 1: I know, so I know what happened from your side,

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Speaker 1: still trying to figure out on our end what happened.

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Speaker 2: And just a kid in a sandal oh yeah.

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Speaker 1: And a kid in a sandy store. Am I right,

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Speaker 1: you're so right? That could be in the show. I

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Speaker 1: wasn't in the room. I don't know if what it like,

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Speaker 1: what's it called? What's happening on the show.

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Speaker 3: It's called strip law Okay, funny funny, yeah, because it's

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Speaker 3: like stripping and strip and it's about Las Vegas lawyers,

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Speaker 3: and it's just as in it, hacks, hackses in it.

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Speaker 1: Wow, we got hacks.

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Speaker 3: We got in Las Vegas. We got there in wow.

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Speaker 1: Yeah.

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Speaker 3: Yeah, welcome to Viva Laughlin. Was that a thing?

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Speaker 1: Viva laughs?

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Speaker 3: Yeah? Wow.

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Speaker 2: They're all in there, and you are there doing the

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Speaker 2: show and doing the show.

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Speaker 1: You a running the show. Talk about that process, talk

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Speaker 1: about that how that feels.

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Speaker 2: It's just like you do you have your You need

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Speaker 2: a food, right, showrunner needs some famous food, something to eat.

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Speaker 1: All the time.

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Speaker 2: Cls casino, clams casino with your hands.

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Speaker 1: Well, and it's Vegas and he's saying casino is part of.

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Speaker 2: The food Clams casino. What I've heard. I caught that

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Speaker 2: and I you and I've heard a lot of good

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Speaker 2: things about what you're doing. I'm hearing that you have

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Speaker 2: from the food from a food perspective, there is a

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Speaker 2: sticky element, for sure. It's sloppy, yes, clams Casino, I

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Speaker 2: have heard that we're missing a dust element as well,

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Speaker 2: so you can have more accumulation on your fingers and

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Speaker 2: hands and up your arm. So that's my only no

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Speaker 2: so far is if on top of the clams Casino

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Speaker 2: pixis or crumbled up doritos. I was gonna say that,

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Speaker 2: like when somehow every bag you open, it's like already

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Speaker 2: time to give up on that bag, you know what

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Speaker 2: I mean? Them everywhere or no, it's like you're still

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Speaker 2: working on the bag where it's like the bag is over.

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Speaker 2: Everything still in the bag is like not for you

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Speaker 2: to eat anymore.

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Speaker 1: Yeah, right, that's not what anyone else would consider food.

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Speaker 1: It's become that the food remnants inside the bag would

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Speaker 1: be considered garbage by anyone else.

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Speaker 2: But you are attempting to eat them, and you're so

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Speaker 2: what's your attachment to like the rest of this bag,

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Speaker 2: you know what I mean?

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Speaker 1: Because there's another bag. There's always want to be you

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Speaker 1: need the people at the table. Are you working at

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Speaker 1: a table?

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Speaker 3: And that's like a sacred space.

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Speaker 1: The table.

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Speaker 3: Sometimes I'll stand up and walk where did you come from?

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Speaker 1: Your dude fucking mania? You are fucking sick in the head, disturbed.

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Speaker 1: I I I.

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Speaker 3: And be like, put down, it's my favorite comment.

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Speaker 2: I would be like interested in the show. I think

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Speaker 2: you should be I think you should be executed.

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Speaker 3: Yes, thank you so much.

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Speaker 2: I believe that you should be murdered, torn apart, sanctioned ritual.

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Speaker 3: They don't get this, but this is how we talk

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Speaker 3: to each other.

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Speaker 1: This is like, oh, this is we've got the comedy callous. Yeah,

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Speaker 1: you actually can't offend us. That said, why wasn't I

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Speaker 1: involved in this show? Well?

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Speaker 2: I know, why wasn't I involved in the show?

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Speaker 3: There are some there's some phone calls that were made, okay,

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Speaker 3: and you know, I could drop the bit here for

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Speaker 3: a second and say that I was actually terrified to

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Speaker 3: bring you into my writer's room. Or we can continue

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Speaker 3: with the bit and be like, you know, he's out there,

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Speaker 3: he's a bull, he's going why.

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Speaker 1: Wait, sorry?

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Speaker 2: Why?

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Speaker 1: What's scary? What's like?

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Speaker 2: What could possibly go wrong? You don't feel at home

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Speaker 2: in your in your own creation?

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Speaker 3: Come on? Maybe a little bit?

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Speaker 1: What I mean? Literally? What could be bad about having

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Speaker 1: me around?

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Speaker 3: I don't know, Yeah, I don't know either.

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Speaker 1: Maybe I saw because I ran into friend of the

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Speaker 1: show Bang Rogerman. He said, man, I'm doing voices on

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Speaker 1: Collin's show. That show is really funny. And I said, oh,

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Speaker 1: fuck you. He's saying. He's not saying that I'm funny.

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Speaker 1: He's saying someone else is funny, that their thing is funny.

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Speaker 1: And I'm not evolved in the thing, and he is,

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Speaker 1: and you are. If you thought you didn't want to

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Speaker 1: have me in the room, you're not gonna like what

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Speaker 1: it's like having me out of the room.

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Speaker 2: It's even worse.

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Speaker 3: That's understandable.

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Speaker 2: Oh brother, So your table right, the table's there, and

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Speaker 2: it's so interesting when you sit at that at the

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Speaker 2: table because you're a little bit weird guy. Yes, you're

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Speaker 2: a little bit of a strange guy.

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Speaker 3: I did sit at the head of the table.

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Speaker 1: But actually it's actually so normal that you doing it

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Speaker 1: becomes weird.

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Speaker 2: Are you getting up? Are you kind of tucking your

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Speaker 2: legs in in a stupid, like babyish way? Swinging a

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Speaker 2: golf club around?

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Speaker 3: We had we had golf clubs for everyone.

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Speaker 2: Everyone was swinging clubs. Okay, a lot of broken windows.

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Speaker 2: What's your like posture problem? As a showrun.

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Speaker 3: Oh, it's definitely the like like this, the laptop on

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Speaker 3: the the feet straight up. Yeah, hunts, hard hunts, power hunts.

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Speaker 3: They call it.

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Speaker 2: Yeah, just short short groinal mass, accumulated groinal mass has

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Speaker 2: basically become your face.

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Speaker 3: This is so cool to do right now because I

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Speaker 3: feel so comfortable with my body on camera anyway.

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Speaker 2: Well, and this set up and the set up flattering.

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Speaker 3: God, yeah, it's the perfect angle for me.

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Speaker 1: It's such a flattering camera arrangement. And we talk about

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Speaker 1: this all the time. They really did us a lot

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Speaker 1: of favors, and I am always pleased. Anytime I see

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Speaker 1: a clip, I just go like, like that angle. Then

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Speaker 1: they cut to you know, something else, that two shot

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Speaker 1: or something.

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Speaker 2: I go, but I love that angle. It feels awesome.

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Speaker 3: I feel great.

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Speaker 2: My wife will see a clip and just be like,

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Speaker 2: that's so interesting. I never saw that. Yes, your beautiful wife, Yes,

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Speaker 2: my beautiful my beautiful wife. They they are.

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Speaker 1: Yeah, no, And but.

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Speaker 2: She'll say like that part is new to me, and

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Speaker 2: I'm like, oh did you what did you think? She's like,

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Speaker 2: it's just I need old time, just noticeable time to

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Speaker 2: know about it.

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Speaker 1: You can't process something totally new especially about someone you.

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Speaker 1: You're it's so intimate with Yeah, I I will say

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Speaker 1: to my gorgeous wife. And by the way, I'm a mutant,

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Speaker 1: fucking disgusting creature.

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Speaker 3: Uh I wish from a Genie fore.

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Speaker 1: Yeah, it's but like a disgusting, disgusting but a disgusting boy,

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Speaker 1: a boy who is sick, but not in the way

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Speaker 1: you feel bad for him.

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Speaker 2: It's like his fault that he's sick.

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Speaker 3: Like The Strangers this boy.

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Speaker 1: Yeah, I don't know that show, but that Yeah, it's yeah,

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Speaker 1: they well is it really on Netflix because they're not

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Speaker 1: having those guys do podcasts, so they're they are not

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Speaker 1: really getting behind that one because they're not forcing them

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Speaker 1: to do podcasts like they did with you.

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Speaker 2: So uh, but she will. I'll say, you know, this

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Speaker 2: new clip is up.

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Speaker 1: I don't love the way I look in it, and

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Speaker 1: she'll say I didn't notice, hm hmm, yeah, I don't. Oh,

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Speaker 1: thank you, I don't know.

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Speaker 2: Oh my god, I don't know much what else to

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Speaker 2: say except thank you.

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Speaker 3: Yeah, Well, the faster then it is.

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Speaker 2: I have a thought for you on the The Stranger Things. Yes,

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Speaker 2: you become the Crawford brother, the single brother, the Crawford

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Speaker 2: brother like this.

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Speaker 3: Brought to you by the Crawford brother.

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Speaker 2: Runing rights when they first showed up, and it was

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Speaker 2: like from the Duffer brothers, and I was like, these

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Speaker 2: must be a known kman.

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Speaker 3: I definitely can't make fun of the name Duffer now

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Speaker 3: because this is so normal.

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Speaker 2: This is like people already know about this. Yeah, these

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Speaker 2: guys are the Duffer brothers. Okay, I better like the

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Speaker 2: acts familiar.

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Speaker 1: Now I want to do that. I don't want to

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Speaker 1: give that to him now.

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Speaker 3: It's great.

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Speaker 1: I don't want him to do that. Now. I want

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Speaker 1: to be the Clements brother, the.

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Speaker 2: Clements brother, the Clements father. Oh or what about this?

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Speaker 2: This could really be something? Okay, I have one, but

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Speaker 2: go ahead, the Duffer father.

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Speaker 3: That is.

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Speaker 1: I was just going to say if I was the

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Speaker 1: Clements nephew, it really implies youth in a way that

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Speaker 1: I think could be helpful.

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Speaker 2: It's true.

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Speaker 3: Yeah, I can't say it's not true.

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Speaker 1: Mm hmmm. I defy you to say it's not true.

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Speaker 1: So the show, Uh, it's crazy.

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Speaker 3: It's thank you.

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Speaker 2: Yeah, I do want and i'd appreciate you help us

302
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Speaker 2: keep on track a little more. What part of the

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Speaker 2: table do you I do say that on the table.

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Speaker 2: But you ever put a little piece of your butt

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Speaker 2: on the table.

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Speaker 3: I do not put pizza my butt on the table,

307
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Speaker 3: not even one piece, not even one piece at.

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Speaker 2: A lot of these guys are doing it, managing to

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Speaker 2: like just kind of lift up one chunk of it

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Speaker 2: and just kind of have that be resting on the table,

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Speaker 2: even how while they're somehow in a chair.

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Speaker 3: Okay, I can't see that. What's the benefit of this.

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Speaker 2: I mean, you can't see Like, if you need to

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00:17:34,920 --> 00:17:35,960
Speaker 2: see it, I will show it to you.

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Speaker 3: I will like to see it if you can do it.

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Speaker 1: Okay, he should, I have to, you have to, But

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Speaker 1: I think you need You shouldn't have like the circumstances

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Speaker 1: under what I'll show it to you.

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Speaker 2: Like, I think you might need a steady hand on

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Speaker 2: the wheel, okay for this show. Yeah, you know what

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Speaker 2: I mean.

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Speaker 1: It wouldn't hurt to have someone who was less of

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Speaker 1: a demented freak, basically.

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Speaker 3: Like light to my lightning, Like someone a little more boring,

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Speaker 3: a little less exciting, Yes, come in and just sort

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Speaker 3: of ground the whole.

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Speaker 2: Yes, Yes, that's right. And so maybe they're an annoying

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00:18:13,760 --> 00:18:19,360
Speaker 2: loser and someone who can actually like be let outside.

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Speaker 2: You know what I mean, someone who can like go

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Speaker 2: to a building, right and like be in an elevator.

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Speaker 1: You go inside the building, Yes, go back outside the store. Yes,

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Speaker 1: if you need something from the store.

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Speaker 2: Yes.

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Speaker 3: So does this now? Are you both going up for this? Now?

335
00:18:39,080 --> 00:18:40,359
Speaker 3: To be the steady hand on the wheel?

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Speaker 2: I think it could be really interesting. The wheel's big

337
00:18:45,200 --> 00:18:50,720
Speaker 2: to have the Klement's nephew and the Davenport baby on

338
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Speaker 2: your show, as you being the Duffer father.

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Speaker 3: Now we got it all. We do have it all. Yeah,

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00:18:57,560 --> 00:19:01,800
Speaker 3: you know the Cohen Twigs. Mhm, say again, they said

341
00:19:01,800 --> 00:19:04,600
Speaker 3: the Cohen Twigs, the Cohen Twinks.

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Speaker 1: Cohen Twins. So why did you say that?

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Speaker 3: Okay, you know, I'm just like trying to one up

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00:19:13,119 --> 00:19:15,520
Speaker 3: to this is the thing I did read dell Closest

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00:19:15,560 --> 00:19:17,240
Speaker 3: book about you talked about escalation.

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Speaker 2: Okay, So now you were you know, you watched entirely

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00:19:24,560 --> 00:19:28,600
Speaker 2: all the time that I read, you know what I mean? Like, Okay,

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00:19:28,640 --> 00:19:29,440
Speaker 2: so you're like.

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Speaker 3: This is fucking exhausted.

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Speaker 1: He closest book.

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00:19:34,080 --> 00:19:36,520
Speaker 2: There's a there's a one in front of the minutes.

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00:19:36,560 --> 00:19:39,439
Speaker 2: I just want to put that out Savior energy.

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Speaker 1: Okay, yeah, go ahead and just relax into it.

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00:19:42,920 --> 00:19:45,520
Speaker 2: The I don't.

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00:19:46,119 --> 00:19:51,000
Speaker 1: I think that was the closest book. But anyway, you

356
00:19:51,080 --> 00:19:55,560
Speaker 1: talked about briefly, and this is interesting having the keyboard

357
00:19:55,640 --> 00:19:59,800
Speaker 1: on your lap. What's your relationship to the keys and

358
00:20:00,000 --> 00:20:03,320
Speaker 1: and are you always on the keys? Are you sometimes

359
00:20:03,440 --> 00:20:06,360
Speaker 1: dictating to someone else on the keys? And then you're like, fuck,

360
00:20:06,359 --> 00:20:08,000
Speaker 1: get out the way, get out of the way, just

361
00:20:08,040 --> 00:20:08,639
Speaker 1: give it to me.

362
00:20:09,040 --> 00:20:11,920
Speaker 2: You're watching them not quite punctuate the way you would.

363
00:20:11,960 --> 00:20:14,680
Speaker 2: It's missing that certain flavor.

364
00:20:14,440 --> 00:20:21,320
Speaker 1: That that the the the call twinks brings to it.

365
00:20:21,400 --> 00:20:23,800
Speaker 1: I don't know what. Yeah, I like, I don't know

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00:20:23,800 --> 00:20:26,080
Speaker 1: why he said that brings to it.

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00:20:27,359 --> 00:20:30,480
Speaker 3: Yeah, yeah, let's go with yes. I like to come

368
00:20:30,480 --> 00:20:33,439
Speaker 3: in and like really make everyone feel uncomfortable. Okay, and

369
00:20:33,520 --> 00:20:36,480
Speaker 3: like depending on what happened to you, But you changed

370
00:20:36,520 --> 00:20:39,919
Speaker 3: it to twin. Okay, to me, that's not a.

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00:20:39,800 --> 00:20:43,240
Speaker 1: Family member, you know what I mean. But it opens

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00:20:43,280 --> 00:20:44,919
Speaker 1: it up in a way where you came from a

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Speaker 1: family where there was like the twink was just like that.

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Speaker 1: But it opens it up in a way where I don't.

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00:20:52,200 --> 00:20:55,720
Speaker 1: I actually think you didn't go far enough a t C.

376
00:20:56,080 --> 00:20:57,880
Speaker 1: I think you went a to B where you went

377
00:20:57,920 --> 00:21:00,720
Speaker 1: to like another person, but it could have been and

378
00:21:00,720 --> 00:21:03,200
Speaker 1: and this is for well. I was going to say,

379
00:21:03,240 --> 00:21:05,800
Speaker 1: like I kind of like if you were like the

380
00:21:05,880 --> 00:21:08,800
Speaker 1: culorcan brief. Wow, you know what I mean.

381
00:21:09,080 --> 00:21:12,439
Speaker 2: That's like this guy's culin. Yeah, what if he's the

382
00:21:12,480 --> 00:21:13,240
Speaker 2: coulorcan brief?

383
00:21:13,400 --> 00:21:15,480
Speaker 3: Right, I like color and brief, which is well, I

384
00:21:15,960 --> 00:21:17,760
Speaker 3: too my idea.

385
00:21:17,880 --> 00:21:20,000
Speaker 2: There's a Crawford Boxes And that is definitely when I.

386
00:21:19,920 --> 00:21:21,840
Speaker 3: Say like an idea, you know that's the show or

387
00:21:21,960 --> 00:21:23,320
Speaker 3: the thing. When you like it, do you say, oh,

388
00:21:23,359 --> 00:21:23,800
Speaker 3: I like that.

389
00:21:25,359 --> 00:21:27,199
Speaker 1: I gotta I gotta start doing that.

390
00:21:27,960 --> 00:21:30,240
Speaker 2: But I was really asking you said, I like to

391
00:21:30,240 --> 00:21:31,320
Speaker 2: come and make everyone comfortable.

392
00:21:31,400 --> 00:21:33,840
Speaker 1: I actually had asked about your relationship to the keys,

393
00:21:34,680 --> 00:21:37,200
Speaker 1: and you didn't answer that at all. You said yes,

394
00:21:37,280 --> 00:21:39,600
Speaker 1: let's go with yes, and then you just started kind

395
00:21:39,600 --> 00:21:42,040
Speaker 1: of talking about something else. I was talking about your

396
00:21:42,080 --> 00:21:42,920
Speaker 1: relationship to the keys?

397
00:21:43,400 --> 00:21:44,240
Speaker 3: Is the keys? Okay?

398
00:21:44,440 --> 00:21:46,040
Speaker 2: This is your personal laptop.

399
00:21:46,200 --> 00:21:49,320
Speaker 3: This is my personal app that you have sort of like.

400
00:21:49,280 --> 00:21:52,480
Speaker 2: Resting rest on my like, are there any windows open

401
00:21:52,560 --> 00:21:57,280
Speaker 2: visible being projected on the screen on the screen or

402
00:21:57,400 --> 00:21:59,919
Speaker 2: this is this is private? It's private so I can

403
00:22:00,000 --> 00:22:01,600
Speaker 2: can't see it, you can't see it, but they can

404
00:22:01,640 --> 00:22:02,560
Speaker 2: see how grimy it is.

405
00:22:02,960 --> 00:22:05,040
Speaker 3: Absolutely see that the screen is disgusting.

406
00:22:05,119 --> 00:22:06,080
Speaker 2: Ye sticker on there?

407
00:22:07,320 --> 00:22:09,399
Speaker 3: No, I did.

408
00:22:11,800 --> 00:22:14,280
Speaker 2: Just from well, it's just from the humidity that he's

409
00:22:14,320 --> 00:22:18,680
Speaker 2: giving off. The sticker is slowly peeling off the wallpaper

410
00:22:18,800 --> 00:22:20,600
Speaker 2: and the Cohen Twigs masterpiece.

411
00:22:24,800 --> 00:22:25,760
Speaker 1: That made it work for me.

412
00:22:25,880 --> 00:22:29,160
Speaker 3: That did make it work. Thank you for that, you guys.

413
00:22:29,160 --> 00:22:30,320
Speaker 3: Looking the staff.

414
00:22:32,280 --> 00:22:37,000
Speaker 2: I'm told that this is interesting. He actually recently heard

415
00:22:37,080 --> 00:22:45,240
Speaker 2: something Staffing Prospect. It's actually scary. That definitely that. Yeah, so.

416
00:22:47,200 --> 00:22:50,400
Speaker 1: I I have taken a little break for some self reflection.

417
00:22:50,760 --> 00:22:52,840
Speaker 3: Yeah, well, I mean, yeah, you've seen in your career

418
00:22:52,880 --> 00:22:55,199
Speaker 3: where you're just you're going nowhere. You're not going up

419
00:22:55,280 --> 00:22:58,000
Speaker 3: at all. You're not like on Emmy nominated shows.

420
00:22:57,760 --> 00:23:00,880
Speaker 1: Or any but I'm I'm bouncing around, you know. And

421
00:23:00,920 --> 00:23:03,320
Speaker 1: it's just like this week. I mean, you look at

422
00:23:03,320 --> 00:23:06,040
Speaker 1: this table that we talk about. Sometimes you're at the

423
00:23:06,080 --> 00:23:09,480
Speaker 1: head of the table, not me personally. Sometimes one is

424
00:23:09,520 --> 00:23:12,160
Speaker 1: at the head of the table, and sometimes you're somewhere

425
00:23:12,200 --> 00:23:15,359
Speaker 1: else at the table m hm. And you just can't

426
00:23:15,480 --> 00:23:17,879
Speaker 1: be too invested in where am I at the table.

427
00:23:18,680 --> 00:23:20,359
Speaker 2: It's just good to be sitting down.

428
00:23:20,560 --> 00:23:24,880
Speaker 3: You don't have to think about your relationship to the Keys.

429
00:23:23,480 --> 00:23:25,240
Speaker 2: And went like, you know all the thing, I get

430
00:23:25,280 --> 00:23:27,399
Speaker 2: scared when they put me on the keys, Like you're joking.

431
00:23:27,440 --> 00:23:29,000
Speaker 2: I know you're like trying to make a joke about

432
00:23:29,040 --> 00:23:31,159
Speaker 2: him being on an Emmy nominated shows. I want to

433
00:23:31,240 --> 00:23:33,159
Speaker 2: like just share with you, because he won't speak for

434
00:23:33,240 --> 00:23:37,320
Speaker 2: himself how hard it is showing up onto an Emmy

435
00:23:37,359 --> 00:23:39,960
Speaker 2: nominated show. And like there's a lot of days where

436
00:23:39,960 --> 00:23:41,840
Speaker 2: he would walk into the writer's room and everyone else

437
00:23:42,400 --> 00:23:47,280
Speaker 2: is already in their top and tails, in their in

438
00:23:47,320 --> 00:23:50,000
Speaker 2: their gown, like in their finery. Yeah I'm still in

439
00:23:50,040 --> 00:23:51,720
Speaker 2: my coveralls.

440
00:23:53,000 --> 00:23:54,280
Speaker 3: Yeah, I'm sorry about that.

441
00:23:54,440 --> 00:23:58,760
Speaker 1: And I didn't know. No one tells you.

442
00:24:00,320 --> 00:24:05,560
Speaker 2: So because they have like they have a show tonight,

443
00:24:05,800 --> 00:24:08,200
Speaker 2: you know, like they have the big award show.

444
00:24:08,280 --> 00:24:13,960
Speaker 1: The Emmy nominations have not trickled down to me at all.

445
00:24:14,119 --> 00:24:16,840
Speaker 1: The show itself has been celebrated in certain ways.

446
00:24:16,880 --> 00:24:19,080
Speaker 3: We're sounding like kind of like a dinner for schmucks situation.

447
00:24:19,280 --> 00:24:21,919
Speaker 3: Here they bring you.

448
00:24:21,920 --> 00:24:25,000
Speaker 1: Out, well, talk about dinner for schmunks, because you had

449
00:24:25,040 --> 00:24:27,399
Speaker 1: said before you wanted to go through.

450
00:24:27,840 --> 00:24:32,320
Speaker 3: Oh yeah, dferret is like a huge one and the

451
00:24:32,359 --> 00:24:35,080
Speaker 3: dinner is for schmunks. The dinners for smucks.

452
00:24:36,320 --> 00:24:37,720
Speaker 2: The schmucks eat the dinner or.

453
00:24:38,040 --> 00:24:39,399
Speaker 3: And they say, if you look around the dinner and

454
00:24:39,440 --> 00:24:42,439
Speaker 3: you don't know who the smuck is, it's you. I

455
00:24:42,440 --> 00:24:43,639
Speaker 3: don't know if that's the tackle.

456
00:24:43,440 --> 00:24:44,720
Speaker 1: But what if you look around the dinner and you

457
00:24:44,760 --> 00:24:45,760
Speaker 1: do you know that you are?

458
00:24:49,920 --> 00:24:53,480
Speaker 3: That's interesting? Is there only one schmuck at the dinner

459
00:24:53,520 --> 00:24:55,320
Speaker 3: for month Smucker brothers?

460
00:24:58,920 --> 00:25:02,800
Speaker 2: I yeah, yeah, schmucker Abrams, schmucker.

461
00:25:04,400 --> 00:25:05,840
Speaker 3: Thank you for cleaning that up.

462
00:25:06,680 --> 00:25:09,119
Speaker 1: You know that's real.

463
00:25:12,000 --> 00:25:13,639
Speaker 2: And so what's for dinner?

464
00:25:14,920 --> 00:25:16,720
Speaker 3: What is for dinner for the schmucks? Did they get

465
00:25:16,760 --> 00:25:18,640
Speaker 3: to pick what their dinner is? Or I imagine it's

466
00:25:18,640 --> 00:25:19,600
Speaker 3: like pheasant or quail?

467
00:25:19,800 --> 00:25:23,040
Speaker 1: Okay, so you again, you contacted us to say that

468
00:25:23,400 --> 00:25:28,280
Speaker 1: deer is huge for you and you wanted to it's

469
00:25:28,520 --> 00:25:34,480
Speaker 1: about that's right, Okay, So yeah, I guess whatever.

470
00:25:34,720 --> 00:25:36,880
Speaker 2: Obviously it's exposed.

471
00:25:36,920 --> 00:25:40,159
Speaker 1: Now. We were kicking back and forth calling about what

472
00:25:40,200 --> 00:25:42,959
Speaker 1: would be like the most exciting version of this episode,

473
00:25:43,160 --> 00:25:47,399
Speaker 1: and he had positive that we could sort of wind

474
00:25:47,440 --> 00:25:50,480
Speaker 1: our way into a personality quiz that he has where

475
00:25:50,520 --> 00:25:54,439
Speaker 1: you figure out which schmuck you are schmucks, and he

476
00:25:54,480 --> 00:25:56,560
Speaker 1: said that he was going to kind of diagnose both

477
00:25:56,560 --> 00:25:56,840
Speaker 1: of us.

478
00:25:57,040 --> 00:26:00,800
Speaker 2: Yes, and that also that anyone listening, and you guys said.

479
00:26:00,600 --> 00:26:02,440
Speaker 3: No, and I said, I'm going to force it anyway.

480
00:26:02,560 --> 00:26:02,760
Speaker 1: Yeah.

481
00:26:02,800 --> 00:26:06,159
Speaker 2: Well, and now we're here, So do you want to

482
00:26:06,200 --> 00:26:09,800
Speaker 2: just walk through Are there six schmucks that you wanted

483
00:26:09,840 --> 00:26:12,119
Speaker 2: to describe in detail?

484
00:26:12,280 --> 00:26:17,080
Speaker 1: And then we would have these kind of binary choices

485
00:26:17,119 --> 00:26:19,000
Speaker 1: that would guide us into being one of the show.

486
00:26:19,480 --> 00:26:21,960
Speaker 3: The schmucks first, or do any of the questions first.

487
00:26:21,760 --> 00:26:24,520
Speaker 2: Well, it's your quiz quiz it's.

488
00:26:24,359 --> 00:26:26,800
Speaker 3: Uh, well, just yes, I know who the schmucks are.

489
00:26:27,359 --> 00:26:31,880
Speaker 3: There is a ventriloquist, yeah, yes, and it's I think

490
00:26:31,920 --> 00:26:33,560
Speaker 3: it's like a lady puppet.

491
00:26:33,880 --> 00:26:37,600
Speaker 2: Puppet and there's something going on. There's something going on, right,

492
00:26:38,200 --> 00:26:41,439
Speaker 2: like this is not like a normal relationship.

493
00:26:40,840 --> 00:26:46,600
Speaker 1: The relationship between the the the ventriloquist and the I

494
00:26:46,600 --> 00:26:49,000
Speaker 1: almost said dummy, but of course since it was a lady,

495
00:26:50,800 --> 00:26:52,040
Speaker 1: I'm not going to do that.

496
00:26:53,680 --> 00:26:55,360
Speaker 3: Beautiful the.

497
00:26:58,080 --> 00:27:01,840
Speaker 2: Relax, I cannot.

498
00:27:03,320 --> 00:27:06,480
Speaker 1: The queen.

499
00:27:08,640 --> 00:27:12,080
Speaker 2: Who he is manipulating.

500
00:27:13,480 --> 00:27:18,800
Speaker 1: Uh. My feeling was it was inappropriate, and so I

501
00:27:18,840 --> 00:27:22,960
Speaker 1: did not watch the whole movie because I can't see

502
00:27:22,960 --> 00:27:24,840
Speaker 1: that stuff and I won't be you love it.

503
00:27:25,080 --> 00:27:26,480
Speaker 2: I will be being that as well.

504
00:27:26,760 --> 00:27:28,520
Speaker 3: I did. I thought that.

505
00:27:28,400 --> 00:27:29,679
Speaker 2: I won't be being that schmunk.

506
00:27:30,200 --> 00:27:33,919
Speaker 1: We do. I wouldn't mind being the lady. Yes, I

507
00:27:34,040 --> 00:27:35,280
Speaker 1: forbid you to make me.

508
00:27:38,960 --> 00:27:41,320
Speaker 3: Result needs to hear this. You tweeted this out. I

509
00:27:41,359 --> 00:27:44,040
Speaker 3: don't even know it. Needs to hear this, but manipulating

510
00:27:44,119 --> 00:27:49,239
Speaker 3: a gorgeous puppet who's a female is not okay m hm.

511
00:27:50,040 --> 00:27:52,119
Speaker 1: And I would be fine if the result of the

512
00:27:52,200 --> 00:27:55,640
Speaker 1: quiz is that I was the woman the puppet, because honestly,

513
00:27:55,800 --> 00:27:57,639
Speaker 1: it's a little how you're making me feel with the

514
00:27:57,680 --> 00:28:01,240
Speaker 1: way you kind of controlled this episode and forced me

515
00:28:01,280 --> 00:28:06,000
Speaker 1: into these situations that I did not choose. But there

516
00:28:06,080 --> 00:28:08,920
Speaker 1: was the ventriloquis one and we neither of one of

517
00:28:09,000 --> 00:28:11,800
Speaker 1: us will be that one. Who else was a schmuck?

518
00:28:11,960 --> 00:28:16,040
Speaker 3: There's Zach Alfanakis of the Free Space of the Smucks.

519
00:28:16,680 --> 00:28:22,159
Speaker 2: Yeah, there was I think schmuck.

520
00:28:23,280 --> 00:28:27,560
Speaker 3: He was kind of inept. Yeah, I remember his face

521
00:28:27,560 --> 00:28:29,320
Speaker 3: turned red while he was laughing. That was a big

522
00:28:29,480 --> 00:28:30,080
Speaker 3: schmuck move.

523
00:28:30,119 --> 00:28:36,240
Speaker 1: For yes, humiliating, will not be being that schmuck. Yeah,

524
00:28:36,320 --> 00:28:39,760
Speaker 1: I can't be that one either, red laughing.

525
00:28:39,880 --> 00:28:44,400
Speaker 2: Red face and laughing, Okay, that's just a natural.

526
00:28:44,920 --> 00:28:45,520
Speaker 1: But I don't.

527
00:28:46,480 --> 00:28:50,160
Speaker 2: I don't do I look like bits you know what

528
00:28:50,200 --> 00:28:51,800
Speaker 2: I look like.

529
00:28:52,720 --> 00:28:53,200
Speaker 3: I don't know.

530
00:28:53,360 --> 00:28:56,680
Speaker 2: He does the like, well don't okay, well don't know, Yeah,

531
00:28:56,840 --> 00:28:59,960
Speaker 2: don't know. Like, don't know, I look like Grizzly Adam's brother.

532
00:29:00,120 --> 00:29:03,520
Speaker 2: They don't talk about whatever. I don't do that.

533
00:29:03,600 --> 00:29:06,200
Speaker 3: It's a little underneath and I don't look like that.

534
00:29:06,320 --> 00:29:06,920
Speaker 3: He don't look like.

535
00:29:08,520 --> 00:29:12,280
Speaker 2: I don't look like anything. Yeah, as far as we're

536
00:29:12,320 --> 00:29:13,720
Speaker 2: concerned here, I would.

537
00:29:13,400 --> 00:29:17,680
Speaker 1: Say also that I don't look like anything, and I

538
00:29:17,720 --> 00:29:21,040
Speaker 1: don't do that. And so when you said I look

539
00:29:21,160 --> 00:29:23,680
Speaker 1: like I don't know, it felt like you were going

540
00:29:23,720 --> 00:29:26,760
Speaker 1: to come up with a random example, even something silly,

541
00:29:29,960 --> 00:29:33,239
Speaker 1: even you doing the Grizzly Adams thing, which I know

542
00:29:33,360 --> 00:29:34,560
Speaker 1: is just to educate him.

543
00:29:34,800 --> 00:29:39,440
Speaker 2: Yes, I don't want that, and that's what I don't

544
00:29:39,440 --> 00:29:43,120
Speaker 2: do that. Zach galfanekis the schmunk does that? That was

545
00:29:43,200 --> 00:29:43,800
Speaker 2: you doing that?

546
00:29:44,360 --> 00:29:46,280
Speaker 3: Yes, that was you doing that was me doing it

547
00:29:46,320 --> 00:29:46,960
Speaker 3: as the schmunk.

548
00:29:49,040 --> 00:29:49,560
Speaker 1: Mm hmmm.

549
00:29:49,680 --> 00:29:51,680
Speaker 3: So now we're in the smunks.

550
00:29:51,320 --> 00:29:58,400
Speaker 2: That I really know, like, uh, okay, yes, yes, through

551
00:29:58,600 --> 00:30:00,080
Speaker 2: six we're dialed in.

552
00:30:00,240 --> 00:30:03,400
Speaker 3: Yeah, there's like I'm gonna say, like Pumpkin Charles is

553
00:30:03,400 --> 00:30:04,520
Speaker 3: a guy holding a pumpkin.

554
00:30:04,720 --> 00:30:08,360
Speaker 2: Oh okay and that, and people are like, I just

555
00:30:08,360 --> 00:30:10,800
Speaker 2: have to do it. It's a great pumpkin, Charlie Brown,

556
00:30:10,920 --> 00:30:14,320
Speaker 2: I like really insistent that it has nothing.

557
00:30:14,040 --> 00:30:16,640
Speaker 1: To I don't care if it does. I'm not gonna

558
00:30:16,480 --> 00:30:20,440
Speaker 1: be like it does to me. I'm out, don't make

559
00:30:20,480 --> 00:30:21,200
Speaker 1: me that one.

560
00:30:21,560 --> 00:30:22,000
Speaker 2: I'm out.

561
00:30:22,120 --> 00:30:24,200
Speaker 3: Guys, you're really kneecapping the quiz already.

562
00:30:24,240 --> 00:30:26,560
Speaker 2: Why is his name pumpkin Charles if it doesn't have

563
00:30:26,600 --> 00:30:28,760
Speaker 2: anything to do with this's a great pumpkin, Charlie Brown.

564
00:30:28,880 --> 00:30:31,160
Speaker 1: Yeah, at least tie it into some beloved eyep.

565
00:30:31,480 --> 00:30:33,880
Speaker 2: It's like he was thinking about that maybe, but like

566
00:30:33,960 --> 00:30:35,240
Speaker 2: didn't realize he was thinking.

567
00:30:35,320 --> 00:30:37,400
Speaker 3: It's honestly like they should have done a second swing

568
00:30:37,400 --> 00:30:40,120
Speaker 3: after that, put it in like maybe a little better

569
00:30:40,280 --> 00:30:41,080
Speaker 3: name or something.

570
00:30:41,120 --> 00:30:45,520
Speaker 2: And he's like, well it's Linus. That is about the

571
00:30:45,560 --> 00:30:47,320
Speaker 2: Great Pumpkin in the movie. It's like, well you went

572
00:30:47,360 --> 00:30:51,320
Speaker 2: and look that up. After people pointed out you have

573
00:30:51,400 --> 00:30:52,600
Speaker 2: a problem here.

574
00:30:52,720 --> 00:30:54,880
Speaker 1: I would just like to say another schmuck that I'm

575
00:30:54,880 --> 00:30:57,520
Speaker 1: not gonna be. And we haven't gotten to yet, but

576
00:30:57,640 --> 00:30:58,920
Speaker 1: I'm not going to be George W.

577
00:30:59,000 --> 00:31:02,960
Speaker 3: Cush In some ways, I would argue he's not even

578
00:31:03,000 --> 00:31:03,560
Speaker 3: really a smug.

579
00:31:03,640 --> 00:31:05,959
Speaker 2: That's not gonna be Okay, So we're still on. So

580
00:31:07,360 --> 00:31:11,480
Speaker 2: you're not taking that as number four, Like, so you

581
00:31:11,520 --> 00:31:12,600
Speaker 2: want to generate.

582
00:31:12,360 --> 00:31:14,480
Speaker 3: I say, he's canonically multiple other.

583
00:31:16,600 --> 00:31:18,360
Speaker 2: So we're going to pass on George W.

584
00:31:18,520 --> 00:31:22,120
Speaker 1: Cush Okay, So then we're still we had said they

585
00:31:22,160 --> 00:31:23,640
Speaker 1: were gonna be right.

586
00:31:23,600 --> 00:31:28,920
Speaker 2: Yea gallifan Akis. Now we're still there's number I thought

587
00:31:29,000 --> 00:31:30,120
Speaker 2: four was ticked off, but.

588
00:31:32,840 --> 00:31:38,880
Speaker 1: Prick Cheney, well, I'm not gonna be that one. Honestly,

589
00:31:38,920 --> 00:31:40,120
Speaker 1: I don't think I could even if.

590
00:31:40,480 --> 00:31:44,680
Speaker 3: He came in that face on the hunting trip and

591
00:31:44,720 --> 00:31:47,120
Speaker 3: this is the kind of thing that's in the show. Yeah,

592
00:31:47,160 --> 00:31:50,200
Speaker 3: this is the nasty ship, that.

593
00:31:52,840 --> 00:32:02,680
Speaker 2: Nutting and the shotgun blast cone into another old man's face.

594
00:32:03,360 --> 00:32:05,520
Speaker 3: And then getting away with it though he.

595
00:32:05,760 --> 00:32:11,120
Speaker 1: Busts freaking gunpowder or something, just like crazy like because

596
00:32:11,120 --> 00:32:11,920
Speaker 1: he's so old.

597
00:32:13,720 --> 00:32:14,440
Speaker 3: Wait let him go.

598
00:32:14,560 --> 00:32:19,200
Speaker 1: I like this. It's like, no, no, no, I don't. I'm saying,

599
00:32:19,240 --> 00:32:22,600
Speaker 1: what do you think is what we're doing on TV? Yes,

600
00:32:24,400 --> 00:32:27,360
Speaker 1: I don't know if that was in the Dinner for

601
00:32:27,400 --> 00:32:30,360
Speaker 1: Schmunks movie again, I turn it off as soon as

602
00:32:30,360 --> 00:32:33,880
Speaker 1: it was clear that the relationship between the female puppet

603
00:32:33,880 --> 00:32:34,600
Speaker 1: was uncomfortable.

604
00:32:36,880 --> 00:32:38,240
Speaker 2: Click power off.

605
00:32:38,520 --> 00:32:44,280
Speaker 1: No more TV for the night. Can't risk it. I'm

606
00:32:44,280 --> 00:32:47,040
Speaker 1: not gonna change it to another show. Now that I

607
00:32:47,080 --> 00:32:49,680
Speaker 1: know some of the stuff that gets put in these things,

608
00:32:50,480 --> 00:32:52,840
Speaker 1: I haven't watched since and I'm wondering now, like.

609
00:32:52,880 --> 00:32:54,160
Speaker 2: Can I even watch strip Law.

610
00:32:54,320 --> 00:32:58,880
Speaker 1: It's feeling like no, because it seems like you would

611
00:32:58,920 --> 00:33:04,320
Speaker 1: put in some of this schmuck stuff. Who after prick Cheney?

612
00:33:04,320 --> 00:33:04,720
Speaker 1: Did you want?

613
00:33:04,720 --> 00:33:06,240
Speaker 2: There's two more?

614
00:33:06,320 --> 00:33:06,600
Speaker 1: Yeah?

615
00:33:06,800 --> 00:33:09,920
Speaker 3: And them these.

616
00:33:09,720 --> 00:33:13,840
Speaker 2: Are the real like this is actually they get it cool?

617
00:33:14,160 --> 00:33:17,600
Speaker 2: Are the are like the top four for sure?

618
00:33:19,440 --> 00:33:22,680
Speaker 3: Is Himbo Himbo Himbo Jackson.

619
00:33:22,720 --> 00:33:27,640
Speaker 2: Himbo him Backo Jackson. Okay, I'm so stupid, he says,

620
00:33:27,680 --> 00:33:30,120
Speaker 2: Himbo doesn't know I said, I thought it was Himbo

621
00:33:30,240 --> 00:33:33,400
Speaker 2: slice Like I was like, no, that's wrong.

622
00:33:33,880 --> 00:33:37,880
Speaker 1: And Himbo Jackson, Himbo Jackson, Himbo Jackson.

623
00:33:37,680 --> 00:33:40,600
Speaker 2: Was a really good character.

624
00:33:40,640 --> 00:33:42,239
Speaker 1: I did get to meet him, obviously, I only saw

625
00:33:42,280 --> 00:33:44,160
Speaker 1: a couple of minutes of the movie. I did get

626
00:33:44,200 --> 00:33:47,200
Speaker 1: to meet him, and he was sort of in contrast

627
00:33:47,320 --> 00:33:51,720
Speaker 1: to I mean, there's a famous celebrity named Bo Jackson, yes,

628
00:33:52,040 --> 00:33:57,560
Speaker 1: and he like this guy was like kind of buff, yeah,

629
00:33:57,960 --> 00:34:02,960
Speaker 1: sort of plain spoken yes, uh, and it was just

630
00:34:05,840 --> 00:34:13,320
Speaker 1: but like physically really really yeah, good looking guy yeah yeah, yeah,

631
00:34:13,360 --> 00:34:16,920
Speaker 1: physically impressive, you know. And so we'd sort of taken

632
00:34:17,200 --> 00:34:20,800
Speaker 1: Bo Jackson, we'd Himbo fight him in this way that

633
00:34:21,000 --> 00:34:22,040
Speaker 1: really creative.

634
00:34:22,280 --> 00:34:24,120
Speaker 2: Yeah, not going to be being that.

635
00:34:24,840 --> 00:34:29,359
Speaker 3: That one either, And then uh, Jose schmuck.

636
00:34:29,080 --> 00:34:30,800
Speaker 1: Oh okay was okay?

637
00:34:31,120 --> 00:34:34,239
Speaker 2: I was like, where is the these in the names?

638
00:34:34,800 --> 00:34:35,000
Speaker 1: You know?

639
00:34:35,320 --> 00:34:38,399
Speaker 2: Finally and like, obviously that's why this is number one

640
00:34:38,440 --> 00:34:42,080
Speaker 2: for me. Yes, it's a perfect fit because.

641
00:34:41,800 --> 00:34:43,800
Speaker 1: Even if you didn't think he behaved like a schmuck,

642
00:34:43,880 --> 00:34:46,200
Speaker 1: which I personally don't think he did, the fact that

643
00:34:46,200 --> 00:34:48,240
Speaker 1: he had schmuck in the name, you just couldn't argue

644
00:34:48,239 --> 00:34:50,160
Speaker 1: that he was one of the dinners.

645
00:34:50,440 --> 00:34:52,920
Speaker 3: It's perfect writing to like, right towards the end you

646
00:34:52,960 --> 00:34:55,840
Speaker 3: get a rule of two where there's like two baseball

647
00:34:55,880 --> 00:34:58,040
Speaker 3: guys in there. Towards the end of it talk about

648
00:34:58,040 --> 00:35:01,200
Speaker 3: the rules of writing. Oh yeah, well.

649
00:35:01,040 --> 00:35:04,560
Speaker 2: You know that are nine, right rules?

650
00:35:05,520 --> 00:35:06,520
Speaker 3: Yes, there are nine.

651
00:35:06,400 --> 00:35:08,480
Speaker 1: Rules, And the first one you said was rule of

652
00:35:08,560 --> 00:35:11,680
Speaker 1: Two's but that's not in the core nine, is that right?

653
00:35:11,680 --> 00:35:17,680
Speaker 3: That's not tendum the by laws of comedy.

654
00:35:18,120 --> 00:35:19,760
Speaker 2: Well, we don't have to go into all of those,

655
00:35:19,840 --> 00:35:22,200
Speaker 2: but let's do the nine was.

656
00:35:27,640 --> 00:35:32,120
Speaker 3: And it's not the rule too. So the characters must

657
00:35:32,200 --> 00:35:33,400
Speaker 3: already know each other.

658
00:35:33,320 --> 00:35:35,280
Speaker 1: Before the scenes, and for how long?

659
00:35:35,680 --> 00:35:36,480
Speaker 3: For two years?

660
00:35:36,920 --> 00:35:37,720
Speaker 1: Two years?

661
00:35:38,880 --> 00:35:40,200
Speaker 3: They called that the two year rule.

662
00:35:40,320 --> 00:35:44,560
Speaker 2: They're blowing out a candle on their friendship cake.

663
00:35:44,719 --> 00:35:46,959
Speaker 1: So interesting that the rules twos didn't make the list,

664
00:35:47,000 --> 00:35:50,359
Speaker 1: but the two year rule did. It follows the rule

665
00:35:50,360 --> 00:35:52,359
Speaker 1: of neither of them is rule numbers. Both of them

666
00:35:52,360 --> 00:35:54,520
Speaker 1: are rule number one.

667
00:35:54,560 --> 00:35:57,239
Speaker 3: Well one's bylaw number one right right right right right

668
00:35:57,320 --> 00:35:59,080
Speaker 3: right right right right, And so yeah, you want to

669
00:35:59,120 --> 00:36:01,920
Speaker 3: have like two years of history between every character.

670
00:36:01,640 --> 00:36:04,320
Speaker 2: On your So anything I watch where there's a meet cute,

671
00:36:04,840 --> 00:36:06,799
Speaker 2: they know each other for two years, they've known each

672
00:36:06,800 --> 00:36:09,759
Speaker 2: other for two years. And that means all the characters,

673
00:36:10,320 --> 00:36:14,960
Speaker 2: well there's exactly two years in the past, met simultaneously

674
00:36:16,080 --> 00:36:19,920
Speaker 2: and you're you're seeing them exactly two years after they.

675
00:36:20,520 --> 00:36:21,600
Speaker 1: All met at once.

676
00:36:21,719 --> 00:36:23,480
Speaker 2: Did they have to remember for each other?

677
00:36:24,120 --> 00:36:26,680
Speaker 3: No, So that's like a classic workarounds. They cannot remember

678
00:36:26,719 --> 00:36:30,960
Speaker 3: each other. And this is what we do. We pitch

679
00:36:31,000 --> 00:36:32,160
Speaker 3: on these kind of things.

680
00:36:32,400 --> 00:36:45,040
Speaker 2: Well I do what how do that stuff get on

681
00:36:45,080 --> 00:36:49,480
Speaker 2: your computer? It's caked on.

682
00:36:49,480 --> 00:36:52,000
Speaker 3: It's caked on. I'm kind of a greasy guy. I'm

683
00:36:52,040 --> 00:36:55,279
Speaker 3: a very naturally greasy person. So it's a lot of

684
00:36:55,280 --> 00:37:00,239
Speaker 3: touching face touching. You touch it because you like want

685
00:37:00,239 --> 00:37:02,279
Speaker 3: to get in the screen and touch it. Yeah, you say,

686
00:37:02,360 --> 00:37:03,600
Speaker 3: give me that, give me that.

687
00:37:05,840 --> 00:37:09,239
Speaker 2: How the back get like that though? But it's in

688
00:37:09,320 --> 00:37:11,960
Speaker 2: your bag, yeah, and you have to reach in there

689
00:37:11,960 --> 00:37:14,399
Speaker 2: and like be grabbed in the bag.

690
00:37:16,760 --> 00:37:19,840
Speaker 1: Sometimes you put a projector onto the back of the screen.

691
00:37:19,640 --> 00:37:23,800
Speaker 3: You know, I know, to use that as project.

692
00:37:24,840 --> 00:37:27,840
Speaker 2: Yeah, you use you use that as project.

693
00:37:28,080 --> 00:37:29,839
Speaker 3: They get a little cars around. It's a little drive

694
00:37:29,840 --> 00:37:33,600
Speaker 3: in theater. That's the rule number two for comedy right now.

695
00:37:33,680 --> 00:37:36,719
Speaker 1: Okay, rule number two is the little imagine. So make

696
00:37:36,760 --> 00:37:40,719
Speaker 1: that just just for me, Make that a one sentence rule.

697
00:37:44,840 --> 00:37:46,839
Speaker 3: Set up your laptop like a little drive in theater

698
00:37:46,960 --> 00:37:48,120
Speaker 3: with little cars everyone.

699
00:37:48,640 --> 00:37:54,320
Speaker 2: Yeah, yeah, it is helpful. Only seven to go imagine

700
00:37:54,360 --> 00:37:59,080
Speaker 2: your audience. Like that's who you're serving, right, like like

701
00:37:59,160 --> 00:38:03,960
Speaker 2: the people in those little cars to watch the watch.

702
00:38:03,719 --> 00:38:04,719
Speaker 1: The show on Netflix.

703
00:38:05,600 --> 00:38:06,000
Speaker 3: Mm hmm.

704
00:38:07,360 --> 00:38:12,680
Speaker 1: There's a cafeteria falling off Netflix. Netflix calf better or

705
00:38:12,719 --> 00:38:14,600
Speaker 1: worse than it was when we were there.

706
00:38:16,000 --> 00:38:18,480
Speaker 3: Look, they were amazing creative partners.

707
00:38:19,000 --> 00:38:19,280
Speaker 1: Mhm.

708
00:38:19,880 --> 00:38:20,960
Speaker 3: Cafeteria not great.

709
00:38:22,000 --> 00:38:24,560
Speaker 2: Do you know why I think that that is? I

710
00:38:24,600 --> 00:38:29,120
Speaker 2: heard that they they made another one, and they told

711
00:38:29,120 --> 00:38:31,359
Speaker 2: everyone else that like this is actually the real one,

712
00:38:32,719 --> 00:38:36,040
Speaker 2: and we're gonna just like let this up. Let the

713
00:38:36,120 --> 00:38:38,440
Speaker 2: old one just be Collins now.

714
00:38:38,920 --> 00:38:39,239
Speaker 1: M hm.

715
00:38:40,480 --> 00:38:42,760
Speaker 3: That's in a way that's flattering that they're like working

716
00:38:42,800 --> 00:38:43,880
Speaker 3: whole systems around me.

717
00:38:44,239 --> 00:38:44,640
Speaker 1: Mm hmm.

718
00:38:44,880 --> 00:38:47,279
Speaker 2: Yeah, But in another way it's really not.

719
00:38:49,520 --> 00:38:53,359
Speaker 1: Because they don't want you to have access to the main cafeteria.

720
00:38:53,560 --> 00:38:58,320
Speaker 2: The combination of the combination of sneaking in Clams Casino,

721
00:38:59,320 --> 00:39:01,800
Speaker 2: which is not like sneaking in food is not something

722
00:39:02,680 --> 00:39:06,080
Speaker 2: you have to do, Yeah, not necessarily at all.

723
00:39:05,080 --> 00:39:07,920
Speaker 3: But I like to do it. Yeah, it makes me

724
00:39:07,960 --> 00:39:08,520
Speaker 3: feel safe.

725
00:39:08,600 --> 00:39:14,279
Speaker 1: The danger makes you safe and sick taking more of

726
00:39:14,320 --> 00:39:15,000
Speaker 1: their food.

727
00:39:15,760 --> 00:39:17,920
Speaker 2: So eating the Clams Casino there in a very like

728
00:39:18,040 --> 00:39:20,480
Speaker 2: secret way out of there.

729
00:39:21,520 --> 00:39:23,360
Speaker 1: And then yeah, you know, out of your shirt pocket,

730
00:39:23,920 --> 00:39:26,680
Speaker 1: you finish the Clams Casino and you go, boy, I'm famished.

731
00:39:26,719 --> 00:39:29,040
Speaker 1: I haven't eaten anything today, have and had any Clams

732
00:39:29,040 --> 00:39:32,400
Speaker 1: Casino or anything what's it in the cafeteria. As if

733
00:39:32,440 --> 00:39:34,640
Speaker 1: they wouldn't allow you to eat the cafeteria if they

734
00:39:34,719 --> 00:39:38,440
Speaker 1: knew you had food before, and then you just start

735
00:39:39,040 --> 00:39:46,120
Speaker 1: piling heaps of like what I would consider salad dressing.

736
00:39:47,120 --> 00:39:48,960
Speaker 2: But you somehow the entre.

737
00:39:49,040 --> 00:39:50,960
Speaker 3: I'm so comfortable with my bodies that I love talking

738
00:39:50,960 --> 00:39:53,560
Speaker 3: about eating and eating a lot of food. That's really

739
00:39:53,600 --> 00:39:54,600
Speaker 3: cool for me to get to do.

740
00:39:55,000 --> 00:40:01,560
Speaker 2: Kevin's gonna zoom in on, you know, on all the food.

741
00:40:01,640 --> 00:40:05,759
Speaker 2: So it's yeah, I I I want to get to

742
00:40:05,800 --> 00:40:06,640
Speaker 2: the other rules.

743
00:40:07,960 --> 00:40:09,160
Speaker 3: Please let's please get back.

744
00:40:09,239 --> 00:40:16,520
Speaker 1: I worry we haven't really talked about the show in

745
00:40:16,520 --> 00:40:19,439
Speaker 1: a way that's going to make anybody watch this thing.

746
00:40:19,960 --> 00:40:23,440
Speaker 3: Yeah, almost like it would be a really bad idea

747
00:40:23,440 --> 00:40:25,960
Speaker 3: to come on and promote your show this way or something. Yeah,

748
00:40:27,000 --> 00:40:29,839
Speaker 3: that would talk about that. Let's talk about what the show.

749
00:40:30,640 --> 00:40:34,320
Speaker 1: Well, who's talking in it, who's talking in it, who's

750
00:40:34,320 --> 00:40:36,919
Speaker 1: doing their their stuff getting their ship off.

751
00:40:36,920 --> 00:40:41,680
Speaker 3: We got Adam Scott, we got James, Oh, you got

752
00:40:41,719 --> 00:40:47,839
Speaker 3: Stephen root up and comers, Shannon Hiszella is an amazing act.

753
00:40:50,200 --> 00:40:53,480
Speaker 1: These are good, right, this is getting a good reaction from.

754
00:40:53,640 --> 00:40:54,200
Speaker 3: This is nice.

755
00:40:54,320 --> 00:40:56,319
Speaker 2: Just tell us how to if there's anyone that we're

756
00:40:56,360 --> 00:41:00,600
Speaker 2: supposed to be like, oh, well you whatever?

757
00:41:01,200 --> 00:41:04,160
Speaker 3: Through Tarvor is like in a recurring role in it?

758
00:41:04,360 --> 00:41:06,920
Speaker 1: How want.

759
00:41:08,640 --> 00:41:10,600
Speaker 2: For season two? If you need to, like go back

760
00:41:10,640 --> 00:41:13,279
Speaker 2: to Netflix and be like, see people don't or just like.

761
00:41:13,360 --> 00:41:16,319
Speaker 1: Drew wants to renegotiate and you just got to go like, well,

762
00:41:16,360 --> 00:41:18,200
Speaker 1: a lot of the feedback we got on you was

763
00:41:18,239 --> 00:41:30,920
Speaker 1: actually that like you're less valuable people. Yeah, some like Okay.

764
00:41:27,520 --> 00:41:31,840
Speaker 3: That's that's it, and then featured people.

765
00:41:31,960 --> 00:41:34,920
Speaker 2: Well, I'll tell Ben that he didn't make the list.

766
00:41:35,120 --> 00:41:38,839
Speaker 3: Ben Rogers is on the list. What do you guys

767
00:41:38,840 --> 00:41:39,520
Speaker 3: feel about Ben?

768
00:41:40,800 --> 00:41:43,440
Speaker 1: It changes all the time? Is he like changing all

769
00:41:43,480 --> 00:41:44,200
Speaker 1: the time? You know?

770
00:41:44,280 --> 00:41:47,680
Speaker 2: And sometimes when he sometimes when you see sometimes when

771
00:41:47,680 --> 00:41:49,680
Speaker 2: he does like doing.

772
00:41:49,440 --> 00:41:52,799
Speaker 1: A thing that could be good, it could be, it

773
00:41:52,840 --> 00:41:54,280
Speaker 1: could be, it could be.

774
00:41:54,880 --> 00:41:56,840
Speaker 2: You know, not necessarily saying that it is.

775
00:41:57,080 --> 00:41:58,920
Speaker 3: Could be, could be.

776
00:41:59,760 --> 00:42:06,880
Speaker 1: So, so, what did you feel was being brought to

777
00:42:06,920 --> 00:42:10,719
Speaker 1: the table by these people that I couldn't provide so

778
00:42:10,760 --> 00:42:13,399
Speaker 1: that I can work on my stuff? We know where

779
00:42:13,400 --> 00:42:15,960
Speaker 1: you got your chops? They just showed up me. I

780
00:42:16,040 --> 00:42:18,680
Speaker 1: gotta actually get in the elab and work on this shit. Embarrassing,

781
00:42:18,760 --> 00:42:23,720
Speaker 1: I know, but I actually do put some time into

782
00:42:23,880 --> 00:42:29,600
Speaker 1: my craft. And what is it that was missing that

783
00:42:29,680 --> 00:42:31,680
Speaker 1: I can hopefully generate for next time?

784
00:42:31,719 --> 00:42:33,279
Speaker 3: Well, you know, I think you kind of hit the

785
00:42:33,400 --> 00:42:34,880
Speaker 3: nail on the head there, or these are kind of

786
00:42:34,880 --> 00:42:38,000
Speaker 3: people who don't have to like it's like effortless for them.

787
00:42:38,040 --> 00:42:41,759
Speaker 3: They it's not you know, they're not engineers, they're artists there.

788
00:42:41,760 --> 00:42:43,680
Speaker 3: It's like they hear the music and they dance.

789
00:42:43,800 --> 00:42:47,239
Speaker 1: Adam Scott's lazy, is what you're saying. Was it my

790
00:42:47,320 --> 00:42:49,759
Speaker 1: experience working with him? Really hard working guy when I've

791
00:42:49,800 --> 00:42:54,520
Speaker 1: engaged with him. But I guess on your show Ones In, Yeah.

792
00:42:54,160 --> 00:42:56,239
Speaker 3: Yeah, I guess I could say that he just comes in,

793
00:42:56,360 --> 00:42:58,239
Speaker 3: he does it and leaves. You know, he's a very

794
00:42:58,280 --> 00:43:00,799
Speaker 3: professional guy, like a sniper. Get him on the show

795
00:43:01,560 --> 00:43:02,360
Speaker 3: on this show.

796
00:43:04,040 --> 00:43:08,719
Speaker 2: Something Something, We gave you the whole episode to do.

797
00:43:08,920 --> 00:43:11,960
Speaker 1: You did your quiz, but it didn't feel like a

798
00:43:12,040 --> 00:43:13,200
Speaker 1: quiz to me at all.

799
00:43:13,520 --> 00:43:14,080
Speaker 3: I didn't.

800
00:43:16,000 --> 00:43:19,440
Speaker 2: What's your what's your like? What are you hoping to

801
00:43:19,560 --> 00:43:20,359
Speaker 2: extract from him?

802
00:43:20,400 --> 00:43:20,560
Speaker 1: Then?

803
00:43:20,800 --> 00:43:23,240
Speaker 2: Like, do you have something else that you're like with Adam?

804
00:43:23,320 --> 00:43:23,560
Speaker 1: Yeah?

805
00:43:23,680 --> 00:43:26,719
Speaker 2: Like a card that you're waiting to play that you're like,

806
00:43:26,880 --> 00:43:28,040
Speaker 2: is not available to us.

807
00:43:28,480 --> 00:43:30,959
Speaker 1: He's doing the show, so he owes you at least

808
00:43:31,000 --> 00:43:35,799
Speaker 1: one favorite. You're not using it for this, So.

809
00:43:37,920 --> 00:43:38,400
Speaker 2: What is it?

810
00:43:38,440 --> 00:43:40,360
Speaker 3: Would love to get him on bang bang. You know

811
00:43:40,440 --> 00:43:40,840
Speaker 3: that would be.

812
00:43:40,880 --> 00:43:43,479
Speaker 1: Nice, get him on banging. That's what you do.

813
00:43:46,840 --> 00:43:51,240
Speaker 2: Did you get it out to them?

814
00:43:51,360 --> 00:43:51,920
Speaker 1: They're packed?

815
00:43:52,000 --> 00:43:53,799
Speaker 2: Huh, look at the time.

816
00:43:54,040 --> 00:43:54,400
Speaker 1: Bye,