1 00:00:01,040 --> 00:00:04,800 Speaker 1: Look man, oh, I see you? Why why? And look 2 00:00:04,840 --> 00:00:12,879 Speaker 1: over there? How is that culture? Yes? Goodness ding dongst culture? 3 00:00:14,520 --> 00:00:17,960 Speaker 1: The seventh well day, the seventh day of culture. We're 4 00:00:17,960 --> 00:00:21,360 Speaker 1: finishing out the first week, or we're starting the second week. 5 00:00:21,400 --> 00:00:23,959 Speaker 1: It's second half of days of culture. Here's the deal. 6 00:00:24,079 --> 00:00:26,000 Speaker 1: If you're thinking of a week, as in seven days, 7 00:00:26,200 --> 00:00:28,560 Speaker 1: then baby, we're closing up the first week. But if 8 00:00:28,560 --> 00:00:31,319 Speaker 1: you're thinking about like a weekday such, I don't know. 9 00:00:31,360 --> 00:00:33,040 Speaker 1: I really don't know how it works out. Can I 10 00:00:33,040 --> 00:00:36,040 Speaker 1: tell you something? I'm a little cur babble and you're 11 00:00:36,080 --> 00:00:40,280 Speaker 1: fanning yourself, reader, he is fanning himself. What's up? Um? Well, 12 00:00:40,320 --> 00:00:43,240 Speaker 1: a few things happened today. One I ordered a candle 13 00:00:43,280 --> 00:00:44,600 Speaker 1: in the mail and I opened it up and the 14 00:00:44,600 --> 00:00:47,800 Speaker 1: glass was broken everywhere and now my my, my fraser 15 00:00:47,880 --> 00:00:52,480 Speaker 1: fur candle is usual. I'm so sorry, and so the side. 16 00:00:52,600 --> 00:00:55,280 Speaker 1: The other thing is Hans isn't in the chat today? 17 00:00:55,280 --> 00:00:59,520 Speaker 1: Why does that perturbute so? Well? I just like his energy. 18 00:01:00,080 --> 00:01:02,280 Speaker 1: I like when he like you know, can chimes in 19 00:01:02,560 --> 00:01:06,600 Speaker 1: and you know, you're just whenever I have feelings for him, 20 00:01:06,640 --> 00:01:08,760 Speaker 1: so do I today? Do you know who texted us 21 00:01:08,800 --> 00:01:13,040 Speaker 1: pictures of his wedding, you bitch. Darcy Carden texted us 22 00:01:13,080 --> 00:01:17,360 Speaker 1: pictures of his wedding. Gorgeous wedding and he and his 23 00:01:17,400 --> 00:01:21,880 Speaker 1: wife looks so stunning together, so wonderful. We miss him, 24 00:01:22,040 --> 00:01:24,000 Speaker 1: We just miss him as all. So I'm happy that 25 00:01:24,040 --> 00:01:25,440 Speaker 1: you share this with me. I knew there was like 26 00:01:25,440 --> 00:01:27,560 Speaker 1: a funk, and now we can put a name to it. 27 00:01:27,560 --> 00:01:31,360 Speaker 1: It's just like Also today I'm a little bit like 28 00:01:31,400 --> 00:01:34,399 Speaker 1: sort of like I don't know what to expect because today, 29 00:01:34,480 --> 00:01:36,880 Speaker 1: like we're only a few hours away from Evermore. Oh yeah, 30 00:01:36,880 --> 00:01:41,000 Speaker 1: we're recording this on December tenth, were three hours away 31 00:01:41,000 --> 00:01:44,119 Speaker 1: from Evermore being released. How well? I wanted to ask you, like, 32 00:01:44,200 --> 00:01:46,479 Speaker 1: what's the deal? Like, I feel like we usually would 33 00:01:46,480 --> 00:01:48,120 Speaker 1: be we'd be so excited, but I feel like there's 34 00:01:48,120 --> 00:01:51,200 Speaker 1: some trepidation in the air. Are you trepidacious? A little 35 00:01:51,200 --> 00:01:55,320 Speaker 1: bit me too? Oh no, well, I mean I texted 36 00:01:55,360 --> 00:01:57,080 Speaker 1: you before and I was like, oh my god, can 37 00:01:57,160 --> 00:01:59,680 Speaker 1: you believe in your energy? Was no? No, No, that 38 00:01:59,760 --> 00:02:03,920 Speaker 1: was just I'm so sorry, Gruna, it was no. But honestly, 39 00:02:04,080 --> 00:02:07,840 Speaker 1: I really don't have to. Don't don't take on mine? 40 00:02:08,440 --> 00:02:11,760 Speaker 1: What is your no? I'm telling you, I'm like I 41 00:02:11,760 --> 00:02:14,000 Speaker 1: wouldn't describe the way I feel about her album coming 42 00:02:14,000 --> 00:02:18,720 Speaker 1: out as excited. I would say I'm I'm borderline, I'm trepidacious, 43 00:02:18,720 --> 00:02:21,799 Speaker 1: I'm borderline concerned. I don't want these to be folklore 44 00:02:21,919 --> 00:02:26,080 Speaker 1: bec And thank you for saying that, my queen queen, 45 00:02:26,600 --> 00:02:31,600 Speaker 1: because I think folklore is so special, truly, Like folklore 46 00:02:31,680 --> 00:02:34,160 Speaker 1: came at a time like think about it, like and 47 00:02:34,360 --> 00:02:37,560 Speaker 1: like the middle of July, like we were all sort 48 00:02:37,560 --> 00:02:40,000 Speaker 1: of I mean like we're all sort of thawing from 49 00:02:40,040 --> 00:02:44,480 Speaker 1: like the initial quarantine like trauma, and then it felt 50 00:02:44,480 --> 00:02:46,679 Speaker 1: like an exhale, It felt like an X. It made 51 00:02:46,720 --> 00:02:50,919 Speaker 1: me think like it was I'm still processing. And honestly, 52 00:02:51,360 --> 00:02:53,560 Speaker 1: I think I don't think we're the only Swifties who 53 00:02:53,560 --> 00:02:56,160 Speaker 1: feel this way. I think a lot of Taylor swift Nation, 54 00:02:56,200 --> 00:02:59,040 Speaker 1: Tailor Nation feels this way. I mean a lot of 55 00:02:59,080 --> 00:03:02,200 Speaker 1: Tailor Nation, And I think is sort of of course, 56 00:03:02,320 --> 00:03:04,800 Speaker 1: we're always fever. And by the way, when this episode 57 00:03:04,840 --> 00:03:07,480 Speaker 1: comes out, by the time people hear this, the verdict 58 00:03:07,480 --> 00:03:09,880 Speaker 1: will be out on whether or not this was folklore 59 00:03:09,960 --> 00:03:15,560 Speaker 1: beside City or another gorgeous creation. And I believe that 60 00:03:15,639 --> 00:03:20,360 Speaker 1: we're very sort of susceptible to getting both. So I'm 61 00:03:20,440 --> 00:03:25,440 Speaker 1: praying for art. You are, I see are in time 62 00:03:25,480 --> 00:03:31,440 Speaker 1: I walked in on Matt Rodgers on his knees, if 63 00:03:31,480 --> 00:03:34,320 Speaker 1: you can believe it, hands to the floor. I was, 64 00:03:35,000 --> 00:03:37,080 Speaker 1: And then he raised them to the sky and then 65 00:03:37,080 --> 00:03:39,360 Speaker 1: I raised them. I did. I raised them high. And 66 00:03:39,720 --> 00:03:41,680 Speaker 1: it was only then that I was able to really 67 00:03:41,760 --> 00:03:45,960 Speaker 1: call out art, like I'm praying for art, please art, 68 00:03:46,640 --> 00:03:50,720 Speaker 1: And that day what happens? That was the day of folklore. 69 00:03:51,240 --> 00:03:54,119 Speaker 1: If it's good, know that I prayed after this episode. 70 00:03:54,120 --> 00:03:56,080 Speaker 1: And if it's bad, no that I chose to save 71 00:03:56,160 --> 00:03:58,760 Speaker 1: my save my prayers for all. You might as well 72 00:03:59,200 --> 00:04:02,600 Speaker 1: throw a dart to the board on and use up 73 00:04:02,640 --> 00:04:05,240 Speaker 1: one of these prayers on one of the fifty new 74 00:04:05,400 --> 00:04:09,240 Speaker 1: Star Wars things that have been announced today, or did 75 00:04:09,280 --> 00:04:12,520 Speaker 1: you see this? I think that some of them show potential. 76 00:04:12,920 --> 00:04:14,640 Speaker 1: I think that some of them show art potential, and 77 00:04:14,680 --> 00:04:16,880 Speaker 1: I might pray for them, such as the Rosario Dawson 78 00:04:18,040 --> 00:04:19,599 Speaker 1: h s and that font and I was like, is 79 00:04:19,600 --> 00:04:22,560 Speaker 1: this an a Star Wars American horror story? And then 80 00:04:22,600 --> 00:04:26,039 Speaker 1: I was like, okay, okay, babe, it's a Rosario Dawson vehicle. 81 00:04:26,240 --> 00:04:28,719 Speaker 1: You as someone who is a Star Wars fan and 82 00:04:28,960 --> 00:04:32,159 Speaker 1: as someone who well, you just said something so interesting, 83 00:04:32,160 --> 00:04:34,359 Speaker 1: which is some of them show potential, which like is 84 00:04:34,400 --> 00:04:37,560 Speaker 1: that what we're settling for now? Like twelve new products 85 00:04:37,560 --> 00:04:40,160 Speaker 1: get announced and we're like, few, Yeah, some of those 86 00:04:40,200 --> 00:04:43,279 Speaker 1: look good. Shouldn't they all look good? Well, at a 87 00:04:43,279 --> 00:04:45,359 Speaker 1: certain point, it's just gonna be like somebody said this 88 00:04:45,400 --> 00:04:47,640 Speaker 1: on Twitter today, but it's just gonna be like TV 89 00:04:48,000 --> 00:04:50,640 Speaker 1: and Star Wars like regular TV and then Star Wars 90 00:04:50,640 --> 00:04:53,720 Speaker 1: it's like Marvel and it's just there's I was kind 91 00:04:53,720 --> 00:04:56,320 Speaker 1: of shocked when I saw it. I mean literally literally 92 00:04:56,480 --> 00:05:00,320 Speaker 1: it feels even more they're taking over comp really, I 93 00:05:00,360 --> 00:05:03,640 Speaker 1: mean it's like the universes are gonna be create. We've 94 00:05:03,640 --> 00:05:06,360 Speaker 1: got to be careful with this Disney girl. This Disney 95 00:05:06,360 --> 00:05:11,000 Speaker 1: girl walked in and we have been suspicious this young 96 00:05:11,120 --> 00:05:13,400 Speaker 1: girl Disney, Like this is my This is sort of 97 00:05:13,440 --> 00:05:16,280 Speaker 1: goes back to my concern though with the Taylor evermore 98 00:05:16,320 --> 00:05:18,560 Speaker 1: of it all, because it's just like, is this just 99 00:05:18,560 --> 00:05:21,320 Speaker 1: gonna the is gonna be actual stories that we care 100 00:05:21,320 --> 00:05:24,799 Speaker 1: about because like we're able to invest in actual, real 101 00:05:25,200 --> 00:05:27,360 Speaker 1: good new content or is it going to feel like 102 00:05:27,560 --> 00:05:32,480 Speaker 1: Star Wars B sides You shouldn't give just because you 103 00:05:32,560 --> 00:05:36,600 Speaker 1: can't give like what you give, as I want to say, 104 00:05:36,720 --> 00:05:41,720 Speaker 1: as an artist or as I should be, should be, 105 00:05:41,800 --> 00:05:43,760 Speaker 1: I don't know like that. I don't I don't want. 106 00:05:43,960 --> 00:05:47,320 Speaker 1: I don't need Star Wars for the sake of Star Wars. 107 00:05:47,440 --> 00:05:50,280 Speaker 1: I think that that's that's the point that I'm making. 108 00:05:50,320 --> 00:05:53,040 Speaker 1: Don't give me b sides of the ship I already liked, 109 00:05:53,040 --> 00:05:57,279 Speaker 1: like I'd rather maybe this is just me be someone 110 00:05:57,320 --> 00:05:59,760 Speaker 1: that discovers something now. I also saw there making new 111 00:05:59,760 --> 00:06:02,400 Speaker 1: indie on of Jones stuff. Um what I what I 112 00:06:02,400 --> 00:06:04,040 Speaker 1: thought was cool was like I hadn't heard of a 113 00:06:04,080 --> 00:06:06,080 Speaker 1: lot of the characters before. But then some of it 114 00:06:06,160 --> 00:06:08,120 Speaker 1: is like land, you know what I mean? And this 115 00:06:08,320 --> 00:06:11,839 Speaker 1: that the other thing which is cool. Donald, I think 116 00:06:12,720 --> 00:06:16,640 Speaker 1: let's go back to evermore, um, I will say before 117 00:06:16,720 --> 00:06:20,800 Speaker 1: before we move on from Star Wars. Though peripherally related, um, Marvel, 118 00:06:20,880 --> 00:06:23,320 Speaker 1: But I am getting excited about this new Spiderman movie 119 00:06:23,360 --> 00:06:26,680 Speaker 1: though oh yeah, because it sounds like a sort of 120 00:06:26,800 --> 00:06:30,279 Speaker 1: drag event. Doctor Strange is doing like another sequel that's 121 00:06:30,560 --> 00:06:35,039 Speaker 1: like about multiverses even more than the original. But then 122 00:06:35,200 --> 00:06:37,120 Speaker 1: but you know how like Jamie Foxx got signed on 123 00:06:37,240 --> 00:06:39,680 Speaker 1: to this third one, with Tom Holland. He was the 124 00:06:39,720 --> 00:06:43,960 Speaker 1: villain in Spiderman The Amazing Spider Man two, so he 125 00:06:44,120 --> 00:06:48,680 Speaker 1: was so he was um Andrew Garfield Spiderman villain, and 126 00:06:48,680 --> 00:06:50,840 Speaker 1: then Alfred for Alfred Maline did come back in as 127 00:06:50,880 --> 00:06:53,719 Speaker 1: Toby McGuire Spiderman villain. They're they're taught like someone picked 128 00:06:53,800 --> 00:06:58,520 Speaker 1: up a hint in Spiderman two, like j Jamison is 129 00:06:58,520 --> 00:07:00,160 Speaker 1: trying to come up with the name for Doc and 130 00:07:00,200 --> 00:07:02,400 Speaker 1: then someone pitches him doctor Strange. He goes, that's already 131 00:07:02,440 --> 00:07:05,680 Speaker 1: been taken. So like people are like in Marvel World 132 00:07:05,720 --> 00:07:07,640 Speaker 1: are like, wait a minute, that's a hint or that's 133 00:07:07,640 --> 00:07:09,440 Speaker 1: not a hint. It's just like a really clever tie 134 00:07:09,480 --> 00:07:12,040 Speaker 1: in where it's like doctor Strange already exists in Toby 135 00:07:12,080 --> 00:07:16,000 Speaker 1: maguire universe. So that's so that means that there's portals 136 00:07:16,040 --> 00:07:19,040 Speaker 1: for Doctor Strange in Tom Holland universe to open a 137 00:07:19,120 --> 00:07:23,160 Speaker 1: portal multiverse portal there for for Alfred Malina to come 138 00:07:23,160 --> 00:07:26,760 Speaker 1: in and Jamie Foxx to come in from um uh 139 00:07:26,840 --> 00:07:31,160 Speaker 1: Andrew Garfield multiverse. But then potentially there's rumors that Toby 140 00:07:31,200 --> 00:07:34,840 Speaker 1: and Kirston are signing on for this one. I saw 141 00:07:34,880 --> 00:07:38,040 Speaker 1: that Kirston was rumored and that so was Emma Stone, 142 00:07:38,240 --> 00:07:41,120 Speaker 1: And I know Zendai is like currently shooting. It would 143 00:07:41,160 --> 00:07:43,760 Speaker 1: be like an Avenger style thing. But it's like, I 144 00:07:43,880 --> 00:07:46,720 Speaker 1: wh I like that kind of is very cool to me. No, 145 00:07:46,840 --> 00:07:50,120 Speaker 1: it appeals to me. I mean, look, I love I 146 00:07:50,200 --> 00:07:53,520 Speaker 1: love I love a stunt cast moment, like we just 147 00:07:53,560 --> 00:07:56,720 Speaker 1: talked about it on our episode with when someone comes 148 00:07:56,760 --> 00:08:01,080 Speaker 1: in and the moment. Yes, that's what you need, and 149 00:08:01,120 --> 00:08:05,000 Speaker 1: so a full movie that's about that. I just drink 150 00:08:05,040 --> 00:08:08,800 Speaker 1: it when speaking No, no, no, I'm just like Kirstens 151 00:08:09,200 --> 00:08:11,560 Speaker 1: as m J again next to Zenda as m J. 152 00:08:12,080 --> 00:08:15,120 Speaker 1: Get out forget it? Yeah please? I mean you cut 153 00:08:15,160 --> 00:08:17,560 Speaker 1: back from us earlier saying I don't know about Disney 154 00:08:17,560 --> 00:08:22,400 Speaker 1: to us fully simping for Spider Man, for all the 155 00:08:22,440 --> 00:08:26,000 Speaker 1: Spider Man cash cows to come together. Whatever we're dumb? 156 00:08:26,800 --> 00:08:28,920 Speaker 1: Can I ask a question before we move on? What 157 00:08:29,040 --> 00:08:33,200 Speaker 1: is a like simping came in? Okay, but what does 158 00:08:33,240 --> 00:08:35,679 Speaker 1: it mean? What is it's the same grammar rules as 159 00:08:35,760 --> 00:08:40,840 Speaker 1: Stan It's like, I simple you and that shirt. I 160 00:08:40,960 --> 00:08:43,160 Speaker 1: understand what it is and how it's used, and I'm 161 00:08:43,280 --> 00:08:45,520 Speaker 1: ready to start doing that. But I as someone who 162 00:08:45,600 --> 00:08:46,960 Speaker 1: is in the culture. I want to know where the 163 00:08:46,960 --> 00:08:50,120 Speaker 1: culture I'm using comes from. So Stan, it comes from 164 00:08:50,120 --> 00:08:52,840 Speaker 1: eminem song Stan, but what where does say? I don't 165 00:08:52,840 --> 00:08:56,400 Speaker 1: know the etymology on it. Fully, I think it's more 166 00:08:56,920 --> 00:08:59,920 Speaker 1: I honestly em embracing it as a more general use. Hopefully, 167 00:09:00,120 --> 00:09:02,680 Speaker 1: I think I believe it's like, maybe it's not meant 168 00:09:02,720 --> 00:09:05,200 Speaker 1: to be this functionally, but I feel like it is. 169 00:09:05,760 --> 00:09:09,440 Speaker 1: You were very early on the whole stand is using 170 00:09:09,520 --> 00:09:13,880 Speaker 1: stand an eminem term is a bummer for queer people, right, 171 00:09:14,000 --> 00:09:16,880 Speaker 1: And I still do it because it's become so inting 172 00:09:17,640 --> 00:09:19,880 Speaker 1: our way out. It's our little exit strategy. It's our 173 00:09:19,920 --> 00:09:21,800 Speaker 1: hatch store, you know. I think I think you can 174 00:09:21,840 --> 00:09:24,480 Speaker 1: do that, okay, So, and I'll be honest with you. 175 00:09:25,000 --> 00:09:29,199 Speaker 1: Stan has become, like um, a part of the vocabulary 176 00:09:29,240 --> 00:09:32,000 Speaker 1: of our life in a way that it almost rolls 177 00:09:32,040 --> 00:09:34,480 Speaker 1: off the tongue now, So it'll be hard, but I 178 00:09:34,559 --> 00:09:38,720 Speaker 1: do like saying symplmore like to me, that is a 179 00:09:38,760 --> 00:09:43,680 Speaker 1: more satisfying landing place. You want to know, when I 180 00:09:43,760 --> 00:09:46,800 Speaker 1: knew that Stan was kind of over for me, it 181 00:09:47,120 --> 00:09:51,680 Speaker 1: will never be really over Katy Perry, but I, you know, 182 00:09:51,720 --> 00:09:54,120 Speaker 1: would like pick up on people like our lovely most 183 00:09:54,120 --> 00:09:56,760 Speaker 1: recent guest, just like kind of making fun of it, 184 00:09:56,800 --> 00:10:01,600 Speaker 1: and it's it's it's and literally our second week back 185 00:10:01,640 --> 00:10:02,839 Speaker 1: at work. I don't think you would mind if I 186 00:10:02,840 --> 00:10:05,120 Speaker 1: said this, but um, I was just like kind of 187 00:10:05,240 --> 00:10:07,200 Speaker 1: standing next to Kyle for a bit and we were 188 00:10:07,240 --> 00:10:09,520 Speaker 1: just doing bits, and then in one of his trademark 189 00:10:09,600 --> 00:10:13,000 Speaker 1: Kyle voices, he goes, we stand and I was like, 190 00:10:13,080 --> 00:10:16,480 Speaker 1: oh my god, you know now that not that not 191 00:10:17,320 --> 00:10:20,760 Speaker 1: now that it's becomes use it as meta humor or 192 00:10:20,800 --> 00:10:23,520 Speaker 1: as like a way that to ironically like signal that 193 00:10:23,559 --> 00:10:26,520 Speaker 1: he's someone else. I'm just like, okay, we're done. We're done. 194 00:10:27,720 --> 00:10:31,200 Speaker 1: So I think I think R I P Stan welcome 195 00:10:31,920 --> 00:10:35,160 Speaker 1: simple it's a real culture. It's real culture number because 196 00:10:35,200 --> 00:10:37,319 Speaker 1: it's later on it's a real number. Two D three 197 00:10:37,320 --> 00:10:42,720 Speaker 1: all right peace well before it's another way of saying, 198 00:10:42,960 --> 00:10:46,959 Speaker 1: um Stan is dead long, live long lives shimp. I 199 00:10:47,040 --> 00:10:50,000 Speaker 1: love it. Stan is dead long lives him and actually 200 00:10:50,000 --> 00:10:52,880 Speaker 1: replaced the real culture with that. Everyone Okay, readers at home, 201 00:10:52,960 --> 00:10:55,800 Speaker 1: people that are logging this. It is so decided the 202 00:10:56,120 --> 00:10:59,360 Speaker 1: seventh bit of culture. The thing about it is, um 203 00:10:59,400 --> 00:11:02,600 Speaker 1: this was huge culture. This is blockbuster culture, and so were. 204 00:11:02,720 --> 00:11:05,000 Speaker 1: Everything we've been talking about is really just kind of 205 00:11:05,360 --> 00:11:09,319 Speaker 1: blockbuster culture. I mean, Taylor's releasing an album that's blockbuster culture. 206 00:11:09,559 --> 00:11:13,440 Speaker 1: I mean this idea of the spider Man three studcast 207 00:11:13,559 --> 00:11:18,440 Speaker 1: so that we can help create this communal um culture 208 00:11:18,640 --> 00:11:22,440 Speaker 1: moment that I think we saw truly created by a 209 00:11:22,440 --> 00:11:26,840 Speaker 1: certain film that's sold to the top of the in 210 00:11:26,920 --> 00:11:42,960 Speaker 1: the mid nineteen seventies. Are you ready for it? June nineteen, 211 00:11:46,960 --> 00:11:52,520 Speaker 1: talk about this. This was big attacking fish culture. This 212 00:11:52,640 --> 00:11:54,920 Speaker 1: was cuckoo you never wanted to go on the water 213 00:11:55,000 --> 00:12:01,360 Speaker 1: again culture. This was done done soundtrack sing culture. The 214 00:12:01,480 --> 00:12:11,760 Speaker 1: girl that is the most beautiful song due du don't 215 00:12:11,800 --> 00:12:14,520 Speaker 1: don't the way I'm rolling two about the way that 216 00:12:14,640 --> 00:12:17,960 Speaker 1: I sexually came. Oh yeah, the way. It's literally a beat. 217 00:12:18,559 --> 00:12:22,200 Speaker 1: Dunt dun dunt dunt dunt dun't drop into the ground 218 00:12:22,320 --> 00:12:24,920 Speaker 1: while this plays. I'm telling you you feel if you 219 00:12:25,200 --> 00:12:27,960 Speaker 1: embrace this song as a sort of sexual call to 220 00:12:28,000 --> 00:12:31,880 Speaker 1: the dance floor, amazing things happen. It's a floor filler. 221 00:12:32,040 --> 00:12:34,800 Speaker 1: The Jaws theme song is ultimately a floor filler. That's 222 00:12:34,800 --> 00:12:40,880 Speaker 1: a role of culture Number ninety nine, The Jaws, the 223 00:12:43,240 --> 00:12:49,800 Speaker 1: ultimately filler floor filler. Baby baby. Has there been any remixes? 224 00:12:49,920 --> 00:12:51,920 Speaker 1: It's it's a it's a forty five year old movie. 225 00:12:51,960 --> 00:12:54,920 Speaker 1: I have a confession to make. It's one of those 226 00:12:55,120 --> 00:13:00,840 Speaker 1: go girl, shut up three words which never seen it? 227 00:13:01,559 --> 00:13:03,440 Speaker 1: Do you hate me? Do you want me to sort 228 00:13:03,440 --> 00:13:05,319 Speaker 1: of tell you? No, I don't hate you? What I don't? 229 00:13:05,360 --> 00:13:07,400 Speaker 1: I hate it at all. I just feel like I 230 00:13:07,440 --> 00:13:08,880 Speaker 1: need to fill in a blank few Can I sort 231 00:13:08,920 --> 00:13:11,880 Speaker 1: of tell you what happens in Jaws? Yes, my sister. 232 00:13:12,120 --> 00:13:17,520 Speaker 1: And if you have any questions, I want you to ask. 233 00:13:22,240 --> 00:13:26,079 Speaker 1: This is the movie DAWs. Number one scene beginning of 234 00:13:26,120 --> 00:13:31,559 Speaker 1: the movie, number one scene, number one scene. So there's 235 00:13:32,040 --> 00:13:33,880 Speaker 1: and Pete, tell me how much you love this? A 236 00:13:33,920 --> 00:13:36,080 Speaker 1: guy and a girl sort of like drinking at a 237 00:13:36,080 --> 00:13:42,400 Speaker 1: bonfire on the beach, and so then they she gets 238 00:13:42,559 --> 00:13:44,199 Speaker 1: like a little drunk and she has running on the 239 00:13:44,240 --> 00:13:47,400 Speaker 1: beach and she's naked. She gets off take off her clothes, 240 00:13:47,559 --> 00:13:49,959 Speaker 1: and he sort of passes out from being drunk. So 241 00:13:50,000 --> 00:13:53,560 Speaker 1: she swims out. He's so drunk he could barely see her. 242 00:13:53,640 --> 00:13:55,920 Speaker 1: She's like taking off her clothes, running away from the 243 00:13:55,960 --> 00:13:58,600 Speaker 1: bonfire on the beach, and she's sort of getting into 244 00:13:58,640 --> 00:14:00,520 Speaker 1: the water and it's very dark. Do you see what 245 00:14:00,520 --> 00:14:03,280 Speaker 1: I'm I don't know about these two people. I think 246 00:14:03,280 --> 00:14:05,440 Speaker 1: they deserve it, as I see, I don't sympathize with 247 00:14:05,480 --> 00:14:08,920 Speaker 1: these characters, Oh my god, even though they're like young 248 00:14:09,040 --> 00:14:12,320 Speaker 1: and we know nothing about them. You're I don't know, 249 00:14:12,440 --> 00:14:16,640 Speaker 1: I think they's sympathetic to me. Also, she's banned anyway, um, 250 00:14:16,679 --> 00:14:19,000 Speaker 1: so she maybe she does deserve it. Her name is 251 00:14:19,080 --> 00:14:21,560 Speaker 1: Christie by the way. And so she runs out into 252 00:14:21,600 --> 00:14:24,640 Speaker 1: the water. You know what happens. And I don't even 253 00:14:24,680 --> 00:14:26,680 Speaker 1: even know about the opening scene of You don't even 254 00:14:26,720 --> 00:14:29,520 Speaker 1: know about the opening scene of Jaws. So this is iconic. 255 00:14:29,720 --> 00:14:37,040 Speaker 1: She's swimming and you see her from and it's like dude, 256 00:14:37,480 --> 00:14:38,920 Speaker 1: and all of a sudden, like you see her go 257 00:14:39,120 --> 00:14:41,000 Speaker 1: get pulled under the water really fast, and she goes 258 00:14:41,760 --> 00:14:45,120 Speaker 1: and then she pulls her again and all of a sudden, 259 00:14:45,160 --> 00:14:53,040 Speaker 1: like she's thrashed around and she's yeah, so Jaws basically 260 00:14:53,040 --> 00:14:55,400 Speaker 1: we don't ever see it. All we see is her 261 00:14:55,720 --> 00:15:00,480 Speaker 1: being thrashed around in the water and liked. And eventually 262 00:15:00,800 --> 00:15:03,600 Speaker 1: she's she's thrown up against like um like a little 263 00:15:03,640 --> 00:15:05,720 Speaker 1: like dignity in the water or whatever. Like it's like 264 00:15:05,920 --> 00:15:08,320 Speaker 1: one of those like little like a booie or something. 265 00:15:09,080 --> 00:15:11,240 Speaker 1: He pulls her off and the last thing you see 266 00:15:11,240 --> 00:15:14,160 Speaker 1: is she she's screaming, screaming, screaming, gets pulled under the water. 267 00:15:14,200 --> 00:15:18,120 Speaker 1: And that's so. Presume that the guy also got killed 268 00:15:18,120 --> 00:15:20,600 Speaker 1: by Jaws. No, no, no no, no, he's passed out on 269 00:15:20,600 --> 00:15:22,720 Speaker 1: the beach. He's passed out of the never even made 270 00:15:22,720 --> 00:15:25,680 Speaker 1: it him. So then she's like missing and so whatever 271 00:15:25,760 --> 00:15:29,600 Speaker 1: they're like, or she's not missing, basically like so and 272 00:15:29,640 --> 00:15:31,400 Speaker 1: so happens and they find her on the beach the 273 00:15:31,440 --> 00:15:34,400 Speaker 1: next day and like literally, my god, Okay, mind you 274 00:15:34,480 --> 00:15:37,080 Speaker 1: it is fourth of July weekend, okay, big time. The 275 00:15:37,080 --> 00:15:43,800 Speaker 1: town is called the town is called Jaws. Girl, No Jaws. 276 00:15:43,840 --> 00:15:46,240 Speaker 1: I think I thought they called it Jaws because there 277 00:15:46,240 --> 00:15:49,680 Speaker 1: are the other things named Jaws. No, I think Jaws. 278 00:15:49,760 --> 00:15:52,640 Speaker 1: What about the beach? Wait, hold on, I have to 279 00:15:52,640 --> 00:15:55,240 Speaker 1: say something. It is shocking to me. If you have 280 00:15:55,320 --> 00:15:58,560 Speaker 1: not seen this movie and the Immigrants, you might have 281 00:15:58,640 --> 00:16:04,120 Speaker 1: to watch streaming. But this was well. Now, I think 282 00:16:04,120 --> 00:16:05,880 Speaker 1: you can stream Jaws on all sorts of things. Also, 283 00:16:05,880 --> 00:16:07,280 Speaker 1: I feel like it's one of those movies that gets 284 00:16:07,320 --> 00:16:10,360 Speaker 1: put on. Also, I talk about Jaws culture, so you 285 00:16:10,440 --> 00:16:13,960 Speaker 1: talk about Jaws the ride culture. There's a difference, and 286 00:16:14,000 --> 00:16:17,320 Speaker 1: I have experience you've played the show, because we all 287 00:16:17,400 --> 00:16:21,400 Speaker 1: know what Jaws Jaws is not. Jaws has no characterization, 288 00:16:21,480 --> 00:16:25,200 Speaker 1: but he has no motivation beat besides wanting to kill people. 289 00:16:25,840 --> 00:16:27,920 Speaker 1: He is the one of the worst killers, he really is, 290 00:16:27,960 --> 00:16:31,040 Speaker 1: but he's not motivated by anything more complicated than some 291 00:16:31,160 --> 00:16:35,000 Speaker 1: primal desire to attack people. You're right, And so I 292 00:16:35,000 --> 00:16:37,240 Speaker 1: guess you feel like you're not interested in it because 293 00:16:37,680 --> 00:16:40,840 Speaker 1: doesn't interesting And I've just not been it just has 294 00:16:40,840 --> 00:16:43,520 Speaker 1: not been like an imperative for me ever to watch it. 295 00:16:43,960 --> 00:16:47,400 Speaker 1: I will watch it because we are we are ordaining 296 00:16:47,400 --> 00:16:50,320 Speaker 1: it as a day of culture. And I love your 297 00:16:50,400 --> 00:16:53,000 Speaker 1: passion for this and you're able to retell it so 298 00:16:53,080 --> 00:16:55,480 Speaker 1: clearly and vividly. But I just want to make the 299 00:16:55,520 --> 00:16:58,760 Speaker 1: distinction that you have talked about Jaws ride culture, which 300 00:16:58,800 --> 00:17:03,080 Speaker 1: is I'm not same as Jaws culture. Do you understand me? 301 00:17:03,600 --> 00:17:06,439 Speaker 1: You're right, I mean, I understand, and I first of all, 302 00:17:06,480 --> 00:17:09,560 Speaker 1: I want to say, I thank you for it, for 303 00:17:12,200 --> 00:17:15,200 Speaker 1: I have talked about Jaws ride culture many times, which 304 00:17:15,240 --> 00:17:20,000 Speaker 1: I believe is Jaws culture by proxy. But now that 305 00:17:20,040 --> 00:17:21,720 Speaker 1: I'm thinking about it, and I'm going back through the 306 00:17:21,720 --> 00:17:25,280 Speaker 1: foul capitals in my brain. Never once did I ever 307 00:17:25,760 --> 00:17:29,760 Speaker 1: hear you say you had never seen it, or implore 308 00:17:29,800 --> 00:17:32,000 Speaker 1: you to watch it. It hasn't come up till this 309 00:17:32,280 --> 00:17:35,960 Speaker 1: very moment. Every episode of Lost Cultural restus, we peel 310 00:17:36,000 --> 00:17:39,800 Speaker 1: back a layer of this friendship. And I didn't know 311 00:17:40,359 --> 00:17:42,960 Speaker 1: this to me? What what do you think? It's weirder 312 00:17:43,080 --> 00:17:45,160 Speaker 1: that I haven't seen sound of music? You haven't seen 313 00:17:45,920 --> 00:17:51,280 Speaker 1: one thousand? Is so culturally like we all know like 314 00:17:51,640 --> 00:17:57,040 Speaker 1: doah dear, We all know like Adelwei's we know Jaws 315 00:17:57,080 --> 00:18:00,280 Speaker 1: as a shark. That's that's what we all know. Let's 316 00:18:00,280 --> 00:18:03,640 Speaker 1: get one thing all about Quins. I don't know who 317 00:18:03,680 --> 00:18:08,040 Speaker 1: the hell who's in? Girl? You don't know who the 318 00:18:08,040 --> 00:18:11,840 Speaker 1: hell is Quint? Who is she? Robert Shaw played Quint 319 00:18:12,000 --> 00:18:15,399 Speaker 1: and he has a monologue about a shark attack he 320 00:18:15,480 --> 00:18:18,679 Speaker 1: wants survived. And it is a film we know and 321 00:18:18,720 --> 00:18:21,520 Speaker 1: I'm speaking on behalf of people who have not seen Jaws. 322 00:18:21,640 --> 00:18:24,359 Speaker 1: All we know is that Jaws is a shark. Possibly 323 00:18:24,400 --> 00:18:27,320 Speaker 1: the town is called Jaws, and we're gonna need a 324 00:18:27,320 --> 00:18:31,240 Speaker 1: bigger boat. That's all. That's all we know. Girl. First 325 00:18:31,280 --> 00:18:35,640 Speaker 1: of all, you are literally the only motherfucker who believes 326 00:18:35,680 --> 00:18:39,160 Speaker 1: that the town was called Jaws. Everyone knows the town 327 00:18:39,240 --> 00:18:43,399 Speaker 1: was called Amity. Everyone knows that. And we need on 328 00:18:43,400 --> 00:18:47,600 Speaker 1: our behalf. What Doug, can you get here? Please? It's 329 00:18:47,680 --> 00:18:52,280 Speaker 1: crazy that you need Doug. Who's what's crazy? Or duck? 330 00:18:52,320 --> 00:18:55,959 Speaker 1: He's putting on his headphones definitively and you you, I know, 331 00:18:56,040 --> 00:18:58,960 Speaker 1: you know what's weirder that I haven't seen sound of 332 00:18:59,040 --> 00:19:03,040 Speaker 1: music or that Bowen hasn't seen Jaws. Initially I thought 333 00:19:03,040 --> 00:19:05,639 Speaker 1: it was more weird that Matt had not seen sound 334 00:19:05,640 --> 00:19:09,120 Speaker 1: of music, But then I grew up from Jaws that 335 00:19:09,320 --> 00:19:13,879 Speaker 1: fucked people's heads for years. It literally is ocean culture, 336 00:19:13,920 --> 00:19:15,639 Speaker 1: Like you can't look at an ocean or go to 337 00:19:15,680 --> 00:19:18,040 Speaker 1: a beach without someone making a Jaws Joe, you can't 338 00:19:18,080 --> 00:19:22,720 Speaker 1: do it. I think they're kind of music is universal. 339 00:19:23,200 --> 00:19:25,280 Speaker 1: And when I was growing up in America, I was 340 00:19:25,320 --> 00:19:28,080 Speaker 1: in a landlocked state, so we didn't fucking care about 341 00:19:28,320 --> 00:19:33,439 Speaker 1: Jaws or ocean culture. In Colorado, no bones, because that 342 00:19:33,480 --> 00:19:36,320 Speaker 1: would add to the mistake of the ocean and beach culture. 343 00:19:36,359 --> 00:19:38,119 Speaker 1: Even more so, people in the middle of the country 344 00:19:38,160 --> 00:19:42,000 Speaker 1: went even crazier. Doug, what was Jaws fever? What can 345 00:19:42,040 --> 00:19:45,760 Speaker 1: you explain, I grew up in a landlocked spot. People 346 00:19:45,840 --> 00:19:48,919 Speaker 1: would go on vacation and my sister would not go 347 00:19:49,000 --> 00:19:53,080 Speaker 1: in there because of Jaws. Because of Jaws, like it 348 00:19:53,240 --> 00:19:56,199 Speaker 1: literally her brain, like she just want to do it. 349 00:19:56,320 --> 00:20:01,879 Speaker 1: That's wonderful. But also the whole world knows soul phage. No, 350 00:20:02,000 --> 00:20:05,640 Speaker 1: it's do RENI fas la t do because of Julie 351 00:20:05,640 --> 00:20:11,000 Speaker 1: Andrews and Rodgers and Hammerstein. I totally agree with you. 352 00:20:11,200 --> 00:20:13,280 Speaker 1: That's what I'm saying that we we Doug and I 353 00:20:13,320 --> 00:20:15,520 Speaker 1: agree there on part dog do not break the tie. 354 00:20:16,520 --> 00:20:18,440 Speaker 1: He did not break the time and get in here 355 00:20:18,960 --> 00:20:24,280 Speaker 1: break the Anna producer producer, Anna, Hi, what's weirder that 356 00:20:24,680 --> 00:20:28,040 Speaker 1: Bowen has not seen Jaws? Or that I have not 357 00:20:28,160 --> 00:20:31,000 Speaker 1: seen the sound of music? Anna is Persian and has 358 00:20:31,000 --> 00:20:33,640 Speaker 1: Persian parents who can probably relate to this thing that 359 00:20:34,000 --> 00:20:37,440 Speaker 1: I'm putting forward. I will say, yes, I do think 360 00:20:37,520 --> 00:20:41,600 Speaker 1: sound of music is like immigrant trap wild culture, because 361 00:20:41,640 --> 00:20:46,000 Speaker 1: I saw a sound of music way before. Okay, So 362 00:20:46,080 --> 00:20:48,760 Speaker 1: I do think when you're kind of I don't know why, 363 00:20:48,840 --> 00:20:51,280 Speaker 1: but parents immigrant parents seem to like sound of music, 364 00:20:51,320 --> 00:20:53,719 Speaker 1: so you see that before. I do think it's just 365 00:20:53,800 --> 00:20:56,840 Speaker 1: culturally what you see versus like, I think you might 366 00:20:56,880 --> 00:21:01,440 Speaker 1: be onto something here because Jaws is very American. It's 367 00:21:01,560 --> 00:21:04,760 Speaker 1: very Yeah, that's and this actually ended up being a 368 00:21:04,760 --> 00:21:08,480 Speaker 1: more interesting discussion than I ever could have thought. Thank you. 369 00:21:08,840 --> 00:21:11,680 Speaker 1: But so I think Anna maybe a little slightly broke 370 00:21:11,720 --> 00:21:15,879 Speaker 1: the tie in my favor. I think so. I think, well, no, 371 00:21:16,400 --> 00:21:18,840 Speaker 1: I don't think she broke a tie because because she 372 00:21:19,160 --> 00:21:25,159 Speaker 1: acknowledges the extremely prominent American culture that is Jaws. But 373 00:21:25,240 --> 00:21:28,160 Speaker 1: I do think that there is an experiential factor here 374 00:21:28,240 --> 00:21:31,199 Speaker 1: that is kind of coming in with I don't know 375 00:21:31,200 --> 00:21:33,120 Speaker 1: why I never saw Sound of Music, Maybe because I 376 00:21:33,119 --> 00:21:37,400 Speaker 1: grew up in like a sports house, um honestly, and like, 377 00:21:37,680 --> 00:21:40,000 Speaker 1: just I don't know. And also you know, Sound of 378 00:21:40,080 --> 00:21:45,200 Speaker 1: Music is an international story, story, international stars. Who who 379 00:21:45,280 --> 00:21:50,040 Speaker 1: is who is bringing that element in the canster Jaws? Nobody? 380 00:21:50,160 --> 00:21:55,720 Speaker 1: I mean, I could argue that Roy I can. I 381 00:21:55,760 --> 00:21:59,240 Speaker 1: can argue that Richard Dreyfuss is bringing it. I could 382 00:21:59,280 --> 00:22:04,280 Speaker 1: argue the Shark itself is bringing the glam factor. Listen. 383 00:22:05,160 --> 00:22:10,760 Speaker 1: I think if Steven Spielberg stopped me on the street 384 00:22:10,760 --> 00:22:16,280 Speaker 1: and said Bowen and be like, who are you he? 385 00:22:16,560 --> 00:22:19,679 Speaker 1: And if he said Bowen, it hurts me that you 386 00:22:19,720 --> 00:22:23,879 Speaker 1: haven't seen Jaws. I'll say, well, Mr Spielberg, as an 387 00:22:23,880 --> 00:22:26,879 Speaker 1: immigrant to this country, I resent the fact that you 388 00:22:26,920 --> 00:22:31,600 Speaker 1: made an American movie for Americans. Good day. I have 389 00:22:31,720 --> 00:22:35,040 Speaker 1: to go get my hair cut at Astra Hair. Thank you. 390 00:22:35,680 --> 00:22:38,560 Speaker 1: But can I ask you a question? Think about this scenario. 391 00:22:38,880 --> 00:22:42,640 Speaker 1: You are swimming in the water a massive shark fin 392 00:22:43,520 --> 00:22:50,240 Speaker 1: Jaws did not popularly, sharks existed before Jaws. Yes, I'm 393 00:22:50,240 --> 00:22:53,919 Speaker 1: telling you bowen sharks. What Jaws did for sharks is 394 00:22:54,000 --> 00:22:57,639 Speaker 1: what sounded music did for music American Idol did for 395 00:22:57,720 --> 00:23:03,119 Speaker 1: Kelly Clark's girl Guy in the Sharks. I'm telling you 396 00:23:03,200 --> 00:23:09,280 Speaker 1: Jaws made sharks the top of the sharks. Jaws took 397 00:23:09,280 --> 00:23:11,720 Speaker 1: sharks to the topic we knew as a culture, as 398 00:23:11,760 --> 00:23:15,680 Speaker 1: a world, as a human race, that sharks are dangerous 399 00:23:15,720 --> 00:23:19,359 Speaker 1: and will kill you. Not like this. You are so 400 00:23:20,600 --> 00:23:23,800 Speaker 1: out of your mind. And anyone who agrees you have 401 00:23:23,920 --> 00:23:27,320 Speaker 1: come in, can I say something. You've come in today 402 00:23:27,480 --> 00:23:33,800 Speaker 1: with a combative tone, and you've been very queen and queen, 403 00:23:34,400 --> 00:23:37,359 Speaker 1: let me tell you something. Carrie Underwood could do sound 404 00:23:37,359 --> 00:23:41,520 Speaker 1: of music. Carrie Underwood could not do Jaws. She could 405 00:23:41,560 --> 00:23:45,760 Speaker 1: never be that shot. Okay, okay, And if Carrie Underwood 406 00:23:45,800 --> 00:23:50,760 Speaker 1: could do it must not be icon culture just kidding. 407 00:23:50,760 --> 00:23:55,680 Speaker 1: I don't know. I would never. I would never. I 408 00:23:55,680 --> 00:23:57,800 Speaker 1: would I would literally would never. I would die for her. 409 00:23:58,000 --> 00:24:00,720 Speaker 1: A version of a loan from American idol Kill Myself 410 00:24:00,840 --> 00:24:04,080 Speaker 1: did alone? Oh yeah she did. Oh she did it. Well, 411 00:24:04,240 --> 00:24:07,320 Speaker 1: you can't do it alone. You need to have was 412 00:24:07,359 --> 00:24:11,960 Speaker 1: she was that a duet? Or she did herself? You 413 00:24:12,000 --> 00:24:15,200 Speaker 1: need that harmony. You need that harmony on the third though, 414 00:24:15,240 --> 00:24:22,879 Speaker 1: to make it truly sore. And I'm sorry, but you 415 00:24:22,960 --> 00:24:25,320 Speaker 1: need anyway. We don't have to argue about Carrie. We're 416 00:24:25,320 --> 00:24:28,000 Speaker 1: here to talk about Jaws. Keep walking me through this 417 00:24:28,040 --> 00:24:31,120 Speaker 1: story in our few minutes that we have left. Let's 418 00:24:31,119 --> 00:24:35,479 Speaker 1: just say this, because there's the death of this girl. 419 00:24:35,960 --> 00:24:38,280 Speaker 1: Everyone's like, oh, there must be a huge shark here 420 00:24:38,400 --> 00:24:41,400 Speaker 1: the bites of this young girl, our psycho. So then 421 00:24:41,480 --> 00:24:44,120 Speaker 1: they're like, well, it's worth of July and probably shouldn't 422 00:24:44,119 --> 00:24:46,120 Speaker 1: close the beaches. Keep them open. It's a huge time 423 00:24:46,160 --> 00:24:48,760 Speaker 1: for business, says the mayor, who looks very much like 424 00:24:48,760 --> 00:24:52,679 Speaker 1: a mayor. Now there's like the town sheriff who's like 425 00:24:52,720 --> 00:24:56,200 Speaker 1: the lead of the movie. Um, he's sort of going 426 00:24:56,240 --> 00:24:57,920 Speaker 1: back and forth in his head about whether to close 427 00:24:57,960 --> 00:25:02,160 Speaker 1: the beach down. Very very contemporary, very COVID narrative. Yes, 428 00:25:02,880 --> 00:25:05,280 Speaker 1: very that a time, a story for now now more 429 00:25:05,280 --> 00:25:08,080 Speaker 1: than ever draws. And so they're at the beach one day, 430 00:25:08,080 --> 00:25:09,960 Speaker 1: he's literally at the beach one day when a kid 431 00:25:10,480 --> 00:25:13,760 Speaker 1: gets killed by the shark, like you see it, it's crazy. 432 00:25:13,840 --> 00:25:18,640 Speaker 1: And then he still, um, hasn't closed the beach down, 433 00:25:18,760 --> 00:25:22,520 Speaker 1: like there's people go crazy. Though. At the funeral, the 434 00:25:22,600 --> 00:25:25,879 Speaker 1: kid's mother says to the sheriff, we know that you 435 00:25:25,960 --> 00:25:29,240 Speaker 1: waited days after this first girl was killed and didn't 436 00:25:29,280 --> 00:25:31,960 Speaker 1: close the beach, so anything you do now is too little, 437 00:25:31,960 --> 00:25:35,760 Speaker 1: too late. I'm paraphrasing here. And mind you, the person 438 00:25:35,800 --> 00:25:38,960 Speaker 1: who's like the coroner, like whose retro dry fust has 439 00:25:39,000 --> 00:25:41,160 Speaker 1: come and said, you need to close down the beach. 440 00:25:41,200 --> 00:25:43,000 Speaker 1: If there's some sort of animal that's this big, that 441 00:25:43,040 --> 00:25:45,200 Speaker 1: could do this to this girl, you need to close 442 00:25:45,280 --> 00:25:49,280 Speaker 1: down the beach. And he's ignored, ignored, ignored. So basically, um, 443 00:25:49,320 --> 00:25:51,639 Speaker 1: they finally closed down the beach, but they're they're unable 444 00:25:51,640 --> 00:25:54,000 Speaker 1: to get rid of the shark to the extent where 445 00:25:54,440 --> 00:25:58,119 Speaker 1: they realize this is really a summation. They must go 446 00:25:58,240 --> 00:26:02,040 Speaker 1: out to try to like kill it. Like, so they 447 00:26:02,080 --> 00:26:04,879 Speaker 1: put these they get this little ship together called the Orca. 448 00:26:05,280 --> 00:26:07,960 Speaker 1: It's three guys. One is Quint, this older guy I'm 449 00:26:07,960 --> 00:26:10,119 Speaker 1: telling you about us, like a shark expert, and then 450 00:26:10,200 --> 00:26:12,920 Speaker 1: there's the town sheriff and this coroner who's like able 451 00:26:12,920 --> 00:26:17,200 Speaker 1: to I guess it's those three guys there. Oh my god, 452 00:26:17,200 --> 00:26:19,200 Speaker 1: they forgot a skipper. They did not hire a skipper, 453 00:26:19,680 --> 00:26:21,800 Speaker 1: but the sheriff does have a wife that's like, please 454 00:26:21,840 --> 00:26:25,359 Speaker 1: protect us, you know what I mean. So um, So 455 00:26:25,400 --> 00:26:28,600 Speaker 1: basically they go out to see to kill this shark 456 00:26:28,640 --> 00:26:30,560 Speaker 1: and they're trying to attract it with these big yellow 457 00:26:30,600 --> 00:26:35,879 Speaker 1: boois I guess. And they find it and basically spoiler alert, 458 00:26:36,400 --> 00:26:39,119 Speaker 1: it is a fight to the fucking death. The shark 459 00:26:39,400 --> 00:26:43,560 Speaker 1: gives it to them, the shark expert Quinn and the 460 00:26:43,640 --> 00:26:49,200 Speaker 1: shark yes, yes, oh yeah, no, you need to I 461 00:26:49,240 --> 00:26:50,879 Speaker 1: can't believe I just told you what happened in the movie. 462 00:26:51,119 --> 00:26:53,400 Speaker 1: But basically they do kill the shark. But then there's 463 00:26:53,440 --> 00:26:57,560 Speaker 1: more shark sequels later, like Jaws to three D, which 464 00:26:57,560 --> 00:27:00,000 Speaker 1: Dennis Quaid was in and said had a cocaine budget 465 00:27:00,080 --> 00:27:06,080 Speaker 1: hidden into the film. That was an This movie came 466 00:27:06,080 --> 00:27:09,760 Speaker 1: out at seventy five, and legitimately it was like a 467 00:27:09,840 --> 00:27:11,879 Speaker 1: rough time for beaches because people were afraid to go 468 00:27:11,920 --> 00:27:15,040 Speaker 1: on the water. I don't deny the impact that Jaws 469 00:27:15,080 --> 00:27:18,199 Speaker 1: had on the culture. I'm just saying, yes, it's just 470 00:27:18,280 --> 00:27:21,320 Speaker 1: it's just not not it's just not your it's not 471 00:27:21,400 --> 00:27:26,800 Speaker 1: something that it is. Absolutely cinema absolutely deserves a spot 472 00:27:26,800 --> 00:27:29,879 Speaker 1: in the twelve days of culture when a thousand percent, 473 00:27:30,400 --> 00:27:33,520 Speaker 1: but when you start to bring in a sound of music, 474 00:27:33,560 --> 00:27:38,879 Speaker 1: the sound of music, I just look, have have you 475 00:27:38,920 --> 00:27:43,879 Speaker 1: seen The Godfather? If not, neither of I and I 476 00:27:43,920 --> 00:27:47,440 Speaker 1: think that that's actually important for me and my sister 477 00:27:47,520 --> 00:27:49,640 Speaker 1: to connect on, is that none of this really matters 478 00:27:50,000 --> 00:27:52,240 Speaker 1: because neither of us have seen the Godfather. And that's 479 00:27:52,280 --> 00:28:00,480 Speaker 1: it's important, neither of us ingested that hetero patriarchy. I 480 00:28:00,520 --> 00:28:01,879 Speaker 1: told you, I will say that I do love a 481 00:28:01,880 --> 00:28:05,560 Speaker 1: crime movie. I love a crime movie. Go out of here? 482 00:28:06,080 --> 00:28:10,640 Speaker 1: What do you like like crime? Bitch? I love good Fellas? 483 00:28:11,960 --> 00:28:15,440 Speaker 1: I love but he's never seen Jaws. But he loves 484 00:28:15,560 --> 00:28:19,520 Speaker 1: good Fellas, but he's never seen Jaws because that culture 485 00:28:19,560 --> 00:28:24,119 Speaker 1: is too American. You know what, you are a crazy boy? 486 00:28:25,640 --> 00:28:29,439 Speaker 1: I oh you, that's actually gonna be where we're right. 487 00:28:31,200 --> 00:28:34,480 Speaker 1: I'll get ready for the name i'll call Matt tomorrow 488 00:28:35,000 --> 00:28:38,520 Speaker 1: on day eight of the Tall Days of Culture. We've 489 00:28:38,560 --> 00:28:45,000 Speaker 1: got some great ones coming up, I think. But for now, 490 00:28:45,080 --> 00:29:00,160 Speaker 1: we say to Jaws, faking you gist culture. H