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Speaker 1: One of two point seven.

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Speaker 2: It is Kiss FM, Dan and Shay, Sabrina Carpenter and

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Speaker 2: this man.

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Speaker 3: Hey, this is Charlie Pouth and that's his new hit single,

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Speaker 3: That's not how this works.

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Speaker 4: That version is with Dan and Shay, and there's another

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Speaker 4: version that you can year as well a.

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Speaker 1: Sabreena Carpenter and the countdown rolls on.

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Speaker 4: I'm not good at it, you regret.

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Speaker 1: I heard it over the weekend set.

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Speaker 4: I think the first.

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Speaker 3: One I ever did of that, not me editing vocals

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Speaker 3: while I'm speaking to you. Sorry, I the first one

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Speaker 3: I ever did was seven years ago and I listened

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Speaker 3: back to my voice.

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Speaker 4: Was sound nasally. Do you know why?

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Speaker 3: Not to go off topic, but do you know why

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Speaker 3: our voices sound different on video camera and recording and

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Speaker 3: otherwise than what we sound like ourselves, is because we

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Speaker 3: feel the vibrations in our tone, and when it's recorded,

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Speaker 3: you obviously don't feel the vibrations your face. So you're

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Speaker 3: just hearing your pure voice of what actually you actually

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Speaker 3: sound like.

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Speaker 1: So wait, so do I sound like what I hear

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Speaker 1: right now?

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Speaker 4: No?

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Speaker 1: I don't sound.

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Speaker 4: Well the way that you.

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Speaker 3: Well, I don't know because you've actually maybe been hearing

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Speaker 3: your voice recorded for a long time and have kind

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Speaker 3: of gotten used to it. But I guess people who

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Speaker 3: aren't used to hearing their voices recorded will hear the

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Speaker 3: voice back and be like that, that's me.

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Speaker 1: That's what I sound like. I do that, I do

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Speaker 1: that with That's what I look like.

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Speaker 4: Yeah, that's what That's what I do too.

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Speaker 2: Charlie Pooth. You are in the studio right now. You're

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Speaker 2: editing vocals. You're editing vocals.

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Speaker 3: For what I'm editing vocals for the music that I'm

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Speaker 3: going to play for you next year. So I can't

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Speaker 3: even celebrate the success of the song that we just

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Speaker 3: put out. I'm already thinking about. But this is kind

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Speaker 3: of the name of the game.

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Speaker 2: This song was something that was written a while ago,

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Speaker 2: wasn't it.

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Speaker 4: Yeah right, we Uh, that's not how this works.

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Speaker 3: Was originally just me, only my vocals, and it was

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Speaker 3: recorded I think two years up, two years two months

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Speaker 3: into the pandemic.

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Speaker 4: Uh yeah, so three years ago.

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Speaker 1: Wow.

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Speaker 2: And from what I read about this song and you,

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Speaker 2: it was it was in some way therapeutic and helpful.

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Speaker 3: Very therapeutic and helpful. It's you know, the therapy is

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Speaker 3: very good. I don't want to. I was told by

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Speaker 3: somebody to not knock therapy, but I will say it

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Speaker 3: is amazing that you can seek the help from other

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Speaker 3: humans to make you feel better about any situation that

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Speaker 3: you're in, but you also have it within yourself to

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Speaker 3: make you feel better as well, maybe.

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Speaker 4: Both in conjunction.

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Speaker 3: And this song I guess was my therapist in way

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Speaker 3: because I felt a big sigh of relief.

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Speaker 4: I had a big bag of.

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Speaker 3: Bricks on my shoulder and I had just let it

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Speaker 3: all off after I finished writing the song. It was

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Speaker 3: everything that I had been that had been cooped up

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Speaker 3: in my head. Uh and then just like the release

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Speaker 3: of having it in some melody was really great for me.

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Speaker 2: But you can feel, I mean, there's a tenderness to

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Speaker 2: that when I when I hit play on it tenderness.

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Speaker 3: But yeah, I like to and I like the lyrics

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Speaker 3: to kind of match what you're hearing, and there's a

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Speaker 3: there's a certain richness I'd like to try and accomplish

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Speaker 3: in any record I produce. And I so it sounds

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Speaker 3: very it sounds very like wide, especially when you listen

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Speaker 3: to it on headphones or in your car. You're gonna

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Speaker 3: the record sounds wide and the lyrics are heavy, and

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Speaker 3: I think the heaviness has to go along with the

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Speaker 3: music as well.

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Speaker 2: I'm picturing one of those trucks you see on the

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Speaker 2: freeway every once in a while that's moving a massive

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Speaker 2: piece of cement for a freeway that's being built, that

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Speaker 2: says wide load with all the wheels on it. You know,

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Speaker 2: it's got twenty wheels along the side. That's when I

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Speaker 2: thad you when you describe that song, there's like.

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Speaker 3: Three cars tailgating it as well. Yeah, yeah, this is

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Speaker 3: a variant. This is a presidential song.

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Speaker 2: This is very Tanya. Yes, you're your dearest Sabrina Carpenter.

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Speaker 2: What does she said about You're shaking the world with

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Speaker 2: the music video when these two released those images.

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Speaker 5: I actually haven't talked her about the music video.

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Speaker 3: She is such a wonderful actress and a musician. I

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Speaker 3: don't consider myself to be an actor, but we made

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Speaker 3: a If anybody doesn't know listening to this, we made

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Speaker 3: a short film and she brought the actor out of me.

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Speaker 5: But the lyrics of the song are so good, and

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Speaker 5: I feel like everybody's experienced a relationship like that, you know,

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Speaker 5: where someone's like no, no, no no. But then they

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Speaker 5: come back and they call you and you're like, no,

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Speaker 5: this is not how this works, Like you left goodbye.

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Speaker 3: I am so surprised that nobody has written a song.

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Speaker 3: I know how this works.

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Speaker 1: I was.

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Speaker 3: I had a bit of panic before a week before

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Speaker 3: it came and I was googling the title and like,

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Speaker 3: there's got to be somebody who is going to assume

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Speaker 3: me I was put this song up for nobody.

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Speaker 2: Wow, it's so interesting. Right, Charlie Pooth is with us.

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Speaker 2: Now you're going out, You're doing this tour through the summer.

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Speaker 2: You're going to beat the Greek. I got tickets to

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Speaker 2: go see Charlie at the Greek. Yeah, what have you

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Speaker 2: started to put together?

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Speaker 3: I've always been very fascinated with Broadway shows, and I'm

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Speaker 3: not a I'm not ever going to be in the

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Speaker 3: lineup to win a Tony or anything.

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Speaker 4: I know.

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Speaker 3: Maybe some people say I shouldn't say that, but I

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Speaker 3: really am not going to ever be a Broadway singer

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Speaker 3: or anything like that. But there are certain elements of

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Speaker 3: a Broadway show that I just I love and I

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Speaker 3: would love to incorporate into my own show.

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Speaker 6: So there's acts, there's like four acts in the We're

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Speaker 6: calling it the Charlie Experience, And it's kind of the

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Speaker 6: best way that you can go inside my brain and

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Speaker 6: see what it looks like because everyone's always asking what

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Speaker 6: is the what is it?

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Speaker 3: Even if Tania's definitely looked at me like are you

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Speaker 3: even listening to me right now?

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Speaker 5: You see the wheels, You see everything just like turning

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Speaker 5: in his head. It's like very fascinating.

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Speaker 3: Yeah, well, I mean hopefully when you come see me

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Speaker 3: on tour, you'll be able to see what kind of

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Speaker 3: wheels are spinning in.

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Speaker 1: Different universes in which these wheels will spin.

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Speaker 3: Yes, and you'll see, Uh, I'll come up with the

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Speaker 3: song in front of ten thousand people, which will be

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Speaker 3: stressful and exciting, and I'll even surprise myself.

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Speaker 4: So there's a lot of there's influences of my favorite.

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Speaker 3: Music of of.

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Speaker 4: Of all time.

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Speaker 3: There's songs that I've written for other artists that I'm

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Speaker 3: going to kind of make my own way. It's it's

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Speaker 3: it's chaotic and wonderful at the same.

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Speaker 1: Time, like a Charlie journey. Charlie.

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Speaker 5: Charlie is one of those people though it is so

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Speaker 5: like you are such an artist, like true and true,

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Speaker 5: because if you're talking to him, you're telling him something

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Speaker 5: about your life, you know, like your love.

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Speaker 1: Life to make that a hit.

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Speaker 5: No, he literally like writes in his notes page and

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Speaker 5: he's like, I like you see the wheels turning. It's

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Speaker 5: like he really takes from everybody's like real life experience.

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Speaker 1: So can you have a normal conversation with him where

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Speaker 1: he's not everything put into a record. Same thing with

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Speaker 1: our morning show. If someone comes to us and we're like, oh,

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Speaker 1: that's cool, can we talk about it on the air.

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Speaker 4: Yeah, of course.

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Speaker 3: I mean Tanya was you know, Tanya, this has happened

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Speaker 3: definitely between you and I before you were opening up

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Speaker 3: to me and I was like, wow, Tanya doesn't know

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Speaker 3: that she's a star lyricist.

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Speaker 1: Right now, I'm using all it does hurt dramas too.

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Speaker 2: You're right, because we'll say, wait, in some sort of

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Speaker 2: text message or something that happens something real world, we'll say,

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Speaker 2: don't even say anymore till we get on the exactly,

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Speaker 2: I don't want to hear any more till we're they're

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Speaker 2: that's right.

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Speaker 3: That's why were there was no ten minutes of small

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Speaker 3: talk before this, where everybody we just got.

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Speaker 2: It and that's why you're getting this tender conversation. Charlie

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Speaker 2: Dave in the studio building his art right now with us.

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Speaker 2: Go see him this summer. We've got tickets for You're

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Speaker 2: now to the Greek eight hundred five to one O

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Speaker 2: two seven. That track is out also, and it's good

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Speaker 2: to see man. Thanks for coming on. I would love

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Speaker 2: to see this show. I'm gonna check the Yeah.

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Speaker 4: Yeah, it's good again. You might be overwhelmed when you

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Speaker 4: leave it. I will be.

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Speaker 1: Thanks for coming on, man, We'll see you later.

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Speaker 4: Good to see you, Bane, Bye bye to you.

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Speaker 2: So interesting to see like he's right there in the

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Speaker 2: studio where he's editing a song. I feel like he

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Speaker 2: could be in there for days, locked into the rabbit

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Speaker 2: hole of studio and not come out because he's constantly

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Speaker 2: pushing himself to change, the change, the change.

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Speaker 1: You see his keyboards, he has like ten keyboards behind him.

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Speaker 5: He's always in there, always just a