1 00:00:01,040 --> 00:00:04,520 Speaker 1: Look man, oh, I see you? Why why? Oh? And 2 00:00:04,680 --> 00:00:12,840 Speaker 1: look over there? How is that culture? Yes? Goodness, dongst culture? 3 00:00:14,720 --> 00:00:18,440 Speaker 1: Seventh well day, the seventh day of culture. We're finishing 4 00:00:18,480 --> 00:00:21,360 Speaker 1: out the first week, or we're starting the second week. 5 00:00:21,400 --> 00:00:23,959 Speaker 1: It's second half of days of culture. See, here's the deal. 6 00:00:24,079 --> 00:00:26,000 Speaker 1: If you're thinking of a week as in seven days, 7 00:00:26,200 --> 00:00:28,560 Speaker 1: then baby, we're closing out the first week. But if 8 00:00:28,560 --> 00:00:31,319 Speaker 1: you're thinking about like a weekday such, I don't know. 9 00:00:31,360 --> 00:00:33,040 Speaker 1: I really don't know how it works out. Can I 10 00:00:33,040 --> 00:00:36,040 Speaker 1: tell you something? I'm a little curb babble and you're 11 00:00:36,080 --> 00:00:40,279 Speaker 1: fanning yourself, reader, he is fanning himself. What's up? Um? Well, 12 00:00:40,320 --> 00:00:43,240 Speaker 1: a few things happened today. One I ordered a candle 13 00:00:43,280 --> 00:00:44,600 Speaker 1: in the mail and I opened it up and the 14 00:00:44,600 --> 00:00:47,800 Speaker 1: glass was broken everywhere and now my my, my fraser 15 00:00:47,880 --> 00:00:52,040 Speaker 1: fur candle is not usual. I'm so sorry, and so 16 00:00:52,159 --> 00:00:54,120 Speaker 1: the side. The other thing is Hans isn't in the 17 00:00:54,200 --> 00:00:58,480 Speaker 1: chat today? Why does that perturbute so? Well? I just 18 00:00:58,560 --> 00:01:01,160 Speaker 1: like his energy. I like when he like you know, 19 00:01:01,240 --> 00:01:05,560 Speaker 1: can chimes in and you know, you're just whenever I 20 00:01:05,600 --> 00:01:08,040 Speaker 1: have feelings for him, so do I today? You know 21 00:01:08,080 --> 00:01:11,840 Speaker 1: who texted us pictures of his wedding, you bitch. Darcy 22 00:01:11,959 --> 00:01:16,640 Speaker 1: Harden texted us pictures of his wedding. Gorgeous wedding and 23 00:01:17,000 --> 00:01:21,120 Speaker 1: he and his wife looks so stunning together, so wonderful. 24 00:01:21,240 --> 00:01:23,399 Speaker 1: We miss him, We just miss him as all. So 25 00:01:23,480 --> 00:01:25,080 Speaker 1: I'm happy that you share this with me. I knew 26 00:01:25,120 --> 00:01:26,959 Speaker 1: there was like a funk, and now we can put 27 00:01:26,959 --> 00:01:30,720 Speaker 1: a name to it. It's just like Also today I'm 28 00:01:30,760 --> 00:01:32,880 Speaker 1: a little bit like sort of like I don't know 29 00:01:32,880 --> 00:01:35,440 Speaker 1: what to expect because today, like we're only a few 30 00:01:35,480 --> 00:01:37,720 Speaker 1: hours away from Evermore. Oh yeah, we're recording this on 31 00:01:37,800 --> 00:01:42,280 Speaker 1: December tenth, were three hours away from Evermore being released. 32 00:01:42,319 --> 00:01:45,080 Speaker 1: How well? I wanted to ask you, like, what's the deal? Like, 33 00:01:45,120 --> 00:01:47,440 Speaker 1: I feel like we usually would be we'd be so excited, 34 00:01:47,480 --> 00:01:49,360 Speaker 1: but I feel like there's some trepidation in the air. 35 00:01:49,600 --> 00:01:53,800 Speaker 1: Are you trepidacious? A little bit me too? Oh no, well, 36 00:01:53,840 --> 00:01:56,360 Speaker 1: I mean I texted you before and I was like, 37 00:01:56,400 --> 00:01:59,400 Speaker 1: oh my god, can you believe in your energy? Was no? No, 38 00:01:59,600 --> 00:02:03,960 Speaker 1: that was I'm so sorry, Gruna, it was no. But honestly, 39 00:02:04,080 --> 00:02:09,080 Speaker 1: I feel don't don't take on mine? What is your no? 40 00:02:09,320 --> 00:02:12,800 Speaker 1: I'm telling you, I'm like I wouldn't describe the way 41 00:02:12,840 --> 00:02:15,000 Speaker 1: I feel about her album coming out as excited, I 42 00:02:15,040 --> 00:02:20,080 Speaker 1: would say, I'm I'm a borderline I'm trepidacious, I'm borderline concerned. 43 00:02:20,160 --> 00:02:23,080 Speaker 1: I don't want these to be folklore beca And thank 44 00:02:23,120 --> 00:02:28,480 Speaker 1: you for saying that, my queen queen, because I think 45 00:02:28,520 --> 00:02:32,080 Speaker 1: folklore is so special, truly, Like folklore came at a 46 00:02:32,160 --> 00:02:35,240 Speaker 1: time like think about it, like and like the middle 47 00:02:35,240 --> 00:02:38,079 Speaker 1: of July, like we were all sort I mean like 48 00:02:38,360 --> 00:02:41,440 Speaker 1: we're all sort of thawing from like the initial quarantine 49 00:02:41,760 --> 00:02:45,440 Speaker 1: like trauma, and then it felt like an exhale. It 50 00:02:45,520 --> 00:02:47,799 Speaker 1: felt like an X. It made me think like it 51 00:02:47,880 --> 00:02:52,200 Speaker 1: was I I'm still processing. And honestly, I think I 52 00:02:52,360 --> 00:02:54,120 Speaker 1: think we're the only Swifties who feel this way. I 53 00:02:54,160 --> 00:02:57,519 Speaker 1: think a lot of Taylor swift Nation, Tailor Nation, feels 54 00:02:57,520 --> 00:03:00,120 Speaker 1: this way. I mean a lot of Tailor Nation, and 55 00:03:00,440 --> 00:03:03,360 Speaker 1: I think is sort of of course, we're always fever. 56 00:03:03,600 --> 00:03:05,440 Speaker 1: And by the way, when this episode comes out, by 57 00:03:05,480 --> 00:03:08,000 Speaker 1: the time people hear this, the verdict will be out 58 00:03:08,000 --> 00:03:11,560 Speaker 1: on whether or not this was folklore b Side City 59 00:03:11,720 --> 00:03:17,040 Speaker 1: or another gorgeous creation. And I believe that we're very 60 00:03:17,360 --> 00:03:21,160 Speaker 1: sort of susceptible to getting both. So I'm praying for 61 00:03:21,360 --> 00:03:25,560 Speaker 1: art always you are, I see prayed for time. I 62 00:03:25,639 --> 00:03:31,560 Speaker 1: walked in on Matt Rodgers on his knees, if you 63 00:03:31,600 --> 00:03:35,120 Speaker 1: can believe it, hands to the floor, I was, and 64 00:03:35,160 --> 00:03:37,200 Speaker 1: then he raised them to the sky, and then I 65 00:03:37,320 --> 00:03:39,480 Speaker 1: raised them. I did. I raised them high. And it 66 00:03:39,960 --> 00:03:41,960 Speaker 1: was only then that I was able to really call 67 00:03:42,040 --> 00:03:46,839 Speaker 1: out art, like I'm praying for art, please Art, And 68 00:03:47,000 --> 00:03:50,720 Speaker 1: that day what happens? That was the day of folklore. 69 00:03:51,240 --> 00:03:54,119 Speaker 1: If it's good, know that I prayed after this episode. 70 00:03:54,120 --> 00:03:56,080 Speaker 1: And if it's bad, no that I chose to save 71 00:03:56,160 --> 00:03:59,440 Speaker 1: my save my prayers. All you might as well throw 72 00:03:59,480 --> 00:04:02,760 Speaker 1: a dart to the board on and use up one 73 00:04:02,800 --> 00:04:05,680 Speaker 1: of these prayers on one of the fifty new Star 74 00:04:05,760 --> 00:04:09,320 Speaker 1: Wars things that have been announced today, or did you 75 00:04:09,360 --> 00:04:12,520 Speaker 1: see this? I think that some of them show potential. 76 00:04:12,920 --> 00:04:14,640 Speaker 1: I think that some of them show art potential, and 77 00:04:14,680 --> 00:04:16,839 Speaker 1: I might pray for them, such as the Rosario Dawson 78 00:04:18,000 --> 00:04:19,599 Speaker 1: h s and that font and I was like, is 79 00:04:19,600 --> 00:04:22,560 Speaker 1: this an a Star Wars American horror story? And then 80 00:04:22,600 --> 00:04:26,320 Speaker 1: I was like, okay, okay, baby, it's a Rosario Dawson vehicle. You, 81 00:04:26,480 --> 00:04:29,159 Speaker 1: as someone who is a Star Wars fan and as 82 00:04:29,240 --> 00:04:32,360 Speaker 1: someone who Well, you just said something so interesting, which 83 00:04:32,400 --> 00:04:34,520 Speaker 1: is some of them show potential, which like is that 84 00:04:34,560 --> 00:04:37,760 Speaker 1: what we're settling for now? Like twelve new products get 85 00:04:37,760 --> 00:04:40,160 Speaker 1: announced and we're like a few, Yeah, some of those 86 00:04:40,200 --> 00:04:43,279 Speaker 1: look good. Shouldn't they all look good? Well, at a 87 00:04:43,279 --> 00:04:45,359 Speaker 1: certain point, it's just gonna be like somebody said this 88 00:04:45,400 --> 00:04:47,640 Speaker 1: on Twitter today, but it's just gonna be like TV 89 00:04:48,000 --> 00:04:50,600 Speaker 1: and Star Wars, like regular TV and then Star Wars 90 00:04:50,600 --> 00:04:53,720 Speaker 1: it's like Marvel and it's just there's I was kind 91 00:04:53,720 --> 00:04:56,359 Speaker 1: of shocked when I saw it. I mean literally literally 92 00:04:56,480 --> 00:05:00,320 Speaker 1: it feels even more they're taking over comp really, I 93 00:05:00,360 --> 00:05:03,240 Speaker 1: mean it's like the universes are going to be created, 94 00:05:03,240 --> 00:05:05,360 Speaker 1: and we've got to be careful with this Disney girl. 95 00:05:05,839 --> 00:05:09,680 Speaker 1: This Disney girl walked in and we have been suspicious 96 00:05:10,520 --> 00:05:13,120 Speaker 1: this young girl Disney, Like this is my This is 97 00:05:13,160 --> 00:05:14,919 Speaker 1: sort of goes back to my concern though with the 98 00:05:14,960 --> 00:05:18,240 Speaker 1: Taylor evermore of it all, because it's just like, is 99 00:05:18,240 --> 00:05:20,920 Speaker 1: this just gonna the is gonna be actual stories that 100 00:05:20,960 --> 00:05:23,960 Speaker 1: we care about because like we're able to invest in actual, 101 00:05:24,520 --> 00:05:27,240 Speaker 1: real good new content or is it going to feel 102 00:05:27,240 --> 00:05:31,440 Speaker 1: like Star Wars B sides you shouldn't give just because 103 00:05:32,320 --> 00:05:36,280 Speaker 1: you can give like what you give as I want 104 00:05:36,279 --> 00:05:40,760 Speaker 1: to say, as an artist or as a conglomerate should be, 105 00:05:41,080 --> 00:05:43,240 Speaker 1: should be. I don't know like that, I don't I 106 00:05:43,320 --> 00:05:46,600 Speaker 1: don't want. I don't need Star Wars for the sake 107 00:05:46,600 --> 00:05:49,720 Speaker 1: of Star Wars. I think that that's that's the point 108 00:05:49,720 --> 00:05:52,040 Speaker 1: that I'm making. Don't give me b sides of the 109 00:05:52,040 --> 00:05:55,039 Speaker 1: ship I already liked, like I'd rather maybe this is 110 00:05:55,120 --> 00:05:58,640 Speaker 1: just me be someone that discovers something. Now. I also 111 00:05:58,920 --> 00:06:01,599 Speaker 1: saw there making new indie on of Jones stuff. Um 112 00:06:01,680 --> 00:06:03,440 Speaker 1: what I what I thought was cool was like I 113 00:06:03,480 --> 00:06:05,240 Speaker 1: hadn't heard of a lot of the characters before. But 114 00:06:05,279 --> 00:06:07,640 Speaker 1: then some of it is like land, you know what 115 00:06:07,640 --> 00:06:10,320 Speaker 1: I mean? And this that the other thing which is cool. Donald, 116 00:06:11,040 --> 00:06:16,120 Speaker 1: I think let's go back to evermore, um, I will 117 00:06:16,160 --> 00:06:18,279 Speaker 1: say before before we move on from Star Wars though 118 00:06:18,640 --> 00:06:22,080 Speaker 1: peripherally related, um, Marvel. But I am getting excited about 119 00:06:22,120 --> 00:06:26,040 Speaker 1: this new Spiderman movie though, oh yeah, because it sounds 120 00:06:26,080 --> 00:06:28,680 Speaker 1: like a sort of drag event. Doctor Strange is doing 121 00:06:28,680 --> 00:06:33,080 Speaker 1: like another sequel that's like about multiverses even more than 122 00:06:33,560 --> 00:06:36,159 Speaker 1: the original. But then but you know how like Jamie 123 00:06:36,200 --> 00:06:39,120 Speaker 1: Foxx got signed on to this third one with Tom Holland, 124 00:06:39,360 --> 00:06:42,800 Speaker 1: he was the villain Inspiderman The Amazing Spider Man two, 125 00:06:43,640 --> 00:06:48,119 Speaker 1: so he was so he was um Andrew Garfield Spiderman villain, 126 00:06:48,600 --> 00:06:50,840 Speaker 1: and then Alfred for Alfred Malina come back in is 127 00:06:50,880 --> 00:06:53,719 Speaker 1: Toby McGuire Spiderman villain. They're they're taught like someone picked 128 00:06:53,800 --> 00:06:58,520 Speaker 1: up a hint in Spiderman two, like j Jamison is 129 00:06:58,520 --> 00:07:00,160 Speaker 1: trying to come up with the name for Doc and 130 00:07:00,200 --> 00:07:02,400 Speaker 1: then someone pitches him doctor Strange. He goes, that's already 131 00:07:02,440 --> 00:07:05,680 Speaker 1: been taken. So like people are like in Marvel World 132 00:07:05,720 --> 00:07:07,640 Speaker 1: are like, wait a minute, that's a hint or that's 133 00:07:07,640 --> 00:07:09,440 Speaker 1: not a hint. It's just like a really clever tie 134 00:07:09,480 --> 00:07:12,040 Speaker 1: in where it's like doctor Strange already exists in Toby 135 00:07:12,080 --> 00:07:16,000 Speaker 1: maguire universe. So that's so that means that there's portals 136 00:07:16,040 --> 00:07:19,040 Speaker 1: for Doctor Strange in Tom Holland universe to open a 137 00:07:19,120 --> 00:07:23,160 Speaker 1: portal multiverse portal there for for Alfred Malina to come 138 00:07:23,160 --> 00:07:26,760 Speaker 1: in and Jamie Foxx to come in from um uh 139 00:07:26,840 --> 00:07:31,160 Speaker 1: Andrew Garfield multiverse. But then potentially there's rumors that Toby 140 00:07:31,200 --> 00:07:34,800 Speaker 1: and Kirston are signing on for this one. I saw 141 00:07:34,880 --> 00:07:38,040 Speaker 1: that Kirston was rumored and that so was Emma Stone. 142 00:07:38,240 --> 00:07:41,120 Speaker 1: And I know Zendai is like currently shooting it would 143 00:07:41,160 --> 00:07:44,080 Speaker 1: be like an Avenger style thing. But it's like, which 144 00:07:44,200 --> 00:07:46,720 Speaker 1: I like. That kind of is very cool to me. No, 145 00:07:46,840 --> 00:07:49,320 Speaker 1: it appeals to me. I mean, look, I love stunts. 146 00:07:49,960 --> 00:07:53,320 Speaker 1: I love I love a stunt cast moment, like we 147 00:07:53,440 --> 00:07:56,200 Speaker 1: just talked about it on our episode with Joel when 148 00:07:56,200 --> 00:08:00,960 Speaker 1: someone comes in and the helicopter. Yes, that's what you need, 149 00:08:01,000 --> 00:08:04,280 Speaker 1: and so a full movie that's about that. Yeah, I 150 00:08:04,360 --> 00:08:07,600 Speaker 1: might didn't drink it when speaking. No, no, no, I'm 151 00:08:07,640 --> 00:08:10,880 Speaker 1: just like as as m J again next to zenda 152 00:08:11,080 --> 00:08:14,320 Speaker 1: as m J. Get out forget it? Yeah please, I 153 00:08:14,320 --> 00:08:16,760 Speaker 1: mean yeah, you cut back from us earlier saying I 154 00:08:16,760 --> 00:08:21,920 Speaker 1: don't know about Disney to us fully simping for Spider Man, 155 00:08:22,040 --> 00:08:24,880 Speaker 1: for all the Spider Man cash cows to come together. 156 00:08:25,000 --> 00:08:27,960 Speaker 1: Whatever we're dumb? Can I ask a question before we 157 00:08:28,000 --> 00:08:31,320 Speaker 1: move on? What is it? Because I feel like simping 158 00:08:31,440 --> 00:08:33,800 Speaker 1: came in? Okay, but what does it mean? What is 159 00:08:33,840 --> 00:08:36,840 Speaker 1: It's the same grammar rules as stand. It's like I 160 00:08:37,080 --> 00:08:42,120 Speaker 1: simple you and that shirt. I understand what it means 161 00:08:42,160 --> 00:08:44,280 Speaker 1: and how it's used, and I'm ready to start doing that, 162 00:08:44,320 --> 00:08:46,280 Speaker 1: but I, as someone who is in the culture, I 163 00:08:46,320 --> 00:08:48,640 Speaker 1: want to know where the culture I'm using comes from. 164 00:08:48,679 --> 00:08:51,760 Speaker 1: So Stan, it comes from eminem song stand, but what 165 00:08:51,800 --> 00:08:54,400 Speaker 1: where does say? I don't know the etymology on it. Fully, 166 00:08:54,480 --> 00:08:58,480 Speaker 1: I think it's honestly em embracing it as a more 167 00:08:58,520 --> 00:09:02,160 Speaker 1: general use. Hopefully, I think I believe it's like, maybe 168 00:09:02,160 --> 00:09:04,679 Speaker 1: it's not meant to be this functionally, but I feel 169 00:09:04,720 --> 00:09:07,720 Speaker 1: like it is. You were very early on the whole 170 00:09:07,920 --> 00:09:11,760 Speaker 1: stand is using Stan an eminem term is a bummer 171 00:09:12,200 --> 00:09:15,760 Speaker 1: for queer people, right, And I still do it because 172 00:09:15,760 --> 00:09:18,760 Speaker 1: it's become so interesting our way out. It's our little 173 00:09:18,760 --> 00:09:21,160 Speaker 1: exit strategy. It's our hatch store. You know, I love 174 00:09:21,280 --> 00:09:23,680 Speaker 1: I think you can do that, okay, So, and I'll 175 00:09:23,720 --> 00:09:26,960 Speaker 1: be honest with you. STAN has become, like um, a 176 00:09:27,040 --> 00:09:31,040 Speaker 1: part of the vocabulary of our life in a way 177 00:09:31,080 --> 00:09:33,319 Speaker 1: that it almost rolls off the tongue now, So it'll 178 00:09:33,360 --> 00:09:38,040 Speaker 1: be hard, but I do like saying simplemore like to me, 179 00:09:38,120 --> 00:09:42,080 Speaker 1: that is a more satisfying landing place. You want to know, 180 00:09:42,800 --> 00:09:45,720 Speaker 1: when I knew that Stan was kind of over for me, 181 00:09:46,760 --> 00:09:50,000 Speaker 1: it will never be really over Katy Perry, but I, 182 00:09:51,480 --> 00:09:53,400 Speaker 1: you know, would like pick up on people like our 183 00:09:53,559 --> 00:09:56,520 Speaker 1: lovely most recent guestar, just like kind of making fun 184 00:09:56,520 --> 00:10:01,200 Speaker 1: of it, and it's it's it's and literally our second 185 00:10:01,240 --> 00:10:02,640 Speaker 1: week back at work. I don't think you would mind 186 00:10:02,679 --> 00:10:04,760 Speaker 1: if I said this, but um, I was just like 187 00:10:04,840 --> 00:10:06,960 Speaker 1: kind of standing next to Kyle for a bit and 188 00:10:06,960 --> 00:10:08,920 Speaker 1: we were just doing bits, and then in one of 189 00:10:08,920 --> 00:10:12,640 Speaker 1: his trademark Kyle voices, he goes, we stand and I 190 00:10:12,720 --> 00:10:16,080 Speaker 1: was like, oh my god, you know now that not 191 00:10:16,080 --> 00:10:19,599 Speaker 1: that not now that it's become I must use it 192 00:10:19,640 --> 00:10:21,880 Speaker 1: as a meta humor or as like a way that 193 00:10:21,960 --> 00:10:25,360 Speaker 1: to ironically like signal that he's someone else. I'm just like, okay, 194 00:10:25,400 --> 00:10:29,679 Speaker 1: we're done. We're done. So I think I think R 195 00:10:29,720 --> 00:10:33,520 Speaker 1: I P Stan welcome simple it's a real culture. It's 196 00:10:33,559 --> 00:10:36,120 Speaker 1: real culture number because it's later on it's a real 197 00:10:36,360 --> 00:10:42,199 Speaker 1: number two three right, peace, peace, welcome. It's another way 198 00:10:42,240 --> 00:10:46,400 Speaker 1: of saying, um Stan is dead long live long lives simp. 199 00:10:46,920 --> 00:10:49,200 Speaker 1: I love it. Stan is dead long lives him and 200 00:10:49,640 --> 00:10:52,520 Speaker 1: actually replaced the realal culture with that. Everyone Okay, readers 201 00:10:52,520 --> 00:10:54,720 Speaker 1: at home, people that are logging this, it is so 202 00:10:54,880 --> 00:10:58,760 Speaker 1: decided the seventh bit of culture. The thing about it is, 203 00:10:58,960 --> 00:11:02,200 Speaker 1: um this was huge culture. This was blockbuster culture, and 204 00:11:02,240 --> 00:11:04,600 Speaker 1: so were Everything we've been talking about is really just 205 00:11:04,720 --> 00:11:08,040 Speaker 1: kind of blockbuster culture. I mean Taylor's releasing an album 206 00:11:08,040 --> 00:11:11,800 Speaker 1: that's blockbuster culture. I mean this idea of the Spider 207 00:11:11,840 --> 00:11:15,679 Speaker 1: Man three studcasts so that we can help create this 208 00:11:15,840 --> 00:11:21,720 Speaker 1: communal um culture moment that I think we saw truly 209 00:11:21,720 --> 00:11:24,839 Speaker 1: created by a certain film that's sold to the top 210 00:11:24,880 --> 00:11:29,319 Speaker 1: of the in the mid nineteen seventies. Are you ready 211 00:11:29,360 --> 00:11:48,600 Speaker 1: for it? Yes, seven June nineteen, talk about this. This 212 00:11:48,800 --> 00:11:53,920 Speaker 1: was big attacking fish culture. This was cuckoo you never 213 00:11:53,960 --> 00:11:56,840 Speaker 1: wanted to go on the water again. Culture. This was 214 00:11:57,000 --> 00:12:02,600 Speaker 1: done don't soundtrack culture. The girl that is the most 215 00:12:02,679 --> 00:12:12,520 Speaker 1: beautiful song. Dude, du du dont don't the way I'm 216 00:12:12,760 --> 00:12:16,160 Speaker 1: rolling too about the way that I sexually came. Oh yeah, 217 00:12:16,400 --> 00:12:20,120 Speaker 1: the way. It's literally a beat. Dunt dun dunt dunt 218 00:12:20,160 --> 00:12:23,199 Speaker 1: dunt dun't drop into the ground while this plays. I'm 219 00:12:23,240 --> 00:12:26,520 Speaker 1: telling you you feel if you embrace this song as 220 00:12:26,559 --> 00:12:29,600 Speaker 1: a sort of sexual call to the dance floor, amazing 221 00:12:29,679 --> 00:12:32,680 Speaker 1: things will happen. It's a floor filler. The Jaws theme 222 00:12:32,760 --> 00:12:35,600 Speaker 1: song is ultimately a floor filler. That's a role of culture. 223 00:12:36,200 --> 00:12:45,520 Speaker 1: Number ninety nine, the Jaws theme song, ultimately filler floor, Filler, 224 00:12:46,160 --> 00:12:50,319 Speaker 1: Baby Baby. Has there been any reasure remixes? It's it's 225 00:12:50,320 --> 00:12:52,160 Speaker 1: a it's a forty five year old movie. I have 226 00:12:52,480 --> 00:12:55,679 Speaker 1: a confession to make. It's one of those go girl, 227 00:12:56,559 --> 00:13:01,719 Speaker 1: shut up three words which never seen it? Do you 228 00:13:01,800 --> 00:13:04,079 Speaker 1: hate me? Do you want me to sort of tell you? No? 229 00:13:04,200 --> 00:13:05,679 Speaker 1: I don't hate you? What I don't? I hate it 230 00:13:05,679 --> 00:13:07,839 Speaker 1: at all. I just feel like I need to fill 231 00:13:07,880 --> 00:13:09,240 Speaker 1: in a blank few Can I sort of tell you 232 00:13:09,320 --> 00:13:12,439 Speaker 1: what happens in Jaws? Yes, my sister, And if you 233 00:13:12,600 --> 00:13:22,520 Speaker 1: have any questions, I want you to ask. This is 234 00:13:22,600 --> 00:13:26,360 Speaker 1: the movie Jaws. Number one scene. Beginning of the movie, 235 00:13:26,440 --> 00:13:32,760 Speaker 1: number one scene, number one scene. So there's and tell 236 00:13:32,800 --> 00:13:34,319 Speaker 1: me how much you love this? A guy and a 237 00:13:34,400 --> 00:13:37,080 Speaker 1: girl sort of like drinking at a bonfire on the beach, 238 00:13:40,040 --> 00:13:43,320 Speaker 1: and so then they she gets like a little drunk 239 00:13:43,360 --> 00:13:45,520 Speaker 1: and she has running on the beach and she's naked. 240 00:13:45,960 --> 00:13:48,040 Speaker 1: She gets off take off her clothes, and he sort 241 00:13:48,040 --> 00:13:50,880 Speaker 1: of passes out from being drunk. So she swims out. 242 00:13:51,559 --> 00:13:53,959 Speaker 1: He's so drunk he could barely see her. She's like 243 00:13:54,280 --> 00:13:56,679 Speaker 1: taking off her clothes, running away from the bonfire on 244 00:13:56,800 --> 00:13:59,000 Speaker 1: the beach and she's sort of getting into the water 245 00:13:59,120 --> 00:14:00,920 Speaker 1: and it's very dark. Do you see what I'm saying. 246 00:14:01,679 --> 00:14:03,360 Speaker 1: I don't know about these two people. I think they 247 00:14:03,440 --> 00:14:06,160 Speaker 1: deserve it, as I see, I don't sympathize with these characters, 248 00:14:06,760 --> 00:14:09,839 Speaker 1: Oh my god, even though they're like young and we 249 00:14:09,960 --> 00:14:12,640 Speaker 1: know nothing about them, You're I don't know. I think 250 00:14:12,679 --> 00:14:16,480 Speaker 1: they seem sympathetic to me. Also, she's blond anyway, um, 251 00:14:16,679 --> 00:14:19,440 Speaker 1: so she maybe she does deserve it. Her name is Christie, 252 00:14:19,480 --> 00:14:21,920 Speaker 1: by the way. And so she runs out into the water. 253 00:14:22,480 --> 00:14:24,880 Speaker 1: You know what happens. And I don't even even know 254 00:14:24,920 --> 00:14:27,040 Speaker 1: about the opening scene of You don't even know about 255 00:14:27,080 --> 00:14:29,960 Speaker 1: the opening scene of Jaws, So this is iconic. She's 256 00:14:30,000 --> 00:14:35,960 Speaker 1: swimming and you see her from and it's like, dude, 257 00:14:37,480 --> 00:14:38,840 Speaker 1: and all of a sudden, like you see her go 258 00:14:39,120 --> 00:14:41,000 Speaker 1: get pulled under the water really fast, and she goes 259 00:14:41,760 --> 00:14:45,080 Speaker 1: and then she pulls her again and all of a sudden, 260 00:14:45,160 --> 00:14:52,960 Speaker 1: like she's thrashed around and she's Yeah, so Jaws basically 261 00:14:53,040 --> 00:14:55,360 Speaker 1: we don't ever see it. All we see is her 262 00:14:55,720 --> 00:14:58,640 Speaker 1: being thrashed around in the water and like pulled under 263 00:14:59,320 --> 00:15:03,080 Speaker 1: and eventually she's she's thrown up against like um, like 264 00:15:03,160 --> 00:15:05,360 Speaker 1: a little like dignity in the water or whatever, like 265 00:15:05,440 --> 00:15:07,760 Speaker 1: it's like one of those like little like a booie 266 00:15:07,880 --> 00:15:10,840 Speaker 1: or something. He pulls her off and the last thing 267 00:15:10,920 --> 00:15:13,600 Speaker 1: you see is she she's screaming, screaming, screaming, gets pulled 268 00:15:13,680 --> 00:15:17,480 Speaker 1: under the water, and that's it. That the guy also 269 00:15:17,600 --> 00:15:20,320 Speaker 1: got killed by Jaws. No, no, no, no, he's passed 270 00:15:20,360 --> 00:15:22,040 Speaker 1: out on the beach. He's passed out on the beach. 271 00:15:22,200 --> 00:15:24,480 Speaker 1: Never even made it him. So then she's like missing 272 00:15:24,600 --> 00:15:27,800 Speaker 1: and so whatever they're like or she's not missing, basically 273 00:15:28,200 --> 00:15:31,000 Speaker 1: like so and so happens and they find her on 274 00:15:31,040 --> 00:15:34,280 Speaker 1: the beach the next day and like literally, okay, mind 275 00:15:34,320 --> 00:15:36,840 Speaker 1: you it is fourth of July weekend, Okay, big time. 276 00:15:36,960 --> 00:15:41,080 Speaker 1: The town is called the town is called Jaws. Girl, 277 00:15:41,760 --> 00:15:45,520 Speaker 1: No Jaws. I think I thought they called it Jaws 278 00:15:45,600 --> 00:15:49,000 Speaker 1: because there are the other things named Jaws. No, I 279 00:15:49,080 --> 00:15:52,600 Speaker 1: think Jaws the beach. Wait, hold on, I have to 280 00:15:52,640 --> 00:15:55,200 Speaker 1: say something. It is shocking to me if you have 281 00:15:55,320 --> 00:15:59,000 Speaker 1: not seen this movie, and you might have to watch 282 00:15:59,080 --> 00:16:04,160 Speaker 1: the streaming, but this was well now, I think you 283 00:16:04,200 --> 00:16:05,920 Speaker 1: can stream Jaws on all sorts of things. Also, I 284 00:16:05,920 --> 00:16:07,480 Speaker 1: feel like it's one of those movies that gets put 285 00:16:07,560 --> 00:16:10,600 Speaker 1: on Also, I talk about Jaws culture, so you talk 286 00:16:10,680 --> 00:16:14,040 Speaker 1: about Jaws the ride culture. There's a difference, and I 287 00:16:14,280 --> 00:16:17,280 Speaker 1: I have a you've played the show, because we all 288 00:16:17,400 --> 00:16:21,360 Speaker 1: know what Jaws Jaws is not. Jaws has no characterization, 289 00:16:21,480 --> 00:16:25,160 Speaker 1: but he has no motivation besides wanting to kill people. 290 00:16:25,840 --> 00:16:27,880 Speaker 1: He is the one of the worst killers, he really is, 291 00:16:27,960 --> 00:16:31,000 Speaker 1: but he's not motivated by anything more complicated than some 292 00:16:31,160 --> 00:16:34,960 Speaker 1: primal desire to attack people. You're right, And so I 293 00:16:35,000 --> 00:16:37,240 Speaker 1: guess you feel like you're not interested in it because 294 00:16:37,720 --> 00:16:40,560 Speaker 1: doesn't have a compelling I've just not been It just 295 00:16:40,680 --> 00:16:42,880 Speaker 1: has not been like an imperative for me ever to 296 00:16:43,000 --> 00:16:46,200 Speaker 1: watch it. I will watch it because we are we 297 00:16:46,360 --> 00:16:49,560 Speaker 1: are ordaining it as a day of culture. And I 298 00:16:49,840 --> 00:16:52,280 Speaker 1: love your passion for this and you're able to retell 299 00:16:52,320 --> 00:16:54,840 Speaker 1: it so clearly and vividly. But I just want to 300 00:16:55,160 --> 00:16:58,520 Speaker 1: make the distinction that you have talked about Jaws ride culture, 301 00:16:58,560 --> 00:17:02,320 Speaker 1: which is I'm not same as Jaws culture. Do you 302 00:17:02,400 --> 00:17:05,680 Speaker 1: understand me? You're right, I mean I understand, and I 303 00:17:06,040 --> 00:17:08,080 Speaker 1: first of all, I want to say, I think for 304 00:17:09,520 --> 00:17:14,920 Speaker 1: for I have talked about Jaws ride culture many times, 305 00:17:15,000 --> 00:17:19,800 Speaker 1: which I believe is Jaws culture by proxy, but now 306 00:17:19,920 --> 00:17:21,600 Speaker 1: that I'm thinking about it, and I'm going back through 307 00:17:21,640 --> 00:17:24,960 Speaker 1: the foul capits in my brain. Never once did I 308 00:17:25,080 --> 00:17:28,879 Speaker 1: ever hear you say you had never seen it or 309 00:17:29,320 --> 00:17:31,720 Speaker 1: implore you to watch it. It hasn't come up till 310 00:17:31,800 --> 00:17:35,480 Speaker 1: this very moment. Every episode of Lost Culture restus. We 311 00:17:35,680 --> 00:17:39,800 Speaker 1: peel back a layer of this friendship. And I didn't 312 00:17:39,920 --> 00:17:42,840 Speaker 1: know this to me? What do you think it's weirder 313 00:17:43,080 --> 00:17:45,160 Speaker 1: that I haven't seen sound of music? You haven't seen 314 00:17:45,640 --> 00:17:50,639 Speaker 1: us one thousand is so culturally like we all know, 315 00:17:51,080 --> 00:17:56,520 Speaker 1: like doah dear, We all know like Adelwei's we know 316 00:17:56,720 --> 00:17:59,399 Speaker 1: Jaws as a shark. That's that's what we all know. 317 00:18:00,040 --> 00:18:03,399 Speaker 1: Let's get one thing all about Quints. I don't know 318 00:18:05,760 --> 00:18:08,200 Speaker 1: who's in Girl. You don't know Quinn. Who the hell 319 00:18:08,320 --> 00:18:12,040 Speaker 1: is Quint? Who is she? Robert Shaw played Quint and 320 00:18:12,160 --> 00:18:16,560 Speaker 1: he has a monologue about a shark attack he wants survived. 321 00:18:16,680 --> 00:18:19,280 Speaker 1: And it is a film we know, and I'm speaking 322 00:18:19,359 --> 00:18:21,800 Speaker 1: on behalf of people who have not seen Jaws. All 323 00:18:21,880 --> 00:18:24,440 Speaker 1: we know is that Jaws is a shark. Possibly the 324 00:18:24,520 --> 00:18:27,880 Speaker 1: town is called Jaws, and we're gonna need a bigger boat. 325 00:18:28,080 --> 00:18:31,480 Speaker 1: That's all. That's all we know. Girl. First, of all, 326 00:18:31,760 --> 00:18:35,960 Speaker 1: you are literally the only motherfucker who believes that the 327 00:18:36,160 --> 00:18:40,120 Speaker 1: town was called Jaws. Everyone knows the town was called Amity. 328 00:18:40,600 --> 00:18:43,919 Speaker 1: Everyone knows that. And what we need on our behalf 329 00:18:44,040 --> 00:18:48,280 Speaker 1: what Doug, can you get here? Please? It's crazy that 330 00:18:48,400 --> 00:18:51,919 Speaker 1: you we need a third part. Doug, who's what's crazy? 331 00:18:52,000 --> 00:18:55,480 Speaker 1: Or duck? He's putting on his headphones definitively and you you, 332 00:18:55,680 --> 00:18:58,560 Speaker 1: I know, you know what's weirder that I haven't seen 333 00:18:58,600 --> 00:19:02,040 Speaker 1: sound of music or that Bowen hasn't seen Jaws. Initially 334 00:19:02,520 --> 00:19:04,800 Speaker 1: I thought it was more weird that Matt had not 335 00:19:05,000 --> 00:19:08,359 Speaker 1: seen sound of music, but then I grew up from 336 00:19:08,480 --> 00:19:13,000 Speaker 1: Jaws that fucked people's heads for years. It literally is 337 00:19:13,080 --> 00:19:15,399 Speaker 1: ocean culture, like you can't look at an ocean or 338 00:19:15,440 --> 00:19:17,480 Speaker 1: go to a beach without someone making a Jaws Joe, 339 00:19:17,600 --> 00:19:20,960 Speaker 1: you can't do it. I think they're kind of I 340 00:19:21,040 --> 00:19:24,960 Speaker 1: think universal. And when I was growing up in America, 341 00:19:25,080 --> 00:19:27,440 Speaker 1: I was in a landlocked state, so we didn't fucking 342 00:19:27,560 --> 00:19:32,200 Speaker 1: care about Jaws or ocean culture. In Colorado, no bones 343 00:19:33,040 --> 00:19:35,439 Speaker 1: because that would add to the mistique of the ocean 344 00:19:35,560 --> 00:19:37,720 Speaker 1: and beach culture. Even more so people in the middle 345 00:19:37,720 --> 00:19:40,880 Speaker 1: of the country. What even crazier, Doug, what was Jaws fever? 346 00:19:41,480 --> 00:19:44,879 Speaker 1: What can you explain? I grew up in a landlocked spot. 347 00:19:45,440 --> 00:19:48,680 Speaker 1: People would go on vacation and my sister would not 348 00:19:48,800 --> 00:19:52,960 Speaker 1: go in there because of Jaws, because of Jaws, like 349 00:19:53,240 --> 00:19:56,159 Speaker 1: literally her brain like she just want to do it. 350 00:19:56,320 --> 00:20:01,879 Speaker 1: That's wonderful. But also the whole world knows soul phage. No, 351 00:20:02,000 --> 00:20:05,600 Speaker 1: it's do REMI fas la t do because of Julie 352 00:20:05,640 --> 00:20:11,320 Speaker 1: Andrews and Rodgerson Hammerstein. I totally agree with you. That's 353 00:20:11,359 --> 00:20:13,560 Speaker 1: what I'm saying that we we Doug and I agree 354 00:20:13,560 --> 00:20:16,560 Speaker 1: there on part dog do not break the tie. He 355 00:20:16,680 --> 00:20:19,200 Speaker 1: did not break the time and get in here break 356 00:20:19,280 --> 00:20:25,080 Speaker 1: the Anna producer, producer, Anna, Hi, what's weirder that Bowen 357 00:20:25,440 --> 00:20:28,400 Speaker 1: has not seen Jaws? Or that I have not seen 358 00:20:28,480 --> 00:20:31,359 Speaker 1: the sound of music? Anna is Persian and has Persian 359 00:20:31,440 --> 00:20:34,200 Speaker 1: parents who can probably relate to this thing that I'm 360 00:20:34,359 --> 00:20:37,800 Speaker 1: putting forward. I will say, yes, I do think sound 361 00:20:37,880 --> 00:20:41,960 Speaker 1: of music is like immigrant trap culture because I saw 362 00:20:42,000 --> 00:20:46,280 Speaker 1: a sound of music way before. Okay, so I do 363 00:20:46,520 --> 00:20:48,879 Speaker 1: think when you're kind of I don't know why, but 364 00:20:49,040 --> 00:20:51,359 Speaker 1: parents immigrant parents seem to like sound of music. So 365 00:20:51,480 --> 00:20:54,320 Speaker 1: you see that before. I do think it's just culturally 366 00:20:54,400 --> 00:20:56,920 Speaker 1: what you see versus like, I think you might be 367 00:20:57,080 --> 00:21:02,800 Speaker 1: onto something here because Jaws is very americature. It's very Yeah, 368 00:21:02,880 --> 00:21:05,320 Speaker 1: that's and this actually ended up being a more interesting 369 00:21:05,359 --> 00:21:08,879 Speaker 1: discussion than I ever could have thought, thank you. But 370 00:21:09,000 --> 00:21:11,760 Speaker 1: so I think that maybe a little slightly broke the 371 00:21:11,880 --> 00:21:15,840 Speaker 1: tie in my favor. I think so I think, well, no, 372 00:21:16,359 --> 00:21:18,720 Speaker 1: I don't think she broke a tie because because she 373 00:21:19,160 --> 00:21:25,119 Speaker 1: acknowledges the extremely prominent American culture that is Jaws. But 374 00:21:25,240 --> 00:21:28,120 Speaker 1: I do think that there is an experiential factor here 375 00:21:28,240 --> 00:21:31,159 Speaker 1: that is kind of coming in with I don't know 376 00:21:31,200 --> 00:21:32,960 Speaker 1: why I never saw Sound of Music, Maybe because I 377 00:21:33,119 --> 00:21:37,040 Speaker 1: grew up in like a sports house, um honestly, and 378 00:21:37,240 --> 00:21:39,920 Speaker 1: like just I don't know. And also you know, Sound 379 00:21:39,960 --> 00:21:44,680 Speaker 1: of Music is an international story, story, international stars. Who 380 00:21:44,920 --> 00:21:48,600 Speaker 1: who is who is bringing that element in the caster 381 00:21:48,800 --> 00:21:54,760 Speaker 1: Jaws nobody? I mean, I could argue that roych It, 382 00:21:55,040 --> 00:21:58,480 Speaker 1: I could I could argue that Richard Dreyfuss is bringing it. 383 00:21:58,880 --> 00:22:04,240 Speaker 1: I could argue the Shark itself is bringing the glam factor. Listen, 384 00:22:05,160 --> 00:22:10,720 Speaker 1: I think if Steven Spielberg stopped me on the street 385 00:22:10,760 --> 00:22:14,440 Speaker 1: and said bowen, and to be like, who are you 386 00:22:16,200 --> 00:22:19,480 Speaker 1: he And if he said Bowen, it hurts me that 387 00:22:19,600 --> 00:22:23,719 Speaker 1: you haven't seen Jaws. I'll say, well, Mr Spielberg, as 388 00:22:23,760 --> 00:22:26,720 Speaker 1: an immigrant to this country, I resent the fact that 389 00:22:26,800 --> 00:22:31,200 Speaker 1: you made an American movie for Americans. Oh good day, 390 00:22:31,320 --> 00:22:33,840 Speaker 1: I have to go get my hair cut at Astra Hair. 391 00:22:34,520 --> 00:22:37,600 Speaker 1: Thank you. But can I ask you a question? Think 392 00:22:37,680 --> 00:22:40,960 Speaker 1: about this scenario. You are swimming in the water a 393 00:22:41,320 --> 00:22:49,320 Speaker 1: massive shark fin Jaws did not. Sharks existed before Jaws. Yes, 394 00:22:50,000 --> 00:22:53,200 Speaker 1: I'm telling you, Bowen, sharks. What Jaws did for sharks 395 00:22:53,880 --> 00:22:57,480 Speaker 1: is what sounded music did for music, American Idol did 396 00:22:57,560 --> 00:23:03,040 Speaker 1: for Kelly Clark's Sky in the Sharks. I'm telling you, 397 00:23:03,200 --> 00:23:09,240 Speaker 1: Jaws made sharks the top of the charts. Jaws took 398 00:23:09,280 --> 00:23:11,720 Speaker 1: sharks to the topic we knew as a culture, as 399 00:23:11,760 --> 00:23:15,640 Speaker 1: a world, as a human race, that sharks are dangerous 400 00:23:15,720 --> 00:23:19,119 Speaker 1: and will kill you. Not like this. You are so 401 00:23:19,920 --> 00:23:23,600 Speaker 1: that out of your mind, and anyone who agrees you 402 00:23:23,720 --> 00:23:26,560 Speaker 1: have come in, can I say something. You've come in 403 00:23:26,640 --> 00:23:31,639 Speaker 1: today with a combative tone, and you've been very combative. 404 00:23:31,760 --> 00:23:36,600 Speaker 1: Queen and Queen, let me tell you something. Carrie Underwood 405 00:23:36,720 --> 00:23:40,159 Speaker 1: could do sound of music. Carrie Underwood could not do Jaws. 406 00:23:41,080 --> 00:23:44,960 Speaker 1: She could never be that shark. Okay, okay, And if 407 00:23:45,040 --> 00:23:47,760 Speaker 1: Carrie Underwood could do it, must not be that kind 408 00:23:47,800 --> 00:23:54,520 Speaker 1: of culture. Just kidding. I don't know. I would never. 409 00:23:54,840 --> 00:23:56,959 Speaker 1: I would never. I would I would literally would never. 410 00:23:57,000 --> 00:23:58,880 Speaker 1: I would die for her. A version of a loan 411 00:23:58,960 --> 00:24:02,320 Speaker 1: from American Idol kill myself alone. Oh yeah, she did, 412 00:24:03,080 --> 00:24:05,960 Speaker 1: Oh she did it. Well, you can't do it. You 413 00:24:06,080 --> 00:24:08,200 Speaker 1: need to have it. Was she was that a duet 414 00:24:08,359 --> 00:24:13,800 Speaker 1: or she did herself. You need that harmony. You need 415 00:24:13,880 --> 00:24:17,320 Speaker 1: that harmony on the third though, to make it truly sore. 416 00:24:18,119 --> 00:24:23,960 Speaker 1: And I'm sorry, but you need anyway. We don't have 417 00:24:24,000 --> 00:24:26,320 Speaker 1: to argue about Carrie. We're here to talk about Jaws. 418 00:24:26,520 --> 00:24:29,480 Speaker 1: Keep walking me through this story in our few minutes 419 00:24:29,520 --> 00:24:33,600 Speaker 1: that we have left. Let's just say this, because there's 420 00:24:34,080 --> 00:24:37,160 Speaker 1: the death of this girl. Everyone's like, oh, there must 421 00:24:37,160 --> 00:24:39,640 Speaker 1: be a huge shark here. The bites on this young girl, 422 00:24:39,760 --> 00:24:42,720 Speaker 1: our psycho. So then they're like, well, it's worth of 423 00:24:42,800 --> 00:24:45,360 Speaker 1: July and probably shouldn't close the beaches. Keep them open. 424 00:24:45,400 --> 00:24:47,919 Speaker 1: It's a huge time for business, says the mayor, who 425 00:24:48,000 --> 00:24:50,760 Speaker 1: looks very much like a mayor. Now there's like the 426 00:24:50,880 --> 00:24:55,160 Speaker 1: town sheriff who's like the lead of the movie. Um, 427 00:24:55,440 --> 00:24:57,040 Speaker 1: he's sort of going back and forth in his head 428 00:24:57,080 --> 00:24:59,960 Speaker 1: about whether to close the beach down. Very very contemporary, 429 00:25:00,040 --> 00:25:04,560 Speaker 1: very COVID narrative. Yes, very that a time a story 430 00:25:04,600 --> 00:25:07,360 Speaker 1: for now now more than ever draws. And so they're 431 00:25:07,359 --> 00:25:08,880 Speaker 1: at the beach one day, he's literally at the beach 432 00:25:08,920 --> 00:25:11,639 Speaker 1: one day when a kid gets killed by the shark, 433 00:25:11,800 --> 00:25:16,520 Speaker 1: like you see it. It's crazy. And then he still, um, 434 00:25:17,400 --> 00:25:20,800 Speaker 1: hasn't closed the beach down, like there's people go crazy. Though. 435 00:25:21,160 --> 00:25:24,680 Speaker 1: At the funeral, the kid's mother says to the sheriff, 436 00:25:25,160 --> 00:25:28,080 Speaker 1: we know that you waited days after this first girl 437 00:25:28,200 --> 00:25:30,920 Speaker 1: was killed and didn't close the beach, so anything you 438 00:25:31,040 --> 00:25:33,400 Speaker 1: do now is too little, too late. I'm paraphrasing here. 439 00:25:33,440 --> 00:25:37,159 Speaker 1: And mind you, the person who's like the coroner, like 440 00:25:37,720 --> 00:25:40,239 Speaker 1: whose retro dry fust has come and said, you need 441 00:25:40,280 --> 00:25:42,000 Speaker 1: to close down the beach. If there's some sort of 442 00:25:42,000 --> 00:25:44,200 Speaker 1: animal that's this big, that could do this to this girl, 443 00:25:44,640 --> 00:25:47,320 Speaker 1: you need to close down the beach. And he's ignored, ignored, ignored. 444 00:25:47,760 --> 00:25:50,720 Speaker 1: So basically, um, they finally closed down the beach, but 445 00:25:50,760 --> 00:25:52,840 Speaker 1: they're they're unable to get rid of the shark. To 446 00:25:52,960 --> 00:25:56,560 Speaker 1: the extent where they realize this is really a summation. 447 00:25:57,280 --> 00:26:01,359 Speaker 1: They must go out to try to like kill it. Like, 448 00:26:01,680 --> 00:26:04,040 Speaker 1: so they put these they get this little ship together 449 00:26:04,160 --> 00:26:07,359 Speaker 1: called the Orca. It's three guys. One is Quint, this 450 00:26:07,440 --> 00:26:09,480 Speaker 1: older guy I'm telling you about us, like a shark expert, 451 00:26:09,880 --> 00:26:12,600 Speaker 1: and then there's the town sheriff and this coroner who's 452 00:26:12,600 --> 00:26:16,600 Speaker 1: like able to identify. I guess it's those three guys there. 453 00:26:16,720 --> 00:26:18,320 Speaker 1: Oh my god, they forgot a skipper. They did not 454 00:26:18,440 --> 00:26:21,040 Speaker 1: hire a skipper, but the sheriff does have a wife 455 00:26:21,119 --> 00:26:22,960 Speaker 1: that's like, please protect us, you know what I mean. 456 00:26:23,520 --> 00:26:27,399 Speaker 1: So um. So, basically they go out to see to 457 00:26:27,560 --> 00:26:29,680 Speaker 1: kill this shark and they're trying to attract it with 458 00:26:29,760 --> 00:26:33,520 Speaker 1: these big yellow boois I guess, and they find it 459 00:26:33,760 --> 00:26:37,639 Speaker 1: and basically spoiler alert, it is a fight to the 460 00:26:37,760 --> 00:26:42,000 Speaker 1: fucking death. The shark gives it to them. The shark 461 00:26:42,040 --> 00:26:45,560 Speaker 1: expert Quin ends up by the shark. Yes, yes, yes, 462 00:26:47,600 --> 00:26:49,680 Speaker 1: oh yeah, no, you need to I can't believe I 463 00:26:49,720 --> 00:26:51,600 Speaker 1: just told you what happened in the movie. But basically 464 00:26:51,680 --> 00:26:53,880 Speaker 1: they do kill the shark. But then there's more shark 465 00:26:54,000 --> 00:26:58,160 Speaker 1: sequels later, like Jaws to three D, which Dennis Quaid 466 00:26:58,240 --> 00:27:00,600 Speaker 1: was in and said had a cocaine budget hidden into 467 00:27:00,680 --> 00:27:06,199 Speaker 1: the film. That was the eighties. This movie came out 468 00:27:06,240 --> 00:27:10,000 Speaker 1: at seventy five, and legitimately it was like a rough 469 00:27:10,119 --> 00:27:11,960 Speaker 1: time for beaches because people were afraid to go on 470 00:27:12,000 --> 00:27:15,199 Speaker 1: the water. I don't deny the impact that Jaws had 471 00:27:15,240 --> 00:27:18,440 Speaker 1: on the culture. I'm just saying, yes, it's just it's 472 00:27:18,480 --> 00:27:21,680 Speaker 1: just not not it's just not your it's not something 473 00:27:21,720 --> 00:27:26,920 Speaker 1: that it is absolutely absolutely deserves a spot in the 474 00:27:26,960 --> 00:27:30,720 Speaker 1: twelve days of culture when a thousand percent, but when 475 00:27:30,840 --> 00:27:33,600 Speaker 1: you start to bring in a sound of music, the 476 00:27:33,640 --> 00:27:39,120 Speaker 1: sound of music, I just look, have have you seen 477 00:27:39,160 --> 00:27:44,120 Speaker 1: The Godfather? If not, neither of I and I think 478 00:27:44,200 --> 00:27:47,520 Speaker 1: that that's actually important for me and my sister to 479 00:27:47,600 --> 00:27:50,280 Speaker 1: connect on, is that none of this really matters because 480 00:27:50,320 --> 00:27:52,880 Speaker 1: neither of us have seen The Godfather, and that's it's important, 481 00:27:53,840 --> 00:28:00,800 Speaker 1: neither of us ingested that hetero patriarchy. I told you, 482 00:28:00,920 --> 00:28:03,480 Speaker 1: we'll see that. I do love a crime movie. I 483 00:28:03,600 --> 00:28:06,399 Speaker 1: love a crime movie. Out of here, what do you 484 00:28:06,520 --> 00:28:12,399 Speaker 1: like like crime? Bitch? I love good Fellas, I love 485 00:28:13,200 --> 00:28:16,320 Speaker 1: but he's never seen Jaws. But he loves good Fellas, 486 00:28:17,240 --> 00:28:20,240 Speaker 1: but he's never seen Jaws. Because that culture is too American. 487 00:28:20,480 --> 00:28:27,119 Speaker 1: You know what you are? A crazy boy? Oh you 488 00:28:27,920 --> 00:28:32,200 Speaker 1: that's actually gonna be where we're wat I'll get ready 489 00:28:32,240 --> 00:28:35,680 Speaker 1: for the name I'll call Matt tomorrow on day eight 490 00:28:36,520 --> 00:28:39,360 Speaker 1: of the Tall Days of Culture. We've got some great 491 00:28:39,440 --> 00:28:45,440 Speaker 1: ones coming up, I think, But for now we say 492 00:28:45,560 --> 00:28:54,040 Speaker 1: to Jaws, fank you for giving me the best day 493 00:28:57,720 --> 00:29:00,080 Speaker 1: culture is