WEBVTT - All of the SUTTON, she was gone! RHOBH Recap with Kate Casey

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<v Speaker 1>Welcome to Reality with the King. It's me Carlos Kings,

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<v Speaker 1>the King of Reality TV and one of the most

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<v Speaker 1>sought after executive producers in reality television with over ten

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<v Speaker 1>years of production experience. Twice a week on Reality with

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<v Speaker 1>the King, we'll sit down with my friends across the

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<v Speaker 1>entertainment industry, recap our favorite reality shows, and revisit unforgettable

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<v Speaker 1>moments that we are still talking and tweeting about.

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<v Speaker 2>Hey, rain drops.

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<v Speaker 1>On today's episode of Reality of the King, my girlfriend

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<v Speaker 1>is back, my sister from another mister. I love it

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<v Speaker 1>when she's on. You guys loving when she's on. She's

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<v Speaker 1>everywhere my love. Give it up for the amazing punt

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<v Speaker 1>intended Kate Kasey.

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<v Speaker 3>Hello, I'm so fired enough, ready to talk, so excited.

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<v Speaker 2>Should we just die right in? Because I felt like, well,

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<v Speaker 2>let me just start here.

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<v Speaker 1>Obviously, we're gonna recap the latest episode of The Real

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<v Speaker 1>Housewives Ability Hills. You and I have the best spirited

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<v Speaker 1>conversations because sometimes we're aligne sometimes we're not, But at

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<v Speaker 1>the end of the day, it's the best conversation ever.

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<v Speaker 2>I really enjoyed this episode, you did.

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<v Speaker 3>I enjoyed the I think the previous one. More, Okay,

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<v Speaker 3>that was more in my style, where it's just like

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<v Speaker 3>you get to go to someone's house and you meet

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<v Speaker 3>their weird parents and then you figure out, like why

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<v Speaker 3>they're such a weirdo. I love that more. This episode

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<v Speaker 3>felt to me like I also like it, but not

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<v Speaker 3>as much. This is like almost like a workplace comedy.

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<v Speaker 3>They don't realize they're in it, but it's a workplace comedy.

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<v Speaker 2>Yes, it's like the Office or something. Yes it is.

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<v Speaker 1>Oh god, why is his name? I'll have a brave part.

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<v Speaker 1>The lead actor Kate from The Offense.

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<v Speaker 3>Oh, Michael Scott, No, that's the character. Oh well yes,

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<v Speaker 3>but yeah, the actor Steve Carell.

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<v Speaker 2>Thank you, Kate, Steve Carell. Sutton is Steve Carell.

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<v Speaker 3>She's She's definitely not most observant of oneself, that's for sure.

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<v Speaker 1>Yes, it was fascinating, but let's just get right into it,

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<v Speaker 1>because the beginning of this episode obviously is the continuation

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<v Speaker 1>of the previous where Sutton is an Augusta Georgia and

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<v Speaker 1>I along with you, I want to say, me and

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<v Speaker 1>you do agree on this, Like, Sutton is obviously a

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<v Speaker 1>very interesting character on the show. We don't get a

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<v Speaker 1>chance to see her children because her husband unfortunately won't

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<v Speaker 1>sign off for the kids to be on the show.

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<v Speaker 3>But wait a minute, aren't they over eighteen?

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<v Speaker 2>Are all of them over eighteen or the some of.

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<v Speaker 3>Them at least two are?

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<v Speaker 2>So are they just not interested?

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<v Speaker 3>Probably? I think the daughter may be graduating from college.

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<v Speaker 3>I think I read that she's going to go to

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<v Speaker 3>law school or wants to go to law school, so

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<v Speaker 3>she might be like, this is not my vibe.

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<v Speaker 2>Yeah, yeah, no.

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<v Speaker 3>And I think the other goes to maybe the Citadel.

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<v Speaker 3>I think he's in a military academy.

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<v Speaker 4>Oh Wowow do you have to say, I do look

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<v Speaker 4>at someone's kids and and if they're as you know,

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<v Speaker 4>as successful.

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<v Speaker 3>As they seem, you do have to give it to

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<v Speaker 3>some and then her ex husband. I mean, they do

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<v Speaker 3>seem to have raised successful kids maybe and maybe wise

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<v Speaker 3>for them to, you know, keep off the show to

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<v Speaker 3>maintain their anonymity.

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<v Speaker 2>Similar to but it sucks for us.

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<v Speaker 3>But it sucks for us. I know Erica Jane too.

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<v Speaker 3>You have to say, props her. She seems to have

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<v Speaker 3>raised a very successful you know. I was just say,

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<v Speaker 3>they all kind of seem to have raised really nice kids.

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<v Speaker 1>Are good, Yeah, even like Mauricio and Kyle great parents,

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<v Speaker 1>the kids are great.

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<v Speaker 3>Yeah. Grsel seems like a really present, about understanding, empathetic mother,

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<v Speaker 3>So props to them.

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<v Speaker 1>Yes, what are your thoughts, Ariba, I want to get

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<v Speaker 1>your thoughts.

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<v Speaker 3>Oh, a lot, a lot, I have a lot start.

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<v Speaker 3>Definitely a product of her generation. She even says it,

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<v Speaker 3>and I when she said it, I kept thinking about

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<v Speaker 3>my own relatives. I think that women that are well women.

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<v Speaker 3>I think both men and women that were born to

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<v Speaker 3>parents that were in the war or out of the

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<v Speaker 3>war are much more cold and detached because that was

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<v Speaker 3>how they were raised. They were not coddled. It was

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<v Speaker 3>very much like keep like my own mother would say.

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<v Speaker 3>If I ever cry about anything, my mom says, there

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<v Speaker 3>are other people have more problems in the world. Keep

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<v Speaker 3>your chin up, keep moving. And I think that Sutton

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<v Speaker 3>was born in a home like that. I also think

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<v Speaker 3>Reba's interesting because she's a therapist. Sometimes I find therapists

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<v Speaker 3>are interesting characters because they're so great with their own clients,

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<v Speaker 3>but not so much with their own kids.

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<v Speaker 2>Like kn' is still a bastard and her mother exactly.

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<v Speaker 3>And then the added component of Reba's definitely in deep

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<v Speaker 3>grief because of what happened with her husband. I think

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<v Speaker 3>that she is confused by her daughter because her daughter seemingly,

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<v Speaker 3>I think, in her eyes, has had a great life.

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<v Speaker 3>She had every opportunity in the world, was a successful,

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<v Speaker 3>successful ballet dancer, was married to someone with an abundance

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<v Speaker 3>of money and resources, and lives a very nice life.

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<v Speaker 3>And she what I got from her was like, what

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<v Speaker 3>are you complaining about all of those things? And she's

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<v Speaker 3>a woman of a certain generation in the South, so

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<v Speaker 3>the scenes that she has with Garcel are are so jarring.

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<v Speaker 3>She is so dismissive of Garcel, like that one scene

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<v Speaker 3>where she's sort of dismissive of her and then Kyle

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<v Speaker 3>walks in and she's commenting on her beauty. Yeah, very

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<v Speaker 3>painful to watch.

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<v Speaker 2>Yes, it was painful for me to watch. Listen.

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<v Speaker 1>Riba is a woman that obviously grew up in an

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<v Speaker 1>era where it was in the South, no less right

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<v Speaker 1>where it appears.

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<v Speaker 2>And I'm not going to call her names because.

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<v Speaker 1>We're not here to do that, but it doesn't appear

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<v Speaker 1>that she may not have had the best interactions with

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<v Speaker 1>people who are black, right, And it was jarring for

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<v Speaker 1>me as a black person to watch it because I

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<v Speaker 1>was sort of like, I felt uncomfortable watching it, and

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<v Speaker 1>I felt uncomfortable for Garcel because to me, I felt

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<v Speaker 1>like Garcel was trying so hard, so hard to have

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<v Speaker 1>a connection with her, and Riba just wasn't here for it.

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<v Speaker 1>She just wasn't here for it, even saying to her

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<v Speaker 1>when Garcella is like, look, your daughter wants you to

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<v Speaker 1>say you're proud of her, and she's like, well, I

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<v Speaker 1>don't think that's any of.

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<v Speaker 2>Your business, and look, it may not be. It may

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<v Speaker 2>not be, but.

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<v Speaker 1>I also think there's a way of telling somebody to

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<v Speaker 1>mind your business that didn't seem so hard. I just

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<v Speaker 1>felt like that was one example in addition to tons

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<v Speaker 1>of examples in her treatment towards Garcel and what I

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<v Speaker 1>will hope to happen at the.

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<v Speaker 2>Reunion and this is me just being honest.

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<v Speaker 1>Garcel has talked about Dere's microaggressions. I need for Garcela

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<v Speaker 1>to talk about Rebus and if that's not brought up,

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<v Speaker 1>it's it's going to be an issue. Because when it

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<v Speaker 1>came to Dorry saying all Garcila, you're attacking me. The

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<v Speaker 1>line was divided in terms of whether people thought it

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<v Speaker 1>was microaggressions or at the end of the day, the

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<v Speaker 1>reasonal reality show with women and housewives attack each other

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<v Speaker 1>what Riba was displaying to me and to the world.

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<v Speaker 2>And it's funny because.

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<v Speaker 1>A lot of my white friends text me and said,

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<v Speaker 1>I just want you to know I feel uncomfortable watching

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<v Speaker 1>this right. So my hope is that Garcell can talk

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<v Speaker 1>about dreads microaggression is that she said she had we

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<v Speaker 1>have to address ribus.

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<v Speaker 3>So I wondered too if there was some sort of

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<v Speaker 3>interview that they did with Sutton where they asked her

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<v Speaker 3>about that, how her mother was kind of cold, not

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<v Speaker 3>kind of absolutely cold to Garcel, how that made her feel.

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<v Speaker 3>And I wonder if they didn't include it. I would

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<v Speaker 3>be shocked that they wouldn't ask her about that. I mean,

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<v Speaker 3>it is so obvious. Why why would you not? That's

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<v Speaker 3>like the first question I would have, like, where was that?

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<v Speaker 2>Do you know this?

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<v Speaker 3>Kate?

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<v Speaker 1>On the after show, Sudden revealed that Riba returned the

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<v Speaker 1>gift back to Garcel.

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<v Speaker 2>Did you know that?

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<v Speaker 3>I did not know that.

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<v Speaker 1>So the spark that she gave Riba, Riba returned it

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<v Speaker 1>back to Garcel.

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<v Speaker 3>I want, like, is Sudden afraid of her mother? Could

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<v Speaker 3>can't she say something to her like this is one

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<v Speaker 3>of my closest friends. How dare you disrespect her in

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<v Speaker 3>my home? Nonetheless, is she like afraid of her? Is

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<v Speaker 3>that what's going on?

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<v Speaker 1>It appears to me that this not to be a psychiatrist,

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<v Speaker 1>because I'm not. But one thing I was told and

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<v Speaker 1>I would love to get your insight because you have

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<v Speaker 1>five beautiful children and I.

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<v Speaker 2>Want to get your thoughts on this.

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<v Speaker 1>A woman once told me that a girl's first bully

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<v Speaker 1>is her mother.

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<v Speaker 2>It's in some cases, right, huh.

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<v Speaker 1>It appears to me that because Sutton was also to

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<v Speaker 1>her dad, possibly there could have been some jealousy there

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<v Speaker 1>with Sutton and her mother. Not and listen, I'm not

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<v Speaker 1>blaming Sutton at all, because a child should not should

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<v Speaker 1>not be blamed for how their parents treat them because

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<v Speaker 1>the child was did not ask to be brought to

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<v Speaker 1>the world read.

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<v Speaker 2>But it is very cold to Sutton.

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<v Speaker 1>And like you said earlier, your mother was like, girl,

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<v Speaker 1>wipe them tears. There's other people who have bigger problems,

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<v Speaker 1>and I think that's okay to no.

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<v Speaker 3>I see, I see my mother and Reba trust me

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<v Speaker 3>all you do?

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<v Speaker 2>Oh?

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<v Speaker 3>Yeah, that is that's how I was raised with somebody

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<v Speaker 3>who is very cold and detached, extremely cold and detached. Yes.

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<v Speaker 1>What is her advice then to Sutton as as an

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<v Speaker 1>adult woman who is now, you know, a mother and

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<v Speaker 1>was able to you know, have children and maybe look

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<v Speaker 1>at some of what your mother did to you as

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<v Speaker 1>a way of saying, well.

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<v Speaker 2>I'm going to be different.

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<v Speaker 3>Well, you can't ask some money who is devoid of

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<v Speaker 3>interest and introspection to suddenly gain some It's impossible. The

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<v Speaker 3>only thing you can do is set your own boundaries.

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<v Speaker 3>So you need to say, you know, in my home

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<v Speaker 3>you will not do the following. This is not acceptable

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<v Speaker 3>to me. But you can't expect her to suddenly have

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<v Speaker 3>some introspection and insight because it's it's just never going

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<v Speaker 3>to be there.

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<v Speaker 2>Yeah. Yeah, and that that appeared to be evidema.

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<v Speaker 1>Look at the very end, she she told her daughter,

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<v Speaker 1>I love you, with the resounding applause from Cogre and

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<v Speaker 1>Garsel and listen for me. I appreciate the fact we

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<v Speaker 1>were able to go to Augusta because I strongly believe

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<v Speaker 1>that we're eating reality star if you want to understand them,

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<v Speaker 1>and I and I felt it was very hard to

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<v Speaker 1>connect to and as a viewer because we don't see

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<v Speaker 1>her children, we don't see her ex husband, we don't

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<v Speaker 1>see a sibling, we don't see a family member. So

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<v Speaker 1>we finally got a chance to see Riba, and I

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<v Speaker 1>think after seeing that, I'm not able to understand a

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<v Speaker 1>lot about Sutton. I had a chance to meet her recently.

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<v Speaker 1>She was lovely, very kind, very nice, but I always

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<v Speaker 1>felt that as a viewer it was just hard to

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<v Speaker 1>connect to her because there wasn't enough to deal with.

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<v Speaker 1>And I'll ended with this, Kate. It reminded me of

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<v Speaker 1>how Kenya Moore Atlanta Housewife as Harold did us like

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<v Speaker 1>the best villain that Alance has ever seen. And that

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<v Speaker 1>season we went to Detroit and we went to her

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<v Speaker 1>mother's home right and Kenya knocked on the door and

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<v Speaker 1>we heard her mother say lock the door. And that

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<v Speaker 1>that scene, one hundred percent of the audience said, I

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<v Speaker 1>now understand Kenya.

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<v Speaker 3>I actually have always felt a real connection to Kenya

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<v Speaker 3>because there is something that is deeply painful about the

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<v Speaker 3>rejection of a parent for me as my father, but

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<v Speaker 3>for her to go into pageants was her way of

0:13:07.760 --> 0:13:09.640
<v Speaker 3>This is the part that I absolutely related to and

0:13:09.640 --> 0:13:11.080
<v Speaker 3>I think a lot of people do. When you have

0:13:11.120 --> 0:13:15.439
<v Speaker 3>a parent that is dismissive abandons you, sometimes you go

0:13:15.559 --> 0:13:17.280
<v Speaker 3>on the other side of the coin where you try

0:13:17.320 --> 0:13:21.560
<v Speaker 3>to have incredible success because you're chasing the acknowledgment of

0:13:21.600 --> 0:13:24.760
<v Speaker 3>a parent that never will give it to you. You

0:13:24.840 --> 0:13:29.719
<v Speaker 3>just won't. And that way, I think that there is

0:13:29.760 --> 0:13:34.280
<v Speaker 3>a common thread with Kenya and Sutton. Sutton's never going

0:13:34.360 --> 0:13:36.880
<v Speaker 3>to get the acknowledgment that she wants. The one thing

0:13:36.920 --> 0:13:40.800
<v Speaker 3>I did think was in her own small way, was

0:13:40.800 --> 0:13:47.760
<v Speaker 3>that her act of like an act of her own

0:13:47.840 --> 0:13:52.400
<v Speaker 3>empowerment to have them come to Augusta the camera crew,

0:13:52.640 --> 0:13:56.960
<v Speaker 3>but being selective with just two women, so instead of

0:13:57.000 --> 0:14:02.960
<v Speaker 3>having the total ensemble cast. Her relationship with Garcel and

0:14:03.040 --> 0:14:05.920
<v Speaker 3>Garcel having time with Reeba may have been fewer and

0:14:06.000 --> 0:14:09.800
<v Speaker 3>far between, but was that her like an active defiance

0:14:09.840 --> 0:14:12.880
<v Speaker 3>against her mother too, Like I need you to spend

0:14:12.880 --> 0:14:17.640
<v Speaker 3>time with this very close friend of mine. I don't know.

0:14:18.400 --> 0:14:22.080
<v Speaker 2>Listen, I I can pick up what you're dropping.

0:14:22.240 --> 0:14:25.800
<v Speaker 1>I think it was I have a friend, she's black,

0:14:26.560 --> 0:14:30.160
<v Speaker 1>she's successful. I really like her, and I want you

0:14:30.240 --> 0:14:33.720
<v Speaker 1>to spend time with her. Because I never thought about that.

0:14:33.720 --> 0:14:36.120
<v Speaker 1>That's why I love having you on. I think Kyle

0:14:36.200 --> 0:14:38.760
<v Speaker 1>coming along with listen, I always thought it was weird,

0:14:38.920 --> 0:14:42.280
<v Speaker 1>like you guys aren't that close, So Kyle coming I

0:14:42.280 --> 0:14:44.760
<v Speaker 1>always thought was weird. But I think Kyle was used

0:14:44.760 --> 0:14:47.200
<v Speaker 1>as a buffer to make her mother feel more comfortable,

0:14:47.240 --> 0:14:51.240
<v Speaker 1>like I'm going to bring my black friend and I'll

0:14:51.240 --> 0:14:54.120
<v Speaker 1>bring my white friend, so that there seems to be

0:14:54.160 --> 0:14:57.800
<v Speaker 1>some balance. I do agree with that one thousand percent.

0:14:57.880 --> 0:15:01.520
<v Speaker 1>I think Son was very, very a thought acol in

0:15:01.560 --> 0:15:05.920
<v Speaker 1>her attempt to try to get her mother to really

0:15:06.040 --> 0:15:11.400
<v Speaker 1>see her life. And look, I think I wonder if

0:15:11.520 --> 0:15:13.520
<v Speaker 1>Someding regrets having her mother on the show.

0:15:13.640 --> 0:15:16.840
<v Speaker 2>Because I'm not the only person saying this, You're not.

0:15:17.480 --> 0:15:20.560
<v Speaker 1>Everybody is saying like, look, Reba appears to have a

0:15:20.600 --> 0:15:24.040
<v Speaker 1>lot of things she needs to work on when it

0:15:24.080 --> 0:15:25.840
<v Speaker 1>comes to the way she treats people.

0:15:26.320 --> 0:15:29.760
<v Speaker 3>And she's a therapist. You know, I have a relative

0:15:29.840 --> 0:15:33.600
<v Speaker 3>who is a priest, coldest person I've ever met in

0:15:33.640 --> 0:15:37.760
<v Speaker 3>my entire life. That is always what shocks me, Like,

0:15:37.800 --> 0:15:41.040
<v Speaker 3>if you're not an empathetic person, why are you a therapist?

0:15:42.320 --> 0:15:53.440
<v Speaker 3>Why someone hating children and being a teacher? What huh?

0:15:53.520 --> 0:15:54.400
<v Speaker 3>Am missing something?

0:15:58.600 --> 0:16:00.720
<v Speaker 1>But I never thought about that because I think people

0:16:00.720 --> 0:16:03.680
<v Speaker 1>are listen. I'm glad you're reminding me. Is a therapist?

0:16:04.400 --> 0:16:07.640
<v Speaker 2>Yeah, but Riba needs to see needs to see a therapist.

0:16:07.960 --> 0:16:11.840
<v Speaker 3>But I think they typically do. They typically do. I

0:16:11.880 --> 0:16:14.440
<v Speaker 3>only know this because I watched a show about therapists,

0:16:14.440 --> 0:16:17.920
<v Speaker 3>and they typically do. I would love to know who

0:16:18.320 --> 0:16:21.240
<v Speaker 3>all of her clients are. To her clients all look

0:16:21.320 --> 0:16:22.400
<v Speaker 3>like one kind of person.

0:16:23.040 --> 0:16:24.120
<v Speaker 2>Mm hmmm mm hmm.

0:16:25.080 --> 0:16:30.200
<v Speaker 1>I think so if you can be so cold to

0:16:30.600 --> 0:16:35.880
<v Speaker 1>your daughter's friend who was nothing but lovely, lovely, and

0:16:35.920 --> 0:16:41.240
<v Speaker 1>then to add insult to injury, you return the gift.

0:16:41.360 --> 0:16:45.000
<v Speaker 1>It's a scarf. I mean, it wasn't like it was like.

0:16:44.960 --> 0:16:47.640
<v Speaker 3>This, like so rude about it, like what am I

0:16:47.680 --> 0:16:48.400
<v Speaker 3>going to do with this?

0:16:49.600 --> 0:16:53.080
<v Speaker 1>It was like a liberachi, you know, sort of like

0:16:53.320 --> 0:16:56.000
<v Speaker 1>artwork that that's a little bit like, of course, like

0:16:56.160 --> 0:16:57.040
<v Speaker 1>not her taste.

0:16:57.560 --> 0:16:59.520
<v Speaker 2>It's a scarf that.

0:16:59.480 --> 0:17:02.840
<v Speaker 1>Obviously give to your cleaning lady, give it like give

0:17:02.840 --> 0:17:04.480
<v Speaker 1>it to the mailman.

0:17:05.080 --> 0:17:07.760
<v Speaker 2>But to listen, I'm gonna move on from it.

0:17:09.040 --> 0:17:13.000
<v Speaker 1>There's a message to me that was sent by her

0:17:13.040 --> 0:17:15.800
<v Speaker 1>returning it back to Garcel. I think I think that

0:17:16.000 --> 0:17:18.640
<v Speaker 1>sent no pun intended. I think it's sent a very

0:17:18.640 --> 0:17:20.119
<v Speaker 1>strong message.

0:17:20.280 --> 0:17:21.720
<v Speaker 2>To me, Yeah to me.

0:17:22.280 --> 0:17:26.040
<v Speaker 1>Okay, now speaking of strong messages and a strong drink.

0:17:27.520 --> 0:17:31.320
<v Speaker 1>So here we are listen. Derry is having a Fourth

0:17:31.400 --> 0:17:35.640
<v Speaker 1>of July party celebrating America, and everything is done in red,

0:17:35.680 --> 0:17:36.320
<v Speaker 1>white and blue.

0:17:36.480 --> 0:17:37.600
<v Speaker 2>She's getting things together.

0:17:39.359 --> 0:17:44.680
<v Speaker 1>It's early and she arrives Dery in typical three fashioned

0:17:44.760 --> 0:17:47.760
<v Speaker 1>pun intended. Is it her closet getting ready for you know,

0:17:47.800 --> 0:17:50.320
<v Speaker 1>getting gland ready? And Sudden is there for a long time,

0:17:51.840 --> 0:17:53.080
<v Speaker 1>but then Kyle comes.

0:17:53.760 --> 0:17:55.119
<v Speaker 2>They go in the backyard.

0:17:55.280 --> 0:18:01.440
<v Speaker 1>Garcella is there, and then a conversation ensued about whether

0:18:01.560 --> 0:18:06.760
<v Speaker 1>or not Sutton has alcohol in her drink, and Duri

0:18:06.880 --> 0:18:12.360
<v Speaker 1>made a common like it's suthing. Of course it's alcohol,

0:18:12.480 --> 0:18:17.920
<v Speaker 1>and Sutton lose this her shit and cost her a bitch. Yeah,

0:18:17.960 --> 0:18:20.560
<v Speaker 1>and Dereise says, I would like it if you don't

0:18:20.560 --> 0:18:22.560
<v Speaker 1>call me a bitch in my own house, and then

0:18:22.680 --> 0:18:23.600
<v Speaker 1>Sutton leaves.

0:18:24.320 --> 0:18:24.920
<v Speaker 2>I mean, kay.

0:18:25.000 --> 0:18:27.000
<v Speaker 1>We have a lot of pactages from there because there's

0:18:27.040 --> 0:18:28.719
<v Speaker 1>so much more that happened afterwards.

0:18:28.960 --> 0:18:35.600
<v Speaker 3>Yeah. Well, here's my question for your audience, because I

0:18:35.640 --> 0:18:41.040
<v Speaker 3>have not known many people that have alcoholism or a

0:18:41.119 --> 0:18:43.520
<v Speaker 3>loved one with it, so this is a question I have.

0:18:44.560 --> 0:18:47.800
<v Speaker 3>Is it strange? Because it seems strange to me that

0:18:48.800 --> 0:18:54.960
<v Speaker 3>Durak the season has talked openly about Pek's alcoholism. She

0:18:55.600 --> 0:18:58.679
<v Speaker 3>suggests that a sponsor was the one that suggested that

0:18:58.720 --> 0:19:05.760
<v Speaker 3>they get separated, and she's been flippant about the possibility

0:19:05.800 --> 0:19:09.000
<v Speaker 3>that PK and Kyle part of their friendship is based

0:19:09.040 --> 0:19:13.920
<v Speaker 3>on their shared sobriety, and then makes flippant comments about

0:19:14.040 --> 0:19:17.520
<v Speaker 3>Sutton and her drinking. Is that strange?

0:19:18.160 --> 0:19:21.360
<v Speaker 2>I love you so much because as if you were.

0:19:21.760 --> 0:19:23.600
<v Speaker 1>I laughed at the moment because to me, it was

0:19:23.640 --> 0:19:25.679
<v Speaker 1>like feeling funny, and that's why we watched these shows.

0:19:26.320 --> 0:19:29.680
<v Speaker 1>But then, Kay, as I kept watching it, I swear

0:19:29.720 --> 0:19:33.159
<v Speaker 1>to you, I thought about, like, wait a second, you

0:19:33.280 --> 0:19:38.240
<v Speaker 1>talked about your husband and his alcoholism and the things

0:19:38.240 --> 0:19:41.440
<v Speaker 1>you've seen, and you know, we talked about how the

0:19:41.520 --> 0:19:45.680
<v Speaker 1>retold everybody with an earshot PK was an alcoholic. So

0:19:46.080 --> 0:19:49.280
<v Speaker 1>even if it was a flippant joke, I think, look,

0:19:50.760 --> 0:19:54.520
<v Speaker 1>knowing what you're dealing with, and then to even use

0:19:54.600 --> 0:19:58.720
<v Speaker 1>that as a joke, I did find weird after I

0:19:58.840 --> 0:20:03.880
<v Speaker 1>really processed this moment because of what we've been seeing

0:20:04.000 --> 0:20:07.520
<v Speaker 1>and largely one of the reasons why a lot of

0:20:07.560 --> 0:20:10.520
<v Speaker 1>people do feel bad for duree Is because of what

0:20:10.560 --> 0:20:13.720
<v Speaker 1>she had to experience with PK's alcoholism and having a

0:20:13.760 --> 0:20:16.639
<v Speaker 1>sponsor and all those things. So if you think for

0:20:16.680 --> 0:20:19.760
<v Speaker 1>a second that something does have a problem, and listen,

0:20:20.160 --> 0:20:21.600
<v Speaker 1>no one has said she does.

0:20:21.640 --> 0:20:23.879
<v Speaker 2>I want to be that very clear. But if you

0:20:24.000 --> 0:20:25.919
<v Speaker 2>feel like well drinks.

0:20:25.640 --> 0:20:30.120
<v Speaker 1>A lot, one would argue be a little bit more

0:20:30.160 --> 0:20:33.320
<v Speaker 1>sensitive if that's the case, based on what you're dealing

0:20:33.400 --> 0:20:34.440
<v Speaker 1>with with your husband.

0:20:35.160 --> 0:20:37.399
<v Speaker 3>Yeah. Well, I have one friend in town, and I

0:20:37.520 --> 0:20:39.320
<v Speaker 3>remember I said to her, I don't know, about six

0:20:39.359 --> 0:20:43.480
<v Speaker 3>months ago, something like about her ex husband. He said

0:20:43.480 --> 0:20:46.520
<v Speaker 3>he I noticed, he said he doesn't drink. And her

0:20:46.560 --> 0:20:50.000
<v Speaker 3>response immediately was, that's really his story to tell.

0:20:50.720 --> 0:20:51.160
<v Speaker 2>Amen.

0:20:51.760 --> 0:20:53.919
<v Speaker 3>And so when I watched those scenes, I thought of

0:20:53.960 --> 0:20:58.280
<v Speaker 3>my own friend and that response, And so it's strange

0:20:58.280 --> 0:21:01.320
<v Speaker 3>to me that Duriek doesn't have a little bit more

0:21:01.320 --> 0:21:03.760
<v Speaker 3>empathy or says something like that. So we have a

0:21:03.760 --> 0:21:04.879
<v Speaker 3>little bit more contexts.

0:21:05.680 --> 0:21:06.800
<v Speaker 2>Yeah, I agree.

0:21:06.840 --> 0:21:08.679
<v Speaker 1>Agree, I said the same thing when she when she

0:21:08.680 --> 0:21:11.639
<v Speaker 1>told both for the first time, I sent this podcast.

0:21:11.800 --> 0:21:15.479
<v Speaker 1>That's not your story to tell people, that is PK story.

0:21:15.960 --> 0:21:19.680
<v Speaker 1>Just like when a woman is pregnant it's not anyone

0:21:19.720 --> 0:21:21.200
<v Speaker 1>else's story to tell people.

0:21:21.880 --> 0:21:24.560
<v Speaker 2>You know, this woman's pregnant.

0:21:24.840 --> 0:21:27.879
<v Speaker 1>Sutton obviously had a strong reaction, and I want to

0:21:27.920 --> 0:21:30.640
<v Speaker 1>get her thoughts on it, not to diagnose Sun either.

0:21:32.160 --> 0:21:34.720
<v Speaker 1>She did say that she's sick of it because they

0:21:34.760 --> 0:21:39.280
<v Speaker 1>tried to perpetuate last season in the season before that,

0:21:39.280 --> 0:21:41.920
<v Speaker 1>that she drinks a lot and.

0:21:41.760 --> 0:21:43.800
<v Speaker 2>That it messed her up. These are her words. It

0:21:43.800 --> 0:21:44.440
<v Speaker 2>mess her up.

0:21:44.880 --> 0:21:47.720
<v Speaker 1>You know, people are gossipping about it, and she's uncomfortable.

0:21:49.359 --> 0:21:52.800
<v Speaker 1>I understand where Sun is coming from if that's not

0:21:52.960 --> 0:21:55.840
<v Speaker 1>if because she feels that way and she said it

0:21:55.960 --> 0:21:58.960
<v Speaker 1>now the remay and I have known that obviously, but

0:22:00.480 --> 0:22:04.040
<v Speaker 1>I too would be upset if you're trying to make

0:22:04.160 --> 0:22:08.960
<v Speaker 1>jokes about me and drinking. Anna Marie was on my

0:22:09.040 --> 0:22:12.679
<v Speaker 1>podcast last season and she made a comment that about Sutton,

0:22:13.240 --> 0:22:15.960
<v Speaker 1>the cass make comments about Sudden and her drinking, whether

0:22:16.040 --> 0:22:16.760
<v Speaker 1>or not she has to.

0:22:17.080 --> 0:22:18.159
<v Speaker 2>Her coffee cup whatever.

0:22:20.080 --> 0:22:22.760
<v Speaker 1>Do you think something was right for having that strong

0:22:22.800 --> 0:22:27.080
<v Speaker 1>reaction based on they're constantly perpetuating these rumors with her.

0:22:27.280 --> 0:22:29.760
<v Speaker 3>Well, I mean, it's hard to say, because it's that's

0:22:29.760 --> 0:22:33.680
<v Speaker 3>how she feels. I think that what I'm missing from

0:22:33.840 --> 0:22:37.320
<v Speaker 3>Sudden under read is a little bit more explanation and there,

0:22:37.520 --> 0:22:40.240
<v Speaker 3>and they're in the moment interviews or they're confessionals. It's

0:22:40.280 --> 0:22:46.120
<v Speaker 3>like if alcoholism is a touchy subject in her own space,

0:22:46.359 --> 0:22:48.640
<v Speaker 3>so in her own interview, I wish that she would

0:22:48.800 --> 0:22:51.520
<v Speaker 3>talk a little bit about that why it upsets her,

0:22:52.160 --> 0:22:55.840
<v Speaker 3>because there's there's some freedom in being able to express

0:22:55.880 --> 0:22:59.239
<v Speaker 3>yourself if it's just the one on one interview. So

0:22:59.480 --> 0:23:01.440
<v Speaker 3>I think if I had a little bit more of that,

0:23:01.760 --> 0:23:03.480
<v Speaker 3>and if I had a little bit more from Derey

0:23:03.600 --> 0:23:06.840
<v Speaker 3>about her marriage, because it just feels like it fell

0:23:06.880 --> 0:23:10.080
<v Speaker 3>out of nowhere, Like she said we're better than ever

0:23:10.160 --> 0:23:11.880
<v Speaker 3>at the last reunion, and then all of a sudden

0:23:11.880 --> 0:23:15.359
<v Speaker 3>the season started, she's like, you know, I don't know

0:23:15.400 --> 0:23:18.040
<v Speaker 3>who he is anymore, but she doesn't explain it in

0:23:18.080 --> 0:23:22.200
<v Speaker 3>those solo interviews. I think if I had that element,

0:23:22.240 --> 0:23:25.800
<v Speaker 3>I would be a little bit more maybe understanding and

0:23:25.880 --> 0:23:30.520
<v Speaker 3>less confused. So I think both of them just feel

0:23:30.560 --> 0:23:35.560
<v Speaker 3>it feels very disjointed to me their personal stories this season.

0:23:36.080 --> 0:23:38.640
<v Speaker 3>I don't feel like I have really a great grasp

0:23:38.720 --> 0:23:40.880
<v Speaker 3>of like where they're coming from and where they are

0:23:40.960 --> 0:23:41.919
<v Speaker 3>right now in our life.

0:23:42.040 --> 0:23:45.120
<v Speaker 2>Yes, because the thing is this DERI and I agree

0:23:45.160 --> 0:23:45.480
<v Speaker 2>with you.

0:23:45.560 --> 0:23:48.800
<v Speaker 1>They don't do the best job at explaining what's going on,

0:23:48.840 --> 0:23:50.480
<v Speaker 1>because let's have a real conversation, Kate.

0:23:51.040 --> 0:23:52.480
<v Speaker 2>They hide stuff from us.

0:23:52.800 --> 0:23:55.840
<v Speaker 1>Yeah, like dere MPK issues did not all of a

0:23:55.880 --> 0:23:58.240
<v Speaker 1>sudden happen right doing the break.

0:23:58.720 --> 0:24:00.680
<v Speaker 2>You guys have been hiding matter.

0:24:00.560 --> 0:24:04.159
<v Speaker 1>Issues because you wanted to once again perpetuate that you

0:24:04.200 --> 0:24:04.800
<v Speaker 1>guys were good.

0:24:05.080 --> 0:24:07.199
<v Speaker 2>Same thing of Kyle. I love you some, Kyle.

0:24:07.880 --> 0:24:11.600
<v Speaker 1>Clearly you and maurisil have had tons of issues throughout

0:24:11.640 --> 0:24:14.360
<v Speaker 1>your marriage that you neglected to share on camera.

0:24:14.760 --> 0:24:16.439
<v Speaker 2>So that's why we're confused about this.

0:24:16.840 --> 0:24:19.280
<v Speaker 3>I should have included her in that too, all three

0:24:19.320 --> 0:24:21.239
<v Speaker 3>of them. I wish that you know, all of them

0:24:21.240 --> 0:24:23.040
<v Speaker 3>would kind of say, by the way you could see

0:24:23.080 --> 0:24:27.360
<v Speaker 3>in two sentences, I haven't always been completely honest about

0:24:27.440 --> 0:24:30.800
<v Speaker 3>the status of my marriage. I have felt at times

0:24:30.880 --> 0:24:35.040
<v Speaker 3>uncomfortable really revealing how I feel personally because I wanted

0:24:35.080 --> 0:24:38.800
<v Speaker 3>to protect my children, or I wasn't really willing to

0:24:38.880 --> 0:24:41.280
<v Speaker 3>admit the things that I've done in my own marriage

0:24:41.320 --> 0:24:43.879
<v Speaker 3>that was not of support to a partner who I

0:24:43.960 --> 0:24:48.760
<v Speaker 3>now understand was completely disconnected to me. Whatever, I just

0:24:48.800 --> 0:24:51.800
<v Speaker 3>need a couple of sentences and I think that's true

0:24:51.840 --> 0:24:56.240
<v Speaker 3>of Kyle Dory and Sudden. There's a real disconnect. And

0:24:57.119 --> 0:24:59.399
<v Speaker 3>and I say this because in fairness, I've said that

0:24:59.440 --> 0:25:04.359
<v Speaker 3>about Eric past seasons. Yeah, you know, we've taken Erica

0:25:04.400 --> 0:25:06.880
<v Speaker 3>to task for that, So why are we not taking

0:25:06.920 --> 0:25:08.080
<v Speaker 3>them to task for it too?

0:25:08.280 --> 0:25:08.480
<v Speaker 2>Yet?

0:25:08.520 --> 0:25:11.280
<v Speaker 1>Listen, one thing about the Beverly Hills Housewives, and I

0:25:11.320 --> 0:25:14.640
<v Speaker 1>love them all. The show is not known for personal story.

0:25:14.720 --> 0:25:17.280
<v Speaker 1>Let's have a real conversation. True, you know, it's not

0:25:17.400 --> 0:25:20.879
<v Speaker 1>known for us seeing the cracks of the relationship. You

0:25:20.920 --> 0:25:22.960
<v Speaker 1>and I always talk about Needing Leeks being a great

0:25:22.960 --> 0:25:25.680
<v Speaker 1>housewife because she always showed you the cracks early on,

0:25:26.119 --> 0:25:29.000
<v Speaker 1>right with her father. Your favorite scene in the world

0:25:29.000 --> 0:25:31.639
<v Speaker 1>of Atlanta was going to Athens and her meeting her

0:25:31.680 --> 0:25:34.760
<v Speaker 1>father on the park benches. You saw the cracks in

0:25:34.800 --> 0:25:38.600
<v Speaker 1>her relationship with Greg unfold to where you know, you

0:25:38.720 --> 0:25:42.520
<v Speaker 1>saw the hierarchy change in terms of she's the breadwinner

0:25:42.640 --> 0:25:46.760
<v Speaker 1>and he's not identified anymore as a powerful man.

0:25:47.280 --> 0:25:50.480
<v Speaker 2>You get to see some of these things with Belly Hills.

0:25:51.040 --> 0:25:53.359
<v Speaker 1>The unfortunate thing about Belly Hills to me and I

0:25:53.440 --> 0:25:57.800
<v Speaker 1>love the show, Unfortunately we get the end result and

0:25:57.880 --> 0:25:59.320
<v Speaker 1>we don't get any backstory.

0:25:59.560 --> 0:26:04.000
<v Speaker 2>We can't. We're filling for divorce. Hold up one fucking second.

0:26:04.960 --> 0:26:07.040
<v Speaker 2>I didn't see one argument. Think about it.

0:26:07.240 --> 0:26:10.080
<v Speaker 1>Of all the divorces from Beverly Hills, we were never

0:26:10.520 --> 0:26:14.359
<v Speaker 1>led up to that moment occurring the way the way

0:26:14.600 --> 0:26:16.480
<v Speaker 1>the way we were with Tamer Judge and her ex

0:26:16.560 --> 0:26:20.160
<v Speaker 1>husband in the limo, like we we saw the build

0:26:20.200 --> 0:26:22.680
<v Speaker 1>up because we saw that we was saw with Vicky

0:26:22.680 --> 0:26:25.720
<v Speaker 1>a don my love bubble. My take is it was

0:26:25.800 --> 0:26:28.680
<v Speaker 1>like he's a good guy. Though Vicky, we don't see

0:26:28.720 --> 0:26:31.440
<v Speaker 1>that on Beverly Hills. So again to your point, when

0:26:31.640 --> 0:26:35.399
<v Speaker 1>sudden has this big reaction, I want this son to

0:26:35.440 --> 0:26:39.560
<v Speaker 1>explain to your point in interview, look, when it comestant drinking,

0:26:39.840 --> 0:26:42.200
<v Speaker 1>that's a sense of subject for X amount of reasons

0:26:42.520 --> 0:26:48.160
<v Speaker 1>or I need more. Because to see Kyle and Garcel

0:26:48.280 --> 0:26:52.000
<v Speaker 1>run after her, I understood Garcel doing it because they

0:26:52.040 --> 0:26:55.920
<v Speaker 1>have that friendship. The Kyle things surprised me, and maybe

0:26:55.920 --> 0:27:00.640
<v Speaker 1>it's because they just left Augusta. But in Beverly and Kate,

0:27:00.680 --> 0:27:03.200
<v Speaker 1>you know more about that world than me, sister, I

0:27:03.240 --> 0:27:05.879
<v Speaker 1>think I'm on both side it terms of it's a

0:27:05.880 --> 0:27:07.800
<v Speaker 1>bit uncouthed to leave the house.

0:27:09.840 --> 0:27:11.679
<v Speaker 2>Oh, the house party.

0:27:12.359 --> 0:27:15.120
<v Speaker 3>Well, but it's also uncouth to wait have someone wait

0:27:15.160 --> 0:27:17.359
<v Speaker 3>forty minutes at your own party, you know. I always

0:27:17.400 --> 0:27:20.920
<v Speaker 3>say it's the small things that say so much about somebody.

0:27:21.440 --> 0:27:24.439
<v Speaker 3>That's why I'm like, like, bo Is, why are you

0:27:24.520 --> 0:27:29.040
<v Speaker 3>talking to Dree? Seems to me so absolutely selfish an

0:27:29.040 --> 0:27:31.280
<v Speaker 3>in her own world, like the fact that you would

0:27:31.280 --> 0:27:33.280
<v Speaker 3>invite people and then not even come down because you're

0:27:33.280 --> 0:27:36.639
<v Speaker 3>inherent makeup. It's like we're going, not going to the oscars.

0:27:36.680 --> 0:27:38.399
<v Speaker 3>You're still in a little scene here, like what are

0:27:38.400 --> 0:27:41.640
<v Speaker 3>we talking about? Although I will say I still can

0:27:41.680 --> 0:27:45.800
<v Speaker 3>never forget when she's talking about PTSD from the robbery

0:27:46.040 --> 0:27:49.480
<v Speaker 3>and PK is like like, get over it. Do you

0:27:49.480 --> 0:27:52.760
<v Speaker 3>remember how weird that was? Too? Yeah, like if someone

0:27:52.880 --> 0:27:57.000
<v Speaker 3>broke into your home with a gun and like what weird?

0:27:58.000 --> 0:27:58.280
<v Speaker 2>Yeah?

0:27:59.000 --> 0:28:01.480
<v Speaker 3>Yeah, I'm like are we on planet Zorb?

0:28:01.840 --> 0:28:01.959
<v Speaker 2>Like?

0:28:02.040 --> 0:28:04.159
<v Speaker 3>What where? How do we get back to Earth? What

0:28:04.280 --> 0:28:05.040
<v Speaker 3>is happening here?

0:28:07.200 --> 0:28:11.640
<v Speaker 2>Weird child? We are just getting started.

0:28:22.800 --> 0:28:25.600
<v Speaker 1>This is reality with the King and I'm Carlos King.

0:28:26.080 --> 0:28:31.040
<v Speaker 1>Let's get back into the show. So did you did

0:28:31.080 --> 0:28:36.600
<v Speaker 1>you think it was hypocrisy? Because when Kyle left the

0:28:36.720 --> 0:28:39.240
<v Speaker 1>Red No, it was it was Bozy Ban yeah, when

0:28:39.280 --> 0:28:43.400
<v Speaker 1>Garcia garself. When Kyle left, Bowsey bent the whole pamp event,

0:28:44.080 --> 0:28:46.080
<v Speaker 1>and a sudden was like, who does Kyle think she

0:28:46.160 --> 0:28:49.840
<v Speaker 1>is the fucking queen? I'm paraphrasing, Yeah, but something pulled

0:28:49.840 --> 0:28:51.600
<v Speaker 1>the same move Kyle clocked in.

0:28:51.840 --> 0:28:54.600
<v Speaker 3>This is when it becomes a workplace comedy. They don't

0:28:54.640 --> 0:28:56.320
<v Speaker 3>realize where they're in a comedy, but they're in a

0:28:56.360 --> 0:29:01.160
<v Speaker 3>comedy because it's all employees pissed each other. Because why

0:29:01.240 --> 0:29:04.080
<v Speaker 3>do they get to leave work like the retreat early?

0:29:04.720 --> 0:29:07.760
<v Speaker 3>Why you know that's all it is. Yes, that's just

0:29:07.880 --> 0:29:10.160
<v Speaker 3>power dynamics of like on the show, they don't it's

0:29:10.240 --> 0:29:12.800
<v Speaker 3>not really about real friendship and feeling distant or any

0:29:12.840 --> 0:29:15.760
<v Speaker 3>of that. So that's a workplace situation, right.

0:29:15.680 --> 0:29:18.320
<v Speaker 1>Yes, yes, let me tell you something as a as

0:29:18.320 --> 0:29:24.400
<v Speaker 1>a reality producer. Okay, when it's an ensemble show, nobody

0:29:24.720 --> 0:29:27.440
<v Speaker 1>meaning a cast member does not want to feel like

0:29:27.480 --> 0:29:30.800
<v Speaker 1>another cast member has one.

0:29:30.720 --> 0:29:31.560
<v Speaker 2>Leg up on them.

0:29:31.960 --> 0:29:34.640
<v Speaker 1>Whether that's they get to behave this way and get

0:29:34.680 --> 0:29:37.360
<v Speaker 1>away with it, they get to leave early, they don't

0:29:37.400 --> 0:29:39.320
<v Speaker 1>have to talk about their personal story.

0:29:39.600 --> 0:29:41.400
<v Speaker 2>So when you guys see something in.

0:29:41.400 --> 0:29:45.080
<v Speaker 1>The previous episodes, complain about Kyle, I hope you guys

0:29:45.160 --> 0:29:48.880
<v Speaker 1>understood she wasn't complain about Kyle within the within the

0:29:48.880 --> 0:29:52.680
<v Speaker 1>confinements of this quote unquote sisterhood, there was more so

0:29:53.120 --> 0:29:54.040
<v Speaker 1>Kyle is the og.

0:29:54.680 --> 0:29:57.360
<v Speaker 2>Why does she get away with certain things?

0:29:57.520 --> 0:29:59.760
<v Speaker 1>She gets away with not explaining to us about more game,

0:30:00.120 --> 0:30:00.800
<v Speaker 1>she gets.

0:30:00.520 --> 0:30:05.000
<v Speaker 2>Away with leaving a party early and can take the.

0:30:05.040 --> 0:30:09.040
<v Speaker 1>Because Cole admitted this that after she left, she took

0:30:09.080 --> 0:30:10.720
<v Speaker 1>a few days off of work because she had to

0:30:10.720 --> 0:30:14.440
<v Speaker 1>get herself together, So Suton was complaining about that. So

0:30:15.000 --> 0:30:18.800
<v Speaker 1>when Sutton decided to give Kyle a taste of her

0:30:18.840 --> 0:30:22.440
<v Speaker 1>own medicine by leaving, I did find it strange that Again,

0:30:23.000 --> 0:30:25.760
<v Speaker 1>I'm pretty sure Sudden when she was texting somebody my

0:30:25.920 --> 0:30:27.720
<v Speaker 1>belief could this happens to me when I was a

0:30:27.760 --> 0:30:32.400
<v Speaker 1>showrunner on Housewives. She's texting the producers allegedly like I'm

0:30:32.400 --> 0:30:35.360
<v Speaker 1>out of here and don't fucking stop me. Yeah, yeah,

0:30:35.640 --> 0:30:41.360
<v Speaker 1>it's Kate's right. It's a power dynamic. And what you

0:30:41.440 --> 0:30:46.440
<v Speaker 1>guys aren't seeing that I can explain to you is

0:30:47.040 --> 0:30:50.880
<v Speaker 1>the barbecue had nothing to do with how much Baka

0:30:51.600 --> 0:30:54.360
<v Speaker 1>Sudden had her cup and had everything to do with

0:30:54.400 --> 0:30:58.760
<v Speaker 1>the power dynamics of how these women feel about each other,

0:30:58.880 --> 0:31:01.920
<v Speaker 1>and that's the reason to me why they slightly broke

0:31:01.960 --> 0:31:03.920
<v Speaker 1>the fourth wall and Kate, I can't wait to get

0:31:03.920 --> 0:31:05.280
<v Speaker 1>the thoughts on it, because I know you caught it

0:31:05.320 --> 0:31:10.680
<v Speaker 1>too when Kyle and Garcil was chastised by Bows and

0:31:10.720 --> 0:31:13.320
<v Speaker 1>they gave it back to her and they started talking

0:31:13.360 --> 0:31:16.200
<v Speaker 1>about like, why are you her mouthpiece? Why why all

0:31:16.240 --> 0:31:19.800
<v Speaker 1>of a sudden are you standing up for her? That conversation, guys,

0:31:20.040 --> 0:31:23.080
<v Speaker 1>was about the alliance that they all have and they're

0:31:23.120 --> 0:31:24.360
<v Speaker 1>finally addressing it.

0:31:24.560 --> 0:31:28.480
<v Speaker 3>Yeah, absolutely without a question, you know. Coupled with that,

0:31:28.520 --> 0:31:30.280
<v Speaker 3>I have a question for you because I was thinking

0:31:30.280 --> 0:31:34.880
<v Speaker 3>about this when these cast members join these shows, because

0:31:34.920 --> 0:31:38.720
<v Speaker 3>you have the privilege of meeting them oftentimes before their

0:31:38.760 --> 0:31:41.760
<v Speaker 3>first season or even like in their early seasons, and

0:31:41.800 --> 0:31:44.840
<v Speaker 3>then you see them kind of transform into different people

0:31:45.000 --> 0:31:49.200
<v Speaker 3>the longer they are on. Are there any actual cast

0:31:49.320 --> 0:31:52.920
<v Speaker 3>members that do have introspection after watching themselves on a show,

0:31:53.800 --> 0:31:56.760
<v Speaker 3>or do you find that they get more and more selfish?

0:31:56.840 --> 0:31:59.600
<v Speaker 3>Because what we're asking for as an audience member and

0:31:59.640 --> 0:32:02.720
<v Speaker 3>a lot of the scenes is for someone to have

0:32:02.760 --> 0:32:05.120
<v Speaker 3>a moment while they're filming to go, wait, you know,

0:32:05.280 --> 0:32:08.760
<v Speaker 3>I am being ridiculous, or at a reunion saying I

0:32:08.840 --> 0:32:11.440
<v Speaker 3>watched that scene back and I realized how absurd I

0:32:11.600 --> 0:32:14.080
<v Speaker 3>was being, or how I had not really given that

0:32:14.120 --> 0:32:17.640
<v Speaker 3>person the benefit of the doubt. When I watch scenes

0:32:17.680 --> 0:32:20.880
<v Speaker 3>like that, the one that you just mentioned, it seems

0:32:20.880 --> 0:32:24.960
<v Speaker 3>like they're getting exponentially more selfish and in their own minds,

0:32:26.080 --> 0:32:28.680
<v Speaker 3>it almost seems impossible for them to have a level

0:32:28.680 --> 0:32:32.880
<v Speaker 3>headed conversation. So my question again is do you find

0:32:33.040 --> 0:32:37.200
<v Speaker 3>that people who join these ensemble shows do they become

0:32:37.360 --> 0:32:41.080
<v Speaker 3>exponentially more selfish and less introspective as time goes on,

0:32:41.440 --> 0:32:43.920
<v Speaker 3>or is there are there exceptions to the rule where

0:32:43.920 --> 0:32:46.680
<v Speaker 3>there are actually cast members that go, yeah, what was

0:32:46.720 --> 0:32:47.240
<v Speaker 3>I thinking?

0:32:48.080 --> 0:32:51.280
<v Speaker 1>It's rare to have a cast and saying, oh shit,

0:32:51.480 --> 0:32:55.240
<v Speaker 1>I looked at myself. I I look crazy. It's on

0:32:55.440 --> 0:33:01.480
<v Speaker 1>me it listen. Unfortunately it's rare. What happens is they

0:33:01.520 --> 0:33:04.280
<v Speaker 1>blame editing and it's like, okay, so we put words

0:33:04.320 --> 0:33:07.120
<v Speaker 1>in your mouth, or like, we really have so much

0:33:07.160 --> 0:33:09.720
<v Speaker 1>time on our hands to sit back and say, how

0:33:09.760 --> 0:33:13.160
<v Speaker 1>can we make this scene so interesting that this person

0:33:13.600 --> 0:33:15.760
<v Speaker 1>can be seen as a villain and this other person

0:33:15.840 --> 0:33:18.880
<v Speaker 1>to be seen as the victim. Nobody has that time

0:33:18.920 --> 0:33:21.240
<v Speaker 1>to do that, so like, I want to start there

0:33:21.240 --> 0:33:25.560
<v Speaker 1>with you. It is rare, unfortunately, for a reality star

0:33:25.680 --> 0:33:28.240
<v Speaker 1>to have a little bit of introspective.

0:33:27.560 --> 0:33:30.760
<v Speaker 2>Moment of saying I look crazy or that was the

0:33:30.840 --> 0:33:35.240
<v Speaker 2>nicest moment. It is rare. Does it happen? Sure? Unfortunately.

0:33:35.600 --> 0:33:39.480
<v Speaker 1>What happens more is they don't double down on.

0:33:39.400 --> 0:33:42.760
<v Speaker 2>It the next season. What they do they become a recluse.

0:33:43.280 --> 0:33:46.600
<v Speaker 1>And that's the reason why you start to see reality

0:33:46.720 --> 0:33:49.920
<v Speaker 1>stars play up to the cameras for the fans. I've

0:33:49.920 --> 0:33:51.880
<v Speaker 1>said this once, and I'll say it again, and you

0:33:51.960 --> 0:33:54.680
<v Speaker 1>and I should do a separate episode about this. Social

0:33:54.720 --> 0:33:59.600
<v Speaker 1>media has ruined the reality star for sure, because they're

0:33:59.640 --> 0:34:05.080
<v Speaker 1>afraid to say anything and fear of getting canceled. They're

0:34:05.080 --> 0:34:08.799
<v Speaker 1>afraid to say anything in the fears of having a

0:34:08.880 --> 0:34:10.640
<v Speaker 1>TSUNONYMI of negative comments.

0:34:11.160 --> 0:34:14.239
<v Speaker 2>One of my examples will always be Diana Jenkins.

0:34:14.320 --> 0:34:18.000
<v Speaker 1>Who was on the show two seasons ago, who I

0:34:18.120 --> 0:34:21.640
<v Speaker 1>felt like was being her authentic self, which at the

0:34:21.760 --> 0:34:24.200
<v Speaker 1>end of the day, that's all we could ask for,

0:34:24.800 --> 0:34:26.680
<v Speaker 1>whether or not you liked her agree with her, that's

0:34:26.719 --> 0:34:29.080
<v Speaker 1>why we're here. We're here to watch these episodes and

0:34:29.239 --> 0:34:33.040
<v Speaker 1>judge them based on the episode. We're not supposed to

0:34:33.200 --> 0:34:36.080
<v Speaker 1>judge their behavior outside of the show, because I don't

0:34:36.080 --> 0:34:36.520
<v Speaker 1>give a shit.

0:34:36.920 --> 0:34:38.399
<v Speaker 2>I care about what habits on the show.

0:34:39.080 --> 0:34:44.080
<v Speaker 1>She is somebody who Obviously I've never seen this any

0:34:44.160 --> 0:34:45.080
<v Speaker 1>for any housewife.

0:34:45.440 --> 0:34:47.040
<v Speaker 2>The way Diana Jenkins was.

0:34:48.840 --> 0:34:55.719
<v Speaker 1>Negatively bullied by social media, I've never seen anything like

0:34:55.760 --> 0:34:57.320
<v Speaker 1>that for any housewife.

0:34:57.600 --> 0:34:58.640
<v Speaker 2>I'm being honest with you.

0:35:00.200 --> 0:35:02.960
<v Speaker 1>A lot of these housewives and reality starts are afraid

0:35:03.000 --> 0:35:06.320
<v Speaker 1>of that happening to them, and that's the reason why

0:35:06.680 --> 0:35:10.799
<v Speaker 1>you see them being safer. Duri is an example of

0:35:10.840 --> 0:35:13.480
<v Speaker 1>somebody who I love the first two seasons because she

0:35:13.680 --> 0:35:17.239
<v Speaker 1>was herself. Whether you liked or not, she was herself.

0:35:17.800 --> 0:35:22.520
<v Speaker 1>She got negative comments and I felt like she became

0:35:22.680 --> 0:35:26.000
<v Speaker 1>a recluse, and now she's getting her power.

0:35:25.760 --> 0:35:29.280
<v Speaker 2>Back, and that's the real dey we're seeing.

0:35:30.239 --> 0:35:32.240
<v Speaker 3>I don't know if that's the real deate we're saying.

0:35:32.719 --> 0:35:35.439
<v Speaker 1>I think it's I think it's the real side of her.

0:35:35.719 --> 0:35:38.800
<v Speaker 1>As it relates to her being fed up, I think

0:35:38.840 --> 0:35:43.560
<v Speaker 1>she yeah, how she she's Derey has realized this in

0:35:43.600 --> 0:35:46.839
<v Speaker 1>my opinion, as I'm watching her, I need this job.

0:35:48.480 --> 0:35:51.439
<v Speaker 1>I'm going through divorce. I will be a single mom

0:35:51.480 --> 0:35:55.400
<v Speaker 1>of two kids. I lived a certain lifestyle. I can't

0:35:55.400 --> 0:35:58.400
<v Speaker 1>go all the way backwards. Dart is like, these women

0:35:58.440 --> 0:36:01.239
<v Speaker 1>aren't really my friends. So I'm going to just be

0:36:01.680 --> 0:36:04.440
<v Speaker 1>brutally honest. I'm not gonna play it safe anymore, and

0:36:04.480 --> 0:36:06.759
<v Speaker 1>I'm gonna cast shit out as I think it as

0:36:06.800 --> 0:36:11.600
<v Speaker 1>I think it. That comment with about something there last

0:36:11.600 --> 0:36:13.759
<v Speaker 1>season would have thought it but never said it.

0:36:14.360 --> 0:36:15.839
<v Speaker 2>Derie is now saying things how she.

0:36:15.800 --> 0:36:19.720
<v Speaker 1>Feels in the moment, and she's unapologetic about it. Now

0:36:19.840 --> 0:36:22.920
<v Speaker 1>when it comes to Bows defending her, I want to

0:36:22.960 --> 0:36:25.440
<v Speaker 1>get to thoughts on this. I feel like they're all

0:36:25.480 --> 0:36:31.080
<v Speaker 1>mouthpieces for each other. I Likeell his mouthpiece, Bows is

0:36:31.200 --> 0:36:35.040
<v Speaker 1>dereyed and and and Taddy Mellercount was Kyne.

0:36:35.920 --> 0:36:36.560
<v Speaker 2>They all had it.

0:36:37.040 --> 0:36:40.080
<v Speaker 1>I don't understand why. And then Lisa Renda was Erica James.

0:36:40.320 --> 0:36:43.040
<v Speaker 1>Let's let's let's not act like this mouthpiece is new

0:36:43.480 --> 0:36:44.000
<v Speaker 1>to us.

0:36:44.360 --> 0:36:49.320
<v Speaker 3>Yep. Well also, and circling back to your original question

0:36:50.880 --> 0:36:54.520
<v Speaker 3>about that moment where you know someone's running out and

0:36:54.560 --> 0:36:58.440
<v Speaker 3>then you know, to your point that obvious alliances on

0:36:58.560 --> 0:37:00.880
<v Speaker 3>the other side of it, you side of it, the

0:37:00.960 --> 0:37:04.279
<v Speaker 3>crew side of it. What are the messages, what are

0:37:04.320 --> 0:37:07.320
<v Speaker 3>the conversations that you know you're being pulled aside because

0:37:07.360 --> 0:37:12.360
<v Speaker 3>I'm assuming it's like, why aren't you showing Why aren't

0:37:12.360 --> 0:37:15.920
<v Speaker 3>you showing that side of her? Because the burden is

0:37:15.960 --> 0:37:19.240
<v Speaker 3>on your team because you have seven stories you're trying

0:37:19.239 --> 0:37:22.399
<v Speaker 3>to tell and how they weave together. But then they

0:37:22.480 --> 0:37:26.440
<v Speaker 3>become less in the moment and trying to understand and

0:37:26.520 --> 0:37:28.680
<v Speaker 3>connect with one another, and they're so in their head

0:37:28.680 --> 0:37:33.840
<v Speaker 3>about the mechanics of the game, which is the alliances

0:37:34.200 --> 0:37:36.640
<v Speaker 3>and how much camera time and why does she get

0:37:36.640 --> 0:37:39.400
<v Speaker 3>to leave and I can't? And how much am I

0:37:39.480 --> 0:37:42.920
<v Speaker 3>being compensated if I have to be here longer? So

0:37:43.360 --> 0:37:46.560
<v Speaker 3>what are you experiencing on that other side? Are you

0:37:46.640 --> 0:37:49.480
<v Speaker 3>getting the text in the middle of a scene, like

0:37:49.480 --> 0:37:51.759
<v Speaker 3>does someone go into the bathroom with their phone and say,

0:37:52.280 --> 0:37:54.880
<v Speaker 3>this is straight bullshit? She's about to leave when you

0:37:54.880 --> 0:37:57.480
<v Speaker 3>didn't let me do that and I I'm not going

0:37:57.560 --> 0:37:59.080
<v Speaker 3>to stay right.

0:38:00.400 --> 0:38:03.960
<v Speaker 1>Yes, you'll you you will get a text message, you'll

0:38:03.960 --> 0:38:07.520
<v Speaker 1>get a phone call. The funny thing about being a

0:38:07.560 --> 0:38:09.799
<v Speaker 1>reality TV producer, and this is back in the day

0:38:09.800 --> 0:38:13.440
<v Speaker 1>when I was a we call it a field showrunner.

0:38:13.480 --> 0:38:16.759
<v Speaker 1>So for my audience, it's when you're an executive producer.

0:38:17.160 --> 0:38:19.839
<v Speaker 1>You're the showrunner and you're in the trenches like you're

0:38:19.880 --> 0:38:23.120
<v Speaker 1>on set for the for the for five months. I

0:38:23.200 --> 0:38:25.480
<v Speaker 1>obviously have graduated from that because I have a company,

0:38:25.560 --> 0:38:26.880
<v Speaker 1>so I have a team who do that.

0:38:28.320 --> 0:38:30.400
<v Speaker 2>Right. Well, I love you, thank you, baby.

0:38:30.640 --> 0:38:35.440
<v Speaker 1>But my experience as a showrunner on these shows, you

0:38:35.520 --> 0:38:41.239
<v Speaker 1>bet your ass. If a reality start leaves and she

0:38:41.920 --> 0:38:46.520
<v Speaker 1>is able to go home, oh honey, you would not

0:38:46.600 --> 0:38:51.000
<v Speaker 1>hear the last of it. These reality stars keep score,

0:38:51.719 --> 0:38:54.080
<v Speaker 1>are bad and.

0:38:53.960 --> 0:38:55.960
<v Speaker 2>They notice everything.

0:38:57.239 --> 0:39:00.200
<v Speaker 1>They'll notice if Carlos King is talking to one five

0:39:00.200 --> 0:39:03.080
<v Speaker 1>minutes longer than somebody else, why does she get all

0:39:03.080 --> 0:39:05.279
<v Speaker 1>your time and attention. I'm like, well, she had a

0:39:05.400 --> 0:39:10.839
<v Speaker 1>question that require a longer response. They noticed everything. They

0:39:10.880 --> 0:39:13.560
<v Speaker 1>do not want you to treat them differently. They do

0:39:13.640 --> 0:39:16.799
<v Speaker 1>not want any and let's be clear they they're right

0:39:16.840 --> 0:39:21.040
<v Speaker 1>about that. Producers should not treat cast members within favoritism.

0:39:21.120 --> 0:39:26.600
<v Speaker 1>Right now, there are cast members who need more attention, right,

0:39:27.640 --> 0:39:30.560
<v Speaker 1>you know, based on what they're going through. Right I'll

0:39:30.560 --> 0:39:33.640
<v Speaker 1>give you an example when Nini Leaks was going through

0:39:33.640 --> 0:39:36.879
<v Speaker 1>her divorce from Greg Leaks. This was during season four

0:39:37.120 --> 0:39:40.520
<v Speaker 1>and I was needing Leek's producer Kim Zoziak's producer and

0:39:40.600 --> 0:39:43.320
<v Speaker 1>Charas so hints me in therapy.

0:39:43.440 --> 0:39:46.319
<v Speaker 2>Okay, that is just that's one book.

0:39:46.719 --> 0:39:47.480
<v Speaker 3>That's one book.

0:39:47.640 --> 0:39:53.040
<v Speaker 1>That's my book, the Trifecta and me being responsible for

0:39:53.080 --> 0:39:53.960
<v Speaker 1>them as a producer.

0:39:54.200 --> 0:39:59.440
<v Speaker 2>Wow, Nini was going through divorce that season. Nini needed

0:39:59.480 --> 0:40:02.399
<v Speaker 2>me more. So I was there for her more.

0:40:03.120 --> 0:40:08.800
<v Speaker 1>I remember constantly having to, like after a scene, stay

0:40:08.840 --> 0:40:12.239
<v Speaker 1>with her at her house and like sit with her

0:40:12.480 --> 0:40:15.520
<v Speaker 1>in her bedroom and just talk because because she needed

0:40:16.040 --> 0:40:20.000
<v Speaker 1>had a tough day. Whereas Charae was fine, like Sharay

0:40:20.040 --> 0:40:21.280
<v Speaker 1>had a great season that season.

0:40:21.280 --> 0:40:23.520
<v Speaker 2>She was funny and she didn't need me as much.

0:40:24.239 --> 0:40:27.080
<v Speaker 1>But you have to understand that they're all watching that

0:40:27.680 --> 0:40:30.440
<v Speaker 1>and what the good thing with me is I've always

0:40:30.520 --> 0:40:33.680
<v Speaker 1>was able to explain, like, girl, she needs me more.

0:40:33.800 --> 0:40:36.239
<v Speaker 2>You know what she's going through. Okay, got it.

0:40:36.680 --> 0:40:40.200
<v Speaker 1>But if it's something so minuscule like I'm leaving because

0:40:40.239 --> 0:40:43.719
<v Speaker 1>she pretty much said I had a drink, that's the

0:40:43.800 --> 0:40:49.319
<v Speaker 1>ship that they don't like. And I appreciate this is me.

0:40:50.080 --> 0:40:57.880
<v Speaker 1>I appreciate bows. In my opinion, bo saw that Okay,

0:40:58.160 --> 0:40:59.080
<v Speaker 1>this can blow up.

0:40:59.000 --> 0:41:01.560
<v Speaker 2>In terms of a higher situation and favoritism.

0:41:02.200 --> 0:41:05.359
<v Speaker 1>Let me make this about is the retome because at

0:41:05.360 --> 0:41:06.759
<v Speaker 1>the end of the day, these girls don't see it

0:41:06.760 --> 0:41:09.960
<v Speaker 1>that way because they're filming. It's like camera crews, right,

0:41:10.560 --> 0:41:12.319
<v Speaker 1>they don't. They don't look at this as I'm in

0:41:12.400 --> 0:41:15.720
<v Speaker 1>this woman's home. Is too many production crew members around.

0:41:15.840 --> 0:41:19.960
<v Speaker 3>Also, Boz has worked in corporate America. Yes, so she

0:41:20.440 --> 0:41:26.680
<v Speaker 3>has managed people. So this is another element that's fascinating.

0:41:26.760 --> 0:41:29.240
<v Speaker 3>But if we just froze that scene for a minute,

0:41:29.480 --> 0:41:32.200
<v Speaker 3>just freeze, freeze all the players, okay, and then the

0:41:32.239 --> 0:41:34.160
<v Speaker 3>camera would pan out.

0:41:33.840 --> 0:41:34.440
<v Speaker 2>Uh huh?

0:41:34.480 --> 0:41:37.759
<v Speaker 3>Would I see a producer in the foyer or in

0:41:37.800 --> 0:41:40.160
<v Speaker 3>the driveway or on the front porch with one of

0:41:40.239 --> 0:41:43.279
<v Speaker 3>the cast members going you better get your ass back inside?

0:41:43.920 --> 0:41:47.239
<v Speaker 3>And would I also see a cast member or maybe

0:41:47.280 --> 0:41:50.200
<v Speaker 3>I'm just imagining this is what I would do outside,

0:41:50.800 --> 0:41:55.319
<v Speaker 3>maybe outside of the house at the window, gesticulating to

0:41:55.400 --> 0:41:58.920
<v Speaker 3>a producer like this shit is not working. I want

0:41:58.960 --> 0:42:02.200
<v Speaker 3>to go like, is that the stuff that's happening on

0:42:02.239 --> 0:42:06.759
<v Speaker 3>the periphery? Uh huh yeah, okay, so okay, yeah, that's

0:42:06.800 --> 0:42:07.600
<v Speaker 3>the show I want.

0:42:08.080 --> 0:42:10.439
<v Speaker 1>Well, that's the show I love. That's the real show.

0:42:10.920 --> 0:42:13.200
<v Speaker 1>So I'll tell you what I would have done. This

0:42:13.280 --> 0:42:16.759
<v Speaker 1>is what Carlos King, as a former showrunner, would have

0:42:16.800 --> 0:42:19.160
<v Speaker 1>done in this in this case, and this is a

0:42:19.160 --> 0:42:21.040
<v Speaker 1>true story, and I will tell you one story of

0:42:21.120 --> 0:42:21.720
<v Speaker 1>pod I did.

0:42:21.560 --> 0:42:24.560
<v Speaker 2>It to in a scene on on Jersey.

0:42:24.600 --> 0:42:27.320
<v Speaker 1>I'll tell your Jersey s Okay, that's a good example.

0:42:27.960 --> 0:42:30.960
<v Speaker 1>If I was a field showrunner on Beverly Hills Housewife

0:42:31.239 --> 0:42:33.439
<v Speaker 1>and I saw Sutton get up because she was mad

0:42:33.480 --> 0:42:36.319
<v Speaker 1>that dymade a comment about her drinking, right, which to

0:42:36.400 --> 0:42:43.440
<v Speaker 1>me isn't the the It's not the most hurtful negative

0:42:43.480 --> 0:42:46.880
<v Speaker 1>thing to say that. That is like explosive. That's my opinion.

0:42:47.400 --> 0:42:52.520
<v Speaker 1>But I'm not, of course diminishing how Sutton feels. Right,

0:42:52.640 --> 0:42:55.680
<v Speaker 1>this is just me watching the show. If I was

0:42:55.680 --> 0:43:00.399
<v Speaker 1>there and something it's like, I'm leaving, I Carlos would

0:43:00.400 --> 0:43:03.839
<v Speaker 1>have said, while something was hiding near the bathroom, did

0:43:03.880 --> 0:43:06.719
<v Speaker 1>you peep that, I, as a producer, would have more

0:43:06.719 --> 0:43:09.240
<v Speaker 1>than likely been in the bathroom and said, come here, Yeah,

0:43:09.280 --> 0:43:09.800
<v Speaker 1>what's wrong?

0:43:10.040 --> 0:43:15.920
<v Speaker 2>I would have said something. Is it that deep? If

0:43:15.960 --> 0:43:16.799
<v Speaker 2>it is, tell me.

0:43:17.800 --> 0:43:21.600
<v Speaker 1>I just think you're able to articulate yourself and explain

0:43:21.680 --> 0:43:25.960
<v Speaker 1>to her, because again, my audience sudden, they're not going.

0:43:25.800 --> 0:43:28.960
<v Speaker 2>To understand unless you explain it to us.

0:43:29.400 --> 0:43:33.320
<v Speaker 1>How about you do this, how about you say I'm leaving,

0:43:33.680 --> 0:43:36.279
<v Speaker 1>but before I leave, let me explain to you why

0:43:36.360 --> 0:43:39.399
<v Speaker 1>I'm upset and why I need to get out of here.

0:43:39.719 --> 0:43:42.319
<v Speaker 2>I would have done that, like explain it to her,

0:43:42.400 --> 0:43:43.200
<v Speaker 2>can you give me that?

0:43:43.440 --> 0:43:46.560
<v Speaker 1>And ten times out of ten she would have right,

0:43:46.920 --> 0:43:50.160
<v Speaker 1>because because again a reality star would say, I'm just

0:43:50.200 --> 0:43:50.680
<v Speaker 1>being honest.

0:43:50.719 --> 0:43:52.400
<v Speaker 2>Here, two things would have happened.

0:43:52.840 --> 0:43:58.680
<v Speaker 1>She would have said, Okay, that makes sense, and number two, okay, good,

0:43:59.160 --> 0:44:02.319
<v Speaker 1>I'll look good. I'll look good to the audience. I'm

0:44:02.360 --> 0:44:03.000
<v Speaker 1>just being honest.

0:44:03.480 --> 0:44:03.800
<v Speaker 2>Okay.

0:44:04.200 --> 0:44:09.680
<v Speaker 1>Now my example on Jersey, Okay.

0:44:09.680 --> 0:44:11.120
<v Speaker 2>That infamous scene.

0:44:12.400 --> 0:44:16.920
<v Speaker 1>Season two, the country club, Danielle, Jacqueline, Teresa.

0:44:17.280 --> 0:44:19.440
<v Speaker 2>Yep, this is when Danielle got chasing the country club.

0:44:21.320 --> 0:44:24.720
<v Speaker 1>They're at this plash fashion show. Right, it's the first

0:44:24.719 --> 0:44:29.960
<v Speaker 1>time in the season that Danielle staalb, Jacquelin Laarreta and

0:44:30.040 --> 0:44:31.520
<v Speaker 1>Teresa July's are the same room.

0:44:32.000 --> 0:44:36.000
<v Speaker 3>And by the way, those fashion shows, I kept thinking, now,

0:44:36.239 --> 0:44:39.760
<v Speaker 3>especially as I get older, the madness of the crew,

0:44:40.520 --> 0:44:43.880
<v Speaker 3>because it's so wild. And then you have Kim, who

0:44:44.080 --> 0:44:45.960
<v Speaker 3>is I don't know, she's sort of like a friend

0:44:45.960 --> 0:44:46.480
<v Speaker 3>of the show.

0:44:46.719 --> 0:44:47.400
<v Speaker 2>She's a friend.

0:44:47.560 --> 0:44:49.200
<v Speaker 3>He's in the middle of it, and you're trying to

0:44:49.200 --> 0:44:52.640
<v Speaker 3>get everyone's point of view. That just seemed like complete madness.

0:44:52.760 --> 0:44:54.640
<v Speaker 2>Yeah, yeah, yeah, yeah.

0:44:54.680 --> 0:44:59.000
<v Speaker 1>So again to your point, we're filming this for two

0:44:59.080 --> 0:45:03.320
<v Speaker 1>hours because of the madness you just described. The fascist

0:45:03.320 --> 0:45:08.400
<v Speaker 1>Show's over with and Teresa's like, did you like it?

0:45:08.520 --> 0:45:11.279
<v Speaker 1>I said, the fast show is fine? I said, would

0:45:11.280 --> 0:45:15.160
<v Speaker 1>you like to talk to Danielle? And she said, oh,

0:45:16.239 --> 0:45:18.239
<v Speaker 1>you know what, Carlos, I actually do.

0:45:18.840 --> 0:45:22.200
<v Speaker 2>Oh wow, Okay, I actually do. Because let me tell

0:45:22.239 --> 0:45:24.319
<v Speaker 2>you something. I'm just being honest here.

0:45:24.840 --> 0:45:28.400
<v Speaker 1>Teresa Judas is one of the best reality stars I

0:45:28.440 --> 0:45:29.319
<v Speaker 1>have ever worked with.

0:45:29.920 --> 0:45:30.200
<v Speaker 2>Ever.

0:45:30.960 --> 0:45:32.759
<v Speaker 3>Does she easy to work with?

0:45:33.560 --> 0:45:36.839
<v Speaker 1>Teresa Judais is one of the easiest women to work with.

0:45:37.680 --> 0:45:40.480
<v Speaker 2>She gets it and she lives for reality.

0:45:41.080 --> 0:45:43.719
<v Speaker 1>So she's because the thing Teresa new, Let's let's have

0:45:43.760 --> 0:45:47.680
<v Speaker 1>a real conversation, Kate. This is Teresa's second season, so obviously,

0:45:48.080 --> 0:45:49.480
<v Speaker 1>first season she flipped the table.

0:45:49.719 --> 0:45:52.320
<v Speaker 3>It could have changed since then, though she may have.

0:45:52.520 --> 0:45:58.200
<v Speaker 1>Well, I'm gonna say, based from my experience, right first season,

0:45:58.560 --> 0:45:59.680
<v Speaker 1>she's the face of the show.

0:45:59.680 --> 0:46:01.400
<v Speaker 2>After finale, she flipped the table.

0:46:01.920 --> 0:46:06.160
<v Speaker 1>Yeah, Teresa obviously got Harold did and people loved her,

0:46:06.239 --> 0:46:07.080
<v Speaker 1>so she gets it.

0:46:07.640 --> 0:46:11.120
<v Speaker 2>Second season, She's like, let's keep this train moving, you

0:46:11.160 --> 0:46:12.080
<v Speaker 2>know what I mean, Like like.

0:46:12.360 --> 0:46:15.799
<v Speaker 3>Oh, yeah, yeah, I'm on the magazines.

0:46:15.920 --> 0:46:20.719
<v Speaker 1>Yeah, Teresa understood Danielle's here and we're not going to

0:46:20.760 --> 0:46:21.399
<v Speaker 1>talk to each other.

0:46:22.080 --> 0:46:26.080
<v Speaker 2>And I said, Teresa, talk to her. Do you want to?

0:46:26.480 --> 0:46:28.920
<v Speaker 2>She said yes. I said, we'll talk to her.

0:46:29.760 --> 0:46:34.080
<v Speaker 1>Where is she? Carlos my producers say to me, she's

0:46:34.080 --> 0:46:39.360
<v Speaker 1>in the bathroom. I said, okay, there's there's a chair

0:46:39.520 --> 0:46:42.080
<v Speaker 1>by the bathroom. Talk to her where she comes out.

0:46:42.440 --> 0:46:42.800
<v Speaker 2>Okay.

0:46:44.040 --> 0:46:46.799
<v Speaker 1>So that's why when you watch an episode, you see

0:46:46.840 --> 0:46:52.319
<v Speaker 1>her Theresa casually sitting by the bathroom just waiting because

0:46:52.320 --> 0:46:53.560
<v Speaker 1>she's like, I want to talk to her.

0:46:53.640 --> 0:46:56.319
<v Speaker 2>I'm like, well, talk to her. Did and listen to

0:46:56.480 --> 0:46:59.560
<v Speaker 2>Danielle stops credit. This is why I missed the old

0:46:59.600 --> 0:47:00.400
<v Speaker 2>days of reality.

0:47:00.640 --> 0:47:03.680
<v Speaker 1>Yeah, because they all understood, like, we're not going to

0:47:03.760 --> 0:47:05.799
<v Speaker 1>be at this. It's the first we all got it.

0:47:06.000 --> 0:47:08.279
<v Speaker 1>That's why Danielle said. Daniell could have easily said I

0:47:08.320 --> 0:47:12.320
<v Speaker 1>don't want to talk about it. Danielle understood with Teresa

0:47:12.360 --> 0:47:16.160
<v Speaker 1>said hi, Danielle goes, you're talking to.

0:47:16.120 --> 0:47:21.560
<v Speaker 3>Me and yeah, yeah, but that feels like it's becoming

0:47:21.600 --> 0:47:22.799
<v Speaker 3>more and more impossible.

0:47:23.200 --> 0:47:27.480
<v Speaker 1>It's because social media. A lot of the reality starts today.

0:47:27.560 --> 0:47:32.080
<v Speaker 1>They play up to their fans. Yeah, and they don't want.

0:47:31.960 --> 0:47:33.879
<v Speaker 2>To be real. They want to be strategic.

0:47:35.640 --> 0:47:40.520
<v Speaker 1>It's strategic and that's why that's why Salt Lake City

0:47:40.600 --> 0:47:43.200
<v Speaker 1>is so fascinating to watch, because I think those women

0:47:43.280 --> 0:47:46.879
<v Speaker 1>are like we Those women get it. They just get it.

0:47:47.160 --> 0:47:49.960
<v Speaker 1>They get it. So I would have done that with suthing.

0:47:51.520 --> 0:47:54.760
<v Speaker 1>What did you think though about this whole conversation because

0:47:55.280 --> 0:47:58.440
<v Speaker 1>the deepness between Dewy and Kyle towards the end of

0:47:58.440 --> 0:48:02.359
<v Speaker 1>the episode, right Derey obviously doubled down on Kyle, saying

0:48:02.400 --> 0:48:04.880
<v Speaker 1>that she doesn't know anything that is going on in

0:48:04.960 --> 0:48:09.000
<v Speaker 1>her life right now. Kyle think its defensive and says,

0:48:09.400 --> 0:48:13.719
<v Speaker 1>you all know I'm separated, but I feel like we

0:48:13.760 --> 0:48:17.720
<v Speaker 1>need more, and I feel like Durit is like I

0:48:17.719 --> 0:48:22.920
<v Speaker 1>I want more, and yeah, it's just it's I love

0:48:23.000 --> 0:48:26.960
<v Speaker 1>Kyle's with my favorite housewife. I think Kyle's having a season,

0:48:27.120 --> 0:48:33.279
<v Speaker 1>a challenging season because the audience wants more and we're

0:48:33.280 --> 0:48:34.840
<v Speaker 1>not getting it, Kate, We're just not getting it.

0:48:35.480 --> 0:48:38.600
<v Speaker 3>I listen. I don't know her personally, but I can

0:48:38.760 --> 0:48:42.080
<v Speaker 3>definitely look at footage and make my own assumptions, but

0:48:42.480 --> 0:48:44.440
<v Speaker 3>I think a couple of things. I don't think she

0:48:44.520 --> 0:48:46.680
<v Speaker 3>and Durrey were ever very close. I think it was

0:48:46.760 --> 0:48:51.040
<v Speaker 3>like a show relationship. Yeah, And I feel like Derrey

0:48:51.520 --> 0:48:54.239
<v Speaker 3>has this suspended belief that at some point in time

0:48:54.280 --> 0:48:57.279
<v Speaker 3>they were very deep, close friends. But that speaks to

0:48:57.320 --> 0:49:00.319
<v Speaker 3>so much to me of the relationships that duri has

0:49:00.360 --> 0:49:03.719
<v Speaker 3>in her life, which are probably a lot of Durrete

0:49:03.719 --> 0:49:06.320
<v Speaker 3>talks and somebody else is sitting in the same room.

0:49:06.840 --> 0:49:10.080
<v Speaker 3>I think that Durret or excuse me, I think that

0:49:10.239 --> 0:49:15.600
<v Speaker 3>Kyle and PK were far closer friends because PK would

0:49:15.640 --> 0:49:18.759
<v Speaker 3>be at their house all the time, probably complained a

0:49:18.800 --> 0:49:21.400
<v Speaker 3>lot about Dreet and their marriage and their finances and

0:49:21.440 --> 0:49:23.680
<v Speaker 3>things going on. And I think Kyle knows too much,

0:49:24.760 --> 0:49:27.760
<v Speaker 3>and when you know too much, you can't unsee things

0:49:27.880 --> 0:49:31.280
<v Speaker 3>or unhear things. So I feel like those scenes where

0:49:31.600 --> 0:49:34.120
<v Speaker 3>it's like, are we friends, I don't think they were

0:49:34.160 --> 0:49:37.080
<v Speaker 3>ever particularly close, and I don't think there's any chance

0:49:37.120 --> 0:49:40.560
<v Speaker 3>for that now because Kyle knows too much, and I

0:49:40.600 --> 0:49:43.239
<v Speaker 3>think when she says throughout the season, I don't know

0:49:43.280 --> 0:49:45.799
<v Speaker 3>who you are anymore, I think it's because she's used

0:49:45.800 --> 0:49:49.400
<v Speaker 3>to Durete just sort of like shuffling her feet behind,

0:49:49.719 --> 0:49:53.600
<v Speaker 3>not really saying anything, and she's sort of like, oh,

0:49:53.640 --> 0:49:55.920
<v Speaker 3>now you're a TV star, Like, wait, what's going on.

0:49:56.719 --> 0:50:00.879
<v Speaker 3>I think that Kyle personally probably is in this very

0:50:00.920 --> 0:50:04.600
<v Speaker 3>weird vortex because she's been married all this time. I

0:50:04.640 --> 0:50:07.040
<v Speaker 3>would assume it's hard to get divorced when you've been

0:50:07.040 --> 0:50:10.359
<v Speaker 3>married that long and you have that much financial connection. Yes,

0:50:10.800 --> 0:50:14.319
<v Speaker 3>so she's probably trying to unravel that, the fact that

0:50:14.360 --> 0:50:17.640
<v Speaker 3>he's probably dating and dating younger women, which is a

0:50:17.680 --> 0:50:21.919
<v Speaker 3>whole head trip. Right. She's lost her best friend who

0:50:21.960 --> 0:50:25.279
<v Speaker 3>died by suicide, which will take an infinitement amount of

0:50:25.320 --> 0:50:29.440
<v Speaker 3>time to walk through grief. She's got daughters that are older,

0:50:29.520 --> 0:50:32.840
<v Speaker 3>and we've seen and seenes they're very connected to their father.

0:50:33.160 --> 0:50:36.960
<v Speaker 3>The blessing, by the way of Mauricio's show on Netflix

0:50:37.160 --> 0:50:39.200
<v Speaker 3>was to see his point of view of his life,

0:50:39.280 --> 0:50:42.080
<v Speaker 3>and he's super connected with the daughters. I don't think

0:50:42.120 --> 0:50:44.399
<v Speaker 3>I would have known that had I not seen that show,

0:50:44.480 --> 0:50:48.279
<v Speaker 3>because that's not really shown on Beverly Hills. So she's

0:50:48.320 --> 0:50:52.560
<v Speaker 3>also like struggling with now they know they all work

0:50:52.640 --> 0:50:55.640
<v Speaker 3>with him, they all want to spend time together. Where

0:50:55.680 --> 0:50:59.160
<v Speaker 3>am I in this family? I'm on the outs. I

0:50:59.200 --> 0:51:03.360
<v Speaker 3>think she's struggle because she has some sort of relationship

0:51:03.400 --> 0:51:06.000
<v Speaker 3>with Morgan. I don't know if it's either like a

0:51:06.040 --> 0:51:09.320
<v Speaker 3>friendship or romantic, but it seems to me that Morgan

0:51:09.400 --> 0:51:12.640
<v Speaker 3>does not really want her to discuss her at all

0:51:12.680 --> 0:51:16.320
<v Speaker 3>on the show, obviously, and she feels like, this is

0:51:16.360 --> 0:51:18.560
<v Speaker 3>a big part of my life and I'm not able

0:51:18.640 --> 0:51:23.200
<v Speaker 3>to discuss it, and I am I've got a responsibility

0:51:23.560 --> 0:51:28.520
<v Speaker 3>to the producers to be have a certain openness on

0:51:28.560 --> 0:51:31.720
<v Speaker 3>the show that I really can't do. Am I supposed

0:51:31.760 --> 0:51:34.600
<v Speaker 3>to do this show anymore? But she may need the

0:51:34.680 --> 0:51:37.520
<v Speaker 3>show for her own career or financial setup, et cetera.

0:51:38.160 --> 0:51:40.799
<v Speaker 3>I think these are all the moving parts that are

0:51:40.800 --> 0:51:45.480
<v Speaker 3>going on in the background and why we're frustrated because

0:51:45.800 --> 0:51:47.799
<v Speaker 3>I don't think she wants to be honest about a

0:51:47.800 --> 0:51:51.120
<v Speaker 3>lot of that. But the reality is if she were,

0:51:51.440 --> 0:51:53.120
<v Speaker 3>I think people would be more empathetic.

0:51:54.880 --> 0:51:59.319
<v Speaker 1>Listen, the reason why we about you loved or hated her, right,

0:52:00.200 --> 0:52:05.479
<v Speaker 1>Monica Garcia, the moment you saw the dynamic with her mom, Yeah, true,

0:52:05.880 --> 0:52:08.520
<v Speaker 1>and she was open about it. You were like, okay,

0:52:08.920 --> 0:52:12.399
<v Speaker 1>got it. Even when you think about someone. I want

0:52:12.440 --> 0:52:16.560
<v Speaker 1>to give one more example, Giselle Bryant. When you saw

0:52:17.000 --> 0:52:21.000
<v Speaker 1>when you see her relationship with her daughters, it gives

0:52:21.040 --> 0:52:23.160
<v Speaker 1>you a different point of view of her. You're like, Okay,

0:52:23.200 --> 0:52:26.319
<v Speaker 1>there is a softness there the way she loved her dad.

0:52:27.080 --> 0:52:27.719
<v Speaker 2>You know what I mean?

0:52:28.000 --> 0:52:32.160
<v Speaker 1>You see it that, Kyle, I agree with you. I

0:52:32.160 --> 0:52:34.840
<v Speaker 1>think Kyle wants to do it. I think when it

0:52:34.840 --> 0:52:36.960
<v Speaker 1>comes to Morgan, I agree with you too. I think

0:52:37.000 --> 0:52:39.880
<v Speaker 1>Morgan said to her, this is too much for me. Yeah,

0:52:39.920 --> 0:52:42.560
<v Speaker 1>and respectfully, Kyle's like, you know, sign up to be

0:52:42.560 --> 0:52:42.919
<v Speaker 1>on the show.

0:52:42.960 --> 0:52:43.279
<v Speaker 2>Got it.

0:52:43.480 --> 0:52:46.520
<v Speaker 1>I think Kyle and Mauricio, because I watched Buying Beverly

0:52:46.600 --> 0:52:49.680
<v Speaker 1>Hills two on Netflix, I think they both set each

0:52:49.680 --> 0:52:52.520
<v Speaker 1>other down and said, this is we have to be

0:52:52.600 --> 0:52:53.400
<v Speaker 1>on the same page.

0:52:53.440 --> 0:52:55.600
<v Speaker 2>What we're going to tell the audience. Yeah, and they're

0:52:55.640 --> 0:52:56.880
<v Speaker 2>not going to give us any more than that.

0:52:57.880 --> 0:53:02.360
<v Speaker 1>Like ever, and I think Yle knows that this show

0:53:02.400 --> 0:53:05.680
<v Speaker 1>has been her second win in her forties when the

0:53:05.719 --> 0:53:08.920
<v Speaker 1>show FIRS happened, and she is arguably the face of

0:53:08.960 --> 0:53:14.040
<v Speaker 1>Billy Hills and she's NBC's darling right, she does Peacock Movies, Halloween.

0:53:14.840 --> 0:53:18.319
<v Speaker 1>I think in Cole's defense, she wants to, but there's

0:53:18.360 --> 0:53:20.640
<v Speaker 1>two people in her life that she made a commitment

0:53:20.680 --> 0:53:23.080
<v Speaker 1>to and unfortunately she's unable.

0:53:22.800 --> 0:53:23.120
<v Speaker 2>To do it.

0:53:23.800 --> 0:53:24.120
<v Speaker 3>Yeah.

0:53:24.960 --> 0:53:26.320
<v Speaker 2>Yeah, yeah.

0:53:26.600 --> 0:53:30.040
<v Speaker 1>So with that being said, Kate, at the end of

0:53:30.080 --> 0:53:34.640
<v Speaker 1>this episode, we see the comic attraction of Mauricio kissing

0:53:35.040 --> 0:53:35.720
<v Speaker 1>another woman.

0:53:36.239 --> 0:53:39.040
<v Speaker 2>Yeah, where do you think? Where do you think? Excuse me?

0:53:39.080 --> 0:53:41.000
<v Speaker 2>Things are going to end up from here now for

0:53:41.080 --> 0:53:41.960
<v Speaker 2>the rest of the season.

0:53:42.440 --> 0:53:44.400
<v Speaker 3>I don't know. Well, first of all, I think that

0:53:44.840 --> 0:53:47.239
<v Speaker 3>there is a part of Kyle that really wishes she

0:53:47.360 --> 0:53:50.520
<v Speaker 3>still were with Mauricio because she loves the family unit

0:53:50.719 --> 0:53:54.320
<v Speaker 3>and she feels like she's let I think she's a

0:53:54.360 --> 0:53:57.280
<v Speaker 3>people pleaser. I think she's even admitted to it where

0:53:57.360 --> 0:54:00.439
<v Speaker 3>she feels guilty, and that's the burden of a reality star.

0:54:00.560 --> 0:54:02.960
<v Speaker 3>I mean, Craig and Page probably feel this too, like

0:54:03.520 --> 0:54:05.960
<v Speaker 3>where people see you as this couple and she feels

0:54:05.960 --> 0:54:10.200
<v Speaker 3>like she's let people down in addition to her own family.

0:54:11.320 --> 0:54:13.839
<v Speaker 3>But I think there's too much damage there, and when

0:54:13.840 --> 0:54:16.640
<v Speaker 3>you're married that long and your finances are co mingled,

0:54:16.680 --> 0:54:20.279
<v Speaker 3>I think she's stuck in limbo. And I think if

0:54:20.280 --> 0:54:23.000
<v Speaker 3>she were more honest about that, people would really get

0:54:23.040 --> 0:54:25.000
<v Speaker 3>that like I'm stuck. I don't know what to do.

0:54:26.280 --> 0:54:28.320
<v Speaker 3>So I feel like she's sort of on her own island.

0:54:28.440 --> 0:54:31.799
<v Speaker 3>So I can't expect, I think, the rest of the

0:54:31.840 --> 0:54:35.200
<v Speaker 3>episodes to see any moment of like real and deep

0:54:35.239 --> 0:54:39.279
<v Speaker 3>connection because I think she's just so closed off from

0:54:39.320 --> 0:54:44.400
<v Speaker 3>the world. Yeah, bos, I just think it's hard for

0:54:44.440 --> 0:54:48.160
<v Speaker 3>me to understand how she has the capacity to be

0:54:48.280 --> 0:54:52.920
<v Speaker 3>so patient with dreycause I feel like Git lives on

0:54:53.040 --> 0:54:57.680
<v Speaker 3>her own planet right and bos seems so like down

0:54:57.719 --> 0:55:01.280
<v Speaker 3>to earth and grounded and has so much more life

0:55:01.320 --> 0:55:05.080
<v Speaker 3>perspective because she worked in corporate America too. That I'm

0:55:05.120 --> 0:55:07.320
<v Speaker 3>just waiting for the moment where Boz is like, I

0:55:07.360 --> 0:55:10.719
<v Speaker 3>can't listen to this anymore. I cannot listen to this anymore.

0:55:12.480 --> 0:55:15.839
<v Speaker 3>I would love to hear a conversation between Garcel and

0:55:15.920 --> 0:55:21.799
<v Speaker 3>Sutton about what happened in Augusta and that means how

0:55:21.840 --> 0:55:25.440
<v Speaker 3>that made Garcel feel like I really would love that,

0:55:27.560 --> 0:55:32.719
<v Speaker 3>And then Erica, I feel like I do like the

0:55:32.760 --> 0:55:36.040
<v Speaker 3>moments where she seems to offer some like some like

0:55:36.160 --> 0:55:39.359
<v Speaker 3>tell it like it is moments, but I still want

0:55:39.360 --> 0:55:40.960
<v Speaker 3>to know what's going on in her life, Like I

0:55:41.000 --> 0:55:44.279
<v Speaker 3>feel like, yeah, like what's happening with the lawsuits, Like,

0:55:44.520 --> 0:55:47.520
<v Speaker 3>how do you feel do you feel incredible pressure? Do

0:55:47.600 --> 0:55:50.960
<v Speaker 3>you feel like you've lost connection with people because of it?

0:55:51.000 --> 0:55:51.080
<v Speaker 2>Like?

0:55:52.040 --> 0:55:53.880
<v Speaker 3>I think I would like to see more deeper stuff,

0:55:53.880 --> 0:55:55.920
<v Speaker 3>but I have to say my favorite thing still is

0:55:55.960 --> 0:55:58.640
<v Speaker 3>when we get to meet people's parents, because I feel

0:55:58.640 --> 0:56:03.239
<v Speaker 3>like Origin tell me so much about somebody. The last

0:56:03.239 --> 0:56:06.279
<v Speaker 3>part of the Origin story with Sutton is that I

0:56:06.360 --> 0:56:08.879
<v Speaker 3>found it hilarious how much she complained about her mother

0:56:09.080 --> 0:56:12.040
<v Speaker 3>when there are so many characteristics that are exactly the same.

0:56:12.680 --> 0:56:14.880
<v Speaker 3>In many ways, she's like a watered down version of

0:56:14.880 --> 0:56:19.879
<v Speaker 3>her mother. She's she's got zero filter. She can say

0:56:19.880 --> 0:56:22.480
<v Speaker 3>things that are very hurtful, Like there's so many things

0:56:22.520 --> 0:56:25.960
<v Speaker 3>where I'm like, girl, it's you. It just reminded me

0:56:26.000 --> 0:56:30.040
<v Speaker 3>of the Heather du Bro episode when we met her mom. Yeah, yes,

0:56:31.640 --> 0:56:35.759
<v Speaker 3>wonder Heather feels like this all the time. And like

0:56:36.239 --> 0:56:39.000
<v Speaker 3>Heather and Sutton said something similar, which I feel like

0:56:39.080 --> 0:56:42.239
<v Speaker 3>is so common for a lot of people. Probably with

0:56:42.320 --> 0:56:46.080
<v Speaker 3>your parents too, where you complained about your parent and

0:56:46.120 --> 0:56:49.399
<v Speaker 3>then it's like, okay, but that's what I was raised with.

0:56:49.440 --> 0:56:52.160
<v Speaker 3>And it's very hard to untangle things that you saw

0:56:52.200 --> 0:56:55.560
<v Speaker 3>as a child. And we tend to like duplicate things.

0:56:55.960 --> 0:56:58.680
<v Speaker 3>We'll water down versions of her parents.

0:57:00.120 --> 0:57:02.759
<v Speaker 1>Kay, you always cook baby. Let the world know they

0:57:02.800 --> 0:57:05.360
<v Speaker 1>can find you your podcast. I always have talking to

0:57:05.400 --> 0:57:07.360
<v Speaker 1>you for your intelligent point of views.

0:57:07.480 --> 0:57:10.840
<v Speaker 3>Oh thank you. Okay, Reality Life with KKC podcasts everywhere

0:57:10.920 --> 0:57:13.279
<v Speaker 3>we listen to podcasts. Sign up for my what to

0:57:13.320 --> 0:57:16.560
<v Speaker 3>watch list of what to watch each week in unscripted TV,

0:57:16.640 --> 0:57:20.439
<v Speaker 3>so documentary series and unscripted I've got a great list.

0:57:20.520 --> 0:57:22.080
<v Speaker 3>It comes out every Monday. You can get it at

0:57:22.120 --> 0:57:25.760
<v Speaker 3>katekc dot substack dot com and please join my Facebook

0:57:25.760 --> 0:57:29.360
<v Speaker 3>group Reality Life with Kateksey because we talk about great podcasts,

0:57:29.360 --> 0:57:32.520
<v Speaker 3>great books, great everything that you can think of, movies.

0:57:33.080 --> 0:57:38.240
<v Speaker 3>It's really smart people who have just the most wise observations.

0:57:38.320 --> 0:57:41.720
<v Speaker 3>And I have to say your audience in particular, believe

0:57:41.760 --> 0:57:44.600
<v Speaker 3>it or not on Twitter because a lot of people

0:57:44.640 --> 0:57:50.400
<v Speaker 3>put Twitter down. The rain drops on Twitter are some

0:57:50.480 --> 0:57:57.920
<v Speaker 3>of the most observant people, really just incredibly wise reality

0:57:57.960 --> 0:57:58.960
<v Speaker 3>TV observance.

0:57:59.400 --> 0:58:00.800
<v Speaker 2>Ah, thank you for that.

0:58:00.840 --> 0:58:02.760
<v Speaker 1>And they love you, k they really do. And my

0:58:02.840 --> 0:58:04.720
<v Speaker 1>range as on Twitter are super observant.

0:58:05.120 --> 0:58:05.840
<v Speaker 2>Thank you for that.

0:58:05.920 --> 0:58:08.960
<v Speaker 1>My sister from another mister, I love you, Kath. Reality

0:58:09.080 --> 0:58:11.240
<v Speaker 1>like with kkse wherever you get to podcast is that

0:58:11.280 --> 0:58:16.000
<v Speaker 1>it's an amazing, amazing, amazing, amazing, thought provoking podcast. She

0:58:16.080 --> 0:58:19.120
<v Speaker 1>talks about everything under the sign, not just reality TV,

0:58:19.320 --> 0:58:23.040
<v Speaker 1>just like documentaries, true crime and director's guests.

0:58:23.040 --> 0:58:25.280
<v Speaker 3>And we'll just tell you two things that you have

0:58:25.360 --> 0:58:27.520
<v Speaker 3>to listen to it. Well, Number one, you have to

0:58:27.520 --> 0:58:29.560
<v Speaker 3>watch a true crime doc series this week. It's called

0:58:29.680 --> 0:58:33.040
<v Speaker 3>Fox Hollow Murders on Hulu. It's four parts. It's about

0:58:33.240 --> 0:58:36.680
<v Speaker 3>a serial killer you've never heard about. He lived in

0:58:36.680 --> 0:58:39.800
<v Speaker 3>Indianapolis and a lot of gay men disappeared in the

0:58:39.880 --> 0:58:43.320
<v Speaker 3>nineties in Indianapolis because he was killing them. He had

0:58:43.320 --> 0:58:45.280
<v Speaker 3>a big property and his wife would go away for

0:58:45.320 --> 0:58:47.280
<v Speaker 3>the weekend. He would go to a gay bar and

0:58:47.320 --> 0:58:51.240
<v Speaker 3>bring them back to his home. Years later, they would

0:58:51.240 --> 0:58:55.360
<v Speaker 3>find bones all over the property. So what's crazy about

0:58:55.360 --> 0:58:59.240
<v Speaker 3>this series is now in present day, they have new

0:58:59.240 --> 0:59:02.400
<v Speaker 3>owners of this property and you get to go with

0:59:02.520 --> 0:59:05.000
<v Speaker 3>them to the property and the place is haunted. Crazy

0:59:05.000 --> 0:59:07.600
<v Speaker 3>stuff happens there. It's like almost like Amity Bill Harp.

0:59:08.200 --> 0:59:12.520
<v Speaker 3>So alcome Fox Hollow Murders. And then Saturday, my episode,

0:59:12.560 --> 0:59:14.720
<v Speaker 3>I have a woman who was her dad was a

0:59:14.800 --> 0:59:17.520
<v Speaker 3>guru Bookers.

0:59:18.640 --> 0:59:19.960
<v Speaker 2>Reality li KKC.

0:59:20.600 --> 0:59:22.760
<v Speaker 1>Yes, well, thank you, my love, and I'll catch you

0:59:22.800 --> 0:59:30.320
<v Speaker 1>on the next one. Thank you, Thank you for listening

0:59:30.320 --> 0:59:34.240
<v Speaker 1>to Reality with the King. New episodes dropped on Tuesdays

0:59:34.280 --> 0:59:39.960
<v Speaker 1>and Thursdays. Share, comment, follow, and subscribe to Reality with

0:59:40.000 --> 0:59:40.320
<v Speaker 1>the King.

0:59:40.640 --> 0:59:42.840
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0:59:42.880 --> 0:59:46.320
<v Speaker 1>Visit Reality withthe King dot com and be sure to

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<v Speaker 1>with the King is a production of Kingdom Reign Entertainment,

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