WEBVTT - Say Anything

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<v Speaker 1>On The Bechdel Cast.

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<v Speaker 2>The questions asked if movies have women and them, are

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<v Speaker 2>all their discussions just boyfriends and husbands or do they

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<v Speaker 2>have individualism? It's the patriarchy, zeph and Beast start changing

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<v Speaker 2>it with the Bechdel Cast.

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<v Speaker 1>Wow wow, wow Wow, look at us, We look at us.

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<v Speaker 3>We're saying anything, Kitlin.

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<v Speaker 1>One of the things I've always loved about you is

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<v Speaker 1>that you'll say kind of anything.

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<v Speaker 3>You know.

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<v Speaker 1>I feel like there's a version of say anything that's

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<v Speaker 1>about like a shock jock. You know, this guy'll say.

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<v Speaker 3>And he's not afraid to say it like it is.

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<v Speaker 1>It's actually a Joe Rogan biopic title when you think

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<v Speaker 1>about it, because that man simply does be saying anything.

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<v Speaker 1>He really does, he'd be saying so many things. Welcome

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<v Speaker 1>to the Bechdel Cast. My name is jam Loftus and

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<v Speaker 1>my name is.

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<v Speaker 3>Kaydarante, and we are doing a little intro for a

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<v Speaker 3>show that we did live in Portland. So most of

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<v Speaker 3>this episode is the live show, and I think that's

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<v Speaker 3>kind of really all we need to say to introduce it.

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<v Speaker 1>I think so yeah. I mean, we were in Portland, Oregon.

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<v Speaker 1>We were at one of our favorite places curious comedy

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<v Speaker 1>theaters support them if you're in the area. And we

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<v Speaker 1>didn't have a guest on this show, and that's because

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<v Speaker 1>we are special.

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<v Speaker 3>Weird, so strong and independent.

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<v Speaker 1>We watched this movie and we're like, it's a love

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<v Speaker 1>story between a father and his daughter. We've got this one.

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<v Speaker 1>We've got this one, and we put on our little

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<v Speaker 1>outfits and we do do doot it out to stage.

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<v Speaker 1>And actually, what I will say before that, if you

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<v Speaker 1>want to see us do doot dude out on stage,

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<v Speaker 1>we are asking a bunch of tour dates for next

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<v Speaker 1>year coming up soon as well as in Los Angeles

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<v Speaker 1>on December tenth. If you're in town, we're covering It's

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<v Speaker 1>a Wonderful Life.

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<v Speaker 3>Yeah, at Dynasty Typewriter in Los Angeles. Ever heard of it?

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<v Speaker 3>On December tenth. Tickets for that are on sale. You

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<v Speaker 3>can grab them on our link tree, link tree slash

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<v Speaker 3>Bechtel Cast and uh yeah, stay tuned for more tour dates.

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<v Speaker 3>And also if you want to see us out on

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<v Speaker 3>stage for this specific show that you're about to hear

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<v Speaker 3>the episode for, Let's say you want a visual aid

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<v Speaker 3>or you just want to see more stuff because we

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<v Speaker 3>cut out some like fun and games from the audio

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<v Speaker 3>version of the episode, but that you can see in

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<v Speaker 3>video format you can buy on demand tickets. The link

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<v Speaker 3>for that will also be on our link tree.

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<v Speaker 1>So yes, and we looked so so please enjoy that.

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<v Speaker 1>But but if you know, if you want to just

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<v Speaker 1>listen in the ca we had to stand and here

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<v Speaker 1>we are saying quite literally.

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<v Speaker 3>Any anything.

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<v Speaker 2>The bedellcast.

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<v Speaker 1>So before we started the show, I just want to

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<v Speaker 1>do some housekeeping. We've received some really excellent treats. I

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<v Speaker 1>feel like, Okay, first of all, we love being in

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<v Speaker 1>Portland so much. It's the city we have come to

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<v Speaker 1>most in the country.

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<v Speaker 3>Yeah, we.

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<v Speaker 1>Absolutely love doing shows here. We literally do shows here

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<v Speaker 1>more so than where we live. Yeah, it's we really

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<v Speaker 1>love it here. We we love get to hang out

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<v Speaker 1>with you guys here. And I will say consistently because

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<v Speaker 1>we were here earlier this year, and give it up

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<v Speaker 1>if you were here earlier this year, all right, welcome

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<v Speaker 1>back some returning friends. Yeah, and so you'll remember that,

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<v Speaker 1>you know, there were a number of hot dogs brought

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<v Speaker 1>and I threw a knife at the audience and Portland

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<v Speaker 1>did not a point this time around, because early I

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<v Speaker 1>gotta I gotta, I checked my other folder the other day,

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<v Speaker 1>and that's a dangerous place to be.

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<v Speaker 3>Yes, yes, this is.

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<v Speaker 1>But I got one of the most pleasant messages in

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<v Speaker 1>the entire world from a man named Julian from Old

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<v Speaker 1>Town Pizza next Door give it up for there, saying

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<v Speaker 1>what I have been waiting for someone to say to

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<v Speaker 1>me my whole life, which is, do you want a

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<v Speaker 1>hot dog pizza hot and ready next door?

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<v Speaker 3>Yeah?

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<v Speaker 1>So I would like to present to you and offer

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<v Speaker 1>to the audience hot dog pizza like it's and like

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<v Speaker 1>you can if you're within fifty feet you can smell it. Yes,

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<v Speaker 1>does anyone want some? Okay? Wow, Okay, I'll give them

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<v Speaker 1>out during the recap. I'll come out into the eye.

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<v Speaker 1>We've got some plates. I just really want to spread

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<v Speaker 1>spread the joy here, all right, all right, okay, we're here.

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<v Speaker 1>It's a chaotic start to the show.

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<v Speaker 3>It sure is. Yes, So thanks once again to you

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<v Speaker 3>for being here. Thank you so much. Give it off yourselves,

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<v Speaker 3>and give it up to the people watching the live

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<v Speaker 3>stream from wherever you are.

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<v Speaker 1>They're like, oh, how stinky is that pizza? And You're like, oh, baby,

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<v Speaker 1>you have no idea. It is a stinky pizza. And

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<v Speaker 1>I mean that is a big compliment. Yes, yeah, so

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<v Speaker 1>has anyone here never listened to our show before? Oh?

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<v Speaker 3>Oh, you raised your hand? A couple of hands coming up.

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<v Speaker 1>This is really fun because I've never heard someone put

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<v Speaker 1>their hands together. It's just just a shameful, shaky race

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<v Speaker 1>of the hand. It's fine, Like, it's just a podcast.

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<v Speaker 1>It is not a big deal. It's probably you're like

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<v Speaker 1>mentally healthier than most of the people here. If you don't,

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<v Speaker 1>if you don't listen to podcast, it's fine. We should

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<v Speaker 1>we should tell we should let those three people know

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<v Speaker 1>what that is so true.

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<v Speaker 3>We are the Bechtel Cast. We analyze movies through an

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<v Speaker 3>intersectional feminist lens, using the Bechdel Test as a jumping

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<v Speaker 3>off point. Well, Jimie, what is that? Oh?

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<v Speaker 1>I will tell you. It is a media metric created

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<v Speaker 1>by queer cartoonist Alison Bechdel, sometimes called the Bechdel Wallace Test.

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<v Speaker 1>There's a lot of versions of the test, but basically

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<v Speaker 1>it was made as a bit in the eighties for

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<v Speaker 1>the incredible comic collection Dikes to Watch Out For. I knew,

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<v Speaker 1>I knew we would get a whistle for that because

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<v Speaker 1>Portland is cool. Yeah, there's a lot of versions of

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<v Speaker 1>the test, but our version of the test requires that

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<v Speaker 1>there be two characters of a marginalized gender with names

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<v Speaker 1>who speak to each other about something other than a

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<v Speaker 1>man for two lines of dialogue or more. We prefer

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<v Speaker 1>if it is an interaction of meaning. But I am

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<v Speaker 1>I was requested to make an exception for this movie specifically,

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<v Speaker 1>which we will get to. But yeah, that's our whole deal.

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<v Speaker 1>Do the three of you feel satisfied? Okay? Oh me

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<v Speaker 1>a really meaningful nod, yes, thank you king. We do

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<v Speaker 1>need the permission before we can move forward. Uh and uh,

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<v Speaker 1>today we recovered we've we've covered a lot of movies

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<v Speaker 1>from the Pacific Northwest. I know it's like technically disrespectful

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<v Speaker 1>to cover a Seattle movie here, so we do apologize. Uh,

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<v Speaker 1>but we are covering say Anything for this show. Who

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<v Speaker 1>here has seen Say Anything? Give it up? By round

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<v Speaker 1>of a par Yeah, hands, hands, folks, hands, all right,

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<v Speaker 1>all right?

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<v Speaker 3>Who has not ever seen the movies? By round of applause. Guys,

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<v Speaker 3>it's not a second grade classroom. You get you can class.

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<v Speaker 3>It's fun. Okay, it seems like kind of halfway split.

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<v Speaker 3>So we're gonna have to do a really good job,

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<v Speaker 3>we're telling them what the movie is.

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<v Speaker 1>I guess, well, well, let's I think there's a halfway

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<v Speaker 1>split on stage as well. Because had you seen this

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<v Speaker 1>movie before?

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<v Speaker 3>I had?

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<v Speaker 1>Yes, Okay, what was your history with it?

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<v Speaker 3>I saw it in college, maybe even in high school,

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<v Speaker 3>but I don't know twenty years ago or so, and

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<v Speaker 3>not since I didn't feel compelled to watch it again.

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<v Speaker 1>Interesting? Interesting?

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<v Speaker 3>And how about you, Jamie, what's your history with it?

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<v Speaker 1>Nothing? Nothing, I had not seen. Yeah, this is like

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<v Speaker 1>you know, I love Joan Cusack. So I was really

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<v Speaker 1>excited to see her in this movie. And then unfortunately

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<v Speaker 1>I did not really see her in this movie, which

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<v Speaker 1>was a letdown. No, I didn't. I didn't grow up

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<v Speaker 1>with this movie. I didn't have my dad had like

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<v Speaker 1>a unique dislike of Peter Gabriel. Oh, and so this

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<v Speaker 1>was just like never gonna make it into our rotation. Ever. Sure, ever, Ever,

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<v Speaker 1>I don't know what it was though, Like I should have.

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<v Speaker 1>I should have asked him before the show. But there's

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<v Speaker 1>sometimes there were just like certain is he British? Ah?

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<v Speaker 3>Does Peter Gabriel British?

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<v Speaker 1>Is my friend is nodding yes, and she's saying yes

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<v Speaker 1>audibly Okay, there are just like certain British people my

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<v Speaker 1>dad doesn't fuck with. Is that weird?

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<v Speaker 3>I don't know.

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<v Speaker 1>I don't know. Okay, well i'd never seen it and

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<v Speaker 1>now I have, and and I have some things to say.

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<v Speaker 1>I will say I do not dislike this movie. It's

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<v Speaker 1>it's a weird movie. There's a lot of weird stuff

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<v Speaker 1>going on. I was most tickled, thrilled and delighted to

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<v Speaker 1>find that Fraser's dad plays a major role in it. Yes,

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<v Speaker 1>I was shot. I heard his voice and there was

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<v Speaker 1>like a sense memory that shook through my body. And

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<v Speaker 1>he's in Seattle. I mean, hello, we gotta get Mahoney

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<v Speaker 1>in Seattle. Do you think someone saw Mahoney in Say Anything?

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<v Speaker 1>Was like, we gotta keep this guy in Seattle. He's

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<v Speaker 1>so Seattle. We gotta make him the dad of the

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<v Speaker 1>fanciest two boys. I just oh, I love as a

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<v Speaker 1>Fraser Head. I really appreciated his presence. Okay, so Say Anything.

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<v Speaker 1>It's a movie. It is uh. It's written and directed

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<v Speaker 1>by Cameron Crow. It's produced by James Brooks and poly Platt.

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<v Speaker 1>Give it for poly Platt, and you must remember this

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<v Speaker 1>head's in the house. Okay, not enough interesting. Interesting, But yeah,

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<v Speaker 1>it's from nineteen eighty nine, kind of a gen X

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<v Speaker 1>classic stars John Cusack, sort of Joan Cusack. Okay, Caitlyn,

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<v Speaker 1>I have Do you know how to say the lead

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<v Speaker 1>actress's name in this movie?

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<v Speaker 2>Oh?

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<v Speaker 1>It was a real Owen McGregor for me.

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<v Speaker 3>Oh yeah, because I really didn't.

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<v Speaker 1>I didn't want to be the first to say her

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<v Speaker 1>name out loud, because I will.

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<v Speaker 3>It's just a lot of owls. I meant to look

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<v Speaker 3>it up. It is spelled Ione.

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<v Speaker 1>Is that Owen M. MacGregor. I can't do it Eon? Ion?

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<v Speaker 3>Does anybody know Ione?

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<v Speaker 1>Unbelievable? Wow? All right, all right, we'll take your word

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<v Speaker 1>for it this time. Can you say McGregor just for me?

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<v Speaker 3>Do you mean you and McGregor.

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<v Speaker 1>I just don't know that my mouth can make that shake?

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<v Speaker 1>Can I wash your mouth? Can you do it again?

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<v Speaker 3>Let me help you break it down. Yeah, you win,

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<v Speaker 3>you and McGregor. You win, McGregor, Ewan McGregor.

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<v Speaker 1>Close you you you win when you win, you win,

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<v Speaker 1>you win.

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<v Speaker 3>We have to move on.

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<v Speaker 1>Okay, okay, all right?

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<v Speaker 3>Shall I do the recap? Are we ready for the recap?

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<v Speaker 1>Caitlin's famous recap? All right, and while you do that,

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<v Speaker 1>just in the front hands up for who wanted I have?

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<v Speaker 1>I have three plates, so it's gonna be well, I

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<v Speaker 1>guess it's just you too.

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<v Speaker 3>There's someone.

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<v Speaker 1>Oh that's oh okay, okay, okay, okay, okay, Caitlyn, don't

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<v Speaker 1>worry about it. Don't worry about I'm just servicing my community, all.

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<v Speaker 3>Right, Okay. It's the day of high school graduation for

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<v Speaker 3>Lloyd played by John Cusack. He is telling his two

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<v Speaker 3>best friends, who are women, what their names are, Corey

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<v Speaker 3>and DC. He's telling them how he wants to take

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<v Speaker 3>a girl named Diane Court out on a date. And

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<v Speaker 3>Lloyd's friends are basically like, good luck with that. She's

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<v Speaker 3>too smart for you. Because Diane Court played by Ione

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<v Speaker 3>sky Eman McGregor, she is the valedictorian of her class.

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<v Speaker 3>She gives a speech a graduation. Lloyd is like a wooga,

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<v Speaker 3>what I he.

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<v Speaker 1>Literally is doing? He's he's really doing the cartoon wolf

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<v Speaker 1>thing in uh in in that where he's like talking

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<v Speaker 1>over her speech, which we were talking about as we

0:13:11.200 --> 0:13:15.080
<v Speaker 1>were watching it today. It's one of those incredible movie

0:13:15.200 --> 0:13:18.000
<v Speaker 1>moments where she gives a speech that I think is like,

0:13:18.400 --> 0:13:24.440
<v Speaker 1>inarguably mid like, oh, it's like gen X's nonsense. It's like,

0:13:24.960 --> 0:13:30.839
<v Speaker 1>aren't you scared about the future? Me kind of scared

0:13:30.840 --> 0:13:33.440
<v Speaker 1>about the future. And then all the kids are like,

0:13:33.520 --> 0:13:37.800
<v Speaker 1>oh my god. Kurt Cobain like you're just like what

0:13:37.840 --> 0:13:41.000
<v Speaker 1>the fuck is she talking about? There? What is she saying?

0:13:41.240 --> 0:13:44.959
<v Speaker 1>And then later at the party, everyone's like, really cool speech, Diane,

0:13:45.160 --> 0:13:48.360
<v Speaker 1>and you're like that speech was that was like a

0:13:48.480 --> 0:13:49.760
<v Speaker 1>second draft at best?

0:13:50.240 --> 0:13:52.480
<v Speaker 3>Yeah, you know, it was a flop.

0:13:52.520 --> 0:13:54.360
<v Speaker 1>I would say I really wish that she gave one

0:13:54.360 --> 0:13:57.880
<v Speaker 1>of those like really incredible high school valedictorian speeches that

0:13:57.960 --> 0:14:00.400
<v Speaker 1>always like the cadence of them is so beautiful to me,

0:14:00.440 --> 0:14:06.200
<v Speaker 1>where it's like, hello, students, my name is Diane Court.

0:14:06.559 --> 0:14:12.600
<v Speaker 3>Wow what a year? Uh huh twenty ten? Are you

0:14:12.640 --> 0:14:14.800
<v Speaker 3>resigning your own graduation speech?

0:14:14.920 --> 0:14:15.240
<v Speaker 2>Jamie?

0:14:16.880 --> 0:14:20.640
<v Speaker 1>President Obama. He didn't become the president this year, but

0:14:20.760 --> 0:14:25.320
<v Speaker 1>he did while we were in high school. I have

0:14:25.480 --> 0:14:28.760
<v Speaker 1>so many good memories of it, Like, I love high

0:14:28.760 --> 0:14:32.560
<v Speaker 1>school valedictorian speeches and hers was garbage. Yeah, And then

0:14:32.600 --> 0:14:35.800
<v Speaker 1>meanwhile John Cusack is screaming over her, being like look

0:14:35.840 --> 0:14:39.840
<v Speaker 1>at our eyes, and you're like, wow, I hope they

0:14:39.920 --> 0:14:40.640
<v Speaker 1>end up together.

0:14:43.760 --> 0:14:50.920
<v Speaker 3>Yes, Okay, So Diane's dad aka John Mahoney aka Fraser's dad,

0:14:51.640 --> 0:14:55.440
<v Speaker 3>he is so proud of Diane. He gives her two

0:14:55.640 --> 0:14:58.280
<v Speaker 3>graduation presidents. One of them is a car and the

0:14:58.320 --> 0:15:00.440
<v Speaker 3>other one is an engagement ring.

0:15:02.360 --> 0:15:06.040
<v Speaker 1>Her dad is trying to like Fraser's dad is trying

0:15:06.040 --> 0:15:09.920
<v Speaker 1>to marry his daughter. The whole movie, it.

0:15:09.360 --> 0:15:10.600
<v Speaker 3>Does really feel like that.

0:15:10.800 --> 0:15:13.320
<v Speaker 1>It's very bizarre. The car, You're like, Okay, this is

0:15:13.400 --> 0:15:16.440
<v Speaker 1>like kind of a classic. I mean, it becomes plot relevant,

0:15:16.440 --> 0:15:18.400
<v Speaker 1>but like it's sort of a classic, you know, like

0:15:18.880 --> 0:15:23.120
<v Speaker 1>upper middle class moment. But then when he sort of

0:15:23.160 --> 0:15:27.160
<v Speaker 1>proposes to her later where he gives I'm like, imagine

0:15:27.200 --> 0:15:29.320
<v Speaker 1>your father giving you a diamond ring.

0:15:29.840 --> 0:15:34.120
<v Speaker 3>Yeah, I know, I could not imagine that. And then

0:15:34.160 --> 0:15:37.560
<v Speaker 3>he's like, your mom gave this to me as it

0:15:37.800 --> 0:15:42.640
<v Speaker 3>so his wife gave him a diamond ring.

0:15:42.800 --> 0:15:45.360
<v Speaker 1>Yeah, but we're not told what the occasion was. Also,

0:15:45.600 --> 0:15:48.080
<v Speaker 1>it doesn't I also like, I don't, I mean, whatever,

0:15:48.160 --> 0:15:51.160
<v Speaker 1>anyone can give anyone a diamond ring. Question. I don't

0:15:51.160 --> 0:15:54.840
<v Speaker 1>know why I'm fighting for this right. Give a ring

0:15:54.880 --> 0:15:56.600
<v Speaker 1>to whoever you want. But there's no way he and

0:15:56.640 --> 0:15:58.640
<v Speaker 1>his daughter are the same ring size.

0:16:00.560 --> 0:16:00.880
<v Speaker 3>True.

0:16:01.240 --> 0:16:04.160
<v Speaker 1>That to me was unbelievable. Yeah, and I was just

0:16:04.240 --> 0:16:08.200
<v Speaker 1>really focused on Yeah. It seemed like he really wanted to.

0:16:08.240 --> 0:16:10.760
<v Speaker 1>And anytime they're on screen together, there's this like romantic

0:16:10.840 --> 0:16:14.479
<v Speaker 1>music playing. Yes, You're just like, why are this strings

0:16:14.520 --> 0:16:18.480
<v Speaker 1>swelling when this father it's giving his teenage daughter a

0:16:18.560 --> 0:16:19.640
<v Speaker 1>diamond ring? Don't.

0:16:20.040 --> 0:16:22.920
<v Speaker 3>I don't know, but it does happen in the movie,

0:16:23.000 --> 0:16:24.280
<v Speaker 3>so sure talk about it.

0:16:24.280 --> 0:16:24.760
<v Speaker 1>Sure does.

0:16:25.840 --> 0:16:30.320
<v Speaker 3>Okay, So then Lloyd calls Diane. Her dad picks up,

0:16:30.360 --> 0:16:33.480
<v Speaker 3>so Lloyd leaves a message. Diane then gets another call

0:16:33.560 --> 0:16:35.960
<v Speaker 3>saying that she won a fellowship to study at a

0:16:36.000 --> 0:16:39.800
<v Speaker 3>prestigious school in England. Ever heard of it?

0:16:40.120 --> 0:16:44.520
<v Speaker 1>I love the vagueness of both the scholarship and the school. Yeah,

0:16:44.600 --> 0:16:46.760
<v Speaker 1>we don't know what she's going to do or where

0:16:46.800 --> 0:16:48.960
<v Speaker 1>she's going to do it, certainly not.

0:16:50.200 --> 0:16:54.080
<v Speaker 3>Diane calls Lloyd back and he's like, go out with me,

0:16:54.240 --> 0:16:57.440
<v Speaker 3>go out with me, come on, And she's like, I'm busy,

0:16:57.680 --> 0:17:01.120
<v Speaker 3>and he's like, please, please please about a graduation party

0:17:01.200 --> 0:17:04.600
<v Speaker 3>that's tonight and she's like, okay, you wore me down,

0:17:05.480 --> 0:17:06.080
<v Speaker 3>I'll go.

0:17:06.320 --> 0:17:09.840
<v Speaker 1>And I think that scene is interesting in a lot

0:17:09.880 --> 0:17:13.600
<v Speaker 1>of ways because it's like she she later calls back

0:17:13.640 --> 0:17:15.159
<v Speaker 1>to this scene being like, why did you go to

0:17:15.200 --> 0:17:17.399
<v Speaker 1>the party with Lloyd? Because he made me laugh? I

0:17:17.440 --> 0:17:21.480
<v Speaker 1>didn't see I didn't see her laugh a damn time. Nope,

0:17:21.520 --> 0:17:24.920
<v Speaker 1>on that call, and I just you know, it's fine.

0:17:25.000 --> 0:17:26.399
<v Speaker 1>It's like she wanted to go to a party, she

0:17:26.440 --> 0:17:28.840
<v Speaker 1>wanted to get out of her you know, out of

0:17:28.880 --> 0:17:31.800
<v Speaker 1>her comfort zone. So okay. But and it's very funny

0:17:31.800 --> 0:17:34.320
<v Speaker 1>that she has to look up who he is in

0:17:34.359 --> 0:17:39.560
<v Speaker 1>the yearbook. In the yearbook, pretty humiliating for him. But

0:17:39.800 --> 0:17:42.080
<v Speaker 1>he does not he does not make her laugh.

0:17:42.480 --> 0:17:44.040
<v Speaker 3>No, no, not on screen.

0:17:44.240 --> 0:17:47.800
<v Speaker 1>And I do feel like that is representation of women

0:17:47.880 --> 0:17:54.320
<v Speaker 1>pretending that men are funny when or not. Yeah, there

0:17:54.400 --> 0:17:56.879
<v Speaker 1>is this incredible like I've done it. I've been guilty

0:17:56.960 --> 0:18:01.119
<v Speaker 1>of this. Like if you're like, if you're a woman

0:18:01.160 --> 0:18:05.960
<v Speaker 1>who dates men and and bless your heart, and you're

0:18:06.040 --> 0:18:09.120
<v Speaker 1>like filming them like for an Instagram story or something,

0:18:09.160 --> 0:18:12.640
<v Speaker 1>and they're doing something, and then I'm behind the iPhone

0:18:12.680 --> 0:18:20.640
<v Speaker 1>eight doing this menacing laugh right, like a breathy laugh,

0:18:20.720 --> 0:18:24.080
<v Speaker 1>pretending that someone's funny. It's disturbing she's I think that

0:18:24.080 --> 0:18:27.800
<v Speaker 1>that was representation of that, whether Cameron Crowe realizes it

0:18:27.880 --> 0:18:29.680
<v Speaker 1>or not. Cameron Crow probably thinks he's hilarious.

0:18:30.240 --> 0:18:31.000
<v Speaker 3>I'm sure he does.

0:18:31.160 --> 0:18:32.160
<v Speaker 1>Yeah, I'm sure he does.

0:18:32.440 --> 0:18:37.320
<v Speaker 3>But is he anyway? Okay, so he picks her up

0:18:37.320 --> 0:18:39.480
<v Speaker 3>and they go to the party, and everyone there at

0:18:39.520 --> 0:18:42.760
<v Speaker 3>the party loves Lloyd, and he is also made to

0:18:42.800 --> 0:18:47.960
<v Speaker 3>be the key master. That's a thing. Diane meets a

0:18:47.960 --> 0:18:52.080
<v Speaker 3>bunch of people. Lloyd and Diane do not hang out

0:18:52.119 --> 0:18:53.400
<v Speaker 3>at the party at all.

0:18:54.040 --> 0:18:56.639
<v Speaker 1>Yeah, that is my worst nightmare is going to a

0:18:56.680 --> 0:18:59.560
<v Speaker 1>party thinking I have an ally and then being suddenly

0:18:59.680 --> 0:19:03.399
<v Speaker 1>left out to dry. Yeah, but they seem fine with

0:19:03.440 --> 0:19:04.600
<v Speaker 1>it whatever. I don't know.

0:19:05.440 --> 0:19:08.280
<v Speaker 3>The party ends, Lloyd and Diane drive around all night.

0:19:08.280 --> 0:19:10.879
<v Speaker 3>They're trying to give this kid a ride home who

0:19:10.960 --> 0:19:14.480
<v Speaker 3>does not know where he lives. They finally drop him off,

0:19:14.640 --> 0:19:18.320
<v Speaker 3>and then Diane is like, Wow, going to that party

0:19:18.720 --> 0:19:22.399
<v Speaker 3>was awesome. I finally feel like I fit in And

0:19:22.600 --> 0:19:25.920
<v Speaker 3>also you're a great date. But also you're basic.

0:19:26.320 --> 0:19:30.840
<v Speaker 1>And I really liked that. That was She feels bad

0:19:30.840 --> 0:19:32.679
<v Speaker 1>about it later, but I was like, that's kind of

0:19:32.720 --> 0:19:36.160
<v Speaker 1>like the most metal thing Diane does in the entire movie. Yes,

0:19:37.080 --> 0:19:40.400
<v Speaker 1>besides bust her father for tax fraud. That's a spoiler there,

0:19:40.680 --> 0:19:44.399
<v Speaker 1>but but like that I really appreciated that because he

0:19:44.440 --> 0:19:46.639
<v Speaker 1>was so into it. And then she was like, I

0:19:46.720 --> 0:19:49.800
<v Speaker 1>don't know, maybe the parlance was slightly different then, but

0:19:49.960 --> 0:19:56.200
<v Speaker 1>she was just like, you're boring, you fucking suck, and

0:19:56.440 --> 0:19:57.240
<v Speaker 1>let's go out again.

0:19:57.359 --> 0:19:58.159
<v Speaker 3>Fine by me.

0:19:58.760 --> 0:20:00.840
<v Speaker 1>Yeah, he's dancing in the street. I think you know,

0:20:00.840 --> 0:20:03.359
<v Speaker 1>if we if we Bouchemmy test a lot of the

0:20:03.400 --> 0:20:07.639
<v Speaker 1>behavior of the John Cusack character. Yeah. Again, the Bouchemmy

0:20:07.680 --> 0:20:10.960
<v Speaker 1>test being if Steve Bouschemmy age forty five was doing

0:20:11.000 --> 0:20:13.720
<v Speaker 1>what the character in the movie is doing, is it

0:20:13.920 --> 0:20:16.080
<v Speaker 1>weird or is it still romantic?

0:20:17.400 --> 0:20:17.920
<v Speaker 3>Yeah?

0:20:19.040 --> 0:20:22.359
<v Speaker 1>You Bouchemi does that. It gets it, doesn't it doesn't

0:20:22.640 --> 0:20:23.639
<v Speaker 1>bear out in his favor.

0:20:23.920 --> 0:20:28.359
<v Speaker 3>No, certainly not. Okay. So then Lloyd goes to drop

0:20:28.400 --> 0:20:30.920
<v Speaker 3>her off and he's like, I want to see you

0:20:31.000 --> 0:20:34.520
<v Speaker 3>as much as I can before you leave, and she's like, okay,

0:20:34.560 --> 0:20:37.399
<v Speaker 3>call me. And then the next date is Lloyd going

0:20:37.440 --> 0:20:40.959
<v Speaker 3>to Diane's for dinner with her dad and some family

0:20:40.960 --> 0:20:43.080
<v Speaker 3>friends and they're like, Lloyd, what do you want to

0:20:43.119 --> 0:20:45.520
<v Speaker 3>do with your future? And he's like, I want to

0:20:45.520 --> 0:20:46.680
<v Speaker 3>be a kickboxer.

0:20:48.520 --> 0:20:51.879
<v Speaker 1>But I is that like is that like nineteen eighty

0:20:52.000 --> 0:20:56.800
<v Speaker 1>nine DJ or ah or like ticked. I've been making

0:20:56.840 --> 0:20:59.800
<v Speaker 1>these TikTok videos and they're really gonna people are gonna

0:20:59.800 --> 0:21:02.880
<v Speaker 1>watch them any day now, I think.

0:21:02.920 --> 0:21:06.880
<v Speaker 3>So, yeah, I'm clear because they're all like okay. And

0:21:06.920 --> 0:21:11.959
<v Speaker 3>then during dinner, a couple IRS agents show up accusing

0:21:12.440 --> 0:21:17.520
<v Speaker 3>Diane's dad of tax evasion. So now Diane is very upset.

0:21:17.800 --> 0:21:20.159
<v Speaker 1>I think Frasier's dad, you know, kind of takes it

0:21:20.160 --> 0:21:22.720
<v Speaker 1>in the stride. He was like, excuse me, I'm having

0:21:22.760 --> 0:21:26.600
<v Speaker 1>a fucking party. I'm like, can you say that? Can

0:21:26.640 --> 0:21:28.359
<v Speaker 1>you say that to the I R S. You're like,

0:21:28.440 --> 0:21:29.000
<v Speaker 1>I'm busy.

0:21:29.600 --> 0:21:35.280
<v Speaker 3>I don't know. So now the family is like going

0:21:35.320 --> 0:21:39.040
<v Speaker 3>through this turmoil. Diane is upset, but she and Lloyd

0:21:39.200 --> 0:21:43.560
<v Speaker 3>keep hanging out, and we see her at work where

0:21:43.920 --> 0:21:46.640
<v Speaker 3>she works at a nursing home that her dad owns.

0:21:47.400 --> 0:21:48.439
<v Speaker 3>Put a pin in that.

0:21:48.760 --> 0:21:53.280
<v Speaker 1>Yeah, Lloyd comes through. He shows them Cocoon on VHS. Yeah,

0:21:54.040 --> 0:21:56.000
<v Speaker 1>that's one of my favorite scenes in the movie.

0:21:56.200 --> 0:21:59.639
<v Speaker 3>Yeah, I really. He's like, I've never seen it, but

0:22:00.440 --> 0:22:01.840
<v Speaker 3>you might like it. I don't know.

0:22:02.000 --> 0:22:04.440
<v Speaker 1>It seems like the old folks love cocoon.

0:22:07.280 --> 0:22:10.479
<v Speaker 3>So one day, Lloyd and Diana are getting coffee and

0:22:10.520 --> 0:22:13.360
<v Speaker 3>she's like, I'm just like really overwhelmed and I don't

0:22:13.400 --> 0:22:15.800
<v Speaker 3>think I can have a social life right now. And

0:22:15.840 --> 0:22:19.359
<v Speaker 3>they agree to be friends, but then he's like friends

0:22:19.359 --> 0:22:22.960
<v Speaker 3>with potential and we're like, that's not what she said.

0:22:23.119 --> 0:22:26.920
<v Speaker 1>Yeah, but it's really not what she said. But then

0:22:26.960 --> 0:22:29.240
<v Speaker 1>he says it and she repeats it back to him

0:22:29.920 --> 0:22:31.320
<v Speaker 1>because a man wrote this movie.

0:22:31.880 --> 0:22:36.160
<v Speaker 3>Yes, And then there's a scene where he's teaching her

0:22:36.359 --> 0:22:40.760
<v Speaker 3>how to drive her new car because women don't know

0:22:40.800 --> 0:22:44.080
<v Speaker 3>how to drive. I don't know, and I mean, oh,

0:22:44.119 --> 0:22:45.240
<v Speaker 3>because you don't know how to drive.

0:22:45.359 --> 0:22:54.840
<v Speaker 1>Yeah, Unfortunately, don't awe me. I'm doing fine. I'm dressed

0:22:54.840 --> 0:23:02.040
<v Speaker 1>like Barbie for no reason. Oh, now that's patronizing. There

0:23:04.040 --> 0:23:09.520
<v Speaker 1>continue Why am I being so rude?

0:23:10.480 --> 0:23:13.359
<v Speaker 3>I don't know. But they're in the car together and

0:23:13.400 --> 0:23:18.280
<v Speaker 3>they're smooching. They're just going up, and then there's a

0:23:18.320 --> 0:23:21.840
<v Speaker 3>montage of them kissing, and then they have sex in

0:23:21.840 --> 0:23:24.480
<v Speaker 3>the backseat of a car that is near a body

0:23:24.520 --> 0:23:26.879
<v Speaker 3>of water, and we're like, what is this? Jack and

0:23:27.000 --> 0:23:29.119
<v Speaker 3>Rose in Titanic.

0:23:29.560 --> 0:23:34.640
<v Speaker 1>She literally says you're trembling, yeah, yeah, or she doesn't

0:23:34.640 --> 0:23:37.399
<v Speaker 1>say I mean, she says you're shaking. Because she's in

0:23:37.640 --> 0:23:41.480
<v Speaker 1>she lives in nineteen eighty nine, not nineteen twelve. They

0:23:41.480 --> 0:23:46.520
<v Speaker 1>don't use trembling anymore. But I was, yeah, I was.

0:23:46.680 --> 0:23:49.400
<v Speaker 1>I was bowled over and how similar the scenes are.

0:23:49.480 --> 0:23:53.119
<v Speaker 1>And we mutually agreed that even though this movie came

0:23:53.160 --> 0:23:55.480
<v Speaker 1>out in eighty nine and Titanic came out in ninety seven,

0:23:55.840 --> 0:24:01.720
<v Speaker 1>Cameron Crow is somehow ripping off Titanic. Yes, in this scene.

0:24:01.760 --> 0:24:04.240
<v Speaker 3>Absolutely yeah. And also let's just put a pin in

0:24:04.280 --> 0:24:08.239
<v Speaker 3>the similarities between Titanic and say anything. Maybe that'll come

0:24:08.280 --> 0:24:13.680
<v Speaker 3>back later. I don't know, hmm. Okay. So there's a

0:24:13.720 --> 0:24:17.040
<v Speaker 3>song that's playing in the car while they're having sex.

0:24:17.200 --> 0:24:21.960
<v Speaker 1>Oh, you sing it in your Eyes. I'll do the drums.

0:24:24.200 --> 0:24:26.280
<v Speaker 3>Uh No, number one I don't really know the words.

0:24:26.400 --> 0:24:28.960
<v Speaker 3>And number two I'm a bad singer. Okay, but it's

0:24:29.000 --> 0:24:32.560
<v Speaker 3>in your Eyes by Peter Gabriel. And she's like, listen

0:24:32.600 --> 0:24:35.280
<v Speaker 3>to it. It's a really good song. And he's like, okay,

0:24:35.640 --> 0:24:38.160
<v Speaker 3>I just busted and.

0:24:39.760 --> 0:24:42.320
<v Speaker 1>That and that is always the answer to like why

0:24:42.359 --> 0:24:48.040
<v Speaker 1>are you trembling? I'm like, wow, yeah, you were there.

0:24:48.440 --> 0:24:54.320
<v Speaker 1>Like not to blame women, but like I think you

0:24:54.520 --> 0:24:56.000
<v Speaker 1>know why I'm trembling.

0:24:58.840 --> 0:25:04.040
<v Speaker 3>Uh okay. So Diane comes home and she's like, by

0:25:04.080 --> 0:25:05.920
<v Speaker 3>the way, Dad, I just had said.

0:25:05.720 --> 0:25:08.840
<v Speaker 1>Oh my god, Okay, we need to talk. Okay. I

0:25:09.600 --> 0:25:12.240
<v Speaker 1>know that, Like I've seen this movie praise repeatedly for

0:25:12.359 --> 0:25:16.520
<v Speaker 1>like wow, a positive like father daughter relationship for a

0:25:16.560 --> 0:25:19.560
<v Speaker 1>good chunk of this movie. But I's just like, okay,

0:25:20.119 --> 0:25:26.960
<v Speaker 1>im okay, Caitlyn, I'm gonna ask you a question. When

0:25:27.000 --> 0:25:29.080
<v Speaker 1>you lost your virginity?

0:25:29.640 --> 0:25:30.280
<v Speaker 3>Yeah?

0:25:30.320 --> 0:25:34.159
<v Speaker 1>How long was it until your parents' news slash? Did

0:25:34.200 --> 0:25:34.639
<v Speaker 1>they ever know?

0:25:35.400 --> 0:25:37.679
<v Speaker 3>My mom never never found out about the instance of

0:25:37.720 --> 0:25:40.240
<v Speaker 3>me losing my virginity, but she did found out find

0:25:40.240 --> 0:25:43.080
<v Speaker 3>out when I was sexually active when I was in college,

0:25:44.119 --> 0:25:48.399
<v Speaker 3>because she was like, you're getting a lot of UTI's.

0:25:51.600 --> 0:25:56.520
<v Speaker 1>It's a great conversation starter. Go Lriie. I hope she

0:25:56.520 --> 0:25:58.200
<v Speaker 1>didn't even I hope she didn't even say hello.

0:26:01.240 --> 0:26:03.479
<v Speaker 3>She's like, I have a question to ask you. Are

0:26:03.520 --> 0:26:10.080
<v Speaker 3>you sexually active? And I was like, yeah, did you?

0:26:10.840 --> 0:26:16.480
<v Speaker 1>Did you Shaka?

0:26:16.880 --> 0:26:23.679
<v Speaker 3>She was like, Fucky bro high fived me and.

0:26:25.359 --> 0:26:27.280
<v Speaker 1>You chest bumped and then you guys exactly.

0:26:28.000 --> 0:26:31.280
<v Speaker 3>We took like twelve shots of Jamison.

0:26:32.640 --> 0:26:36.160
<v Speaker 1>I told so I was trying to like figure out

0:26:36.160 --> 0:26:38.960
<v Speaker 1>my head, how weird is what happens in this movie

0:26:39.640 --> 0:26:43.240
<v Speaker 1>because I told my mom before I lost my virginity

0:26:43.440 --> 0:26:47.679
<v Speaker 1>that sometime in the near future I would hu but

0:26:47.800 --> 0:26:53.240
<v Speaker 1>I needed help buying a plane ticket, and so she

0:26:53.359 --> 0:26:56.320
<v Speaker 1>I needed to use I needed to use her credit

0:26:56.359 --> 0:26:58.520
<v Speaker 1>card to buy a plane ticket so I could lose

0:26:58.560 --> 0:27:02.040
<v Speaker 1>my virginity, and so she like it was like a hole.

0:27:02.200 --> 0:27:06.119
<v Speaker 1>It was like, you know, an FBI operation for me

0:27:06.240 --> 0:27:10.399
<v Speaker 1>to ultimately get a UTI as you were saying, and

0:27:10.440 --> 0:27:14.280
<v Speaker 1>find out I was allergic to latex. But there it's

0:27:14.920 --> 0:27:18.960
<v Speaker 1>I lived. But but what happens here? I feel like,

0:27:19.200 --> 0:27:24.000
<v Speaker 1>whether it's like before after whatever. In this scene, Diane

0:27:24.040 --> 0:27:27.840
<v Speaker 1>is coming home to her father, who is Fraser's father, yes,

0:27:27.880 --> 0:27:34.199
<v Speaker 1>making her Fraser's sister. Before she has like taken a

0:27:34.400 --> 0:27:38.080
<v Speaker 1>shower after losing her virginity, She's like, Dad, I have

0:27:38.160 --> 0:27:42.919
<v Speaker 1>to tell you something. I fucked John Cusack. And then he,

0:27:43.200 --> 0:27:47.600
<v Speaker 1>like to his credit, is like oh, because how do

0:27:47.640 --> 0:27:49.520
<v Speaker 1>you react to that? He doesn't slust shame her. He

0:27:49.520 --> 0:27:55.040
<v Speaker 1>doesn't say anything. He's just but he also seems to

0:27:55.040 --> 0:28:06.679
<v Speaker 1>find it we doesn't she say anything? He didn't. I

0:28:06.680 --> 0:28:10.720
<v Speaker 1>guess he doesn't, does he? He does not say anything.

0:28:10.880 --> 0:28:15.040
<v Speaker 1>He instead stares at her saying with his eyes anything,

0:28:15.119 --> 0:28:16.959
<v Speaker 1>which is, why are you telling me this before you've

0:28:17.000 --> 0:28:19.760
<v Speaker 1>take in a shower. I'd like, I just feel like,

0:28:19.920 --> 0:28:21.840
<v Speaker 1>you know, be as open with your parents as you're

0:28:21.880 --> 0:28:26.080
<v Speaker 1>comfortable with. But if you've just if you've just fucked

0:28:26.080 --> 0:28:29.040
<v Speaker 1>at any time, yeah, shower before talking to your dad.

0:28:30.520 --> 0:28:34.600
<v Speaker 1>And maybe that's old fashioned of me. No, I think

0:28:34.640 --> 0:28:36.680
<v Speaker 1>you want to walk in the house stinking of come

0:28:37.080 --> 0:28:41.640
<v Speaker 1>But I just I was just I was beside myself

0:28:41.760 --> 0:28:44.960
<v Speaker 1>and then and then that scene resolves by her being like,

0:28:45.080 --> 0:28:46.280
<v Speaker 1>I feel so much better.

0:28:47.120 --> 0:28:52.600
<v Speaker 3>Yeah, because she's like, I can say anything to you dad.

0:28:53.440 --> 0:28:56.400
<v Speaker 1>It is, I mean, operates on my theory that the

0:28:56.440 --> 0:28:59.880
<v Speaker 1>central weird romance in this movie is in fact between

0:29:00.080 --> 0:29:02.200
<v Speaker 1>Rasier's dad and Diane.

0:29:02.240 --> 0:29:05.680
<v Speaker 3>A dad and his daughter. His daughter is daughter.

0:29:06.600 --> 0:29:09.160
<v Speaker 1>I just rewatched Mystic River and so I was like

0:29:09.320 --> 0:29:14.640
<v Speaker 1>mainlining my daughter for like seven hours or however long.

0:29:14.640 --> 0:29:17.440
<v Speaker 1>That movie is just Sean Penn swaling, My.

0:29:17.360 --> 0:29:20.480
<v Speaker 3>God, why didn't you watch that?

0:29:22.000 --> 0:29:28.000
<v Speaker 1>I was homesick, Fair popped it on.

0:29:28.600 --> 0:29:28.760
<v Speaker 2>You know.

0:29:28.880 --> 0:29:31.400
<v Speaker 3>The point is, yes, if you've just been dicked down

0:29:31.600 --> 0:29:34.440
<v Speaker 3>in the backseat of a car, if you want to

0:29:34.480 --> 0:29:38.160
<v Speaker 3>tell your dad about it, fine, I guess, but take

0:29:38.160 --> 0:29:38.480
<v Speaker 3>a show.

0:29:38.600 --> 0:29:42.000
<v Speaker 1>You gotta hit the showers, and your dad shouldn't be

0:29:42.120 --> 0:29:44.960
<v Speaker 1>like I don't know again, but like I would be

0:29:45.040 --> 0:29:46.880
<v Speaker 1>if I if I was sharing that information with my

0:29:47.040 --> 0:29:50.080
<v Speaker 1>with my one father, I would not want him to

0:29:50.120 --> 0:29:52.360
<v Speaker 1>be like thrilled, I don't know.

0:29:54.120 --> 0:29:54.200
<v Speaker 2>It.

0:29:54.920 --> 0:29:56.800
<v Speaker 1>That scene really is going to stick in my craw

0:29:57.040 --> 0:29:58.280
<v Speaker 1>for a long time to come.

0:29:58.840 --> 0:30:01.480
<v Speaker 3>Let's talk about it for they're in a bit. In

0:30:01.520 --> 0:30:05.200
<v Speaker 3>the meantime, Diane has told her dad that she has

0:30:05.240 --> 0:30:15.280
<v Speaker 3>had sex. Meanwhile, sniffing the air, He's like, oh growth. Meanwhile,

0:30:15.400 --> 0:30:18.920
<v Speaker 3>Lloyd's friends find out that he had sex, and his

0:30:18.960 --> 0:30:21.480
<v Speaker 3>friend Corey is like, you have to do something really

0:30:21.560 --> 0:30:24.760
<v Speaker 3>romantic for Diane now, So he writes her a letter,

0:30:25.160 --> 0:30:26.800
<v Speaker 3>pouring his heart out to her.

0:30:27.280 --> 0:30:30.600
<v Speaker 1>Again an incredible moment because Corey reads the letter. It's

0:30:30.600 --> 0:30:35.040
<v Speaker 1>two sentences long. I love Corey. I think is like

0:30:35.080 --> 0:30:37.560
<v Speaker 1>my favorite character in the movie, and we'll talk about her.

0:30:37.640 --> 0:30:41.120
<v Speaker 1>I really adore her. But her function in most scenes

0:30:41.200 --> 0:30:44.040
<v Speaker 1>is to tell Lloyd he is awesome. Yeah, tell him

0:30:44.040 --> 0:30:47.200
<v Speaker 1>he's the most amazing person to ever be born. And

0:30:47.240 --> 0:30:51.320
<v Speaker 1>she reads this bogus letter he's written where it's like, Hi, Diane,

0:30:51.840 --> 0:30:55.080
<v Speaker 1>you are pretty I love you yeah, and loves Lloyd.

0:30:55.240 --> 0:31:06.880
<v Speaker 1>She's like, oh my god, She's like, okay Shakespeare and yeah,

0:31:06.880 --> 0:31:10.200
<v Speaker 1>she's just like her function is to gaslod up when

0:31:10.200 --> 0:31:12.480
<v Speaker 1>he's being you know, kind of just like.

0:31:12.440 --> 0:31:17.680
<v Speaker 3>A guy exactly. Okay. So he sends off this letter,

0:31:17.960 --> 0:31:21.000
<v Speaker 3>but it's not long before Diane leaves for England to

0:31:21.120 --> 0:31:24.440
<v Speaker 3>go to uh school that we don't.

0:31:24.360 --> 0:31:26.920
<v Speaker 1>Leave to city, England to go to school subject.

0:31:29.800 --> 0:31:31.920
<v Speaker 3>And so she's confused about what to do because she

0:31:32.000 --> 0:31:35.800
<v Speaker 3>loves Lloyd, but she decides to break up with him,

0:31:36.200 --> 0:31:38.920
<v Speaker 3>and she gives him a pen as a parting gift.

0:31:40.240 --> 0:31:45.920
<v Speaker 1>She's a stone cold, which is also her dad's idea. Yes,

0:31:46.120 --> 0:31:49.280
<v Speaker 1>the breakup also her dad's idea.

0:31:49.880 --> 0:31:53.640
<v Speaker 3>Here's a little fun little story that relates back to

0:31:53.680 --> 0:31:55.959
<v Speaker 3>the person I lost my virginity with in high school,

0:31:56.560 --> 0:31:57.040
<v Speaker 3>which is like.

0:31:57.080 --> 0:31:58.280
<v Speaker 1>Government name gut No King.

0:32:00.680 --> 0:32:04.920
<v Speaker 3>So I broke up with him at some point and

0:32:06.000 --> 0:32:12.120
<v Speaker 3>you got brave of me, and he was really heartbroken

0:32:12.280 --> 0:32:17.080
<v Speaker 3>about it. And I was so cold because he sent

0:32:17.160 --> 0:32:19.800
<v Speaker 3>me this like essay that he had to write for

0:32:19.920 --> 0:32:24.040
<v Speaker 3>English class and it was about how he was so

0:32:24.200 --> 0:32:32.320
<v Speaker 3>in love with me and he he cheated on me

0:32:32.520 --> 0:32:36.040
<v Speaker 3>back when I believed that monogamy was a thing. Anyway.

0:32:37.120 --> 0:32:41.640
<v Speaker 1>Wait, now give me his government anyway.

0:32:41.720 --> 0:32:46.080
<v Speaker 3>So he sent me this letter and I proofread it,

0:32:46.200 --> 0:32:48.480
<v Speaker 3>made a bunch of like red pen marks, and I'm sent.

0:32:48.400 --> 0:32:49.040
<v Speaker 1>It back.

0:32:53.040 --> 0:32:53.560
<v Speaker 3>Brutal.

0:32:54.760 --> 0:32:57.840
<v Speaker 1>That's incredible. Yeah, did you return it to him?

0:32:58.000 --> 0:33:00.160
<v Speaker 3>Yeah? Yeah, I said, here, we're all of you are

0:33:00.400 --> 0:33:01.800
<v Speaker 3>errors and grammar and spelling.

0:33:05.960 --> 0:33:08.000
<v Speaker 1>That's the coolest thing I've ever heard in my life.

0:33:08.120 --> 0:33:12.280
<v Speaker 1>That's really exciting. Thank you, Thank you very mucham. Yes,

0:33:13.560 --> 0:33:15.400
<v Speaker 1>I got broke. I got the guy. I lost my

0:33:15.480 --> 0:33:18.840
<v Speaker 1>Virginia too, broke up with me because I was taking

0:33:18.920 --> 0:33:24.560
<v Speaker 1>up the time he needed to practice the saxophone. So

0:33:24.680 --> 0:33:26.480
<v Speaker 1>I guess you know, it takes all kinds.

0:33:27.400 --> 0:33:34.560
<v Speaker 3>Yeah, okay. So Diane has broken up with Lloyd. She

0:33:34.800 --> 0:33:38.440
<v Speaker 3>is upset about it. He's devastated. He's driving around in

0:33:38.480 --> 0:33:40.320
<v Speaker 3>the rain, he's trying to make sense of things. He's

0:33:40.400 --> 0:33:43.080
<v Speaker 3>kind of recording a podcast at one point he is,

0:33:43.880 --> 0:33:46.560
<v Speaker 3>and then he's like, well, let's see what some men

0:33:46.800 --> 0:33:49.400
<v Speaker 3>have to say about this. But they give him bad

0:33:49.440 --> 0:33:51.360
<v Speaker 3>advice on how to deal with that.

0:33:51.360 --> 0:33:55.880
<v Speaker 1>Including a jump scared Jeremy Piven, Oh, Jeremy Piven in

0:33:55.880 --> 0:34:01.440
<v Speaker 1>like a fedora, being like women are bitches, and you're like, whoa, okay,

0:34:02.040 --> 0:34:03.960
<v Speaker 1>very scary. Yeah, so he is.

0:34:04.000 --> 0:34:07.560
<v Speaker 3>You know, he's driving around and having feelings. He tries

0:34:07.600 --> 0:34:11.239
<v Speaker 3>to call Diane several times. He's leaving messages, and then

0:34:11.280 --> 0:34:14.160
<v Speaker 3>we get the iconic scene where he goes to her house.

0:34:14.600 --> 0:34:17.719
<v Speaker 3>He stands outside the window with the stereo over his

0:34:17.840 --> 0:34:22.040
<v Speaker 3>head playing in your Eyes, which is the sign Blade

0:34:22.120 --> 0:34:28.960
<v Speaker 3>when they were having Sang and his Avis one hundred

0:34:29.080 --> 0:34:34.040
<v Speaker 3>us room. And then you watch the scene and you're like,

0:34:34.440 --> 0:34:37.360
<v Speaker 3>she doesn't even get out of bed, she just stays

0:34:37.400 --> 0:34:40.480
<v Speaker 3>in bed. He just stands there for a while.

0:34:40.960 --> 0:34:47.200
<v Speaker 1>Cut to inspiring hey militia of creepy teenage boys to be.

0:34:47.160 --> 0:34:52.000
<v Speaker 3>Like, oh, just show up, show up, She'll stay the

0:34:53.280 --> 0:34:56.360
<v Speaker 3>play loud music that's waking up the neighbors.

0:34:57.239 --> 0:34:59.440
<v Speaker 1>Okay, okay, so nimbi vibes.

0:35:01.640 --> 0:35:04.719
<v Speaker 3>Then we cut to Diane going to see this IRS

0:35:04.960 --> 0:35:08.719
<v Speaker 3>guy who tells her that they have proof that her

0:35:08.800 --> 0:35:12.719
<v Speaker 3>dad has been stealing money four years from people at

0:35:12.760 --> 0:35:16.799
<v Speaker 3>the nursing home that he runs. So Diane goes home.

0:35:16.880 --> 0:35:19.720
<v Speaker 3>She snoops around her dad's stuff and finds a huge

0:35:19.920 --> 0:35:21.640
<v Speaker 3>stash of cash.

0:35:22.000 --> 0:35:26.799
<v Speaker 1>He thought he was going to fool the Valedictorian mistake

0:35:27.160 --> 0:35:30.680
<v Speaker 1>number one. She also at no point takes off her

0:35:30.680 --> 0:35:34.200
<v Speaker 1>diamond ring, even though it's clear that her diamond ring

0:35:34.320 --> 0:35:36.520
<v Speaker 1>was purchased with dead people money.

0:35:36.840 --> 0:35:37.200
<v Speaker 3>Yeah.

0:35:37.440 --> 0:35:38.560
<v Speaker 1>Yeah.

0:35:38.600 --> 0:35:41.280
<v Speaker 3>So she confronts her dad, being like, you're a liar

0:35:41.400 --> 0:35:44.000
<v Speaker 3>and a thief and he's like, what's the big deal?

0:35:44.280 --> 0:35:45.440
<v Speaker 3>I did this for you.

0:35:45.840 --> 0:35:48.839
<v Speaker 1>It's like, Fraser gets a lot of residuals. We'll make

0:35:48.960 --> 0:35:50.400
<v Speaker 1>up for it. It's fine.

0:35:51.680 --> 0:35:54.520
<v Speaker 3>So she storms out, and then she goes to the

0:35:54.600 --> 0:35:58.320
<v Speaker 3>gym where Lloyd is trying to have a kickboxing career,

0:35:59.680 --> 0:36:02.200
<v Speaker 3>and she's like I want you, I need you, I

0:36:02.239 --> 0:36:05.320
<v Speaker 3>love you, and he's like, okay, cool.

0:36:05.760 --> 0:36:09.040
<v Speaker 1>I really like that scene. It felt like very kind

0:36:09.080 --> 0:36:13.600
<v Speaker 1>of close to authentic of like how weird teenage doomed

0:36:13.640 --> 0:36:16.480
<v Speaker 1>relationships work, where he's like, are you saying this because

0:36:16.920 --> 0:36:19.520
<v Speaker 1>you want me or because you want someone? And then

0:36:19.560 --> 0:36:21.239
<v Speaker 1>he like thinks about it for a second and is like,

0:36:21.400 --> 0:36:23.360
<v Speaker 1>I don't want to know the answer to that question.

0:36:24.760 --> 0:36:29.200
<v Speaker 1>Can we have sex again? And you're like, you know

0:36:29.320 --> 0:36:30.880
<v Speaker 1>that is the referee response.

0:36:31.480 --> 0:36:38.960
<v Speaker 3>Yeah, yes. So then h Frazier's daddy gets sent to jail,

0:36:39.080 --> 0:36:42.239
<v Speaker 3>Lloyd pays him a visit to be like, by the way,

0:36:42.760 --> 0:36:47.560
<v Speaker 3>I'm going to England with your daughter and the thing

0:36:47.640 --> 0:36:49.920
<v Speaker 3>that I want to do for a living is be

0:36:50.040 --> 0:36:51.640
<v Speaker 3>her boyfriend.

0:36:51.960 --> 0:36:54.680
<v Speaker 1>Okay, so you know, let him cook because that's a like,

0:36:55.040 --> 0:36:59.200
<v Speaker 1>that's the idea of someone whose job it is to

0:36:59.280 --> 0:37:02.759
<v Speaker 1>be my boy boyfriend is incredible and there are no

0:37:02.880 --> 0:37:03.799
<v Speaker 1>benefits to it.

0:37:04.080 --> 0:37:05.920
<v Speaker 3>No, you do not get dental.

0:37:06.239 --> 0:37:10.239
<v Speaker 1>No, there's no dental for boyfriend. But I was like,

0:37:10.280 --> 0:37:11.480
<v Speaker 1>all right, cool, good for him.

0:37:11.960 --> 0:37:16.120
<v Speaker 3>Right, And then Diane shows up to the prison yard

0:37:16.400 --> 0:37:19.759
<v Speaker 3>and she gives her dad the pen that he had

0:37:20.040 --> 0:37:22.200
<v Speaker 3>that she had originally given to Lloyd.

0:37:22.480 --> 0:37:26.600
<v Speaker 1>Yeah, because like Lloyd, she's in love with her dad.

0:37:28.520 --> 0:37:32.839
<v Speaker 1>This scene also plays out very romantically and breakup scene. Yeah,

0:37:32.880 --> 0:37:36.280
<v Speaker 1>and Lloyd is like on the sidelines being like nice,

0:37:36.360 --> 0:37:40.279
<v Speaker 1>she broke up with her dad and now we can

0:37:40.800 --> 0:37:41.480
<v Speaker 1>be together.

0:37:43.800 --> 0:37:46.759
<v Speaker 3>And then she and Lloyd go to England. There's a

0:37:46.880 --> 0:37:49.320
<v Speaker 3>scene where they're in the plane. She's a nervous flyer,

0:37:49.360 --> 0:37:52.480
<v Speaker 3>but he's like, don't worry, babe, I'll keep you safe

0:37:52.680 --> 0:37:53.960
<v Speaker 3>ding the end.

0:37:54.040 --> 0:37:58.359
<v Speaker 1>The end and not say anything there.

0:37:58.600 --> 0:38:11.880
<v Speaker 3>Thank Shall we discuss, let's discuss, shall let's let's discuss.

0:38:13.280 --> 0:38:17.280
<v Speaker 3>Should we start with I don't know Diane and Lloyd

0:38:17.400 --> 0:38:18.720
<v Speaker 3>in their relationship.

0:38:19.239 --> 0:38:23.200
<v Speaker 1>Yes, okay, so I okay with Diane. I is interesting

0:38:23.360 --> 0:38:26.560
<v Speaker 1>watching this movie because I feel like the way that

0:38:26.640 --> 0:38:30.719
<v Speaker 1>it's written, because I hadn't seen it, and based on

0:38:30.880 --> 0:38:33.320
<v Speaker 1>all of the marketing, based on like the most famous

0:38:33.400 --> 0:38:35.640
<v Speaker 1>image from the movie and all this stuff, you're led

0:38:35.680 --> 0:38:40.440
<v Speaker 1>to believe that like Lloyd is the you know, undisputed

0:38:40.440 --> 0:38:43.759
<v Speaker 1>protagonist of this movie. But like, I feel like it

0:38:43.880 --> 0:38:47.479
<v Speaker 1>is pretty clearly Diane and the way of like who

0:38:47.560 --> 0:38:49.799
<v Speaker 1>has the arc, who are we spending the most time with,

0:38:50.120 --> 0:38:53.360
<v Speaker 1>whose feelings changed the most over the course of the movie,

0:38:53.520 --> 0:38:58.279
<v Speaker 1>Like Lloyd is pretty like consistent throughout the Like I

0:38:58.280 --> 0:39:00.279
<v Speaker 1>don't think that he I mean, I think he does

0:39:00.640 --> 0:39:02.960
<v Speaker 1>grow and change a little bit. But like Diane's the

0:39:02.960 --> 0:39:05.719
<v Speaker 1>one who's really like going through it the entire movie,

0:39:05.760 --> 0:39:08.719
<v Speaker 1>and she's not, like I think that the you know,

0:39:08.800 --> 0:39:11.799
<v Speaker 1>the most famous images from these movies, like you, she's

0:39:11.840 --> 0:39:15.760
<v Speaker 1>not in it. And it feels like a weird example

0:39:15.920 --> 0:39:19.319
<v Speaker 1>of how it's it's not necessarily a fault of the

0:39:19.360 --> 0:39:23.960
<v Speaker 1>movie itself that Diane is kind of sidelined in the

0:39:24.000 --> 0:39:25.880
<v Speaker 1>way this movie is remembered, but the way that the

0:39:25.920 --> 0:39:30.120
<v Speaker 1>marketing is, and the way that it's publicly remembered doesn't

0:39:30.120 --> 0:39:34.080
<v Speaker 1>include kind of the most impactful character.

0:39:34.600 --> 0:39:38.360
<v Speaker 3>Right, Yeah, it treats Lloyd as if he's the protagonist,

0:39:38.440 --> 0:39:40.040
<v Speaker 3>and I think I wonder if that has anything to

0:39:40.080 --> 0:39:42.719
<v Speaker 3>do with like John Cussett going on to have a

0:39:42.719 --> 0:39:46.120
<v Speaker 3>more substantial career, the way the way that like many

0:39:46.280 --> 0:39:49.160
<v Speaker 3>male actors are like you get to have a career

0:39:49.239 --> 0:39:53.560
<v Speaker 3>because men are actually written parts in movies and women

0:39:54.040 --> 0:39:57.880
<v Speaker 3>aren't so much, so it's harder for them to become

0:39:57.920 --> 0:39:59.160
<v Speaker 3>like notable actors.

0:39:59.560 --> 0:40:03.160
<v Speaker 1>But like it's frustrating because Diane does have like an interest.

0:40:03.200 --> 0:40:06.120
<v Speaker 1>I think she's an interesting character, and I think it

0:40:06.200 --> 0:40:10.399
<v Speaker 1>is just more what is focused on That feels weird

0:40:10.400 --> 0:40:12.279
<v Speaker 1>because there's a lot of interesting stuff with Diane. I

0:40:12.280 --> 0:40:16.520
<v Speaker 1>feel like she and I guess I don't. I don't

0:40:16.560 --> 0:40:20.960
<v Speaker 1>fully think I know how aware the writing of the

0:40:21.000 --> 0:40:23.879
<v Speaker 1>movie is of this, But it feels like Diane is

0:40:24.680 --> 0:40:29.280
<v Speaker 1>this like character. She's like a like brilliant young woman

0:40:29.800 --> 0:40:32.680
<v Speaker 1>who and the two main men in her life are

0:40:32.719 --> 0:40:36.799
<v Speaker 1>trying to like live their lives through her by their

0:40:36.920 --> 0:40:39.799
<v Speaker 1>own rules, and that is like the main thing that

0:40:39.920 --> 0:40:42.719
<v Speaker 1>she is struggling with throughout the movie. Is like she's

0:40:42.760 --> 0:40:46.200
<v Speaker 1>with her dad. She wants to you know, she loves him,

0:40:46.280 --> 0:40:48.239
<v Speaker 1>she wants to make him happy, she wants to meet

0:40:48.239 --> 0:40:51.440
<v Speaker 1>his expectations, but it doesn't quite match. And then with Lloyd,

0:40:51.840 --> 0:40:55.839
<v Speaker 1>she's repeatedly trying to set boundaries with him. Uh and

0:40:56.280 --> 0:40:58.080
<v Speaker 1>you know, timmy Fair, it does seem like she wants

0:40:58.120 --> 0:41:00.239
<v Speaker 1>to be around him and is doing what she things

0:41:00.280 --> 0:41:02.400
<v Speaker 1>she needs to do, but it's like she's just struggling

0:41:02.440 --> 0:41:05.560
<v Speaker 1>with the expectations of men she cares about for the

0:41:05.719 --> 0:41:09.200
<v Speaker 1>entire movie, which is an interesting premise, but it like

0:41:09.920 --> 0:41:12.200
<v Speaker 1>it just kind of bears out in this weird way.

0:41:12.360 --> 0:41:16.320
<v Speaker 3>Yeah, in a way that I don't find very satisfying. Yeah,

0:41:15.760 --> 0:41:21.080
<v Speaker 3>I as far as like teen romance movies go, because

0:41:21.080 --> 0:41:24.080
<v Speaker 3>the bar is Solow and some of them are very

0:41:24.160 --> 0:41:28.960
<v Speaker 3>predicated on an extremely scary and predatory you know, lie

0:41:29.239 --> 0:41:32.719
<v Speaker 3>or bet or some kind of just like stalker situation.

0:41:33.640 --> 0:41:37.600
<v Speaker 3>This one feels on the less problematic side. Yeah, that's

0:41:37.960 --> 0:41:41.360
<v Speaker 3>saying something because it's still like, well, he's not respecting

0:41:41.360 --> 0:41:43.479
<v Speaker 3>her boundaries a lot of the time, and he keeps

0:41:43.560 --> 0:41:46.080
<v Speaker 3>kind of like being like, well, yeah, you just said

0:41:46.120 --> 0:41:48.520
<v Speaker 3>that you don't want a social life, and that you

0:41:48.600 --> 0:41:51.120
<v Speaker 3>just want to be friends, but what if we kiss

0:41:51.200 --> 0:41:53.759
<v Speaker 3>a bunch and then have sex in the back of

0:41:53.800 --> 0:41:54.640
<v Speaker 3>a car?

0:41:55.200 --> 0:41:57.440
<v Speaker 1>Right? I agree that it was like Lloyd is not

0:41:57.880 --> 0:42:00.960
<v Speaker 1>the most respectful Boundaries character ever, but it also felt

0:42:01.000 --> 0:42:03.600
<v Speaker 1>like he is, Like it at least felt reflective of

0:42:03.680 --> 0:42:07.759
<v Speaker 1>reality enough, and like I remember having teenage interactions like

0:42:07.840 --> 0:42:11.239
<v Speaker 1>that and Diane. I don't know, I just feel like

0:42:11.280 --> 0:42:13.319
<v Speaker 1>Diane kind of gets lost in the shuffle sometimes in

0:42:13.360 --> 0:42:15.960
<v Speaker 1>a way that's frustrating. And then for me, like for

0:42:16.440 --> 0:42:20.200
<v Speaker 1>teen romance, it's really frustrating that Lloyd is not a

0:42:20.320 --> 0:42:25.160
<v Speaker 1>one hundred year old vampire, and so it's already kind

0:42:25.160 --> 0:42:33.080
<v Speaker 1>of like, so, why would I watch this? I don't understand.

0:42:34.080 --> 0:42:38.640
<v Speaker 1>Did that occur to you at any point? He wasn't

0:42:38.640 --> 0:42:41.919
<v Speaker 1>really a member of the Cullen family, I would say, yeah,

0:42:41.960 --> 0:42:44.360
<v Speaker 1>And so it is kind of challenging to get invested

0:42:44.360 --> 0:42:45.120
<v Speaker 1>in that romance.

0:42:45.160 --> 0:42:48.720
<v Speaker 3>So why even set the movie in Washington States?

0:42:48.719 --> 0:42:55.000
<v Speaker 1>Fucking exactly, don't waste my time. If it's in Washington State,

0:42:55.080 --> 0:42:59.480
<v Speaker 1>I'm assuming there is a level of immortality. There's simply

0:42:59.680 --> 0:43:03.400
<v Speaker 1>one of the characters. And I was really disappointed that

0:43:03.440 --> 0:43:08.160
<v Speaker 1>it did seem like they were you know both Mortal Mortal. Yeah,

0:43:08.200 --> 0:43:11.759
<v Speaker 1>and so that was that was a bummer, but but yeah,

0:43:11.760 --> 0:43:13.600
<v Speaker 1>I mean it's it's I think Diana is like a

0:43:13.640 --> 0:43:19.160
<v Speaker 1>really interesting character, but the yeah, the way she's treated

0:43:19.200 --> 0:43:22.319
<v Speaker 1>by the story is kind of I don't know, like

0:43:22.480 --> 0:43:27.200
<v Speaker 1>it's disappointing. She doesn't have any friends to bounce stuff

0:43:27.239 --> 0:43:29.560
<v Speaker 1>off of. Not that that doesn't happen in high school,

0:43:29.560 --> 0:43:31.480
<v Speaker 1>but I think like for the sake of the movie,

0:43:31.520 --> 0:43:34.840
<v Speaker 1>it would have been I think helpful for the audience

0:43:35.000 --> 0:43:37.799
<v Speaker 1>and good for just developing a character to have her

0:43:37.880 --> 0:43:41.960
<v Speaker 1>have someone outside of these two men in her life. Yeah,

0:43:42.000 --> 0:43:44.600
<v Speaker 1>to get an idea of who she is. It feels

0:43:44.640 --> 0:43:47.560
<v Speaker 1>like Princess. Like I feel like we talk about Princess

0:43:47.600 --> 0:43:49.719
<v Speaker 1>Leiah in the terms in terms of that where it's like,

0:43:49.760 --> 0:43:53.760
<v Speaker 1>here's this really interesting lead character who is a woman,

0:43:54.080 --> 0:43:56.319
<v Speaker 1>but we're only going to give her men to talk to.

0:43:56.480 --> 0:43:59.239
<v Speaker 1>We're not going to give her an interior life outside

0:43:59.360 --> 0:44:04.920
<v Speaker 1>of her really reationship to these men for reasons unclear.

0:44:04.880 --> 0:44:08.640
<v Speaker 3>Right, And then the movie does kind of address the

0:44:08.680 --> 0:44:12.640
<v Speaker 3>fact that she does she hasn't made any friends in

0:44:12.719 --> 0:44:15.759
<v Speaker 3>high school and it's because she sort of like secluded

0:44:15.800 --> 0:44:18.600
<v Speaker 3>herself or she didn't put herself out there, and this

0:44:18.680 --> 0:44:21.160
<v Speaker 3>party was like her first chance to meet people, and

0:44:21.200 --> 0:44:25.080
<v Speaker 3>now she finally feels like she like some people know her.

0:44:25.239 --> 0:44:28.200
<v Speaker 3>But then after she comes to that realization or she

0:44:28.280 --> 0:44:31.839
<v Speaker 3>has kind of like taken herself out of her comfort zone,

0:44:32.560 --> 0:44:36.000
<v Speaker 3>she proceeds to then get to know exactly one person

0:44:36.280 --> 0:44:40.080
<v Speaker 3>and it's a guy who's just extremely persistent at her.

0:44:40.680 --> 0:44:43.000
<v Speaker 1>Right. Well, that was I felt like there was promise,

0:44:43.040 --> 0:44:46.719
<v Speaker 1>and we have exactly because I think that in Lloyd's

0:44:46.760 --> 0:44:48.840
<v Speaker 1>I mean, in spite of the fact that if like

0:44:48.880 --> 0:44:51.440
<v Speaker 1>Lloyd has less of an ARC, we know more people

0:44:51.480 --> 0:44:53.680
<v Speaker 1>in his life and in his circle. We know his sister,

0:44:53.719 --> 0:44:58.040
<v Speaker 1>who is his actual sister, Constance. I think her name

0:44:58.120 --> 0:45:01.840
<v Speaker 1>is played by John Cusack. We know his best friend Corey,

0:45:02.120 --> 0:45:05.400
<v Speaker 1>we know his other friend DC. We know a number

0:45:05.480 --> 0:45:07.680
<v Speaker 1>of people in his life, and he mostly has close

0:45:07.719 --> 0:45:12.920
<v Speaker 1>relationships friendship family wise with women. But yeah, interm and

0:45:12.960 --> 0:45:16.839
<v Speaker 1>we get one scene between Lloyd's best friend Corey and

0:45:17.400 --> 0:45:20.240
<v Speaker 1>Diane that I felt like was really cool and promising

0:45:20.280 --> 0:45:24.600
<v Speaker 1>of like, oh, maybe they will become friends and that

0:45:24.640 --> 0:45:26.680
<v Speaker 1>would be a way to bring her closer to Lloyd

0:45:26.760 --> 0:45:29.960
<v Speaker 1>if you know, they become friends. But The only thing

0:45:29.960 --> 0:45:33.239
<v Speaker 1>that happens in that scene is like, is Corey does

0:45:33.239 --> 0:45:35.760
<v Speaker 1>the function of her character, which is to be like, wow,

0:45:36.000 --> 0:45:38.480
<v Speaker 1>wouldn't you say that Lloyd is like the most epic

0:45:38.520 --> 0:45:42.879
<v Speaker 1>awesome guy in the world. And Diane's like, hmm, you're

0:45:42.960 --> 0:45:46.040
<v Speaker 1>right about that, and then like that's that's the only

0:45:46.080 --> 0:45:48.120
<v Speaker 1>scene we get them together, which sucks because it's like

0:45:48.160 --> 0:45:52.040
<v Speaker 1>it's seeing like two interesting women just pass like ships

0:45:52.040 --> 0:45:55.200
<v Speaker 1>in the night, you know, on to more boring plot

0:45:55.239 --> 0:46:00.720
<v Speaker 1>points and you're like, no, stay talk about your feelings

0:46:00.760 --> 0:46:05.040
<v Speaker 1>on Roe v. Wade, you know, like give me something,

0:46:05.600 --> 0:46:06.840
<v Speaker 1>but they give me nothing.

0:46:06.920 --> 0:46:07.360
<v Speaker 3>They don't.

0:46:07.560 --> 0:46:09.000
<v Speaker 1>Yeah, it's disappointing.

0:46:09.280 --> 0:46:12.560
<v Speaker 3>Yes, so I guess where I land on. It is

0:46:13.480 --> 0:46:17.960
<v Speaker 3>the romance. We've seen worse examples in teen rom coms.

0:46:18.080 --> 0:46:23.960
<v Speaker 3>But like you said, it's just her. It is Diane's story.

0:46:24.239 --> 0:46:27.160
<v Speaker 3>She feels like the protagonist to me, but it's all

0:46:27.200 --> 0:46:29.640
<v Speaker 3>about these men who are just kind of like inserting

0:46:29.960 --> 0:46:33.640
<v Speaker 3>themselves in her life or just like inserting their expectations

0:46:33.680 --> 0:46:37.960
<v Speaker 3>in her life, and she doesn't really challenge them very much,

0:46:38.000 --> 0:46:41.080
<v Speaker 3>and she's just like, yep, all allow it.

0:46:41.400 --> 0:46:42.880
<v Speaker 1>Well, it's not even I would I would say that

0:46:42.920 --> 0:46:45.040
<v Speaker 1>she does challenge it at different points, but she is

0:46:45.080 --> 0:46:49.719
<v Speaker 1>like doesn't successfully push out of it right in a

0:46:49.800 --> 0:46:52.759
<v Speaker 1>way that does. The script doesn't feel fully aware of,

0:46:53.040 --> 0:46:55.399
<v Speaker 1>like it's it's we're made to believe that like this

0:46:55.600 --> 0:46:57.800
<v Speaker 1>ending for Diane is kind of the best case scenario

0:46:58.560 --> 0:47:01.160
<v Speaker 1>when there I feel like are of opportunities for her

0:47:01.200 --> 0:47:04.200
<v Speaker 1>to push back more, make connections with other people, and

0:47:04.880 --> 0:47:06.120
<v Speaker 1>I don't know, I just feel like there were more

0:47:06.120 --> 0:47:09.560
<v Speaker 1>interesting things. And then also watching the relationship, I also

0:47:09.560 --> 0:47:13.680
<v Speaker 1>think the most interesting relationship in the movie also does

0:47:13.719 --> 0:47:16.920
<v Speaker 1>not involve Lloyd. I think the most interesting relationship is

0:47:17.000 --> 0:47:19.080
<v Speaker 1>I know, we've like talked a lot of shit about

0:47:19.080 --> 0:47:21.680
<v Speaker 1>it because he is trying to marry her. But like

0:47:22.520 --> 0:47:26.279
<v Speaker 1>Diane and her father's dynamic is really interesting, and I

0:47:26.280 --> 0:47:28.640
<v Speaker 1>feel like there is like a really I don't know,

0:47:28.719 --> 0:47:30.960
<v Speaker 1>I can't think of a lot of I mean, except

0:47:31.040 --> 0:47:35.880
<v Speaker 1>the entire series of Succession. I can't think of like,

0:47:36.080 --> 0:47:37.880
<v Speaker 1>I mean, there's not a lot of stories about like

0:47:38.080 --> 0:47:42.840
<v Speaker 1>a daughter getting to know like who idolized as a parent,

0:47:43.320 --> 0:47:47.200
<v Speaker 1>having that illusion completely shattered and having to deal with that,

0:47:47.280 --> 0:47:51.120
<v Speaker 1>Like that's a really interesting thing to explore, especially because

0:47:51.120 --> 0:47:54.399
<v Speaker 1>like Diane has really dictated the way that she has

0:47:54.560 --> 0:47:57.399
<v Speaker 1>lived and we know this about her because she says

0:47:57.440 --> 0:48:03.000
<v Speaker 1>it to Lloyd at seven eleven in which incredible detail.

0:48:03.120 --> 0:48:05.840
<v Speaker 1>I'm like, did they get stuff off the rollers? Like?

0:48:05.840 --> 0:48:09.320
<v Speaker 1>When did they get a white claw? Did white claw exist?

0:48:09.480 --> 0:48:12.279
<v Speaker 1>They're all these things right, Yeah, I had a lot

0:48:12.280 --> 0:48:14.920
<v Speaker 1>of questions. They left seven eleven, but they weren't holding

0:48:15.040 --> 0:48:18.320
<v Speaker 1>a delicious snack. That was interesting. Yeah, I went to

0:48:18.360 --> 0:48:23.400
<v Speaker 1>seven eleven the other night and brag, thank you, I

0:48:23.520 --> 0:48:28.600
<v Speaker 1>was on a date. It's like, I need to make

0:48:28.600 --> 0:48:33.040
<v Speaker 1>a stop to get candy corn in a buffalo roller.

0:48:33.360 --> 0:48:38.320
<v Speaker 3>And sorry, that came up involuntarily.

0:48:43.920 --> 0:48:45.600
<v Speaker 1>I just wanted to know what their order was there,

0:48:47.040 --> 0:48:49.120
<v Speaker 1>And that is my biggest problem with the movie.

0:48:49.400 --> 0:48:52.520
<v Speaker 3>But the focus is more on well, what the thing

0:48:52.520 --> 0:48:54.920
<v Speaker 3>you're about to say? But then also the parking lot

0:48:55.000 --> 0:48:58.320
<v Speaker 3>moment where he was just like, watch out, there's glass

0:48:59.640 --> 0:49:02.520
<v Speaker 3>and he just kind of kicks it out of the way.

0:49:04.040 --> 0:49:06.680
<v Speaker 3>She walks around it, and then later in the movie

0:49:06.760 --> 0:49:08.560
<v Speaker 3>she's like, the reason I know that he's such a

0:49:08.600 --> 0:49:13.120
<v Speaker 3>good guy is that he didn't let me step in glass.

0:49:13.640 --> 0:49:16.320
<v Speaker 1>That that was so okay.

0:49:16.640 --> 0:49:16.759
<v Speaker 3>Uh.

0:49:17.600 --> 0:49:19.879
<v Speaker 1>Those scenes are so fun to watch because they are

0:49:19.960 --> 0:49:22.799
<v Speaker 1>like nonsensical and you can just imagine like Cameron Crow

0:49:22.960 --> 0:49:26.920
<v Speaker 1>at his like computer being like, yes, this is so good,

0:49:27.440 --> 0:49:35.600
<v Speaker 1>like this is what women require. He really thought he

0:49:35.640 --> 0:49:38.759
<v Speaker 1>was he was he was doing something there. I just

0:49:38.880 --> 0:49:41.760
<v Speaker 1>and it's like, I mean, truly the old A great

0:49:41.760 --> 0:49:45.719
<v Speaker 1>cinematic example of accepting crumbs is like, Wow, that guy

0:49:45.800 --> 0:49:48.320
<v Speaker 1>didn't want me to step on glass. I could see,

0:49:48.719 --> 0:49:55.239
<v Speaker 1>like I better let him follow me around like just

0:49:55.280 --> 0:49:59.440
<v Speaker 1>a real a real bummer. But yeah, I mean, I

0:49:59.480 --> 0:50:04.560
<v Speaker 1>think ultimate the more interesting relationship, if if this movie

0:50:04.640 --> 0:50:07.759
<v Speaker 1>absolutely has to choose, a relationship between Diane and a

0:50:07.800 --> 0:50:10.120
<v Speaker 1>man in her life is the relationship with her dad,

0:50:10.120 --> 0:50:14.319
<v Speaker 1>because in that same scene, she explains to Lloyd that, like,

0:50:15.000 --> 0:50:16.880
<v Speaker 1>it seems like part of the reason she feels so

0:50:16.920 --> 0:50:19.759
<v Speaker 1>connected to her dad is because she was put in

0:50:19.840 --> 0:50:22.520
<v Speaker 1>this through this horrible custody battle where she had to

0:50:22.600 --> 0:50:25.160
<v Speaker 1>choose which parent to live with. She chose to live

0:50:25.160 --> 0:50:28.279
<v Speaker 1>with her dad, she says, because it was easier. We're

0:50:28.400 --> 0:50:31.080
<v Speaker 1>not given any information, but I don't know. Maybe she

0:50:31.120 --> 0:50:35.040
<v Speaker 1>wanted to be able to see Frasier. She's like, she.

0:50:36.880 --> 0:50:38.640
<v Speaker 3>Was like it felt like the safe choice. We don't

0:50:38.680 --> 0:50:41.399
<v Speaker 3>know exactly what she means by that, but that's that's

0:50:41.520 --> 0:50:42.759
<v Speaker 3>the only information we have.

0:50:42.920 --> 0:50:45.439
<v Speaker 1>But it's like she's very like at a base lettl

0:50:45.560 --> 0:50:50.480
<v Speaker 1>very invested in making her relationship with her dad work,

0:50:50.560 --> 0:50:54.080
<v Speaker 1>which he seems to, you know, want he wants to

0:50:54.120 --> 0:50:58.520
<v Speaker 1>marry her. But like examining that felt more interesting to

0:50:58.560 --> 0:51:02.480
<v Speaker 1>me than this teenage romance. It just but I don't know.

0:51:03.400 --> 0:51:07.319
<v Speaker 1>And then you get a scene, one scene with Diane

0:51:07.360 --> 0:51:12.000
<v Speaker 1>and her mother and that scenms very What did you

0:51:12.120 --> 0:51:14.040
<v Speaker 1>make of that scene? Because to me, that was another

0:51:14.080 --> 0:51:17.720
<v Speaker 1>scene of like Cameron Crow sitting in a room probably

0:51:18.120 --> 0:51:23.440
<v Speaker 1>with his spouse, not asking her what women might talk about.

0:51:25.480 --> 0:51:28.319
<v Speaker 3>This is one of the scenes I listed under the

0:51:28.480 --> 0:51:32.799
<v Speaker 3>does the movie past the Bechdel Test column? Yeah, because

0:51:33.239 --> 0:51:36.280
<v Speaker 3>there are a handful of interactions with women in the movie,

0:51:36.640 --> 0:51:38.560
<v Speaker 3>and one of them is this scene where Diane is

0:51:38.600 --> 0:51:42.000
<v Speaker 3>talking to her mom. Here's how it goes. They are

0:51:42.040 --> 0:51:47.000
<v Speaker 3>talking about her dad being a criminal, and then the

0:51:47.080 --> 0:51:50.040
<v Speaker 3>mom is like, no, I'd rather talk about you. I

0:51:50.040 --> 0:51:51.840
<v Speaker 3>don't even know if you've got a young man in

0:51:51.880 --> 0:51:59.120
<v Speaker 3>your life, and Diane and Cameron Crow's like yeah. Diane says,

0:51:59.560 --> 0:52:02.560
<v Speaker 3>what's more important than what's going on with dad? And

0:52:02.600 --> 0:52:06.080
<v Speaker 3>then her mom replies if we could just talk about boys,

0:52:06.160 --> 0:52:07.960
<v Speaker 3>everything would be so much easier.

0:52:08.360 --> 0:52:12.080
<v Speaker 1>And you're like, well, that's back to back. There's this

0:52:12.200 --> 0:52:14.920
<v Speaker 1>scene is not going anywhere, and then the.

0:52:14.920 --> 0:52:18.239
<v Speaker 3>Mom's new husband, I forget his name, he shows up

0:52:18.400 --> 0:52:26.720
<v Speaker 3>and then oh, I mean uh huh, and then he

0:52:26.719 --> 0:52:28.520
<v Speaker 3>he's like about to show up, so they start talking

0:52:28.520 --> 0:52:30.880
<v Speaker 3>about him, and then he shows up and cut to

0:52:30.920 --> 0:52:33.520
<v Speaker 3>the next scene. So I didn't like it, is what

0:52:33.560 --> 0:52:34.120
<v Speaker 3>I'm saying.

0:52:34.480 --> 0:52:39.520
<v Speaker 1>No, And it's that's especially frustrating because that relationship like

0:52:39.640 --> 0:52:43.600
<v Speaker 1>never comes back, which is bizarre because the reason that

0:52:43.600 --> 0:52:46.680
<v Speaker 1>that scene happens is because Diane is going to her

0:52:46.719 --> 0:52:51.200
<v Speaker 1>mom to say, hey, dad is getting investigated by the

0:52:51.239 --> 0:52:53.960
<v Speaker 1>I r S. If the I r S comes to

0:52:54.000 --> 0:52:57.359
<v Speaker 1>your door, please say something nice about him, like and

0:52:57.400 --> 0:52:59.719
<v Speaker 1>she's and Diane like I and I really like I

0:53:00.040 --> 0:53:02.440
<v Speaker 1>feel for her in that because she's very invested in

0:53:02.520 --> 0:53:05.360
<v Speaker 1>like protecting her father. She very much believes he is innocent,

0:53:06.640 --> 0:53:09.200
<v Speaker 1>and so she's like and that's part of why she

0:53:09.400 --> 0:53:12.520
<v Speaker 1>like originally breaks off the relationship with Lloyd is because

0:53:12.560 --> 0:53:15.200
<v Speaker 1>she's like, I'm kind of like really focused on my

0:53:15.360 --> 0:53:19.600
<v Speaker 1>dad not going to white collar jail right now. Yeah,

0:53:19.640 --> 0:53:21.480
<v Speaker 1>And so it's like she's really spending a lot of

0:53:21.480 --> 0:53:25.440
<v Speaker 1>time trying to protect him, and we know that, Like,

0:53:25.560 --> 0:53:27.359
<v Speaker 1>I mean, I don't know how much the mom would

0:53:27.440 --> 0:53:29.600
<v Speaker 1>know about what's going on, but it seems like it

0:53:29.640 --> 0:53:34.200
<v Speaker 1>would be relevant to Diane's mother that Fraser's dad goes

0:53:34.360 --> 0:53:37.680
<v Speaker 1>to jail. Yeah, but she never comes back and we

0:53:37.719 --> 0:53:41.360
<v Speaker 1>never get any closure on like where that relationship was left,

0:53:41.520 --> 0:53:45.000
<v Speaker 1>or like any which is frustrating if we are viewing

0:53:45.239 --> 0:53:48.520
<v Speaker 1>Diane as like the protagonist of the movie, but it

0:53:48.640 --> 0:53:51.840
<v Speaker 1>just like leaves all of these loose threads in favor

0:53:52.120 --> 0:53:55.160
<v Speaker 1>of you know, watching Lloyd, I don't know, turn in

0:53:55.200 --> 0:53:56.680
<v Speaker 1>a circle. What does he even do?

0:53:57.719 --> 0:54:03.120
<v Speaker 3>Well, he's kicking and he's punching, doing he kicks.

0:54:03.400 --> 0:54:04.800
<v Speaker 1>Well, let's let's talk about Lloyd.

0:54:05.000 --> 0:54:07.560
<v Speaker 3>Sorry, Well, first I spent the past like two minutes

0:54:07.640 --> 0:54:10.840
<v Speaker 3>trying to is it okay? Which Durst is it? Is

0:54:10.840 --> 0:54:12.760
<v Speaker 3>it Robert Robert.

0:54:13.920 --> 0:54:18.680
<v Speaker 1>Not Fred okay? So I'm always happy to answer that question.

0:54:20.320 --> 0:54:24.320
<v Speaker 3>So basically, when when Diane is like, my dad innocent,

0:54:24.400 --> 0:54:27.799
<v Speaker 3>it's like how you respond to Robert first, Okay, I

0:54:27.840 --> 0:54:29.879
<v Speaker 3>was trying to make that joke. It has come and gone.

0:54:30.000 --> 0:54:33.919
<v Speaker 1>It's anyway, if there's no point in arguing Robert Durst

0:54:34.000 --> 0:54:36.799
<v Speaker 1>is innocent anymore, because not only is he dead, he

0:54:36.840 --> 0:54:41.360
<v Speaker 1>was guilty. So just kind of a challenging time for me.

0:54:41.960 --> 0:54:46.319
<v Speaker 3>Sorry, but I found that the relationship with her dad

0:54:46.360 --> 0:54:50.799
<v Speaker 3>and just the dad character in general. His name is James, right,

0:54:51.400 --> 0:54:54.160
<v Speaker 3>Jim James Court, James.

0:54:54.239 --> 0:54:56.000
<v Speaker 1>I love that your last name is Court and then

0:54:56.000 --> 0:55:01.400
<v Speaker 1>he goes to jail. That's that's iconic writing. That's some

0:55:01.640 --> 0:55:05.560
<v Speaker 1>Larry gee Lee level naming of a character. I liked it.

0:55:05.640 --> 0:55:09.160
<v Speaker 3>Yeah, I found him to be maybe one of the

0:55:09.200 --> 0:55:13.920
<v Speaker 3>most nuanced characters in the movie because I guess he

0:55:14.040 --> 0:55:17.319
<v Speaker 3>just defies a lot of just stereotypes when it comes

0:55:17.440 --> 0:55:21.000
<v Speaker 3>to like dad characters of a teen girl of that era.

0:55:21.080 --> 0:55:23.600
<v Speaker 3>We already talked about the scene where she comes home

0:55:23.760 --> 0:55:27.680
<v Speaker 3>after having sex for the first time with Lloyd. He

0:55:28.000 --> 0:55:32.080
<v Speaker 3>is like, where were you? You didn't call, but he's like,

0:55:32.080 --> 0:55:36.799
<v Speaker 3>like he's in love with her. He's like, I want

0:55:36.800 --> 0:55:38.560
<v Speaker 3>to make sure you're safe, and then he goes he

0:55:38.640 --> 0:55:42.600
<v Speaker 3>like goes on to just explain, you know, I care

0:55:42.600 --> 0:55:46.360
<v Speaker 3>about your safety. It doesn't matter what you were doing.

0:55:46.440 --> 0:55:49.520
<v Speaker 3>And then she says, like, I was having sex, Dad,

0:55:50.120 --> 0:55:51.879
<v Speaker 3>and he's like, I okay.

0:55:52.320 --> 0:55:54.120
<v Speaker 1>I would just be like, all right, can we talk

0:55:54.160 --> 0:55:58.120
<v Speaker 1>about this like after you like sleep, but they have

0:55:58.160 --> 0:56:00.160
<v Speaker 1>to talk about it now because it's a movie.

0:56:00.080 --> 0:56:03.240
<v Speaker 3>And she's like, I'm just so eager to say anything

0:56:03.320 --> 0:56:08.600
<v Speaker 3>to you. A yay. But I guess, you know, a

0:56:08.680 --> 0:56:11.839
<v Speaker 3>typical dad character in a movie like this would have

0:56:11.880 --> 0:56:15.400
<v Speaker 3>a very like slut shamey response and try to like

0:56:15.600 --> 0:56:16.439
<v Speaker 3>exert all of.

0:56:16.320 --> 0:56:20.160
<v Speaker 1>That either either a slut shamey response or like where

0:56:20.239 --> 0:56:21.759
<v Speaker 1>is he? I'm gonna kill him?

0:56:21.920 --> 0:56:24.240
<v Speaker 3>That's my thune, you know exactly.

0:56:24.960 --> 0:56:26.879
<v Speaker 1>I just watched mister Grimver. That's what he does.

0:56:28.960 --> 0:56:31.359
<v Speaker 3>So he doesn't do that. He's just mostly concerned about

0:56:31.400 --> 0:56:33.840
<v Speaker 3>her safety because she doesn't she didn't call like she

0:56:33.840 --> 0:56:36.640
<v Speaker 3>always calls, right. And then there's a later scene that

0:56:36.680 --> 0:56:42.759
<v Speaker 3>also his behavior surprised me where she is saying that

0:56:42.840 --> 0:56:45.799
<v Speaker 3>she's not sure if she should take this fellowship in

0:56:45.840 --> 0:56:49.000
<v Speaker 3>England after all, and I will say, I guess going

0:56:49.080 --> 0:56:52.359
<v Speaker 3>back to the relationship between her and Lloyd, I was

0:56:52.600 --> 0:56:54.759
<v Speaker 3>because I didn't really remember how this movie pans out,

0:56:54.760 --> 0:56:56.719
<v Speaker 3>and I was worried as I was watching it this

0:56:56.840 --> 0:57:00.600
<v Speaker 3>time that she would be like, never mind, I don't

0:57:00.600 --> 0:57:03.760
<v Speaker 3>need to go to England. I've got my professional boyfriend

0:57:03.800 --> 0:57:09.560
<v Speaker 3>who professionally wants to be my boyfriend and.

0:57:07.000 --> 0:57:10.520
<v Speaker 1>I and as that is not a paying position, I

0:57:10.560 --> 0:57:12.960
<v Speaker 1>will suppose I will have to support him in his

0:57:13.160 --> 0:57:14.680
<v Speaker 1>endeavor to be around.

0:57:16.600 --> 0:57:18.520
<v Speaker 3>So I was really worried that like she was not

0:57:18.720 --> 0:57:22.280
<v Speaker 3>going to take the opportunity, and like pursuer education, she

0:57:22.400 --> 0:57:25.440
<v Speaker 3>does do it. He tags along, which you know, you

0:57:25.480 --> 0:57:29.880
<v Speaker 3>can feel about any which way, but I was happy

0:57:29.880 --> 0:57:34.000
<v Speaker 3>that at least she like went through with her plans. Yeah,

0:57:34.080 --> 0:57:36.800
<v Speaker 3>in any case, So she's like, I don't know if

0:57:36.840 --> 0:57:38.240
<v Speaker 3>I should go to.

0:57:38.800 --> 0:57:45.480
<v Speaker 1>School, college, school, university to study question mark, Oh my god,

0:57:46.200 --> 0:57:49.400
<v Speaker 1>which again is like that's a really easy detail to

0:57:49.440 --> 0:57:51.800
<v Speaker 1>give and we were not given it. And I feel

0:57:51.800 --> 0:57:54.200
<v Speaker 1>like that if it was Lloyd, we would know what

0:57:54.320 --> 0:57:56.560
<v Speaker 1>he was studying and what he was interested in, because

0:57:56.560 --> 0:57:58.560
<v Speaker 1>we know that he wants to be a kickboxer, even

0:57:58.600 --> 0:58:03.200
<v Speaker 1>though that has no relevance to fucking anything. Diane's like,

0:58:03.640 --> 0:58:06.200
<v Speaker 1>you know, ambitions have a lot to do with the movie,

0:58:06.240 --> 0:58:08.880
<v Speaker 1>and we don't know what they actually are, right, Yeah, I.

0:58:08.840 --> 0:58:12.560
<v Speaker 3>Wonder if like Oxford University read it was like originally

0:58:12.680 --> 0:58:17.320
<v Speaker 3>that in the script and then they're like, don't besmircharge.

0:58:17.160 --> 0:58:21.520
<v Speaker 1>Your fucking mouth crow. That would be really funny. That

0:58:21.560 --> 0:58:24.840
<v Speaker 1>would be such a weird, uh weird antagonistic thing to

0:58:24.880 --> 0:58:29.480
<v Speaker 1>do in any case, Okay, I don't like fast times

0:58:29.520 --> 0:58:32.480
<v Speaker 1>at Ridgemont High.

0:58:32.520 --> 0:58:35.560
<v Speaker 3>So she's saying she's not sure if she should go

0:58:35.600 --> 0:58:38.920
<v Speaker 3>to England, and she does kind of it seems like

0:58:38.920 --> 0:58:41.840
<v Speaker 3>she's implying, oh, maybe also one of the reasons I

0:58:41.880 --> 0:58:46.720
<v Speaker 3>don't want to go not only are you under criminal investigation, dad,

0:58:46.960 --> 0:58:49.680
<v Speaker 3>but also I love this guy. And then when he

0:58:49.720 --> 0:58:52.600
<v Speaker 3>finds that out, when when her dad realizes that she

0:58:53.000 --> 0:58:56.160
<v Speaker 3>loves him, he kind of pivots because prior to that

0:58:56.200 --> 0:59:00.080
<v Speaker 3>he was like, oh, he's not good enough for you.

0:59:00.200 --> 0:59:05.320
<v Speaker 3>He's always just kicking and punching, and you're too smart

0:59:05.360 --> 0:59:10.280
<v Speaker 3>for him. And then which is true, to be fair, true,

0:59:10.600 --> 0:59:13.520
<v Speaker 3>But then he like when she says I love him,

0:59:13.840 --> 0:59:18.600
<v Speaker 3>he respects the gravity of the situation, He respects her feelings.

0:59:19.040 --> 0:59:23.360
<v Speaker 3>He doesn't like try to question her feelings. He is like, oh, wow,

0:59:23.440 --> 0:59:26.400
<v Speaker 3>maybe I'm being like really selfish here, Why am I

0:59:26.440 --> 0:59:30.640
<v Speaker 3>fixated on this? Like I owe you an apology, he says.

0:59:31.520 --> 0:59:36.000
<v Speaker 1>But then the one sentence we never hear it's amazing.

0:59:36.200 --> 0:59:40.440
<v Speaker 3>Yeah, but and then a few minutes later he turns

0:59:40.480 --> 0:59:44.200
<v Speaker 3>out to be embezzling money from a very vulnerable group

0:59:44.240 --> 0:59:50.240
<v Speaker 3>of people. So so it's complicated. You know, some of

0:59:50.320 --> 0:59:56.880
<v Speaker 3>history's greatest monsters were pretty decent parents. And Fraser's dad, well,

0:59:56.960 --> 0:59:59.120
<v Speaker 3>Fraser's dad was a great dad, but he was a

0:59:59.160 --> 1:00:03.840
<v Speaker 3>retired Seattle So you know, they're this is a sort

1:00:03.840 --> 1:00:06.440
<v Speaker 3>of a through line. Thank you for your heads for

1:00:07.400 --> 1:00:09.400
<v Speaker 3>I was proud of making that connection as well.

1:00:11.160 --> 1:00:16.760
<v Speaker 1>Yeah, I felt like it was a unique father daughter relationship.

1:00:17.240 --> 1:00:20.640
<v Speaker 1>But again, I don't know, I don't know. I feel

1:00:20.680 --> 1:00:26.400
<v Speaker 1>like coding it as romantic was so avoidable, and I'm like,

1:00:26.560 --> 1:00:31.000
<v Speaker 1>not even joking because like down to post production whoever,

1:00:31.080 --> 1:00:32.560
<v Speaker 1>I don't know off the top of my head, who

1:00:32.600 --> 1:00:35.880
<v Speaker 1>can pose the music? But what the fuck were they thinking,

1:00:36.800 --> 1:00:40.000
<v Speaker 1>like when they were like all right, all right, father, father,

1:00:41.920 --> 1:00:47.600
<v Speaker 1>all right, we're gonna need something a little sexy. Why

1:00:47.840 --> 1:00:51.640
<v Speaker 1>like some sort of like longing romanticizing?

1:00:52.240 --> 1:00:55.320
<v Speaker 3>The blocking is often weird, just the writing choice to

1:00:55.400 --> 1:00:58.800
<v Speaker 3>make her I'm sorry the way of your dad's have

1:00:58.880 --> 1:01:00.439
<v Speaker 3>given you a diamond ring.

1:01:01.040 --> 1:01:03.840
<v Speaker 1>No, if your dad is giving you a diamond ring,

1:01:04.240 --> 1:01:08.000
<v Speaker 1>like you have to consider he could have been embezzling

1:01:08.040 --> 1:01:11.480
<v Speaker 1>money from old people. I think, I hope this is

1:01:11.520 --> 1:01:14.680
<v Speaker 1>a wake up call for anyone in this room was

1:01:14.880 --> 1:01:19.920
<v Speaker 1>received a diamond ring from their father. It's weird. It's weird.

1:01:20.040 --> 1:01:23.600
<v Speaker 3>Weird choices were made all around. Let's talk about Lloyd

1:01:23.600 --> 1:01:24.480
<v Speaker 3>really quick, Okay.

1:01:24.920 --> 1:01:27.600
<v Speaker 1>I Lloyd is an interesting character to be because I

1:01:27.640 --> 1:01:31.200
<v Speaker 1>do think that like I don't know, like Lloyd and

1:01:31.320 --> 1:01:37.080
<v Speaker 1>this movie have been through so many rounds of critical appraisal,

1:01:38.000 --> 1:01:40.040
<v Speaker 1>or I think this movie was pretty beloved when it

1:01:40.080 --> 1:01:44.600
<v Speaker 1>came out. I think Lloyd does sort of defy a

1:01:44.720 --> 1:01:49.120
<v Speaker 1>number of common rom com stereotypes with a male lead,

1:01:49.200 --> 1:01:53.040
<v Speaker 1>where like you're saying, there's no bet, there's no central lie,

1:01:54.160 --> 1:02:00.000
<v Speaker 1>but he still is pushy and still you know, push

1:02:00.440 --> 1:02:03.640
<v Speaker 1>past a lot of Diane's boundaries and is rewarded for

1:02:03.680 --> 1:02:06.400
<v Speaker 1>that behavior. And then on the other hand, you have

1:02:08.000 --> 1:02:11.200
<v Speaker 1>What I like about Lloyd is the fact that something

1:02:11.240 --> 1:02:16.200
<v Speaker 1>we I think very rarely see in teen movies, which

1:02:16.200 --> 1:02:19.800
<v Speaker 1>is that he has a close friend who is a

1:02:19.840 --> 1:02:24.280
<v Speaker 1>woman who he is not. Like there's no subtext of like, yeah,

1:02:24.360 --> 1:02:27.120
<v Speaker 1>she's in love with me, or I even in love

1:02:27.200 --> 1:02:31.520
<v Speaker 1>with her, Like Corey is his closest friend. And she's

1:02:32.240 --> 1:02:35.000
<v Speaker 1>an interesting character in her own right, but like there

1:02:35.080 --> 1:02:39.880
<v Speaker 1>is no like it presents the simple truth that men

1:02:39.960 --> 1:02:43.520
<v Speaker 1>and women can be friends. Yeah, in a way that

1:02:43.680 --> 1:02:47.680
<v Speaker 1>is like not you know, like longing coated or that

1:02:47.720 --> 1:02:52.480
<v Speaker 1>there's not this like deep heterosexual you know, physical pain

1:02:52.800 --> 1:02:56.200
<v Speaker 1>that comes with them being around each other. And then

1:02:56.240 --> 1:02:58.440
<v Speaker 1>on top of that that, like when that friendship is

1:02:58.440 --> 1:03:01.720
<v Speaker 1>presented to Diane, she's like, that's it's nice to meet

1:03:01.760 --> 1:03:04.840
<v Speaker 1>your friend versus like meeting that with extreme jealousy orich.

1:03:04.840 --> 1:03:07.840
<v Speaker 1>Just like all these tropes we very ordinarily see where

1:03:08.560 --> 1:03:11.919
<v Speaker 1>it just seems like Lloyd is a male character who

1:03:11.960 --> 1:03:16.520
<v Speaker 1>connects with women easier, which is nice, and that is

1:03:16.560 --> 1:03:19.160
<v Speaker 1>like not presented as a bad thing. And I also

1:03:19.320 --> 1:03:23.920
<v Speaker 1>like how Lloyd is from. Like Lloyd's parents aren't really around.

1:03:24.000 --> 1:03:27.160
<v Speaker 1>They're in the military in Germany, and you're like, well,

1:03:27.160 --> 1:03:30.440
<v Speaker 1>I don't like this sounds like that there.

1:03:31.800 --> 1:03:34.520
<v Speaker 3>Right after the fall of the Berlin.

1:03:34.320 --> 1:03:39.040
<v Speaker 1>Wall, and then their politics are not made clear, but

1:03:40.120 --> 1:03:43.880
<v Speaker 1>they're in the military in Germany in the eighties, and

1:03:44.120 --> 1:03:48.000
<v Speaker 1>uh so they're you know, out there, and so like

1:03:48.200 --> 1:03:51.560
<v Speaker 1>Floyd and his sister there there. You know, Floyd's sister

1:03:51.720 --> 1:03:55.160
<v Speaker 1>is a single mom, uh, there's no judgment passed on that.

1:03:56.720 --> 1:03:58.520
<v Speaker 1>I think my main issue is that they don't let

1:03:58.520 --> 1:04:01.760
<v Speaker 1>her be a character at all. She's just like vaguely

1:04:02.400 --> 1:04:06.160
<v Speaker 1>like shrill coded to do Lloyd. In the first she's like,

1:04:06.480 --> 1:04:10.240
<v Speaker 1>why can't you be an uncle and not a plane mate?

1:04:10.480 --> 1:04:16.840
<v Speaker 1>And he's like, you used to be fun. Yeah, But

1:04:16.840 --> 1:04:19.360
<v Speaker 1>but it was like he has like a I think,

1:04:19.440 --> 1:04:21.160
<v Speaker 1>like kind of like a latch key kid kind of

1:04:21.240 --> 1:04:23.600
<v Speaker 1>upbringing where his parents weren't really around, and I feel

1:04:23.600 --> 1:04:28.160
<v Speaker 1>like those characters are very often portrayed to be maladjusted

1:04:28.720 --> 1:04:31.960
<v Speaker 1>and not people to be around, and I like that

1:04:32.080 --> 1:04:35.760
<v Speaker 1>Lloyd sort of presents that upbringing in a way that

1:04:35.760 --> 1:04:41.400
<v Speaker 1>it's like he's generally a thoughtful person and I don't know,

1:04:41.440 --> 1:04:43.760
<v Speaker 1>like class wise and just upbringing wise, it's like not

1:04:43.800 --> 1:04:47.720
<v Speaker 1>something I was used to seeing. Sure, So I don't

1:04:47.720 --> 1:04:49.400
<v Speaker 1>know Lloyd. Lloyd was hidden miss for me, but I

1:04:49.640 --> 1:04:53.240
<v Speaker 1>do I was rooting for him, especially when he something

1:04:53.360 --> 1:04:56.640
<v Speaker 1>is so vulnerable about whipping a VHS copy of Cocoon,

1:04:59.000 --> 1:05:01.880
<v Speaker 1>where I was like, oh, he's really going for it. Yeah,

1:05:02.120 --> 1:05:04.360
<v Speaker 1>he doesn't know what he's doing, but he wants to

1:05:04.400 --> 1:05:04.960
<v Speaker 1>do something.

1:05:05.280 --> 1:05:07.120
<v Speaker 3>And this is after and we have to wrap up

1:05:07.200 --> 1:05:11.280
<v Speaker 3>very soon. But this is after Diane has challenged him

1:05:11.320 --> 1:05:15.959
<v Speaker 3>for his ageist beliefs. Yes, and she's like literally calls

1:05:16.000 --> 1:05:19.240
<v Speaker 3>him out with that exact language. She's like, you're being agist,

1:05:19.440 --> 1:05:21.320
<v Speaker 3>and he says his ass down and then and then

1:05:21.360 --> 1:05:24.520
<v Speaker 3>he was like right, He's like, wow, you're really making

1:05:24.560 --> 1:05:27.600
<v Speaker 3>me reconsider and maybe I shouldn't be agist. And it's

1:05:27.600 --> 1:05:29.760
<v Speaker 3>not clear if he actually is like changing his mind

1:05:29.760 --> 1:05:33.400
<v Speaker 3>about this or if he just wants to bust.

1:05:36.080 --> 1:05:43.400
<v Speaker 1>Right. It's October and busted makes you feel good, Uh, precisely.

1:05:44.160 --> 1:05:48.120
<v Speaker 1>But but I mean, unfortunately, with due respect to men

1:05:48.160 --> 1:05:50.000
<v Speaker 1>in the room, I feel like, you know, it is

1:05:50.040 --> 1:05:51.720
<v Speaker 1>a fake it til you make it situation where it's

1:05:51.720 --> 1:05:53.800
<v Speaker 1>like I will make you repeat my politics back to

1:05:53.800 --> 1:05:55.240
<v Speaker 1>me until you somehow believe it.

1:05:55.600 --> 1:05:58.160
<v Speaker 3>And uh uh huh.

1:05:58.400 --> 1:06:02.400
<v Speaker 1>And you know it's that's how I wear people down, yeah,

1:06:03.040 --> 1:06:07.280
<v Speaker 1>by talking about housing justice until they believe in it.

1:06:10.040 --> 1:06:14.320
<v Speaker 1>And that's how I've weaponized my vagina for good. The

1:06:14.400 --> 1:06:15.800
<v Speaker 1>other thing I like about Lloyd and I know we

1:06:15.840 --> 1:06:19.040
<v Speaker 1>have to move on, is there is a critical scene

1:06:19.600 --> 1:06:22.680
<v Speaker 1>where Lloyd is so he, like you mentioned, he is

1:06:22.720 --> 1:06:27.720
<v Speaker 1>recording a podcast. He's driving around in his car, recording

1:06:27.760 --> 1:06:31.240
<v Speaker 1>his thoughts on a cassette player for Corey, for his friend.

1:06:31.440 --> 1:06:35.920
<v Speaker 1>He's recording a podcast for an audience of one. It

1:06:36.080 --> 1:06:39.120
<v Speaker 1>is like kind of true crimey where he's like, I'm

1:06:39.160 --> 1:06:42.840
<v Speaker 1>in the streets and you're like, oh my god, I

1:06:42.920 --> 1:06:45.520
<v Speaker 1>know people who sound like not know. I've listened to

1:06:45.600 --> 1:06:48.480
<v Speaker 1>podcasts like that that the people are millionaires for saying

1:06:48.600 --> 1:06:54.040
<v Speaker 1>equally fucking nothing. You know, I'm in the streets. It's

1:06:54.280 --> 1:06:54.840
<v Speaker 1>duck out.

1:06:56.160 --> 1:06:59.000
<v Speaker 3>Like he said something like the rain on my car

1:06:59.200 --> 1:07:04.919
<v Speaker 3>is APPTI. We're like, well, brilliant metaphor, sir.

1:07:06.960 --> 1:07:09.560
<v Speaker 1>When you think about it, I am I do him

1:07:09.600 --> 1:07:15.919
<v Speaker 1>christ like go off king. But when he is doing that, yeah,

1:07:15.960 --> 1:07:19.520
<v Speaker 1>like you you alluded to this in the recap. But

1:07:19.640 --> 1:07:21.560
<v Speaker 1>he says like, maybe I should talk to more men.

1:07:21.720 --> 1:07:23.440
<v Speaker 1>Everyone in my life is a woman, and you're like,

1:07:23.440 --> 1:07:25.280
<v Speaker 1>well that's going to be a non starter, but let's

1:07:25.280 --> 1:07:28.800
<v Speaker 1>see what happens and he But the movie bears that

1:07:28.880 --> 1:07:31.600
<v Speaker 1>out where it's like he goes to this group of

1:07:32.080 --> 1:07:37.720
<v Speaker 1>like guys is like high schools with any group of guys,

1:07:37.800 --> 1:07:41.400
<v Speaker 1>Jeremy Piven is there. If you're going to go meet

1:07:41.480 --> 1:07:44.280
<v Speaker 1>up with some guys, he'll be there and he'll be

1:07:44.280 --> 1:07:50.520
<v Speaker 1>wearing a little hat. But the list, I know, we

1:07:50.520 --> 1:07:52.080
<v Speaker 1>were both ready to get down as we were watching

1:07:52.080 --> 1:07:55.600
<v Speaker 1>it together because, uh, you know, he goes to this

1:07:55.640 --> 1:07:57.720
<v Speaker 1>group of men. They're hanging out at a gas station

1:07:58.360 --> 1:08:01.600
<v Speaker 1>talking shit about women, which which is beautiful, beautiful, right.

1:08:02.880 --> 1:08:05.520
<v Speaker 1>One says you can't trust them. They spend your money

1:08:05.560 --> 1:08:09.720
<v Speaker 1>and they tell your friends everything. And I'm like, and

1:08:09.800 --> 1:08:12.720
<v Speaker 1>is that a bad thing there? All you gotta do

1:08:12.800 --> 1:08:14.960
<v Speaker 1>is find a girl that looks just like her nailer

1:08:15.040 --> 1:08:18.479
<v Speaker 1>and then dumper. You know what's the mistake. You should

1:08:18.520 --> 1:08:22.439
<v Speaker 1>have dumped her first. That's Jeremy Piven. Diane Cord is

1:08:22.479 --> 1:08:26.040
<v Speaker 1>a show pony. You need a stallion man. Literally, Jeremy

1:08:26.040 --> 1:08:30.719
<v Speaker 1>Piven objectifying women. We hate to see it. But Lloyd

1:08:31.080 --> 1:08:34.280
<v Speaker 1>does not respond to this by being radicalized by these

1:08:34.560 --> 1:08:41.120
<v Speaker 1>like gas station losers ideas. He instead challenges it and

1:08:41.120 --> 1:08:42.800
<v Speaker 1>he's like, oh, that's interesting that you have all these

1:08:42.800 --> 1:08:45.080
<v Speaker 1>thoughts about women when women aren't hanging out with you

1:08:45.200 --> 1:08:48.559
<v Speaker 1>and you are at a gas station at night, and

1:08:48.600 --> 1:08:51.120
<v Speaker 1>that's awesome. I mean, like that exchange is really cool.

1:08:51.240 --> 1:08:54.040
<v Speaker 1>And then and then he responds and then like after

1:08:54.120 --> 1:08:58.439
<v Speaker 1>realizing that talking to men his age is a non

1:08:58.520 --> 1:09:01.800
<v Speaker 1>starter and that they hate women and don't understand why

1:09:02.320 --> 1:09:05.360
<v Speaker 1>he goes back to his friends who are women and

1:09:05.520 --> 1:09:09.120
<v Speaker 1>ask them for advice, and like, I liked that. I

1:09:09.120 --> 1:09:09.880
<v Speaker 1>thought that was cool.

1:09:10.120 --> 1:09:14.360
<v Speaker 3>Yeah, yeah, I you know, he does blame Corey for

1:09:14.800 --> 1:09:17.800
<v Speaker 3>Diane breaking up with him. Basically, she's like, I hang

1:09:17.840 --> 1:09:21.360
<v Speaker 3>out with too many women and it's your vote, Corey.

1:09:21.120 --> 1:09:23.640
<v Speaker 1>This is your podcast for You'm yelling at you.

1:09:26.120 --> 1:09:28.519
<v Speaker 3>But I do like that the movie recognizes that all

1:09:28.600 --> 1:09:31.960
<v Speaker 3>the advice that the men give him is terrible advice,

1:09:32.040 --> 1:09:35.560
<v Speaker 3>and that yes, that Lloyd openly challenges.

1:09:35.160 --> 1:09:39.000
<v Speaker 1>Them absolutely, And then, uh, because we do have drap

1:09:39.080 --> 1:09:42.439
<v Speaker 1>up Corey, we'll we'll talk more about her. We'll do

1:09:43.040 --> 1:09:45.000
<v Speaker 1>we'll record more about her in a later time. But

1:09:45.080 --> 1:09:47.920
<v Speaker 1>Corey is the fucking coolest character in the movie. Do

1:09:47.920 --> 1:09:52.160
<v Speaker 1>we have any Corey heads in the house. Okay, she's

1:09:52.240 --> 1:09:54.200
<v Speaker 1>the best. I also feel like she's a very like,

1:09:54.479 --> 1:09:59.719
<v Speaker 1>uniquely nineteen eighty nine character where she is Lloyd's best

1:09:59.720 --> 1:10:02.880
<v Speaker 1>friend and she I feel like, I was like, oh,

1:10:02.920 --> 1:10:05.639
<v Speaker 1>the character closest to me in high school is Corey,

1:10:05.720 --> 1:10:07.920
<v Speaker 1>where she has had her heart broken by the same

1:10:08.040 --> 1:10:12.840
<v Speaker 1>loser repeatedly and is writing horrible poetry about it, and

1:10:13.200 --> 1:10:16.880
<v Speaker 1>like that is a very recognizable thing. I think that

1:10:17.120 --> 1:10:19.479
<v Speaker 1>like we'll sort of talk about later on about like

1:10:19.560 --> 1:10:23.000
<v Speaker 1>the way it's presented. But I just I really liked her,

1:10:23.640 --> 1:10:26.280
<v Speaker 1>and I felt like we were given some crumbs on

1:10:26.439 --> 1:10:30.519
<v Speaker 1>how she like on her her personal stuff towards the

1:10:30.520 --> 1:10:32.320
<v Speaker 1>beginning of the movie, where it's like there is this

1:10:32.600 --> 1:10:35.400
<v Speaker 1>one guy who later appears at a gas station being

1:10:35.439 --> 1:10:40.639
<v Speaker 1>a misogynist, so huge loss for her, but like this

1:10:40.640 --> 1:10:44.400
<v Speaker 1>this fucking loser who she's written sixty five songs about,

1:10:44.439 --> 1:10:50.599
<v Speaker 1>and who among us you know that, Like she eventually

1:10:50.680 --> 1:10:53.920
<v Speaker 1>kind of cuts loose because she realizes that like he's

1:10:54.760 --> 1:10:58.360
<v Speaker 1>a loser and a liar, and like I thought that

1:10:58.439 --> 1:11:00.639
<v Speaker 1>was a really interesting start to her care But then

1:11:00.880 --> 1:11:03.920
<v Speaker 1>the remainder of the movie, she mainly shows up to

1:11:04.000 --> 1:11:08.720
<v Speaker 1>tell Lloyd various plot points mm hmmm, and to tell

1:11:08.800 --> 1:11:11.840
<v Speaker 1>him he's cool. Yeah, and that's kind of the most

1:11:11.880 --> 1:11:14.040
<v Speaker 1>we get from her after like the thirty minute mark.

1:11:14.200 --> 1:11:15.920
<v Speaker 3>Yeah, it's true, very frustrating.

1:11:16.040 --> 1:11:19.640
<v Speaker 1>Yeah. The last thing I wanted to say is just

1:11:20.720 --> 1:11:22.799
<v Speaker 1>the production of this movie. It is like an interesting

1:11:23.040 --> 1:11:26.280
<v Speaker 1>movie production wise, but I wanted to just quickly shout

1:11:26.320 --> 1:11:29.000
<v Speaker 1>out one of the main producers of this movie, Polly Platt.

1:11:29.080 --> 1:11:31.760
<v Speaker 1>We've got a picture of her here, let's get it.

1:11:31.880 --> 1:11:35.360
<v Speaker 1>This is She's really cool. I would if you haven't

1:11:35.400 --> 1:11:37.840
<v Speaker 1>listened to the season of you must remember this about

1:11:37.880 --> 1:11:41.160
<v Speaker 1>Polly Platt, I would highly highly recommend it. It's so cool.

1:11:41.240 --> 1:11:44.760
<v Speaker 1>Give it up for her. She is. She had a

1:11:44.760 --> 1:11:48.439
<v Speaker 1>fucking incredible life, like she I mean, she was done

1:11:48.439 --> 1:11:53.840
<v Speaker 1>a huge disservice by show business. But this movie came

1:11:53.840 --> 1:11:56.000
<v Speaker 1>out during this sort of second surge in her career

1:11:56.040 --> 1:11:59.120
<v Speaker 1>where she was working with James L. Brooks. She worked

1:11:59.240 --> 1:12:03.879
<v Speaker 1>on this movie, she basically discovered Cameron Crowe and Wes Anderson,

1:12:03.960 --> 1:12:08.400
<v Speaker 1>so you're welcome if those are guys you like. She also,

1:12:08.800 --> 1:12:13.160
<v Speaker 1>iconically for everyone, discovered The Simpsons and handed it off

1:12:13.160 --> 1:12:15.559
<v Speaker 1>to James L. Brooks, So we wouldn't have the Simpsons

1:12:15.600 --> 1:12:19.000
<v Speaker 1>without Polly Platt. She's fucking cool. And she also appears

1:12:19.040 --> 1:12:22.560
<v Speaker 1>in a cameo in this movie, which is the next slide.

1:12:22.640 --> 1:12:24.880
<v Speaker 1>You can see that she is in the graduation scene,

1:12:25.800 --> 1:12:33.559
<v Speaker 1>so there she is. So yay Polly. And we'll link

1:12:33.720 --> 1:12:38.280
<v Speaker 1>to Karina Longworth's season about her when we release this episode.

1:12:38.400 --> 1:12:41.800
<v Speaker 1>But Katelin. Yes, does this movie pass the Bechdel test?

1:12:42.200 --> 1:12:45.920
<v Speaker 3>I think maybe on a small technicality, but I would

1:12:45.960 --> 1:12:47.000
<v Speaker 3>say spiritually no.

1:12:47.760 --> 1:12:53.599
<v Speaker 1>Spiritually no, But it does pass between DC and it's

1:12:53.600 --> 1:12:57.400
<v Speaker 1>not a very impactful exchange. But between DC and Corey

1:12:57.840 --> 1:12:59.840
<v Speaker 1>there is an exchange in the record store where it

1:12:59.880 --> 1:13:03.759
<v Speaker 1>be the large context of the conversation is that Diane

1:13:03.800 --> 1:13:06.800
<v Speaker 1>and Lloyd had sex. Yes, which is, you know, not

1:13:06.840 --> 1:13:08.360
<v Speaker 1>passing the backful test whatsoever.

1:13:08.479 --> 1:13:08.840
<v Speaker 3>P and V.

1:13:09.040 --> 1:13:14.720
<v Speaker 1>It doesn't pass. But Corey's talking over DC, and DC

1:13:14.920 --> 1:13:17.000
<v Speaker 1>is like, you never let me talk about anything. You

1:13:17.040 --> 1:13:20.280
<v Speaker 1>never let me speak. And Corey's like, oh, I'm sorry,

1:13:20.280 --> 1:13:22.160
<v Speaker 1>what do you want to say? And DC is like, well,

1:13:22.240 --> 1:13:27.720
<v Speaker 1>I forget. And that was impactful to me. Yes, that

1:13:27.800 --> 1:13:30.000
<v Speaker 1>passes to me. I can relate to that. I've had

1:13:30.040 --> 1:13:33.840
<v Speaker 1>many interactions like that, demanding yeah, demanding a platform and

1:13:33.880 --> 1:13:37.000
<v Speaker 1>then being like, oh, I have nothing to contribute.

1:13:39.040 --> 1:13:42.439
<v Speaker 3>But generally, the few times that women do interact in

1:13:42.439 --> 1:13:45.720
<v Speaker 3>this movie, they are usually talking about Lloyd, they are

1:13:45.760 --> 1:13:51.400
<v Speaker 3>talking about Frasier's dad, They're talking about some other guy.

1:13:52.880 --> 1:13:58.320
<v Speaker 1>It's particularly this is disgusting, Joe, this is it's particularly frustrating.

1:13:58.520 --> 1:14:01.400
<v Speaker 1>In the conversation between Diane and her mom where there

1:14:01.439 --> 1:14:05.440
<v Speaker 1>is potential to talk about most anything, and they aggressively

1:14:05.560 --> 1:14:07.160
<v Speaker 1>only talk about men.

1:14:07.640 --> 1:14:10.160
<v Speaker 3>Right, Or the scene the one interaction between Corey and

1:14:10.200 --> 1:14:14.200
<v Speaker 3>Diane where they talk about Corey's ex boyfriend Joe for

1:14:14.240 --> 1:14:15.639
<v Speaker 3>a while and then Lloyd.

1:14:15.960 --> 1:14:19.040
<v Speaker 1>Yeah, but what about the most important metric to ever exist,

1:14:19.120 --> 1:14:21.479
<v Speaker 1>which is the Bechdel cast nipple scale?

1:14:21.560 --> 1:14:24.920
<v Speaker 3>Yes, a zero to five nipples based on sound. Examining

1:14:24.920 --> 1:14:28.000
<v Speaker 3>the movie through an intersectional feminist lens, I think I'll

1:14:28.040 --> 1:14:32.040
<v Speaker 3>give this movie. I would say two nipples. I think

1:14:32.520 --> 1:14:34.880
<v Speaker 3>someone gasped. Is that what happens?

1:14:34.880 --> 1:14:38.519
<v Speaker 1>When you guys listen to this, They're like, they're like, Oh,

1:14:38.560 --> 1:14:40.120
<v Speaker 1>they're so wrong for that.

1:14:40.720 --> 1:14:44.599
<v Speaker 3>How could they were you expecting me to say higher

1:14:44.680 --> 1:14:48.679
<v Speaker 3>or lower? I made a mistake and this happens.

1:14:48.880 --> 1:14:55.439
<v Speaker 1>Oh my god, No, this happens everything. This is why

1:14:55.680 --> 1:14:58.479
<v Speaker 1>like live shows are nuclear for us, because if I

1:14:58.680 --> 1:15:01.479
<v Speaker 1>look at you the wrong way, you're like, no.

1:15:01.680 --> 1:15:12.519
<v Speaker 3>God, no, Well here's my reasoning. Yeah, sounds familiar, And

1:15:12.600 --> 1:15:15.880
<v Speaker 3>I'm judging this on nineteen eighty nine standards, and it's

1:15:15.960 --> 1:15:20.679
<v Speaker 3>like slightly less problematic than teen rom coms that came

1:15:20.720 --> 1:15:22.479
<v Speaker 3>out ten years later.

1:15:22.760 --> 1:15:25.439
<v Speaker 1>Yeah, for sure, there's that the.

1:15:25.600 --> 1:15:30.040
<v Speaker 3>Father daughter relationship, while it is rife with a weird,

1:15:30.400 --> 1:15:40.080
<v Speaker 3>possibly romantic tension. I do I know two is wrong.

1:15:40.280 --> 1:15:42.120
<v Speaker 3>I'll go down to one and a half.

1:15:42.240 --> 1:15:47.280
<v Speaker 1>Stop contributing. We'll never leave. Yeah, we got no, it

1:15:47.280 --> 1:15:50.160
<v Speaker 1>should be one point like six four.

1:15:52.160 --> 1:15:54.040
<v Speaker 3>Just because we have to wrap up. I will simply

1:15:54.040 --> 1:15:56.880
<v Speaker 3>say one and a half nipples, and I give one

1:15:57.160 --> 1:16:01.400
<v Speaker 3>to what's her name Antigony.

1:16:02.760 --> 1:16:06.320
<v Speaker 1>What? Oh my oh wait, I get it, I.

1:16:06.240 --> 1:16:09.520
<v Speaker 3>Got it, sorry, Iony.

1:16:11.040 --> 1:16:16.599
<v Speaker 1>Antagony. Okay, like this is.

1:16:27.080 --> 1:16:33.639
<v Speaker 3>We gotta go, we gotta go. Mm hmmm, so Iony Sky.

1:16:34.439 --> 1:16:37.040
<v Speaker 3>And then my half nipple goes to Lily Taylor, who

1:16:37.040 --> 1:16:39.000
<v Speaker 3>plays Corey An Tikeny.

1:16:41.000 --> 1:16:43.160
<v Speaker 1>I can't. I'm gonna give this. Yeah, I'll give it.

1:16:43.240 --> 1:16:46.000
<v Speaker 1>I'll give it, like, I don't know, one and a half,

1:16:46.040 --> 1:16:48.599
<v Speaker 1>maybe even a little one point two five something like that.

1:16:48.880 --> 1:16:51.280
<v Speaker 1>I think that. Yeah, Like, there are things that this

1:16:51.320 --> 1:16:53.960
<v Speaker 1>movie is I need to stop looking scared.

1:16:54.439 --> 1:16:54.599
<v Speaker 3>Uh.

1:16:55.000 --> 1:16:59.000
<v Speaker 1>There are there are ways that this movie is avoiding

1:16:59.080 --> 1:17:01.280
<v Speaker 1>a lot of troopes that we see in the same

1:17:01.320 --> 1:17:04.559
<v Speaker 1>era and for decades after. But it is still doing

1:17:04.720 --> 1:17:07.320
<v Speaker 1>you know, the pushy thing. It's still doing that, giving

1:17:07.360 --> 1:17:10.800
<v Speaker 1>us an interesting central woman who is not allowed to

1:17:11.240 --> 1:17:15.240
<v Speaker 1>know other women or care about other women. And I

1:17:15.800 --> 1:17:19.080
<v Speaker 1>truly I do think that like the writing of the

1:17:19.120 --> 1:17:24.000
<v Speaker 1>father daughter relationship being so bizarrely romantic, is just a

1:17:24.040 --> 1:17:26.719
<v Speaker 1>demonstration that the writer does not know how to write

1:17:27.320 --> 1:17:30.880
<v Speaker 1>a healthy relationship between men and women, and I find

1:17:30.920 --> 1:17:34.639
<v Speaker 1>that weird. It's also I mean, I mean, it's nineteen

1:17:34.680 --> 1:17:37.600
<v Speaker 1>eighty nine, so but it's like it's it's not an

1:17:37.640 --> 1:17:40.519
<v Speaker 1>inclusive movie whatsoever. It's very much like a movie in

1:17:40.560 --> 1:17:43.760
<v Speaker 1>the white middle class in Seattle. There's no you know,

1:17:43.920 --> 1:17:47.400
<v Speaker 1>attempted inclusion in any way, shape or for him. It's just,

1:17:48.520 --> 1:17:51.920
<v Speaker 1>you know, it's it's a really white hetero movie. And

1:17:53.040 --> 1:17:54.680
<v Speaker 1>I'm going to give it. I guess I'll give it

1:17:54.720 --> 1:17:57.600
<v Speaker 1>one point two five and I'm giving them giving it

1:17:57.600 --> 1:18:02.320
<v Speaker 1>all to Antagony Beautiful.

1:18:03.040 --> 1:18:04.040
<v Speaker 3>Well that's our show.

1:18:04.320 --> 1:18:06.719
<v Speaker 1>Yeah, thank you for coming.

1:18:08.840 --> 1:18:13.559
<v Speaker 3>Oh okay, that was the show. Thank you again to

1:18:13.880 --> 1:18:17.559
<v Speaker 3>Curious Comedy Theater, to Stacy who runs the venue, to

1:18:17.600 --> 1:18:21.040
<v Speaker 3>all the staff there, and to the All Jane Comedy Festival,

1:18:21.160 --> 1:18:24.960
<v Speaker 3>which this was the final All Jane Comedy Festival. However,

1:18:25.160 --> 1:18:27.280
<v Speaker 3>it was something that I was aware of since I

1:18:27.320 --> 1:18:32.000
<v Speaker 3>started comedy as just one of the few festival spaces

1:18:32.040 --> 1:18:35.040
<v Speaker 3>that was reserved specifically for women and fems. It was

1:18:35.200 --> 1:18:39.120
<v Speaker 3>very welcoming and cool, and it felt it was an

1:18:39.120 --> 1:18:43.000
<v Speaker 3>honor to do the festival and it's a testament to stacy.

1:18:43.280 --> 1:18:47.920
<v Speaker 3>So indeed, you can't go now, but you really missed out.

1:18:48.160 --> 1:18:50.680
<v Speaker 3>It was cool. You can't go to the festival, but

1:18:50.680 --> 1:18:53.679
<v Speaker 3>you can still go to Curious Comedy Theater, So check

1:18:53.720 --> 1:18:56.120
<v Speaker 3>them out if you're ever in Portland or if you

1:18:56.160 --> 1:19:00.759
<v Speaker 3>live in or nearby. And also just thanks to everyone

1:19:00.760 --> 1:19:05.120
<v Speaker 3>who came out to the show, who watched the live stream,

1:19:05.360 --> 1:19:08.520
<v Speaker 3>and then once again you can grab on demand tickets.

1:19:09.000 --> 1:19:11.920
<v Speaker 3>You'll see some of that extra stuff that we cut

1:19:11.960 --> 1:19:15.360
<v Speaker 3>out of the audio only episode.

1:19:15.560 --> 1:19:17.480
<v Speaker 1>I think some of our best fits.

1:19:17.600 --> 1:19:18.800
<v Speaker 3>Yeah, some really good stuff.

1:19:19.040 --> 1:19:21.080
<v Speaker 1>One of our best on stage bits, you'll want to

1:19:21.120 --> 1:19:21.479
<v Speaker 1>see it.

1:19:22.120 --> 1:19:24.120
<v Speaker 3>A few things that we didn't get to in the

1:19:24.200 --> 1:19:28.320
<v Speaker 3>live show really quickly. I would be remiss not to

1:19:28.520 --> 1:19:34.240
<v Speaker 3>mention the guidance counselor showing up to the high school party.

1:19:34.520 --> 1:19:38.679
<v Speaker 1>Yes, why a trope we still have not gotten rid

1:19:38.720 --> 1:19:41.920
<v Speaker 1>of today. As recently as Books Smart, we still had

1:19:42.000 --> 1:19:45.320
<v Speaker 1>teachers showing up to the party uncritically. It is so

1:19:46.320 --> 1:19:51.040
<v Speaker 1>fucking bizarre. And also, I mean, to that point not

1:19:51.120 --> 1:19:54.200
<v Speaker 1>really fun live show talk, but I feel like really

1:19:54.320 --> 1:20:00.679
<v Speaker 1>encourages an unhealthy relationship between teachers and students. That kid,

1:20:01.520 --> 1:20:05.400
<v Speaker 1>you know, sort of normalized grooming tactics. So yeah, I

1:20:05.400 --> 1:20:07.599
<v Speaker 1>don't know the teacher at my high school that went

1:20:07.600 --> 1:20:09.799
<v Speaker 1>to parties was a groomer.

1:20:10.120 --> 1:20:10.840
<v Speaker 3>Yikes.

1:20:11.040 --> 1:20:14.799
<v Speaker 1>Yeah, teachers don't go to student parties if they're regular.

1:20:16.439 --> 1:20:21.920
<v Speaker 3>Yes, And then we touched on this in the episode,

1:20:22.280 --> 1:20:26.400
<v Speaker 3>but I feel like it might be worth just saying

1:20:26.800 --> 1:20:32.680
<v Speaker 3>a little further. The gals in the movie, Uh, you know,

1:20:32.760 --> 1:20:37.960
<v Speaker 3>We've got Corey played by Lily Taylor. She's Lloyd's best friend,

1:20:38.640 --> 1:20:43.920
<v Speaker 3>mostly just characterized by being obsessed with Lloyd and also

1:20:44.320 --> 1:20:46.479
<v Speaker 3>being obsessed with the guy who broke her heart. She

1:20:46.600 --> 1:20:49.679
<v Speaker 3>plays all those songs that she's written on the guitar

1:20:50.360 --> 1:20:51.200
<v Speaker 3>about him.

1:20:51.400 --> 1:20:53.599
<v Speaker 1>And I also, I mean I think that, yeah, speaking

1:20:53.680 --> 1:20:57.719
<v Speaker 1>to Corey's character, I think that a lot of people,

1:20:57.760 --> 1:21:00.320
<v Speaker 1>I mean, at least I was seeing just like what's

1:21:00.320 --> 1:21:03.800
<v Speaker 1>been written about this movie and what our audience said

1:21:03.840 --> 1:21:06.599
<v Speaker 1>after the episode was that a lot of people saw

1:21:06.680 --> 1:21:10.360
<v Speaker 1>themselves in Corey. And also like to the point where

1:21:10.360 --> 1:21:13.479
<v Speaker 1>it's like we would have even more people would have

1:21:13.479 --> 1:21:15.519
<v Speaker 1>seen themselves in Corey if she had been given a

1:21:15.560 --> 1:21:19.479
<v Speaker 1>proper arc, because I love like we were talked like

1:21:19.520 --> 1:21:21.360
<v Speaker 1>I think we talked about during the show, like it

1:21:21.439 --> 1:21:25.320
<v Speaker 1>is cool that she and Lloyd have a truly platonic

1:21:25.439 --> 1:21:28.040
<v Speaker 1>friendship between a man and a woman, something we never

1:21:28.160 --> 1:21:30.400
<v Speaker 1>ever ever get to see without it being like will

1:21:30.439 --> 1:21:34.000
<v Speaker 1>they or won't they? It never is like she I mean,

1:21:34.640 --> 1:21:37.680
<v Speaker 1>it is an issue that her defining character trait is

1:21:37.680 --> 1:21:40.960
<v Speaker 1>that she thinks Lloyd is a great guy. But I

1:21:41.280 --> 1:21:43.600
<v Speaker 1>do think it's cool that they both really like and

1:21:43.680 --> 1:21:46.920
<v Speaker 1>respect each other and it's a friendship and it like

1:21:47.280 --> 1:21:49.639
<v Speaker 1>and it's not presented as a threat or a will

1:21:49.680 --> 1:21:52.240
<v Speaker 1>there won't they? Or something that you know, even today

1:21:52.479 --> 1:21:55.200
<v Speaker 1>is still a pretty rare dynamic to see in movies.

1:21:55.960 --> 1:21:58.880
<v Speaker 1>But I think that, like again, we just have the

1:21:58.960 --> 1:22:01.599
<v Speaker 1>case with Corey because I like Corey's character a lot,

1:22:01.920 --> 1:22:04.960
<v Speaker 1>but we only see her really in spite of the

1:22:04.960 --> 1:22:07.679
<v Speaker 1>fact that if like we see her mostly talking to women,

1:22:08.160 --> 1:22:12.680
<v Speaker 1>she exists mostly in relations to men. Because I have

1:22:12.720 --> 1:22:17.479
<v Speaker 1>no issue with like writing torrid shitty poetry about a

1:22:17.560 --> 1:22:21.280
<v Speaker 1>horrible relationship, like you know, most people have done it

1:22:21.400 --> 1:22:23.800
<v Speaker 1>at some point. Sure, sure, but for that to be

1:22:23.960 --> 1:22:25.720
<v Speaker 1>like the only thing we get to know about her,

1:22:25.800 --> 1:22:28.360
<v Speaker 1>when it would it would have been so easy to

1:22:28.360 --> 1:22:31.880
<v Speaker 1>build out a friendship between her and Diana, between you

1:22:31.920 --> 1:22:34.719
<v Speaker 1>know her and and DC or like you know people

1:22:34.760 --> 1:22:36.240
<v Speaker 1>we see her with, but we don't know what the

1:22:36.240 --> 1:22:38.840
<v Speaker 1>friendship dynamic is other than hanging out all day and

1:22:38.880 --> 1:22:42.960
<v Speaker 1>being like Lloyd is slaying so hard today yet again?

1:22:44.120 --> 1:22:47.439
<v Speaker 3>Uh DC, a character who we know even less about,

1:22:47.920 --> 1:22:51.479
<v Speaker 3>Oh for sure. So that was not great and I

1:22:51.520 --> 1:22:53.360
<v Speaker 3>just wanted to take a little bit more time than

1:22:53.400 --> 1:22:59.160
<v Speaker 3>we had in the live show to examine that. But yeah,

1:22:59.200 --> 1:23:01.960
<v Speaker 3>that's our episodiode on say anything.

1:23:02.080 --> 1:23:05.800
<v Speaker 1>And I think you'll agree we said whatever in that

1:23:06.240 --> 1:23:06.519
<v Speaker 1>is it?

1:23:06.960 --> 1:23:09.840
<v Speaker 3>We kind of said anything, but we also said everything.

1:23:10.600 --> 1:23:17.519
<v Speaker 1>Wow. Whoa, Well goodbye? No wait, you can follow us online.

1:23:17.720 --> 1:23:21.840
<v Speaker 1>It's on Instagram, ed, still Twitter sometimes at Bechdel Cast.

1:23:21.920 --> 1:23:25.720
<v Speaker 1>You can sign up for our Patreon aka Matreon at

1:23:25.760 --> 1:23:28.639
<v Speaker 1>patreon dot com slash Bechtel Cast. Five dollars a month

1:23:28.800 --> 1:23:33.360
<v Speaker 1>gets you two bonus episodes a month. Yay, including access

1:23:33.400 --> 1:23:38.240
<v Speaker 1>to one hundred and fifty episodes of backlog. Of backlog

1:23:38.320 --> 1:23:40.960
<v Speaker 1>makes it sound like backwash, which makes it sound not good,

1:23:41.080 --> 1:23:43.519
<v Speaker 1>it's quite good. All bad.

1:23:43.840 --> 1:23:49.120
<v Speaker 3>And then also check out our link tree for tickets

1:23:49.160 --> 1:23:55.120
<v Speaker 3>for the on demand video version of this Say Anything

1:23:55.320 --> 1:23:59.760
<v Speaker 3>live show, as well as our upcoming live shows that

1:23:59.800 --> 1:24:06.760
<v Speaker 3>were doing kinda anywhere everywhere, Say any say anywhere.

1:24:07.800 --> 1:24:10.880
<v Speaker 1>Say anything everywhere, all at once.

1:24:11.680 --> 1:24:13.679
<v Speaker 3>That is that is so true.

1:24:14.080 --> 1:24:21.080
<v Speaker 1>The people needed to hear my message. All right, Well, hey,

1:24:21.640 --> 1:24:23.920
<v Speaker 1>we will talk to you next week. We'll see you

1:24:24.000 --> 1:24:24.679
<v Speaker 1>next week.

1:24:24.800 --> 1:24:28.120
<v Speaker 3>We'll see anything later, you later.

1:24:28.320 --> 1:24:28.760
<v Speaker 1>I don't know.

1:24:28.800 --> 1:24:37.040
<v Speaker 3>It didn't work, Free Palestine, Bye bye. The Bechdel Cast

1:24:37.120 --> 1:24:40.439
<v Speaker 3>is a production of iHeartMedia, hosted by Caitlin Derante and

1:24:40.560 --> 1:24:44.439
<v Speaker 3>Jamie Loftis, produced by Sophie Lichterman, edited by Mola Board.

1:24:44.920 --> 1:24:48.080
<v Speaker 3>Our theme song was composed by Mike Kaplan with vocals

1:24:48.120 --> 1:24:52.080
<v Speaker 3>by Catherine Vosskresenski. Our logo in merch is designed by

1:24:52.160 --> 1:24:56.280
<v Speaker 3>Jamie Loftis and a special thanks to Aristotle Acevedo. For

1:24:56.360 --> 1:24:59.639
<v Speaker 3>more information about the podcast, please visit link tree slash

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<v Speaker 3>Bechtel Cast