1 00:00:00,080 --> 00:00:02,120 Speaker 1: From the Mercedes Benz Interview Lounge. 2 00:00:02,240 --> 00:00:04,800 Speaker 2: Just speaking with Alessia Kara, who's here by the way. 3 00:00:05,160 --> 00:00:10,960 Speaker 2: He Alessa first started visiting our show when she was 4 00:00:10,960 --> 00:00:12,120 Speaker 2: around eighteen years old. 5 00:00:12,240 --> 00:00:15,320 Speaker 1: Yeah, yeah, even. 6 00:00:14,160 --> 00:00:17,279 Speaker 2: Though not toddler status, it was it was ten years ago. 7 00:00:17,800 --> 00:00:20,000 Speaker 1: Yeah, I can't believe it. I can't believe it's been 8 00:00:20,239 --> 00:00:23,000 Speaker 1: this long. And thanks for having me back. 9 00:00:23,160 --> 00:00:26,520 Speaker 2: Well, thanks for being had I guess, but no problem 10 00:00:26,600 --> 00:00:29,920 Speaker 2: you and as asked Gandhi asked Daniel, you're one of 11 00:00:29,920 --> 00:00:32,600 Speaker 2: my all time favorite guests because you're just so real 12 00:00:33,440 --> 00:00:36,320 Speaker 2: and your light is bright and you can sing too. 13 00:00:36,440 --> 00:00:38,480 Speaker 2: There's there's artistry as well. 14 00:00:38,680 --> 00:00:39,120 Speaker 1: Thank you. 15 00:00:39,320 --> 00:00:43,440 Speaker 2: So obviously we're celebrating Valentine's Day with your new album 16 00:00:43,880 --> 00:00:47,440 Speaker 2: Love and hyperb Hyperbole. Yeah, it's a tough one, she said, 17 00:00:47,720 --> 00:00:48,520 Speaker 2: say hyper Bowl. 18 00:00:48,560 --> 00:00:48,959 Speaker 3: See what. 19 00:00:51,280 --> 00:00:52,599 Speaker 1: So many people say, hyper Bowl. 20 00:00:52,600 --> 00:00:55,400 Speaker 2: It's funny this album. I thought this album was coming 21 00:00:55,440 --> 00:00:56,520 Speaker 2: out months ago. 22 00:00:57,120 --> 00:00:57,600 Speaker 1: So did I. 23 00:00:57,840 --> 00:00:58,280 Speaker 2: What happened? 24 00:00:59,520 --> 00:01:01,200 Speaker 1: No, no, no, it was it was my choice. It 25 00:01:01,240 --> 00:01:03,880 Speaker 1: was by choice. Okay, sorry, what were you gonna say? 26 00:01:03,880 --> 00:01:04,560 Speaker 2: Well, what happened? 27 00:01:05,280 --> 00:01:08,600 Speaker 1: What happened is that I just wanted to kind of 28 00:01:08,640 --> 00:01:10,840 Speaker 1: just like I realized it was going a little fast, 29 00:01:11,160 --> 00:01:13,000 Speaker 1: and I wanted to just let these songs breathe a 30 00:01:13,000 --> 00:01:14,720 Speaker 1: little bit, because I've been sitting on this music for 31 00:01:14,720 --> 00:01:17,959 Speaker 1: about three years now. So I just felt like I 32 00:01:17,959 --> 00:01:19,280 Speaker 1: didn't want to like go onto the next thing and 33 00:01:19,319 --> 00:01:20,759 Speaker 1: go into the next thing in order to just rush 34 00:01:20,760 --> 00:01:22,640 Speaker 1: the album. Like, even though I was excited, I was like, 35 00:01:22,680 --> 00:01:24,720 Speaker 1: if I waited three years, maybe let me just push 36 00:01:24,760 --> 00:01:26,679 Speaker 1: it to the new year, give these songs like a 37 00:01:26,760 --> 00:01:29,280 Speaker 1: chance to breathe before I just like pump out stuff 38 00:01:30,160 --> 00:01:31,720 Speaker 1: just so they just have their own little moment and 39 00:01:31,959 --> 00:01:33,760 Speaker 1: I can like take my time. So that's why we 40 00:01:33,800 --> 00:01:36,600 Speaker 1: pushed it. But it actually fell perfectly because you know 41 00:01:36,640 --> 00:01:39,440 Speaker 1: it's called love and hyperbole. It falls on Valentine's Day. 42 00:01:39,120 --> 00:01:40,200 Speaker 2: How many tracks? 43 00:01:40,360 --> 00:01:45,720 Speaker 1: Fourteen tracks, and it's fourteenth of February, So Laren. 44 00:01:45,520 --> 00:01:47,520 Speaker 2: Dip it is. You see a lot of people were 45 00:01:47,720 --> 00:01:49,440 Speaker 2: in traffic going to work right now, to work for 46 00:01:49,480 --> 00:01:54,240 Speaker 2: an accounting agency or sales department somewhere, and they have 47 00:01:54,360 --> 00:01:56,640 Speaker 2: quotas to me, they have deadlines. To me. The great 48 00:01:56,640 --> 00:01:59,560 Speaker 2: thing about being an artist, obviously you've hooked up with 49 00:01:59,600 --> 00:02:03,160 Speaker 2: a company that's like, she's an artist. Maybe we wanted 50 00:02:03,160 --> 00:02:05,560 Speaker 2: an album in October, but she needs to let it breathe, 51 00:02:05,600 --> 00:02:07,240 Speaker 2: she needs to work with it and sit with it 52 00:02:07,280 --> 00:02:10,240 Speaker 2: for a while. Okay, let's let her do that. And 53 00:02:10,800 --> 00:02:13,360 Speaker 2: aren't you happy that they were like, cool, Okay, do 54 00:02:13,400 --> 00:02:14,040 Speaker 2: what you want to do. 55 00:02:14,200 --> 00:02:15,880 Speaker 1: Yeah, I think so. I think they were also probably 56 00:02:15,880 --> 00:02:18,000 Speaker 1: happy about it. To everybody likes to have more time, 57 00:02:18,120 --> 00:02:20,800 Speaker 1: right like, just to like get things sorted, you know. 58 00:02:20,880 --> 00:02:22,760 Speaker 1: So it was good I think for everybody just to 59 00:02:22,840 --> 00:02:25,000 Speaker 1: like figure things out and to just I don't know, 60 00:02:25,120 --> 00:02:26,880 Speaker 1: just like have people sit with it. I think we 61 00:02:27,040 --> 00:02:30,000 Speaker 1: rushed things too much, like you know, especially in pop music, 62 00:02:30,040 --> 00:02:32,440 Speaker 1: it's very like okay, next, next, next, and this music 63 00:02:32,480 --> 00:02:35,079 Speaker 1: that you take years to work on just like goes 64 00:02:35,120 --> 00:02:36,960 Speaker 1: so fast, and I don't know, I just I like 65 00:02:36,960 --> 00:02:39,240 Speaker 1: for it to just have a little bit of time 66 00:02:39,320 --> 00:02:41,200 Speaker 1: to float around before we move on to the next. 67 00:02:41,600 --> 00:02:43,639 Speaker 4: Did you did you change anything about it in those 68 00:02:43,680 --> 00:02:45,560 Speaker 4: months or did you just sit with it? 69 00:02:45,880 --> 00:02:48,040 Speaker 1: No? No, I just sat with it. I just yeah, 70 00:02:48,120 --> 00:02:48,680 Speaker 1: I just had. 71 00:02:48,639 --> 00:02:50,000 Speaker 2: Just stared at it from across the road. 72 00:02:50,200 --> 00:02:52,560 Speaker 1: Yeah, yeah, stared at it on my phone, just waiting 73 00:02:52,600 --> 00:02:53,959 Speaker 1: for it to come up here. Yeah. 74 00:02:54,040 --> 00:02:56,160 Speaker 2: And you know, there's a lott of love. There's a 75 00:02:56,200 --> 00:03:00,519 Speaker 2: lot of love love tracks, love thoughts and lyrics. 76 00:03:00,560 --> 00:03:02,720 Speaker 5: Oh wait, is it from real life love? 77 00:03:03,919 --> 00:03:06,440 Speaker 1: Yes, but also a bunch of different facets of love. 78 00:03:06,440 --> 00:03:08,720 Speaker 1: There's of course a little bit of romantic love in there, 79 00:03:08,760 --> 00:03:15,680 Speaker 1: but yeah, hatred, divorce, yeah, divorce trial, No there, you know, 80 00:03:15,720 --> 00:03:18,760 Speaker 1: there's like familial love, friendship, love even like I talk 81 00:03:18,800 --> 00:03:21,120 Speaker 1: a lot about self love and just like looking at 82 00:03:21,160 --> 00:03:23,000 Speaker 1: life in a different way too. I think, you know, 83 00:03:23,480 --> 00:03:25,320 Speaker 1: it's kind of a bit of everything, all the facets 84 00:03:25,360 --> 00:03:29,600 Speaker 1: of love. Yeah. And hyperbole and hyperbole, Yes, hyperbole, hyper 85 00:03:30,400 --> 00:03:32,200 Speaker 1: You know your music. 86 00:03:32,360 --> 00:03:36,800 Speaker 2: It's funny interesting anyway how an artist's music evolves with 87 00:03:36,960 --> 00:03:40,240 Speaker 2: them if you're true to your heart and honest and 88 00:03:41,160 --> 00:03:44,480 Speaker 2: out there artist, not afraid to show your emotions this 89 00:03:44,520 --> 00:03:49,840 Speaker 2: and that. So if this album Love and Hyperbole is 90 00:03:50,240 --> 00:03:52,240 Speaker 2: actually talking about you and your life? Is it in 91 00:03:52,280 --> 00:03:54,160 Speaker 2: the past, is it current? Is it in the future? 92 00:03:54,880 --> 00:03:56,840 Speaker 2: Is it when you hear these songs you're thinking, oh, 93 00:03:56,880 --> 00:03:59,040 Speaker 2: that was a great song then when I wrote it 94 00:03:59,120 --> 00:04:01,920 Speaker 2: and saying it, But now I'm off to a whole different, 95 00:04:01,960 --> 00:04:05,040 Speaker 2: different life, Like where are you with this album? Same lane? 96 00:04:06,160 --> 00:04:08,400 Speaker 1: I think, honestly, like the first I tried to make 97 00:04:08,400 --> 00:04:11,200 Speaker 1: this album as chronological as possible, and so it starts 98 00:04:11,200 --> 00:04:13,160 Speaker 1: off a little bit sadder, you know, and it's it's 99 00:04:13,200 --> 00:04:15,480 Speaker 1: kind of about my journey, for lack of a better word, 100 00:04:15,520 --> 00:04:20,920 Speaker 1: through just like a hard time and learning to find 101 00:04:21,120 --> 00:04:24,039 Speaker 1: joy and and learning to reshape pain in different ways. 102 00:04:24,080 --> 00:04:26,600 Speaker 1: So I think that's, you know, thankfully I'm at, you know, 103 00:04:27,200 --> 00:04:28,960 Speaker 1: the second half of the album, I think now where 104 00:04:28,960 --> 00:04:30,960 Speaker 1: I've learned a lot and I feel a lot happier 105 00:04:31,000 --> 00:04:32,479 Speaker 1: than I was when I first started. So some of 106 00:04:32,520 --> 00:04:35,520 Speaker 1: those songs on the early side of the track list 107 00:04:36,240 --> 00:04:38,679 Speaker 1: I kind of can look back on with a different view. 108 00:04:39,839 --> 00:04:42,160 Speaker 1: But also like it's interesting how things kind of pop 109 00:04:42,200 --> 00:04:44,279 Speaker 1: back up into your life and develop new meanings, Like 110 00:04:44,279 --> 00:04:45,920 Speaker 1: I have songs that I listen back to now that 111 00:04:46,400 --> 00:04:48,000 Speaker 1: mean something totally different. 112 00:04:48,120 --> 00:04:50,040 Speaker 2: Give me an example, Like give me the song example 113 00:04:50,080 --> 00:04:50,880 Speaker 2: you're thinking of right now. 114 00:04:51,279 --> 00:04:53,760 Speaker 1: I'm thinking of, honestly a song called Subside, which is 115 00:04:53,800 --> 00:04:57,000 Speaker 1: about not to get too dark, but like anticipatory is 116 00:04:57,000 --> 00:04:58,520 Speaker 1: is that a word antisipatory grief? 117 00:04:59,560 --> 00:04:59,640 Speaker 2: You know? 118 00:04:59,680 --> 00:05:02,000 Speaker 1: Because I tend to be a person who like grieves 119 00:05:02,040 --> 00:05:04,160 Speaker 1: moments and things before they happen, and so a lot 120 00:05:04,200 --> 00:05:06,520 Speaker 1: of my grief in my life has been anticipatory. But 121 00:05:06,600 --> 00:05:09,280 Speaker 1: now I'm experiencing since you know, I wrote that song 122 00:05:09,480 --> 00:05:12,039 Speaker 1: real life grief from someone who passed away, you know, 123 00:05:12,160 --> 00:05:14,120 Speaker 1: very close to me, And so I listened back to 124 00:05:14,160 --> 00:05:16,800 Speaker 1: that song now with a totally new view, you know, 125 00:05:17,279 --> 00:05:19,680 Speaker 1: because I've experienced the other side of grief in a 126 00:05:19,760 --> 00:05:23,160 Speaker 1: really serious way. So it's interesting how these songs ring 127 00:05:23,240 --> 00:05:26,400 Speaker 1: true in different ways. Not to get dark. Sorry, good 128 00:05:26,440 --> 00:05:27,200 Speaker 1: morning everyone. 129 00:05:27,320 --> 00:05:30,760 Speaker 2: So I'm just tracks one through seven are dark. Tracks 130 00:05:31,000 --> 00:05:34,680 Speaker 2: through fourteen, I'm gonna started track eight. 131 00:05:36,880 --> 00:05:38,840 Speaker 1: I know I have so many downers, right, I'm the most. 132 00:05:38,920 --> 00:05:40,840 Speaker 1: I'm the most, the biggest downer of all. 133 00:05:41,040 --> 00:05:41,520 Speaker 2: You're not. 134 00:05:42,920 --> 00:05:47,320 Speaker 1: Has happened? Yes, no, not all. I have red shoes on. 135 00:05:49,320 --> 00:05:50,360 Speaker 1: I got red shoes on. 136 00:05:52,400 --> 00:05:52,719 Speaker 2: Shoes. 137 00:05:52,960 --> 00:05:56,159 Speaker 1: Aren't they so cool? They're like a weird shape, They're 138 00:05:56,200 --> 00:05:59,719 Speaker 1: like weird asymmetrical bottoms. Yeah, they're cool. So that's in 139 00:05:59,760 --> 00:06:01,560 Speaker 1: on of the album. And are you going on a 140 00:06:01,600 --> 00:06:05,799 Speaker 1: like global world tour or something? I am so exciting. 141 00:06:05,960 --> 00:06:07,440 Speaker 2: Yes, it's in my notes. 142 00:06:07,520 --> 00:06:10,080 Speaker 1: Go ahead, it's in your notes. Yeah, I just announced 143 00:06:10,080 --> 00:06:12,360 Speaker 1: it yesterday. We're going all over the place. We're going 144 00:06:12,400 --> 00:06:16,800 Speaker 1: to Europe, North America, Australia, Asia, so many places. I've 145 00:06:16,839 --> 00:06:19,400 Speaker 1: I've never been before, and so many places I've never performed, 146 00:06:19,720 --> 00:06:22,120 Speaker 1: so I'm really excited. It's gonna be really cool. I'm 147 00:06:22,160 --> 00:06:24,240 Speaker 1: gonna be exhausted the world. 148 00:06:24,480 --> 00:06:27,240 Speaker 4: Yes, you even get time though, when you're on this tour. 149 00:06:27,320 --> 00:06:29,520 Speaker 4: You go to these places you've never been to explore 150 00:06:29,680 --> 00:06:30,960 Speaker 4: and have some time to yourself. 151 00:06:31,640 --> 00:06:33,599 Speaker 1: It depends if I have an off day in that city. 152 00:06:33,640 --> 00:06:36,719 Speaker 1: If it falls in the right way, then yes, if 153 00:06:36,760 --> 00:06:39,040 Speaker 1: not not. Usually on a show day, you can't really 154 00:06:39,080 --> 00:06:42,520 Speaker 1: go too many places because you're doing promo or warm ups. 155 00:06:42,560 --> 00:06:44,880 Speaker 1: You can't really like, I don't really talk to preserve 156 00:06:44,920 --> 00:06:46,320 Speaker 1: my voice, so I can't really do much. 157 00:06:46,560 --> 00:06:48,680 Speaker 5: But off days are the best I love. Can't you 158 00:06:48,680 --> 00:06:50,840 Speaker 5: say to them, Okay, we're going here. I've never been. 159 00:06:50,960 --> 00:06:53,080 Speaker 5: I really want to see it. Can you please slot 160 00:06:53,120 --> 00:06:56,000 Speaker 5: in some time for me to go and you know, explore. 161 00:06:56,560 --> 00:06:58,640 Speaker 5: I mean you you can, But when you're routing a tour, 162 00:06:58,680 --> 00:07:00,520 Speaker 5: it's tough because you've got to make sure that venue 163 00:07:00,560 --> 00:07:02,000 Speaker 5: is available, so you have to route it in a 164 00:07:02,040 --> 00:07:03,719 Speaker 5: way that the dates fit. I can't just be like 165 00:07:03,720 --> 00:07:05,480 Speaker 5: I'm gonna be off for three days here and then 166 00:07:06,080 --> 00:07:08,000 Speaker 5: the next city, but that next city might be booked 167 00:07:08,040 --> 00:07:09,560 Speaker 5: like another band might be playing there, you know, so 168 00:07:09,600 --> 00:07:12,760 Speaker 5: it's you have like it's really hard to route a tour, 169 00:07:12,800 --> 00:07:14,239 Speaker 5: and I know so many fans are so upset. 170 00:07:14,240 --> 00:07:16,040 Speaker 1: They're like, you're not coming to my city. But it's 171 00:07:16,040 --> 00:07:18,440 Speaker 1: so hard to to route everything, and there's so many 172 00:07:18,440 --> 00:07:20,360 Speaker 1: factors that go into it that you know are so 173 00:07:20,400 --> 00:07:22,520 Speaker 1: out of your control. So I'm going to try to 174 00:07:22,520 --> 00:07:24,560 Speaker 1: go to more places though, don't hold me to that, 175 00:07:24,600 --> 00:07:25,840 Speaker 1: but I'm trying. I'm trying. 176 00:07:25,960 --> 00:07:29,800 Speaker 2: Unless your Kara is here. The album it's out today. 177 00:07:30,400 --> 00:07:34,240 Speaker 2: I'm looking at Jonas Brothers notes they're putting up in 178 00:07:34,240 --> 00:07:37,160 Speaker 2: an hour. You're celebrating your twentieth anniversary of the Jonas Brothers. 179 00:07:37,760 --> 00:07:40,960 Speaker 2: I am actually, yes, we've put these over here. I 180 00:07:40,960 --> 00:07:44,800 Speaker 2: am celebrating the hy hyper Purpoly. I can't say the 181 00:07:44,880 --> 00:07:50,520 Speaker 2: stupid word hyper Bowl. I'm hyper Bowl. It's out today, 182 00:07:51,040 --> 00:07:54,080 Speaker 2: Yes it is. And uh, your Max is here performing 183 00:07:54,080 --> 00:07:54,400 Speaker 2: with you. 184 00:07:54,480 --> 00:07:58,360 Speaker 1: Max is here me, Yeah, I just saw him. He 185 00:07:58,440 --> 00:07:59,040 Speaker 1: just got a guitar. 186 00:07:59,640 --> 00:08:04,760 Speaker 2: Max has two microphones. Hello. Hello. We're always in awe 187 00:08:04,800 --> 00:08:09,120 Speaker 2: of artists that come in here and can make it 188 00:08:09,160 --> 00:08:12,000 Speaker 2: happen at this hour and sound as great as you 189 00:08:12,040 --> 00:08:13,679 Speaker 2: always do. Pressure We'll see. 190 00:08:13,720 --> 00:08:15,400 Speaker 1: I was gonna say, I haven't done it yet. 191 00:08:15,440 --> 00:08:18,480 Speaker 2: We'll see we had someone and go, let me start over. 192 00:08:19,200 --> 00:08:22,400 Speaker 1: Yea, I know Chris, Chris Martin always does that. He 193 00:08:22,680 --> 00:08:24,000 Speaker 1: loves he loves to start over. 194 00:08:24,080 --> 00:08:24,680 Speaker 2: But I love that. 195 00:08:24,840 --> 00:08:27,120 Speaker 1: I think he plans those you think he's like, let 196 00:08:27,160 --> 00:08:28,880 Speaker 1: me to give it a moment, a. 197 00:08:28,520 --> 00:08:30,960 Speaker 2: Fake crack of the voice to go, oh, sorry, I'm 198 00:08:30,960 --> 00:08:31,360 Speaker 2: a human. 199 00:08:33,840 --> 00:08:37,080 Speaker 1: I love him because he's he's so talented and crazy. 200 00:08:37,080 --> 00:08:38,800 Speaker 1: He just is like from the stars. He has to 201 00:08:38,800 --> 00:08:42,079 Speaker 1: remind people that he's a person. Sometimes forget maybe he's 202 00:08:42,080 --> 00:08:43,160 Speaker 1: an alien. I don't think he is. 203 00:08:44,400 --> 00:08:48,559 Speaker 2: John Billion, John Billion started to go love him. He's amazing. 204 00:08:49,280 --> 00:08:51,640 Speaker 1: But I might start a couple of times out just because. 205 00:08:53,280 --> 00:08:55,720 Speaker 2: If you could act more human, that would be a plus. Okay, 206 00:08:56,720 --> 00:08:58,480 Speaker 2: but you always sound awesome. You want to do, you 207 00:08:58,480 --> 00:08:59,079 Speaker 2: want to try. 208 00:08:58,880 --> 00:09:00,400 Speaker 1: This, whatever you guys want to do. I don't know 209 00:09:00,440 --> 00:09:01,000 Speaker 1: how whatever. 210 00:09:01,160 --> 00:09:02,559 Speaker 2: Okay, then screw it, let's just sit here. 211 00:09:02,760 --> 00:09:06,680 Speaker 3: Okay, no favorite voices. I love your voice so much. 212 00:09:06,760 --> 00:09:08,880 Speaker 1: Thank you so much. It's a little gone right now, 213 00:09:08,920 --> 00:09:10,240 Speaker 1: so let us pray. 214 00:09:10,280 --> 00:09:12,319 Speaker 2: You're one of those. You're like my mom and no 215 00:09:12,760 --> 00:09:14,720 Speaker 2: dinner said, this is gonna be the most god awful dinner. 216 00:09:14,760 --> 00:09:15,400 Speaker 2: It was always great. 217 00:09:15,400 --> 00:09:16,000 Speaker 1: You do that. 218 00:09:16,160 --> 00:09:18,680 Speaker 2: You always say my voice is cold, no, but this 219 00:09:18,800 --> 00:09:21,080 Speaker 2: always sounds awesome. You're an angel. 220 00:09:21,880 --> 00:09:23,559 Speaker 1: You are one of our favorite co hosts. Like when 221 00:09:23,559 --> 00:09:25,880 Speaker 1: you took over the show that day, that was so fun. 222 00:09:25,920 --> 00:09:28,760 Speaker 1: I have this like secret dream of doing like having 223 00:09:28,800 --> 00:09:30,960 Speaker 1: a radio show since I was a kid, and so 224 00:09:31,040 --> 00:09:35,760 Speaker 1: that really fulfilled my childhood dreams. Anytime you guys need seriously. 225 00:09:35,440 --> 00:09:38,079 Speaker 2: Like in five minutes, okay, I. 226 00:09:38,000 --> 00:09:39,960 Speaker 1: Will literally be here. This is I would rather be 227 00:09:40,000 --> 00:09:41,040 Speaker 1: doing this, honestly. I love it. 228 00:09:41,600 --> 00:09:43,480 Speaker 2: My ass running out that door. Let's get cars on. 229 00:09:43,480 --> 00:09:45,480 Speaker 4: I gotta we should do a job slap. You can 230 00:09:45,520 --> 00:09:46,800 Speaker 4: host the show one day and we can do a 231 00:09:46,880 --> 00:09:47,400 Speaker 4: day on your tour. 232 00:09:47,640 --> 00:09:49,040 Speaker 3: Yes, people love that. 233 00:09:49,040 --> 00:09:50,400 Speaker 1: That would be fun, you guys. 234 00:09:50,880 --> 00:09:56,479 Speaker 2: That's called refunding, all right, so you do fire Yeah, 235 00:09:56,559 --> 00:09:58,199 Speaker 2: all right. So I'm not going to ask you what 236 00:09:58,240 --> 00:09:59,679 Speaker 2: it's about. I'm gonna what the words tell me. 237 00:09:59,760 --> 00:10:02,960 Speaker 1: Okay, and then I want to ask you what you think. 238 00:10:03,240 --> 00:10:05,640 Speaker 1: I mean. It's very it's very It's an obvious one. 239 00:10:05,679 --> 00:10:08,840 Speaker 1: It's not like you know, well I'm a little slow. No, no, no, 240 00:10:08,840 --> 00:10:09,560 Speaker 1: I think it. 241 00:10:09,640 --> 00:10:13,760 Speaker 2: Okay, scary you gonna push the buttons on. So with 242 00:10:13,880 --> 00:10:19,040 Speaker 2: Max with Max from Love and Hyperbole, which is out today. 243 00:10:20,360 --> 00:10:24,560 Speaker 1: Thank you, damn, thank you. 244 00:10:24,559 --> 00:10:25,360 Speaker 2: You're on fire. 245 00:10:25,559 --> 00:10:26,200 Speaker 1: I'm on fire. 246 00:10:26,320 --> 00:10:30,480 Speaker 2: Yes, yes, yes, Max sounds awesome. Back there. There was 247 00:10:30,520 --> 00:10:32,760 Speaker 2: a moment scary is on the mix. He didn't have 248 00:10:32,800 --> 00:10:35,640 Speaker 2: your MinC up loud enough. Okay, Alessia open her eyes 249 00:10:35,640 --> 00:10:36,680 Speaker 2: and looked over like, where's the. 250 00:10:36,679 --> 00:10:40,600 Speaker 3: Mak you with a bad voice? 251 00:10:41,000 --> 00:10:44,080 Speaker 1: Yeah, thank you. It's like I'm holding on fire. 252 00:10:45,280 --> 00:10:51,560 Speaker 2: That was dreadful. Why you're crying? I'm not the only 253 00:10:51,600 --> 00:10:53,400 Speaker 2: one you Wow. 254 00:10:54,000 --> 00:10:59,400 Speaker 1: Wow, Nate names on Fire. I actually wrote that about 255 00:10:59,400 --> 00:11:01,839 Speaker 1: having Halloween your pizza. 256 00:11:02,559 --> 00:11:05,120 Speaker 2: After I've never seen express the emotion ever. 257 00:11:05,320 --> 00:11:07,600 Speaker 1: That's so sweet. 258 00:11:08,840 --> 00:11:14,480 Speaker 2: All the people in their car right now quiet the 259 00:11:15,400 --> 00:11:19,480 Speaker 2: text say. Her voice is so beautiful. Maxell's great. The 260 00:11:19,559 --> 00:11:23,480 Speaker 2: guitar is just about breakups. They're asking. 261 00:11:23,920 --> 00:11:25,959 Speaker 1: No, it's actually quite the opposite. 262 00:11:26,160 --> 00:11:27,040 Speaker 2: The second half of the album. 263 00:11:27,080 --> 00:11:30,200 Speaker 1: That happens she's jumping in. Yes exactly. It's about being 264 00:11:30,280 --> 00:11:34,480 Speaker 1: like reignited, feeling color again and feeling, you know, like 265 00:11:34,600 --> 00:11:36,120 Speaker 1: you're being expanded by. 266 00:11:36,160 --> 00:11:39,680 Speaker 2: That's what I got from it. Yeah, I love Fire Fire. 267 00:11:39,880 --> 00:11:41,600 Speaker 2: You know you can look at all the elements, but fire, 268 00:11:41,640 --> 00:11:43,280 Speaker 2: to me is my favorite. Do you have Are you 269 00:11:43,360 --> 00:11:45,080 Speaker 2: a water girl or fire girl? What are you? 270 00:11:45,160 --> 00:11:47,280 Speaker 1: I'm a water I mean I'm a water sign, and 271 00:11:47,320 --> 00:11:49,599 Speaker 1: I'm definitely I think I feel like more water and 272 00:11:49,679 --> 00:11:54,199 Speaker 1: more like sensitive. Go with the flow right a little bit. 273 00:11:54,280 --> 00:11:55,880 Speaker 2: Yeah, I'm like fire. 274 00:11:56,040 --> 00:11:57,840 Speaker 3: All three of us we have the three fire signs. 275 00:11:57,960 --> 00:12:00,400 Speaker 1: Yeah, what are all your signs? You guys? 276 00:12:00,400 --> 00:12:02,080 Speaker 2: This or no? A Leo? 277 00:12:02,240 --> 00:12:06,239 Speaker 3: Elvis is Leo? Leo Danielle's aries and I'm a Sagittarius. 278 00:12:06,400 --> 00:12:08,760 Speaker 1: I actually I'm not just saying this. Can see that 279 00:12:08,840 --> 00:12:09,240 Speaker 1: for all. 280 00:12:09,160 --> 00:12:12,720 Speaker 2: The Yeah, okay, I got okay, I have to call 281 00:12:12,840 --> 00:12:13,640 Speaker 2: partial bs on that. 282 00:12:14,240 --> 00:12:19,320 Speaker 3: I hear you lea. 283 00:12:17,840 --> 00:12:20,280 Speaker 2: Someone who's going, what's your sign of I'm a Leo? 284 00:12:20,320 --> 00:12:22,600 Speaker 2: And they'll go, oh god, oh what do you mean? 285 00:12:22,640 --> 00:12:25,640 Speaker 2: Oh god? Oh what does that mean? Oh god? Oh? 286 00:12:25,960 --> 00:12:28,120 Speaker 1: Because well there's like a there's like a you know, 287 00:12:28,160 --> 00:12:30,400 Speaker 1: every sign has like a negative connotation. I'm a cancer. 288 00:12:30,440 --> 00:12:32,760 Speaker 1: They say cancers are like moody and emotional and like 289 00:12:33,360 --> 00:12:36,400 Speaker 1: over sensitive, and they say that Leo's are like a 290 00:12:36,440 --> 00:12:41,520 Speaker 1: little bits a little cocky. Well, but I think that's 291 00:12:41,520 --> 00:12:44,200 Speaker 1: a beautiful thing to be, you know, to be confident 292 00:12:44,200 --> 00:12:44,640 Speaker 1: in yourself. 293 00:12:44,679 --> 00:12:49,200 Speaker 2: You know, the only one I do definitely see right there. 294 00:12:49,480 --> 00:12:51,000 Speaker 2: Geminis geminis. 295 00:12:51,120 --> 00:12:54,280 Speaker 1: Yeah, my brother's a gemini nuts right yeah yeah, nuts. 296 00:12:54,080 --> 00:12:59,400 Speaker 2: And a married one really, so who's the nuts? 297 00:12:59,559 --> 00:13:00,440 Speaker 1: What do you love? 298 00:13:00,880 --> 00:13:03,080 Speaker 5: Do you believe certain sign shouldn't date other signs? 299 00:13:03,920 --> 00:13:05,800 Speaker 1: Not necessarily, because I do think. First of all, I 300 00:13:05,800 --> 00:13:07,520 Speaker 1: think there's like you know, there's a whole birth chart, 301 00:13:07,800 --> 00:13:10,240 Speaker 1: so there's like all kinds of different signs within one person. 302 00:13:10,280 --> 00:13:13,840 Speaker 1: But I also think like there's personality there that's separate 303 00:13:13,880 --> 00:13:15,920 Speaker 1: from your son, Like I think people can still very 304 00:13:16,000 --> 00:13:18,760 Speaker 1: much get along if there's signs don't necessarily Like, I'm 305 00:13:18,760 --> 00:13:20,839 Speaker 1: not that heavy into it, but I do feel like 306 00:13:20,840 --> 00:13:22,760 Speaker 1: there's so much truth to it because everybody I meet 307 00:13:22,800 --> 00:13:24,880 Speaker 1: really matches their sign. Like I feel like you's not 308 00:13:24,920 --> 00:13:26,439 Speaker 1: that you're not cocky at all. And I don't think 309 00:13:26,520 --> 00:13:29,199 Speaker 1: leos are cocky. I think that they're confident and expressive. 310 00:13:29,280 --> 00:13:30,319 Speaker 1: And I love you and I. 311 00:13:30,240 --> 00:13:32,000 Speaker 2: Think we should please we should play Family for you 312 00:13:32,040 --> 00:13:32,640 Speaker 2: with less car. 313 00:13:33,040 --> 00:13:36,280 Speaker 1: Yes, I went on that show Oh My Family, and 314 00:13:36,400 --> 00:13:36,960 Speaker 1: it was crazy. 315 00:13:36,960 --> 00:13:40,560 Speaker 2: We won, But you and your family were on Family 316 00:13:40,640 --> 00:13:40,800 Speaker 2: for You. 317 00:13:41,040 --> 00:13:44,720 Speaker 1: We were on Family feod Canada. So a little different. 318 00:13:45,679 --> 00:13:48,560 Speaker 2: That is that a thing? Are you excited about becoming 319 00:13:48,760 --> 00:13:49,960 Speaker 2: the new state in the United States? 320 00:13:50,679 --> 00:13:52,720 Speaker 1: Oh my god, I'm so excited to join you guys. 321 00:13:52,800 --> 00:13:53,960 Speaker 3: Yes, it's a great time. 322 00:13:54,080 --> 00:13:56,240 Speaker 1: Yes, great time to jump in exactly. Yeah. I'm not 323 00:13:56,240 --> 00:13:58,079 Speaker 1: even gonna say anything back because now I'm one, I'm 324 00:13:58,080 --> 00:14:00,400 Speaker 1: one of you guys. I'm just going to be to 325 00:14:00,400 --> 00:14:02,120 Speaker 1: be here. Thank you for having the possibilities. 326 00:14:03,320 --> 00:14:05,400 Speaker 2: The possibilities are less now we will own the world 327 00:14:05,480 --> 00:14:07,920 Speaker 2: all way have to Alaska? Yeah, yeah, I know. Okay, 328 00:14:07,960 --> 00:14:12,440 Speaker 2: So there's that world tour. Is the info all out? 329 00:14:12,559 --> 00:14:14,240 Speaker 2: Are the venues booked? 330 00:14:14,600 --> 00:14:17,120 Speaker 1: The venues are booked? Yeah, yeah, yeah, I think some 331 00:14:17,200 --> 00:14:20,480 Speaker 1: of them aren't announced yet. Okay, for whatever reason, I 332 00:14:20,480 --> 00:14:22,640 Speaker 1: don't know the logistics behind these things, but I believe 333 00:14:22,680 --> 00:14:24,960 Speaker 1: they're all booked unless they show up and there's no venue. 334 00:14:25,120 --> 00:14:27,160 Speaker 2: See, I would rather than seeing you in Boston, I 335 00:14:27,200 --> 00:14:29,400 Speaker 2: would like to go to Warsaw, Poland Diseason. 336 00:14:29,560 --> 00:14:31,520 Speaker 1: Yes, Oh my god, I was thinking that, like how 337 00:14:31,520 --> 00:14:34,320 Speaker 1: cool is those cities are just the coolest because it's 338 00:14:34,320 --> 00:14:35,960 Speaker 1: just like, what is that place? I'm so excited. 339 00:14:36,000 --> 00:14:37,280 Speaker 2: What's your favorite foreign city? 340 00:14:37,480 --> 00:14:38,040 Speaker 1: My favorite? 341 00:14:38,040 --> 00:14:38,240 Speaker 6: Four? 342 00:14:38,320 --> 00:14:40,680 Speaker 2: The one that really moved you, maybe to tears, maybe 343 00:14:40,720 --> 00:14:41,480 Speaker 2: to giggling. 344 00:14:41,520 --> 00:14:46,920 Speaker 1: What something Argentine. I went to Argentina in twenty twenty two, Yes, 345 00:14:47,080 --> 00:14:50,440 Speaker 1: oh yeah, because it's not a city that's beautiful. No, 346 00:14:50,480 --> 00:14:53,200 Speaker 1: Buenos Aires is amazing and I played a show there 347 00:14:53,920 --> 00:14:56,600 Speaker 1: like a festival and it was the best show I've 348 00:14:56,600 --> 00:15:01,320 Speaker 1: ever played. The crowds like energy was It brought us 349 00:15:01,320 --> 00:15:03,680 Speaker 1: all to tears. My whole band, everybody was crying. 350 00:15:03,520 --> 00:15:05,840 Speaker 2: And you can't really explain it all the time, and 351 00:15:05,880 --> 00:15:07,680 Speaker 2: which is the energy of the of the spot. I'm 352 00:15:07,760 --> 00:15:10,440 Speaker 2: I'm I've become a huge Vienna fan. I love it. 353 00:15:10,520 --> 00:15:15,640 Speaker 1: I love yeah. And it waits for you, It waits 354 00:15:15,680 --> 00:15:22,640 Speaker 1: for you. I I just got that. 355 00:15:23,120 --> 00:15:25,960 Speaker 2: Alyssa say good morning to Alessia Kara, whose new album 356 00:15:26,040 --> 00:15:27,120 Speaker 2: is right now out. 357 00:15:28,280 --> 00:15:32,120 Speaker 7: Hi, good morning, Hi, good gradations on the new album. 358 00:15:32,480 --> 00:15:33,760 Speaker 1: Thank you so much. 359 00:15:35,240 --> 00:15:36,280 Speaker 7: So I'm talking. 360 00:15:37,280 --> 00:15:40,600 Speaker 2: Were you weeping as along with Nate over there? 361 00:15:41,800 --> 00:15:45,440 Speaker 7: Yes? Oh my goodness, I just like the second the 362 00:15:45,520 --> 00:15:50,640 Speaker 7: song started. Your voice is just so beautiful and it's 363 00:15:50,760 --> 00:15:53,560 Speaker 7: just personally for me, it's been, it's done it. It's 364 00:15:53,560 --> 00:15:57,040 Speaker 7: been a tough goal lately for me. So just having 365 00:15:57,080 --> 00:15:59,000 Speaker 7: new music today like this is such a surprise. I 366 00:15:59,000 --> 00:16:01,000 Speaker 7: didn't even realize you had a album coming out. So 367 00:16:01,080 --> 00:16:03,640 Speaker 7: the second Elvias said it, I'm like Apple Music download, 368 00:16:03,960 --> 00:16:06,280 Speaker 7: I can't wait to listen to the rest. I'm just 369 00:16:06,720 --> 00:16:08,960 Speaker 7: this is a gift. It's it's I've just been having 370 00:16:08,960 --> 00:16:10,440 Speaker 7: a hard time, so if this is such a gift, 371 00:16:10,480 --> 00:16:13,040 Speaker 7: I can't wait to listen. And I'm like in tears 372 00:16:13,120 --> 00:16:16,360 Speaker 7: driving to work right now. But oh my godness, your 373 00:16:18,080 --> 00:16:20,000 Speaker 7: your voice is amazing, and I can't wait to listen 374 00:16:20,000 --> 00:16:22,560 Speaker 7: to the rest. I know it's going to be the album. 375 00:16:22,960 --> 00:16:24,880 Speaker 1: That's so sweet. I'm sorry you're going through a rough 376 00:16:24,920 --> 00:16:26,880 Speaker 1: time hanging in there, and I hope that the album 377 00:16:26,920 --> 00:16:29,800 Speaker 1: gives you some company and you can find something in 378 00:16:29,840 --> 00:16:30,960 Speaker 1: it for you to. 379 00:16:31,120 --> 00:16:33,280 Speaker 7: You know, you know, I'm sure I will. I always 380 00:16:33,360 --> 00:16:35,400 Speaker 7: do all of your music. It's it's always amazing. 381 00:16:35,600 --> 00:16:38,960 Speaker 2: Thank you, Lisa. It's so great knowing you're listening to it. 382 00:16:39,040 --> 00:16:39,880 Speaker 2: Do you listen every day? 383 00:16:41,080 --> 00:16:41,320 Speaker 7: Oh? 384 00:16:41,360 --> 00:16:41,840 Speaker 5: Every day? 385 00:16:42,080 --> 00:16:44,280 Speaker 7: Every day on my drag work, I try to listen 386 00:16:44,320 --> 00:16:47,280 Speaker 7: to the replay channel. When I was out on maternity 387 00:16:47,360 --> 00:16:48,880 Speaker 7: leave for a few months, I was always trying to 388 00:16:48,920 --> 00:16:51,040 Speaker 7: listen and like catch up on things. 389 00:16:50,720 --> 00:16:53,920 Speaker 2: And look at that we're interviewing a listen to car 390 00:16:54,000 --> 00:17:00,960 Speaker 2: But I made it all about us. Thank you so much, 391 00:17:01,080 --> 00:17:04,199 Speaker 2: and we we agree. Alysia is awesome, Thank you very much. 392 00:17:05,640 --> 00:17:09,280 Speaker 2: Oh wait, how's timing looking? Because I found a secret 393 00:17:09,320 --> 00:17:10,320 Speaker 2: piece of sound. 394 00:17:10,560 --> 00:17:11,720 Speaker 1: A secret piece of sound. 395 00:17:12,040 --> 00:17:18,840 Speaker 2: This is you playing fast money on Family Feud Canada. 396 00:17:17,400 --> 00:17:21,560 Speaker 1: Yes, brother, me and my Gemini brother. 397 00:17:21,600 --> 00:17:26,360 Speaker 2: We nailed brother paid him. Okay, let's see how they did. 398 00:17:26,440 --> 00:17:28,600 Speaker 6: Name an instrument people play sitting Wait. 399 00:17:28,520 --> 00:17:29,760 Speaker 2: Who is that? That's not Steve Harvey. 400 00:17:29,960 --> 00:17:33,359 Speaker 1: No, that's Jerry d. Imagine that Steve Harvey flies back 401 00:17:33,359 --> 00:17:34,399 Speaker 1: and forth. No, it's Jerry D. 402 00:17:34,720 --> 00:17:36,840 Speaker 2: We do Steve Harvey of Canada. 403 00:17:36,600 --> 00:17:38,960 Speaker 1: And Canadian comedian legend Jerry de O. 404 00:17:39,119 --> 00:17:43,680 Speaker 6: Here, name an instrument people play sitting down piano? Name 405 00:17:43,760 --> 00:17:48,920 Speaker 6: something every pirate has a name, a royal title king. 406 00:17:49,320 --> 00:17:52,560 Speaker 6: Name the worst day of the week for traffic on Monday. 407 00:17:52,840 --> 00:17:55,359 Speaker 6: Name something in the bathroom that fills with water. 408 00:17:58,320 --> 00:17:58,800 Speaker 1: I don't know. 409 00:17:59,480 --> 00:18:02,520 Speaker 2: Canadians are so easy, They're so easy. 410 00:18:02,880 --> 00:18:04,479 Speaker 3: I thought guitar for the worst one because I saw 411 00:18:04,560 --> 00:18:05,160 Speaker 3: maxim down. 412 00:18:05,600 --> 00:18:07,400 Speaker 2: This is why it went in Canada, so relaxed, because 413 00:18:07,400 --> 00:18:09,520 Speaker 2: on Family Few they give him easy questions. Please you 414 00:18:10,480 --> 00:18:12,679 Speaker 2: up somehow Here's here's the thing. We're all we know, 415 00:18:12,760 --> 00:18:17,400 Speaker 2: we're all brilliant, but under the spotlight your the IQ 416 00:18:17,600 --> 00:18:20,360 Speaker 2: level goes down. It's like going to an airport week. 417 00:18:20,480 --> 00:18:22,679 Speaker 5: I was on the weakest link and I got voted 418 00:18:22,680 --> 00:18:24,840 Speaker 5: all first. You were on the weakest and I was 419 00:18:24,920 --> 00:18:27,960 Speaker 5: the weakest link. By h Wait, did the ladies say 420 00:18:28,000 --> 00:18:28,359 Speaker 5: that to you? 421 00:18:28,680 --> 00:18:28,920 Speaker 1: Yeah? 422 00:18:28,960 --> 00:18:31,360 Speaker 5: She did, and it was because and it's so hot 423 00:18:31,440 --> 00:18:33,359 Speaker 5: under those lights and you're so nervous. 424 00:18:33,400 --> 00:18:36,520 Speaker 1: Of course I forgot everything. Of course, yeah, I forgot 425 00:18:36,560 --> 00:18:38,639 Speaker 1: how to speak. I feel like even when I do that, like, 426 00:18:38,640 --> 00:18:41,679 Speaker 1: did you win we did before charity? Imagine? Yeah we 427 00:18:41,720 --> 00:18:45,320 Speaker 1: pocketed all No, no, no, we went it for a charity. 428 00:18:45,960 --> 00:18:48,000 Speaker 2: Yes, tell you what if you want to hear the 429 00:18:48,000 --> 00:18:51,440 Speaker 2: studio version of Fire, I'm about to play it for it. 430 00:18:52,040 --> 00:18:57,119 Speaker 2: In the music business, because of this two spins Alesia Kara. 431 00:18:57,240 --> 00:19:00,920 Speaker 2: Her new album is Love and Hyperbole and it's out today. 432 00:19:01,160 --> 00:19:03,719 Speaker 2: How do I quickly find out where you are traveling 433 00:19:03,800 --> 00:19:05,200 Speaker 2: to for your concerts? 434 00:19:05,680 --> 00:19:09,000 Speaker 1: You can go on my website alessiacard dot com, slash tour, 435 00:19:09,160 --> 00:19:11,560 Speaker 1: or on my Instagram. I have the poster up. I 436 00:19:11,600 --> 00:19:13,600 Speaker 1: believe I think I pinned it to the top of 437 00:19:13,680 --> 00:19:15,760 Speaker 1: the of my page, so you can go there as well. 438 00:19:15,800 --> 00:19:17,359 Speaker 2: Did you do that or did someone do that for you? 439 00:19:17,400 --> 00:19:19,080 Speaker 1: No, no, I do it. I do everything. I do 440 00:19:19,160 --> 00:19:21,080 Speaker 1: my own. So that's why I pose everything late. For 441 00:19:21,119 --> 00:19:24,560 Speaker 1: the people listening wondering why my social media might be 442 00:19:24,560 --> 00:19:28,440 Speaker 1: a bit disorganized, it's because I do it all. I'm like, okay, Twitter, Okay, Instagram, 443 00:19:28,440 --> 00:19:30,400 Speaker 1: I'm doing it all myself. But I asked for it. 444 00:19:30,480 --> 00:19:31,080 Speaker 1: I asked for it. 445 00:19:32,880 --> 00:19:34,240 Speaker 2: I just asked, who did your stuff? 446 00:19:34,280 --> 00:19:36,400 Speaker 1: I see that was me venting, that was. 447 00:19:39,000 --> 00:19:39,240 Speaker 2: Okay. 448 00:19:39,680 --> 00:19:40,600 Speaker 1: I needed to release that. 449 00:19:40,960 --> 00:19:43,800 Speaker 2: There should be some punishment. You asked for it. Look, 450 00:19:44,000 --> 00:19:46,320 Speaker 2: we love you, We will always love you. We always have, 451 00:19:46,640 --> 00:19:49,959 Speaker 2: we always will. So please understand you always have an 452 00:19:50,000 --> 00:19:52,199 Speaker 2: open invitation to come with us over here, and I 453 00:19:52,240 --> 00:19:53,840 Speaker 2: host the show. Do whatever the hell you want. 454 00:19:53,840 --> 00:19:56,040 Speaker 1: Oh my gosh, I will take you up on that. 455 00:19:56,119 --> 00:19:57,440 Speaker 1: I'm going to be here every day. 456 00:19:57,560 --> 00:19:59,160 Speaker 3: Come back for a family feud and watch. 457 00:19:59,240 --> 00:20:01,200 Speaker 2: Yes, how this a family few with me is fine? 458 00:20:01,200 --> 00:20:03,120 Speaker 2: But they're saying we're out of time. Otherwise this would 459 00:20:03,160 --> 00:20:05,440 Speaker 2: change your day, It would change the trajectory. 460 00:20:05,600 --> 00:20:08,960 Speaker 1: Your questions are harder than this question. Next time I 461 00:20:09,000 --> 00:20:09,840 Speaker 1: want to hear them. 462 00:20:12,080 --> 00:20:13,840 Speaker 2: You'll see. Is it a date next time? Unless he 463 00:20:13,920 --> 00:20:16,080 Speaker 2: is here? Unlessay is coming back? And let me give 464 00:20:16,080 --> 00:20:19,880 Speaker 2: you another cut, one of fourteen incredible cuts off love 465 00:20:19,920 --> 00:20:23,919 Speaker 2: and hyperbole. This is fire, Yay, Thank you,