WEBVTT - Mini Crush #63

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio. Hey,

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<v Speaker 1>good morning, Sunshines, Welcome to Mini Crush. The Earth says hello, No,

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<v Speaker 1>Nolan Chucks say hello. So no, yeah, I think we

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<v Speaker 1>have to talk about Okay, okay, well all right, okay,

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<v Speaker 1>So guys, we came in here and had eight minutes

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<v Speaker 1>of solid gold in the can and no, all of

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<v Speaker 1>a sudden went your wave form on the screen is

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<v Speaker 1>way too small. That is not a healthy looking wave

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<v Speaker 1>for think we're recording. Yeah, well, the thing is, Chuck,

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<v Speaker 1>if anybody wants to hear just my side of that,

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<v Speaker 1>we can release that as an outtake with the quiet,

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<v Speaker 1>weedy chuck sound in the background. But no, I wasn't

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<v Speaker 1>gonna fly you guys. You guys deserve better than that.

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<v Speaker 1>So we we're doing a mull again. We're doing a

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<v Speaker 1>intro mull agan. It is a mulligan. Let me get

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<v Speaker 1>my script back out. Okay, see where we left off.

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<v Speaker 1>How's it going? You know, it's good. I'm a little

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<v Speaker 1>I'm a little flustered that I'm I'm not ashamed to

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<v Speaker 1>say that because that happened. Yeah, Chuck, No, I don't care,

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<v Speaker 1>I know, dude, but it was It was all good.

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<v Speaker 1>It was not a good look for me. Never happened. Okay,

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<v Speaker 1>that's fair. We're drunk, we are, we're highs balls nuts.

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<v Speaker 1>I can't believe I could even figure out how to

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<v Speaker 1>turn the computer on. You know, I'm about to pluck

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<v Speaker 1>a button off this uh peyote plant. We're gonna get down.

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<v Speaker 1>What do you mean a button? That's what they're called

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<v Speaker 1>pot It's like a little but it's like there were cactuses.

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<v Speaker 1>Well yeah, but on the cactus is I think they

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<v Speaker 1>call it a button. It's a little out growth. Is

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<v Speaker 1>that the same as micro dots? I don't know. I've

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<v Speaker 1>never done I haven't either. I just I just learned

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<v Speaker 1>everything I've learned about that stuff I've learned from, like

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<v Speaker 1>Fear and Loathing in Las Vegas, or the Doors and

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<v Speaker 1>the Doors, or my friend John shout out to John. Okay,

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<v Speaker 1>so uh yeah, so we we we should catch up again.

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<v Speaker 1>I don't feel like that's disingenuous, of course not. We

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<v Speaker 1>haven't talked since the walk in episode came out. Yes,

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<v Speaker 1>that's true. Um, And I couldn't help but notice that

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<v Speaker 1>on social media there was a slight mini backlash. A

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<v Speaker 1>mini just like a mini crush. I got mini crushed

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<v Speaker 1>a bit. Now it was fine. It was like people

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<v Speaker 1>were awesome and thought it was great. And the people

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<v Speaker 1>that I'm not saying the people that had a took

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<v Speaker 1>issue were not awesome. You were still awesome, of course.

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<v Speaker 1>But here's my theory. All ye, you're ready for this.

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<v Speaker 1>Some people get legitimately upset and stuff like this, and

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<v Speaker 1>I think those are people that might have something from

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<v Speaker 1>their past, like a legitimate duping in their own life,

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<v Speaker 1>that this may trigger armchair psychology. Yeah, and I think

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<v Speaker 1>that's really fair. And I do want to say that

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<v Speaker 1>this would not have been less mean spirit. Some April

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<v Speaker 1>Fools pranks are a nasty and this one is just

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<v Speaker 1>one quit stuff. You should know that people should have

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<v Speaker 1>been mad at that, yeah, because that was not fun, right,

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<v Speaker 1>because people people need their stuff. You should know. I

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<v Speaker 1>think people were relieved so I got off the hook.

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<v Speaker 1>That's fair, that's good. This one wasn't mean, It wasn't mean,

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<v Speaker 1>and it was very funny. And let's be honest, as

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<v Speaker 1>good an impressionist as Kevin Pollock is, so many people

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<v Speaker 1>are all over it. Kevin Pollock. Of course, it's Kevin

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<v Speaker 1>pol I mean, and it's you know, people just forget

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<v Speaker 1>that it's April one. Yeah, when something like that happens,

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<v Speaker 1>If something smells a little fishy on April first, you

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<v Speaker 1>gotta know it's an April Fool joke. That's just I

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<v Speaker 1>feel like that's April Fools. One on one dude, you know,

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<v Speaker 1>I know, but you know, apparently there are rules. There

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<v Speaker 1>were people that said, like, you have to reveal by noon,

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<v Speaker 1>which noon? Yeah, the no I played two April Fools

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<v Speaker 1>jokes in my life. I'm not an April Fools guy.

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<v Speaker 1>That's the big irony. Here where what is what? What?

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<v Speaker 1>Where are these rules? This isn't I have no idea,

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<v Speaker 1>this isn't nom But I did feel genuinely bad that

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<v Speaker 1>like the people that got like, for real upset. I'm sorry, yeah,

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<v Speaker 1>just trying to have a little fun. Oh no, it

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<v Speaker 1>was fun and and and almost everyone loved it. And

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<v Speaker 1>did you mean to not post the picture? At first?

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<v Speaker 1>I think some people were like, we know it's not

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<v Speaker 1>real because he didn't post a picture. All right, So

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<v Speaker 1>here's the deal. I didn't want Coop the robot Coop

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<v Speaker 1>Aaron Cooper, our photoshop genius and friend to uh. I

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<v Speaker 1>didn't want to ruin it for him. I got in

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<v Speaker 1>touch with him about a month ago and I found

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<v Speaker 1>this picture of Christopher walking in the wild at an

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<v Speaker 1>airport with this guy that looked like, uh, that's probably

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<v Speaker 1>the picture to use. And I didn't want to ruin

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<v Speaker 1>the joke for Coop, so I emailed him and then

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<v Speaker 1>I was like, you know what, forget it, don't worry

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<v Speaker 1>about it. Then after he had listened to the episode,

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<v Speaker 1>he I think he emailed me or something was like, hey,

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<v Speaker 1>I think that's what you're talking about. So then I

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<v Speaker 1>got him to do it, put it up, and only

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<v Speaker 1>left it up for a couple of hours because some

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<v Speaker 1>people thought it was a really bad photoshop and blew it.

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<v Speaker 1>I thought it was pretty good. I thought it was

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<v Speaker 1>and other people like, see it's there he is. I'm

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<v Speaker 1>not some kind of forensic photoshop guy or whatever. But

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<v Speaker 1>he did a great job. Well he always has a

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<v Speaker 1>great job. And then afterwards the even bet the even

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<v Speaker 1>better part was he started photo shopping the photoshop where

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<v Speaker 1>I think he switched your faces. Well yeah, and then

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<v Speaker 1>other people and it's great, that's good. Mini memes on

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<v Speaker 1>Mini Crash. It was a lot of fun, though I

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<v Speaker 1>enjoyed it as well, Chuck. I have to say I

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<v Speaker 1>haven't listened to the whole thing yet, but I look

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<v Speaker 1>forward to hearing. I think you said there were some

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<v Speaker 1>outtakes because you cracked up a few times. And and

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<v Speaker 1>then Ramsey, that was how I revealed it on the Wednesday.

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<v Speaker 1>So you should listen to that one. I will. You

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<v Speaker 1>should listen to both. They're fine, all right? No, I

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<v Speaker 1>also saw us? Where where did you see us? Um?

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<v Speaker 1>I saw it at North the Cab, which is not

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<v Speaker 1>my favorite theater to go to movie. It's the closest.

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<v Speaker 1>Oh you thought you met you and me? I thought, yeah,

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<v Speaker 1>you saw us out in the wild. That would be

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<v Speaker 1>very us like. Though, Yeah, um, what did you think? Well,

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<v Speaker 1>here's the deal, everyone, Uh, we can talk about this

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<v Speaker 1>without spoiling it. But if you really don't want to

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<v Speaker 1>hear anything, just give us a few minutes. I think

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<v Speaker 1>we should do an exercise and discussing a movie without

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<v Speaker 1>spoiling anything. Right, you can do it. I thought it

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<v Speaker 1>was great and a lot of fun, and I just love, love,

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<v Speaker 1>love his movies so far. It's just like he's so

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<v Speaker 1>good at taking these things you've seen a million times

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<v Speaker 1>or that have been established by like you know, Jaws

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<v Speaker 1>or Hit Psycho or something, these vibes or tropes even

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<v Speaker 1>and just like flip them just enough where it feels

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<v Speaker 1>fresh and it doesn't even feel like a Tarantino esque

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<v Speaker 1>like pastiche. It's like his own thing. You can't even

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<v Speaker 1>put your finger quite on what makes it so special.

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<v Speaker 1>It's like familiar but new. Yeah, it's He's He's just great. Yeah,

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<v Speaker 1>they're awesome. I love both of them. I don't even

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<v Speaker 1>want to compare him. Um Us was so fun and

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<v Speaker 1>creepy and like his use of music and it was

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<v Speaker 1>funny again in all the right places. Tim Heideker and

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<v Speaker 1>Elizabeth Moss were so great. He's awesome, Uh, I mean

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<v Speaker 1>the whole cast. Man. If like she doesn't get an

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<v Speaker 1>Academy Award or at least a nomination, she won't win

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<v Speaker 1>an Academy award. Yeah no, there's a horror movie though

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<v Speaker 1>there the Academy doesn't like horror movies, like What's her Name? From?

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<v Speaker 1>Tony Collette from Hereditary should have won a damn at

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<v Speaker 1>least gotten a nod. But I think this says a chance.

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<v Speaker 1>Maybe the thing too, it was cool about This isn't

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<v Speaker 1>even something I think about. Directly because if the fact

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<v Speaker 1>that it was so good, like the the use of

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<v Speaker 1>them playing with themselves and the way it's staged, you

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<v Speaker 1>totally forget about, forget that it's even a thing. The

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<v Speaker 1>closest thing I can think of that did it this

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<v Speaker 1>well was the movie Dead Ringers, the Cronenberg movie where

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<v Speaker 1>Jeremy irons like plays his twin brothers and they used

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<v Speaker 1>like that was really early motion capture technology or whatever.

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<v Speaker 1>But that was one where it just felt like too

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<v Speaker 1>adaptation to adaptation to do a great job. That's right,

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<v Speaker 1>it's get to play two roles like that. That voice, man,

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<v Speaker 1>just like a crawl out of my skin when I

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<v Speaker 1>think about that sound. Did it scare you? Oh? Man,

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<v Speaker 1>it creeped my girlfriend out. Maybe this because you did

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<v Speaker 1>that in the middle of the night or something, And

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<v Speaker 1>then after we saw Hereditary, I kept doing you know,

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<v Speaker 1>oh right, I'm sure people love that. That's not original

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<v Speaker 1>or cute at all, but yeah, no, I mean so no,

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<v Speaker 1>not even a comparison to get out in that, except

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<v Speaker 1>in that they both have these Twilight zony kind of

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<v Speaker 1>conceits where it's somewhere between science fiction and horror but

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<v Speaker 1>also grounded in you know reality and like current, Yeah,

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<v Speaker 1>so good. They're they're like, there's a statement so far

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<v Speaker 1>with both of these movies that he's not beating you

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<v Speaker 1>over the head with. But it's there. Uh. I loved it, man,

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<v Speaker 1>I thought it was so good. I can't wait to

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<v Speaker 1>see his career continue. Dude. Funny story. I was texting

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<v Speaker 1>with a friend of mine who lives in l A

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<v Speaker 1>who just sold his house to congratulate him, and he's like,

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<v Speaker 1>you'll never believe who my new park kid playground? Buddy? Oh,

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<v Speaker 1>like Jordan Peele's kid is there? Yeah, And they're about

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<v Speaker 1>the same age, I think, And they just end up

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<v Speaker 1>sitting and talking about daycares and schools and sports and stuff.

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<v Speaker 1>And you know, because it's not like, what, are you

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<v Speaker 1>gonna just sweat him about every detail about his career.

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<v Speaker 1>That's not how you do that. No, you gotta play

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<v Speaker 1>it cool. You gotta play cool. But here's so what

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<v Speaker 1>you do? You play it cool, like you said, talk

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<v Speaker 1>about kids, a little bit of sports, and then just

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<v Speaker 1>Pepper and a little thing, do a little dusting. Like oh,

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<v Speaker 1>by the way, I saw that. Uh was that get

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<v Speaker 1>Out movie? The thing he did that was pretty cool

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<v Speaker 1>and it kind of worship you in the Girls, Um

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<v Speaker 1>and the Love Key and Peeley and Peele, Oh for good.

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<v Speaker 1>When is he going to put him in a movie

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<v Speaker 1>of his I'm sure that will happen, but you know what,

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<v Speaker 1>I also think I also kind of don't think he's

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<v Speaker 1>ever going to be in one of his own movies. Right.

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<v Speaker 1>He seems like he's done with even I think I've

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<v Speaker 1>even seen he said he was done with acting or

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<v Speaker 1>being in front of the camera. And who was the

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<v Speaker 1>guy who played the dad and this in US? I

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<v Speaker 1>can't remember his name. He was in a Black Panther

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<v Speaker 1>and he was so great. Yeah, he felt a bit

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<v Speaker 1>like a a like a Jordan feels kind of look

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<v Speaker 1>like a little bit but like a bigger guy. Yes, no,

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<v Speaker 1>I think agree. And he kind of has that like

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<v Speaker 1>Obama voice a little bit, you know, kind of like

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<v Speaker 1>a little bit of a goofball dad kind of voice.

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<v Speaker 1>You know. I love that Obama's a goofball dad. Doesn't

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<v Speaker 1>he seem like it. He seems like a like a

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<v Speaker 1>sweet dude. But it's fun like us. He's just like us. No,

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<v Speaker 1>that's we're basically the same three guys. Alright, No, we've

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<v Speaker 1>got a new segment here called the corrections Corner because

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<v Speaker 1>we make mistakes. I make mistakes. No, you make mistakes.

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<v Speaker 1>I don't make mistakes. Guests of the show on the

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<v Speaker 1>interview of dishes make mistakes because we're just having a conversation.

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<v Speaker 1>You and I look stuff up every now and then. Now,

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<v Speaker 1>but you're not going to do that in the middle

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<v Speaker 1>of an of a interview. I don't even like to

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<v Speaker 1>call him interviews. It makes me uneasy. I kind of

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<v Speaker 1>like hearing these, though some people are annoyed. Maybe I

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<v Speaker 1>just don't hear him enough, doesn't hasn't quite gotten under

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<v Speaker 1>my skin corrections. I like hearing. No, it's good. Um,

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<v Speaker 1>Josh and I have a long history of correcting our stuff,

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<v Speaker 1>which is, you know, you get stuff wrong. So we're

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<v Speaker 1>gonna do this at the top of every show, everyone,

0:11:10.880 --> 0:11:14.480
<v Speaker 1>And I've pinned this post to the top of the

0:11:14.480 --> 0:11:19.320
<v Speaker 1>movie Crush Facebook page Movie Crush with Chuck Bryant. That's

0:11:19.360 --> 0:11:22.200
<v Speaker 1>how you look that up. And UM, so spin there

0:11:22.200 --> 0:11:24.400
<v Speaker 1>at the top, leave your corrections, and I'm just gonna

0:11:24.440 --> 0:11:26.200
<v Speaker 1>go through like a couple of these at the top

0:11:26.200 --> 0:11:28.839
<v Speaker 1>of the show every week. UM not spend too much

0:11:28.880 --> 0:11:31.160
<v Speaker 1>time on him, because who wants to like dive deep

0:11:31.160 --> 0:11:33.200
<v Speaker 1>into corrections. Maybe not too deep. We'll do a little

0:11:33.240 --> 0:11:36.640
<v Speaker 1>dipeto all right. Daniel Smith says, Manhattan claim chowder is

0:11:36.679 --> 0:11:39.440
<v Speaker 1>the red one. New England claim chowder is the white.

0:11:40.360 --> 0:11:42.720
<v Speaker 1>I totally know this, so I have no idea. Did

0:11:42.800 --> 0:11:44.320
<v Speaker 1>you get it wrong? Did I get that wrong? I

0:11:44.360 --> 0:11:47.520
<v Speaker 1>don't remember talking about chowder at all, actually, but I

0:11:47.559 --> 0:11:51.680
<v Speaker 1>know my chowders. Yeah, Manhattan is the red. New England

0:11:51.720 --> 0:11:53.960
<v Speaker 1>is the one you think of. That's the classic creamy,

0:11:54.040 --> 0:11:57.200
<v Speaker 1>creamy white deliciousness. Yeah, and the red is almost more

0:11:57.240 --> 0:11:59.720
<v Speaker 1>like a tomato eat. It's tomato base soon who wants that?

0:11:59.720 --> 0:12:01.040
<v Speaker 1>That does? It's not that I don't even think of

0:12:01.040 --> 0:12:04.040
<v Speaker 1>that as claim chatterer. Stick at Manhattan. All right. We'll

0:12:04.080 --> 0:12:08.000
<v Speaker 1>go with Skylar Ward here, our old pal. Skyler says,

0:12:08.080 --> 0:12:12.760
<v Speaker 1>Lord of the Rings was only three movies, yes, only

0:12:13.480 --> 0:12:16.200
<v Speaker 1>one for each book. The Hobbit, however, was three four

0:12:16.280 --> 0:12:18.600
<v Speaker 1>king movies for one book. Oh, I think I said

0:12:18.679 --> 0:12:22.560
<v Speaker 1>something like the last that's right, Okay, Well they did

0:12:22.600 --> 0:12:25.200
<v Speaker 1>that with Harry Potter. Though I believe what the Deathly

0:12:25.240 --> 0:12:29.120
<v Speaker 1>House was, I certainly wouldn't know. Well, I think I

0:12:29.200 --> 0:12:31.320
<v Speaker 1>was just you know, since I love Harry Potter so much.

0:12:31.360 --> 0:12:33.880
<v Speaker 1>I tend to just think everything is just planning for

0:12:33.960 --> 0:12:35.400
<v Speaker 1>that to come up, and it just comes up. It

0:12:35.480 --> 0:12:38.600
<v Speaker 1>just does just where my heart is. So some people

0:12:38.600 --> 0:12:41.360
<v Speaker 1>are just having fun and not leaving real corrections. I

0:12:41.480 --> 0:12:45.480
<v Speaker 1>get it, everybody. Uh, let me see here. Oh this

0:12:45.520 --> 0:12:49.320
<v Speaker 1>is a good one, Caroline McGovern. Santiago says, this week

0:12:49.360 --> 0:12:51.320
<v Speaker 1>you talked about Wild Things the movie and said it

0:12:51.320 --> 0:12:57.200
<v Speaker 1>was Denise Richards and Naomi Campbell, not neb Campbell. That

0:12:57.320 --> 0:13:00.360
<v Speaker 1>was probably me maybe, So that feels like it was me.

0:13:00.800 --> 0:13:03.160
<v Speaker 1>That might have been your subconscious talking. You might have

0:13:03.200 --> 0:13:05.920
<v Speaker 1>wanted to see nail me Campbell in that role. Well,

0:13:05.920 --> 0:13:07.840
<v Speaker 1>of course, but Nev was just fine. I had a

0:13:07.920 --> 0:13:11.480
<v Speaker 1>huge crush on Nev Campbell Scream and Party of Five

0:13:11.559 --> 0:13:13.240
<v Speaker 1>and all that stuff. I know who Nev Campbell is.

0:13:13.880 --> 0:13:16.040
<v Speaker 1>That was a Freudian slip. I bet Chuck, that's exactly

0:13:16.080 --> 0:13:18.880
<v Speaker 1>what that was. All right, that's it for a corrections corner.

0:13:18.880 --> 0:13:28.520
<v Speaker 1>We'll just do a couple of those every week. And no,

0:13:28.600 --> 0:13:33.080
<v Speaker 1>all that means it's time to move on to social studies.

0:13:34.720 --> 0:13:39.600
<v Speaker 1>Social studies, movie crush, Well, we got a couple of

0:13:39.600 --> 0:13:42.280
<v Speaker 1>social studies coming up here. And we're gonna revisit the

0:13:42.320 --> 0:13:45.760
<v Speaker 1>old best last line of a movie that we did

0:13:46.080 --> 0:13:47.719
<v Speaker 1>a bit ago and I left that one up there.

0:13:48.120 --> 0:13:51.640
<v Speaker 1>And here we go with Dan still hard browdy. Can

0:13:51.679 --> 0:13:55.720
<v Speaker 1>you read the book to me again tomorrow as you wish?

0:13:56.280 --> 0:14:00.240
<v Speaker 1>Oh welcome, Now that was us that Princess Bride. Yeah, yeah,

0:14:00.360 --> 0:14:03.600
<v Speaker 1>sure that is a good one. Um, because you kind

0:14:03.600 --> 0:14:07.000
<v Speaker 1>of learned that all the catch phrases like in the

0:14:07.080 --> 0:14:10.760
<v Speaker 1>in the fantasy story of the movie. I guess the

0:14:10.760 --> 0:14:13.480
<v Speaker 1>guy that the grandpa's reading came from his imagination or

0:14:13.679 --> 0:14:17.280
<v Speaker 1>or at least they shared this kind of like experience. Yeah. Yeah,

0:14:17.320 --> 0:14:19.480
<v Speaker 1>it's pretty cool. They're making that to a musical. And

0:14:20.800 --> 0:14:23.160
<v Speaker 1>about half the people were well, i'd say less than that.

0:14:23.200 --> 0:14:27.600
<v Speaker 1>About the people like awesome, and we're like do it.

0:14:27.760 --> 0:14:29.960
<v Speaker 1>I want to hear Ted Cruz feels about it. You know,

0:14:30.000 --> 0:14:34.000
<v Speaker 1>he's a big Princess Bride fan. Yeah. Mandy Patakin like

0:14:34.080 --> 0:14:37.360
<v Speaker 1>came on Twitter really could you really could you really stop? Please?

0:14:37.520 --> 0:14:39.440
<v Speaker 1>Oh really? Yeah? Because he has there's a video you

0:14:39.440 --> 0:14:42.360
<v Speaker 1>can look up Ted Cruz reciting scenes from the Princess

0:14:42.680 --> 0:14:47.960
<v Speaker 1>and doing the voices and everything. It's not good. Um,

0:14:48.040 --> 0:14:50.320
<v Speaker 1>oh boy, how do you feel about the Beetle Juice musical.

0:14:50.360 --> 0:14:53.480
<v Speaker 1>There is a Beetlejuice Broadway musical. I think they're overdoing

0:14:53.520 --> 0:14:55.720
<v Speaker 1>it with all that stuff. Yeah, Broadway has become as

0:14:55.720 --> 0:14:59.640
<v Speaker 1>bad as movies as far as just un originality I

0:14:59.640 --> 0:15:02.200
<v Speaker 1>mean Walton, and there's plenty of great on Broadway. Trust

0:15:02.280 --> 0:15:03.880
<v Speaker 1>I think the Beetle Juice would be fun as a

0:15:03.960 --> 0:15:07.840
<v Speaker 1>music although, sorry, dude, I'm a sucker for beetles juice.

0:15:07.880 --> 0:15:11.000
<v Speaker 1>Give me as much beetle juice as you got. I'll

0:15:11.040 --> 0:15:14.040
<v Speaker 1>take some more Beetlejuiceer more beetle juice, please, and God,

0:15:14.280 --> 0:15:18.800
<v Speaker 1>Tim Burton make beetlejuice too good. Please. I'm very nervous

0:15:18.800 --> 0:15:21.240
<v Speaker 1>about that. Dumbo looks depressing, like I I don't even

0:15:21.440 --> 0:15:25.840
<v Speaker 1>why is he does he keep doing these weird, sad

0:15:25.880 --> 0:15:28.120
<v Speaker 1>Disney movies where he just kind of tim burtons it up,

0:15:28.160 --> 0:15:31.000
<v Speaker 1>but just enough to make it feel weird like I

0:15:31.000 --> 0:15:34.280
<v Speaker 1>don't know. I have no desire to see Dumbo. Hopefully

0:15:34.320 --> 0:15:36.960
<v Speaker 1>my daughter won't know that there's such a thing. Um

0:15:37.320 --> 0:15:42.320
<v Speaker 1>let me see here. John B. McCarty, Louis, I think

0:15:42.360 --> 0:15:47.480
<v Speaker 1>this is the beginning of a beautiful friendship. Pretty classic.

0:15:47.680 --> 0:15:50.360
<v Speaker 1>I don't think I don't recognize him, recognize the line,

0:15:50.360 --> 0:15:53.760
<v Speaker 1>but it's gotta be Casablanca. I think you're right. There's

0:15:53.760 --> 0:15:55.920
<v Speaker 1>one line that everyone thinks is from that movie that

0:15:55.960 --> 0:15:58.200
<v Speaker 1>he didn't say in that movie, played against Sam or

0:15:58.240 --> 0:16:01.000
<v Speaker 1>here's looking at you kid? One of those? Remember which one?

0:16:01.080 --> 0:16:02.880
<v Speaker 1>I have never seen? Casso? Didn't you say? You hadn't

0:16:02.880 --> 0:16:07.560
<v Speaker 1>for a while either? I still have it? Okay, Allen Richardson,

0:16:07.600 --> 0:16:09.440
<v Speaker 1>This is a good one at the end of Army

0:16:09.480 --> 0:16:14.560
<v Speaker 1>of Darkness, Hail to the King, Baby Classic, the Great

0:16:14.560 --> 0:16:20.080
<v Speaker 1>Bruce Campbell, h Christina Martsen from The Big Lebowski SR.

0:16:20.080 --> 0:16:22.760
<v Speaker 1>You for Rune, Got any more of that? Goods Usperilla?

0:16:24.400 --> 0:16:32.160
<v Speaker 1>Good last line? Uh, let me see here? Danielle felt

0:16:32.880 --> 0:16:36.600
<v Speaker 1>great name. It's too bad she won't live. But then again,

0:16:36.920 --> 0:16:42.840
<v Speaker 1>who does that? Is from Blade Runner the Narration edition?

0:16:44.600 --> 0:16:47.800
<v Speaker 1>Did we talk about that? But we did? Um? Do

0:16:47.800 --> 0:16:51.320
<v Speaker 1>you like the narration? Isn't it like? Wait? Isn't the

0:16:51.400 --> 0:16:55.160
<v Speaker 1>narration in the original theatrical release? I think really Scott

0:16:55.200 --> 0:16:57.320
<v Speaker 1>did not want it. The director's cut does not have it.

0:16:57.480 --> 0:16:59.640
<v Speaker 1>That's right because I think we talked about how it

0:16:59.760 --> 0:17:03.360
<v Speaker 1>fell like Hollywood kind of hand holding and saying audiences

0:17:03.400 --> 0:17:05.119
<v Speaker 1>are going to be smart enough to know what's going on,

0:17:06.640 --> 0:17:09.160
<v Speaker 1>but you get here for just to read what's going on. Yeah.

0:17:09.200 --> 0:17:10.919
<v Speaker 1>But at the same time that some of that was

0:17:11.400 --> 0:17:13.639
<v Speaker 1>there were some good lines in that, and though it

0:17:13.760 --> 0:17:16.320
<v Speaker 1>wasn't like poorly written, I think it was still written

0:17:16.320 --> 0:17:18.800
<v Speaker 1>by Hampton Fancher and the other guy, right, Yeah, I

0:17:18.800 --> 0:17:22.080
<v Speaker 1>think so. Uh, you know, I I don't think i've

0:17:22.080 --> 0:17:24.800
<v Speaker 1>seen the director's cut, if I'm being honest, I have

0:17:24.880 --> 0:17:27.679
<v Speaker 1>not seen the non dialo, the non vo version. You

0:17:27.720 --> 0:17:30.919
<v Speaker 1>have a blade runner size hole in the middle of

0:17:30.920 --> 0:17:33.719
<v Speaker 1>your body right now that we have a hole, it's

0:17:33.800 --> 0:17:39.520
<v Speaker 1>just half a hole. Um oh, Gail Kunts, our old

0:17:39.600 --> 0:17:45.399
<v Speaker 1>friend from Ohio. The last line of Psycho, I'm not

0:17:45.480 --> 0:17:48.320
<v Speaker 1>even going to sort that fly. I hope they're watching.

0:17:48.480 --> 0:17:51.480
<v Speaker 1>They'll see. They'll see and they'll know and they'll say

0:17:52.080 --> 0:17:57.040
<v Speaker 1>why she wouldn't even harm a fly? Yeah? So good.

0:17:57.160 --> 0:18:00.240
<v Speaker 1>That's actually scary. Yeah, man, like just how you were

0:18:00.280 --> 0:18:01.840
<v Speaker 1>scared a little bit. I was a little scared. Check.

0:18:01.840 --> 0:18:04.119
<v Speaker 1>I was a little scared of you. I started feeling

0:18:04.119 --> 0:18:05.959
<v Speaker 1>my trust for you draining away because I was like,

0:18:05.960 --> 0:18:10.320
<v Speaker 1>wait a minute, who is this dress? Yeah, that I've

0:18:10.359 --> 0:18:12.359
<v Speaker 1>been wondering that since you walked in the room. But yeah,

0:18:12.359 --> 0:18:15.119
<v Speaker 1>that's true. That was a little weird. It's just a

0:18:15.119 --> 0:18:17.760
<v Speaker 1>different choice, you don't know. I mean, I wear plenty addresses.

0:18:17.800 --> 0:18:19.760
<v Speaker 1>But I think the fact that it was like clearly

0:18:19.800 --> 0:18:23.320
<v Speaker 1>a grandma's dress from the nineteen and that gray wig

0:18:23.359 --> 0:18:25.200
<v Speaker 1>is a little off putting to Chuck. I have to say,

0:18:25.320 --> 0:18:28.440
<v Speaker 1>I'm not rocking my usual micro mini. No, that's also true.

0:18:30.520 --> 0:18:32.320
<v Speaker 1>All right, let's just do a couple of mores because

0:18:32.320 --> 0:18:37.040
<v Speaker 1>we blabbard for so long. Uh. Tony Reichenberger from the

0:18:37.040 --> 0:18:40.560
<v Speaker 1>movie of The Artist with Pleasure, I never saw that.

0:18:41.520 --> 0:18:43.520
<v Speaker 1>I saw it right when it came out, and uh,

0:18:43.520 --> 0:18:46.200
<v Speaker 1>I mean, it's great, and it makes sense that Hollywood

0:18:46.200 --> 0:18:49.040
<v Speaker 1>would love it because it's this classic, you know, Buzzby

0:18:49.119 --> 0:18:52.520
<v Speaker 1>Berkeley kind of musical extravaganza. That's why they loved La

0:18:52.600 --> 0:18:54.679
<v Speaker 1>La Lands so much. It just feels like they go

0:18:54.720 --> 0:18:58.480
<v Speaker 1>out for that kind of stuff. Um, I feel like

0:18:58.560 --> 0:19:00.760
<v Speaker 1>that movie, though not La La in, but The Artist

0:19:00.880 --> 0:19:03.280
<v Speaker 1>is like it seems like it kind of went away

0:19:03.359 --> 0:19:06.880
<v Speaker 1>from the public consciousness so lout very quickly. Absolutely, it did.

0:19:06.960 --> 0:19:08.479
<v Speaker 1>Like I've forgotten about it. I don't hear a lot

0:19:08.480 --> 0:19:10.600
<v Speaker 1>of people talking about that film. I kind of think

0:19:10.680 --> 0:19:13.800
<v Speaker 1>because it has the feel of like a foreign film

0:19:13.880 --> 0:19:15.880
<v Speaker 1>or like something. It has the feel of a much

0:19:15.920 --> 0:19:18.439
<v Speaker 1>smaller film. And I think a lot of key people

0:19:18.720 --> 0:19:22.480
<v Speaker 1>really really loved it, but maybe the public at large didn't,

0:19:22.600 --> 0:19:25.240
<v Speaker 1>wasn't aware enough of it or something. Maybe there's a

0:19:25.280 --> 0:19:27.440
<v Speaker 1>dog performance that people really love. There's like a cute

0:19:27.440 --> 0:19:30.199
<v Speaker 1>little right right. I remember that it was on the

0:19:30.200 --> 0:19:34.639
<v Speaker 1>Red Carpet and all stuff. All right, we'll finish up

0:19:34.640 --> 0:19:40.479
<v Speaker 1>with one more from Matt Rabe or Rob. I'm going

0:19:40.520 --> 0:19:42.480
<v Speaker 1>to add a line to the preceding line that he

0:19:42.600 --> 0:19:47.280
<v Speaker 1>typed too. I don't know. Maybe it was Utah raising

0:19:47.320 --> 0:19:49.320
<v Speaker 1>Arizona at all. Yeah, that's what I haven't seen. Still,

0:19:50.560 --> 0:19:52.240
<v Speaker 1>I feel like we should just start a new podcast

0:19:52.240 --> 0:19:55.520
<v Speaker 1>called nolds Holes. That's that would be a very short podcast, Chuck.

0:19:55.520 --> 0:19:58.560
<v Speaker 1>It would be about Raising Arizona and Blade Runner, the

0:19:59.680 --> 0:20:02.080
<v Speaker 1>non new ration version. Because I've seen everything else, You

0:20:02.160 --> 0:20:11.760
<v Speaker 1>have seen everything else. All right, No, we're gonna finish

0:20:11.880 --> 0:20:15.840
<v Speaker 1>up with another Social Studies and this. I went to

0:20:16.040 --> 0:20:19.000
<v Speaker 1>the TV route and just said, let's do a Saturday

0:20:19.280 --> 0:20:23.920
<v Speaker 1>Saturday Night Live tribute and name your favorite all time

0:20:23.960 --> 0:20:27.840
<v Speaker 1>cast member along with the favorite character that they played,

0:20:28.880 --> 0:20:31.919
<v Speaker 1>think on yours, unless you know, I kind of have

0:20:32.000 --> 0:20:35.119
<v Speaker 1>to think. There's so many choices, so many choices. It

0:20:35.280 --> 0:20:38.000
<v Speaker 1>is really tough because my first thought was Will Ferrell

0:20:38.520 --> 0:20:41.520
<v Speaker 1>because he's so great in every skit he did. My

0:20:41.560 --> 0:20:44.800
<v Speaker 1>next thought was Kristen Wigg and then I just started

0:20:44.840 --> 0:20:48.720
<v Speaker 1>thinking about, Oh my god, like there's a thousand it's

0:20:48.760 --> 0:20:53.480
<v Speaker 1>too much, too much Eddie Murphy kidding me? Is that

0:20:53.600 --> 0:20:56.680
<v Speaker 1>a control Bill Murray? I guess I would. I mean

0:20:56.920 --> 0:20:58.639
<v Speaker 1>the thing is that I know Bill Murray more for

0:20:58.760 --> 0:21:01.119
<v Speaker 1>his acting stuff than I do from his SNL stuff

0:21:01.359 --> 0:21:03.800
<v Speaker 1>and the later ones like the Bill Hayters and the

0:21:03.960 --> 0:21:06.760
<v Speaker 1>you know, Christen Wiggs. I know some key sketches that

0:21:06.760 --> 0:21:09.240
<v Speaker 1>are that I can think of them about Keenan Thompson,

0:21:09.280 --> 0:21:11.440
<v Speaker 1>what's his name? To like Will Will Ferrell my favorite

0:21:11.640 --> 0:21:13.680
<v Speaker 1>sketch that he does. There's several, but the one where

0:21:13.680 --> 0:21:16.160
<v Speaker 1>he's the creepy, old, pervy guy in the hot tub.

0:21:17.119 --> 0:21:22.560
<v Speaker 1>Fine blades of meat, Jesus, exactly, goblets of wine. When

0:21:22.720 --> 0:21:31.119
<v Speaker 1>we make love. It's like something about beneath, beneath the

0:21:31.160 --> 0:21:36.720
<v Speaker 1>water's surface, a flurry of activity and who is it?

0:21:36.840 --> 0:21:39.959
<v Speaker 1>Rachel Dratt she's his like creepy girlfriend. Dratch was so

0:21:40.000 --> 0:21:46.639
<v Speaker 1>good on that show. Yeah, weird. I love those the

0:21:46.640 --> 0:21:48.960
<v Speaker 1>best man that are just really funny and weird and

0:21:49.000 --> 0:21:53.720
<v Speaker 1>just absurd. Yeah, it's so great. Um oh man, I'm

0:21:53.720 --> 0:21:55.560
<v Speaker 1>gonna go with I'm gonna go with Farrell as far

0:21:55.600 --> 0:21:58.200
<v Speaker 1>as like his SNL work, because you have to. I

0:21:58.200 --> 0:21:59.520
<v Speaker 1>think you kind of have to think of it like that.

0:22:00.600 --> 0:22:03.440
<v Speaker 1>You know, who were one of the weirdest, greatest cast

0:22:03.480 --> 0:22:08.000
<v Speaker 1>members ever to me was Forte. He did the weirdest characters.

0:22:10.080 --> 0:22:12.399
<v Speaker 1>I can't think of anything he did. I mean he

0:22:12.440 --> 0:22:16.760
<v Speaker 1>did the uh the falconer was that it? Oh? He

0:22:16.800 --> 0:22:19.560
<v Speaker 1>was also mcgruber, right was while he was McGrew. Sure,

0:22:19.720 --> 0:22:22.280
<v Speaker 1>that was fantastic. All right, let's just go ahead and

0:22:22.320 --> 0:22:26.160
<v Speaker 1>get going here. Everybody Jim Frank's said, does it get

0:22:26.200 --> 0:22:28.879
<v Speaker 1>any better than Will Ferrell as Alex Trebek and Darryl

0:22:28.920 --> 0:22:34.120
<v Speaker 1>Hammond as Sean Connery in Celebrity Jeopardy. It's fantastic. Hard

0:22:34.119 --> 0:22:37.040
<v Speaker 1>to get, hard to top. That's so it was the

0:22:37.040 --> 0:22:40.800
<v Speaker 1>two of them. It was the way that rivalry, you know, absolutely,

0:22:40.800 --> 0:22:43.240
<v Speaker 1>and then occasionally thowing Norm McDonald as Burt Reynolds in

0:22:43.280 --> 0:22:46.960
<v Speaker 1>Like You're all set, All right, our old pal Jim

0:22:47.040 --> 0:22:55.720
<v Speaker 1>and Murray says Bill Hayter's Stephen beloved character. Very funny,

0:22:55.880 --> 0:22:58.520
<v Speaker 1>very funny. It was almost like it was kind of

0:22:58.520 --> 0:23:01.080
<v Speaker 1>like Mango, like a little like an over the top

0:23:01.160 --> 0:23:05.040
<v Speaker 1>kind of performancey diva kind of character, but like a

0:23:05.080 --> 0:23:08.080
<v Speaker 1>little more grounded. I really really love that character too.

0:23:09.200 --> 0:23:11.840
<v Speaker 1>Oh man, Joshua Brennan, this is such a fun segment.

0:23:12.119 --> 0:23:15.439
<v Speaker 1>I love remembering these characters. Joshua Brennan says Tracy Morgan

0:23:15.920 --> 0:23:19.639
<v Speaker 1>as Brian Fellows. Do you remember that? I don't think so.

0:23:19.960 --> 0:23:26.560
<v Speaker 1>Brian Fellows was let's say, like a nature show host guy,

0:23:26.840 --> 0:23:31.679
<v Speaker 1>like what's his face? David Amberwer died by Stingray of

0:23:31.960 --> 0:23:35.360
<v Speaker 1>the Crocodile Hunter. Iwin. He was sort of like Irwin,

0:23:35.920 --> 0:23:40.480
<v Speaker 1>but he didn't know anything about animals, so like that

0:23:40.560 --> 0:23:43.160
<v Speaker 1>would be like a peacock or something, and he'd be like,

0:23:43.840 --> 0:23:47.080
<v Speaker 1>look at that crazy dog with those feathers, and he

0:23:47.119 --> 0:23:49.200
<v Speaker 1>always like mixed up even what the animal was. Okay,

0:23:49.200 --> 0:23:50.840
<v Speaker 1>I gotta look this up. Oh my god. I love

0:23:50.920 --> 0:23:53.200
<v Speaker 1>Keenan though. Man, he's a kind of an unsung hero

0:23:53.280 --> 0:23:55.760
<v Speaker 1>of SNL because you know, I knew him from like

0:23:55.880 --> 0:23:58.679
<v Speaker 1>good Burger and like all that, which is like the

0:23:58.760 --> 0:24:01.359
<v Speaker 1>kids kind of sketch show on Nickelodeon or whatever when

0:24:01.359 --> 0:24:02.840
<v Speaker 1>I was a kid. He's a cool guy and he's

0:24:02.880 --> 0:24:04.520
<v Speaker 1>been in the cast I think for the longest now

0:24:04.800 --> 0:24:06.879
<v Speaker 1>of anyone that's that's on. Yeah, I gotta get him

0:24:06.920 --> 0:24:09.480
<v Speaker 1>in here. He's from Atlanta, is he really? That makes sense?

0:24:10.000 --> 0:24:13.119
<v Speaker 1>He's so consistent though, Like he is just so consistent

0:24:13.240 --> 0:24:15.760
<v Speaker 1>with with whatever however they use him. You know, amazing.

0:24:16.600 --> 0:24:18.200
<v Speaker 1>What's up with that? Is that the name of the

0:24:18.240 --> 0:24:22.000
<v Speaker 1>show it was called all That, all That. It was like,

0:24:22.040 --> 0:24:23.840
<v Speaker 1>it was called all that. Was that when they did

0:24:23.880 --> 0:24:26.119
<v Speaker 1>the dance at the beginning and Sadakis was doing the

0:24:26.200 --> 0:24:28.320
<v Speaker 1>running man. Oh no, I'm talking about the show on

0:24:28.400 --> 0:24:32.040
<v Speaker 1>Nickelodeon all that. Oh no, I don't know what that is. Okay, well,

0:24:32.240 --> 0:24:35.040
<v Speaker 1>it's a thing you remember, Good Burger. Welcome to Good Burger,

0:24:35.119 --> 0:24:37.240
<v Speaker 1>Home of the Good Burger. Can I take your order?

0:24:37.320 --> 0:24:40.320
<v Speaker 1>I was way too old for that something, but it existed. Yes,

0:24:41.119 --> 0:24:45.160
<v Speaker 1>I almost outdated Nickelodeon. NOL. That's how old I am.

0:24:45.200 --> 0:24:49.080
<v Speaker 1>I remember the very beginnings of Nickelodeon. Yeah, I was

0:24:49.080 --> 0:24:51.440
<v Speaker 1>a little old. It was a little bit slightly under

0:24:51.480 --> 0:24:57.040
<v Speaker 1>my pay grade. That's fair, that's fair. Uh Kara, Oh goodness,

0:24:57.080 --> 0:25:02.800
<v Speaker 1>mel Storm, that's a great name and a great accent.

0:25:03.440 --> 0:25:08.280
<v Speaker 1>Gilda Radner as Rosanna, Rosanne and Dana classic classic character.

0:25:08.800 --> 0:25:13.399
<v Speaker 1>Eric Knight says Chris Farley the Colombian Decaf Coffee Crystal's

0:25:13.600 --> 0:25:18.760
<v Speaker 1>hidden camera reaction guy Michael Huff, I remember that bit.

0:25:18.840 --> 0:25:22.400
<v Speaker 1>That was funny. Um let me see here. Rachel Dratch's

0:25:22.440 --> 0:25:26.879
<v Speaker 1>Debbie Downer that's from Jinnam Morning Sturgis. Debbie Downer lives

0:25:26.880 --> 0:25:29.920
<v Speaker 1>on Today is one of the great memes. Rob Johnston

0:25:29.920 --> 0:25:32.960
<v Speaker 1>says Phil Hartman. Damn, everything he touched was gold. But

0:25:32.960 --> 0:25:36.040
<v Speaker 1>for the sake of the post, I'll say unfrozen Caveman Lawyer.

0:25:38.000 --> 0:25:41.240
<v Speaker 1>That was great. And I used to love Hartman, Lovetts

0:25:41.280 --> 0:25:47.679
<v Speaker 1>and Kevin Nelon doing uh Tarzan, Frankenstein and Tonto, which

0:25:47.800 --> 0:25:52.560
<v Speaker 1>is a little problematic now. Kind you can't really make

0:25:52.560 --> 0:25:54.720
<v Speaker 1>fun of Frankenstein. Oh no, wait, I know what you mean.

0:25:54.760 --> 0:25:57.040
<v Speaker 1>It is funny. Chocolate's very funny. It was so good though,

0:25:57.200 --> 0:26:00.359
<v Speaker 1>because it was Hartman was Frankenstein and they would be

0:26:00.400 --> 0:26:07.439
<v Speaker 1>singing songs and he would just be going, uh, Brad twinning.

0:26:07.520 --> 0:26:12.439
<v Speaker 1>Chris Farley and The Chris Farley Show classic still often

0:26:13.240 --> 0:26:16.320
<v Speaker 1>often homaged and lampoon to The Chris Farley Show. I

0:26:16.320 --> 0:26:18.399
<v Speaker 1>don't think I remember this. That was where he was

0:26:18.560 --> 0:26:21.240
<v Speaker 1>that he was had an interview show and he was

0:26:21.280 --> 0:26:24.920
<v Speaker 1>just really like completely nervous and beat himself up. Yes, yes,

0:26:24.960 --> 0:26:27.920
<v Speaker 1>like Paul McCartney. Remember when you were in the Beatles

0:26:28.560 --> 0:26:31.920
<v Speaker 1>and that was awesome. Yeah, yeah, he said, that's that's

0:26:31.920 --> 0:26:36.720
<v Speaker 1>they left the catchprase. He kind of pauses, Yeah, that

0:26:36.880 --> 0:26:41.760
<v Speaker 1>was awesome. Uh. Tammy Mitchell says Dana Carvey way underrated.

0:26:42.800 --> 0:26:46.040
<v Speaker 1>I would agree with that as Garth. That's her favorite character.

0:26:46.119 --> 0:26:50.960
<v Speaker 1>Garth was good. Molly Shannon. That is from Kayton Joe

0:26:51.040 --> 0:26:55.200
<v Speaker 1>Joe Main, Mary Catherine Gallagher. Holy crap, I can't handle it.

0:26:55.480 --> 0:26:58.000
<v Speaker 1>I agree. And Molly Shannon. I've gushed and gushed about

0:26:58.040 --> 0:27:01.240
<v Speaker 1>her on the show. She is a dream guest. I

0:27:01.320 --> 0:27:03.520
<v Speaker 1>just want to hug her neck. It seems like such

0:27:03.520 --> 0:27:07.960
<v Speaker 1>a nice lady. Let me see here, Don Cube Cubes

0:27:08.119 --> 0:27:11.240
<v Speaker 1>our old friend. Uh. She says it's her favorite show,

0:27:11.359 --> 0:27:14.840
<v Speaker 1>so hard to choose. She's gonna go with Keenan Thompson

0:27:14.920 --> 0:27:21.639
<v Speaker 1>as DeAndre Cole and Kristen Wigg as literally anything. I

0:27:21.640 --> 0:27:24.159
<v Speaker 1>don't know if I could pick a favorite Christen Wig character,

0:27:24.480 --> 0:27:28.399
<v Speaker 1>Target Lady is up there for me because it's so

0:27:28.480 --> 0:27:32.399
<v Speaker 1>weird and funny. I feel like my SML knowledge is

0:27:32.520 --> 0:27:34.440
<v Speaker 1>very spotty, Like I feel like there's a handful of

0:27:34.480 --> 0:27:36.359
<v Speaker 1>folks that I know pretty well. Yeah, and I know

0:27:36.440 --> 0:27:38.960
<v Speaker 1>Kristen Wig obviously, but I don't. I can't Target Lady.

0:27:38.960 --> 0:27:43.000
<v Speaker 1>She played the cashier to Target in like Minnesota, and

0:27:43.040 --> 0:27:45.679
<v Speaker 1>she had this heavy accent and it was just really

0:27:45.680 --> 0:27:48.760
<v Speaker 1>funny she said stuff. And then, of course the other

0:27:49.520 --> 0:27:52.119
<v Speaker 1>bit I liked from Christen Wigg was when she played

0:27:52.160 --> 0:27:57.840
<v Speaker 1>the sister with the tiny baby hands the singing sisters

0:27:57.840 --> 0:28:02.359
<v Speaker 1>so good. Uh, We're gonna have to continue this in

0:28:02.400 --> 0:28:04.400
<v Speaker 1>another week for sure, because there's way too much good

0:28:04.400 --> 0:28:06.760
<v Speaker 1>stuff here. Al I'm gonna go through a couple of more.

0:28:06.840 --> 0:28:09.359
<v Speaker 1>Jean Sharp says Jan Hooks and Nora Dunn as the

0:28:09.400 --> 0:28:12.879
<v Speaker 1>Sweeney Sisters. Jean, that's one of my favorite all time bits.

0:28:12.960 --> 0:28:15.680
<v Speaker 1>Me and my good friend Eddie still do a little

0:28:15.720 --> 0:28:20.240
<v Speaker 1>Sweeney Brothers bit every now and then. Mitchell Bass says

0:28:20.320 --> 0:28:23.600
<v Speaker 1>Chris Farley as Matt Foley. A lot of people pick that.

0:28:24.720 --> 0:28:27.800
<v Speaker 1>In a van down by the river. Very classic. Noal,

0:28:28.320 --> 0:28:32.119
<v Speaker 1>it's like an effective motivational speaker. Yeah, yeah, that was great.

0:28:32.920 --> 0:28:35.879
<v Speaker 1>Kristen Glenn kissed her. Our old pal says, can we

0:28:35.920 --> 0:28:41.400
<v Speaker 1>talk about tim Meadows as the ladies man? Mm hmm, yeah.

0:28:41.680 --> 0:28:43.480
<v Speaker 1>I used to love that. Tim Meadows went to the

0:28:43.720 --> 0:28:45.160
<v Speaker 1>for a while and went to the Hollywood y m

0:28:45.240 --> 0:28:49.200
<v Speaker 1>c A when I lived there, and uh too get

0:28:49.240 --> 0:28:51.640
<v Speaker 1>my morning workout in, and tim Meadows was often there

0:28:52.040 --> 0:28:54.440
<v Speaker 1>near me on the treadmills, and I always wanted to

0:28:54.440 --> 0:28:56.920
<v Speaker 1>say hi to him. You know who else ran next

0:28:56.920 --> 0:29:01.440
<v Speaker 1>to me one day? George? There are good George a singer,

0:29:01.480 --> 0:29:04.400
<v Speaker 1>country singer, kind of right, No, he's bad to the

0:29:04.440 --> 0:29:07.280
<v Speaker 1>bone and the bone yeah, and I drink alone and

0:29:07.320 --> 0:29:09.479
<v Speaker 1>every other song that sounds like that kind of country.

0:29:09.560 --> 0:29:12.840
<v Speaker 1>It's sort of like Hank Williams, kind of sort of

0:29:12.840 --> 0:29:17.760
<v Speaker 1>a rock and roll. Here's the thing. I hate George Thurgood,

0:29:18.720 --> 0:29:22.280
<v Speaker 1>but to see him, God bless him on that treadmill

0:29:22.360 --> 0:29:25.320
<v Speaker 1>doing his best. I've done the imitation of him jogging

0:29:25.360 --> 0:29:28.440
<v Speaker 1>before and what it looked like. It's pretty funny. He

0:29:28.560 --> 0:29:30.080
<v Speaker 1>was he's he was old. He's trying to take care

0:29:30.120 --> 0:29:32.680
<v Speaker 1>of himself. You can't you can't fault him for that.

0:29:32.760 --> 0:29:34.320
<v Speaker 1>And James le Gross he used to go in there.

0:29:34.720 --> 0:29:37.960
<v Speaker 1>Who else? That's what you see? Uh. You know a

0:29:38.000 --> 0:29:39.960
<v Speaker 1>lot of the holly Hollywood types still want to go

0:29:40.000 --> 0:29:44.520
<v Speaker 1>to the the Crunch or the Abs with a Z

0:29:44.840 --> 0:29:47.800
<v Speaker 1>or what you know, all those flashy things cube. Yeah,

0:29:47.880 --> 0:29:49.720
<v Speaker 1>they're in the downlow with the Hollywood. Why. I like

0:29:49.800 --> 0:29:51.640
<v Speaker 1>that makes sense. I'm a why guy? Are you a

0:29:51.640 --> 0:29:55.240
<v Speaker 1>white guy? Still? I am a Hyde guy? He's like,

0:29:55.320 --> 0:29:59.600
<v Speaker 1>why that one? Well, I haven't been there in while,

0:29:59.640 --> 0:30:02.600
<v Speaker 1>so probab haven't seen its fair? All right? I think

0:30:02.640 --> 0:30:04.240
<v Speaker 1>that does it for this week. We're going to definitely

0:30:04.240 --> 0:30:06.840
<v Speaker 1>continue that SNL bid in the future because that was

0:30:06.880 --> 0:30:08.120
<v Speaker 1>a lot of fun and we just ran out of

0:30:08.160 --> 0:30:12.120
<v Speaker 1>time today. So for Noel Brown, I've been Chuck Bryant,

0:30:12.160 --> 0:30:24.280
<v Speaker 1>And for Chuck Bryant, I've been Noel Brown. Good Day.

0:30:28.920 --> 0:30:31.240
<v Speaker 1>For more podcasts for my Heart Radio, visit the I

0:30:31.320 --> 0:30:34.080
<v Speaker 1>Heart Radio app, Apple Podcasts, or wherever you listen to

0:30:34.120 --> 0:30:34.920
<v Speaker 1>your favorite shows.