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Speaker 1: So I'm in there with Saigon, the rapper from Entrage

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Speaker 1: that Turtles signed to.

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Speaker 2: You remember it's you remember it's I mean Sigon, so specifically.

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Speaker 1: So okay. So Vinnie's Maserati gets stolen from the valet line,

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Speaker 1: and when they recover it from the impound lot, there

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Speaker 1: is a CD playing in the car that has been

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Speaker 1: left there by the thieves. They of course think, oh wow,

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Speaker 1: now we're going to catch the thieves because they've left

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Speaker 1: this CD. This will be evidence. But let's just listen

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Speaker 1: to it first, and it dessy bumps and the song

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Speaker 1: bumps in the song slaps and.

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Speaker 2: Oh it bumps and slaps because you either get slapping.

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Speaker 1: Okay, well, it seems to have both. The beat is fire,

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Speaker 1: the lyrics are undeniable.

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Speaker 2: You have a very clear recollection of this particular episode

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Speaker 2: of Entourage.

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Speaker 1: Well, so they pop it out and it turns out

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Speaker 1: all of Saigon's information is on there. It's like a

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Speaker 1: four track sort of sample disc. So they wind up

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Speaker 1: going to his mom's house. She says, hey, he's not here.

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Speaker 1: Then this is just drama in Turtle doing this. Then

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Speaker 1: they go to the card detailing place that he works at,

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Speaker 1: and well, let me back up.

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Speaker 2: Oh please.

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Speaker 1: Queen's Boulevard has premiered at Sundance. The cut is four

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Speaker 1: hours long, and Billy Walsh she feels like.

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Speaker 2: This episode of Entraage is also four hours long.

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Speaker 1: Well not when you watch it.

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Speaker 2: Oh good, okay, just what I'm hearing about it.

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Speaker 1: It cooks the way I'm explaining it maybe is taking

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Speaker 1: a little longer than it should because I forgot I

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Speaker 1: had to back up. And of course it's not all

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Speaker 1: one episode Sundances, it's entirely own episode.

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Speaker 3: Yeah.

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Speaker 1: Versus later when Turtle has the idea that this song

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Speaker 1: should be over the closing credits of Queen's Boulevard, which

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Speaker 1: Billy Walshington notorious control freak, but he agrees. They've got

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Speaker 1: ten thousand dollars left in the music budget, and once

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Speaker 1: he hears it, he can picture it. So they say

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Speaker 1: to Sigon, Hey, look, we can get you ten thousand

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Speaker 1: dollars to get this song place. He goes, Okay, I'll

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Speaker 1: let you be my manager. Now Turtle is Sigon's manager.

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Speaker 2: Wow, big plot point?

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Speaker 1: Whoa okay? And from all a stolen car that the

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Speaker 1: CD was in the glove compartment, which they thought they

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Speaker 1: were stealing someone else's car, a music guy who has

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Speaker 1: the same maserati. Anyway, all this is to say that's

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Speaker 1: who Saigon is. They then don't deal with him for

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Speaker 1: three or four more episodes.

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Speaker 2: Uh huh.

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Speaker 1: He and I were with Timothy Galway and we were

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Speaker 1: playing tennis, practicing the Inner Game of Tennis. Okay, you

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Speaker 1: now you seem upset that the story is even still going.

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Speaker 2: No, I'm just I'm just I'm not so much upset,

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Speaker 2: but is very surprised because you're so much of this

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Speaker 2: story to tell.

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Speaker 1: But if you recall I started, I said it was

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Speaker 1: me and saygot and then you kind of made a

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Speaker 1: phase like who, and so of course I have to

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Speaker 1: give you context. That's part of story.

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Speaker 2: I'm going to just turn my face and this story in.

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Speaker 1: The art so that I can't see.

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Speaker 2: You can't see what is and isn't making sense. You're

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Speaker 2: just not tempted to go into.

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Speaker 1: Because what I brought up Timothy Goalway, you know him

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Speaker 1: the author of the Inner Game of Tennis.

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Speaker 2: Of course, who doesn't.

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Speaker 1: Yeah, well, because he had started out successful young club player,

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Speaker 1: uh you know, rish a very high ranking as a youth,

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Speaker 1: and then engaged in collegiate play. Ultimately, he was.

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Speaker 2: What happened enrolled in the military at the end of

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Speaker 2: the at the end of which you just fast forward

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Speaker 2: to it. That's part of his career.

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Speaker 1: Will ends up hanging out with me and Saigo. Oh cool,

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Speaker 1: and we're just running drills and I don't remember what

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Speaker 1: happened after that that. I just don't but it'll come

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Speaker 1: to me and we'll revisit it.

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Speaker 2: Great. That would be great.

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Speaker 1: So you are every day doing a show, talk about that.

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Speaker 2: Every We are called the Daily Show, the Daily Show,

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Speaker 2: but we we don't actually do a show every day.

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Speaker 2: We do it to show Monday through Thursday.

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Speaker 1: And you do two on Thursday and on Friday.

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Speaker 2: No, no, nothing airs on Friday. We're just we're just

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Speaker 2: something airs on Friday, right, but not not our show?

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Speaker 1: Yeah? Well yeah, our show said.

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Speaker 2: Yes, well, okay, something does definitely air, it's just not

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Speaker 2: our show that airs.

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Speaker 1: To air is human, isn't it? To forgive is divine?

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Speaker 2: That's what they say.

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Speaker 1: Think about that when next time you don't like my story.

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Speaker 1: So your name is Doessi Lydek. Yes, we have a

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Speaker 1: guest engineer, Jordan talk a little bit about us having

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Speaker 1: a nice guest.

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Speaker 4: She's very nice and that's all I have right now.

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Speaker 1: Okay, and you're maybe making her uncomfortable out I'm sorry,

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Speaker 1: So I.

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Speaker 2: Just now got uncomfortable.

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Speaker 1: Yep, just now, and prior you had been enjoying yourself.

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Speaker 2: I'll just leave.

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Speaker 1: Well, don't because we need the levels.

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Speaker 3: Just so.

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Speaker 1: I'm afraid Dosie's gonna spike. I think she's gonna peak.

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Speaker 2: I like to I do like to pop my peas.

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Speaker 1: M but don't I know it? And Jordan can help

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Speaker 1: with that. She has a BA in vocal performance. Ask

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Speaker 1: her about it.

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Speaker 2: Tell me about your BA and.

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Speaker 5: Vocal performance BA vocal performance. I studied opera in college.

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Speaker 5: I was in a punk band.

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Speaker 2: All that jazz you say that like that's like as

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Speaker 2: one does like that is just this standard class. That's

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Speaker 2: super impressive.

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Speaker 4: Thank you.

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Speaker 2: How did you end up working here?

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Speaker 4: That's a great question. Now, No, No, I continue my education.

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Speaker 5: I got my certification audio engineering because I wanted to

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Speaker 5: record my own album, and then I got here.

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Speaker 4: I have no idea how.

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Speaker 1: A man, everybody, you gotta pay the bills.

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Speaker 2: You got to pay the bills.

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Speaker 1: So we have seen Hayes and I Hayes is not

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Speaker 1: here but he will be soon. In a manner of speaking,

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Speaker 1: we have seen your show and we thought I could

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Speaker 1: do that, right, right, Hey, I could do that, you know,

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Speaker 1: because it's essentially pictures, jokes and people going off somewhere

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Speaker 1: and doing something.

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Speaker 2: Yeah, yeah, so and a few weather.

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Speaker 1: Guess right guests, which so I've got a guest check. Great,

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Speaker 1: the pictures, I can create them in the listener's mind.

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Speaker 1: That's the beauty of the audio format. So we're actually

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Speaker 1: saving money.

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Speaker 2: Yeah, it requires a little more imagination on the part

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Speaker 2: of the listener, but sure.

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Speaker 1: Isn't that beautiful?

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Speaker 3: Though?

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Speaker 1: To foster that in our young people. We have a

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Speaker 1: very young audience.

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Speaker 2: How young babies babies listen to the average age of

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Speaker 2: our listeners is six to ten months.

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Speaker 1: So my son is not allowed to listen yet.

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Speaker 2: How old did you.

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Speaker 1: He's nine weeks he's almost nine and a half weeks.

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Speaker 1: Remember that movie? Too early to show him that?

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Speaker 2: Where do you think I learned to pop my pee?

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Speaker 1: Okay, all right, your trouble.

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Speaker 2: So it's a great movie.

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Speaker 1: They're all good, aren't they. Movies are just great, Like,

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Speaker 1: it's so fun to watch them.

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Speaker 2: Movies. Do you like movies too?

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Speaker 1: I'm loving movies come on addicted to the stuff. And

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Speaker 1: this is coming from someone on TV even she loves movies.

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Speaker 4: Movies.

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Speaker 1: Yeah, So we're creating the imagination of these babies that

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Speaker 1: listen to the show, right, which if you want to

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Speaker 1: at any point jingle your keys or do anything else

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Speaker 1: that a baby might like. The listeners do appreciate.

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Speaker 2: That applause break if they could applaud, Yeah.

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Speaker 1: They will, Yeah, they'll make their parents pause it. So

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Speaker 1: we are thinking, why don't we do the daily show

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Speaker 1: and we'll just do it once a week because that's

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Speaker 1: what we have time for, right, and let me just

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Speaker 1: start off. I'll just kick us in. Hey, welcome to

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Speaker 1: the the Tuesday Show. This is I'm Sean Tuesday Show.

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Speaker 1: I'm here with my guest DESI. Well, the president at

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Speaker 1: lunch this week. What's on the menu? His freaking foot

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Speaker 1: as it he ordered. Yeah, I'll put that in my mouth. Yeah,

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Speaker 1: from his shoe. So we've kind of done the initial

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Speaker 1: part of the show. Uh huh, now it's time you pull.

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Speaker 3: Look.

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Speaker 1: Nothing happens by accident on this show, whether it be

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Speaker 1: the entire backstory of Saigon, leaving a CD in the

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Speaker 1: Maserati for Turtle and drama to go hunting all around Crenshaw,

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Speaker 1: etcetera to find this man, right, or whether it be

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Speaker 1: Timothy Galway en rolling in the military realizing how broken

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Speaker 1: our education system is after he gets to Exeter and

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Speaker 1: starts to see that even the brightest students sometimes struggle

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Speaker 1: with self doubt because the methods of motivation are so

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Speaker 1: flawed in our society. All these things are intentional, Right,

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Speaker 1: Hayes is on somewhere else on the phone, and he

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Speaker 1: is going to be doing something I think you do

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Speaker 1: is going off and doing field peace. Hey, where's Lucy?

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Speaker 6: Why how about we welcome Deasi home for once instead

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Speaker 6: of her just always telling Lucy that she's home.

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Speaker 1: I like this.

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Speaker 3: Hello, welcome home.

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Speaker 2: Well, thank you, welcome home.

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Speaker 6: Quickly, before we get into this, I'm so sorry. You

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Speaker 6: just catch me up on what has happened in the

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Speaker 6: episode so far.

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Speaker 2: Well, a lot of a lot of storytelling, A lot of.

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Speaker 1: That's our profession, isn't it. We're storytellers.

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Speaker 2: It is, but not so much a story with a

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Speaker 2: with a start and a finish and a middle part.

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Speaker 2: It just sort of.

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Speaker 1: Told largely and flashback largely and flashback right.

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Speaker 2: A lot of a lot of flashbacks.

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Speaker 1: Non traditional time structure, a little bit like what pulp

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Speaker 1: fiction was played.

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Speaker 2: Kind of like tangents, like a tangent, just one tangent

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Speaker 2: after the next.

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Speaker 1: Like yeah, non traditional linear, that's all you could call

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Speaker 1: it that. It's a gumo, just sort of an art piece.

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Speaker 1: You know, you didn't. It's like a mood. It's a vibe.

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Speaker 1: My stories are big moods, aren't they really?

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Speaker 2: It's quite the mood. Many moods sometimes confusion, designer, frustration.

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Speaker 1: You know, four hundred dollars, let's go to mood.

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Speaker 3: What if you came out? What if you publish the

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Speaker 3: kids book? Does he do not do this? This is me?

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Speaker 3: And but if you publish a kid's book called good

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Speaker 3: Night Mood? Would that be that? Would that would do? Well?

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Speaker 3: You have to do it.

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Speaker 2: There's some fun wordplay to that. What would the story?

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Speaker 2: How would the story be different from Goodnight Moon?

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Speaker 1: Probably be the non non linear structure. It would probably

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Speaker 1: be dipping around a little bit. I guess it would

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Speaker 1: be rather than telling the mood good night the way

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Speaker 1: you did the Moon, you'd be telling the kid, here's

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Speaker 1: some stuff to do to put yourself in that good

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Speaker 1: night mood and ye, so.

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Speaker 6: Like yes, instead of good night, bowl of mush, you

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Speaker 6: would probably say good night bowl of cush and mean.

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Speaker 3: We're making money. Listen, we are making money.

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Speaker 1: We're printing money right now? Does he please don't blow

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Speaker 1: by that?

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Speaker 2: It's great. I think this is a great idea. I

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Speaker 2: think it would do very well in urban outfitters.

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Speaker 1: Ah, is that so sore?

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Speaker 2: I think so?

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Speaker 1: Thank goodness. Uh, we told the story and I actually

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Speaker 1: did some daily show. I did the yes, the beginning, Yes.

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Speaker 6: Okay, I do mine? Could I do mine? I thought

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Speaker 6: we would both get it. I thought I would at

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Speaker 6: least get a chance to do the beginning?

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Speaker 2: Is yours? Also called the Tuesday Show.

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Speaker 6: Well, the president had lunch today.

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Speaker 1: He must have been.

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Speaker 3: Freaking hamburgers.

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Speaker 2: Now is this I just have a quick question. Is

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Speaker 2: this how the show would open up every week talking

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Speaker 2: about what the president had for lunch that day.

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Speaker 3: We can't. We don't have time to do it every week.

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Speaker 2: So it's a it's less topical, it's more ever green.

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Speaker 2: It's more ever green show.

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Speaker 1: We're trying to Yeah, we're trying to hopefully have stuff

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Speaker 1: that has along shelf life because we don't know what

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Speaker 1: that stuff is coming out.

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Speaker 2: So it's it's sort of it's not really like the

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Speaker 2: Daily Show at all.

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Speaker 1: Well, you just hear what we did. It doesn't feel

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Speaker 1: a little bit like the Daily Show.

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Speaker 2: Well you did mention the president.

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Speaker 6: It's kind of that part uncomfortably close. It must be

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Speaker 6: the horror of recognition for you.

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Speaker 3: In a way.

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Speaker 2: I think it's the uncomfortable part that feels right to me.

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Speaker 1: Joe Biden ordered room service today. Yeah, hello, front desk,

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Speaker 1: you bring my foot. Yeah, let's put it right in

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Speaker 1: my mouth. Yeah, Joe Biden's room.

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Speaker 2: It's happening. Okay. So it's the same. It's the same

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Speaker 2: sort of foot and mouth.

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Speaker 1: Joke these public figures. I'm sorry, DESI, I know you're

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Speaker 1: friends with some of these guys. They can't seem to

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Speaker 1: keep it out of there.

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Speaker 2: So essentially every week it's it's a foot in the

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Speaker 2: mouth situation, just with a different public face.

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Speaker 1: They keep teeing me up. You know, I'm going to

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Speaker 1: keep knocking it off the Tea'll keep swinging, Yes, keep

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Speaker 1: of course. So, Hayes, are you ready for your field piece?

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Speaker 3: Yes? I am Hayes reporting from outside.

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Speaker 2: Oh good, that's so you're you're doing a field piece

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Speaker 2: you're doing it right now.

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Speaker 3: I am doing it right now.

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Speaker 6: I have traveled as far basically as I can go.

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Speaker 2: How far did you go?

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Speaker 3: Did you ever do that?

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Speaker 2: Did I ever travel as far as I could go?

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Speaker 3: Basically as far as you can go? How do you get?

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Speaker 3: How do you get to the.

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Speaker 1: Field of stuff?

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Speaker 2: How do I like physically? How do I transport myself?

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Speaker 3: Yeah? How do you get there?

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Speaker 2: Great question? I generally we fly? Oh wow, we take

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Speaker 2: the train?

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Speaker 1: So bad for the environment?

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Speaker 2: Yeah, I mean it's not private jet life, but you

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Speaker 2: know Jet Blue, So.

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Speaker 6: You may not know this, but the train and the

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Speaker 6: plane are very harmful for the world.

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Speaker 1: Yes, which I of all, if I could interrupt for

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Speaker 1: a second, haze, I may be alone in this. I

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Speaker 1: actually like the world.

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Speaker 6: So I have been thinking lately that I actually want

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Speaker 6: the world to be alive.

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Speaker 2: These are feelings that many of us have.

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Speaker 6: Yeah, and the way that I like to treat it

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Speaker 6: is nicely mm hmm.

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Speaker 3: And also, I don't know if you've heard this, people

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Speaker 3: are being hit by the train.

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Speaker 1: That is something we've had to do a lot of

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Speaker 1: work with. We are in touch with big government agency,

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Speaker 1: these big wheels, and we basically try to help people

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Speaker 1: know the train is pretty tough.

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Speaker 6: Most of most of our ads now does he and

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Speaker 6: this is real are about trying to get people not

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Speaker 6: to be hit by drains.

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Speaker 3: Do we have that today for example?

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Speaker 1: Uh? That I don't know, Jeorge. Do you know it's

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Speaker 1: a group called NHTSA or something Highway Traffic Safety Awareness

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Speaker 1: or something. But anyways, they buy the uh, they buy

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Speaker 1: the ads, and then we have to explain to people

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Speaker 1: not to go in front of the train. Oh well

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Speaker 1: and get smashed to death.

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Speaker 2: It is really admirable that you guys are talking about this. Yeah,

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Speaker 2: someone needs to Yeah, certainly, is it?

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Speaker 3: So?

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Speaker 1: It's I noticed as I was watching some of it

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Speaker 1: that you're essentially pretend it doesn't even exist, the train issue.

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Speaker 1: You've turned a blind eye to all the train I mean,

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Speaker 1: I guess they're not paying customers. People get hit by trains, right,

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Speaker 1: And really it's about the bottom line for you guys.

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Speaker 3: You bring up sometimes like spring coins everywhere.

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Speaker 1: That's true. Yeah, sometimes they exploded in big pile of coins.

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Speaker 2: So is this this would be the subject matter of

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Speaker 2: your field piece?

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Speaker 3: What I forgot?

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Speaker 2: How we got here?

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Speaker 3: Oh?

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Speaker 2: This that's how you got physically where you are?

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Speaker 3: Yeah, the train. What I do is so I famously

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Speaker 3: am the scooty cutie. I do he's around to scooty.

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Speaker 1: Is that what the scooty cutie is his name? Yeah,

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Speaker 1: I'm the limerita.

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Speaker 2: Who who who gave you guys as nicknames?

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Speaker 1: The community of.

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Speaker 6: Uh the guy from that sorry, we called the community.

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Speaker 3: It's the guy from the show community. We get his show.

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Speaker 2: Yeah, Joel McHale, No, not that guy, Donald Glover.

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Speaker 1: No, he's been on our show though that feel good

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Speaker 1: here you are in the same chair, effectively.

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Speaker 4: Kind of sorry for for Donald.

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Speaker 1: Feel sorry for him?

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Speaker 2: Did he know he's doing very well?

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Speaker 1: He's doing great?

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Speaker 2: I think well, yes, despite him coming to this, despite

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Speaker 2: or because.

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Speaker 3: It mostly happened after this.

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Speaker 1: Yeah, primarily it was later.

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Speaker 2: So you, the two of you, are responsible for for

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Speaker 2: his career really taken off hurt.

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Speaker 1: Yeah, we didn't do anything to slow his trajectory.

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Speaker 2: I'm feeling much better about this.

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Speaker 4: Yeah.

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Speaker 1: The lessons learned in this studio carried Donald to wonderful heights.

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Speaker 2: Yeah.

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Speaker 3: And so I'm scooting.

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Speaker 6: I'm scooting around and then I run out of batteries

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Speaker 6: very fast.

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Speaker 2: Your scooter has batteries, Yeah.

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Speaker 3: Most of them do pretty much all of them do.

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Speaker 3: Because my backpack.

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Speaker 1: Sorry, what is she picturing?

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Speaker 3: Like?

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Speaker 1: Scooter wise?

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Speaker 3: Like what I was? I was ready to just blow

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Speaker 3: by it. I just want you to.

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Speaker 1: Know, well, dassie, that's for you. Then Hayes was going

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Speaker 1: to be nice. I gotta know a battery free scooter.

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Speaker 2: Something that it takes a little bit, a little bit

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Speaker 2: of effort, like just to push the push off, isn't

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Speaker 2: it's got to.

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Speaker 1: Be Uh, I don't know. Uh, you know what. Maybe Hayes'

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Speaker 1: first instinct was right, let's not deal with it at all.

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Speaker 1: We're just going to So Hayes' backpack was heavy.

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Speaker 3: My backpack is it drains the battery really fast? Uh.

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Speaker 6: And then so I get on the bus and then

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Speaker 6: I basically get off when they tell me to.

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Speaker 3: When it's over, When the bus is over.

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Speaker 1: When the bus is done, you just have to go.

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Speaker 1: You can't live on the bus.

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Speaker 6: And that's basically as far away as there is to go.

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Speaker 1: How much further is he gonna go?

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Speaker 2: Is backpacks heavy as l So you you get on

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Speaker 2: a scooter and yeah, go to the bus station and

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Speaker 2: get on the bus and then you just stay stay

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Speaker 2: on the bus until someone keeps you until it's over,

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Speaker 2: Until the bus is over. Yeah, okay, where.

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Speaker 1: The bus will is still gonna It's not No one's

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Speaker 1: killing the bus right. Oh no, it's gonna go tomorrow.

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Speaker 6: Sometimes sometimes you might want to. Yeah, it can be frustrated.

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Speaker 6: It can be very loud the bus.

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Speaker 1: Yeah, oh yeah, you don't know about a loud bus.

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Speaker 1: I guess how about our plane? They don't have any

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Speaker 1: loud buses.

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Speaker 3: I wouldn't know because I actually am friends with the Earth. Yeah.

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Speaker 1: Did you listen to a little Dicky song where he's

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Speaker 1: like the Earth? Remember that video? Everyone isn't it?

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Speaker 3: No?

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Speaker 1: Are?

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Speaker 3: Oh? Wow?

401
00:22:38,040 --> 00:22:39,920
Speaker 1: Justin Leo?

402
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Speaker 6: Wow?

403
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Speaker 1: What does the Daily Show talk about? It seemed like

404
00:22:45,880 --> 00:22:48,080
Speaker 1: you didn't know what the president had for lunch. You

405
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Speaker 1: didn't know that people are gonna hit by trade?

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Speaker 2: Did not?

407
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Speaker 1: You haven't seen the Earth song?

408
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Speaker 2: These are not things that we were talking about, which

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Speaker 2: is it makes me very happy that the two of

410
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Speaker 2: you are talking about it. This is good. You're really

411
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Speaker 2: finding a space that hasn't been filled yet.

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Speaker 1: Many hands make light work, So you guys cover whatever

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Speaker 1: you're doing, and then we'll cover all the.

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Speaker 3: Real ish chop wood carry water mm hmm.

415
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Speaker 1: Chop wood carry water? Does he?

416
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Speaker 3: So?

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Speaker 2: Wait, where where are you? Though? You're as far as

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Speaker 2: you can go? Where's that?

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Speaker 6: I'm as far basically as far as a way as

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Speaker 6: I can go. And what I can tell you what

421
00:23:24,200 --> 00:23:25,920
Speaker 6: I'm seeing is moss.

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Speaker 1: So how would you handle that?

423
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Speaker 3: Like?

424
00:23:32,119 --> 00:23:34,080
Speaker 1: Is there a funny thing to do talking to the

425
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Speaker 1: moment of this?

426
00:23:34,800 --> 00:23:38,199
Speaker 6: Moss is being a little bit hypocritical and I'm hoping

427
00:23:38,240 --> 00:23:39,560
Speaker 6: to expose that.

428
00:23:40,960 --> 00:23:44,520
Speaker 3: With my field piece. How would you? How do you

429
00:23:44,640 --> 00:23:45,560
Speaker 3: get these guys?

430
00:23:46,560 --> 00:23:48,280
Speaker 1: How do you stick them? Well?

431
00:23:48,280 --> 00:23:51,080
Speaker 2: What can you? Can you tell me specifically what the

432
00:23:51,200 --> 00:23:52,280
Speaker 2: moss is doing?

433
00:23:53,320 --> 00:23:55,680
Speaker 3: The moss is some of it has been eaten by meat.

434
00:23:59,119 --> 00:24:04,879
Speaker 2: Are you are you shining a light on a particular issue?

435
00:24:06,920 --> 00:24:08,080
Speaker 3: Yeah, I mean.

436
00:24:09,520 --> 00:24:12,399
Speaker 6: It seems like a good opportunity to love the earth,

437
00:24:12,560 --> 00:24:15,280
Speaker 6: Like a little Dicky said, Mmmm.

438
00:24:16,359 --> 00:24:18,760
Speaker 2: So this isn't this is a piece about the environment?

439
00:24:19,640 --> 00:24:21,080
Speaker 3: It's it sure could be.

440
00:24:21,320 --> 00:24:23,040
Speaker 6: Yeah, it sounds like you guys are doing a lot

441
00:24:23,040 --> 00:24:25,119
Speaker 6: of that, so it would be good to fill the

442
00:24:25,200 --> 00:24:30,080
Speaker 6: void in that respect. But I just want to like it, Like,

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00:24:30,200 --> 00:24:33,920
Speaker 6: what's like one that you did that? Maybe we can

444
00:24:34,000 --> 00:24:35,840
Speaker 6: do a version of Yeah, what's.

445
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Speaker 1: Your best one?

446
00:24:36,600 --> 00:24:39,320
Speaker 2: You want me to tell you my best field pieces

447
00:24:39,400 --> 00:24:42,080
Speaker 2: I did, so you guys can do the exact same thing.

448
00:24:41,960 --> 00:24:44,840
Speaker 1: And it's sounding the exact same. First of all, it's Hayes. Secondly,

449
00:24:45,000 --> 00:24:47,119
Speaker 1: he told you he's already he took the bus to

450
00:24:47,160 --> 00:24:53,600
Speaker 1: get there. So that's different, right, So it's feeling pretty different.

451
00:24:54,160 --> 00:24:56,040
Speaker 2: You know what, what we like to do a lot

452
00:24:56,200 --> 00:24:59,639
Speaker 2: or a man on the street pieces. We like to

453
00:24:59,440 --> 00:25:05,879
Speaker 2: go like like Trump rallies or yeah no, that's a

454
00:25:05,920 --> 00:25:07,560
Speaker 2: total that's a totally different show.

455
00:25:07,800 --> 00:25:09,520
Speaker 3: Doesn't sound like it.

456
00:25:12,200 --> 00:25:15,080
Speaker 2: Also man on the street, but a little different, a

457
00:25:15,119 --> 00:25:18,520
Speaker 2: little different. So we like to talk to people. I

458
00:25:18,560 --> 00:25:21,080
Speaker 2: think like maybe maybe you're your.

459
00:25:20,960 --> 00:25:26,119
Speaker 1: First I gotta say, because I appreciate you trying to help.

460
00:25:26,240 --> 00:25:31,000
Speaker 1: But obviously we've talked about traffic safety a lot on

461
00:25:31,040 --> 00:25:35,919
Speaker 1: this show. Just the phrasing of a man on the

462
00:25:35,960 --> 00:25:39,960
Speaker 1: street feels dangerous to me. It feels like there's some

463
00:25:40,040 --> 00:25:43,359
Speaker 1: messaging that could use a little massaging.

464
00:25:43,560 --> 00:25:46,399
Speaker 2: Oh okay, is this like a gender equality thing? Like

465
00:25:46,440 --> 00:25:49,040
Speaker 2: it like women on the woman on the street might

466
00:25:49,080 --> 00:25:50,680
Speaker 2: be a.

467
00:25:50,160 --> 00:25:53,320
Speaker 1: I guess, but I just don't know if they should

468
00:25:53,359 --> 00:25:56,639
Speaker 1: be on the street. Wouldn't we prefer they be on

469
00:25:56,680 --> 00:26:01,000
Speaker 1: the sidewalk? Or at least in the crosswalk. If they're

470
00:26:01,080 --> 00:26:05,640
Speaker 1: on the street, that's very dangerous. And while it's better

471
00:26:05,680 --> 00:26:07,840
Speaker 1: than being on the train tracks as far as I'm concerned,

472
00:26:08,040 --> 00:26:09,760
Speaker 1: it's still not necessarily safe.

473
00:26:10,000 --> 00:26:12,040
Speaker 3: Well, it's man on the street. You're a man on

474
00:26:12,080 --> 00:26:12,480
Speaker 3: the street.

475
00:26:12,520 --> 00:26:16,119
Speaker 6: Piece will pretty soon become a man all over the street.

476
00:26:16,160 --> 00:26:20,160
Speaker 1: Piece, There'll be man on the hood of a car,

477
00:26:20,240 --> 00:26:22,000
Speaker 1: and then under the tires of this other car.

478
00:26:22,480 --> 00:26:28,960
Speaker 2: It's it's it's really more of just the term that

479
00:26:29,000 --> 00:26:31,600
Speaker 2: we use. It's it's not quite so literal. We often

480
00:26:31,720 --> 00:26:35,840
Speaker 2: are on a sidewalk or in a in a safe area.

481
00:26:35,960 --> 00:26:39,399
Speaker 1: Can be harmful that we use, can using the.

482
00:26:42,320 --> 00:26:43,080
Speaker 3: Way we speak?

483
00:26:44,440 --> 00:26:45,560
Speaker 2: I suppose it does.

484
00:26:46,119 --> 00:26:48,520
Speaker 3: Is there such thing as a as a bad word

485
00:26:48,600 --> 00:26:49,000
Speaker 3: to use?

486
00:26:52,000 --> 00:27:01,360
Speaker 2: What question? There are any bad words to use?

487
00:27:02,920 --> 00:27:03,760
Speaker 1: I can think of four.

488
00:27:05,800 --> 00:27:07,840
Speaker 2: I don't feel that man on the street really falls

489
00:27:07,880 --> 00:27:13,200
Speaker 2: into that. No, are you gonna have to bleep it?

490
00:27:13,400 --> 00:27:17,879
Speaker 3: Those are the four words. That's it? Yeah, word that

491
00:27:18,000 --> 00:27:18,800
Speaker 3: Carlin said.

492
00:27:22,920 --> 00:27:24,920
Speaker 2: Okay, so we're not open to the idea of doing

493
00:27:24,960 --> 00:27:33,040
Speaker 2: man on the sto Yeah, I disagree with you there,

494
00:27:33,119 --> 00:27:37,440
Speaker 2: I think butthole is an underused phrase, phrase word.

495
00:27:37,760 --> 00:27:39,439
Speaker 1: Calling it a word and we're saying that it's one

496
00:27:39,480 --> 00:27:44,000
Speaker 1: of the seven dirty words. There was man on the street, butthole,

497
00:27:46,040 --> 00:27:48,320
Speaker 1: and then two more that we probably shouldn't.

498
00:27:47,960 --> 00:27:49,679
Speaker 2: Say's not do that.

499
00:27:50,119 --> 00:27:55,840
Speaker 1: Yeah, but one of them was pep and so, and

500
00:27:55,920 --> 00:27:57,200
Speaker 1: we're not going to say the last one.

501
00:27:57,240 --> 00:28:00,000
Speaker 2: You're very young. Listeners are going to love this, It's true.

502
00:28:00,320 --> 00:28:00,880
Speaker 2: This is the part.

503
00:28:01,000 --> 00:28:04,800
Speaker 1: It's really aimed squarely at their interest.

504
00:28:06,320 --> 00:28:08,400
Speaker 2: Okay, so man on the street is out of the question.

505
00:28:08,480 --> 00:28:09,959
Speaker 1: Where do we can do it? We should call it

506
00:28:09,960 --> 00:28:17,080
Speaker 1: something else? Okay, sidewalk interview friend? Is that so hard?

507
00:28:17,160 --> 00:28:19,840
Speaker 2: It certainly has a ring to it. Yeah, but I

508
00:28:20,240 --> 00:28:23,560
Speaker 2: would say that they're not all our friends, because if

509
00:28:23,560 --> 00:28:24,320
Speaker 2: we're just talking.

510
00:28:24,240 --> 00:28:28,000
Speaker 1: You're their friend. No, you're not being friendly.

511
00:28:28,720 --> 00:28:31,600
Speaker 2: Well I'm not being unfriendly.

512
00:28:31,960 --> 00:28:33,080
Speaker 1: Hey, is how do you want to do this? Do

513
00:28:33,119 --> 00:28:33,919
Speaker 1: you want to be nasty?

514
00:28:34,080 --> 00:28:34,280
Speaker 3: Mean?

515
00:28:35,880 --> 00:28:38,520
Speaker 6: I mean, if that's the only option, I would prefer

516
00:28:38,640 --> 00:28:40,000
Speaker 6: to be someone's friend.

517
00:28:40,440 --> 00:28:44,760
Speaker 2: Okay, yeah, okay, so you would want to do man

518
00:28:44,800 --> 00:28:47,120
Speaker 2: on man on sidewalk.

519
00:28:46,680 --> 00:28:49,440
Speaker 3: Friend, man beside the street, friend man.

520
00:28:49,320 --> 00:28:53,840
Speaker 2: Beside the street, friend, and speak to your friends only

521
00:28:55,080 --> 00:28:56,479
Speaker 2: are any of your buddies around?

522
00:28:56,480 --> 00:29:00,240
Speaker 3: Heyes, yeah, to drop it up?

523
00:29:00,600 --> 00:29:03,080
Speaker 2: Do you have some quite like some hard hitting questions

524
00:29:03,120 --> 00:29:04,200
Speaker 2: on hand that you'd want to.

525
00:29:04,480 --> 00:29:07,160
Speaker 1: Dude, if it's me talking to my friends, you're gonna

526
00:29:07,200 --> 00:29:09,160
Speaker 1: get a ton of good footage. Because when we're just

527
00:29:09,320 --> 00:29:12,880
Speaker 1: busting off, like me and my voice, like we say

528
00:29:12,880 --> 00:29:16,960
Speaker 1: some of the funniest, wildest shit. Really, it's like so wrong,

529
00:29:17,160 --> 00:29:20,440
Speaker 1: so out there, but like my friends are like the

530
00:29:20,480 --> 00:29:24,239
Speaker 1: funniest and I'm probably at my best with them, Like

531
00:29:24,280 --> 00:29:27,360
Speaker 1: when me and Hayes are freaking busting beans, just chopping

532
00:29:27,400 --> 00:29:30,880
Speaker 1: it up, Like that's some of the funniest shit, dude,

533
00:29:31,280 --> 00:29:32,440
Speaker 1: that should be on TV.

534
00:29:32,640 --> 00:29:34,800
Speaker 6: And so if the alternative is me going up to

535
00:29:35,000 --> 00:29:37,480
Speaker 6: like a guy I've never even seen before in my

536
00:29:37,560 --> 00:29:39,000
Speaker 6: life and being like, what's up?

537
00:29:39,120 --> 00:29:42,440
Speaker 3: Are you? Like you like drump or something, I don't

538
00:29:42,480 --> 00:29:50,960
Speaker 3: see that being funnier, not funny chopping it up, busted beans.

539
00:29:51,040 --> 00:29:53,560
Speaker 2: Kinds of what kinds of chopping it up and busting

540
00:29:53,600 --> 00:29:55,240
Speaker 2: beans do you guys like to do? Like, what's some

541
00:29:55,320 --> 00:29:58,400
Speaker 2: of what's like the funniest thing that's happened with you

542
00:29:58,440 --> 00:30:00,960
Speaker 2: guys just sitting around busting beans.

543
00:30:01,040 --> 00:30:04,360
Speaker 1: Listen to the show. Listen to the show, Listen to

544
00:30:04,400 --> 00:30:07,240
Speaker 1: the rest of the episodes. You sit around that's basically

545
00:30:07,240 --> 00:30:10,719
Speaker 1: what you've done, freaking two hundred, chopping it up, busting

546
00:30:10,800 --> 00:30:15,640
Speaker 1: beads on Mike. Yeah, there's a reason that we're one

547
00:30:15,720 --> 00:30:27,280
Speaker 1: of the premiere struggling podcasts. I didn't happen by accident,

548
00:30:28,040 --> 00:30:29,840
Speaker 1: but you want him to. So you want him to

549
00:30:29,840 --> 00:30:32,160
Speaker 1: beat up a guy who likes Trump or something.

550
00:30:32,200 --> 00:30:34,560
Speaker 6: You asked, You asked if brought like, are you justice

551
00:30:34,600 --> 00:30:40,720
Speaker 6: hitting questions? Unfortunately, my backpack is full of extra.

552
00:30:40,520 --> 00:30:46,120
Speaker 2: Fits, extra extra what fits fits?

553
00:30:46,280 --> 00:30:50,280
Speaker 1: He's slaying Lukes. Don't mind his drip? Please, don't mind

554
00:30:50,320 --> 00:30:50,680
Speaker 1: his drip.

555
00:30:50,720 --> 00:30:52,560
Speaker 2: I don't know you, guys, I don't know what, don't.

556
00:30:53,960 --> 00:30:57,920
Speaker 1: What the drip is real? Do not mind his drip

557
00:30:59,400 --> 00:31:03,680
Speaker 1: when he is in his fits outfits?

558
00:31:04,960 --> 00:31:07,520
Speaker 2: Hell yeah, I'm not as young as your audience member,

559
00:31:07,640 --> 00:31:10,200
Speaker 2: so I don't know this slang.

560
00:31:10,920 --> 00:31:14,400
Speaker 1: Okay yeah fit yeah, fit is like an outfit. So

561
00:31:14,520 --> 00:31:17,400
Speaker 1: Hayes has a lot of dope fits. And when he

562
00:31:17,440 --> 00:31:20,520
Speaker 1: puts it on and he will say, don't mind my drip.

563
00:31:22,560 --> 00:31:27,760
Speaker 3: Please, I begging you don't buy by drip.

564
00:31:28,080 --> 00:31:32,040
Speaker 1: In a nice way, he is asking you do not

565
00:31:32,240 --> 00:31:33,080
Speaker 1: mind his drip?

566
00:31:33,240 --> 00:31:35,160
Speaker 2: Got it? I will not mind it.

567
00:31:35,360 --> 00:31:39,520
Speaker 3: I will not know. There was not room for any

568
00:31:39,640 --> 00:31:40,520
Speaker 3: questions in there.

569
00:31:40,840 --> 00:31:50,280
Speaker 1: Okay, do you you do you have any hard hitting questions?

570
00:31:51,000 --> 00:31:51,360
Speaker 3: Uh?

571
00:31:51,400 --> 00:31:54,160
Speaker 2: Well, I I at this point, I don't know what

572
00:31:54,200 --> 00:31:59,920
Speaker 2: the piece is about. I think if I knew specifically,

573
00:32:01,320 --> 00:32:03,680
Speaker 2: if there was a particular issue we were trying to

574
00:32:03,680 --> 00:32:06,960
Speaker 2: dive into a really specific community take on, I.

575
00:32:06,960 --> 00:32:10,040
Speaker 6: Would love to do to sort of explore the issue

576
00:32:10,120 --> 00:32:11,240
Speaker 6: of getting home.

577
00:32:12,280 --> 00:32:16,920
Speaker 1: Yeah, especially based on the bus isn't running anymore?

578
00:32:17,040 --> 00:32:19,880
Speaker 3: Right, Okay, the bus is over? Yes, over?

579
00:32:21,320 --> 00:32:24,400
Speaker 2: Okay, so the bus is over and you this is

580
00:32:24,680 --> 00:32:27,320
Speaker 2: this is this could be a really fun adventure piece.

581
00:32:27,400 --> 00:32:30,320
Speaker 2: But it doesn't feel to me at all like a

582
00:32:30,360 --> 00:32:32,200
Speaker 2: like a daily show piece. So maybe what you guys

583
00:32:32,200 --> 00:32:35,400
Speaker 2: are wanting to do is Tuesday, the Tuesday Show, which

584
00:32:35,400 --> 00:32:38,360
Speaker 2: has really nothing to do with politics.

585
00:32:37,960 --> 00:32:43,400
Speaker 1: Or I'm sorry, nothing to do with politics. Meanwhile, we

586
00:32:43,440 --> 00:32:48,560
Speaker 1: took down Trump Biden Trump again. The environment for me

587
00:32:48,640 --> 00:32:51,239
Speaker 1: is a very political issue. Politicians are making a lot

588
00:32:51,320 --> 00:32:54,280
Speaker 1: of the decisions about that stuff. Great, whether we moss,

589
00:32:54,840 --> 00:32:56,680
Speaker 1: how much planes we go on.

590
00:32:57,360 --> 00:32:58,600
Speaker 2: How much planes we go on?

591
00:32:58,800 --> 00:33:02,240
Speaker 1: Yeah, good for you? Is a lot not just saying.

592
00:33:04,160 --> 00:33:06,520
Speaker 2: Are you trying to preserve? Okay, here, I'm gonna work

593
00:33:06,520 --> 00:33:09,720
Speaker 2: with your moss I'm gonna work with your moss idea.

594
00:33:09,920 --> 00:33:13,040
Speaker 2: You're trying to preserve the moss.

595
00:33:13,320 --> 00:33:20,160
Speaker 6: Right while we were, you noticed that I was just

596
00:33:20,240 --> 00:33:22,520
Speaker 6: quiet for a second. I didn't kind of finish it off.

597
00:33:23,280 --> 00:33:25,719
Speaker 2: So like in this, if your if your goal is

598
00:33:25,800 --> 00:33:34,760
Speaker 2: to preserve the environment and goat, how hungry are you?

599
00:33:34,960 --> 00:33:37,560
Speaker 3: Hell? Yeah? Is the goat?

600
00:33:37,960 --> 00:33:42,760
Speaker 1: Yeah, he's the goat. Field piece reporter, don't forget.

601
00:33:42,880 --> 00:33:45,200
Speaker 2: I feel like Hayes, I feel like you would be

602
00:33:45,280 --> 00:33:49,520
Speaker 2: the the the contrarian in this in this interview, like

603
00:33:49,520 --> 00:33:52,080
Speaker 2: you're not just conducted, You're not just a correspondent, you're

604
00:33:52,160 --> 00:33:58,120
Speaker 2: also the the the contrarians a commedic engine. You're really

605
00:33:58,120 --> 00:34:00,680
Speaker 2: playing multiple roles in this, which is impressive.

606
00:34:01,680 --> 00:34:05,240
Speaker 3: Can do the camera? Do the camera as well?

607
00:34:08,800 --> 00:34:09,640
Speaker 2: That's challenging.

608
00:34:10,480 --> 00:34:16,439
Speaker 3: And what's the question that you asked somebody one time?

609
00:34:16,880 --> 00:34:18,280
Speaker 1: Yeah, to name a question?

610
00:34:20,080 --> 00:34:20,279
Speaker 3: Name?

611
00:34:20,960 --> 00:34:22,560
Speaker 1: If you even remember.

612
00:34:24,680 --> 00:34:28,280
Speaker 3: Name a question you ask somebody one time?

613
00:34:30,920 --> 00:34:34,880
Speaker 1: I can think of one. Who's Saigon? And I remember

614
00:34:34,920 --> 00:34:37,040
Speaker 1: I gave a pretty good answer and you were still pissed.

615
00:34:38,040 --> 00:34:40,480
Speaker 1: So maybe think of one that ended a little better.

616
00:34:41,200 --> 00:34:47,120
Speaker 2: Okay. I I did a piece, a special on gender equality,

617
00:34:47,960 --> 00:34:51,160
Speaker 2: and I went to Iceland and I spoke to this woman,

618
00:34:51,400 --> 00:34:52,600
Speaker 2: Hola Thomas daughter.

619
00:34:53,280 --> 00:34:56,920
Speaker 1: And I what.

620
00:34:59,360 --> 00:34:59,759
Speaker 4: You good?

621
00:35:00,400 --> 00:35:07,200
Speaker 1: Yeah Thomas daughter, Halla Thomas daughter. Because in Iceland their

622
00:35:07,280 --> 00:35:10,320
Speaker 1: last name is their dad's name her, and it says daughter.

623
00:35:10,200 --> 00:35:11,640
Speaker 2: Yeah or son yeah.

624
00:35:11,640 --> 00:35:15,759
Speaker 1: Because I went to school with Abe Oscar's daughter.

625
00:35:19,080 --> 00:35:20,880
Speaker 2: Is it a real person you went to school with?

626
00:35:21,239 --> 00:35:24,960
Speaker 1: Yeah? So go ahead, Okay, now I'm up to speed.

627
00:35:25,080 --> 00:35:30,040
Speaker 2: Great. So I asked Hola Thomas daughter if the policies

628
00:35:30,640 --> 00:35:33,080
Speaker 2: that they were using in Iceland could work in America.

629
00:35:33,160 --> 00:35:38,680
Speaker 4: What yeah?

630
00:35:38,760 --> 00:35:42,560
Speaker 1: And Allah's said something insane, I guess.

631
00:35:42,800 --> 00:35:47,279
Speaker 2: She said, well, is what you're working? Wait? I got this?

632
00:35:47,840 --> 00:35:48,239
Speaker 3: All that?

633
00:35:48,640 --> 00:35:51,120
Speaker 1: Okay? Whoa?

634
00:35:51,680 --> 00:35:51,879
Speaker 3: Hey?

635
00:35:52,000 --> 00:35:58,279
Speaker 1: Is I wish you could see DESI right now. Finally

636
00:35:58,960 --> 00:36:07,400
Speaker 1: has crumbled, she said, hold on, I got this, She said,

637
00:36:08,480 --> 00:36:10,279
Speaker 1: is what you're doing right now?

638
00:36:10,320 --> 00:36:17,000
Speaker 2: Working? Oh yeah, boom.

639
00:36:17,120 --> 00:36:19,360
Speaker 3: And this is on every day.

640
00:36:23,360 --> 00:36:28,600
Speaker 1: That's what I thought as well, Hayes. But to hear

641
00:36:28,760 --> 00:36:34,480
Speaker 1: Desy explain it and then the TV just leaves your house,

642
00:36:34,560 --> 00:36:39,280
Speaker 1: you can't have it anymore on Friday, That's what she said.

643
00:36:41,200 --> 00:36:44,600
Speaker 2: So there's a there's a question for you.

644
00:36:45,680 --> 00:36:48,960
Speaker 1: So wait, you asked me if we you asked us,

645
00:36:48,960 --> 00:36:51,080
Speaker 1: if we had hard hitting questions. Can kind of judge

646
00:36:51,120 --> 00:36:53,160
Speaker 1: you about the fact that we in fact it Bah.

647
00:36:53,200 --> 00:36:55,320
Speaker 1: Then we were like, well, what's a question you asked?

648
00:36:55,360 --> 00:36:57,440
Speaker 1: And then the story is that somebody asked you a

649
00:36:57,480 --> 00:36:58,200
Speaker 1: better question.

650
00:37:00,560 --> 00:37:03,680
Speaker 2: You're kind of right, Yeah, you're kind of right about that.

651
00:37:05,760 --> 00:37:07,120
Speaker 1: Help my friend, Hayes got.

652
00:37:07,560 --> 00:37:08,200
Speaker 2: You want to know?

653
00:37:10,520 --> 00:37:12,520
Speaker 1: I don't want to know what. You don't want to know.

654
00:37:12,640 --> 00:37:14,960
Speaker 2: You don't want you don't want to know context. You

655
00:37:15,000 --> 00:37:18,520
Speaker 2: don't want to know what the piece is about. You

656
00:37:18,640 --> 00:37:22,960
Speaker 2: just want a question. You just want a question in

657
00:37:23,120 --> 00:37:24,680
Speaker 2: any field piece.

658
00:37:24,840 --> 00:37:28,840
Speaker 1: I gave you one, yeah, okay, so yeah, but you

659
00:37:28,920 --> 00:37:31,239
Speaker 1: gave me the context too, right, which is that you

660
00:37:31,280 --> 00:37:37,000
Speaker 1: flew to Iceland, killed the earth to ask somebody a question.

661
00:37:37,040 --> 00:37:38,600
Speaker 1: You could have got him over the phone, like I'd

662
00:37:38,640 --> 00:37:42,920
Speaker 1: do it with the Hayes. So I don't know, Hayes,

663
00:37:42,960 --> 00:37:46,759
Speaker 1: where are you? That's what I want to know. Do

664
00:37:46,840 --> 00:37:48,680
Speaker 1: you see any scooters around? Hayes?

665
00:37:49,560 --> 00:37:58,200
Speaker 6: Okay, let me uh, let me turn around. Okay, I

666
00:37:58,200 --> 00:38:00,960
Speaker 6: thought there was a waterfall, but that's is that maybe

667
00:38:01,000 --> 00:38:01,600
Speaker 6: on your head?

668
00:38:03,880 --> 00:38:05,360
Speaker 1: Yeah?

669
00:38:05,480 --> 00:38:08,640
Speaker 3: Okay, please don't confuse it's this is as bad enough

670
00:38:08,680 --> 00:38:09,200
Speaker 3: as it is.

671
00:38:14,600 --> 00:38:17,960
Speaker 2: Oh my god, Okay, what do you see?

672
00:38:18,200 --> 00:38:21,840
Speaker 3: Turning around? All right? Okay, I didn't realize this.

673
00:38:21,920 --> 00:38:31,080
Speaker 6: There's a lot of cars, okay, going in a circle, Daisy.

674
00:38:31,520 --> 00:38:32,959
Speaker 1: What's that sound like to you?

675
00:38:35,560 --> 00:38:37,560
Speaker 2: It sounds to me like you are a man on

676
00:38:37,600 --> 00:38:39,200
Speaker 2: the street right now.

677
00:38:39,840 --> 00:38:47,439
Speaker 1: Are they normal size cars? These aren't slot cars? Are they?

678
00:38:47,680 --> 00:38:51,080
Speaker 3: Are you in normal sized cars? It depends. It's hard

679
00:38:51,080 --> 00:38:53,000
Speaker 3: for me to judge my distance from them.

680
00:38:54,239 --> 00:38:56,759
Speaker 1: Okay, because if you're in a hobby shop, they might

681
00:38:56,800 --> 00:38:57,960
Speaker 1: be slot cars.

682
00:38:59,400 --> 00:39:03,960
Speaker 6: Okay, I good. It is possible that I'm in a

683
00:39:04,040 --> 00:39:08,040
Speaker 6: hobby shop. I think I may have eaten all the

684
00:39:08,160 --> 00:39:15,600
Speaker 6: moss from a model train, a very realistic, well executed.

685
00:39:16,920 --> 00:39:19,160
Speaker 3: Model train environment.

686
00:39:18,840 --> 00:39:28,160
Speaker 1: That would explain the cars going into circle exclusively. Yeah,

687
00:39:28,280 --> 00:39:33,239
Speaker 1: this makes sense. What did you did you take the

688
00:39:33,280 --> 00:39:35,400
Speaker 1: bus that goes to the hobby shop?

689
00:39:35,719 --> 00:39:36,719
Speaker 3: Yes? I took the bus.

690
00:39:36,840 --> 00:39:42,839
Speaker 6: When you it says on the little led screen. As

691
00:39:42,880 --> 00:39:44,960
Speaker 6: the bus is approaching, it says hobby shop.

692
00:39:45,280 --> 00:39:47,480
Speaker 2: Yeah.

693
00:39:47,600 --> 00:39:51,200
Speaker 1: Okay, Well does he?

694
00:39:53,800 --> 00:39:57,239
Speaker 3: What's the way? Does he? What's a good way to like, expose.

695
00:39:58,600 --> 00:40:02,600
Speaker 6: Hypocritical at Aby's shop?

696
00:40:02,200 --> 00:40:07,280
Speaker 2: Expose a hypocritical at a hobby shop?

697
00:40:07,440 --> 00:40:07,680
Speaker 1: Yeah?

698
00:40:07,800 --> 00:40:13,120
Speaker 6: Isn't that just like just the just dismantle their logic.

699
00:40:12,960 --> 00:40:16,440
Speaker 1: Absolutely destroy them?

700
00:40:16,680 --> 00:40:19,520
Speaker 2: Is there a reason you want to dismantle it.

701
00:40:19,800 --> 00:40:23,160
Speaker 3: Because that's the yeah attention.

702
00:40:24,920 --> 00:40:27,880
Speaker 1: I I mean, does if you can't come up with something, DESI,

703
00:40:27,960 --> 00:40:30,080
Speaker 1: I have the beginning of a prompt and maybe you

704
00:40:30,120 --> 00:40:30,960
Speaker 1: can take it from there.

705
00:40:31,080 --> 00:40:32,200
Speaker 2: Great, let's start with that.

706
00:40:32,520 --> 00:40:35,560
Speaker 1: Well, if this guy's working at a hobby shop, it's

707
00:40:35,560 --> 00:40:38,400
Speaker 1: like he's saying it's a hobby but it's actually his job.

708
00:40:40,320 --> 00:40:41,239
Speaker 1: What a hypocrite?

709
00:40:41,320 --> 00:40:41,480
Speaker 3: Right?

710
00:40:44,400 --> 00:40:44,919
Speaker 2: Not really?

711
00:40:45,120 --> 00:40:45,720
Speaker 3: Not really?

712
00:40:46,239 --> 00:40:49,640
Speaker 2: I feel like that's.

713
00:40:49,520 --> 00:40:51,960
Speaker 6: Okay, so that was bringing hypocritical to me. I'm wondering

714
00:40:52,000 --> 00:40:53,160
Speaker 6: who I say that too?

715
00:40:54,080 --> 00:40:54,400
Speaker 1: Does he?

716
00:40:54,600 --> 00:40:57,960
Speaker 2: But I think I think I think there's a misunderstanding

717
00:40:58,040 --> 00:41:02,920
Speaker 2: and that we are just willy nilly like ripping into people.

718
00:41:03,600 --> 00:41:08,600
Speaker 2: But there's but there's It doesn't feel like the hobby

719
00:41:08,600 --> 00:41:12,160
Speaker 2: shop or the guy at the hobby shop is really deserving.

720
00:41:13,120 --> 00:41:16,600
Speaker 6: There is no guy what we what I there's no

721
00:41:16,719 --> 00:41:18,200
Speaker 6: guy here right now?

722
00:41:18,320 --> 00:41:20,080
Speaker 3: There's a very small conductor.

723
00:41:23,000 --> 00:41:27,920
Speaker 1: Okay, does like a figurine.

724
00:41:27,080 --> 00:41:28,960
Speaker 3: Who I could go to town on.

725
00:41:29,480 --> 00:41:33,280
Speaker 1: Take it away, get his ass.

726
00:41:33,440 --> 00:41:36,200
Speaker 2: Have you have either of you watched The Daily Show?

727
00:41:36,680 --> 00:41:43,480
Speaker 3: Oh god, yes, yeah, yeah, moment is dead. Five questions,

728
00:41:43,719 --> 00:41:45,640
Speaker 3: five questions. The guy's had explode?

729
00:41:46,800 --> 00:41:47,520
Speaker 2: No, that's.

730
00:41:49,360 --> 00:41:51,279
Speaker 1: Yeah, come on, what do you watch it?

731
00:41:51,880 --> 00:41:54,200
Speaker 2: What are your what are your? Was there a favorite

732
00:41:54,719 --> 00:41:56,160
Speaker 2: era of the Daily Show?

733
00:41:57,040 --> 00:42:02,560
Speaker 1: Well fun, Bob wilt Fogg.

734
00:42:03,120 --> 00:42:05,840
Speaker 3: A Whitney Brown.

735
00:42:07,640 --> 00:42:08,440
Speaker 2: I feel like you just.

736
00:42:11,040 --> 00:42:11,800
Speaker 3: Little Ford.

737
00:42:12,200 --> 00:42:14,279
Speaker 2: Are you looking at the IMDb page right now?

738
00:42:15,960 --> 00:42:16,920
Speaker 1: Me? Morocca?

739
00:42:18,960 --> 00:42:21,720
Speaker 3: Morocca is a little late. That's a little late period

740
00:42:21,800 --> 00:42:22,959
Speaker 3: for me. Yeah.

741
00:42:23,040 --> 00:42:25,160
Speaker 1: I guess that was kind of after it fell off.

742
00:42:25,239 --> 00:42:27,000
Speaker 3: That was the beginning of the end for me.

743
00:42:30,520 --> 00:42:37,080
Speaker 1: Okay, okay, So, Hayes, do you feel like you got

744
00:42:37,080 --> 00:42:38,720
Speaker 1: what you need for the field piece?

745
00:42:39,640 --> 00:42:43,000
Speaker 3: I mean I got, you know, like them out.

746
00:42:42,800 --> 00:42:44,960
Speaker 1: Of tape, Yeah, a ton of footage.

747
00:42:45,040 --> 00:42:47,360
Speaker 3: Yeah, so, but I do think it'll cut together.

748
00:42:48,120 --> 00:42:50,239
Speaker 2: Yeah, we're going to be able to Did you get

749
00:42:50,680 --> 00:42:54,759
Speaker 2: both sides of the interview or just one?

750
00:42:55,040 --> 00:42:56,759
Speaker 3: I was kind of circling like.

751
00:43:00,600 --> 00:43:03,080
Speaker 1: Hayes has because so many of our listeners are babies.

752
00:43:03,120 --> 00:43:05,759
Speaker 1: Hayes has this like children's mobile that he can put

753
00:43:06,160 --> 00:43:09,759
Speaker 1: the camera on and it kind of spins around the

754
00:43:09,960 --> 00:43:11,479
Speaker 1: conversation the entire time.

755
00:43:11,560 --> 00:43:14,360
Speaker 2: Opening shot in that seventies show.

756
00:43:16,880 --> 00:43:17,600
Speaker 1: What One.

757
00:43:19,560 --> 00:43:19,840
Speaker 3: True?

758
00:43:22,280 --> 00:43:28,080
Speaker 2: The opening credits that seventies show were they in the circle?

759
00:43:28,560 --> 00:43:29,480
Speaker 4: Seventies show.

760
00:43:31,040 --> 00:43:41,160
Speaker 1: The gunslip. There's a lot of seventies shows.

761
00:43:41,160 --> 00:43:50,000
Speaker 2: No, no, I'm talking all the Family Astrian Kutcher, Wilmur Valdama.

762
00:43:50,480 --> 00:43:58,000
Speaker 2: That's that seventies show, the one that's called Ranch. It's

763
00:43:58,040 --> 00:43:59,240
Speaker 2: a totally different show.

764
00:44:00,840 --> 00:44:03,040
Speaker 1: I guess, like Down on the Ranges in his seventies.

765
00:44:04,920 --> 00:44:07,359
Speaker 3: So the problematic show.

766
00:44:09,400 --> 00:44:12,799
Speaker 1: It's not without its issues. Well, you can't make a

767
00:44:12,840 --> 00:44:15,440
Speaker 1: show these days. I mean, isn't that what you're finding?

768
00:44:16,960 --> 00:44:20,160
Speaker 3: Not really, that's been my experience out of here.

769
00:44:20,400 --> 00:44:23,640
Speaker 1: Well, yeah, you just can't even freaking do it.

770
00:44:26,560 --> 00:44:32,879
Speaker 2: You you could?

771
00:44:33,520 --> 00:44:35,120
Speaker 1: What are you here for? Wow?

772
00:44:35,480 --> 00:44:38,480
Speaker 3: Do you have anything like? What is this? Yeah?

773
00:44:38,520 --> 00:44:43,400
Speaker 2: What do we don't? Yeah? You have neglected to ask

774
00:44:43,520 --> 00:44:45,759
Speaker 2: me about anything I'm working on.

775
00:44:45,920 --> 00:44:48,760
Speaker 3: We asked you for questions like twenty times.

776
00:44:48,840 --> 00:44:51,759
Speaker 1: Yeah, yeah, so maybe the question should have been, oh

777
00:44:51,800 --> 00:44:54,400
Speaker 1: you could ask somebody what you know what they're promoting?

778
00:44:55,880 --> 00:44:57,680
Speaker 1: Are you that seems like it's something you do on

779
00:44:57,760 --> 00:44:58,120
Speaker 1: a show.

780
00:44:58,200 --> 00:45:01,920
Speaker 2: Are you asking me, jesus?

781
00:45:02,080 --> 00:45:07,359
Speaker 3: What's this game? Games? And that's one thing you have

782
00:45:07,480 --> 00:45:07,759
Speaker 3: to know.

783
00:45:08,200 --> 00:45:10,800
Speaker 1: We are so real. We are sick of the games,

784
00:45:11,120 --> 00:45:14,960
Speaker 1: and we keep it real. We are straight up with you.

785
00:45:16,280 --> 00:45:20,200
Speaker 1: We do not play games, got it? So if you're

786
00:45:20,280 --> 00:45:23,399
Speaker 1: if you want the games, go somewhere, you know, go

787
00:45:23,440 --> 00:45:25,680
Speaker 1: to Comedy Bang Bang or one of the shows people

788
00:45:25,719 --> 00:45:31,840
Speaker 1: listen to. I don't need the games here, we're straight up. Okay.

789
00:45:31,880 --> 00:45:34,600
Speaker 1: If you don't need the games, then just stop playing

790
00:45:34,640 --> 00:45:38,520
Speaker 1: games and just tell me what you want to promote.

791
00:45:40,000 --> 00:45:41,280
Speaker 2: Well, I just shot a special.

792
00:45:43,360 --> 00:45:47,400
Speaker 1: What's so special about it?

793
00:45:47,400 --> 00:45:50,880
Speaker 2: It's called Daisy Lightek Abroad and it's for Comedy Central.

794
00:45:51,200 --> 00:45:55,800
Speaker 1: So is it two words?

795
00:45:57,440 --> 00:46:01,320
Speaker 2: Great question? Is it's one? It is one word?

796
00:46:01,920 --> 00:46:05,280
Speaker 1: Okay, I think that's better.

797
00:46:07,440 --> 00:46:08,560
Speaker 3: I knew it was one word.

798
00:46:09,400 --> 00:46:16,359
Speaker 1: I did too know it was for Jordan's what that's clarifying?

799
00:46:16,400 --> 00:46:17,440
Speaker 1: For Jordan's sake?

800
00:46:18,000 --> 00:46:19,760
Speaker 4: Something you've been doing this whole show.

801
00:46:20,400 --> 00:46:24,200
Speaker 1: Yes, this is an educational show aimed at one person.

802
00:46:24,520 --> 00:46:31,400
Speaker 6: Wow, wow, okay, all right, mm hmmm, well thank you.

803
00:46:31,920 --> 00:46:32,439
Speaker 3: Every day.

804
00:46:32,680 --> 00:46:33,600
Speaker 1: It's not all the time.

805
00:46:33,800 --> 00:46:36,200
Speaker 2: It's not No, it's not on all the time. It's

806
00:46:36,239 --> 00:46:36,960
Speaker 2: it's a special.

807
00:46:37,160 --> 00:46:41,200
Speaker 1: So it's only that's what's special about it. Only see

808
00:46:41,239 --> 00:46:41,520
Speaker 1: it once?

809
00:46:41,560 --> 00:46:42,520
Speaker 2: You only see it once?

810
00:46:42,800 --> 00:46:44,719
Speaker 1: Okay, you can it's like a shooting star.

811
00:46:46,080 --> 00:46:47,600
Speaker 3: Well, it's like a shot.

812
00:46:48,920 --> 00:46:49,920
Speaker 1: It's like a snapshot.

813
00:46:51,440 --> 00:46:54,160
Speaker 2: You can you can see it multiple times. It's on

814
00:46:54,200 --> 00:46:58,200
Speaker 2: the Comedy Central. Me you could want to watch it.

815
00:46:59,160 --> 00:47:01,880
Speaker 2: Mm hmmm. Can I ask this please?

816
00:47:02,600 --> 00:47:03,799
Speaker 3: Is it on my snapshot?

817
00:47:09,760 --> 00:47:13,920
Speaker 1: Can I watch it with the snapshot filters on and

818
00:47:14,040 --> 00:47:15,920
Speaker 1: make me look like an alien or something?

819
00:47:16,040 --> 00:47:21,080
Speaker 3: No? No, watch it and I'm making everyone girls their boys.

820
00:47:21,840 --> 00:47:25,680
Speaker 2: No, that's not I don't believe.

821
00:47:25,719 --> 00:47:29,000
Speaker 1: It's a very could be funny that.

822
00:47:31,640 --> 00:47:33,279
Speaker 2: I could talk to Comedy Central about it.

823
00:47:33,160 --> 00:47:36,879
Speaker 1: On the Comedy Central app and that app it's really good.

824
00:47:39,080 --> 00:47:42,279
Speaker 2: Mm hmmm. It's kind of like watching the network, but

825
00:47:43,160 --> 00:47:43,800
Speaker 2: on and app.

826
00:47:44,000 --> 00:47:48,680
Speaker 1: Yeah, and with more surprises in terms of when the

827
00:47:48,719 --> 00:47:53,080
Speaker 1: commercial shows up, is it gonna load, what's gonna happen?

828
00:47:53,440 --> 00:47:54,840
Speaker 1: Is it going to send me back to the beginning

829
00:47:54,880 --> 00:47:58,480
Speaker 1: of something? And you know, yeah, there's more mystery I

830
00:47:58,480 --> 00:48:00,720
Speaker 1: think involved in the app. It's a little more daring

831
00:48:00,760 --> 00:48:01,480
Speaker 1: to watch it there.

832
00:48:01,680 --> 00:48:03,120
Speaker 2: It's yeah.

833
00:48:03,840 --> 00:48:05,439
Speaker 3: Is there platform games on there?

834
00:48:05,680 --> 00:48:06,480
Speaker 1: Platform games?

835
00:48:07,280 --> 00:48:08,080
Speaker 2: Platform games?

836
00:48:08,160 --> 00:48:11,759
Speaker 1: Yeah, kind of like pin the hat on Cartman or something. No.

837
00:48:12,920 --> 00:48:19,960
Speaker 3: Okay, okay, No, that take very long to just do

838
00:48:20,080 --> 00:48:20,600
Speaker 3: one of those.

839
00:48:22,880 --> 00:48:29,000
Speaker 1: So a little bit of homework for you, mm hmm.

840
00:48:29,200 --> 00:48:33,279
Speaker 1: Because this has been so great, could you get some

841
00:48:33,360 --> 00:48:38,680
Speaker 1: platform games onto the Comedy Central app? Whoever you want

842
00:48:38,719 --> 00:48:47,080
Speaker 1: to talk to over there? Can Rachel Ian whoever you

843
00:48:47,200 --> 00:48:52,719
Speaker 1: want to call up, and whether it's Jonas, anyone you

844
00:48:52,760 --> 00:48:53,400
Speaker 1: want to talk.

845
00:48:53,239 --> 00:48:55,319
Speaker 2: To, Like you're just name dropping right now.

846
00:48:57,600 --> 00:49:00,759
Speaker 1: Whoever is in charge of platform games, that's who you're

847
00:49:00,760 --> 00:49:01,839
Speaker 1: gonna need to speak with.

848
00:49:01,960 --> 00:49:05,080
Speaker 6: Okay, but Joe Galis probably still has all over there?

849
00:49:07,600 --> 00:49:12,920
Speaker 1: So does he look sick?

850
00:49:14,960 --> 00:49:17,120
Speaker 2: I'm so happy now.

851
00:49:18,880 --> 00:49:19,719
Speaker 3: Working too hard?

852
00:49:19,880 --> 00:49:21,759
Speaker 1: This is a typical LA experience.

853
00:49:21,760 --> 00:49:25,440
Speaker 2: You think this is everything.

854
00:49:25,560 --> 00:49:27,600
Speaker 3: This is the difference between l A and New York.

855
00:49:28,440 --> 00:49:31,920
Speaker 2: This is this really makes me feel like I live

856
00:49:31,920 --> 00:49:32,640
Speaker 2: in LA again.

857
00:49:32,800 --> 00:49:35,400
Speaker 1: Sorry, I didn't realize we were supposed to only use

858
00:49:35,440 --> 00:49:39,120
Speaker 1: New York specifics. So talk to Brittany you know, Oh.

859
00:49:39,040 --> 00:49:40,600
Speaker 2: Good, how good? You know other people in the New

860
00:49:40,640 --> 00:49:41,600
Speaker 2: York office as well?

861
00:49:42,040 --> 00:49:49,120
Speaker 1: Hey man, what are we doing right? We have to go.

862
00:49:49,400 --> 00:49:50,399
Speaker 1: Hayes has to go.

863
00:49:51,800 --> 00:49:52,480
Speaker 3: I have to go.

864
00:49:53,560 --> 00:49:55,120
Speaker 2: It's been really fun you guys.

865
00:49:55,320 --> 00:49:57,360
Speaker 1: Thanks, it was so fun for us. Is there anything

866
00:49:57,360 --> 00:49:58,440
Speaker 1: else you want us to do?

867
00:49:58,640 --> 00:50:00,719
Speaker 2: Or I think at this point let's just let it go.

868
00:50:00,760 --> 00:50:03,400
Speaker 1: Do you have any homework for us? I mean that's reciprocal.

869
00:50:04,760 --> 00:50:07,040
Speaker 2: I think you have your hands full right now.

870
00:50:07,239 --> 00:50:09,239
Speaker 1: I agree. Yeah, I was going to say no, I

871
00:50:09,280 --> 00:50:13,560
Speaker 1: can't whatever you told me to do. Yeah, just time wise,

872
00:50:14,000 --> 00:50:16,880
Speaker 1: I don't have time. Yeah.

873
00:50:16,920 --> 00:50:20,839
Speaker 2: Well, I appreciate all of the very well prepared, hard

874
00:50:20,920 --> 00:50:24,919
Speaker 2: hitting question. Okay, Holy hand