WEBVTT - 2 | Curator

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<v Speaker 1>Consumed is a production of iHeart Podcasts and Grimm and

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<v Speaker 1>Mild from Aaron Maky. Headphones Recommended listener discretion advised.

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<v Speaker 2>Hello, yeah, yeah, thank thanks. I'll be right out. Eight

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<v Speaker 2>hundred dollars piece of tech and you can't do the

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<v Speaker 2>one thing you were meant to do communicate, So we'll

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<v Speaker 2>use what you got and test test one two.

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<v Speaker 3>Communicate. So we'll use what you got and test test

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<v Speaker 3>one two.

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<v Speaker 4>The bat.

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<v Speaker 2>That's the library, yep.

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<v Speaker 4>Used to be a church back in the eighteen hundreds.

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<v Speaker 5>Church.

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<v Speaker 2>What happened books? I guess Progressive Danville.

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<v Speaker 4>That's West Danville.

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<v Speaker 2>Oh, so they have internet?

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<v Speaker 4>Get out?

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<v Speaker 6>Okay, okay, we'll see you for dinner, and if Buster

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<v Speaker 6>comes back with any updates, I'll come find you.

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<v Speaker 2>Yes, sir, I'll probably still be trying to dial up

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<v Speaker 2>in there every book in the world in the palm

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<v Speaker 2>of my hand, but with no signal. This is just

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<v Speaker 2>a microphone. Damn. This is fancy and also empty. Hello. Yeah,

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<v Speaker 2>I don't think anybodys fuck what God damn it shit

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<v Speaker 2>former church right, sorry, God, Christ, Jesus.

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<v Speaker 5>The Holy Treney Fuck. I think you're just taking yourself deeper.

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<v Speaker 7>The hi Hi oh Sorry, this feels like a weird

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<v Speaker 7>rom compick. I am the curator of the Anderson Oh.

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<v Speaker 2>I mean, doesn't you being the curator make it even

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<v Speaker 2>more rom coming.

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<v Speaker 7>Only if you're here to buy the building and replace

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<v Speaker 7>it with an unaffordable high rise.

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<v Speaker 2>Will it have internet?

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<v Speaker 4>Oh?

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<v Speaker 5>We already have internet?

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<v Speaker 2>Is a dial up?

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<v Speaker 3>I mean?

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<v Speaker 5>What's the hurry?

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<v Speaker 2>Smooth?

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<v Speaker 5>Gordon Morales like you. I am not originally from.

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<v Speaker 2>Here, Sarah Simmons. We gave it away.

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<v Speaker 5>Oh we won't have that phone model for another ten years.

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<v Speaker 2>Oh so I'm from the future.

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<v Speaker 5>Or Boston, same thing.

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<v Speaker 2>Oh, this is stunning. Was this originally the Knave?

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<v Speaker 5>Yes, I see, you've done your homework.

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<v Speaker 7>Originally a Jesuit missionary camp and then a house of

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<v Speaker 7>warship built during the Second Great Awakening. This was the

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<v Speaker 7>home of the New Hampshire sect of Old School Puritans.

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<v Speaker 2>Ah, the ones that escape religious persecution but didn't tolerate

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<v Speaker 2>any other religions once they got here.

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<v Speaker 7>Didn't she says, as if that's not still what makes

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<v Speaker 7>the world go round?

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<v Speaker 2>Oh my, is that what I heard?

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<v Speaker 5>Unfortunately I hear it.

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<v Speaker 2>Let me help.

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<v Speaker 5>In trying to organize the shelves.

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<v Speaker 7>I managed to top a three hundred years of European

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<v Speaker 7>history with one loose bolt.

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<v Speaker 2>Impressive. So many have tried and all have failed.

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<v Speaker 5>I'll organize these colonizers later.

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<v Speaker 2>Are you the only one here?

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<v Speaker 7>You, my new city friend, are looking at not only

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<v Speaker 7>the curator of the Anderson Memorial Library.

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<v Speaker 5>No, but also the chief technology officer, the.

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<v Speaker 7>Historian, leech helf soccer, and head CASTOLDI super intended.

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<v Speaker 5>So it's just you in a few high school interns.

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<v Speaker 2>Head custodial, superintended, Chief tech.

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<v Speaker 5>We have one computer and it's right over there. And yes,

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<v Speaker 5>it is a dial up.

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<v Speaker 7>Did I just hurt your resume, torpedo, just like I

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<v Speaker 7>did to that pile of European history books?

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<v Speaker 2>All right, Casanova, I got to email some folks back home.

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<v Speaker 2>How does one dial up anymore?

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<v Speaker 8>Oh?

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<v Speaker 5>It's really easy. You just load up your ice p.

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<v Speaker 5>In our case, it's America on user location and the.

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<v Speaker 2>Hush, what what's going on?

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<v Speaker 5>Whatever it is? That's our entire emergency force on the

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<v Speaker 5>way somewhere.

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<v Speaker 2>Question is will you take me there?

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<v Speaker 8>Can?

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<v Speaker 7>I say?

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<v Speaker 5>No? Are you recording?

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<v Speaker 2>No? And yes, Olbert, are you there?

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<v Speaker 1>Yeah?

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<v Speaker 7>I'm back easy out here?

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<v Speaker 5>Anyone else there everyone's.

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<v Speaker 9>Here, practically the whole town.

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<v Speaker 6>They're saying, there's a body in the woods.

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<v Speaker 9>Okay, fine, just keep the crowd calm and steal.

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<v Speaker 5>Off the area.

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<v Speaker 2>Steal it off with what mac.

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<v Speaker 9>Just keep the crowd away and we'll order some barcaide

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<v Speaker 9>tape that I will strangle you with.

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<v Speaker 5>Sound good, you got it?

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<v Speaker 7>Boss, Here you.

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<v Speaker 5>Go, dear, we'll get you home soon enough. Albert, did

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<v Speaker 5>you call mister and missus Crawford.

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<v Speaker 2>Yes, ma'am, they'll be here soon and this will all

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<v Speaker 2>be over with.

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<v Speaker 9>We do need you to try to tell us what

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<v Speaker 9>you saw.

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<v Speaker 8>So you know we have nationals coming up. Sure sure

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<v Speaker 8>for track, yes, cross country.

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<v Speaker 9>Sure, track outside, got it.

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<v Speaker 2>They're very different.

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<v Speaker 1>Absolutely.

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<v Speaker 8>So I was doing my sunrise durance training twelve miles round.

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<v Speaker 9>You run twelve miles every day at sunrise.

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<v Speaker 2>No, I'm not crazy.

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<v Speaker 8>I take Sundays off. So I was nearing my firepoint

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<v Speaker 8>before circling back up the river. That's when I heard

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<v Speaker 8>it haired eight.

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<v Speaker 4>I don't know.

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<v Speaker 8>Something in the woods was moving. First, I don't know.

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<v Speaker 8>I thought it was a squirrel or a chipmunk, but

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<v Speaker 8>the crunching of the ground was too much for something

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<v Speaker 8>that small.

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<v Speaker 9>Could I have been a bulbcat, a fox?

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<v Speaker 5>Maybe?

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<v Speaker 2>I don't think so.

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<v Speaker 3>I don't know.

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<v Speaker 8>All I know is that when I saw something run off,

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<v Speaker 8>I thought I heard someone gasp.

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<v Speaker 4>It's okay.

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<v Speaker 9>Immediately I'm sure it was a critter scuddying off.

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<v Speaker 8>But that's when I saw it.

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<v Speaker 2>The caddyon whatever that is, I don't know.

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<v Speaker 8>I saw human teeth, an entire side of a jawbone

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<v Speaker 8>sticking out of those slabs of hush.

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<v Speaker 5>Sure, sure, it's okay.

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<v Speaker 8>So I ran to the station. An officer, Albert brought

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<v Speaker 8>me back here.

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<v Speaker 5>And you didn't tell anyone else.

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<v Speaker 8>I tried to post about it, since I didn't know

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<v Speaker 8>what to do, but it didn't even go through.

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<v Speaker 5>Lucky for you that it wasn't posted or else. See

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<v Speaker 5>those people.

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<v Speaker 9>Yeah, there would be three times as many onlookers. And

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<v Speaker 9>how many onlookers is too many?

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<v Speaker 3>Many?

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<v Speaker 2>Lee, I don't know. One one is too many?

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<v Speaker 8>As far as I'm.

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<v Speaker 9>Sheriff, wait here with Albert for a second, love.

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<v Speaker 2>Jariff, what happened to Mary?

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<v Speaker 4>Can we go look?

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<v Speaker 9>Sharon Fox Tanner, Greg Brendan, Michelle. If you'll bear with

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<v Speaker 9>us for a little bit longer, we'll have some answers.

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<v Speaker 9>Excuse me, I don't seem to recognize you.

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<v Speaker 2>That's because I'm not from here.

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<v Speaker 9>That's interesting because this is a possible crime scene and

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<v Speaker 9>you're the only non local here. So unless you're friends

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<v Speaker 9>with that young woman over there, we need to have

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<v Speaker 9>a talk about where you're from and why you are here.

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<v Speaker 5>Hey. Sorry, I was chatting with Tanner. Yes, she's with me.

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<v Speaker 5>I'm what she's with you? Yes, sorry, Sheriff Max and Allen.

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<v Speaker 7>This is Sarah Simmons from Boston's Institute for Wildlife Research

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<v Speaker 7>and Holistic Preservation.

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<v Speaker 5>Yeah, holistic? What is she? A reporter?

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<v Speaker 2>She is right here and she can answer for herself. Thanks, Gordon. Hi,

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<v Speaker 2>I'm Sarah Simmons. I'm a creative journalist from Boston, and

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<v Speaker 2>while not technically unemployed reporter, I am a journalist and

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<v Speaker 2>I'm here because every siren in your village race passed

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<v Speaker 2>us while we were at the library. Care to say

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<v Speaker 2>anything on the record?

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<v Speaker 9>There is no record and there's nothing to comment on.

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<v Speaker 5>Huh.

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<v Speaker 7>That's so weird because Olbert was telling Tanner and Greg

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<v Speaker 7>before we all arrived that Alfonso over at.

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<v Speaker 5>The diner was report missing around four this morning.

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<v Speaker 9>All Right, put that device away, Sarah. I don't know

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<v Speaker 9>what that is down there, and I won't comment till

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<v Speaker 9>forensics from Bloomington arrive. But my money a moose got

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<v Speaker 9>into it with a gray Fox and one Alfonso has

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<v Speaker 9>been known to pop on down to Mohigan every now

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<v Speaker 9>and then, and his mom is special, so I wouldn't

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<v Speaker 9>hold my breath. Right, everyone, I'm going to need you

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<v Speaker 9>all to go home. Mary Lee's folks are here, and

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<v Speaker 9>you should all go comfort her and her family in

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<v Speaker 9>the privacy of their house.

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<v Speaker 2>If anything comes.

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<v Speaker 9>To light for us, you will all be the first

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<v Speaker 9>to know.

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<v Speaker 5>Albert all right, gang show's over? Pack it up? How's

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<v Speaker 5>the interneting going?

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<v Speaker 2>This style up is so slow? I'm considering Pony Express.

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<v Speaker 5>Yes, well, at least we have fresh air.

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<v Speaker 2>You're a glass half full kind of guy, aren't you.

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<v Speaker 5>I have no choice?

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<v Speaker 2>Okay?

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<v Speaker 4>Bye?

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<v Speaker 2>Gordon Gordon?

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<v Speaker 7>Ah, Yes, how did you get the name Gordon if

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<v Speaker 7>you don't look like a Gordon?

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<v Speaker 2>I mean maybe your folks were fans of Gordon Ramsey. Nope,

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<v Speaker 2>race car driver legend, Jeff Gordon.

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<v Speaker 5>Football Leae baseball only household flash.

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<v Speaker 2>You know I tried using that ones and what happened.

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<v Speaker 5>I went home alone.

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<v Speaker 2>Okay, I give up. Tell me that's your name, Vicente?

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<v Speaker 5>Yeah, Vincent in Espanol.

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<v Speaker 2>That's a great name.

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<v Speaker 5>Oh, I know, but.

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<v Speaker 7>My entire family and friends growing up didn't care because

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<v Speaker 7>since I was a full figured they called me Gordo.

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<v Speaker 2>Gordo.

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<v Speaker 7>It's one of those reverse endeering Spanish nicknames that is

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<v Speaker 7>extremely painful, but hidden under the guy said.

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<v Speaker 2>Oh, it's a cute, adorable pet name.

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<v Speaker 4>How cute.

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<v Speaker 3>You know?

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<v Speaker 2>I think I caught pretty in there.

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<v Speaker 5>That's all you need.

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<v Speaker 2>But wait, so you hated grdo but kept it and

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<v Speaker 2>made it.

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<v Speaker 7>Assimilation is a hell of a drug, Miss Simmons. Ooh,

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<v Speaker 7>the first hit is when people smile and laugh at it,

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<v Speaker 7>and then you try and make it to your own

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<v Speaker 7>because you're so hooked on your own supply that you

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<v Speaker 7>make the regretful decision when applying to.

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<v Speaker 5>College to make Gordon your name.

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<v Speaker 7>Felve years later, here we are trying to help a

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<v Speaker 7>pretty city lady online in a two hundred year old

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<v Speaker 7>church turn library.

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<v Speaker 2>You mean, Linda, right.

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<v Speaker 5>Maybe maybe once we.

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<v Speaker 2>Where was that?

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<v Speaker 5>No idea?

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<v Speaker 2>It's definitely not you fixing some shells.

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<v Speaker 7>Come with me, Sarah Jack so Bruner Gordon, he gave

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<v Speaker 7>it us quite a scare.

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<v Speaker 4>I'm sorry. The door was open, but the lights were

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<v Speaker 4>off and I damn near broke my neck tripping over

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<v Speaker 4>a huge pile of books on the floor.

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<v Speaker 2>That's the fall of Europe. I'm sorry, never mind, I

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<v Speaker 2>suppose you're here to pick me up.

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<v Speaker 4>Was headed back to the house and figured you'd be

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<v Speaker 4>done by now.

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<v Speaker 2>Yeah, totally, Gordon VI Sente, Thank you so much, No.

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<v Speaker 5>Problem, Miss Simmons. So I'll keep trying to get this

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<v Speaker 5>up and running.

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<v Speaker 7>You do that, and if you need anything, I'm also

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<v Speaker 7>the lead tenant though you live here.

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<v Speaker 5>Yeah, beat you to your high rise spot.

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<v Speaker 2>That's the sequel. See you next.

0:13:22.160 --> 0:13:23.240
<v Speaker 5>Time, counting on it.

0:13:29.240 --> 0:13:30.400
<v Speaker 4>You've got mail.

0:13:33.320 --> 0:13:35.800
<v Speaker 2>Hey, Reema. Jack told me to tell you he was

0:13:35.840 --> 0:13:38.599
<v Speaker 2>headed to check on the Crawfords. Sarah.

0:13:38.960 --> 0:13:40.520
<v Speaker 5>I wanted to apologize.

0:13:41.040 --> 0:13:46.520
<v Speaker 2>Oh it's okay, No, it wasn't. And truly, with everything happening,

0:13:47.559 --> 0:13:52.080
<v Speaker 2>the news from the diner, I shouldn't have been so cold. Really,

0:13:52.360 --> 0:13:54.920
<v Speaker 2>don't worry about it. Jack mentioned about your son, and

0:13:54.960 --> 0:13:58.840
<v Speaker 2>you know, raising teens. You couldn't pay me enough. Oh

0:13:58.880 --> 0:13:59.880
<v Speaker 2>he told you that.

0:14:02.000 --> 0:14:07.959
<v Speaker 8>With Avery, he's been having a tough time making friends totally.

0:14:08.720 --> 0:14:10.680
<v Speaker 2>Hey, I wasn't able to get in touch with my sister.

0:14:10.760 --> 0:14:11.920
<v Speaker 2>Would it be cool if I for.

0:14:11.880 --> 0:14:12.880
<v Speaker 8>Sure be my guest.

0:14:13.240 --> 0:14:15.560
<v Speaker 2>Just try the phone in the living room. Does that

0:14:15.559 --> 0:14:18.240
<v Speaker 2>one have buttons? Yes? It does.

0:14:26.360 --> 0:14:27.000
<v Speaker 3>Hi, you've reached.

0:14:27.360 --> 0:14:29.760
<v Speaker 8>If I can't come the phone, what the.

0:14:35.600 --> 0:14:35.720
<v Speaker 1>Hi?

0:14:35.800 --> 0:14:36.240
<v Speaker 3>You've read it?

0:14:37.360 --> 0:14:45.800
<v Speaker 2>The fuck? Is everything? Okay? Sorry? Yes, it's my sister's phone.

0:14:45.880 --> 0:14:50.320
<v Speaker 2>Is It's fine? Hey, listen, I think I'm going to

0:14:50.440 --> 0:14:52.720
<v Speaker 2>walk back into town. I could really use a walk

0:14:52.880 --> 0:14:57.960
<v Speaker 2>an the internet at this hour. I mean it's not

0:14:58.000 --> 0:14:58.800
<v Speaker 2>even three pm.

0:14:59.040 --> 0:15:03.680
<v Speaker 8>The sunset, it's early nowadays, and you know the diner

0:15:03.800 --> 0:15:04.600
<v Speaker 8>fellow news.

0:15:04.400 --> 0:15:08.040
<v Speaker 2>Sheriff says he's probably out gambling. You met the sheriff,

0:15:08.120 --> 0:15:10.520
<v Speaker 2>Sheriff Allen. Yeah, I think she hates me.

0:15:11.640 --> 0:15:16.600
<v Speaker 8>All right, Well, if you could just let us avery?

0:15:17.440 --> 0:15:19.040
<v Speaker 5>Is that you? Yes?

0:15:19.320 --> 0:15:23.120
<v Speaker 2>Mother? Where were you? I'm sorry?

0:15:23.200 --> 0:15:25.800
<v Speaker 8>Yes, Just stay on Colton Run trail for about three

0:15:25.800 --> 0:15:27.720
<v Speaker 8>miles and it'll run you right into the town center.

0:15:28.280 --> 0:15:46.480
<v Speaker 2>Thanks so much. That's weird. Hello, my fellow lean da

0:15:46.560 --> 0:15:50.880
<v Speaker 2>Zelindos after a weird morning. More on that later. We've

0:15:50.880 --> 0:15:54.000
<v Speaker 2>come back to the old town center at let's say,

0:15:54.200 --> 0:15:57.000
<v Speaker 2>two forty three in the afternoon. After a brisk three

0:15:57.000 --> 0:15:59.720
<v Speaker 2>mile walk through the creeks and valleys of this one

0:16:00.360 --> 0:16:03.960
<v Speaker 2>turned the library town and it looks like most of

0:16:04.000 --> 0:16:06.400
<v Speaker 2>the stores have closed.

0:16:06.000 --> 0:16:06.480
<v Speaker 3>For the day.

0:16:08.000 --> 0:16:13.040
<v Speaker 2>Let's see if this convenience store is nope, does anything.

0:16:12.680 --> 0:16:13.920
<v Speaker 4>Open, ma'am?

0:16:13.920 --> 0:16:14.480
<v Speaker 5>Can I see some?

0:16:14.520 --> 0:16:19.080
<v Speaker 2>I d oh, Gordon, You've got to stop sneaking up

0:16:19.120 --> 0:16:21.560
<v Speaker 2>on me like that. I'd laugh, but I think I

0:16:21.560 --> 0:16:22.960
<v Speaker 2>have a light cramp from speed walking.

0:16:23.200 --> 0:16:26.359
<v Speaker 5>Oh, I'm so sorry. Also, why are you speedwalking?

0:16:26.800 --> 0:16:28.880
<v Speaker 2>The Breweders think I need to be back home by

0:16:28.880 --> 0:16:30.720
<v Speaker 2>four pm? Where the darkness is going to end me?

0:16:31.400 --> 0:16:34.920
<v Speaker 7>Classic Bruders, right, they should have chosen the Brightsiders as

0:16:34.960 --> 0:16:35.800
<v Speaker 7>a better last name.

0:16:36.080 --> 0:16:40.560
<v Speaker 2>Hey, that's not bad. This is what should I call you?

0:16:40.920 --> 0:16:41.680
<v Speaker 5>Are you recording?

0:16:42.360 --> 0:16:42.560
<v Speaker 4>Oh?

0:16:42.760 --> 0:16:46.480
<v Speaker 2>Yeah, sorry, it's my audio journal thing?

0:16:46.680 --> 0:16:49.920
<v Speaker 7>No no, no, no worries Gordon iss sign And it's almost three.

0:16:50.200 --> 0:16:51.880
<v Speaker 7>Don't you need to turn around and head back?

0:16:52.520 --> 0:16:54.640
<v Speaker 2>I was hoping to try the internet one more time.

0:16:55.120 --> 0:16:56.400
<v Speaker 2>Did it work at all last time?

0:16:57.720 --> 0:17:00.400
<v Speaker 5>Well? So you can see everything is literally.

0:17:00.120 --> 0:17:02.640
<v Speaker 7>Close and I get pretty much all my meals from

0:17:02.720 --> 0:17:05.000
<v Speaker 7>Shawls and they're going to close it four.

0:17:05.720 --> 0:17:09.800
<v Speaker 5>So if you'll suffer through a local greasy spooon meal.

0:17:10.040 --> 0:17:11.320
<v Speaker 5>Can we try again right after?

0:17:12.800 --> 0:17:13.600
<v Speaker 2>That sounds lovely?

0:17:17.400 --> 0:17:21.520
<v Speaker 6>That's four den Brahmins and three French toasts. Sorry, I

0:17:21.600 --> 0:17:23.359
<v Speaker 6>meant three and four coming right up?

0:17:25.840 --> 0:17:27.040
<v Speaker 2>So people think it's him.

0:17:27.320 --> 0:17:28.480
<v Speaker 5>Yeah, so he's the owner.

0:17:28.560 --> 0:17:31.680
<v Speaker 7>But apparently, and this is the rumor, he really yelled

0:17:31.680 --> 0:17:34.560
<v Speaker 7>at Fonso the cook and basically that you and me.

0:17:34.520 --> 0:17:38.200
<v Speaker 2>Of the restaurant, overworked and barely paid exactly, So he's

0:17:38.240 --> 0:17:39.760
<v Speaker 2>not down at Foxwoods or Mohegan.

0:17:40.040 --> 0:17:42.520
<v Speaker 7>Fonso doesn't have a car. He has an electric scooter

0:17:42.840 --> 0:17:44.760
<v Speaker 7>that never left the restaurant.

0:17:44.880 --> 0:17:48.320
<v Speaker 2>Who told you all this? Never mind it was Albert.

0:17:49.400 --> 0:17:51.119
<v Speaker 5>Dude is basically the town crier.

0:17:51.200 --> 0:17:53.760
<v Speaker 2>It's so weird. Look at him.

0:17:53.960 --> 0:17:56.560
<v Speaker 6>I'm sorry, let me get that. And yes, that's that's

0:17:56.560 --> 0:17:59.119
<v Speaker 6>coming right up. Oh, you said decaf.

0:18:00.119 --> 0:18:02.399
<v Speaker 2>So he can't tie his shoes without help? How is

0:18:02.440 --> 0:18:03.960
<v Speaker 2>he going to kill the only person that keeps his

0:18:04.000 --> 0:18:04.639
<v Speaker 2>business running?

0:18:04.960 --> 0:18:05.240
<v Speaker 4>Sorry?

0:18:05.240 --> 0:18:07.760
<v Speaker 5>Have you ever listened to a single true crime podcast?

0:18:08.320 --> 0:18:09.960
<v Speaker 2>I mean they're all the same, aren't they.

0:18:10.119 --> 0:18:12.159
<v Speaker 5>Oh, Miss Simmons, is this where.

0:18:12.040 --> 0:18:13.800
<v Speaker 2>You man's playing to me? The world of podcasts? Oh

0:18:13.800 --> 0:18:16.400
<v Speaker 2>would never yield keeper of the books with no Internet?

0:18:16.640 --> 0:18:18.200
<v Speaker 2>I think you'd never heard of one.

0:18:18.440 --> 0:18:20.359
<v Speaker 7>The beauty about them is that when you drive to

0:18:20.400 --> 0:18:24.399
<v Speaker 7>Luomington or on good signal days, they all get downloaded

0:18:24.680 --> 0:18:25.040
<v Speaker 7>right to.

0:18:25.040 --> 0:18:26.159
<v Speaker 5>Your phone or a computer.

0:18:26.760 --> 0:18:27.000
<v Speaker 4>Right.

0:18:28.240 --> 0:18:31.120
<v Speaker 7>So anyway, I'm just saying people can let their psychopathic

0:18:31.480 --> 0:18:33.360
<v Speaker 7>or sociopathic tendencies take.

0:18:33.200 --> 0:18:35.199
<v Speaker 5>Over just a snap.

0:18:35.880 --> 0:18:38.320
<v Speaker 2>Ah, Now a man's planning mental health.

0:18:38.640 --> 0:18:43.440
<v Speaker 5>Wow, I'm serious. Look at Sean. Okay, Duo looks like

0:18:43.560 --> 0:18:45.679
<v Speaker 5>the only person that ever said no to him was

0:18:45.720 --> 0:18:47.680
<v Speaker 5>his mom when he asked if he was ugly.

0:18:47.960 --> 0:18:50.160
<v Speaker 2>I think we're being a little superficial.

0:18:50.240 --> 0:18:52.640
<v Speaker 5>Oh, come on, tell me I'm wrong, tell me I'm roon.

0:18:54.440 --> 0:18:56.560
<v Speaker 2>Okay, he's definitely not a looker.

0:18:58.560 --> 0:18:59.920
<v Speaker 5>Oh snip let's.

0:18:59.800 --> 0:19:02.880
<v Speaker 2>Chair and Albert, they got to be here for sew.

0:19:04.280 --> 0:19:07.360
<v Speaker 5>Gordon evening sureff twice in one day.

0:19:08.480 --> 0:19:12.520
<v Speaker 9>What a pleasure, Miss Simmons, if you wouldn't mind coming

0:19:12.560 --> 0:19:13.359
<v Speaker 9>down to the station.

0:19:13.840 --> 0:19:17.400
<v Speaker 2>What guys, I'm sorry, Why is his hand on his gun?

0:19:17.960 --> 0:19:18.160
<v Speaker 3>Hey?

0:19:18.200 --> 0:19:20.199
<v Speaker 7>Why don't we all just relax a little bit and

0:19:20.240 --> 0:19:21.159
<v Speaker 7>take a protocol?

0:19:21.680 --> 0:19:24.520
<v Speaker 9>Albert, will you escort to mister Morale's outside?

0:19:24.560 --> 0:19:26.800
<v Speaker 5>Mister Morales, fine, fine, I'll.

0:19:26.680 --> 0:19:30.320
<v Speaker 2>Go fine, Okay, do I have to is that protocol?

0:19:30.480 --> 0:19:33.719
<v Speaker 9>You don't have to while I'm still asking, but if

0:19:33.760 --> 0:19:36.400
<v Speaker 9>I arrest you, it means I've stopped asking.

0:19:46.640 --> 0:19:52.080
<v Speaker 1>Consumed Episode two Curator, written by Carlos Folia, editing and

0:19:52.160 --> 0:19:57.640
<v Speaker 1>sound design by Rima Ilkali, Starring Rachel Rosenbloom and Arturo Castro,

0:19:57.880 --> 0:20:03.840
<v Speaker 1>with Ruth Connell, Sam Rai, Genevieve Padilaki, Benjamin Stockholm, Charlie,

0:20:03.960 --> 0:20:09.920
<v Speaker 1>David Newell, Mike Korich, Anna East Fairweather, Junior, Alabby, Alma Martinez,

0:20:10.160 --> 0:20:15.920
<v Speaker 1>Tracy Martin, Laura Shine, George Vincent and Rafael Corkill. Directed

0:20:15.960 --> 0:20:20.760
<v Speaker 1>by Alexander Williams, Assistant director Trevor Young, Casting by Sunday

0:20:20.760 --> 0:20:26.160
<v Speaker 1>Bowling CSA and Meg Mormon CSA. Production coordinator Wayna Calderon.

0:20:26.680 --> 0:20:30.960
<v Speaker 1>Music by Carlos Folio Consumed the season one score available

0:20:31.000 --> 0:20:35.760
<v Speaker 1>now on Apple Music, Spotify or Wherever music eSTREAM. Executive

0:20:35.800 --> 0:20:40.879
<v Speaker 1>producers Aaron Mankey, Carlos Folia, Matt Frederick and Alexander Williams.

0:20:41.119 --> 0:20:46.000
<v Speaker 1>Supervising producers Trevor Young and Josh Thain. Producers Noami Griffin,

0:20:46.200 --> 0:20:50.359
<v Speaker 1>Jesse Funk, and Rima Ilkeali. Recorded at This Is Sound

0:20:50.359 --> 0:20:57.320
<v Speaker 1>Design Studios, Burbank, California. Engineered by Ross Erroneout east Side Studios, Austin, Texas,

0:20:57.520 --> 0:21:02.680
<v Speaker 1>engineered by Austin Sisler and Aras Creative and Sound Ohi, California,

0:21:02.920 --> 0:21:07.280
<v Speaker 1>engineered by Ken Aros. Consumed was created by Carlos Folia,

0:21:07.680 --> 0:21:11.080
<v Speaker 1>inspired by the novel by Aaron Mankee. Consumed is the

0:21:11.080 --> 0:21:14.159
<v Speaker 1>newest chapter in the Bridgewater universe. To learn more and

0:21:14.240 --> 0:21:18.720
<v Speaker 1>catch up, visit Grimandmild dot com Slash Bridgewater. Learn more

0:21:18.760 --> 0:21:22.600
<v Speaker 1>about Consumed at grimanmil dot com, slash Consumed, and find

0:21:22.640 --> 0:21:27.360
<v Speaker 1>more podcasts from iHeartRadio by visiting the iHeartRadio app, Apple Podcasts,

0:21:27.440 --> 0:21:29.639
<v Speaker 1>or wherever you listen to your favorite shows.