WEBVTT - Andy Siara on Force Majeure

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, and welcome to Movie Crush Friday Interview edition.

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<v Speaker 1>We've got Andy Sira virtually in my basement this week.

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<v Speaker 1>Andy is an old friend of mine. I told the

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<v Speaker 1>story a bunch, but if you have not heard, uh,

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<v Speaker 1>Andy and his older brother Joey, we're in the band

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<v Speaker 1>Henry Clay People, and they became friends of mine through

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<v Speaker 1>the Stuff You Should Know podcast and eventually recorded the

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<v Speaker 1>theme song to our TV show, as well as having

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<v Speaker 1>me on stage to play with them, and me going

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<v Speaker 1>to see them a bunch of times. And they're just

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<v Speaker 1>good dudes. And Andy is now a movie writer, everybody.

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<v Speaker 1>He wrote that great new movie that's out right now

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<v Speaker 1>on Hulu and at a drive in here you called

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<v Speaker 1>Palm Springs starring Andy Sandberg. And it's really great. And

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<v Speaker 1>I'm super excited and proud and kind of blown away

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<v Speaker 1>that Andy has dipped his toe in the pond as

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<v Speaker 1>a screenwriter, and uh has had such success so quickly.

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<v Speaker 1>It's really really great. It doesn't always go that way.

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<v Speaker 1>And Andy knows that he's very humble, sweet guy, and

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<v Speaker 1>I'm sure you will love him as much as I do.

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<v Speaker 1>So here we go with Andy Sarra on the Great

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<v Speaker 1>Great movie from two for masure. How you doing? How

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<v Speaker 1>you guys hanging in there? You know, it's sir, weird time. UM,

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<v Speaker 1>I feel you know, lucky that to kind of break

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<v Speaker 1>up the monotony. You know, we we had to move

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<v Speaker 1>during this whole uh pandemic and quarantine. UM oh yeah,

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<v Speaker 1>I was gonna ask if that was the same now. Yeah,

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<v Speaker 1>we moved to Eagle Rock, um from Culver. We kind

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<v Speaker 1>of backed ourselves into a corner because the new baby

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<v Speaker 1>is coming in five weeks now, and I forgot Amanda's

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<v Speaker 1>doctor and our hospital is on this side of town.

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<v Speaker 1>So we just we always knew we had to I

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<v Speaker 1>mean for the past whatever eight months, seven months, we

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<v Speaker 1>knew that we had to move by um summer for

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<v Speaker 1>this baby, and we did not know that the world

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<v Speaker 1>would be shutting down. So it definitely made it made

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<v Speaker 1>it a little more difficult. Um where over an Eagle

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<v Speaker 1>you don't have to name your address, but where an

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<v Speaker 1>Eagle Rock generally am we are in the the armpit

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<v Speaker 1>of the of the two and the one thirty four

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<v Speaker 1>up behind that that target. Um there. I never actually

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<v Speaker 1>been up on that hill there. Um, I didn't really know.

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<v Speaker 1>I knew it existed because I drove by it so

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<v Speaker 1>many times. Um. But it's a it's a great quiet

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<v Speaker 1>neighborhood up here. Um. And yeah, it's like this this

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<v Speaker 1>old I think fifties subdivision that has just now been

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<v Speaker 1>like you know, it's gone through the whole renovation process

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<v Speaker 1>over the you know, twenty years, and it's just I

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<v Speaker 1>don't know, but very kind neighbors, just walkable, you know,

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<v Speaker 1>but but still hilly. And I don't know, I'm into it.

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<v Speaker 1>I dig it. I love it, man, I'm glad I

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<v Speaker 1>know exactly where you're talking about. Uh, look what I'm

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<v Speaker 1>wearing today in honor of you guys, my Henry Clay

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<v Speaker 1>people T shirts. Everyone knows the story. So I'm not

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<v Speaker 1>going to bore the listeners for the million time with

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<v Speaker 1>how we met. But I did want to talk a

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<v Speaker 1>little bit about you're growing up life and what it

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<v Speaker 1>was like. Always I'm interested in sort of the culture

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<v Speaker 1>of the household and how movies and and TV and

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<v Speaker 1>stuff comes your way as a kid. Um, Well, where

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<v Speaker 1>to begin. I mean, I think I'm pretty sure that

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<v Speaker 1>my dad took me to see Batman, and that was

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<v Speaker 1>the very first movie I saw in the theater and

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<v Speaker 1>which original? Um, okay, and I that's what I've been told.

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<v Speaker 1>I don't know if that's just you know, that's the

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<v Speaker 1>story that's been told throughout the years. But I mean

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<v Speaker 1>to me, uh, when we we moved from Whittier in May,

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<v Speaker 1>end of May of ninety three, um to your Belinda,

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<v Speaker 1>Orange County birthplace of Richard Nixon something something they are

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<v Speaker 1>still proud about for some reason. Uh. Yeah, birthplace of

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<v Speaker 1>southern California concerned. It's it's it's it's weird that I like,

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<v Speaker 1>I like, I had to seek at a library. Uh

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<v Speaker 1>and um, but we moved there in yeah, the end

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<v Speaker 1>of May. I was that was the end of my

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<v Speaker 1>second grade year. And but we we moved during this,

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<v Speaker 1>you know, right at the top of summer. So and

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<v Speaker 1>I was a shy kid, and Joey and I were

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<v Speaker 1>not close buds yet. Um, Joey my older brother, I know,

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<v Speaker 1>I know you know that, but too you know, yeah,

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<v Speaker 1>we we weren't close yet, and I was I didn't

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<v Speaker 1>have the courage to go knock on neighbors doors to like,

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<v Speaker 1>you know, come hang out and play. Um. And since

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<v Speaker 1>I wasn't in we weren't the third grade headn't started yet. Um,

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<v Speaker 1>I didn't have like the forced friendships that come with school.

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<v Speaker 1>So I was just I was a lonely but fine

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<v Speaker 1>but still lonely depressed. But again it's not that depressed

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<v Speaker 1>because time it was, you know, I fine middle class kid. Um.

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<v Speaker 1>And then on June my dad took him in to

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<v Speaker 1>see Jurassic bar and then, uh, it all changed, changed

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<v Speaker 1>everything I saw nine times that summer. Um. Yeah, I

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<v Speaker 1>knew that was a big, big thing, and I saw

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<v Speaker 1>that it was it was taken already, So therefore I

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<v Speaker 1>can't we can't talk about that today. Uh I've I've

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<v Speaker 1>talked about that one to death. But yeah, my mom

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<v Speaker 1>and then my mom's best friend gave me her that summer,

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<v Speaker 1>or maybe that Christmas gave me her like old VHS

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<v Speaker 1>shoulder amount camera, and I started making a bunch of

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<v Speaker 1>short films like I'm really bad bad short films. Um. Like,

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<v Speaker 1>but I would convince my my teachers throughout the end

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<v Speaker 1>of elementary school into high school to like, let me

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<v Speaker 1>um instead of writing book reports, Uh, let me do

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<v Speaker 1>like a let let me do the Western Game. But

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<v Speaker 1>a five minute short of the Western Game, or Romeo

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<v Speaker 1>and Juliet or in high school we did The Crucible

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<v Speaker 1>but then make but just making little short films about it.

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<v Speaker 1>Um so but asked for like the way movies came

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<v Speaker 1>into my life, it was know my I remember I

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<v Speaker 1>remember very clearly from like Jurassic Park until you know

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<v Speaker 1>ninety seven night that was very much of my dad's

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<v Speaker 1>son in h we you know River Wilde. Uh remember

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<v Speaker 1>seeing this the double feature of Twister and Mission Impossible

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<v Speaker 1>at our theater multiple times in intim That's why, that's why,

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<v Speaker 1>that's why I suggested, you know, maybe talking about Twister.

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<v Speaker 1>Uh went on the really really loved disaster movies for

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<v Speaker 1>a while, um because I was just kind of that

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<v Speaker 1>perfect age. Uh. Dante's Peak was another huge one for me,

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<v Speaker 1>deep impact. Um. And then there was the Magical Year

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<v Speaker 1>of nine, um, which I just yeah, I just read

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<v Speaker 1>this this book that Joey got me for like and

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<v Speaker 1>I read it back in December. It was about how

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<v Speaker 1>nine was the best year for film, um and you

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<v Speaker 1>know perhaps history. Uh what's it? What's it's I should

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<v Speaker 1>is it called? I think so it was something like that.

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<v Speaker 1>I lent it to a friend, Otherwise I would just

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<v Speaker 1>grab it right now. Um, I find it now. That

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<v Speaker 1>sounds cool. We cover a lot of ninety great and

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<v Speaker 1>and it goes just from um. And it was cool

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<v Speaker 1>because I was reading it right up right before we

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<v Speaker 1>went to Sundance for our movie. And the whole first

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<v Speaker 1>chapter is about like Blair Witch Project, and and it

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<v Speaker 1>goes month by month um and covers the year the

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<v Speaker 1>movie that came out the year, so that was like

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<v Speaker 1>it also had this whole story about Sundance. So it

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<v Speaker 1>was kind of a nice primer for me going to

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<v Speaker 1>Sundance for my first time. But yeah, that that year,

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<v Speaker 1>I was also that perfect age of very impressionable age

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<v Speaker 1>of I think twelve or eleven and twelve that year

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<v Speaker 1>or twelve, twelve and thirteen, um and yeah. So therefore

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<v Speaker 1>I become obsessed with Spike Jones and Condrey and Kaufman

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<v Speaker 1>and Pete Anderson and Alexander Payne and David Russell and

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<v Speaker 1>uh yeah. And so then from and and Joey had

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<v Speaker 1>kind of like shown me, you know, he had his

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<v Speaker 1>his VHS box set of Kubrick Um that I think

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<v Speaker 1>came out the year before, maybe like right before I

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<v Speaker 1>was White Shut, And so I kind of started like

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<v Speaker 1>dabbling that but didn't. I didn't as a as a

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<v Speaker 1>twelve year I didn't quite understand Clappercorn. Uh. It was um.

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<v Speaker 1>But from that point on through you know, the next

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<v Speaker 1>several years up to college, that's those kind of became

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<v Speaker 1>the movies that I obsessed over. And now it's I'm

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<v Speaker 1>just you know, my goal is to combine my love

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<v Speaker 1>of big budget disaster films or monster films or alien

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<v Speaker 1>films like Independence Day. That was another big one that

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<v Speaker 1>my dad still talks about, like, uh, like how we

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<v Speaker 1>went and saw that I think four or five times

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<v Speaker 1>in a theater together. Um and uh. And it's funny

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<v Speaker 1>because he actually he brought it up to me the

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<v Speaker 1>other day. It's like, remember when we went and saw

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<v Speaker 1>July four And I'm like but and then he's like,

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<v Speaker 1>you know, the the alien one and and then that's

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<v Speaker 1>how he remembers it for some reason. Uh and yeah.

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<v Speaker 1>And so now I just I just want to you know,

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<v Speaker 1>combine my the the prestige films of you know, the

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<v Speaker 1>you know, nine on that I kind of filled up

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<v Speaker 1>with two like with that this on on, this this

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<v Speaker 1>adventury part that I grew up with and I didn't

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<v Speaker 1>really grew up with many like too much in the

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<v Speaker 1>sci fi world. Uh my, I think on the spectrum

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<v Speaker 1>of adventure films versus like sci fi films to get

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<v Speaker 1>with the Indiana Jones on one side and uh and

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<v Speaker 1>Star Wars on the other side, that we were we

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<v Speaker 1>were far more of an Indiana Jones family. And then

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<v Speaker 1>I've now come to like love the Star Wars world. Um.

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<v Speaker 1>But you know, but I think because we as a scity,

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<v Speaker 1>we were told every day that this is this is

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<v Speaker 1>what we're supposed to love, and yeah, you have to.

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<v Speaker 1>But then then I've kind of just I have grown

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<v Speaker 1>to love it though I've just I've just given in

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<v Speaker 1>to the pressures of marketing. When did you start playing guitar? Um?

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<v Speaker 1>It was it was sixth grade. For Christmas, my brother

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<v Speaker 1>gave me his his first guitar, and so that was

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<v Speaker 1>my first gude. It was at the squad Fender Squire

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<v Speaker 1>um and see I got that and it was it

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<v Speaker 1>was covered in stickers of you know, O C punk

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<v Speaker 1>bands and SKA bands and then I played remember that

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<v Speaker 1>it was the sixth grades and I played the talent

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<v Speaker 1>show that year and me and um, a couple of

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<v Speaker 1>buddies covered Damn It by Blankney two, and that was

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<v Speaker 1>it was the that was the beginning of the music phase,

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<v Speaker 1>which is now done. Wait, actually I don't. I don't

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<v Speaker 1>even know if I own guitar anymore, because I because

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<v Speaker 1>I don't say that. I'm so mad at you right now.

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<v Speaker 1>We part. Part of that is because Joey and I

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<v Speaker 1>would because for all of my twenties and when we

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<v Speaker 1>were in the band and we're living together. You don't

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<v Speaker 1>make any money as a band, so like we would

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<v Speaker 1>just sell each other's equipment back and forth to each

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<v Speaker 1>other to like help pay rent. And I think the

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<v Speaker 1>last exchange was, like I needed money, so I sold

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<v Speaker 1>uh the guitar that I was playing to Joey. And now, yeah,

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<v Speaker 1>I have to be honest, I don't. I'm not sure

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<v Speaker 1>I ever even owned the s g outright. I think

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<v Speaker 1>I think it may have always been Joey's. But then

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<v Speaker 1>I kind of like really co opted it. And then

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<v Speaker 1>but he's been using it, so he came and picked

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<v Speaker 1>it up, and then he picked up my amp to

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<v Speaker 1>go record, and so now I have a I have

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<v Speaker 1>this acoustic guitar like that I would I would use

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<v Speaker 1>for like the songs for kids stuff, um, and that's

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<v Speaker 1>that's on the wall in the living room that I'll

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<v Speaker 1>take down every uh every a few weeks to play

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<v Speaker 1>down by the Bay or old McDonald for But otherwise like, yep, well,

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<v Speaker 1>I mean, I'm just giving you a hard time. Of course,

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<v Speaker 1>you've moved into a the professional phase of your career

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<v Speaker 1>and there's nothing there's no shame in like leaving behind

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<v Speaker 1>traveling around in a stinky van and not making any money.

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<v Speaker 1>And you had that experience, which is super cool, and

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<v Speaker 1>that's how I met you, guys. Uh, but don't ever

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<v Speaker 1>stop playing, is all I gotta say. I think you'll

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<v Speaker 1>get back into it one day, like you'll have an

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<v Speaker 1>old man band when you're my age. That's maybe, I

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<v Speaker 1>don't know. It's I've noticed with um with Joey and

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<v Speaker 1>then Noah. I don't know if he ever met Noah.

0:13:40.160 --> 0:13:42.360
<v Speaker 1>He was our He was the original bass player in

0:13:42.360 --> 0:13:44.880
<v Speaker 1>our band. He and I. He and I met in

0:13:44.880 --> 0:13:48.680
<v Speaker 1>a creative writing class at u C. I bonded over

0:13:48.840 --> 0:13:50.640
<v Speaker 1>pavement and then it just happened to be like the

0:13:50.679 --> 0:13:52.439
<v Speaker 1>day I met him was a day our bass player

0:13:52.559 --> 0:13:55.720
<v Speaker 1>quit and I was like walking with Noah. I was like, hey,

0:13:55.760 --> 0:13:58.280
<v Speaker 1>do you play bass. He's like, no, I play guitar,

0:13:58.640 --> 0:14:00.480
<v Speaker 1>but close enough, like gold you want to be you

0:14:00.480 --> 0:14:02.600
<v Speaker 1>want to be in a band. And then he he

0:14:02.840 --> 0:14:06.000
<v Speaker 1>joined Henry Clay People and was um with us for

0:14:06.200 --> 0:14:09.960
<v Speaker 1>up until like the touring years started. Anyway, the reason

0:14:10.000 --> 0:14:12.280
<v Speaker 1>to bring him up is that he and Joey both

0:14:12.320 --> 0:14:16.360
<v Speaker 1>have that that's I don't want to call it a

0:14:16.440 --> 0:14:21.200
<v Speaker 1>like a disease, but it's um where if they walk

0:14:21.240 --> 0:14:24.320
<v Speaker 1>into a room and there's ever a guitar that's like

0:14:24.400 --> 0:14:26.760
<v Speaker 1>just sitting there, they have to pick it up. They

0:14:26.800 --> 0:14:29.160
<v Speaker 1>have to play. They're the guys that will always bring

0:14:29.240 --> 0:14:32.920
<v Speaker 1>the guitar to like camping trips or because they always

0:14:32.960 --> 0:14:36.640
<v Speaker 1>have to have it. Um. And and I remember, and

0:14:36.880 --> 0:14:40.440
<v Speaker 1>I remember and like high school, Uh, I was just

0:14:40.480 --> 0:14:42.640
<v Speaker 1>you know, I was just watched watching a movie in

0:14:42.680 --> 0:14:46.240
<v Speaker 1>my room with my high school girlfriend. And then uh,

0:14:46.320 --> 0:14:49.440
<v Speaker 1>you know it's like private time. Um. And then Joey

0:14:49.520 --> 0:14:52.480
<v Speaker 1>just really just walks in just like strumming the guitar,

0:14:52.840 --> 0:14:55.320
<v Speaker 1>like not not thinking. It's like it's it's another part

0:14:55.360 --> 0:14:58.000
<v Speaker 1>of his brain that just like it's it's just I

0:14:58.000 --> 0:15:02.520
<v Speaker 1>don't know, he zones out, uh, and I and he

0:15:02.520 --> 0:15:04.880
<v Speaker 1>he and Noah always had that. I never had that, UM,

0:15:04.920 --> 0:15:07.240
<v Speaker 1>And I think that's why once we called it a

0:15:07.320 --> 0:15:10.200
<v Speaker 1>day on the band, like, it was kind of easy

0:15:10.320 --> 0:15:13.440
<v Speaker 1>for for me to not look back too much. I do.

0:15:13.560 --> 0:15:16.280
<v Speaker 1>I do love playing live. We had our we did

0:15:16.320 --> 0:15:20.800
<v Speaker 1>this other kind of side band, um Fakers for two years.

0:15:21.240 --> 0:15:24.040
<v Speaker 1>But I saw one of those shows, and what I

0:15:24.120 --> 0:15:26.280
<v Speaker 1>loved about that was just I mean, I love playing live.

0:15:26.320 --> 0:15:29.600
<v Speaker 1>I think it's just fun to perform, but I hate recording,

0:15:30.040 --> 0:15:32.440
<v Speaker 1>I hate practicing, so all those things that you actually

0:15:32.840 --> 0:15:35.840
<v Speaker 1>need to be good at for being a successful band.

0:15:35.920 --> 0:15:42.240
<v Speaker 1>I I just what was the highlight, uh, before we

0:15:42.240 --> 0:15:44.800
<v Speaker 1>move on to screenwriting stuff, what was what was like

0:15:44.840 --> 0:15:47.960
<v Speaker 1>the highlight for you band wise? Either coolest moment or

0:15:48.000 --> 0:15:50.240
<v Speaker 1>biggest gig or if those are one and the same,

0:15:52.000 --> 0:15:54.920
<v Speaker 1>covering t Rex the Tabernacle with you, it's pretty incredible.

0:15:55.840 --> 0:16:00.360
<v Speaker 1>Come on you guys, Yeah, that that was cool just

0:16:00.400 --> 0:16:03.840
<v Speaker 1>because I had, you know, been to coach Alla every

0:16:03.920 --> 0:16:07.720
<v Speaker 1>year right from from two thousand four when UH was

0:16:07.720 --> 0:16:10.880
<v Speaker 1>in high school. And I remember that's when Pixis played

0:16:10.960 --> 0:16:15.040
<v Speaker 1>right before Radiohead, and that just just incredible. UM and

0:16:15.120 --> 0:16:18.040
<v Speaker 1>get que and not you remember that was the first

0:16:18.080 --> 0:16:19.440
<v Speaker 1>band we saw that day. And I was a big

0:16:19.480 --> 0:16:23.360
<v Speaker 1>que and not youthan and um, and so going to

0:16:23.400 --> 0:16:26.160
<v Speaker 1>coach Alla I think every year from that point um,

0:16:26.200 --> 0:16:31.880
<v Speaker 1>and then getting to play in Yeah, it was just like, oh,

0:16:32.640 --> 0:16:35.760
<v Speaker 1>I don't I don't need this. I had a feeling

0:16:35.800 --> 0:16:38.600
<v Speaker 1>in the moment actually, or like just leading after the show,

0:16:38.640 --> 0:16:40.120
<v Speaker 1>like yeah, this is probably the best it's going to

0:16:40.200 --> 0:16:43.800
<v Speaker 1>get for the bands. And we remember after we you know,

0:16:44.920 --> 0:16:47.360
<v Speaker 1>for an hour before our set and we're just kind

0:16:47.360 --> 0:16:49.840
<v Speaker 1>of just you know, hanging out until we go and play.

0:16:49.960 --> 0:16:52.840
<v Speaker 1>I just said, you know, I'll see you guys in

0:16:52.840 --> 0:16:55.160
<v Speaker 1>a little bit to my to the band and to

0:16:55.280 --> 0:16:58.280
<v Speaker 1>my family and just I just kind of walk the

0:16:58.800 --> 0:17:03.560
<v Speaker 1>grounds on my own and just to kind of, you know,

0:17:03.760 --> 0:17:06.560
<v Speaker 1>soak it in because there was Yeah, I always I

0:17:06.560 --> 0:17:09.200
<v Speaker 1>always knew there as a shelf life. Just didn't know

0:17:09.240 --> 0:17:12.280
<v Speaker 1>when my shelf life was gonna um you know. Of course,

0:17:12.320 --> 0:17:15.359
<v Speaker 1>So did Joey come walking up with his guitar and

0:17:15.520 --> 0:17:19.760
<v Speaker 1>interrupt your moment? Part of me thinks that I maybe

0:17:19.800 --> 0:17:22.040
<v Speaker 1>did hear him like go back onto the stage like

0:17:22.119 --> 0:17:25.040
<v Speaker 1>check check his guitar sound, and I'm just trying to

0:17:25.080 --> 0:17:27.280
<v Speaker 1>like be at peace, and then I hear him like

0:17:27.520 --> 0:17:30.960
<v Speaker 1>I could see that. There's many images that are burned

0:17:31.000 --> 0:17:34.919
<v Speaker 1>in my brain of like being on stage or recording

0:17:34.920 --> 0:17:37.720
<v Speaker 1>of Joey, you know, his head down to the amp

0:17:38.240 --> 0:17:40.400
<v Speaker 1>um to try to find that perfect sound. And that's

0:17:40.400 --> 0:17:41.960
<v Speaker 1>the other thing of like he and I know you

0:17:41.960 --> 0:17:44.360
<v Speaker 1>guys have talked a lot about you know, passing back

0:17:44.359 --> 0:17:51.199
<v Speaker 1>and forth pedal pedal knowledge. Yeah, and yeah, that he

0:17:51.280 --> 0:17:54.040
<v Speaker 1>has had I don't know, hundreds of of pedals and

0:17:54.200 --> 0:17:57.119
<v Speaker 1>guitars and amps over the years. Um and he's always

0:17:57.119 --> 0:17:58.920
<v Speaker 1>in search of that perfect sound. But you will never

0:17:58.960 --> 0:18:03.600
<v Speaker 1>find that perfect sound soon. That's the well, the uh

0:18:03.720 --> 0:18:07.680
<v Speaker 1>the For non musicians, it's called gas. It's called either

0:18:07.840 --> 0:18:12.919
<v Speaker 1>guitar or gear acquisition syndrome. And it's real. Yeah, I

0:18:12.920 --> 0:18:22.160
<v Speaker 1>can tell you. Yeah. So I want to talk about

0:18:22.160 --> 0:18:24.720
<v Speaker 1>screenwriting for a little bits because rarely do I get

0:18:24.760 --> 0:18:28.840
<v Speaker 1>a bona fide big shot Hollywood screenwriter in here. That

0:18:29.960 --> 0:18:35.359
<v Speaker 1>tiny shot definitely not big shot. And I thought we

0:18:35.359 --> 0:18:37.000
<v Speaker 1>should could talk about a f I for a little

0:18:37.000 --> 0:18:39.399
<v Speaker 1>bit because you went through the a FI program and

0:18:39.440 --> 0:18:43.080
<v Speaker 1>I think it would be instructive for people who consider

0:18:43.520 --> 0:18:46.439
<v Speaker 1>film school or programs like a FI. So what was

0:18:46.480 --> 0:18:49.000
<v Speaker 1>that like and and was it worth it? And just

0:18:49.119 --> 0:18:50.680
<v Speaker 1>sort of walk us through a little bit what a

0:18:50.800 --> 0:18:56.879
<v Speaker 1>f I was all about. Um, I mean, it's it's funny.

0:18:57.359 --> 0:18:59.840
<v Speaker 1>I think it's important for listeners to know that you

0:19:00.000 --> 0:19:02.520
<v Speaker 1>wrote one of my letters of recommendation for IF. I

0:19:04.200 --> 0:19:08.280
<v Speaker 1>I bet it did have a huge, a huge part

0:19:08.280 --> 0:19:12.760
<v Speaker 1>of it all um af I was it was great.

0:19:13.480 --> 0:19:17.040
<v Speaker 1>I it's it's it's hard. I have a it's very

0:19:17.080 --> 0:19:20.600
<v Speaker 1>expensive to go there, and I did not. I mean,

0:19:20.640 --> 0:19:24.679
<v Speaker 1>I my parents were are lovely, but we didn't have like,

0:19:25.440 --> 0:19:28.440
<v Speaker 1>they're not made of money, so I I They're big

0:19:28.480 --> 0:19:32.520
<v Speaker 1>thing was to help me with undergrad. But then once

0:19:32.560 --> 0:19:36.159
<v Speaker 1>I have that, I'm good to go. Uh. And so

0:19:36.359 --> 0:19:38.280
<v Speaker 1>I didn't. They didn't want me to enter the world

0:19:39.080 --> 0:19:42.919
<v Speaker 1>buried in debt. And then I spent the next six years,

0:19:43.040 --> 0:19:47.600
<v Speaker 1>five years after undergrad in the band, not buried in debt,

0:19:47.640 --> 0:19:52.320
<v Speaker 1>but definitely like living in debt. Uh, Hans Joey writing

0:19:52.320 --> 0:19:55.520
<v Speaker 1>a song called living in debt. Uh, It's because like

0:19:55.760 --> 0:19:58.000
<v Speaker 1>but that was always you know, just credit card bills

0:19:58.040 --> 0:19:59.800
<v Speaker 1>here and there, but we didn't have any school debt.

0:20:00.160 --> 0:20:02.879
<v Speaker 1>And then all of a sudden, the band's done, and

0:20:02.920 --> 0:20:04.879
<v Speaker 1>I don't, I don't, like, there's nothing else I know

0:20:06.280 --> 0:20:08.920
<v Speaker 1>that I want to do with my life. I didn't

0:20:08.920 --> 0:20:10.960
<v Speaker 1>know how to do anything else, not that I could.

0:20:11.119 --> 0:20:12.960
<v Speaker 1>I even knew if I knew how to do that either.

0:20:13.280 --> 0:20:15.639
<v Speaker 1>But I was like, Okay, well, if I have to

0:20:15.640 --> 0:20:17.560
<v Speaker 1>go two hund dollars in the debt, I mean, at

0:20:17.600 --> 0:20:19.480
<v Speaker 1>that point, it's just monopoly money. It doesn't make that

0:20:19.480 --> 0:20:24.399
<v Speaker 1>that's not real. Uh. And so I did that, and

0:20:24.440 --> 0:20:28.040
<v Speaker 1>I'm still in debt for that UM and that's terrible

0:20:29.520 --> 0:20:31.720
<v Speaker 1>that that's the that's the terrifying thing about it is

0:20:31.760 --> 0:20:33.920
<v Speaker 1>that like it's it's so much money. And that's that's

0:20:34.080 --> 0:20:39.399
<v Speaker 1>my problem with you know, the top film schools is

0:20:39.440 --> 0:20:42.640
<v Speaker 1>that like I was only able to make that kind

0:20:42.680 --> 0:20:47.199
<v Speaker 1>of UM. But it can be looked at as a

0:20:47.200 --> 0:20:51.520
<v Speaker 1>foolish decision, uh to go to school to go into

0:20:51.520 --> 0:20:53.800
<v Speaker 1>that much debt when you can you know, you can

0:20:53.880 --> 0:20:57.919
<v Speaker 1>download script notes. Uh. And that's like that is a

0:20:58.640 --> 0:21:01.840
<v Speaker 1>it's a public service they're doing, UM and you can

0:21:01.920 --> 0:21:05.000
<v Speaker 1>learn so much from that. UM. But I can only

0:21:05.040 --> 0:21:08.760
<v Speaker 1>make that decision to go to film school and go

0:21:08.800 --> 0:21:10.760
<v Speaker 1>into that much debt because I knew still in the

0:21:10.800 --> 0:21:13.800
<v Speaker 1>back of my head, I had a safety net of

0:21:14.080 --> 0:21:19.879
<v Speaker 1>like my wife was successful and working. Um, but you

0:21:19.920 --> 0:21:22.320
<v Speaker 1>would we're just we're just boyfriend girl friend of the time.

0:21:22.359 --> 0:21:24.840
<v Speaker 1>But still, like, you know, I knew that I had

0:21:24.880 --> 0:21:30.679
<v Speaker 1>that my parents are of good health and if worst

0:21:30.680 --> 0:21:32.720
<v Speaker 1>case scenario, I can always just like I knew, I

0:21:32.720 --> 0:21:35.399
<v Speaker 1>could fall back and live with them at some point

0:21:35.640 --> 0:21:39.320
<v Speaker 1>if if if I needed to. UM, And I don't

0:21:39.359 --> 0:21:43.480
<v Speaker 1>know that's that's because of that. It's a shame because

0:21:43.520 --> 0:21:47.160
<v Speaker 1>it weeds out so many more unique points of view

0:21:47.200 --> 0:21:52.000
<v Speaker 1>than than my own. To be honest, that's that's your village,

0:21:52.040 --> 0:21:54.760
<v Speaker 1>you know, and we're lucky to have villages around. Yeah,

0:21:54.800 --> 0:21:58.560
<v Speaker 1>And I hope that especially now, I hope that you know,

0:21:59.080 --> 0:22:01.480
<v Speaker 1>I know that s C has kind of made some changes.

0:22:01.680 --> 0:22:03.600
<v Speaker 1>I think if like you come, if come from a

0:22:03.600 --> 0:22:06.280
<v Speaker 1>household that has that makes less than I think it's

0:22:06.280 --> 0:22:09.720
<v Speaker 1>eighty thousand a year it's tuition free, or if I

0:22:09.760 --> 0:22:11.600
<v Speaker 1>think that's what it is, I'm it could be wrong.

0:22:11.640 --> 0:22:13.639
<v Speaker 1>But I know they're trying to change, and I'm hoping

0:22:13.640 --> 0:22:15.320
<v Speaker 1>that a f I does too, because I do think

0:22:15.320 --> 0:22:18.800
<v Speaker 1>that the education I got an a f I was incredible. Um.

0:22:18.880 --> 0:22:21.600
<v Speaker 1>And it's the best part about it is this like

0:22:21.720 --> 0:22:25.800
<v Speaker 1>immersive experience where it's two years where you the reason

0:22:25.880 --> 0:22:27.560
<v Speaker 1>you go with so much that is also you're getting

0:22:28.080 --> 0:22:30.639
<v Speaker 1>you have to cover your living expenses because you should

0:22:30.640 --> 0:22:32.359
<v Speaker 1>not be going to do other jobs. So you can

0:22:32.400 --> 0:22:35.960
<v Speaker 1>actually really immerse yourself for two years in the program

0:22:36.000 --> 0:22:39.920
<v Speaker 1>and focus on nothing else, nothing else but just making things.

0:22:40.119 --> 0:22:43.200
<v Speaker 1>And I thought so, well, one of the coolest things

0:22:43.240 --> 0:22:46.639
<v Speaker 1>to me about going to going back to school was

0:22:47.400 --> 0:22:54.600
<v Speaker 1>I look back on my uh high school years and before. Um,

0:22:54.640 --> 0:22:59.119
<v Speaker 1>I have one really close friend from those years. You

0:22:59.160 --> 0:23:02.320
<v Speaker 1>know Ryan, You've met Ryan before. Yeah, he's like, you know,

0:23:02.359 --> 0:23:05.280
<v Speaker 1>my best buddies since third grade. Um. Otherwise I'm not

0:23:05.320 --> 0:23:07.280
<v Speaker 1>that close too many many people from high school. I'm

0:23:07.280 --> 0:23:10.520
<v Speaker 1>still you know, Facebook friends or Instagram buddies whatnot. But like,

0:23:10.720 --> 0:23:12.840
<v Speaker 1>I'm not that close to as many people from high school.

0:23:12.840 --> 0:23:15.040
<v Speaker 1>And same thing for college. My one friend from college

0:23:15.080 --> 0:23:17.440
<v Speaker 1>is Noah, who became you know, one of my other

0:23:17.480 --> 0:23:21.280
<v Speaker 1>best buddies. Um. But and I think part of that

0:23:21.400 --> 0:23:26.240
<v Speaker 1>is that, like I I had Entertainment Weekly. My favorite

0:23:26.280 --> 0:23:28.640
<v Speaker 1>favorite day of the week was was Friday's when I'd

0:23:28.640 --> 0:23:31.639
<v Speaker 1>come home and go through Entertainment Weekly or the the

0:23:31.680 --> 0:23:35.399
<v Speaker 1>Summer movie preview or Winter movie preview, and then I

0:23:35.400 --> 0:23:40.200
<v Speaker 1>would every Sunday, read the calendar section. UM and uh

0:23:40.240 --> 0:23:44.280
<v Speaker 1>E E had their coming attractions. UM, like we're you

0:23:44.320 --> 0:23:46.840
<v Speaker 1>know before that you can just go on YouTube and

0:23:46.880 --> 0:23:50.639
<v Speaker 1>watch any trailer like that, and those were that's had.

0:23:50.880 --> 0:23:53.320
<v Speaker 1>I loved all that so much, and no one else

0:23:53.440 --> 0:23:56.440
<v Speaker 1>I grew up with gave a ship about it all. Um.

0:23:56.640 --> 0:23:59.720
<v Speaker 1>And the same thing for in college, like I wanted

0:23:59.840 --> 0:24:01.800
<v Speaker 1>I think I wanted that I wanted to be around

0:24:01.800 --> 0:24:05.560
<v Speaker 1>people that that loved movies and then eventually TV shows

0:24:05.600 --> 0:24:08.359
<v Speaker 1>as much as I did, but they weren't I couldn't

0:24:08.359 --> 0:24:12.160
<v Speaker 1>find those people back in high school or in college.

0:24:12.560 --> 0:24:15.240
<v Speaker 1>And then all of a sudden, I go to grad

0:24:15.280 --> 0:24:17.720
<v Speaker 1>school and then the first day a f I'm like

0:24:18.200 --> 0:24:22.240
<v Speaker 1>surrounded by a hundred fifty people who people all all

0:24:22.320 --> 0:24:24.280
<v Speaker 1>want that we're all trying. All we want to do

0:24:24.320 --> 0:24:28.800
<v Speaker 1>is just play in the sandbox. And that's what That's

0:24:28.800 --> 0:24:32.200
<v Speaker 1>the best thing about a a grad school and especially

0:24:32.200 --> 0:24:34.560
<v Speaker 1>a f I is that you're making things you're uh.

0:24:35.560 --> 0:24:40.200
<v Speaker 1>I ended up writing six shorts to two bigger thesis

0:24:40.280 --> 0:24:43.080
<v Speaker 1>films and four these like cycle films are called, which

0:24:43.080 --> 0:24:46.800
<v Speaker 1>are just like um, these you know, twenty twenty minute

0:24:46.840 --> 0:24:54.320
<v Speaker 1>shorts and just to be able to like truly experiment, um,

0:24:54.359 --> 0:24:56.760
<v Speaker 1>and like that's such a helpful part in like finding

0:24:56.760 --> 0:25:00.000
<v Speaker 1>a voice. And that's where you know, just just listening

0:25:00.040 --> 0:25:02.320
<v Speaker 1>the podcasts or or going to school so that don't

0:25:02.320 --> 0:25:06.720
<v Speaker 1>have any production side. Um, you know, that's that's where

0:25:06.800 --> 0:25:09.800
<v Speaker 1>you you miss out because so much of I don't know,

0:25:10.119 --> 0:25:14.320
<v Speaker 1>the finding your voice of just is through the actual

0:25:15.600 --> 0:25:18.600
<v Speaker 1>making of a product in a way. And and I

0:25:18.680 --> 0:25:21.640
<v Speaker 1>also you know, I can draw a direct line from

0:25:21.800 --> 0:25:25.000
<v Speaker 1>Palm Springs to A five because on the very first

0:25:25.080 --> 0:25:28.200
<v Speaker 1>day or second day of a FI, I met Max Barbaco,

0:25:28.400 --> 0:25:33.200
<v Speaker 1>the director, and we we bonded over um, I think

0:25:33.200 --> 0:25:35.240
<v Speaker 1>he's found it down, had just wrapped up, and I

0:25:35.359 --> 0:25:39.159
<v Speaker 1>was just we're both like we're both blown away. Like

0:25:39.240 --> 0:25:42.240
<v Speaker 1>how they those those guys are able to go from

0:25:42.280 --> 0:25:46.919
<v Speaker 1>these moments of like slapstick comedy to a real like

0:25:47.160 --> 0:25:50.240
<v Speaker 1>emotional gut punched within the manner of like a moment

0:25:50.320 --> 0:25:53.520
<v Speaker 1>or a scene. Um, and like where we're in tears,

0:25:53.600 --> 0:25:57.640
<v Speaker 1>like genuine tears. And so yeah, we remember responding over

0:25:57.720 --> 0:26:01.399
<v Speaker 1>that and Pavement and the replacement. Uh and and I

0:26:01.440 --> 0:26:03.840
<v Speaker 1>was like, and both of us are little brothers, so

0:26:03.920 --> 0:26:06.000
<v Speaker 1>I think there was like this kind of you know,

0:26:07.000 --> 0:26:11.880
<v Speaker 1>growing up in the shadow of we had a shared out,

0:26:11.880 --> 0:26:13.760
<v Speaker 1>we had we had a shared outlook on life because

0:26:13.800 --> 0:26:17.800
<v Speaker 1>of that too, UM. And so we made our first

0:26:17.960 --> 0:26:20.199
<v Speaker 1>short film together there and then made one of our

0:26:20.640 --> 0:26:23.679
<v Speaker 1>our thesis film together and we just became like, you know,

0:26:24.520 --> 0:26:26.879
<v Speaker 1>true kind of collaborators in the in the best of

0:26:27.080 --> 0:26:30.400
<v Speaker 1>the best of sense is um? Is that the kind

0:26:30.400 --> 0:26:33.399
<v Speaker 1>of deal? Now? Are you guys? Um? I mean, are

0:26:33.440 --> 0:26:36.119
<v Speaker 1>you looking to work together again, like project after project?

0:26:36.160 --> 0:26:38.800
<v Speaker 1>Are you just kind of taking it as it comes? We? Uh,

0:26:38.920 --> 0:26:42.600
<v Speaker 1>not every single project, but we have a we're we

0:26:42.640 --> 0:26:44.560
<v Speaker 1>have some TV things we're dabbling in. We have a

0:26:44.560 --> 0:26:48.080
<v Speaker 1>movie that we're gonna be doing together, another movie. We

0:26:48.200 --> 0:26:49.919
<v Speaker 1>we know that this is a very like a you know,

0:26:49.960 --> 0:26:53.479
<v Speaker 1>it's a it's a unique when you find someone so

0:26:54.080 --> 0:26:57.160
<v Speaker 1>that you, I don't know, connect with creatively like that.

0:26:57.160 --> 0:27:00.160
<v Speaker 1>That also brings something different to the table. Um. It's

0:27:00.280 --> 0:27:02.320
<v Speaker 1>it's a it's a special thing and you want to

0:27:02.359 --> 0:27:04.639
<v Speaker 1>hold onto that. And I think that's what you know totally.

0:27:04.800 --> 0:27:09.280
<v Speaker 1>We definitely found um. And that that's again too on

0:27:09.320 --> 0:27:12.159
<v Speaker 1>to the positive of going to a school like a

0:27:12.320 --> 0:27:18.080
<v Speaker 1>f I is that Yeah, I found that there and

0:27:18.080 --> 0:27:23.120
<v Speaker 1>and we were able to practice and and and also

0:27:23.240 --> 0:27:25.120
<v Speaker 1>learn how Like there's many classes that are like talk

0:27:25.160 --> 0:27:28.480
<v Speaker 1>about like learning how to really find your story, but

0:27:28.560 --> 0:27:32.720
<v Speaker 1>like access these deeper emotions like shame and fear and whatnot,

0:27:32.760 --> 0:27:36.840
<v Speaker 1>and and the whole Palm Springs like kind of when

0:27:36.880 --> 0:27:38.199
<v Speaker 1>we were just kind of trying to come up with

0:27:38.240 --> 0:27:40.639
<v Speaker 1>the idea and whatnot for it, so much of that

0:27:40.760 --> 0:27:44.919
<v Speaker 1>was just us two in a room kind of acting

0:27:44.920 --> 0:27:48.080
<v Speaker 1>as each other's therapists in a way, like like nothing

0:27:48.119 --> 0:27:50.440
<v Speaker 1>what We didn't hold anything back. And I think that's

0:27:50.520 --> 0:27:54.359
<v Speaker 1>and we were able to And it sounds super pretentious,

0:27:54.359 --> 0:27:56.919
<v Speaker 1>but like we were able to access that part of

0:27:56.920 --> 0:28:02.080
<v Speaker 1>our are subconscious. I don't know, Uh, yeah, that's not pretentious.

0:28:02.080 --> 0:28:04.000
<v Speaker 1>I mean that's that's the deal, you know. I mean,

0:28:04.000 --> 0:28:07.120
<v Speaker 1>that's where the great art comes from. That's not superficial.

0:28:07.520 --> 0:28:09.560
<v Speaker 1>And that's one of the things I loved about Palm Springs.

0:28:09.600 --> 0:28:13.159
<v Speaker 1>And Um, if I had not liked the movie, I

0:28:13.160 --> 0:28:15.840
<v Speaker 1>would just said, hey, buddy, so proud of you, good job.

0:28:16.800 --> 0:28:19.159
<v Speaker 1>I wouldn't have gotten specific with my with what I

0:28:19.200 --> 0:28:21.520
<v Speaker 1>liked about it. But I really did like it, and

0:28:21.560 --> 0:28:25.280
<v Speaker 1>I think it was um a really fresh spin on

0:28:26.240 --> 0:28:29.879
<v Speaker 1>a concept that people have seen and love, which is

0:28:29.920 --> 0:28:32.400
<v Speaker 1>sort of the repeating of the day, the groundhog Day thing.

0:28:33.040 --> 0:28:36.639
<v Speaker 1>But you you took, you got an angle that we

0:28:36.680 --> 0:28:38.840
<v Speaker 1>hadn't seen before, and it was it managed to be

0:28:38.880 --> 0:28:42.640
<v Speaker 1>sweet and romantic and funny but also had a little

0:28:42.680 --> 0:28:47.600
<v Speaker 1>bit of philosophical underpinnings and there was this sort of

0:28:47.640 --> 0:28:50.640
<v Speaker 1>heavy sub subtext and I think you wove it in

0:28:50.760 --> 0:28:53.120
<v Speaker 1>just the right amount, you know, And it was it

0:28:53.160 --> 0:28:55.600
<v Speaker 1>was more than just this sort of silly fun movie.

0:28:56.040 --> 0:28:58.080
<v Speaker 1>But it was also that which I think is for

0:28:58.120 --> 0:29:01.880
<v Speaker 1>a first movie, is like like, congratulations, man, was so

0:29:01.920 --> 0:29:04.560
<v Speaker 1>proud of you, so proud of you, thank you, thank you.

0:29:04.920 --> 0:29:07.800
<v Speaker 1>Uh and you know that part of that is yours too,

0:29:07.840 --> 0:29:10.640
<v Speaker 1>because again, you wrote that first letter, that first letter

0:29:10.680 --> 0:29:14.600
<v Speaker 1>of wreck, so uh, you know you own a piece

0:29:14.600 --> 0:29:18.400
<v Speaker 1>of palm springs? Uh? Did your Are your parents freaking

0:29:18.440 --> 0:29:22.280
<v Speaker 1>out or they just like over the moon about all this? Yeah? Yeah,

0:29:22.320 --> 0:29:24.560
<v Speaker 1>they I feel like I feel like it's made them

0:29:25.240 --> 0:29:28.600
<v Speaker 1>part of me thinks that they've been contacted uh more

0:29:28.720 --> 0:29:32.360
<v Speaker 1>by friends, like by more friends than I. Uh. I

0:29:32.400 --> 0:29:35.960
<v Speaker 1>think it's made them pretty feel pretty cool. And it

0:29:36.040 --> 0:29:39.240
<v Speaker 1>was it was funny. After the Wall Street Journal reviewed

0:29:39.240 --> 0:29:42.280
<v Speaker 1>it and that's that's where like all of their friends,

0:29:42.760 --> 0:29:45.040
<v Speaker 1>um are big Wall Street journal people, and that's where

0:29:45.080 --> 0:29:48.280
<v Speaker 1>like it gave I don't know, it adds added some

0:29:48.320 --> 0:29:52.160
<v Speaker 1>points uh to their their coolness, I think. And then uh,

0:29:52.240 --> 0:29:55.000
<v Speaker 1>and I'll in that review they refer to me as

0:29:55.200 --> 0:29:59.000
<v Speaker 1>Mr Siara um uh. And so I think that that

0:29:59.040 --> 0:30:00.800
<v Speaker 1>was I think that definitely he makes my dad like,

0:30:01.120 --> 0:30:07.040
<v Speaker 1>you know, the tears, the tears of fatherly pride. And

0:30:06.840 --> 0:30:10.320
<v Speaker 1>I'm pretty sure. And I got a text two nights

0:30:10.320 --> 0:30:14.480
<v Speaker 1>ago for my dad saying we we couldn't agree on

0:30:14.520 --> 0:30:17.680
<v Speaker 1>what to wash tonight, so so this and he was

0:30:17.680 --> 0:30:21.120
<v Speaker 1>a picture of of palm springs on the screen. Yet again,

0:30:21.320 --> 0:30:22.800
<v Speaker 1>I think I think I'm pretty sure they've seen it

0:30:22.800 --> 0:30:27.400
<v Speaker 1>about eight or nine times now. That's adorable. Uh. It's

0:30:27.480 --> 0:30:29.760
<v Speaker 1>it's been very well reviewed too. That's got to feel good.

0:30:29.840 --> 0:30:32.760
<v Speaker 1>I was, I was a little nervous. Um anytime someone

0:30:32.800 --> 0:30:35.640
<v Speaker 1>close to you make something like this big, it's always

0:30:35.640 --> 0:30:38.280
<v Speaker 1>a little nerve wracking. It's like, oh God, Andy's first movie.

0:30:38.720 --> 0:30:41.800
<v Speaker 1>I'm so nervous. And then I I did a little

0:30:41.800 --> 0:30:43.720
<v Speaker 1>peek at a couple of pre reviews, but I didn't

0:30:43.720 --> 0:30:46.400
<v Speaker 1>want to really read read. But I just would scan

0:30:46.520 --> 0:30:48.000
<v Speaker 1>a few of them and I was like, hey, I

0:30:48.120 --> 0:30:51.400
<v Speaker 1>told him, he's like, this one's getting good reviews, and um,

0:30:52.040 --> 0:30:53.640
<v Speaker 1>that made me feel a little bit better. And then

0:30:53.760 --> 0:30:55.240
<v Speaker 1>I watched it and then read a lot of the

0:30:55.280 --> 0:31:00.040
<v Speaker 1>reviews and it's it's like everyone seems to really like it.

0:31:00.080 --> 0:31:07.120
<v Speaker 1>Said I I feel very lucky, Um, because it was

0:31:08.840 --> 0:31:12.800
<v Speaker 1>I don't know, yeah, I feel I feel lucky. Um.

0:31:12.800 --> 0:31:17.360
<v Speaker 1>It's I always I keep going back to there was

0:31:17.400 --> 0:31:19.560
<v Speaker 1>a moment when we premiered at Sundance that it's kind

0:31:19.560 --> 0:31:24.240
<v Speaker 1>of like burned into my mind. Um, and you know

0:31:24.320 --> 0:31:27.480
<v Speaker 1>where it was the first screening, Max and I were

0:31:27.480 --> 0:31:31.160
<v Speaker 1>sitting in the back corner. Um, and like I knew

0:31:31.200 --> 0:31:35.320
<v Speaker 1>where Joey and my parents. It's not at all I

0:31:35.360 --> 0:31:38.440
<v Speaker 1>knew where Joey and my parents and and Amanda we're sitting.

0:31:38.480 --> 0:31:41.440
<v Speaker 1>I knew where his his family was sitting, cast and crew,

0:31:41.880 --> 0:31:42.960
<v Speaker 1>you know. And it was there was there was some

0:31:43.080 --> 0:31:45.600
<v Speaker 1>like buzz leading into the premiere, but no one had

0:31:45.640 --> 0:31:47.680
<v Speaker 1>seen the movie. It just you know, and and buzz

0:31:47.760 --> 0:31:51.840
<v Speaker 1>usually is like buzz can off and go the other way. Uh.

0:31:51.880 --> 0:31:55.320
<v Speaker 1>And I remember when like lights went down and the

0:31:55.400 --> 0:31:59.320
<v Speaker 1>sun Dance little up preview thing came up, and I

0:31:59.320 --> 0:32:02.920
<v Speaker 1>got a little chanel because like and grab Max, and

0:32:03.560 --> 0:32:05.920
<v Speaker 1>you know, I could flash into my mind of us

0:32:06.040 --> 0:32:11.400
<v Speaker 1>meeting seven years almost exactly seven years earlier, and to like,

0:32:12.360 --> 0:32:16.800
<v Speaker 1>you know, we never once expected any of this, uh

0:32:16.840 --> 0:32:19.920
<v Speaker 1>we you know we when we've so many of those

0:32:20.000 --> 0:32:23.120
<v Speaker 1>years before it even got to lone the Island, it

0:32:23.160 --> 0:32:26.400
<v Speaker 1>was just like no one cared about us. Uh No,

0:32:26.840 --> 0:32:30.320
<v Speaker 1>it was just us wanting to try to make there

0:32:30.720 --> 0:32:34.120
<v Speaker 1>have had this dream of making some kind of dumb movie.

0:32:34.760 --> 0:32:38.719
<v Speaker 1>Um and then to get to that point, it just

0:32:38.760 --> 0:32:41.520
<v Speaker 1>it was just a lot of feelings and then uh

0:32:41.600 --> 0:32:45.680
<v Speaker 1>and then when the Lonely Island classics um card came up,

0:32:45.920 --> 0:32:49.320
<v Speaker 1>that little like everyone in the theater started laughing, and

0:32:49.320 --> 0:32:54.200
<v Speaker 1>it was like this this sigh of relief. But but

0:32:54.280 --> 0:32:55.880
<v Speaker 1>like I kept on thinking about like that moment, like

0:32:55.880 --> 0:32:57.640
<v Speaker 1>this was the last moment where the movie was like

0:32:58.440 --> 0:33:02.760
<v Speaker 1>it was no longer ours after minutes, Uh, it's out

0:33:02.760 --> 0:33:04.280
<v Speaker 1>into the world and people might hate it, and that

0:33:04.440 --> 0:33:05.959
<v Speaker 1>that could be the end of our end of our

0:33:06.000 --> 0:33:12.040
<v Speaker 1>journey as like, uh, young filmmakers. So I don't know,

0:33:12.800 --> 0:33:16.920
<v Speaker 1>let's well people love it, man. I was, um, I

0:33:17.000 --> 0:33:20.040
<v Speaker 1>was a little sad at first because the pandemic happened

0:33:20.120 --> 0:33:23.080
<v Speaker 1>and I knew that your movie was teed up and

0:33:23.640 --> 0:33:25.480
<v Speaker 1>I was like, oh, ship man, I wonder if they're

0:33:25.480 --> 0:33:29.280
<v Speaker 1>going to delay it or whatever. And um, I wasn't

0:33:29.320 --> 0:33:32.600
<v Speaker 1>sure about just the overall release plan before this, But

0:33:33.360 --> 0:33:35.440
<v Speaker 1>it seems like it's kind of worked to your advantage

0:33:36.320 --> 0:33:39.720
<v Speaker 1>because a lot of tension has come your way and

0:33:40.280 --> 0:33:44.000
<v Speaker 1>there's not a lot out there, so it's sort of, uh,

0:33:44.680 --> 0:33:47.680
<v Speaker 1>it's sort of stood alone as a new movie that

0:33:47.760 --> 0:33:50.960
<v Speaker 1>you can watch, and it seems to have, like, in

0:33:51.000 --> 0:33:54.200
<v Speaker 1>a weird way, kind of benefited from this whole thing. Yeah,

0:33:54.200 --> 0:33:56.120
<v Speaker 1>And I don't I don't know how I feel about that.

0:33:57.680 --> 0:34:01.239
<v Speaker 1>It's uh, I'm not saying that it's the only thing

0:34:01.280 --> 0:34:03.680
<v Speaker 1>out there. So people like it because it could be

0:34:03.720 --> 0:34:06.200
<v Speaker 1>the only thing out there and it stinks, but uh,

0:34:06.920 --> 0:34:08.840
<v Speaker 1>it's weird. I think it's gotten a lot of attention

0:34:08.920 --> 0:34:12.840
<v Speaker 1>because of the unique you guys release schedule, like you

0:34:12.840 --> 0:34:16.000
<v Speaker 1>guys did Hulu and then this big drive in drive

0:34:16.040 --> 0:34:18.400
<v Speaker 1>ins all around the country, which was so super smart

0:34:18.480 --> 0:34:22.080
<v Speaker 1>and yeah, yeah that was like like we we luked

0:34:22.120 --> 0:34:28.160
<v Speaker 1>out with a very forward thinking uh you know, distributors

0:34:28.200 --> 0:34:30.600
<v Speaker 1>between Hulu and and beyond to have that kind of

0:34:30.640 --> 0:34:38.799
<v Speaker 1>like that partnership there. Um. But yeah, I'm obviously the

0:34:38.920 --> 0:34:41.239
<v Speaker 1>state of never in a million years that I think

0:34:41.239 --> 0:34:43.560
<v Speaker 1>that I'd have a the first movie would be a

0:34:43.600 --> 0:34:48.799
<v Speaker 1>summer midsummer release and have pretty much no competition. Um,

0:34:49.640 --> 0:34:54.080
<v Speaker 1>and the competition, you know was It's it's uh the

0:34:54.120 --> 0:34:57.440
<v Speaker 1>Old Guard and Greyhound, which are all different types of movies,

0:34:57.880 --> 0:35:00.640
<v Speaker 1>and and those were kind of the only like the

0:35:00.680 --> 0:35:02.799
<v Speaker 1>next Hulu movie Isn't isn't out for I don't think

0:35:02.800 --> 0:35:05.640
<v Speaker 1>it's out for a little while. And and so therefore,

0:35:05.800 --> 0:35:09.359
<v Speaker 1>I don't know, I think we're a normal year. We'd

0:35:09.360 --> 0:35:15.160
<v Speaker 1>be up against Fast and Furious and and Tenant and um. Yeah, well,

0:35:15.160 --> 0:35:17.120
<v Speaker 1>I mean it's a movie that makes you feel good too,

0:35:17.160 --> 0:35:20.160
<v Speaker 1>and I think people really just the timing of it

0:35:20.200 --> 0:35:22.080
<v Speaker 1>all I think came together perfectly. You know. It's a

0:35:22.120 --> 0:35:26.359
<v Speaker 1>movie that is warm and and funny and romantic, and

0:35:26.440 --> 0:35:29.600
<v Speaker 1>I think people need stuff like that right now. Uh.

0:35:29.640 --> 0:35:32.040
<v Speaker 1>I'm kind of curious about just the process of working

0:35:32.040 --> 0:35:35.000
<v Speaker 1>with Andy and Lonely Island and whether or not you're

0:35:35.040 --> 0:35:38.480
<v Speaker 1>on set and notes and revisions and just sort of

0:35:38.480 --> 0:35:42.560
<v Speaker 1>walk us through a little bit of that. Um, they're

0:35:42.600 --> 0:35:46.279
<v Speaker 1>the best. They're the absolute best. Um I picked I

0:35:46.320 --> 0:35:52.040
<v Speaker 1>pitched them once he wasn't there, but it was we

0:35:52.280 --> 0:35:54.120
<v Speaker 1>I got hooked up with the manager after like the

0:35:54.160 --> 0:35:56.400
<v Speaker 1>script was done and it's still it was just me

0:35:56.480 --> 0:36:00.719
<v Speaker 1>and Max Um like me like Max Max attached as

0:36:00.760 --> 0:36:02.160
<v Speaker 1>director and but we knew that it was going to

0:36:02.239 --> 0:36:04.880
<v Speaker 1>be harder to find financing for a first time director

0:36:04.920 --> 0:36:06.840
<v Speaker 1>when this, you know, on my side, on just the

0:36:06.840 --> 0:36:10.840
<v Speaker 1>writing side, it was, you know, a script can speak

0:36:10.880 --> 0:36:14.000
<v Speaker 1>for itself. But um, but yeah, well my manager took

0:36:14.640 --> 0:36:19.160
<v Speaker 1>the script out and within like a month or or so,

0:36:19.320 --> 0:36:21.759
<v Speaker 1>I think a month or two, we gotta call it.

0:36:22.440 --> 0:36:26.239
<v Speaker 1>Andy Sandberg wanted to meet Um and so we had

0:36:26.280 --> 0:36:31.760
<v Speaker 1>that first meeting with Um, Andy and Akiva and Becky

0:36:31.840 --> 0:36:34.560
<v Speaker 1>Becky sloven Or who was who was running their company

0:36:34.600 --> 0:36:39.360
<v Speaker 1>at the time. And to me, it was like, I

0:36:39.360 --> 0:36:41.480
<v Speaker 1>don't know, but it was. It was kind of funny

0:36:41.480 --> 0:36:43.719
<v Speaker 1>that I got there like five minutes earlier. Then I

0:36:43.840 --> 0:36:45.440
<v Speaker 1>just had to go to the bathroom, and then in

0:36:45.480 --> 0:36:49.000
<v Speaker 1>the bathroom I ran into Andy. But obviously I know

0:36:49.040 --> 0:36:51.160
<v Speaker 1>who he is at the time, but he doesn't even

0:36:51.160 --> 0:36:52.799
<v Speaker 1>know who I am. He doesn't know that I'm about

0:36:52.800 --> 0:36:54.400
<v Speaker 1>I'm a guy he's about to meet with, and so

0:36:55.200 --> 0:36:58.480
<v Speaker 1>I didn't introduce myself, but you know, he gave the

0:36:57.880 --> 0:37:01.200
<v Speaker 1>the courteous like hey, because it's like it was a

0:37:01.200 --> 0:37:05.880
<v Speaker 1>small bathroom. Um uh, it's a little awkward moment. Anyway,

0:37:06.160 --> 0:37:09.200
<v Speaker 1>after that meeting, it was so clear to me that, oh,

0:37:09.360 --> 0:37:14.799
<v Speaker 1>they see the exact same movie. They see that the Yeah,

0:37:14.800 --> 0:37:16.319
<v Speaker 1>they see the same movie that we wanted to do,

0:37:16.960 --> 0:37:19.160
<v Speaker 1>but also know how to do it and know how

0:37:19.200 --> 0:37:23.160
<v Speaker 1>to make it, you know, infinitely better. And and he

0:37:23.239 --> 0:37:26.960
<v Speaker 1>gets this character better than I do. Um. And I

0:37:26.960 --> 0:37:30.320
<v Speaker 1>remember going to the parking lot afterwards with Max. Um.

0:37:30.400 --> 0:37:31.840
<v Speaker 1>It was kind of a shorter meeting. It's like like

0:37:31.880 --> 0:37:34.840
<v Speaker 1>a forty five minute meeting, and it ended with a

0:37:34.880 --> 0:37:37.080
<v Speaker 1>lot of it was like Max kind of just describing,

0:37:37.480 --> 0:37:39.279
<v Speaker 1>you know how he would, you know, want to do

0:37:39.360 --> 0:37:41.759
<v Speaker 1>the movie too, just because it's like, you know, you

0:37:41.760 --> 0:37:44.000
<v Speaker 1>have to just kind of sell himself a little bit.

0:37:44.840 --> 0:37:47.440
<v Speaker 1>And I remember after in the parking lot talking to Max,

0:37:47.480 --> 0:37:50.279
<v Speaker 1>like both of us were just I saying, I hope

0:37:50.280 --> 0:37:51.680
<v Speaker 1>to God they want to do this because this would

0:37:51.680 --> 0:37:53.959
<v Speaker 1>be perfect. And the next day we get a call

0:37:54.040 --> 0:37:59.279
<v Speaker 1>that they do and um, yeah, and it was And

0:37:59.320 --> 0:38:02.640
<v Speaker 1>from that point on, I think we uh they there

0:38:02.719 --> 0:38:05.719
<v Speaker 1>was some further development things we wanted to do for

0:38:05.800 --> 0:38:08.680
<v Speaker 1>like a lot of the third act stuff. Um. But

0:38:09.080 --> 0:38:11.440
<v Speaker 1>I remember like maybe a week later, like we went

0:38:11.440 --> 0:38:15.080
<v Speaker 1>in on a Monday to their office and went page

0:38:15.080 --> 0:38:17.319
<v Speaker 1>by page for notes and it just but it was

0:38:17.320 --> 0:38:21.480
<v Speaker 1>just kind of like it it felt so so or

0:38:22.120 --> 0:38:26.000
<v Speaker 1>like there are little two person team that saw this movie.

0:38:26.080 --> 0:38:30.080
<v Speaker 1>Now has had grown too. The room just got bigger,

0:38:30.400 --> 0:38:32.719
<v Speaker 1>and but it was all people that were wanting the

0:38:32.760 --> 0:38:35.640
<v Speaker 1>same thing. And I remember spending that that Monday with

0:38:35.680 --> 0:38:37.640
<v Speaker 1>them doing you know, going through the notes, and then

0:38:37.680 --> 0:38:41.280
<v Speaker 1>I turned around the script by Friday and the probably

0:38:41.360 --> 0:38:44.160
<v Speaker 1>this is why Becky Slobaer is, you know, one of

0:38:44.200 --> 0:38:46.600
<v Speaker 1>the best producers ever and now now she's running her

0:38:46.920 --> 0:38:51.120
<v Speaker 1>her own division at MRC. But I remember turning and

0:38:51.160 --> 0:38:53.319
<v Speaker 1>scripted on Friday, and then Saturday morning she texts me

0:38:53.320 --> 0:38:55.640
<v Speaker 1>and says, read it. Let it come back in on Monday,

0:38:55.760 --> 0:38:58.000
<v Speaker 1>um for for more notes. And it was like it

0:38:58.040 --> 0:39:00.680
<v Speaker 1>was never this like okay, here to script and then

0:39:00.680 --> 0:39:03.920
<v Speaker 1>in two months we will get on the phone and talk.

0:39:04.719 --> 0:39:06.600
<v Speaker 1>It was very clear to me that they all were

0:39:06.640 --> 0:39:09.480
<v Speaker 1>like they wanted to make the movie and what what

0:39:09.520 --> 0:39:12.080
<v Speaker 1>that did was it also just energized me to like

0:39:12.160 --> 0:39:15.960
<v Speaker 1>turn scripts around faster. Uh. And so there was that

0:39:16.000 --> 0:39:19.480
<v Speaker 1>was about like a three month roughly three months span

0:39:19.520 --> 0:39:22.000
<v Speaker 1>of that. That the middle of that was when my

0:39:22.080 --> 0:39:25.239
<v Speaker 1>daughter was born, and so I just took a little

0:39:25.239 --> 0:39:29.160
<v Speaker 1>break obviously. Um. But then after that we took it

0:39:29.160 --> 0:39:34.480
<v Speaker 1>out for financing. Um uh got financing pretty quickly from

0:39:34.520 --> 0:39:37.680
<v Speaker 1>this company, Limelight, and then we were like from the

0:39:37.719 --> 0:39:39.239
<v Speaker 1>time we I think we I don't want to say

0:39:39.280 --> 0:39:42.399
<v Speaker 1>we first really started working on the script and maybe

0:39:42.440 --> 0:39:49.960
<v Speaker 1>April of with them April eighteen and we were shooting April. Wow,

0:39:50.960 --> 0:39:53.799
<v Speaker 1>that's super fast. I mean for people listening, that's it's

0:39:53.840 --> 0:39:56.319
<v Speaker 1>not usually the way it goes. Uh. It sounds cool.

0:39:56.360 --> 0:40:00.359
<v Speaker 1>It sounds like they really understand creative momentum and how

0:40:00.400 --> 0:40:02.840
<v Speaker 1>important that is because things can go away, you know

0:40:02.840 --> 0:40:05.400
<v Speaker 1>how it is, Things and go away just because it's

0:40:05.560 --> 0:40:09.000
<v Speaker 1>and emails are stuck in someone's emails inbox for too long.

0:40:10.160 --> 0:40:11.759
<v Speaker 1>That can kill I was waiting for this thing to

0:40:11.800 --> 0:40:15.560
<v Speaker 1>just fall apart at every single moment. I'm sure that

0:40:15.600 --> 0:40:18.880
<v Speaker 1>was nerve wracking his ship. Yeah, it was. It was terrifying.

0:40:18.960 --> 0:40:21.400
<v Speaker 1>But I also like, I don't know I felt so

0:40:22.120 --> 0:40:27.239
<v Speaker 1>just to their grid. I felt so protected by by them, um,

0:40:27.280 --> 0:40:29.440
<v Speaker 1>because you know, I think, you know, those guys have

0:40:30.160 --> 0:40:33.400
<v Speaker 1>made some movies but also just been making making a

0:40:33.440 --> 0:40:36.759
<v Speaker 1>ton over the past fifteen years, and and I don't know,

0:40:36.760 --> 0:40:39.840
<v Speaker 1>I always felt like they created this nice, like protective

0:40:39.880 --> 0:40:45.000
<v Speaker 1>cushion um from the scary industry world to just kind

0:40:45.000 --> 0:40:47.839
<v Speaker 1>of always always protect the script and as hard as

0:40:47.880 --> 0:40:49.880
<v Speaker 1>it as hard as it maybe got, like once you know,

0:40:49.920 --> 0:40:52.359
<v Speaker 1>we were shooting and stuff like, it was still like

0:40:53.520 --> 0:40:55.840
<v Speaker 1>we all saw the same movie and that's what was

0:40:56.040 --> 0:40:58.960
<v Speaker 1>guiding our way along. And I don't know, I felt

0:40:59.719 --> 0:41:02.399
<v Speaker 1>ill that just I learned. I learned so much from them,

0:41:02.680 --> 0:41:11.480
<v Speaker 1>like you like, I don't know how quickly their brains work, um,

0:41:12.040 --> 0:41:15.080
<v Speaker 1>and how like you know, five five minutes with any

0:41:15.080 --> 0:41:18.800
<v Speaker 1>one of them is more valuable than like ten hours

0:41:18.840 --> 0:41:22.440
<v Speaker 1>with with a lesser person in a way like when

0:41:22.440 --> 0:41:26.759
<v Speaker 1>I when it comes back. Yeah, And it's sort of

0:41:26.800 --> 0:41:30.279
<v Speaker 1>the true of any industry where the people that rise

0:41:30.360 --> 0:41:32.359
<v Speaker 1>to the top like they're there for a reason, and

0:41:32.880 --> 0:41:34.960
<v Speaker 1>when you if you're able and lucky enough to be

0:41:35.040 --> 0:41:38.920
<v Speaker 1>around them for a minute, even if it's a professional

0:41:38.960 --> 0:41:43.120
<v Speaker 1>baseball player or a CEO, or a Andy Sandberg like,

0:41:44.360 --> 0:41:46.800
<v Speaker 1>there's there's special people and they're they're in that position

0:41:46.840 --> 0:41:50.279
<v Speaker 1>for a reason because they're super talented and their their

0:41:50.320 --> 0:41:53.160
<v Speaker 1>minds to think super fast. And it's impressive. I've been

0:41:53.160 --> 0:41:56.680
<v Speaker 1>around it before. Um, it's it's cool man. And now

0:41:56.719 --> 0:42:01.880
<v Speaker 1>you've got uh currency in the business, which is the

0:42:01.880 --> 0:42:04.520
<v Speaker 1>hardest thing that Thanks to them, this this movie, this

0:42:04.560 --> 0:42:08.040
<v Speaker 1>movie would never even if it wasn't for um. You know,

0:42:08.719 --> 0:42:11.000
<v Speaker 1>Becky and Andy and Kiev and you am I wanting

0:42:11.040 --> 0:42:14.919
<v Speaker 1>to do it? So uh were you on? Yeah? Every

0:42:14.960 --> 0:42:19.360
<v Speaker 1>day as how that I was. It was in the

0:42:19.360 --> 0:42:22.839
<v Speaker 1>writer's room for this other show, for the show Angeline

0:42:23.040 --> 0:42:27.800
<v Speaker 1>them that's coming on Peacock once we can start shooting again. Um,

0:42:28.440 --> 0:42:30.200
<v Speaker 1>but the writer's room is in Silver like and we'd

0:42:30.239 --> 0:42:33.080
<v Speaker 1>end around four thirty and then I would hop in

0:42:33.120 --> 0:42:37.040
<v Speaker 1>my car and drive an hour to two hours up

0:42:37.040 --> 0:42:40.200
<v Speaker 1>to up to set whether it was in like Santa

0:42:40.200 --> 0:42:43.239
<v Speaker 1>Clarita or Palm Dale wherever I said was in and

0:42:44.200 --> 0:42:47.480
<v Speaker 1>finish around two or three. I am drive back to

0:42:47.600 --> 0:42:50.640
<v Speaker 1>our house, sleep for a couple of hours and then

0:42:50.760 --> 0:42:53.560
<v Speaker 1>just do that every single day. But there was there

0:42:53.640 --> 0:42:56.080
<v Speaker 1>was no world where I was going to miss um

0:42:56.160 --> 0:43:00.520
<v Speaker 1>you know, the filming of my first movie, because all

0:43:00.560 --> 0:43:03.440
<v Speaker 1>along the way and I'm still I will stand by this. Now.

0:43:03.440 --> 0:43:05.160
<v Speaker 1>It's like that could be the only movie I ever

0:43:05.360 --> 0:43:08.040
<v Speaker 1>have made, and so therefore I can't miss that. Uh

0:43:08.080 --> 0:43:10.080
<v Speaker 1>and I'll how you got to look at it? I think,

0:43:10.120 --> 0:43:13.839
<v Speaker 1>you know, uh, not take anything for granted. Um and boy,

0:43:13.960 --> 0:43:16.960
<v Speaker 1>I think this is where we say, Amanda your wife,

0:43:17.719 --> 0:43:21.000
<v Speaker 1>I'm awesome and amazing because she was. She was clearly

0:43:21.080 --> 0:43:23.560
<v Speaker 1>holding the fourth down during that time. It was it

0:43:23.600 --> 0:43:26.680
<v Speaker 1>would not have been possible if it wasn't for Amanda.

0:43:27.560 --> 0:43:28.920
<v Speaker 1>I think what we we knew that there was it

0:43:29.000 --> 0:43:30.759
<v Speaker 1>was Luckily it was a short shoot. It was only

0:43:30.800 --> 0:43:34.600
<v Speaker 1>twenty one or twenty two days shoot. Um. So like

0:43:34.680 --> 0:43:37.800
<v Speaker 1>that month though it was the month was a blur. Um,

0:43:37.840 --> 0:43:39.279
<v Speaker 1>but we all, you know, we knew it was just

0:43:39.320 --> 0:43:40.759
<v Speaker 1>a month. And then after that, I was like I

0:43:40.880 --> 0:43:44.040
<v Speaker 1>made very clear rules for myself, like when the right

0:43:44.080 --> 0:43:46.000
<v Speaker 1>of room is done at four thirty, I'm coming home.

0:43:46.080 --> 0:43:49.839
<v Speaker 1>And now it's like I'm gonna be home. H yeah. Yeah,

0:43:49.920 --> 0:43:54.080
<v Speaker 1>she she was pulling double duty, triple duty that month.

0:43:54.520 --> 0:43:58.160
<v Speaker 1>That's amazing. So cool. Uh, what's well? Can you talk

0:43:58.200 --> 0:44:00.680
<v Speaker 1>about what's next or should I just text you and

0:44:01.040 --> 0:44:07.080
<v Speaker 1>get that story privately? M. Yeah, I have. There's a

0:44:07.080 --> 0:44:10.040
<v Speaker 1>lot of things that are in varying degrees of real uh,

0:44:10.120 --> 0:44:15.040
<v Speaker 1>and nothing is like I mean because some stuff is

0:44:15.080 --> 0:44:19.160
<v Speaker 1>not like deals aren't like totally locked in yet or

0:44:19.160 --> 0:44:23.360
<v Speaker 1>whatever like there and it sounds so stupid. Let's just

0:44:23.440 --> 0:44:29.600
<v Speaker 1>let's let's text about all right. I I My main

0:44:29.600 --> 0:44:32.960
<v Speaker 1>thing is I have a show that I'm we haven't

0:44:32.960 --> 0:44:35.279
<v Speaker 1>taken out yet to networks. Just who knows, you know,

0:44:35.400 --> 0:44:40.360
<v Speaker 1>the industry is everything is um. But there there's a

0:44:40.360 --> 0:44:46.439
<v Speaker 1>show that I I wrote on Speck and then I'm

0:44:46.480 --> 0:44:49.800
<v Speaker 1>doing with Sam s Mails Company. They're the one, you know,

0:44:49.800 --> 0:44:51.680
<v Speaker 1>the guy who did like Mr. Robot and Homecoming and

0:44:52.200 --> 0:44:57.640
<v Speaker 1>UM it's it's uh, it's called their Resort And hopefully

0:44:57.160 --> 0:45:00.879
<v Speaker 1>a network wants to do that once once we take

0:45:00.880 --> 0:45:03.800
<v Speaker 1>it out. But we haven't taken that out. But the

0:45:03.840 --> 0:45:07.320
<v Speaker 1>part of the reason I pick Force Masure for today

0:45:07.440 --> 0:45:10.720
<v Speaker 1>was it was that was like a huge influence on

0:45:10.719 --> 0:45:14.440
<v Speaker 1>on this, on that script in that show. For me, Um,

0:45:14.440 --> 0:45:21.560
<v Speaker 1>this kind of yellin exploration of relationships and the people

0:45:21.600 --> 0:45:25.760
<v Speaker 1>in them. You know, yeah, that's a good segue. Um,

0:45:25.800 --> 0:45:28.160
<v Speaker 1>you picked Force Masure after some back and forth, and

0:45:28.200 --> 0:45:31.279
<v Speaker 1>this was I'm really glad you did, because this is

0:45:31.280 --> 0:45:33.239
<v Speaker 1>a movie that I had not seen and was not

0:45:33.320 --> 0:45:37.680
<v Speaker 1>on my radar other than knowing that it was recently

0:45:37.719 --> 0:45:41.240
<v Speaker 1>remade into an American version with Will Ferrell and Julie

0:45:41.280 --> 0:45:44.440
<v Speaker 1>Louis Dreyfuss is Downhill. And I think I remember just

0:45:44.480 --> 0:45:48.920
<v Speaker 1>seeing briefly like Downhill not very good. Uh, the original

0:45:49.000 --> 0:45:53.720
<v Speaker 1>much better. But boy, oh boy, did I love this movie. Dude,

0:45:54.400 --> 0:45:59.279
<v Speaker 1>I loved loved this movie. Uh. And it's it's still

0:45:59.320 --> 0:46:03.040
<v Speaker 1>in my brain and I watched it last night and it's. Um,

0:46:03.080 --> 0:46:07.600
<v Speaker 1>there's a lot going on in this movie, very subtly

0:46:07.680 --> 0:46:11.640
<v Speaker 1>sort of going on in this movie from a very

0:46:11.680 --> 0:46:16.000
<v Speaker 1>simple premise, which is if you haven't, um, if you

0:46:16.040 --> 0:46:18.200
<v Speaker 1>haven't heard of it, and you know of Downhill. It

0:46:18.280 --> 0:46:21.600
<v Speaker 1>is the movie of of a family on vacation in

0:46:21.640 --> 0:46:24.680
<v Speaker 1>the French Alps on a ski trip, and very early

0:46:24.719 --> 0:46:30.239
<v Speaker 1>in the film there is uh an avalanche controlled avalanche,

0:46:30.480 --> 0:46:34.040
<v Speaker 1>which they do at these places to keep avalanches from happening,

0:46:34.680 --> 0:46:38.160
<v Speaker 1>and uh this the family thinks that the snow and

0:46:38.360 --> 0:46:41.080
<v Speaker 1>in the avalanche is coming their way as they're dining

0:46:41.239 --> 0:46:44.600
<v Speaker 1>al Fresco out on this beautiful um scene, like a

0:46:44.640 --> 0:46:48.720
<v Speaker 1>whole movie is so gorgeous, and the dad the mom

0:46:48.840 --> 0:46:51.200
<v Speaker 1>huddles with the kids to protect them, and the dad

0:46:51.280 --> 0:46:55.120
<v Speaker 1>bolts and it's all very fast, and then the whole

0:46:55.160 --> 0:46:59.040
<v Speaker 1>rest of the movie is just sort of the repercussions

0:46:59.080 --> 0:47:02.359
<v Speaker 1>from that incident. And that's just sort of a very

0:47:02.440 --> 0:47:04.839
<v Speaker 1>surface level way to say it. It is a much

0:47:04.960 --> 0:47:08.600
<v Speaker 1>much deeper film. Yeah, it's uh, I haven't I haven't

0:47:08.600 --> 0:47:12.600
<v Speaker 1>seen Downhill yet, but I I don't want. I love

0:47:12.640 --> 0:47:15.279
<v Speaker 1>everyone involved in that movie, and I'm a huge, huge

0:47:15.280 --> 0:47:18.640
<v Speaker 1>fan of every from directors to writers to the stars.

0:47:19.040 --> 0:47:22.880
<v Speaker 1>And actually heard from you know, some other close friends,

0:47:22.960 --> 0:47:27.920
<v Speaker 1>um that you know that having watched it since Sun

0:47:28.040 --> 0:47:31.360
<v Speaker 1>Dance like that actually is it's pretty good. Um, I

0:47:31.440 --> 0:47:34.720
<v Speaker 1>just haven't visited yet, just because I watched Forest Masure,

0:47:35.520 --> 0:47:39.920
<v Speaker 1>um twice a year at least, uh, and since I

0:47:39.960 --> 0:47:42.160
<v Speaker 1>came out, I just have I don't know. It's just

0:47:43.280 --> 0:47:51.160
<v Speaker 1>this deep, unfiltered examination of like of gender roles and

0:47:51.239 --> 0:47:58.600
<v Speaker 1>masculinity and was one of the most uncomfortable yet funny

0:47:58.680 --> 0:48:00.960
<v Speaker 1>movies I I think I've ever seen. And also but

0:48:01.000 --> 0:48:04.240
<v Speaker 1>I guess, let's say I don't know everything from writing

0:48:04.239 --> 0:48:07.680
<v Speaker 1>to directing, the acting, the cinematography, the score, like top

0:48:07.719 --> 0:48:11.000
<v Speaker 1>to bottom. It's um. Yeah, And there are so many

0:48:11.080 --> 0:48:14.399
<v Speaker 1>images and scenes that are that are burned into my brain,

0:48:14.480 --> 0:48:16.880
<v Speaker 1>even just when I washed it again this week. I

0:48:16.880 --> 0:48:19.319
<v Speaker 1>I just I was just writing down, like you know,

0:48:19.719 --> 0:48:23.160
<v Speaker 1>the list of scenes that I just you know, stood

0:48:23.160 --> 0:48:25.560
<v Speaker 1>out to me or like your standouts me in the moment,

0:48:25.719 --> 0:48:27.600
<v Speaker 1>and I realized all I was doing was just writing

0:48:27.600 --> 0:48:34.399
<v Speaker 1>down every single scene I know, right, yeah, it's um.

0:48:34.440 --> 0:48:35.880
<v Speaker 1>I mean the first thing that jumped out on me

0:48:36.040 --> 0:48:40.440
<v Speaker 1>at me it was just how how much um, how

0:48:40.520 --> 0:48:44.040
<v Speaker 1>much currency the writer and director who's Reuben Oastland it's

0:48:44.040 --> 0:48:46.879
<v Speaker 1>a Swedish film, how much he gets out of just

0:48:47.719 --> 0:48:52.239
<v Speaker 1>the composition of some of his shots in these, and

0:48:52.280 --> 0:48:55.400
<v Speaker 1>how he made the ski resort into like this weird

0:48:56.120 --> 0:49:03.480
<v Speaker 1>mechanized sort of Uh. I ke a like utopia. Um,

0:49:03.680 --> 0:49:10.480
<v Speaker 1>it's like part Stanley Kubrick and part Michael Hankey. Uh.

0:49:10.640 --> 0:49:13.480
<v Speaker 1>It's it's just really remarkable how a shot of like

0:49:13.840 --> 0:49:17.200
<v Speaker 1>just them on a little conveyor belt is funny, funny

0:49:17.200 --> 0:49:19.600
<v Speaker 1>and also weirdly sort of disturbing at the same time,

0:49:19.760 --> 0:49:25.160
<v Speaker 1>so unsettling. Uh. And then like you know, the the

0:49:25.200 --> 0:49:29.600
<v Speaker 1>cannon fires of like the two have these controlled avalanches

0:49:29.640 --> 0:49:32.279
<v Speaker 1>that like, you know, it's constantly going on. And he

0:49:32.360 --> 0:49:35.040
<v Speaker 1>talked about it being it's like the war zone of marriage.

0:49:35.680 --> 0:49:38.600
<v Speaker 1>Um uh, and that just yeah, it's it's like a

0:49:38.640 --> 0:49:42.520
<v Speaker 1>it's a weird war movie to a point as well. Uh,

0:49:42.560 --> 0:49:46.000
<v Speaker 1>it really is, um And he he uses sound a

0:49:46.000 --> 0:49:48.719
<v Speaker 1>lot to his advantage, whether it's those cannon fires or

0:49:49.360 --> 0:49:52.239
<v Speaker 1>or the family when they're brushing their teeth with the

0:49:52.280 --> 0:49:57.040
<v Speaker 1>tooth the electric tooth mechanical toothbrushes that sound like you know,

0:49:57.120 --> 0:50:01.160
<v Speaker 1>buzz saws in their mouths. Uh. There's there's nothing accidental

0:50:01.200 --> 0:50:04.080
<v Speaker 1>in this movie. I feel like every single thing has

0:50:04.200 --> 0:50:08.960
<v Speaker 1>such purpose. Yeah, whether it's a prop or a camera

0:50:09.000 --> 0:50:13.040
<v Speaker 1>angle or or anything, it's so purposeful and intentions. Yeah,

0:50:13.160 --> 0:50:19.360
<v Speaker 1>there's a remember I saw this before I saw scenes

0:50:19.400 --> 0:50:21.360
<v Speaker 1>from a marriage. Have you seen scenes from a marriage?

0:50:22.040 --> 0:50:26.840
<v Speaker 1>Bergman's um oh yeah. And I didn't realize like the opening,

0:50:27.200 --> 0:50:28.680
<v Speaker 1>I don't know if this was intentional or if this

0:50:28.760 --> 0:50:31.560
<v Speaker 1>was just like a happy accident, but you know both.

0:50:32.360 --> 0:50:35.839
<v Speaker 1>That's kind of similar filmmakers to a point. I guess. Uh,

0:50:36.040 --> 0:50:38.680
<v Speaker 1>that's the first scene for this, it's it's the family

0:50:38.800 --> 0:50:41.960
<v Speaker 1>being having their their photo taken. This kind of like

0:50:42.960 --> 0:50:46.040
<v Speaker 1>you know the picture perfect family that we that he

0:50:46.160 --> 0:50:48.520
<v Speaker 1>deconstructs and the same that's the same thing in scenes

0:50:48.560 --> 0:50:51.400
<v Speaker 1>from a marriage. It's the family having their photo taken.

0:50:51.760 --> 0:50:55.400
<v Speaker 1>And uh and how just like one single shot of

0:50:55.400 --> 0:50:59.520
<v Speaker 1>of a and hearing an off and off screen photographer

0:50:59.640 --> 0:51:03.160
<v Speaker 1>give instructions on like on you know, basically make it

0:51:03.160 --> 0:51:06.360
<v Speaker 1>look like you like each other. Um, it's just so uncomfortable.

0:51:06.400 --> 0:51:08.759
<v Speaker 1>And they did the same thing and transparent. I think

0:51:08.760 --> 0:51:11.640
<v Speaker 1>it was maybe top of season two or season three. Um,

0:51:11.760 --> 0:51:15.600
<v Speaker 1>but opening with like this or having just one long

0:51:15.719 --> 0:51:21.040
<v Speaker 1>like photo taking scene, um, which that's doing the same

0:51:21.080 --> 0:51:22.839
<v Speaker 1>thing for that with that show that I mentioned. It's

0:51:22.880 --> 0:51:25.560
<v Speaker 1>just that, like you can tell so much, there's there's

0:51:25.560 --> 0:51:27.640
<v Speaker 1>so much subtext and when he let the camera just

0:51:27.640 --> 0:51:30.880
<v Speaker 1>sit there and and if you have performers that understand

0:51:30.920 --> 0:51:33.040
<v Speaker 1>these things like like what what they're going for on

0:51:33.160 --> 0:51:37.640
<v Speaker 1>like a deep level, Um, I don't know, it's it.

0:51:36.680 --> 0:51:42.600
<v Speaker 1>It communicates so much more than some fancy editing or

0:51:42.719 --> 0:51:48.359
<v Speaker 1>writing can communicate. Yeah, he really um he really lets

0:51:48.400 --> 0:51:50.480
<v Speaker 1>that cameras sit there a lot and there are a

0:51:50.560 --> 0:51:55.080
<v Speaker 1>lot of really long unbroken takes. Um that you don't

0:51:55.080 --> 0:51:58.440
<v Speaker 1>even realize until you're three minutes into it. You're like,

0:51:58.480 --> 0:51:59.960
<v Speaker 1>wait a minute, I don't I don't even think there's

0:52:00.000 --> 0:52:02.400
<v Speaker 1>in a cut or an edit. And then you rewind

0:52:02.400 --> 0:52:03.840
<v Speaker 1>and go back and you're like, Yeah, that camera's just

0:52:03.880 --> 0:52:08.320
<v Speaker 1>sitting there. And the composition sometimes is he'll cut people

0:52:08.320 --> 0:52:10.920
<v Speaker 1>off at the neck, uh, and what is in the

0:52:10.960 --> 0:52:13.319
<v Speaker 1>frame is sort of interesting. But someone will walk in

0:52:14.239 --> 0:52:17.439
<v Speaker 1>and uh and they'll just be They'll be framed from

0:52:17.440 --> 0:52:20.520
<v Speaker 1>like the neck down as a major part of the scene,

0:52:20.520 --> 0:52:23.040
<v Speaker 1>and Uh, it's just I don't know, it's a very

0:52:23.040 --> 0:52:26.359
<v Speaker 1>ballsy filmmaking anything. Now. I don't know if you've seen

0:52:26.400 --> 0:52:29.960
<v Speaker 1>The Square his follow up, and then, Uh, I'm dying too.

0:52:29.960 --> 0:52:32.879
<v Speaker 1>I saw the trailer after this week, and I think

0:52:32.920 --> 0:52:38.040
<v Speaker 1>that he I'm the most excited about him as a

0:52:38.040 --> 0:52:41.799
<v Speaker 1>filmmaker that I think I've been about anybody. I think

0:52:41.880 --> 0:52:46.520
<v Speaker 1>since I saw Boomy Nights, um, which is it's his

0:52:47.000 --> 0:52:49.239
<v Speaker 1>nuts and I his his next movie just also just

0:52:49.239 --> 0:52:53.799
<v Speaker 1>sounds incredible to um that, yeah, the same him. And

0:52:53.840 --> 0:52:58.000
<v Speaker 1>then the guy that did the lobster and killing him

0:52:58.000 --> 0:53:02.600
<v Speaker 1>a sacred deer what's his name? Your ghost? Uh? Yeah,

0:53:02.920 --> 0:53:05.040
<v Speaker 1>they for some reason, they sort of remind me of

0:53:05.040 --> 0:53:08.200
<v Speaker 1>each other. The films aren't the same, but just really

0:53:08.239 --> 0:53:11.600
<v Speaker 1>really unique points of view. I think from both of

0:53:11.640 --> 0:53:15.080
<v Speaker 1>those guys. It's interesting because like and when I when

0:53:15.120 --> 0:53:18.080
<v Speaker 1>I saw this and it hit me, it was it

0:53:18.120 --> 0:53:20.520
<v Speaker 1>was back at film school and it was um at

0:53:20.520 --> 0:53:23.160
<v Speaker 1>back at A five came out. I think it and

0:53:23.280 --> 0:53:28.400
<v Speaker 1>uh are we at this? A world cinema professor teacher

0:53:29.000 --> 0:53:32.040
<v Speaker 1>um he had recommended it, so I watched it and

0:53:32.160 --> 0:53:33.719
<v Speaker 1>end up writing a paper on it back then. But

0:53:33.840 --> 0:53:36.880
<v Speaker 1>it immediately hit me and sunk his teeth, and I

0:53:36.880 --> 0:53:38.480
<v Speaker 1>think and it was right around the same time that

0:53:39.040 --> 0:53:42.200
<v Speaker 1>UM that movie We are the best, uh the about

0:53:42.239 --> 0:53:47.000
<v Speaker 1>the Swedish um punk rock teens. Uh, these these teenage

0:53:47.040 --> 0:53:52.360
<v Speaker 1>teenagers that started punk band. Um, it's also incredible. Uh.

0:53:52.400 --> 0:53:54.000
<v Speaker 1>And then I started getting the more like more in

0:53:54.080 --> 0:53:56.880
<v Speaker 1>a Bergman. And then I've realized like one of my

0:53:56.960 --> 0:53:59.319
<v Speaker 1>the big bands from my childhood that I loved was

0:54:00.480 --> 0:54:05.240
<v Speaker 1>refused and and then they became international noise conspiracy. Uh.

0:54:05.280 --> 0:54:08.880
<v Speaker 1>And I think as part of also Swedish, I started

0:54:08.920 --> 0:54:13.160
<v Speaker 1>thinking like, do I have some some sweet Swedish blood

0:54:13.160 --> 0:54:16.920
<v Speaker 1>in me? Because like I I get these on a

0:54:17.719 --> 0:54:19.880
<v Speaker 1>I get the point of view on a on a

0:54:19.920 --> 0:54:27.560
<v Speaker 1>deeper level than I do for most most you know, artist, creators, filmmakers. Um, yeah,

0:54:27.640 --> 0:54:30.640
<v Speaker 1>and yeah, it's it's it's, it's it holds this movie

0:54:31.000 --> 0:54:36.360
<v Speaker 1>holds up a weird but very honest mirror, um to

0:54:37.120 --> 0:54:42.040
<v Speaker 1>you know yourself, then to society. I think, so, I mean,

0:54:42.239 --> 0:54:46.360
<v Speaker 1>it's um, there's a lot like you mentioned earlier, and

0:54:46.400 --> 0:54:48.200
<v Speaker 1>I had the same exact note, like, there's so much

0:54:48.200 --> 0:54:52.520
<v Speaker 1>about gender roles and your role in the marriage and masculinity,

0:54:52.560 --> 0:54:55.200
<v Speaker 1>and a lot of this movie is about the just

0:54:55.239 --> 0:54:58.600
<v Speaker 1>sort of the fracturing of the male ego, especially with

0:54:58.719 --> 0:55:03.320
<v Speaker 1>the main character. And it's, uh, it's all just so subtle.

0:55:03.400 --> 0:55:05.360
<v Speaker 1>Like I think, I don't want to see the American

0:55:05.440 --> 0:55:07.280
<v Speaker 1>version because I know it's not going to be subtle.

0:55:07.560 --> 0:55:09.520
<v Speaker 1>I can tell from watching the trailer it's not subtle.

0:55:10.239 --> 0:55:13.120
<v Speaker 1>But there are so many uh, like the scene, for instance,

0:55:14.120 --> 0:55:17.319
<v Speaker 1>masterful scene is when that camera's locked down, and this

0:55:17.360 --> 0:55:20.920
<v Speaker 1>is after this guy's feeling shit like shit about himself

0:55:20.960 --> 0:55:24.440
<v Speaker 1>for you know, a not doing the right thing and

0:55:24.480 --> 0:55:27.200
<v Speaker 1>be lying about it and saying like no, that's not

0:55:27.239 --> 0:55:29.880
<v Speaker 1>what happened the whole time, still not owning up to

0:55:29.960 --> 0:55:35.200
<v Speaker 1>it and uh, go skiing with his buddy, the dude

0:55:35.200 --> 0:55:37.480
<v Speaker 1>from Game of Thrones and does some primal screen therapy

0:55:37.560 --> 0:55:39.160
<v Speaker 1>up there, and then they go back and they're having

0:55:39.200 --> 0:55:41.960
<v Speaker 1>a beer at the ski lodge or whatever, and that

0:55:42.040 --> 0:55:44.000
<v Speaker 1>woman comes up it's one of my favorite scenes in

0:55:44.040 --> 0:55:46.560
<v Speaker 1>the movie and says, you know, my friend thinks you're

0:55:46.560 --> 0:55:50.080
<v Speaker 1>the best most best looking guy at the bar, and

0:55:50.280 --> 0:55:52.600
<v Speaker 1>uh he you can see him start to feel good

0:55:52.640 --> 0:55:55.520
<v Speaker 1>about himself and sort of he sort of laughs. And

0:55:55.560 --> 0:55:57.360
<v Speaker 1>then they sit in that for like a minute and

0:55:57.480 --> 0:56:02.080
<v Speaker 1>she comes back and just eviscerates him, but not even purposely.

0:56:02.160 --> 0:56:04.640
<v Speaker 1>She's just like, I'm sorry, I was mistaken. She was

0:56:04.680 --> 0:56:08.720
<v Speaker 1>talking about somebody and you just watched like there this

0:56:08.719 --> 0:56:11.799
<v Speaker 1>this sense of the brain. I know the exactly it's

0:56:11.920 --> 0:56:14.520
<v Speaker 1>it's exact time that it's exactly a three minute long

0:56:14.560 --> 0:56:20.080
<v Speaker 1>shot too. It's three minutes and if this yeah, this

0:56:20.200 --> 0:56:23.919
<v Speaker 1>long pushing. Um and I I had like a movie

0:56:23.920 --> 0:56:26.880
<v Speaker 1>club with some friends. Um that every time every before

0:56:26.880 --> 0:56:29.520
<v Speaker 1>we like watch a movie, we sometimes like show our

0:56:29.560 --> 0:56:32.279
<v Speaker 1>favorite scene from another movie. And I've that that's the

0:56:32.280 --> 0:56:35.239
<v Speaker 1>scene that I showed them, because it still is like

0:56:35.280 --> 0:56:39.480
<v Speaker 1>it's burned into my brain. Um. With that that that song,

0:56:39.600 --> 0:56:46.520
<v Speaker 1>that m song really really uh well, and not only

0:56:46.560 --> 0:56:48.160
<v Speaker 1>like that would have been enough in that scene, I

0:56:48.200 --> 0:56:50.359
<v Speaker 1>think was just that happening. And then they come back

0:56:50.400 --> 0:56:52.720
<v Speaker 1>and apologize and you just see he's just like feeling

0:56:52.719 --> 0:56:55.239
<v Speaker 1>bad again. But then they had that little cherry on

0:56:55.320 --> 0:56:58.279
<v Speaker 1>top at the end when this other guy comes up

0:56:58.320 --> 0:57:00.200
<v Speaker 1>and starts to sort of pick a fight with them,

0:57:00.239 --> 0:57:02.840
<v Speaker 1>because I guess they think I read it as I

0:57:02.880 --> 0:57:05.040
<v Speaker 1>guess he thinks that they're starting ship with these ladies,

0:57:05.280 --> 0:57:06.880
<v Speaker 1>because he was kind of like, how you messing with us,

0:57:06.920 --> 0:57:09.799
<v Speaker 1>you're working around with us, and it and just that

0:57:09.920 --> 0:57:13.000
<v Speaker 1>extra little bit about guys that get in fights, and

0:57:13.000 --> 0:57:15.080
<v Speaker 1>they didn't get in a fight, but it was all

0:57:15.120 --> 0:57:19.000
<v Speaker 1>just so real and like you feel dirty, like you're

0:57:19.040 --> 0:57:22.360
<v Speaker 1>just eavesdropping like a voyeur or something on this on

0:57:22.400 --> 0:57:27.360
<v Speaker 1>this guy's life. But I also like, it seems there's

0:57:27.440 --> 0:57:33.720
<v Speaker 1>so many people like that, and I I think, what

0:57:33.840 --> 0:57:35.800
<v Speaker 1>what is I think another just brilliant thing about the

0:57:35.800 --> 0:57:37.600
<v Speaker 1>movie is that that the very next scene like that,

0:57:37.600 --> 0:57:40.240
<v Speaker 1>that's when you know, you know, this this cracking of

0:57:40.280 --> 0:57:44.640
<v Speaker 1>this male ego really starts to it. It's really pronounced.

0:57:44.640 --> 0:57:46.720
<v Speaker 1>In the next scene is when he's locked out and

0:57:46.760 --> 0:57:50.720
<v Speaker 1>then he goes wandering and there's just that this like

0:57:51.320 --> 0:57:53.320
<v Speaker 1>the running of the bulls in a way, just of

0:57:53.480 --> 0:57:58.000
<v Speaker 1>these verse and then it cuts that scene of just

0:57:58.080 --> 0:58:00.720
<v Speaker 1>like you, they're in a up or in a tent.

0:58:00.840 --> 0:58:04.080
<v Speaker 1>I don't know, but all these shirtless men just screaming

0:58:04.120 --> 0:58:07.960
<v Speaker 1>and chugging beers and like roaring like just gross Neanderthal

0:58:08.000 --> 0:58:11.840
<v Speaker 1>men uh and vomiting uh. And he's kind of lost

0:58:11.880 --> 0:58:15.360
<v Speaker 1>in there. It's it's just it's so disturbing and funny

0:58:15.440 --> 0:58:17.840
<v Speaker 1>and and I love how he runs away at the

0:58:17.880 --> 0:58:21.240
<v Speaker 1>beginning when they're coming out. It's like it was another

0:58:21.240 --> 0:58:26.120
<v Speaker 1>avalanche exactly. I don't know, it's it's it's and I mean,

0:58:26.160 --> 0:58:28.439
<v Speaker 1>for if you know, for Palm Springs, Max had made

0:58:28.480 --> 0:58:32.080
<v Speaker 1>this um it's kind of sizzle reel like to kind

0:58:32.080 --> 0:58:36.400
<v Speaker 1>of almost almost like just to prove his his idea

0:58:36.440 --> 0:58:38.400
<v Speaker 1>for the movie in a way and just taking a

0:58:38.400 --> 0:58:42.400
<v Speaker 1>bunch of clips from other movies, um, sicking health. I

0:58:42.400 --> 0:58:45.080
<v Speaker 1>don't know capture the feeling we want in Palm Springs.

0:58:45.560 --> 0:58:47.560
<v Speaker 1>But one one brief shot and that says a real

0:58:47.680 --> 0:58:53.040
<v Speaker 1>is when Thomas the man guy is is crying like

0:58:53.120 --> 0:58:58.760
<v Speaker 1>that that real, true, ugly guttural cry. Uh. When he's like,

0:58:58.880 --> 0:59:01.800
<v Speaker 1>first he's like, it's the the he's not really crying,

0:59:01.800 --> 0:59:03.640
<v Speaker 1>and she calls him out. Then I think it's true

0:59:03.680 --> 0:59:06.000
<v Speaker 1>that yeah, but then I think that like it really

0:59:06.040 --> 0:59:11.760
<v Speaker 1>just he just, I don't know, crumbles uh after that,

0:59:11.880 --> 0:59:14.680
<v Speaker 1>and I don't know, it's it's that whole I don't

0:59:14.680 --> 0:59:18.560
<v Speaker 1>think the pretty much that whole run from when the

0:59:18.600 --> 0:59:21.240
<v Speaker 1>scene that you just talked about where you know they're

0:59:21.400 --> 0:59:26.600
<v Speaker 1>they're fragile, male Ego is attacked to him on the

0:59:26.640 --> 0:59:31.600
<v Speaker 1>ground in back in their hotel room, crying and his

0:59:31.600 --> 0:59:33.360
<v Speaker 1>wife doesn't even know what to do with them anymore.

0:59:33.360 --> 0:59:36.720
<v Speaker 1>And then the kids come up seeing that, seeing their dad,

0:59:36.760 --> 0:59:39.920
<v Speaker 1>and like I go, I go from laughing to feelings

0:59:40.280 --> 0:59:43.160
<v Speaker 1>feeling so uncomfortable too. I was like in watching it

0:59:43.200 --> 0:59:46.120
<v Speaker 1>again last night, I was I was crying, and I think,

0:59:46.920 --> 0:59:51.160
<v Speaker 1>you know, having a I'd imagine, you know Ramona like

0:59:51.200 --> 0:59:56.160
<v Speaker 1>sometimes I'll Romona, but she doesn't like that at all. Uh,

0:59:56.240 --> 0:59:59.880
<v Speaker 1>And having you know, just to see your father like that,

1:00:00.240 --> 1:00:04.120
<v Speaker 1>like this, this crumbling, blubbering mess. It's it was seen

1:00:04.160 --> 1:00:08.200
<v Speaker 1>as brutal, so heartbreaking, and then the daughter yelling at

1:00:08.200 --> 1:00:11.600
<v Speaker 1>the mom like come on, oh god, that scene is

1:00:11.640 --> 1:00:15.040
<v Speaker 1>so brutal because the mom knows and we should just

1:00:15.080 --> 1:00:18.320
<v Speaker 1>say Lisa Lovan Congsley, who plays the wife, is just

1:00:18.440 --> 1:00:22.480
<v Speaker 1>fucking amazing in this movie. Um, But in that moment,

1:00:22.600 --> 1:00:26.920
<v Speaker 1>she she has built up this whole movie as the

1:00:26.960 --> 1:00:30.560
<v Speaker 1>most important thing to her is her kids and she

1:00:30.600 --> 1:00:32.520
<v Speaker 1>doesn't have to be the perfect mom. She's not saying

1:00:32.560 --> 1:00:35.120
<v Speaker 1>she's a perfect mom, but that is her priority and

1:00:35.160 --> 1:00:36.920
<v Speaker 1>that's the thing that she cares about the most. That's

1:00:36.920 --> 1:00:41.280
<v Speaker 1>why she protects them during the would be avalanche. She's incensed.

1:00:41.440 --> 1:00:44.440
<v Speaker 1>They're her friend who is out sort of having flings

1:00:44.480 --> 1:00:46.720
<v Speaker 1>and leaving her kids at home and like doing for herself.

1:00:47.040 --> 1:00:49.280
<v Speaker 1>She just can't, like I think she's sort of jealous,

1:00:49.280 --> 1:00:51.840
<v Speaker 1>but she can't even process that. But in that moment

1:00:51.880 --> 1:00:55.000
<v Speaker 1>when he is crumbled and the kids are screaming for her,

1:00:56.520 --> 1:01:00.680
<v Speaker 1>she she sort of hates him right then, but she

1:01:00.800 --> 1:01:03.600
<v Speaker 1>knows that she has to go over there and comfort

1:01:03.760 --> 1:01:06.360
<v Speaker 1>them for the sake of those kids. And it's just

1:01:06.400 --> 1:01:09.280
<v Speaker 1>so real. I think, like, I think we've all been

1:01:09.280 --> 1:01:12.280
<v Speaker 1>in moments like this, especially when you're married and when

1:01:12.280 --> 1:01:17.560
<v Speaker 1>you have kids, uh, where you know that you have

1:01:17.680 --> 1:01:19.480
<v Speaker 1>to do the right thing, but it's so hard to

1:01:20.040 --> 1:01:23.080
<v Speaker 1>like you have to get over yourself so much as

1:01:23.080 --> 1:01:26.080
<v Speaker 1>a as a spouse and as a bearance. Yeah, and

1:01:26.120 --> 1:01:28.880
<v Speaker 1>I think that that's it's done so beautifully in the

1:01:28.920 --> 1:01:31.960
<v Speaker 1>scene that follows, when like they go up on that

1:01:32.520 --> 1:01:36.360
<v Speaker 1>on that ski run um and it's a you know,

1:01:36.400 --> 1:01:39.520
<v Speaker 1>it's really snowy up there, and yeah, you could you

1:01:39.560 --> 1:01:42.160
<v Speaker 1>just totally tell that, like she knows they have to

1:01:42.200 --> 1:01:45.520
<v Speaker 1>put on this like performance in a way so that

1:01:45.560 --> 1:01:48.560
<v Speaker 1>the kids can feel protected by their father again to

1:01:48.680 --> 1:01:52.360
<v Speaker 1>like I don't know, reinforce those those gender roles, like

1:01:52.880 --> 1:01:57.480
<v Speaker 1>the father being the protector and so you know mother, Uh,

1:01:57.520 --> 1:02:00.560
<v Speaker 1>the mom she pretends that she's you know, either hurt

1:02:00.720 --> 1:02:03.960
<v Speaker 1>or lost. Dad has to go, so she is she

1:02:04.080 --> 1:02:07.720
<v Speaker 1>pretending Is that what happened there? I'm I'm fairly sure

1:02:07.840 --> 1:02:12.920
<v Speaker 1>because it's after this like triumphant heroic moment of the

1:02:13.000 --> 1:02:16.240
<v Speaker 1>dad carrying her back to the kids and the kids

1:02:16.240 --> 1:02:19.760
<v Speaker 1>are and then like the music is crescendo ng, and

1:02:19.760 --> 1:02:22.200
<v Speaker 1>then the music stops and then she just gets up

1:02:22.360 --> 1:02:24.440
<v Speaker 1>and walks back to go get her skis. So she did.

1:02:24.520 --> 1:02:27.480
<v Speaker 1>She didn't she didn't need to be carried obviously. Uh,

1:02:27.520 --> 1:02:30.439
<v Speaker 1>it was just like two so the kids don't don't

1:02:30.480 --> 1:02:34.120
<v Speaker 1>think their dad is is you know, worthless? Uh, And

1:02:35.000 --> 1:02:42.320
<v Speaker 1>I don't know it's having having I love my parents

1:02:42.720 --> 1:02:50.480
<v Speaker 1>so much, and they've been incredibly supportive of my pursuit of, um,

1:02:50.520 --> 1:02:52.640
<v Speaker 1>not doing what you're supposed to be doing, but not

1:02:52.760 --> 1:02:56.640
<v Speaker 1>doing this the straight narrow job, UM, not doing the

1:02:56.680 --> 1:02:58.840
<v Speaker 1>responsible job, just kind of going after these you know,

1:02:58.960 --> 1:03:00.600
<v Speaker 1>be it in a rock and roll band or be

1:03:01.680 --> 1:03:06.120
<v Speaker 1>chasing this you know, this dream to make movies or

1:03:06.160 --> 1:03:08.480
<v Speaker 1>TV shows or whatever. They've been incredibly supportive. But I

1:03:08.480 --> 1:03:13.480
<v Speaker 1>remember very clearly when I was I. I was in

1:03:13.520 --> 1:03:17.360
<v Speaker 1>wrestling in high school. I uh, I got the coaches Award.

1:03:17.800 --> 1:03:20.800
<v Speaker 1>I was I lettered varsity like the end of my sect.

1:03:20.840 --> 1:03:23.080
<v Speaker 1>My sophomore year. It was. It wasn't on like normal

1:03:23.120 --> 1:03:24.880
<v Speaker 1>varsity team, but I would have been on varsity and

1:03:25.040 --> 1:03:28.800
<v Speaker 1>junior year, but I played some varsity tournaments and we

1:03:28.800 --> 1:03:31.640
<v Speaker 1>had there was the wrestling banquet and one of the

1:03:31.920 --> 1:03:34.560
<v Speaker 1>coach gave this big, long speech about like this this

1:03:34.680 --> 1:03:38.120
<v Speaker 1>wrestler that has just like that's made him so proud

1:03:38.200 --> 1:03:41.080
<v Speaker 1>and just like this good character. And then at the

1:03:41.080 --> 1:03:43.880
<v Speaker 1>and he's like, and that's that's Andy Sarra. And I

1:03:43.880 --> 1:03:47.480
<v Speaker 1>got the Coaches Award, and my dad's crying his eyes out, um,

1:03:47.680 --> 1:03:50.240
<v Speaker 1>but so proud of me and that I got the

1:03:50.240 --> 1:03:54.000
<v Speaker 1>Coaches Award. And I'm like, you know, I'm very that's

1:03:54.000 --> 1:03:57.680
<v Speaker 1>a manly, manly sport. And then the next day I

1:03:57.720 --> 1:04:00.160
<v Speaker 1>tell him like, yeah, I'm gonna quit wrestling, so can

1:04:00.160 --> 1:04:05.760
<v Speaker 1>go join Video Yearbook? Um, And I think I think

1:04:05.800 --> 1:04:08.160
<v Speaker 1>I it crushed him and he I mean he even

1:04:08.200 --> 1:04:12.040
<v Speaker 1>offered to buy me a new Um Gibson Les Paul

1:04:12.720 --> 1:04:15.560
<v Speaker 1>to keep if I would stay in wrestling. But that's

1:04:15.560 --> 1:04:18.640
<v Speaker 1>the thing is I just like I have never been

1:04:18.720 --> 1:04:24.600
<v Speaker 1>one too um you know, be into sports really or

1:04:24.680 --> 1:04:28.040
<v Speaker 1>be naturally gifted at that. I've always I've always drifted

1:04:28.080 --> 1:04:32.240
<v Speaker 1>more in the like let's get weird realm um. And

1:04:32.280 --> 1:04:34.320
<v Speaker 1>I always I wanted to, you know. And the reason

1:04:34.320 --> 1:04:36.640
<v Speaker 1>I wanted to join Video Yearbooks because they had these

1:04:36.720 --> 1:04:38.600
<v Speaker 1>nicer cameras too that I can go, you can I

1:04:38.640 --> 1:04:43.520
<v Speaker 1>can check out. Um. But why why I wasn't even

1:04:43.520 --> 1:04:45.480
<v Speaker 1>going down that path. But what I feel like I

1:04:45.520 --> 1:04:47.520
<v Speaker 1>had I've had a point to make, I think, but

1:04:47.600 --> 1:04:50.320
<v Speaker 1>I lost that point. Um. Something happened to do with

1:04:50.400 --> 1:04:55.560
<v Speaker 1>like reinforcing that that hole of like you know, the

1:04:55.880 --> 1:05:01.320
<v Speaker 1>masculine man. And I'm hoping that the you know, yeah,

1:05:01.600 --> 1:05:06.440
<v Speaker 1>you know. Uh he recommended this book about like this

1:05:07.240 --> 1:05:11.480
<v Speaker 1>memoir about like toxic masculinity and stuff. And I think

1:05:11.480 --> 1:05:13.760
<v Speaker 1>that like, uh and I just I'll try to find

1:05:13.760 --> 1:05:16.600
<v Speaker 1>it before we and um to tell you what it is.

1:05:17.200 --> 1:05:19.680
<v Speaker 1>But it's it's great because it's like it talks that

1:05:19.760 --> 1:05:24.000
<v Speaker 1>this guy talks about how uh his dad who is

1:05:24.120 --> 1:05:30.600
<v Speaker 1>like this always you know, very masculine man um at

1:05:30.600 --> 1:05:33.240
<v Speaker 1>the end of his life he is he basically said, like,

1:05:33.560 --> 1:05:36.600
<v Speaker 1>if you can change one thing, it's like he wouldn't

1:05:36.600 --> 1:05:38.520
<v Speaker 1>he wouldn't want to care, he wouldn't care about that

1:05:39.240 --> 1:05:43.360
<v Speaker 1>being that masculine man as much is it's just so

1:05:43.640 --> 1:05:47.120
<v Speaker 1>so not important at all. It's so it's so stupid,

1:05:47.160 --> 1:05:51.280
<v Speaker 1>and I think it's it's the reason we have. It's

1:05:51.320 --> 1:05:53.000
<v Speaker 1>one of the reasons we are in the situation, the

1:05:53.000 --> 1:05:55.040
<v Speaker 1>shitty situation that we are in is because of this,

1:05:55.200 --> 1:05:59.960
<v Speaker 1>like of all the stuff that that Ruben Oslin kind

1:06:00.040 --> 1:06:03.720
<v Speaker 1>of explorers in this from like the roaring drunk shirtless

1:06:03.760 --> 1:06:07.000
<v Speaker 1>men to like this did the the need to kind

1:06:07.040 --> 1:06:08.880
<v Speaker 1>of like you know, when when you when you're even

1:06:08.960 --> 1:06:12.080
<v Speaker 1>when you're attacked like that the the long three minute shot.

1:06:12.080 --> 1:06:13.760
<v Speaker 1>When you feel like your ego is is attacked, you

1:06:13.800 --> 1:06:16.640
<v Speaker 1>have to, like you you you stand up for it.

1:06:17.960 --> 1:06:23.160
<v Speaker 1>Or when I found it so incredibly fascinating when the

1:06:23.280 --> 1:06:29.200
<v Speaker 1>multiple times when Thomas lies, when when Ebba she she

1:06:29.320 --> 1:06:32.320
<v Speaker 1>shares the story and he's like, that's that's your version

1:06:32.320 --> 1:06:35.920
<v Speaker 1>of events, that's not what happened, Like you're allowed to

1:06:35.920 --> 1:06:38.800
<v Speaker 1>have two different versions of events. And then she's she's

1:06:38.800 --> 1:06:40.800
<v Speaker 1>just like, well it's on it's on your phone though,

1:06:41.200 --> 1:06:44.200
<v Speaker 1>so well let's watch you see you see it on

1:06:44.200 --> 1:06:47.360
<v Speaker 1>his face. It's it's like it's a it's a shameful

1:06:47.440 --> 1:06:51.120
<v Speaker 1>man that is being caught. And I like, it's it's

1:06:51.160 --> 1:06:55.320
<v Speaker 1>so so powerful yet but even it's it's the instinct

1:06:55.360 --> 1:06:57.959
<v Speaker 1>of his of the of the Game of Thrones guy

1:06:58.320 --> 1:07:03.000
<v Speaker 1>um Matt's uh to still defend him, to still like

1:07:03.080 --> 1:07:05.760
<v Speaker 1>to still defend his his bro in a way. And

1:07:05.800 --> 1:07:08.280
<v Speaker 1>I think and that's where like you see this this

1:07:08.400 --> 1:07:14.920
<v Speaker 1>crazy snowball effect of just you know, just just people

1:07:14.960 --> 1:07:18.360
<v Speaker 1>are flawed, and I think I acknowledge that, I think

1:07:18.440 --> 1:07:20.440
<v Speaker 1>people we need to acknowledge that people are so so

1:07:20.520 --> 1:07:24.760
<v Speaker 1>flawed and and try to like fight against these these

1:07:24.840 --> 1:07:27.840
<v Speaker 1>natural instincts. Uh. And I think that's what the of

1:07:27.880 --> 1:07:30.680
<v Speaker 1>this movie just really highlights all of that to me.

1:07:31.240 --> 1:07:35.480
<v Speaker 1>And so in so many moments, big, big and small. Uh.

1:07:35.800 --> 1:07:38.600
<v Speaker 1>And I think, you know, it highlights that I think

1:07:38.640 --> 1:07:53.600
<v Speaker 1>a lot of men are just you know, less evolved creatures. Yeah.

1:07:53.600 --> 1:07:55.360
<v Speaker 1>Another part that I want to talk about, one of

1:07:55.360 --> 1:07:58.800
<v Speaker 1>my favorite scenes was when h And another part that

1:07:58.920 --> 1:08:03.560
<v Speaker 1>was so sort of instructive as to be able to

1:08:03.560 --> 1:08:07.560
<v Speaker 1>make such a subtle scene works so well as you know,

1:08:07.760 --> 1:08:10.880
<v Speaker 1>people that write movies and stuff. It's such a lesson

1:08:11.240 --> 1:08:14.960
<v Speaker 1>in that is when she goes off skiing by herself.

1:08:15.520 --> 1:08:17.479
<v Speaker 1>She wants to have like a day on the slopes,

1:08:18.400 --> 1:08:21.720
<v Speaker 1>and she's in the woods and she's peeing, and she

1:08:21.800 --> 1:08:23.799
<v Speaker 1>kind of gets away from everyone. There's no one around.

1:08:24.000 --> 1:08:26.680
<v Speaker 1>She you know, takes off her little ski suit and

1:08:26.720 --> 1:08:29.040
<v Speaker 1>she's sort of squatting down and peeing, and she sees

1:08:30.520 --> 1:08:33.280
<v Speaker 1>sort of hears first and then sees her family kind

1:08:33.280 --> 1:08:37.280
<v Speaker 1>of throw the trees out there and doesn't like, doesn't

1:08:37.280 --> 1:08:42.000
<v Speaker 1>say anything, and they're right there, and it's just I

1:08:42.000 --> 1:08:44.479
<v Speaker 1>thought that was such a powerful scene and so simple

1:08:45.160 --> 1:08:48.400
<v Speaker 1>that she's just sort of in the woods behind them

1:08:48.640 --> 1:08:51.360
<v Speaker 1>and she could go join them, and and so much

1:08:51.360 --> 1:08:53.559
<v Speaker 1>of the movie is about her struggle with her as

1:08:53.600 --> 1:08:58.479
<v Speaker 1>a parent, um and as a mother, and uh, I

1:08:58.520 --> 1:09:01.519
<v Speaker 1>just I just love that scene. So simple, but it's

1:09:01.640 --> 1:09:06.639
<v Speaker 1>it's uh, it's funny because this time around, I actually wondered.

1:09:07.040 --> 1:09:11.320
<v Speaker 1>It's not not to get crass, but was she taking

1:09:11.320 --> 1:09:17.360
<v Speaker 1>a ship this? I always thought she was peeing before,

1:09:17.400 --> 1:09:20.200
<v Speaker 1>but I think that this time when watching, I think

1:09:20.439 --> 1:09:23.320
<v Speaker 1>I think she might have been, uh, might have been

1:09:23.600 --> 1:09:27.840
<v Speaker 1>going number two? What do you think that? Because it

1:09:27.960 --> 1:09:29.920
<v Speaker 1>was this, it was the way that she was breathing,

1:09:30.400 --> 1:09:34.040
<v Speaker 1>and there was and I thought I heard maybe like

1:09:34.040 --> 1:09:37.439
<v Speaker 1>there's some slight sound effects in there. Um. And and

1:09:37.479 --> 1:09:41.559
<v Speaker 1>because it's it's a longer like she's she's squatting there

1:09:41.600 --> 1:09:45.920
<v Speaker 1>for a while. Um, I don't know. It's it doesn't

1:09:45.960 --> 1:09:48.120
<v Speaker 1>it doesn't change the beauty of the scene at all.

1:09:48.160 --> 1:09:50.760
<v Speaker 1>But I didn't notice it. This is the first time

1:09:50.760 --> 1:09:52.840
<v Speaker 1>I thought that maybe she wasn't actually peeing. She was

1:09:52.960 --> 1:09:56.920
<v Speaker 1>you know, it was something more. But it's yeah, I

1:09:56.920 --> 1:10:00.680
<v Speaker 1>don't know that, Yeah, that was. There are so many

1:10:01.600 --> 1:10:05.800
<v Speaker 1>so pronounced moments like that. And then I'm looking at

1:10:05.840 --> 1:10:07.320
<v Speaker 1>this old paper that I wrote at a if I

1:10:07.680 --> 1:10:09.640
<v Speaker 1>that I pulled up about it. And there are so

1:10:09.680 --> 1:10:15.880
<v Speaker 1>many also, just like short little glances here and there, um,

1:10:15.920 --> 1:10:18.280
<v Speaker 1>I feel tell so much of a story. And like

1:10:18.360 --> 1:10:22.679
<v Speaker 1>one of them is when Thomas is brushing his teeth

1:10:22.760 --> 1:10:26.479
<v Speaker 1>while Ebba while Evan is like she's going pe behind him, um,

1:10:26.680 --> 1:10:29.439
<v Speaker 1>and she stands up. She doesn't have her shirt on,

1:10:29.520 --> 1:10:32.520
<v Speaker 1>and when she stands up and turns around, it's it's

1:10:32.560 --> 1:10:35.360
<v Speaker 1>really as if to not let him see her naked

1:10:35.479 --> 1:10:37.320
<v Speaker 1>because he just got them trying to like have sex

1:10:37.400 --> 1:10:39.680
<v Speaker 1>with her and she kind of that that got you know,

1:10:40.320 --> 1:10:45.040
<v Speaker 1>pushed aside, and he's he's checking her out, and you see,

1:10:45.080 --> 1:10:47.920
<v Speaker 1>like the dumb ape that he kind of is, and

1:10:48.280 --> 1:10:51.200
<v Speaker 1>like many men are, is that he can't help. Even

1:10:51.240 --> 1:10:52.720
<v Speaker 1>though she turned around, he can't help but look at it,

1:10:52.720 --> 1:10:54.560
<v Speaker 1>look at her ass you follow his site line, he

1:10:54.640 --> 1:10:57.560
<v Speaker 1>just he's and she's clearly not happy with him in

1:10:57.600 --> 1:11:00.280
<v Speaker 1>the moment, and there's no and there's no sense of

1:11:00.320 --> 1:11:05.360
<v Speaker 1>emotional or sexual intimate intimacy whatsoever. Yet he still can't

1:11:05.360 --> 1:11:08.800
<v Speaker 1>help but check her out. Uh. It's and like and

1:11:09.080 --> 1:11:10.519
<v Speaker 1>that like that that that stuck out for me. And

1:11:10.560 --> 1:11:17.320
<v Speaker 1>also in the final bus ride, um, like once once

1:11:17.320 --> 1:11:19.719
<v Speaker 1>they cut to the final bus ride. The first people

1:11:19.760 --> 1:11:21.920
<v Speaker 1>we see when we cut into the bus are it's

1:11:22.080 --> 1:11:27.519
<v Speaker 1>Matts and Fanny the Mats they and you know, he

1:11:27.520 --> 1:11:31.760
<v Speaker 1>had already demonstrated his insecurities in this relationship. You know,

1:11:31.800 --> 1:11:35.760
<v Speaker 1>he's significantly older than his twenty one year old girlfriend. Um,

1:11:36.400 --> 1:11:38.200
<v Speaker 1>but the last time we saw them, like it seemed

1:11:38.200 --> 1:11:41.400
<v Speaker 1>like they may have worked out that minor tiff. Uh.

1:11:42.240 --> 1:11:43.880
<v Speaker 1>But because they're the first people we see when the

1:11:43.880 --> 1:11:47.120
<v Speaker 1>film cuts inside the bus and we see Fanny is

1:11:47.600 --> 1:11:51.720
<v Speaker 1>laughing while texting someone. Um, and you just see he

1:11:52.880 --> 1:11:54.800
<v Speaker 1>can't help the glance over as if as if he's

1:11:54.880 --> 1:11:57.840
<v Speaker 1>jealous that someone else is making her laugh and and

1:11:57.840 --> 1:11:59.320
<v Speaker 1>who is it? Is? A guy he doesn't know, and

1:11:59.360 --> 1:12:01.840
<v Speaker 1>like why is she texting? And a guy? And you know,

1:12:01.960 --> 1:12:05.920
<v Speaker 1>to make it worse, she catches him looking and then

1:12:06.040 --> 1:12:09.240
<v Speaker 1>angles her phone away to intentionally hide it from them.

1:12:09.280 --> 1:12:12.040
<v Speaker 1>And now you know, we leave with him now thinking

1:12:12.080 --> 1:12:15.000
<v Speaker 1>that she's hiding something from him. Uh. And that that

1:12:15.000 --> 1:12:18.280
<v Speaker 1>that downward spiral of negative thoughts is all captured so

1:12:18.320 --> 1:12:22.240
<v Speaker 1>well in that one single glance, um, And the movie

1:12:22.320 --> 1:12:25.160
<v Speaker 1>is just is just filled with so so many of

1:12:25.200 --> 1:12:29.120
<v Speaker 1>those those kind of moments that it's it's it's yeah,

1:12:29.160 --> 1:12:33.080
<v Speaker 1>it's masterful in a way. Yeah. I mean, like I

1:12:33.120 --> 1:12:36.280
<v Speaker 1>said at the beginning, like there's there are no accidents

1:12:36.280 --> 1:12:38.840
<v Speaker 1>in this movie. I think everything is so intentional and

1:12:39.600 --> 1:12:43.040
<v Speaker 1>he's so uh as a writer and director. He is

1:12:43.080 --> 1:12:47.920
<v Speaker 1>so comfortable with making the audience sit and being uncomfortable,

1:12:48.360 --> 1:12:52.240
<v Speaker 1>and these awkward scenes that are just like, oh, just

1:12:52.320 --> 1:12:53.880
<v Speaker 1>like you want to crawl out of your skin. Some

1:12:53.960 --> 1:12:57.240
<v Speaker 1>of them are so painfully awkward. They have they have full,

1:12:57.320 --> 1:13:00.880
<v Speaker 1>two full scenes with two different couples where she is

1:13:01.160 --> 1:13:03.360
<v Speaker 1>she has her first try where she calls him out,

1:13:03.680 --> 1:13:06.200
<v Speaker 1>tells the story of what happened, and he denies it.

1:13:06.360 --> 1:13:08.000
<v Speaker 1>And then they have a take to and she does

1:13:08.040 --> 1:13:10.320
<v Speaker 1>the exact same thing in front of their like really

1:13:10.320 --> 1:13:14.200
<v Speaker 1>good friends, and um, he denies it again and he

1:13:14.240 --> 1:13:16.000
<v Speaker 1>doubles down. I was like, well, surely he's going to

1:13:16.080 --> 1:13:19.160
<v Speaker 1>own up to it this time, and he fucking doubled

1:13:19.200 --> 1:13:23.360
<v Speaker 1>down like a coward. And uh, Like you think they're okay.

1:13:24.200 --> 1:13:26.000
<v Speaker 1>And that's why I think I love the movie so much.

1:13:26.080 --> 1:13:29.719
<v Speaker 1>Is you when you first see them, you think they're fine,

1:13:29.800 --> 1:13:32.639
<v Speaker 1>and like it just shows how these how a tiny

1:13:32.680 --> 1:13:36.880
<v Speaker 1>little crack can just become this fissure in a relationship

1:13:37.479 --> 1:13:40.080
<v Speaker 1>if and it's clearly not solid. He admits to being

1:13:40.160 --> 1:13:44.960
<v Speaker 1>unfaithful in his big breakdown outside the hotel room. Like,

1:13:45.240 --> 1:13:46.960
<v Speaker 1>I feel like a third of this movie was shot

1:13:47.040 --> 1:13:49.600
<v Speaker 1>right outside their room on that little hallway. It's so

1:13:49.640 --> 1:13:52.759
<v Speaker 1>funny how many scenes are like set right there. Nice.

1:13:52.840 --> 1:13:58.960
<v Speaker 1>It's uh, it's it's incredible that it's made me want to,

1:13:59.000 --> 1:14:03.960
<v Speaker 1>like true, like try to dig deeper in my own writing. Um.

1:14:04.560 --> 1:14:07.120
<v Speaker 1>That just a couple of quotes that that I I

1:14:07.200 --> 1:14:11.439
<v Speaker 1>pulled up that Rubin Austin had said, Um, kind of

1:14:11.479 --> 1:14:15.599
<v Speaker 1>around the movie. He said two main goals. He had

1:14:15.600 --> 1:14:17.840
<v Speaker 1>two main goals, uh for the movie. First one was

1:14:17.880 --> 1:14:20.439
<v Speaker 1>to create the most spectacular avalanche scene in film history.

1:14:21.200 --> 1:14:23.400
<v Speaker 1>And the second one was that we should increase the

1:14:23.400 --> 1:14:27.360
<v Speaker 1>percentage of divorce in society. Uh. And you can use

1:14:27.360 --> 1:14:29.599
<v Speaker 1>the film as a relationship tests. And it's it's interesting

1:14:29.600 --> 1:14:32.519
<v Speaker 1>when he when like hearing him talk about like what

1:14:32.560 --> 1:14:34.200
<v Speaker 1>makes him want to do movies and stuff and so

1:14:34.560 --> 1:14:36.720
<v Speaker 1>many movies, like a lot of his ideas. He talks

1:14:36.760 --> 1:14:39.880
<v Speaker 1>about how like he's inspired by YouTube, like videos on

1:14:39.880 --> 1:14:41.840
<v Speaker 1>YouTube that he finds like the whole end the whole

1:14:41.920 --> 1:14:44.960
<v Speaker 1>last scene, it was like, there's a it's a bus,

1:14:44.960 --> 1:14:47.280
<v Speaker 1>it's a it's a YouTube. It's from a YouTube clip

1:14:47.600 --> 1:14:52.000
<v Speaker 1>of a bus driving down a very similar winding road. God,

1:14:52.040 --> 1:14:55.040
<v Speaker 1>that scene was so fucking tense, Like after this whole

1:14:55.080 --> 1:14:57.320
<v Speaker 1>movie of tension, they're finally on this bus out of there.

1:14:58.000 --> 1:15:01.000
<v Speaker 1>You're thinking, all right, this movie is winding down, and

1:15:01.080 --> 1:15:04.280
<v Speaker 1>it's just like there's nothing more terrifying than a a

1:15:04.320 --> 1:15:07.000
<v Speaker 1>big bus on a windy mountain road and then someone

1:15:07.120 --> 1:15:12.920
<v Speaker 1>driving that shouldn't be driving. And it's what is so

1:15:13.439 --> 1:15:17.280
<v Speaker 1>nice is that, like it's so complicated and and ends

1:15:17.280 --> 1:15:20.040
<v Speaker 1>it out on a very complicated thought because the whole

1:15:20.040 --> 1:15:24.479
<v Speaker 1>time we've been watching this this deconstruction of like this

1:15:25.360 --> 1:15:28.680
<v Speaker 1>of masculinity and this and this guy's like psyche in

1:15:28.680 --> 1:15:33.320
<v Speaker 1>a way. And then when faced with a different type

1:15:33.320 --> 1:15:38.400
<v Speaker 1>of danger, the mom have abandons her kids, abandons everybody

1:15:38.600 --> 1:15:41.280
<v Speaker 1>and gets off the bus and leave leaves everyone behind

1:15:41.920 --> 1:15:45.080
<v Speaker 1>and uh, and then everyone kind of follows in this

1:15:45.200 --> 1:15:50.040
<v Speaker 1>kind of like this this sheet mentality, and who is

1:15:50.080 --> 1:15:52.280
<v Speaker 1>the one person that is still on the bus that

1:15:52.360 --> 1:15:54.439
<v Speaker 1>stays on is the one that is the is the

1:15:54.479 --> 1:15:57.080
<v Speaker 1>one who and he he's talked about this before too,

1:15:57.080 --> 1:16:00.160
<v Speaker 1>but like the one who is not fall I mean

1:16:00.200 --> 1:16:04.200
<v Speaker 1>the traditional roles of society, and it's the friend who

1:16:04.280 --> 1:16:06.120
<v Speaker 1>who she is kind of calling out for like you know,

1:16:06.360 --> 1:16:09.920
<v Speaker 1>hooking up with different men and whatnot, uh not not

1:16:10.000 --> 1:16:12.719
<v Speaker 1>being what not doing what a normal mother or wife

1:16:12.720 --> 1:16:14.519
<v Speaker 1>is supposed to be doing. She is the one person

1:16:14.600 --> 1:16:17.200
<v Speaker 1>that stays in the bus and the bus drives off

1:16:17.240 --> 1:16:21.799
<v Speaker 1>and they she makes it down, uh presumably while everyone

1:16:21.840 --> 1:16:24.960
<v Speaker 1>else is kind of like stranded there, like, well, what

1:16:25.000 --> 1:16:27.160
<v Speaker 1>do we do now? Oh? That was so great man,

1:16:27.240 --> 1:16:29.599
<v Speaker 1>because they all follow her because she clearly, I mean

1:16:29.640 --> 1:16:31.880
<v Speaker 1>she doesn't say come with me, but she she takes

1:16:31.880 --> 1:16:35.320
<v Speaker 1>that lead and everyone follows her because no one felt safe.

1:16:36.080 --> 1:16:40.160
<v Speaker 1>Um and and it's you're right. It's so complex because

1:16:40.160 --> 1:16:43.880
<v Speaker 1>I think she realizes very soon after, like did I overreact?

1:16:44.040 --> 1:16:47.360
<v Speaker 1>She's sort of questioning herself, and everyone else is kind

1:16:47.360 --> 1:16:50.040
<v Speaker 1>of like, well thanks a lot, lady. Like no one

1:16:50.080 --> 1:16:52.280
<v Speaker 1>says anything, though, but you can just read that the

1:16:52.320 --> 1:16:54.960
<v Speaker 1>mood of the crowd of like, well, fuck, now we're

1:16:54.960 --> 1:16:57.639
<v Speaker 1>out here on this road. And it ends with that

1:16:57.840 --> 1:17:02.960
<v Speaker 1>great shot of the dad. Uh you know, the guy

1:17:03.000 --> 1:17:05.880
<v Speaker 1>asked if he wants a cigarette he's holding his son's hand,

1:17:05.960 --> 1:17:08.720
<v Speaker 1>little Harry, and he says no, but then he says yes,

1:17:08.920 --> 1:17:11.920
<v Speaker 1>and Harry asked him if he smokes, and he says yes,

1:17:12.160 --> 1:17:15.880
<v Speaker 1>and it's like he's he's finally like he's finally done

1:17:15.880 --> 1:17:20.400
<v Speaker 1>something honest in this movie. Yeah, at the very end. Yeah, yeah,

1:17:20.439 --> 1:17:27.439
<v Speaker 1>it's a it's it's great. Um. I don't know, I could.

1:17:27.520 --> 1:17:29.840
<v Speaker 1>We could continue to break it down for another five

1:17:29.880 --> 1:17:32.960
<v Speaker 1>hours if you want, but I know now I think

1:17:32.960 --> 1:17:36.040
<v Speaker 1>we did it. Uh, such a great movie. You definitely

1:17:36.080 --> 1:17:38.320
<v Speaker 1>got us check this out. Um, if you're listening to

1:17:38.320 --> 1:17:40.320
<v Speaker 1>this and you haven't seen it, or if you saw

1:17:40.439 --> 1:17:43.519
<v Speaker 1>Downhill and I didn't love it, see the original. It

1:17:43.640 --> 1:17:45.840
<v Speaker 1>is so good. And this is a filmmaker. I can't

1:17:45.880 --> 1:17:48.439
<v Speaker 1>wait to see the Square. Um, I told you watch

1:17:48.479 --> 1:17:51.439
<v Speaker 1>the trailer right after this, and he's he's on my

1:17:51.479 --> 1:17:54.679
<v Speaker 1>list now. It's like a new favorite. So thank you yea. Yeah,

1:17:54.720 --> 1:17:56.800
<v Speaker 1>And I wanted there's another quote that I found that

1:17:56.880 --> 1:17:58.800
<v Speaker 1>this this interview in The Guardian that he had I

1:17:58.840 --> 1:18:02.240
<v Speaker 1>wanted to feel as m important to share because he

1:18:02.360 --> 1:18:07.040
<v Speaker 1>talks about how he he never kills characters in his movies. Um,

1:18:07.320 --> 1:18:09.320
<v Speaker 1>and that's like and so this with the quote is

1:18:09.360 --> 1:18:12.000
<v Speaker 1>that the industry is perverted when it comes to violence.

1:18:12.080 --> 1:18:14.200
<v Speaker 1>Of course, it's an easy way to create a dramatic event.

1:18:14.439 --> 1:18:16.840
<v Speaker 1>But my view is that human beings are copycats. We

1:18:16.880 --> 1:18:19.360
<v Speaker 1>imitate what we see. If you're reproducing pictures of men

1:18:19.439 --> 1:18:22.000
<v Speaker 1>running around with guns, people will imitate that. Look at

1:18:22.000 --> 1:18:24.720
<v Speaker 1>any high school shooting and the images of killers, the

1:18:24.760 --> 1:18:26.960
<v Speaker 1>images that killers take of themselves in the mirror. It's

1:18:27.000 --> 1:18:30.280
<v Speaker 1>so obvious to me that they're copying a character. And

1:18:30.840 --> 1:18:33.320
<v Speaker 1>and so like he that was that stems from this

1:18:33.400 --> 1:18:36.519
<v Speaker 1>idea that he doesn't it doesn't kill people, doesn't have

1:18:36.600 --> 1:18:39.680
<v Speaker 1>people die in his movies. Um, and they're really like

1:18:40.400 --> 1:18:43.559
<v Speaker 1>they come from a deeply internal place. And I don't know,

1:18:43.600 --> 1:18:46.240
<v Speaker 1>it's a it's another thing that I'm it's it's made

1:18:46.240 --> 1:18:50.240
<v Speaker 1>me now look at what I'm what I'm doing. And

1:18:50.280 --> 1:18:52.960
<v Speaker 1>I think that's that's the power of a of a

1:18:52.960 --> 1:18:59.040
<v Speaker 1>great filmmaker is just you know, inspire others. Man. Yeah,

1:18:59.080 --> 1:19:01.439
<v Speaker 1>he's not killing anyone in his movies. I feel like

1:19:01.520 --> 1:19:04.520
<v Speaker 1>the fate of his characters is even worse. He's brutalizing

1:19:04.560 --> 1:19:07.519
<v Speaker 1>them still. Yeah, but he's not He's not letting them

1:19:07.560 --> 1:19:12.280
<v Speaker 1>off easy by telling the death of shame is almost more.

1:19:12.479 --> 1:19:14.160
<v Speaker 1>It's that's more like when you have to live with

1:19:14.640 --> 1:19:17.439
<v Speaker 1>deep shame is more painful than a quick death. I

1:19:17.439 --> 1:19:23.400
<v Speaker 1>could be heading so and that's put his characters through. Alright, brother,

1:19:23.560 --> 1:19:26.479
<v Speaker 1>that was great, Thanks again for turning me onto that movie.

1:19:27.160 --> 1:19:28.680
<v Speaker 1>This is a new favorite. I can't wait to watch

1:19:28.680 --> 1:19:30.360
<v Speaker 1>it again already. I'm gonna watch it with Emily, I

1:19:30.400 --> 1:19:34.080
<v Speaker 1>think soon, because she didn't get to see it. But congratulations,

1:19:34.360 --> 1:19:38.360
<v Speaker 1>dude on all your success. So proud of you. I've

1:19:38.360 --> 1:19:40.720
<v Speaker 1>known you and Joey for so many years now, and

1:19:41.400 --> 1:19:43.880
<v Speaker 1>I'm glad that we've stayed pals, and I can't wait

1:19:43.880 --> 1:19:46.599
<v Speaker 1>to see what you do next. I'm I'm the charter

1:19:46.680 --> 1:19:49.120
<v Speaker 1>member of the ndcr A fan Club. Thank you, buddy,

1:19:49.760 --> 1:19:52.000
<v Speaker 1>I am. I am. You know, I still feel like

1:19:52.040 --> 1:19:54.720
<v Speaker 1>I'm one of the one of the earlier stuff you

1:19:54.720 --> 1:19:57.760
<v Speaker 1>should know fans of course, back in the back in

1:19:57.800 --> 1:20:00.080
<v Speaker 1>the days when we had our our CD spen know,

1:20:00.120 --> 1:20:02.519
<v Speaker 1>all full of episodes to listen to on the road.

1:20:03.160 --> 1:20:07.639
<v Speaker 1>So I am. I'm a friend and family member and

1:20:07.800 --> 1:20:11.760
<v Speaker 1>fans for life. So I'm happy we gotta catch up

1:20:11.800 --> 1:20:14.000
<v Speaker 1>like this. Thank you for having me on. All right, everyone,

1:20:14.080 --> 1:20:17.479
<v Speaker 1>check out check out Palm Springs on Hulu. Leave a

1:20:17.520 --> 1:20:20.840
<v Speaker 1>review online going Rotten Tomatoes and juice that score up

1:20:20.840 --> 1:20:23.800
<v Speaker 1>even more but very good movie. Go check it out,

1:20:24.120 --> 1:20:26.960
<v Speaker 1>Andy Sara, thanks for being on my friend. Thank you

1:20:37.320 --> 1:20:40.400
<v Speaker 1>all right, everyone, I hope you enjoyed that. Sure did.

1:20:40.479 --> 1:20:43.360
<v Speaker 1>It was good talking to my friend and he is awesome.

1:20:44.360 --> 1:20:47.000
<v Speaker 1>Forest Massure is great. We had a really good conversation

1:20:47.040 --> 1:20:49.559
<v Speaker 1>about it. It was also great to pick his brain

1:20:49.600 --> 1:20:53.400
<v Speaker 1>about screenwriting and sort of his process and how he

1:20:53.439 --> 1:20:56.280
<v Speaker 1>got to where he is now. I'm very excited for

1:20:56.360 --> 1:20:59.000
<v Speaker 1>my friend and I just can't wait to see what

1:20:59.120 --> 1:21:02.599
<v Speaker 1>comes next. It's just the best thing ever. The next

1:21:02.640 --> 1:21:05.880
<v Speaker 1>best thing to me being a screenwriter is Andy. So

1:21:06.560 --> 1:21:09.639
<v Speaker 1>I hope you guys enjoyed that. Big thanks to Andy.

1:21:10.400 --> 1:21:13.640
<v Speaker 1>H check out Palm Springs again, really fun movie on

1:21:13.720 --> 1:21:16.880
<v Speaker 1>Hulu and leave a good review for it. And uh

1:21:17.040 --> 1:21:19.240
<v Speaker 1>big thanks to Andy for dropping in in the old

1:21:19.320 --> 1:21:21.760
<v Speaker 1>virtual basement, and thanks to you guys for listening. We'll

1:21:21.800 --> 1:21:35.000
<v Speaker 1>see you next week. Lulie Crush has produced, edited and

1:21:35.080 --> 1:21:38.320
<v Speaker 1>engineered by Ramsey Unt. You're in our home studio at

1:21:38.360 --> 1:21:42.000
<v Speaker 1>pont City Market, Atlanta, Georgia. For I Heart Radio. For

1:21:42.080 --> 1:21:44.479
<v Speaker 1>more podcasts, for my heart Radio, visit the i heart

1:21:44.560 --> 1:21:47.240
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1:21:47.240 --> 1:21:47.920
<v Speaker 1>favorite shows.