1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,960 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:31,000 --> 00:00:33,320 Speaker 1: a little thing we like to call the after Party. 6 00:00:33,520 --> 00:00:35,520 Speaker 1: This is the show after the show, the party after 7 00:00:35,560 --> 00:00:37,400 Speaker 1: the party, the bridge to gave from one full episode 8 00:00:37,400 --> 00:00:40,120 Speaker 1: of Disgraceland to the other. The backyard to dig into 9 00:00:40,159 --> 00:00:43,320 Speaker 1: the dirt, our mission to uncover the truth, to confront 10 00:00:43,320 --> 00:00:46,080 Speaker 1: the myth, to reclaim the story. On this bonus episode, 11 00:00:46,159 --> 00:00:49,839 Speaker 1: we're talking about the criminal enterprises that have infiltrated music culture, 12 00:00:50,200 --> 00:00:52,720 Speaker 1: digging into the music that you vibe on when you 13 00:00:52,800 --> 00:00:57,200 Speaker 1: are recreating, Rewinding back from the Nitrous Mafia to the 14 00:00:57,440 --> 00:01:01,240 Speaker 1: Italian Mafia with Tommy James and the Schondell previewing next 15 00:01:01,240 --> 00:01:05,399 Speaker 1: week's episode on Doctor John and we get into your voicemails, text, dms, 16 00:01:05,440 --> 00:01:07,959 Speaker 1: and as always a whole lot of Rosie. This is 17 00:01:07,959 --> 00:01:11,120 Speaker 1: the podcast for the musically obsessed, the outsiders, the independent 18 00:01:11,160 --> 00:01:13,600 Speaker 1: thinkers who know that the best history is the history 19 00:01:13,600 --> 00:01:16,360 Speaker 1: that gets buried. Disgrace Slanders, where I tell the stories 20 00:01:16,400 --> 00:01:18,480 Speaker 1: they didn't want told the kind you'll end up telling 21 00:01:18,520 --> 00:01:31,440 Speaker 1: someone else. All right, disco's let's get into it. Recently, 22 00:01:31,720 --> 00:01:34,840 Speaker 1: the so called Nitrous Mafia was linked to a murder 23 00:01:34,880 --> 00:01:39,440 Speaker 1: outside of twenty twenty five Fish concert in Virginia. Historically, 24 00:01:39,560 --> 00:01:43,240 Speaker 1: throughout the history of popular music, the Italian Mafia has 25 00:01:43,240 --> 00:01:47,720 Speaker 1: been linked to numerous crimes paola, extortion, racketeering, and of course, 26 00:01:47,760 --> 00:01:54,440 Speaker 1: even murder. Other criminal enterprises, violent Jamaican kingpins, illegal drug chemists, 27 00:01:54,480 --> 00:01:58,320 Speaker 1: South Boston ticket scalpers, and do it yourself commie bootleg 28 00:01:58,400 --> 00:02:02,720 Speaker 1: artists have all left significant marks on music culture. But 29 00:02:02,840 --> 00:02:07,520 Speaker 1: why why have criminals so strongly impacted the world of music? 30 00:02:08,360 --> 00:02:15,160 Speaker 1: Italian mafioso, nitrous oxide peddlers, Jamaican sound system gangs, Soviet bootleggers, 31 00:02:15,160 --> 00:02:19,399 Speaker 1: ticket scalping syndicate, psychedelic chemists, and the Brotherhood of Eternal Love. 32 00:02:19,919 --> 00:02:25,880 Speaker 1: All of these criminal enterprises successfully infiltrated, in undoubtedly impacted 33 00:02:26,000 --> 00:02:29,960 Speaker 1: music culture. From the earliest days of recorded music up 34 00:02:30,000 --> 00:02:33,239 Speaker 1: through the nineteen eighties, the Italian Mafia's influence on the 35 00:02:33,320 --> 00:02:37,520 Speaker 1: music industry could be felt everywhere. Mobsters determined which songs 36 00:02:37,520 --> 00:02:40,200 Speaker 1: got played on the radio through paola, the act of 37 00:02:40,320 --> 00:02:44,880 Speaker 1: bribing DJs and programmers to spin specific records. Wise guys 38 00:02:44,960 --> 00:02:48,960 Speaker 1: used muscle and extortion to build and control a lucrative 39 00:02:49,000 --> 00:02:54,040 Speaker 1: network of jukebox operators whose machines helped popularize records that 40 00:02:54,160 --> 00:02:58,360 Speaker 1: mafia connected executives profited off of. See our next rewind 41 00:02:58,360 --> 00:03:03,040 Speaker 1: subject Tommy James as Exhibit A, and Chuck Berry, Frankie Valley, 42 00:03:03,080 --> 00:03:06,840 Speaker 1: and basically the entire MCA artists roster in the nineteen 43 00:03:06,919 --> 00:03:11,720 Speaker 1: seventies as exhibits B, C and D respectively. In fact, 44 00:03:12,080 --> 00:03:16,320 Speaker 1: the Chicago mobs influence on MCA records was so strong 45 00:03:16,360 --> 00:03:20,320 Speaker 1: in the nineteen seventies that Rolling Stone magazine claimed MCA 46 00:03:20,440 --> 00:03:25,919 Speaker 1: stood for mafia controlled artists, the so called nitrous mafia, 47 00:03:26,000 --> 00:03:30,520 Speaker 1: the balloon people who infiltrated the docile community of fish fans, 48 00:03:30,760 --> 00:03:32,720 Speaker 1: the ones we cover in this week's full episode of 49 00:03:32,800 --> 00:03:37,920 Speaker 1: Disgraceland continue to run their own extortion rackets, wage turf wars, 50 00:03:37,960 --> 00:03:40,600 Speaker 1: and enforce a code of silence straight out of a 51 00:03:40,600 --> 00:03:44,160 Speaker 1: Scorsese film. Recently, like I said, the group was linked 52 00:03:44,200 --> 00:03:46,600 Speaker 1: to a murder outside of a twenty twenty five fish 53 00:03:46,640 --> 00:03:50,520 Speaker 1: concert in Virginia back in the nineteen fifties, and up 54 00:03:50,560 --> 00:03:54,960 Speaker 1: through the nineteen seventies in Jamaica, sound systems essentially street 55 00:03:55,000 --> 00:04:00,480 Speaker 1: parties powered by giant pa systems. These massive amounts of 56 00:04:00,520 --> 00:04:04,840 Speaker 1: speakers and cables and turntables and amplifiers were the engines 57 00:04:04,880 --> 00:04:09,280 Speaker 1: that ran the Jamaican music scene. Sound systems, both the 58 00:04:09,320 --> 00:04:14,080 Speaker 1: parties and the literal equipment were big business. Without Jamaican 59 00:04:14,160 --> 00:04:17,480 Speaker 1: sound systems, the Jamaican music economy wouldn't have been possible. 60 00:04:18,200 --> 00:04:21,240 Speaker 1: Many Jamaicans relied on music to put food on the table, 61 00:04:21,320 --> 00:04:26,720 Speaker 1: and thus relied on powerful sound systems. Sound system operators. 62 00:04:27,440 --> 00:04:31,440 Speaker 1: Jamaican legends like Duke Read and ex cop turned enforcer 63 00:04:31,520 --> 00:04:35,520 Speaker 1: and Cox and Dodd, a one time cricket prodigy, hired 64 00:04:35,520 --> 00:04:39,520 Speaker 1: the original Rude Boys violent street tufts to protect their 65 00:04:39,560 --> 00:04:44,039 Speaker 1: sound systems and to even sabotage sound systems operated by 66 00:04:44,200 --> 00:04:49,120 Speaker 1: rival music promoters. Violent tussles over turf and stolen equipment 67 00:04:49,160 --> 00:04:53,760 Speaker 1: were common, as were shootouts when rival crews tried hijacking dances, 68 00:04:53,800 --> 00:04:57,880 Speaker 1: most infamously when gunmen raided a Duke Greed party in Kingston, 69 00:04:58,240 --> 00:05:03,160 Speaker 1: leaving several wounded. Criminally minded sound system operators in Rude 70 00:05:03,160 --> 00:05:07,640 Speaker 1: Boys created the foundation for SKA and reggae music distribution 71 00:05:07,839 --> 00:05:12,640 Speaker 1: and promotion. Without them, there would be no reggae, quantifiably 72 00:05:12,960 --> 00:05:15,240 Speaker 1: one of the most listened to styles of music on 73 00:05:15,320 --> 00:05:20,320 Speaker 1: the planet. Ticket scalping syndicates from the SEALTI dude outside 74 00:05:20,320 --> 00:05:22,120 Speaker 1: the garden trying to get you to bite on floor 75 00:05:22,160 --> 00:05:25,159 Speaker 1: seats for aerosmith back in the day to modern bought 76 00:05:25,200 --> 00:05:28,160 Speaker 1: firms that buy up thousands of tickets the instant they 77 00:05:28,200 --> 00:05:30,359 Speaker 1: go on sale and flip them at ten times the 78 00:05:30,440 --> 00:05:33,960 Speaker 1: price to line the pockets of gangster resellers and corporate 79 00:05:33,960 --> 00:05:39,360 Speaker 1: ticket brokers. These corrupt agents and practices are so rampant 80 00:05:39,800 --> 00:05:44,359 Speaker 1: that we as consumers, have largely just accepted them. The 81 00:05:44,400 --> 00:05:48,080 Speaker 1: simple act of buying a concert ticket is proof of 82 00:05:48,200 --> 00:05:52,520 Speaker 1: music culture crime hiding in plain sight. This example here 83 00:05:52,640 --> 00:05:55,880 Speaker 1: might be the craziest. Back in the day, in Soviet Russia, 84 00:05:56,320 --> 00:06:00,400 Speaker 1: independent minded music lovers known as excuse the pronunciation here 85 00:06:00,680 --> 00:06:05,159 Speaker 1: runty Net pressed their own bootleg rock records albums by 86 00:06:05,360 --> 00:06:09,520 Speaker 1: the Rolling Stones, the Beatles, and Elvis Presley onto discarded 87 00:06:09,720 --> 00:06:13,840 Speaker 1: X ray film X rays with images of ribs, skulls, 88 00:06:13,839 --> 00:06:17,239 Speaker 1: and spines, and they then cut those X rays into 89 00:06:17,320 --> 00:06:21,039 Speaker 1: seven inch discs, burned holes into the center of the 90 00:06:21,120 --> 00:06:25,400 Speaker 1: discs with cigarette butts and used specifically made DIY machines 91 00:06:25,440 --> 00:06:28,800 Speaker 1: to cut grooves into the discs at seventy eight revolutions 92 00:06:28,839 --> 00:06:32,520 Speaker 1: per minute. Also, they could hear and profit off of 93 00:06:32,640 --> 00:06:36,360 Speaker 1: band music. Half a world away in the United States, 94 00:06:36,520 --> 00:06:41,520 Speaker 1: the Brotherhood of Eternal Love, a California commune turned LSD cartel, 95 00:06:41,800 --> 00:06:46,400 Speaker 1: funded a near psychedelic revolution through smuggling, counterfeiting in large 96 00:06:46,440 --> 00:06:50,479 Speaker 1: scale acid production. The Brotherhood of Love supplied drugs for 97 00:06:50,520 --> 00:06:54,599 Speaker 1: the Grateful Dead, Jimmy Hendrix, and countless other artists who 98 00:06:54,680 --> 00:06:59,080 Speaker 1: cemented the hippie dream counterculture ethos with the baby Boomer generation, 99 00:06:59,800 --> 00:07:06,479 Speaker 1: most economically consequential generation in American history. But why why 100 00:07:06,520 --> 00:07:10,200 Speaker 1: do criminal enterprises like the Brotherhood of Eternal Love, or 101 00:07:10,240 --> 00:07:13,600 Speaker 1: the Nitrous Mafia, the Italian Mafia and others? Why do 102 00:07:13,680 --> 00:07:18,600 Speaker 1: they so frequently infiltrate and ultimately influence music culture? Because 103 00:07:18,800 --> 00:07:24,200 Speaker 1: every culture that promises freedom ends up breeding its own outlaws. 104 00:07:24,840 --> 00:07:31,520 Speaker 1: Musicians and criminals operate from the same playbook defiance, risk, charisma, 105 00:07:31,920 --> 00:07:37,800 Speaker 1: self invention, and control outside the system. This playbook created 106 00:07:37,800 --> 00:07:43,800 Speaker 1: a playing field ripe for corruption. After all, outlaws like 107 00:07:43,960 --> 00:07:49,280 Speaker 1: musicians chase the same thing freedom on their own terms. 108 00:07:50,200 --> 00:07:53,600 Speaker 1: I'll be back with your voicemails, texts and more right 109 00:07:53,640 --> 00:08:16,720 Speaker 1: after this. All right, so we are back here in 110 00:08:16,800 --> 00:08:20,880 Speaker 1: the music and True crime saddle, as they say, or 111 00:08:20,880 --> 00:08:23,680 Speaker 1: at least as I say, And you know, before I 112 00:08:23,720 --> 00:08:25,760 Speaker 1: get too far into last week's question of the week 113 00:08:25,800 --> 00:08:28,640 Speaker 1: and your answers, your voicemails, your text you know, in 114 00:08:28,640 --> 00:08:31,840 Speaker 1: that past b block, we stumbled upon something that I 115 00:08:31,840 --> 00:08:33,719 Speaker 1: found to be very interesting, something I kind of knew 116 00:08:33,720 --> 00:08:36,960 Speaker 1: about it, and it was the Jamaican sound system operator 117 00:08:37,360 --> 00:08:41,320 Speaker 1: history and all the violence and crime that's connected to 118 00:08:41,480 --> 00:08:44,240 Speaker 1: that history. And we talk about some of this, and 119 00:08:44,360 --> 00:08:48,880 Speaker 1: in the episodes that we've produced on Jamaican artists like 120 00:08:48,920 --> 00:08:53,480 Speaker 1: Bob Marley and Peter Tosh, we haven't really driven hard 121 00:08:53,520 --> 00:08:56,840 Speaker 1: into the paint on this subject, and it's really interesting 122 00:08:56,840 --> 00:09:00,600 Speaker 1: to me. I'm really fascinated by the crime that is 123 00:09:00,640 --> 00:09:09,520 Speaker 1: at the bedrock of these music history genres, music history economies, 124 00:09:10,040 --> 00:09:13,280 Speaker 1: and often cases these genres may have not even come 125 00:09:13,320 --> 00:09:16,080 Speaker 1: to be if it weren't for these criminal elements back 126 00:09:16,120 --> 00:09:19,319 Speaker 1: in the day. So we unpack this a little bit 127 00:09:19,360 --> 00:09:22,080 Speaker 1: more in the exclusive section of the After Party today. 128 00:09:22,080 --> 00:09:26,400 Speaker 1: This whole sound system operator Jamaican music history piece that 129 00:09:26,440 --> 00:09:28,160 Speaker 1: we dug into in the B block here is that. 130 00:09:28,160 --> 00:09:30,720 Speaker 1: Then I get into it a little bit later coming 131 00:09:30,800 --> 00:09:32,960 Speaker 1: up in the exclusive part of the after party. You 132 00:09:32,960 --> 00:09:35,880 Speaker 1: can access that content by becoming an All Access member. 133 00:09:35,920 --> 00:09:38,080 Speaker 1: Just go to Disgrace onpod dot com to sign up, 134 00:09:38,160 --> 00:09:41,199 Speaker 1: just five bucks a month for the time being that 135 00:09:41,280 --> 00:09:42,840 Speaker 1: I know, I've been saying this over and over again, 136 00:09:42,880 --> 00:09:45,280 Speaker 1: the price is going up. We've been delayed, so you 137 00:09:45,320 --> 00:09:48,000 Speaker 1: can take advantage of that, and you can still get 138 00:09:48,000 --> 00:09:52,520 Speaker 1: it at five dollars before the price does increase, and 139 00:09:52,600 --> 00:09:56,160 Speaker 1: I promise you it is increasing. So that's coming up 140 00:09:56,400 --> 00:10:00,000 Speaker 1: later for All Access members. All right, that's there for you. 141 00:10:00,600 --> 00:10:02,640 Speaker 1: What I want to do now, I want to get 142 00:10:02,640 --> 00:10:07,080 Speaker 1: into your voicemails and your texts. And you know, I 143 00:10:07,160 --> 00:10:09,800 Speaker 1: was struggling when we did the Fish episode. I was 144 00:10:09,800 --> 00:10:12,199 Speaker 1: struggling to think of a good question, and I just 145 00:10:12,280 --> 00:10:15,280 Speaker 1: kind of went super basic, super super simple. You know, 146 00:10:15,360 --> 00:10:18,240 Speaker 1: obviously when people go to see Fish, they're getting fucked up. 147 00:10:18,480 --> 00:10:21,840 Speaker 1: Some aren't, some are. You know, I have my go tos. 148 00:10:22,000 --> 00:10:26,440 Speaker 1: You know, I'm about two maybe maybe three bourbons deep. 149 00:10:26,520 --> 00:10:28,839 Speaker 1: I know what I'm listening to. You know, everybody and 150 00:10:28,920 --> 00:10:31,360 Speaker 1: vibes in their own way. Everybody unwinds in their own way, 151 00:10:31,400 --> 00:10:33,240 Speaker 1: and I thought it would be interesting to ask this question. 152 00:10:33,280 --> 00:10:35,959 Speaker 1: You know, what do you listen to when, as one 153 00:10:36,000 --> 00:10:40,520 Speaker 1: of you put it, you're recreating. So let's check out 154 00:10:40,559 --> 00:10:43,120 Speaker 1: some voicemails and text with you guys on this question 155 00:10:43,280 --> 00:10:46,840 Speaker 1: of the week inspired by of course the Fish. And 156 00:10:46,960 --> 00:10:50,960 Speaker 1: check out this voicemail here from the five six. 157 00:10:51,000 --> 00:10:52,840 Speaker 2: Three Judy, Hi Drake. 158 00:10:53,320 --> 00:10:59,520 Speaker 3: This is Judy from the five six three and I 159 00:10:59,559 --> 00:11:04,480 Speaker 3: finally I can answer a question without having to think 160 00:11:04,679 --> 00:11:08,320 Speaker 3: too much about it. But what do I like to 161 00:11:08,400 --> 00:11:15,920 Speaker 3: listen to when I am recreating? And it's a great album, 162 00:11:16,080 --> 00:11:20,520 Speaker 3: very underrated. I don't hear anything about it, never heard 163 00:11:20,840 --> 00:11:27,440 Speaker 3: much about it, but becks Midnight Vultures it's great. 164 00:11:28,400 --> 00:11:29,280 Speaker 4: It is just. 165 00:11:29,920 --> 00:11:34,000 Speaker 2: A high for all of your senses. The horns, the 166 00:11:34,080 --> 00:11:40,000 Speaker 2: crazy lyrics, the visuals that are put into my head 167 00:11:40,679 --> 00:11:41,920 Speaker 2: while listening to it. 168 00:11:41,920 --> 00:11:42,959 Speaker 4: It's just wonderful. 169 00:11:43,080 --> 00:11:47,840 Speaker 2: I love it keeps you in a good mood, it. 170 00:11:47,280 --> 00:11:48,239 Speaker 4: Does not disappoint. 171 00:11:48,280 --> 00:11:51,080 Speaker 2: So I'm curious to hear what you think about that album. 172 00:11:51,600 --> 00:11:55,280 Speaker 1: Rock Go ROLLA Judy, I love Midnight Vultures. It's uh, 173 00:11:55,720 --> 00:11:58,120 Speaker 1: it's not my favorite Beck album and my favorite back 174 00:11:58,120 --> 00:12:02,960 Speaker 1: album is See Change, which is not It's not something 175 00:12:03,000 --> 00:12:05,480 Speaker 1: I want to listen to when I'm when i'm recreating, 176 00:12:05,600 --> 00:12:09,720 Speaker 1: as you say, but Midnight Vultures definitely is. I can 177 00:12:09,760 --> 00:12:14,480 Speaker 1: see that for sure. Crazy lyrics, lyrics are amazing, visuals great. 178 00:12:14,760 --> 00:12:17,120 Speaker 1: Just I hear you on the feel Good piece. That's 179 00:12:17,200 --> 00:12:18,679 Speaker 1: that's kind of like what I want I want to 180 00:12:18,720 --> 00:12:21,320 Speaker 1: get into when I when I'm recreating. I'm stealing your 181 00:12:21,360 --> 00:12:23,440 Speaker 1: word here, I love it. I want to get into 182 00:12:23,559 --> 00:12:25,800 Speaker 1: stuff that makes me happy, stuff that makes me feel good, 183 00:12:26,200 --> 00:12:28,200 Speaker 1: stuff that puts me, as you said, in a good 184 00:12:28,240 --> 00:12:30,800 Speaker 1: mood and does not disappoint. I don't want to get 185 00:12:30,800 --> 00:12:34,119 Speaker 1: too heavy, you know. I think when I first started recreating, 186 00:12:34,160 --> 00:12:37,160 Speaker 1: back when I was a younger man, I would listen 187 00:12:37,240 --> 00:12:42,760 Speaker 1: to heavier music, both literally heavy music and figuratively heavy music. 188 00:12:43,400 --> 00:12:45,280 Speaker 1: But you know, I like, I like to keep it 189 00:12:45,360 --> 00:12:47,480 Speaker 1: light these days. I don't know if that's a sign 190 00:12:47,520 --> 00:12:50,760 Speaker 1: of getting old or not. But uh, Judy, excellent pick 191 00:12:50,800 --> 00:12:54,280 Speaker 1: here with Midnight Vultures. Let's see what the seven O 192 00:12:54,400 --> 00:12:55,800 Speaker 1: three has to say on the subject. 193 00:12:56,000 --> 00:13:00,480 Speaker 4: Hey what's that Jake? Hey, this is Eric three. I 194 00:13:00,520 --> 00:13:03,600 Speaker 4: think you left the message asking about what do you 195 00:13:03,679 --> 00:13:07,760 Speaker 4: like to listen to when you have edibles. I just 196 00:13:07,800 --> 00:13:11,360 Speaker 4: really started ticking edibles, so I guess I'm kind of 197 00:13:11,400 --> 00:13:14,600 Speaker 4: a newbie at this. But anyway, what I like to 198 00:13:14,679 --> 00:13:18,520 Speaker 4: listen to when I'm doing edibles, Man, what I really 199 00:13:18,600 --> 00:13:20,840 Speaker 4: enjoyed you're gonna laugh is I really like the pet 200 00:13:20,880 --> 00:13:25,120 Speaker 4: shop boys, early early pet shot boys. Don't get me wrong, 201 00:13:25,240 --> 00:13:28,320 Speaker 4: dofinitely early pet shot boys. And I guess that's it. 202 00:13:28,440 --> 00:13:31,880 Speaker 1: Take care bin all right, seven or three pet shot boys, 203 00:13:32,320 --> 00:13:36,760 Speaker 1: not just any pet shot boys, early pet shot boys. 204 00:13:37,840 --> 00:13:40,480 Speaker 1: You know what I'm gonna do for you seven or three. 205 00:13:41,000 --> 00:13:43,680 Speaker 1: Next time I'm recreating, I'm gonna listen to Little West 206 00:13:43,760 --> 00:13:46,760 Speaker 1: End Girls. This song is incredible. By the way, West 207 00:13:47,040 --> 00:13:49,679 Speaker 1: End Girls, you know this is gonna pair well with 208 00:13:50,200 --> 00:13:52,240 Speaker 1: Back's Midnight Vultures as well. I think you guys have 209 00:13:52,280 --> 00:13:55,040 Speaker 1: stumbled into a sort of a good little vibe here 210 00:13:55,080 --> 00:13:58,800 Speaker 1: for a playlist. Could have used you on the mixtape 211 00:13:58,840 --> 00:14:01,880 Speaker 1: mixology session we had with the Patreon listeners a couple 212 00:14:01,880 --> 00:14:04,520 Speaker 1: of weeks ago last week. That was fun. By the way, 213 00:14:04,520 --> 00:14:07,199 Speaker 1: if you were in on that, still have made the mixtape. 214 00:14:07,200 --> 00:14:08,760 Speaker 1: But hey, it hasn't even been a full seven days. 215 00:14:08,760 --> 00:14:11,720 Speaker 1: Actually it has been actually seven days, eight days, and 216 00:14:12,400 --> 00:14:14,000 Speaker 1: I'm going to get into making those tapes soon and 217 00:14:14,000 --> 00:14:16,560 Speaker 1: get them out to you guys. My boy ish in 218 00:14:16,640 --> 00:14:19,040 Speaker 1: the seven eight one back in the Bean hits us up. 219 00:14:19,120 --> 00:14:19,960 Speaker 1: Let's hear what he's got to. 220 00:14:19,960 --> 00:14:24,760 Speaker 5: Say, Jake, what up? Good boy Ish? Just checking in. 221 00:14:26,240 --> 00:14:31,360 Speaker 5: Let's talk about the fish. Yes, am I guilty of 222 00:14:31,480 --> 00:14:35,440 Speaker 5: going to a fish show? Yes? Am I guilty of 223 00:14:35,520 --> 00:14:37,480 Speaker 5: going to a Trey A Henastasio show. 224 00:14:38,440 --> 00:14:38,760 Speaker 3: Yes? 225 00:14:39,720 --> 00:14:41,480 Speaker 1: Am I guilty of. 226 00:14:41,520 --> 00:14:44,560 Speaker 5: Crossing paths and hanging out with the balloon people? 227 00:14:45,400 --> 00:14:45,800 Speaker 1: Yes? 228 00:14:46,960 --> 00:14:51,840 Speaker 5: That being said, thank you for the light layer of 229 00:14:51,920 --> 00:14:58,880 Speaker 5: anxiety that this episode triggered. I enjoyed it. I will 230 00:14:58,880 --> 00:15:01,480 Speaker 5: listen to it again next week. 231 00:15:03,360 --> 00:15:04,160 Speaker 3: Thank you again. 232 00:15:04,360 --> 00:15:07,640 Speaker 5: Keep up the great work, Disco. 233 00:15:07,960 --> 00:15:10,560 Speaker 1: Disco Ish, it's been a minute. Thanks for getting at us. 234 00:15:12,080 --> 00:15:15,560 Speaker 1: Did not mean to inspire any level of anxiety. I 235 00:15:15,680 --> 00:15:18,960 Speaker 1: like how you're sort of insinuating that you know, the 236 00:15:19,040 --> 00:15:20,920 Speaker 1: music you listen to when you recreate is of course 237 00:15:20,920 --> 00:15:22,680 Speaker 1: fish and with the balloon people. You're kind of bringing 238 00:15:22,720 --> 00:15:25,080 Speaker 1: around full circle there, But did not mean to trigger 239 00:15:25,120 --> 00:15:27,920 Speaker 1: the anxiety there. And I actually dig how you're just 240 00:15:28,000 --> 00:15:29,760 Speaker 1: low key mentioning that you're going to go back and 241 00:15:29,800 --> 00:15:35,000 Speaker 1: listen to this again next week, which is awesome. And 242 00:15:35,040 --> 00:15:36,920 Speaker 1: now I want to know more about your disgrace Land 243 00:15:37,040 --> 00:15:40,280 Speaker 1: listening habits, so please let us know. Stay in touch, 244 00:15:40,400 --> 00:15:43,200 Speaker 1: don't be a stranger. Ish always appreciate your voicemails and 245 00:15:43,240 --> 00:15:48,120 Speaker 1: your text Speaking of texts and speaking of recreating the 246 00:15:48,200 --> 00:15:49,680 Speaker 1: nine to seven eight right say, and you know what 247 00:15:49,720 --> 00:15:53,800 Speaker 1: would be dope an episode about snot between the life 248 00:15:53,800 --> 00:15:56,320 Speaker 1: and death of Lynn, the straight up album after his 249 00:15:56,480 --> 00:16:00,000 Speaker 1: death and his short lived replacement Tommy Vex later from 250 00:16:00,080 --> 00:16:03,880 Speaker 1: Bad Wolves being a complete piece of shit. You know, 251 00:16:04,400 --> 00:16:06,960 Speaker 1: someone was heavy on this not thing about a year 252 00:16:07,040 --> 00:16:09,640 Speaker 1: or so ago and we lost track of it. I 253 00:16:09,840 --> 00:16:12,120 Speaker 1: just part of me can't take this serious, but part 254 00:16:12,160 --> 00:16:13,480 Speaker 1: of me feels like I have to. I have to 255 00:16:13,520 --> 00:16:17,240 Speaker 1: look into this. On the recreating question three oh one, 256 00:16:17,560 --> 00:16:20,760 Speaker 1: King Gizzard in the Lizard Wizard. When I first heard 257 00:16:20,760 --> 00:16:23,320 Speaker 1: this name, I didn't take them seriously, And of course 258 00:16:23,360 --> 00:16:27,400 Speaker 1: they've become their own sort of musical phenomenon. And uh yeah, 259 00:16:27,480 --> 00:16:29,800 Speaker 1: I can't say that I've ever just as I've never 260 00:16:29,840 --> 00:16:32,560 Speaker 1: seen Fish on purpose, I've never listened to King Gizzard 261 00:16:32,600 --> 00:16:36,760 Speaker 1: in the Lizard Wizard on purpose either. But I will. 262 00:16:37,200 --> 00:16:39,840 Speaker 1: I'll have to get into that. Four point two writes, saying, Hey, 263 00:16:39,880 --> 00:16:43,400 Speaker 1: as a person that first smoked the weed back in 264 00:16:43,440 --> 00:16:45,400 Speaker 1: the nineteen eighties, got to say, we all listened to 265 00:16:45,440 --> 00:16:49,600 Speaker 1: Peter Frampton. Do you feel like we do when we smoked? 266 00:16:50,400 --> 00:16:53,280 Speaker 1: Oh boy, these days I like stuff with a solid 267 00:16:53,280 --> 00:16:55,040 Speaker 1: group or beats so I can just vibe out. But yeah, 268 00:16:55,080 --> 00:16:58,720 Speaker 1: the old school we'ed smoking experience Peter Frampton. Highly recommend Frampton. 269 00:17:00,240 --> 00:17:03,480 Speaker 1: Like someone once said that that Peter Frampton album was 270 00:17:03,520 --> 00:17:06,680 Speaker 1: issued to every kid in Suburbia when it came out 271 00:17:06,760 --> 00:17:08,879 Speaker 1: in the nic come of the late seventies, though was 272 00:17:08,880 --> 00:17:12,639 Speaker 1: it the eighties? I don't know. Huge the Frampton. The 273 00:17:12,680 --> 00:17:15,080 Speaker 1: Frampton came to me late. You know, I was never 274 00:17:15,119 --> 00:17:17,719 Speaker 1: a real big Frampton fan, but I get it. I 275 00:17:17,800 --> 00:17:20,280 Speaker 1: completely get it. Three zero three text in Hey is 276 00:17:20,280 --> 00:17:22,399 Speaker 1: a member of Gen X, which I call the great 277 00:17:22,480 --> 00:17:27,119 Speaker 1: Sampler Platter generation. My musical taste remain very broad. MTV 278 00:17:27,359 --> 00:17:29,520 Speaker 1: exposed us to pop, metal and hip hop, and I 279 00:17:29,520 --> 00:17:33,600 Speaker 1: fell into the jam scene early in college along with 280 00:17:33,840 --> 00:17:36,439 Speaker 1: and enjoyed everything that came with it. I fell in 281 00:17:36,480 --> 00:17:38,840 Speaker 1: love with the fish, they're saying the fish. I fell 282 00:17:38,840 --> 00:17:41,400 Speaker 1: in love with the Fish from Vermont most of all, 283 00:17:41,760 --> 00:17:44,679 Speaker 1: and have traveled all over the country chasing their music 284 00:17:44,800 --> 00:17:48,360 Speaker 1: and their scene. So what does an older fans spelled 285 00:17:48,400 --> 00:17:52,760 Speaker 1: pha n do when it's time to chill Well, I 286 00:17:52,880 --> 00:17:57,680 Speaker 1: like to listen to the sounds of Fish, the Fish, 287 00:17:58,080 --> 00:18:00,640 Speaker 1: I've gone down a rabbit hole, stick with the roots 288 00:18:00,640 --> 00:18:03,640 Speaker 1: of hip hop, James Brown, Parliament, Funkadelic, Curtis Mayfield, Rick James, 289 00:18:03,680 --> 00:18:05,280 Speaker 1: and I love sharing it with anyone who will listen. 290 00:18:05,320 --> 00:18:07,359 Speaker 1: My kids have got me into anime, modern pop, and 291 00:18:07,440 --> 00:18:09,439 Speaker 1: hip hop. M F Doom Who You Should Cover is 292 00:18:09,480 --> 00:18:11,520 Speaker 1: my favorite so far. I love exploring all the different 293 00:18:11,520 --> 00:18:13,840 Speaker 1: avenues that brings me down and I'm glad I came 294 00:18:13,880 --> 00:18:17,879 Speaker 1: across your podcast back in twenty eighteen, c C. Living 295 00:18:17,960 --> 00:18:21,040 Speaker 1: in the five eight five, Reppin the three oh three, 296 00:18:21,400 --> 00:18:26,919 Speaker 1: and the three three in the five eight five sends 297 00:18:26,920 --> 00:18:29,400 Speaker 1: in a bunch of photos here his record collection, which 298 00:18:29,440 --> 00:18:32,320 Speaker 1: looks kind of similar to my record collection. The first 299 00:18:32,320 --> 00:18:37,760 Speaker 1: three albums Curtis Mayfield right here and Tribe called Quest, Midnight, Marauders, 300 00:18:37,800 --> 00:18:43,040 Speaker 1: Bob Marley and the Whalers, Mothership, Connection by Parliament, Doing 301 00:18:43,080 --> 00:18:45,880 Speaker 1: It to Death by the JBS. I literally have all 302 00:18:45,960 --> 00:18:50,239 Speaker 1: of these records that you're showing myself on vinyl. I 303 00:18:50,320 --> 00:18:53,600 Speaker 1: do not have this Beastie Boye comp however, which is 304 00:18:53,640 --> 00:18:56,359 Speaker 1: in their last frame. Thanks for getting adas five A 305 00:18:56,440 --> 00:19:00,439 Speaker 1: five slash three oh three. You know, as you were 306 00:19:00,440 --> 00:19:03,080 Speaker 1: describing yourself being a member of gen X and what 307 00:19:03,119 --> 00:19:09,960 Speaker 1: you're exposed to through MTV and how Fish, the Fish 308 00:19:10,000 --> 00:19:13,760 Speaker 1: from Vermont hit you when you got into college, really 309 00:19:14,240 --> 00:19:16,800 Speaker 1: just describing so many of my friends that I grew 310 00:19:16,840 --> 00:19:20,760 Speaker 1: up with. We're on that exact saying trajectory, Bill Alatawo. 311 00:19:20,760 --> 00:19:25,000 Speaker 1: If you're listening, I'm talking about you specifically. Just you know, 312 00:19:25,000 --> 00:19:27,399 Speaker 1: Fish was just there for us. There was perfect timing, 313 00:19:27,480 --> 00:19:32,440 Speaker 1: perfect six one seven nine six six' six three. Eight 314 00:19:32,600 --> 00:19:34,600 Speaker 1: if you guys want to get at me about anything 315 00:19:34,720 --> 00:19:39,679 Speaker 1: related to your your recreational, habits your affinity For, fish 316 00:19:40,160 --> 00:19:44,040 Speaker 1: your record, collection. Whatnot, obviously this question of The week 317 00:19:44,119 --> 00:19:48,719 Speaker 1: was inspired by the madness that accompanies the music Of 318 00:19:48,840 --> 00:19:54,520 Speaker 1: fish from this week's full. Episode we've got more madness 319 00:19:54,600 --> 00:19:57,159 Speaker 1: coming up in the rewind slot this week with The 320 00:19:57,200 --> 00:20:01,479 Speaker 1: Tommy james and The seondell's. Episode and this is really 321 00:20:01,600 --> 00:20:05,600 Speaker 1: the mafia madness that inspired THE b block of this. 322 00:20:05,800 --> 00:20:10,359 Speaker 1: Episode and some of my favorite Double elvis production is 323 00:20:10,400 --> 00:20:12,800 Speaker 1: in this upcoming episode On Tommy james and The Sean. 324 00:20:12,880 --> 00:20:15,800 Speaker 1: Dells and if you like old school gangster, stories you're 325 00:20:15,840 --> 00:20:18,600 Speaker 1: going to love this. Episode so do not sleep on. 326 00:20:18,680 --> 00:20:21,119 Speaker 1: It check it, out and do not sleep on what 327 00:20:21,119 --> 00:20:25,679 Speaker 1: we've got coming your way next. Week by, REQUEST i 328 00:20:25,720 --> 00:20:31,080 Speaker 1: can't remember, who which, disco which, member Which All access, 329 00:20:31,119 --> 00:20:34,879 Speaker 1: member or which listener Requested Doctor. John there were a 330 00:20:34,960 --> 00:20:37,879 Speaker 1: couple of, you but we've got that episode coming your 331 00:20:37,920 --> 00:20:44,000 Speaker 1: way next week On, tuesday and it's a really good. 332 00:20:44,040 --> 00:20:46,879 Speaker 1: One i'm really excited about. It and the theme for 333 00:20:46,960 --> 00:20:48,800 Speaker 1: Our Doctor john, episode we could have gone in a 334 00:20:48,840 --> 00:20:52,040 Speaker 1: million different, directions but the theme is really it's really about, 335 00:20:52,040 --> 00:20:57,280 Speaker 1: healing and it's about healing through. Music, OKAY i know 336 00:20:57,320 --> 00:20:59,240 Speaker 1: there are music therapists out there who listen to the, 337 00:20:59,280 --> 00:21:01,120 Speaker 1: Show so if you want to hit me up and talk, 338 00:21:01,160 --> 00:21:03,880 Speaker 1: about you, know healing through, music that's. Great for those 339 00:21:03,920 --> 00:21:05,880 Speaker 1: of you who are not in sort of the music healing, 340 00:21:06,520 --> 00:21:10,280 Speaker 1: profession but feel that you in your, life in your 341 00:21:10,280 --> 00:21:13,560 Speaker 1: past and your day to day perhaps are healed by 342 00:21:13,640 --> 00:21:17,199 Speaker 1: music AS i, do feel free to reach. Out six 343 00:21:17,320 --> 00:21:19,480 Speaker 1: one seven nine oh six six six three eight this 344 00:21:19,520 --> 00:21:21,160 Speaker 1: is gonna be the question of the week next, week 345 00:21:21,520 --> 00:21:24,119 Speaker 1: and let me know what music has healed? You what 346 00:21:24,200 --> 00:21:27,080 Speaker 1: music does heal. YOU i don't mean for this to 347 00:21:27,160 --> 00:21:29,840 Speaker 1: sound like A Mel robins episode OR i don't even 348 00:21:29,840 --> 00:21:31,400 Speaker 1: really know What mel, does BUT i just assume it's 349 00:21:31,400 --> 00:21:33,800 Speaker 1: this type of thing or some sort of like self help. 350 00:21:33,840 --> 00:21:35,720 Speaker 1: Stuff that's not What i'm going for, here but just 351 00:21:36,280 --> 00:21:38,560 Speaker 1: it doesn't have to be. Heavy it can. Be it 352 00:21:38,600 --> 00:21:41,199 Speaker 1: can be the music that you listen to get you 353 00:21:41,240 --> 00:21:44,000 Speaker 1: out of your. Funk it could be funk music that 354 00:21:44,040 --> 00:21:46,159 Speaker 1: you listen to get you out of your. Funk it 355 00:21:46,200 --> 00:21:48,320 Speaker 1: could BE i, mean that's kind of my, jam you, 356 00:21:48,359 --> 00:21:50,880 Speaker 1: know Whenever i'm feeling like run down by the day 357 00:21:51,000 --> 00:21:54,120 Speaker 1: Or i'm in a bad, mood you, KNOW i gravitate towards. 358 00:21:54,119 --> 00:21:56,879 Speaker 1: FUNK i gravitate TOWARDS r AND, b earth wind and fire, 359 00:21:57,119 --> 00:22:02,320 Speaker 1: chic sly, funkadelic all. That that's that's kind of that 360 00:22:02,400 --> 00:22:05,399 Speaker 1: in jazz is probably or probably the two genres THAT 361 00:22:05,440 --> 00:22:09,119 Speaker 1: i listen to the most instrumental jazz music bebop in 362 00:22:09,200 --> 00:22:11,520 Speaker 1: particular in the, morning When i'm getting, going When i'm. 363 00:22:11,560 --> 00:22:15,760 Speaker 1: WRITING i find it the perfect accompaniment to just grind 364 00:22:15,880 --> 00:22:17,840 Speaker 1: to just sit there at the keyboard and write and 365 00:22:17,880 --> 00:22:20,600 Speaker 1: write and. Write and then you, know throughout the day 366 00:22:20,680 --> 00:22:23,560 Speaker 1: When i'm just kind of trying to motor through everything 367 00:22:23,560 --> 00:22:25,439 Speaker 1: That i've got to, do and in particular WHEN i 368 00:22:25,440 --> 00:22:26,879 Speaker 1: feel bad AND i feel LIKE i need to be, 369 00:22:26,960 --> 00:22:30,440 Speaker 1: uplifted it's a. Funk IT'S r AND, b it's. Soul 370 00:22:30,640 --> 00:22:32,960 Speaker 1: so what is it for? You that's WHAT i want to. 371 00:22:33,000 --> 00:22:36,320 Speaker 1: Know on the heels of The Doctor john episode that's 372 00:22:36,320 --> 00:22:39,440 Speaker 1: coming your way On, tuesday hit me up six one 373 00:22:39,520 --> 00:22:43,359 Speaker 1: seven nine oh six six' six, Three eight send me. 374 00:22:43,400 --> 00:22:46,920 Speaker 1: A voicemail i love hearing. Your voices you can also 375 00:22:46,960 --> 00:22:48,680 Speaker 1: send me a text if your shot at six one 376 00:22:48,720 --> 00:22:51,239 Speaker 1: seven nine oh six six six. Three eight it can 377 00:22:51,320 --> 00:22:54,800 Speaker 1: hit me Up At disgrace lampod on. The socials i'll 378 00:22:54,800 --> 00:23:13,000 Speaker 1: be back right. After this, all, right guys football SEASON 379 00:23:13,080 --> 00:23:16,720 Speaker 1: is i gotta admit it's fun. This year it's. Got 380 00:23:16,800 --> 00:23:19,639 Speaker 1: fun it's got, you know some teams that aren't usually 381 00:23:19,640 --> 00:23:22,280 Speaker 1: good are good and my team is one. Of them 382 00:23:22,680 --> 00:23:26,200 Speaker 1: And The New england patriots are eight and two. Right 383 00:23:26,200 --> 00:23:30,960 Speaker 1: now they are ATOP The. Afc east they are the 384 00:23:31,200 --> 00:23:35,399 Speaker 1: second seed IN the afc playoffs right now Behind. THE 385 00:23:35,440 --> 00:23:38,399 Speaker 1: colts i Believe the colts have a better divisional record 386 00:23:38,440 --> 00:23:42,600 Speaker 1: Than the. Patriots have patriots lost To, the raiders, and 387 00:23:42,840 --> 00:23:44,680 Speaker 1: YEAH and i don't Think the colts have lost to 388 00:23:44,720 --> 00:23:49,439 Speaker 1: anyone in the, division anyhow eight. And two and we 389 00:23:49,520 --> 00:23:51,800 Speaker 1: didn't see, this coming none of. Us did and if, 390 00:23:51,800 --> 00:23:54,280 Speaker 1: you did kudos. To YOU but i think. You're lying 391 00:23:55,960 --> 00:23:59,520 Speaker 1: and it's got me, really excited but it's also got 392 00:23:59,560 --> 00:24:05,000 Speaker 1: me so super. Super cautious, All right, so listen this 393 00:24:05,359 --> 00:24:07,960 Speaker 1: is the Sixty second sports in under thirty seconds and 394 00:24:08,000 --> 00:24:10,480 Speaker 1: it's once again sponsored by our friends at Five hour 395 00:24:10,600 --> 00:24:13,280 Speaker 1: energy in Their New pumpkin, spice flavor your favorite fall 396 00:24:13,359 --> 00:24:16,119 Speaker 1: drink in an. Energy shot you can pick Up A 397 00:24:16,160 --> 00:24:19,680 Speaker 1: pumpkin spice Five Hour energy shot available online at Five 398 00:24:19,720 --> 00:24:22,720 Speaker 1: hour energy dot Com. Or, amazon matt give me. The ticker, 399 00:24:22,840 --> 00:24:24,439 Speaker 1: Let's go let's get. Into this listen To The New, 400 00:24:24,440 --> 00:24:28,520 Speaker 1: england patriots the Long Suffering New, england Patriots The tom, 401 00:24:28,600 --> 00:24:32,919 Speaker 1: brady Less The bill belichick Jettison to patriots have not 402 00:24:33,119 --> 00:24:37,879 Speaker 1: made the postseason since way way way back in twenty, 403 00:24:37,960 --> 00:24:41,320 Speaker 1: twenty two way Back When joe biden, was President When 404 00:24:41,359 --> 00:24:44,600 Speaker 1: stranger things was only in its, fourth season of television 405 00:24:44,680 --> 00:24:47,920 Speaker 1: And Top gun maverick had Just. Saved hollywood way back 406 00:24:47,960 --> 00:24:49,919 Speaker 1: then was the last time the pass played in the, 407 00:24:49,920 --> 00:24:53,040 Speaker 1: playoff game and. They lost they, got destroyed actually By The. 408 00:24:53,080 --> 00:24:56,639 Speaker 1: Buffalo bills and it's been, a dark dark couple of, 409 00:24:56,800 --> 00:24:59,800 Speaker 1: years since three years to. Be precise so, this year 410 00:25:00,200 --> 00:25:02,720 Speaker 1: now that we clearly have a quarterback who, can play 411 00:25:02,960 --> 00:25:05,239 Speaker 1: and we clearly have a coach who, CAN coach i 412 00:25:05,280 --> 00:25:08,760 Speaker 1: am stoked on. The future and the future is now, 413 00:25:09,000 --> 00:25:11,840 Speaker 1: right now as in twenty twenty five, This season but 414 00:25:12,440 --> 00:25:16,439 Speaker 1: can we pump the brakes please on the rampant happy 415 00:25:16,480 --> 00:25:19,560 Speaker 1: talk around. This Team The New york times playoff simulator 416 00:25:19,560 --> 00:25:22,879 Speaker 1: Projects the patriots going thirteen and four and finishing with 417 00:25:22,960 --> 00:25:26,000 Speaker 1: the best record IN. The afc this, might happen but 418 00:25:26,080 --> 00:25:28,879 Speaker 1: let's talk about, this insanity and let's not upset the. 419 00:25:28,880 --> 00:25:33,320 Speaker 1: Football gods they're, an angry. Fickle lot they disperse swift 420 00:25:33,400 --> 00:25:36,760 Speaker 1: judgment in the form of torn achilles and unnecessary. CONCUSSION 421 00:25:36,800 --> 00:25:39,199 Speaker 1: protocols i Want the patriots to make the playoffs as 422 00:25:39,280 --> 00:25:41,560 Speaker 1: much as The next, Pats fan but as the manning 423 00:25:41,560 --> 00:25:43,400 Speaker 1: who shall not, be named, you know the one who 424 00:25:43,400 --> 00:25:45,800 Speaker 1: beat us In The super, bowl, Twice said i'm, not 425 00:25:46,000 --> 00:25:49,760 Speaker 1: Superstitious but i'm a. Little stitious so let's, lay off, 426 00:25:49,880 --> 00:25:53,280 Speaker 1: let's chill let's chill on the, happy talk and let's see. 427 00:25:53,320 --> 00:25:57,400 Speaker 1: What happens. All right that was the sports rant sponsored 428 00:25:57,400 --> 00:26:00,560 Speaker 1: By Five Hour Energies New Pumpkin. Spice flavor These New 429 00:26:00,600 --> 00:26:02,960 Speaker 1: pumpkin spice Five Hour energy shots our fall in a 430 00:26:03,000 --> 00:26:05,560 Speaker 1: bottle and bring that classic pumpkin spice flavor that we 431 00:26:05,600 --> 00:26:07,359 Speaker 1: all know, and love our favorite, fall drink and an. 432 00:26:07,440 --> 00:26:09,360 Speaker 1: Energy shot you can pick Up A pumpkin spice Five 433 00:26:09,359 --> 00:26:12,880 Speaker 1: Hour energy shot available online at Five hour energy dot Com. 434 00:26:12,960 --> 00:26:15,719 Speaker 1: Or AMAZON as i just, read, THAT guys i had 435 00:26:15,760 --> 00:26:19,680 Speaker 1: an image of myself did not look that dissimilar from 436 00:26:19,720 --> 00:26:22,720 Speaker 1: the announcer from The Film, Slap SHOT and i, DON'T 437 00:26:22,760 --> 00:26:24,159 Speaker 1: know i FELT like i was channeling that dude a, 438 00:26:24,200 --> 00:26:26,280 Speaker 1: little bit the guy with the. HAIR piece i don't 439 00:26:26,280 --> 00:26:28,560 Speaker 1: have a, hair piece despite what some people may. Have, 440 00:26:28,640 --> 00:26:31,679 Speaker 1: SAID anyhow i love, talking SPORTS and i love that 441 00:26:31,720 --> 00:26:32,960 Speaker 1: you guys are here, for IT and i love that 442 00:26:33,000 --> 00:26:35,840 Speaker 1: you indulge these little. Sports rents thank you. SO much 443 00:26:35,960 --> 00:26:39,159 Speaker 1: i also love talking music, and crime as, you know 444 00:26:39,920 --> 00:26:44,320 Speaker 1: and so much of the content that you guys hear 445 00:26:45,160 --> 00:26:50,000 Speaker 1: is driven from Conversations between ZETH. And i sometimes they're 446 00:26:50,080 --> 00:26:55,120 Speaker 1: purposeful conversations. Around work sometimes they're just conversations around things 447 00:26:55,160 --> 00:26:57,879 Speaker 1: that we're listening to or that we've just sort, of learned, 448 00:26:57,920 --> 00:27:01,240 Speaker 1: you know, you know reels we've come across On on instagram, 449 00:27:01,960 --> 00:27:04,439 Speaker 1: or whatever just things we've seen On, the internet or 450 00:27:04,880 --> 00:27:08,080 Speaker 1: things we've uncovered from the research we're doing on, various 451 00:27:08,160 --> 00:27:10,679 Speaker 1: artists and we just, get talking and it just it 452 00:27:10,800 --> 00:27:15,520 Speaker 1: spurs all, this conversation and that then drives the conversation 453 00:27:15,760 --> 00:27:18,119 Speaker 1: that we each have in the after party And in 454 00:27:18,240 --> 00:27:21,040 Speaker 1: zeth's wrap party over In The Hollywood, land feed which 455 00:27:21,040 --> 00:27:24,280 Speaker 1: you guys should be, subscribed to and of course in 456 00:27:24,320 --> 00:27:28,359 Speaker 1: the conversations with you guys that. We, have oftentimes the 457 00:27:28,480 --> 00:27:31,320 Speaker 1: subjects that we cover and that we dedicate a lot 458 00:27:31,359 --> 00:27:36,119 Speaker 1: of man hours too to producing, our episodes those subjects 459 00:27:36,160 --> 00:27:38,880 Speaker 1: are driven from conversations that we have with, each other 460 00:27:38,920 --> 00:27:41,800 Speaker 1: and that is certainly the case With the phish episode. 461 00:27:42,240 --> 00:27:47,320 Speaker 1: This week i'm not sure which Listener brought fish to my, 462 00:27:47,359 --> 00:27:51,280 Speaker 1: attention first NOR am i Sure Which doctor john Listener 463 00:27:51,320 --> 00:27:53,760 Speaker 1: Brought doctor john to. MY attention i should really start 464 00:27:54,520 --> 00:27:57,040 Speaker 1: making a record. OF this, i GUESS so i can 465 00:27:57,080 --> 00:28:00,520 Speaker 1: thank you. Guys, PROPERLY oftentimes i know would have thought. 466 00:28:00,560 --> 00:28:02,360 Speaker 1: Of fish we never would have thought Of The nitrous, 467 00:28:02,440 --> 00:28:04,600 Speaker 1: mafia either if it weren't for One of zest's friends 468 00:28:04,760 --> 00:28:07,159 Speaker 1: who he was, talking to who hipped him to that. 469 00:28:07,240 --> 00:28:09,760 Speaker 1: Whole scene we know a lot, about music we, don't 470 00:28:09,840 --> 00:28:12,320 Speaker 1: clearly we don't know everything about. Music history and you 471 00:28:12,320 --> 00:28:15,919 Speaker 1: guys know a ton and you just keep. It coming, 472 00:28:16,080 --> 00:28:18,960 Speaker 1: you know if you text us, these ideas if you 473 00:28:19,119 --> 00:28:20,960 Speaker 1: send us voicemails and you don't hear back, from me 474 00:28:21,000 --> 00:28:23,600 Speaker 1: don't take. It personally. You know we try to answer 475 00:28:23,640 --> 00:28:25,200 Speaker 1: as much as. We can we try to get into, 476 00:28:25,240 --> 00:28:27,720 Speaker 1: the emails we try to get into, the dms we 477 00:28:27,760 --> 00:28:30,760 Speaker 1: try to unlock all, the voicemails all. The texts if 478 00:28:30,760 --> 00:28:32,280 Speaker 1: we don't get back, to you we do see it 479 00:28:32,320 --> 00:28:36,320 Speaker 1: all and oftentimes it colors literally the content that we 480 00:28:36,400 --> 00:28:39,280 Speaker 1: end up choosing to engage with. And produce so keep, 481 00:28:39,320 --> 00:28:42,320 Speaker 1: it coming and it's all, conversation driven just like the 482 00:28:42,400 --> 00:28:45,560 Speaker 1: Conversation between ZETH and i and the exclusive section of 483 00:28:45,600 --> 00:28:48,600 Speaker 1: The after party that's coming up. Here SHORTLY as i, 484 00:28:48,680 --> 00:28:51,240 Speaker 1: MENTIONED before i think that's based on the talk we 485 00:28:51,320 --> 00:28:54,840 Speaker 1: had regarding the sound system Operators. In jamaica that was 486 00:28:54,920 --> 00:28:57,080 Speaker 1: driven FROM the b. Block here if you want to 487 00:28:57,080 --> 00:28:59,880 Speaker 1: hear more on, that insanity you can do so by 488 00:29:00,280 --> 00:29:02,560 Speaker 1: Becoming An all. Access member just Go to disgrace sampod 489 00:29:02,600 --> 00:29:05,400 Speaker 1: dot com to sign out five bucks a month before 490 00:29:05,440 --> 00:29:08,440 Speaker 1: that price, goes up and you're gonna get exclusive content 491 00:29:08,920 --> 00:29:10,840 Speaker 1: here in The. After party you can get the exclusive 492 00:29:11,120 --> 00:29:15,120 Speaker 1: mini episodes every week. Pretty much and we've got more 493 00:29:15,200 --> 00:29:17,720 Speaker 1: content coming your Way through patreon as well that. We're 494 00:29:17,760 --> 00:29:34,800 Speaker 1: planning so get in Become An all access. Member, Today 495 00:29:36,160 --> 00:29:42,920 Speaker 1: Aerosmith The, Rolling Stones, elvis Presley. The beatles these are 496 00:29:42,960 --> 00:29:45,680 Speaker 1: just some of the artists we mentioned in this episode 497 00:29:45,760 --> 00:29:48,320 Speaker 1: Of The. After party WE'VE got i don't know ten 498 00:29:48,440 --> 00:29:50,440 Speaker 1: episodes On, The, BEATLES no i think, it's NINE and 499 00:29:50,480 --> 00:29:53,040 Speaker 1: i think we have six On The. Rolling stones MATT 500 00:29:53,040 --> 00:29:55,200 Speaker 1: will i, don't know choose a couple of his of, 501 00:29:55,240 --> 00:30:00,600 Speaker 1: his favorites and he'll include the episode information show notes 502 00:30:00,600 --> 00:30:03,880 Speaker 1: to this bonus episode so you can easily navigate to those. Huge. 503 00:30:03,960 --> 00:30:06,600 Speaker 1: ARCHIVE guys i think we're up to two hundred and 504 00:30:06,600 --> 00:30:09,960 Speaker 1: fifty seven full episodes. Right now it's a lot of 505 00:30:10,040 --> 00:30:13,080 Speaker 1: stories on a lot of Artists and they can all 506 00:30:13,080 --> 00:30:17,600 Speaker 1: be accessed In The disgraced. Land archive, all right, let's recap. 507 00:30:17,760 --> 00:30:21,160 Speaker 1: Shall we this week's full episode On the fish is 508 00:30:21,200 --> 00:30:23,760 Speaker 1: available for you. Right now, number two new mini episode 509 00:30:23,800 --> 00:30:27,120 Speaker 1: For all access members On The nitrous mafia and connection 510 00:30:27,240 --> 00:30:29,680 Speaker 1: to a. Recent murder you're gonna want to, hear that. 511 00:30:29,720 --> 00:30:32,600 Speaker 1: All right number three rewind Episode On tommy james coming 512 00:30:32,680 --> 00:30:35,040 Speaker 1: up right. After this. Number four next week comes our 513 00:30:35,080 --> 00:30:38,480 Speaker 1: new Episode On doctor. John five zeth gives You those 514 00:30:38,480 --> 00:30:41,240 Speaker 1: hollywood and crime vibes over In The hollywood, land feeds 515 00:30:41,240 --> 00:30:43,720 Speaker 1: so make sure. You're subscribed number six six one seven 516 00:30:43,800 --> 00:30:46,360 Speaker 1: nine oh six six six. Three eight your voice keeps 517 00:30:46,400 --> 00:30:48,600 Speaker 1: us digging into the dark corners of, Music history so, 518 00:30:48,680 --> 00:30:51,240 Speaker 1: keep calling keep texting with your answers to this week's 519 00:30:51,320 --> 00:30:53,480 Speaker 1: question of, the week with whatever else you guys want to. 520 00:30:53,480 --> 00:30:53,640 Speaker 5: Talk. 521 00:30:53,640 --> 00:30:56,440 Speaker 1: About seven don't forget. Dis goes this isn't. Just content it's, 522 00:30:56,480 --> 00:30:59,440 Speaker 1: a community a community of. The obsessed no one cares, about, 523 00:30:59,520 --> 00:31:02,160 Speaker 1: music books records in the crime. And grime it ties 524 00:31:02,200 --> 00:31:04,720 Speaker 1: them all together like, you do and that is. A disgrace. 525 00:31:04,800 --> 00:31:09,320 Speaker 1: All Right on, august fifteenth two thousand, And four fish 526 00:31:09,360 --> 00:31:12,600 Speaker 1: played what they thought was going to be their. Final show, 527 00:31:13,200 --> 00:31:15,760 Speaker 1: It wasn't and Here's what america was listening to on 528 00:31:15,800 --> 00:31:20,040 Speaker 1: that day according To The. Billboard charts Number One Slow 529 00:31:20,080 --> 00:31:26,080 Speaker 1: motion juvenile Featuring Soul, just slim last week one weeks 530 00:31:26,120 --> 00:31:31,520 Speaker 1: on chart sixteen peak, position one, Number Two Lean Back 531 00:31:32,080 --> 00:31:36,640 Speaker 1: terror squad last week three number weeks on chart eight 532 00:31:37,160 --> 00:31:43,480 Speaker 1: peak Positions Two man, Number Three confessions part two last 533 00:31:43,520 --> 00:31:47,440 Speaker 1: week position two weeks on chart six, Number Six beat 534 00:31:47,440 --> 00:31:52,920 Speaker 1: a position, Number Four Turn Me On kevin Litter Featuring. 535 00:31:53,000 --> 00:32:00,800 Speaker 1: Spragger bands last week six weeks on chart peak position. Number, 536 00:32:00,840 --> 00:32:17,840 Speaker 1: Five Sausage quit Talking and start mixing cou