WEBVTT -  It Wasn't a Date...It Was Just a Thing (S1 E15, “Christopher Returns”)

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<v Speaker 1>I am all in a kiss you. I am all

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<v Speaker 1>in with Scott Patterson and I Heart Radio podcast. All right, everybody,

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<v Speaker 1>we're back for Christopher Returns. I'm Scott Patterson and this

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<v Speaker 1>is the I Am All In Podcast with iHeart Radio

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<v Speaker 1>and one eleven Productions, and we are going to discuss

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<v Speaker 1>a I mean, just what a what a what an episode?

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<v Speaker 1>I mean far talk about fireworks in the Gilmour living room.

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<v Speaker 1>It was like an m m A fighting there amongst

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<v Speaker 1>the high i Q set. You know, it was like

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<v Speaker 1>whoa takedowns all over the place and got physical. You

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<v Speaker 1>got physical with what's his name? Mr? What's his name? Mr?

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<v Speaker 1>Hay stro Beaden, What a name? Loved the name Strobe.

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<v Speaker 1>I mean, it got physical. Richard in in his guardag

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<v Speaker 1>he stood up like a grizzly bear, uh and just

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<v Speaker 1>grabbed that man, tossed him out of his house defending Laurel.

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<v Speaker 1>I what a what a what an episode? My god?

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<v Speaker 1>And scene was not okay, that was upsetting. It was

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<v Speaker 1>it was very upsetting. But yeah, the whole thing was upsetting.

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<v Speaker 1>But Emily, I think Emily tried to save the evening

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<v Speaker 1>for poor Rory in the kitchen. Was it was kind

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<v Speaker 1>of heartbreaking because I've never seen Emily that vulnerable where

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<v Speaker 1>she's just like, my god, what what? What? You know,

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<v Speaker 1>the trauma that this child must have gone through as

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<v Speaker 1>a result of perhaps Richard and Emily's actions towards their

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<v Speaker 1>daughter and then through through the years is now getting

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<v Speaker 1>you know, that same behavior is getting on Rory. So

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<v Speaker 1>I think she felt a little guilty about it. Yeah,

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<v Speaker 1>that that was a nice scene after the scarring I

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<v Speaker 1>experienced from the scene before Goodness Christopher returns. Boy did that?

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<v Speaker 1>Uh man? That guy, he just came in too hard

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<v Speaker 1>and too fast with the marriage thing. I wanted, you know,

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<v Speaker 1>It's like, oh, that was aggressive, I thought, so do like,

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<v Speaker 1>like have a plan, you know, have a like a

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<v Speaker 1>six month plan or a year plan. You've been out

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<v Speaker 1>of the picture for sixteen years, and like night one,

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<v Speaker 1>was it like the first night or the second day

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<v Speaker 1>or something. He's like, all of a sudden, like I

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<v Speaker 1>want to marry you. I was like, what a clumsy dude.

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<v Speaker 1>So much happened in that episode because they slept together too. Sorry, sorry,

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<v Speaker 1>I don't want to I don't want to hurt you.

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<v Speaker 1>But didn't bother me. Really didn't bother me at all.

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<v Speaker 1>Now I underd I understood, I under stood why that happened.

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<v Speaker 1>I tried to. I think I was so overwhelmed by it.

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<v Speaker 1>I just attached myself emotionally and just sort of went

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<v Speaker 1>straight to the intellect and tried to reason it out.

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<v Speaker 1>And you know, yeah, that's of course that's going to happen.

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<v Speaker 1>Entirely predictable. It had to happen. Um, And it did.

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<v Speaker 1>And I was kind of glad that it did, because

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<v Speaker 1>if that didn't happen, then maybe they would have gotten together.

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<v Speaker 1>I think the very fact that he pushed it to

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<v Speaker 1>that degree and was so aggressive as the thing, you know,

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<v Speaker 1>that was the real flying the ointment that. I mean,

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<v Speaker 1>we all knew that he was being too aggressive when

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<v Speaker 1>he made the move on her in the kitchen, and

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<v Speaker 1>she she protested very strongly, um and said all the

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<v Speaker 1>right things that you're not ready and you're not ready

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<v Speaker 1>for this, and you don't know what this entails, and

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<v Speaker 1>you have demonstrated no ability to make that level of

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<v Speaker 1>commitment as a father or as a person or as

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<v Speaker 1>a friend. Um well maybe not as a friends, but

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<v Speaker 1>as a father. And and she was she was nailing

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<v Speaker 1>it all over the place, and and just the fact

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<v Speaker 1>that I think there was a part of her on

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<v Speaker 1>that balcony that said, this is the last hurrah. This

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<v Speaker 1>isn't the beginning of anything. This is the end of something,

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<v Speaker 1>and I'm gonna just get it out of him, gonna

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<v Speaker 1>let him get it out of his system so that

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<v Speaker 1>he goes away, because once he gets that, he's gone.

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<v Speaker 1>He's not the guy. He's not the forever guy, and

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<v Speaker 1>he never was, and she knows that. So maybe there

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<v Speaker 1>was a part of her deep down that knew instinctively that,

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<v Speaker 1>you know, sleeping with him wasn't going to be the

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<v Speaker 1>biggest mistake in the world. It was going to be

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<v Speaker 1>the thing that really cleared him out. You know, maybe

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<v Speaker 1>there's a part of her that that knew that, you know,

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<v Speaker 1>I don't, I don't want to. I don't. I don't

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<v Speaker 1>think she's that cynical in that moment to sort of

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<v Speaker 1>consciously be aware of that and saying, oh, you know what,

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<v Speaker 1>I'm gonna do this and then he'll go away. But

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<v Speaker 1>I just think it was somewhere underneath there. Yeah, I

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<v Speaker 1>thought it did work because if that scene was so

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<v Speaker 1>overwhelming with the fight that it just seemed like it

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<v Speaker 1>was such a mess, and they were probably also hurt

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<v Speaker 1>that it was like it did feel logical, like okay, yeah,

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<v Speaker 1>now they're going to be on the balcony and like

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<v Speaker 1>do it. And it was like, wow, this is this

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<v Speaker 1>is very fiery. Everything's fiery. Now it's like, oh sudden,

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<v Speaker 1>It's like it's like really interesting. Say yeah. It was

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<v Speaker 1>the most dramatic sort of scarring scene we've had so far.

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<v Speaker 1>It was it was it was ungilmore like almost because

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<v Speaker 1>it really it was. It suddenly turned into a drama.

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<v Speaker 1>And you know, some of the greatest lines so far

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<v Speaker 1>in the season, so far, the episodes I've watched and

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<v Speaker 1>what what is that? Thirteen thirteen Now we're up to

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<v Speaker 1>um we're all the little quippy lines between Rory and

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<v Speaker 1>Laurel I with all the tension, like did you just curtsy?

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<v Speaker 1>Like yes, my lady. It's hysterical stuff like Roy didn't

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<v Speaker 1>know what to do so she curtsyed. And the presence

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<v Speaker 1>of Mrs Hayden. She's so amazing in this episode because

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<v Speaker 1>her awkwardness is so like accurate. It's just like she

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<v Speaker 1>doesn't know and she does that scene where she says,

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<v Speaker 1>strobe mr YouTube there you two there sitting there, yes,

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<v Speaker 1>and then the fight was so ugly, but so you know,

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<v Speaker 1>the most heartbreaking thing about to go when Christopher arrived

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<v Speaker 1>or now I'm sorry, after he left, how vulnerable and

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<v Speaker 1>how much Rory wants her dad back in her and

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<v Speaker 1>it's so heartbreaking, so heartbreaking that her mother has to

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<v Speaker 1>be the bear of bad news and you know, him

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<v Speaker 1>showing up forced her to, you know, kind of break

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<v Speaker 1>her daughter's heart again because she has this hope, and

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<v Speaker 1>hope is the thing with feathers as we know, um,

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<v Speaker 1>as we are learned in school, and you know, I

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<v Speaker 1>I know what that is, and that's that's hard to

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<v Speaker 1>deal with that when you're a teenager wanting a parent

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<v Speaker 1>to come back, it's hard and it colors your whole life.

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<v Speaker 1>And it's exactly why she failed. This is exactly why

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<v Speaker 1>Rory didn't thrive. I think it contributed mightily, um because

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<v Speaker 1>she's got that whole insider. It's kind of amazing she

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<v Speaker 1>didn't turn into uh well, I mean, you know, kids

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<v Speaker 1>make bad choices when they have that whole you know,

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<v Speaker 1>it's a mommy hole or a dad hole, and they

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<v Speaker 1>you know, they drink and they do drugs and they

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<v Speaker 1>do all kinds of extreme behavior to sort of field

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<v Speaker 1>that hole. And and I don't know what Rory did

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<v Speaker 1>after she graduated from Yale or she just doesn't really

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<v Speaker 1>get a career like we expected. But we can talk

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<v Speaker 1>about that. And Ma gets exactly because that scene, that

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<v Speaker 1>scene when they're walking back up to the house after

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<v Speaker 1>Christopher leaves on his most motorcycle and she's so hopeful,

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<v Speaker 1>like maybe he could come back mom, and like, Rory,

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<v Speaker 1>you know, it's not really, He's not the guy. And

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<v Speaker 1>you know, you know, she was trying to just let

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<v Speaker 1>her down easy because she knew in her heart he's

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<v Speaker 1>never going to be that guy. We can talk about

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<v Speaker 1>this in a minute. But no matter how sweet and

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<v Speaker 1>and and correct, the scene is with Emily and Rory

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<v Speaker 1>where she's saying, none of this is about you. There's

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<v Speaker 1>no way a sixteen year old kid does not make

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<v Speaker 1>that about them. That there's almost a fist fight because

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<v Speaker 1>she was born and she ruined him going to Princeton

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<v Speaker 1>and Laurela having It's like, how do you not internalize that?

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<v Speaker 1>There's no way? And that's it's also why the same

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<v Speaker 1>token Christopher probably has been failing because he I mean,

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<v Speaker 1>if you're that guy, if you have the weight of

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<v Speaker 1>that DNA on you to go to Princeton and you

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<v Speaker 1>don't go, you know, and those parents, are you kidding me?

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<v Speaker 1>I'm surprised Christopher is doing as well as he is.

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<v Speaker 1>But anyway, we'll talk about this in a minute. So

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<v Speaker 1>these are three people caught up in this maelstrom of

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<v Speaker 1>uh expectation and tradition and higher education that they none

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<v Speaker 1>of them, the only one of them will follow through

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<v Speaker 1>and we'll see how far she gets. And this, God,

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<v Speaker 1>you realize in that scene, the pure dysfunction actually of

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<v Speaker 1>this family. Well you know, the pain, the deep seated

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<v Speaker 1>unspoken pain that came now it comes out. I mean,

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<v Speaker 1>now it's all hanging out in the open now, all

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<v Speaker 1>the dirty laundry being here. That the deep pain and

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<v Speaker 1>was one of the most um I mean, if you

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<v Speaker 1>didn't say think that ed Herman was you know, a

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<v Speaker 1>cop drawer actor. I don't know why you would think that,

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<v Speaker 1>but my god, did he dis He displayed some range

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<v Speaker 1>in this episode, especially that scene in the in the

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<v Speaker 1>in his office with Lauren. Yeah, just remarkable stuff and

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<v Speaker 1>heart wrenching, and you see how deeply it affected these people.

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<v Speaker 1>It really, you know, it really humanized Richard for me,

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<v Speaker 1>and it really humanized um Emily. Yeah, because they really

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<v Speaker 1>went through it. My god, the disappointment was so deep,

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<v Speaker 1>so deep. Um. But well there you go. If you

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<v Speaker 1>express it repeatedly, it's going to have an effect on

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<v Speaker 1>people and make them want to stay away from you,

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<v Speaker 1>where you're going to have to bribe bribe them back

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<v Speaker 1>into your lives and for Friday night dinners and private

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<v Speaker 1>school tuition. Well, let's take a break and bring in

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<v Speaker 1>our guest. All right, I think that's what I happy. Anyway,

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<v Speaker 1>we'll be back with our guest, our surprise guest. Should

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<v Speaker 1>we name him? Yeah, that's a good one. Mike Gazalf,

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<v Speaker 1>who had a couple of lines in this episode. We're

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<v Speaker 1>gonna talk to him when we're back. Hey, Scott, how

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<v Speaker 1>are you doing, Mike? Thanks for coming on. I'm glad you. Uh.

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<v Speaker 1>I enjoyed the show and I thought I was glad

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<v Speaker 1>to be asked. Thank you so so you. Mike Gainsolfie

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<v Speaker 1>have been nominated or a Golden Globe Award winning Comedy Writer,

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<v Speaker 1>Peabody Award, Emmy nomination for Rosanne Dennis Miller Live Veronica's Closet,

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<v Speaker 1>Mystery Science, three thousand later with Greg Kinnear. Oh my god,

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<v Speaker 1>I had no idea. You never talked about this. I

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<v Speaker 1>keep all that hidden by just being so so bad

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<v Speaker 1>on as Andrew that I hit all that other you know,

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<v Speaker 1>I hit it all under the rest of it. But yeah, no,

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<v Speaker 1>I started and been I've been a stand up comic

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<v Speaker 1>and a writer. And then whenever I know there's a

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<v Speaker 1>camera on me, except for right now hopefully, I always

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<v Speaker 1>just went on camera and I just panicked. So it

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<v Speaker 1>was just like, you know, people who I thought would go, oh,

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<v Speaker 1>we know you was a writer, to go just just

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<v Speaker 1>go back. You're You're perfect behind the camera. Stop ever

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<v Speaker 1>just being on camera. And so I just you know,

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<v Speaker 1>So I've been writing everything. I mean, I've wrote before,

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<v Speaker 1>and I wrote sort of during and I've spent all

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<v Speaker 1>of I wrote three pilots during, um you know, so

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<v Speaker 1>far during COVID, and I've got two more I'm working

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<v Speaker 1>on now and just trying to sell those and selling screenplays.

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<v Speaker 1>And I'm and that's how I That's how I spend

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<v Speaker 1>my day. So you so you got, well that's terrific,

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<v Speaker 1>very productive. Um um so you got so you knew

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<v Speaker 1>Amy and Dan prior and that's how tell us how

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<v Speaker 1>you got the role. I've worked with Amy on Roseanne

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<v Speaker 1>in the beginning. When I got hired on Roseanne, she

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<v Speaker 1>was already there, so I knew Amy. I worked on

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<v Speaker 1>three or four of her different shows. Worked on a

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<v Speaker 1>show with Daniel on called Over the Top, and then

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<v Speaker 1>we worked on Ronica's Closet together. Amy and Amy and

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<v Speaker 1>I worked on that, and then her next show is

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<v Speaker 1>Gilmore Girls, and and you know she didn't need me

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<v Speaker 1>on that show. But one day Helen Pye, who works

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<v Speaker 1>behind the scenes married to the real David Gelski, uh

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<v Speaker 1>said I said something about can I say some lying

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<v Speaker 1>about thanks Luke, and will you stand all night in

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<v Speaker 1>the snow? And I went, sure, I'll do that, And

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<v Speaker 1>you brought me coffee and they love and Warren snow

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<v Speaker 1>when I was on, and they made me get my

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<v Speaker 1>sag card for that because I've done a couple of

0:13:46.200 --> 0:13:49.520
<v Speaker 1>little lines on other shows, and I went, well, you

0:13:49.720 --> 0:13:51.800
<v Speaker 1>no offense, you made me get my sag card. Can

0:13:51.840 --> 0:13:53.160
<v Speaker 1>you just throw me on the show but once in

0:13:53.200 --> 0:13:55.800
<v Speaker 1>a while, And they went alright, as little as possible,

0:13:56.280 --> 0:13:58.920
<v Speaker 1>which is how I like like. It was usually something

0:13:58.920 --> 0:14:02.560
<v Speaker 1>goofy like you know, I warn a that army costume

0:14:03.440 --> 0:14:06.360
<v Speaker 1>to uh Amy's and Amy had a party, and also

0:14:06.360 --> 0:14:09.680
<v Speaker 1>at Amy and Daniel's wedding, I wore this army costume,

0:14:09.880 --> 0:14:11.640
<v Speaker 1>so they said, we want you to wear that in

0:14:11.679 --> 0:14:15.400
<v Speaker 1>the dance Marathon episode. So that was filmed way on

0:14:15.440 --> 0:14:17.440
<v Speaker 1>the West Valley and it was like a hundred degrees

0:14:17.480 --> 0:14:20.880
<v Speaker 1>already and I nearly fainted wearing that wool suit and

0:14:21.040 --> 0:14:22.760
<v Speaker 1>to pull me someone had dragged me to the fan

0:14:23.080 --> 0:14:28.080
<v Speaker 1>to get me revived practically, and then they stupidly, Uh,

0:14:28.200 --> 0:14:30.160
<v Speaker 1>not stupid, it was actually fun. I took Amy to

0:14:30.200 --> 0:14:32.200
<v Speaker 1>a beakroom class, but beakerm was still a thing you're

0:14:32.200 --> 0:14:35.360
<v Speaker 1>allowed to talk about, and uh, she said at the

0:14:35.440 --> 0:14:37.000
<v Speaker 1>end of the class. She said, the whole time, I

0:14:37.040 --> 0:14:39.320
<v Speaker 1>just thought, how can I kill Mike and DOLPHI and

0:14:39.400 --> 0:14:45.560
<v Speaker 1>that Bellary Campbell said. Bellary Campbell says, because of that,

0:14:45.680 --> 0:14:49.040
<v Speaker 1>but she made me, uh have to be topless in

0:14:49.120 --> 0:14:52.920
<v Speaker 1>the art episode. So that was responsible for my being

0:14:52.920 --> 0:14:56.080
<v Speaker 1>in the statue in the art episode. So there's always

0:14:56.080 --> 0:14:58.840
<v Speaker 1>something goofy like that. Otherwise, as in town meetings, and

0:14:59.160 --> 0:15:02.040
<v Speaker 1>you know, I saw the uh I couldn't sell it.

0:15:02.160 --> 0:15:05.640
<v Speaker 1>Oh e ed to Christopher because he's card got declined.

0:15:06.280 --> 0:15:08.120
<v Speaker 1>But it's just little things like that that I was

0:15:08.240 --> 0:15:13.280
<v Speaker 1>doing in the show, in town meetings and things like that. Um,

0:15:13.320 --> 0:15:17.520
<v Speaker 1>so that's so you and Amy and Dan go back aways. Yeah,

0:15:17.560 --> 0:15:19.480
<v Speaker 1>that was. I was friends with them and went to

0:15:19.520 --> 0:15:22.480
<v Speaker 1>their wedding. They went to my wedding. Um, we've known

0:15:22.480 --> 0:15:24.640
<v Speaker 1>each other many years? What was what was their wedding? Like?

0:15:26.720 --> 0:15:28.960
<v Speaker 1>It was actually a swing wedding, you know, like you

0:15:29.200 --> 0:15:32.200
<v Speaker 1>like that's why I was wearing a nineteen forties army

0:15:32.240 --> 0:15:35.280
<v Speaker 1>costume and they were you were supposed to. Uh. The

0:15:35.320 --> 0:15:38.360
<v Speaker 1>songs were all sort of swing dance songs, although I couldn't.

0:15:38.440 --> 0:15:41.520
<v Speaker 1>I think I I think she got us all lessons

0:15:41.600 --> 0:15:43.760
<v Speaker 1>one or two lessons, so I went to one one

0:15:43.880 --> 0:15:47.800
<v Speaker 1>dance lesson and then swing swing danced is that the

0:15:47.840 --> 0:15:51.440
<v Speaker 1>right term? Or swung dance? I don't know swing danced,

0:15:52.080 --> 0:15:57.040
<v Speaker 1>but yeah there right, Yeah, there's a swing. There's there's

0:15:57.120 --> 0:16:00.920
<v Speaker 1>swing music sort of. There was song I really know

0:16:00.960 --> 0:16:04.840
<v Speaker 1>would be Take five. But that's it was kind It

0:16:04.880 --> 0:16:10.240
<v Speaker 1>was fun talk about how difficult it was. What were

0:16:10.240 --> 0:16:15.000
<v Speaker 1>you in any episodes in season seven? No? No, but

0:16:15.120 --> 0:16:17.600
<v Speaker 1>you watched the episode you watched the episodes, you watch

0:16:17.680 --> 0:16:21.640
<v Speaker 1>the whole series. I know, in fact, that's been funny

0:16:21.640 --> 0:16:24.160
<v Speaker 1>that I hadn't even watched this episodeuntil I watched it

0:16:24.240 --> 0:16:26.520
<v Speaker 1>for this because I only saw my part. Whe I

0:16:26.600 --> 0:16:30.280
<v Speaker 1>knew that I declined Chris's credit card, but I had

0:16:30.320 --> 0:16:32.560
<v Speaker 1>no idea that they I don't want to give him

0:16:32.560 --> 0:16:34.640
<v Speaker 1>any spoilers, but we're talking about the episode that they

0:16:35.080 --> 0:16:37.120
<v Speaker 1>didn't know they'd slept together later in the episode. I

0:16:37.160 --> 0:16:38.800
<v Speaker 1>thought that would have been a perfect way to run

0:16:38.840 --> 0:16:42.040
<v Speaker 1>the show, is make or give birth to Chris's second kid,

0:16:42.680 --> 0:16:45.480
<v Speaker 1>and that Rory and the second kid could have been

0:16:45.840 --> 0:16:48.200
<v Speaker 1>sixteen years apart. She could have been friends with her

0:16:48.280 --> 0:16:51.400
<v Speaker 1>daughter and friends with her second daughter. I had a

0:16:51.400 --> 0:16:53.360
<v Speaker 1>whole different direction for the show. Yeah, that's that's a

0:16:53.360 --> 0:17:02.000
<v Speaker 1>different direction for sure. Wow. So, UM, tell us a

0:17:02.000 --> 0:17:06.399
<v Speaker 1>little bit more about um your experiences. Well, so what

0:17:06.440 --> 0:17:08.040
<v Speaker 1>did you think of the writing? What do I mean,

0:17:09.400 --> 0:17:11.119
<v Speaker 1>why do you think Well, let me ask you this,

0:17:11.160 --> 0:17:13.639
<v Speaker 1>why do you think it worked so well? Why do

0:17:13.680 --> 0:17:17.520
<v Speaker 1>you think that writing was unique onto any other show?

0:17:18.200 --> 0:17:23.720
<v Speaker 1>For from season one through six? I think Amy Amy

0:17:24.000 --> 0:17:28.320
<v Speaker 1>writes really well and really like even on Rosanne, she

0:17:28.320 --> 0:17:31.040
<v Speaker 1>she knew what she was, what she was writing about

0:17:31.119 --> 0:17:33.720
<v Speaker 1>and who she was, and just made the stories really

0:17:33.760 --> 0:17:37.480
<v Speaker 1>personal and and had the emotions down better than anyone.

0:17:37.880 --> 0:17:40.760
<v Speaker 1>And and she just got the personal connections that you know,

0:17:41.359 --> 0:17:43.399
<v Speaker 1>I just I've been a comedian. I just wanted to

0:17:43.440 --> 0:17:45.760
<v Speaker 1>write jokes like I just wanted to, you know. And

0:17:45.760 --> 0:17:48.480
<v Speaker 1>then the Kangaroo one and you go, alright, everyone laughed

0:17:48.480 --> 0:17:51.320
<v Speaker 1>and no one cares, all right, and you know, and

0:17:51.440 --> 0:17:55.679
<v Speaker 1>like I grew up in an emotionally stunted family, so

0:17:55.760 --> 0:17:57.960
<v Speaker 1>we didn't talk to each other. So like, they're doing

0:17:58.000 --> 0:18:01.000
<v Speaker 1>emotions and I'm like, what are people doing. They're talking

0:18:01.040 --> 0:18:04.159
<v Speaker 1>about their feelings, like I don't you know, so she

0:18:04.359 --> 0:18:07.240
<v Speaker 1>but she got that. So all the connections of things

0:18:07.240 --> 0:18:11.480
<v Speaker 1>and me. You know that in every episode they're connecting

0:18:11.600 --> 0:18:14.760
<v Speaker 1>as people and there's emotions. You go, ah, if I

0:18:14.800 --> 0:18:16.879
<v Speaker 1>had those emotions, I get it. And as a person,

0:18:17.119 --> 0:18:19.200
<v Speaker 1>you know, I watched it. I understand what you guys

0:18:19.200 --> 0:18:27.720
<v Speaker 1>are doing. So but she just got that edit than anyone. Unfortunately,

0:18:27.760 --> 0:18:34.880
<v Speaker 1>you're a robot comedian didn't understand. But I mean, but look,

0:18:34.960 --> 0:18:38.840
<v Speaker 1>intellectually speaking and emotionally, of course, you can appreciate it. Yeah,

0:18:38.920 --> 0:18:41.520
<v Speaker 1>very much. And I got I got all that right,

0:18:41.560 --> 0:18:43.639
<v Speaker 1>and you under and you understood how difficult it is

0:18:43.680 --> 0:18:47.199
<v Speaker 1>to create that many very unique characters, distinctive voices. You know,

0:18:47.240 --> 0:18:49.800
<v Speaker 1>there's so many, I mean there's thirty or forty eplodents.

0:18:50.440 --> 0:18:53.920
<v Speaker 1>It's unbelievable. And I also know that how much how

0:18:54.000 --> 0:18:56.520
<v Speaker 1>much writing she did, because the scripts are half again

0:18:56.560 --> 0:18:59.520
<v Speaker 1>as long as a normal script because everyone's talking so quickly,

0:18:59.680 --> 0:19:03.360
<v Speaker 1>and and just that she got what was an eight

0:19:03.440 --> 0:19:08.240
<v Speaker 1>page script, any script. Yeah, yeah, it's just amazing to

0:19:08.280 --> 0:19:11.960
<v Speaker 1>get all that and feeling and talking quickly and the

0:19:12.040 --> 0:19:15.800
<v Speaker 1>things that happened where it's just it's brilliant. And I

0:19:16.280 --> 0:19:19.840
<v Speaker 1>felt badly that to go back to the art episode,

0:19:19.840 --> 0:19:22.399
<v Speaker 1>that's the only episode that won an Emmy was the

0:19:22.400 --> 0:19:26.800
<v Speaker 1>makeup and costume for the um for the Festival Living Art,

0:19:27.640 --> 0:19:31.359
<v Speaker 1>where you know, Amy and certainly Lauren and you and

0:19:31.400 --> 0:19:35.520
<v Speaker 1>Alexis certainly should have been I'm much more acknowledged. You know,

0:19:35.880 --> 0:19:38.160
<v Speaker 1>that's the way life is. But you know there's also

0:19:38.200 --> 0:19:40.159
<v Speaker 1>on the c W. I don't know if that had

0:19:40.200 --> 0:19:42.040
<v Speaker 1>anything to do with it, but show do you think

0:19:42.119 --> 0:19:45.200
<v Speaker 1>that was I mean, obviously the work was there, there

0:19:45.240 --> 0:19:48.560
<v Speaker 1>was no question about it. And I've never seen the episodes,

0:19:48.720 --> 0:19:51.720
<v Speaker 1>I mean, uh, and now that I'm watching them, I

0:19:51.440 --> 0:19:54.320
<v Speaker 1>I I am continually shocked that the show was overlooked

0:19:54.359 --> 0:19:57.520
<v Speaker 1>for the performances. So why do you think that was?

0:19:58.240 --> 0:20:01.520
<v Speaker 1>I don't know if people only treated the big networks

0:20:01.760 --> 0:20:04.359
<v Speaker 1>a certain way, and I mean they certainly cable network.

0:20:04.400 --> 0:20:06.680
<v Speaker 1>Cable shows were winning Emmy, So I don't know why

0:20:07.560 --> 0:20:09.840
<v Speaker 1>on the CW couldn't be acknowledged as a great show.

0:20:09.880 --> 0:20:14.320
<v Speaker 1>Because one time, I I think it was in Luke's

0:20:14.359 --> 0:20:18.560
<v Speaker 1>in the diner, I was law Lauren had a scene

0:20:18.720 --> 0:20:20.720
<v Speaker 1>and she was doing just talking right to the camera,

0:20:20.760 --> 0:20:23.240
<v Speaker 1>but I somehow set up said the line before that,

0:20:23.280 --> 0:20:24.920
<v Speaker 1>so I had to still be in the room or something,

0:20:25.800 --> 0:20:27.920
<v Speaker 1>and I just watched her talking to camera. I thought,

0:20:28.880 --> 0:20:30.760
<v Speaker 1>first of all, I'm never gonna be as good an

0:20:30.800 --> 0:20:33.960
<v Speaker 1>actor as Lauren Graham. But she is so good that

0:20:34.040 --> 0:20:36.480
<v Speaker 1>I can't believe everyone isn't aware of this, like the

0:20:36.920 --> 0:20:40.600
<v Speaker 1>just the way. I don't have an answer for why

0:20:40.960 --> 0:20:43.359
<v Speaker 1>there was it was overlooked. The writing was overlooked, the

0:20:43.359 --> 0:20:46.760
<v Speaker 1>acting was overlooked. It's not a crime, but it's a crime.

0:20:46.880 --> 0:20:48.480
<v Speaker 1>Do you do you think it's because it was just

0:20:48.600 --> 0:20:56.560
<v Speaker 1>too family orientated to light to might have been. It

0:20:56.640 --> 0:20:59.920
<v Speaker 1>might not have been edgy enough to it's like two

0:21:00.160 --> 0:21:03.600
<v Speaker 1>family friendly almost, which is, you know, great for ratings

0:21:03.640 --> 0:21:05.719
<v Speaker 1>and ads and commercials and that kind of thing, but

0:21:05.880 --> 0:21:10.080
<v Speaker 1>too safe sweet Yeah, like yeah to to not someone's

0:21:10.200 --> 0:21:12.439
<v Speaker 1>dying or someone's you know, there's not a zombie going

0:21:12.440 --> 0:21:19.280
<v Speaker 1>to come out of nowhere some weird reality. Yeah, it

0:21:19.359 --> 0:21:21.320
<v Speaker 1>wasn't edgy. I don't know what you know when people go,

0:21:21.400 --> 0:21:23.760
<v Speaker 1>I'm writing this edgy show about these people who are

0:21:23.760 --> 0:21:26.199
<v Speaker 1>bitter and angry, and it wasn't. It didn't have that.

0:21:26.280 --> 0:21:28.760
<v Speaker 1>It had a sweetness to it, but it's hard to

0:21:28.760 --> 0:21:32.800
<v Speaker 1>say when people you know, obviously people love it now

0:21:32.840 --> 0:21:36.920
<v Speaker 1>and you know on Netflix that's obviously very often watched.

0:21:37.320 --> 0:21:41.680
<v Speaker 1>But it wasn't. I don't have an answer for why

0:21:41.720 --> 0:21:44.200
<v Speaker 1>people watch what they watched and that it was. It

0:21:44.280 --> 0:21:46.960
<v Speaker 1>was unfortunate because it should have been more acknowledged. Then

0:21:47.440 --> 0:21:50.920
<v Speaker 1>it's one of those things. Yeah, Um, behind the scene

0:21:50.960 --> 0:21:53.800
<v Speaker 1>politics that we're unaware of. You know, what's what's going

0:21:53.840 --> 0:21:58.280
<v Speaker 1>on behind the curtain there? We will never know. Um,

0:21:58.320 --> 0:22:01.080
<v Speaker 1>So let's get a little bit more specific. Let's talk

0:22:01.119 --> 0:22:03.280
<v Speaker 1>about the scene where Christopher comes in and gets his

0:22:03.320 --> 0:22:06.320
<v Speaker 1>credit card declined. Do you remember that scene? Can you

0:22:06.359 --> 0:22:09.640
<v Speaker 1>tell I do, because I remember panicking that they wouldn't

0:22:09.640 --> 0:22:11.480
<v Speaker 1>know one would tell me how to say Billy Credup's

0:22:11.520 --> 0:22:14.080
<v Speaker 1>name is Billy Credib? Is a Billy Credib there? Like,

0:22:14.480 --> 0:22:16.159
<v Speaker 1>I'm like, I have to say. This is gonna be

0:22:16.160 --> 0:22:17.960
<v Speaker 1>on film for the rest of my life. Can you

0:22:18.000 --> 0:22:20.560
<v Speaker 1>just tell me how to say Billy Credup? No crude up,

0:22:20.680 --> 0:22:23.640
<v Speaker 1>crude up credup? Just okay, now I have to say

0:22:23.720 --> 0:22:29.120
<v Speaker 1>his name and and uh but but I just had

0:22:29.160 --> 0:22:32.600
<v Speaker 1>to tell poor David self his card got declined. I

0:22:32.720 --> 0:22:36.800
<v Speaker 1>felt awful for him, and like I knew that I

0:22:36.840 --> 0:22:40.280
<v Speaker 1>knew it was sad, and I knew that it really

0:22:40.320 --> 0:22:42.240
<v Speaker 1>was an ox indijection and they're not heavy, but it

0:22:42.320 --> 0:22:44.639
<v Speaker 1>was like, I'm like, they couldn't just giving me an

0:22:44.640 --> 0:22:47.080
<v Speaker 1>empty box. I'm holding the forty pound box for five

0:22:47.160 --> 0:22:51.600
<v Speaker 1>cakes Like you gotta keep it real man, Yeah, I

0:22:51.720 --> 0:22:53.639
<v Speaker 1>keep it. How bad is it when you see an

0:22:53.640 --> 0:22:56.240
<v Speaker 1>actor handling a full coffee cup and you can tell

0:22:56.280 --> 0:22:58.600
<v Speaker 1>there's nothing in it, or a suitcase with nothing in

0:22:58.640 --> 0:23:01.320
<v Speaker 1>it when it's supposed to be heavy as the how

0:23:01.359 --> 0:23:03.760
<v Speaker 1>every birthday present isn't really wrapped you just pulled the

0:23:03.840 --> 0:23:06.520
<v Speaker 1>top of a box off, and he went, someone couldn't

0:23:06.440 --> 0:23:09.240
<v Speaker 1>at least put it pieces gotch tape. Uh No. And

0:23:09.280 --> 0:23:11.000
<v Speaker 1>also I'm not a good enough actor, so I needed

0:23:11.040 --> 0:23:12.600
<v Speaker 1>them to hand you a real box, so I would

0:23:12.600 --> 0:23:17.560
<v Speaker 1>have in fact, wasn't. When your uncle on the show

0:23:17.720 --> 0:23:20.359
<v Speaker 1>died and we had the little Marching band and I

0:23:20.400 --> 0:23:22.200
<v Speaker 1>was playing a drum, we went up to the thing

0:23:22.240 --> 0:23:25.480
<v Speaker 1>and we had to play play a thing. Kurt played

0:23:25.480 --> 0:23:27.760
<v Speaker 1>the trumpet, Shawn Gunna play the trumpet, and I was

0:23:27.800 --> 0:23:30.359
<v Speaker 1>playing a drum. And the first take I broke the

0:23:30.440 --> 0:23:33.760
<v Speaker 1>drum and I go, I've broken the drum. Can you

0:23:33.800 --> 0:23:36.880
<v Speaker 1>give me another drum? They went, you don't have more drums.

0:23:37.280 --> 0:23:41.400
<v Speaker 1>You have to think it. So my hand kept going

0:23:41.440 --> 0:23:44.680
<v Speaker 1>through the drum skin, and I'm like trying to remember

0:23:44.720 --> 0:23:48.560
<v Speaker 1>where the top of the drum was on camera. So

0:23:49.960 --> 0:23:55.480
<v Speaker 1>we don't have another drum. Uh And I do not

0:23:55.600 --> 0:24:00.080
<v Speaker 1>remember that episode. My god, you'll you'll get to and

0:24:00.080 --> 0:24:01.639
<v Speaker 1>you'll see you that I broke the drumhead of the

0:24:01.720 --> 0:24:06.200
<v Speaker 1>first take. Laugh. So what else can you remember about

0:24:06.200 --> 0:24:09.639
<v Speaker 1>that episode? Since we're discussing Christopher's return, what can you

0:24:09.640 --> 0:24:12.439
<v Speaker 1>remember that? Because you had really the that was that

0:24:12.520 --> 0:24:15.680
<v Speaker 1>the only scene you had only seen I had, and

0:24:15.720 --> 0:24:18.000
<v Speaker 1>I was I was with Jackson. The whole time we

0:24:18.000 --> 0:24:20.520
<v Speaker 1>were talking, most of you were goroofing around, who I love.

0:24:20.800 --> 0:24:22.159
<v Speaker 1>I love Jackson. I don't know if he's done in

0:24:22.200 --> 0:24:25.040
<v Speaker 1>the show, but he's great fun and uh so we

0:24:25.040 --> 0:24:28.520
<v Speaker 1>were goofing around, laughing and then comparing whether he was

0:24:28.560 --> 0:24:34.800
<v Speaker 1>Billy Crudup or Billy Crudup and and then he uh uh.

0:24:34.840 --> 0:24:36.720
<v Speaker 1>It was actually one of the shorter days because usually

0:24:36.720 --> 0:24:38.840
<v Speaker 1>I've done the show and I was busy talking. You know,

0:24:39.600 --> 0:24:41.600
<v Speaker 1>a town meeting would be twelve hours, so I was like,

0:24:42.080 --> 0:24:43.840
<v Speaker 1>I'm gonna hear it only for two hours? What do

0:24:43.880 --> 0:24:45.480
<v Speaker 1>I What did I do with the rest of my life?

0:24:45.520 --> 0:24:49.360
<v Speaker 1>I thought I thought I'd be there all night. But

0:24:49.400 --> 0:24:51.240
<v Speaker 1>it was just a fun quick day and I got

0:24:51.240 --> 0:24:54.760
<v Speaker 1>to do my little uh credit card decline, which you know,

0:24:55.119 --> 0:24:57.680
<v Speaker 1>somehow people still remember that about me, that I had

0:24:57.680 --> 0:25:01.520
<v Speaker 1>to decline Chris credit card. Well, it's nice they remember

0:25:01.520 --> 0:25:03.800
<v Speaker 1>it because the acting was good. Because you were so

0:25:05.080 --> 0:25:08.200
<v Speaker 1>sensitive and you you're sitting here trashing your acting ability,

0:25:08.240 --> 0:25:13.439
<v Speaker 1>but you you knew to not say it, even in

0:25:13.480 --> 0:25:16.800
<v Speaker 1>a normal room tone. You whispered it to him because

0:25:16.800 --> 0:25:19.640
<v Speaker 1>you wanted to spare him the embarrassment embarrassment and that

0:25:19.640 --> 0:25:22.359
<v Speaker 1>that made people love you so well. It was just

0:25:22.400 --> 0:25:24.879
<v Speaker 1>the funny party I wanted to the opposite of Usually

0:25:25.000 --> 0:25:26.679
<v Speaker 1>a lot of TV shows, certainly was a lot of

0:25:26.680 --> 0:25:29.199
<v Speaker 1>sitcoms I've washed in life. Would he'd got on the

0:25:29.200 --> 0:25:31.679
<v Speaker 1>microphone and go, you know, price check on the O

0:25:31.800 --> 0:25:33.879
<v Speaker 1>E ed you know, and I went, well, how can

0:25:33.920 --> 0:25:36.439
<v Speaker 1>I do the exact opposite of that? So I and

0:25:36.480 --> 0:25:38.439
<v Speaker 1>I didn't mean to trash all my acting abilities, just

0:25:38.480 --> 0:25:40.320
<v Speaker 1>that I never thought of myself that, you know, I'm

0:25:40.359 --> 0:25:42.440
<v Speaker 1>like just having to be on the show and goofing around.

0:25:42.440 --> 0:25:44.600
<v Speaker 1>But it was just just a you know a little

0:25:44.640 --> 0:25:47.359
<v Speaker 1>fun thing on what Well, I'm not gonna go Chris,

0:25:47.440 --> 0:25:59.359
<v Speaker 1>your card was declined exact opposite. Um, you know, maybe

0:26:00.280 --> 0:26:06.040
<v Speaker 1>sure the second take, Um, but you handled it with

0:26:06.160 --> 0:26:09.240
<v Speaker 1>real Uh you're a real gentleman about it. I mean you,

0:26:09.440 --> 0:26:12.560
<v Speaker 1>but that's the small town value that that viewers expect,

0:26:12.680 --> 0:26:15.040
<v Speaker 1>like you're not gonna embarrass somebody. But it would have

0:26:15.040 --> 0:26:17.800
<v Speaker 1>been funny. It would have liked you very much, but

0:26:17.840 --> 0:26:22.320
<v Speaker 1>it was it was a great choice. Um, what did

0:26:22.400 --> 0:26:28.640
<v Speaker 1>you think about Christopher's character? I thought he was great.

0:26:28.680 --> 0:26:31.240
<v Speaker 1>I I because I hadn't watched I hadn't watched the

0:26:31.280 --> 0:26:33.399
<v Speaker 1>whole episode, and I hadn't really watched a lot of

0:26:33.400 --> 0:26:36.960
<v Speaker 1>the episodes, you know, like, so let's think about your show.

0:26:37.000 --> 0:26:40.480
<v Speaker 1>And I know there's the other show of on on

0:26:40.600 --> 0:26:43.879
<v Speaker 1>Clubhouse about John Colbert is watching the shows and for

0:26:43.920 --> 0:26:46.000
<v Speaker 1>the first time, it's kind of funny to watch them

0:26:46.040 --> 0:26:48.680
<v Speaker 1>and go, oh, these are great, not just the ones

0:26:48.800 --> 0:26:50.840
<v Speaker 1>I was in that I saw my card, but I

0:26:50.880 --> 0:26:54.520
<v Speaker 1>see the whole thing. But I missed in the first time,

0:26:55.119 --> 0:26:57.040
<v Speaker 1>and I had nothing to do with me watching all

0:26:57.119 --> 0:27:01.359
<v Speaker 1>him myself. But but it was so well put together.

0:27:01.480 --> 0:27:04.640
<v Speaker 1>He's such a good character that you wanted more of him,

0:27:04.640 --> 0:27:07.159
<v Speaker 1>and you fully understood why he couldn't keep being on

0:27:07.200 --> 0:27:11.400
<v Speaker 1>the show. But it was just like all the moments

0:27:11.400 --> 0:27:14.520
<v Speaker 1>and you know, like I said, they're sleeping together and

0:27:15.200 --> 0:27:18.240
<v Speaker 1>it should have had a second kid, but just even

0:27:18.440 --> 0:27:21.000
<v Speaker 1>not showing up for you and just oh and then

0:27:21.040 --> 0:27:24.240
<v Speaker 1>she came back to the dinner that morning in her pajamas.

0:27:24.280 --> 0:27:27.760
<v Speaker 1>I was just like, Oh, everything came together. I don't.

0:27:27.880 --> 0:27:31.360
<v Speaker 1>I just am so impressed by how the show came

0:27:31.400 --> 0:27:34.879
<v Speaker 1>together all the time, and it didn't break your heart.

0:27:34.960 --> 0:27:38.800
<v Speaker 1>But it broke here. It it got you, like, it

0:27:38.960 --> 0:27:41.679
<v Speaker 1>just grabbed you. That's why I finally, you know, I

0:27:41.720 --> 0:27:45.520
<v Speaker 1>see all the time on the show. Yeah, poor pathetical Luke.

0:27:50.320 --> 0:27:56.000
<v Speaker 1>All right, I'm telling you that, Eide, I'm telling you, Mike,

0:27:56.520 --> 0:28:00.760
<v Speaker 1>that episode let me up. It was such a rama rama.

0:28:01.480 --> 0:28:03.080
<v Speaker 1>Don't you think it was a little it was a

0:28:03.119 --> 0:28:07.719
<v Speaker 1>little Telemundo esque. Not the Telemundo is bad. I love it.

0:28:08.080 --> 0:28:11.480
<v Speaker 1>I love those the passion of those of the writing

0:28:11.560 --> 0:28:13.720
<v Speaker 1>and the acting. But I mean, it really was. It

0:28:13.800 --> 0:28:18.480
<v Speaker 1>got fraught with you know, there was physic physical almost

0:28:18.520 --> 0:28:22.760
<v Speaker 1>physical violence. There was confrontation. There was was gonna punch

0:28:22.760 --> 0:28:24.720
<v Speaker 1>a guy. He was gonna punch of It's gonna Deckham.

0:28:26.000 --> 0:28:29.520
<v Speaker 1>There was it was, it had I don't I don't

0:28:29.520 --> 0:28:31.680
<v Speaker 1>even know if this makes sense, but there's it just

0:28:31.760 --> 0:28:36.000
<v Speaker 1>kept it kept moving and kept raising the stakes and

0:28:36.040 --> 0:28:39.800
<v Speaker 1>everything kept happening. And I went, how did this show

0:28:39.880 --> 0:28:42.560
<v Speaker 1>not how did how did Christopher Returns not be an

0:28:42.560 --> 0:28:44.440
<v Speaker 1>episode where people turned it in and said, this is

0:28:44.480 --> 0:28:47.520
<v Speaker 1>an episode that you should watch and this should get

0:28:47.520 --> 0:28:49.880
<v Speaker 1>an Emmy and people should know these characters and then

0:28:50.080 --> 0:28:54.000
<v Speaker 1>and love this show. And and it certainly already had

0:28:54.000 --> 0:28:56.520
<v Speaker 1>its flooting it. By the fifteenth episode of the first season,

0:28:56.560 --> 0:29:00.440
<v Speaker 1>it was just it was all there, all the Yeah,

0:29:00.440 --> 0:29:03.600
<v Speaker 1>I agree, Yeah, I guess we'll have to do another

0:29:03.640 --> 0:29:09.240
<v Speaker 1>seven seasons and drive the point home. What do you

0:29:09.280 --> 0:29:13.280
<v Speaker 1>think where Amy can? Amy can? Can she call? Is

0:29:13.280 --> 0:29:15.920
<v Speaker 1>she gonna? Is she gonna? She has your number? Tell

0:29:15.920 --> 0:29:19.640
<v Speaker 1>her to tell him? Tell her? You're ready? Seven more seasons?

0:29:19.800 --> 0:29:22.600
<v Speaker 1>Seven more? So okay, so let me let me just

0:29:22.640 --> 0:29:24.920
<v Speaker 1>ask you this because I like to ask this question

0:29:25.080 --> 0:29:28.520
<v Speaker 1>and because this is really a fan generated question. So

0:29:28.640 --> 0:29:34.120
<v Speaker 1>this is from Sarah um from Little Rock. She wanted

0:29:34.200 --> 0:29:41.080
<v Speaker 1>to know, Mike, what is your favorite memory of Gilmore? Well,

0:29:41.120 --> 0:29:43.760
<v Speaker 1>I tell the story. I feel like I've told the

0:29:43.760 --> 0:29:47.480
<v Speaker 1>story a lot. But the disaster of having to remove

0:29:47.520 --> 0:29:50.560
<v Speaker 1>all my body hair for the art episode was does

0:29:50.640 --> 0:29:54.960
<v Speaker 1>That was the nightmare. If you don't mind, I'll tell

0:29:55.000 --> 0:29:58.800
<v Speaker 1>it one last time. But because I where's the camera

0:29:59.040 --> 0:30:03.560
<v Speaker 1>like I have, I'm not lacking in body hair my arms,

0:30:03.760 --> 0:30:06.400
<v Speaker 1>you know, so I didn't know what to do. I

0:30:06.480 --> 0:30:09.960
<v Speaker 1>didn't know what to do because I've never removed body hair.

0:30:11.960 --> 0:30:13.720
<v Speaker 1>So they say, well, you can do a lot of things,

0:30:13.840 --> 0:30:17.000
<v Speaker 1>you know, there's waxing or shaving or whatever, and they,

0:30:17.120 --> 0:30:22.360
<v Speaker 1>so I bought a bottle of nare, which I don't

0:30:22.360 --> 0:30:28.959
<v Speaker 1>know if anyone knows this. It's not pleasant, but hang on,

0:30:29.480 --> 0:30:31.880
<v Speaker 1>so it grows you on the bottle. It was near neat.

0:30:31.920 --> 0:30:34.000
<v Speaker 1>I don't mean to single out one brand. There was

0:30:34.040 --> 0:30:40.080
<v Speaker 1>a brand. Yeah, So I put a little bit on

0:30:40.160 --> 0:30:41.720
<v Speaker 1>my arm and it tells you and then you leave

0:30:41.760 --> 0:30:43.480
<v Speaker 1>it for five minutes. You take a wash off and

0:30:43.480 --> 0:30:45.600
<v Speaker 1>you wipe it off and then it works and if

0:30:45.600 --> 0:30:49.080
<v Speaker 1>it works, they go, great, you're fine. So it works

0:30:49.120 --> 0:30:51.720
<v Speaker 1>perfectly in five minutes. So I then cover my arm

0:30:52.040 --> 0:30:56.719
<v Speaker 1>and neat or near whatever it is leather arm and

0:30:56.760 --> 0:31:00.320
<v Speaker 1>of course it makes my apartment stink, but no offense

0:31:00.360 --> 0:31:02.960
<v Speaker 1>to their brand. And then I wipe wipe it off

0:31:03.000 --> 0:31:05.840
<v Speaker 1>and it's but I had to do my entire from

0:31:05.880 --> 0:31:10.520
<v Speaker 1>the waist up. Well, since I did it all it

0:31:10.760 --> 0:31:14.840
<v Speaker 1>was it made my skin like burn and bubble and scab,

0:31:17.360 --> 0:31:21.520
<v Speaker 1>so so I couldn't And then this is like just

0:31:21.600 --> 0:31:23.360
<v Speaker 1>before the episodes taping it, so they told me to

0:31:23.400 --> 0:31:25.440
<v Speaker 1>come in for a makeup test to do the white

0:31:25.480 --> 0:31:28.960
<v Speaker 1>statue makeup. Well, I had nowhere in my body that

0:31:29.200 --> 0:31:32.080
<v Speaker 1>didn't have blisters, so I couldn't even make the test,

0:31:32.560 --> 0:31:34.800
<v Speaker 1>so I'm like, I don't know what you're doing. I

0:31:34.840 --> 0:31:38.880
<v Speaker 1>can't do, but I do have no body hair from

0:31:38.880 --> 0:31:42.680
<v Speaker 1>the waist up, so at least I've got that. So

0:31:42.720 --> 0:31:44.880
<v Speaker 1>I finally like, I have two or three more days

0:31:45.160 --> 0:31:47.400
<v Speaker 1>since from the makeup test of the day, I'm taping

0:31:47.440 --> 0:31:50.320
<v Speaker 1>the show and I take the show. It was a

0:31:50.360 --> 0:31:53.280
<v Speaker 1>Friday night, but it's my call time was basically twelve

0:31:53.360 --> 0:31:55.840
<v Speaker 1>thirty Saturday morning because they're gonna shoot till like six

0:31:55.840 --> 0:31:58.600
<v Speaker 1>in the morning on Saturday morning, and they have to

0:31:58.640 --> 0:32:01.560
<v Speaker 1>paint me with first white paint and then black paint

0:32:01.600 --> 0:32:06.040
<v Speaker 1>and make it marbled. And it's but I can't, Like

0:32:06.280 --> 0:32:08.760
<v Speaker 1>my skin is kind of repaired, but it's not really repaired,

0:32:08.800 --> 0:32:13.480
<v Speaker 1>like it's still blisters. But they can't. They can't. It's freezing.

0:32:13.520 --> 0:32:18.120
<v Speaker 1>Also in Burbing that maxis a dessert and it's I'm

0:32:18.160 --> 0:32:20.120
<v Speaker 1>but they can't move in by a heater because they'll

0:32:20.120 --> 0:32:21.920
<v Speaker 1>make the paint melt and they can't put a jacket

0:32:22.200 --> 0:32:24.480
<v Speaker 1>with the jacket will take the paint off, and they

0:32:24.520 --> 0:32:27.920
<v Speaker 1>can't put anything on me. So I'm sort of freezing

0:32:28.520 --> 0:32:32.200
<v Speaker 1>and and I'm I'm painted. It took like two or

0:32:32.240 --> 0:32:34.040
<v Speaker 1>three people to paint the white and then paint the

0:32:34.080 --> 0:32:36.120
<v Speaker 1>black and paint the marbling, and then I have to

0:32:36.160 --> 0:32:40.160
<v Speaker 1>wear a I wore a head thing, so and I go,

0:32:40.280 --> 0:32:42.800
<v Speaker 1>I I swear I'm not a diva. I swear I'm

0:32:42.800 --> 0:32:45.680
<v Speaker 1>trying not to be high maintenance, but I couldn't. I

0:32:45.920 --> 0:32:48.160
<v Speaker 1>sort of stand by a heater just enough that the

0:32:48.200 --> 0:32:51.160
<v Speaker 1>paint doesn't mount, and they're like, no, because the paint will.

0:32:51.320 --> 0:32:54.720
<v Speaker 1>I'm like okay. And then they finally shot my shot

0:32:55.280 --> 0:32:59.120
<v Speaker 1>um just before sunrise, like you know, I get like

0:32:59.240 --> 0:33:02.240
<v Speaker 1>five forty five am or something. I finally do the

0:33:02.280 --> 0:33:05.080
<v Speaker 1>shot and they let me warm up by eating the

0:33:05.160 --> 0:33:06.920
<v Speaker 1>chili that was on a craft service, so that was

0:33:06.960 --> 0:33:09.840
<v Speaker 1>they did help out um, and then it took like

0:33:10.160 --> 0:33:12.000
<v Speaker 1>an hour for them. It took like two or three

0:33:12.000 --> 0:33:14.160
<v Speaker 1>people to take baby wipe, to take all the makeup

0:33:14.200 --> 0:33:20.520
<v Speaker 1>off and so but oddly it's one of those things

0:33:20.520 --> 0:33:23.280
<v Speaker 1>that was moderately unpleasant time and yet now it's the

0:33:23.440 --> 0:33:32.400
<v Speaker 1>greatest memory to have been. But it was what did

0:33:32.400 --> 0:33:37.200
<v Speaker 1>you do? I think that's when Cambell said. I got

0:33:37.200 --> 0:33:43.640
<v Speaker 1>that because I took her to the beacrom class, so

0:33:43.720 --> 0:33:45.800
<v Speaker 1>otherwise I sat in town meeting. So really it was

0:33:45.840 --> 0:33:47.960
<v Speaker 1>a fun it was a fun, fun memory to do

0:33:48.040 --> 0:33:50.479
<v Speaker 1>something different. You know, you break up your break up

0:33:50.480 --> 0:33:54.680
<v Speaker 1>your memories by having something fun, right right, right? Um,

0:33:54.720 --> 0:33:56.800
<v Speaker 1>this is a little segment we do where we use

0:33:57.120 --> 0:34:01.000
<v Speaker 1>one I want you to use one word to describe

0:34:01.000 --> 0:34:04.960
<v Speaker 1>the following characters. You ready, Okay? Here we go. Uh Luke?

0:34:07.000 --> 0:34:09.920
<v Speaker 1>Uh god, I want to say no no cell phones.

0:34:09.960 --> 0:34:13.600
<v Speaker 1>He was the boss. He was it's a boss. Look

0:34:13.600 --> 0:34:17.200
<v Speaker 1>at yeah. Alright, but you ran this, I mean you were.

0:34:17.280 --> 0:34:19.000
<v Speaker 1>You didn't run the town because that was tandard, but

0:34:19.040 --> 0:34:22.520
<v Speaker 1>like you, you were in charge of like the different attitude.

0:34:22.719 --> 0:34:25.359
<v Speaker 1>You know, even in the reboot when you're like talking

0:34:25.360 --> 0:34:27.799
<v Speaker 1>about the floaty hut and you're yelling and like you

0:34:28.080 --> 0:34:29.759
<v Speaker 1>when we were, people are all voting on who to

0:34:29.800 --> 0:34:32.840
<v Speaker 1>do things that it's our relationship, dot yours, not yours,

0:34:32.880 --> 0:34:38.120
<v Speaker 1>not yours, not yours. Don't mess with Luke? Alright, you

0:34:38.239 --> 0:34:46.239
<v Speaker 1>like it? Uh miss Patty? Oh? Fun Christopher? Oh he

0:34:46.440 --> 0:35:01.680
<v Speaker 1>couldn't declined? Taylor Dozi? Who Taylor Dozi? Oh? Yuh surly

0:35:03.360 --> 0:35:14.359
<v Speaker 1>bad bad wacky Laurela the sweet I should have all

0:35:14.360 --> 0:35:18.440
<v Speaker 1>seen you sweet for her, but she was so earnest Kirk,

0:35:19.640 --> 0:35:26.960
<v Speaker 1>there's there's a hyphenated offbeat. Uh, Mrs Kim rigid in

0:35:27.040 --> 0:35:32.440
<v Speaker 1>her beliefs. She has some from right and wrongness rules

0:35:33.120 --> 0:35:36.880
<v Speaker 1>all right? Now, So now, Mike, we are entering our

0:35:37.080 --> 0:35:40.879
<v Speaker 1>rapid fire the evening. Yes, are you ready? So I'm

0:35:40.880 --> 0:35:43.440
<v Speaker 1>gonna fire some questions at you and you answer them

0:35:43.680 --> 0:35:47.359
<v Speaker 1>best you can. How do you take your coffee? Never

0:35:47.400 --> 0:35:51.439
<v Speaker 1>had coffee in my life? Can you smell snow? Yes?

0:35:51.880 --> 0:36:00.680
<v Speaker 1>Are you? Team logan? Jess Or Dane asked, why not?

0:36:02.800 --> 0:36:07.640
<v Speaker 1>Who's the daddy? I'm going Paul. Everyone forgot about Paul,

0:36:07.680 --> 0:36:10.840
<v Speaker 1>and I think even Rory forgot Paul was the dad Paul.

0:36:12.520 --> 0:36:15.120
<v Speaker 1>He was the guy who was forgotten in the episode

0:36:15.120 --> 0:36:16.800
<v Speaker 1>that every forgot he was dating, and he was she

0:36:16.960 --> 0:36:19.319
<v Speaker 1>dated him in the reboot and and he was there

0:36:19.360 --> 0:36:21.520
<v Speaker 1>and they all forgot he was even the person. I

0:36:21.600 --> 0:36:24.800
<v Speaker 1>say it, that's perfect. I love That's the best answer

0:36:24.800 --> 0:36:28.120
<v Speaker 1>I've heard, you know, Ted Ted Rooney gave a really

0:36:28.120 --> 0:36:30.239
<v Speaker 1>great answer because he just said, I don't even want

0:36:30.239 --> 0:36:32.920
<v Speaker 1>to get involved in that. It's creepy, but but that

0:36:33.000 --> 0:36:39.000
<v Speaker 1>was really good. Paul Um, we already answered this best

0:36:39.000 --> 0:36:45.080
<v Speaker 1>memory show you you're binge watching right now. I'm just

0:36:45.200 --> 0:36:48.040
<v Speaker 1>keeping up on it. But Ted Lasso is great and

0:36:48.160 --> 0:36:52.360
<v Speaker 1>some going back and rewatching him. So Ted Lassett cast

0:36:52.440 --> 0:36:58.799
<v Speaker 1>member you texted most recently probably Reney Bell, but also

0:36:58.840 --> 0:37:01.279
<v Speaker 1>they weren't cast members with the real Dave Dawski and

0:37:01.280 --> 0:37:04.800
<v Speaker 1>I are friends, and his wife, Helen Pie, we're friends.

0:37:04.800 --> 0:37:07.400
<v Speaker 1>And you know Helen Pie's name is the anagram for

0:37:07.480 --> 0:37:13.400
<v Speaker 1>help alien. Oh really? Um? Are you familiar with the

0:37:13.480 --> 0:37:25.759
<v Speaker 1>creepy clown pillow? But I want one now? Um? You

0:37:25.760 --> 0:37:27.560
<v Speaker 1>know what I didn't ask you. I want to ask you,

0:37:27.600 --> 0:37:29.279
<v Speaker 1>so that's rapid fire, but I didn't ask you. How

0:37:29.320 --> 0:37:31.920
<v Speaker 1>would you describe the character of Andrew? This is another

0:37:31.960 --> 0:37:37.480
<v Speaker 1>fan question. This is the uh Corine Karine Karine from

0:37:38.080 --> 0:37:42.759
<v Speaker 1>Salt Lake City. Okay, well, it's difficult because I I

0:37:42.840 --> 0:37:45.160
<v Speaker 1>actually worked in two bookstores in life, so being a

0:37:45.160 --> 0:37:48.960
<v Speaker 1>bookstore employee, I totally got but I and it's not

0:37:49.080 --> 0:37:51.600
<v Speaker 1>as my own when it really the reason Like in

0:37:51.760 --> 0:37:54.880
<v Speaker 1>one of the episodes when when Jas was first introduced,

0:37:54.920 --> 0:37:57.040
<v Speaker 1>I said, my son said he set off the fire

0:37:57.080 --> 0:37:59.799
<v Speaker 1>alarms at school. And I had a son that has

0:37:59.880 --> 0:38:03.680
<v Speaker 1>just appeared. So I had a son, So I don't

0:38:03.680 --> 0:38:07.000
<v Speaker 1>know about that. I mean I had the UH and

0:38:07.000 --> 0:38:09.040
<v Speaker 1>I had the girlfriend in the dance episode who we

0:38:09.080 --> 0:38:13.319
<v Speaker 1>got to fight because she dated Liam Neeson? But I,

0:38:13.320 --> 0:38:29.040
<v Speaker 1>I wait a minute in the script, yeah, because I

0:38:29.040 --> 0:38:31.399
<v Speaker 1>I screamed, they said they set it up, and Andrew

0:38:31.400 --> 0:38:33.840
<v Speaker 1>woids a fight with his girlfriend at the dance marathon

0:38:34.320 --> 0:38:36.919
<v Speaker 1>and then we get to fight. Me and my my

0:38:37.280 --> 0:38:40.680
<v Speaker 1>date in the episode Lisa, and she said what I

0:38:40.760 --> 0:38:43.880
<v Speaker 1>don't I forget what I said, but to b and

0:38:43.920 --> 0:38:45.960
<v Speaker 1>I said, no, I can't stand Liam Neeson. And I

0:38:46.080 --> 0:38:48.840
<v Speaker 1>left because apparently my date had once dated Liam Neeson.

0:38:48.920 --> 0:38:51.359
<v Speaker 1>But but you think would be a more of a story.

0:38:51.360 --> 0:39:01.400
<v Speaker 1>You're almost a whole spinoff shell right there. But oh,

0:39:01.480 --> 0:39:04.040
<v Speaker 1>so you know I had I had the one date

0:39:04.080 --> 0:39:06.640
<v Speaker 1>ever leose. So but we've got in a fight, and otherwise,

0:39:07.680 --> 0:39:10.279
<v Speaker 1>you know, he was just as the town meeting guy

0:39:10.280 --> 0:39:13.640
<v Speaker 1>in the bookstore guy. So I tried to give him

0:39:13.680 --> 0:39:19.319
<v Speaker 1>some some gentle sweetness. But otherwise I don't I don't

0:39:19.320 --> 0:39:22.759
<v Speaker 1>have much more backstory for him. Who are your big

0:39:22.800 --> 0:39:25.279
<v Speaker 1>influences as a writer? Who did you who did you

0:39:25.320 --> 0:39:27.520
<v Speaker 1>Who did you love growing up? Who did you read?

0:39:27.600 --> 0:39:30.560
<v Speaker 1>Who influenced you the most? Well? I watched way too

0:39:30.600 --> 0:39:33.239
<v Speaker 1>much TV, so like I love David Lloyd who's the

0:39:33.280 --> 0:39:35.359
<v Speaker 1>guy who wrote Chunk as the clown the show there's

0:39:35.360 --> 0:39:37.520
<v Speaker 1>a clown episode of Marytime to more episode? Like I

0:39:37.640 --> 0:39:40.279
<v Speaker 1>wanted to be David Lloyd. I wanted to write sitcoms

0:39:40.280 --> 0:39:43.520
<v Speaker 1>and write jokes and even as when I did comedy,

0:39:43.719 --> 0:39:46.040
<v Speaker 1>when I did stand up, I you know, I I

0:39:46.160 --> 0:39:49.239
<v Speaker 1>was fine, but I really was sitting around going, well,

0:39:49.280 --> 0:39:51.560
<v Speaker 1>I'm doing stand up hoping someone will see me, and saying,

0:39:51.600 --> 0:39:53.719
<v Speaker 1>you should be writing on a TV show. But that

0:39:53.800 --> 0:39:55.879
<v Speaker 1>doesn't happen when you're in the middle of, like doing

0:39:55.880 --> 0:39:58.160
<v Speaker 1>a show in oh Claire, Wisconsin. There's not gonna be

0:39:58.160 --> 0:40:00.920
<v Speaker 1>a producer going what are you doing here? Go? You know?

0:40:01.600 --> 0:40:04.360
<v Speaker 1>So um, you know. I finally got myself to Hollywood

0:40:04.400 --> 0:40:07.720
<v Speaker 1>anyway and did it myself. But I just always watched

0:40:07.719 --> 0:40:10.680
<v Speaker 1>TV shows like it was sort of weird. I went

0:40:10.719 --> 0:40:12.879
<v Speaker 1>to I went to Kaddy because I was a little kid,

0:40:12.880 --> 0:40:15.520
<v Speaker 1>and one time the teacher said, you can't just spend

0:40:15.520 --> 0:40:17.719
<v Speaker 1>your time watching TV. And I was a little kid.

0:40:17.719 --> 0:40:19.400
<v Speaker 1>I was being a wise guy but sort of meant it.

0:40:19.480 --> 0:40:22.000
<v Speaker 1>I went, what if you want to work on TV shows?

0:40:25.280 --> 0:40:27.279
<v Speaker 1>I guess I don't have an argument for you, wise guy,

0:40:27.320 --> 0:40:30.080
<v Speaker 1>but you know, so so I was watching TV show

0:40:30.120 --> 0:40:33.000
<v Speaker 1>with my like nwe like David Lloyd, who you know

0:40:33.080 --> 0:40:36.040
<v Speaker 1>writing TV sitcoms, and Bob Ellison was the the guy

0:40:36.040 --> 0:40:37.960
<v Speaker 1>who wrote on Marriage, how to Moore and wrote sitcoms,

0:40:37.960 --> 0:40:41.160
<v Speaker 1>and I'm like those guys. I wanted to be like them.

0:40:41.200 --> 0:40:44.160
<v Speaker 1>So those were your favorite shows? I mean I watched

0:40:44.200 --> 0:40:45.480
<v Speaker 1>them all, but I you know, I loved all in

0:40:45.520 --> 0:40:47.719
<v Speaker 1>the Family and Marriage had a more Bob Newhart did

0:40:47.719 --> 0:40:50.319
<v Speaker 1>I say that twice? Um? And you know, but I

0:40:50.360 --> 0:40:52.719
<v Speaker 1>wished happy days and work in Mindy and on and

0:40:52.760 --> 0:40:55.279
<v Speaker 1>on through through all the shows. And then when I

0:40:55.280 --> 0:40:58.520
<v Speaker 1>got to work on Roseanne, I went, wait, I'm I'm

0:40:58.520 --> 0:41:00.879
<v Speaker 1>writing on the number one show. How can I when

0:41:00.920 --> 0:41:03.440
<v Speaker 1>I do? I'm writing on his TV show? And so

0:41:03.600 --> 0:41:06.880
<v Speaker 1>you know, it's it was kind of a fun getting

0:41:06.920 --> 0:41:09.440
<v Speaker 1>to do what you want to do. And then I now,

0:41:09.680 --> 0:41:12.160
<v Speaker 1>now I sit and write scripts. And but what was

0:41:12.200 --> 0:41:15.480
<v Speaker 1>she like? What was Roseanne like to work with? I

0:41:15.520 --> 0:41:18.920
<v Speaker 1>loved her like people. It's weird because she knew she

0:41:19.040 --> 0:41:21.520
<v Speaker 1>knew her character so well that the writers would be like,

0:41:21.960 --> 0:41:24.200
<v Speaker 1>here's a joke. She'd go, now, that's not I wouldn't

0:41:24.239 --> 0:41:25.839
<v Speaker 1>say that, and then they'd be back in the room

0:41:25.920 --> 0:41:28.239
<v Speaker 1>going why mun't you do the things we're writing, And

0:41:28.280 --> 0:41:31.920
<v Speaker 1>I'm like, she's not wrong. She her character knows. She

0:41:32.080 --> 0:41:35.920
<v Speaker 1>knows that she wouldn't say that, so I like, it

0:41:36.040 --> 0:41:38.920
<v Speaker 1>was weird that people would complain, but I went, she

0:41:39.120 --> 0:41:41.239
<v Speaker 1>knows the character better than we do. No offense. But

0:41:41.440 --> 0:41:43.799
<v Speaker 1>so if she says, well, I wouldn't say that, she

0:41:43.800 --> 0:41:47.879
<v Speaker 1>wouldn't say it. And that's but it's mostly the best

0:41:47.960 --> 0:41:49.959
<v Speaker 1>lesson I learned was her name was on the cover

0:41:50.000 --> 0:41:53.279
<v Speaker 1>of the script, so everything dealt with how she how

0:41:53.320 --> 0:41:55.080
<v Speaker 1>it affected Like I just talked about that the other

0:41:55.160 --> 0:41:59.200
<v Speaker 1>day to someone that Dan and Darlene fighting. They could

0:41:59.200 --> 0:42:02.040
<v Speaker 1>fight on any t show, but on Roseanne, their fight

0:42:02.200 --> 0:42:04.840
<v Speaker 1>was how it affects Roseanne. So it made you remember

0:42:06.080 --> 0:42:09.359
<v Speaker 1>the show is through Roseanne's eyes. It's through a way

0:42:09.400 --> 0:42:12.719
<v Speaker 1>of seeing the show through the stars, saying not just

0:42:12.760 --> 0:42:15.680
<v Speaker 1>a family sitcom and dad and daughter are doing this

0:42:15.760 --> 0:42:18.719
<v Speaker 1>and dad wants DJ to be this. It wasn't it

0:42:18.800 --> 0:42:22.760
<v Speaker 1>was how does this affect this? The star of the show.

0:42:23.320 --> 0:42:25.000
<v Speaker 1>And it's sort of a good lesson to remember how

0:42:25.040 --> 0:42:27.480
<v Speaker 1>to write characters, and even as a joke, right, it

0:42:27.520 --> 0:42:30.600
<v Speaker 1>was much easier write for a strong character like Dennis

0:42:30.680 --> 0:42:33.319
<v Speaker 1>Miller than it was for a a guy who just

0:42:33.360 --> 0:42:35.400
<v Speaker 1>goes send me some jokes. You go, I don't know

0:42:35.440 --> 0:42:38.279
<v Speaker 1>anything about you, so how you just wanted to say

0:42:38.320 --> 0:42:40.760
<v Speaker 1>something wacky and funny. But it's easier with a character

0:42:40.880 --> 0:42:45.359
<v Speaker 1>like Dennis Miller or Roseanne right who they are. Once

0:42:45.400 --> 0:42:47.480
<v Speaker 1>you know who they are, it's much easier and much

0:42:47.520 --> 0:42:51.799
<v Speaker 1>more fun. Anyway, it's been fun, and it's really been

0:42:53.080 --> 0:42:55.759
<v Speaker 1>It's been really great catching up with you, and we'd

0:42:55.760 --> 0:42:57.759
<v Speaker 1>love to have you back on. I can already. I

0:42:57.800 --> 0:43:00.799
<v Speaker 1>can hear the producers laughing through the whole interviews. So

0:43:02.160 --> 0:43:04.840
<v Speaker 1>but I'm glad it's talk to you and enjoy enjoy

0:43:04.880 --> 0:43:06.720
<v Speaker 1>washing the rest of shows, and I'll come back anytime

0:43:06.760 --> 0:43:09.680
<v Speaker 1>you need. All right, buddy, be well, good luck with

0:43:09.719 --> 0:43:13.160
<v Speaker 1>your projects. Let me know how I can help in anyway,

0:43:13.520 --> 0:43:20.160
<v Speaker 1>and uh, definitely, and we'll be in touch then. Okay,

0:43:20.200 --> 0:43:23.040
<v Speaker 1>all right, Well that was fun. That was Mike Gan Dolphie.

0:43:23.040 --> 0:43:24.880
<v Speaker 1>It was great having him on. Hope to have been

0:43:24.920 --> 0:43:28.680
<v Speaker 1>back on pretty soon. Um, so we'll be back after

0:43:28.760 --> 0:43:34.640
<v Speaker 1>these works. Yeah. We are joined by Lauren Wong, who

0:43:34.719 --> 0:43:38.600
<v Speaker 1>is the CEO and founder of Flex. Lauren, can you

0:43:38.680 --> 0:43:42.240
<v Speaker 1>just start by telling us what is Flex. Yeah. Flex

0:43:42.360 --> 0:43:45.719
<v Speaker 1>is a brand of sustainable period care products. We have

0:43:45.800 --> 0:43:50.040
<v Speaker 1>a few different products, from Menstrel disks to Menstrel cups,

0:43:50.480 --> 0:43:56.240
<v Speaker 1>flushable biodegradable wipes and foaming washes, all our plant based.

0:43:56.719 --> 0:43:59.640
<v Speaker 1>I've heard of these the cup. If I'm going to

0:43:59.680 --> 0:44:01.920
<v Speaker 1>be on us, but I'm a little nervous about it,

0:44:01.960 --> 0:44:06.000
<v Speaker 1>can you explain what it is, how it works, the

0:44:06.040 --> 0:44:12.319
<v Speaker 1>benefits of it, and maybe ease some of my nerves? Yeah, totally. Um. Well,

0:44:12.360 --> 0:44:15.240
<v Speaker 1>our first product was actually the disc because we heard

0:44:15.440 --> 0:44:17.560
<v Speaker 1>lots of that feedback about cups. People were afraid it

0:44:17.600 --> 0:44:20.640
<v Speaker 1>would get stuck. People are really afraid it would be messy,

0:44:21.239 --> 0:44:24.880
<v Speaker 1>but they wanted something more sustainable than their traditional period

0:44:24.880 --> 0:44:27.960
<v Speaker 1>products like tampons and pads, and so the disc was

0:44:28.040 --> 0:44:31.480
<v Speaker 1>designed to be the first single use products. So it's disposable,

0:44:31.520 --> 0:44:33.480
<v Speaker 1>but it can be worn for up to twelve hours.

0:44:33.719 --> 0:44:37.160
<v Speaker 1>It's never been linked to TSS and you can empty

0:44:37.200 --> 0:44:39.000
<v Speaker 1>it on the go, so it holds up to three

0:44:39.040 --> 0:44:42.319
<v Speaker 1>super tampons and you get hands free emptying when you

0:44:42.360 --> 0:44:46.680
<v Speaker 1>go to the bathroom and your pain. Um. It empties

0:44:46.719 --> 0:44:49.040
<v Speaker 1>itself in the toilet and you can keep going about

0:44:49.040 --> 0:44:50.960
<v Speaker 1>your day up to twelve hours and then when you

0:44:51.000 --> 0:44:53.279
<v Speaker 1>get home you can remove it and toss it, so

0:44:53.320 --> 0:44:57.400
<v Speaker 1>you end up using six less waste than traditional period products.

0:44:57.760 --> 0:45:00.319
<v Speaker 1>You don't have to worry about, you know, and saying

0:45:00.320 --> 0:45:02.879
<v Speaker 1>out a cup in a public space, um, And that's

0:45:02.920 --> 0:45:06.759
<v Speaker 1>our best selling product and it's been out since UM.

0:45:06.800 --> 0:45:09.759
<v Speaker 1>In the cup, I get it like they look kind

0:45:09.760 --> 0:45:13.520
<v Speaker 1>of big and intimidating, UM, but I promise you that

0:45:13.560 --> 0:45:16.640
<v Speaker 1>they fit. And our cup was actually designed. It's the

0:45:16.680 --> 0:45:19.960
<v Speaker 1>only product in the world with a poll tab that

0:45:20.040 --> 0:45:22.920
<v Speaker 1>was designed actually for beginners, for people to be able

0:45:22.960 --> 0:45:25.239
<v Speaker 1>to remove it similar to a tampon, so that there's

0:45:25.320 --> 0:45:28.200
<v Speaker 1>less waste, and it helps alleviate some of those concerns

0:45:28.239 --> 0:45:31.720
<v Speaker 1>about it getting stuck. And why was this company something

0:45:31.760 --> 0:45:34.960
<v Speaker 1>that you felt was important to create, Why did you

0:45:35.000 --> 0:45:39.759
<v Speaker 1>want to create it? And what is the benefit to women? Yeah,

0:45:39.840 --> 0:45:43.720
<v Speaker 1>well we sell products to all people who went straight UM.

0:45:43.840 --> 0:45:47.400
<v Speaker 1>And for me, I was suffering from use infections for

0:45:47.480 --> 0:45:50.080
<v Speaker 1>fifteen years and I ended up trying period products from

0:45:50.120 --> 0:45:53.040
<v Speaker 1>all over the world trying to solve the problem because

0:45:53.120 --> 0:45:56.080
<v Speaker 1>a nurse practitioner told me I was getting use infections

0:45:56.080 --> 0:46:00.160
<v Speaker 1>from my tampons and pads. Also, we're pretty disruptive to

0:46:00.239 --> 0:46:03.160
<v Speaker 1>my skin. UM. So I wanted to create a brand

0:46:03.360 --> 0:46:06.759
<v Speaker 1>that would co design all of our products with real

0:46:06.840 --> 0:46:10.560
<v Speaker 1>customers and co design the products to solve real problems

0:46:10.560 --> 0:46:15.319
<v Speaker 1>that I hear from people like odor, leaking, cramping, you know,

0:46:15.400 --> 0:46:19.080
<v Speaker 1>concerns around sustainability, as I said earlier. And because we're

0:46:19.120 --> 0:46:22.240
<v Speaker 1>co designing our our period products of real customers, they

0:46:22.280 --> 0:46:25.120
<v Speaker 1>feel real benefits. And I think that's why the brand

0:46:25.120 --> 0:46:28.440
<v Speaker 1>has been so successful to date, because our products are

0:46:28.440 --> 0:46:30.920
<v Speaker 1>patented and there's just nothing else like them on the market.

0:46:31.239 --> 0:46:34.600
<v Speaker 1>It does sound like a dream come true. I just

0:46:34.640 --> 0:46:37.200
<v Speaker 1>need to give it that chance, Like I can do this,

0:46:37.320 --> 0:46:40.000
<v Speaker 1>I can do this well. If you have any questions

0:46:40.120 --> 0:46:43.560
<v Speaker 1>or you experience any issues, please reach out to our Flexperts.

0:46:43.600 --> 0:46:47.240
<v Speaker 1>They're available seven days a week, I think twelve hours

0:46:47.280 --> 0:46:50.640
<v Speaker 1>a day. They're extremely kind, extremely helpful human beings, and

0:46:50.680 --> 0:46:53.839
<v Speaker 1>they're just here to make sure that people are successful.

0:46:53.880 --> 0:46:57.600
<v Speaker 1>So yeah, again, like when I very first started the company,

0:46:57.640 --> 0:46:59.680
<v Speaker 1>the winning hundred number went to my cell phone, Nobody

0:46:59.760 --> 0:47:03.360
<v Speaker 1>knows that, um and I did it. I would just

0:47:03.400 --> 0:47:06.400
<v Speaker 1>pretend like a customer service person. Uh well, I was

0:47:06.480 --> 0:47:09.200
<v Speaker 1>the customer service person, but I had a team at

0:47:09.200 --> 0:47:11.040
<v Speaker 1>the time, and they did it because I really wanted

0:47:11.080 --> 0:47:14.560
<v Speaker 1>to understand some of these fears and challenges and stumbling

0:47:14.560 --> 0:47:16.840
<v Speaker 1>box that people had when they're learning to use products

0:47:16.840 --> 0:47:19.480
<v Speaker 1>like ours for the first time. Because um, we need

0:47:19.480 --> 0:47:22.040
<v Speaker 1>to improve the instructions, you need to create more content

0:47:22.120 --> 0:47:25.200
<v Speaker 1>on YouTube, we needed to build a team of flexperts,

0:47:25.200 --> 0:47:27.160
<v Speaker 1>of people that could be there in real time to

0:47:27.200 --> 0:47:31.440
<v Speaker 1>like help troubleshoot and answer questions and give people confidence

0:47:31.440 --> 0:47:33.520
<v Speaker 1>that they put it in right because I'm sure once

0:47:33.560 --> 0:47:36.759
<v Speaker 1>you do it, then you're good. Yeah, once you do it,

0:47:36.800 --> 0:47:38.960
<v Speaker 1>then you're good. So if you want a period product

0:47:39.000 --> 0:47:42.360
<v Speaker 1>that looks out for your body, your lifestyle, and the planet,

0:47:42.600 --> 0:47:45.879
<v Speaker 1>you've got to try. Flex Flex is innovating period care

0:47:45.960 --> 0:47:49.000
<v Speaker 1>with products that are body safe, made for comfort, and

0:47:49.080 --> 0:47:52.000
<v Speaker 1>made to keep you moving. There's the flex Disc, which

0:47:52.080 --> 0:47:55.000
<v Speaker 1>is one time use menstrual disk that fits perfectly inside

0:47:55.000 --> 0:47:57.920
<v Speaker 1>your body. One flex disc can be worn up to

0:47:57.960 --> 0:48:01.600
<v Speaker 1>twelve hours and folds as much flow as three super tampons.

0:48:02.320 --> 0:48:04.040
<v Speaker 1>And if you want to go zero waste and have

0:48:04.120 --> 0:48:06.279
<v Speaker 1>the planet will love you even more, pick up the

0:48:06.320 --> 0:48:10.120
<v Speaker 1>Flex Cup, a reusable mental cup that Cosmo rated number

0:48:10.160 --> 0:48:14.360
<v Speaker 1>one with helpful videos, in depth diagrams, even gifts and

0:48:14.440 --> 0:48:17.400
<v Speaker 1>flex birds available to walk you through the entire process.

0:48:17.680 --> 0:48:20.080
<v Speaker 1>You'll never go back to products from the past once

0:48:20.120 --> 0:48:23.040
<v Speaker 1>you try Flex, so say goodbye to cramps, put sex

0:48:23.040 --> 0:48:26.320
<v Speaker 1>back on the table, and lend mother nature at hand.

0:48:26.560 --> 0:48:29.680
<v Speaker 1>Go to flex fits dot com slash all in and

0:48:29.800 --> 0:48:34.239
<v Speaker 1>use code all in for off Flex disc starter kits

0:48:34.360 --> 0:48:37.680
<v Speaker 1>or ten off your first Flex cup plus free U

0:48:37.800 --> 0:48:41.680
<v Speaker 1>S shipping. That's code all in at flex f l

0:48:41.800 --> 0:48:46.880
<v Speaker 1>e x fits dot com slash all in. Let me

0:48:46.960 --> 0:48:51.640
<v Speaker 1>tell you something that Mike Gandolfie is one of verbose

0:48:51.960 --> 0:49:00.279
<v Speaker 1>individual with some excellent verbosity coming out of his face. Funny.

0:49:00.560 --> 0:49:04.920
<v Speaker 1>That's a great memories too, great memories that guy, That guy,

0:49:05.200 --> 0:49:08.399
<v Speaker 1>my god, now you know. Now it brings back all

0:49:08.640 --> 0:49:10.719
<v Speaker 1>those memories of of hanging with him on the set

0:49:10.760 --> 0:49:13.719
<v Speaker 1>because he was he was very quiet on set. He

0:49:14.000 --> 0:49:16.920
<v Speaker 1>wasn't like that, probably because he just was so like

0:49:17.000 --> 0:49:19.360
<v Speaker 1>happy to be there but didn't want to like overstep.

0:49:19.480 --> 0:49:24.720
<v Speaker 1>He seems like that kind of guy. His nair neat story,

0:49:25.960 --> 0:49:29.320
<v Speaker 1>it's just and he was so careful not to offend

0:49:29.360 --> 0:49:33.360
<v Speaker 1>the nare and meet people. But he was using his uh,

0:49:33.760 --> 0:49:40.200
<v Speaker 1>his his his hard, hard gotten, hard fought gotten. If

0:49:40.239 --> 0:49:44.320
<v Speaker 1>that's a phrase comedy chops on the road doing stand

0:49:44.360 --> 0:49:47.520
<v Speaker 1>up telling that story, man, because that's not your average

0:49:47.600 --> 0:49:50.400
<v Speaker 1>kind of storyteller. Man. He had me in tears. He

0:49:50.560 --> 0:49:53.719
<v Speaker 1>I couldn't even speak. I imagine how funny he is

0:49:53.920 --> 0:49:58.560
<v Speaker 1>his standard routine. Oh my god, Yeah, he's great. It's

0:49:58.600 --> 0:50:03.520
<v Speaker 1>just the quality of his his presentation, his vocal quality,

0:50:03.680 --> 0:50:06.719
<v Speaker 1>the way he's telling that story. Well, that's the thing

0:50:06.760 --> 0:50:09.280
<v Speaker 1>that I'm so excited as we meet these people, because

0:50:09.360 --> 0:50:14.920
<v Speaker 1>even the small characters are played by these amazing people,

0:50:16.080 --> 0:50:18.440
<v Speaker 1>and that seems like a very Gilmore thing. It is,

0:50:20.200 --> 0:50:22.440
<v Speaker 1>what a funny guy. How do you feel about playing

0:50:22.480 --> 0:50:26.680
<v Speaker 1>baseball or softball? I guess it was yeah. I mean

0:50:26.719 --> 0:50:30.000
<v Speaker 1>I remember that day we we played far more softball

0:50:30.080 --> 0:50:34.000
<v Speaker 1>than ended up on screen. So yeah, it was fun.

0:50:34.440 --> 0:50:39.800
<v Speaker 1>And Kirk Kirk the heckler, the zero, so he referred

0:50:39.800 --> 0:50:45.359
<v Speaker 1>to us as zero Luke and zero zero Dean and

0:50:45.360 --> 0:50:48.040
<v Speaker 1>then he just ran away. Oh it's just classic that

0:50:48.120 --> 0:50:50.560
<v Speaker 1>he was just heckling the crap out of us. It

0:50:50.600 --> 0:50:53.160
<v Speaker 1>was so great. That was That was one of Kirk's

0:50:53.160 --> 0:50:57.040
<v Speaker 1>finer moments so far. I think I kept noticing there

0:50:57.120 --> 0:51:01.000
<v Speaker 1>was like a young girl. Extra. What's the other word

0:51:01.000 --> 0:51:05.920
<v Speaker 1>for extra? Um? Yeah's extra the right word. I don't

0:51:05.920 --> 0:51:08.440
<v Speaker 1>want to say the wrong word. But and she just

0:51:08.600 --> 0:51:12.359
<v Speaker 1>was so adorable and kept just a straight face. And

0:51:12.560 --> 0:51:17.560
<v Speaker 1>well he's doing that riving of you guys, and I'm like, God,

0:51:17.920 --> 0:51:20.360
<v Speaker 1>the thing is, what is Luke gonna do? I mean,

0:51:20.400 --> 0:51:24.000
<v Speaker 1>he's not gonna you know, he's not gonna assault him.

0:51:24.040 --> 0:51:26.279
<v Speaker 1>All right, that's it. I've had enough. And then looking

0:51:26.360 --> 0:51:28.880
<v Speaker 1>put a Richard Gilmore on him and grab him by

0:51:28.920 --> 0:51:33.759
<v Speaker 1>the lapel. Maybe does any any television moment last? We

0:51:33.800 --> 0:51:37.759
<v Speaker 1>haven't talked about that, Laura. I didn't show up to

0:51:38.080 --> 0:51:41.360
<v Speaker 1>do the paint at the diner just to do the sprucing.

0:51:42.160 --> 0:51:45.279
<v Speaker 1>Let me ask you this. Yeah, we'll get to that,

0:51:45.360 --> 0:51:49.120
<v Speaker 1>but one minor and you know, you could you could

0:51:49.160 --> 0:51:51.799
<v Speaker 1>just set me straight on this. You could settle my

0:51:51.880 --> 0:51:55.880
<v Speaker 1>wagon on this one. He lives. I thought he lived

0:51:55.920 --> 0:51:59.399
<v Speaker 1>above the diner, I know, and he was walking, Yes,

0:51:59.520 --> 0:52:03.040
<v Speaker 1>why was walking in the early morning and opening up

0:52:03.040 --> 0:52:05.960
<v Speaker 1>the place? What does he have to come down and around?

0:52:06.320 --> 0:52:10.560
<v Speaker 1>But no, because later they definitely come through those stairs,

0:52:11.000 --> 0:52:13.480
<v Speaker 1>you know, maybe who was Maybe it was an early

0:52:13.520 --> 0:52:18.040
<v Speaker 1>morning walk. Yeah, I don't know that they realized maybe

0:52:18.080 --> 0:52:20.680
<v Speaker 1>he was coming from laurelized house where he was in

0:52:20.719 --> 0:52:27.520
<v Speaker 1>the bushes. He's looking in the windows like anyway that

0:52:27.640 --> 0:52:30.960
<v Speaker 1>that's but I thought it worked for the scene for sure. Yeah,

0:52:30.960 --> 0:52:35.480
<v Speaker 1>but it's a good point for like actual correctness. But

0:52:35.640 --> 0:52:39.080
<v Speaker 1>maybe we don't we don't learn until later that because

0:52:39.160 --> 0:52:43.320
<v Speaker 1>really that stands out when Jess shows up, When Jess's

0:52:43.480 --> 0:52:48.359
<v Speaker 1>shows up, we really learned that they live upstairs, so

0:52:48.400 --> 0:52:52.480
<v Speaker 1>we will wait, Oh, this is probably another answer. The

0:52:52.520 --> 0:52:56.960
<v Speaker 1>fans already know and they're gonna shower me with emails like, dumbass,

0:52:57.239 --> 0:52:59.360
<v Speaker 1>we already know this, and don't you know this? And

0:52:59.520 --> 0:53:05.000
<v Speaker 1>Jesus do your research, your dumbass listen, I'm just watching

0:53:05.000 --> 0:53:08.240
<v Speaker 1>it for the first time. Can you please spare it's

0:53:08.280 --> 0:53:13.520
<v Speaker 1>a valid yeah, because if you've only watched the episodes

0:53:13.560 --> 0:53:15.879
<v Speaker 1>we've watched, we don't really know where he lives yet.

0:53:17.280 --> 0:53:20.880
<v Speaker 1>I think we're hindsight that we know later he lives

0:53:20.960 --> 0:53:23.160
<v Speaker 1>up there. So why the hell is he walking down

0:53:23.200 --> 0:53:31.960
<v Speaker 1>the side, walking on down the boulevard, keys swinging his keys?

0:53:32.360 --> 0:53:34.399
<v Speaker 1>Am I messing this? Upper? Was there a scene where

0:53:34.400 --> 0:53:38.479
<v Speaker 1>you were waiting for her and then at night? Yeah,

0:53:38.520 --> 0:53:43.920
<v Speaker 1>outside your own diner. That's very dramatic when you just

0:53:44.000 --> 0:53:45.959
<v Speaker 1>wait in the chair inside with a cup of corps,

0:53:45.960 --> 0:53:50.520
<v Speaker 1>because it gave me the opportunity to act this finality

0:53:50.640 --> 0:53:53.520
<v Speaker 1>of that moment and sort of go in and give

0:53:53.600 --> 0:53:56.480
<v Speaker 1>up and locked the door. So that was more important

0:53:56.520 --> 0:54:03.840
<v Speaker 1>than nosy continuity annoyers. You know. You know. Two questions.

0:54:03.960 --> 0:54:07.640
<v Speaker 1>Was she wearing I Love Lucy pajamas when she showed

0:54:07.719 --> 0:54:10.359
<v Speaker 1>up in the pajamas? Can we do a zoom in

0:54:11.239 --> 0:54:15.120
<v Speaker 1>on that. I'm pretty sure I caught a glimpse of Lucy.

0:54:15.440 --> 0:54:19.760
<v Speaker 1>And how did you feel when you realize she painted

0:54:19.760 --> 0:54:22.719
<v Speaker 1>the whole place? He had already figured out that they

0:54:22.760 --> 0:54:27.400
<v Speaker 1>had done the deed right, yes, because you already him

0:54:27.440 --> 0:54:29.800
<v Speaker 1>that in not such a direct way. But that was

0:54:29.840 --> 0:54:32.840
<v Speaker 1>when she was in the pajamas. He put two and

0:54:32.880 --> 0:54:37.480
<v Speaker 1>two together. That's a that's a tough one. I mean, yeah,

0:54:36.360 --> 0:54:41.400
<v Speaker 1>I recall really struggling with it because it's like, and

0:54:41.600 --> 0:54:44.600
<v Speaker 1>you know, I mean, you talk about being at the

0:54:45.680 --> 0:54:49.719
<v Speaker 1>bottom of of your feelings, they're in a situation. Mean,

0:54:49.800 --> 0:54:53.400
<v Speaker 1>good God, how devastating that you know he came back

0:54:53.480 --> 0:54:56.480
<v Speaker 1>and they slept together and he knew it, and it's

0:54:56.520 --> 0:54:59.879
<v Speaker 1>just yeah, it's rough because it was right as Luke

0:55:00.000 --> 0:55:03.279
<v Speaker 1>and Laura were having that that moment and then and

0:55:03.280 --> 0:55:06.560
<v Speaker 1>then he comes in. It's painted or halfway or three

0:55:06.600 --> 0:55:09.560
<v Speaker 1>quarters painted, and it's maybe all done. That's when you

0:55:09.600 --> 0:55:12.479
<v Speaker 1>find out though, that Christopher is gone, because he said,

0:55:12.560 --> 0:55:16.960
<v Speaker 1>where's the guy? Yeah, I had to play all that stuff.

0:55:17.560 --> 0:55:22.279
<v Speaker 1>So it's like grief and devastation two acceptance too. It's

0:55:22.320 --> 0:55:24.520
<v Speaker 1>like I had to go through the five stages, but

0:55:24.600 --> 0:55:29.040
<v Speaker 1>it's like in reverse, like, hey, there's there's there's still

0:55:29.080 --> 0:55:32.879
<v Speaker 1>some hope here, I mean, poor guy. Yeah, So it's

0:55:32.960 --> 0:55:37.879
<v Speaker 1>Luke relieved to find out that Christopher has gone. Um, yeah,

0:55:37.960 --> 0:55:40.200
<v Speaker 1>for sure, but now he's got to deal with the

0:55:40.239 --> 0:55:44.080
<v Speaker 1>fact that she she went there with him, you know,

0:55:44.239 --> 0:55:47.160
<v Speaker 1>so there's that the residual effects of that that are

0:55:47.200 --> 0:55:49.040
<v Speaker 1>you known, have to clean up that mess because that's

0:55:49.040 --> 0:55:53.400
<v Speaker 1>going to psychologically be I mean, it's devastating. Yeah, it

0:55:53.520 --> 0:55:56.799
<v Speaker 1>don't take a while to get back to you know.

0:55:56.840 --> 0:55:59.000
<v Speaker 1>Now now I think it puts her on different footing

0:55:59.000 --> 0:56:02.600
<v Speaker 1>where it's like, Okay, you know, this train was going

0:56:02.680 --> 0:56:06.160
<v Speaker 1>in in the right direction and it stopped and now

0:56:06.200 --> 0:56:08.759
<v Speaker 1>it's going backwards, and maybe it's the train is he's

0:56:08.840 --> 0:56:12.440
<v Speaker 1>taken out of service using a train analogy. I swear

0:56:12.480 --> 0:56:14.560
<v Speaker 1>I won't use a tunnel. There won't be a tunnel

0:56:14.560 --> 0:56:19.239
<v Speaker 1>on this analogy. She says when she's there in the pajamas,

0:56:19.320 --> 0:56:23.040
<v Speaker 1>we had a date, and Luke says, it wasn't a date,

0:56:23.200 --> 0:56:26.320
<v Speaker 1>it was it was just a thing. He's he's downplaying

0:56:26.360 --> 0:56:31.439
<v Speaker 1>it already. It wasn't he's doing that protection. Yeah, yeah,

0:56:32.760 --> 0:56:36.759
<v Speaker 1>I get why the walls are up. Luke has to

0:56:36.800 --> 0:56:39.640
<v Speaker 1>have the walls up because look at what keeps happening.

0:56:39.880 --> 0:56:44.440
<v Speaker 1>And I also think he's it's like, you know, he's judging.

0:56:44.520 --> 0:56:48.160
<v Speaker 1>He's being hard on himself too, because like, guy, get

0:56:48.200 --> 0:56:51.520
<v Speaker 1>in the fight, get in there and get with her,

0:56:51.640 --> 0:56:54.520
<v Speaker 1>close the deal. What do you know she's moving fast

0:56:54.560 --> 0:56:57.759
<v Speaker 1>with like all these guys, get in there, you know,

0:56:57.960 --> 0:57:00.480
<v Speaker 1>be meaningful in her life, be impactful. So it's like

0:57:00.560 --> 0:57:02.680
<v Speaker 1>it's it's it's yeah, I'm sure he's hurt, but it's

0:57:02.719 --> 0:57:04.920
<v Speaker 1>I think it's really a wake up call. It's like,

0:57:05.480 --> 0:57:07.680
<v Speaker 1>this is life and it's moving a little faster. And

0:57:07.719 --> 0:57:10.080
<v Speaker 1>she's from Hartford and she's a country club check and

0:57:11.200 --> 0:57:13.239
<v Speaker 1>you know she wants more than I have. You know

0:57:14.040 --> 0:57:16.320
<v Speaker 1>that I have to offer maybe, so it's like, get

0:57:16.320 --> 0:57:19.040
<v Speaker 1>in there and fight for her. I also think there's

0:57:19.080 --> 0:57:23.080
<v Speaker 1>something to what you've said before about the risk it

0:57:23.200 --> 0:57:26.800
<v Speaker 1>puts because of the friendship. And I do think she

0:57:26.920 --> 0:57:30.520
<v Speaker 1>salvaged the friendship by sneaking in and painting the diner.

0:57:31.240 --> 0:57:35.760
<v Speaker 1>She maybe didn't the relationship part is still screwy, but

0:57:35.840 --> 0:57:39.200
<v Speaker 1>she definitely fixed the friendship by doing that. It's a

0:57:39.240 --> 0:57:42.040
<v Speaker 1>good point, you know what we didn't talk about too much,

0:57:42.040 --> 0:57:44.840
<v Speaker 1>and we did touch on it obviously with the declined

0:57:45.760 --> 0:57:50.600
<v Speaker 1>What is going on with Christopher acting like he's successful

0:57:51.840 --> 0:57:55.560
<v Speaker 1>kind of alluding to that with Richard clearly were to

0:57:55.680 --> 0:57:58.520
<v Speaker 1>know that he's not successful because he couldn't even buy

0:57:58.560 --> 0:58:04.920
<v Speaker 1>the dictionary. Well, he's you know, he's getting older, right,

0:58:04.960 --> 0:58:11.960
<v Speaker 1>he's thirty two now, and he wants her back, like

0:58:12.080 --> 0:58:16.120
<v Speaker 1>he said, he he said, you're you're the girl. I said,

0:58:16.160 --> 0:58:18.240
<v Speaker 1>I've tried to date other girls and there's no magic,

0:58:18.280 --> 0:58:20.120
<v Speaker 1>and you're the magic and you're the one, and I

0:58:20.160 --> 0:58:22.000
<v Speaker 1>want you back. And that's why he couldn't wait, And

0:58:22.160 --> 0:58:24.280
<v Speaker 1>he waited the next day said I want to marry you.

0:58:25.200 --> 0:58:27.440
<v Speaker 1>So he's made up his mind. He's he's willing to

0:58:27.480 --> 0:58:29.760
<v Speaker 1>commit to that. But now it's like it's a different

0:58:29.760 --> 0:58:32.200
<v Speaker 1>equation as we've discussed. It's like, you know, how are

0:58:32.200 --> 0:58:34.120
<v Speaker 1>you going to provide? Can we trust you? I mean

0:58:34.160 --> 0:58:37.880
<v Speaker 1>it takes time. So he's treading water. He he really is.

0:58:37.960 --> 0:58:43.000
<v Speaker 1>And I think his his latest debacle in California. He's

0:58:43.000 --> 0:58:45.320
<v Speaker 1>hoping that she'll take him back and that Richard will

0:58:45.320 --> 0:58:50.000
<v Speaker 1>help him out. Yeah. So I think that was all

0:58:50.040 --> 0:58:54.040
<v Speaker 1>an attempt to reconcile and have everybody forgive and let's

0:58:54.040 --> 0:58:55.880
<v Speaker 1>come back as a family. And that was his sort

0:58:55.920 --> 0:58:58.840
<v Speaker 1>of master plan, and it wasn't well thought through. I'm

0:58:58.880 --> 0:59:01.320
<v Speaker 1>nervous for the next I didn't night dinner too, because

0:59:01.320 --> 0:59:03.280
<v Speaker 1>I don't see how you just bounce back from that

0:59:03.360 --> 0:59:09.919
<v Speaker 1>hot mess. And wasn't it interesting how delighted the Gilmore's were, Richard,

0:59:09.960 --> 0:59:12.640
<v Speaker 1>And I'm like, how delighted that Christopher returned? They were

0:59:12.800 --> 0:59:16.200
<v Speaker 1>so they were on their best manners. They were just

0:59:16.560 --> 0:59:19.840
<v Speaker 1>energized like I have never seen them. Yeah, why do

0:59:19.960 --> 0:59:24.000
<v Speaker 1>they love him so much? Because he's the right stock,

0:59:25.880 --> 0:59:28.760
<v Speaker 1>he's the right d NA, he's he gets it. He's

0:59:28.800 --> 0:59:31.880
<v Speaker 1>one of them, And no matter how much he's failed

0:59:31.920 --> 0:59:35.080
<v Speaker 1>or screwed up, Richard still thinks that he can, you know,

0:59:35.160 --> 0:59:37.760
<v Speaker 1>Richard can easily guide him and give him a job,

0:59:38.040 --> 0:59:41.440
<v Speaker 1>his insurance and set him up for the future and

0:59:41.760 --> 0:59:45.320
<v Speaker 1>save his daughter so that they can all come back

0:59:45.400 --> 0:59:49.600
<v Speaker 1>to the country club and have celebrations and birthdays together,

0:59:49.680 --> 0:59:52.919
<v Speaker 1>and you know, I have a normal life. I think

0:59:52.920 --> 0:59:55.960
<v Speaker 1>they there's there's still hold onto the illusion that Laurela

0:59:56.040 --> 0:59:57.800
<v Speaker 1>is going to come back and be the girl that

0:59:57.920 --> 1:00:02.720
<v Speaker 1>they raised. Yeah, and Emily tried to defend Strobe in

1:00:02.720 --> 1:00:05.640
<v Speaker 1>that kitchen scene with Rory, and then she just says

1:00:05.840 --> 1:00:12.560
<v Speaker 1>he's an ass And you know that redeemed her a

1:00:12.560 --> 1:00:17.160
<v Speaker 1>bit that scene. But you have to respect a little

1:00:17.200 --> 1:00:20.440
<v Speaker 1>bit what Strobe had to say. It was his opportunity

1:00:20.480 --> 1:00:22.360
<v Speaker 1>to get it off his chest because he's been thinking

1:00:22.360 --> 1:00:28.600
<v Speaker 1>about it for sixteen years. You just cannot even Strobe

1:00:28.680 --> 1:00:32.640
<v Speaker 1>could not predict that he wasn't he had That wasn't premeditated.

1:00:32.640 --> 1:00:36.880
<v Speaker 1>It just came out of him. Yes, the inappropriateness though

1:00:37.080 --> 1:00:43.200
<v Speaker 1>that Rory was there was probably what was so, but

1:00:43.280 --> 1:00:47.720
<v Speaker 1>it didn't matter. He couldn't control himself. He absolutely he

1:00:48.040 --> 1:00:51.320
<v Speaker 1>probably wanted to and he probably discussed it with his wife,

1:00:51.960 --> 1:00:55.640
<v Speaker 1>the Queen. Yes, she kept her mouth shut during that

1:00:55.720 --> 1:00:59.120
<v Speaker 1>mass that she was getting ahead, but she did not

1:00:59.440 --> 1:01:02.960
<v Speaker 1>look like she was looking forward to meeting to seeing Laurela.

1:01:03.120 --> 1:01:06.760
<v Speaker 1>And right off the back lauraized making jokes and they're

1:01:06.800 --> 1:01:10.040
<v Speaker 1>not they're not helping our out. They're just like you

1:01:10.800 --> 1:01:13.560
<v Speaker 1>haven't changed at all having your Laurela. You know, this

1:01:13.720 --> 1:01:17.600
<v Speaker 1>kind of thing. I think Strobs an ass like Stroub sucks.

1:01:19.480 --> 1:01:24.120
<v Speaker 1>I want I appreciate your angle and wanting to sort

1:01:24.120 --> 1:01:27.440
<v Speaker 1>of try to make sense of that. And then I

1:01:27.520 --> 1:01:30.240
<v Speaker 1>just keep coming back to a lot of a lot

1:01:30.320 --> 1:01:32.200
<v Speaker 1>of words we can't say on this show. One that

1:01:32.240 --> 1:01:36.920
<v Speaker 1>starts with a d your father, you know, if I

1:01:37.080 --> 1:01:39.520
<v Speaker 1>put that, you know, I put a lot into my son,

1:01:39.720 --> 1:01:44.040
<v Speaker 1>you know, and and to see him growing and learning

1:01:44.120 --> 1:01:47.720
<v Speaker 1>and it's it's a wonderful thing. And then at sixteen,

1:01:47.760 --> 1:01:51.160
<v Speaker 1>if that was all derailed by a pregnancy, and then

1:01:51.200 --> 1:01:53.520
<v Speaker 1>you still offered them the chance to, hey, you know,

1:01:53.520 --> 1:01:55.480
<v Speaker 1>we'll support you. Why don't you get married and we'll

1:01:55.520 --> 1:01:59.240
<v Speaker 1>support you and we'll and they decline that as well,

1:01:59.320 --> 1:02:03.120
<v Speaker 1>decline um, you know, and then they go off on

1:02:03.160 --> 1:02:06.680
<v Speaker 1>their own and and for the next sixteen years have

1:02:06.880 --> 1:02:12.040
<v Speaker 1>these you know, these difficult lives, albeit you know, successful

1:02:12.040 --> 1:02:13.960
<v Speaker 1>in their own what on their own right and that's

1:02:14.000 --> 1:02:17.560
<v Speaker 1>maybe their path. But it's tough for Stroke, but it's

1:02:17.600 --> 1:02:21.320
<v Speaker 1>tough for Richard, it's tough for Emily. It's oh my god,

1:02:21.440 --> 1:02:23.680
<v Speaker 1>what they had and he was right. What do you

1:02:23.720 --> 1:02:26.560
<v Speaker 1>know how humiliated we were in front of our friends

1:02:27.280 --> 1:02:32.440
<v Speaker 1>and we still are. Families do have gross fights like that,

1:02:32.480 --> 1:02:36.080
<v Speaker 1>They do expectations, and it seems like they were both

1:02:36.120 --> 1:02:40.680
<v Speaker 1>only children, you know, I don't. I don't know that. Yeah,

1:02:40.720 --> 1:02:42.600
<v Speaker 1>it's an only child you have. You have one child,

1:02:42.640 --> 1:02:45.600
<v Speaker 1>you pour everything into her or him, and it doesn't

1:02:45.600 --> 1:02:48.320
<v Speaker 1>work out. It's it's it's you don't have two or

1:02:48.320 --> 1:02:51.720
<v Speaker 1>three other kids to lean on and go well, you know,

1:02:51.800 --> 1:02:53.760
<v Speaker 1>and be practical about it and say, well, they're not

1:02:53.880 --> 1:02:56.919
<v Speaker 1>all going to turn out, but if you have one,

1:02:57.120 --> 1:03:00.280
<v Speaker 1>you expect that one too. I mean, you don't expect

1:03:00.320 --> 1:03:04.360
<v Speaker 1>them to go off the rails like that. So I

1:03:04.400 --> 1:03:07.000
<v Speaker 1>don't know, it's gonna take it can take me some

1:03:07.080 --> 1:03:12.360
<v Speaker 1>time to recover from that scene. Yeah, I know, I

1:03:12.440 --> 1:03:14.560
<v Speaker 1>was deeply I was. I'm telling you how I couldn't.

1:03:14.600 --> 1:03:16.280
<v Speaker 1>I couldn't get to sleep. I was tossing in turn,

1:03:16.640 --> 1:03:18.600
<v Speaker 1>my wife kicked me, and then you know what's just

1:03:18.640 --> 1:03:23.240
<v Speaker 1>said would you stop? Would you still? Did you tell

1:03:23.240 --> 1:03:27.640
<v Speaker 1>her why? But it was Strobe's fault. I couldn't. She

1:03:27.680 --> 1:03:30.000
<v Speaker 1>would have laughed in my face, she would go. And

1:03:30.040 --> 1:03:32.920
<v Speaker 1>then it is painful when Lorelai goes into the office

1:03:33.000 --> 1:03:36.160
<v Speaker 1>and Richard says, like, I defended it because it was

1:03:36.200 --> 1:03:40.800
<v Speaker 1>my name, and it's like, Richard, that's a real thing.

1:03:42.560 --> 1:03:46.600
<v Speaker 1>That's a real thing, the Gilmore name. There's so many

1:03:46.640 --> 1:03:49.439
<v Speaker 1>little things in that scene too. Did you see Christopher's mother,

1:03:49.640 --> 1:03:54.120
<v Speaker 1>Christopher your tie, your tie? Like three times your tie,

1:03:54.200 --> 1:03:59.840
<v Speaker 1>your tie, just like different world they come from. It's

1:03:59.840 --> 1:04:05.520
<v Speaker 1>a it's all etiquette school for President Bush. His face

1:04:05.640 --> 1:04:10.080
<v Speaker 1>is too tiny for his head. I've never noticed that

1:04:10.160 --> 1:04:18.160
<v Speaker 1>about any Bushes. I Oh, you know what I wanted

1:04:18.200 --> 1:04:21.160
<v Speaker 1>to know what you thought is when Strobe says a

1:04:21.240 --> 1:04:27.680
<v Speaker 1>blue collar position about Laurelai working at the hotel. Our

1:04:27.720 --> 1:04:32.120
<v Speaker 1>son was bound for Princeton. Well, and she was top

1:04:32.160 --> 1:04:35.160
<v Speaker 1>of her class, as Richard said, So she was bound

1:04:35.160 --> 1:04:37.480
<v Speaker 1>for Harvard, Yale or Princeton, probably anywhere she wanted to go.

1:04:37.920 --> 1:04:40.280
<v Speaker 1>It bothered me that the blue collar one. And and

1:04:40.480 --> 1:04:46.960
<v Speaker 1>Strobe says, you seduced him. Yeah, Strobe, Yeah, it's just

1:04:47.040 --> 1:04:49.680
<v Speaker 1>a dad who got his face rubbed in it for

1:04:49.720 --> 1:04:54.960
<v Speaker 1>too long, and he's he little lost control. That's his

1:04:55.000 --> 1:04:57.120
<v Speaker 1>whole life. His whole life blew up in front of

1:04:57.160 --> 1:04:59.360
<v Speaker 1>his eyes. His kid, his kid blew up in front

1:04:59.360 --> 1:05:03.320
<v Speaker 1>of his eyes. He never accepted it. He never. I mean,

1:05:03.360 --> 1:05:07.000
<v Speaker 1>I don't know what's going on. What kind of was

1:05:07.040 --> 1:05:10.080
<v Speaker 1>it that Strobe and and the Hayden's and Christopher hadn't

1:05:10.080 --> 1:05:12.320
<v Speaker 1>seen each other in sixteen years? I don't think so.

1:05:12.800 --> 1:05:15.959
<v Speaker 1>I think he's seen that, he's seen them. It wasn't

1:05:16.000 --> 1:05:20.360
<v Speaker 1>like that. It's strange that they have no relationship with Rory. Well,

1:05:20.400 --> 1:05:24.240
<v Speaker 1>it looks like she hasn't really lost out too much

1:05:24.280 --> 1:05:27.280
<v Speaker 1>love and affection from Strobe and company. Yeah, I mean,

1:05:27.360 --> 1:05:30.000
<v Speaker 1>I do think you could argue, but I think Richard

1:05:30.000 --> 1:05:36.440
<v Speaker 1>and Emily are good grandparents. Yeah, they're trying. Strobe makes

1:05:37.160 --> 1:05:40.040
<v Speaker 1>the Gilmore's, Strobe and his wife make the Gilmore's look

1:05:40.080 --> 1:05:43.000
<v Speaker 1>like amazing, wonderful people. I mean, they took it to

1:05:43.040 --> 1:05:46.960
<v Speaker 1>a new level of yuck. Listen, this happened in my family.

1:05:47.240 --> 1:05:49.200
<v Speaker 1>I mean not to get too personally here, but this this,

1:05:49.360 --> 1:05:54.880
<v Speaker 1>I understand the resentment this breeds. Um My. My father,

1:05:56.080 --> 1:05:58.800
<v Speaker 1>you know, came from a long line of Harvard men.

1:05:59.280 --> 1:06:02.919
<v Speaker 1>He really did. And you know, his his family tree

1:06:03.000 --> 1:06:06.320
<v Speaker 1>goes back to the signers of the Constitution and the

1:06:06.360 --> 1:06:09.760
<v Speaker 1>signers a Declaration Independence, and you know all of that stuff.

1:06:10.400 --> 1:06:14.400
<v Speaker 1>I mean, they're blue blood like you wouldn't believe. And

1:06:14.480 --> 1:06:17.160
<v Speaker 1>he was My dad was the first Patterson male not

1:06:17.280 --> 1:06:20.600
<v Speaker 1>to go to Harvard. He ended up going to World

1:06:20.640 --> 1:06:23.680
<v Speaker 1>War Two, getting wounded and then going to Lafayette because

1:06:23.680 --> 1:06:28.560
<v Speaker 1>he had to stay near Philadelphia, where his family was,

1:06:28.640 --> 1:06:33.400
<v Speaker 1>because he had met my mother at eighteen, she got pregnant.

1:06:33.440 --> 1:06:36.640
<v Speaker 1>He was twenty one, and they had they had, you know,

1:06:36.680 --> 1:06:39.120
<v Speaker 1>he had to go to work. He went to college

1:06:39.120 --> 1:06:41.000
<v Speaker 1>on the g I bill, and afterwards he went to

1:06:41.000 --> 1:06:42.880
<v Speaker 1>work for Campbell sup in the area. He couldn't go

1:06:42.960 --> 1:06:44.680
<v Speaker 1>off to Harvard. He couldn't go off to do the

1:06:44.760 --> 1:06:49.480
<v Speaker 1>things that is. And he wasn't an only child a sister. Um.

1:06:49.520 --> 1:06:54.480
<v Speaker 1>But I know what we went through as children, and

1:06:54.520 --> 1:06:56.400
<v Speaker 1>I know what my mom went through in the face

1:06:56.440 --> 1:07:00.800
<v Speaker 1>of these people because they saw her as is somehow

1:07:01.040 --> 1:07:04.520
<v Speaker 1>illegitimate and the person that ruined their son's life, who

1:07:04.560 --> 1:07:07.360
<v Speaker 1>had so much promise, and you know, he ended up

1:07:07.360 --> 1:07:10.560
<v Speaker 1>being a vice president of some very prestigious advertising agencies.

1:07:10.560 --> 1:07:18.000
<v Speaker 1>So he did pretty well. Did your grandparents forgives him? Um? Yeah.

1:07:18.040 --> 1:07:21.800
<v Speaker 1>He remained close with both of them till they both passed. Yeah,

1:07:21.960 --> 1:07:23.960
<v Speaker 1>I think they did, but they never forgave her, and

1:07:24.000 --> 1:07:29.320
<v Speaker 1>they certainly, you know, kept us at arm's length. Yeah. Really,

1:07:30.240 --> 1:07:34.600
<v Speaker 1>so I lived this, I know what this breeding and

1:07:34.880 --> 1:07:39.720
<v Speaker 1>they and there were huge arguments Thanksgiving dinner at Christmas

1:07:39.960 --> 1:07:41.520
<v Speaker 1>because we would go over there twice a year for

1:07:41.520 --> 1:07:46.680
<v Speaker 1>Thanksgiving dinner and Christmas dinner. And my mother was very

1:07:46.720 --> 1:07:49.880
<v Speaker 1>liberal and my dad's side of the family was not,

1:07:50.880 --> 1:07:53.640
<v Speaker 1>and they would argue over the Vietnam War and Nixon

1:07:53.680 --> 1:07:55.440
<v Speaker 1>and this, and I mean, and my mother would just

1:07:55.720 --> 1:08:00.720
<v Speaker 1>pound her fist on the table. And one one year, Um,

1:08:00.720 --> 1:08:05.000
<v Speaker 1>you know, she she said, we're leaving, Get up, we're gone,

1:08:05.200 --> 1:08:09.720
<v Speaker 1>and we just wanked. So the takeaway is that scene,

1:08:10.440 --> 1:08:17.800
<v Speaker 1>like you said, is accurate, shockingly accurate. Yeah. You know,

1:08:17.840 --> 1:08:21.120
<v Speaker 1>that's probably why I bothered you so much. It really

1:08:21.160 --> 1:08:25.280
<v Speaker 1>did it, it really really. I get that my dad

1:08:25.640 --> 1:08:31.960
<v Speaker 1>was Christopher. Yeah that's painful, but he turned out a

1:08:32.000 --> 1:08:34.479
<v Speaker 1>lot better than you know what I mean. I mean,

1:08:34.520 --> 1:08:38.040
<v Speaker 1>he wasn't well, give Christopher a chance, right, But I mean,

1:08:38.080 --> 1:08:40.960
<v Speaker 1>he wasn't this loser. My dad was a superstar, you

1:08:40.960 --> 1:08:42.320
<v Speaker 1>know what I mean? He was a superstar and his

1:08:42.520 --> 1:08:48.439
<v Speaker 1>chosen profession. Um. But yeah, no, it resonated quite quite deeply. Wow,

1:08:48.560 --> 1:08:54.240
<v Speaker 1>that kind of hits me. That's why you tossed and turned. Yeah,

1:08:54.520 --> 1:08:57.479
<v Speaker 1>I was, I guess I was. I was rory and weird,

1:08:57.600 --> 1:09:05.880
<v Speaker 1>weird right. Yeah, I'm Riley and this is your pop

1:09:05.880 --> 1:09:09.599
<v Speaker 1>culture for the episode fifteen. First off, we have Laura

1:09:09.640 --> 1:09:12.120
<v Speaker 1>Lae It's been cold pop tarts for a week. It's

1:09:12.160 --> 1:09:14.479
<v Speaker 1>like a damn Dickens novel. And this is when she's

1:09:14.479 --> 1:09:16.400
<v Speaker 1>talking to Suki about how things are going at home

1:09:16.439 --> 1:09:21.840
<v Speaker 1>with Christopher Scott. We all had a ten twenty minute

1:09:21.880 --> 1:09:25.040
<v Speaker 1>argument over this line yesterday as we were preparing to

1:09:25.080 --> 1:09:28.439
<v Speaker 1>do the show. The pop Tarts say it one more time, Riley,

1:09:28.439 --> 1:09:32.000
<v Speaker 1>because I still am like get it. Laura Lee says,

1:09:32.320 --> 1:09:34.720
<v Speaker 1>it's been cold pop tarts for a week, It's like

1:09:34.760 --> 1:09:38.120
<v Speaker 1>a damn Dickens novel. When the when the boy asked

1:09:38.160 --> 1:09:43.000
<v Speaker 1>for more porridge? Is that okay? So Riley was right. Yeah,

1:09:43.040 --> 1:09:52.240
<v Speaker 1>it's like rationing. Please see I abstable. So. Charles Dickens

1:09:52.280 --> 1:09:54.800
<v Speaker 1>was an English writer and social critic. He is known

1:09:54.840 --> 1:09:58.320
<v Speaker 1>as a novelist of the Victorian era. Dickens was an outspoken,

1:09:58.680 --> 1:10:03.400
<v Speaker 1>outspoken social critics in general, but especially about poverty. Charles

1:10:03.400 --> 1:10:06.880
<v Speaker 1>saved multiple lives of friends and strangers after a train

1:10:06.960 --> 1:10:11.719
<v Speaker 1>crash and interesting fact, Dickens had pet ravens and kept

1:10:11.720 --> 1:10:15.439
<v Speaker 1>them around even after they died. Wow, so you know

1:10:15.479 --> 1:10:18.280
<v Speaker 1>I used to keep around my dead snakes after they die.

1:10:18.840 --> 1:10:21.439
<v Speaker 1>I had snakes when I was a kid, and they

1:10:21.479 --> 1:10:22.960
<v Speaker 1>would die and I keep them in the aquarium and

1:10:22.960 --> 1:10:26.240
<v Speaker 1>I would deny that they were and then my mom

1:10:26.280 --> 1:10:27.839
<v Speaker 1>would say, you need to put them in a shoebox

1:10:27.840 --> 1:10:32.240
<v Speaker 1>and bury him. Son said, okay, mom, Oh no, anyway,

1:10:32.280 --> 1:10:36.360
<v Speaker 1>go ahead, Sorry, okay. Christopher says, well, I know you

1:10:36.400 --> 1:10:38.759
<v Speaker 1>well enough to know that when you say no to coffee,

1:10:38.960 --> 1:10:41.680
<v Speaker 1>especially in the morning, all is not right in Whoville.

1:10:43.000 --> 1:10:46.360
<v Speaker 1>Whoville is a fictional town created by author Dr Seuss

1:10:46.360 --> 1:10:50.439
<v Speaker 1>and how It grinch Stool Christmas Taylor Momson, who stars

1:10:50.439 --> 1:10:52.760
<v Speaker 1>as Cindy lou Who and later goes on to play

1:10:52.840 --> 1:10:55.559
<v Speaker 1>Jenny Humphrey in the hit series Gossip Girl. She she

1:10:55.720 --> 1:10:59.360
<v Speaker 1>was a Wholl, She was a Who, and Whoville. She

1:10:59.479 --> 1:11:03.320
<v Speaker 1>was the main who Dr SEUs has written and published

1:11:03.320 --> 1:11:06.840
<v Speaker 1>over sixty books. And actually Dr Seus's friend bet that

1:11:06.920 --> 1:11:10.080
<v Speaker 1>he could not write a book with just fifty different words,

1:11:10.400 --> 1:11:12.439
<v Speaker 1>and that is how Green Eggs and Hand was born.

1:11:13.520 --> 1:11:15.320
<v Speaker 1>All was not right in who failed? That was a

1:11:15.439 --> 1:11:20.040
<v Speaker 1>nice that made sense. We also have another Christopher line

1:11:20.200 --> 1:11:23.960
<v Speaker 1>and and you were the girl in the Pinky Tuscadero

1:11:24.040 --> 1:11:25.720
<v Speaker 1>t shirt sitting right next to me and this is

1:11:25.720 --> 1:11:28.360
<v Speaker 1>when they're sitting on the couch. So Pinky is a

1:11:28.439 --> 1:11:31.320
<v Speaker 1>character from Happy Days and is the love interest to Fonzie.

1:11:31.760 --> 1:11:34.400
<v Speaker 1>Pinky is played by actress Roz Kelly and Ross is

1:11:34.400 --> 1:11:36.479
<v Speaker 1>also known for her roles in Star Ski and Hutch

1:11:36.479 --> 1:11:40.000
<v Speaker 1>and The Dukes of Hazzard. Ros was sadly written off

1:11:40.000 --> 1:11:43.200
<v Speaker 1>the series just after just three episodes, and she just

1:11:43.280 --> 1:11:47.519
<v Speaker 1>never jelled with the cast. After Pinky Tusca Darrow left

1:11:47.520 --> 1:11:50.960
<v Speaker 1>the show in season four, her younger sister, Leather Tuscadero,

1:11:51.080 --> 1:11:53.600
<v Speaker 1>played by Susie Quatro, was on the show for a

1:11:53.640 --> 1:11:58.719
<v Speaker 1>total seven episodes. In the Leather, Leather Tuscandero was way

1:11:58.760 --> 1:12:06.040
<v Speaker 1>more my speed than Pink, get Leather was legit, Quatro

1:12:06.160 --> 1:12:10.000
<v Speaker 1>had a couple of hits. Take a take a little

1:12:10.040 --> 1:12:17.400
<v Speaker 1>download Susie Quatro. Yeah, that was legit. So we all

1:12:17.439 --> 1:12:20.400
<v Speaker 1>loved Kirk's heckling. Kirk says, I'm dumbing it down for

1:12:20.479 --> 1:12:24.240
<v Speaker 1>ulf That was the best line of the episode, by

1:12:24.320 --> 1:12:30.160
<v Speaker 1>the way. So the original Falfa was played by Carl

1:12:30.200 --> 1:12:35.960
<v Speaker 1>Dean Sweitzer from ninety nine. Alfalfa had a signature hairstyle.

1:12:36.120 --> 1:12:38.639
<v Speaker 1>His hair was always slicked down, parted in the middle

1:12:38.680 --> 1:12:44.240
<v Speaker 1>in a pointed piece of hair was sticking straight up. Ye, Laura,

1:12:44.360 --> 1:12:47.360
<v Speaker 1>I says, my father almost hit someone. My father has

1:12:47.400 --> 1:12:49.880
<v Speaker 1>probably only hit another man in college wearing boxing gloves

1:12:49.920 --> 1:12:52.040
<v Speaker 1>and one of those Fred Murts pulled in gloves, pulled

1:12:52.360 --> 1:12:56.960
<v Speaker 1>pull over sweatshirt. Um. William Frawley played the character of

1:12:56.960 --> 1:12:59.599
<v Speaker 1>Fred Murtz in the fifties TV series I Love Lucy.

1:13:00.320 --> 1:13:03.960
<v Speaker 1>Probably earned five consecutive Emmy nominations from nineteen fifty three

1:13:03.960 --> 1:13:07.479
<v Speaker 1>to ninety seven. Sadly he never won. At least he

1:13:07.560 --> 1:13:14.240
<v Speaker 1>got nominated. Geez, five years. Nothing can't be crying in

1:13:14.280 --> 1:13:17.639
<v Speaker 1>his beer he got He went to the party five times, Kidney,

1:13:19.840 --> 1:13:24.599
<v Speaker 1>I don't feel sorry for him, not one bit. William

1:13:24.640 --> 1:13:28.799
<v Speaker 1>had somewhat of a bad reputation as early as Fraley

1:13:28.880 --> 1:13:31.599
<v Speaker 1>had been fired from the Broadway show That's My Baby

1:13:31.800 --> 1:13:34.960
<v Speaker 1>for punching actor Clifton Webb in the nose. People were

1:13:35.000 --> 1:13:38.599
<v Speaker 1>different back then. It was a different times. Men punched

1:13:38.640 --> 1:13:42.400
<v Speaker 1>other men, and the men didn't cry about it and

1:13:42.479 --> 1:13:45.840
<v Speaker 1>call the cops. They just took the shot. Laura I says,

1:13:46.240 --> 1:13:49.120
<v Speaker 1>that's not true. If Tony Randall could crank one out

1:13:49.120 --> 1:13:52.840
<v Speaker 1>in his seventies, you have decades left to spawn. He

1:13:52.920 --> 1:13:57.360
<v Speaker 1>actually cranked two out in his seventies, if memory serves well.

1:13:57.600 --> 1:13:59.479
<v Speaker 1>His the first time he ever had a child with

1:13:59.600 --> 1:14:02.600
<v Speaker 1>age any seven and then didn't he have an he

1:14:02.640 --> 1:14:05.200
<v Speaker 1>had another one? He never he was married. Tony Randall

1:14:05.240 --> 1:14:08.000
<v Speaker 1>was married to his first wife for like fifty years,

1:14:08.080 --> 1:14:10.599
<v Speaker 1>and then I think she died. And then he married

1:14:10.840 --> 1:14:13.720
<v Speaker 1>a twenty He was seventy something and he married a

1:14:13.800 --> 1:14:18.360
<v Speaker 1>twenty five year old and they had two kids. I think, Yeah,

1:14:18.520 --> 1:14:20.720
<v Speaker 1>the age gap was fifty years. He was seventy And

1:14:22.120 --> 1:14:25.600
<v Speaker 1>why did they have to talk about I guess he

1:14:25.640 --> 1:14:31.639
<v Speaker 1>did all the talking cranking him out, that's what they Yeah. Well.

1:14:32.280 --> 1:14:35.160
<v Speaker 1>Tony Randall was a comedic actor, best known for playing

1:14:35.240 --> 1:14:38.559
<v Speaker 1>Felix Unger on the nineteen seventy sitcom The Odd Couple,

1:14:40.080 --> 1:14:43.639
<v Speaker 1>which they were not couple, so it's very fitting. Next,

1:14:43.800 --> 1:14:48.080
<v Speaker 1>Richard says, I'm a Chuck berryman myself. Yes, Chuck Berry.

1:14:48.160 --> 1:14:49.960
<v Speaker 1>He was all the rage when I was in school.

1:14:51.120 --> 1:14:53.920
<v Speaker 1>So Chuck Berry was one of the most influential rock

1:14:53.960 --> 1:14:57.040
<v Speaker 1>and roll performers in music history. He's known for songs

1:14:57.080 --> 1:15:00.559
<v Speaker 1>including Mabeline and Johnny Be Good and Just Spite, an

1:15:00.560 --> 1:15:05.120
<v Speaker 1>impressive catalog of cleverly written songs. My Daggling was Barry's

1:15:05.200 --> 1:15:08.400
<v Speaker 1>number one hit single. The song tells of how the

1:15:08.439 --> 1:15:11.439
<v Speaker 1>singer received a toy consisting of silver bells hanging on

1:15:11.479 --> 1:15:14.919
<v Speaker 1>a string from his grandmother, who called them a dinggling,

1:15:15.840 --> 1:15:20.040
<v Speaker 1>but the lyrics, with their sly tone and innuendo, caused

1:15:20.080 --> 1:15:23.120
<v Speaker 1>many radio stations to refuse to play it. I Love

1:15:23.240 --> 1:15:29.880
<v Speaker 1>I Love my Dagling. It was a hit. That's all

1:15:29.880 --> 1:15:35.400
<v Speaker 1>we have for bob culture and dingling. Excellent, excellent. I

1:15:35.400 --> 1:15:37.280
<v Speaker 1>can't wait to get my favorite line, even though you've

1:15:37.280 --> 1:15:40.360
<v Speaker 1>already said it once. Yeah, I mean my off, just

1:15:40.479 --> 1:15:45.960
<v Speaker 1>start my favorite Kirk's I'm dumbing it down for you, Alfalfa.

1:15:46.560 --> 1:15:49.360
<v Speaker 1>That's the best, the best, the best. But did you

1:15:49.400 --> 1:15:56.960
<v Speaker 1>just Curtesy shut up? Sorry, my lady Laura La. Although

1:15:57.080 --> 1:16:02.040
<v Speaker 1>coincidentally I'm sitting across from an amazing Christopher Legram. Yeah.

1:16:04.760 --> 1:16:08.320
<v Speaker 1>What are we watching next? What's next? Our next episode

1:16:08.360 --> 1:16:11.920
<v Speaker 1>is episode sixteen. Star Cross Lovers and other strangers are

1:16:12.160 --> 1:16:21.120
<v Speaker 1>at episode sixteen already. Yeah. Really, we're jamming through season one. Alright, kiddos.

1:16:21.160 --> 1:16:25.080
<v Speaker 1>On that note, on that family friendly note, uh, what

1:16:25.240 --> 1:16:29.719
<v Speaker 1>we bid you a du It's been another rollicking roller

1:16:29.760 --> 1:16:34.519
<v Speaker 1>coaster ride off the podcast. Um, we'll see you next time.

1:16:34.600 --> 1:16:37.360
<v Speaker 1>I'm Scott Patterson and this is the I Am All

1:16:37.439 --> 1:16:40.479
<v Speaker 1>In Podcast with our Heart Radio and one eleven production.

1:16:40.640 --> 1:17:12.880
<v Speaker 1>See you next time. Hey everybody, and don't forget follow

1:17:12.960 --> 1:17:16.840
<v Speaker 1>us on Instagram at I Am all In Podcast and

1:17:16.960 --> 1:17:21.800
<v Speaker 1>emailis at Gilmore at I Heart radio dot com. Oh

1:17:21.880 --> 1:17:23.479
<v Speaker 1>you gil More fans. If you're looking for the best

1:17:23.520 --> 1:17:26.360
<v Speaker 1>cup of coffee in the world, go to my website

1:17:26.360 --> 1:17:29.120
<v Speaker 1>for my company scott EP dot com, s C O

1:17:29.240 --> 1:17:32.160
<v Speaker 1>T T y P dot com, scott EP dot com

1:17:32.160 --> 1:17:41.800
<v Speaker 1>Grade one Specialty Coffee