WEBVTT - EYL #49 100 Bars & Running

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<v Speaker 1>An illegal alien from Guatemala charged with raping a child

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<v Speaker 1>in Massachusetts. An MS thirteen gang member from Al Salvador

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<v Speaker 1>accused of murdering a Texas man of Venezuelan charged with

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<v Speaker 1>filming and selling child pornography in Michigan. These are just

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<v Speaker 1>some of the heinous migrant criminals caught because of President

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<v Speaker 1>Donald J. Trump's leadership. I'm Christy nom the United States

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<v Speaker 1>Secretary of Homeland Security. Under President Trump, attempted illegal border

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<v Speaker 1>crossings are at the lowest levels ever recorded, and over

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<v Speaker 1>one hundred thousand illegal aliens have been arrested. If you

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<v Speaker 1>are here illegally, your next you will be fined nearly

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<v Speaker 1>one thousand dollars a day, imprisoned, and deported. You will

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<v Speaker 1>never return. But if you register using our CBP home

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<v Speaker 1>app and leave now, you could be allowed to return legally.

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<v Speaker 1>Do what's right. Leave now. Under President Trump, America's laws,

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<v Speaker 1>border and families will be protected.

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<v Speaker 2>Sponsored by the United States Department of Homeland Security.

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<v Speaker 3>All right, guys, welcome back. E y L.

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<v Speaker 4>This is an extremely special special edition. I'm excited special,

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<v Speaker 4>yeah for sure. Before we before we start, we got

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<v Speaker 4>some housekeeping items. So if you follow E Y L.

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<v Speaker 4>You know, we've been traveling around. We're hitting all of

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<v Speaker 4>our major markets, so d C, d M V, Maryland, UH, Virginia.

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<v Speaker 4>We are coming December seventh and December eighth. We got

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<v Speaker 4>a whole e y L weekend planned and we're having

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<v Speaker 4>a workshop on December seventh. Were two of our biggest alumni,

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<v Speaker 4>Mobile Homes Elite and I got Wall Street Travelers. So

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<v Speaker 4>we're gonna have a walk, a workshop about investing in

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<v Speaker 4>mobile homes, and a workshop investing in real est stocks

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<v Speaker 4>combined and MG the mortgage that will be there as well,

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<v Speaker 4>so you never know, he might talk about Now it's

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<v Speaker 4>gonna be a whole vibe and then and then so

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<v Speaker 4>then that's Saturday, and then Sunday we're going to have

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<v Speaker 4>our very first live podcast ever and we're going to

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<v Speaker 4>do it a Capital One Arena. That's where the Wizards play,

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<v Speaker 4>and they're giving us they're giving us the court.

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<v Speaker 5>They give us court.

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<v Speaker 4>And then what they're gonna do is that anybody that

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<v Speaker 4>comes to the podcast, they get tickets to the game

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<v Speaker 4>right after the podcast. But it's not just a regular game.

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<v Speaker 4>They play the Clippers, and the Clippers have one of

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<v Speaker 4>the best teams in the league, one of the best

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<v Speaker 4>players of all time, Kawhi Leonard and Load Management will not.

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<v Speaker 3>Management.

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<v Speaker 4>Kawhi's playing, Paul George is playing, so yeah so and

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<v Speaker 4>we're also going to live stream the workshop too for

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<v Speaker 4>fifteen dollars, pretty much giving it away. So if you're interested,

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<v Speaker 4>go to unier Lesion dot com under the events tab

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<v Speaker 4>and all of the information is there. So all right, So,

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<v Speaker 4>as I said, this is very special because you know,

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<v Speaker 4>music is part of our man. We grew up on

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<v Speaker 4>hip hop specifically, and we just love music.

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<v Speaker 3>So we talk. We always quote jay Z all the time.

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<v Speaker 4>We always call all these rappers and because that's kind

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<v Speaker 4>of how we grew up and just listening to rap,

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<v Speaker 4>that's how we learned. Some things we learned good, some

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<v Speaker 4>things we learned bad, but that's how we learned. So

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<v Speaker 4>my man, Mickey Facts is a perfect a perfect guest

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<v Speaker 4>for ey L. So he had a freestyle that about

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<v Speaker 4>three months ago went viral on social media and it

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<v Speaker 4>was with funk Flex and he was talking about credit

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<v Speaker 4>and when I saw the freestyle, a couple of people

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<v Speaker 4>had DM me like, YO, you should post this, you

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<v Speaker 4>should post this. So when I actually sat down because

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<v Speaker 4>a lot of times you get stuff, you only look

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<v Speaker 4>at it. So once the third person hit me, I'm

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<v Speaker 4>like I should Actually, that's three minutes of my time

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<v Speaker 4>to look at this. And then I looked at it,

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<v Speaker 4>I'm like, Yo, this is dope. So I reposted it

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<v Speaker 4>and then it went crazy on my page and then

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<v Speaker 4>we connected and I'm like, yo, like, would you be

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<v Speaker 4>interested in coming on the show? He's like, yeah, for sure,

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<v Speaker 4>So I'll run it down. He's a veteran, veteran in

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<v Speaker 4>the rap game over a decade of experience. He was

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<v Speaker 4>on the Double Excel Freshman of the Year cover. Yeah

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<v Speaker 4>for sure, two thousand and nine Freshmen.

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<v Speaker 5>Right. Yeah, so Bronxe native, we can't forget that.

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<v Speaker 4>Yeah. Yeah, you know Shout Corey. You know that's that's

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<v Speaker 4>the birthplace of hip hop. That's that's where it started.

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<v Speaker 4>So yeah, man, just a veteran in the game. Have

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<v Speaker 4>been on major labels, independent labels, drop projects, worked with

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<v Speaker 4>some of the biggest names of hip hop.

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<v Speaker 3>History, from Drake to Kendrick Lamar.

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<v Speaker 6>Yeah yeah, so.

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<v Speaker 4>You know, it's he's the perfect guest to have because

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<v Speaker 4>you know, when we talk about entertainment, a lot of

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<v Speaker 4>times people have aspirations of being in the entertainment business,

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<v Speaker 4>but you know, they don't really know how to how

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<v Speaker 4>that works, right, And I was telling Micky off cameras like,

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<v Speaker 4>there's a lot more people that could relate to his

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<v Speaker 4>story that could relate jay Z right, because as far

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<v Speaker 4>as being an independent artist and making a living for

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<v Speaker 4>yourself and going on tour and selling merch and all

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<v Speaker 4>of this stuff, there's all things that are viable career.

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<v Speaker 4>You're making a living out of it, right. So it's like,

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<v Speaker 4>as an artist, there's no mentorship and there's no blueprint.

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<v Speaker 4>You're gonna give us some some some free games. So sir,

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<v Speaker 4>first and foremost, Man, thank you, thank you for joining us.

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<v Speaker 6>Absolutely, thank you for having me in man excited.

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<v Speaker 2>Yeah.

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<v Speaker 4>So all right, so we're gonna kick it off a

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<v Speaker 4>little different how we usually kick off the podcast. How

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<v Speaker 4>we're kicking it off, all right, So said this all

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<v Speaker 4>started with the Funk Flex Freestyle. So we're gonna try

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<v Speaker 4>to We're gonna have one up on flex, one up

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<v Speaker 4>on Flex. We're gonna very first, breaking history, very first,

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<v Speaker 4>y l free style. Yeah, Man's gonna bless us with

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<v Speaker 4>a hundred boss Yeah. Yeah, Lisa and we're gonna and

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<v Speaker 4>we're going through it. So yeah, whenever you're ready.

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<v Speaker 6>Man, okay cool. Uh So I'm doing this freestyle you

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<v Speaker 6>know what I'm saying off of band from TV. Shout

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<v Speaker 6>out to Norri, Nature, pun I, p Cam and Swiss

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<v Speaker 6>for making it.

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<v Speaker 3>Thank you, you know what I mean.

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<v Speaker 6>And I hit up for Shad. I was like, you know,

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<v Speaker 6>I want you to pick the topic. I want you

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<v Speaker 6>to pick the beat, you know what I'm saying. So

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<v Speaker 6>Troy picked the beat. Rashad picked the topic. So you

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<v Speaker 6>know today we're gonna be rapping about you know what

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<v Speaker 6>I'm saying, entrepreneurs. You know what I mean.

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<v Speaker 5>Man, Let's get it going.

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<v Speaker 3>Let's do it.

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<v Speaker 5>Guys. In nineteen.

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<v Speaker 3>That's hour.

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<v Speaker 5>Yeah.

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<v Speaker 6>I saw what I did on the Flex Show, helping

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<v Speaker 6>the people get out of debt. Bro Shan gave me

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<v Speaker 6>a call and told me to flex Moe teach him

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<v Speaker 6>how to work for himself to get Joe said, Joe,

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<v Speaker 6>you can think ready for that? He said, Mick, give

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<v Speaker 6>yourself more credit than that. You tell them the facts.

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<v Speaker 6>That's when I start remembering back working at a law firm,

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<v Speaker 6>sort and mailing the fact going to work very poor.

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<v Speaker 6>I'm making twenty k a twenty four. I can't take

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<v Speaker 6>it anymore. So I made it my business to make

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<v Speaker 6>my own business, create my own lane. That the game

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<v Speaker 6>happened witnessed before. I thought, is a good and a

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<v Speaker 6>bad guy, and I'm gonna give you both.

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<v Speaker 3>Be a good and a bad guy. Let's start with

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<v Speaker 3>the good.

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<v Speaker 6>Because you gotta find a niche example considered with mars

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<v Speaker 6>A Choir Twitch. It was other chocolate bars right in

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<v Speaker 6>the mix, but the company made tools.

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<v Speaker 3>Womaning gyro rich.

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<v Speaker 6>They saw with the need for something, so they created

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<v Speaker 6>a product who appease the public. But you gotta do

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<v Speaker 6>the same. Convent something in your own lane, create the

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<v Speaker 6>value for the customer you can gain.

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<v Speaker 5>You could put a.

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<v Speaker 6>Barber shop next to a lounge, or start a laundering

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<v Speaker 6>at in the college town. Got to know what you're

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<v Speaker 6>getting into with the creative research.

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<v Speaker 3>Don't go and blind you.

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<v Speaker 6>The your arrogance. A doctors can't start a business without

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<v Speaker 6>knowing its medicine, and author can't start a series without.

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<v Speaker 5>Knowing the narrative.

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<v Speaker 3>Experiment with the benefits of your market.

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<v Speaker 6>Know your demographics. Who are you trying to start with?

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<v Speaker 6>What is your business plan?

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<v Speaker 3>Here's how you started.

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<v Speaker 6>What is your company about?

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<v Speaker 5>What do you call it?

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<v Speaker 6>Lady out the services, tell us about the product. Flesh

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<v Speaker 6>out the numbers. What's your repende target and that's what

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<v Speaker 6>you make hid now subtract what you spens just to

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<v Speaker 6>make it. That's your profits and loss it yem sure,

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<v Speaker 6>hold up. I might be stealing. God might give me

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<v Speaker 6>your ticket from all the speakings. I might get banned

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<v Speaker 6>from TV with this Preacher and Nor We're gonna have

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<v Speaker 6>to re release it as a remix and old sixty

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<v Speaker 6>five and mixtapes with DJ's walk back, he closing and

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<v Speaker 6>toes with a mean face. I had glasses, skinny jeans,

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<v Speaker 6>gold supers. Cats saw that to said he had no future.

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<v Speaker 6>But they were wrong because people were connected, they brought

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<v Speaker 6>into the brand and it was respected for checker. I

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<v Speaker 6>don't want DVA from the message. Let's get back to

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<v Speaker 6>this entrepreneur lesson. Sometimes people do it to get out

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<v Speaker 6>of stressing. Working for the man to them, whocomes suppressive.

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<v Speaker 6>So they start a business for income play. But they

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<v Speaker 6>ain't worried about growth, so the income stays. The problem

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<v Speaker 6>is if they ever see an income raise, the iron

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<v Speaker 6>rest on their back. Now incomes grades. You gotta have

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<v Speaker 6>a good accountant. What does the duck pay yourself? Your

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<v Speaker 6>own salary? What is enough? Don't get too passive with

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<v Speaker 6>the money you clutch, or you gonna be a mechanic

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<v Speaker 6>going under the bus. Now let's talk about the bad

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<v Speaker 6>and what people don't tell your ninety seven percent of

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<v Speaker 6>businesses and the failure not because what they did.

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<v Speaker 3>Wrong to other reasons.

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<v Speaker 6>Let me breaking down people. You can go to a

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<v Speaker 6>neighborhood restaurant every other weekend the going siste kid because

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<v Speaker 6>the owners with the beegan but he wants to sell it,

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<v Speaker 6>so the food is the season. Other customers see that

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<v Speaker 6>and start leaving. Now they gotta shut the business down

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<v Speaker 6>where you're eating because the founder they want to keep it.

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<v Speaker 3>Another example to believe.

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<v Speaker 6>In is how how you rules the product to those

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<v Speaker 6>who need it? Is it like breathing? Is it worth

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<v Speaker 6>pulling my wild out with the feasons? Or should I

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<v Speaker 6>pass des I ain't got financial freedom. See the things

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<v Speaker 6>you gotta take in account. A real entrepreneur is never

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<v Speaker 6>wait in it out. They start one company, let it

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<v Speaker 6>make in them out, and then sell it before it

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<v Speaker 6>gets placed in the trout and start another company. Every

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<v Speaker 6>couple of years after and you can repeat those steps,

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<v Speaker 6>kind of like staying mastered. This is not actually taught.

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<v Speaker 6>These are gems that I'm dropping. Hope they actually get caught.

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<v Speaker 6>Another thing, Stop trying to ask for support. If your

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<v Speaker 6>product is good, then it's practically brought. So if your

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<v Speaker 6>man done something and you feel that is basic and

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<v Speaker 6>you don't support it, being enforced it with a statement,

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<v Speaker 6>invest in their dreams and state this.

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<v Speaker 5>The best way to predict the future is for you

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<v Speaker 5>to create it.

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<v Speaker 6>And this is for the work of bees.

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<v Speaker 3>Don't get cocky.

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<v Speaker 6>You get paid for your work.

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<v Speaker 3>Don't be snappy.

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<v Speaker 6>Don't ask to be the bossy whole shits sloppy because

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<v Speaker 6>a brand new fighter just won't hit rocky. Ownership's not

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<v Speaker 6>a reward for work. That's the paycheck. The ownerships of

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<v Speaker 6>rewards for risks. That's the apex ostead of double tapping

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<v Speaker 6>asses and muscles.

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<v Speaker 5>Google and research the past to the hustling.

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<v Speaker 3>Get you a mentor and asks about the struggle and

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<v Speaker 3>learn from mistakes.

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<v Speaker 6>Don't brag.

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<v Speaker 5>Keep a subtle.

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<v Speaker 6>The last freestyle had the last Nigga puzzle. I ain't

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<v Speaker 6>rap about a ring and how a flash.

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<v Speaker 3>On my knuckles.

0:10:59.360 --> 0:11:01.200
<v Speaker 6>A couple of people said that they was trapped in

0:11:01.240 --> 0:11:03.679
<v Speaker 6>the bubble till they heard my freestyle, and they asked

0:11:03.720 --> 0:11:07.000
<v Speaker 6>us to double some education and gets you a portions

0:11:07.320 --> 0:11:11.400
<v Speaker 6>self education and get you a fortunate want to get rich.

0:11:11.480 --> 0:11:14.360
<v Speaker 6>It's a passion. Trust me, and some people so poor

0:11:14.400 --> 0:11:17.439
<v Speaker 6>all they really have is money. This verse ain't facetious.

0:11:17.800 --> 0:11:20.520
<v Speaker 6>Take that lyric down and break the words and pieces.

0:11:22.280 --> 0:11:25.320
<v Speaker 6>Get you a nice life. Work cohesion, get you one

0:11:25.360 --> 0:11:27.160
<v Speaker 6>step closer to earn your leisure.

0:11:28.559 --> 0:11:35.720
<v Speaker 5>Heard you heard it? Listen, listen, listen, don't ever play yourself.

0:11:38.240 --> 0:11:43.080
<v Speaker 5>Listen one take only Nickey Fast is burned down my house.

0:11:43.160 --> 0:11:43.360
<v Speaker 3>Man.

0:11:44.000 --> 0:11:49.079
<v Speaker 5>I'm glad I got insurance. Lisia has been earned, y'all

0:11:49.520 --> 0:11:56.320
<v Speaker 5>shy man. That was first time ever. Yeah, first time

0:11:56.360 --> 0:11:59.200
<v Speaker 5>ever or alsia. Yeah, they're gonna be hitting us out now.

0:11:59.600 --> 0:12:05.000
<v Speaker 6>Yeah yo yo, I was the first.

0:12:05.720 --> 0:12:07.120
<v Speaker 3>Yeah yeah yo.

0:12:07.320 --> 0:12:08.400
<v Speaker 5>Just listen to my demo.

0:12:08.520 --> 0:12:10.680
<v Speaker 4>Bro, No, that was dope. That was that was dope

0:12:10.679 --> 0:12:12.240
<v Speaker 4>for me. Man, Once again, thank you for that. I

0:12:12.320 --> 0:12:12.920
<v Speaker 4>appreciate it.

0:12:12.960 --> 0:12:13.280
<v Speaker 3>Absolu.

0:12:14.040 --> 0:12:15.800
<v Speaker 4>So yeah, this is gonna be. This is this is

0:12:15.800 --> 0:12:18.200
<v Speaker 4>dope because all so we got the freestyle and just

0:12:18.240 --> 0:12:21.360
<v Speaker 4>burned it, burned it down completely, and now we're gonna

0:12:21.360 --> 0:12:23.280
<v Speaker 4>go into the to the interview part of it to

0:12:23.320 --> 0:12:26.040
<v Speaker 4>let people know who you are, and then also to

0:12:25.840 --> 0:12:28.839
<v Speaker 4>to give information for for artists out there that that.

0:12:28.880 --> 0:12:30.520
<v Speaker 3>May not know the game.

0:12:32.000 --> 0:12:34.439
<v Speaker 5>We said, it's not something that's taught. There's no manual

0:12:34.480 --> 0:12:37.440
<v Speaker 5>for it. People learning on the fly, and forefathers before,

0:12:37.880 --> 0:12:39.600
<v Speaker 5>you know, maybe they were learning on the fly as well,

0:12:39.640 --> 0:12:41.160
<v Speaker 5>so they didn't pass it down. So we're gonna get

0:12:41.160 --> 0:12:41.720
<v Speaker 5>into that today.

0:12:41.720 --> 0:12:43.680
<v Speaker 3>So can we talk about your journey? So it's interesting.

0:12:43.679 --> 0:12:46.040
<v Speaker 4>So you were saying you was, you was in college

0:12:46.120 --> 0:12:48.679
<v Speaker 4>and she was in n y U and I guess

0:12:48.720 --> 0:12:51.280
<v Speaker 4>after one year you just figured that school route wasn't

0:12:51.280 --> 0:12:51.880
<v Speaker 4>for you, right.

0:12:51.800 --> 0:12:55.640
<v Speaker 6>Yeah, I mean I was. I was studying law, you know,

0:12:55.880 --> 0:13:01.880
<v Speaker 6>and paralegal studies specifically, and I remember being in the

0:13:01.920 --> 0:13:06.440
<v Speaker 6>front of criminal justice class drinking a triple shot of

0:13:06.600 --> 0:13:12.240
<v Speaker 6>espresso with my coffee still falling asleep, and you know,

0:13:12.440 --> 0:13:16.280
<v Speaker 6>I feel like, you know, and just education works for

0:13:16.320 --> 0:13:19.520
<v Speaker 6>some people, but for others is to retain some knowledge.

0:13:19.559 --> 0:13:22.200
<v Speaker 6>It's just it just didn't work for me in that way.

0:13:23.800 --> 0:13:26.719
<v Speaker 6>So I decided that, you know, I was going to

0:13:26.800 --> 0:13:29.480
<v Speaker 6>take something that I was doing as a hobby seriously.

0:13:29.760 --> 0:13:31.200
<v Speaker 6>So I was like, you know what, let me just

0:13:32.000 --> 0:13:33.640
<v Speaker 6>you know, at the time, I managed it and my

0:13:33.840 --> 0:13:35.199
<v Speaker 6>and I was like, yo, if you really want to

0:13:35.240 --> 0:13:36.880
<v Speaker 6>do this, you gotta be serious and quit.

0:13:37.440 --> 0:13:41.120
<v Speaker 5>So you started college already doing the music thing.

0:13:41.480 --> 0:13:43.760
<v Speaker 6>Yeah, I was already doing music before I went to college.

0:13:43.760 --> 0:13:46.200
<v Speaker 6>I had prolonged college for like six years. I had

0:13:46.240 --> 0:13:48.760
<v Speaker 6>went two thousand and seven. I had graduated high school

0:13:48.760 --> 0:13:51.640
<v Speaker 6>two thousand. So as soon as I got to college,

0:13:51.679 --> 0:13:54.040
<v Speaker 6>I deal with most black people do they just get

0:13:54.080 --> 0:13:55.559
<v Speaker 6>a job because they want to get to the money.

0:13:55.720 --> 0:13:58.280
<v Speaker 6>You know, they want money. So I went and worked

0:13:58.320 --> 0:14:00.760
<v Speaker 6>for six years and then and I was like, all right,

0:14:00.840 --> 0:14:03.040
<v Speaker 6>let me go to school to make my mother happy.

0:14:03.880 --> 0:14:06.000
<v Speaker 6>But it didn't make me happy. So I just kind

0:14:06.000 --> 0:14:06.360
<v Speaker 6>of left.

0:14:06.360 --> 0:14:08.200
<v Speaker 5>Twenty four thousand a year. Couldn't take it.

0:14:08.240 --> 0:14:11.120
<v Speaker 6>I was, yeah, it was literally and this was five

0:14:11.600 --> 0:14:14.040
<v Speaker 6>four five was making twenty four thousand a year, you know.

0:14:14.320 --> 0:14:16.319
<v Speaker 4>So so all right, so you decided to drop out

0:14:16.320 --> 0:14:19.760
<v Speaker 4>of school. What is it like, what's your next steps

0:14:19.760 --> 0:14:21.280
<v Speaker 4>in order to pursue your music career.

0:14:21.760 --> 0:14:25.480
<v Speaker 6>I mean at that time, the internet was just butting

0:14:25.720 --> 0:14:29.560
<v Speaker 6>and I buzzn't Yes, I was on MySpace heavy, and

0:14:29.640 --> 0:14:32.480
<v Speaker 6>we were changing top eights. We was making people change

0:14:32.480 --> 0:14:35.160
<v Speaker 6>their top aids, you know what I'm saying. And we

0:14:35.360 --> 0:14:37.640
<v Speaker 6>just kind of we I had a graphic design person

0:14:37.680 --> 0:14:39.920
<v Speaker 6>who knew how to work with the HTML and had

0:14:39.920 --> 0:14:42.600
<v Speaker 6>our backgrounds looking good. So we was, you know, we

0:14:42.600 --> 0:14:44.720
<v Speaker 6>was a kind of ahead of the game in that aspect.

0:14:44.760 --> 0:14:46.640
<v Speaker 6>So when people would go to my page, they would

0:14:46.640 --> 0:14:49.720
<v Speaker 6>see it was completely different from what other myndspace pages were.

0:14:50.160 --> 0:14:53.760
<v Speaker 6>And we were also utilizing Facebook and Twitter around this time.

0:14:53.800 --> 0:14:55.920
<v Speaker 6>This is before it was like what it is today.

0:14:56.440 --> 0:14:59.360
<v Speaker 6>So we were using the internet when when hip hop

0:14:59.520 --> 0:15:03.440
<v Speaker 6>wasnouncing the internet like hip hop was denouncing.

0:15:03.000 --> 0:15:04.480
<v Speaker 5>It at that time, music is being stolen.

0:15:04.920 --> 0:15:07.720
<v Speaker 6>Music was right, it was being pirated still, but people

0:15:07.720 --> 0:15:10.880
<v Speaker 6>were still purchasing. It didn't go into the era of

0:15:11.720 --> 0:15:15.440
<v Speaker 6>free music just yet, like you could get freestyle like

0:15:15.440 --> 0:15:18.480
<v Speaker 6>people who still buy music, but people would go on

0:15:18.640 --> 0:15:22.080
<v Speaker 6>these sites to get freestyles and certain videos, you know

0:15:22.120 --> 0:15:24.200
<v Speaker 6>what I'm saying, Because there wasn't I think iTunes was out,

0:15:24.240 --> 0:15:26.720
<v Speaker 6>but it wasn't like concrete just yet.

0:15:26.840 --> 0:15:29.920
<v Speaker 5>Yeah, so you built a team around you. Yeah, so

0:15:30.080 --> 0:15:31.800
<v Speaker 5>who's consistent in this team In the early.

0:15:31.680 --> 0:15:35.160
<v Speaker 6>Days, it was a Saint he was my manager and

0:15:35.240 --> 0:15:38.480
<v Speaker 6>creative director. Then I had Steve O who was also

0:15:38.800 --> 0:15:43.800
<v Speaker 6>creative director, slash A and R. I had a stylist Quas,

0:15:45.160 --> 0:15:49.720
<v Speaker 6>I had a producer, Precise. I have my own personal assistant, Lakita.

0:15:50.200 --> 0:15:51.080
<v Speaker 6>I had a hype man.

0:15:51.680 --> 0:15:53.000
<v Speaker 3>So how did all this come about?

0:15:53.040 --> 0:15:53.160
<v Speaker 6>Though?

0:15:53.160 --> 0:15:55.120
<v Speaker 3>As far as like, you leave college, I'm assuming you

0:15:55.160 --> 0:15:55.960
<v Speaker 3>don't have any money.

0:15:56.160 --> 0:15:57.840
<v Speaker 6>I had ten thousand dollars save, all.

0:15:57.800 --> 0:16:00.360
<v Speaker 3>Right, So how do you fund the operation? At the

0:16:00.400 --> 0:16:01.160
<v Speaker 3>beginning stages?

0:16:01.600 --> 0:16:07.040
<v Speaker 6>I mean in two thousand and seven, from what I remember,

0:16:08.360 --> 0:16:11.800
<v Speaker 6>we I put all my money into a project called Flashback,

0:16:11.960 --> 0:16:15.720
<v Speaker 6>which was basically wrapping over old school beats, but we

0:16:15.800 --> 0:16:19.720
<v Speaker 6>had my producer remake them to be newer. We wanted

0:16:19.760 --> 0:16:23.400
<v Speaker 6>to get DJs to but DJs were too expensive, so

0:16:24.360 --> 0:16:27.320
<v Speaker 6>we just basically created it and put it on my Space.

0:16:27.960 --> 0:16:29.640
<v Speaker 6>When we saw it didn't do anything, we put it

0:16:29.640 --> 0:16:32.480
<v Speaker 6>out July twenty seven, two thousand and seven. We saw

0:16:32.480 --> 0:16:36.080
<v Speaker 6>it didn't do anything, I started working on another project

0:16:36.120 --> 0:16:40.000
<v Speaker 6>called Heaven's Fallout, and I sampled the Geico commercial beat

0:16:42.040 --> 0:16:44.400
<v Speaker 6>you know what I'm saying, and I wrapped over that.

0:16:44.440 --> 0:16:48.400
<v Speaker 6>When I wrapped over that, it started to gain attention

0:16:48.560 --> 0:16:52.960
<v Speaker 6>because it wasn't a typical hip hop beat. Then I

0:16:53.080 --> 0:17:01.400
<v Speaker 6>sampled Arms the Arms Race remix which Kanye on it,

0:17:02.200 --> 0:17:08.360
<v Speaker 6>and the Fallout Boys and Gym Class Heroes. The Gym

0:17:08.400 --> 0:17:10.919
<v Speaker 6>Class Heroes and fall Out Boys management heard that and

0:17:10.960 --> 0:17:12.560
<v Speaker 6>called me up. I was like, okay, we want to

0:17:12.800 --> 0:17:16.600
<v Speaker 6>make you a part of this team, you know, we

0:17:16.640 --> 0:17:18.600
<v Speaker 6>want to manage you. And this is all off my

0:17:18.680 --> 0:17:20.600
<v Speaker 6>space and this is like unheard of around this time.

0:17:20.600 --> 0:17:22.359
<v Speaker 6>And then I put another record out called Stop Me.

0:17:23.040 --> 0:17:27.399
<v Speaker 6>I sampled Daniel Merriwether and then I sampled another track

0:17:27.840 --> 0:17:31.040
<v Speaker 6>called Tokyo Shit. When I did that, that's when Fader

0:17:31.080 --> 0:17:35.560
<v Speaker 6>picked me up. And then after once Fader picked me up,

0:17:36.000 --> 0:17:37.840
<v Speaker 6>mind you, this is no. I didn't have no money.

0:17:37.880 --> 0:17:41.439
<v Speaker 6>We haven't spent a dollar yet. Once Fader picked me up,

0:17:41.480 --> 0:17:48.320
<v Speaker 6>everybody picked me up. You are b Billboard, Rolling Stone, Vibe,

0:17:49.119 --> 0:17:52.160
<v Speaker 6>the Sauce Sauce in Double Xcel were actually the last

0:17:52.160 --> 0:17:53.040
<v Speaker 6>people to pick me up.

0:17:53.200 --> 0:17:53.720
<v Speaker 3>But at that.

0:17:53.800 --> 0:17:59.520
<v Speaker 6>Point we were using the Internet when other rappers really weren't.

0:17:59.600 --> 0:18:01.720
<v Speaker 6>Like it was a couple of us like Me Cuddy,

0:18:01.800 --> 0:18:06.760
<v Speaker 6>the cool kids, cool kids. Well while a we were

0:18:06.800 --> 0:18:10.160
<v Speaker 6>like the ones using the Internet to get out whereas

0:18:10.240 --> 0:18:12.320
<v Speaker 6>there was like at that time, it was like fifty

0:18:12.320 --> 0:18:15.600
<v Speaker 6>cent Kanye. They were all still doing the traditional.

0:18:15.760 --> 0:18:17.800
<v Speaker 5>They were still like a crew love type situation, right,

0:18:17.840 --> 0:18:20.600
<v Speaker 5>like the crew was hot and then somebody from that

0:18:20.680 --> 0:18:22.399
<v Speaker 5>crew was goawing off and blow up.

0:18:22.440 --> 0:18:24.840
<v Speaker 6>But also the labels just didn't know how to maneuver

0:18:24.880 --> 0:18:28.520
<v Speaker 6>it on the Internet. They tried to fight napster, they

0:18:28.600 --> 0:18:31.640
<v Speaker 6>tried to fight technology. They they tried to fight all

0:18:31.680 --> 0:18:34.919
<v Speaker 6>of that, and they didn't realize like they were guys

0:18:34.960 --> 0:18:37.520
<v Speaker 6>that were more popular than me in the streets. But

0:18:37.600 --> 0:18:40.560
<v Speaker 6>I was touring like I was traveling. I went to Japan,

0:18:40.600 --> 0:18:43.520
<v Speaker 6>I went to China before I performed in New York

0:18:43.560 --> 0:18:45.240
<v Speaker 6>City by myself, you know what I'm saying. Because I

0:18:45.280 --> 0:18:47.720
<v Speaker 6>had fans all over the place, and DJ's at the

0:18:47.720 --> 0:18:50.000
<v Speaker 6>time in New York City were charging way too much money.

0:18:50.160 --> 0:18:53.080
<v Speaker 6>I just couldn't afford it. So I made the Internet

0:18:53.160 --> 0:18:55.240
<v Speaker 6>my fan base. And then when I did that, I

0:18:55.240 --> 0:18:58.000
<v Speaker 6>started putting a song a week out every week. I

0:18:58.040 --> 0:19:01.119
<v Speaker 6>put a new song out every week for free. And

0:19:01.440 --> 0:19:04.040
<v Speaker 6>when people saw the work ethic on that, it just

0:19:04.160 --> 0:19:05.640
<v Speaker 6>kind of was like a mushroom.

0:19:05.640 --> 0:19:07.399
<v Speaker 5>When you say DJs was charging too much, you mean

0:19:07.480 --> 0:19:10.520
<v Speaker 5>in the sense of DJ's playing the records on the radio,

0:19:10.640 --> 0:19:12.879
<v Speaker 5>or DJ's making actual records for you.

0:19:13.240 --> 0:19:18.200
<v Speaker 6>DJ's playing the records on the radio, DJs to take

0:19:18.240 --> 0:19:20.960
<v Speaker 6>your song and put it on a mixtape, DJs to

0:19:21.040 --> 0:19:24.919
<v Speaker 6>host your mixtape, DJs to play the music in the club,

0:19:25.480 --> 0:19:29.000
<v Speaker 6>DJs to play the music at events. DJ is just

0:19:29.040 --> 0:19:29.880
<v Speaker 6>they hear the song.

0:19:29.920 --> 0:19:32.320
<v Speaker 5>They wanted money, So that's crazy.

0:19:32.960 --> 0:19:36.520
<v Speaker 3>Payola, Paola, that's a real thing. Payola is a real thing.

0:19:37.320 --> 0:19:39.480
<v Speaker 4>If anybody's not payola. That's when you pay people to

0:19:39.520 --> 0:19:43.240
<v Speaker 4>play music on radio station. It's a federal offense.

0:19:43.040 --> 0:19:45.160
<v Speaker 6>Right, it is a federal offense.

0:19:45.440 --> 0:19:48.000
<v Speaker 3>So people really do that, you know.

0:19:49.800 --> 0:19:50.879
<v Speaker 6>It's one of those things.

0:19:51.040 --> 0:19:53.080
<v Speaker 5>It's one of those things where incriminated.

0:19:53.160 --> 0:19:55.840
<v Speaker 6>No, no, I mean, I mean, it's one of those

0:19:55.840 --> 0:19:58.560
<v Speaker 6>things where like if you hear a song on the radio,

0:19:59.800 --> 0:20:01.560
<v Speaker 6>I'm I mean, first of all, I believe all of

0:20:01.640 --> 0:20:03.840
<v Speaker 6>us in here, we grew up in the era of

0:20:03.880 --> 0:20:06.840
<v Speaker 6>the nineties and the two thousands, Hot ninety seven. It

0:20:06.880 --> 0:20:10.439
<v Speaker 6>wasn't power one five at that time. We all am not.

0:20:10.960 --> 0:20:13.280
<v Speaker 6>We all tried to call up the Hot ninety seven.

0:20:13.480 --> 0:20:16.280
<v Speaker 6>Any of us ever get through, No, no.

0:20:16.200 --> 0:20:19.239
<v Speaker 5>Never, I've never trying to call when when DJ red

0:20:19.240 --> 0:20:21.880
<v Speaker 5>Alert was on Kiss FM, and did you ever get through?

0:20:22.200 --> 0:20:22.400
<v Speaker 3>Never?

0:20:22.560 --> 0:20:25.280
<v Speaker 6>Man, never, and you're not gonna you weren't gonna get

0:20:25.280 --> 0:20:30.040
<v Speaker 6>through because it's already a programmed kind of situation. The

0:20:30.400 --> 0:20:33.719
<v Speaker 6>music is already programmed for what they're gonna play. Program director,

0:20:34.040 --> 0:20:37.119
<v Speaker 6>they already the songs are already programmed to play because

0:20:37.160 --> 0:20:40.399
<v Speaker 6>of how popular it was already it already was, or

0:20:40.480 --> 0:20:42.679
<v Speaker 6>because the label paid for that.

0:20:43.440 --> 0:20:46.919
<v Speaker 4>M So all right, that's interesting. I didn't know that

0:20:46.960 --> 0:20:49.760
<v Speaker 4>even to for the DJ to either hear your record.

0:20:49.680 --> 0:20:51.760
<v Speaker 5>All you ever hear is like, yo, I don't take money.

0:20:51.760 --> 0:20:55.720
<v Speaker 3>I don't take a DJs have too much power, not anymore,

0:20:55.840 --> 0:20:56.320
<v Speaker 3>they used to.

0:20:56.840 --> 0:20:58.200
<v Speaker 6>They used to have tons of power.

0:20:58.280 --> 0:21:00.440
<v Speaker 5>Yeah, because I would imagine, like and there was a

0:21:00.440 --> 0:21:03.440
<v Speaker 5>certain time when DJs would break the record right right now.

0:21:03.240 --> 0:21:04.840
<v Speaker 3>Like the internet's breaking the record.

0:21:05.240 --> 0:21:06.720
<v Speaker 5>I mean, people break their own records.

0:21:06.800 --> 0:21:09.399
<v Speaker 6>I mean, I mean when I was when I was

0:21:09.440 --> 0:21:13.119
<v Speaker 6>on Jive, I was frustrated because I was like, they

0:21:13.600 --> 0:21:16.040
<v Speaker 6>wanted me to do the DJ stuff and DJ and

0:21:16.400 --> 0:21:19.679
<v Speaker 6>I wanted to say I'm not against DJs, but I

0:21:19.720 --> 0:21:24.119
<v Speaker 6>felt like it was archaic because like at some point,

0:21:24.520 --> 0:21:26.680
<v Speaker 6>like people are not going to go to the radio

0:21:26.720 --> 0:21:29.800
<v Speaker 6>to listen to music anymore. They're all now they're listening

0:21:29.840 --> 0:21:32.200
<v Speaker 6>to music on Spotify, they listening to music on Title,

0:21:32.240 --> 0:21:35.920
<v Speaker 6>They're listening to YouTube, you know YouTube. So I felt

0:21:35.920 --> 0:21:37.760
<v Speaker 6>like it was archaic and they didn't want to hear

0:21:37.800 --> 0:21:39.440
<v Speaker 6>me at the label. They was like, now you still

0:21:39.440 --> 0:21:40.480
<v Speaker 6>gotta do it, You still got to do it.

0:21:40.480 --> 0:21:42.600
<v Speaker 4>I was like, Okay, you know what's crazy is that,

0:21:42.640 --> 0:21:45.639
<v Speaker 4>Like the first time I heard about Takashi was like

0:21:46.000 --> 0:21:48.360
<v Speaker 4>I think a year and a half ago, and it

0:21:48.400 --> 0:21:50.960
<v Speaker 4>was Uncle Murders Yearly Week. He does like the Yearly

0:21:50.960 --> 0:21:55.320
<v Speaker 4>Reek after so he's mentioned his name. And when he

0:21:55.400 --> 0:21:58.119
<v Speaker 4>mentioned his name, like, I like googled him, Like I

0:21:58.160 --> 0:22:00.920
<v Speaker 4>looked on Instagram. And when I looked on Instagram, he

0:22:00.960 --> 0:22:04.280
<v Speaker 4>had two million followers. So I'm like, how does he

0:22:04.000 --> 0:22:06.760
<v Speaker 4>have He's from Brooklyn, he got rainbow head YEP. I'm like,

0:22:07.160 --> 0:22:10.400
<v Speaker 4>that's I say that to say, I was so out

0:22:10.400 --> 0:22:13.359
<v Speaker 4>of the loop. Two million people had already been follow him,

0:22:13.400 --> 0:22:16.560
<v Speaker 4>He's on tour overseas. He was already hot, and I

0:22:16.600 --> 0:22:18.480
<v Speaker 4>only heard about him because of Uncle MURDA said his

0:22:18.560 --> 0:22:19.960
<v Speaker 4>name was way bigger than Uncle Murder.

0:22:20.400 --> 0:22:23.000
<v Speaker 5>The radio is only playing twelve records. If you listen

0:22:23.000 --> 0:22:25.000
<v Speaker 5>to it, it's just twelve records over and over, just

0:22:25.000 --> 0:22:26.800
<v Speaker 5>the time span and then like they have maybe a

0:22:26.840 --> 0:22:29.440
<v Speaker 5>new at two section that's like forty five minutes throughout

0:22:29.480 --> 0:22:31.360
<v Speaker 5>the day. Most people in their cars, it's the same

0:22:31.359 --> 0:22:33.840
<v Speaker 5>records over and over. Unless they're doing like a show,

0:22:33.880 --> 0:22:35.560
<v Speaker 5>like an interview that's coming on, that's it. Yeah.

0:22:35.600 --> 0:22:38.560
<v Speaker 6>I mean, I mean, like like with Rashaw just said

0:22:39.000 --> 0:22:43.000
<v Speaker 6>like this, I find new artists and I be shocked

0:22:43.040 --> 0:22:46.040
<v Speaker 6>that they have over five hundred thousand followers. I find

0:22:46.040 --> 0:22:48.280
<v Speaker 6>new artists all the time and they just have tons

0:22:48.280 --> 0:22:51.600
<v Speaker 6>and tons of followers and they sell out venues they don't.

0:22:51.840 --> 0:22:54.159
<v Speaker 6>And I'm one million percent sure they didn't pay a

0:22:54.240 --> 0:22:57.680
<v Speaker 6>DJ to be on the radio. They didn't pay anybody

0:22:57.720 --> 0:22:59.760
<v Speaker 6>to make it happen. They just kind of had their

0:22:59.800 --> 0:23:03.160
<v Speaker 6>own following. People brought into their brand, like I said

0:23:03.200 --> 0:23:05.160
<v Speaker 6>in the rap, and they were connected to it and

0:23:05.160 --> 0:23:06.440
<v Speaker 6>that's what made them pop.

0:23:06.760 --> 0:23:08.639
<v Speaker 5>That's one of the things I think Brooklyn Johny has

0:23:08.640 --> 0:23:10.120
<v Speaker 5>said that He's like, you want to make it get

0:23:10.119 --> 0:23:12.840
<v Speaker 5>hot where you are right in your town, then the

0:23:12.960 --> 0:23:15.760
<v Speaker 5>city will be in love with you, and then your

0:23:15.800 --> 0:23:17.919
<v Speaker 5>state will find you and then by that time the

0:23:18.000 --> 0:23:19.200
<v Speaker 5>industry will come get you. Yep.

0:23:19.640 --> 0:23:20.399
<v Speaker 6>That's how it works.

0:23:20.520 --> 0:23:22.000
<v Speaker 4>So all right, So in the next second, we're going

0:23:22.040 --> 0:23:24.159
<v Speaker 4>to talk about your experience going from a major to

0:23:24.240 --> 0:23:28.479
<v Speaker 4>be an independent or everything in between. All right, So

0:23:28.520 --> 0:23:31.360
<v Speaker 4>you was telling me that you actually have an interesting

0:23:31.400 --> 0:23:35.119
<v Speaker 4>experience because you you've seen all sides of the game. Yes,

0:23:35.440 --> 0:23:39.560
<v Speaker 4>from from living the high life being on major labels,

0:23:39.640 --> 0:23:43.840
<v Speaker 4>to having endorsement deals from Fortune five hundred companies yep,

0:23:44.040 --> 0:23:46.440
<v Speaker 4>to be an independent and having to grind it out yourself.

0:23:46.520 --> 0:23:49.480
<v Speaker 4>So all right, can we talk about your experience on

0:23:49.600 --> 0:23:53.080
<v Speaker 4>on the major labels and how did that work out

0:23:53.119 --> 0:23:55.280
<v Speaker 4>for you? Is it like because everybody talks about majors

0:23:55.760 --> 0:23:58.399
<v Speaker 4>and majority of people that always talk about majors is

0:23:58.400 --> 0:24:01.359
<v Speaker 4>always it's interesting to me, Like even when Kissing was

0:24:01.359 --> 0:24:02.600
<v Speaker 4>on the radio a few years ago and they said

0:24:02.600 --> 0:24:04.160
<v Speaker 4>that they was gonna like throw pop off a roof

0:24:04.200 --> 0:24:08.760
<v Speaker 4>and all that, it's interesting because everybody has bad to

0:24:08.840 --> 0:24:17.040
<v Speaker 4>kiss that beautiful, But everybody always has negative things to

0:24:17.040 --> 0:24:20.440
<v Speaker 4>say about major labels, but everybody always signed to major labels.

0:24:20.520 --> 0:24:22.600
<v Speaker 5>Yeah, you know I heard Jim like Jim Jones was

0:24:22.600 --> 0:24:26.800
<v Speaker 5>probably one of the biggest independent artists, right, and he

0:24:26.840 --> 0:24:29.919
<v Speaker 5>had you know, independent independent until recently he's like, yo,

0:24:30.000 --> 0:24:32.080
<v Speaker 5>you need the major because there's certain things that they

0:24:32.080 --> 0:24:34.800
<v Speaker 5>can provide that you can't as an independent artist.

0:24:35.040 --> 0:24:38.200
<v Speaker 4>So your your experience, how was it being on because

0:24:38.200 --> 0:24:40.400
<v Speaker 4>you're on a few majors, how was how was that experience?

0:24:41.320 --> 0:24:44.600
<v Speaker 6>I mean it was it was a great experience, and

0:24:44.640 --> 0:24:47.280
<v Speaker 6>then it was like a weird experience. So the great

0:24:47.320 --> 0:24:52.160
<v Speaker 6>experience of it was it was more clout for everybody basically,

0:24:52.200 --> 0:24:55.399
<v Speaker 6>so like once you say a job recording artists mickey facts,

0:24:55.440 --> 0:24:58.600
<v Speaker 6>it's like, ah, everybody's all over you. You know what

0:24:58.600 --> 0:25:02.640
<v Speaker 6>I'm saying. But essentially what it is is a bank loan.

0:25:03.000 --> 0:25:05.200
<v Speaker 6>You know, they give you a lot of upfront money

0:25:06.240 --> 0:25:11.120
<v Speaker 6>and you use that money to live off of and

0:25:11.160 --> 0:25:13.439
<v Speaker 6>fund your project. You know what I'm saying. Use that

0:25:13.720 --> 0:25:17.159
<v Speaker 6>and so they give you half upfront and that half

0:25:17.200 --> 0:25:20.760
<v Speaker 6>of whatever you sign for is to live off of.

0:25:20.920 --> 0:25:21.640
<v Speaker 5>That's the events.

0:25:21.720 --> 0:25:24.639
<v Speaker 6>That's the events, and then the other half of the

0:25:24.680 --> 0:25:28.480
<v Speaker 6>money is for your marketing budgets and whatever else that

0:25:28.520 --> 0:25:35.280
<v Speaker 6>you spend studio time, features, production, things like that. And basically,

0:25:35.720 --> 0:25:39.040
<v Speaker 6>if you run out of your money, of the upfront

0:25:39.119 --> 0:25:44.000
<v Speaker 6>advance money. Then you have to kind of grind it out,

0:25:44.080 --> 0:25:47.199
<v Speaker 6>but it's limitations on what you could do because the

0:25:47.280 --> 0:25:51.639
<v Speaker 6>label still owns your name, content and things of that nature.

0:25:51.960 --> 0:25:52.320
<v Speaker 3>Before.

0:25:52.720 --> 0:25:56.080
<v Speaker 6>But one thing with me, like before I did my deal,

0:25:56.720 --> 0:25:59.320
<v Speaker 6>I had to hond a commercial, I had a sponsorship

0:25:59.359 --> 0:26:02.960
<v Speaker 6>with Puma, I had EA sports scenarios, so I had

0:26:02.960 --> 0:26:06.000
<v Speaker 6>my own merchandise. So when I signed to Jive Battery,

0:26:06.200 --> 0:26:08.919
<v Speaker 6>they couldn't take They couldn't three sixty me because I

0:26:09.000 --> 0:26:12.399
<v Speaker 6>was already moving and I was already already had certain

0:26:12.440 --> 0:26:16.400
<v Speaker 6>situations put in place. So that was the good part

0:26:16.400 --> 0:26:19.399
<v Speaker 6>of it, you know, and being able to meet people

0:26:19.400 --> 0:26:22.280
<v Speaker 6>that were in the industry, go to their parties, the events,

0:26:22.359 --> 0:26:25.280
<v Speaker 6>and and you know, eat for free and things like that.

0:26:25.920 --> 0:26:28.359
<v Speaker 6>But you know, when it was time to kind of

0:26:28.520 --> 0:26:35.040
<v Speaker 6>put the music out, Jive had folded. So everybody that

0:26:35.160 --> 0:26:39.240
<v Speaker 6>was on job at the time, justin Timberlake, Chris Brown, myself,

0:26:40.119 --> 0:26:41.720
<v Speaker 6>there was a couple other artists that was on it,

0:26:41.960 --> 0:26:44.679
<v Speaker 6>like big pop artists, like they were a big pop label.

0:26:45.760 --> 0:26:49.080
<v Speaker 6>We all were in limbo. So I got moved to

0:26:49.160 --> 0:26:51.880
<v Speaker 6>RCAA and had a whole nother team, a whole nother deal,

0:26:52.600 --> 0:26:56.160
<v Speaker 6>and it was rough because it was people there who

0:26:56.200 --> 0:26:58.399
<v Speaker 6>didn't believe in the project in the first place to

0:26:58.440 --> 0:27:00.600
<v Speaker 6>sign me. You know. So I I did a record

0:27:00.600 --> 0:27:02.480
<v Speaker 6>with John Legend at the time. I did a record

0:27:02.520 --> 0:27:05.359
<v Speaker 6>with Bruno Mars, did a record with Yellow Wolf, and

0:27:05.600 --> 0:27:08.879
<v Speaker 6>they just didn't the an R just wasn't fans.

0:27:08.880 --> 0:27:09.720
<v Speaker 3>They didn't understand me.

0:27:09.720 --> 0:27:12.879
<v Speaker 6>They didn't understand it because he wasn't invested into it.

0:27:13.000 --> 0:27:14.000
<v Speaker 5>Coach Chilling Labels.

0:27:14.080 --> 0:27:17.119
<v Speaker 3>So one thing, one thing that you said was interesting.

0:27:16.680 --> 0:27:18.960
<v Speaker 4>Because, like I said, we we grew up on hip

0:27:18.960 --> 0:27:21.040
<v Speaker 4>hop and like even in my brain like I have,

0:27:21.280 --> 0:27:24.400
<v Speaker 4>it's weird, like somebody else say something and then lyric

0:27:24.520 --> 0:27:27.680
<v Speaker 4>triggers that I remember from fifteen years ago. So one

0:27:27.680 --> 0:27:32.439
<v Speaker 4>of the greatest rappers of all time Cannabis right, he

0:27:32.560 --> 0:27:32.879
<v Speaker 4>is one of.

0:27:32.840 --> 0:27:38.760
<v Speaker 3>The greats from last six It was pretty crazy.

0:27:40.320 --> 0:27:43.119
<v Speaker 4>It didn't work out for him, but people won't remember him. No, no, no, no,

0:27:43.240 --> 0:27:45.119
<v Speaker 4>he's one of the great that boy. But one of

0:27:45.200 --> 0:27:46.520
<v Speaker 4>the things that he always said that stuck with me.

0:27:46.560 --> 0:27:49.359
<v Speaker 4>He said, he said, did you actually your label if

0:27:49.359 --> 0:27:51.520
<v Speaker 4>it was with Coopable. I'm sure the vehicle was probably beautiful,

0:27:51.520 --> 0:27:53.160
<v Speaker 4>but did you actually like label if it was with Coopable.

0:27:53.400 --> 0:27:55.840
<v Speaker 4>So you talked about like the events, So can you

0:27:55.880 --> 0:27:57.919
<v Speaker 4>just break that because I'm actually interested to know, Like,

0:27:58.400 --> 0:28:00.680
<v Speaker 4>they give you a million dollars, right, right, but that's

0:28:00.720 --> 0:28:03.879
<v Speaker 4>your budget, yes, So now out of that million dollars,

0:28:04.119 --> 0:28:05.920
<v Speaker 4>your studio time is.

0:28:06.080 --> 0:28:08.760
<v Speaker 6>On the second half of the budget. So if you

0:28:08.800 --> 0:28:10.600
<v Speaker 6>get if I had a million dollar deal, I would

0:28:10.600 --> 0:28:13.359
<v Speaker 6>get five hundred thousand up front, and out of that

0:28:13.400 --> 0:28:17.200
<v Speaker 6>five hundred thousand, automatically, my attorney has to get paid,

0:28:17.240 --> 0:28:19.840
<v Speaker 6>my manager has to get paid, my accountant has to

0:28:19.880 --> 0:28:22.760
<v Speaker 6>get paid. They keep the other five hundred thousand dollars

0:28:22.840 --> 0:28:25.280
<v Speaker 6>to do everything that needs to be done in terms

0:28:25.320 --> 0:28:30.240
<v Speaker 6>of marketing, studio time, features, and then the other Well,

0:28:30.320 --> 0:28:33.960
<v Speaker 6>if it's five hundred thousand that I keep, I would

0:28:33.960 --> 0:28:37.600
<v Speaker 6>probably keep three seventy five after paying everybody out. And

0:28:37.640 --> 0:28:40.400
<v Speaker 6>with that three seventy five, I shouldn't go and buy

0:28:40.440 --> 0:28:43.280
<v Speaker 6>a chain. I shouldn't go and buy a car, a

0:28:43.320 --> 0:28:45.760
<v Speaker 6>super expensive car. At least I should buy something that's

0:28:45.800 --> 0:28:52.000
<v Speaker 6>practical by home by a practical car, and wait until

0:28:52.280 --> 0:28:55.880
<v Speaker 6>you know you're touring and you start seeing publishing and

0:28:55.920 --> 0:28:59.360
<v Speaker 6>things like that, because it's basically a loan and it's taxed.

0:28:59.360 --> 0:29:02.200
<v Speaker 4>Also, it is taxed, So the three seventy five is

0:29:02.200 --> 0:29:04.080
<v Speaker 4>really like two fifty.

0:29:04.440 --> 0:29:07.320
<v Speaker 6>I can you could have it taxed, or you can

0:29:07.360 --> 0:29:09.200
<v Speaker 6>take it up front and handle it on your own.

0:29:09.240 --> 0:29:10.840
<v Speaker 6>I took it all up front and handled it on my.

0:29:10.800 --> 0:29:12.000
<v Speaker 3>Own and pay the taxes laid on.

0:29:12.160 --> 0:29:12.360
<v Speaker 6>Yes.

0:29:12.480 --> 0:29:14.360
<v Speaker 5>So when a label says that when we hit a

0:29:14.400 --> 0:29:17.120
<v Speaker 5>lot of times, they were cooping the money, how's that happen?

0:29:17.200 --> 0:29:17.280
<v Speaker 2>Right?

0:29:17.320 --> 0:29:20.800
<v Speaker 6>They're recooping the money off of your record sales?

0:29:21.120 --> 0:29:22.880
<v Speaker 5>All right, So the money that they gave you as advance,

0:29:22.920 --> 0:29:24.560
<v Speaker 5>they're taking it back from what you sold.

0:29:24.760 --> 0:29:27.040
<v Speaker 6>Yes, in the event that you sell, In the event

0:29:27.080 --> 0:29:29.080
<v Speaker 6>that you sell, in the event that you don't, in

0:29:29.160 --> 0:29:31.000
<v Speaker 6>the event that you don't, you in the red. They

0:29:31.000 --> 0:29:33.200
<v Speaker 6>could write you off as a tax as a as

0:29:33.240 --> 0:29:38.880
<v Speaker 6>a tax right off, or you're in debt, you're on

0:29:38.920 --> 0:29:39.960
<v Speaker 6>the label, you're in the red.

0:29:40.080 --> 0:29:42.960
<v Speaker 3>Yeah, So how is it as far as label politics?

0:29:43.000 --> 0:29:45.120
<v Speaker 4>As far as because you said when you switched labels,

0:29:45.640 --> 0:29:48.280
<v Speaker 4>the other label didn't believe in in the project the

0:29:48.280 --> 0:29:50.880
<v Speaker 4>way the first label did, right, So, like I always

0:29:50.880 --> 0:29:53.360
<v Speaker 4>wanted it this too. Where it's like people push their

0:29:53.360 --> 0:29:56.200
<v Speaker 4>albums back, Like how did what is it to say? Okay,

0:29:56.200 --> 0:29:59.120
<v Speaker 4>you're green lit for a release in April?

0:29:59.600 --> 0:30:00.800
<v Speaker 3>Do you coming out?

0:30:00.800 --> 0:30:02.640
<v Speaker 4>Like how does that look from the inside, Cause a

0:30:02.680 --> 0:30:04.960
<v Speaker 4>lot of people we just see from the outside of fans,

0:30:05.440 --> 0:30:08.040
<v Speaker 4>this person's album keeps getting pushed back or this person

0:30:08.080 --> 0:30:10.920
<v Speaker 4>quick but we don't know, like the single might not

0:30:10.960 --> 0:30:12.120
<v Speaker 4>have worked, or they wanted him to go in a

0:30:12.120 --> 0:30:15.320
<v Speaker 4>different direction, Like how does that work at that right?

0:30:15.400 --> 0:30:18.080
<v Speaker 6>A lot of times it's analytics that people that the

0:30:18.120 --> 0:30:21.000
<v Speaker 6>other people in the office is you know, doing. So

0:30:21.000 --> 0:30:23.360
<v Speaker 6>they'll put a record out for a feeler or you know,

0:30:23.480 --> 0:30:26.040
<v Speaker 6>to to test it at radio to see what's going on,

0:30:26.280 --> 0:30:29.239
<v Speaker 6>what's the response, and if they're not getting another if

0:30:29.240 --> 0:30:31.560
<v Speaker 6>they're not getting a good enough response, they're not gonna

0:30:31.560 --> 0:30:34.760
<v Speaker 6>start putting gasoline to the fire because the fire is

0:30:34.760 --> 0:30:36.640
<v Speaker 6>already out there. When the song is on the radio,

0:30:36.680 --> 0:30:39.920
<v Speaker 6>it's in the DJ pool, it's uh, you you send

0:30:39.960 --> 0:30:43.840
<v Speaker 6>it to the tastemakers or whatever, but the consumer hasn't

0:30:43.840 --> 0:30:46.440
<v Speaker 6>gotten to the record just yet. So they used to

0:30:46.440 --> 0:30:48.760
<v Speaker 6>have a mixed show. Now everything is streaming, you know

0:30:48.760 --> 0:30:51.760
<v Speaker 6>what I'm saying, But before it was all mixed show

0:30:53.640 --> 0:30:56.239
<v Speaker 6>taste makers. You had to do DJ meetings, you know,

0:30:56.320 --> 0:30:59.280
<v Speaker 6>go to the go to different cities and go to

0:30:59.320 --> 0:31:02.120
<v Speaker 6>the the radio station and talk to the DJs and

0:31:02.320 --> 0:31:05.800
<v Speaker 6>basically beg them to play the record and they would

0:31:05.800 --> 0:31:08.120
<v Speaker 6>play it during the mixed show hour, which would be

0:31:08.120 --> 0:31:11.240
<v Speaker 6>before prime time five to seven. The DJs have free

0:31:11.360 --> 0:31:13.600
<v Speaker 6>range to kind of play whatever they wanted to play,

0:31:13.640 --> 0:31:16.760
<v Speaker 6>and if there was enough impact on the record, they

0:31:16.800 --> 0:31:20.280
<v Speaker 6>were added into rotation. After the label would then put

0:31:20.400 --> 0:31:24.680
<v Speaker 6>money behind the song, so the label would make their

0:31:24.720 --> 0:31:27.400
<v Speaker 6>money back off of licensing the song. The label makes

0:31:27.400 --> 0:31:29.840
<v Speaker 6>their money back off of the radio spins. The label

0:31:29.840 --> 0:31:32.920
<v Speaker 6>makes their money back off of the publishing sometimes the

0:31:33.000 --> 0:31:38.360
<v Speaker 6>royalties and as well as album sales. So that's how

0:31:38.400 --> 0:31:40.920
<v Speaker 6>the label went. But then when they when they when

0:31:40.960 --> 0:31:43.160
<v Speaker 6>they saw that Napster was coming around, that's when they

0:31:43.160 --> 0:31:45.600
<v Speaker 6>started the three sixty deal. So I need ten percent

0:31:45.880 --> 0:31:48.280
<v Speaker 6>of your taking. I need ten percent.

0:31:47.960 --> 0:31:50.800
<v Speaker 5>Of everything basically, So like when you said they could

0:31:50.840 --> 0:31:52.960
<v Speaker 5>make it back off the album, is that when the

0:31:53.000 --> 0:31:54.240
<v Speaker 5>points come into play.

0:31:54.360 --> 0:31:57.320
<v Speaker 6>Yes, that's what points come into play, and everybody gets

0:31:57.320 --> 0:31:59.920
<v Speaker 6>a point. So basically you give a point to this

0:32:00.120 --> 0:32:02.760
<v Speaker 6>producer for making a beat or if they made like

0:32:02.800 --> 0:32:05.360
<v Speaker 6>if I paid Swiss to do three beats, I would

0:32:05.360 --> 0:32:09.840
<v Speaker 6>give him a point on the album along. It's like

0:32:10.200 --> 0:32:12.640
<v Speaker 6>you get ten to twelve points on an album album

0:32:13.040 --> 0:32:17.240
<v Speaker 6>and the points go One point goes to executive producer,

0:32:17.560 --> 0:32:20.760
<v Speaker 6>one point goes to another executive producer, then you give

0:32:20.840 --> 0:32:24.000
<v Speaker 6>one to producers who make beats. You take like two

0:32:24.040 --> 0:32:25.640
<v Speaker 6>to three points, and then the label keeps the rest

0:32:25.640 --> 0:32:27.640
<v Speaker 6>of it. Yeah.

0:32:27.680 --> 0:32:30.080
<v Speaker 5>Basically, so a guy like J Cole who produces the

0:32:30.120 --> 0:32:33.400
<v Speaker 5>album has no features and executive producer, he's keeping all

0:32:33.400 --> 0:32:33.840
<v Speaker 5>the points.

0:32:33.920 --> 0:32:36.920
<v Speaker 3>Yes, So what's difference between points and masters?

0:32:37.280 --> 0:32:41.600
<v Speaker 6>Masters are the master recordings that you own. So if this,

0:32:41.920 --> 0:32:45.239
<v Speaker 6>let's just say, Earn your Leisure was a studio and

0:32:45.440 --> 0:32:48.800
<v Speaker 6>I didn't sign a record deal. If I pay you

0:32:49.200 --> 0:32:53.800
<v Speaker 6>to record here, I own my masters. If I come

0:32:53.840 --> 0:32:57.400
<v Speaker 6>here for free to record here, Troy owns the masters.

0:32:57.440 --> 0:33:00.239
<v Speaker 6>You know what I'm saying. Rashard owns the masters. If

0:33:00.280 --> 0:33:02.400
<v Speaker 6>I sign a record label, if I signed a record label,

0:33:02.400 --> 0:33:05.880
<v Speaker 6>if I signed a record deal, I relinquished my rights

0:33:05.920 --> 0:33:08.640
<v Speaker 6>to the masters, depending on what kind of attorney I have.

0:33:09.560 --> 0:33:12.360
<v Speaker 6>So now black artists are now starting to be a

0:33:12.400 --> 0:33:14.600
<v Speaker 6>little bit more smarter and they want to own their masters.

0:33:14.600 --> 0:33:18.520
<v Speaker 6>But before everyone was intellectual and smart, people signed their

0:33:18.560 --> 0:33:21.280
<v Speaker 6>masters a way to get that upfront money, not knowing

0:33:21.320 --> 0:33:26.800
<v Speaker 6>that the master recording is basically and essentially the foundation

0:33:27.000 --> 0:33:32.400
<v Speaker 6>of owning your music and your money. So if for example,

0:33:32.840 --> 0:33:37.160
<v Speaker 6>I'll use outcasts for an example, I think they wanted

0:33:37.280 --> 0:33:42.680
<v Speaker 6>I think there was the label wanted to I think

0:33:43.880 --> 0:33:48.280
<v Speaker 6>license one of their songs for the super Bowl and

0:33:48.320 --> 0:33:53.160
<v Speaker 6>it was a very big record and a very big commercial.

0:33:54.200 --> 0:33:58.880
<v Speaker 6>Big Boy signed this licensing thing. The label signed it,

0:33:58.920 --> 0:34:01.240
<v Speaker 6>but Andre didn't want to say on it. So because

0:34:01.280 --> 0:34:03.520
<v Speaker 6>Andre didn't want to sign it, because they owned some

0:34:03.560 --> 0:34:07.000
<v Speaker 6>of their masters, because they made so much money, they

0:34:07.000 --> 0:34:08.520
<v Speaker 6>weren't able to use the record.

0:34:09.000 --> 0:34:11.520
<v Speaker 5>People don't even know that, Like Alcaz has the biggest

0:34:11.880 --> 0:34:13.560
<v Speaker 5>hip hop selling out of all time. Right.

0:34:14.239 --> 0:34:17.160
<v Speaker 6>But in the event that they didn't own a portion

0:34:17.280 --> 0:34:21.000
<v Speaker 6>of their masters, the label could have said we're selling,

0:34:21.040 --> 0:34:23.360
<v Speaker 6>we're licensing this song, and we're going to keep the

0:34:23.400 --> 0:34:27.280
<v Speaker 6>money and they get a piece of the money, right.

0:34:27.200 --> 0:34:30.440
<v Speaker 4>And then and then the publishing is when the writing

0:34:30.520 --> 0:34:34.480
<v Speaker 4>the writing and right right, So in the composition.

0:34:34.280 --> 0:34:39.880
<v Speaker 6>Yes, So a lot of times people get publishing confused

0:34:39.920 --> 0:34:40.800
<v Speaker 6>when they read credits.

0:34:41.120 --> 0:34:41.239
<v Speaker 3>Right.

0:34:41.719 --> 0:34:44.040
<v Speaker 6>So when you consider someone like Drake, right, people say

0:34:44.120 --> 0:34:47.480
<v Speaker 6>Drake has ghostwriters. And right when you look at the

0:34:47.520 --> 0:34:50.520
<v Speaker 6>credits and you see someone like Drake's name, you see

0:34:50.520 --> 0:34:53.040
<v Speaker 6>Aubrey Graham, right, and you see about ten of the names,

0:34:53.080 --> 0:34:57.160
<v Speaker 6>they're like, oh, Drake has nine other writers. No, Sometimes

0:35:00.000 --> 0:35:01.839
<v Speaker 6>I want to say, I want to say ninety nine

0:35:02.320 --> 0:35:05.120
<v Speaker 6>one hundred percent of the time he's writing his records.

0:35:05.200 --> 0:35:07.239
<v Speaker 6>I feel like that one time that you know.

0:35:07.239 --> 0:35:11.800
<v Speaker 3>He had reference track, say the entire entire song.

0:35:12.000 --> 0:35:14.440
<v Speaker 6>Yeah, that one time, I think I think it was

0:35:14.600 --> 0:35:17.920
<v Speaker 6>I think he was trying to give someone a shot exactly.

0:35:17.960 --> 0:35:20.480
<v Speaker 6>You know what I'm saying. He was giving somebody a shot, right,

0:35:20.600 --> 0:35:24.239
<v Speaker 6>and it leaked. But when you see ten names on

0:35:24.280 --> 0:35:30.000
<v Speaker 6>the project, music is written, there's a producers write music.

0:35:30.440 --> 0:35:34.160
<v Speaker 6>It's not just producing you you're writing the music. So

0:35:34.719 --> 0:35:38.759
<v Speaker 6>they're writers on the song as well. And if it's

0:35:38.800 --> 0:35:42.640
<v Speaker 6>a sample, the people that they sampled are also in

0:35:42.680 --> 0:35:45.920
<v Speaker 6>the credits. They're writers as well. So I don't want

0:35:45.960 --> 0:35:48.800
<v Speaker 6>people to like you might see like if you check credits,

0:35:48.800 --> 0:35:52.640
<v Speaker 6>you'll see jay Z and and a bunch of other people,

0:35:52.680 --> 0:35:54.400
<v Speaker 6>but that doesn't mean people wrote jay Z's.

0:35:54.239 --> 0:35:56.000
<v Speaker 5>Lyrics probably make more money off the album.

0:35:56.040 --> 0:35:58.960
<v Speaker 6>And you well, you see name on other people's but

0:35:59.080 --> 0:36:02.600
<v Speaker 6>you know, I actually listen. I challenged people to look

0:36:02.640 --> 0:36:06.440
<v Speaker 6>at them old albums and if you know some of

0:36:06.480 --> 0:36:08.000
<v Speaker 6>these rappers governments names.

0:36:08.160 --> 0:36:10.480
<v Speaker 5>That was That's exactly how I started knowing everyone's name.

0:36:10.480 --> 0:36:14.080
<v Speaker 5>I would read the credits and like.

0:36:14.480 --> 0:36:15.880
<v Speaker 4>You have to open them up opening and you can

0:36:15.920 --> 0:36:18.880
<v Speaker 4>see who wrote it in the opening credits and all

0:36:18.920 --> 0:36:20.960
<v Speaker 4>of that. So all right, So this is an interesting

0:36:21.000 --> 0:36:24.600
<v Speaker 4>conversation because it's very complex and you obviously you are

0:36:24.600 --> 0:36:26.399
<v Speaker 4>a very intelligent person, right, but you're taking a kid

0:36:26.400 --> 0:36:29.920
<v Speaker 4>off the street with no education. How is he s

0:36:29.920 --> 0:36:36.080
<v Speaker 4>posted to navigate through masters, publishing points, budgets.

0:36:36.200 --> 0:36:37.239
<v Speaker 3>How do you have And.

0:36:39.520 --> 0:36:41.799
<v Speaker 5>It's something that nobody taught you when you came in

0:36:41.800 --> 0:36:43.040
<v Speaker 5>the game. Nobody taught me to know.

0:36:43.480 --> 0:36:45.240
<v Speaker 6>So it's like but a lot of it was also

0:36:45.320 --> 0:36:47.239
<v Speaker 6>because I was working at a law firm like you

0:36:47.239 --> 0:36:50.040
<v Speaker 6>guys are in the freestyle, So like I would give

0:36:50.160 --> 0:36:55.200
<v Speaker 6>my contracts to the junior partners at the firm and

0:36:55.239 --> 0:36:57.000
<v Speaker 6>we will all look at it together and they will

0:36:57.040 --> 0:36:59.239
<v Speaker 6>break things down to me. So I kind of understood

0:36:59.320 --> 0:37:02.320
<v Speaker 6>my contracts. So I had them checking my attorney's work,

0:37:02.760 --> 0:37:04.400
<v Speaker 6>you know, and I'm checking their work. You know what

0:37:04.400 --> 0:37:07.359
<v Speaker 6>I'm saying, check lawyers, and.

0:37:09.000 --> 0:37:11.239
<v Speaker 5>This episode is brought to you by P and C Bank.

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<v Speaker 6>I mean, I wasn't taught a lot. I wish I was,

0:40:03.320 --> 0:40:05.440
<v Speaker 6>but you know, in this game, I just feel like,

0:40:06.320 --> 0:40:09.920
<v Speaker 6>you know, black men, for whatever reason, they're just not,

0:40:10.440 --> 0:40:14.080
<v Speaker 6>you know, reaching back, or maybe there is a disconnect.

0:40:13.880 --> 0:40:16.120
<v Speaker 6>I don't want to say black men are not reaching back.

0:40:16.160 --> 0:40:18.239
<v Speaker 6>Maybe black men do want to reach back. But I

0:40:18.239 --> 0:40:20.719
<v Speaker 6>feel like there's a language barrier that has to be

0:40:20.840 --> 0:40:23.239
<v Speaker 6>kind of severed in order for us to kind of,

0:40:24.000 --> 0:40:26.239
<v Speaker 6>you know, interact with the younger generation. You know what

0:40:26.239 --> 0:40:29.000
<v Speaker 6>I'm saying. I feel like sometimes they're the younger generation,

0:40:29.280 --> 0:40:31.799
<v Speaker 6>they have this pushback to the older generation because they're

0:40:31.840 --> 0:40:32.520
<v Speaker 6>the gatekeepers.

0:40:32.560 --> 0:40:32.719
<v Speaker 5>You know.

0:40:33.080 --> 0:40:36.040
<v Speaker 6>I went through that as a young artist. But if

0:40:36.080 --> 0:40:38.560
<v Speaker 6>an older artist would have came to me and been like, listen,

0:40:38.600 --> 0:40:39.840
<v Speaker 6>you need to do this, this, this, this, this is

0:40:39.920 --> 0:40:42.040
<v Speaker 6>that and that and that I would have listened. You

0:40:42.040 --> 0:40:45.840
<v Speaker 6>know what I'm saying. As far as your question, what

0:40:45.960 --> 0:40:53.200
<v Speaker 6>does a young kid do? Man, I mean I would suggest,

0:40:53.320 --> 0:40:58.240
<v Speaker 6>you know, being headstrong and trying to find a mentor.

0:40:59.320 --> 0:41:03.000
<v Speaker 6>That should be the number one thing to do, someone

0:41:03.000 --> 0:41:07.280
<v Speaker 6>who actually cares about your career, someone who actually knows

0:41:07.360 --> 0:41:09.799
<v Speaker 6>the business and knows what to do and how to

0:41:09.920 --> 0:41:13.640
<v Speaker 6>navigate around certain things. Because there is no retirement plan

0:41:14.239 --> 0:41:17.760
<v Speaker 6>in music. There is no fall one K plan in music.

0:41:18.200 --> 0:41:21.280
<v Speaker 6>There is no healthcare in music. There is no dental

0:41:21.320 --> 0:41:26.719
<v Speaker 6>plan in music. I have my own separate insurance. I

0:41:26.719 --> 0:41:30.839
<v Speaker 6>have my own I pay a lot for insurance. We

0:41:31.480 --> 0:41:34.360
<v Speaker 6>I have my own four one K plan, own life assurance.

0:41:34.640 --> 0:41:36.319
<v Speaker 6>You know, I have to take care of these things

0:41:36.400 --> 0:41:39.640
<v Speaker 6>myself because if I don't, nobody else will.

0:41:39.840 --> 0:41:42.120
<v Speaker 4>It's interesting you said that because like when we spoke off

0:41:42.120 --> 0:41:44.480
<v Speaker 4>camera and I was saying that, like Sequel is one

0:41:44.480 --> 0:41:47.880
<v Speaker 4>of our favorite rappers. So when he said, with no union,

0:41:47.920 --> 0:41:49.879
<v Speaker 4>no dental plan, I can't eat off one honey grant.

0:41:49.960 --> 0:41:51.560
<v Speaker 5>I got cavities, and I got cavities.

0:41:51.560 --> 0:41:55.640
<v Speaker 4>I need feeling, yo. So when you when when these

0:41:55.680 --> 0:41:58.000
<v Speaker 4>are things that know? Until Seguel said that I've never

0:41:58.000 --> 0:42:00.960
<v Speaker 4>even thought about it. Like, rappers have no union, right,

0:42:01.160 --> 0:42:03.840
<v Speaker 4>even actors have a union, yep, rappers have no I

0:42:03.880 --> 0:42:06.360
<v Speaker 4>heard nor saying like they like they should try to

0:42:06.360 --> 0:42:07.239
<v Speaker 4>have a rappers union.

0:42:07.680 --> 0:42:09.239
<v Speaker 6>It's imperative because.

0:42:09.000 --> 0:42:11.680
<v Speaker 3>It's like even on a label, do they do they

0:42:11.680 --> 0:42:12.640
<v Speaker 3>have benefits on a label?

0:42:12.800 --> 0:42:16.319
<v Speaker 6>Yes, you do get benefits on the label, but you

0:42:16.400 --> 0:42:19.319
<v Speaker 6>have to opt into it, you have to pay into it.

0:42:19.400 --> 0:42:23.080
<v Speaker 6>And again, once rappers get a check, that's it, man.

0:42:23.360 --> 0:42:24.920
<v Speaker 5>And is it the same if they get dropped from

0:42:24.920 --> 0:42:26.439
<v Speaker 5>the labels, Like if I get fired for my job,

0:42:26.640 --> 0:42:27.960
<v Speaker 5>obviously I'm not part of that anymore.

0:42:28.000 --> 0:42:31.520
<v Speaker 6>That's it what you're doing drop? Yeah, I mean it's

0:42:31.560 --> 0:42:39.160
<v Speaker 6>it's one of those things where they're taking uneducated, impoverished

0:42:39.680 --> 0:42:44.719
<v Speaker 6>black young men and young girls and throwing money in

0:42:44.800 --> 0:42:50.520
<v Speaker 6>their face. So think about us eighteen, nineteen years old, seventeen,

0:42:51.080 --> 0:42:55.360
<v Speaker 6>even twenty. If someone offers you a ton of money,

0:42:55.640 --> 0:42:59.279
<v Speaker 6>you're not thinking about four one K, You're not thinking

0:42:59.280 --> 0:43:01.839
<v Speaker 6>about health and arans because that stuff already comes out

0:43:01.840 --> 0:43:04.760
<v Speaker 6>your check. And it's interesting because I feel like most

0:43:04.840 --> 0:43:08.359
<v Speaker 6>Americans probably wouldn't think about that shit either if it

0:43:08.440 --> 0:43:12.279
<v Speaker 6>wasn't already taken out of the check. So you put

0:43:12.280 --> 0:43:15.520
<v Speaker 6>this stuff in front of a young black kid, They're

0:43:15.520 --> 0:43:17.799
<v Speaker 6>not thinking that. The first thing they're thinking about is

0:43:17.840 --> 0:43:22.680
<v Speaker 6>getting drippy, getting lived how fast can I didn't buy

0:43:22.719 --> 0:43:26.040
<v Speaker 6>a chain, like, I didn't buy a chain with my advance.

0:43:26.400 --> 0:43:28.840
<v Speaker 6>I did not. I wanted I wanted a place to live,

0:43:29.560 --> 0:43:31.680
<v Speaker 6>you know. I wanted my own place to stay, you know.

0:43:31.719 --> 0:43:33.360
<v Speaker 6>And that was the first thing that I did, you

0:43:33.400 --> 0:43:35.480
<v Speaker 6>know what I'm saying. I didn't get a chain. I

0:43:35.480 --> 0:43:36.880
<v Speaker 6>didn't get a nice car. I had a free call

0:43:36.920 --> 0:43:40.120
<v Speaker 6>shout to Honda. But I didn't want any of that, like,

0:43:40.200 --> 0:43:43.040
<v Speaker 6>because I knew I had to recoup the money, and

0:43:43.080 --> 0:43:44.800
<v Speaker 6>I knew I had to live off of this money,

0:43:44.880 --> 0:43:46.839
<v Speaker 6>even though I had a booking agent. I knew at

0:43:46.840 --> 0:43:50.400
<v Speaker 6>some point that the hotness would dissipate, you know what

0:43:50.440 --> 0:43:52.800
<v Speaker 6>I'm saying, So I had to save and stack my bread.

0:43:52.960 --> 0:43:55.080
<v Speaker 4>And that's the thing too, Like you said, with the hotness,

0:43:55.640 --> 0:43:58.000
<v Speaker 4>a lot of times you feel like you're in and

0:43:58.080 --> 0:44:01.600
<v Speaker 4>you'll be hot forever, exactly like y'all got this, I'm

0:44:01.640 --> 0:44:04.799
<v Speaker 4>on top of the world, but in three years you're

0:44:04.800 --> 0:44:05.680
<v Speaker 4>not on top of the world.

0:44:05.680 --> 0:44:08.120
<v Speaker 3>Are you already spent your bread? Yep.

0:44:08.680 --> 0:44:10.759
<v Speaker 4>So it's like, what do you do You don't have

0:44:10.800 --> 0:44:14.600
<v Speaker 4>any formal education, and always said the music business. I

0:44:14.680 --> 0:44:18.560
<v Speaker 4>want to actually this because we like being in like

0:44:18.600 --> 0:44:21.640
<v Speaker 4>we're interviewing people now kind of like making all rounds

0:44:21.640 --> 0:44:25.640
<v Speaker 4>around the music industry. So I told Troy, I'm like this,

0:44:25.640 --> 0:44:27.759
<v Speaker 4>this music industry. I remember Chris Gotti told us this

0:44:27.800 --> 0:44:28.400
<v Speaker 4>when you interviewed them.

0:44:28.400 --> 0:44:28.920
<v Speaker 3>Shout to Chris.

0:44:28.960 --> 0:44:31.120
<v Speaker 4>He was like this, this isn't a real industry. It's

0:44:31.120 --> 0:44:33.000
<v Speaker 4>the only place where you can be a high level

0:44:33.040 --> 0:44:34.920
<v Speaker 4>executive with no qualification.

0:44:36.040 --> 0:44:36.759
<v Speaker 3>Like you know what I'm saying.

0:44:37.280 --> 0:44:38.280
<v Speaker 6>You know that's true.

0:44:38.719 --> 0:44:41.640
<v Speaker 5>I mean it's we run into people and we're.

0:44:41.480 --> 0:44:44.200
<v Speaker 4>Like, really, like, how do you how you call? How

0:44:44.239 --> 0:44:46.880
<v Speaker 4>did this happen to give somebody a million dollar budget?

0:44:46.960 --> 0:44:49.520
<v Speaker 4>You don't, you're just friends with somebody, but you just.

0:44:49.560 --> 0:44:51.040
<v Speaker 5>You was hanging out with them and they.

0:44:50.960 --> 0:44:54.920
<v Speaker 6>Put you on intern and you learn here, and it's like,

0:44:54.960 --> 0:44:58.120
<v Speaker 6>we have a good you picked the right record, you

0:44:58.160 --> 0:45:00.600
<v Speaker 6>were there at the right time, and that happened to

0:45:00.640 --> 0:45:01.399
<v Speaker 6>a lot of guys, and.

0:45:01.320 --> 0:45:03.520
<v Speaker 5>You're a senior executive because you picked the right guy

0:45:03.520 --> 0:45:04.399
<v Speaker 5>at that time. Yep.

0:45:04.600 --> 0:45:07.839
<v Speaker 4>But then somebody else told us that that's kind of

0:45:07.840 --> 0:45:13.760
<v Speaker 4>done on purpose because the higher ups keep it unorganized, unprofessional,

0:45:14.680 --> 0:45:16.560
<v Speaker 4>because it's like a bunch of chickens just running with

0:45:16.600 --> 0:45:18.040
<v Speaker 4>the heck's cut off. The artist don't really know what

0:45:18.040 --> 0:45:19.520
<v Speaker 4>they're doing, but a lot of executives don't really know

0:45:19.560 --> 0:45:23.719
<v Speaker 4>what they're doing either, but the high level executive they know.

0:45:24.200 --> 0:45:27.520
<v Speaker 4>So if you keep if you keep them like kind

0:45:27.560 --> 0:45:30.360
<v Speaker 4>of drugged up, and they don't really know their later meetings,

0:45:30.360 --> 0:45:32.840
<v Speaker 4>and it's very it's not it's not a real business.

0:45:32.880 --> 0:45:35.160
<v Speaker 4>It's not run like a real meeting. No, it's real,

0:45:35.520 --> 0:45:36.880
<v Speaker 4>it's not run like a real business.

0:45:37.000 --> 0:45:37.080
<v Speaker 5>Like.

0:45:37.640 --> 0:45:39.440
<v Speaker 6>So I was going into the off I was going

0:45:39.480 --> 0:45:43.160
<v Speaker 6>into the label every like twice a week, and it

0:45:43.200 --> 0:45:44.880
<v Speaker 6>was to the point that people thought I was an

0:45:44.920 --> 0:45:47.520
<v Speaker 6>employee there because I just wanted to know what was

0:45:47.520 --> 0:45:51.120
<v Speaker 6>happening with my project every two days. I just needed

0:45:51.120 --> 0:45:53.680
<v Speaker 6>to know, you know what I mean. And that's how

0:45:53.719 --> 0:45:55.279
<v Speaker 6>I was able to have a great rapport with a

0:45:55.280 --> 0:45:57.520
<v Speaker 6>lot of the people that were there. I was about

0:45:57.520 --> 0:45:59.319
<v Speaker 6>to call them co workers, but they were technically were

0:45:59.360 --> 0:46:02.040
<v Speaker 6>my co workers, you know. And you know, I feel

0:46:02.040 --> 0:46:05.440
<v Speaker 6>like artists just just just let things they just let

0:46:05.480 --> 0:46:07.120
<v Speaker 6>things go how it's supposed to go.

0:46:07.360 --> 0:46:09.520
<v Speaker 5>It's like, I just want to create the music. I

0:46:09.560 --> 0:46:10.120
<v Speaker 5>just want to create.

0:46:10.320 --> 0:46:11.120
<v Speaker 3>That's what Cheese says.

0:46:11.560 --> 0:46:14.160
<v Speaker 4>Jesz has a clip that's one viral on Instagram saying

0:46:14.160 --> 0:46:17.160
<v Speaker 4>that he got taken advantage of because he wasn't educated

0:46:17.360 --> 0:46:20.279
<v Speaker 4>pretty much paraphrasing, he wasn't educated on music business. He

0:46:20.320 --> 0:46:23.480
<v Speaker 4>had lawyers that screwed him over, and he felt he

0:46:24.080 --> 0:46:27.279
<v Speaker 4>felt intimidated to even let somebody know what was going

0:46:27.320 --> 0:46:30.640
<v Speaker 4>on because he's geezy, he's a snowman, so it's like

0:46:30.719 --> 0:46:34.399
<v Speaker 4>for him to get ripped off, it's embarrassing, and he

0:46:34.520 --> 0:46:36.359
<v Speaker 4>just went with it because he didn't know.

0:46:36.480 --> 0:46:37.200
<v Speaker 3>He didn't know what to do.

0:46:37.840 --> 0:46:39.960
<v Speaker 5>How do I tell somebody like I'm the snowman and

0:46:40.040 --> 0:46:43.919
<v Speaker 5>this little guy over here with a bow tie every day.

0:46:44.680 --> 0:46:48.560
<v Speaker 6>I Mean, it's frustrating because this should be some sort

0:46:48.640 --> 0:46:52.919
<v Speaker 6>of educational workshop for new artists that come into the game.

0:46:53.239 --> 0:46:55.560
<v Speaker 6>There's so many people that don't know anything about the

0:46:55.640 --> 0:46:59.319
<v Speaker 6>music business. And a lot of times these guys, they

0:46:59.560 --> 0:47:01.880
<v Speaker 6>some of these guys don't finish high school and they,

0:47:02.160 --> 0:47:04.120
<v Speaker 6>you know, they get into the game and they just

0:47:04.160 --> 0:47:07.240
<v Speaker 6>think the money's going to come in forever. But think about,

0:47:07.280 --> 0:47:09.439
<v Speaker 6>like if it comes at all, right, but think about

0:47:09.480 --> 0:47:11.640
<v Speaker 6>ten years ago. Who was here ten years ago then

0:47:11.840 --> 0:47:13.480
<v Speaker 6>and it's not here now, you know what I'm saying.

0:47:13.560 --> 0:47:17.719
<v Speaker 6>Or even twenty years ago like a mill like and

0:47:17.800 --> 0:47:21.399
<v Speaker 6>that's not a fact. That was twenty years ago. Yeah,

0:47:22.760 --> 0:47:25.160
<v Speaker 6>you know, and she was a talented artist, but she's

0:47:25.200 --> 0:47:27.680
<v Speaker 6>not here no more. Like I'm not saying that I

0:47:27.680 --> 0:47:30.240
<v Speaker 6>don't think I want to be here, you know, past

0:47:30.360 --> 0:47:35.040
<v Speaker 6>another ten years. But what I'm saying is, utilize this

0:47:35.239 --> 0:47:38.440
<v Speaker 6>time to ask questions. There's nothing wrong with asking questions.

0:47:38.440 --> 0:47:41.280
<v Speaker 6>I feel like sometimes we're just so prideful. There's certain

0:47:41.280 --> 0:47:43.040
<v Speaker 6>things that we just don't want to know or we're

0:47:43.040 --> 0:47:45.799
<v Speaker 6>too afraid to ask, you know what I mean. And

0:47:45.840 --> 0:47:49.759
<v Speaker 6>for me, I asked questions. I'm always curious as to

0:47:49.840 --> 0:47:52.800
<v Speaker 6>know why a certain person popped, or how a certain

0:47:52.800 --> 0:47:55.240
<v Speaker 6>person got hot, or how they got hot in their town,

0:47:55.360 --> 0:47:57.560
<v Speaker 6>what did they do to get to that next level.

0:47:57.640 --> 0:48:00.719
<v Speaker 6>I absorbed this information so I can take it. I

0:48:00.840 --> 0:48:03.680
<v Speaker 6>mentor like about ten or fifteen kids, you know what

0:48:03.680 --> 0:48:07.000
<v Speaker 6>I'm saying, young artists, because I feel like that wasn't

0:48:07.000 --> 0:48:09.160
<v Speaker 6>given to me, so I should give it back, you

0:48:09.200 --> 0:48:11.560
<v Speaker 6>know what I mean. And it's imperative that these kids

0:48:11.560 --> 0:48:13.720
<v Speaker 6>know these things because this this is our future.

0:48:14.440 --> 0:48:15.000
<v Speaker 3>That's a fact.

0:48:15.000 --> 0:48:16.920
<v Speaker 4>So that's a perfect sebuay into our last seven, we're

0:48:16.920 --> 0:48:19.040
<v Speaker 4>gonna talk about the independent game, what you got going

0:48:19.080 --> 0:48:22.200
<v Speaker 4>on now? And yeah, educate people want to be talking

0:48:22.200 --> 0:48:25.200
<v Speaker 4>about the major side, we're gonna talk about the Yeah,

0:48:25.239 --> 0:48:26.840
<v Speaker 4>all right, So in the last seven, we're going to

0:48:26.880 --> 0:48:29.279
<v Speaker 4>talk about the journey, your journey as an independent artist.

0:48:29.320 --> 0:48:31.360
<v Speaker 4>This is something I think is extremely valuable because, as

0:48:31.400 --> 0:48:33.400
<v Speaker 4>I said, there's a lot more independent artists out there,

0:48:33.480 --> 0:48:37.400
<v Speaker 4>especially now, millions of than are major label artists. So,

0:48:37.680 --> 0:48:40.640
<v Speaker 4>all right, how does it work being an independent artist?

0:48:40.680 --> 0:48:40.839
<v Speaker 3>Right?

0:48:40.920 --> 0:48:46.360
<v Speaker 4>As far as is it is it you fund the

0:48:46.400 --> 0:48:50.800
<v Speaker 4>stuff yourself or is it that they funded a hybrid approach?

0:48:50.960 --> 0:48:53.240
<v Speaker 3>Like, how does that work to be an independent artist?

0:48:53.320 --> 0:48:56.560
<v Speaker 6>I mean, there's different ways to be an independent artist.

0:48:57.080 --> 0:48:58.920
<v Speaker 6>The best way to just kind of explain is tell

0:48:59.000 --> 0:49:01.120
<v Speaker 6>my story real quick. I mean, after leaving the label

0:49:01.280 --> 0:49:05.759
<v Speaker 6>in twenty twelve, at the beginning of twenty thirteen, I

0:49:05.800 --> 0:49:09.520
<v Speaker 6>had ninety thousand dollars in the bank, and then at

0:49:09.560 --> 0:49:11.840
<v Speaker 6>the end of twenty thirteen, I had four dollars and

0:49:11.920 --> 0:49:14.759
<v Speaker 6>fourteen cents in my bank. Account. I made a song

0:49:14.800 --> 0:49:15.920
<v Speaker 6>about it's called four fourteen.

0:49:16.000 --> 0:49:16.160
<v Speaker 3>Yeah.

0:49:16.160 --> 0:49:20.200
<v Speaker 6>I say remember yeah, because I remember looking at the

0:49:21.040 --> 0:49:26.279
<v Speaker 6>bank statement like this is that's unbelievable, and that I

0:49:26.320 --> 0:49:28.759
<v Speaker 6>think my back was against the wall because, like we

0:49:28.800 --> 0:49:34.680
<v Speaker 6>said earlier, I didn't have any job experience from twenty thirteen,

0:49:35.000 --> 0:49:37.520
<v Speaker 6>well from twenty seven to twenty thirteen, so I'm looking

0:49:37.560 --> 0:49:40.480
<v Speaker 6>at six years of just not working, just doing music.

0:49:41.120 --> 0:49:43.120
<v Speaker 6>So I panicked. I tried to get a job. It

0:49:43.120 --> 0:49:45.400
<v Speaker 6>didn't work, so I was like, okay, I have to

0:49:45.400 --> 0:49:47.680
<v Speaker 6>be an artist. Even though I quit, I was like,

0:49:47.719 --> 0:49:49.880
<v Speaker 6>I'm not doing this anymore. And then I was like, oh,

0:49:49.920 --> 0:49:54.319
<v Speaker 6>I gotta pay rent. So from that point I had

0:49:54.360 --> 0:49:59.440
<v Speaker 6>to kind of figure out and navigate what my supporters

0:50:00.480 --> 0:50:07.160
<v Speaker 6>we're going to buy from me as a as a consumer.

0:50:07.880 --> 0:50:10.840
<v Speaker 6>So I realized that they appreciate my lyrics, they appreciate

0:50:10.880 --> 0:50:14.799
<v Speaker 6>my honesty, they appreciate merchandise, they appreciate seeing me. So

0:50:14.840 --> 0:50:18.800
<v Speaker 6>I had to create this whole. I had to basically

0:50:18.800 --> 0:50:22.359
<v Speaker 6>start all over again, and but I started all over

0:50:22.400 --> 0:50:24.720
<v Speaker 6>again with a cushion because I had a fan base,

0:50:26.080 --> 0:50:28.680
<v Speaker 6>so I had to make merch I spent all the

0:50:28.719 --> 0:50:33.359
<v Speaker 6>money myself. I funded everything myself with a little bit

0:50:33.400 --> 0:50:36.400
<v Speaker 6>of money that I had. You know, I was working

0:50:36.400 --> 0:50:39.080
<v Speaker 6>with new artists, you know, doing features and taking that

0:50:39.200 --> 0:50:42.680
<v Speaker 6>money and reinvesting it to be able to sustain a living.

0:50:44.800 --> 0:50:47.360
<v Speaker 6>And so now I'm in a position where it is

0:50:47.400 --> 0:50:50.080
<v Speaker 6>a hybrid situation where I fund some of it and

0:50:50.120 --> 0:50:53.520
<v Speaker 6>then I have soul Spasm funding some of it as well.

0:50:53.760 --> 0:50:56.120
<v Speaker 6>So it's a partnership would come together and then you know,

0:50:56.160 --> 0:50:57.760
<v Speaker 6>we split the costs down the middle.

0:50:58.880 --> 0:51:01.319
<v Speaker 4>Okay, so how is it as far as like, do

0:51:01.400 --> 0:51:03.040
<v Speaker 4>they distribute your music as well?

0:51:03.239 --> 0:51:06.200
<v Speaker 6>Yes, they distribute all my music on all streaming platforms

0:51:07.320 --> 0:51:10.000
<v Speaker 6>and they handle that side of it, so I'm able

0:51:10.040 --> 0:51:13.600
<v Speaker 6>to give them my whole catalog. They take a percentage

0:51:13.640 --> 0:51:16.200
<v Speaker 6>off of that catalog, and I get a check every month.

0:51:16.239 --> 0:51:19.160
<v Speaker 5>So everything you did prior to coming to the independently though,

0:51:19.640 --> 0:51:20.160
<v Speaker 5>you have.

0:51:20.280 --> 0:51:23.560
<v Speaker 6>I own? Yeah, I own everything, Yeah, even from the label,

0:51:23.600 --> 0:51:25.640
<v Speaker 6>because again I didn't sign a three sixty deal and

0:51:25.680 --> 0:51:28.320
<v Speaker 6>I was in the black. I was not in the red.

0:51:28.640 --> 0:51:33.200
<v Speaker 4>So all right, So as far as like press, do

0:51:33.239 --> 0:51:35.600
<v Speaker 4>you do you handle that yourself or is that you

0:51:35.640 --> 0:51:36.200
<v Speaker 4>get help with that?

0:51:36.560 --> 0:51:39.440
<v Speaker 6>I handled my press myself. I mean, on my last project,

0:51:39.440 --> 0:51:42.319
<v Speaker 6>we hired a publishers to do the work, and he

0:51:42.440 --> 0:51:46.359
<v Speaker 6>got me on you know, some some online sites and

0:51:46.440 --> 0:51:51.200
<v Speaker 6>some playlists on some streaming sites, and you know some

0:51:51.320 --> 0:51:54.040
<v Speaker 6>radio on serious satellite and things like that. So that

0:51:54.120 --> 0:51:57.359
<v Speaker 6>stuff always helps. But for the most part, a lot

0:51:57.400 --> 0:52:00.960
<v Speaker 6>of it is relationships, having your own relationships, building your

0:52:01.000 --> 0:52:03.720
<v Speaker 6>own relationships, so like I can hit Sway from Swaying

0:52:03.719 --> 0:52:05.439
<v Speaker 6>the morning on my own and be like I want

0:52:05.440 --> 0:52:08.080
<v Speaker 6>to come up there, or just even how I'm up here,

0:52:08.120 --> 0:52:11.160
<v Speaker 6>Like I hit Rashard myself and was like, yo, I

0:52:11.160 --> 0:52:11.920
<v Speaker 6>want to come up here.

0:52:12.000 --> 0:52:14.600
<v Speaker 5>You know. Yeah, how about Tory, I know you mentioned

0:52:14.640 --> 0:52:17.120
<v Speaker 5>you had a booking agent. That's still true or do

0:52:17.200 --> 0:52:18.360
<v Speaker 5>you handle that now yourself?

0:52:18.440 --> 0:52:20.560
<v Speaker 6>Yeah? I handle all my booking now. I mean I

0:52:20.600 --> 0:52:23.480
<v Speaker 6>had an agent last earlier this year, but it just

0:52:23.480 --> 0:52:25.359
<v Speaker 6>didn't work out the way I wanted it to work out,

0:52:25.360 --> 0:52:29.640
<v Speaker 6>and even previously I had agents before. But you know,

0:52:30.080 --> 0:52:31.719
<v Speaker 6>I have a baby on the way, I have a

0:52:31.760 --> 0:52:34.680
<v Speaker 6>wife at home, so if they're not booking me the shows,

0:52:34.719 --> 0:52:37.719
<v Speaker 6>I have to book my shows myself, okay. And I

0:52:37.800 --> 0:52:40.960
<v Speaker 6>hired promoters to you know, get the people in there.

0:52:41.000 --> 0:52:43.720
<v Speaker 6>Along with promoting on my own and making it happen.

0:52:43.920 --> 0:52:46.520
<v Speaker 6>And you know, running a van on my.

0:52:46.520 --> 0:52:49.120
<v Speaker 3>Own, you know you're putting the money up yourself.

0:52:49.160 --> 0:52:50.680
<v Speaker 6>Yeah, I put it up the money myself.

0:52:51.360 --> 0:52:52.359
<v Speaker 3>So all right the road.

0:52:52.640 --> 0:52:56.279
<v Speaker 4>So you talk about streaming, how much do you get

0:52:56.280 --> 0:52:58.439
<v Speaker 4>paid for stream Like what's that breakdown? Because I've seen

0:52:58.480 --> 0:53:01.240
<v Speaker 4>a bunch of different numbers on the internet, like a quarter,

0:53:01.840 --> 0:53:04.359
<v Speaker 4>a fraction of a penny for every stream? Is there

0:53:04.400 --> 0:53:06.880
<v Speaker 4>a set number that everybody gets for streaming?

0:53:07.000 --> 0:53:09.400
<v Speaker 6>Or yes, everybody gets the same set number. It's like

0:53:09.560 --> 0:53:12.879
<v Speaker 6>zero point point point point. No, it's point it's zero

0:53:12.960 --> 0:53:16.040
<v Speaker 6>point zero zero zero six. And then the numbers is

0:53:16.120 --> 0:53:19.040
<v Speaker 6>like pi three point four world, you know what I'm saying.

0:53:20.000 --> 0:53:23.680
<v Speaker 6>But it's basically zero point zero zero zero six. And

0:53:23.719 --> 0:53:26.000
<v Speaker 6>then you have to make you have to stream so

0:53:26.239 --> 0:53:29.279
<v Speaker 6>much in order to see like a decent jack.

0:53:29.680 --> 0:53:31.560
<v Speaker 4>What's the what's the one that you get paid for

0:53:31.680 --> 0:53:33.120
<v Speaker 4>the most? Like streaming service?

0:53:33.200 --> 0:53:33.720
<v Speaker 3>Is it title?

0:53:33.840 --> 0:53:34.239
<v Speaker 5>They say?

0:53:34.280 --> 0:53:36.879
<v Speaker 6>Title is the is the morning the most? You get

0:53:36.880 --> 0:53:39.440
<v Speaker 6>paid the most from title? But you still need all

0:53:40.200 --> 0:53:42.920
<v Speaker 6>all streaming sites in order to get a decent jack.

0:53:43.239 --> 0:53:47.600
<v Speaker 6>You can't just put on title. So for instance, like

0:53:48.320 --> 0:53:52.720
<v Speaker 6>what my when my pay she comes in every month?

0:53:53.160 --> 0:53:56.080
<v Speaker 6>You know, it's not just title. It's title, it's Spotify,

0:53:56.120 --> 0:53:59.240
<v Speaker 6>it's Pandora, it's Apple Music, it's iTunes when people purchase

0:53:59.280 --> 0:54:02.759
<v Speaker 6>the music, which is always the best because you keep

0:54:02.800 --> 0:54:05.839
<v Speaker 6>eighty percent of the money. So if it's ninety nine cents,

0:54:05.880 --> 0:54:09.480
<v Speaker 6>you keep eighty cents of that. Apple takes twenty cents. Okay,

0:54:09.760 --> 0:54:14.240
<v Speaker 6>so that's that's the best. And then YouTube as well,

0:54:14.640 --> 0:54:19.960
<v Speaker 6>and Vimeo and TikTok. Now, so combine these seven to

0:54:20.120 --> 0:54:25.799
<v Speaker 6>eight companies and you should receive a decent check a

0:54:25.880 --> 0:54:26.560
<v Speaker 6>decent check.

0:54:26.600 --> 0:54:29.080
<v Speaker 5>How do you make it to those curated playlists because

0:54:29.080 --> 0:54:31.920
<v Speaker 5>like I'm not just saying, I'm thinking, like songs just

0:54:31.960 --> 0:54:34.160
<v Speaker 5>pop in there. Like once I download a certain playlist,

0:54:34.200 --> 0:54:36.080
<v Speaker 5>if a new artist comes in it just do you

0:54:36.080 --> 0:54:37.799
<v Speaker 5>have to pay for that? As there's somebody at the

0:54:37.800 --> 0:54:40.560
<v Speaker 5>streaming service that actually just says, oh, I like that song,

0:54:40.600 --> 0:54:41.480
<v Speaker 5>we're putting that in there.

0:54:41.800 --> 0:54:45.720
<v Speaker 6>I mean, sometimes it's the labels that own the playlist.

0:54:46.520 --> 0:54:50.040
<v Speaker 6>Sometimes if you're very cool with the people that run

0:54:50.080 --> 0:54:52.239
<v Speaker 6>the playlist, you can get lucky. Or if you're a

0:54:52.320 --> 0:54:54.560
<v Speaker 6>very popular artist and the song is very popular, they'll

0:54:54.680 --> 0:54:56.920
<v Speaker 6>the person who runs the playlist will put that song

0:54:57.000 --> 0:55:00.640
<v Speaker 6>on the playlist, but you know, the labels figured it out,

0:55:01.040 --> 0:55:03.040
<v Speaker 6>so they kind of have control of everything.

0:55:03.040 --> 0:55:08.319
<v Speaker 4>Again, So like, are your payments coordinated through like all

0:55:08.440 --> 0:55:11.320
<v Speaker 4>seven that come to you streamlined at one time? Yes,

0:55:11.520 --> 0:55:14.640
<v Speaker 4>from and that's from the label that puts it on. Yes,

0:55:14.719 --> 0:55:16.920
<v Speaker 4>Then they cut the check, then they take a percentage

0:55:16.920 --> 0:55:18.600
<v Speaker 4>out of that, and then they putting all right, So

0:55:18.640 --> 0:55:21.920
<v Speaker 4>it's like CD baby or something like that, right, or

0:55:21.960 --> 0:55:22.640
<v Speaker 4>toon Core.

0:55:22.640 --> 0:55:26.360
<v Speaker 6>Or toon Core right. But sol Spasm is my distribution,

0:55:26.640 --> 0:55:30.120
<v Speaker 6>so and I guess my checks would be different from

0:55:30.160 --> 0:55:34.120
<v Speaker 6>another person's checks because I have sixteen to seventeen projects,

0:55:35.320 --> 0:55:39.680
<v Speaker 6>so I'm like steps ahead of someone who might only

0:55:39.719 --> 0:55:42.600
<v Speaker 6>have two or three projects. You have leverage, so like

0:55:42.719 --> 0:55:45.239
<v Speaker 6>I'm getting a substantial amount of money every single month.

0:55:45.440 --> 0:55:47.320
<v Speaker 5>That's mixtapes and albums can combined.

0:55:47.840 --> 0:55:50.200
<v Speaker 4>But the mixtapes all right, so let's talk about mixtapes

0:55:50.360 --> 0:55:52.960
<v Speaker 4>mixtape that's how does that work?

0:55:54.000 --> 0:55:56.520
<v Speaker 3>Same same thing? Could you put mixtapes on streaming services too?

0:55:56.560 --> 0:55:59.560
<v Speaker 6>Right now people are putting them on there, but before

0:55:59.600 --> 0:56:01.359
<v Speaker 6>it was the cool But I think you can put

0:56:01.440 --> 0:56:04.719
<v Speaker 6>them on there now, but it's still it's still like.

0:56:04.640 --> 0:56:07.080
<v Speaker 5>What's the difference, Like, like I know Drake put out

0:56:07.120 --> 0:56:09.920
<v Speaker 5>a playlist, then there was there's mixtapes.

0:56:09.480 --> 0:56:13.440
<v Speaker 4>And there's albums. He just came out with his first album,

0:56:13.600 --> 0:56:16.800
<v Speaker 4>but he has like six projects. What's the differences.

0:56:19.440 --> 0:56:20.080
<v Speaker 5>It's not like.

0:56:21.920 --> 0:56:25.719
<v Speaker 6>The marketing rollout from the label. Okay, that's the only

0:56:25.719 --> 0:56:27.600
<v Speaker 6>thing different. Because he was on he's on Massive Pill

0:56:27.640 --> 0:56:30.000
<v Speaker 6>Deaf Jam, I believe. So massa Pill was handling the

0:56:30.040 --> 0:56:32.040
<v Speaker 6>mixtapes and they were putting that stuff out, so he

0:56:32.080 --> 0:56:35.560
<v Speaker 6>was probably getting financed by mass A Pill. They were,

0:56:35.600 --> 0:56:37.520
<v Speaker 6>they were handling that. But then this big project is

0:56:37.520 --> 0:56:40.080
<v Speaker 6>a death Cham thing, so like deaf Cham is now

0:56:40.120 --> 0:56:42.919
<v Speaker 6>handling the rollout. They're probably taking that budget from when

0:56:42.960 --> 0:56:45.799
<v Speaker 6>he first signed four years ago or whatever, and now

0:56:45.880 --> 0:56:48.719
<v Speaker 6>they're using that money to push this project. Like how

0:56:48.760 --> 0:56:52.200
<v Speaker 6>it is, you know, that's how it works essentially.

0:56:52.640 --> 0:56:54.600
<v Speaker 5>How about endorsements that I know you said that you

0:56:54.640 --> 0:56:59.239
<v Speaker 5>have one with a Sports and Puma and of course.

0:56:59.200 --> 0:57:03.160
<v Speaker 6>Yeah you got the before Yeah, I mean a lot

0:57:03.200 --> 0:57:06.640
<v Speaker 6>of that stuff was before I had did my record deal.

0:57:06.800 --> 0:57:09.840
<v Speaker 6>So they just were interested in the brand they built.

0:57:09.840 --> 0:57:13.600
<v Speaker 6>They bought into who I was, what I represented. They

0:57:13.760 --> 0:57:18.000
<v Speaker 6>saw that, you know, this kid is an image that

0:57:18.080 --> 0:57:21.080
<v Speaker 6>can be pushed out there without being too flashy. That

0:57:21.160 --> 0:57:23.200
<v Speaker 6>was one of the reasons why Honda chose me, because

0:57:23.360 --> 0:57:26.040
<v Speaker 6>I was not flashy. I didn't have a big chain on.

0:57:26.240 --> 0:57:29.080
<v Speaker 6>I didn't have the crazy jewels on. I didn't come

0:57:29.080 --> 0:57:31.040
<v Speaker 6>in there and talking crazy. I was an intellectual. I

0:57:31.080 --> 0:57:33.520
<v Speaker 6>was an everyday person. What is a Honda Hondas for

0:57:33.560 --> 0:57:35.480
<v Speaker 6>everyday person? You know what I'm saying. It's a great

0:57:35.520 --> 0:57:39.840
<v Speaker 6>card at lasts, So you know that money was from them,

0:57:39.880 --> 0:57:42.720
<v Speaker 6>and then Puma. You know, I worked with Puma for

0:57:42.760 --> 0:57:45.600
<v Speaker 6>a little while for like two years. They gave me

0:57:45.640 --> 0:57:47.760
<v Speaker 6>product that would wear the product and get that stuff

0:57:47.800 --> 0:57:50.040
<v Speaker 6>seen all over because I was a sneak ahead. I'm

0:57:50.080 --> 0:57:53.440
<v Speaker 6>still a big sneak ahead. And then you know I

0:57:53.480 --> 0:57:57.320
<v Speaker 6>also did UH. I also did EA Sports. I was

0:57:57.440 --> 0:58:01.200
<v Speaker 6>very cool with the music supervisor with the Rafa Lean

0:58:01.280 --> 0:58:03.720
<v Speaker 6>shot out to her and we kind of just continuously

0:58:03.800 --> 0:58:06.080
<v Speaker 6>worked for like five years. I was on like every

0:58:06.080 --> 0:58:08.440
<v Speaker 6>EA game you could potentially think of, except for Madden.

0:58:08.520 --> 0:58:11.000
<v Speaker 6>Like I was on like hockey. I was a need

0:58:11.120 --> 0:58:14.520
<v Speaker 6>for speed. I was on FIFA No, no, not FIFA

0:58:14.600 --> 0:58:16.040
<v Speaker 6>part of me. I was on the sims like I

0:58:16.080 --> 0:58:16.600
<v Speaker 6>have a.

0:58:16.560 --> 0:58:21.840
<v Speaker 5>Sim so you get royalty checks from the game the person.

0:58:21.880 --> 0:58:23.880
<v Speaker 6>And now you don't get royalty checks, you just get

0:58:24.120 --> 0:58:28.760
<v Speaker 6>up front show. But the commercial you got royalty checks. Yes,

0:58:28.800 --> 0:58:32.400
<v Speaker 6>I got as long as the commercial played. Yes, the commercial.

0:58:32.480 --> 0:58:36.040
<v Speaker 6>That commercial ran for about four or five years, and

0:58:36.080 --> 0:58:38.360
<v Speaker 6>I was getting checks every day for four or five years,

0:58:38.560 --> 0:58:42.320
<v Speaker 6>no part of four five months, four five months, and

0:58:42.360 --> 0:58:44.960
<v Speaker 6>I was getting I was getting checks every single day,

0:58:45.360 --> 0:58:45.880
<v Speaker 6>every day.

0:58:46.320 --> 0:58:48.800
<v Speaker 4>So they calculate like how many times it aired, and

0:58:48.800 --> 0:58:50.560
<v Speaker 4>then they send you a percentage of that.

0:58:50.720 --> 0:58:55.240
<v Speaker 6>Yes, yes, on top of my music being in it,

0:58:55.720 --> 0:58:58.160
<v Speaker 6>and on top of me acting in it. Like it

0:58:58.240 --> 0:58:59.440
<v Speaker 6>was like three separate.

0:58:59.200 --> 0:59:02.960
<v Speaker 5>Checks, music check, acting check, and then a residual check.

0:59:03.720 --> 0:59:04.520
<v Speaker 5>A lot of checks.

0:59:05.200 --> 0:59:08.440
<v Speaker 6>It was a lot of checks. There's a lot of

0:59:08.520 --> 0:59:09.640
<v Speaker 6>checks me, all right.

0:59:09.680 --> 0:59:14.440
<v Speaker 4>So if I'm a kid that just loves music, I'm recording,

0:59:15.560 --> 0:59:18.400
<v Speaker 4>can you give me some advice, Like what's the first steps?

0:59:18.840 --> 0:59:20.920
<v Speaker 4>I don't have a major break record deal, but I

0:59:20.920 --> 0:59:22.200
<v Speaker 4>want to get my music out there?

0:59:22.520 --> 0:59:23.640
<v Speaker 3>What do What do I do?

0:59:24.280 --> 0:59:26.520
<v Speaker 6>First steps is to build a team. It's like a

0:59:26.560 --> 0:59:28.920
<v Speaker 6>pyramid scheme. You know that I used to sell Kirby

0:59:29.040 --> 0:59:31.400
<v Speaker 6>vacuums back in the day. You know what I'm saying.

0:59:31.960 --> 0:59:35.880
<v Speaker 6>And even like the Cutcold Knives, and it was I

0:59:35.960 --> 0:59:40.440
<v Speaker 6>want to say, you're selling Eastna, But you know, I

0:59:40.720 --> 0:59:44.320
<v Speaker 6>would have to go into these wild areas to sell

0:59:44.360 --> 0:59:47.280
<v Speaker 6>these things. And whenever we would come back to base,

0:59:47.360 --> 0:59:49.560
<v Speaker 6>they will always say to me, you need to go

0:59:49.640 --> 0:59:52.680
<v Speaker 6>to your friends parents' homes, and you need to go

0:59:52.720 --> 0:59:56.560
<v Speaker 6>to their friends parents' homes. And that's how it needs

0:59:56.560 --> 1:00:00.919
<v Speaker 6>to happen. So I would tell a kid start, start

1:00:00.960 --> 1:00:03.120
<v Speaker 6>a team. Start a team of five to six people,

1:00:03.720 --> 1:00:07.760
<v Speaker 6>and everybody has to have a specific amount of network

1:00:07.800 --> 1:00:11.280
<v Speaker 6>where they, you know, pushing your music consistently and constantly

1:00:11.320 --> 1:00:14.960
<v Speaker 6>to different people, and it has to be music has

1:00:15.000 --> 1:00:17.760
<v Speaker 6>to be hot, and they have to concentrate not on

1:00:17.920 --> 1:00:21.120
<v Speaker 6>the numbers. You know what I'm saying, Like, I feel

1:00:21.160 --> 1:00:23.680
<v Speaker 6>like we're in the era of it's just so much

1:00:23.760 --> 1:00:26.640
<v Speaker 6>clout and how many likes you have and how many

1:00:26.760 --> 1:00:29.800
<v Speaker 6>views you have and this, and that they are artists

1:00:29.880 --> 1:00:33.840
<v Speaker 6>that have more followers than me on Instagram, they have

1:00:33.920 --> 1:00:36.600
<v Speaker 6>more views than me on Instagram, more likes, and they're

1:00:37.000 --> 1:00:39.480
<v Speaker 6>broke and they don't know what to do with their career.

1:00:39.600 --> 1:00:42.160
<v Speaker 6>They're in a rut. And I know artists that have

1:00:42.280 --> 1:00:44.480
<v Speaker 6>less followers than me, that are doing better than me

1:00:45.200 --> 1:00:47.560
<v Speaker 6>when it comes to moving and shaking and getting this

1:00:47.640 --> 1:00:53.040
<v Speaker 6>stuff out there. So it's all about focusing on exactly

1:00:53.720 --> 1:00:58.120
<v Speaker 6>what your goals are. Have people that are knowledgeable in

1:00:58.160 --> 1:01:01.320
<v Speaker 6>your corner as well as having people that have the

1:01:01.400 --> 1:01:04.400
<v Speaker 6>same goals and beliefs that you have. And spread this

1:01:04.520 --> 1:01:07.360
<v Speaker 6>word out to every and anybody that has ears that

1:01:07.440 --> 1:01:12.840
<v Speaker 6>want to hear it, and just create. Create, create content

1:01:13.120 --> 1:01:15.800
<v Speaker 6>that people feel as valuable. You know, if you're not

1:01:15.880 --> 1:01:19.040
<v Speaker 6>creating the content that people feel as valuable, then you can,

1:01:19.160 --> 1:01:20.560
<v Speaker 6>you know, be a mechanic or something.

1:01:20.920 --> 1:01:24.080
<v Speaker 3>You know what I How stressful is it? How stressful

1:01:24.160 --> 1:01:25.760
<v Speaker 3>is it to be a to be an artist?

1:01:25.800 --> 1:01:27.760
<v Speaker 4>That's another thing I don't think people fully understand, Like

1:01:27.800 --> 1:01:31.920
<v Speaker 4>it's not it's not easy profession, And yeah, how stressful

1:01:31.960 --> 1:01:32.200
<v Speaker 4>is it?

1:01:32.240 --> 1:01:34.160
<v Speaker 6>I work twenty four hours a day, seven days a week.

1:01:34.200 --> 1:01:36.800
<v Speaker 6>Sometimes my wife is angry at me because I'm always working,

1:01:37.320 --> 1:01:41.480
<v Speaker 6>But that's what it takes. I feel like if, like

1:01:41.560 --> 1:01:44.920
<v Speaker 6>you said, some artists do get hot and then they

1:01:44.960 --> 1:01:47.440
<v Speaker 6>stay hot for like two three years, and then that's it.

1:01:47.520 --> 1:01:49.320
<v Speaker 6>You don't hear from them no more, you know what

1:01:49.320 --> 1:01:52.320
<v Speaker 6>I mean. I'm one of those guys that's been out

1:01:52.440 --> 1:01:54.640
<v Speaker 6>for eleven years now, I'm living off of music. I

1:01:54.680 --> 1:01:57.440
<v Speaker 6>make six figures a year just independently, you know what

1:01:57.440 --> 1:02:02.160
<v Speaker 6>I'm saying. And I know what a little bit more backing,

1:02:02.200 --> 1:02:05.480
<v Speaker 6>I could crack seven figures easily because I know exactly

1:02:05.480 --> 1:02:06.960
<v Speaker 6>what to do. I know how to do it. I

1:02:07.000 --> 1:02:10.360
<v Speaker 6>know how to maneuver. But a lot of guys they don't.

1:02:10.400 --> 1:02:13.040
<v Speaker 6>Sometimes they just don't want to hear. I feel like

1:02:13.120 --> 1:02:15.560
<v Speaker 6>sometimes they just don't want to hear these these things.

1:02:15.600 --> 1:02:19.360
<v Speaker 6>You know what I'm saying. Artists don't want to hear work, work, work,

1:02:19.360 --> 1:02:20.960
<v Speaker 6>work work. They just want to get to the bag.

1:02:21.040 --> 1:02:23.000
<v Speaker 6>It's all about the fast money.

1:02:23.040 --> 1:02:25.160
<v Speaker 5>Fast money don't last too long. You gotta chase it.

1:02:25.240 --> 1:02:27.520
<v Speaker 6>Fast money don't last money. That's a good quote, you

1:02:27.520 --> 1:02:29.120
<v Speaker 6>know what I'm saying. It just doesn't. You have to.

1:02:29.600 --> 1:02:32.920
<v Speaker 6>You have to diversify, like I don't. I don't just

1:02:33.760 --> 1:02:36.280
<v Speaker 6>rap either, you know what I'm saying. Like I try

1:02:36.320 --> 1:02:39.280
<v Speaker 6>to make investments on certain things, like you know, trying

1:02:39.280 --> 1:02:41.160
<v Speaker 6>to buy home. You know what I'm saying. Looking, I

1:02:41.200 --> 1:02:43.080
<v Speaker 6>was just telling a man off camera, I'm trying to

1:02:43.080 --> 1:02:46.760
<v Speaker 6>get a tesla because it doesn't depreciate. It appreciates in value.

1:02:47.840 --> 1:02:52.080
<v Speaker 6>Also just investing in different companies. Like there's a company

1:02:52.120 --> 1:02:57.000
<v Speaker 6>that's doing marijuana, cannabis stuff, but it's from the health

1:02:57.320 --> 1:03:00.520
<v Speaker 6>side of it. So it's called Glenn Mayor Farms. You know,

1:03:00.680 --> 1:03:05.080
<v Speaker 6>they are a farming agency that's using the medicinal portion

1:03:05.360 --> 1:03:09.600
<v Speaker 6>of the cannabis, you know, legally and getting it out

1:03:09.600 --> 1:03:11.840
<v Speaker 6>there legally. Because we all know marijuana is just on

1:03:11.880 --> 1:03:14.440
<v Speaker 6>the verge of being you know, legalized. I feel like

1:03:14.520 --> 1:03:18.240
<v Speaker 6>that's something that you know, as black people, you know,

1:03:18.280 --> 1:03:23.160
<v Speaker 6>we're not you know, we're we're drug heads. We're always smoking, smoking, smoking,

1:03:23.200 --> 1:03:26.560
<v Speaker 6>We're always putting into it instead of reinvesting into it

1:03:26.600 --> 1:03:29.120
<v Speaker 6>into the medicinal aspect of it, which is the legal

1:03:29.280 --> 1:03:30.920
<v Speaker 6>portion of it and the legal side of it where

1:03:30.960 --> 1:03:33.640
<v Speaker 6>you can invest in making money back on it. You

1:03:33.680 --> 1:03:34.760
<v Speaker 6>know what I'm saying, It's gonna be a lot of

1:03:34.800 --> 1:03:37.360
<v Speaker 6>billionaires made if they make the right you know, decisions

1:03:37.360 --> 1:03:39.760
<v Speaker 6>and choices. So, you know, I'm always looking at what's

1:03:39.800 --> 1:03:42.200
<v Speaker 6>the next thing is going to happen. Virtual reality, That's

1:03:42.240 --> 1:03:46.760
<v Speaker 6>another thing that is on the cusp of the gaming industry.

1:03:47.160 --> 1:03:49.400
<v Speaker 6>It's just you have to find the right one, you know.

1:03:50.200 --> 1:03:52.240
<v Speaker 4>I think virtual reality is gonna be big. We haven't

1:03:52.280 --> 1:03:54.360
<v Speaker 4>spoken about that yet, but I think that virtual reality

1:03:54.400 --> 1:03:56.480
<v Speaker 4>is gonna be huge, especially in sports.

1:03:56.520 --> 1:03:58.200
<v Speaker 5>Oh yeah, it's going to be I think they tried

1:03:58.200 --> 1:03:59.960
<v Speaker 5>that this year with the NBA Lead Pass, where you

1:04:00.080 --> 1:04:02.360
<v Speaker 5>get the virtual reality and you could sit courtside.

1:04:03.080 --> 1:04:03.560
<v Speaker 3>It's perfect.

1:04:03.600 --> 1:04:05.880
<v Speaker 4>You think about it, It's like, am I going to

1:04:05.960 --> 1:04:09.840
<v Speaker 4>pay ten thousand dollars that only one percent of America has.

1:04:09.680 --> 1:04:12.960
<v Speaker 3>To watch Lebron? Or will I pay one hundred dollars? Yeah,

1:04:13.280 --> 1:04:13.840
<v Speaker 3>it's not bad.

1:04:14.000 --> 1:04:18.560
<v Speaker 4>And to feel like I'm literally right there, especially sports

1:04:18.600 --> 1:04:24.640
<v Speaker 4>like boxing basketball, you can't that court side feel means

1:04:24.680 --> 1:04:24.880
<v Speaker 4>a lot.

1:04:24.920 --> 1:04:27.800
<v Speaker 5>Oh yeah, that look is a lot, That's what I said.

1:04:27.800 --> 1:04:29.840
<v Speaker 5>But that's one of those sports where it makes sense

1:04:29.880 --> 1:04:32.760
<v Speaker 5>to do it. Like some sports are not great being

1:04:32.840 --> 1:04:35.080
<v Speaker 5>viewed live. Right, If I go to a football game

1:04:35.320 --> 1:04:37.360
<v Speaker 5>and I'm sitting in the upper deck, I have no

1:04:37.400 --> 1:04:40.920
<v Speaker 5>idea what's happening down there. I just know that something stopped. Right.

1:04:40.920 --> 1:04:42.640
<v Speaker 5>It's not like when you're on TV and you can

1:04:42.680 --> 1:04:44.640
<v Speaker 5>actually hear the refo that was the call. Oh, we

1:04:44.680 --> 1:04:47.240
<v Speaker 5>can see the instant replay. Some things just aren't made

1:04:47.760 --> 1:04:49.680
<v Speaker 5>for consumption, that's true.

1:04:50.320 --> 1:04:51.680
<v Speaker 3>No, this is well. I think they're going to do

1:04:51.720 --> 1:04:52.720
<v Speaker 3>a combination of both though.

1:04:52.840 --> 1:04:54.160
<v Speaker 5>Yeah, but that's what I'm saying. If you get the

1:04:54.240 --> 1:04:55.880
<v Speaker 5>virtual reality now you can see it, but you.

1:04:55.880 --> 1:04:57.560
<v Speaker 3>Can hear a commentators talk about it too.

1:04:57.760 --> 1:04:59.280
<v Speaker 5>Yeah, that's why you hear about the games with the

1:04:59.320 --> 1:04:59.800
<v Speaker 5>headphones on.

1:05:00.640 --> 1:05:03.200
<v Speaker 6>Yeah, it's gonna, it's gonna, it's gonna get to that level.

1:05:03.640 --> 1:05:07.000
<v Speaker 6>I just feel like you can't just want to just

1:05:07.040 --> 1:05:09.720
<v Speaker 6>do music and that's it. It's it has to be more.

1:05:09.800 --> 1:05:13.160
<v Speaker 6>It has to get into acting a little bit, get

1:05:13.200 --> 1:05:17.000
<v Speaker 6>into creating a merchandise, you know, make something that people

1:05:17.120 --> 1:05:21.240
<v Speaker 6>don't you know, or won't create, you know, like be creative.

1:05:21.440 --> 1:05:24.480
<v Speaker 6>I feel like these are the things that you know,

1:05:24.680 --> 1:05:28.840
<v Speaker 6>artists need to kind of take back, not just their

1:05:28.840 --> 1:05:31.760
<v Speaker 6>ownership and their music, but the ownership and their imagination.

1:05:31.920 --> 1:05:33.640
<v Speaker 5>We just said. I just it's funny you just said

1:05:33.800 --> 1:05:37.480
<v Speaker 5>the word artists because hey, Buggy he said next project

1:05:37.560 --> 1:05:39.800
<v Speaker 5>is last one because he wants to focus on things

1:05:39.800 --> 1:05:42.280
<v Speaker 5>outside of music and this is the time now while

1:05:42.320 --> 1:05:45.000
<v Speaker 5>he's hot. I had a quick question. You said you

1:05:45.040 --> 1:05:48.200
<v Speaker 5>were trying to get a job right before, Like what what.

1:05:48.080 --> 1:05:51.080
<v Speaker 6>Were you gonna try anything? Trying to do anything anything

1:05:51.760 --> 1:05:54.400
<v Speaker 6>anything at that time I was desperate and there was

1:05:54.520 --> 1:05:58.360
<v Speaker 6>nothing for me. There was literally nothing for me. And

1:05:58.960 --> 1:06:01.600
<v Speaker 6>you know, I had shows lined up, but I had

1:06:01.640 --> 1:06:04.360
<v Speaker 6>to wait to get the second half from those shows

1:06:04.440 --> 1:06:07.480
<v Speaker 6>to even you know, make some money. So I had

1:06:07.480 --> 1:06:10.120
<v Speaker 6>to kind of I had to thug it out, you know.

1:06:10.560 --> 1:06:12.400
<v Speaker 6>I was trying. I was trying to work at I

1:06:12.440 --> 1:06:16.240
<v Speaker 6>was too overqualified for burger king and underqualified to work

1:06:16.360 --> 1:06:18.800
<v Speaker 6>in the office again. So I was just like, I got.

1:06:18.680 --> 1:06:19.240
<v Speaker 5>To do music.

1:06:19.360 --> 1:06:20.720
<v Speaker 3>How does that work? I'm glad you said that.

1:06:20.760 --> 1:06:22.520
<v Speaker 4>When everybody talks about like getting paid on the back

1:06:22.560 --> 1:06:25.280
<v Speaker 4>end for the shows, you get paid up front fifty

1:06:25.600 --> 1:06:27.479
<v Speaker 4>and then after you perform you get the fifty percent.

1:06:27.520 --> 1:06:30.600
<v Speaker 6>That's usually that standard, Yeah, standard right after you perform.

1:06:30.680 --> 1:06:33.760
<v Speaker 6>Sometimes before you get on stage, sometimes after depends that.

1:06:33.800 --> 1:06:36.320
<v Speaker 4>I've heard like artists not get on stage because they

1:06:36.560 --> 1:06:37.680
<v Speaker 4>the promoters have money.

1:06:38.000 --> 1:06:40.920
<v Speaker 6>Sometimes the promoters do pay for play, so you know,

1:06:41.040 --> 1:06:45.440
<v Speaker 6>they'll charge, you know, artists to sell tickets before the

1:06:45.480 --> 1:06:47.840
<v Speaker 6>main act gets on so they can make the rest

1:06:47.840 --> 1:06:50.360
<v Speaker 6>of the money to pay the headliner.

1:06:50.440 --> 1:06:52.160
<v Speaker 3>Have you had bad experience promoters before?

1:06:52.880 --> 1:06:54.920
<v Speaker 6>Not a lot, but I've had some. I've had some

1:06:55.040 --> 1:06:59.000
<v Speaker 6>bad experience. I mean, the best the best shows that

1:06:59.040 --> 1:07:02.240
<v Speaker 6>I've had was corporate shows because you're gonna.

1:07:02.000 --> 1:07:02.880
<v Speaker 5>Get paid corporate money.

1:07:03.080 --> 1:07:05.800
<v Speaker 6>Corporate you that money is guarantee. You can go on

1:07:05.840 --> 1:07:08.320
<v Speaker 6>stage without getting paid and you you know you're gonna

1:07:08.360 --> 1:07:13.040
<v Speaker 6>get paid eventually, like or you'll sue. So those are

1:07:13.040 --> 1:07:15.600
<v Speaker 6>the probably the best shows. You know, there's contracts put

1:07:15.600 --> 1:07:18.680
<v Speaker 6>in place where you have to sign a contract music agreement,

1:07:19.000 --> 1:07:23.439
<v Speaker 6>performing agreement with a buyer talent buyer that you will

1:07:23.480 --> 1:07:25.760
<v Speaker 6>get paid before the night is over or at the

1:07:25.840 --> 1:07:27.440
<v Speaker 6>end of the night when you settle up, depending if

1:07:27.440 --> 1:07:29.000
<v Speaker 6>you did a door deal or depending on if you

1:07:29.000 --> 1:07:29.880
<v Speaker 6>get a guarantee.

1:07:30.200 --> 1:07:32.200
<v Speaker 3>Some you ask your music question before we wrap it up.

1:07:32.720 --> 1:07:35.800
<v Speaker 4>You work with a lot of artists, like I said,

1:07:35.800 --> 1:07:40.280
<v Speaker 4>from Drake to Justin temple A to Andrew Kendrick and

1:07:40.320 --> 1:07:43.080
<v Speaker 4>then underground artists as well and mainstream are everybody.

1:07:43.120 --> 1:07:45.120
<v Speaker 3>You work with a lot of different people, right Who

1:07:46.360 --> 1:07:47.160
<v Speaker 3>who was.

1:07:48.880 --> 1:07:50.800
<v Speaker 4>The most enjoyable for you to work with as far

1:07:50.840 --> 1:07:52.640
<v Speaker 4>as like the talent level? Like who did because like

1:07:52.640 --> 1:07:54.360
<v Speaker 4>I used to play ball, so like sometimes I played

1:07:54.360 --> 1:07:58.040
<v Speaker 4>backble somebody I know, like there's special like I played

1:07:58.040 --> 1:07:59.560
<v Speaker 4>like Mike Beasley went to school with me and I

1:07:59.600 --> 1:08:01.840
<v Speaker 4>knew he was younger than me, but I knew like

1:08:01.920 --> 1:08:02.520
<v Speaker 4>he was special.

1:08:02.560 --> 1:08:03.800
<v Speaker 3>I knew he's gonna make it to the league. I

1:08:03.840 --> 1:08:04.720
<v Speaker 3>just knew he was special.

1:08:05.120 --> 1:08:08.200
<v Speaker 4>Did you ever have that type of vibe with anybody

1:08:08.280 --> 1:08:10.440
<v Speaker 4>like that you worked with, Like this dude is different.

1:08:14.240 --> 1:08:16.680
<v Speaker 6>Yeah, I mean it's a lot. I can be here

1:08:16.720 --> 1:08:20.000
<v Speaker 6>all day. I mean I remember when I got Drake's

1:08:20.080 --> 1:08:22.519
<v Speaker 6>verse back for Overdose on Life. We were talking about

1:08:22.520 --> 1:08:25.920
<v Speaker 6>that earlier and I was just like, Yo, this guy

1:08:26.000 --> 1:08:27.000
<v Speaker 6>is fucking dope.

1:08:28.040 --> 1:08:31.760
<v Speaker 4>Did you see it happening like people saying Drake is

1:08:31.800 --> 1:08:32.720
<v Speaker 4>the best rapper ever?

1:08:32.800 --> 1:08:35.720
<v Speaker 3>Did you ever imagine he can be put in that category?

1:08:36.320 --> 1:08:39.280
<v Speaker 6>No, not the best rapper ever. It was more like

1:08:40.280 --> 1:08:44.040
<v Speaker 6>it was more like, this guy's light skinned, he's marketable,

1:08:45.680 --> 1:08:48.400
<v Speaker 6>and he could rap really well. This is before he

1:08:48.479 --> 1:08:50.880
<v Speaker 6>was singing really and I was just like, Yo, this

1:08:50.960 --> 1:08:54.360
<v Speaker 6>dude is dope. He got a knack for choruses and everything.

1:08:55.040 --> 1:08:58.639
<v Speaker 6>And then like after we did that record, he kind

1:08:58.640 --> 1:09:01.519
<v Speaker 6>of he kind of just ran into not ran into,

1:09:01.600 --> 1:09:03.600
<v Speaker 6>but I remember when he hit me like yo, like

1:09:03.640 --> 1:09:06.000
<v Speaker 6>I'm meeting Wayne tonight. I'm about to meet Little Wayne,

1:09:06.040 --> 1:09:08.960
<v Speaker 6>and that that changed it all and I was like

1:09:09.080 --> 1:09:14.160
<v Speaker 6>that's crazy, bro, keep grinding. But that experience was just

1:09:14.200 --> 1:09:16.360
<v Speaker 6>dope because you know, he was a he was an

1:09:16.439 --> 1:09:19.280
<v Speaker 6>unknown artist. He was nobody really knew who he was

1:09:19.360 --> 1:09:21.160
<v Speaker 6>when I put him on the record, Like it was

1:09:21.200 --> 1:09:23.160
<v Speaker 6>a big deal for him to be on that record.

1:09:24.160 --> 1:09:29.479
<v Speaker 6>Styles p was that was that was an amazing session

1:09:30.680 --> 1:09:33.960
<v Speaker 6>where like he was doing features for other artists that

1:09:34.240 --> 1:09:37.240
<v Speaker 6>came in the in that day, like and like the

1:09:37.280 --> 1:09:38.160
<v Speaker 6>whole locks was there.

1:09:38.240 --> 1:09:41.800
<v Speaker 3>And he doesn't write rhymes, right, that's true.

1:09:41.960 --> 1:09:46.120
<v Speaker 6>That's true. He didn't write his rhymes. He so I

1:09:46.200 --> 1:09:48.840
<v Speaker 6>was like, I was like, yo, like I want to

1:09:48.840 --> 1:09:51.680
<v Speaker 6>do this record, bro, And he was like, I, how

1:09:51.680 --> 1:09:52.680
<v Speaker 6>do you want to do it? I was like, I

1:09:52.680 --> 1:09:58.800
<v Speaker 6>want to do uh five eight bar versus. And he

1:09:58.880 --> 1:10:01.440
<v Speaker 6>knew with my talent level was so he kicked everybody

1:10:01.479 --> 1:10:02.200
<v Speaker 6>out the studio.

1:10:02.479 --> 1:10:04.800
<v Speaker 3>He's used to that, going back and forth with Kiss Yeah.

1:10:04.640 --> 1:10:06.960
<v Speaker 6>Yeah, but yeah, but he it was the fact that

1:10:07.000 --> 1:10:09.680
<v Speaker 6>he kicked everybody out, Like why do you kick everybody out?

1:10:09.800 --> 1:10:12.240
<v Speaker 6>Because it was just too crazy, Like everybody got go

1:10:12.360 --> 1:10:14.880
<v Speaker 6>it's me and you know, but he stayed with other

1:10:15.000 --> 1:10:18.240
<v Speaker 6>artists when they did their records, other artists were still there.

1:10:18.400 --> 1:10:20.000
<v Speaker 6>Everybody had to go when it was me and him

1:10:20.000 --> 1:10:23.080
<v Speaker 6>and we just we just did that record. That JOm

1:10:23.200 --> 1:10:26.720
<v Speaker 6>was wild, you know what I'm saying. For Legends, you

1:10:26.760 --> 1:10:30.000
<v Speaker 6>know Royce. Royce was a dope session. I asked him,

1:10:30.200 --> 1:10:32.439
<v Speaker 6>asked him to send me like twenty four bars. He

1:10:32.520 --> 1:10:35.160
<v Speaker 6>sent me back like thirty two forty bars. It was

1:10:35.240 --> 1:10:36.640
<v Speaker 6>just like, all right, you want to kill me your

1:10:36.640 --> 1:10:38.920
<v Speaker 6>my own record happened?

1:10:39.280 --> 1:10:41.160
<v Speaker 5>Well, you got a verse back of me like, damn,

1:10:41.200 --> 1:10:42.000
<v Speaker 5>I gotta go rewrite.

1:10:42.439 --> 1:10:44.680
<v Speaker 6>I don't rewrite my verses. I try to rewrite them.

1:10:44.720 --> 1:10:46.639
<v Speaker 5>But you ever felt like, yo, did he bothered me on? Yeah?

1:10:46.720 --> 1:10:48.920
<v Speaker 6>Yeah, you know, but I let it. I let it rock.

1:10:49.320 --> 1:10:54.519
<v Speaker 6>I let it rock. Yeah, shout out, you know what

1:10:54.520 --> 1:10:57.400
<v Speaker 6>I'm saying. And lastly, John Legend. I mean when I

1:10:57.400 --> 1:10:59.519
<v Speaker 6>worked with John Legend, he was on tour with Shad

1:10:59.600 --> 1:11:02.880
<v Speaker 6>day Man and he and he it was an overseas

1:11:02.880 --> 1:11:06.120
<v Speaker 6>tour and he came off tour when he had his

1:11:06.200 --> 1:11:08.320
<v Speaker 6>day off in New York and we went in the

1:11:08.360 --> 1:11:11.639
<v Speaker 6>studio and made our record and then I asked him

1:11:11.880 --> 1:11:13.920
<v Speaker 6>can you do some stuff over? And he was like sure.

1:11:14.000 --> 1:11:16.680
<v Speaker 6>Like he was the nicest artist ever, you know, that

1:11:16.760 --> 1:11:19.360
<v Speaker 6>was a super intelligent dude. Oh I love John. John's

1:11:19.479 --> 1:11:22.160
<v Speaker 6>is a good dude man. I appreciate it, just him

1:11:22.200 --> 1:11:24.120
<v Speaker 6>taking that time out to work with me, you know,

1:11:24.160 --> 1:11:26.799
<v Speaker 6>in that facility and capacity, you know what I mean.

1:11:27.400 --> 1:11:31.599
<v Speaker 4>Pow make you appreciate you coming telling people I know

1:11:31.640 --> 1:11:32.639
<v Speaker 4>you on tour right.

1:11:33.120 --> 1:11:35.200
<v Speaker 6>Yes, yeah, I got a tour coming up. It's called

1:11:35.520 --> 1:11:39.040
<v Speaker 6>the Fan Tour. It starts November twenty ninth and the

1:11:39.200 --> 1:11:45.160
<v Speaker 6>ends December twelfth. We're doing Boston, New York, Philly, Baltimore, Virginia,

1:11:45.360 --> 1:11:48.120
<v Speaker 6>North Carolina, Atlanta. You know, hopefully we'll put up the

1:11:48.600 --> 1:11:51.760
<v Speaker 6>fly here so you guys could check it out. And

1:11:52.080 --> 1:11:54.160
<v Speaker 6>you know, just come check me out mickey fax dot

1:11:54.160 --> 1:11:56.160
<v Speaker 6>com if if you see some merch that you like,

1:11:56.280 --> 1:11:58.800
<v Speaker 6>or is there's some music that you uh yeah, he

1:11:58.840 --> 1:12:01.519
<v Speaker 6>got the Enigma button on everybody hang, I got them

1:12:01.520 --> 1:12:07.200
<v Speaker 6>a button. And you know, if if there's merch, you know, hoodies, shirts, hats,

1:12:07.200 --> 1:12:11.360
<v Speaker 6>thumb drives, what else we got on there. There's a

1:12:11.400 --> 1:12:14.200
<v Speaker 6>lot of stuff on there. You can go there and

1:12:14.240 --> 1:12:16.599
<v Speaker 6>cop and also, you know, hit me up on Twitter,

1:12:16.800 --> 1:12:18.840
<v Speaker 6>Twitter dot com, forward Slash, Mickey Fact, hit me up

1:12:18.880 --> 1:12:21.400
<v Speaker 6>on Instagram, Mickey dot Fax, m I C K E.

1:12:21.560 --> 1:12:25.000
<v Speaker 6>Y the period F A, C, t Z, D M ME.

1:12:25.120 --> 1:12:27.600
<v Speaker 6>I talked to every single person that reaches out to me.

1:12:27.960 --> 1:12:30.240
<v Speaker 6>I feel like, if you have you take the time

1:12:30.280 --> 1:12:32.960
<v Speaker 6>out to talk to me, I will definitely take the

1:12:32.960 --> 1:12:34.720
<v Speaker 6>time out to respond to you. I think that's the

1:12:34.760 --> 1:12:37.760
<v Speaker 6>polite thing to do. Except for spam. I don't talk

1:12:37.800 --> 1:12:41.200
<v Speaker 6>to spam, but you know, just reach out to me

1:12:41.320 --> 1:12:43.400
<v Speaker 6>if you feel like there's a question you might have.

1:12:43.840 --> 1:12:46.240
<v Speaker 6>You know, feel free reach out because I feel like

1:12:46.400 --> 1:12:49.880
<v Speaker 6>holding on to information is not the way to get

1:12:49.880 --> 1:12:50.639
<v Speaker 6>information out.

1:12:51.479 --> 1:12:54.679
<v Speaker 4>I appreciate that, bro, Thank you choice.

1:12:54.800 --> 1:12:57.080
<v Speaker 5>Yeah. Shot out everybody on patreon dot com. Y'all know

1:12:57.120 --> 1:13:00.640
<v Speaker 5>that's all proud to pay program as five tiers. We

1:13:00.760 --> 1:13:03.760
<v Speaker 5>are at over one hundred patrons, man, so shout out

1:13:03.760 --> 1:13:05.840
<v Speaker 5>to everybody that is joining. Like we said E y

1:13:05.960 --> 1:13:10.639
<v Speaker 5>L University for our top tier four and five members,

1:13:10.640 --> 1:13:13.160
<v Speaker 5>you're going to be getting access to our webinars. So

1:13:13.240 --> 1:13:16.160
<v Speaker 5>make sure that y'all go and check your messages so

1:13:16.200 --> 1:13:18.360
<v Speaker 5>you can have access to the links. Every Wednesday at

1:13:18.400 --> 1:13:22.439
<v Speaker 5>eight uh and U y L we actually put out

1:13:22.439 --> 1:13:24.840
<v Speaker 5>some new merch man so we got the fire Bloody

1:13:24.880 --> 1:13:28.040
<v Speaker 5>season is in effect. Every every time we come on.

1:13:28.080 --> 1:13:32.040
<v Speaker 5>We're putting out new merch so the hats will be out.

1:13:32.400 --> 1:13:34.439
<v Speaker 5>Hopefully we get some gloves out there. Man, we were

1:13:34.439 --> 1:13:37.519
<v Speaker 5>preparing for the winter, even though we don't like beings.

1:13:37.560 --> 1:13:41.240
<v Speaker 5>Is gonna be theres So shout to everybody that's been

1:13:41.240 --> 1:13:43.400
<v Speaker 5>supporting the merch man. We got some new stuff on

1:13:43.439 --> 1:13:44.240
<v Speaker 5>the way.

1:13:44.360 --> 1:13:45.040
<v Speaker 3>Yeah, for sure.

1:13:45.040 --> 1:13:48.160
<v Speaker 4>And then once again don't forget December seventh and December eighth,

1:13:48.200 --> 1:13:50.400
<v Speaker 4>we coming to d C. We're doing the workshop from

1:13:50.439 --> 1:13:52.840
<v Speaker 4>Overahoma Elite and Wall Street Trap on the seventh, and

1:13:52.840 --> 1:13:55.400
<v Speaker 4>then we got our very first live podcast and then

1:13:55.439 --> 1:13:59.120
<v Speaker 4>the Wizards Clippers game after that, following after that, all

1:13:59.120 --> 1:14:00.920
<v Speaker 4>of the information is on legia dot com on the

1:14:00.960 --> 1:14:03.280
<v Speaker 4>events tab. You can loudstream a workshop if you're not

1:14:03.360 --> 1:14:06.599
<v Speaker 4>damn person. E y l University we have classes every

1:14:06.640 --> 1:14:09.040
<v Speaker 4>single day. We have a class pretty much. Matt teaches

1:14:09.040 --> 1:14:12.120
<v Speaker 4>a class on every Monday, on real Estate Wednesday, the

1:14:12.160 --> 1:14:15.000
<v Speaker 4>class is different. Me and Troy are gonna do classes

1:14:15.040 --> 1:14:18.960
<v Speaker 4>on Friday. And then starting in January, we're gonna launch

1:14:19.040 --> 1:14:27.000
<v Speaker 4>e Yoo every Thursday. Financial in Spanish Latino.

1:14:27.040 --> 1:14:27.519
<v Speaker 3>Support this.

1:14:30.640 --> 1:14:32.200
<v Speaker 4>Sure and the book tip of this week is the

1:14:32.240 --> 1:14:35.120
<v Speaker 4>autobiography of Johnny Cochrane recommended.

1:14:35.280 --> 1:14:37.960
<v Speaker 3>I guess Mickey, great book.

1:14:38.000 --> 1:14:38.479
<v Speaker 5>Great book.

1:14:38.560 --> 1:14:40.599
<v Speaker 6>I promise you really really really good.

1:14:41.520 --> 1:14:44.720
<v Speaker 4>Johnny cockin people don't understand how you know what the

1:14:44.800 --> 1:14:47.479
<v Speaker 4>thing about Johnny everybody knows him for the oj trial, right, Yep.

1:14:48.120 --> 1:14:51.679
<v Speaker 4>He was a high powered lawyer way before. That's exactly

1:14:51.680 --> 1:14:54.240
<v Speaker 4>because that was the dream team. But he was the head.

1:14:54.760 --> 1:14:57.160
<v Speaker 4>A lot of people somewhat like some of the lawyers

1:14:57.439 --> 1:15:00.919
<v Speaker 4>felt the way because this is Lloyd, like Johnny Cockrow Shapiro,

1:15:01.040 --> 1:15:06.439
<v Speaker 4>like these dudes Alan Dershuis. They was high powered lawyers. Yes,

1:15:08.040 --> 1:15:11.560
<v Speaker 4>Johnny Cochran and he's the quarterback. A lot of a

1:15:11.600 --> 1:15:14.280
<v Speaker 4>lot of them felt the way about that. And he

1:15:14.400 --> 1:15:16.880
<v Speaker 4>was working on Geronimo Pratt's case when he died. A

1:15:16.920 --> 1:15:20.000
<v Speaker 4>lot of people don't know that either. Geronimo Pratt, legendary

1:15:20.040 --> 1:15:23.679
<v Speaker 4>black panther leader who was incarcerated Mike Jack.

1:15:24.000 --> 1:15:28.040
<v Speaker 6>Yeah, So he did a lot of social change before

1:15:28.120 --> 1:15:31.519
<v Speaker 6>the old j case. He did a lot of pro

1:15:31.720 --> 1:15:34.439
<v Speaker 6>bono work because he was also he was also a

1:15:34.560 --> 1:15:39.320
<v Speaker 6>DA but he did a lot for South central l

1:15:39.400 --> 1:15:42.599
<v Speaker 6>a man like because he was in the thick of

1:15:43.240 --> 1:15:50.639
<v Speaker 6>the racial uprising there. So I implore all black people, please,

1:15:50.800 --> 1:15:55.000
<v Speaker 6>people of color. Please read the autobiography of Johnny Conchran.

1:15:55.120 --> 1:15:56.920
<v Speaker 6>That was an incredible book.

1:15:57.120 --> 1:16:01.320
<v Speaker 3>Incredible you have guys, Thank you for RockA what us

1:16:01.320 --> 1:16:02.160
<v Speaker 3>We see you next week.

1:16:02.200 --> 1:16:07.719
<v Speaker 7>Pease, Please, you just realized your business needed to hire

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