WEBVTT - Deep Dive: Cypress Point

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<v Speaker 1>I don't know what the best course in the world is,

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<v Speaker 1>but if you were to narrow it down to two

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<v Speaker 1>or three candidates, Cypress Point would be one of them.

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<v Speaker 1>Let's dive deep. I'm Garrett Morrison and this is designing golf,

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<v Speaker 1>all right. This is a big one. We're talking about.

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<v Speaker 1>Cypress Point Club in Pebble Beach, California, the venue of

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<v Speaker 1>the upcoming twenty twenty five Walker Cup. This golf course

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<v Speaker 1>was designed by Alistair McKenzie, with some key contributions from

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<v Speaker 1>his associate Robert Hunter. There was also input from members

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<v Speaker 1>of the development team, which included Samuel Morse and Marion Hollins.

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<v Speaker 1>Construction began in late nineteen twenty seven and the first

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<v Speaker 1>round was played in August nineteen twenty eight. Since the

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<v Speaker 1>day it opened, Cypress Point has been one of the

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<v Speaker 1>small handful of the world world's most remarkable golf courses.

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<v Speaker 1>The properties mixture of Duneland forest and seaside cliffs is

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<v Speaker 1>unique and extraordinarily beautiful, and the routing of the course

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<v Speaker 1>alternates between those environments seamlessly. Every golfer knows about the

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<v Speaker 1>ocean holes, the miniature fifteenth, the huge sixteenth, and the

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<v Speaker 1>strategic par four seventeenth. But what makes Cypress Point Cypress

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<v Speaker 1>Point is that the holes in the dunes and the

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<v Speaker 1>trees are just as good as the ones on the

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<v Speaker 1>Seaside coast. And if you ask a member what their

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<v Speaker 1>favorite hole is, they're just as likely to name an

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<v Speaker 1>inland hole like the ninth or the thirteenth as a

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<v Speaker 1>seaside one. Alistair Mackenzie himself was thrilled with the course.

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<v Speaker 1>He wrote, not only is it the best golfing terrain

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<v Speaker 1>I have ever had to deal with, but it is

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<v Speaker 1>the only course I have ever been associated with which

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<v Speaker 1>has given me complete satisfaction in regard to the details

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<v Speaker 1>of the construction work. Mackenzie went on to compare Cypress

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<v Speaker 1>Point to his ideal golf course, the Old Course at

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<v Speaker 1>Saint Andrews. He wrote, Cypress Point has similar strategic problems

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<v Speaker 1>to Saint Andrews and is infinitely more spectacular and beautiful.

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<v Speaker 1>For years, I have been contending that in our generation,

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<v Speaker 1>no other golf course could possibly compete with the strategic problems,

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<v Speaker 1>the thrills, excitement, variety, and lasting and increasing interest of

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<v Speaker 1>the Old Course. But the completion of Cypress Point has

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<v Speaker 1>made me change my mind. So today we're doing a

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<v Speaker 1>deep dive into the golf course at Cypress Point. We'll

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<v Speaker 1>be joined for part of the episode by the author

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<v Speaker 1>of the club's upcoming centennial book, David Normoyl. David and

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<v Speaker 1>I will talk about the history of Cypress Points founding

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<v Speaker 1>and construction. Later, we'll bring on Joshua Pettitt, a golf

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<v Speaker 1>architect and the founder of the Alistair Mackenzie Institute. Josh

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<v Speaker 1>and I will discuss a few fun stories about specific

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<v Speaker 1>aspects of Cypress Points architecture, and for the other parts

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<v Speaker 1>of the episode, I'll just be talking with you directly,

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<v Speaker 1>with my producer Will Balsam kind of as a sounding board.

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<v Speaker 1>With me, I'll just be monologuing essentially about the courses,

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<v Speaker 1>land routing, strategic design, greens and restoration work and so on. Now,

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<v Speaker 1>before we get to all of that, I want to

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<v Speaker 1>talk for a minute about some of my personal history

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<v Speaker 1>with Cyprus Point, if you'll indulge me just for a

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<v Speaker 1>couple of minutes here. I've been fascinated with this course

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<v Speaker 1>since I was a kid. I've told this story before,

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<v Speaker 1>but my interest in golf course design really started when

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<v Speaker 1>my dad brought home a copy of the World Atlas

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<v Speaker 1>of Golf and the map. This book has these great

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<v Speaker 1>beautiful maps in it. The map that I looked at

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<v Speaker 1>the most was the map of Pipe Point. It was

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<v Speaker 1>just the most outrageously cool looking course I could imagine.

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<v Speaker 1>I could barely believe that it was real. But it

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<v Speaker 1>was also in a setting that I was very familiar with.

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<v Speaker 1>I grew up in Santa Barbara, California, which is about

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<v Speaker 1>a four hour drive from Monterey, and I obviously started

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<v Speaker 1>to wonder, will I ever get to play this golf course?

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<v Speaker 1>Is that even possible? Fast forward about twenty years later,

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<v Speaker 1>and I moved to Pebble Beach to teach at a

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<v Speaker 1>boarding school called Stevenson School. Stevenson is right next to

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<v Speaker 1>Spyglass Hill golf Course, which in turn is right next

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<v Speaker 1>to Cypress Point. So it was about a fifteen minute

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<v Speaker 1>walk to the forest holes at Cypress Point from where

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<v Speaker 1>I lived on campus in a house on campus. It

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<v Speaker 1>was faculty housing at Stephenson's School, and I lived and

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<v Speaker 1>worked there for five years, and I walked by Cypress

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<v Speaker 1>Point many times. The funny thing about Cypress is that

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<v Speaker 1>it's not really hidden from public view. The first thirteenth

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<v Speaker 1>and fourteenth holes are right next to seventeen mile Drive.

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<v Speaker 1>You can even pull to the side of the road

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<v Speaker 1>and hang out on Fanshell Beach and you're literally one

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<v Speaker 1>hundred yards from the thirteenth Green, And if you wanted

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<v Speaker 1>to take it a step further, there's a public hiking

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<v Speaker 1>trail that runs along the top of the dune ridge

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<v Speaker 1>above the sixth, seventh, eighth, and ninth holes. It's called

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<v Speaker 1>the Green Trail. You can park in the Pebble Beach

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<v Speaker 1>Equestrian Center and within a few minutes you're looking at

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<v Speaker 1>Cypress Point. So it's not one of those courses that's

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<v Speaker 1>concealed behind gates and completely inaccessible. But of course it

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<v Speaker 1>is not easy to get a tea time at Cypress.

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<v Speaker 1>It's a small membership club that likes to keep things

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<v Speaker 1>very low key and low profile. So during the five

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<v Speaker 1>years that I lived in Pebble Beach, within literally eight

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<v Speaker 1>hundred yards as the crowflies of the fifth Green at

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<v Speaker 1>Cypress Point, I actually never played it. And this was

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<v Speaker 1>around the time that I was getting back into golf,

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<v Speaker 1>getting interested in golf course design again, starting to write

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<v Speaker 1>about it, and that eventually led to the career that

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<v Speaker 1>I have now. But at the time, I often thought

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<v Speaker 1>to myself, how funny it was that I had this

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<v Speaker 1>passion for golf courses, these things that I could look

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<v Speaker 1>at and maybe get close to, but not actually experience.

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<v Speaker 1>In a few key cases. It's sort of like if

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<v Speaker 1>you were a movie lover and there was a film

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<v Speaker 1>that you knew to be one of the greatest ever made.

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<v Speaker 1>Everybody thought that it was the greatest, but you couldn't

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<v Speaker 1>watch it. You could just sort of hang out outside

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<v Speaker 1>the theater and maybe catch a few lines of dialogue

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<v Speaker 1>or a few hits.

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<v Speaker 2>Of the score.

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<v Speaker 1>That's what it felt like for me with Cyprus Point,

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<v Speaker 1>and I didn't feel that with any bitterness. I wasn't

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<v Speaker 1>angry about it. It just amused me a little bit.

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<v Speaker 1>How have I put myself in this position that this

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<v Speaker 1>is what I really love and it has kind of

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<v Speaker 1>this weird dynamic. And I think the reason that I

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<v Speaker 1>wasn't that I wasn't bitter about it or angry about it,

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<v Speaker 1>is partly because I figured I probably would eventually get

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<v Speaker 1>a chance to play the course, and that did turn

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<v Speaker 1>out to be the case. I've been very lucky to

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<v Speaker 1>play Cyprus Point a few times now. But the reason

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<v Speaker 1>I'm telling you about all of this is that I

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<v Speaker 1>know that some of you listening are probably in the

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<v Speaker 1>same position that I was a number of years ago

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<v Speaker 1>when I loved this golf course that I didn't have

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<v Speaker 1>any way of playing. I know what that's like, and

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<v Speaker 1>I don't take it for granted at all that I've

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<v Speaker 1>now gotten to study this course in person, and I'm

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<v Speaker 1>thrilled that I'm in a position to relay what I've

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<v Speaker 1>learned to you. I'm very grateful for all of that.

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<v Speaker 1>And I just add that if you have, if you

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<v Speaker 1>have a real and enduring passion for golf architecture, if

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<v Speaker 1>you become involved in the community of fellow enthusiasts, you

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<v Speaker 1>will end up getting opportunities that you never thought you'd get.

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<v Speaker 1>And that's that's what's happened for me, and I think

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<v Speaker 1>that that's a true thing about about this community that

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<v Speaker 1>we're part of. So that's it for the For the

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<v Speaker 1>personal section of the podcast, well, we'll now properly get

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<v Speaker 1>into the deep dive on Cyprus Point and we'll start

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<v Speaker 1>with some history. My guest for that segment is David Normoyle.

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<v Speaker 1>get to David Normoyle. All right, David, welcome to the podcast.

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<v Speaker 1>Thank you for being here.

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<v Speaker 3>Pleasure Garrett.

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<v Speaker 1>So, in talking about the history of Cyprus, point I'd

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<v Speaker 1>like to start pretty broad, bring some characters onto the stage,

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<v Speaker 1>and then finally get to the building of the golf course. So,

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<v Speaker 1>first of all, who was Samuel Morse?

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<v Speaker 3>Well, Samuel Morse was a man from the East who

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<v Speaker 3>found himself in the West. And that's the theme that

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<v Speaker 3>I think runs through all of the main characters of

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<v Speaker 3>this story, whether it's Samuel Morse, Marion Hollins, Roger Lapham

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<v Speaker 3>and even Alistair Mackenzie. They all came from somewhere else,

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<v Speaker 3>and because of their experiences at Cypress, at Cypress Point,

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<v Speaker 3>and in particularly the Monterey Peninsula, but at Cypress Point,

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<v Speaker 3>they made the rest of their lives on that portion

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<v Speaker 3>of the world. So Samuel Morse was raised in Boston,

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<v Speaker 3>educated at Yale. He was the captain of the undefeated

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<v Speaker 3>Yale football team in nineteen oh six. And his hero

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<v Speaker 3>was Teddy Roosevelt. And because of some connections that he

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<v Speaker 3>made with classmates at Yale from the Hammond family and

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<v Speaker 3>then more importantly the Crocker family, which is one of

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<v Speaker 3>the Big four California families from the eighteen hundreds, the

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<v Speaker 3>railroad barons and industrialists, he got a job working on

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<v Speaker 3>ranches in California, and following in the model of his hero,

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<v Speaker 3>Teddy Roosevelt, he loved being on horseback and working the land.

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<v Speaker 3>And the Crockers happened on this huge piece of land

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<v Speaker 3>as part of the Pacific Improvement Company, which was an

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<v Speaker 3>outgrowth of one of these great industrialist conglomerate corporations that

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<v Speaker 3>owned thousands and thousands of acres on the Monterey Peninsula,

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<v Speaker 3>including Pebble Beach, Cyprus Point, and the Hotel Del Monte

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<v Speaker 3>in Monterey. Unfortunately, because of a variety of different land complications,

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<v Speaker 3>this del Monte unit was hugely unprofitable, and so the

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<v Speaker 3>Crockers were trying to get rid of it, to liquidate it.

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<v Speaker 3>So they hired sam Mors to come and be the

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<v Speaker 3>manager of this land and to gussie it up so

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<v Speaker 3>that it could be ready for sale to benefit the

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<v Speaker 3>inheritors of this property. Except the problem was Sam Mors

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<v Speaker 3>didn't want to sell it. He wanted to buy it

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<v Speaker 3>because he had a vision for creating a new port

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<v Speaker 3>of the West, a sort of grand resort on the

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<v Speaker 3>most beautiful piece of land. But unlike what had been

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<v Speaker 3>and done previously through the Pacific Improvement Company in Pacific

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<v Speaker 3>Grove as an example, chopping up the land into small

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<v Speaker 3>pieces of real estate, what Morse wanted to do was

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<v Speaker 3>preserve the best pieces of land for golf, which would

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<v Speaker 3>then drive value of the real estate further inland. And

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<v Speaker 3>he oversaw all of this as the Duke of Delmonte

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<v Speaker 3>from nineteen fifteen until his death in nineteen sixty nine.

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<v Speaker 1>The Duke of Delmonte. I like that. That's how he

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<v Speaker 1>was actually known. That's not your term for.

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<v Speaker 3>Him, No, No, He was kind of known as that

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<v Speaker 3>around town, and some people say that he didn't like it.

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<v Speaker 3>Some people say that he secretly embraced it. But he

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<v Speaker 3>wore a lot of different hats as the developer of

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<v Speaker 3>del Monte. He from his father, who fought in the

0:13:44.280 --> 0:13:47.240
<v Speaker 3>Civil War, had a kind of pugilistic instinct, and from

0:13:47.280 --> 0:13:49.520
<v Speaker 3>his mother, who was a sculptor. He was an artist,

0:13:49.840 --> 0:13:52.760
<v Speaker 3>so a number of his original paintings Charcoal and Oils

0:13:52.840 --> 0:13:55.320
<v Speaker 3>are hanging on the walls of the clubhouse at Cyprus Point.

0:13:55.400 --> 0:14:00.200
<v Speaker 3>So he balanced both. He approved every single planning or

0:14:00.280 --> 0:14:04.440
<v Speaker 3>architectural plan in the Delmonte Forest from nineteen fifteen to

0:14:04.480 --> 0:14:07.280
<v Speaker 3>nineteen sixty nine, and he had his fingerprints on everything,

0:14:07.360 --> 0:14:08.920
<v Speaker 3>including Cyprus Point.

0:14:09.920 --> 0:14:11.920
<v Speaker 1>Could you give me a sense for the scope of

0:14:12.000 --> 0:14:16.360
<v Speaker 1>his vision for del Monte properties, for this kind of big,

0:14:16.440 --> 0:14:20.400
<v Speaker 1>you know, sort of resort attraction that he wanted to

0:14:20.400 --> 0:14:22.800
<v Speaker 1>build in the Monterey area, just the size of it,

0:14:22.960 --> 0:14:23.720
<v Speaker 1>the extent of it.

0:14:24.760 --> 0:14:27.240
<v Speaker 3>Well, he started with the Hotel del Monte, which was

0:14:27.280 --> 0:14:30.720
<v Speaker 3>this grand Victorian structure built by Charles Crocker in the

0:14:30.720 --> 0:14:34.440
<v Speaker 3>eighteen eighties and in the mid nineteen twenties it burned down, actually,

0:14:34.520 --> 0:14:37.160
<v Speaker 3>and he was able to rebuild it in his preferred

0:14:38.400 --> 0:14:43.560
<v Speaker 3>sort of neo Spanish Californian style, and that's what really

0:14:43.600 --> 0:14:46.240
<v Speaker 3>set the tone for a lot of what he was doing.

0:14:46.280 --> 0:14:48.600
<v Speaker 3>But if you think about it, he realized that the

0:14:48.600 --> 0:14:51.120
<v Speaker 3>best way to sell real estate was to people who

0:14:51.160 --> 0:14:54.520
<v Speaker 3>had money, and he knew from the nineteen sixteen Western Amateur,

0:14:54.520 --> 0:14:57.600
<v Speaker 3>which was played at the old Delmonte Golf Course historicalf

0:14:57.640 --> 0:15:00.320
<v Speaker 3>course from the eighteen nineties right next to the Hotel

0:15:00.320 --> 0:15:04.120
<v Speaker 3>del Monte Marey. He knew that wealthy people tended to

0:15:04.160 --> 0:15:06.680
<v Speaker 3>travel to golf tournaments, and so he created this tiered

0:15:06.720 --> 0:15:10.479
<v Speaker 3>structure where beginning with the public access historic old Delmonte

0:15:10.480 --> 0:15:13.760
<v Speaker 3>Golf Course, he then added a public access Pebble Beach

0:15:13.800 --> 0:15:18.960
<v Speaker 3>Golf Links in nineteen nineteen, which would drive visitors' bedstays

0:15:19.000 --> 0:15:21.520
<v Speaker 3>all of that to the newly rebuilt lodge. And then

0:15:21.560 --> 0:15:24.120
<v Speaker 3>if you keep going up the pyramid, the idea was

0:15:24.120 --> 0:15:26.720
<v Speaker 3>to build a thirty six hole country club, the Monterey

0:15:26.760 --> 0:15:29.720
<v Speaker 3>Peninsula country Club, which came about starting in nineteen twenty five,

0:15:30.360 --> 0:15:33.600
<v Speaker 3>and that would be for local landowners, retired military people,

0:15:33.760 --> 0:15:36.120
<v Speaker 3>people who wanted to buy smaller pieces of land. And

0:15:36.160 --> 0:15:39.320
<v Speaker 3>then at the very pinnacle of his golf pyramid would

0:15:39.360 --> 0:15:42.480
<v Speaker 3>be the exclusive Cypress Point Club on the most beautiful

0:15:42.480 --> 0:15:46.000
<v Speaker 3>piece of land, limited to a smaller number, again driving

0:15:46.040 --> 0:15:49.400
<v Speaker 3>people to buy the most expensive and valuable lots. The

0:15:49.440 --> 0:15:52.120
<v Speaker 3>only problem was he, as the president of the del

0:15:52.160 --> 0:15:55.200
<v Speaker 3>Monte Properties Company, couldn't be seen to promote both this

0:15:55.320 --> 0:15:58.920
<v Speaker 3>private Cypress Point Club and del Monte Properties. There needed

0:15:58.920 --> 0:16:03.120
<v Speaker 3>to be an intermediate, and in Marion Hollands, sam Morse

0:16:03.120 --> 0:16:03.960
<v Speaker 3>found his ideal.

0:16:05.800 --> 0:16:08.200
<v Speaker 1>We'll get to Marion Hollands in a second. That was

0:16:08.240 --> 0:16:11.400
<v Speaker 1>an excellent segue, but I'm gonna jam that for a

0:16:11.480 --> 0:16:16.560
<v Speaker 1>second and ask about the kind of general role of

0:16:16.720 --> 0:16:21.000
<v Speaker 1>golf in Morse's vision, because I think that maybe some

0:16:21.080 --> 0:16:24.240
<v Speaker 1>listeners right now would be surprised to hear that these

0:16:24.320 --> 0:16:27.840
<v Speaker 1>great golf courses, including Cyprus Point, were sort of part

0:16:27.960 --> 0:16:31.920
<v Speaker 1>of a real estate scheme, and real estate driven golf

0:16:32.480 --> 0:16:35.280
<v Speaker 1>has a bit of a bad name now among golf

0:16:35.440 --> 0:16:40.320
<v Speaker 1>architecture enthusiasts and golf purists. How was what Morse was

0:16:40.440 --> 0:16:43.800
<v Speaker 1>doing with the combination of real estate and golf maybe

0:16:43.920 --> 0:16:48.800
<v Speaker 1>different from what modern people would expect from that mixture.

0:16:49.720 --> 0:16:53.560
<v Speaker 3>Sure, when Sam Morse inherited the Delmonte unit project and

0:16:53.600 --> 0:16:57.520
<v Speaker 3>turned it into the Delmonte Properties Company. There were plans

0:16:57.520 --> 0:17:00.640
<v Speaker 3>to have hundreds of row houses on the headland where

0:17:00.640 --> 0:17:03.800
<v Speaker 3>the sixth hole and seventh green at Pebble Beach are

0:17:04.160 --> 0:17:06.040
<v Speaker 3>right now. So if you want to know what that

0:17:06.080 --> 0:17:08.560
<v Speaker 3>would have looked like, go to Google Earth. Look at

0:17:08.560 --> 0:17:11.120
<v Speaker 3>what Pacific Grove looks like just slightly to the north

0:17:11.160 --> 0:17:13.920
<v Speaker 3>on the Monary peninsula, and imagine Pacific Grove on top

0:17:13.960 --> 0:17:16.200
<v Speaker 3>of Pebble Beach golf links, because that's what the del

0:17:16.240 --> 0:17:20.040
<v Speaker 3>Moni Properties Company inherited plans for that. But what Morse

0:17:20.080 --> 0:17:23.600
<v Speaker 3>realized is if you preserve the most beautiful pieces of

0:17:23.680 --> 0:17:27.960
<v Speaker 3>land for golf, open views, etc. And move the real

0:17:28.080 --> 0:17:30.439
<v Speaker 3>estate further inland with a view of the golf and

0:17:30.480 --> 0:17:33.439
<v Speaker 3>the sea beyond, that real estate will only continue to

0:17:33.440 --> 0:17:36.359
<v Speaker 3>increase in value again and again, whereas the small properties

0:17:36.400 --> 0:17:38.919
<v Speaker 3>you can only sell once. And one person who he

0:17:38.960 --> 0:17:41.760
<v Speaker 3>convinced to do this was Robert Hunter, who bought and

0:17:41.840 --> 0:17:44.960
<v Speaker 3>built a house designed by Wallace Neff on the thirteenth

0:17:45.040 --> 0:17:48.359
<v Speaker 3>hole at Pebble Beach, overlooking the golf course with Point

0:17:48.400 --> 0:17:50.800
<v Speaker 3>Lobos in the distance, and he became central to the

0:17:50.840 --> 0:17:51.800
<v Speaker 3>Cyprus Point story.

0:17:52.800 --> 0:17:56.320
<v Speaker 1>Okay, let's get back to Marion Hollins. Now who was

0:17:56.640 --> 0:17:57.440
<v Speaker 1>Marion Hollins.

0:17:58.200 --> 0:18:03.320
<v Speaker 3>Marion Hollins was another child of the East who found

0:18:03.359 --> 0:18:05.840
<v Speaker 3>herself in the West. She was born in New York

0:18:05.880 --> 0:18:08.680
<v Speaker 3>City to great privilege in the eighteen nineties. Her father,

0:18:08.760 --> 0:18:11.560
<v Speaker 3>if you can imagine, was the founding president of the

0:18:11.560 --> 0:18:16.200
<v Speaker 3>Metropolitan Golf Association, Harry B. Hollins HB. And one of

0:18:16.200 --> 0:18:19.320
<v Speaker 3>his great friends was the son of the Vanderbilts, who

0:18:19.400 --> 0:18:21.639
<v Speaker 3>at the time were the wealthiest family in America, and

0:18:21.720 --> 0:18:24.080
<v Speaker 3>he really saved their bacon on a finance deal in

0:18:24.119 --> 0:18:26.920
<v Speaker 3>the eighteen eighties, so as a consequence, he was able

0:18:26.960 --> 0:18:30.399
<v Speaker 3>to build a six hundred acre family homestead out on

0:18:30.480 --> 0:18:34.320
<v Speaker 3>Long Island where Marian grew up, including having a small

0:18:34.359 --> 0:18:36.960
<v Speaker 3>golf course on this amazing piece of land. And she

0:18:37.040 --> 0:18:39.879
<v Speaker 3>did everything. She had only brothers, and she did everything.

0:18:39.960 --> 0:18:43.000
<v Speaker 3>She was the classic tomboy who rode horses, learned to

0:18:43.000 --> 0:18:46.240
<v Speaker 3>play polo, eventually became the only woman in America with

0:18:46.320 --> 0:18:51.280
<v Speaker 3>a man's rated handicap at polo. But her strength was

0:18:51.520 --> 0:18:55.560
<v Speaker 3>as a golfer, and she emerged around the same time

0:18:55.600 --> 0:18:58.680
<v Speaker 3>as Bobby Jones on the national scene, finally breaking through

0:18:58.800 --> 0:19:02.159
<v Speaker 3>in nineteen twenty one and winning the US Women's Amateur.

0:19:02.840 --> 0:19:05.600
<v Speaker 3>And during this time as one of these great polo

0:19:05.640 --> 0:19:09.320
<v Speaker 3>players and golfers, she would make occasional visits, including before

0:19:09.359 --> 0:19:12.720
<v Speaker 3>World War One and after out to Pebble Beach for

0:19:12.760 --> 0:19:15.840
<v Speaker 3>the purpose of playing polo at del Monte. And by

0:19:15.840 --> 0:19:17.800
<v Speaker 3>the way, Sam Morris was captain of the del Monte

0:19:17.840 --> 0:19:20.880
<v Speaker 3>polo team, so he dabbled in this as well, so

0:19:21.119 --> 0:19:25.119
<v Speaker 3>he knew Marion and he engaged Marion slightly after she

0:19:25.480 --> 0:19:29.520
<v Speaker 3>won the nineteen twenty one Women's Amateur to sell real estate,

0:19:30.280 --> 0:19:33.720
<v Speaker 3>and essentially she was I don't want to use the

0:19:33.760 --> 0:19:36.120
<v Speaker 3>word shill, but she was the front person who would

0:19:36.119 --> 0:19:38.960
<v Speaker 3>get her wealthy New York society friends to come out

0:19:38.960 --> 0:19:42.720
<v Speaker 3>to Monterey and buy expensive real estate, which she did herself.

0:19:43.480 --> 0:19:47.920
<v Speaker 3>And having developed the Women's National Golf and Tennis Club

0:19:48.000 --> 0:19:51.760
<v Speaker 3>on Long Island with Dero Emmett and ultimately Seth Rayner

0:19:51.800 --> 0:19:54.639
<v Speaker 3>and Charles Blair MacDonald in the nineteen twenties, she was

0:19:54.680 --> 0:19:59.000
<v Speaker 3>perfectly poised to develop this exclusive private club at Cyprus

0:19:59.119 --> 0:19:59.960
<v Speaker 3>Point for Sam Moore.

0:20:01.160 --> 0:20:05.439
<v Speaker 1>Women's National was an incredible looking course. There are some

0:20:05.560 --> 0:20:09.600
<v Speaker 1>vintage photos of this course that make it clear that

0:20:09.680 --> 0:20:12.840
<v Speaker 1>it was a high quality golf course. Clearly Hollins had

0:20:13.280 --> 0:20:17.159
<v Speaker 1>very good taste in golf course design, knew how to

0:20:17.240 --> 0:20:20.040
<v Speaker 1>choose a piece of land, and so she would seem

0:20:20.040 --> 0:20:23.960
<v Speaker 1>to be very well suited to this new role in

0:20:24.400 --> 0:20:31.080
<v Speaker 1>Morse's overall scheme. So, how then, was Cypress Point conceived?

0:20:31.080 --> 0:20:33.680
<v Speaker 1>How did all the parties kind of come together choose

0:20:33.680 --> 0:20:36.560
<v Speaker 1>a property and come up with the idea for this club.

0:20:37.400 --> 0:20:41.520
<v Speaker 3>Well, if you go back and do some research. In

0:20:41.720 --> 0:20:45.200
<v Speaker 3>late nineteen twenty three and Pacific Golf and Motor, there

0:20:45.520 --> 0:20:48.360
<v Speaker 3>was an article by a guy named Francis Macomas who

0:20:48.359 --> 0:20:50.800
<v Speaker 3>became a Cypress Point member. He was an artist and

0:20:50.840 --> 0:20:54.160
<v Speaker 3>he was best friends with Sam Morse and in December

0:20:54.200 --> 0:20:56.560
<v Speaker 3>of nineteen twenty three, this is before all the things

0:20:56.560 --> 0:21:00.320
<v Speaker 3>that we think we know happen. He said that the

0:21:00.400 --> 0:21:02.760
<v Speaker 3>history of the Pebble Beach courses dates back to nineteen

0:21:02.840 --> 0:21:06.760
<v Speaker 3>fourteen when Crocker, one of these men and more started

0:21:06.760 --> 0:21:10.399
<v Speaker 3>talking about the possibilities. So they investigated a few holes,

0:21:10.840 --> 0:21:14.200
<v Speaker 3>and they also said that favorable mention of the site

0:21:14.200 --> 0:21:17.160
<v Speaker 3>of the present course Pebble Beach and also the land

0:21:17.240 --> 0:21:20.119
<v Speaker 3>around Cypress Point, where eventually a third course will be

0:21:20.160 --> 0:21:24.480
<v Speaker 3>built was explored. Seth Rayner, one of the world's most

0:21:24.480 --> 0:21:28.720
<v Speaker 3>distinguished golf architects, with Miss Marion Hollins, recently spent time

0:21:28.760 --> 0:21:32.520
<v Speaker 3>studying Cypress Point locality and reached the conclusion that as

0:21:32.560 --> 0:21:34.879
<v Speaker 3>a material for a great golf course, it cannot be

0:21:35.000 --> 0:21:39.200
<v Speaker 3>surpassed in America. So the idea of developing a golf

0:21:39.240 --> 0:21:42.439
<v Speaker 3>course at Cypress Point began with the whole development of

0:21:42.480 --> 0:21:46.040
<v Speaker 3>Pebble Beach and del Monte in nineteen fourteen, nineteen fifteen ish,

0:21:46.640 --> 0:21:49.800
<v Speaker 3>but finally the time arrived in twenty three, twenty four

0:21:49.920 --> 0:21:53.199
<v Speaker 3>and twenty five to develop this golf course. Marion Hollins

0:21:53.320 --> 0:21:56.640
<v Speaker 3>was engaged by Sam Morse to do the selling, and

0:21:56.680 --> 0:22:00.199
<v Speaker 3>Seth Rayner was engaged as well because he was doing

0:22:00.280 --> 0:22:02.280
<v Speaker 3>the work at Modera at Peninsula Country Club for the

0:22:02.320 --> 0:22:05.640
<v Speaker 3>del Monte Properties Company. And I would add also that

0:22:06.040 --> 0:22:08.400
<v Speaker 3>Hollins would have known Rayner and McDonald because not only

0:22:08.480 --> 0:22:11.960
<v Speaker 3>was her father the founding president of the Metropolitan Golf Association,

0:22:12.119 --> 0:22:14.879
<v Speaker 3>but he joined every club in the New York area

0:22:15.000 --> 0:22:17.000
<v Speaker 3>and was a founding member of the National Golf Links.

0:22:17.200 --> 0:22:20.080
<v Speaker 3>So Marian had loads of access to the National Golf Links.

0:22:20.440 --> 0:22:22.960
<v Speaker 3>Understood the whole theory behind it. And when she went

0:22:23.000 --> 0:22:26.480
<v Speaker 3>to develop her women's National golf course, she too traveled overseas,

0:22:26.560 --> 0:22:29.359
<v Speaker 3>playing in amateur tournaments and studied the great holes of

0:22:29.400 --> 0:22:32.000
<v Speaker 3>the UK, just like Charles Blair McDonald did with National

0:22:32.000 --> 0:22:34.200
<v Speaker 3>Golf links. So at the beginning she was very much

0:22:34.480 --> 0:22:37.240
<v Speaker 3>in the National school of thought, and you can read

0:22:37.280 --> 0:22:39.440
<v Speaker 3>this in some of her writings about the Women's National

0:22:39.840 --> 0:22:42.399
<v Speaker 3>not so much the Mackenzie naturalism, which we'll get to

0:22:42.440 --> 0:22:42.800
<v Speaker 3>in a bit.

0:22:44.560 --> 0:22:47.560
<v Speaker 1>What can you tell me about how far SETH. Rayner

0:22:47.840 --> 0:22:53.439
<v Speaker 1>got into the design process and which aspects of the

0:22:53.520 --> 0:22:58.880
<v Speaker 1>current Cypress Point course might be linked to his initial efforts?

0:22:58.920 --> 0:23:00.000
<v Speaker 1>What can you tell me about all that?

0:23:00.920 --> 0:23:01.360
<v Speaker 2>Sure?

0:23:01.600 --> 0:23:05.040
<v Speaker 3>Well, in nineteen twenty three, twenty four and again in

0:23:05.080 --> 0:23:08.600
<v Speaker 3>twenty five, Rayner made visits from Monterey Peninsula and also

0:23:08.800 --> 0:23:11.919
<v Speaker 3>visited the land at Cypress Point. And one of the

0:23:12.240 --> 0:23:16.000
<v Speaker 3>pieces of interesting pieces of evidence that we found during

0:23:16.000 --> 0:23:20.040
<v Speaker 3>the research is a newspaper article from the Lassie Los

0:23:20.080 --> 0:23:22.879
<v Speaker 3>Angeles Evening Express in September of nineteen twenty five. So

0:23:23.000 --> 0:23:27.159
<v Speaker 3>Rayner still very much alive, and the headline reads wonder

0:23:27.240 --> 0:23:31.080
<v Speaker 3>golf course. Miss Holland's creation will be delightful one hole

0:23:31.240 --> 0:23:36.440
<v Speaker 3>carries calls for a long carry over a lake. Interestingly enough,

0:23:36.840 --> 0:23:38.600
<v Speaker 3>that lake was the sixteenth hole and.

0:23:40.160 --> 0:23:40.880
<v Speaker 1>It wasn't a lake.

0:23:41.160 --> 0:23:43.760
<v Speaker 3>Yeah, it wasn't a lake. But the way to think

0:23:43.760 --> 0:23:48.480
<v Speaker 3>about it is this, from the beginning, the founders, Hollands,

0:23:48.720 --> 0:23:52.399
<v Speaker 3>Morse and everybody else knew that the clubhouse was going

0:23:52.440 --> 0:23:54.359
<v Speaker 3>to be where the clubhouse was going to be, which

0:23:54.400 --> 0:23:56.960
<v Speaker 3>was on a rise on a relatively flat piece of

0:23:57.040 --> 0:24:02.280
<v Speaker 3>land overlooking Cypress Point on one side, overlooking Fanshell Beach,

0:24:02.400 --> 0:24:04.640
<v Speaker 3>which is the cove where the first green is. It's

0:24:04.640 --> 0:24:07.240
<v Speaker 3>Fanshell Beach on the other side, and then the Cypress Grove.

0:24:07.680 --> 0:24:09.720
<v Speaker 3>So there was always going to be the clubhouse there

0:24:09.920 --> 0:24:13.119
<v Speaker 3>on that beautiful spot. And then when you think of

0:24:13.160 --> 0:24:15.399
<v Speaker 3>the name of the course, the name of the club,

0:24:15.440 --> 0:24:18.280
<v Speaker 3>the Cypress Point club holes were always going to be

0:24:18.320 --> 0:24:22.640
<v Speaker 3>played along Cypress Point. So the big question is if

0:24:22.640 --> 0:24:25.240
<v Speaker 3>you know where the clubhouse is, and you know that

0:24:25.240 --> 0:24:27.520
<v Speaker 3>you're going to play the holes along Cypress Point, are

0:24:27.560 --> 0:24:31.760
<v Speaker 3>you going to play them clockwise to begin, down the

0:24:31.840 --> 0:24:35.119
<v Speaker 3>hill around them and then go play the inland holes

0:24:35.720 --> 0:24:38.159
<v Speaker 3>or are you going to play them counterclockwise to finish?

0:24:38.520 --> 0:24:42.879
<v Speaker 3>You only have two choices, and from beginnings of recorded history,

0:24:43.000 --> 0:24:45.560
<v Speaker 3>photographs before there was ever a golf course were always

0:24:45.560 --> 0:24:50.040
<v Speaker 3>taken from the land looking out to Cypress Point for

0:24:50.160 --> 0:24:53.560
<v Speaker 3>the sixteenth green. There were never photographs taken from the

0:24:53.600 --> 0:24:56.720
<v Speaker 3>point looking back to the land because it's inherently less dramatic.

0:24:57.440 --> 0:25:00.760
<v Speaker 3>So from this beginning point Seth Rayner was in, Marion

0:25:00.880 --> 0:25:03.600
<v Speaker 3>was involved. They always knew that the sixteenth hole was

0:25:03.640 --> 0:25:06.160
<v Speaker 3>going to be played in the direction that it is

0:25:06.720 --> 0:25:10.800
<v Speaker 3>counterclockwise to finish. So the big question becomes what do

0:25:10.840 --> 0:25:13.280
<v Speaker 3>you do with the other fourteen holes on the other

0:25:13.320 --> 0:25:15.359
<v Speaker 3>side of the road. Because if you're going to have

0:25:15.400 --> 0:25:18.240
<v Speaker 3>those four holes along Cyprus Point, which with all due

0:25:18.280 --> 0:25:20.919
<v Speaker 3>respect my mother in law would have designed exactly the

0:25:20.920 --> 0:25:23.560
<v Speaker 3>same way that Seth Rayner and Marion Hollins and Alistair

0:25:23.600 --> 0:25:26.560
<v Speaker 3>McKenzie did, because there's really only one way to play them,

0:25:27.080 --> 0:25:29.119
<v Speaker 3>the question is what do you do on the other side.

0:25:29.680 --> 0:25:32.600
<v Speaker 3>And Seth Rayner did a routing of the other holes,

0:25:32.680 --> 0:25:36.560
<v Speaker 3>and it was described in this article, and I'll tell

0:25:36.600 --> 0:25:39.720
<v Speaker 3>you some of the things that were said. So this

0:25:40.000 --> 0:25:43.120
<v Speaker 3>Los Angeles Evening Express from September of nineteen twenty five

0:25:43.720 --> 0:25:47.080
<v Speaker 3>reads the former champion Marion Allins is convinced, with the

0:25:47.119 --> 0:25:50.280
<v Speaker 3>assistance of Seth Rainer in Golf Architect of National note

0:25:50.640 --> 0:25:53.000
<v Speaker 3>that she hopes to construct a creation which will even

0:25:53.040 --> 0:25:56.880
<v Speaker 3>surpass such notable links as Leedo and the National. National

0:25:57.040 --> 0:25:59.960
<v Speaker 3>was always held up as the standard which new development

0:26:00.520 --> 0:26:04.280
<v Speaker 3>we're trying to match. It reads, the first nine holes

0:26:04.320 --> 0:26:08.359
<v Speaker 3>will lead into the virgin forest, which contains innumerable kinds

0:26:08.359 --> 0:26:11.480
<v Speaker 3>of trees of great age, and is interesting to learn

0:26:11.560 --> 0:26:13.600
<v Speaker 3>that those which are doomed to be cut down have

0:26:13.720 --> 0:26:19.080
<v Speaker 3>been sold to private parties by Miss Hollins. The article continues,

0:26:19.520 --> 0:26:22.720
<v Speaker 3>from the forest lane, the lynx will lead down to

0:26:22.800 --> 0:26:28.000
<v Speaker 3>the water's edge along mountains of that glorious white sand,

0:26:28.200 --> 0:26:32.439
<v Speaker 3>which particularly belongs to that district, as do the cypress trees.

0:26:32.800 --> 0:26:35.240
<v Speaker 3>The greatest hole in the lynx will probably be the sixteenth,

0:26:35.280 --> 0:26:37.120
<v Speaker 3>which calls for a carry of one hundred and eighty

0:26:37.200 --> 0:26:41.840
<v Speaker 3>yards clean over the bay. So the article describes the

0:26:41.920 --> 0:26:45.199
<v Speaker 3>routing as going nine holes into the forest and then

0:26:45.280 --> 0:26:48.879
<v Speaker 3>back along the mountains of sand. If you want to

0:26:48.920 --> 0:26:52.720
<v Speaker 3>know exactly what Seth Rayner's routing was, in the upcoming

0:26:52.840 --> 0:26:56.440
<v Speaker 3>centennial history book that the club is producing, there will

0:26:56.480 --> 0:26:59.320
<v Speaker 3>be a routing map so that you can see exactly

0:26:59.359 --> 0:27:02.320
<v Speaker 3>what he did. However, the more interesting thing is not

0:27:02.440 --> 0:27:04.439
<v Speaker 3>what Seth Rayner may or may not have done, but

0:27:04.480 --> 0:27:08.520
<v Speaker 3>what Alistair mackenzie actually did. And when you think about

0:27:08.560 --> 0:27:11.320
<v Speaker 3>the four holes that go around Cyprus Point, we've already

0:27:11.320 --> 0:27:15.639
<v Speaker 3>determined there's really only one way to do counterclockwise to finish.

0:27:16.680 --> 0:27:19.600
<v Speaker 3>Then the question becomes what do you do inland. You've

0:27:19.600 --> 0:27:22.119
<v Speaker 3>got one hole leading away from the clubhouse the first,

0:27:22.240 --> 0:27:25.520
<v Speaker 3>You've got another hole leading back to Cyprus Point the fourteenth,

0:27:25.600 --> 0:27:27.080
<v Speaker 3>So you have twelve holes that you have to do

0:27:27.119 --> 0:27:30.840
<v Speaker 3>something interesting with And according to that article, Rayner took

0:27:30.920 --> 0:27:33.719
<v Speaker 3>nine of them and went into the forest. Well, if

0:27:33.720 --> 0:27:36.159
<v Speaker 3>you think about how Mackenzie ended up designing it, and

0:27:36.240 --> 0:27:40.160
<v Speaker 3>this is where the story becomes remarkable. When Alistair Mackenzie

0:27:40.200 --> 0:27:43.960
<v Speaker 3>got on a ship in January of nineteen twenty six

0:27:44.080 --> 0:27:47.480
<v Speaker 3>to sail to New York City to visit America to

0:27:47.520 --> 0:27:51.200
<v Speaker 3>see his design partners Perry Maxwell and Robert Hunter in

0:27:51.240 --> 0:27:54.680
<v Speaker 3>San Francisco. Ultimately, when he did this, Seth Rayner was

0:27:54.720 --> 0:27:59.720
<v Speaker 3>still alive on the way across the country on the

0:27:59.800 --> 0:28:04.680
<v Speaker 3>t Seth Rayner dies six days after Seth Rayner dies

0:28:04.760 --> 0:28:07.680
<v Speaker 3>and Marion Hollins no longer has an architect for Cypress Point.

0:28:07.840 --> 0:28:11.840
<v Speaker 3>Alistair Mackenzie arrives in San Francisco to meet Robert Hunter,

0:28:12.520 --> 0:28:14.879
<v Speaker 3>and a couple of days after that, February second, he

0:28:14.920 --> 0:28:17.880
<v Speaker 3>comes and visits Cypress Point for the first time. He's

0:28:17.960 --> 0:28:20.679
<v Speaker 3>there briefly but long enough to create a new routing

0:28:20.720 --> 0:28:24.520
<v Speaker 3>map and a new design with details of bunkers and greens,

0:28:24.640 --> 0:28:28.040
<v Speaker 3>and a routing that incorporates some of the features we're

0:28:28.040 --> 0:28:30.720
<v Speaker 3>about to talk about in a way that makes it

0:28:30.760 --> 0:28:34.119
<v Speaker 3>possible for Albert Barrows to draw that famous aerial map

0:28:34.280 --> 0:28:37.080
<v Speaker 3>that you see in nineteen twenty six. And mackenzie didn't

0:28:37.080 --> 0:28:40.560
<v Speaker 3>return to Cyprus Point again for another year nineteen twenty seven,

0:28:40.600 --> 0:28:42.880
<v Speaker 3>so he was there only briefly, but long enough to

0:28:42.920 --> 0:28:45.800
<v Speaker 3>design all of the features and change the routing to

0:28:45.880 --> 0:28:48.880
<v Speaker 3>a degree where it looks kind of like it does today. However,

0:28:48.920 --> 0:28:52.960
<v Speaker 3>there were a few changes during construction. So the key

0:28:53.000 --> 0:28:55.040
<v Speaker 3>thing to think about when you're trying to understand how

0:28:55.040 --> 0:28:57.360
<v Speaker 3>Cypress Point works as a golf course is there are

0:28:57.440 --> 0:29:02.000
<v Speaker 3>three main environments. You've got the see, the sand, and

0:29:02.040 --> 0:29:05.600
<v Speaker 3>the forest, and you're constantly moving from one environment to

0:29:05.640 --> 0:29:09.560
<v Speaker 3>the next. See sand forest, and only when you play

0:29:09.560 --> 0:29:11.959
<v Speaker 3>the holes at Cypress Point do you visit those once,

0:29:12.560 --> 0:29:16.080
<v Speaker 3>and all the other elements from two through fourteen you

0:29:16.200 --> 0:29:19.680
<v Speaker 3>visit those features multiple times. You come to them and

0:29:19.760 --> 0:29:22.400
<v Speaker 3>from them and away from them. And the way that

0:29:22.480 --> 0:29:25.640
<v Speaker 3>Mackenzie and Hunter made this possible is that every single

0:29:25.680 --> 0:29:28.760
<v Speaker 3>hole on the other side of seventeen mile drive from

0:29:28.800 --> 0:29:32.240
<v Speaker 3>Cypress Point, so holes one through fourteen, every single hole

0:29:32.280 --> 0:29:36.840
<v Speaker 3>plays to a dune or from a doone, every single

0:29:36.840 --> 0:29:41.240
<v Speaker 3>one except for the fifth. And the reason the most

0:29:41.320 --> 0:29:44.479
<v Speaker 3>dramatic bunkering on the entire golf courses on the fifth

0:29:44.720 --> 0:29:46.600
<v Speaker 3>is because it's the only hole where you have no

0:29:46.680 --> 0:29:51.360
<v Speaker 3>contact with a natural dune. So one plays to a dune,

0:29:51.760 --> 0:29:54.800
<v Speaker 3>two plays from a dune, Three plays to a dune,

0:29:55.080 --> 0:29:58.520
<v Speaker 3>four plays from a dune, five you're truly in the forest,

0:29:58.920 --> 0:30:02.760
<v Speaker 3>six to the dune, seven from it, eight over and

0:30:02.880 --> 0:30:06.560
<v Speaker 3>in it. Nine plays to the core of Mackenzie in

0:30:06.640 --> 0:30:10.840
<v Speaker 3>Hunter's central dune, ten plays from it, eleven plays to it,

0:30:10.960 --> 0:30:13.760
<v Speaker 3>and twelve plays away from it. Thirteen you rejoin the

0:30:13.800 --> 0:30:16.920
<v Speaker 3>fanshell dune, that first central dune, the first bit of

0:30:16.960 --> 0:30:19.520
<v Speaker 3>the dune, and then fourteen plays away from it. So

0:30:19.680 --> 0:30:22.640
<v Speaker 3>all of those holes are really dune holes. And Mackenzie

0:30:22.680 --> 0:30:25.560
<v Speaker 3>talked about it in March of nineteen twenty seven, writing

0:30:25.600 --> 0:30:27.680
<v Speaker 3>in Game of Gossip, Game and Gossip, which is Sam

0:30:27.680 --> 0:30:31.520
<v Speaker 3>Morris's local magazine. Mackenzie said, and this is before construction

0:30:31.600 --> 0:30:35.720
<v Speaker 3>ever began. We shall play over inlets of the sea,

0:30:36.640 --> 0:30:40.640
<v Speaker 3>turn into the pine woods, and then into high dunes,

0:30:41.120 --> 0:30:44.640
<v Speaker 3>and back again to a club looking into the endless

0:30:44.680 --> 0:30:49.200
<v Speaker 3>expanse of a great ocean. Five holes skirting the sea

0:30:49.560 --> 0:30:53.960
<v Speaker 3>or flirting with its waves, five holes in the pine woods,

0:30:54.560 --> 0:30:58.800
<v Speaker 3>and eight greens in the dunes. Where else shall we

0:30:58.880 --> 0:31:01.840
<v Speaker 3>find all of this? And So if you want to

0:31:01.880 --> 0:31:04.640
<v Speaker 3>try and understand the difference between what Mackenzie did and

0:31:04.680 --> 0:31:07.320
<v Speaker 3>what Rayner may and may not have done, just think

0:31:07.320 --> 0:31:10.400
<v Speaker 3>of the description for Rainer nine holes led into the forest.

0:31:10.920 --> 0:31:16.440
<v Speaker 3>For Mackenzie five he also planted eight greens in the dunes.

0:31:17.440 --> 0:31:21.000
<v Speaker 3>Do you have any of your grandmother's old recipes? So

0:31:21.040 --> 0:31:23.760
<v Speaker 3>if you know the ingredients, you know the recipe, when

0:31:23.800 --> 0:31:28.240
<v Speaker 3>you make it, does it taste the same? No, because

0:31:28.280 --> 0:31:30.520
<v Speaker 3>just knowing the recipe or just knowing the routing is

0:31:30.560 --> 0:31:32.520
<v Speaker 3>not the same as creating the whole thing. I mean

0:31:32.640 --> 0:31:36.080
<v Speaker 3>architecture is a combination of routing, yes, but also design,

0:31:36.600 --> 0:31:38.960
<v Speaker 3>so the shapes of the bunkers, the people who shape

0:31:39.000 --> 0:31:42.000
<v Speaker 3>the bunkers, and then ultimately construction. And I think one

0:31:42.040 --> 0:31:44.800
<v Speaker 3>of the remarkable things about how Cyprus Point was created

0:31:45.160 --> 0:31:50.000
<v Speaker 3>is that mackenzie acknowledged that almost all of the greens

0:31:50.040 --> 0:31:53.920
<v Speaker 3>and fairways and teas were artificially constructed. It's just that

0:31:54.000 --> 0:31:58.440
<v Speaker 3>you don't know it. He was the magician trying to

0:31:59.320 --> 0:32:02.280
<v Speaker 3>hide his work, complain sight, and that was the intent

0:32:02.560 --> 0:32:02.880
<v Speaker 3>it was.

0:32:02.960 --> 0:32:08.120
<v Speaker 1>It was that kind of contribution of naturalness and seamlessness,

0:32:08.200 --> 0:32:12.840
<v Speaker 1>which was, you know, Mackenzie's trademark. Obviously, many of our

0:32:12.840 --> 0:32:17.680
<v Speaker 1>listeners will know who Alistair McKenzie was, but you know,

0:32:17.800 --> 0:32:20.320
<v Speaker 1>if we can backtrack a little bit, who was he

0:32:20.600 --> 0:32:23.800
<v Speaker 1>by the mid nineteen twenties, How would you characterize the

0:32:23.840 --> 0:32:26.840
<v Speaker 1>stage of the career of his career that he was

0:32:26.880 --> 0:32:31.720
<v Speaker 1>in at that point that he got the Cypress Point commission.

0:32:32.600 --> 0:32:37.840
<v Speaker 3>So he arrived in San Francisco in February, late January

0:32:37.880 --> 0:32:40.960
<v Speaker 3>February of nineteen twenty six. So this is ground zero

0:32:41.040 --> 0:32:44.480
<v Speaker 3>from an American golf perspective. He had never built a

0:32:44.520 --> 0:32:48.400
<v Speaker 3>golf course prior to that moment, And so when Marion

0:32:48.400 --> 0:32:50.680
<v Speaker 3>Hollins and Sam Morris want to build Cyprus Point, they

0:32:50.720 --> 0:32:52.680
<v Speaker 3>of course would not have gone to Mackenzie. They would

0:32:52.680 --> 0:32:55.320
<v Speaker 3>have gone to Seth Rayner and Charles Blair McDonald because

0:32:55.360 --> 0:32:57.760
<v Speaker 3>they were the leading architects in America at the time.

0:32:57.920 --> 0:33:02.400
<v Speaker 3>But with Rayner's passing, a pivot was required. And it's

0:33:02.400 --> 0:33:05.240
<v Speaker 3>not just that Mackenzie was an interesting character. It's also

0:33:05.360 --> 0:33:08.640
<v Speaker 3>that Robert Hunter, his design partner, who lived in Pebble

0:33:08.680 --> 0:33:11.200
<v Speaker 3>Beach and at the very same time was coming out

0:33:11.200 --> 0:33:14.680
<v Speaker 3>with his own book on architecture, The Lynx, which in

0:33:14.720 --> 0:33:17.080
<v Speaker 3>April of that year, just a couple of months after

0:33:18.040 --> 0:33:20.960
<v Speaker 3>Mackenzie and Hunter visited Cyprus Point for the first time.

0:33:21.960 --> 0:33:25.720
<v Speaker 3>Hunter hand inscribed a copy of the Links to Samuel Morse.

0:33:26.280 --> 0:33:29.640
<v Speaker 3>So as much of an expert as Mackenzie was, Hunter

0:33:29.840 --> 0:33:33.920
<v Speaker 3>in California was equally so an expert in golf architecture.

0:33:34.800 --> 0:33:38.800
<v Speaker 3>But at the time Mackenzie had designed or he designed

0:33:38.800 --> 0:33:40.800
<v Speaker 3>a number of golf courses in the UK, but really

0:33:40.840 --> 0:33:43.240
<v Speaker 3>had not expanded beyond that. He hadn't gone on his

0:33:43.280 --> 0:33:46.160
<v Speaker 3>trip to Australia yet, he hadn't built anything in America.

0:33:46.240 --> 0:33:48.880
<v Speaker 3>He had just done the UK based work and wrote

0:33:48.920 --> 0:33:52.480
<v Speaker 3>his book Golf Architecture, along with a number of other articles,

0:33:52.720 --> 0:33:55.560
<v Speaker 3>and so it was really this opportunity to make his

0:33:55.680 --> 0:34:01.040
<v Speaker 3>debut in California in nineteen twenty six that set things running.

0:34:01.600 --> 0:34:05.200
<v Speaker 3>But at the time he had nothing special to claim

0:34:05.360 --> 0:34:08.240
<v Speaker 3>on his own, so it was really an almost providential

0:34:08.360 --> 0:34:11.160
<v Speaker 3>visit that he happened to be en route to California

0:34:11.239 --> 0:34:13.200
<v Speaker 3>at the time of rainers passing.

0:34:14.560 --> 0:34:19.120
<v Speaker 1>So a lot of luck factored into his earning of

0:34:19.440 --> 0:34:21.160
<v Speaker 1>this opportunity, in other words.

0:34:21.200 --> 0:34:24.640
<v Speaker 3>Huge amounts. But then he went and reconstructed or constructed

0:34:24.680 --> 0:34:27.360
<v Speaker 3>a number of golf courses in California, starting with the

0:34:27.360 --> 0:34:30.680
<v Speaker 3>Metal Club. He did bunker work at the California Golf

0:34:30.719 --> 0:34:34.480
<v Speaker 3>Club cal Club, reconstructed a number of greens after the

0:34:34.880 --> 0:34:38.720
<v Speaker 3>initial construction was done by Vernon McCann, did Cyprus Point,

0:34:39.000 --> 0:34:41.200
<v Speaker 3>did some work at Pebble Beach, did some work at

0:34:41.239 --> 0:34:44.239
<v Speaker 3>Moderate Peninsula Valley Club, on and on and on, and

0:34:44.400 --> 0:34:47.200
<v Speaker 3>ultimately Pasa Tempo, where he resided towards the end of

0:34:47.200 --> 0:34:50.240
<v Speaker 3>his life. Number of other courses in California two.

0:34:51.520 --> 0:34:57.839
<v Speaker 1>So this mackenzie Hunter partnership was very dynamic. How would

0:34:57.880 --> 0:35:01.879
<v Speaker 1>you characterize the work that they did generally in California

0:35:02.040 --> 0:35:06.520
<v Speaker 1>from a stylistic perspective, In other words, what was distinctive

0:35:06.520 --> 0:35:09.719
<v Speaker 1>about the work that they did together as opposed to

0:35:09.760 --> 0:35:13.640
<v Speaker 1>the work that Mackenzie did with say, Perry Maxwell in

0:35:13.680 --> 0:35:18.600
<v Speaker 1>the Midwest, or with Alex Russell and others in Australia.

0:35:18.960 --> 0:35:22.480
<v Speaker 1>What did this kind of partnership produce well.

0:35:22.520 --> 0:35:24.600
<v Speaker 3>The key unifying feature in all of this was the

0:35:24.640 --> 0:35:27.520
<v Speaker 3>company that Hunter and Mackenzie formed, the American Golf Course

0:35:27.560 --> 0:35:30.560
<v Speaker 3>Construction Company, and Neil Crafter and Shawn Tully have done

0:35:30.600 --> 0:35:33.000
<v Speaker 3>far more research and written about it far better than

0:35:33.040 --> 0:35:35.040
<v Speaker 3>I ever will. In fact, there's a great article in

0:35:35.080 --> 0:35:40.120
<v Speaker 3>the Australian Golf Course Architects Journal that from twenty seventeen

0:35:40.200 --> 0:35:42.760
<v Speaker 3>or twenty eighteen that Sean and Neil did that covers

0:35:42.800 --> 0:35:44.880
<v Speaker 3>all of this. But I think the key thing is

0:35:44.920 --> 0:35:47.319
<v Speaker 3>as Mackenzie was building golf courses in the UK, he

0:35:47.400 --> 0:35:50.440
<v Speaker 3>was dissatisfied with the quality of construction, so he and

0:35:50.480 --> 0:35:54.239
<v Speaker 3>his brother founded the British Golf Course Construction Company and

0:35:54.280 --> 0:35:57.160
<v Speaker 3>then this created the model for Hunter to do the

0:35:57.200 --> 0:36:00.560
<v Speaker 3>American Golf Course Construction Company, and Mackenzie brought over a

0:36:00.640 --> 0:36:03.440
<v Speaker 3>number of his associates who all happened to be Irish

0:36:03.520 --> 0:36:06.719
<v Speaker 3>for whatever reason, to be the lead shapers and builders.

0:36:06.760 --> 0:36:10.040
<v Speaker 3>So it was Hunter Hunter's son, Robert Hunter Junior. And

0:36:10.080 --> 0:36:12.319
<v Speaker 3>then the key names at least on the Cypress Point

0:36:12.440 --> 0:36:15.080
<v Speaker 3>project were Jack Fleming who stayed and they all stayed

0:36:15.080 --> 0:36:18.400
<v Speaker 3>in California, by the way, Jack Fleming, Dan Gormley. The

0:36:18.520 --> 0:36:20.920
<v Speaker 3>key bunker shaper in all the Cypress Point work was

0:36:20.960 --> 0:36:24.680
<v Speaker 3>a fellow called Patty Cole, and then Michael McDonough, all irishmen,

0:36:25.280 --> 0:36:29.759
<v Speaker 3>and I think extreme naturalism is the word that I would.

0:36:29.520 --> 0:36:30.480
<v Speaker 2>Use to describe this.

0:36:31.080 --> 0:36:33.879
<v Speaker 3>These were high flying times where real estate was going

0:36:33.880 --> 0:36:36.399
<v Speaker 3>for immense amounts of money and even though they were

0:36:36.400 --> 0:36:40.000
<v Speaker 3>trying to be very responsible with their costs, and actually

0:36:40.080 --> 0:36:43.000
<v Speaker 3>Mackenzie felt it was outrageous how much money was being

0:36:43.000 --> 0:36:46.839
<v Speaker 3>wasted on golf courses. They took risks, and they had

0:36:46.880 --> 0:36:49.799
<v Speaker 3>pieces of lamb on which to take remarkable risks. But

0:36:50.080 --> 0:36:51.839
<v Speaker 3>it was everything having to do with the American Golf

0:36:51.880 --> 0:36:55.359
<v Speaker 3>Course Construction Company and these core people who built these

0:36:55.360 --> 0:36:57.600
<v Speaker 3>golf courses. While you see a different style than you

0:36:57.680 --> 0:36:58.520
<v Speaker 3>might see elsewhere.

0:37:00.160 --> 0:37:05.000
<v Speaker 1>Okay, So Mackenzie had this great crew with him capable

0:37:05.160 --> 0:37:11.359
<v Speaker 1>of producing incredibly naturalistic shapes in the landscape. Now they

0:37:11.400 --> 0:37:16.360
<v Speaker 1>get a hold of a property like Cypress Point. Let's

0:37:16.360 --> 0:37:19.960
<v Speaker 1>talk about construction a little bit. What were the major

0:37:20.080 --> 0:37:23.880
<v Speaker 1>changes that mackenzie and his crew made to the landscape

0:37:24.080 --> 0:37:27.560
<v Speaker 1>at Cyprus Point. I think, you know, to contextualize this

0:37:27.640 --> 0:37:30.400
<v Speaker 1>question a little bit, I think people regard the Cypress

0:37:30.400 --> 0:37:34.320
<v Speaker 1>Point property as one of the great natural golf properties,

0:37:34.640 --> 0:37:40.960
<v Speaker 1>and it is probably that. But unless I'm mistaken, they did,

0:37:41.440 --> 0:37:44.040
<v Speaker 1>you know, move some dirt around.

0:37:45.000 --> 0:37:47.440
<v Speaker 3>Oh yeah, they moved a lot of dirt and they

0:37:47.480 --> 0:37:50.720
<v Speaker 3>had to. So Hunter worked. So he was a professor

0:37:50.760 --> 0:37:54.640
<v Speaker 3>at the University of California before he retired as a sociologist,

0:37:54.840 --> 0:37:59.840
<v Speaker 3>and he had relationships with the University of California professors.

0:38:00.280 --> 0:38:03.160
<v Speaker 3>Is not that far from the Monterey Peninsula, and he

0:38:03.200 --> 0:38:06.280
<v Speaker 3>worked with a number of scientists at Berkeley to develop

0:38:06.360 --> 0:38:09.120
<v Speaker 3>test plots for what types of turf grasses they would

0:38:09.160 --> 0:38:12.279
<v Speaker 3>want to use. So some of the sand dunes are

0:38:12.320 --> 0:38:15.200
<v Speaker 3>beautiful for native grasses, but they're not great for building

0:38:15.480 --> 0:38:18.239
<v Speaker 3>brand new turf. Charles blay MacDonald found this to be

0:38:18.280 --> 0:38:21.480
<v Speaker 3>the case at National Golf Links. George Crump at Pine

0:38:21.600 --> 0:38:25.839
<v Speaker 3>Valley establishing great grass on sand was one of the

0:38:25.960 --> 0:38:29.920
<v Speaker 3>key breakthroughs in American golf course construction. So from starting

0:38:29.920 --> 0:38:32.120
<v Speaker 3>point you had see sand and forest. You had the

0:38:32.239 --> 0:38:34.600
<v Speaker 3>rocky cliffs, you had the sand dunes, and you had

0:38:34.600 --> 0:38:37.279
<v Speaker 3>the forest in this ancient drainage ravine. And so you

0:38:37.320 --> 0:38:41.520
<v Speaker 3>had to find a way to move essentially arable land

0:38:41.880 --> 0:38:45.239
<v Speaker 3>to grow grass to all these different places to make

0:38:45.239 --> 0:38:47.320
<v Speaker 3>that happen. So that was thing number one. Thing number

0:38:47.320 --> 0:38:51.000
<v Speaker 3>two is the property lines for this development were in

0:38:51.040 --> 0:38:54.520
<v Speaker 3>some ways shifting. You had seventeen mile drive, you had

0:38:54.560 --> 0:38:57.160
<v Speaker 3>some lack of clarity about exactly where the dunes on six,

0:38:57.239 --> 0:39:01.000
<v Speaker 3>seven and eight are, and so originally the sixth hole

0:39:01.160 --> 0:39:03.120
<v Speaker 3>was not meant to be a back to back par

0:39:03.280 --> 0:39:05.719
<v Speaker 3>five like it is today. It was meant to be

0:39:05.840 --> 0:39:10.480
<v Speaker 3>a par three. But during construction they realized that actually

0:39:10.480 --> 0:39:13.480
<v Speaker 3>the property line behind the seventh green and the eighth

0:39:13.600 --> 0:39:16.680
<v Speaker 3>T made it possible for the seventh green to become

0:39:16.719 --> 0:39:19.000
<v Speaker 3>the par three that went up into the dunes, the

0:39:19.080 --> 0:39:21.759
<v Speaker 3>eighth T extending up above it, allowing for an even

0:39:21.840 --> 0:39:24.920
<v Speaker 3>more heroic carry over that shoulder of the sand dune.

0:39:25.239 --> 0:39:27.080
<v Speaker 3>And so that's why you have those back to back

0:39:27.760 --> 0:39:32.440
<v Speaker 3>par fives in five and six, so changing changing six

0:39:32.560 --> 0:39:35.600
<v Speaker 3>and seven and eight to be what they are would

0:39:35.600 --> 0:39:37.879
<v Speaker 3>be one of the major changes. And then the other

0:39:37.920 --> 0:39:41.080
<v Speaker 3>one was the consequence of the rerouting of the road,

0:39:41.239 --> 0:39:43.719
<v Speaker 3>about which I think there's more confusion than there needs

0:39:43.760 --> 0:39:46.600
<v Speaker 3>to be near the fourteenth Green. So if you look

0:39:46.640 --> 0:39:51.279
<v Speaker 3>at the earliest plans, the green for number fourteen was

0:39:51.320 --> 0:39:53.560
<v Speaker 3>going to be about where the middle of the curve

0:39:53.680 --> 0:39:55.520
<v Speaker 3>of the road is. It was like a four hundred

0:39:55.560 --> 0:39:57.560
<v Speaker 3>and twenty yard hole instead of a three hundred and

0:39:57.600 --> 0:40:01.880
<v Speaker 3>eighty five yard hole. Of the sharpness of the curve

0:40:02.080 --> 0:40:04.719
<v Speaker 3>that was going around the green, almost encircling it like

0:40:04.760 --> 0:40:07.560
<v Speaker 3>an island. This was part of the source of frustration

0:40:07.680 --> 0:40:10.680
<v Speaker 3>from Morse and his highway foreman, thinking that people were

0:40:10.680 --> 0:40:13.520
<v Speaker 3>going to be killed with traffic coming so close to

0:40:13.560 --> 0:40:16.040
<v Speaker 3>the edge of the green. So what they decided to

0:40:16.040 --> 0:40:20.600
<v Speaker 3>do was soften the curve slightly, which required Hunter. Mackenzie

0:40:20.640 --> 0:40:23.479
<v Speaker 3>wasn't there by the way to move the fourteenth Green

0:40:23.600 --> 0:40:29.440
<v Speaker 3>down to its current location build it up. There's a

0:40:29.520 --> 0:40:31.879
<v Speaker 3>letter on Mackenzie and Hunter letterhead which is in the book,

0:40:31.920 --> 0:40:34.719
<v Speaker 3>which describes all of his thinking about this. Moved the

0:40:34.719 --> 0:40:38.239
<v Speaker 3>fourteenth Green down, which slightly shortened it. Took the thirteenth hole,

0:40:38.280 --> 0:40:41.759
<v Speaker 3>which was meant to be a par three initially made

0:40:41.760 --> 0:40:44.319
<v Speaker 3>it into a par four, took the twelfth meant to

0:40:44.320 --> 0:40:46.919
<v Speaker 3>be a par five, shortened it to a par four,

0:40:47.560 --> 0:40:49.319
<v Speaker 3>going all the way back to that tee. So there

0:40:49.360 --> 0:40:52.239
<v Speaker 3>was a sequence of changes as a result of that.

0:40:52.840 --> 0:40:55.000
<v Speaker 3>But the other thing by routing the road where it

0:40:55.200 --> 0:40:58.640
<v Speaker 3>was is it didn't allow them to build the tea

0:40:58.920 --> 0:41:01.920
<v Speaker 3>out on the water on fifteen like they had perhaps

0:41:02.000 --> 0:41:04.880
<v Speaker 3>originally intended, I mean early, early, before they got to

0:41:04.960 --> 0:41:06.920
<v Speaker 3>where they are with Mackenzie. Plus there was the cost

0:41:07.040 --> 0:41:10.080
<v Speaker 3>of doing so. So that lower T that you play

0:41:10.160 --> 0:41:14.360
<v Speaker 3>today that was installed installed in the nineteen fifties. So

0:41:14.400 --> 0:41:17.200
<v Speaker 3>that's one of the we'll call it major changes. The

0:41:17.239 --> 0:41:19.719
<v Speaker 3>other major T change will be the creation of the

0:41:19.800 --> 0:41:22.279
<v Speaker 3>ninth T. So when you look at the eighth green,

0:41:23.200 --> 0:41:25.480
<v Speaker 3>that upper tier to the left that used to be

0:41:25.520 --> 0:41:28.600
<v Speaker 3>the ninth T. There's a great photo that we did

0:41:28.680 --> 0:41:32.080
<v Speaker 3>in the book of Mackenzie playing it sort of smashed

0:41:32.080 --> 0:41:34.359
<v Speaker 3>together with the guys coming up number eight, which really

0:41:34.360 --> 0:41:38.200
<v Speaker 3>shows how the connection was made. But other than that,

0:41:38.320 --> 0:41:41.360
<v Speaker 3>for the most part, few things here and there, but

0:41:41.360 --> 0:41:44.439
<v Speaker 3>the golf course is essentially as designed by Mackenzie and Hunter.

0:41:44.560 --> 0:41:46.640
<v Speaker 3>When it opened in nineteen twenty eight.

0:41:47.880 --> 0:41:51.440
<v Speaker 1>What was the basic time frame of construction.

0:41:53.320 --> 0:41:57.440
<v Speaker 3>So one of the ways to think about the gestation

0:41:57.640 --> 0:42:00.640
<v Speaker 3>period of Cyprus Point essentially is it was a five

0:42:00.719 --> 0:42:04.359
<v Speaker 3>year period from nineteen twenty five to nineteen thirty. So

0:42:04.480 --> 0:42:06.560
<v Speaker 3>key things happen in each of those.

0:42:06.400 --> 0:42:07.880
<v Speaker 2>Years which are worth noting.

0:42:08.680 --> 0:42:11.240
<v Speaker 3>Nineteen twenty five is the kickoff, because that's when Marion

0:42:11.239 --> 0:42:13.719
<v Speaker 3>Hollins takes out the option on the land from the

0:42:13.760 --> 0:42:19.240
<v Speaker 3>Delmonti Properties Company and starts signing up members. In fact,

0:42:19.280 --> 0:42:23.279
<v Speaker 3>the routing from seth Rayner was February of nineteen twenty five,

0:42:23.400 --> 0:42:27.320
<v Speaker 3>so very early. However, a number of things happen in

0:42:27.400 --> 0:42:30.480
<v Speaker 3>nineteen twenty five and twenty six which slowed things down,

0:42:30.560 --> 0:42:34.480
<v Speaker 3>including Marion hurting her back purportedly playing polo, and so

0:42:34.520 --> 0:42:37.719
<v Speaker 3>the membership drives stalled and the whole thing was in

0:42:37.840 --> 0:42:42.160
<v Speaker 3>danger of collapsing until a young salesman named Harrison Godwin,

0:42:42.239 --> 0:42:45.800
<v Speaker 3>who ended up being a local fixture in the Carmel

0:42:45.840 --> 0:42:48.680
<v Speaker 3>area owner of the Pine Inn. He was the one,

0:42:48.719 --> 0:42:51.480
<v Speaker 3>as a twenty something who took the project over the

0:42:51.480 --> 0:42:54.279
<v Speaker 3>line and signed up the one hundred members required in

0:42:54.360 --> 0:42:57.840
<v Speaker 3>order to fund construction. So McKenzie comes in nineteen twenty

0:42:57.840 --> 0:43:00.600
<v Speaker 3>six does the design, but again it's not until the

0:43:00.640 --> 0:43:02.920
<v Speaker 3>next year, in nineteen twenty seven, when they finally have

0:43:03.080 --> 0:43:05.960
<v Speaker 3>enough people signed up to pay for the thing. So

0:43:06.040 --> 0:43:10.480
<v Speaker 3>construction begins after the club is formally incorporated in July

0:43:10.640 --> 0:43:15.480
<v Speaker 3>of nineteen twenty seven. Construction begins that fall in October November,

0:43:16.040 --> 0:43:20.680
<v Speaker 3>and is largely completed by April of the following year.

0:43:20.840 --> 0:43:23.440
<v Speaker 3>Mackenzie came just for the third time to check it

0:43:23.480 --> 0:43:28.240
<v Speaker 3>all out and to take photos when that was occurring,

0:43:28.320 --> 0:43:30.600
<v Speaker 3>and the golf course opened for play in August of

0:43:30.719 --> 0:43:33.600
<v Speaker 3>nineteen twenty eight. So once they got going from late

0:43:33.680 --> 0:43:37.040
<v Speaker 3>nineteen twenty seven to opening in August of nineteen twenty eight,

0:43:37.120 --> 0:43:38.800
<v Speaker 3>it all happened remarkably quickly.

0:43:39.920 --> 0:43:42.279
<v Speaker 1>Yeah, is there any sense of how that happened? That

0:43:42.360 --> 0:43:45.680
<v Speaker 1>is such a compressed timeframe for the construction of a

0:43:45.719 --> 0:43:46.280
<v Speaker 1>golf course.

0:43:46.920 --> 0:43:49.000
<v Speaker 3>Well, one of the reasons why it happened is because

0:43:49.080 --> 0:43:52.840
<v Speaker 3>Robert Hunter lived in Pebble Beach. He was there, he

0:43:52.960 --> 0:43:55.640
<v Speaker 3>was overseeing, along with his son, Robert Hunter Junior, all

0:43:55.640 --> 0:43:59.280
<v Speaker 3>of the construction, and so he had a deeply vested interest.

0:43:59.320 --> 0:44:01.600
<v Speaker 3>And not only it's sort of like hair club for men.

0:44:02.160 --> 0:44:03.839
<v Speaker 3>Not only was he a client, he was also a

0:44:03.840 --> 0:44:06.160
<v Speaker 3>member of Cypress Point, so he wanted it to go

0:44:06.239 --> 0:44:09.320
<v Speaker 3>particularly well. And at the same time, there's another character

0:44:09.360 --> 0:44:11.759
<v Speaker 3>in the story who I think does not get the

0:44:11.800 --> 0:44:15.719
<v Speaker 3>credit he deserves, and that's Roger Lapham. So Roger Lapham

0:44:15.960 --> 0:44:19.719
<v Speaker 3>was so called the Brahmin of San Francisco golf. He

0:44:19.800 --> 0:44:22.920
<v Speaker 3>was the USGA Executive committee member on the West Coast

0:44:23.320 --> 0:44:26.560
<v Speaker 3>from around nineteen twenty two to nineteen twenty nine. He

0:44:26.640 --> 0:44:28.759
<v Speaker 3>was the one responsible for getting the US Amateur to

0:44:28.800 --> 0:44:31.880
<v Speaker 3>come to Pebble Beach in nineteen twenty nine. He was

0:44:31.920 --> 0:44:35.280
<v Speaker 3>part of the three man committee that redid Pebble Beach

0:44:35.440 --> 0:44:37.680
<v Speaker 3>in nineteen twenty eight in preparation for the Amateur. The

0:44:37.680 --> 0:44:40.759
<v Speaker 3>other people were Robert Hunter and Chandler Egan, who ended

0:44:40.840 --> 0:44:44.719
<v Speaker 3>up being McKenzie's design partner after Hunter retired. So Lapham

0:44:45.239 --> 0:44:48.480
<v Speaker 3>was the director of Cyprus Point who was responsible for

0:44:48.520 --> 0:44:51.240
<v Speaker 3>golf course construction. There's a great letter in the book

0:44:51.640 --> 0:44:55.680
<v Speaker 3>from Lapham to Hunter Junior thanking them for the work

0:44:55.680 --> 0:44:57.560
<v Speaker 3>that they did. And so I think it was really

0:44:58.040 --> 0:45:00.759
<v Speaker 3>it was Lapham being there it was Huunter being there,

0:45:00.880 --> 0:45:03.160
<v Speaker 3>was Hunter Junior being there, and it was also the

0:45:03.200 --> 0:45:07.960
<v Speaker 3>incredibly favorable growing climate of the Monterey Peninsula for year

0:45:08.040 --> 0:45:08.600
<v Speaker 3>round golf.

0:45:10.760 --> 0:45:16.120
<v Speaker 1>In addition to the quickness of the construction period, Mackenzie

0:45:16.280 --> 0:45:21.759
<v Speaker 1>also ended up being very proud of the economy of

0:45:21.800 --> 0:45:27.839
<v Speaker 1>the construction process, how efficient it was financially. So how

0:45:27.920 --> 0:45:31.600
<v Speaker 1>did the crew achieve this? Was it part of the

0:45:31.640 --> 0:45:35.080
<v Speaker 1>same reason that you know Robert Hunter was there overseeing things.

0:45:35.280 --> 0:45:37.160
<v Speaker 1>Are there some other factors we should be aware of

0:45:37.160 --> 0:45:41.400
<v Speaker 1>of how exactly Cyprus Point was built so cheaply and

0:45:41.560 --> 0:45:43.080
<v Speaker 1>as I understand it, under budget.

0:45:43.640 --> 0:45:46.000
<v Speaker 3>It was under budget, and it came in yeah, under

0:45:46.000 --> 0:45:51.040
<v Speaker 3>budget and ahead of schedule. And they used modern construction techniques,

0:45:51.120 --> 0:45:55.480
<v Speaker 3>They used equipment that they could be more efficient instead

0:45:55.480 --> 0:45:58.439
<v Speaker 3>of having to use manual labor, though reported they still

0:45:58.560 --> 0:46:02.279
<v Speaker 3>used up to hundred laborers at a time to dynamite

0:46:02.280 --> 0:46:05.200
<v Speaker 3>trees and clear forest and all that that sort of stuff.

0:46:05.520 --> 0:46:07.120
<v Speaker 3>But I think it was just the efficiency of the

0:46:07.160 --> 0:46:10.719
<v Speaker 3>team that had trained and worked together, and also Hunter's

0:46:10.800 --> 0:46:14.520
<v Speaker 3>advanced research on what grasses would work, and so when

0:46:14.600 --> 0:46:17.880
<v Speaker 3>they actually went to plant the golf course, it took

0:46:18.440 --> 0:46:22.400
<v Speaker 3>unlike Pine Valley which failed, unlike National Golf Links which failed,

0:46:22.480 --> 0:46:24.040
<v Speaker 3>all of which adds cost.

0:46:25.000 --> 0:46:29.719
<v Speaker 1>Yeah, I mean, growing is probably the single most underrated

0:46:29.760 --> 0:46:34.200
<v Speaker 1>factor in golf course construction. In this golden age of

0:46:34.360 --> 0:46:38.239
<v Speaker 1>golf architecture. It was always growing that was the problem.

0:46:38.880 --> 0:46:40.440
<v Speaker 3>They and they nailed it. And if you look at

0:46:40.440 --> 0:46:42.520
<v Speaker 3>the descriptions of the golf course from nineteen twenty and

0:46:42.640 --> 0:46:45.360
<v Speaker 3>twenty nine, they say it was the most perfectly conditioned

0:46:45.360 --> 0:46:48.799
<v Speaker 3>golf course in America. Now, I mean, you didn't have

0:46:49.239 --> 0:46:52.719
<v Speaker 3>the mutations and one hundred years of introducing all sorts

0:46:52.760 --> 0:46:55.279
<v Speaker 3>of other elements and the coastal challenges, but it was

0:46:56.360 --> 0:46:59.000
<v Speaker 3>when it opened, it was perfect. It's a miracle that

0:46:59.120 --> 0:47:02.040
<v Speaker 3>Cyperu's point even exists. I mean, if you think about it,

0:47:02.080 --> 0:47:04.680
<v Speaker 3>and this is something that we talk about in the book,

0:47:04.800 --> 0:47:09.080
<v Speaker 3>is there was a small moment in time when it

0:47:09.120 --> 0:47:13.000
<v Speaker 3>became possible to hit a golf shot from one precipice

0:47:13.040 --> 0:47:15.480
<v Speaker 3>of a great ocean to the other. Because if it

0:47:15.520 --> 0:47:18.840
<v Speaker 3>happened any other time during that gestation period from nineteen

0:47:18.840 --> 0:47:22.920
<v Speaker 3>twenty five to nineteen thirty, So you've got Marion Hollins

0:47:23.400 --> 0:47:26.160
<v Speaker 3>the option in nineteen twenty five, Mackenzie enters the picture

0:47:26.200 --> 0:47:29.120
<v Speaker 3>in twenty six, the club incorporates in twenty seven, the

0:47:29.160 --> 0:47:32.279
<v Speaker 3>course opens in twenty eight, the US Amateur twenty nine,

0:47:32.320 --> 0:47:34.640
<v Speaker 3>and then the clubhouse finally opens in nineteen thirty. If

0:47:34.640 --> 0:47:37.720
<v Speaker 3>it happens at any other moment between that narrow window

0:47:37.760 --> 0:47:43.160
<v Speaker 3>of time, it's not possible because anytime before that, Pebble

0:47:43.200 --> 0:47:45.640
<v Speaker 3>Beach was immature and would not have been ready from

0:47:45.640 --> 0:47:48.120
<v Speaker 3>a real estate standpoint to have the number of people

0:47:48.160 --> 0:47:50.399
<v Speaker 3>required to support it, So it would have been dead

0:47:50.440 --> 0:47:54.080
<v Speaker 3>on arrival anytime after nineteen thirty, and because of the depression,

0:47:54.160 --> 0:47:57.040
<v Speaker 3>I mean, the club barely survived in the first place. Now,

0:47:57.080 --> 0:47:59.640
<v Speaker 3>imagine coming out of World War Two and just assume

0:47:59.680 --> 0:48:03.920
<v Speaker 3>it was claimed by the military. There was a naval

0:48:04.000 --> 0:48:07.239
<v Speaker 3>sea observation tower which was placed on the property for

0:48:07.320 --> 0:48:10.160
<v Speaker 3>viewing the submarines during the war, So think of its

0:48:10.400 --> 0:48:16.400
<v Speaker 3>strategic location. Imagine that clubhouse, understated George Washington Smith is

0:48:16.480 --> 0:48:20.480
<v Speaker 3>owed to old Moterey stucco with white stucco and green shutters.

0:48:21.040 --> 0:48:24.759
<v Speaker 3>Imagine that in the modernist fifties and sixties, Imagine the

0:48:24.760 --> 0:48:27.200
<v Speaker 3>Coastal Commission making it possible to build a golf course

0:48:27.239 --> 0:48:30.120
<v Speaker 3>in the seventies eighties and nineties or today. The point is,

0:48:30.160 --> 0:48:33.280
<v Speaker 3>if it didn't happen in that narrow window of five years,

0:48:33.520 --> 0:48:35.160
<v Speaker 3>you would never have had a chance to hit a

0:48:35.160 --> 0:48:36.399
<v Speaker 3>golf shot on the sixteenth hole.

0:48:38.800 --> 0:48:42.480
<v Speaker 1>So how was the course received when it opened? Was

0:48:42.520 --> 0:48:46.360
<v Speaker 1>it immediately recognized as as one of the world's great courses?

0:48:47.680 --> 0:48:51.320
<v Speaker 3>Immediately and astoundingly somewhat to the disappointment of Alistair McKenzie,

0:48:51.320 --> 0:48:53.680
<v Speaker 3>who was looking for more criticism, and the fact that

0:48:53.719 --> 0:48:58.400
<v Speaker 3>it withstood no criticism whatsoever kind of made him feel

0:48:58.400 --> 0:49:02.720
<v Speaker 3>like maybe he missed something. But when you take that setting,

0:49:02.960 --> 0:49:05.400
<v Speaker 3>and when you take those elements, the sea, the sand,

0:49:05.440 --> 0:49:08.880
<v Speaker 3>the forest, the routing, the setting of the clubhouse, and

0:49:08.920 --> 0:49:12.800
<v Speaker 3>then what evolved over the next hundred years, it was remarkable. However,

0:49:13.400 --> 0:49:16.719
<v Speaker 3>if you go back fifty years to win, say the

0:49:16.800 --> 0:49:20.479
<v Speaker 3>late nineteen seventies in the Walker Cup. In nineteen eighty

0:49:20.480 --> 0:49:23.960
<v Speaker 3>one mackenzie had fallen out of favor. There was a

0:49:24.040 --> 0:49:27.160
<v Speaker 3>letter that Lewis Lapham, who was the son of Roger

0:49:27.239 --> 0:49:30.279
<v Speaker 3>Lapham and who went around with mackenzie as a teenager

0:49:30.719 --> 0:49:33.919
<v Speaker 3>with a carpet and hit tea shots to determine what

0:49:33.960 --> 0:49:36.560
<v Speaker 3>the carry angles should be on various holes for where

0:49:36.560 --> 0:49:39.279
<v Speaker 3>the tea should be possised. In the nineteen seventies he

0:49:39.320 --> 0:49:41.440
<v Speaker 3>wrote a letter suggesting that half of the members of

0:49:41.440 --> 0:49:45.640
<v Speaker 3>Cypress Point wouldn't know who designed the golf course. They

0:49:45.640 --> 0:49:49.080
<v Speaker 3>wouldn't know who McKenzie was. And so it was really

0:49:49.200 --> 0:49:52.240
<v Speaker 3>because of a lot of things independent of Cypress Point

0:49:52.320 --> 0:49:56.120
<v Speaker 3>and Alistair McKenzie. The discovery of his manuscript and the

0:49:56.120 --> 0:49:59.399
<v Speaker 3>publication of the Spirit of Saint Andrews in nineteen ninety five,

0:49:59.480 --> 0:50:03.520
<v Speaker 3>the formation of the Alistair McKenzie society, various books, whether

0:50:03.560 --> 0:50:08.400
<v Speaker 3>it was by Tom Doak and Raymond Haddock about Alistair McKenzie,

0:50:08.560 --> 0:50:11.120
<v Speaker 3>or the work and the research from George Botto that's

0:50:11.120 --> 0:50:14.880
<v Speaker 3>gone into MacDonald and Rayner. That this revival and interest

0:50:14.880 --> 0:50:17.319
<v Speaker 3>of these people has in turn created a kind of

0:50:17.320 --> 0:50:20.440
<v Speaker 3>revival and interest in places like Cyprus Point, which when

0:50:20.480 --> 0:50:22.640
<v Speaker 3>you look at the rankings from the seventies and early eighties,

0:50:22.680 --> 0:50:24.600
<v Speaker 3>it was outside the top ten and barely in the

0:50:24.600 --> 0:50:28.600
<v Speaker 3>top fifty in various rankings, But since the mid nineteen eighties,

0:50:28.640 --> 0:50:33.080
<v Speaker 3>post Walker Cup and beyond, it's consistently remained in about

0:50:33.120 --> 0:50:34.600
<v Speaker 3>the top five in America.

0:50:36.239 --> 0:50:38.640
<v Speaker 1>Well, David, thank you very much for coming on the podcast.

0:50:38.680 --> 0:50:42.800
<v Speaker 1>Pleasure talking to you, and good luck with finishing the book.

0:50:43.200 --> 0:50:46.040
<v Speaker 1>I'm very much looking forward to your centennial book on

0:50:46.120 --> 0:50:49.440
<v Speaker 1>Cyprus Point. It'll contain I think a lot of answers

0:50:49.480 --> 0:50:51.720
<v Speaker 1>to many questions I've had over the years.

0:50:52.400 --> 0:50:54.600
<v Speaker 3>Well, the good news is the book is finished, but

0:50:54.719 --> 0:50:57.000
<v Speaker 3>we're just waiting for the Walker Cup to be played

0:50:57.040 --> 0:50:59.560
<v Speaker 3>because we can't quite write that chapter yet. As soon

0:50:59.600 --> 0:51:01.120
<v Speaker 3>as it is, then we'll go to print.

0:51:09.160 --> 0:51:11.359
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0:52:07.800 --> 0:52:11.959
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0:52:20.480 --> 0:52:24.120
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0:52:24.239 --> 0:52:28.040
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0:52:28.080 --> 0:52:31.920
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0:52:44.160 --> 0:52:48.200
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0:52:48.600 --> 0:52:52.480
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<v Speaker 1>One winner from this group will be drawn and they

0:52:55.880 --> 0:52:59.319
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0:53:07.640 --> 0:53:10.920
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0:53:14.239 --> 0:53:17.480
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0:53:22.960 --> 0:53:32.600
<v Speaker 1>All right, let's get back to the episode. All right,

0:53:32.640 --> 0:53:37.040
<v Speaker 1>So it's just me and my producer, Will Balsam. Now, Will,

0:53:37.120 --> 0:53:38.120
<v Speaker 1>welcome to the podcast.

0:53:38.920 --> 0:53:41.240
<v Speaker 4>Thank you. Excited to make the first appearance.

0:53:41.640 --> 0:53:44.319
<v Speaker 1>Yeah, and you know, I'm not doing you very much

0:53:44.480 --> 0:53:47.160
<v Speaker 1>justice here because basically I have a lot of notes

0:53:47.200 --> 0:53:48.759
<v Speaker 1>that I want to get through. I'll be talking a

0:53:48.760 --> 0:53:51.680
<v Speaker 1>lot here, but it's also nice to have a sounding board,

0:53:51.760 --> 0:53:55.000
<v Speaker 1>so I'm not just in my head doing doing a monologue.

0:53:55.040 --> 0:53:58.080
<v Speaker 1>It's nice to have somebody to bounce things off of.

0:53:58.640 --> 0:54:02.520
<v Speaker 1>And so you know, jump in whenever you want ask questions.

0:54:02.840 --> 0:54:05.600
<v Speaker 1>You're kind of the audience surrogate here. Is that a'll

0:54:05.600 --> 0:54:06.080
<v Speaker 1>sound good?

0:54:06.560 --> 0:54:08.680
<v Speaker 4>Yeah, I'll do my best for the rest of the listeners.

0:54:09.480 --> 0:54:13.399
<v Speaker 1>Okay, all right, So you know, as usual in these

0:54:13.440 --> 0:54:16.359
<v Speaker 1>deep dives, I like to break things down into categories.

0:54:16.480 --> 0:54:20.919
<v Speaker 1>So we'll touch on the land, the routing, the philosophy

0:54:21.040 --> 0:54:25.160
<v Speaker 1>of the design at Cypress Point, the esthetics, the greens,

0:54:26.160 --> 0:54:29.400
<v Speaker 1>the agronomy a little bit, and the restoration work that

0:54:29.440 --> 0:54:32.880
<v Speaker 1>has recently been done. So let's dig in here. Start

0:54:32.880 --> 0:54:38.760
<v Speaker 1>with the land. So there are, as David Normoyl mentioned

0:54:38.920 --> 0:54:42.640
<v Speaker 1>in my chat with him, three distinct landscapes at Cypress Point.

0:54:43.040 --> 0:54:46.160
<v Speaker 1>You have the ocean cliffs, the dunes, and the woods,

0:54:46.400 --> 0:54:50.080
<v Speaker 1>or as David put it, see sand and forest. The

0:54:50.160 --> 0:54:54.040
<v Speaker 1>dunes are part of one large formation that cuts like

0:54:54.120 --> 0:54:57.680
<v Speaker 1>a wedge into the course. The dunes hole is actually

0:54:57.800 --> 0:55:01.439
<v Speaker 1>at Spyglass Hill on through five and two through four

0:55:01.520 --> 0:55:04.520
<v Speaker 1>sit on the same dune formation just a little bit

0:55:04.560 --> 0:55:09.400
<v Speaker 1>to the north within Cyprus Points. Section of this dune formation,

0:55:09.840 --> 0:55:13.959
<v Speaker 1>there are a couple of specific sub sections. So there's

0:55:14.080 --> 0:55:18.840
<v Speaker 1>a high, very prominent ridge. The eighth and ninth holes

0:55:18.920 --> 0:55:22.760
<v Speaker 1>sit on top of this, The third, sixth, and eleventh

0:55:22.800 --> 0:55:27.360
<v Speaker 1>greens are either benched into it or near it. The

0:55:27.400 --> 0:55:30.000
<v Speaker 1>twelfth hole plays around it. So this is really the

0:55:30.040 --> 0:55:36.320
<v Speaker 1>focal point of the property, this very obvious abrupt dune ridge.

0:55:37.239 --> 0:55:39.960
<v Speaker 1>But then there's a lower set of dunes and sandy

0:55:40.000 --> 0:55:43.560
<v Speaker 1>material kind of off to the side, and that's where

0:55:43.560 --> 0:55:48.200
<v Speaker 1>the first, second, thirteenth, and fourteenth holes are. And finally

0:55:48.680 --> 0:55:54.600
<v Speaker 1>of separate but related very large dune ridge running east

0:55:54.640 --> 0:55:57.480
<v Speaker 1>to west. So the dune ridge that I talked about before,

0:55:57.560 --> 0:55:59.320
<v Speaker 1>that's kind of in the middle of the course runs

0:55:59.440 --> 0:56:03.800
<v Speaker 1>north south. This one runs east west, bordering the north

0:56:03.920 --> 0:56:07.120
<v Speaker 1>side of the golf course, kind of near the sixth hole.

0:56:07.800 --> 0:56:10.200
<v Speaker 1>This is where that trail is that I mentioned earlier

0:56:10.239 --> 0:56:13.480
<v Speaker 1>that I used to load my son into like a

0:56:13.560 --> 0:56:18.560
<v Speaker 1>hiking backpack and we would go hike on this dune

0:56:17.760 --> 0:56:23.279
<v Speaker 1>above Cyprus Point and this very big dune ridge. It's

0:56:23.360 --> 0:56:26.880
<v Speaker 1>less abrupt, less dramatic to look at, but it's very large.

0:56:27.560 --> 0:56:31.480
<v Speaker 1>The seventh Green and the eighth t sit on this ridge.

0:56:31.640 --> 0:56:34.680
<v Speaker 1>So that's the Duneland section of the course. Does that

0:56:34.760 --> 0:56:39.760
<v Speaker 1>kind of make sense these different areas of the dune.

0:56:38.960 --> 0:56:40.640
<v Speaker 4>Yeah, I can see it, okay.

0:56:41.600 --> 0:56:44.880
<v Speaker 1>Then you have the inland forest section to the west,

0:56:45.200 --> 0:56:50.520
<v Speaker 1>pretty large scale, undulating topography. And then finally you have

0:56:50.640 --> 0:56:54.000
<v Speaker 1>the seaside portion of the property to the west, a

0:56:54.040 --> 0:56:59.080
<v Speaker 1>spectacular series of capes and bays, very well sized for

0:56:59.200 --> 0:57:03.000
<v Speaker 1>golf of dunes in the middle, forest to the east,

0:57:03.520 --> 0:57:08.480
<v Speaker 1>ocean cliffs to the west. It's just an extraordinarily varied

0:57:08.600 --> 0:57:12.240
<v Speaker 1>and beautiful property. And that's basically what was there before

0:57:12.280 --> 0:57:13.480
<v Speaker 1>the golf course was.

0:57:13.440 --> 0:57:16.560
<v Speaker 5>Built, seems like the perfect piece of land for a

0:57:16.600 --> 0:57:17.640
<v Speaker 5>world class golf course.

0:57:18.360 --> 0:57:20.320
<v Speaker 1>It was a great piece of land for a golf course,

0:57:20.560 --> 0:57:25.240
<v Speaker 1>and Mackenzie recognized that right away. He saw that this

0:57:25.360 --> 0:57:29.640
<v Speaker 1>had huge potential to be his best golf course potentially.

0:57:30.320 --> 0:57:32.360
<v Speaker 1>But at the same time, I think it was also

0:57:32.440 --> 0:57:35.240
<v Speaker 1>kind of tricky because it was I mean, it's the

0:57:35.320 --> 0:57:37.320
<v Speaker 1>variety of the property is both a strength and a

0:57:37.360 --> 0:57:41.600
<v Speaker 1>weakness in a way, because yes, it is exciting that

0:57:41.680 --> 0:57:45.400
<v Speaker 1>it's so varied, and you have these great ocean cliffs,

0:57:45.440 --> 0:57:47.400
<v Speaker 1>and you have the dunes, and you have the it's

0:57:47.400 --> 0:57:49.080
<v Speaker 1>all there. You know, you can use all of it,

0:57:49.760 --> 0:57:53.640
<v Speaker 1>but it's also a little bit disjointed, and so there's

0:57:53.680 --> 0:57:57.000
<v Speaker 1>the potential that the golf course could kind of be awkward. Right.

0:57:58.200 --> 0:58:01.040
<v Speaker 1>It's not like it's not a a piece of Link's

0:58:01.120 --> 0:58:04.640
<v Speaker 1>land like Royal Port Rush sits on, or that the

0:58:04.680 --> 0:58:07.760
<v Speaker 1>old course sits on at a lower profile where there's

0:58:07.880 --> 0:58:10.959
<v Speaker 1>kind of this consistent rumple and you can almost put

0:58:11.000 --> 0:58:13.520
<v Speaker 1>golf holes. You can't put them anywhere, And there are

0:58:13.680 --> 0:58:16.640
<v Speaker 1>some combinations that are better than others, but there are

0:58:16.640 --> 0:58:18.600
<v Speaker 1>a lot of options to make a golf course work.

0:58:18.640 --> 0:58:22.640
<v Speaker 1>There at the Cypress Point property. I'm not sure there

0:58:22.680 --> 0:58:26.600
<v Speaker 1>were many great solutions to the equation of the property

0:58:27.240 --> 0:58:31.120
<v Speaker 1>because it was it had these different characters to it.

0:58:31.160 --> 0:58:34.360
<v Speaker 1>You had to do something to make it all work together.

0:58:35.000 --> 0:58:38.640
<v Speaker 1>So that brings us to the routing of Cypress Point. Now,

0:58:38.760 --> 0:58:42.320
<v Speaker 1>David already discussed this beautifully in the history section of

0:58:42.360 --> 0:58:45.240
<v Speaker 1>the episode. I don't think I could really improve on

0:58:45.320 --> 0:58:50.120
<v Speaker 1>that description. But basically, what's brilliant about the routing of

0:58:50.160 --> 0:58:54.480
<v Speaker 1>this course is how it alternates between different landscapes without

0:58:54.520 --> 0:58:58.600
<v Speaker 1>ever feeling disjointed. As David pointed out, all of the

0:58:58.600 --> 0:59:02.560
<v Speaker 1>inland holes except number five have some relationship with that

0:59:02.760 --> 0:59:07.840
<v Speaker 1>central dune formation. The course is continually playing into, off,

0:59:07.880 --> 0:59:12.680
<v Speaker 1>of around, and onto this big slice of dune land.

0:59:13.360 --> 0:59:17.200
<v Speaker 1>And what makes the course a unified and coherent experience

0:59:17.560 --> 0:59:21.200
<v Speaker 1>is that there's not a clean separation between the duneland

0:59:21.200 --> 0:59:28.200
<v Speaker 1>holes and the forest holes. Holes like two, three, four, six, ten, eleven,

0:59:28.320 --> 0:59:31.920
<v Speaker 1>and fourteen are part of two environments at once, or

0:59:31.960 --> 0:59:35.280
<v Speaker 1>transition between them. They're both part of the forest and

0:59:35.360 --> 0:59:38.240
<v Speaker 1>the dunes. They have elements of both landscapes in them,

0:59:38.880 --> 0:59:41.720
<v Speaker 1>so they sort of function like segues and writing right

0:59:41.760 --> 0:59:46.280
<v Speaker 1>They provide these links between different ideas so that the

0:59:46.320 --> 0:59:52.600
<v Speaker 1>whole piece hangs together and doesn't seem choppy. But that

0:59:52.720 --> 0:59:56.040
<v Speaker 1>sort of changes after the fourteenth hole. There is a

0:59:56.080 --> 0:59:59.400
<v Speaker 1>clear separation between the first fourteen holes and the last four.

0:59:59.440 --> 1:00:03.840
<v Speaker 1>On the ocean, you literally walk across seventeen mile drive

1:00:03.880 --> 1:00:07.120
<v Speaker 1>and down a little path before arriving at the fifteenth tee,

1:00:07.720 --> 1:00:09.800
<v Speaker 1>and then you walk through another path to get to

1:00:09.840 --> 1:00:13.480
<v Speaker 1>the sixteenth tee. And for me, this works from a

1:00:13.560 --> 1:00:17.560
<v Speaker 1>dramatic perspective. There's this pause while you're being set up

1:00:17.560 --> 1:00:20.640
<v Speaker 1>for the big finale, and of course the ensuing reveals

1:00:20.760 --> 1:00:24.040
<v Speaker 1>on the fifteenth hole in the sixteenth hole are incredibly exciting.

1:00:24.360 --> 1:00:28.320
<v Speaker 1>To get to both teas you walk along these really

1:00:28.360 --> 1:00:33.880
<v Speaker 1>compressed paths lined by cypress trees, and then boom, everything

1:00:33.920 --> 1:00:37.280
<v Speaker 1>falls away and you get these panoramic views of the

1:00:37.320 --> 1:00:41.200
<v Speaker 1>cliffs and the ocean. So there's a sense of compression

1:00:41.680 --> 1:00:44.480
<v Speaker 1>and release. And this is an example of how the

1:00:44.560 --> 1:00:48.800
<v Speaker 1>routing at Cypress Point, I think, creates anticipation and drama

1:00:49.280 --> 1:00:53.160
<v Speaker 1>and just has a beautiful sense of rising and falling action.

1:00:53.520 --> 1:00:56.160
<v Speaker 1>Right you start off with some excitement on the first

1:00:56.160 --> 1:00:58.160
<v Speaker 1>hole with a downhill tea shot, a view of the

1:00:58.160 --> 1:01:01.680
<v Speaker 1>ocean and a green benched into dune. The next two

1:01:01.720 --> 1:01:04.200
<v Speaker 1>holes show you the big dune ridge and a lot

1:01:04.200 --> 1:01:06.400
<v Speaker 1>of the rest of the course, giving you a preview

1:01:06.480 --> 1:01:10.040
<v Speaker 1>of coming attractions. Then you wander away from that environment

1:01:10.360 --> 1:01:13.520
<v Speaker 1>and into the forest for a couple of slightly quieter holes.

1:01:13.920 --> 1:01:17.680
<v Speaker 1>Those still plenty dramatic because the bunkering is so outrageous

1:01:17.400 --> 1:01:20.400
<v Speaker 1>on the fourth and fifth holes. The sixth hole brings

1:01:20.440 --> 1:01:22.600
<v Speaker 1>you back to the dunes, and the seventh, eighth, and

1:01:22.720 --> 1:01:25.840
<v Speaker 1>ninth play right on top of them. This is the

1:01:25.840 --> 1:01:29.200
<v Speaker 1>most exciting stretch on the course aside from fifteen through seventeen.

1:01:29.960 --> 1:01:32.240
<v Speaker 1>Then it quiets down a little bit. Two side by

1:01:32.280 --> 1:01:35.560
<v Speaker 1>side longer holes in ten and eleven, playing out to

1:01:35.600 --> 1:01:38.600
<v Speaker 1>the forest again and then and then back, and then

1:01:38.720 --> 1:01:41.680
<v Speaker 1>twelve starts the journey out to the ocean. Once you

1:01:41.800 --> 1:01:43.840
<v Speaker 1>round the corner of the dune ridge on the twelfth hole,

1:01:44.160 --> 1:01:48.120
<v Speaker 1>you see the amazing thirteenth green and the uphill fourteenth

1:01:48.200 --> 1:01:50.840
<v Speaker 1>hole behind it, and you know what's beyond those holes,

1:01:50.960 --> 1:01:55.040
<v Speaker 1>but you can't see it, so the anticipation is building

1:01:55.120 --> 1:01:58.640
<v Speaker 1>and building. You hit the ocean on fifteen, sixteen and seventeen,

1:01:58.960 --> 1:02:01.960
<v Speaker 1>and then the course decides not to end with a

1:02:02.040 --> 1:02:05.919
<v Speaker 1>huge flourish. Instead you get the eighteenth hole climbing back

1:02:06.040 --> 1:02:09.479
<v Speaker 1>up through the trees to the clubhouse. And I think

1:02:09.600 --> 1:02:13.120
<v Speaker 1>that this is sort of an unexpected choice for a

1:02:13.120 --> 1:02:15.840
<v Speaker 1>golf course. A lot of great golf courses end with

1:02:15.880 --> 1:02:18.200
<v Speaker 1>a bang, right, the eighteenth a Pebble Beach one of

1:02:18.240 --> 1:02:22.360
<v Speaker 1>the best examples. But it's not an unusual choice for

1:02:22.720 --> 1:02:27.920
<v Speaker 1>narrative art in general, like movies and novels. Often movies

1:02:27.960 --> 1:02:32.400
<v Speaker 1>and novels end with falling action with a de numont, right,

1:02:32.440 --> 1:02:35.360
<v Speaker 1>which is the word that may maybe an English teacher

1:02:35.640 --> 1:02:39.520
<v Speaker 1>made you learn it at some point. The routing of

1:02:39.560 --> 1:02:43.880
<v Speaker 1>a golf course is a narrative right. It can be

1:02:44.000 --> 1:02:47.440
<v Speaker 1>compared to storytelling. So ending with a dan numont like

1:02:47.920 --> 1:02:50.439
<v Speaker 1>eighteen at Cypress Point can work well, and I think

1:02:50.440 --> 1:02:53.200
<v Speaker 1>it does work well. I think the line that Cypress

1:02:53.200 --> 1:02:55.560
<v Speaker 1>Point is the best seventeenth hole course in the world

1:02:56.000 --> 1:02:59.960
<v Speaker 1>is a little wrongheaded because Cyprus is a complete eighteenenth

1:03:00.040 --> 1:03:03.520
<v Speaker 1>whole experience, and every hole plays its part, including the eighteenth.

1:03:04.000 --> 1:03:06.440
<v Speaker 1>Not every hole is trying to be the most spectacular.

1:03:06.920 --> 1:03:10.600
<v Speaker 1>They're just all working together to create this beautiful cadence

1:03:10.880 --> 1:03:15.720
<v Speaker 1>and a wonderful story. So that's the kind of dramatic

1:03:15.840 --> 1:03:20.280
<v Speaker 1>element of Cyprus's routing. How do you, I mean, what

1:03:20.280 --> 1:03:23.000
<v Speaker 1>do you think of ending with an eighteenth hole that

1:03:23.360 --> 1:03:25.800
<v Speaker 1>maybe seems a little bit out of character and is

1:03:26.160 --> 1:03:28.680
<v Speaker 1>clearly not as spectacular as the holes that come just

1:03:28.800 --> 1:03:31.320
<v Speaker 1>before it. Do you do you find that to be

1:03:31.880 --> 1:03:33.080
<v Speaker 1>something that you would like or know?

1:03:34.560 --> 1:03:39.640
<v Speaker 5>I have recently found that I'm not as hard pressed

1:03:39.680 --> 1:03:43.000
<v Speaker 5>by the eighteenth hole as long as you have a

1:03:43.040 --> 1:03:46.600
<v Speaker 5>stretch leading up to it that gives you some dramatic

1:03:46.960 --> 1:03:50.040
<v Speaker 5>climax and ending. I think there are a lot of

1:03:50.040 --> 1:03:53.640
<v Speaker 5>great golf courses that fifteen, sixteen, seventeen are like these

1:03:53.680 --> 1:03:56.760
<v Speaker 5>great finishing holes I really test you. But sometimes it's

1:03:56.760 --> 1:03:59.800
<v Speaker 5>all right for eighteen to maybe not reach those those standards.

1:03:59.880 --> 1:04:01.800
<v Speaker 4>All routing is such a tough thing.

1:04:01.840 --> 1:04:03.480
<v Speaker 5>You have to most of the time end up back

1:04:03.480 --> 1:04:06.160
<v Speaker 5>where you started, so you can understand why that may be.

1:04:06.720 --> 1:04:08.280
<v Speaker 5>But my preference, though, is not to end on a

1:04:08.320 --> 1:04:10.560
<v Speaker 5>par three, So as long as it's not that I

1:04:10.600 --> 1:04:11.200
<v Speaker 5>think you're okay.

1:04:12.760 --> 1:04:14.880
<v Speaker 1>There are some good courses that end on par three's though,

1:04:14.920 --> 1:04:16.040
<v Speaker 1>Possa Tiempo being one.

1:04:16.040 --> 1:04:19.080
<v Speaker 4>Of them, but yes, Boston Golf Club as well.

1:04:19.200 --> 1:04:22.680
<v Speaker 1>Yeah, Boston Golf Club exactly, very good. Yeah, it's a

1:04:22.760 --> 1:04:27.960
<v Speaker 1>rarity I suppose in general, though, Yeah, I think the

1:04:28.000 --> 1:04:31.880
<v Speaker 1>eighteenth of Cyprus is interesting because it has to get

1:04:31.880 --> 1:04:33.520
<v Speaker 1>you back up to the clubhouse, and that's what a

1:04:33.560 --> 1:04:35.720
<v Speaker 1>lot of eighteenth holes do. That's kind of what you're

1:04:35.760 --> 1:04:39.440
<v Speaker 1>referring to, right where. The eighteenth hole, unlike the holes before,

1:04:39.480 --> 1:04:42.760
<v Speaker 1>it has a job, and its job is to get

1:04:42.840 --> 1:04:44.520
<v Speaker 1>you back to the clubhouse, get you back to the

1:04:44.520 --> 1:04:48.640
<v Speaker 1>starting point. And at Cyprus it does that job. And

1:04:49.240 --> 1:04:52.440
<v Speaker 1>clearly nothing that could be built on that piece of

1:04:52.520 --> 1:04:57.280
<v Speaker 1>land could possibly live up to fifteen, sixteen and seventeen.

1:04:57.480 --> 1:05:00.720
<v Speaker 1>There was no possibility that that whole was going to

1:05:01.360 --> 1:05:05.400
<v Speaker 1>feel anything but slightly disappointing in comparison to those holes.

1:05:06.000 --> 1:05:09.960
<v Speaker 1>And so Mackenzie made an interesting choice not to force it,

1:05:10.520 --> 1:05:12.160
<v Speaker 1>just to kind of route this hole through the trees.

1:05:12.200 --> 1:05:15.480
<v Speaker 1>It's a very tight hole. It requires a really precisely

1:05:15.560 --> 1:05:18.160
<v Speaker 1>shaped shot. A lot of people just don't like the

1:05:18.200 --> 1:05:21.520
<v Speaker 1>hole at all, but I think it's kind of kind

1:05:21.520 --> 1:05:24.480
<v Speaker 1>of different. It really makes you shape your tee shot

1:05:25.040 --> 1:05:27.760
<v Speaker 1>right to left or choose maybe to go over the trees,

1:05:27.800 --> 1:05:29.920
<v Speaker 1>find that left side of the fairway so that you

1:05:29.920 --> 1:05:32.320
<v Speaker 1>have a clear approach up the hill through the trees.

1:05:33.000 --> 1:05:36.000
<v Speaker 1>And yeah, it's it's a different challenge and I think

1:05:36.040 --> 1:05:39.280
<v Speaker 1>an interesting choice to end the golf course. He didn't

1:05:39.320 --> 1:05:43.560
<v Speaker 1>try to over exert himself design wise with that hole.

1:05:43.640 --> 1:05:48.160
<v Speaker 1>All right, So now that we've talked about land and routing,

1:05:48.680 --> 1:05:51.440
<v Speaker 1>let's get into some of the philosophy of design, so

1:05:51.640 --> 1:05:55.120
<v Speaker 1>individual holes and how they're designed. And I want to

1:05:55.120 --> 1:05:58.720
<v Speaker 1>touch on three aspects of Alistair McKenzie's design. First, his

1:05:58.880 --> 1:06:03.760
<v Speaker 1>use of strategic art chitecture, Second, his commitment to playability,

1:06:04.240 --> 1:06:07.400
<v Speaker 1>and third his approach to the visual and esthetic composition

1:06:07.440 --> 1:06:10.840
<v Speaker 1>of his holes. So, first of all, Cyprus Point is

1:06:11.000 --> 1:06:13.440
<v Speaker 1>very much an example of the strategic school of golf

1:06:13.440 --> 1:06:17.000
<v Speaker 1>course design. You always have an option to play safe,

1:06:17.360 --> 1:06:19.560
<v Speaker 1>but if you take a risk, you're rewarded with an

1:06:19.600 --> 1:06:26.560
<v Speaker 1>easier next shot. Big diagonal natural hazards appear on holes two, eight, twelve,

1:06:26.560 --> 1:06:32.440
<v Speaker 1>and seventeen. This is a classic strategic dilemma where because

1:06:32.440 --> 1:06:36.360
<v Speaker 1>you're hitting diagonally across a natural hazard a dune or

1:06:36.480 --> 1:06:40.720
<v Speaker 1>a rock ridge like on two, or the ocean cliffs

1:06:40.800 --> 1:06:45.320
<v Speaker 1>like on seventeen. Because that hazard is oriented diagonally to

1:06:45.400 --> 1:06:48.160
<v Speaker 1>the te you have to choose what line to take,

1:06:48.520 --> 1:06:52.240
<v Speaker 1>and you're free to take the easy route, the short carry,

1:06:52.400 --> 1:06:55.080
<v Speaker 1>or you can take on the long carry, and reliably

1:06:55.120 --> 1:06:57.600
<v Speaker 1>on each of those holes, you gain an advantage if

1:06:57.640 --> 1:07:02.920
<v Speaker 1>you bite off more of the hazard, So strategic architecture

1:07:02.920 --> 1:07:05.280
<v Speaker 1>one on one basically on those holes. There are also

1:07:05.320 --> 1:07:09.360
<v Speaker 1>holes where bunkers are positioned right where you want to play.

1:07:09.400 --> 1:07:12.200
<v Speaker 1>The sixth hole is a very interesting example. I think

1:07:12.240 --> 1:07:15.760
<v Speaker 1>it has a big bunker off the tee on the

1:07:15.840 --> 1:07:19.000
<v Speaker 1>right side, but the hole bends to the left. Jeff

1:07:19.000 --> 1:07:21.520
<v Speaker 1>Shackelford actually talks about this in the video that we

1:07:21.600 --> 1:07:24.040
<v Speaker 1>released a couple of days ago on our YouTube channel.

1:07:25.080 --> 1:07:27.960
<v Speaker 1>There's you know, the whole bends to is a dog

1:07:28.040 --> 1:07:30.280
<v Speaker 1>leg left, and so you'd think that the advantage would

1:07:30.320 --> 1:07:33.160
<v Speaker 1>be cutting the dog leg, but you actually get an

1:07:33.200 --> 1:07:38.040
<v Speaker 1>advantage from carrying this bunker on the right because beyond

1:07:38.080 --> 1:07:41.360
<v Speaker 1>that bunker, and concealed by the bunker is a kicker

1:07:41.400 --> 1:07:44.720
<v Speaker 1>slope that can feed your ball down to an ideal

1:07:44.760 --> 1:07:48.000
<v Speaker 1>position to attack the hole from there. So that's an

1:07:48.040 --> 1:07:51.400
<v Speaker 1>example where a bunker just sits very near the landing

1:07:51.480 --> 1:07:55.680
<v Speaker 1>zone that is most advantageous again strategic architecture one oh one.

1:07:56.560 --> 1:08:00.240
<v Speaker 1>The ninth hole is a classic strategic part four. The Sir,

1:08:00.320 --> 1:08:02.920
<v Speaker 1>you push toward the green, the more trouble you can

1:08:02.920 --> 1:08:05.720
<v Speaker 1>get into. But the green is so severe that you

1:08:05.800 --> 1:08:08.000
<v Speaker 1>really don't want to be approaching it from a long

1:08:08.040 --> 1:08:10.800
<v Speaker 1>way back. So nine definitely a hole to keep an

1:08:10.800 --> 1:08:13.080
<v Speaker 1>eye on in the walker cut, because I think it'll

1:08:13.120 --> 1:08:16.200
<v Speaker 1>be pretty exciting, and I think that the telecast will

1:08:16.200 --> 1:08:19.839
<v Speaker 1>probably be aware that this is a hole to focus

1:08:19.880 --> 1:08:22.280
<v Speaker 1>on that they don't need to keep the cameras always

1:08:22.280 --> 1:08:26.880
<v Speaker 1>on fifteen and sixteen seventeen. So Cypres's point really does.

1:08:27.000 --> 1:08:31.960
<v Speaker 1>It represents Mackenzie's commitment to strategic design, and Mackenzie himself

1:08:32.000 --> 1:08:34.960
<v Speaker 1>thought very highly of the tactical questions that the course

1:08:35.400 --> 1:08:38.040
<v Speaker 1>puts to the player. As I mentioned toward the beginning

1:08:38.080 --> 1:08:40.680
<v Speaker 1>of the episode, he compared Cypress Point favorably to the

1:08:40.720 --> 1:08:44.599
<v Speaker 1>Old Course at Saint Andrew's, which Mackenzie saw as the

1:08:44.680 --> 1:08:51.360
<v Speaker 1>exemplar of strategic risk reward architecture. Another and I think

1:08:51.479 --> 1:08:55.680
<v Speaker 1>related similarity that Mackenzie saw between Cypress Point and the

1:08:55.720 --> 1:09:00.280
<v Speaker 1>Old Course was playability. He wrote, Cypress Point share with

1:09:00.320 --> 1:09:02.760
<v Speaker 1>the old course at Saint Andrew's the distinction of being

1:09:02.960 --> 1:09:06.040
<v Speaker 1>just as pleasurable to the dub as the scratch man.

1:09:06.439 --> 1:09:09.679
<v Speaker 1>At no place is there a compulsory carry of more

1:09:09.720 --> 1:09:12.880
<v Speaker 1>than eighty yards, but at many holes there are voluntary

1:09:12.920 --> 1:09:15.559
<v Speaker 1>carries of two hundred to two hundred and fifty yards,

1:09:16.160 --> 1:09:20.280
<v Speaker 1>tempting the long drivers to great rewards. So Mackenzie believed

1:09:20.360 --> 1:09:23.680
<v Speaker 1>very strongly in golf courses delivering the greatest pleasure to

1:09:23.720 --> 1:09:26.000
<v Speaker 1>the greatest number, And in Cyprus Point you have a

1:09:26.040 --> 1:09:29.880
<v Speaker 1>course that can be navigated successfully by the average player,

1:09:30.439 --> 1:09:35.400
<v Speaker 1>but also provides optional but tempting challenges for more skilled

1:09:35.439 --> 1:09:39.160
<v Speaker 1>players to keep their interest and deliver them the pleasure

1:09:39.200 --> 1:09:42.760
<v Speaker 1>of overcoming challenges. The most obvious example of this is

1:09:42.800 --> 1:09:47.880
<v Speaker 1>the famous long par three sixteenth hole. So yes, very

1:09:47.880 --> 1:09:51.200
<v Speaker 1>difficult to reach this green with one shot, even today

1:09:51.320 --> 1:09:55.519
<v Speaker 1>with our juiced up equipment, but you always have the

1:09:55.560 --> 1:09:57.599
<v Speaker 1>option to hit one hundred and fifty to one hundred

1:09:57.600 --> 1:09:59.640
<v Speaker 1>and eighty yard shot out to a generous fairway on

1:09:59.640 --> 1:10:02.559
<v Speaker 1>the left and play a pitch into the green. Almost

1:10:02.640 --> 1:10:06.080
<v Speaker 1>anybody could play the whole pretty successfully that way. So

1:10:06.640 --> 1:10:11.439
<v Speaker 1>Cyprus Point is appealing to many levels of player, though,

1:10:11.479 --> 1:10:14.160
<v Speaker 1>I think, as you'll see in the Walker Cup, it's

1:10:14.280 --> 1:10:18.919
<v Speaker 1>not a long golf course, and some of those wonderful

1:10:18.920 --> 1:10:22.439
<v Speaker 1>strategic elements that are relevant to me and to and

1:10:22.520 --> 1:10:25.719
<v Speaker 1>to most of our listeners might not be super relevant

1:10:25.720 --> 1:10:28.439
<v Speaker 1>to twenty year olds who hit it three point fifty.

1:10:29.360 --> 1:10:32.920
<v Speaker 1>But that's a technological problem. I think that's a USGA

1:10:33.040 --> 1:10:36.960
<v Speaker 1>problem in RNA problem, not a Cypress Point problem. Yes,

1:10:37.000 --> 1:10:39.720
<v Speaker 1>they're going to be carrying bunkers that Mackenzie may have

1:10:39.840 --> 1:10:44.320
<v Speaker 1>never imagined that they would carry, but look, it's not

1:10:44.360 --> 1:10:47.760
<v Speaker 1>really his fault. He did his best to create a

1:10:47.760 --> 1:10:49.400
<v Speaker 1>golf course that would stand the test of time and

1:10:49.640 --> 1:10:52.320
<v Speaker 1>for most of us, I think it has the last

1:10:52.360 --> 1:10:55.519
<v Speaker 1>part of Mackenzie's philosophy of design at Cypress Point that

1:10:55.560 --> 1:10:58.519
<v Speaker 1>I want to touch on is the visual element. So

1:10:59.160 --> 1:11:03.799
<v Speaker 1>first you have some classic Mackenzie visual deception on many holes.

1:11:04.360 --> 1:11:07.960
<v Speaker 1>Mackenzie believed in creating golf courses that looked more difficult

1:11:08.000 --> 1:11:11.599
<v Speaker 1>than they actually were, so that mentally strong players could

1:11:11.640 --> 1:11:16.120
<v Speaker 1>gain an advantage over the merely physical, physically strong player,

1:11:16.920 --> 1:11:19.919
<v Speaker 1>and so that players could have the pleasure of overcoming

1:11:19.960 --> 1:11:22.680
<v Speaker 1>a difficult looking hazard, even if the task wasn't as

1:11:22.680 --> 1:11:24.760
<v Speaker 1>hard as it appeared, right. We all like to do

1:11:24.840 --> 1:11:27.640
<v Speaker 1>something that looks difficult, even if we're just kind of

1:11:27.640 --> 1:11:32.320
<v Speaker 1>fooling ourselves that it actually is difficult. And that's mackenzie's

1:11:32.400 --> 1:11:35.120
<v Speaker 1>use of a visual deception or why he does it.

1:11:35.600 --> 1:11:37.680
<v Speaker 1>And the best examples of this at Cyprus Point are

1:11:37.720 --> 1:11:40.920
<v Speaker 1>the fourth and fifth holes. I think both appear from

1:11:40.920 --> 1:11:44.120
<v Speaker 1>the tee to be just these fields of bunkers. It

1:11:44.160 --> 1:11:47.479
<v Speaker 1>looks like there's a very little room to play between

1:11:47.520 --> 1:11:50.200
<v Speaker 1>the bunkers, but when you get up to the fairway,

1:11:50.800 --> 1:11:54.040
<v Speaker 1>you realize that the bunkers are shaped and arranged in

1:11:54.120 --> 1:11:58.840
<v Speaker 1>a way that conceals how roomy the landing zones actually are.

1:11:59.080 --> 1:12:02.320
<v Speaker 1>But I think even more than visual deception, which is

1:12:02.360 --> 1:12:04.160
<v Speaker 1>something that people talk a lot about when it comes

1:12:04.200 --> 1:12:09.920
<v Speaker 1>to Mackenzie, his greatest visual accomplishment at Cypress Point was

1:12:10.000 --> 1:12:15.559
<v Speaker 1>the blending of the artificial and the natural. Obviously McKenzie's

1:12:15.560 --> 1:12:19.120
<v Speaker 1>associate Robert Hunter and their construction team deserve a lot

1:12:19.160 --> 1:12:21.639
<v Speaker 1>of credit for this too, But I would say Cypress

1:12:21.640 --> 1:12:25.200
<v Speaker 1>Point is the most beautifully shaped golf course that I

1:12:25.280 --> 1:12:27.960
<v Speaker 1>know of from the golden age of golf architecture. I

1:12:29.000 --> 1:12:31.280
<v Speaker 1>don't know if it was ever done better than this.

1:12:31.960 --> 1:12:35.479
<v Speaker 1>Maybe more recently Corn Crenshaw and Tom Doaks's teams have

1:12:35.880 --> 1:12:40.160
<v Speaker 1>kind of reached this level, But in the nineteen teens

1:12:40.160 --> 1:12:44.080
<v Speaker 1>and twenties, I'm not sure anybody got to quite this level.

1:12:44.120 --> 1:12:48.080
<v Speaker 1>It's just pitch perfect tie ins between the bunkers and

1:12:48.120 --> 1:12:50.840
<v Speaker 1>the greens and the surrounding landforms.

1:12:51.280 --> 1:12:54.479
<v Speaker 4>The seventh hole, I feel like is on that one.

1:12:54.600 --> 1:12:56.880
<v Speaker 5>You just can't believe where that green is for such

1:12:56.920 --> 1:13:01.160
<v Speaker 5>a it seems reasonably short part three for nowadays, and

1:13:01.280 --> 1:13:03.280
<v Speaker 5>it just it looks like it was, you know, meant

1:13:03.280 --> 1:13:03.760
<v Speaker 5>to be there.

1:13:04.640 --> 1:13:09.360
<v Speaker 1>Yeah, it's it's so beautifully blended into that big dune ridge, right.

1:13:09.520 --> 1:13:13.280
<v Speaker 1>And that was actually a hole that came about later

1:13:13.439 --> 1:13:17.439
<v Speaker 1>in the design process. Initially there was a par three

1:13:18.160 --> 1:13:21.160
<v Speaker 1>sixth hole that was kind of in the forest, but

1:13:21.240 --> 1:13:24.800
<v Speaker 1>I think they probably just got up on that on

1:13:24.920 --> 1:13:28.240
<v Speaker 1>that dune and saw this shot across to the bigger

1:13:28.320 --> 1:13:32.200
<v Speaker 1>dune ridge and we're like, well, look at that. That

1:13:32.240 --> 1:13:32.839
<v Speaker 1>looks amazing.

1:13:32.840 --> 1:13:35.800
<v Speaker 4>It looks so daunting but beautiful at the same time.

1:13:36.439 --> 1:13:39.040
<v Speaker 1>Yeah, I think that's a good way to put how

1:13:39.080 --> 1:13:42.240
<v Speaker 1>Cypress Point looks. In general. It does look like a

1:13:42.360 --> 1:13:47.000
<v Speaker 1>very daunting golf course. But it's just it's gorgeous. It

1:13:47.080 --> 1:13:52.760
<v Speaker 1>is esthetically fine tuned to a degree that that I'm

1:13:52.760 --> 1:13:56.639
<v Speaker 1>not sure golf architecture is ever equaled. Okay, I want

1:13:56.640 --> 1:13:58.639
<v Speaker 1>to say a few things now about the greed green

1:13:58.720 --> 1:14:03.360
<v Speaker 1>designs at Cypress Point. By Mackenzie's standards, and especially by

1:14:03.400 --> 1:14:06.479
<v Speaker 1>the standards of his late career work, the greens at

1:14:06.800 --> 1:14:10.360
<v Speaker 1>Cypress Point are fairly subtle. They're not huge, and a

1:14:10.360 --> 1:14:12.840
<v Speaker 1>lot of them just tilt in a certain direction or

1:14:12.880 --> 1:14:16.879
<v Speaker 1>have a single big tier. Some of them are quite severe,

1:14:17.000 --> 1:14:19.479
<v Speaker 1>to the point that it's hard in some cases to

1:14:19.600 --> 1:14:21.400
<v Speaker 1>keep the ball on the green if you're putting down

1:14:21.439 --> 1:14:24.600
<v Speaker 1>a slope. But they're not nearly as intricate as the

1:14:24.640 --> 1:14:27.680
<v Speaker 1>greens Mackenzie and Hunter are built at Pasa Tiempo or

1:14:27.720 --> 1:14:31.240
<v Speaker 1>Augusta National. There are a couple of exceptions to this

1:14:31.560 --> 1:14:34.560
<v Speaker 1>at Cyprus. The eighth green is pretty ambitious. It's a

1:14:34.640 --> 1:14:38.120
<v Speaker 1>lot like a CB MacDonald and SETH Rayner Maiden template,

1:14:38.200 --> 1:14:41.880
<v Speaker 1>which means there's a low front section and two raised

1:14:41.920 --> 1:14:45.400
<v Speaker 1>platforms in the back with a channel between them, so

1:14:45.560 --> 1:14:49.880
<v Speaker 1>three basic pin positions front, center, back, left, back right.

1:14:50.960 --> 1:14:54.559
<v Speaker 1>So that's a fairly crazy green, and then you have

1:14:54.560 --> 1:14:58.960
<v Speaker 1>the fifteenth green, which has this odd amoeba shape with

1:14:59.360 --> 1:15:03.160
<v Speaker 1>the tongues jutting out between bunkers. It was a style

1:15:03.240 --> 1:15:06.840
<v Speaker 1>that Mackenzie and Hunter later used at Pasa Tiempo, and

1:15:06.840 --> 1:15:09.800
<v Speaker 1>that Mackenzie employed at Augusta National as well in the

1:15:09.840 --> 1:15:14.600
<v Speaker 1>original version of that golf course. And you see it

1:15:14.640 --> 1:15:17.800
<v Speaker 1>there on the fifteenth green at Cypress Point, but not

1:15:17.920 --> 1:15:23.040
<v Speaker 1>really at many other greens. In general, Cypress's greens are

1:15:23.520 --> 1:15:26.040
<v Speaker 1>simple and elegant, and I think that that suits the

1:15:26.080 --> 1:15:30.240
<v Speaker 1>property and the course. Well. There's so much interest in

1:15:30.280 --> 1:15:34.880
<v Speaker 1>the land and the bunkers, so much interest in what's

1:15:34.920 --> 1:15:37.960
<v Speaker 1>going on with the routing, the undulations and the fairways.

1:15:38.439 --> 1:15:41.479
<v Speaker 1>You just don't need wild greens, and in fact, wild

1:15:41.560 --> 1:15:44.720
<v Speaker 1>greens might distract from what you want the golfer to

1:15:44.760 --> 1:15:48.200
<v Speaker 1>be focusing on, which is those big strengths of Cypress,

1:15:48.439 --> 1:15:52.040
<v Speaker 1>the land and the routing. That said, I do think

1:15:52.080 --> 1:15:55.760
<v Speaker 1>the greens were slightly more complex in Mackenzie's day, and

1:15:55.800 --> 1:16:00.320
<v Speaker 1>that leads me to the issue of restoration work at Cypress. Now,

1:16:00.360 --> 1:16:04.160
<v Speaker 1>Cypress is a very well preserved golf course and this

1:16:04.200 --> 1:16:08.439
<v Speaker 1>is something that the club emphasizes We never rebuilt our

1:16:08.439 --> 1:16:11.320
<v Speaker 1>golf course, is what they say, and that is true.

1:16:11.720 --> 1:16:16.360
<v Speaker 1>Cypress Point still has its original push up greens and

1:16:16.560 --> 1:16:21.040
<v Speaker 1>the turf, which was initially astoria bent grass has evolved

1:16:21.360 --> 1:16:24.479
<v Speaker 1>over the past century just basically stayed in place. There's

1:16:24.520 --> 1:16:27.839
<v Speaker 1>more poa now than there used to be. That's mostly

1:16:27.920 --> 1:16:31.439
<v Speaker 1>just an inevitability on the California coast. You know that

1:16:32.000 --> 1:16:34.680
<v Speaker 1>bent grass is going to evolve into this kind of

1:16:34.720 --> 1:16:39.919
<v Speaker 1>poa mixture. But there's never been a big returfing project

1:16:39.960 --> 1:16:45.759
<v Speaker 1>where some modern strain was installed. Clearly though the course

1:16:45.880 --> 1:16:49.639
<v Speaker 1>did gradually drift away from its original design. Some trees

1:16:49.640 --> 1:16:52.839
<v Speaker 1>are planted, some bunkers got smaller or were just lost.

1:16:53.280 --> 1:16:56.840
<v Speaker 1>A lot of greens shrank to basically circles. So just

1:16:57.000 --> 1:17:01.120
<v Speaker 1>you know, attrition over time maintenance practices is they didn't

1:17:01.120 --> 1:17:04.080
<v Speaker 1>rebuild anything but the course, but the course just sort

1:17:04.120 --> 1:17:07.880
<v Speaker 1>of grew in at the edges. So if you look

1:17:07.920 --> 1:17:10.639
<v Speaker 1>at photos of Cyprus in the in the seventies and eighties,

1:17:11.160 --> 1:17:16.000
<v Speaker 1>it's still recognizable, but it had changed a lot since

1:17:16.560 --> 1:17:21.719
<v Speaker 1>the twenties and thirties, and so Cypress has definitely done

1:17:21.760 --> 1:17:24.639
<v Speaker 1>restoration work over the past few decades, and they had

1:17:24.640 --> 1:17:28.320
<v Speaker 1>to do restoration work. This was initially in house and

1:17:28.840 --> 1:17:32.080
<v Speaker 1>for the past decade or so with Bill, Bill Kohrr

1:17:32.160 --> 1:17:37.080
<v Speaker 1>and Ben Crenshaw consulting, and their approach has been very

1:17:37.120 --> 1:17:44.639
<v Speaker 1>careful and very slow. They've gradually restored bunkers, put bunkers

1:17:44.680 --> 1:17:48.599
<v Speaker 1>back that had been lost, or reshaped bunkers to their

1:17:48.600 --> 1:17:53.120
<v Speaker 1>original style, or enlarged bunkers that had gotten smaller. They

1:17:53.160 --> 1:17:56.320
<v Speaker 1>pushed out mowing lines, They took out a tree here

1:17:56.360 --> 1:17:59.479
<v Speaker 1>and there. One of the biggest projects the club did

1:17:59.520 --> 1:18:02.760
<v Speaker 1>recently restoring the Dunescape. Actually they cleared out a lot

1:18:02.800 --> 1:18:06.000
<v Speaker 1>of the vegetation that had started to cover up the sand,

1:18:06.160 --> 1:18:10.240
<v Speaker 1>and so the dunes now look amazing because they've been

1:18:10.600 --> 1:18:13.800
<v Speaker 1>revealed again. At one point they were pretty grown over.

1:18:15.320 --> 1:18:18.960
<v Speaker 1>I love this approach because the course still feels old,

1:18:19.240 --> 1:18:22.599
<v Speaker 1>it still feels like its original self. It's never been

1:18:22.920 --> 1:18:27.679
<v Speaker 1>rebuilt or redone still has the actual Mackenzie and Hunter

1:18:27.920 --> 1:18:31.600
<v Speaker 1>architecture in the ground. They've never torn it up and

1:18:31.720 --> 1:18:35.360
<v Speaker 1>replaced it, and I think that's amazing. But if you

1:18:35.439 --> 1:18:38.320
<v Speaker 1>look at the earliest photos of Cyprus Point, especially the

1:18:38.320 --> 1:18:41.879
<v Speaker 1>ones taken by Julian Graham in the early nineteen thirties.

1:18:42.400 --> 1:18:44.519
<v Speaker 1>You can see that a lot of the greens used

1:18:44.520 --> 1:18:46.719
<v Speaker 1>to be a bit bigger even than they are now,

1:18:47.520 --> 1:18:50.760
<v Speaker 1>that maybe some of their contouring was a little more detailed,

1:18:51.640 --> 1:18:57.080
<v Speaker 1>some fairways used to be wider, Just little things like that, Right, So,

1:18:57.120 --> 1:18:59.439
<v Speaker 1>I do think there's more restoration work to do, and

1:18:59.479 --> 1:19:02.360
<v Speaker 1>I'm not saying that I think everything should be put

1:19:02.439 --> 1:19:04.639
<v Speaker 1>back to exactly what it was in nineteen twenty eight.

1:19:04.680 --> 1:19:06.960
<v Speaker 1>You have to let courses evolve, and you have to

1:19:06.960 --> 1:19:10.559
<v Speaker 1>trust some of your own current preferences. But those Julian

1:19:10.640 --> 1:19:14.679
<v Speaker 1>Graham photos are pretty tantalizing, and I think they show

1:19:14.720 --> 1:19:18.320
<v Speaker 1>a few details that would be good to bring back.

1:19:18.880 --> 1:19:21.639
<v Speaker 5>You mentioned that some of the greens used to be larger,

1:19:21.680 --> 1:19:23.840
<v Speaker 5>and obviously you've also mentioned quite a few times the

1:19:23.880 --> 1:19:26.640
<v Speaker 5>technology differences that we have now than they had in

1:19:26.720 --> 1:19:28.680
<v Speaker 5>nineteen twenty eight. Is that one that you would like

1:19:28.720 --> 1:19:31.160
<v Speaker 5>to see restored or you like the added challenge of

1:19:31.200 --> 1:19:32.720
<v Speaker 5>a little bit smaller greens?

1:19:33.439 --> 1:19:36.599
<v Speaker 1>Well, yeah, that's an interesting question. Is are smaller greens

1:19:36.680 --> 1:19:40.680
<v Speaker 1>actually more challenging. I guess it depends on what's immediately

1:19:40.720 --> 1:19:42.639
<v Speaker 1>on the border of the greens. If it's just rough

1:19:42.680 --> 1:19:46.320
<v Speaker 1>for short grass, I don't know that they are necessarily

1:19:46.720 --> 1:19:50.400
<v Speaker 1>more challenging if they're smaller. But I think what you

1:19:50.479 --> 1:19:55.000
<v Speaker 1>do when you expand greens back to their original size,

1:19:55.120 --> 1:19:57.040
<v Speaker 1>and for the most part, Cyper's Point has done a

1:19:57.120 --> 1:20:00.320
<v Speaker 1>lot of this over the past couple of decades. The

1:20:00.360 --> 1:20:03.120
<v Speaker 1>greens had really gotten to be small by the eighties

1:20:04.439 --> 1:20:07.479
<v Speaker 1>and they've definitely enlarged them since then and recaptured some

1:20:07.600 --> 1:20:11.200
<v Speaker 1>of their contouring on the edges and the size. But

1:20:11.320 --> 1:20:16.519
<v Speaker 1>what you do when you recapture more green surface is

1:20:16.520 --> 1:20:20.280
<v Speaker 1>that you allow for pin positions out on the edges

1:20:20.320 --> 1:20:23.719
<v Speaker 1>of the greens, and those pin positions can be very challenging.

1:20:24.320 --> 1:20:27.480
<v Speaker 1>It means that you give your golf course more flexibility

1:20:27.880 --> 1:20:30.640
<v Speaker 1>to challenge skilled players like the ones who are going

1:20:30.720 --> 1:20:33.200
<v Speaker 1>to arrive at the course for the Walker Cup. If

1:20:33.200 --> 1:20:35.760
<v Speaker 1>you I mean in a match play event, maybe there's

1:20:35.760 --> 1:20:38.680
<v Speaker 1>no reason to try to manufacture a score to par

1:20:39.560 --> 1:20:42.280
<v Speaker 1>that you want because that doesn't matter. But if you

1:20:42.360 --> 1:20:46.400
<v Speaker 1>really want to make these guys bleed a little bit,

1:20:47.040 --> 1:20:49.599
<v Speaker 1>then expanding your greens can be a good idea because

1:20:49.600 --> 1:20:51.880
<v Speaker 1>it allows you to put some of those pins in

1:20:51.920 --> 1:20:55.479
<v Speaker 1>scary places. And I think that in a few cases

1:20:55.479 --> 1:20:59.519
<v Speaker 1>at Cyprus Point that's what they could do specifically on

1:20:59.560 --> 1:21:02.759
<v Speaker 1>the seventh. It's funny that you mentioned the seventh hole earlier.

1:21:03.360 --> 1:21:06.639
<v Speaker 1>It is such a beautiful hole. If you look at

1:21:06.680 --> 1:21:10.280
<v Speaker 1>an early photo of that hole, you can see that

1:21:10.360 --> 1:21:15.160
<v Speaker 1>there's more green in front that could be recaptured there.

1:21:15.479 --> 1:21:17.960
<v Speaker 1>There was a section of the green in the front

1:21:18.280 --> 1:21:20.400
<v Speaker 1>a little bit lower than the rest of the green

1:21:21.160 --> 1:21:23.960
<v Speaker 1>that was there in the late nineteen twenties.

1:21:24.240 --> 1:21:26.120
<v Speaker 5>Yes, now like fringe, right, it said run up for

1:21:26.320 --> 1:21:28.040
<v Speaker 5>almost false front, run up fringe.

1:21:28.240 --> 1:21:33.439
<v Speaker 1>That's right exactly. So that's a key question for the

1:21:33.439 --> 1:21:36.680
<v Speaker 1>club looking at those details and considering, hey, do we

1:21:36.720 --> 1:21:39.000
<v Speaker 1>want to bring that back? All right, So we've covered

1:21:39.240 --> 1:21:44.719
<v Speaker 1>land routing, design philosophy, greens, restoration work. That's my overview

1:21:44.840 --> 1:21:47.600
<v Speaker 1>of Cypress Points architecture. I think it's time now to

1:21:47.640 --> 1:21:50.759
<v Speaker 1>bring in Josh Pettitt to tell a few fun stories

1:21:51.120 --> 1:22:03.679
<v Speaker 1>about specific holes and design ideas. Here's Josh Joshua Pettitt.

1:22:03.680 --> 1:22:05.639
<v Speaker 1>Welcome back to the podcast. How are you doing.

1:22:05.800 --> 1:22:07.639
<v Speaker 2>I'm doing great. Always good to chat with you. Garrett.

1:22:07.640 --> 1:22:08.200
<v Speaker 2>How are you.

1:22:09.080 --> 1:22:13.280
<v Speaker 1>I'm doing well. Just putting the finishing touches on the

1:22:13.320 --> 1:22:16.719
<v Speaker 1>Cyprus Point deep dive. Here we've gotten to the point

1:22:16.800 --> 1:22:20.040
<v Speaker 1>in this episode where we want to get a little

1:22:20.040 --> 1:22:24.120
<v Speaker 1>more fine grained about a couple of issues related to

1:22:24.240 --> 1:22:27.120
<v Speaker 1>this golf course. We've kind of gone through a bunch

1:22:27.200 --> 1:22:30.000
<v Speaker 1>of material, but here's, you know, where we can kind

1:22:30.000 --> 1:22:34.080
<v Speaker 1>of get more specific about a few things that happened

1:22:34.120 --> 1:22:40.640
<v Speaker 1>during the construction process or particular holes that have interesting backstories.

1:22:41.200 --> 1:22:44.160
<v Speaker 1>And so you and I talked about this beforehand, but

1:22:45.479 --> 1:22:49.000
<v Speaker 1>we have kind of three topics to cover quickly here.

1:22:50.040 --> 1:22:53.640
<v Speaker 1>The first is the story behind the sixteenth hole. So

1:22:53.720 --> 1:22:56.040
<v Speaker 1>what do you want to tell me about the famous

1:22:56.479 --> 1:23:00.200
<v Speaker 1>long part three sixteenth hole over the ocean. Everybody knows

1:23:00.240 --> 1:23:04.479
<v Speaker 1>this whole? What's the kind of interesting backstory here?

1:23:05.520 --> 1:23:09.360
<v Speaker 2>Possibly the most photographed hole in golf? I think the

1:23:09.400 --> 1:23:13.640
<v Speaker 2>interesting backstory is the question of was it intended to

1:23:13.640 --> 1:23:16.160
<v Speaker 2>be a short part four, a two shotthle or was

1:23:16.200 --> 1:23:18.639
<v Speaker 2>it always intended to be a part three? And there's

1:23:18.640 --> 1:23:21.720
<v Speaker 2>been a lot of conversation and debate about this, But

1:23:21.960 --> 1:23:25.160
<v Speaker 2>if you look back through the correspondence, if you look

1:23:25.200 --> 1:23:28.400
<v Speaker 2>back at some of doctor Mackenzie's writings where he wrote

1:23:28.400 --> 1:23:33.120
<v Speaker 2>about this in the spirit of Saint Andrew's and also

1:23:33.200 --> 1:23:36.040
<v Speaker 2>in a few other articles that he published, and if

1:23:36.080 --> 1:23:40.080
<v Speaker 2>you analyze all the various routing maps drawn by McKenzie,

1:23:41.040 --> 1:23:46.719
<v Speaker 2>Rayner before that, other surveyors that surveyed the routings after

1:23:46.800 --> 1:23:48.720
<v Speaker 2>McKenzie had put us together. If you look at all

1:23:48.760 --> 1:23:52.920
<v Speaker 2>those various routing maps, there's all these clues. And then

1:23:53.400 --> 1:23:57.559
<v Speaker 2>you combine that also with scorecards at different times in

1:23:57.560 --> 1:24:03.160
<v Speaker 2>those early years, and there's sort of this mystery. But

1:24:03.840 --> 1:24:06.000
<v Speaker 2>when I put it all together, I think it was

1:24:06.560 --> 1:24:09.479
<v Speaker 2>clearly it was always at the end of the day

1:24:09.479 --> 1:24:11.760
<v Speaker 2>when the course opened. It was a part three. But

1:24:13.080 --> 1:24:16.200
<v Speaker 2>certainly mackenzie initially thought it would work better as a

1:24:16.200 --> 1:24:22.280
<v Speaker 2>short part for the story that he recounts is via

1:24:22.360 --> 1:24:26.120
<v Speaker 2>maryon Hollins from Seth Rayner before Seth Rayner passed away.

1:24:26.160 --> 1:24:29.240
<v Speaker 2>So as you may have already talked about or people

1:24:29.280 --> 1:24:32.200
<v Speaker 2>may know, is Beth Rayner laid out the original routing

1:24:32.280 --> 1:24:36.360
<v Speaker 2>on the property. But then he passed away in January

1:24:36.439 --> 1:24:39.320
<v Speaker 2>of nineteen twenty six, right as mackenzie happened to be

1:24:39.360 --> 1:24:43.840
<v Speaker 2>making its way out to California. So when Seth Rayner

1:24:43.960 --> 1:24:46.880
<v Speaker 2>was on the what they identified as like the tea pad,

1:24:47.280 --> 1:24:49.400
<v Speaker 2>there was this perfect little spot for a tea box

1:24:49.880 --> 1:24:54.200
<v Speaker 2>with Marion Hollins. Seth Rayner said to Mary, it's a

1:24:54.240 --> 1:24:57.160
<v Speaker 2>pity that the carryover the ocean is just too long.

1:24:57.760 --> 1:25:01.559
<v Speaker 2>It wouldn't make for a part three. And Marion said,

1:25:01.920 --> 1:25:04.640
<v Speaker 2>I don't think it's impossible to carry and then she

1:25:04.720 --> 1:25:06.439
<v Speaker 2>teed it up and hit it and cleared it and

1:25:06.520 --> 1:25:09.160
<v Speaker 2>hit it right to the center of what they had

1:25:09.360 --> 1:25:14.320
<v Speaker 2>identified as the ideal green site. So that was recounted

1:25:14.320 --> 1:25:17.639
<v Speaker 2>to mackenzie later when he was on site with Marion Hollins,

1:25:18.240 --> 1:25:23.679
<v Speaker 2>and he was a bit suspect of how it would play,

1:25:24.120 --> 1:25:27.160
<v Speaker 2>but ultimately because the main thing that he was concerned

1:25:27.200 --> 1:25:31.599
<v Speaker 2>about was ensuring that there were enough routes to the whole,

1:25:31.720 --> 1:25:35.160
<v Speaker 2>safe routes to the whole that golfers of any skill

1:25:35.240 --> 1:25:37.919
<v Speaker 2>level could get there if they wanted to take an alternate,

1:25:37.960 --> 1:25:42.240
<v Speaker 2>longer route. And so when they ultimately played with some

1:25:42.280 --> 1:25:47.799
<v Speaker 2>different tea positions and they looked at that fairways zone

1:25:47.880 --> 1:25:52.439
<v Speaker 2>where that lone cypress tree is, McKenzie finally acquiesced and said,

1:25:52.560 --> 1:25:57.040
<v Speaker 2>I you know, I think it'll work quite well. So

1:25:57.080 --> 1:25:59.040
<v Speaker 2>there's a quote you know that Mackenzie has in his

1:25:59.080 --> 1:26:03.200
<v Speaker 2>books saying, and he says, to give honor to where

1:26:03.200 --> 1:26:07.439
<v Speaker 2>it's due I must say that except for minor details

1:26:07.439 --> 1:26:10.559
<v Speaker 2>and his instruction, I was no way responsible for this hole.

1:26:11.120 --> 1:26:13.919
<v Speaker 2>It was largely due to the vision of Miss Marion Hollins.

1:26:14.479 --> 1:26:17.880
<v Speaker 2>So he's kind of like saying, you know, I get

1:26:17.920 --> 1:26:22.280
<v Speaker 2>no credit for this, This was all her. And then

1:26:22.320 --> 1:26:23.960
<v Speaker 2>he said, you know, I doubt that this hole could

1:26:24.000 --> 1:26:27.479
<v Speaker 2>be considered ideal because of what we said. How you know,

1:26:27.520 --> 1:26:29.960
<v Speaker 2>there may not be the opportunities for the shorter hitters

1:26:30.000 --> 1:26:34.479
<v Speaker 2>to clear it, because I feared that with other Cyprus

1:26:34.479 --> 1:26:37.400
<v Speaker 2>Port holes there was not sufficiently easy route for the

1:26:37.400 --> 1:26:40.160
<v Speaker 2>weaker player. My mind was set at rest a few

1:26:40.200 --> 1:26:42.280
<v Speaker 2>months ago. So this is when he was on site

1:26:42.280 --> 1:26:47.920
<v Speaker 2>in nineteen twenty seven, his second second site visit. So

1:26:48.160 --> 1:26:50.200
<v Speaker 2>but the interesting thing to me, going back to the

1:26:50.280 --> 1:26:53.640
<v Speaker 2>routing plans, is that he still depicted a route for

1:26:53.680 --> 1:26:57.400
<v Speaker 2>a two shot hole with a te much further back

1:26:57.439 --> 1:26:59.439
<v Speaker 2>that would have played it like three point fifty. That

1:26:59.560 --> 1:27:03.160
<v Speaker 2>was the yardage that was listed on some of the

1:27:03.240 --> 1:27:06.560
<v Speaker 2>routing plans, and on the scorecard was that three fifty yardage.

1:27:06.960 --> 1:27:08.800
<v Speaker 2>And what's peculiar to me it could have just been

1:27:08.840 --> 1:27:12.719
<v Speaker 2>a misprint, is that in an article that was published

1:27:13.640 --> 1:27:16.880
<v Speaker 2>after the course had already opened. It was lifted as

1:27:16.920 --> 1:27:21.479
<v Speaker 2>three hundred fifty yards from the back tee. So the

1:27:21.560 --> 1:27:24.240
<v Speaker 2>question in my mind has always been, was there ever

1:27:24.280 --> 1:27:26.760
<v Speaker 2>a back tee pad to begin with, like maybe an

1:27:26.760 --> 1:27:32.400
<v Speaker 2>optional thing or or not. It's kind of unclear. I've

1:27:32.400 --> 1:27:34.760
<v Speaker 2>never seen any photographic evidence to show that that tea

1:27:34.840 --> 1:27:39.280
<v Speaker 2>was ever built back there. But oh, and the other

1:27:39.320 --> 1:27:42.040
<v Speaker 2>interesting thing I think Mackenzie lays out is that he

1:27:42.160 --> 1:27:45.960
<v Speaker 2>realized if you look at that fairway, there's that one

1:27:46.320 --> 1:27:48.120
<v Speaker 2>the lone cypress tree that's hanging.

1:27:47.920 --> 1:27:51.800
<v Speaker 1>Over and the lap lay up fairway on sixteen.

1:27:52.040 --> 1:27:55.639
<v Speaker 2>Exactly, and the landform is such that if you kind

1:27:55.680 --> 1:27:59.200
<v Speaker 2>of aim at that tree, if you're if you're trying

1:27:59.200 --> 1:28:01.639
<v Speaker 2>to take the safe route, if you aim at that tree,

1:28:02.400 --> 1:28:04.160
<v Speaker 2>and if you're a writing handed player, you hit a

1:28:04.160 --> 1:28:07.920
<v Speaker 2>bit of a fade, then that landform will like kick

1:28:07.960 --> 1:28:10.559
<v Speaker 2>you right down to the green and you'll probably end

1:28:10.640 --> 1:28:12.160
<v Speaker 2>up like just short of the green, and you'll have

1:28:12.200 --> 1:28:15.720
<v Speaker 2>a fairly easy up and down or reasonable chance of

1:28:15.760 --> 1:28:16.800
<v Speaker 2>getting up and down for a par.

1:28:18.439 --> 1:28:22.680
<v Speaker 1>All right, So the eighteenth hole. I understand that the

1:28:22.800 --> 1:28:26.679
<v Speaker 1>par four eighteenth hole cypress point much maligned. In fact,

1:28:26.720 --> 1:28:29.679
<v Speaker 1>you know, cypress I often called, as I mentioned earlier

1:28:29.680 --> 1:28:32.280
<v Speaker 1>in this episode, the greatest seventeenth hole course in the world.

1:28:32.560 --> 1:28:35.680
<v Speaker 1>I don't like that line. I think it's unfair to

1:28:35.760 --> 1:28:39.680
<v Speaker 1>the eighteenth hole. That the eighteenth hole is actually quite interesting,

1:28:39.720 --> 1:28:43.439
<v Speaker 1>and so I'll defend it. But on a separate subject

1:28:43.479 --> 1:28:46.960
<v Speaker 1>from whether the eighteenth hole is good or not. There

1:28:47.680 --> 1:28:51.160
<v Speaker 1>was an idea for a tea box on the eighteenth

1:28:51.240 --> 1:28:53.519
<v Speaker 1>hole that was pretty provocative, right.

1:28:55.160 --> 1:28:58.160
<v Speaker 2>That's right. If you're ever fortunate to be out there

1:28:58.280 --> 1:29:00.519
<v Speaker 2>standing on the eighteenth tee and you look behind you

1:29:00.600 --> 1:29:06.280
<v Speaker 2>out in the ocean, there's this island rock that's isolated

1:29:06.280 --> 1:29:10.240
<v Speaker 2>from the rest of the coast, and the idea was

1:29:10.320 --> 1:29:13.840
<v Speaker 2>again looking at all these routing maps, to have a

1:29:13.880 --> 1:29:18.320
<v Speaker 2>tea box back there, and the whole would have played significant.

1:29:18.320 --> 1:29:20.240
<v Speaker 2>It would have played I measured it out. I think

1:29:20.240 --> 1:29:22.960
<v Speaker 2>it would have been about an extra eighty yards and

1:29:22.960 --> 1:29:26.280
<v Speaker 2>that hole already plays uphill, so you know currently from

1:29:26.080 --> 1:29:29.559
<v Speaker 2>the back tee it plays like three forty five, and

1:29:29.840 --> 1:29:32.680
<v Speaker 2>had that tea been built out on the rock, it

1:29:32.680 --> 1:29:37.040
<v Speaker 2>would have played four twenty five or four thirty. The

1:29:37.080 --> 1:29:39.840
<v Speaker 2>tea didn't get built, and there's always been this cartion

1:29:39.960 --> 1:29:47.120
<v Speaker 2>as to why, and my sense is there's a couple

1:29:47.200 --> 1:29:53.280
<v Speaker 2>of factors there. One we do know that you know,

1:29:53.400 --> 1:29:57.840
<v Speaker 2>after the course opened in twenty eight and the course

1:29:57.920 --> 1:30:02.880
<v Speaker 2>was in play, then you know, obviously the depression hit

1:30:03.160 --> 1:30:05.800
<v Speaker 2>end of nineteen twenty nine and nineteen thirty. But by

1:30:05.960 --> 1:30:10.200
<v Speaker 2>nineteen thirty one they had engaged an engineer to do

1:30:10.240 --> 1:30:15.519
<v Speaker 2>a plan for a suspension bridge. So in the back

1:30:15.560 --> 1:30:18.200
<v Speaker 2>of Jeff Shackelbert's book, which is a beautiful book I

1:30:18.240 --> 1:30:22.080
<v Speaker 2>highly recommend it, there's a detailed plan by an engineer

1:30:22.080 --> 1:30:24.559
<v Speaker 2>for a suspension bridge to be built, and that's from

1:30:24.640 --> 1:30:28.599
<v Speaker 2>October nineteen thirty one. So they were still looking at

1:30:28.600 --> 1:30:32.560
<v Speaker 2>it as an option at least at that point, and

1:30:34.720 --> 1:30:39.360
<v Speaker 2>it never got built. And my sense is Mackenzie probably

1:30:40.400 --> 1:30:44.000
<v Speaker 2>this is sort of my speculation, he probably liked the

1:30:44.080 --> 1:30:46.360
<v Speaker 2>idea that it would be a cool alternate tea but

1:30:46.439 --> 1:30:50.280
<v Speaker 2>probably was always a little suspect of how practical it

1:30:50.280 --> 1:30:54.280
<v Speaker 2>would be to build and to maintain. But nevertheless they

1:30:54.280 --> 1:30:56.639
<v Speaker 2>did a plan for the bridge. It didn't get built.

1:30:57.160 --> 1:31:00.640
<v Speaker 2>I do recount a story also that there was a

1:31:00.640 --> 1:31:03.559
<v Speaker 2>a land swap at one point with the adjacent land

1:31:04.120 --> 1:31:07.720
<v Speaker 2>that sits right next to the tea box, which is

1:31:07.760 --> 1:31:11.800
<v Speaker 2>now used as like a parking lot for tourists to

1:31:11.880 --> 1:31:15.439
<v Speaker 2>stop there and look out at the ocean. And so

1:31:15.640 --> 1:31:17.640
<v Speaker 2>I don't know if it was just a factor of

1:31:17.720 --> 1:31:21.599
<v Speaker 2>like that. If you look at the property line now,

1:31:21.880 --> 1:31:25.040
<v Speaker 2>it kind of cuts in in a way where the

1:31:25.240 --> 1:31:28.640
<v Speaker 2>angle from that rock. Even if they still own the

1:31:28.720 --> 1:31:31.280
<v Speaker 2>land where the rock was, technically it would have been

1:31:31.400 --> 1:31:36.240
<v Speaker 2>just a crammed angle. So that could have been ultimately

1:31:36.240 --> 1:31:37.760
<v Speaker 2>the reason, or it could have just come down to

1:31:37.760 --> 1:31:39.880
<v Speaker 2>the fact that they decided they didn't want to spend

1:31:39.920 --> 1:31:42.800
<v Speaker 2>the capital, you know, in the early thirties, in the

1:31:42.800 --> 1:31:43.679
<v Speaker 2>midst of the depression.

1:31:47.320 --> 1:31:52.920
<v Speaker 1>Here, by the way, is the plan in Jeff Shackelford's book.

1:31:52.920 --> 1:31:55.360
<v Speaker 1>I'm holding it up to the camera. This is a

1:31:55.479 --> 1:31:58.040
<v Speaker 1>very good audio. But if you see the YouTube version

1:31:58.080 --> 1:32:01.160
<v Speaker 1>of this episode, then you'll see that page in the book.

1:32:01.560 --> 1:32:06.160
<v Speaker 1>But you know, it's one of those kind of fantasy

1:32:06.240 --> 1:32:09.400
<v Speaker 1>ideas that we all have when we look at a

1:32:09.400 --> 1:32:13.280
<v Speaker 1>piece of coastline and we think, well, wouldn't it be

1:32:13.360 --> 1:32:16.840
<v Speaker 1>cool if you could put a tea box out on

1:32:16.880 --> 1:32:18.519
<v Speaker 1>that little rock.

1:32:19.160 --> 1:32:22.320
<v Speaker 2>It's always easy to be an armchair architect, yeah, when

1:32:22.320 --> 1:32:25.400
<v Speaker 2>you actually are tasked with building and maintaining something. There's

1:32:25.439 --> 1:32:29.280
<v Speaker 2>all these other practical considerations not to mention, you know,

1:32:29.520 --> 1:32:33.800
<v Speaker 2>like budgetary stuff that you have to deal with, you know,

1:32:34.080 --> 1:32:38.000
<v Speaker 2>like you guys touched on it with regarding the fourteenth hole.

1:32:38.920 --> 1:32:43.320
<v Speaker 1>So the last subject, Josh, that that you wanted to

1:32:43.360 --> 1:32:47.479
<v Speaker 1>get into here for you know, a little more detail

1:32:47.600 --> 1:32:51.479
<v Speaker 1>on a on a specific topic regarding Cyprus Point has

1:32:51.520 --> 1:32:55.320
<v Speaker 1>to do with the construction process. Now, David Normoyl and

1:32:55.400 --> 1:32:59.120
<v Speaker 1>I in the history section of this episode covered some

1:32:59.240 --> 1:33:03.639
<v Speaker 1>of the the issues how how economical construction was coming

1:33:03.680 --> 1:33:08.680
<v Speaker 1>in under budget and in a time frame that was

1:33:09.080 --> 1:33:15.040
<v Speaker 1>astonishingly quick really. But there's there's more detail here. There's

1:33:15.040 --> 1:33:17.920
<v Speaker 1>a lot of interesting stuff about what happened during construction

1:33:18.360 --> 1:33:21.280
<v Speaker 1>and the various methods that were used to build this

1:33:21.360 --> 1:33:24.000
<v Speaker 1>course so efficiently. So what do you have for me there?

1:33:26.360 --> 1:33:28.840
<v Speaker 2>Yeah, So, you know, if you read Mackenzie's writings, his

1:33:28.920 --> 1:33:32.759
<v Speaker 2>books or his two books, and many of his articles,

1:33:32.760 --> 1:33:38.360
<v Speaker 2>there's this reoccurring theme of economization, conomization of construction, economisation

1:33:38.400 --> 1:33:41.320
<v Speaker 2>of design, economization of greenkeeping. And you and I have

1:33:41.360 --> 1:33:45.760
<v Speaker 2>talked about this before, Garrett on another podcast, but specifically

1:33:45.800 --> 1:33:49.599
<v Speaker 2>when it comes to Cyprus Point. You know, he wasn't

1:33:49.680 --> 1:33:53.439
<v Speaker 2>just talking to talk. He really walked the walk. And

1:33:53.560 --> 1:33:57.040
<v Speaker 2>I think this is a very underappreciated skill set that

1:33:57.120 --> 1:34:00.400
<v Speaker 2>Mackenzie had as an engineer and an economist. Was his

1:34:00.520 --> 1:34:05.920
<v Speaker 2>way to economize or value engineer a project, to get

1:34:06.600 --> 1:34:09.559
<v Speaker 2>better results for less money, and to do things more

1:34:09.560 --> 1:34:14.639
<v Speaker 2>efficiently and got it. Keep in mind also that at

1:34:14.640 --> 1:34:19.200
<v Speaker 2>this point in time nineteen twenty six twenty seven, when

1:34:19.240 --> 1:34:21.680
<v Speaker 2>he first started laying out this property and building it,

1:34:22.200 --> 1:34:25.719
<v Speaker 2>he had twenty years of experience building golf courses under

1:34:25.760 --> 1:34:28.000
<v Speaker 2>his belt, you know, starting with all of the nineteen

1:34:28.000 --> 1:34:30.719
<v Speaker 2>oh six nineteen oh seven, so it'd been twenty years

1:34:30.720 --> 1:34:33.800
<v Speaker 2>where he had really honed his craft. I mean, there

1:34:33.880 --> 1:34:37.320
<v Speaker 2>was the interruption with the Great War, but he had

1:34:37.360 --> 1:34:41.480
<v Speaker 2>a lot of experience under his belt trying different construction methodologies,

1:34:41.880 --> 1:34:45.839
<v Speaker 2>figuring out what worked what didn't, and that that became

1:34:46.040 --> 1:34:50.120
<v Speaker 2>that earned that earned insight was extremely valuable when it

1:34:50.200 --> 1:34:53.640
<v Speaker 2>came to the construction of Psychrus Point, because this was

1:34:53.640 --> 1:34:57.479
<v Speaker 2>a club that started from humble means. You know, they

1:34:57.520 --> 1:35:00.439
<v Speaker 2>didn't have an unlimited budget to build this golf course with.

1:35:02.040 --> 1:35:06.559
<v Speaker 2>And uh, you know, he pitched when when he met

1:35:06.560 --> 1:35:09.800
<v Speaker 2>with them, he pitched him on this idea of let

1:35:09.840 --> 1:35:12.599
<v Speaker 2>me bring in my own construction team. This is sort

1:35:12.600 --> 1:35:14.080
<v Speaker 2>of what we would refer to today as like the

1:35:14.160 --> 1:35:18.599
<v Speaker 2>design build methodology. And he'd said, like to the club,

1:35:18.640 --> 1:35:21.080
<v Speaker 2>to the founders, let me bring my own team in

1:35:21.680 --> 1:35:26.000
<v Speaker 2>and we could build this for a lot cheaper. And

1:35:26.360 --> 1:35:29.240
<v Speaker 2>at the time they had they had bids from a

1:35:29.240 --> 1:35:32.000
<v Speaker 2>couple of different contractors, and they said that the cheapest

1:35:32.040 --> 1:35:34.559
<v Speaker 2>bid from all the experts would have been one hundred

1:35:34.560 --> 1:35:38.639
<v Speaker 2>and fifty thousand dollars to build the course. And mackenzie

1:35:38.680 --> 1:35:40.200
<v Speaker 2>and Hunter said, now we could build it for one

1:35:40.240 --> 1:35:43.320
<v Speaker 2>hundred thousand dollars. And they thought that that was like

1:35:43.960 --> 1:35:51.479
<v Speaker 2>unduly optimistic. And but as you know, as it turned out,

1:35:51.920 --> 1:35:54.800
<v Speaker 2>they they built it themselves with the American Golf Course

1:35:54.800 --> 1:35:59.840
<v Speaker 2>Construction Company, which were his guys, managed by Robert Hunter's son,

1:36:00.240 --> 1:36:03.960
<v Speaker 2>Robert Hunter Junior, and they're guys that they brought over

1:36:04.000 --> 1:36:07.720
<v Speaker 2>from Ireland and from Britain, and they built it for

1:36:07.800 --> 1:36:11.800
<v Speaker 2>ninety thousand dollars, which was, you know, forty percent less

1:36:11.800 --> 1:36:18.839
<v Speaker 2>than contract value, which is very significant, you know. And

1:36:20.080 --> 1:36:24.000
<v Speaker 2>I did I did some I did some math on

1:36:24.960 --> 1:36:31.759
<v Speaker 2>you know, converting into inflation adjusted dollars and it's pretty

1:36:31.760 --> 1:36:34.040
<v Speaker 2>astounding that one hundred and fifty thousand dollars in nineteen

1:36:34.080 --> 1:36:36.679
<v Speaker 2>twenty seven would be about two point eight million dollars today.

1:36:37.120 --> 1:36:39.400
<v Speaker 2>That was what the bid was. They said they do

1:36:39.439 --> 1:36:41.760
<v Speaker 2>it for one hundred thous they did. They ended up

1:36:41.760 --> 1:36:43.720
<v Speaker 2>doing it for ninety thousand dollars, which is like one

1:36:43.720 --> 1:36:48.840
<v Speaker 2>point sixty five million in real dollars. I mean, if

1:36:48.840 --> 1:36:53.080
<v Speaker 2>you understand what things cost today in the world of

1:36:53.080 --> 1:36:56.360
<v Speaker 2>golf course construction. I mean, that's just astounding that they

1:36:56.360 --> 1:36:57.080
<v Speaker 2>were able to do that.

1:36:57.600 --> 1:37:01.040
<v Speaker 1>And as as David indicated earlier in that episode, it

1:37:01.120 --> 1:37:08.120
<v Speaker 1>wasn't like this was a pure minimalist project by the

1:37:08.160 --> 1:37:12.360
<v Speaker 1>standards of the nineteen twenties. They moved some earth around.

1:37:12.439 --> 1:37:16.120
<v Speaker 1>They had to, They had to do some things to

1:37:16.200 --> 1:37:19.040
<v Speaker 1>that piece of land in order to render it golf

1:37:19.120 --> 1:37:22.360
<v Speaker 1>able andterfable, and so it's very impressive that they did

1:37:22.439 --> 1:37:23.840
<v Speaker 1>what they did for the cost.

1:37:24.520 --> 1:37:26.320
<v Speaker 2>Absolutely. Yeah, That's something that I think a lot of

1:37:26.320 --> 1:37:30.559
<v Speaker 2>people don't realize is actually how much manipulation they did

1:37:30.600 --> 1:37:32.000
<v Speaker 2>have to do to the site. They had to build

1:37:32.000 --> 1:37:35.479
<v Speaker 2>a lot of those green complexes out of not much

1:37:35.760 --> 1:37:38.200
<v Speaker 2>and a lot of the bunkering that looks very dunesy

1:37:38.320 --> 1:37:43.760
<v Speaker 2>and natural was manufactured. And so just to give you

1:37:43.800 --> 1:37:46.120
<v Speaker 2>a sense of what there when they put their bid

1:37:46.120 --> 1:37:48.240
<v Speaker 2>together and all the work that they did were it included.

1:37:48.840 --> 1:37:51.599
<v Speaker 2>It concluded that the hundred or the night what ended

1:37:51.640 --> 1:37:56.640
<v Speaker 2>up being ninety thousand dollars out the door, included a

1:37:56.680 --> 1:37:59.720
<v Speaker 2>complete underground irrigation system, which was like a novelty in

1:37:59.760 --> 1:38:03.080
<v Speaker 2>those This is just when people were starting to build

1:38:03.320 --> 1:38:08.760
<v Speaker 2>subterranean what they called hoseless irrigation systems. So they did

1:38:08.800 --> 1:38:13.880
<v Speaker 2>that entirely, a massive drainage network, all the grassing, the seating,

1:38:13.880 --> 1:38:18.240
<v Speaker 2>and fertilizing, amending the soils. He mentions they amended forty

1:38:18.240 --> 1:38:24.280
<v Speaker 2>acres of soils clearing of twenty Initially the scope was

1:38:24.320 --> 1:38:26.880
<v Speaker 2>twenty acres of pines. You know, back there on that

1:38:26.960 --> 1:38:28.880
<v Speaker 2>portion of the property when you get out past three

1:38:29.520 --> 1:38:34.760
<v Speaker 2>like four, five, six, seven, ten eleven, that zone was

1:38:35.120 --> 1:38:39.080
<v Speaker 2>very very densely wooded with mari pines, and so they

1:38:39.120 --> 1:38:41.760
<v Speaker 2>had planned to clear twenty acres, but they ended up

1:38:41.800 --> 1:38:43.640
<v Speaker 2>clearing a lot more. So I think that's one of

1:38:43.680 --> 1:38:46.320
<v Speaker 2>the interesting things is not only did they complete the

1:38:46.320 --> 1:38:50.000
<v Speaker 2>scope of work for forty percent less than contract value,

1:38:50.479 --> 1:38:55.800
<v Speaker 2>but also they significantly increased the scope of work. So

1:38:56.640 --> 1:38:59.759
<v Speaker 2>they added on an additional fifteen acres of tree clearing.

1:39:00.040 --> 1:39:02.559
<v Speaker 2>Instead of clearing twenty acres of trees, they cleared thirty

1:39:02.600 --> 1:39:05.720
<v Speaker 2>five acres of trees, which really opened those holes up

1:39:05.760 --> 1:39:09.839
<v Speaker 2>significantly and gave you those vistas out to the dunes

1:39:09.960 --> 1:39:13.960
<v Speaker 2>and to the ocean. So just imagine how different do

1:39:14.120 --> 1:39:17.880
<v Speaker 2>property would look and play and feel if there was

1:39:17.960 --> 1:39:19.920
<v Speaker 2>like a lot of dense forests back there in those

1:39:19.920 --> 1:39:22.960
<v Speaker 2>holes blocking your vistas. So I thought that was like

1:39:23.000 --> 1:39:25.639
<v Speaker 2>a pretty important component in the fact that day, that's

1:39:25.680 --> 1:39:28.280
<v Speaker 2>a significant increase of the scope of work. They built

1:39:28.479 --> 1:39:31.479
<v Speaker 2>twice as many tees as they originally planned to to

1:39:31.520 --> 1:39:35.960
<v Speaker 2>have optionality for different skill levels of players, and then

1:39:36.000 --> 1:39:39.000
<v Speaker 2>they built all of these you know, turf walk paths

1:39:39.000 --> 1:39:41.559
<v Speaker 2>that were irrigated, you know, so from from green to

1:39:41.640 --> 1:39:44.000
<v Speaker 2>teas and from teas out the fairways. They had these

1:39:44.000 --> 1:39:45.960
<v Speaker 2>walk paths like you'd see out in the British aisles

1:39:45.960 --> 1:39:50.559
<v Speaker 2>a lot, and they enlarged the fairies significantly, Like on

1:39:50.640 --> 1:39:54.599
<v Speaker 2>the front the beginning of holes, they significantly enlarged the fairways.

1:39:54.760 --> 1:39:58.240
<v Speaker 2>Going back to again what we talked about on sixteen

1:39:58.360 --> 1:40:01.200
<v Speaker 2>is that Mackenzie wanted to have plenty of play space

1:40:01.520 --> 1:40:04.519
<v Speaker 2>short off the tea, so there weren't these forced carries.

1:40:05.160 --> 1:40:09.400
<v Speaker 2>So that was like more soil prep, soil amendment, more grassing.

1:40:10.920 --> 1:40:14.080
<v Speaker 2>And you'll be pleased, Garrett to know that they included

1:40:14.200 --> 1:40:20.280
<v Speaker 2>every conceivable luxury, including drinking fountains in all the shaded places.

1:40:21.920 --> 1:40:24.639
<v Speaker 1>Just adding that on. You know, got to have those,

1:40:25.040 --> 1:40:30.200
<v Speaker 1>maybe put some ball washers out there. All right, well, Josh,

1:40:30.360 --> 1:40:35.480
<v Speaker 1>thank you for doing research into these different specific topics

1:40:36.520 --> 1:40:40.040
<v Speaker 1>around the Cyper's Point project. Always enjoy having you on

1:40:40.080 --> 1:40:42.360
<v Speaker 1>the podcast and talk to you again soon.

1:40:43.800 --> 1:40:45.800
<v Speaker 2>Always nice talking to Garrett. Looking forward to see you

1:40:45.840 --> 1:40:46.600
<v Speaker 2>at the Walker.

1:40:46.320 --> 1:40:58.400
<v Speaker 1>Cook Absolutely all right, So I'm back with Will Balsam,

1:40:58.840 --> 1:41:03.720
<v Speaker 1>producer of design. That was Josh Pettitt, and we're here

1:41:03.760 --> 1:41:06.760
<v Speaker 1>now just to wrap things up for this deep dive,

1:41:07.080 --> 1:41:11.080
<v Speaker 1>and I want to just talk about Cypress Point's position

1:41:11.800 --> 1:41:15.599
<v Speaker 1>in the world of golf, where not necessarily where we

1:41:15.720 --> 1:41:19.000
<v Speaker 1>rank it, but kind of how it compares to the

1:41:19.080 --> 1:41:24.000
<v Speaker 1>other great candidates for the best golf course in the world.

1:41:24.200 --> 1:41:26.519
<v Speaker 1>And I think one of the best comparisons I can

1:41:26.520 --> 1:41:29.360
<v Speaker 1>come up with is to the West Course at Royal Melbourne,

1:41:29.560 --> 1:41:32.600
<v Speaker 1>which I saw for the first time last December, and

1:41:32.640 --> 1:41:37.639
<v Speaker 1>I think it's an interesting comparison, partly because a lot

1:41:37.680 --> 1:41:42.040
<v Speaker 1>of what Royal Melbourne does really really well, Cypress Point

1:41:42.120 --> 1:41:46.080
<v Speaker 1>maybe does slightly less well, but Cypress Point still has

1:41:46.200 --> 1:41:49.680
<v Speaker 1>the edge in other categories. So at Royal Melbourne, I

1:41:49.680 --> 1:41:53.000
<v Speaker 1>think the preservation of that golf course and especially the

1:41:53.080 --> 1:41:57.559
<v Speaker 1>turf presentation is absolutely top of the line, couldn't be

1:41:57.560 --> 1:42:01.280
<v Speaker 1>better than it is currently at Royal Melbourne. That course

1:42:01.400 --> 1:42:06.120
<v Speaker 1>is firm and fast, and they've taken a similar approach

1:42:06.200 --> 1:42:08.439
<v Speaker 1>as a Cypress Point has to the preservation of their

1:42:08.439 --> 1:42:11.080
<v Speaker 1>golf course. They have not dug up their greens and

1:42:11.400 --> 1:42:15.840
<v Speaker 1>put in air conditioners. They haven't, you know, put in

1:42:15.960 --> 1:42:18.760
<v Speaker 1>all the modern amenities. It is a vintage golf course

1:42:18.800 --> 1:42:22.000
<v Speaker 1>and they've preserved it really really well with the help

1:42:22.040 --> 1:42:24.840
<v Speaker 1>in recent years of Tom Doak, and so there are

1:42:24.840 --> 1:42:27.599
<v Speaker 1>some similarities with Cypress Point, but I think Royal Melbourne

1:42:27.680 --> 1:42:30.479
<v Speaker 1>might be maybe a little bit farther along in that

1:42:30.560 --> 1:42:34.040
<v Speaker 1>process than Cyprus, at least when it comes to green

1:42:34.120 --> 1:42:36.840
<v Speaker 1>sizes and things like that, and especially when it comes

1:42:36.920 --> 1:42:41.280
<v Speaker 1>to the you know, the cultivation of really good golf turf.

1:42:41.560 --> 1:42:44.000
<v Speaker 1>Real Melbourne might have a little bit of tree removal

1:42:44.080 --> 1:42:47.559
<v Speaker 1>remaining to be done, but it's pretty darn close to

1:42:47.640 --> 1:42:51.720
<v Speaker 1>its ideal self. On the other hand, Cypress Point is

1:42:51.800 --> 1:42:58.400
<v Speaker 1>obviously a more spectacular golf course. It just clearly the dunes,

1:42:59.000 --> 1:43:01.280
<v Speaker 1>the ocean, that the domination of all these things, the

1:43:01.320 --> 1:43:05.320
<v Speaker 1>brilliance of the routing. There is nothing like Cypress Point

1:43:05.320 --> 1:43:08.080
<v Speaker 1>in the world. So I don't know really if it's

1:43:08.120 --> 1:43:11.639
<v Speaker 1>a better golf course than Royal Melbourne West or the

1:43:11.680 --> 1:43:15.679
<v Speaker 1>composite course at Royal Melbourne, but it is a more

1:43:16.080 --> 1:43:20.120
<v Speaker 1>wonderful golf course. I think the term the adjective wonderful

1:43:20.360 --> 1:43:23.240
<v Speaker 1>is the one that I always think of when I

1:43:23.280 --> 1:43:26.360
<v Speaker 1>think of Cypress Point. It is the most wonderful golf

1:43:26.400 --> 1:43:29.840
<v Speaker 1>course that I know of. It is the most amazing one,

1:43:30.040 --> 1:43:34.479
<v Speaker 1>the most stunning one, and I think that that shouldn't

1:43:34.520 --> 1:43:38.720
<v Speaker 1>be discounted, even by golf nerds who are maybe a

1:43:38.800 --> 1:43:43.439
<v Speaker 1>little bit past just esthetic appeal and splendor and maybe

1:43:43.520 --> 1:43:47.120
<v Speaker 1>are looking at other things to indicate the quality of

1:43:47.120 --> 1:43:51.559
<v Speaker 1>a golf course. Cypress Points wonderfulness is something that I

1:43:51.560 --> 1:43:54.880
<v Speaker 1>don't think has any equal in the world of golf.

1:43:56.479 --> 1:43:59.920
<v Speaker 5>Does it have the lore of Augusta National, Does it

1:44:00.080 --> 1:44:03.439
<v Speaker 5>does it have that for the people who maybe aren't you,

1:44:03.640 --> 1:44:05.840
<v Speaker 5>me and the rest of the golfers listening to this.

1:44:08.160 --> 1:44:12.200
<v Speaker 1>Clearly it doesn't have the tournament history and the familiarity

1:44:12.360 --> 1:44:15.599
<v Speaker 1>of Augusta National. Augusta National for being a club that's

1:44:15.640 --> 1:44:20.360
<v Speaker 1>reputed to be very exclusive, it is one of the

1:44:20.400 --> 1:44:23.320
<v Speaker 1>most accessible exclusive golf courses in the world.

1:44:23.600 --> 1:44:26.000
<v Speaker 4>I mean, you and I can play with our eyes closed.

1:44:25.920 --> 1:44:28.960
<v Speaker 1>Right exactly. You know we maybe it's hard to actually

1:44:29.120 --> 1:44:31.840
<v Speaker 1>play the course, like get golf clubs out there for

1:44:32.000 --> 1:44:36.080
<v Speaker 1>most people, but to walk the course and attend the Masters,

1:44:36.120 --> 1:44:37.800
<v Speaker 1>I mean a lot of people do they open their

1:44:37.800 --> 1:44:41.160
<v Speaker 1>golf course up so wide and to TV as well,

1:44:41.280 --> 1:44:43.439
<v Speaker 1>especially in recent years now that they've gone to every

1:44:43.439 --> 1:44:49.160
<v Speaker 1>whole coverage, and so that element of sheer familiarity, the

1:44:49.479 --> 1:44:54.920
<v Speaker 1>connection to people's childhoods, their memories of parents and grandparents

1:44:54.960 --> 1:44:58.599
<v Speaker 1>watching the Masters with them and observing this beautiful golf course,

1:44:58.920 --> 1:45:03.120
<v Speaker 1>that's something that no other course can have that doesn't

1:45:03.160 --> 1:45:06.880
<v Speaker 1>have Augusta National's history. And I think you can say

1:45:06.920 --> 1:45:09.479
<v Speaker 1>the same about the old course with the Open going

1:45:09.520 --> 1:45:13.120
<v Speaker 1>back there every five years, and there is a lore

1:45:13.320 --> 1:45:16.200
<v Speaker 1>and a mystique that grows up around it. Cypress points,

1:45:16.280 --> 1:45:19.880
<v Speaker 1>mystique is something different, right it is. It is so

1:45:20.080 --> 1:45:24.280
<v Speaker 1>much more low profile, and that creates a lore of

1:45:24.320 --> 1:45:25.400
<v Speaker 1>its own, right.

1:45:25.920 --> 1:45:26.440
<v Speaker 4>Definitely.

1:45:26.520 --> 1:45:30.720
<v Speaker 5>It's funny the added mystique. You would think, I don't

1:45:30.760 --> 1:45:32.920
<v Speaker 5>know to me when the conversation comes up of what's

1:45:32.920 --> 1:45:34.320
<v Speaker 5>one golf course in the road that you would play

1:45:34.320 --> 1:45:36.960
<v Speaker 5>if you were given the opportunity, more than nine times

1:45:36.960 --> 1:45:39.839
<v Speaker 5>out of ten, the answer I'm hearing is augustin Nashvill.

1:45:40.040 --> 1:45:43.000
<v Speaker 5>But I agree to you where it's like, shouldn't it

1:45:43.000 --> 1:45:45.280
<v Speaker 5>be the place that most people maybe have never even

1:45:45.360 --> 1:45:48.599
<v Speaker 5>seen or know much about other than the sixteenth hole?

1:45:49.320 --> 1:45:49.519
<v Speaker 2>Right?

1:45:50.000 --> 1:45:53.920
<v Speaker 1>Yeah? And you know, Cypress points argument for being the

1:45:54.000 --> 1:45:57.040
<v Speaker 1>last golf course that you would play is a very

1:45:57.080 --> 1:46:01.479
<v Speaker 1>strong one because of the way the round ends and

1:46:01.520 --> 1:46:05.480
<v Speaker 1>the build up to those incredible moments on the fifteenth

1:46:05.520 --> 1:46:10.240
<v Speaker 1>and sixteenth holes. I will never forget my first shot

1:46:10.320 --> 1:46:13.920
<v Speaker 1>on the sixteenth hole. It's a memory that is permanently

1:46:13.960 --> 1:46:16.920
<v Speaker 1>with me and that I'm gonna have until I die.

1:46:17.120 --> 1:46:20.080
<v Speaker 1>I'm gonna I'm gonna be able to see that ballfly.

1:46:20.320 --> 1:46:24.439
<v Speaker 1>I hit a good shot, you know, in front of me,

1:46:24.640 --> 1:46:27.439
<v Speaker 1>if I if I had duck hooked it, into into

1:46:27.520 --> 1:46:29.599
<v Speaker 1>the you know bay on the backside of the hole.

1:46:29.640 --> 1:46:32.360
<v Speaker 1>I might might, I might feel this differently, but I

1:46:32.479 --> 1:46:36.000
<v Speaker 1>managed somehow to hit a good shot, and I'll never

1:46:36.479 --> 1:46:38.240
<v Speaker 1>never forget it. It's gonna be one of the most

1:46:38.479 --> 1:46:44.200
<v Speaker 1>special things in my brain until my brain stops working.

1:46:44.960 --> 1:46:51.720
<v Speaker 1>And Cyprus can create those moments because of its splendor

1:46:51.960 --> 1:46:54.360
<v Speaker 1>and the drama of the way it builds up to

1:46:54.400 --> 1:46:57.160
<v Speaker 1>those holes, and and that's kind of what it what

1:46:57.240 --> 1:47:00.280
<v Speaker 1>it offers as the as the course that you would

1:47:00.280 --> 1:47:03.960
<v Speaker 1>want to play before you go to the electric chair, right.

1:47:04.160 --> 1:47:07.880
<v Speaker 5>Yeah, and we know it's already a good match play

1:47:07.920 --> 1:47:10.080
<v Speaker 5>course of course, so that helps as well.

1:47:10.640 --> 1:47:13.880
<v Speaker 1>Yes, very much. Looking forward to the Walker Cup. I

1:47:13.920 --> 1:47:16.360
<v Speaker 1>think it's gonna be so much fun to see these

1:47:16.360 --> 1:47:20.160
<v Speaker 1>players take on this course. As I indicated earlier, they're

1:47:20.200 --> 1:47:22.760
<v Speaker 1>gonna be really long for this golf course. I mean,

1:47:22.760 --> 1:47:24.920
<v Speaker 1>they're gonna be playing from some places on these holes

1:47:25.000 --> 1:47:26.760
<v Speaker 1>that are I mean, they're gonna be hitting wedges into

1:47:26.800 --> 1:47:30.760
<v Speaker 1>four hundred and fifty yard par fours that you and

1:47:30.800 --> 1:47:36.880
<v Speaker 1>I would hit seven woods or more into. And so yeah,

1:47:37.000 --> 1:47:39.559
<v Speaker 1>I think I think that might for people are familiar

1:47:39.560 --> 1:47:41.240
<v Speaker 1>with the course, there might be a little bit of

1:47:41.240 --> 1:47:43.559
<v Speaker 1>heartburn seeing it that, I was.

1:47:43.560 --> 1:47:45.320
<v Speaker 5>Gonna say, most people will be none the wiser, So

1:47:45.360 --> 1:47:48.280
<v Speaker 5>I'm not sure it'll make a huge difference exactly.

1:47:48.920 --> 1:47:52.000
<v Speaker 1>Just seeing the course on TV, seeing the holes themselves,

1:47:52.280 --> 1:47:54.880
<v Speaker 1>seeing players take them on will be great. And guess

1:47:54.920 --> 1:47:57.760
<v Speaker 1>what if it happens to be windy. If the wind

1:47:57.840 --> 1:48:01.160
<v Speaker 1>kicks up there, it's gonna be hard. It'll be hard,

1:48:01.200 --> 1:48:04.840
<v Speaker 1>and it's not a big deal because it's match play anyway,

1:48:04.600 --> 1:48:09.439
<v Speaker 1>but that golf course can definitely be very difficult if

1:48:09.479 --> 1:48:12.519
<v Speaker 1>the elements make for that. So I think there's a

1:48:12.560 --> 1:48:13.960
<v Speaker 1>lot of a lot to look forward to with the

1:48:13.960 --> 1:48:16.880
<v Speaker 1>Walker Cup, any particular holes that you're the ear keeping

1:48:16.880 --> 1:48:17.479
<v Speaker 1>an eye out for.

1:48:18.200 --> 1:48:20.479
<v Speaker 4>I think the par fives there are super interesting.

1:48:20.479 --> 1:48:22.519
<v Speaker 5>I mean, I know for them it's probably maybe it

1:48:22.560 --> 1:48:26.160
<v Speaker 5>won't be as interesting because of the length that they have,

1:48:26.520 --> 1:48:28.719
<v Speaker 5>but some of the risk reward on the second shots

1:48:29.080 --> 1:48:31.519
<v Speaker 5>or going for these greens, especially since they are kind

1:48:31.520 --> 1:48:35.160
<v Speaker 5>of smaller greens, could provide for some interesting situations. I

1:48:35.160 --> 1:48:37.040
<v Speaker 5>don't know, just going over through the washing the hole

1:48:37.080 --> 1:48:39.000
<v Speaker 5>by hole and seeing kind of some of these t

1:48:39.120 --> 1:48:40.559
<v Speaker 5>shots and the lines that you have to take if

1:48:40.560 --> 1:48:41.880
<v Speaker 5>you want to get there and too I think it

1:48:41.880 --> 1:48:43.920
<v Speaker 5>could provide some really interesting match play holes.

1:48:43.960 --> 1:48:47.840
<v Speaker 1>Absolutely, and something to look out for is the eighth hole,

1:48:48.520 --> 1:48:52.000
<v Speaker 1>which kind of plays diagonally across over the shoulder of

1:48:52.040 --> 1:48:54.160
<v Speaker 1>the dune. And the question on the hole is how

1:48:54.240 --> 1:48:55.680
<v Speaker 1>much of the dune are you going to take on?

1:48:56.760 --> 1:49:00.400
<v Speaker 1>Mere mortals are just considering taking on maybe half of

1:49:00.400 --> 1:49:03.360
<v Speaker 1>the den right instead of playing out to the left

1:49:03.439 --> 1:49:05.439
<v Speaker 1>to the fairway that you can see the whole turns

1:49:05.439 --> 1:49:07.760
<v Speaker 1>to the right. But I think a few players that

1:49:07.800 --> 1:49:10.680
<v Speaker 1>the walker cup might be might have an eye on

1:49:10.720 --> 1:49:14.280
<v Speaker 1>the green there, like might might be looking to cut

1:49:14.280 --> 1:49:16.800
<v Speaker 1>the whole corner, and so that that would be something

1:49:16.800 --> 1:49:18.960
<v Speaker 1>to look out for. On the seventeenth hole, the same thing.

1:49:19.000 --> 1:49:21.280
<v Speaker 1>I mean, it's it's a long poke to get to

1:49:21.320 --> 1:49:23.800
<v Speaker 1>the green from the tee. It's I think it's probably

1:49:23.840 --> 1:49:27.040
<v Speaker 1>about three hundred and sixty yards on a direct line,

1:49:27.280 --> 1:49:31.040
<v Speaker 1>but I don't know. Could the green be in play there?

1:49:31.800 --> 1:49:34.519
<v Speaker 1>That would be one little bit of intrigue. But then

1:49:34.560 --> 1:49:37.240
<v Speaker 1>there are plenty of holes that I think do limit

1:49:37.439 --> 1:49:42.280
<v Speaker 1>distance naturally, will kind of force driver out of players' hands,

1:49:42.800 --> 1:49:46.639
<v Speaker 1>have them lay up to a certain yardage a certain angle,

1:49:46.800 --> 1:49:51.599
<v Speaker 1>and then play some longer more interesting approaches into the greens.

1:49:51.840 --> 1:49:54.320
<v Speaker 1>So yeah, of course it is going to hold up fine, you.

1:49:54.240 --> 1:49:56.240
<v Speaker 4>Know, definitely, And you mentioned eight.

1:49:56.280 --> 1:49:58.479
<v Speaker 5>I feel like that could also be so pin position,

1:49:58.560 --> 1:50:01.240
<v Speaker 5>depending right, if that pins talks BA left behind that bunker,

1:50:01.640 --> 1:50:04.280
<v Speaker 5>that probably brings in a different drive and how much

1:50:04.280 --> 1:50:06.560
<v Speaker 5>of that dune you're taking on versus if it's you know,

1:50:06.600 --> 1:50:09.479
<v Speaker 5>a front center stick and you're okay with having you know,

1:50:09.520 --> 1:50:10.760
<v Speaker 5>a short to mid iron in.

1:50:11.240 --> 1:50:14.240
<v Speaker 1>Yeah, absolutely, yeah, it's a there. There're gonna be such

1:50:15.160 --> 1:50:18.439
<v Speaker 1>such a great number of subtleties to the golf course

1:50:18.520 --> 1:50:23.080
<v Speaker 1>that I hope, I hope the telecast focuses on those

1:50:23.200 --> 1:50:27.240
<v Speaker 1>a little bit and and maximizes the opportunity of an

1:50:27.240 --> 1:50:29.360
<v Speaker 1>event like the Walker Cup being at a course like

1:50:29.439 --> 1:50:32.680
<v Speaker 1>Cyprus Point, because it is it's a relative rarity. I'm

1:50:32.720 --> 1:50:35.040
<v Speaker 1>not sure when the next time is that they will

1:50:35.040 --> 1:50:36.960
<v Speaker 1>see the course on this kind of stage.

1:50:37.160 --> 1:50:39.120
<v Speaker 4>And depending how it goes, maybe the last time.

1:50:39.800 --> 1:50:43.920
<v Speaker 1>Yeah, exactly, I hope it goes well. All right, Well,

1:50:44.000 --> 1:50:46.920
<v Speaker 1>thank you very much for hanging out during these, uh

1:50:47.120 --> 1:50:50.960
<v Speaker 1>these portions of of the episode that is our deep

1:50:51.040 --> 1:51:04.479
<v Speaker 1>dive on Cyprus Point. This episode of Designing Golf was

1:51:04.560 --> 1:51:09.200
<v Speaker 1>produced by Will Balsam. Thank you will. If you like

1:51:09.280 --> 1:51:13.080
<v Speaker 1>this kind of deep dive content on golf architecture, then

1:51:13.120 --> 1:51:16.880
<v Speaker 1>make sure to check out Friday Egg Golf Club FEGC.

1:51:17.520 --> 1:51:20.040
<v Speaker 1>Go to the Frida Egg dot com slash membership to

1:51:20.080 --> 1:51:23.599
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1:51:23.640 --> 1:51:26.800
<v Speaker 1>There's a lot more than just architecture content, but we

1:51:26.840 --> 1:51:29.240
<v Speaker 1>do have architecture content if you're into that. We have

1:51:29.640 --> 1:51:34.840
<v Speaker 1>weekly course profiles that provide really fine grained analysis of

1:51:34.880 --> 1:51:40.040
<v Speaker 1>great golf courses, and we have another weekly segment that

1:51:40.080 --> 1:51:42.519
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1:51:42.640 --> 1:51:45.879
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1:51:46.120 --> 1:51:47.680
<v Speaker 1>So those are just a couple of the things that

1:51:47.720 --> 1:51:50.920
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1:51:50.960 --> 1:51:54.639
<v Speaker 1>slash membership. We're building a great community in the club,

1:51:54.920 --> 1:51:57.600
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1:51:57.640 --> 1:52:11.960
<v Speaker 1>for listening, and we'll be back again soon with another episode.