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Speaker 1: Hello the Internet, and welcome to the special edition of

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Speaker 1: the Daily Zechgeist. Uh, in which we give out our

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Speaker 1: geisters or geiste. What do you want to say? Let's

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Speaker 1: let's decide, right, We're giving out our guysty to the

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Speaker 1: song that captured the zeitgeist this year. I am Jack O'Brien.

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Speaker 1: I am joined, of course by my co host, Mr

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Speaker 1: Miles Gray. Hello, and we're thrilled to be joined in

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Speaker 1: our third seat by the hilarious stand up comedian Maggie May.

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Speaker 1: So we're gonna get right into this. Uh. The goal

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Speaker 1: here is to try and select a song that captures

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Speaker 1: like the zeke. It's not the top selling song, may

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Speaker 1: not be the best song of the year, it's the

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Speaker 1: one that's sort of represents this here. Like a good

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Speaker 1: example is uh the song give Me Shelter When that

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Speaker 1: came out from the Rolling Stones. No no, in this thing,

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Speaker 1: I was not alive. But so anytime that year is

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Speaker 1: portrayed in film, that song has played right now. At

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Speaker 1: the time when it came out, it wasn't even a single,

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Speaker 1: like but it was, you know, on an album that

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Speaker 1: came out that year, and it was like a deep

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Speaker 1: cut that people loved so We're trying to find that

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Speaker 1: song that, like, in twenty years when people are, you know,

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Speaker 1: making a movie about the year two thousand seventeen, this

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Speaker 1: song will play. Yeh, whoever the Scorsese of you gotta

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Speaker 1: play Magnuliay. Yeah, So we're gonna go through our list.

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Speaker 1: We we created a list of like ten nominees and

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Speaker 1: then we're gonna make some cases for some of them

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Speaker 1: for songs and albums that captured guys. And again this

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Speaker 1: isn't we're not music critics. We're trying to just figure

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Speaker 1: out what song, ebody, what album embody. So we're gonna

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Speaker 1: start out with um yeah by Damn Yankee or Daddy

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Speaker 1: Yank and Damn Wow Jackie Boy, who's that Damn Yankee guy?

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Speaker 1: Damn Yankee, Uh, Daddy Yankee and I don't know the

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Speaker 1: other guy's name, and featuring the Beabes. I think we

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Speaker 1: have a clip, yes, but oh that's bito. It's crazy

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Speaker 1: because Damn Yankees I always thought were like a metal

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Speaker 1: band from the eighties and now uh there Now it's

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Speaker 1: Daddy Yankee and Louis Okay, and I think it captures

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Speaker 1: There was definitely a Latin vibe to the year whether

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Speaker 1: you're looking at Uh, you know, Drake released an album

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Speaker 1: with some sort of Latin Yeah, world rhythms. World Rhythms

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Speaker 1: definitely took the charts. Oh that remix with j Balvin?

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Speaker 1: Is that what talking about me? Enteo? Yeah? And the

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Speaker 1: that Havanna song that is everywhere right now? Uh? What's

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Speaker 1: that song? Uh? It's called Havannah or Habanna. I think

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Speaker 1: I'm living in a cave. Yeah, you might be. I

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Speaker 1: usually these guys to find out everything that's going on.

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Speaker 1: So I fought myself all right. Up next, I think,

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Speaker 1: is Miles this pick. We'll we'll come back to what

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Speaker 1: we all vote for at the end. But up next, Miles,

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Speaker 1: why don't you introduced us? Oh my song? Okay? So

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Speaker 1: for me, I think Bodak Yellow is the song of

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Speaker 1: seen just from like it embodies so many different things.

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Speaker 1: This was like a great year for people of color,

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Speaker 1: women of color, women in general. Uh. This woman came

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Speaker 1: from like straight up obscurity, uh and like just from

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Speaker 1: a d H one show, and her charisma created this

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Speaker 1: whole career. And Bodak Yellow, I'm telling you, like, I

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Speaker 1: don't know one person who does not know the these

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Speaker 1: is bloody shoes. Song. And again, first of all, she

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Speaker 1: broke records too. It was like nineteen years since like

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Speaker 1: a female like Woman of Color solo artists I think

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Speaker 1: in the rap category had a number one hit since

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Speaker 1: Lauren Hill. Right, So there's that. Also, this song generated

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Speaker 1: so much heat around the idea of like red bottoms

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Speaker 1: that there was like a like a fashion industry report

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Speaker 1: that it said, like created like four and a half

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Speaker 1: million dollars of media value for Christian Lubatan. I don't

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Speaker 1: know how that exactly translates, but like search traffic for

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Speaker 1: lu Batan spike like tales went up. Yeah, so she's

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Speaker 1: you know Cardi B. She's like the unlikely hero of

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Speaker 1: and she's the most humble person anyway, you guys, are

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Speaker 1: you know Cardi B? You know Bodall? Just play this

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Speaker 1: song really quick? You can if you want to bad

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Speaker 1: bottom Jesus bloody shoes, I can get them both. Oh

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Speaker 1: then I'm quick cutting nigglefs. So don't get comfortable. I

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Speaker 1: don't dance now. I'm money moves. Gotta dance. Stom mon move.

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Speaker 1: If I see you now speak that means I'm a boss.

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Speaker 1: You will bitch starmic blood go and do what to

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Speaker 1: who let's find out and see Cardi B. You know

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Speaker 1: where I'm at. You know where i'd be. You in

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Speaker 1: the club, just a party. I'm there, I get paid

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Speaker 1: a fee. I'd being out of the bank so much.

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Speaker 1: I know they're tired to me look infected my brain.

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Speaker 1: So I might be biased, but that's my case for

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Speaker 1: Bodak Yellow shouts to Cardi B. I mean, it felt like,

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Speaker 1: you know, like this was a good year for her,

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Speaker 1: and it has kind of like a menacing dark vibe,

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Speaker 1: which I feel like it's appropriate to the year, Like

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Speaker 1: it's like, yeah violent. And also and she basically copied

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Speaker 1: Kodak Blacks flow for the song, so it's derivative to

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Speaker 1: which is like most media this day, you know, I like,

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Speaker 1: I can click that's true though, right, And she's a

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Speaker 1: blood which and she's a blood yeah, And I don't

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Speaker 1: know what that has to do with this year. I

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Speaker 1: don't know, but she is so she's still like she's

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Speaker 1: probably not wonder funk with either. Um all right, up

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Speaker 1: next is error. So, like we said, it's not necessarily

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Speaker 1: about quality, guys, And I wanna put in a vote

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Speaker 1: not necessarily for this being the song, but for at

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Speaker 1: least considering what I call that terrible fucking Taylor Swift

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Speaker 1: song which I don't even I haven't even committed the

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Speaker 1: name of it to Look what You Made Me Do,

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Speaker 1: which I think it's appropriate to the year, because this

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Speaker 1: was a bad year, just generally, like if you're gonna

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Speaker 1: look back on on the year, a lot of bad

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Speaker 1: things happened, and this is an objectively bad song. It's

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Speaker 1: just terrible. Um And I feel like the people who

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Speaker 1: made it a bad year, we're not acknowledging their complicity

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Speaker 1: in it. It was all about people doing shitty things

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Speaker 1: and then being like, look look what you did. And

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Speaker 1: I feel like that's what she's doing. She's like writing

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Speaker 1: a terrible song and then blaming other people in the

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Speaker 1: title of it for making her make that terrible song,

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Speaker 1: which just seemed very appropriate to me. But you are

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Speaker 1: you like some Taylor Swift songs, don't. People don't know.

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Speaker 1: I'm just saying, I like, shake it off, Yeah, say

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Speaker 1: you're not. You're not out here like with a you know,

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Speaker 1: throwing darts at her Taylor Swift poster love I fucking

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Speaker 1: love shake it Off, okay man, especially the hood Internet

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Speaker 1: shake it Off remix with the backseat freestyle and that'll

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Speaker 1: make you like shake it off. And then then that one, Yeah, Maggie,

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Speaker 1: you also like Taylor Swift, right, but this song, Yeah,

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Speaker 1: I can get down with some Taylor Swift songs, but

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Speaker 1: this one, I was like, that's the line? What exactly

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Speaker 1: about it pushed you over the edge? Should we listen

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Speaker 1: to it? And then you can sound good? Okay, let's

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Speaker 1: let's let's hear it. Let's make a little it doesn't

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Speaker 1: sound good. Okay, that's a nonsense whispering. You're not Brittany.

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Speaker 1: Oh yeah, get away with doing that. You're not Brittany.

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Speaker 1: For Instagram is not as authentic as Brittany's either, and

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Speaker 1: any Snapchat filters. And she was like very representative of

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Speaker 1: what was problematic about the year, also because she refused

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Speaker 1: to disavow Trump and then like a lot of her

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Speaker 1: followers ended up being like, right, she released an app.

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Speaker 1: She released an app. When you looked at what was

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Speaker 1: going on in that app amongst her fans, it was

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Speaker 1: just like a Trump like, yeah, festival of being like

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Speaker 1: people defending why they voted for Trump. The thing just

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Speaker 1: like you thought it would be a bunch of you know,

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Speaker 1: Taylor stands or whatever they call themselves swifters or swiffers

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Speaker 1: or whatever, like just commiserating like hey, we love Taylor,

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Speaker 1: but it's like dry swift er. Yeah. There are people

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Speaker 1: who were like, oh my god, you know, like talking

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Speaker 1: about Trump and it's like it's just devolved into this

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Speaker 1: weird thing, which again it shows you like I'm you know,

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Speaker 1: bright Bard. A few years ago, I was like, oh,

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Speaker 1: she's like a like a far right icon. Yeah, she's

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Speaker 1: an Aryan goddess. Yeah, and then right, and then the

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Speaker 1: day it was at the Daily Stormer, uh what whatever

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Speaker 1: neo Nazi site was like, yeah, she's an Aryan goddess.

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Speaker 1: And then she like refuses to fully disavow these people,

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Speaker 1: and then you look, she starts her app, and look

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Speaker 1: who's on the app. It's not like young, you know,

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Speaker 1: people of color being like hey, let's talk about like

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Speaker 1: getting to get you know what. It's like, it's a

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Speaker 1: bunch of why do you get from from a musical

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Speaker 1: app to like, you know what, ps I hate everyone

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Speaker 1: not like this Arian goddess, Like yeah, yeah, the stuff

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Speaker 1: in there is weird. Like there are a couple of

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Speaker 1: screen grabs where people are just saying like, I don't

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Speaker 1: I don't really tolerate gays, lesbians or bisexuals, Like, why

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Speaker 1: why do you need to post that in the Taylor

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Speaker 1: Swift app Why I've never been on a musical forum

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Speaker 1: where I was like, I need to also talk about

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Speaker 1: my political views. These people love our lady, but they

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Speaker 1: need to know how I've also about identity politics right exactly.

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Speaker 1: But hey, it did well. Yeah, her album did well.

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Speaker 1: The song was doing well until Cardi b not crass

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Speaker 1: the spot, which is why again party is the hero

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Speaker 1: bodies it this she has the dragon slayer um. But

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Speaker 1: I do think that it's also an example of how

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Speaker 1: like so what she did was basically biomission. She did

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Speaker 1: not like take a side, which used to be okay,

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Speaker 1: like Jordan's when he was having like his career and

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Speaker 1: the most famous person on earth. He was just non political.

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Speaker 1: He wouldn't take a side. He was just like corporate

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Speaker 1: cool guy. And that's sort of what Taylor Swift is.

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Speaker 1: And now you can't do that anymore. I don't think

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Speaker 1: I think we're at a point where like things have

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Speaker 1: become so toxic that you have to if you were

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Speaker 1: if you have fans who are you know, awful people

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Speaker 1: who are doing horrible ship in your name. You can't

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Speaker 1: just sit back and be like, yeah, I don't know,

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Speaker 1: I don't know. I don't want to say anything. Like

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Speaker 1: the people of Alabama decide, right, but it's like yeah again,

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Speaker 1: like the people decide. It's kind of what that is.

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Speaker 1: Yeah yeah, And she's, uh, hey, look, Taylor, you're a

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Speaker 1: great songwriter. Just that song whatever, yeah, whatever, that was

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Speaker 1: a draft that she was just like, you know what

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Speaker 1: put it out? I mean, yeah, who knows. She She

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Speaker 1: was focused though, because man, that pr machine to keep

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Speaker 1: Cardi B. When they looked like CARDIV was gonna take

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Speaker 1: her spot, they did a lot of things to try

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Speaker 1: and make sure she stayed on top by like seeding

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Speaker 1: that song and like internet videos that would count as

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Speaker 1: a spin to keep that number one spot. There was

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Speaker 1: like there was some dark tactics going on to keep

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Speaker 1: Cardi B out of there. But again, you can't stop

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Speaker 1: the truth. Darkness cannot exist in the presence of light. Yeah,

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Speaker 1: all right, we're gonna take a quick break. We'll be

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Speaker 1: right back, and we're back. So I think we're gonna

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Speaker 1: keep Bodac Yellow in the one spot as of right now. Uh,

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Speaker 1: and up next, we have one that's more of an

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Speaker 1: aesthetic thing, like there's not like a lyrical theme or

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Speaker 1: you know, anything really that I could have identified, Miles,

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Speaker 1: maybe you're different, But it's Magnolia by Playboy CARDI. Uh,

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Speaker 1: Miles and I both did that Spotify thing where it

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Speaker 1: tells you your top five songs of the year, and

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Speaker 1: I think it was number one on both of our

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Speaker 1: lists or it was up there definitely my top five, Yeah, definitely,

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Speaker 1: And I felt really bad because, like it said, like

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Speaker 1: I did listening habits of like a nineteen year old,

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Speaker 1: right yeah, Uh, maybe my palette isn't as uh, you know,

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Speaker 1: refined right now, but it's just a it's just a

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Speaker 1: cool song that, uh, I don't know. Can you think

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Speaker 1: of a way that it like represents the year and

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Speaker 1: embodies the I think the well, I guess if I'm

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Speaker 1: gonna get academic about it, right. The Millie rock, the

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Speaker 1: dance that he's referring to in the song, uh, became

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Speaker 1: very popular, and to me, it's like you've even see

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Speaker 1: European soccer players like Millie rocking after goal after they

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Speaker 1: score a goal, So it's like weird, like this whole

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Speaker 1: song definitely like mainstream the Millie Rock uh and look

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Speaker 1: for people who haven't seen it, check out the Magnolia

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Speaker 1: video by Playbook Hardy. Uh. It's just like, I don't know,

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Speaker 1: it's a fun song. Again, this isn't me. We're not

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Speaker 1: music experts, so don't be like, what's your hip hop? Look,

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Speaker 1: we listen to hip hop, okay. And also we're kind

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Speaker 1: of looking at just chart wise, like what's performing, and

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Speaker 1: a majority of it is this stuff. So anyway, peepe

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Speaker 1: Magnolia by Playboard Cardi really quickly in New York side

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Speaker 1: Runt whoa yeah you want to come out here because

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Speaker 1: and my drop Joph why not? So yeah, again, this

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Speaker 1: was a big year from mumble rapping too, and his

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Speaker 1: album was definitely one of the better mumble rap albums too.

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Speaker 1: And I think that's another reason why maybe could be

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Speaker 1: a reasonable to talk about Playboy Cardi is that like

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Speaker 1: we're also seeing like hip hop evolve in very weird ways.

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Speaker 1: There's lyricist ad lib is like huge, Yeah, he like

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Speaker 1: turns ad lib into content kind of like exactly because

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Speaker 1: if you listen, you're like, what was he saying the

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Speaker 1: whole time? It's very hard because mumble rapping has kind

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Speaker 1: of become the new style. Uh but yeah, I think

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Speaker 1: that's that's a reason to talk about it. Did it

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Speaker 1: did it change the world? Like Bodak who knows? Right?

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Speaker 1: I could see that one being used in movies just

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Speaker 1: because of how aesthetically like just pleasing and easy it

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Speaker 1: goes down like it's just that sounds like eight bit

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Speaker 1: video game in it. It's not the most complex beat,

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Speaker 1: but it goes But I mean, yeah, like the number

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Speaker 1: one most played song that we didn't include on this

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Speaker 1: is like Edge Sheer in Shape of You, but that

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Speaker 1: ship could have been released in like that is it's

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Speaker 1: just a pop song. Yeah, and again I don't know,

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Speaker 1: it's just to me, that's a song that just became

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Speaker 1: annoying because I've heard it so much and who knows. Again,

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Speaker 1: I don't know why. I'm like trying to like be

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Speaker 1: so diplomatic about all this, but it was annoying song.

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Speaker 1: And we already know this is gonna go. I'm gonna

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Speaker 1: say Cardi be the greatest thing ever. Uh All right,

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Speaker 1: from that, we're gonna go into a song that brought

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Speaker 1: the flute back. Finally, um mask Off by Future, which

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Speaker 1: people might know as Molly Percocet or got to represent.

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Speaker 1: Uh but yeah, mask Off. I don't know. It was

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Speaker 1: a very particular thing where mask Off was number one

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Speaker 1: on the charts, and then uh Drake's album More Life

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Speaker 1: came out and the number of the song that went

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Speaker 1: to number one from that was Portland's, which was also

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Speaker 1: a flute rap song, and I was just like, yeah,

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Speaker 1: what why are flutes like so puffing? Right now? Turn up?

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Speaker 1: Ready for women exactly finally ready. It's funny too, because

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Speaker 1: I remember when the song came out right like on

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Speaker 1: Twitter and Instagram, so many people were covering mask Off

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Speaker 1: on their flute like. It gave flute players to be like, hey,

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Speaker 1: I'm gonna flex on Instagram and actually play the flute sample,

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Speaker 1: So I guess it did. It really did a lot

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Speaker 1: for the flute alright, Uh, Nick, you want to play

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Speaker 1: a quick bit of mask Off for us practices Minette

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Speaker 1: partos is practice Minette partoses rep the ship, try to replicit,

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Speaker 1: chic ship never mask of fucking mask mask, fucking mask

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Speaker 1: practice purposes, chasing ship Future Hendrix. I don't like that

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Speaker 1: he thinks he's like Jimi Hendrix, so he's not that cool.

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Speaker 1: He's okay, Well, we can debate that, but yeah, that's

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Speaker 1: another little mumble rap again. Yeah, and uh, it's got

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Speaker 1: the nihilism that I think is appropriate to the year,

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Speaker 1: like fucking mask off, Like I don't give a mask off.

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Speaker 1: Let's just mix fucking ecstasy and open and robbed people

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Speaker 1: without a mask on. I don't give a funk if

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Speaker 1: they see my face. Uh. And also just showing your

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Speaker 1: true self, right, because the GOP definitely had a mask

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Speaker 1: off moment this year too. They're like, fucking mask off. Yes,

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Speaker 1: we are the destroyers of our fuck you mask off.

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Speaker 1: And also the year was dominated by drug use, in

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Speaker 1: particular prescription drug use, and that Molly Perkins set was like, yeah,

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Speaker 1: I don't know anybody who parties by mixing molly and perkose.

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Speaker 1: That was a weird thing. As someone who keeps their

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Speaker 1: finger on the pulse of drug culture, and I will

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Speaker 1: describe that future is at the cutting edge. Though you

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Speaker 1: know he's yeah, not being so salty about Russell Wilson

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Speaker 1: raising your kid first move off from that. Um, But yeah,

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Speaker 1: that also do Cree would not advise using molly or

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Speaker 1: a perkset together, No, uh individually, look used under a

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Speaker 1: doctor's guidance. Yeah, it was interesting too. Is like that

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Speaker 1: flute sample comes off the Selma musical right right, so,

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Speaker 1: which is like a cool even sample to use, like

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Speaker 1: it has a significance there too, of like this like

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Speaker 1: civil rights thing. It's it's it's interesting. So yeah, there's elements.

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Speaker 1: I still put out Spotify mixes for people who liked

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Speaker 1: the music I used on the Crack podcast, and I

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Speaker 1: put the original song for that on one of my mixes.

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Speaker 1: Great Prison Song by Kristin Williams. Yeah. Uh. And then

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Speaker 1: I wanted to talk about the song Love the Lord

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Speaker 1: by Scissa uh As that's probably my song of the year.

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Speaker 1: I'm gonna I'm gonna probably be overruled. Uh, but I

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Speaker 1: fell me tell me hold on go to bad for this,

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Speaker 1: so scissor the fact that it's love blank song. Uh,

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Speaker 1: there were just love titles everywhere. There was a lot

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Speaker 1: of del Rey song. Uh. Probably my favorite song on

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Speaker 1: Damn is love Like if I wasn't such a badass.

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Speaker 1: I obviously like the more badass songs, but uh like

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Speaker 1: love was a really good song. But I'm just too

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Speaker 1: tough to really like that song. Uh. Lord had a

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Speaker 1: song called Louve. It's like it's like I don't know,

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Speaker 1: I felt like love and like just that it was

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Speaker 1: like that was rattling around in the national consciousness. Uh.

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Speaker 1: It's from the point of view of a woman suffering

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Speaker 1: with dignity at the hands of a shitty guy, in

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Speaker 1: this case Travis Scott grantities more like a fun boy. Yeah, well,

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Speaker 1: he drops a lyric that might as well be a

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Speaker 1: sex crime when he sings let me come inside you,

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Speaker 1: let me plant that seed inside you. It's like, dude gross,

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Speaker 1: which also ties this song to the most high profile

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Speaker 1: Zeitgeiste pregnancy of the year since Travis Scott did just

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Speaker 1: that to one of the Jenner's. Uh. And then I

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Speaker 1: don't know. The song ends with her grandma given her

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Speaker 1: the advice to speak up. She talks about valium any

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Speaker 1: year dominated by prescription drug use. It's just, uh, all

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Speaker 1: sorts of reasons that I came up with for I

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Speaker 1: think I just also really liked the song, So, yeah,

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Speaker 1: the one that I had a good year. Yeah, shed

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00:20:10,320 --> 00:20:13,119
Speaker 1: are like, she's definitely an album. Yeah. Now she's at

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Speaker 1: the point where white people ask, is it zaza, that's

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Speaker 1: how you know you made in the mainstream. But like

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Speaker 1: it's like, come on, man, you know Wu tang and scissa.

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Speaker 1: Did she say that's where it came from? Because no,

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Speaker 1: But I mean, but it is pronounced scissor right, like

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Speaker 1: a scissor right. All right, let's play a little love galore. Now,

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Speaker 1: these niggers don't love these niggers I does. Stop. These

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Speaker 1: niggers do it for fun. Don't take it personal personally.

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Speaker 1: I'm surprised to call me after the things I said.

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Speaker 1: It's got to start on niggle, Start up on niggle,

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Speaker 1: start down. You act can like meat. We wasn't more

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Speaker 1: than some, I said you it will promiss one crowd

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Speaker 1: bus film milk value our al Right. I just picture

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Speaker 1: you singing this song in your car, just done with

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Speaker 1: these on these very skilled at the muting myself. Yeah,

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00:21:27,560 --> 00:21:29,639
Speaker 1: that's a great song too, and like that was that

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Speaker 1: was my gateway song to the album, because I didn't

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Speaker 1: really check for the album until I heard that song.

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Speaker 1: Was like, oh, this is a great album for sure.

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Speaker 1: Al Right, So do we want to come to a

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Speaker 1: consensus on the song that's gonna be playing in movies

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Speaker 1: when they portray the year two thousand seventeen, even though

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Speaker 1: Love Galore is probably mine just because I liked the

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Speaker 1: reasons I came up with. I think I'll probably uh

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Speaker 1: go with Bodak Yellow. It's Bodak yellow for me, Maggie. Yeah,

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Speaker 1: in terms of defining the year, Boda yellow. And again

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Speaker 1: for people who I know people be in their feelings

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Speaker 1: about just like what do they know about music? This

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Speaker 1: is as us saying what captured the year? And if

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Speaker 1: you don't think it was Boadack Yellow, come on listen

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Speaker 1: to it again. She knocked Taylor swiss As out of

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Speaker 1: the top. Um. Now let's switch gears to the album

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00:22:17,840 --> 00:22:19,920
Speaker 1: of the year. That's a whole other story because Cardi

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Speaker 1: batium an album come out like a proper EP. But yes,

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Speaker 1: when you look at the big albums this year, what

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Speaker 1: are we saying? Damn uh? It was probably my album

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Speaker 1: of the year, the one that I listened to the most,

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Speaker 1: probably the only album I listened to all the way through,

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Speaker 1: like more than once, uh, because I don't know, I

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00:22:37,960 --> 00:22:40,520
Speaker 1: don't listen to albums that much anymore, But that ship

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00:22:40,640 --> 00:22:44,200
Speaker 1: was a meal uh And I don't know, it just

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Speaker 1: seemed like the album of the year just generally, I

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00:22:47,880 --> 00:22:50,120
Speaker 1: don't know, what do you guys think? I mean, look

386
00:22:50,359 --> 00:22:56,080
Speaker 1: juxtaposed Playboy cardis rise of mumble rap. With Damn, you realize,

387
00:22:56,119 --> 00:22:58,520
Speaker 1: like hip hop like we're starting to see like the

388
00:22:58,680 --> 00:23:01,040
Speaker 1: ends of the different spectrum or continuum of what rapp

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00:23:01,160 --> 00:23:02,879
Speaker 1: is looking like now, Like you have one person who's

390
00:23:02,880 --> 00:23:05,680
Speaker 1: like Nudah made had it in, and then you have

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00:23:05,920 --> 00:23:09,200
Speaker 1: Kendrick who will like like just burn your brain cells

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Speaker 1: as you try and like just take on all his lyricism.

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00:23:12,600 --> 00:23:14,800
Speaker 1: It's wild. Yeah, And to me that was like that

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00:23:14,880 --> 00:23:18,119
Speaker 1: felt like what hip hop was progressing towards from like

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Speaker 1: the golden era, like the late nineties, because like the

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00:23:20,680 --> 00:23:22,760
Speaker 1: blingling era got like a little weird again, like it

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00:23:22,800 --> 00:23:25,399
Speaker 1: wasn't so much about lyricism, and now I like the

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00:23:25,480 --> 00:23:27,800
Speaker 1: return of lyricism because that was like my favorite thing

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Speaker 1: as a young hip hop fan. So I think, yeah,

400
00:23:31,280 --> 00:23:34,359
Speaker 1: Damn is definitely one of the most solid hip hop abums.

401
00:23:34,359 --> 00:23:37,480
Speaker 1: It feels mature, um, you know to Pimpa. Butterfly was

402
00:23:37,480 --> 00:23:40,080
Speaker 1: also a great album, but this feels like he's really

403
00:23:40,160 --> 00:23:43,639
Speaker 1: like he's locking in. Yeah, it almost. Yeah. It strikes

404
00:23:43,640 --> 00:23:47,560
Speaker 1: a balance between like a lot of radio play on

405
00:23:47,760 --> 00:23:50,520
Speaker 1: here as well as like being you know, lyrically dense

406
00:23:50,600 --> 00:23:54,920
Speaker 1: and multilayered. And I mean it's really crazy. How like

407
00:23:55,080 --> 00:23:57,000
Speaker 1: this album is a great example of how hip hop

408
00:23:57,160 --> 00:24:02,359
Speaker 1: is now probably the most literary lead complex art form

409
00:24:02,480 --> 00:24:06,000
Speaker 1: like maybe in American history. Like it's so like when

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00:24:06,040 --> 00:24:08,040
Speaker 1: you like just go through the lyrics and like look

411
00:24:08,080 --> 00:24:11,520
Speaker 1: at all the ways. Uh, you know, he's creating meeting

412
00:24:11,800 --> 00:24:15,520
Speaker 1: and I don't know, it's like Bob Dylan does not

413
00:24:15,640 --> 00:24:18,760
Speaker 1: have shipped on modern hip hop when you look at

414
00:24:18,840 --> 00:24:20,840
Speaker 1: when you look at Kendrick now, when you look at

415
00:24:20,880 --> 00:24:24,160
Speaker 1: Magnolia and uh, I mean he's just talking about hiding

416
00:24:24,200 --> 00:24:27,639
Speaker 1: crack and right, So it's a little different. Yeah, but

417
00:24:27,760 --> 00:24:29,920
Speaker 1: when you look at Kendrick and Chance and Ship like that,

418
00:24:30,119 --> 00:24:33,880
Speaker 1: but it's pretty pretty crazy. Do you feel about Damning Dan?

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00:24:34,119 --> 00:24:37,159
Speaker 1: Was definitely one of my top albums of the year. Um,

420
00:24:37,440 --> 00:24:41,680
Speaker 1: it was fun. I love Kendrick, He's just a master

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00:24:41,800 --> 00:24:44,720
Speaker 1: of what he does. Um. I thought hip hop had

422
00:24:44,760 --> 00:24:48,000
Speaker 1: some good albums this year, you know, I can't. I

423
00:24:48,160 --> 00:24:50,399
Speaker 1: listened a lot of alternative rock and scream Out and

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00:24:50,480 --> 00:24:54,400
Speaker 1: all that, but I can't think of a single non

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00:24:54,600 --> 00:24:59,600
Speaker 1: hip hop album that was like definitive of the year. Yeah, yeah, yeah, yeah.

426
00:24:59,680 --> 00:25:01,080
Speaker 1: This is just one of those things I think like

427
00:25:01,440 --> 00:25:05,280
Speaker 1: universally made most people's top ten lists, Yeah, music critics

428
00:25:05,320 --> 00:25:09,040
Speaker 1: and everyone. Yeah, and Humble was just fucking everywhere as

429
00:25:09,080 --> 00:25:13,200
Speaker 1: a song. That probably the one that like for the

430
00:25:13,320 --> 00:25:15,720
Speaker 1: longest period of time, like I would, I would just

431
00:25:15,800 --> 00:25:19,200
Speaker 1: hear it going buying cars like constantly for like the

432
00:25:19,440 --> 00:25:21,920
Speaker 1: entire sum and everyone just streaming out My left stroke

433
00:25:22,160 --> 00:25:26,560
Speaker 1: just went viral and that was even scripted. That just

434
00:25:26,600 --> 00:25:30,760
Speaker 1: shows you that it's in the zeckgeist alright. So with that,

435
00:25:31,359 --> 00:25:33,960
Speaker 1: it looks like boadak Yellow is our song of the

436
00:25:34,040 --> 00:25:37,280
Speaker 1: year and uh, the album of the year is damn

437
00:25:37,320 --> 00:25:41,480
Speaker 1: So we're gonna ride out on Kendrick Humble. Uh, Maggie,

438
00:25:41,480 --> 00:25:45,600
Speaker 1: where can people follow you? I'm on Twitter at Maggie

439
00:25:45,720 --> 00:25:47,920
Speaker 1: may haa ha, and I'm I also have a fan

440
00:25:48,000 --> 00:25:51,240
Speaker 1: page on Facebook. If you want to awesome for miles

441
00:25:51,240 --> 00:25:53,520
Speaker 1: where can people follow you? You can follow me on

442
00:25:53,680 --> 00:25:55,880
Speaker 1: Twitter and Instagram at Miles of Great. You can follow

443
00:25:55,920 --> 00:25:59,040
Speaker 1: me at Jack Underscore O'Brien. We are on Twitter at

444
00:25:59,160 --> 00:26:02,760
Speaker 1: Daily zike Ice. We're on Instagram at the Daily zai Geist.

445
00:26:02,880 --> 00:26:05,680
Speaker 1: We have a Facebook fan page to search Daily Ziegeist,

446
00:26:06,040 --> 00:26:08,760
Speaker 1: and we have a website Daily zi geist dot com

447
00:26:09,119 --> 00:26:13,040
Speaker 1: where we put footnotes foot notes for our normal episodes,

448
00:26:13,040 --> 00:26:15,240
Speaker 1: we won't really have footnotes for this. Uh so yeah,

449
00:26:15,320 --> 00:26:17,280
Speaker 1: let us know on Twitter or on our Facebook fan

450
00:26:17,359 --> 00:26:20,960
Speaker 1: page what your song of the year was. Who captured

451
00:26:21,040 --> 00:26:23,920
Speaker 1: the guys se for you? Uh? And we're gonna ride

452
00:26:23,960 --> 00:26:27,000
Speaker 1: out on Kendrick Lamar. We'll be back tomorrow with the

453
00:26:27,119 --> 00:26:30,520
Speaker 1: GEISTI for a movie that captures the Zeigeist talk to them.

454
00:26:30,800 --> 00:26:34,560
Speaker 1: Yeah yeah, Hey, I remember sir up sandwiches in pram

455
00:26:34,600 --> 00:26:37,639
Speaker 1: allowances with Nissa Nickel with some counter fist. But now

456
00:26:37,680 --> 00:26:40,800
Speaker 1: I'm counting this armagen where my accounting lives. If I

457
00:26:40,920 --> 00:26:43,080
Speaker 1: come down in this, do say with my boom Bay

458
00:26:43,160 --> 00:26:46,080
Speaker 1: tastes like too late for the analysts? Grow looking buy

459
00:26:46,119 --> 00:26:49,360
Speaker 1: your Westy. Grow with my base stuff? Oh that pussy good?

460
00:26:49,520 --> 00:26:51,880
Speaker 1: Won't you say that? Don't might taste blood? I can't

461
00:26:51,920 --> 00:26:54,560
Speaker 1: wait too, Patty? Would you let me beat the edge dress?

462
00:26:54,720 --> 00:26:57,000
Speaker 1: I love poor your black Nay breaking down? We playing

463
00:26:57,440 --> 00:27:00,240
Speaker 1: stress a M Did the BM film? Did the am

464
00:27:00,320 --> 00:27:03,040
Speaker 1: fone puts out your per diem? You just got to

465
00:27:03,119 --> 00:27:05,840
Speaker 1: hate him form. If I quit your Beam, I still

466
00:27:05,920 --> 00:27:09,080
Speaker 1: brought Mercedes phone. If I quit this season, I still

467
00:27:09,119 --> 00:27:12,920
Speaker 1: beat the greatest phone. My left roke just went viral

468
00:27:13,600 --> 00:27:17,000
Speaker 1: right strout put the baby in a spiral. So breno.

469
00:27:17,119 --> 00:27:19,159
Speaker 1: See we like to keep it, don't the I know

470
00:27:19,720 --> 00:27:23,320
Speaker 1: it's level stoard you and I know, bitch bi humble. Hello,

471
00:27:23,560 --> 00:27:30,800
Speaker 1: let you sit down, at you sit down. Let's sit down,

472
00:27:31,080 --> 00:27:40,360
Speaker 1: little leamboo, sit down, bumble sit down, all sit down,

473
00:27:42,760 --> 00:27:49,440
Speaker 1: Let's sit down, little leambo sit down. That the thinking

474
00:27:49,560 --> 00:27:52,600
Speaker 1: that he's running on. Man, man hit the funk off

475
00:27:52,760 --> 00:27:55,399
Speaker 1: my stage. I'm the same man, man hit the funk

476
00:27:55,560 --> 00:27:58,960
Speaker 1: off my dick. That ain't bite. I make a bay

477
00:27:59,080 --> 00:28:03,080
Speaker 1: fucking up your old life. I'm so fucking sick and tired.

478
00:28:03,160 --> 00:28:06,240
Speaker 1: DUCR Photo Shop. Show me something natural role like every

479
00:28:06,359 --> 00:28:09,040
Speaker 1: room what your brod? Show me something natural role like

480
00:28:09,200 --> 00:28:11,879
Speaker 1: ask what's the stretch? Buk still take you down right

481
00:28:11,920 --> 00:28:14,920
Speaker 1: there on your bomach and boa. Hey this ship way

482
00:28:14,960 --> 00:28:17,639
Speaker 1: too crazy? Hey, you do nothing makes me? Eight? I'm

483
00:28:17,680 --> 00:28:20,520
Speaker 1: blue cool from a c a open but just paced me. Eight.

484
00:28:20,680 --> 00:28:23,720
Speaker 1: I don't fabricating a most things. I'll be faking height.

485
00:28:23,920 --> 00:28:26,920
Speaker 1: I say modest about it. Eight. She eat lapperbadd Hey,

486
00:28:27,119 --> 00:28:30,080
Speaker 1: this that great bout a van? That dad talk? Hey,

487
00:28:30,280 --> 00:28:33,280
Speaker 1: watch my soul speak. You let the best talk? Hey

488
00:28:33,520 --> 00:28:36,520
Speaker 1: if I kill a nigga. I's wonna be the alcohol. Hey,

489
00:28:36,680 --> 00:28:40,120
Speaker 1: I'm the villas nigga after all. Bitch, be humble, Hello

490
00:28:40,360 --> 00:28:48,160
Speaker 1: at you. Sit down, humble, sit down, sit down. Little

491
00:28:48,800 --> 00:28:59,320
Speaker 1: le Umboo, sit down, humble, sit down, sit down. Hello

492
00:29:00,000 --> 00:29:11,760
Speaker 1: it down, Little limbo, Sit down down