1 00:00:11,119 --> 00:00:13,960 Speaker 1: What's happened to friends? Welcome to Friday's show, Mortan Studio 2 00:00:14,120 --> 00:00:17,640 Speaker 1: morning in my hand. Chocolate covered cicadas. We got him. 3 00:00:17,640 --> 00:00:20,200 Speaker 1: We got him yesterday actually, but later in the show 4 00:00:20,560 --> 00:00:23,840 Speaker 1: someone will eat a chocolate covered cicada. I just wonder 5 00:00:23,920 --> 00:00:31,840 Speaker 1: about the crunch one. Well, there will be. It's a bug, yeah, 6 00:00:31,880 --> 00:00:33,200 Speaker 1: and you have to eat the whole thing. You can't 7 00:00:33,200 --> 00:00:36,080 Speaker 1: take a bite. Morgan's pulled herself out of the competition 8 00:00:36,080 --> 00:00:39,760 Speaker 1: here because she doesn't eat meat, and we've determined this 9 00:00:39,800 --> 00:00:42,400 Speaker 1: as meat, right, yes, she has. And the females No, 10 00:00:42,520 --> 00:00:44,760 Speaker 1: the females are meteor is what I read online. But 11 00:00:44,840 --> 00:00:46,920 Speaker 1: I don't know if these things have weeeze or not. 12 00:00:47,120 --> 00:00:49,320 Speaker 1: Check it out. I don't even want to break one open, 13 00:00:50,280 --> 00:00:52,760 Speaker 1: so you just eat it blind, Okay, so that don't 14 00:00:52,800 --> 00:00:55,520 Speaker 1: happen later Brett Eldridge will be on as well later 15 00:00:55,560 --> 00:00:58,320 Speaker 1: today dance Parties. Obviously, it'd be a good show. On 16 00:00:58,360 --> 00:01:01,280 Speaker 1: the phone now is Gianna and for Ga? Hey, Gianna? 17 00:01:01,280 --> 00:01:05,280 Speaker 1: How are you? Hi? I'm good, Thank you for calling. 18 00:01:05,319 --> 00:01:08,679 Speaker 1: How old are you, Johanna? I'm ten? Oh? Oh? Okay, 19 00:01:08,959 --> 00:01:10,640 Speaker 1: you up early in the morning. Okay, what would you 20 00:01:10,640 --> 00:01:15,240 Speaker 1: like to say? I would like to ask you what 21 00:01:15,400 --> 00:01:18,640 Speaker 1: shooting service Breaking Bobby Bones is on. Oh, thanks for asking. 22 00:01:18,920 --> 00:01:21,920 Speaker 1: So you can purchase the episodes right now on Amazon, 23 00:01:22,360 --> 00:01:24,440 Speaker 1: but if you wait till July second, you can watch 24 00:01:24,480 --> 00:01:27,840 Speaker 1: them on Disney Plus. They'll be all like eight episodes 25 00:01:27,880 --> 00:01:30,560 Speaker 1: get loaded up on Disney Plus. So we're getting pretty 26 00:01:30,560 --> 00:01:33,600 Speaker 1: close to that happening. So either Amazon, the nat geo app, 27 00:01:33,880 --> 00:01:37,440 Speaker 1: or in July second, Disney Plus. Okay, okay, thank you 28 00:01:37,480 --> 00:01:41,560 Speaker 1: for calling, Thank you, bye bye. This Sunday night, I 29 00:01:41,560 --> 00:01:44,200 Speaker 1: will be driving the big rig through Chattanooga eighteen wheelers 30 00:01:44,200 --> 00:01:46,160 Speaker 1: loaded with eggs. My goal was to get it all 31 00:01:46,200 --> 00:01:48,920 Speaker 1: the way across the city without cracking an egg. Oh man, 32 00:01:49,040 --> 00:01:51,920 Speaker 1: or without cracking like one percent of the egg. I'm 33 00:01:51,960 --> 00:01:54,360 Speaker 1: not just one egg. Yeah, because I don't think we 34 00:01:54,360 --> 00:01:56,240 Speaker 1: went through I think we just grabbed random boxes and 35 00:01:56,280 --> 00:01:58,200 Speaker 1: see if they cracked. But it had to learn I 36 00:01:58,200 --> 00:02:01,520 Speaker 1: guess where I got my cdl's miserable to get that license. 37 00:02:01,640 --> 00:02:04,080 Speaker 1: And then the other one is I'm working a towboat 38 00:02:04,520 --> 00:02:06,840 Speaker 1: and I have to like stop this four million pound 39 00:02:06,880 --> 00:02:10,120 Speaker 1: thing with a rope. So check it out on nat GEO. 40 00:02:10,360 --> 00:02:12,320 Speaker 1: Would love it if you watch. Could really use your 41 00:02:12,320 --> 00:02:14,520 Speaker 1: support and we could use the ratings, so hit it up. 42 00:02:14,520 --> 00:02:17,840 Speaker 1: It's a ten nine Central on nat geo Big Show Today. 43 00:02:18,160 --> 00:02:20,519 Speaker 1: Anything any final words before we get going to Amy, Yeah, 44 00:02:20,600 --> 00:02:22,280 Speaker 1: no that, I'm just want to get it over with, 45 00:02:22,600 --> 00:02:24,200 Speaker 1: mainly to see who's going to have to eat the 46 00:02:24,240 --> 00:02:27,040 Speaker 1: cicadas's that's later in the show. Yeah. Also, this is 47 00:02:27,080 --> 00:02:28,840 Speaker 1: the last show Eddies in studio before heads off for 48 00:02:28,880 --> 00:02:31,280 Speaker 1: his walk. That's right, And I'm feeling good like you 49 00:02:31,320 --> 00:02:37,480 Speaker 1: should like, I should like. I should hope you guys 50 00:02:37,480 --> 00:02:39,960 Speaker 1: watch Breaking Bobby Bones on Sunday night, Nat Geo. I'm 51 00:02:39,960 --> 00:02:44,040 Speaker 1: an eighteen wheeler driver, big rig rolling on the Real Highway, 52 00:02:44,160 --> 00:02:46,120 Speaker 1: driving an eighteen wheeler, and I was clueless and I 53 00:02:46,160 --> 00:02:48,239 Speaker 1: thought I might kill somebody, honestly, like, I was scared, 54 00:02:48,320 --> 00:02:50,760 Speaker 1: not for my safety, for everybody else's. Yeah, I've seen 55 00:02:50,800 --> 00:02:52,440 Speaker 1: the promo and I'm nervous for you. I haven't seen 56 00:02:52,480 --> 00:02:55,000 Speaker 1: the promo. I haven't seen anything about it, so it's 57 00:02:55,040 --> 00:02:58,040 Speaker 1: pretty nerve wrecking. Yeah, Nat Geo, I hope you guys 58 00:02:58,080 --> 00:03:00,399 Speaker 1: watch Breaking Bobby Bones a Sunday night. Please do. Let's 59 00:03:00,440 --> 00:03:11,120 Speaker 1: open up the mail bag something. Hello Bobby Bones. My 60 00:03:11,200 --> 00:03:13,880 Speaker 1: husband and I are newly married and I noticed something 61 00:03:13,880 --> 00:03:16,079 Speaker 1: that he does that kind of grosses me out. When 62 00:03:16,080 --> 00:03:19,320 Speaker 1: he takes a shower, he doesn't use a fresh washcloth 63 00:03:19,400 --> 00:03:22,160 Speaker 1: every time. He'll either reuse the one I just used 64 00:03:22,639 --> 00:03:25,359 Speaker 1: or use the one that he's been using in the 65 00:03:25,360 --> 00:03:27,920 Speaker 1: shower the last couple of times. He says, it doesn't 66 00:03:27,919 --> 00:03:30,000 Speaker 1: matter because it's clean. Since you just rinsed it in 67 00:03:30,040 --> 00:03:32,640 Speaker 1: clean water after you shower, it's still a clean washcloth. 68 00:03:33,040 --> 00:03:36,520 Speaker 1: Does anyone on the show reuse washcloths? Is it not 69 00:03:36,840 --> 00:03:39,040 Speaker 1: as gross as I think it is to do that. 70 00:03:39,800 --> 00:03:42,000 Speaker 1: Is there anything on that your spouse does that grosses 71 00:03:42,000 --> 00:03:43,880 Speaker 1: you out? I love the show and listen to the 72 00:03:43,880 --> 00:03:46,840 Speaker 1: podcast every day. Thanks in advance for your advice, Sincerely, 73 00:03:46,840 --> 00:03:50,280 Speaker 1: a grossed out wife. First of all this situation, I 74 00:03:50,360 --> 00:03:53,560 Speaker 1: don't reuse washcloths. However, I don't use a lot of washcloths. 75 00:03:54,040 --> 00:03:57,280 Speaker 1: I got a little soap dispenser that puts soap in 76 00:03:57,360 --> 00:03:59,880 Speaker 1: with my hands, and I have a little scrub that can. 77 00:04:00,000 --> 00:04:01,600 Speaker 1: It makes me use because I was getting like piples 78 00:04:01,560 --> 00:04:03,200 Speaker 1: on the top of my back and my chest because 79 00:04:03,200 --> 00:04:04,480 Speaker 1: I would sweat and it would just stay in like 80 00:04:04,680 --> 00:04:06,840 Speaker 1: a little hair ab there. And so now there's a 81 00:04:06,840 --> 00:04:09,160 Speaker 1: little scrub that she makes me do. So I don't 82 00:04:09,160 --> 00:04:13,000 Speaker 1: really use washcloths, though I don't. I think it's pretty 83 00:04:13,000 --> 00:04:14,920 Speaker 1: gross to use it again and again. I know, but 84 00:04:14,960 --> 00:04:16,240 Speaker 1: I mean, if you think about it, that's what you're 85 00:04:16,240 --> 00:04:18,239 Speaker 1: doing with a lufa. But that's why they say lufa's 86 00:04:18,279 --> 00:04:20,640 Speaker 1: are bad. So I get that. But so I just 87 00:04:20,720 --> 00:04:23,400 Speaker 1: something about a lufa seems more acceptable to use over 88 00:04:23,480 --> 00:04:27,640 Speaker 1: and over, but a washcloth absolutely not. I was cringing 89 00:04:27,680 --> 00:04:29,599 Speaker 1: while you were reading that. Well I wasn't cringing, but 90 00:04:29,640 --> 00:04:32,400 Speaker 1: I'm against it. I'm against doubling up the washcloths. Yeah, 91 00:04:32,400 --> 00:04:35,280 Speaker 1: because there's skin and dead skin. You know. Maybe a 92 00:04:35,320 --> 00:04:37,680 Speaker 1: lufa seems okay because it looks like it's that's what 93 00:04:37,680 --> 00:04:40,120 Speaker 1: it's supposed to do. But I'll washcloth, you know, back 94 00:04:40,160 --> 00:04:41,920 Speaker 1: to you. I don't even know if that's a thing 95 00:04:42,120 --> 00:04:44,520 Speaker 1: we're gonna go with. It is gross to use a 96 00:04:44,560 --> 00:04:47,560 Speaker 1: washcloth more than once. Yeah, you're okay to be grossed 97 00:04:47,600 --> 00:04:49,880 Speaker 1: out by it. It also stinks to have to do 98 00:04:49,920 --> 00:04:52,320 Speaker 1: that much laundry, though could be fair if you're taking 99 00:04:52,320 --> 00:04:54,000 Speaker 1: a shower and it's a dirty one every night. It's 100 00:04:54,000 --> 00:04:57,120 Speaker 1: a little teeny tiny, six by six square. What about 101 00:04:57,160 --> 00:05:00,920 Speaker 1: a towel. Can you reuse a towel? Yeah, a few times. Sure, 102 00:05:01,000 --> 00:05:04,840 Speaker 1: I'm good for two towel times. Yeah. Get your clean skin, yeah, 103 00:05:04,839 --> 00:05:07,640 Speaker 1: I mean that's that's up to you. But I not 104 00:05:07,760 --> 00:05:11,080 Speaker 1: a washcloth that's been scrubbing all over your body. I agree, 105 00:05:11,160 --> 00:05:12,960 Speaker 1: So we're settled on it is gross. Now. Is there 106 00:05:12,960 --> 00:05:16,080 Speaker 1: anything that your spouse does the grosses you out? Yeah? 107 00:05:16,080 --> 00:05:18,520 Speaker 1: I mean he picks at his feet. He has some 108 00:05:18,600 --> 00:05:21,080 Speaker 1: like weird fungus things that he picked up in the 109 00:05:21,080 --> 00:05:23,960 Speaker 1: Middle East, like when he was in the military. Still 110 00:05:23,960 --> 00:05:26,200 Speaker 1: has it pretty sure. He's like one time he left 111 00:05:26,200 --> 00:05:28,720 Speaker 1: for Afghanistan, came back, you know, there's community showers all 112 00:05:28,720 --> 00:05:30,640 Speaker 1: the military people like I don't even know what's going 113 00:05:30,680 --> 00:05:33,040 Speaker 1: on over there. And he comes back and he's got 114 00:05:33,040 --> 00:05:35,000 Speaker 1: this weird thing going on with his toes and his 115 00:05:35,080 --> 00:05:38,760 Speaker 1: feet still has it and picks at it. Then that's 116 00:05:39,480 --> 00:05:43,119 Speaker 1: unfortunate for him. No, I feel bad because I'm like, wow, 117 00:05:43,200 --> 00:05:45,040 Speaker 1: you were serving our country. Yeah, That's why I didn't 118 00:05:45,080 --> 00:05:46,440 Speaker 1: jump on your team on this one. I was just like, 119 00:05:46,520 --> 00:05:48,360 Speaker 1: I feel bad for him. Yeah, but no, you don't. 120 00:05:48,440 --> 00:05:51,080 Speaker 1: Doesn't mean you have to pick at it. Oh what 121 00:05:51,160 --> 00:05:54,040 Speaker 1: about you? Calin's pretty a plus on on the gross stuff. 122 00:05:54,040 --> 00:05:56,560 Speaker 1: I will say that in a pinch. And she's only 123 00:05:56,560 --> 00:05:58,600 Speaker 1: told me this because I'm a carter. She's just used 124 00:05:58,640 --> 00:06:02,480 Speaker 1: my toothbrush, oh to me, And she acts like that's 125 00:06:02,480 --> 00:06:04,320 Speaker 1: not a big deal. No, that's a big but to me, 126 00:06:04,360 --> 00:06:06,560 Speaker 1: I'm like, oh, that's not for me. I don't like that. Yeah, 127 00:06:06,640 --> 00:06:08,520 Speaker 1: And sometimes she puts it on my face, like, hmm, 128 00:06:08,720 --> 00:06:12,800 Speaker 1: I just use your face brush because you know your 129 00:06:12,800 --> 00:06:14,960 Speaker 1: wife do anything gross. Yeah, the toothbrush, that's what that's 130 00:06:14,960 --> 00:06:17,120 Speaker 1: what he does it too. She does the toothbrush. She's 131 00:06:17,200 --> 00:06:20,000 Speaker 1: wrong with y'all's women. I have no idea, And I'm 132 00:06:20,040 --> 00:06:23,120 Speaker 1: always like, use your own toothbrush, please, that's disgusting. Yeah. 133 00:06:23,680 --> 00:06:25,440 Speaker 1: But guys, I was gonna tell you my washcloth that 134 00:06:25,480 --> 00:06:27,600 Speaker 1: I bathed myself with this morning. I mean that's been 135 00:06:27,600 --> 00:06:29,359 Speaker 1: in there for two weeks. Oh, you're good on that. 136 00:06:29,400 --> 00:06:31,839 Speaker 1: You take that guy's side. I do, because you do 137 00:06:31,960 --> 00:06:33,760 Speaker 1: wash it with soap and you dry it out like 138 00:06:33,760 --> 00:06:36,039 Speaker 1: you would do the laundry every day. I don't feel 139 00:06:36,080 --> 00:06:38,440 Speaker 1: like that's the same. I can see it in your face. 140 00:06:38,560 --> 00:06:40,360 Speaker 1: I don't think that's the same. But you, I'm glad 141 00:06:40,360 --> 00:06:43,000 Speaker 1: you have that opinion. All right, thank you for that email, 142 00:06:43,640 --> 00:06:49,000 Speaker 1: close it up. We've got your That was about the 143 00:06:49,040 --> 00:06:52,839 Speaker 1: cloth bag Morgan. If they want to email us, what 144 00:06:52,880 --> 00:06:56,240 Speaker 1: do they do? Mailbag at Bobby Bones dot com on 145 00:06:56,360 --> 00:06:59,400 Speaker 1: The Bobby Bones Show. Now, Bradley, all right, we're all 146 00:06:59,400 --> 00:07:01,960 Speaker 1: premiere day. Brandley's on The Worst Country Song of All 147 00:07:01,960 --> 00:07:03,919 Speaker 1: Time is on about to play it in a second 148 00:07:03,920 --> 00:07:06,919 Speaker 1: with Toby Keith and also Hardy. How hard is it 149 00:07:07,000 --> 00:07:09,359 Speaker 1: Brandley to get Toby Keith to do a song these days? 150 00:07:09,760 --> 00:07:12,880 Speaker 1: Not easy, brother, I promise you that it was kind 151 00:07:12,880 --> 00:07:15,480 Speaker 1: of a Honestly, it was a long shot. We wrote 152 00:07:15,520 --> 00:07:17,880 Speaker 1: that last first, kind of catered to him, hoping that 153 00:07:17,880 --> 00:07:21,800 Speaker 1: that would help. And you know, Toby's a pretty serious dude. 154 00:07:22,040 --> 00:07:24,080 Speaker 1: You know, he takes what he stands for serious and 155 00:07:24,320 --> 00:07:27,400 Speaker 1: and I respect those things about him, but he's also 156 00:07:27,520 --> 00:07:29,240 Speaker 1: one of those that don't mind having a good time. 157 00:07:29,360 --> 00:07:32,320 Speaker 1: So he h you know, I called him and we 158 00:07:32,480 --> 00:07:34,560 Speaker 1: talked it out and he jumped on it. And I 159 00:07:34,560 --> 00:07:36,240 Speaker 1: can't tell you how stoked we are to have him 160 00:07:36,240 --> 00:07:38,320 Speaker 1: on it. It's kind of the stamp of approval. You 161 00:07:38,360 --> 00:07:43,120 Speaker 1: ever hung out with Toby not professionally, yeah, a little bit, 162 00:07:43,160 --> 00:07:45,960 Speaker 1: you know when you're on the road, there's still a 163 00:07:46,000 --> 00:07:49,800 Speaker 1: little bit of business involved always, but rable to spend 164 00:07:49,800 --> 00:07:51,920 Speaker 1: a little bit of time with him, and you know, 165 00:07:52,120 --> 00:07:54,080 Speaker 1: spend some time with him on the phone and when 166 00:07:54,120 --> 00:07:55,840 Speaker 1: we were not on stage and on the road, and 167 00:07:56,440 --> 00:07:59,480 Speaker 1: he was super cool to me, and he was super 168 00:07:59,520 --> 00:08:02,120 Speaker 1: cool to my guys on the road. You know, we're 169 00:08:02,160 --> 00:08:04,000 Speaker 1: a family out there, So that meant the world to 170 00:08:04,120 --> 00:08:06,560 Speaker 1: me and and I think the world to him. So 171 00:08:06,840 --> 00:08:10,960 Speaker 1: being able to do a song with him is an honor. Man, 172 00:08:11,200 --> 00:08:14,280 Speaker 1: I'm stoked. Tell me about the worst country song of 173 00:08:14,280 --> 00:08:16,800 Speaker 1: all time? Like you're in a room, you gotta start 174 00:08:16,800 --> 00:08:18,840 Speaker 1: writing it. Like, what was the idea in the room? 175 00:08:18,880 --> 00:08:21,760 Speaker 1: You and Hardy wrote this song? Yeah, me and Hardy 176 00:08:21,760 --> 00:08:25,680 Speaker 1: and Hunter Phelps and h and will Weatherly and you know, 177 00:08:26,080 --> 00:08:29,239 Speaker 1: Hardy said, hey, guys, I've got this idea in my phone. 178 00:08:29,240 --> 00:08:32,040 Speaker 1: I don't know if there's anything to it. It's called 179 00:08:32,040 --> 00:08:33,960 Speaker 1: the worst country song all time. And we all had 180 00:08:33,960 --> 00:08:37,040 Speaker 1: a good laugh and kind of shrugged it off and 181 00:08:37,120 --> 00:08:39,160 Speaker 1: joked about it a little bit, and the next thing 182 00:08:39,200 --> 00:08:44,800 Speaker 1: you know, we're actually writing it. So then it just 183 00:08:44,880 --> 00:08:47,600 Speaker 1: kind of took off from there. Man. Honestly, it's you know, 184 00:08:47,679 --> 00:08:51,640 Speaker 1: obviously tongue in cheek and meant to be funny and 185 00:08:51,800 --> 00:08:55,439 Speaker 1: meant to be fun And you know, that's not a 186 00:08:55,600 --> 00:08:58,240 Speaker 1: side of my coin that people get to see very 187 00:08:58,280 --> 00:09:00,960 Speaker 1: often from us. You know, it's usually arms crossed, looking 188 00:09:00,960 --> 00:09:02,559 Speaker 1: at the camera like we're gonna beat it up and 189 00:09:02,640 --> 00:09:07,720 Speaker 1: that kind of thing. So, especially when the climate our 190 00:09:07,840 --> 00:09:13,360 Speaker 1: society is so overly serious right now, I think it'll 191 00:09:13,400 --> 00:09:15,679 Speaker 1: be good for everybody to kind of laugh a little bit, 192 00:09:15,720 --> 00:09:18,200 Speaker 1: smile a little bit and have a good time with listening. 193 00:09:18,400 --> 00:09:21,000 Speaker 1: And you're knocked down at camera days? Did you ever 194 00:09:21,080 --> 00:09:22,440 Speaker 1: and whenever take a picture of you like I don't 195 00:09:22,440 --> 00:09:24,120 Speaker 1: want a picture, and you did knock a camera out 196 00:09:24,120 --> 00:09:26,080 Speaker 1: of their hand? That ever happened, I don't know. I 197 00:09:26,080 --> 00:09:29,480 Speaker 1: didn't do it over at Charles Place. Well, Kanye would 198 00:09:29,520 --> 00:09:31,240 Speaker 1: do that though, Like right, people would put up a 199 00:09:31,240 --> 00:09:32,400 Speaker 1: camera and be like, hell, let me get your picture. 200 00:09:32,400 --> 00:09:33,840 Speaker 1: He's like, get out of my face and knock it out. 201 00:09:34,400 --> 00:09:36,559 Speaker 1: I just wonder if that was a like in Brandley's 202 00:09:36,600 --> 00:09:39,480 Speaker 1: you know, Troubled Days, if you ever knocked a camera 203 00:09:39,559 --> 00:09:43,240 Speaker 1: out of somebody's hand, I would say there's probably better 204 00:09:43,280 --> 00:09:47,839 Speaker 1: than a fifty percent chance, there's one hundred percent chance 205 00:09:47,880 --> 00:09:50,800 Speaker 1: that whoever it happened to remembers it more than I do. 206 00:09:51,360 --> 00:09:53,240 Speaker 1: What does it mean? I mean, I know what it means, 207 00:09:53,240 --> 00:09:54,520 Speaker 1: But what does it mean to you when it says 208 00:09:54,559 --> 00:09:56,800 Speaker 1: produced by Brantley Gilbert? Did you send in the studio 209 00:09:56,840 --> 00:10:00,760 Speaker 1: and produce a song yourself? For sure? Man, we came 210 00:10:01,080 --> 00:10:03,200 Speaker 1: taking a different approach to this a record, you know, 211 00:10:03,320 --> 00:10:05,800 Speaker 1: with with COVID and everything going on. It was a 212 00:10:05,840 --> 00:10:07,760 Speaker 1: little bit of a different price where a lottle bit 213 00:10:07,760 --> 00:10:11,160 Speaker 1: of a different process for us, and um, it was 214 00:10:12,120 --> 00:10:14,679 Speaker 1: it was kind of one of those things where we 215 00:10:14,679 --> 00:10:17,360 Speaker 1: we really worked off a lot of demos man, and 216 00:10:17,360 --> 00:10:20,520 Speaker 1: and uh made what we could happen. But you know, 217 00:10:20,559 --> 00:10:22,920 Speaker 1: everybody was kind of operating and recording in their own 218 00:10:22,920 --> 00:10:25,240 Speaker 1: little space. So if you get into a spot and 219 00:10:25,320 --> 00:10:27,720 Speaker 1: you want live drums or you want this guitar player 220 00:10:27,760 --> 00:10:29,120 Speaker 1: on it, you kind of send it to them, they 221 00:10:29,120 --> 00:10:31,920 Speaker 1: play the part, you know, send it back to us. 222 00:10:32,040 --> 00:10:34,320 Speaker 1: And and uh, I tried to be in a chair 223 00:10:34,400 --> 00:10:38,800 Speaker 1: beside beside will Wesley or brought Barry Hillett off, but 224 00:10:38,840 --> 00:10:41,040 Speaker 1: you know, as often as possible and put in my 225 00:10:41,120 --> 00:10:45,680 Speaker 1: ten cents, and uh, you know it's uh, it's something 226 00:10:45,679 --> 00:10:47,960 Speaker 1: I'm proud to have my name next too, and and 227 00:10:47,960 --> 00:10:50,040 Speaker 1: and I'm excited for everybody to hear this whole album. 228 00:10:50,120 --> 00:10:51,840 Speaker 1: All right, here we go world premiere day. We're gonna 229 00:10:51,840 --> 00:10:53,880 Speaker 1: play it now, the worst country song of all time 230 00:10:54,240 --> 00:10:56,520 Speaker 1: with Toby Keith and Hardy which, by the way, Brentley 231 00:10:56,559 --> 00:10:59,160 Speaker 1: will be on the road starting uh June twenty fifths, 232 00:10:59,200 --> 00:11:01,200 Speaker 1: so looking at next week all the way up until 233 00:11:01,280 --> 00:11:03,840 Speaker 1: May six. He's basically all over the country. You guys. 234 00:11:03,960 --> 00:11:06,400 Speaker 1: Check out the tour dates at Brantley Gilbert dot com. Bradley, 235 00:11:06,440 --> 00:11:11,120 Speaker 1: good to talk to you. I didn't think anything about this, 236 00:11:11,160 --> 00:11:13,640 Speaker 1: but I'm getting a lot of messages that that Brantley 237 00:11:13,640 --> 00:11:16,520 Speaker 1: Gilbert song is basically the same song Eddie and I 238 00:11:16,559 --> 00:11:18,640 Speaker 1: and John Party did with can't say that in a 239 00:11:18,679 --> 00:11:21,400 Speaker 1: country song, because his whole song is this is the 240 00:11:21,400 --> 00:11:23,120 Speaker 1: worst country song ever. You couldn't put all this stuff 241 00:11:23,120 --> 00:11:26,200 Speaker 1: in a country song, Yeah, which is kind of our song. 242 00:11:26,320 --> 00:11:29,839 Speaker 1: And that's what and that's what we did a couple 243 00:11:29,800 --> 00:11:33,880 Speaker 1: of months ago, which is fine, But I really didn't 244 00:11:33,880 --> 00:11:35,720 Speaker 1: think about it. And now Lunchbox and Ray are telling 245 00:11:35,720 --> 00:11:40,560 Speaker 1: me to sue. Yeah, sue. Listen, we have to have 246 00:11:40,679 --> 00:11:43,560 Speaker 1: lawyers that listen to this show, and I guarantee if 247 00:11:43,559 --> 00:11:46,600 Speaker 1: someone will take up this case pro bono. I don't 248 00:11:46,640 --> 00:11:50,480 Speaker 1: guarantees this. Listen. I don't know that there's anything you 249 00:11:50,480 --> 00:11:53,319 Speaker 1: can have the same concept. Listen, it's Is it weird 250 00:11:53,360 --> 00:11:55,600 Speaker 1: that it's at the same time, you know, two months 251 00:11:55,640 --> 00:11:57,920 Speaker 1: after we put ours out? Yes, it's very weird. I've 252 00:11:57,920 --> 00:12:01,120 Speaker 1: never heard this concept before we put it out. Is 253 00:12:01,120 --> 00:12:03,000 Speaker 1: it weird? Yes? But do I think there's anything to it? No? 254 00:12:03,520 --> 00:12:06,080 Speaker 1: I think it's just accidental. Should we ask a lawyer 255 00:12:07,800 --> 00:12:11,160 Speaker 1: if there's anything? Yeah, because man, I just got hit 256 00:12:11,200 --> 00:12:13,640 Speaker 1: with a bad like plumbing bill. I mean, that's gonna 257 00:12:13,640 --> 00:12:15,760 Speaker 1: really help out, you know what I'm saying. Let me 258 00:12:15,800 --> 00:12:18,520 Speaker 1: ask Lunchbox and Ray, what do you guys suggest. I 259 00:12:18,520 --> 00:12:20,280 Speaker 1: would say you had to sit down with an attorney 260 00:12:20,320 --> 00:12:24,079 Speaker 1: and sue because they obviously obviously heard your song and said, hey, man, 261 00:12:24,080 --> 00:12:25,760 Speaker 1: this is a great idea. I don't know they did. Listen, 262 00:12:25,960 --> 00:12:28,240 Speaker 1: Hardy and Brantley wrote that, like you said. And to 263 00:12:28,360 --> 00:12:31,520 Speaker 1: other people, I don't know they heard this song. Maybe 264 00:12:31,559 --> 00:12:37,040 Speaker 1: they're fans. Oh you should, I mean, and they do 265 00:12:37,160 --> 00:12:39,600 Speaker 1: have music lawyers. I just google what does a music lawyer? 266 00:12:40,880 --> 00:12:45,319 Speaker 1: Music specialized who deals in legal issues surrounding the music industry, 267 00:12:45,600 --> 00:12:49,160 Speaker 1: copyright infringement, Bohm, Let's go. I didn't think anything about this. 268 00:12:49,640 --> 00:12:54,520 Speaker 1: I still don't. I'm not gonna fall. The latest from 269 00:12:54,600 --> 00:12:59,880 Speaker 1: Nashville and Tullywood Number two Skinny lots of new music 270 00:13:00,000 --> 00:13:02,960 Speaker 1: out today. Lauren Elena released a new song called If 271 00:13:03,000 --> 00:13:06,319 Speaker 1: the World was a small town. If the world was 272 00:13:06,360 --> 00:13:10,640 Speaker 1: a small town, I want a settle for the way 273 00:13:10,679 --> 00:13:15,120 Speaker 1: we want to settle down. Boy in fighting and thistle 274 00:13:15,240 --> 00:13:20,920 Speaker 1: stuck around. Would a moment if her baby, Maybe we 275 00:13:21,160 --> 00:13:25,240 Speaker 1: would have made it before made. Brentley Gilbert released his 276 00:13:25,320 --> 00:13:28,960 Speaker 1: collaboration with Toby Keith and Hardy called the worst country 277 00:13:29,000 --> 00:13:33,760 Speaker 1: song of all Time Not Fay, Sweet Teaser Bread, Know 278 00:13:34,040 --> 00:13:39,920 Speaker 1: the Rules, Babe, She's the worst country show of all 279 00:13:40,200 --> 00:13:46,080 Speaker 1: time and of course goes of cheese in traffic. James 280 00:13:47,880 --> 00:13:52,880 Speaker 1: so Bluncle Brown released a new song called Nobody's More Country. 281 00:13:53,160 --> 00:13:59,760 Speaker 1: I've been back for charging car, Child for You, User 282 00:14:00,120 --> 00:14:10,520 Speaker 1: middles and see seasoning one thing. I love the country 283 00:14:10,840 --> 00:14:13,880 Speaker 1: more than Me and Schi Carter release a collaboration with 284 00:14:14,000 --> 00:14:17,439 Speaker 1: Cole Swindell and David Lee Murphy called Beer with My 285 00:14:17,600 --> 00:14:37,920 Speaker 1: Friends Talking. I'm Morgan Number two. That's your skinny hart. 286 00:14:38,080 --> 00:14:44,600 Speaker 1: It's time for the good news lunchbox. Something good. It 287 00:14:44,800 --> 00:14:49,080 Speaker 1: was graduation day in Center Point, Alabama, when Timothy Harrison 288 00:14:49,160 --> 00:14:51,680 Speaker 1: showed up for his shift at waffle house and his 289 00:14:51,880 --> 00:14:55,200 Speaker 1: manager said, hey, man, aren't you supposed to be at graduation? 290 00:14:55,280 --> 00:14:57,120 Speaker 1: He goes, oh, I don't have a way to get 291 00:14:57,120 --> 00:15:00,320 Speaker 1: across town to the ceremony, and she goes, oh, wait, 292 00:15:00,400 --> 00:15:02,720 Speaker 1: right there, so called a different manager that wasn't working 293 00:15:02,800 --> 00:15:05,000 Speaker 1: that day, drove him to the local store, bought him 294 00:15:05,040 --> 00:15:07,640 Speaker 1: some new slacks a dress shirt, drove him to the 295 00:15:07,720 --> 00:15:10,360 Speaker 1: ceremony to get his cap and gown, and didn't ever 296 00:15:10,400 --> 00:15:12,760 Speaker 1: take it to the ceremony. So the assistant managers waited 297 00:15:12,800 --> 00:15:16,160 Speaker 1: in the parking lot while he graduated. Wow, they couldn't 298 00:15:16,160 --> 00:15:18,240 Speaker 1: get that assistant in there. They couldn't sneak him into watch. 299 00:15:18,600 --> 00:15:20,720 Speaker 1: He said, I had people that wanted to see me succeed, 300 00:15:20,840 --> 00:15:22,600 Speaker 1: so it kind of made me excited. When I put 301 00:15:22,640 --> 00:15:24,840 Speaker 1: on the clothes. That was a different feeling I've never had. 302 00:15:25,120 --> 00:15:27,360 Speaker 1: I don't even know the words worth a million dollars. 303 00:15:27,440 --> 00:15:30,040 Speaker 1: It was the best feeling in the world. That's pretty cool. 304 00:15:30,520 --> 00:15:34,320 Speaker 1: It does made me want to waffle too. Yeah, I 305 00:15:34,560 --> 00:15:37,960 Speaker 1: love waffle House. To me, wins like when it comes 306 00:15:38,000 --> 00:15:40,480 Speaker 1: to breakfast places or late night places, it's waffle House 307 00:15:40,520 --> 00:15:42,640 Speaker 1: for me all the way. Some people like I hop 308 00:15:43,160 --> 00:15:44,720 Speaker 1: and some people are snooty. I want to say it 309 00:15:44,800 --> 00:15:50,280 Speaker 1: right there, waffle House. There is waffle House. They don't 310 00:15:50,320 --> 00:15:56,040 Speaker 1: They don't treat you any different. Rich, poor, black, white, tall, 311 00:15:56,200 --> 00:15:59,160 Speaker 1: short people into waff House. It's one. You know, my 312 00:15:59,280 --> 00:16:01,360 Speaker 1: family came in eight the other night on the plane. 313 00:16:01,400 --> 00:16:02,800 Speaker 1: I want to go pick him up at like one 314 00:16:02,880 --> 00:16:06,200 Speaker 1: in the morning, and waffle House was Yeah, I mean 315 00:16:06,240 --> 00:16:10,440 Speaker 1: it was hard metting pills walk up a waffle house. Okay, Lunchbox, 316 00:16:10,640 --> 00:16:12,400 Speaker 1: that's a good one. That's what it's all about. That 317 00:16:12,800 --> 00:16:16,200 Speaker 1: was tell me something good. It is time for fun 318 00:16:16,280 --> 00:16:19,360 Speaker 1: Fact Friday, where Amy comes in. She's tough to beat 319 00:16:19,760 --> 00:16:21,800 Speaker 1: and she takes on a new challenger every single week. 320 00:16:21,880 --> 00:16:27,880 Speaker 1: Today that challenger is Morgan number two. All right, they'll 321 00:16:27,880 --> 00:16:30,120 Speaker 1: get five fun facts, and what we'll do is pick 322 00:16:30,160 --> 00:16:32,800 Speaker 1: which one we think Gabe the most fun fact, personal 323 00:16:32,800 --> 00:16:34,960 Speaker 1: what the most points wins. Lunch Bucks will not be 324 00:16:35,040 --> 00:16:37,280 Speaker 1: on the panel today because the last week you said 325 00:16:37,400 --> 00:16:39,640 Speaker 1: you were going to vote against Amy regardless which got 326 00:16:39,680 --> 00:16:44,080 Speaker 1: you two weeks suspension. Oh you gotta be careful. The 327 00:16:44,160 --> 00:16:47,920 Speaker 1: panel today judging me Eddie Raymundo. Let's go with fun 328 00:16:48,000 --> 00:16:52,320 Speaker 1: fact Friday hit US number five. So the employees at 329 00:16:52,440 --> 00:16:55,440 Speaker 1: Disney parks aren't allowed to point with one finger at 330 00:16:55,480 --> 00:16:58,160 Speaker 1: anything because it could be seen as a negative gesture. 331 00:16:58,320 --> 00:17:01,120 Speaker 1: So if you ever see them pointing, they've got two 332 00:17:01,480 --> 00:17:04,920 Speaker 1: fingers because other countries that one finger point could be bad. Well, 333 00:17:04,920 --> 00:17:07,040 Speaker 1: in America, there's a certain one finger points. It's pretty 334 00:17:07,080 --> 00:17:08,880 Speaker 1: bad too, right, But a lot of times we point 335 00:17:08,920 --> 00:17:11,320 Speaker 1: is something We take our index finger and we point, 336 00:17:11,400 --> 00:17:14,119 Speaker 1: but they have to do two. It's interesting, almost like 337 00:17:14,160 --> 00:17:18,040 Speaker 1: a flight attendant. Okay, Morgan, did you know that you 338 00:17:18,160 --> 00:17:22,159 Speaker 1: can sneeze faster than a cheetah can run? Clocking in 339 00:17:22,280 --> 00:17:25,439 Speaker 1: at one hundred miles per hour. We sneeze faster than 340 00:17:25,520 --> 00:17:30,760 Speaker 1: cheetahs run. Okay, it's a good rookie, one cold start, Eddie. 341 00:17:31,240 --> 00:17:33,040 Speaker 1: All right, So I'm gonna go with Amy because I'm 342 00:17:33,080 --> 00:17:36,000 Speaker 1: going to Disney over the summer, so fun, I'm definitely 343 00:17:36,040 --> 00:17:39,000 Speaker 1: gonna try this out. Excuse me, where is the lemonade stand? 344 00:17:39,200 --> 00:17:40,920 Speaker 1: And then there goes the right, Well, can you point 345 00:17:40,960 --> 00:17:42,720 Speaker 1: to it? I'm gonna see what they do. So Amy, 346 00:17:42,760 --> 00:17:46,920 Speaker 1: I love your fact. Raymuna, Yeah, let's go with Amy definitely. Eddie, 347 00:17:47,000 --> 00:17:48,880 Speaker 1: let me know if they go two fingers or one 348 00:17:48,920 --> 00:17:50,919 Speaker 1: at Disney. You got it. Ray, I'm going Amy as 349 00:17:50,920 --> 00:17:52,359 Speaker 1: well on this one. That one was a pretty easy one. 350 00:17:52,400 --> 00:17:54,119 Speaker 1: But again it was your first time ever Morgan. Number two, 351 00:17:54,240 --> 00:18:03,480 Speaker 1: Cheeta doesn't sneezy? Next number four. So Barry Manilow wrote 352 00:18:03,560 --> 00:18:11,399 Speaker 1: the jingle for State Farm hit it good neighbors. Now 353 00:18:11,480 --> 00:18:14,440 Speaker 1: do you people know who Barry Manilow is? Uh? Copa cabanah? Yeah. 354 00:18:14,640 --> 00:18:17,680 Speaker 1: At the Yeah, he has a bunch of songs, but 355 00:18:17,680 --> 00:18:19,520 Speaker 1: I don't know that at the younger age, wouldn't who 356 00:18:19,520 --> 00:18:22,960 Speaker 1: Barry Manilow is. Okay, But he also wrote the jingle 357 00:18:23,040 --> 00:18:31,480 Speaker 1: for band Aid. Are Barry Manilow? Okay, there you go, 358 00:18:31,560 --> 00:18:36,159 Speaker 1: Barry Manilow. Morgan. Goose bumps are meant to ward off predators. 359 00:18:36,400 --> 00:18:38,800 Speaker 1: It came from our ancestors to help us appear bigger 360 00:18:38,920 --> 00:18:40,960 Speaker 1: when up against predators and trying to be on the 361 00:18:41,119 --> 00:18:45,080 Speaker 1: defense and look more intimidating. Okay, So goose bumps make 362 00:18:45,200 --> 00:18:49,560 Speaker 1: us bigger and bigger scares away people that are mean, Okay. 363 00:18:49,680 --> 00:18:53,040 Speaker 1: Ramondo gotta go Morgan number two. None of the millennials 364 00:18:53,119 --> 00:18:57,200 Speaker 1: really know Barry Manilow Eddie. I love Morgan number two is, 365 00:18:57,320 --> 00:18:59,920 Speaker 1: but I'm not a millennial and I'm a jingle writer. 366 00:19:00,119 --> 00:19:02,200 Speaker 1: I did one for whosi. What's its right? Amy? I 367 00:19:02,320 --> 00:19:06,960 Speaker 1: love the very Manloe story. Morgan's is interesting because like, 368 00:19:07,080 --> 00:19:09,359 Speaker 1: why do we have goosebumps? But I don't feel bigger 369 00:19:09,400 --> 00:19:11,680 Speaker 1: when I get him. I don't feel like anyone wanted 370 00:19:11,680 --> 00:19:14,760 Speaker 1: to beat me up and I got goosebumps and they're like, whoah, sorry, buddy. 371 00:19:15,560 --> 00:19:17,880 Speaker 1: I gotta go with Amy too. I think her delivery 372 00:19:18,000 --> 00:19:20,080 Speaker 1: was not good. I think she should have started with 373 00:19:20,119 --> 00:19:23,359 Speaker 1: a very Manalowe song to show people. But because I 374 00:19:23,440 --> 00:19:25,840 Speaker 1: do know who he is, I'm also gonna go with Amy, 375 00:19:26,320 --> 00:19:28,679 Speaker 1: and there is Amy with two points? All right? Okay? 376 00:19:29,760 --> 00:19:35,040 Speaker 1: Number three? Well, copper doorknobs are self disinfecting, so somebody 377 00:19:35,119 --> 00:19:37,040 Speaker 1: needs to tell me why every door knob in the 378 00:19:37,080 --> 00:19:39,840 Speaker 1: world is not made out of copper? Is it? Price? Probably? 379 00:19:39,840 --> 00:19:42,640 Speaker 1: I would assume that. Yet, Oh that's the coolest thing though, 380 00:19:42,880 --> 00:19:45,399 Speaker 1: Like I now, I figured Bobby, you would want to 381 00:19:45,440 --> 00:19:47,040 Speaker 1: know that, at least at your house you could copper 382 00:19:47,119 --> 00:19:52,480 Speaker 1: it up moderately, Morgan, yours. There's only one animal on 383 00:19:52,640 --> 00:19:56,399 Speaker 1: earth that can't jump, and it's an elephant. An elephan 384 00:19:56,400 --> 00:20:00,480 Speaker 1: can't jump at all. Can't jump, hello, legs. They don't 385 00:20:00,560 --> 00:20:02,679 Speaker 1: jump over stuff in the circus or anything. I mean, 386 00:20:02,760 --> 00:20:04,680 Speaker 1: they might be able to if they're forced to, but 387 00:20:04,800 --> 00:20:08,399 Speaker 1: their physical body is not allowing them to jump. All right, 388 00:20:08,440 --> 00:20:10,320 Speaker 1: this is a pretty easy one. Copper door knobs or 389 00:20:10,359 --> 00:20:15,760 Speaker 1: jumping elephants, Ray, jumping elephants, Morgan two, Eddie, not a germophobe. 390 00:20:15,800 --> 00:20:17,359 Speaker 1: Give me the elephants. So I mean too. I just 391 00:20:17,440 --> 00:20:19,399 Speaker 1: think it's more fun anyway. Jumping elephants for the win. 392 00:20:19,520 --> 00:20:21,720 Speaker 1: All right, two to one, Morgan, you'll go first this time, okay, 393 00:20:22,280 --> 00:20:27,960 Speaker 1: number two. The dot over the lowercase I or J. 394 00:20:28,440 --> 00:20:33,800 Speaker 1: Do you know what it's called? Silipsy a tittle? Oh easy, hey, 395 00:20:33,840 --> 00:20:37,280 Speaker 1: bleet that out now. I'm just getting everyone wonder what 396 00:20:37,400 --> 00:20:39,480 Speaker 1: she said? Hey, no, no, it just sounds like something else. 397 00:20:40,680 --> 00:20:43,840 Speaker 1: What a tittle? A tittle t I t t elie. 398 00:20:44,040 --> 00:20:46,160 Speaker 1: It's the what, the dot over the what, the eye 399 00:20:46,240 --> 00:20:49,720 Speaker 1: and the J when they're a lowercase. Hey, don't forget 400 00:20:49,720 --> 00:20:54,720 Speaker 1: to get your tittle. Hey, okay, Amy, So a pharaoh 401 00:20:54,960 --> 00:20:58,040 Speaker 1: once lathered up his people around him in honey so 402 00:20:58,200 --> 00:21:00,240 Speaker 1: that all the bugs would go towards them and he 403 00:21:00,280 --> 00:21:03,040 Speaker 1: would be bug free. That's funny like his you know, 404 00:21:03,560 --> 00:21:07,800 Speaker 1: servant type people. I mean awful. Let me say, first 405 00:21:07,840 --> 00:21:13,240 Speaker 1: of all, awful, but wow, I know that's how Nope, 406 00:21:13,320 --> 00:21:20,560 Speaker 1: that's awful. You kind of jack. Then I don't care Ray, Amy, 407 00:21:20,680 --> 00:21:24,520 Speaker 1: Pharaoh and Honey very interesting and cruel Eddie. You know, 408 00:21:24,640 --> 00:21:26,920 Speaker 1: I don't know. I'm stuck between this one, but I'm 409 00:21:26,960 --> 00:21:29,760 Speaker 1: gonna have to lean towards Amy the tittle thing like 410 00:21:29,920 --> 00:21:33,240 Speaker 1: it's interesting to me, but Pharaoh I like it. Yeah, Amy, 411 00:21:33,280 --> 00:21:36,240 Speaker 1: I gotta go. I like the tittle, but I'm gonna 412 00:21:36,280 --> 00:21:38,560 Speaker 1: have to go with the honey as as the winner 413 00:21:38,600 --> 00:21:40,159 Speaker 1: there on that one. All right, one more down to 414 00:21:40,200 --> 00:21:45,359 Speaker 1: the number one. Number one, Well, dolphins have been trained 415 00:21:45,440 --> 00:21:50,040 Speaker 1: to use in wars. Huh, I never knew this, but 416 00:21:50,280 --> 00:21:55,320 Speaker 1: what dolphins were trained to use in wars? In a war. 417 00:21:55,560 --> 00:21:57,240 Speaker 1: But like in the water, they would use them to 418 00:21:57,320 --> 00:22:01,200 Speaker 1: do things like even in Vietnam they could train them 419 00:22:01,359 --> 00:22:04,680 Speaker 1: to like carry things down or do stuff. I don't know. 420 00:22:04,880 --> 00:22:09,879 Speaker 1: It's just the funny fat that like dolphins, is it not? 421 00:22:10,640 --> 00:22:12,440 Speaker 1: You can give us more details nothing fun. And it 422 00:22:12,560 --> 00:22:14,920 Speaker 1: also war is not fun, right, Like, let's talk about 423 00:22:14,960 --> 00:22:17,840 Speaker 1: something fun. Well, let's start with war. But if she 424 00:22:17,960 --> 00:22:20,720 Speaker 1: knew like how they train them, like I read about it, 425 00:22:21,280 --> 00:22:24,680 Speaker 1: or if they use machine guns, right, what you're saying 426 00:22:24,800 --> 00:22:29,480 Speaker 1: dolphins the grenades? Right, yeah, it'd be like, Wow, that's cool. 427 00:22:29,600 --> 00:22:34,160 Speaker 1: What is it? Flippers? No? See, I read the whole 428 00:22:34,200 --> 00:22:36,200 Speaker 1: paragraph about it, but now I can't remember exactly what 429 00:22:36,320 --> 00:22:38,360 Speaker 1: they did. I just thought it was interesting that dolphins, 430 00:22:38,400 --> 00:22:41,400 Speaker 1: like we hear about dogs being used to like help out. 431 00:22:41,520 --> 00:22:44,240 Speaker 1: They weren't harmed, they were helped. Don't know they weren't harmed. 432 00:22:44,280 --> 00:22:47,680 Speaker 1: Now you're just making stuff up, Morgan, what is your fag? Okay, 433 00:22:47,760 --> 00:22:50,680 Speaker 1: does anybody ever wanted to know why your fingers and 434 00:22:50,800 --> 00:22:52,960 Speaker 1: toes shrivel up when you're in water for a long time? 435 00:22:53,040 --> 00:22:55,080 Speaker 1: I do want to know that it's because our body 436 00:22:55,280 --> 00:22:57,480 Speaker 1: is trying to find a way to improve our grip 437 00:22:57,640 --> 00:23:01,120 Speaker 1: on wet objects, much like rain treads in car tires. 438 00:23:02,359 --> 00:23:07,040 Speaker 1: It's pretty cool. Yeah, it's better than a war dolph. I, well, 439 00:23:07,119 --> 00:23:09,640 Speaker 1: did you know the dolphins could be trained to use Yeah, 440 00:23:09,680 --> 00:23:11,760 Speaker 1: dolphs are very smart. Yeah, I know they're smart, but 441 00:23:12,840 --> 00:23:14,840 Speaker 1: being used in war. Was that flipper when he threw 442 00:23:14,880 --> 00:23:17,960 Speaker 1: the bottle back in the boat? Yeah, Ray, you gotta go. 443 00:23:18,320 --> 00:23:21,199 Speaker 1: Oh my gosh, you don't have to. M too. Always 444 00:23:21,200 --> 00:23:26,159 Speaker 1: wondered why shriveled up? Me too, And I'll go with 445 00:23:26,200 --> 00:23:28,280 Speaker 1: the Morgan me too. But that means though the three 446 00:23:28,359 --> 00:23:34,280 Speaker 1: two victory, Amy wins again. A lot of strategy in 447 00:23:34,359 --> 00:23:37,960 Speaker 1: this game, A lot of strategy. Amy, congratulations. Yeah, don't 448 00:23:38,000 --> 00:23:40,679 Speaker 1: be sour because your last one day. I'm not sour, 449 00:23:40,840 --> 00:23:43,919 Speaker 1: but okay. So the dolphins were used to detect submarines 450 00:23:44,000 --> 00:23:50,840 Speaker 1: and underwater mines. It's not a good look. She's fighting it. Yeah, 451 00:23:50,880 --> 00:23:54,520 Speaker 1: she promises. No dolphin got No. I'm starting to think 452 00:23:54,560 --> 00:23:58,720 Speaker 1: maybe they did get hurt. Anything in war, probably got hurt. Yeah, shoot, 453 00:23:59,160 --> 00:24:01,080 Speaker 1: all right, thank you you are the winner. Though. Fun 454 00:24:01,160 --> 00:24:07,800 Speaker 1: fact Friday, close it up, raymondo. Fun the fact that 455 00:24:07,880 --> 00:24:10,400 Speaker 1: you call us after the show and leave us voicemails. 456 00:24:10,480 --> 00:24:13,520 Speaker 1: We love it, We're appreciative for it. This is James. 457 00:24:13,920 --> 00:24:16,200 Speaker 1: I want to leave a little message about this SCAMMERA 458 00:24:16,320 --> 00:24:18,800 Speaker 1: check that Amy might have. If she looks on the 459 00:24:18,960 --> 00:24:22,000 Speaker 1: check and whatever thinks of its road on, she should 460 00:24:22,040 --> 00:24:24,280 Speaker 1: go to that bank and cash it that way, she 461 00:24:24,359 --> 00:24:28,760 Speaker 1: didn't have to put her banking information. Okay, and you're 462 00:24:28,800 --> 00:24:31,040 Speaker 1: doing that this weekend. Yes, we'll be taking care of it. 463 00:24:31,040 --> 00:24:32,840 Speaker 1: I'll have an update for you next week. Amy got 464 00:24:32,920 --> 00:24:35,119 Speaker 1: a check from those cat people that were scamming her, 465 00:24:35,440 --> 00:24:36,920 Speaker 1: and then a listener calls it, don't put it in 466 00:24:37,000 --> 00:24:38,480 Speaker 1: the bank. We'll get into your bank. We don't know 467 00:24:38,480 --> 00:24:41,280 Speaker 1: what's happened. Yeah, there's something called a scammera check. Yeah, 468 00:24:41,600 --> 00:24:46,359 Speaker 1: let us know. Okay, Monday, Katie and san Antonio left 469 00:24:46,400 --> 00:24:49,520 Speaker 1: this voicemail. Hi, morning. I just wanted to say that 470 00:24:49,800 --> 00:24:51,280 Speaker 1: I listened to you guys on my weight to the 471 00:24:51,320 --> 00:24:53,600 Speaker 1: gym every morning. I'm on my weight to the gym 472 00:24:53,720 --> 00:24:55,760 Speaker 1: right now, and I was like, hey, I'm just scamming 473 00:24:55,760 --> 00:24:59,399 Speaker 1: a voice. All right, have a great day. Bye. That's it. 474 00:25:00,080 --> 00:25:03,000 Speaker 1: Else there, we'll take it. Here's Tommy in Las Vegas. Hey, 475 00:25:03,160 --> 00:25:06,160 Speaker 1: good morning, studio. Just Warner. What happened to the chocolate cicadas? 476 00:25:06,359 --> 00:25:09,639 Speaker 1: Just saying listen, I don't remember hearing uh anything on it. 477 00:25:09,920 --> 00:25:14,439 Speaker 1: All right, have a good day, broken. We have women's 478 00:25:14,480 --> 00:25:17,080 Speaker 1: studio today. We will be doing it in about ninety 479 00:25:17,119 --> 00:25:20,760 Speaker 1: minutes or so. The chocolate cover cicadas are here, someone 480 00:25:20,840 --> 00:25:23,360 Speaker 1: will eat them. We'll spend that wheel and coming up. Baby, 481 00:25:23,400 --> 00:25:26,760 Speaker 1: it's like a cicada. I bet it's me, dang it. 482 00:25:29,160 --> 00:25:32,200 Speaker 1: He's Amy's pile of stories. There's a web designer that 483 00:25:32,359 --> 00:25:36,680 Speaker 1: named his baby ht m L. I saw that. I 484 00:25:36,720 --> 00:25:41,359 Speaker 1: want to be if he calls HTML or just hy h. Well, 485 00:25:41,600 --> 00:25:46,200 Speaker 1: technically the boy's name is Hypertext Markup Language, which is 486 00:25:46,240 --> 00:25:50,040 Speaker 1: what HTML stands for. That makes sense. They're they're they're 487 00:25:50,160 --> 00:25:53,520 Speaker 1: calling the baby HTML for sure. I mean it's like 488 00:25:53,920 --> 00:25:56,600 Speaker 1: if you you named your baby after your career, Like 489 00:25:56,720 --> 00:26:00,560 Speaker 1: who would it be after my career? Like you're in 490 00:26:00,680 --> 00:26:03,200 Speaker 1: radio or TV or like he's a web designer, so 491 00:26:03,359 --> 00:26:09,159 Speaker 1: he likes eight called the microphone or the FM. What's FM? Stanforgan? 492 00:26:09,520 --> 00:26:14,120 Speaker 1: Frequency modulation? There you got guys modulation, little modulator over here, 493 00:26:14,480 --> 00:26:16,359 Speaker 1: modge Yeah for sure. I mean they have to call 494 00:26:16,400 --> 00:26:18,480 Speaker 1: that baby H right because you get tired with hey, 495 00:26:18,560 --> 00:26:22,920 Speaker 1: HTML come here? Yeah? Okay. So I love when foods 496 00:26:23,320 --> 00:26:27,399 Speaker 1: collab and cinnamon toast cut Crunch is now collabing with 497 00:26:27,720 --> 00:26:30,959 Speaker 1: cinnamon rolls. So Pillsbury dough Boy and they have cinnamon 498 00:26:31,000 --> 00:26:35,280 Speaker 1: toast Crunch cookies coming out and cinnamon rolls with the 499 00:26:35,359 --> 00:26:37,919 Speaker 1: cinnamon toast crunch. I can't even I'm so excited. That's 500 00:26:37,960 --> 00:26:39,920 Speaker 1: pretty good. Although we talk about this stuff and we 501 00:26:40,040 --> 00:26:42,280 Speaker 1: never ever go buy it. We're always like, I'm so 502 00:26:42,440 --> 00:26:44,119 Speaker 1: excited for it, and then I never see it in 503 00:26:44,200 --> 00:26:46,440 Speaker 1: my real life. It's always it comes and goes like 504 00:26:46,480 --> 00:26:48,360 Speaker 1: a ship of the night. Yeah. Well, these are something 505 00:26:48,440 --> 00:26:50,200 Speaker 1: you can look for if that's something that you're into, 506 00:26:50,320 --> 00:26:53,639 Speaker 1: because they're hitting stores nationwide this month. I do love 507 00:26:53,680 --> 00:26:56,920 Speaker 1: cinnamon toast crunch with anything though. That's the best cereal. Yes, 508 00:26:57,480 --> 00:26:58,879 Speaker 1: I don't need it that often because it's way too 509 00:26:58,960 --> 00:27:02,160 Speaker 1: much sugar in it. That's the best cereal. Still, I'm 510 00:27:02,160 --> 00:27:04,879 Speaker 1: on my Special K with berries. Oh no, that's not 511 00:27:05,000 --> 00:27:09,560 Speaker 1: the best cereal. It's okay. Considering what I get from it, 512 00:27:10,000 --> 00:27:12,359 Speaker 1: it's pretty good, you know. I'm trying to stay healthy 513 00:27:12,400 --> 00:27:15,159 Speaker 1: but have a little flavor. I do Special K with berries. 514 00:27:15,200 --> 00:27:17,120 Speaker 1: The berries are ended already, the freeze dried, but they're 515 00:27:17,119 --> 00:27:19,480 Speaker 1: good with almond milk, and they have a bowl every 516 00:27:19,520 --> 00:27:21,840 Speaker 1: morning and then I try to not eat too much milk. 517 00:27:22,640 --> 00:27:24,000 Speaker 1: I fill the bowl up with milk, but I try 518 00:27:24,040 --> 00:27:25,399 Speaker 1: to eat too much milk so there's enough milk to 519 00:27:25,400 --> 00:27:27,040 Speaker 1: pour a little more back in there again. Oh but 520 00:27:27,160 --> 00:27:29,240 Speaker 1: if there's not, I don't. It's kind of my rule 521 00:27:29,280 --> 00:27:31,760 Speaker 1: on how much cereal my cereal intake? All right, what else? 522 00:27:32,040 --> 00:27:36,200 Speaker 1: So Kelly Clarkson covered Joe Diffy's Brought Me Up Beside 523 00:27:36,200 --> 00:27:44,920 Speaker 1: the Jukebox. I bet her audience was like, what is this. 524 00:27:45,560 --> 00:27:48,040 Speaker 1: I've never heard that song before. It because unless you 525 00:27:48,119 --> 00:27:50,159 Speaker 1: know nineties country, you probably don't know problem Me Up 526 00:27:50,160 --> 00:27:52,880 Speaker 1: Beside the Jukebox. My favorite Joe Diffy's song, By the way, 527 00:27:53,080 --> 00:27:57,320 Speaker 1: this is up with sand over over her. You can't 528 00:27:57,320 --> 00:28:01,080 Speaker 1: hear her. Yeah, it's good. She's always good. She's the best, best, 529 00:28:01,240 --> 00:28:04,320 Speaker 1: best singer, good talk show host. She just got it all. 530 00:28:04,920 --> 00:28:07,920 Speaker 1: I'm jealous. I start resenting her right now. Yeah, that's good. 531 00:28:08,320 --> 00:28:11,439 Speaker 1: We added to Women of Her Country. You're playing Atlantis 532 00:28:11,480 --> 00:28:15,840 Speaker 1: more sets with Willie Nelson on the road again. It's yeah, 533 00:28:15,880 --> 00:28:17,920 Speaker 1: it's Atlantis with Willie. And we've reached out to try 534 00:28:17,920 --> 00:28:19,440 Speaker 1: to get Atlantis on the show. We've had a little 535 00:28:19,440 --> 00:28:22,119 Speaker 1: success of possibly landing that up. Okay, but whenever I 536 00:28:22,200 --> 00:28:23,560 Speaker 1: was going to kind of going to the list of songs, 537 00:28:23,640 --> 00:28:25,560 Speaker 1: I was like, huh, I wonder if he will get 538 00:28:25,560 --> 00:28:26,840 Speaker 1: mad about at Atlantis, and I was like, you know, 539 00:28:26,880 --> 00:28:28,800 Speaker 1: I don't care Amy and get the hate she hosted, Yeah, 540 00:28:29,600 --> 00:28:32,040 Speaker 1: what about adding Kelly Clarkson brought me up beside the juwpot, 541 00:28:32,119 --> 00:28:37,600 Speaker 1: not a studio version. Okay, okay. Every every show episode 542 00:28:37,600 --> 00:28:39,560 Speaker 1: she comes out and covers a song. When I did 543 00:28:39,640 --> 00:28:42,520 Speaker 1: the Kelly Clarkson show, she came out and did Prince 544 00:28:43,640 --> 00:28:46,160 Speaker 1: when Doves Cry. Oh that's cool. And so you're I 545 00:28:46,240 --> 00:28:48,280 Speaker 1: did the show on zoom, but I'm sitting here on 546 00:28:48,360 --> 00:28:50,000 Speaker 1: Zoom watching her sing when Doves Cry, and they're like, 547 00:28:50,000 --> 00:28:51,600 Speaker 1: all right, cut, She's like all right. Next secondment, she 548 00:28:51,640 --> 00:28:53,280 Speaker 1: walked over to her chair and then starts interviewing people. 549 00:28:53,680 --> 00:28:55,719 Speaker 1: It's pretty cool. All right, all right, I maybe that's 550 00:28:55,760 --> 00:29:00,240 Speaker 1: my pile. That was Amy's pile of stories. It's time 551 00:29:00,320 --> 00:29:07,920 Speaker 1: for the good news. So this kid, Will Wooton, who 552 00:29:08,200 --> 00:29:10,640 Speaker 1: is a boy Scout, was on his way to become 553 00:29:10,720 --> 00:29:12,840 Speaker 1: an Eagle Scout, so he had to have a project 554 00:29:12,960 --> 00:29:16,120 Speaker 1: to focus on so that he could, you know, move up. Well, 555 00:29:16,360 --> 00:29:18,840 Speaker 1: the local fire department where he lived was struggling, so 556 00:29:18,960 --> 00:29:21,280 Speaker 1: he decided to help him out. They needed new turnout suits, 557 00:29:21,320 --> 00:29:23,960 Speaker 1: which is protective suits that firefighters wear in the field. 558 00:29:24,240 --> 00:29:26,920 Speaker 1: So he started fundraising with a car wash and then 559 00:29:27,040 --> 00:29:30,240 Speaker 1: he sold Crispy Kreem doughnuts. Word got out. His goal 560 00:29:30,360 --> 00:29:33,360 Speaker 1: was really totally raised twenty five dollars. He raised twenty 561 00:29:33,400 --> 00:29:37,479 Speaker 1: two thousand, enough for the department to buy new turnout 562 00:29:37,520 --> 00:29:41,760 Speaker 1: suits for every firefighter on staff. So the fire chief, 563 00:29:41,880 --> 00:29:44,560 Speaker 1: James Bowen, says, they were so grateful and the funds 564 00:29:44,600 --> 00:29:47,040 Speaker 1: have allowed them to keep doing what they loved to do. 565 00:29:47,160 --> 00:29:53,440 Speaker 1: It's pretty good. Yeah, what's kid's name? Will wooton? Whoooooooooooo, 566 00:29:54,240 --> 00:29:56,480 Speaker 1: that's what it's all about. A nice shop that was 567 00:29:56,560 --> 00:29:59,960 Speaker 1: tell me something good. We're just a few minutes away 568 00:30:00,120 --> 00:30:02,520 Speaker 1: from Brett Eldredge performing live in the studio, so that 569 00:30:02,600 --> 00:30:06,760 Speaker 1: will be fantastic. Now, today's Morning Corny is a bit special. Why. Yeah, 570 00:30:06,800 --> 00:30:09,760 Speaker 1: Well because I got a text from Trevor Rosen, who's 571 00:30:09,800 --> 00:30:13,240 Speaker 1: an old Dominion and he just said, Hey, randomly thought 572 00:30:13,280 --> 00:30:15,560 Speaker 1: of a good dad joke in case you want to 573 00:30:15,560 --> 00:30:17,720 Speaker 1: have him for the Morning Corny. Okay, so this is 574 00:30:17,760 --> 00:30:22,520 Speaker 1: a celebrity corny. Yeah, okay, So I replied to him, yes, definitely. 575 00:30:22,600 --> 00:30:24,200 Speaker 1: So he sent it over to me as a question 576 00:30:24,280 --> 00:30:25,800 Speaker 1: and then I had to kind of like guess and 577 00:30:25,920 --> 00:30:27,480 Speaker 1: then he sent me the answer, so just like we 578 00:30:27,560 --> 00:30:29,480 Speaker 1: do here sometime to involve for me is where the 579 00:30:29,520 --> 00:30:32,680 Speaker 1: text message goes. But and then he has his own 580 00:30:32,880 --> 00:30:35,800 Speaker 1: gift of himself laughing and then he sent that, so 581 00:30:35,920 --> 00:30:41,000 Speaker 1: I was like, wow, you're a little comedian over here. Okay, 582 00:30:41,040 --> 00:30:42,960 Speaker 1: here it is. This is all submitted by by Trevor 583 00:30:43,040 --> 00:30:50,760 Speaker 1: from Old Dominion. Right, yeah, okay, here we go. Why 584 00:30:50,840 --> 00:30:54,760 Speaker 1: did the thief stop stealing windows? Why did the thief 585 00:30:55,600 --> 00:30:59,200 Speaker 1: stop stealing windows? Because it was a pains taking process. 586 00:31:01,440 --> 00:31:06,880 Speaker 1: Get it, window panes panes. Yeah, here's a gift of 587 00:31:06,960 --> 00:31:13,800 Speaker 1: me laughing. Not pretty good, that's pretty good. That was 588 00:31:13,960 --> 00:31:18,800 Speaker 1: the Morning Corning on Monday show. Eddie will be in 589 00:31:18,920 --> 00:31:22,680 Speaker 1: route walking from West Virginia to Tennessee, basically one hundred 590 00:31:22,720 --> 00:31:27,160 Speaker 1: mile track over four days, averaging over twenty miles a day. Yes, 591 00:31:27,560 --> 00:31:29,720 Speaker 1: you feel like you're in shape of this. Yes, I've 592 00:31:29,760 --> 00:31:32,320 Speaker 1: been training for over two weeks now, not a lot 593 00:31:32,360 --> 00:31:34,760 Speaker 1: of time, but yes, I'm as ready as I can be. 594 00:31:35,040 --> 00:31:37,120 Speaker 1: Mila in Oklahoma is on the phone to talk about 595 00:31:37,160 --> 00:31:39,600 Speaker 1: this for a second. Hey, Mila, how are you Hi? 596 00:31:39,720 --> 00:31:41,720 Speaker 1: How are you bunny? I'm doing pretty good. What would 597 00:31:41,720 --> 00:31:43,920 Speaker 1: you like to say. I would like to tell Eddie 598 00:31:44,000 --> 00:31:47,000 Speaker 1: I am so encouraged for him to do this walk, 599 00:31:47,600 --> 00:31:50,360 Speaker 1: and I wanted to give him a few tips. Every 600 00:31:50,480 --> 00:31:53,560 Speaker 1: year I do. This is Bendie Cohen three day walks 601 00:31:53,600 --> 00:31:56,200 Speaker 1: for a cure. We walked twenty miles a day. We 602 00:31:56,320 --> 00:32:02,960 Speaker 1: don't have hotels every night, we sleep contents deployed and 603 00:32:03,040 --> 00:32:09,280 Speaker 1: I in Afghanistan and she's in the military day. So 604 00:32:10,000 --> 00:32:13,480 Speaker 1: the ide about if he'll put moleskin on his heels, 605 00:32:13,520 --> 00:32:16,200 Speaker 1: that really helps the blisters. You can get it at CBS, 606 00:32:16,240 --> 00:32:20,440 Speaker 1: waverings anywhere, and changing shoes is like that other doctor 607 00:32:20,520 --> 00:32:23,760 Speaker 1: had said, is the great thing. So but I just 608 00:32:23,840 --> 00:32:26,480 Speaker 1: wanted to encourage him. And you know, if I did 609 00:32:26,520 --> 00:32:36,080 Speaker 1: it in the hundred and thirty, yeah, continue. So I 610 00:32:36,200 --> 00:32:38,200 Speaker 1: just I just wanted to give him a quick shout out. 611 00:32:38,240 --> 00:32:40,440 Speaker 1: And I'm so happy for him, and I am encourage 612 00:32:40,440 --> 00:32:42,120 Speaker 1: about how much you all right, all right, thank you 613 00:32:42,280 --> 00:32:44,200 Speaker 1: very much, thank you for your call. That's right. Let's 614 00:32:44,240 --> 00:32:46,000 Speaker 1: not let it be lost that we raise sixty thousand 615 00:32:46,040 --> 00:32:49,120 Speaker 1: dollars absolutely for National Angels, an organization that helps the 616 00:32:49,160 --> 00:32:52,720 Speaker 1: foster children Sean and Arizona is on real quick. Hey, Sean, 617 00:32:52,760 --> 00:32:54,720 Speaker 1: what's going on? Hey, So I heard you guys this 618 00:32:54,840 --> 00:32:58,840 Speaker 1: morning talking about eating chocolate covered pictatos today. Yes, and uh, 619 00:33:00,360 --> 00:33:02,520 Speaker 1: it just reminded me. Back in fifth grade we did 620 00:33:02,560 --> 00:33:05,520 Speaker 1: a whole unit on and some mathgi just just eating 621 00:33:05,680 --> 00:33:09,600 Speaker 1: bugs for nutrition. And at the end of the unit, 622 00:33:09,680 --> 00:33:12,000 Speaker 1: our teacher brought in from talking to covered crickets for 623 00:33:12,120 --> 00:33:14,720 Speaker 1: all of us to try. And I remember at first 624 00:33:14,760 --> 00:33:16,680 Speaker 1: I was really grossed out at the thought of eating 625 00:33:16,720 --> 00:33:19,960 Speaker 1: a bug, and I ended up eating it and thinking 626 00:33:20,120 --> 00:33:22,560 Speaker 1: that it tastes like a Nextlee crunch bar. So I 627 00:33:22,600 --> 00:33:25,280 Speaker 1: think you have a light it love, But I'm very 628 00:33:25,320 --> 00:33:27,160 Speaker 1: excited about this. The only difference for me is this 629 00:33:27,240 --> 00:33:30,520 Speaker 1: bug is much bigger. Yeah, I'm much meteor. I don't 630 00:33:30,560 --> 00:33:32,800 Speaker 1: want a crunch. You don't want to crunch. It's got 631 00:33:32,880 --> 00:33:35,400 Speaker 1: a crunch. It's gonna be like you ever have a 632 00:33:35,400 --> 00:33:38,640 Speaker 1: Stark crunch in the battle boxes. Just to give it 633 00:33:38,680 --> 00:33:41,960 Speaker 1: a star crunch, we'll Debbie Stark crunch. Hey, I appreciate 634 00:33:42,080 --> 00:33:44,080 Speaker 1: that call, Sean. Hope you have a great day for sure, 635 00:33:44,120 --> 00:33:48,360 Speaker 1: you guys, do I see a bud. The Friday morning 636 00:33:48,400 --> 00:33:52,200 Speaker 1: conversation with Brett, How are you, budd? I'm good? How 637 00:33:52,200 --> 00:33:53,960 Speaker 1: are you doing I'm doing good? A question for you 638 00:33:54,680 --> 00:33:56,600 Speaker 1: you being a Cubs fan and just a baseball fan 639 00:33:56,640 --> 00:33:58,760 Speaker 1: in general. The debate we have on this show is 640 00:33:58,880 --> 00:34:01,920 Speaker 1: is it okay to where a jersey? First of all, 641 00:34:02,040 --> 00:34:06,560 Speaker 1: as an adult man. I did wear an Arkansas Razorbacks 642 00:34:06,600 --> 00:34:09,719 Speaker 1: baseball jersey to watch Arkansas play, and Caitlin was like, 643 00:34:10,120 --> 00:34:12,080 Speaker 1: are you gonna really wear a jersey? And I was like, yeah, 644 00:34:12,080 --> 00:34:14,279 Speaker 1: because we're going to a game. That's what you do 645 00:34:14,320 --> 00:34:16,719 Speaker 1: in a game, right, But first of all, can you 646 00:34:16,800 --> 00:34:19,920 Speaker 1: wear a jersey to a game as an adult man? Absolutely? Okay? 647 00:34:20,080 --> 00:34:22,799 Speaker 1: Now can you wear a jersey as an adult man 648 00:34:23,360 --> 00:34:27,680 Speaker 1: just hanging out like going to like, I don't do that. 649 00:34:28,120 --> 00:34:30,000 Speaker 1: You don't do that. I mean, you can do whatever 650 00:34:30,040 --> 00:34:32,080 Speaker 1: you want. I don't do that. If you saw in 651 00:34:32,640 --> 00:34:34,520 Speaker 1: And also I told her too, and you guys can 652 00:34:34,640 --> 00:34:36,520 Speaker 1: jump in on this. I said, it also matters what 653 00:34:36,600 --> 00:34:38,840 Speaker 1: sport the jersey is, Like, you're not gonna see me 654 00:34:38,920 --> 00:34:42,239 Speaker 1: wearing a basketball jersey somewhere because there's just too much arms, there, 655 00:34:42,280 --> 00:34:43,920 Speaker 1: too much action you can see in this ship. You're 656 00:34:43,920 --> 00:34:46,520 Speaker 1: not gonna see me wearing a football jersey because it's 657 00:34:46,560 --> 00:34:49,719 Speaker 1: just too big. But a baseball jersey is almost like 658 00:34:49,800 --> 00:34:51,920 Speaker 1: a shack it. It's almost like a ship. I mean, 659 00:34:52,000 --> 00:34:55,440 Speaker 1: especially if it's styled like if it's like super jersey, 660 00:34:55,600 --> 00:34:57,760 Speaker 1: like I don't know, Like there's I think there's vintage 661 00:34:57,800 --> 00:35:00,520 Speaker 1: ones that I really like. I would wear certain ones, 662 00:35:00,640 --> 00:35:02,759 Speaker 1: but I don't always do that. But I don't. I 663 00:35:02,800 --> 00:35:05,239 Speaker 1: don't judge anybody for doing that. Here's my next question 664 00:35:05,280 --> 00:35:08,399 Speaker 1: in fashion, Okay, high fashion, here we go. So, being 665 00:35:08,480 --> 00:35:11,160 Speaker 1: now that I'm forty years old, I still have hoodies 666 00:35:11,200 --> 00:35:13,640 Speaker 1: that I bought before I turned for Is it okay 667 00:35:13,680 --> 00:35:16,719 Speaker 1: to wear a hoodie at even your age? You thirty five? Now? Yea? 668 00:35:17,000 --> 00:35:18,680 Speaker 1: Is it okay to wear a hoodie at thirty five 669 00:35:18,719 --> 00:35:21,640 Speaker 1: in your opinion? Absolutely okay. I wear lots of those. 670 00:35:21,760 --> 00:35:25,680 Speaker 1: What about me though, five six years? Absolutely okay? As 671 00:35:25,719 --> 00:35:30,279 Speaker 1: you're wearing one now, yes, you can say no, I listen, 672 00:35:30,360 --> 00:35:32,319 Speaker 1: you can say whatever he wants to say, hoodie all day. 673 00:35:32,480 --> 00:35:35,719 Speaker 1: I don't buy new hoodies, but I grandfather them in 674 00:35:36,040 --> 00:35:38,400 Speaker 1: I still wear them if I bought them. That's a 675 00:35:38,440 --> 00:35:40,160 Speaker 1: good call. So I don't go to the store and 676 00:35:40,200 --> 00:35:41,880 Speaker 1: be like, got to get me a new hoodie. But 677 00:35:42,000 --> 00:35:44,399 Speaker 1: I do own a bunch and I still wear them. 678 00:35:45,280 --> 00:35:46,960 Speaker 1: So it was because if you did buy a new one, 679 00:35:46,960 --> 00:35:48,560 Speaker 1: you'd wear the same old ones. You kids they're more 680 00:35:48,600 --> 00:35:51,080 Speaker 1: comfortable or whatever, or they're just they have a thing. No. 681 00:35:51,480 --> 00:35:53,120 Speaker 1: I just feel like I don't need to be buying 682 00:35:53,200 --> 00:35:55,759 Speaker 1: new hoodies. Okay, I can still wear the ones I had. 683 00:35:55,760 --> 00:35:59,320 Speaker 1: I don't need to be buying billionaire anyone would do, 684 00:35:59,360 --> 00:36:02,799 Speaker 1: I get it. That's how you visible. I'm good, really good. 685 00:36:02,880 --> 00:36:04,800 Speaker 1: Every time I see you on social media, you're like 686 00:36:05,000 --> 00:36:06,799 Speaker 1: deep in the woods and I just see your boot. 687 00:36:07,360 --> 00:36:09,399 Speaker 1: I wonder on those hikes that you take, because it's 688 00:36:09,480 --> 00:36:13,280 Speaker 1: it's always a stream or a tree or any eagle 689 00:36:13,360 --> 00:36:16,400 Speaker 1: flying over. Do you ever get inspired to write music 690 00:36:16,520 --> 00:36:20,480 Speaker 1: though as you're doing these these walks. I mean I 691 00:36:20,880 --> 00:36:23,520 Speaker 1: I hike almost every day. It just kind of gets 692 00:36:23,560 --> 00:36:27,720 Speaker 1: me out of my head and kind of and real stuff, 693 00:36:27,760 --> 00:36:29,839 Speaker 1: I guess, and it and opens it opens my mind 694 00:36:29,920 --> 00:36:32,360 Speaker 1: up a little bit, and uh so I'll get melodies 695 00:36:32,440 --> 00:36:35,680 Speaker 1: or something I'll recorded on my phone or and get 696 00:36:35,719 --> 00:36:39,480 Speaker 1: ideas and just kind of contemplating. Just walk around, look 697 00:36:39,520 --> 00:36:41,919 Speaker 1: at look at bird, look at eagles up in the sky. 698 00:36:42,520 --> 00:36:45,680 Speaker 1: Can you name a song that you have written that 699 00:36:45,840 --> 00:36:47,919 Speaker 1: was inspired by you walking in the woods. I would 700 00:36:47,920 --> 00:36:49,200 Speaker 1: say a lot of my new ones are, but I 701 00:36:49,239 --> 00:36:51,919 Speaker 1: wouldn't say, like, there's one that's like I went hiking today, 702 00:36:54,239 --> 00:36:57,560 Speaker 1: that's a hit. If I heard hiking today, there'd be 703 00:36:57,600 --> 00:36:59,879 Speaker 1: a very specific market. All the hikers out there. Love 704 00:37:00,160 --> 00:37:04,200 Speaker 1: birds chirping in the background of the song insert real birds. Yeah, 705 00:37:04,600 --> 00:37:06,759 Speaker 1: the ones as you were hiking. I kind of like that. 706 00:37:06,880 --> 00:37:09,080 Speaker 1: That's the challenge we're giving you for the next three years. Okay, 707 00:37:09,400 --> 00:37:11,400 Speaker 1: you have to somehow put the word. You have to 708 00:37:11,480 --> 00:37:14,120 Speaker 1: put some sort of hiking reference. Have you ever put 709 00:37:14,160 --> 00:37:16,120 Speaker 1: a hiking reference on a song? No, but I should. 710 00:37:16,120 --> 00:37:20,680 Speaker 1: I mean I think it's very specific. Yeah, but I 711 00:37:20,719 --> 00:37:25,600 Speaker 1: mean people love yes, and it can be subtle. It's like, oh, baby, 712 00:37:25,960 --> 00:37:27,960 Speaker 1: looking your eyes reminds me of when I was hiking, 713 00:37:28,040 --> 00:37:35,000 Speaker 1: and put it on you hiking boom there. Yeah, that's 714 00:37:35,000 --> 00:37:37,560 Speaker 1: all we got right now. That's all we need though. Hey, 715 00:37:37,680 --> 00:37:39,560 Speaker 1: that's how you get to the hits. That's all we do. 716 00:37:40,040 --> 00:37:42,279 Speaker 1: You're talking. You just mentioned something about new music, So 717 00:37:42,360 --> 00:37:45,399 Speaker 1: are you recording music right now? Yes? What's that plan? 718 00:37:46,440 --> 00:37:50,000 Speaker 1: Hopefully you get get some stuff, you know, you know, 719 00:37:50,080 --> 00:37:53,280 Speaker 1: the process can take forever sometimes, But I've written probably 720 00:37:53,320 --> 00:37:56,239 Speaker 1: aided the songs for my new album already. And now 721 00:37:56,239 --> 00:37:58,839 Speaker 1: I'm starting to record him. So it's been vocaling him 722 00:37:58,880 --> 00:38:02,000 Speaker 1: and recording him, and so I'm I'm deep in it 723 00:38:02,200 --> 00:38:05,120 Speaker 1: And how locked up do these songs live? Because you know, 724 00:38:05,160 --> 00:38:06,680 Speaker 1: like Taylor Swift will only play them out? Did you 725 00:38:06,719 --> 00:38:08,040 Speaker 1: ever do show up at the box and flip it 726 00:38:08,080 --> 00:38:09,800 Speaker 1: open and be like you can only listen? Oh I 727 00:38:09,880 --> 00:38:12,320 Speaker 1: hear it like this? No, you know, I'm a believer that. 728 00:38:12,440 --> 00:38:15,279 Speaker 1: In fact, if we get time, I'll play I'll play 729 00:38:15,320 --> 00:38:17,320 Speaker 1: something no one's ever heard today. But like I I 730 00:38:17,520 --> 00:38:19,040 Speaker 1: like to just get it out there because I like 731 00:38:19,160 --> 00:38:22,479 Speaker 1: to see how people react to things. And there's there's 732 00:38:22,480 --> 00:38:24,120 Speaker 1: avenues you get music out there. Now, it's like I 733 00:38:24,200 --> 00:38:26,440 Speaker 1: want to. I want to. I'm always writing songs, so 734 00:38:26,480 --> 00:38:28,160 Speaker 1: I want to. I want to hear what people think 735 00:38:28,239 --> 00:38:30,399 Speaker 1: and how they feel from it. What if you played 736 00:38:30,440 --> 00:38:32,520 Speaker 1: a new song and we reacted in a negative way 737 00:38:32,960 --> 00:38:38,399 Speaker 1: like we were, and we're like all wrong. We don't 738 00:38:38,480 --> 00:38:41,400 Speaker 1: hide it well sometimes I mean there's subtle clues like 739 00:38:41,480 --> 00:38:43,040 Speaker 1: you could if we're like, don't give away all the 740 00:38:46,480 --> 00:38:50,000 Speaker 1: nervous right now that if I something it's tough. There 741 00:38:50,440 --> 00:38:53,640 Speaker 1: are things because at times I will not hear an 742 00:38:53,719 --> 00:38:56,080 Speaker 1: artist until they play on that stage that you're on, 743 00:38:56,960 --> 00:38:59,360 Speaker 1: and once they play, you realize, oh, they do not 744 00:38:59,560 --> 00:39:03,759 Speaker 1: sound at the same level as the recording sound. And 745 00:39:03,840 --> 00:39:05,440 Speaker 1: then it's awkward because I don't even want to look 746 00:39:05,440 --> 00:39:09,680 Speaker 1: at home until it's over. Yeah, we're like, I won't 747 00:39:09,680 --> 00:39:11,359 Speaker 1: I won't let you down. That's stuff. Well, why don't 748 00:39:11,360 --> 00:39:12,800 Speaker 1: you give us all something new? Do you have? The 749 00:39:12,880 --> 00:39:16,759 Speaker 1: song's memorized already lyric right here? Okay, what's the one called? This? 750 00:39:16,880 --> 00:39:19,040 Speaker 1: Was called I want that back? I want that back? 751 00:39:19,120 --> 00:39:21,200 Speaker 1: And did you write this? I did? And what was 752 00:39:21,239 --> 00:39:24,040 Speaker 1: the inspiration of this new song? This inspiration actually came 753 00:39:24,080 --> 00:39:26,040 Speaker 1: at four am in the middle of night. It was 754 00:39:26,120 --> 00:39:28,879 Speaker 1: kind of in the heat of pandemic times and kind 755 00:39:28,920 --> 00:39:33,800 Speaker 1: of looking through all the things I don't need my 756 00:39:33,920 --> 00:39:36,400 Speaker 1: life and could go without, and the things that you 757 00:39:36,480 --> 00:39:38,759 Speaker 1: want to hold, you know, pull closer, and you know, 758 00:39:38,920 --> 00:39:41,160 Speaker 1: as as the simple things that that mean a lot, 759 00:39:41,280 --> 00:39:43,719 Speaker 1: that that I want to hold onto, and the things 760 00:39:43,760 --> 00:39:45,320 Speaker 1: you want to throw out. And so it's called I 761 00:39:45,400 --> 00:39:48,279 Speaker 1: want that back? And what room of a house or 762 00:39:48,320 --> 00:39:49,759 Speaker 1: a bedroom did you write this in? I just want 763 00:39:49,760 --> 00:39:51,439 Speaker 1: to get the full picture. Are you. Did you wake 764 00:39:51,560 --> 00:39:52,960 Speaker 1: up and write it or were you are waking up? 765 00:39:53,640 --> 00:39:56,560 Speaker 1: This thing where four am? It's where almost And I would, 766 00:39:56,560 --> 00:39:59,760 Speaker 1: I would. I've got this little like old school recorder 767 00:39:59,760 --> 00:40:01,399 Speaker 1: because I don't put my phone by my bed because 768 00:40:01,440 --> 00:40:03,920 Speaker 1: then I'll look at it and I'll wake me up 769 00:40:03,960 --> 00:40:05,759 Speaker 1: and then I'll think about it or something. So I've 770 00:40:05,760 --> 00:40:09,359 Speaker 1: got this little quarter and what I do is i'll, i'll, i'll. 771 00:40:09,719 --> 00:40:12,120 Speaker 1: If I have something to pop up, I'll just record 772 00:40:12,160 --> 00:40:13,840 Speaker 1: it right there. And I had the whole lyrics of 773 00:40:13,920 --> 00:40:15,919 Speaker 1: this chorus just kind of show up in the middle 774 00:40:15,920 --> 00:40:17,640 Speaker 1: of night. I don't know, it doesn't always have like that, 775 00:40:17,760 --> 00:40:21,520 Speaker 1: but it just did. And and I had one buddy 776 00:40:21,560 --> 00:40:22,960 Speaker 1: that I knew was a perfect person to help me 777 00:40:23,000 --> 00:40:24,920 Speaker 1: finish this because I already wrote the chorus. Helped me 778 00:40:25,360 --> 00:40:27,560 Speaker 1: kind of shape the verses a little bit and everything. 779 00:40:27,640 --> 00:40:30,480 Speaker 1: And and I called him up. His name Scooter Crusoe, 780 00:40:30,600 --> 00:40:32,759 Speaker 1: and uh, we wrote mean to Me and want to 781 00:40:32,760 --> 00:40:34,000 Speaker 1: be that song. He's kind of been one of my 782 00:40:34,080 --> 00:40:37,000 Speaker 1: guys that I've always written with, and I think we 783 00:40:37,080 --> 00:40:39,080 Speaker 1: got a really special one, but nobody's ever heard it, 784 00:40:39,120 --> 00:40:41,440 Speaker 1: so here it is. We will be the judge of 785 00:40:41,480 --> 00:40:44,640 Speaker 1: that bread let's see how special it is. Okay, so 786 00:40:44,800 --> 00:40:46,160 Speaker 1: this is call I'm trying to get the strike because 787 00:40:46,160 --> 00:40:48,000 Speaker 1: I've never it's called I want that back. I want 788 00:40:48,080 --> 00:40:50,520 Speaker 1: that back written at four am for the most part, Yeah, 789 00:40:50,600 --> 00:40:53,520 Speaker 1: what were you wearing in bed? Bob Miley T shirt? 790 00:40:53,560 --> 00:40:56,000 Speaker 1: And uh, you sleep in a T shirt? Yes? I 791 00:40:56,080 --> 00:40:59,919 Speaker 1: think weirdo? What we jump on him for? I don't 792 00:41:00,080 --> 00:41:02,680 Speaker 1: sleep in a shirt sometimes when I'm not getting both. 793 00:41:02,760 --> 00:41:04,920 Speaker 1: But that night it was probably about Molly T Shirt's 794 00:41:05,560 --> 00:41:07,279 Speaker 1: accept it right here we get about Molly T Shirt 795 00:41:07,400 --> 00:41:09,520 Speaker 1: singing this song. All right, here's I want that back her. 796 00:41:11,000 --> 00:41:15,279 Speaker 1: You can have the small talk. You can have the hay, 797 00:41:16,840 --> 00:41:19,320 Speaker 1: you can have the check your phone each time you 798 00:41:19,400 --> 00:41:23,520 Speaker 1: get a little break, and you can have the lonely. 799 00:41:25,280 --> 00:41:29,120 Speaker 1: You can have the bank, you can have the TV 800 00:41:29,320 --> 00:41:33,800 Speaker 1: full of stations to tell you how the thing. But 801 00:41:34,040 --> 00:41:37,680 Speaker 1: the smell of old wood bleachers and the word at 802 00:41:37,760 --> 00:41:42,200 Speaker 1: hometime preachers being rich with her and a cheap six 803 00:41:42,400 --> 00:41:49,000 Speaker 1: pay Yeah, the shine of a new summer, barefoot baseball 804 00:41:49,120 --> 00:41:53,800 Speaker 1: with my brother, first time freedom with the windows cray. 805 00:41:55,040 --> 00:42:03,560 Speaker 1: I want that bag. That's really good, man, that's really good. 806 00:42:06,360 --> 00:42:09,839 Speaker 1: Give it a good dang dude, that's a good one. 807 00:42:09,960 --> 00:42:13,799 Speaker 1: Anybody else get emotional? Yeah, goose bumps? Uh yeah, me too. 808 00:42:13,880 --> 00:42:15,800 Speaker 1: I felt that yeah in my forearms usually some of 809 00:42:15,840 --> 00:42:19,439 Speaker 1: my thighs too. Different as I start to think about 810 00:42:19,440 --> 00:42:21,080 Speaker 1: where they hit me, it kind of have my forearms. 811 00:42:22,360 --> 00:42:26,000 Speaker 1: I mean, okay, okay, yeah, I mean God gifted you 812 00:42:26,120 --> 00:42:27,840 Speaker 1: the voice of an angel. Thank you? You ever just 813 00:42:27,880 --> 00:42:30,160 Speaker 1: look up and go, yo, dude, appreciate that I did. 814 00:42:30,239 --> 00:42:33,640 Speaker 1: Sometimes that's weird. I don't understand how I got it, 815 00:42:33,680 --> 00:42:34,920 Speaker 1: but I got it, and I'm glad to have it, 816 00:42:35,000 --> 00:42:37,600 Speaker 1: and I feel very fortunate. So I'm trying to belt 817 00:42:37,640 --> 00:42:39,400 Speaker 1: it out right here. Why did I not get it? 818 00:42:39,680 --> 00:42:42,480 Speaker 1: You know? You got other things, man, I think that 819 00:42:42,560 --> 00:42:46,799 Speaker 1: about a lot of people that come in here. It's 820 00:42:46,840 --> 00:42:49,359 Speaker 1: easy to get envious of that. It's a brand new 821 00:42:49,440 --> 00:42:52,640 Speaker 1: song from Brett Eldredge. When will people just your best 822 00:42:52,760 --> 00:42:54,440 Speaker 1: guests here? When do you think people will be able 823 00:42:54,480 --> 00:42:57,040 Speaker 1: to hear the version of that from a studio a month? 824 00:42:57,120 --> 00:43:00,919 Speaker 1: Two months? I would hope in the next few months. Really, 825 00:43:01,360 --> 00:43:02,919 Speaker 1: And it's a good one. That is a good one, Okay. 826 00:43:05,239 --> 00:43:09,040 Speaker 1: The Friday Morning conversation with Brett Eldritch going out on 827 00:43:09,080 --> 00:43:11,520 Speaker 1: the Good Day the American tour dates. That means there 828 00:43:11,520 --> 00:43:14,240 Speaker 1: are European dates too, so you're gonna go be basically 829 00:43:14,360 --> 00:43:17,200 Speaker 1: most of may You know what when you go somewhere 830 00:43:17,239 --> 00:43:20,200 Speaker 1: like the UK, like, how are you received? There? Is it? 831 00:43:21,120 --> 00:43:24,040 Speaker 1: Here's an American who sings country music, let's go explore him? 832 00:43:24,080 --> 00:43:26,239 Speaker 1: Or they like, oh my gosh, Brett Elder just coming. 833 00:43:26,840 --> 00:43:29,560 Speaker 1: It is such a for me. It's like the excitement 834 00:43:29,600 --> 00:43:30,840 Speaker 1: of like when you get your first hit or a 835 00:43:30,880 --> 00:43:33,399 Speaker 1: song it's even starting to get played, and people get 836 00:43:33,440 --> 00:43:36,440 Speaker 1: so excited because you know, they get to discover it 837 00:43:36,560 --> 00:43:40,080 Speaker 1: first or something. When you go you know, thousands of 838 00:43:40,160 --> 00:43:43,840 Speaker 1: miles you know, away from home and play music, I 839 00:43:43,880 --> 00:43:47,000 Speaker 1: just feel like there's so much appreciation. So I continue 840 00:43:47,040 --> 00:43:49,040 Speaker 1: to want to go back, you know, every year that 841 00:43:49,080 --> 00:43:51,879 Speaker 1: I can, And so it is really it's really cool. 842 00:43:52,040 --> 00:43:53,600 Speaker 1: Is it weird to go places and they sing your 843 00:43:53,640 --> 00:43:56,160 Speaker 1: songs back when they don't even speak your language? Because 844 00:43:56,160 --> 00:43:59,960 Speaker 1: I think that will be yes, absolutely like old but great. 845 00:44:00,560 --> 00:44:05,160 Speaker 1: I played in Berlin and I remember playing up there 846 00:44:05,200 --> 00:44:07,040 Speaker 1: and I remember like being in meet and greets and stuff, 847 00:44:07,040 --> 00:44:09,920 Speaker 1: and a lot of people didn't speak English. But then 848 00:44:09,920 --> 00:44:11,319 Speaker 1: I'd look out in the crowd I'd be like, all 849 00:44:11,320 --> 00:44:13,719 Speaker 1: these people are speaking English perfectly fine right now and 850 00:44:13,719 --> 00:44:15,319 Speaker 1: they're singing it, so it's it's pretty cool. I think 851 00:44:15,360 --> 00:44:17,400 Speaker 1: it's it's a special thing to be able to have that. 852 00:44:17,760 --> 00:44:20,399 Speaker 1: If your record label came to you today and they said, hey, Brett, 853 00:44:20,840 --> 00:44:22,120 Speaker 1: we heard you play the new song that you just 854 00:44:22,160 --> 00:44:24,279 Speaker 1: played on the bibone show. We really feel great about 855 00:44:24,280 --> 00:44:26,000 Speaker 1: this album. We've heard some tracks, but we really need 856 00:44:26,040 --> 00:44:28,720 Speaker 1: you to post a shirtless pick to promote the record 857 00:44:28,760 --> 00:44:31,080 Speaker 1: and the tour. They came to and pulled you aside, 858 00:44:31,200 --> 00:44:34,360 Speaker 1: so we need you to go shirtless. What what is 859 00:44:34,440 --> 00:44:37,719 Speaker 1: this question I'm asking if you If they came, it'll 860 00:44:37,719 --> 00:44:39,160 Speaker 1: be uncomfortable, but they were like, hey, we really need 861 00:44:39,200 --> 00:44:41,720 Speaker 1: to go full sex appilled. Would you would you post 862 00:44:42,160 --> 00:44:44,120 Speaker 1: a shirtless picture like on the front of your record? 863 00:44:44,120 --> 00:44:46,000 Speaker 1: Would you do that? Would you be sless? Hell? No, No, 864 00:44:47,880 --> 00:44:53,800 Speaker 1: I could ever live with that. Why? I don't know. 865 00:44:53,880 --> 00:44:55,680 Speaker 1: I just you know, I'm always working out, trying to 866 00:44:55,920 --> 00:44:57,680 Speaker 1: trying to get better. But it's I want, I don't want. 867 00:44:57,680 --> 00:44:59,200 Speaker 1: I don't want to see that. No one else wants 868 00:44:59,239 --> 00:45:01,600 Speaker 1: to see that. What is the Brett Eldridge workout routine? 869 00:45:02,000 --> 00:45:05,719 Speaker 1: I left about four days a week, and and I like, uh, 870 00:45:06,640 --> 00:45:09,520 Speaker 1: like I'm trying to I'm trying to put on some weight. 871 00:45:09,640 --> 00:45:15,399 Speaker 1: So I'm just lifting weights and and uh cycling for cardio. Yeah, 872 00:45:15,680 --> 00:45:17,320 Speaker 1: but trying to put all weight. You have trouble putting 873 00:45:17,320 --> 00:45:19,920 Speaker 1: all weight? Well, I last year during the quarantine, I 874 00:45:20,120 --> 00:45:21,720 Speaker 1: ran the whole time and I didn't go to gyms, 875 00:45:22,239 --> 00:45:24,560 Speaker 1: and so I just lost a ton of weight running 876 00:45:24,640 --> 00:45:26,759 Speaker 1: like crazy, which was good for my mind. But then 877 00:45:26,800 --> 00:45:29,239 Speaker 1: I was like, God, I'm kind of skinny. So I've 878 00:45:29,239 --> 00:45:31,600 Speaker 1: been trying to eat a lot more. And I mean 879 00:45:31,600 --> 00:45:34,040 Speaker 1: I'm always eating healthy, but eat more and and have 880 00:45:34,080 --> 00:45:36,640 Speaker 1: a lift weights and and uh, and make sure I 881 00:45:36,719 --> 00:45:39,120 Speaker 1: get a lot of cardio in for my heart. Must 882 00:45:39,320 --> 00:45:41,799 Speaker 1: just want to feel good. So where about going back 883 00:45:41,840 --> 00:45:43,440 Speaker 1: on stage and not having your air like if you're 884 00:45:43,440 --> 00:45:46,040 Speaker 1: singing all these songs. Yeah, it's a big part. I 885 00:45:46,120 --> 00:45:49,040 Speaker 1: mean you could be. I've been swimming a lot and uh. 886 00:45:49,239 --> 00:45:51,800 Speaker 1: And I also do these I do the cold showers 887 00:45:51,840 --> 00:45:55,160 Speaker 1: in the morning, and I do that did anybody else 888 00:45:55,200 --> 00:45:59,640 Speaker 1: anybody else? Gas? Do you do? Like that? As cold 889 00:45:59,680 --> 00:46:01,720 Speaker 1: as it go? Yeah, as cold as I can possibly 890 00:46:01,760 --> 00:46:05,000 Speaker 1: get it, sometimes at least three minutes. So you do 891 00:46:05,080 --> 00:46:07,480 Speaker 1: the three minutes. So I did this morning three minutes. 892 00:46:07,880 --> 00:46:09,440 Speaker 1: If there was like a mystery murder in talent, I 893 00:46:09,480 --> 00:46:10,799 Speaker 1: would go, well, let's go look at Brett and Amy 894 00:46:10,800 --> 00:46:14,560 Speaker 1: because their psychopaths. In other ways, that's whimf. Have you 895 00:46:14,640 --> 00:46:17,520 Speaker 1: heard of that guy? No, So here's this this Dutch 896 00:46:17,600 --> 00:46:21,080 Speaker 1: guy that um teaches like this breathing and then this 897 00:46:21,200 --> 00:46:23,960 Speaker 1: technique to where you can go in and withstand crazy 898 00:46:24,000 --> 00:46:26,880 Speaker 1: cold temperatures by doing this technique. You gotta watch it. 899 00:46:27,280 --> 00:46:29,080 Speaker 1: Just look it up. It's really I don't think it 900 00:46:29,160 --> 00:46:33,960 Speaker 1: will whatsoever, you know, you know, I mean, I'm always 901 00:46:34,040 --> 00:46:36,359 Speaker 1: very open about like anxieties and stuff like the cold 902 00:46:36,400 --> 00:46:40,120 Speaker 1: shower really helps pop me out of like a weird state. 903 00:46:40,239 --> 00:46:42,960 Speaker 1: Or have you done cryotherapy? That box you get into 904 00:46:43,000 --> 00:46:45,759 Speaker 1: this freezing Okay, no money that he said therapy Like 905 00:46:46,120 --> 00:46:49,919 Speaker 1: I started going like maybe six or seven months ago, 906 00:46:50,080 --> 00:46:51,920 Speaker 1: and it was my three minutes of some people going 907 00:46:51,920 --> 00:46:53,600 Speaker 1: there they want to listen to music and dance out, 908 00:46:53,840 --> 00:46:55,640 Speaker 1: and I go in and I'm like, no music, Just 909 00:46:55,719 --> 00:46:57,440 Speaker 1: put me in the box and I come out like 910 00:46:57,560 --> 00:47:01,000 Speaker 1: a better in a better mental state like I did 911 00:47:01,120 --> 00:47:03,160 Speaker 1: mine for injuries. I'd never felt like I'm gonna be 912 00:47:03,160 --> 00:47:05,840 Speaker 1: a better person. Oh well, I mean I would. I 913 00:47:06,000 --> 00:47:08,320 Speaker 1: went and I was coming out like mentally better. So 914 00:47:08,440 --> 00:47:10,759 Speaker 1: in a way, that is a different injury, you know 915 00:47:10,800 --> 00:47:12,719 Speaker 1: what I mean. It's not like a muscle recovery, but 916 00:47:12,800 --> 00:47:16,480 Speaker 1: it's like an emotional maybe anxiety or I'm with you 917 00:47:16,760 --> 00:47:21,480 Speaker 1: type regy. Okay, well listen next, we're gonna do some 918 00:47:21,600 --> 00:47:24,000 Speaker 1: breathing everyone when you go. Have you started working on 919 00:47:24,040 --> 00:47:26,680 Speaker 1: your set list at all? For when I literally yesterday 920 00:47:26,760 --> 00:47:28,839 Speaker 1: my my bandleader called me, it's like, all right, let's 921 00:47:28,840 --> 00:47:30,680 Speaker 1: get the set list going, which makes me so nervous 922 00:47:30,719 --> 00:47:32,560 Speaker 1: to do that because I was just you don't have 923 00:47:32,600 --> 00:47:34,800 Speaker 1: to pick through a lot of songs. And what's the 924 00:47:34,840 --> 00:47:38,279 Speaker 1: first song back? Like the first opening song. It's the 925 00:47:38,400 --> 00:47:40,279 Speaker 1: first it's you, You're walking on stage, first time in 926 00:47:40,280 --> 00:47:42,880 Speaker 1: the year. I mean, I think it's gonna be I mean, 927 00:47:42,920 --> 00:47:44,920 Speaker 1: it's a good day. Tis it's gonna be a good day. 928 00:47:45,120 --> 00:47:47,319 Speaker 1: I don't know why I would infuse so you start 929 00:47:47,360 --> 00:47:49,400 Speaker 1: with that, I think, so this is set like a 930 00:47:49,480 --> 00:47:52,480 Speaker 1: positive mood. What's what do you close with? I don't know. 931 00:47:52,600 --> 00:47:59,359 Speaker 1: We need to figure this out now we gottain. I mean, okay, 932 00:47:59,440 --> 00:48:00,719 Speaker 1: let me think what I would if I were going 933 00:48:00,760 --> 00:48:02,839 Speaker 1: to your show, you just I don't think you're gonna 934 00:48:02,880 --> 00:48:05,879 Speaker 1: like my answer. That's it because when you look back, 935 00:48:06,080 --> 00:48:09,440 Speaker 1: I'm sure you're tired of playing. That's not tired, but 936 00:48:09,520 --> 00:48:10,840 Speaker 1: I'm sure if you got to pick you play, the 937 00:48:10,840 --> 00:48:13,000 Speaker 1: new stuff gets more exciting as an artist, right because 938 00:48:13,000 --> 00:48:14,759 Speaker 1: you were living a different life. Whenever you put Don't 939 00:48:14,800 --> 00:48:18,600 Speaker 1: You out? Yeah? Absolutely, But however, I think you close 940 00:48:18,640 --> 00:48:20,440 Speaker 1: on don't You that's thought about song to close on 941 00:48:20,560 --> 00:48:27,080 Speaker 1: just because it's big, it's upbeat. Yeah, Actube used to 942 00:48:27,680 --> 00:48:28,960 Speaker 1: be of the music. That was a good one to 943 00:48:28,960 --> 00:48:32,520 Speaker 1: close with. Um, but maybe that's not bad thought my 944 00:48:32,680 --> 00:48:36,120 Speaker 1: running run when I wrote the Flagpole for me? Do 945 00:48:36,160 --> 00:48:40,040 Speaker 1: you ever not play a hit? Oh? I did that 946 00:48:40,120 --> 00:48:46,160 Speaker 1: one time. It didn't go well? No, why did you 947 00:48:46,280 --> 00:48:48,920 Speaker 1: not play? I think one time we just screwed up 948 00:48:49,080 --> 00:48:51,200 Speaker 1: or something and we forgot to add like and I 949 00:48:51,440 --> 00:48:52,800 Speaker 1: played mean to me every time, but it was like 950 00:48:52,880 --> 00:48:56,000 Speaker 1: mean to me or something, you know, and and it's 951 00:48:56,040 --> 00:48:57,600 Speaker 1: one of my favorite times of play. And somehow it 952 00:48:57,640 --> 00:49:00,399 Speaker 1: slipped to our you know, just writing the set list 953 00:49:00,400 --> 00:49:02,000 Speaker 1: because I like to I'd like to switch it up, 954 00:49:02,400 --> 00:49:04,160 Speaker 1: and uh, I think I forgot it that night and 955 00:49:04,239 --> 00:49:05,880 Speaker 1: we're like, man, something didn't feel right, Like there's a 956 00:49:05,920 --> 00:49:07,320 Speaker 1: moment in the show that we didn't have and it 957 00:49:07,440 --> 00:49:09,400 Speaker 1: was that and so many people were like, that was 958 00:49:09,400 --> 00:49:12,440 Speaker 1: our wedding song. Oh man, can you imagine you go 959 00:49:12,600 --> 00:49:14,640 Speaker 1: to here one song? Don't play it? So have you 960 00:49:14,680 --> 00:49:16,480 Speaker 1: come to the Good Day Tour? I will remember every song, 961 00:49:16,520 --> 00:49:19,680 Speaker 1: I promise, And if we're not, h I'm sorry, Well 962 00:49:19,719 --> 00:49:22,120 Speaker 1: you play the Long Way? Yeah, because that is not 963 00:49:22,280 --> 00:49:24,200 Speaker 1: not here. I mean, if you play now that's but 964 00:49:24,280 --> 00:49:25,839 Speaker 1: I'm saying, will you play that on tour because that's 965 00:49:25,840 --> 00:49:28,200 Speaker 1: my favorite song? Yes you willhood you're committed. I like 966 00:49:28,320 --> 00:49:30,000 Speaker 1: to I like to break that one down. Sometimes it's 967 00:49:30,000 --> 00:49:32,520 Speaker 1: played acoustic. Well, lucky for us, that's what he's doing here. Yeah, 968 00:49:32,640 --> 00:49:34,319 Speaker 1: well you play us some of the long Way? Yeah, okay, 969 00:49:34,320 --> 00:49:37,239 Speaker 1: all right, okay, let's bring it right into it. Just 970 00:49:37,400 --> 00:49:39,759 Speaker 1: to take a trip around around your town. Right here 971 00:49:39,800 --> 00:49:44,200 Speaker 1: we go. Don't think I've ever seen you kind pretty 972 00:49:46,480 --> 00:49:52,560 Speaker 1: wandering around this midnight mad house. You gotta look. It 973 00:49:52,800 --> 00:49:58,399 Speaker 1: says you got it all good. So if you don't 974 00:49:58,520 --> 00:50:03,799 Speaker 1: mind that lot, know, you better see me the long 975 00:50:04,000 --> 00:50:10,920 Speaker 1: way around you will? You? The Queen with the super 976 00:50:11,320 --> 00:50:18,719 Speaker 1: Crown I want the secret shou Ki, the shine underneat 977 00:50:18,920 --> 00:50:24,440 Speaker 1: of the diamond. I think God just faul see me 978 00:50:24,800 --> 00:50:37,239 Speaker 1: the long way right. I wonder if you chase that 979 00:50:37,280 --> 00:50:41,480 Speaker 1: big note this early in the morning. He did, He 980 00:50:41,640 --> 00:50:43,360 Speaker 1: chased it. You just gotta show up and do it. 981 00:50:44,000 --> 00:50:48,640 Speaker 1: Let's lie. Brett Eldridge is here. Listen. Tickets for the 982 00:50:48,680 --> 00:50:50,640 Speaker 1: Good Day Tour go on sale today at ten am 983 00:50:50,719 --> 00:50:53,480 Speaker 1: local time. Wherever you are, go to Brett Eldridge dot 984 00:50:53,520 --> 00:50:55,520 Speaker 1: com and get tickets. It will be a fantastic show, 985 00:50:55,840 --> 00:50:57,640 Speaker 1: not just with Brett, but he got a pretty powerful 986 00:50:57,680 --> 00:50:59,719 Speaker 1: opening act too. Usually for an opening act, to get 987 00:50:59,719 --> 00:51:01,520 Speaker 1: somebody that people never heard of, you had you give 988 00:51:01,560 --> 00:51:02,719 Speaker 1: him a couple of bucks and go, hey, go do 989 00:51:02,840 --> 00:51:06,160 Speaker 1: good job. You got Morgan. Ever, that's awesome. Hell yeah, yeah, 990 00:51:06,239 --> 00:51:08,799 Speaker 1: cannot wait. All right, go Brett Eldridge dot com. Good 991 00:51:08,800 --> 00:51:11,799 Speaker 1: to see you. Much success. As always, the new song 992 00:51:11,960 --> 00:51:14,759 Speaker 1: is fantastic. We love it. I just looked at number 993 00:51:14,800 --> 00:51:16,759 Speaker 1: one on the chart already and it only has been 994 00:51:16,800 --> 00:51:19,319 Speaker 1: here on the show. Great. All right, there he has 995 00:51:19,320 --> 00:51:28,960 Speaker 1: Brett Elder It's time for the good news. Three police 996 00:51:29,000 --> 00:51:32,320 Speaker 1: officers in Ohio are being hailed as heroes after resuscitating 997 00:51:32,320 --> 00:51:35,800 Speaker 1: a missing child who has found unresponsive and floating in 998 00:51:35,880 --> 00:51:38,759 Speaker 1: a pond. Think about those three things. One missing child, 999 00:51:39,320 --> 00:51:44,359 Speaker 1: two unresponsive, and also in a pond. The four year 1000 00:51:44,400 --> 00:51:46,680 Speaker 1: old boy have been reported missing from a family member's house. 1001 00:51:47,120 --> 00:51:49,440 Speaker 1: As police searched the area for a child, they were 1002 00:51:49,480 --> 00:51:52,920 Speaker 1: alerted about possibly something in a fishing pond. Officer Daniel 1003 00:51:53,000 --> 00:51:56,520 Speaker 1: Thompson and Sergeant Matthew tie Cast could not see the 1004 00:51:56,600 --> 00:51:59,239 Speaker 1: kid at first due to debris, but eventually spot at 1005 00:51:59,280 --> 00:52:01,799 Speaker 1: some air bubbles and the boy silhouette about twenty feet 1006 00:52:01,840 --> 00:52:04,360 Speaker 1: from the bank. As the two officers jumped in the 1007 00:52:04,440 --> 00:52:08,280 Speaker 1: water to rescue the kid, the officer Chad Balowski retrieved 1008 00:52:08,280 --> 00:52:10,840 Speaker 1: a throw rope. They said. The boy was brought to 1009 00:52:10,920 --> 00:52:14,800 Speaker 1: shore was not breathing. They began CPR finally got some 1010 00:52:14,920 --> 00:52:18,359 Speaker 1: breathing back from him. The Painesville City Fire Department arrived 1011 00:52:18,360 --> 00:52:19,600 Speaker 1: at the scene to help treat the child before he 1012 00:52:19,600 --> 00:52:21,719 Speaker 1: was taken to the hospital whereafter all that he was 1013 00:52:21,760 --> 00:52:23,840 Speaker 1: treated and slowly was more and more. Now he's in 1014 00:52:23,920 --> 00:52:27,560 Speaker 1: fully stable condition. Oh my gosh, while they saw him 1015 00:52:27,600 --> 00:52:31,600 Speaker 1: in time too, like did everything right, Like emergency situation. 1016 00:52:31,680 --> 00:52:33,440 Speaker 1: We're gonna react properly, but just that they got to 1017 00:52:33,560 --> 00:52:36,200 Speaker 1: him in time is crazy. So to all those officers, 1018 00:52:36,760 --> 00:52:41,120 Speaker 1: great job, Officer Daniel Thompson, Sergeant Matthew Tyecast and Officer 1019 00:52:41,280 --> 00:52:43,720 Speaker 1: Chad Balowski. You saved the kid's life. You saved the family. 1020 00:52:44,080 --> 00:52:46,799 Speaker 1: So appreciate what you guys do. That is what it's 1021 00:52:46,800 --> 00:52:51,239 Speaker 1: all about. That was tell me something good. It's time 1022 00:52:51,239 --> 00:52:53,719 Speaker 1: to eat the chocolate covered cicada's which, by the way, 1023 00:52:53,760 --> 00:52:56,160 Speaker 1: that the example I showed you, guys was the top layer, 1024 00:52:56,160 --> 00:53:03,759 Speaker 1: which wasn't cicada. Oh chocolate. They're actually shaped like a bug, 1025 00:53:04,000 --> 00:53:07,400 Speaker 1: like a bug. I won't be able to look at 1026 00:53:07,440 --> 00:53:13,480 Speaker 1: it here. Oh wow, that's literally it's just a whole 1027 00:53:13,520 --> 00:53:16,560 Speaker 1: cicada with chocolate over it. Okay, So we have a wheel. 1028 00:53:16,800 --> 00:53:18,920 Speaker 1: We'll spin the wheel. If it lands on you, your 1029 00:53:19,000 --> 00:53:22,560 Speaker 1: name comes off the wheel. Last one standing is the loser, 1030 00:53:23,080 --> 00:53:25,440 Speaker 1: and you'll eat a chocolate covered cicada here on the air. 1031 00:53:26,320 --> 00:53:32,359 Speaker 1: All right. Why is the Mike D's name on here? Oh? Good? 1032 00:53:32,480 --> 00:53:35,960 Speaker 1: Question's vegan? Okay, I got a vegan in a vegetarian 1033 00:53:36,080 --> 00:53:41,640 Speaker 1: taken off today. Okay, okay, So it's Amy Amy lunchbox Eddie, 1034 00:53:41,960 --> 00:53:45,239 Speaker 1: all right, Scuba Steve Raymundoing myself. Can I guy get 1035 00:53:45,280 --> 00:53:49,000 Speaker 1: a keto exemption? No, you've already tried that, Ray, Yeah, 1036 00:53:49,080 --> 00:53:51,640 Speaker 1: can we get that off my name? To start? Here 1037 00:53:51,719 --> 00:53:54,600 Speaker 1: we go? You want it to land on your name? 1038 00:53:54,640 --> 00:54:07,359 Speaker 1: Because take it off? Come on, spin baby, I didn't 1039 00:54:07,400 --> 00:54:09,560 Speaker 1: know when to be dramatic about this, so I'm so 1040 00:54:09,760 --> 00:54:12,880 Speaker 1: thankful Amy is coming off the wheel. That almost got 1041 00:54:12,920 --> 00:54:14,160 Speaker 1: to me. I thought it was gonna get to me. 1042 00:54:15,400 --> 00:54:20,600 Speaker 1: Man I manifested that manifest. I manifested no more than ours. 1043 00:54:21,360 --> 00:54:27,799 Speaker 1: Your manifest is so strong landed on me. Amy's off 1044 00:54:27,840 --> 00:54:31,560 Speaker 1: the wheel? Who do you all want me to manifest for? Who? Please? 1045 00:54:31,600 --> 00:54:34,400 Speaker 1: All right? Who do you like the best? The person 1046 00:54:34,960 --> 00:54:37,919 Speaker 1: who is last up has to eat a chocolate covered 1047 00:54:37,960 --> 00:54:48,640 Speaker 1: sicated on. Let's that's looking good, looking good? Looking good? There, Goubau? 1048 00:54:49,480 --> 00:54:53,440 Speaker 1: Is that who you manifested? She manifested her? Bobby, I didn't. 1049 00:54:53,440 --> 00:54:56,160 Speaker 1: I almost landed on him the wheel. I know where 1050 00:54:56,200 --> 00:55:02,200 Speaker 1: my bread is buttered? Sounds so weird? You buttering me bread? 1051 00:55:02,239 --> 00:55:06,680 Speaker 1: Bobby spinning to do? All right? Here we go, Oh 1052 00:55:06,760 --> 00:55:09,360 Speaker 1: my gosh, it's down to its root. No Four Bobby 1053 00:55:09,440 --> 00:55:11,839 Speaker 1: lunch box Eddie Raymundo. One of us four will eat 1054 00:55:11,840 --> 00:55:23,840 Speaker 1: a chocolate cover it's act five percent chance. Let's spind. No, no, no, no, no, 1055 00:55:24,040 --> 00:55:30,879 Speaker 1: come up, see you suckers. Light, Where are you going? 1056 00:55:32,840 --> 00:55:36,399 Speaker 1: It's been taking off the wheel. Yeahs I lose more 1057 00:55:36,440 --> 00:55:39,680 Speaker 1: wheel things, No, I lose more wheel. I love this 1058 00:55:39,800 --> 00:55:42,560 Speaker 1: wheel though today as a good looking wheel. Lunch Box 1059 00:55:42,640 --> 00:55:45,840 Speaker 1: is so excited. When he yelled, spit came, he rolled 1060 00:55:45,920 --> 00:55:48,479 Speaker 1: out of his mouth because I was getting my mouth weaver. 1061 00:55:48,520 --> 00:55:51,120 Speaker 1: Those a kate up. I thought I got to water 1062 00:55:51,200 --> 00:56:00,480 Speaker 1: it down. Let's spin. Oh boy, you made best already, Bobby, Bobby, Mary, 1063 00:56:00,760 --> 00:56:11,960 Speaker 1: let's go off the wheel. Yeah, hey, why don't you say? 1064 00:56:12,040 --> 00:56:14,879 Speaker 1: See you suckers? Where are you going? I know where? 1065 00:56:16,880 --> 00:56:20,480 Speaker 1: Oh man? Okay, so it's down to Bobby and RAYMONDO. 1066 00:56:20,880 --> 00:56:23,839 Speaker 1: Hey we spend this last time. Bobby, do you want 1067 00:56:23,840 --> 00:56:25,279 Speaker 1: to pay for someone to go back up and take 1068 00:56:25,320 --> 00:56:28,279 Speaker 1: your spot? He's playing your game. I love. I mean 1069 00:56:28,320 --> 00:56:30,400 Speaker 1: to take my spot. Yeah, I'll take your spot for 1070 00:56:31,040 --> 00:56:34,959 Speaker 1: fifty bucks. Now you're selling yourself. Yes, he's making money. 1071 00:56:36,360 --> 00:56:37,799 Speaker 1: I mean I would do that, but the listeners are 1072 00:56:37,800 --> 00:56:39,960 Speaker 1: gonna get mad. Yeah, okay, so I won't do it. 1073 00:56:40,000 --> 00:56:41,840 Speaker 1: I'll first because I for sure would do that. That 1074 00:56:41,960 --> 00:56:43,960 Speaker 1: was funny. The listeners will get mad, and I want 1075 00:56:43,960 --> 00:56:47,879 Speaker 1: to integrity of the wheel. I believe in it. Okay, Ray, 1076 00:56:47,920 --> 00:56:49,960 Speaker 1: it's you and I. Anything you want to say, uh, 1077 00:56:50,480 --> 00:56:52,600 Speaker 1: not looking forward to eating it? I'm guessing it's me. 1078 00:56:52,719 --> 00:56:55,040 Speaker 1: I mean honestly, I haven't gambled in four months. I'm 1079 00:56:55,080 --> 00:56:57,840 Speaker 1: gambling now and I'm losing. Okay, here we go, let's 1080 00:56:58,120 --> 00:57:07,000 Speaker 1: spend that. We come on, come on, come on, come on, 1081 00:57:11,239 --> 00:57:15,040 Speaker 1: I'm off the wheel. Baby. That last click like will 1082 00:57:15,080 --> 00:57:21,200 Speaker 1: of fortune. Yeah, there you go. Okay, so no, no, 1083 00:57:23,200 --> 00:57:25,240 Speaker 1: come on in. He's walking in the studio, up for 1084 00:57:25,360 --> 00:57:31,440 Speaker 1: grabs on chocolate covered cicada. Look at that. That's beautiful. 1085 00:57:31,760 --> 00:57:36,440 Speaker 1: All right, buddy, here we go slow motion. Yeah, yo, 1086 00:57:37,000 --> 00:57:38,520 Speaker 1: yo yo. Let me know if you got on camera, 1087 00:57:38,560 --> 00:57:40,280 Speaker 1: I got you, I got you. How do you feel 1088 00:57:40,360 --> 00:57:42,720 Speaker 1: right now? I mean not looking forward to it, but 1089 00:57:43,040 --> 00:57:45,520 Speaker 1: definitely like channeling you on Bear Girls. Sometimes you just 1090 00:57:45,600 --> 00:57:48,919 Speaker 1: gotta eat bugs and stuff like that. Like it does 1091 00:57:49,080 --> 00:57:52,160 Speaker 1: look like chocolate, but I can see the cicada easily 1092 00:57:52,240 --> 00:57:54,800 Speaker 1: underneath it, So I'm not thinking chocolate. I'm thinking bug. 1093 00:57:55,000 --> 00:57:56,720 Speaker 1: Let us hear as you crunch it. Here we go, 1094 00:57:57,800 --> 00:58:10,200 Speaker 1: two one in his mouth. God right, it was really crunchy. Yeah, 1095 00:58:12,960 --> 00:58:16,479 Speaker 1: small part of it tastes like a kid cat real. 1096 00:58:18,360 --> 00:58:20,840 Speaker 1: I mean I can feel the tentacles and stuff. You 1097 00:58:20,880 --> 00:58:25,080 Speaker 1: can feel the wings. The wings are tough to you. God, 1098 00:58:25,160 --> 00:58:28,080 Speaker 1: howd it taste decent? It wasn't god awful? If I 1099 00:58:28,200 --> 00:58:30,480 Speaker 1: needed to in like a pinch, I would eat that. 1100 00:58:32,160 --> 00:58:35,280 Speaker 1: A little bit of chocolate and a pinch. What if 1101 00:58:35,320 --> 00:58:42,520 Speaker 1: we washed the chocolate off? Now spin it again, chocolate 1102 00:58:42,560 --> 00:58:45,280 Speaker 1: covered cicada. And now we know And like they say, 1103 00:58:45,440 --> 00:58:51,880 Speaker 1: knowing is and no one is half the battle. Okay, 1104 00:58:51,960 --> 00:58:55,360 Speaker 1: there it is, okay, coming in our big boss. He 1105 00:58:55,440 --> 00:58:58,200 Speaker 1: comes on the show about once a year. Bradley Gilbert 1106 00:58:58,240 --> 00:59:00,360 Speaker 1: put out a new song today as a world premiere 1107 00:59:00,600 --> 00:59:05,320 Speaker 1: called what's it called the worst country song of all time? Right, 1108 00:59:05,560 --> 00:59:07,800 Speaker 1: worst country song of all time? And it's a song 1109 00:59:08,200 --> 00:59:11,040 Speaker 1: basically about all the things you can't say in a 1110 00:59:11,080 --> 00:59:22,720 Speaker 1: country song. Oh, here's a clip. Eddie and I have 1111 00:59:22,800 --> 00:59:24,800 Speaker 1: put out a song called you Can't Say That in 1112 00:59:24,840 --> 00:59:26,800 Speaker 1: a Country Song, which is basically the same song. Yeah, 1113 00:59:27,080 --> 00:59:29,560 Speaker 1: because you just described this song as basically a song 1114 00:59:29,720 --> 00:59:31,840 Speaker 1: that says things you can't say in a country song. 1115 00:59:32,080 --> 00:59:33,520 Speaker 1: So the title of our song. We put it out 1116 00:59:33,520 --> 00:59:35,600 Speaker 1: with John Party like two months ago, maybe the less, 1117 00:59:35,600 --> 00:59:37,360 Speaker 1: and now all of a sudden, this is out fishy. 1118 00:59:37,640 --> 00:59:39,920 Speaker 1: The thing is ray and lunchboxes in my ear. They 1119 00:59:40,000 --> 00:59:43,960 Speaker 1: keep saying the same thing to me, Sue, Sue, I 1120 00:59:43,960 --> 00:59:46,320 Speaker 1: didn't even think about it. Well, but we're gonna bring 1121 00:59:46,320 --> 00:59:47,840 Speaker 1: our boss in and we're gonna see what he has 1122 00:59:47,880 --> 00:59:51,160 Speaker 1: to say. I don't want to do anything that is dramatic, 1123 00:59:51,240 --> 00:59:53,440 Speaker 1: but I'll not, but I'd like to get our song 1124 00:59:53,520 --> 00:59:56,800 Speaker 1: played a little bit too. You know. I didn't even 1125 00:59:56,800 --> 00:59:59,240 Speaker 1: think anything about this when it happened. Then listeners were 1126 00:59:59,280 --> 01:00:01,520 Speaker 1: just going, do you hear this? Do you hear this? 1127 01:00:01,720 --> 01:00:04,880 Speaker 1: And I was like, nah, stop it. Today, Brantley Gilbert 1128 01:00:04,920 --> 01:00:07,320 Speaker 1: puts out a good song called the Worst Country Song 1129 01:00:07,360 --> 01:00:09,480 Speaker 1: of all Time? You heard it? Yeah, And the whole 1130 01:00:09,520 --> 01:00:13,080 Speaker 1: song is doing what it's sort of like, saying things that, yeah, 1131 01:00:13,160 --> 01:00:15,880 Speaker 1: you normally would never hear in a country song. For example, 1132 01:00:15,920 --> 01:00:29,640 Speaker 1: here's a clip of Brantley's new song. So it's all 1133 01:00:29,640 --> 01:00:31,200 Speaker 1: stuff you don't hear in a country song, right, And 1134 01:00:31,240 --> 01:00:33,160 Speaker 1: they say that worst country song of all time? But 1135 01:00:33,360 --> 01:00:36,560 Speaker 1: Eddie and I did a song called a country song 1136 01:00:36,640 --> 01:00:42,959 Speaker 1: with John Party, and so our boss Rod is in here. Now, okay, 1137 01:00:43,000 --> 01:00:45,720 Speaker 1: have you heard these songs? So when I heard Brantley's song, 1138 01:00:46,200 --> 01:00:48,200 Speaker 1: I of course had heard your song, and I did. 1139 01:00:48,280 --> 01:00:50,439 Speaker 1: It did not occur to me a little bit, maybe, 1140 01:00:50,520 --> 01:00:51,800 Speaker 1: like somewhere in the back of my mind, but I 1141 01:00:51,840 --> 01:00:53,960 Speaker 1: wasn't like, wait a minute, wait a minute, this is 1142 01:00:54,000 --> 01:00:56,600 Speaker 1: the same thing. And then I played him back to back. 1143 01:00:56,640 --> 01:01:00,120 Speaker 1: I'm like, same concept, right, And is it weird? You 1144 01:01:00,200 --> 01:01:01,760 Speaker 1: just put it out. I've been playing it live for 1145 01:01:01,800 --> 01:01:03,400 Speaker 1: two years, doing comedy shows with it, and then we 1146 01:01:03,480 --> 01:01:04,880 Speaker 1: just put it out and then it comes out. Well, 1147 01:01:04,880 --> 01:01:08,960 Speaker 1: I don't know define weird well, Brayan Lunchbox, Sue Sue 1148 01:01:09,080 --> 01:01:15,560 Speaker 1: Sue Sue, Sue, Sue Lunchbox, I don't want I think 1149 01:01:15,600 --> 01:01:18,360 Speaker 1: it's well, I think it's a coincidence. But me too, 1150 01:01:18,520 --> 01:01:20,960 Speaker 1: For the record, I think it's coincidence. But here's my 1151 01:01:21,160 --> 01:01:24,560 Speaker 1: You two are not chanting sue now yet, right, got it? 1152 01:01:24,920 --> 01:01:28,200 Speaker 1: Here's my beef is that you give them a world 1153 01:01:28,240 --> 01:01:31,320 Speaker 1: premiere seven times on every radio station. The song is 1154 01:01:31,320 --> 01:01:34,400 Speaker 1: playing throughout the day seven times nationally. Is that true? 1155 01:01:34,960 --> 01:01:37,280 Speaker 1: It's about that? Yeah? Okay, how come we didn't get 1156 01:01:37,280 --> 01:01:39,800 Speaker 1: a world pmiere with the same song? Explain yourself sue 1157 01:01:39,880 --> 01:01:45,560 Speaker 1: Sue Sue sue R. I expected the self promoter that 1158 01:01:45,600 --> 01:01:47,280 Speaker 1: you are, that you would just do that on your own. 1159 01:01:47,720 --> 01:01:51,200 Speaker 1: But I can't play on at three pm. Yeah, or 1160 01:01:51,280 --> 01:01:54,080 Speaker 1: can't or we should, right, So I'm willing to drop 1161 01:01:54,200 --> 01:01:58,080 Speaker 1: my suit. Guys, whoa yeah, a law suit. So I'm 1162 01:01:58,080 --> 01:02:01,120 Speaker 1: willing to drop my potential lawsuit if you can do 1163 01:02:02,280 --> 01:02:04,760 Speaker 1: maybe even next week A world from here. Okay, but 1164 01:02:04,840 --> 01:02:06,600 Speaker 1: we've already We'll just call it that because no one's 1165 01:02:06,640 --> 01:02:10,120 Speaker 1: hurt anyway. Rights us, the raging idiots with John Party 1166 01:02:10,360 --> 01:02:12,160 Speaker 1: can't say that in a country song. If you give 1167 01:02:12,280 --> 01:02:15,280 Speaker 1: us the same love, I will drop it. What should 1168 01:02:15,280 --> 01:02:18,160 Speaker 1: we get John Party to do to finalize this? First 1169 01:02:18,160 --> 01:02:19,760 Speaker 1: of all, his boy he lost his voice. You can't 1170 01:02:19,800 --> 01:02:23,760 Speaker 1: talk that. I saw that on social So nothing. He's out, 1171 01:02:24,040 --> 01:02:27,520 Speaker 1: he's out ed, he's in. Oh, I'm in. Yeah? Are 1172 01:02:27,600 --> 01:02:29,600 Speaker 1: you suing? We need to know who's suing and who's 1173 01:02:29,640 --> 01:02:32,680 Speaker 1: Not's the thing. We're all on the same boat, so 1174 01:02:32,840 --> 01:02:34,800 Speaker 1: one suing, we're all soon. Yeah. We all want to 1175 01:02:34,840 --> 01:02:37,440 Speaker 1: get rich. We got lawyers, I got Yeah, we have 1176 01:02:37,520 --> 01:02:39,080 Speaker 1: Morgan and Morgan in our back pocket. We can call 1177 01:02:39,120 --> 01:02:42,360 Speaker 1: it anytime. Yeah. So if I'm willing to not be 1178 01:02:42,440 --> 01:02:45,440 Speaker 1: irritated by this. I thought about challenging Briley to a 1179 01:02:45,480 --> 01:02:50,320 Speaker 1: celebrity boxing match, like brass knuckles. You can't Brack's knuckle 1180 01:02:50,360 --> 01:02:54,120 Speaker 1: a celebrity boxing can. He's not small though, I mean 1181 01:02:54,240 --> 01:02:59,440 Speaker 1: he's Yeah. I probably lose, but still, can you, Rod Phillips, 1182 01:02:59,480 --> 01:03:02,600 Speaker 1: head of Eye Radio Country Division, all the stations, can 1183 01:03:02,640 --> 01:03:06,960 Speaker 1: you guarantee us next week a world premiere? Seven plays nationally? 1184 01:03:07,200 --> 01:03:10,240 Speaker 1: Every seven plays. That's what you gave. Now, now we're 1185 01:03:10,360 --> 01:03:14,080 Speaker 1: now why did you get Well, here's the point too, 1186 01:03:14,440 --> 01:03:17,000 Speaker 1: here's the point to nationally. There are cities where this 1187 01:03:17,160 --> 01:03:19,720 Speaker 1: show does not run. Doesn't matter, not many, but but 1188 01:03:19,960 --> 01:03:22,360 Speaker 1: we need on those stations. Well those stations though those 1189 01:03:22,440 --> 01:03:25,080 Speaker 1: listeners probably are not as familiar with Bobby Bones in 1190 01:03:25,080 --> 01:03:29,160 Speaker 1: the region. Sometimes we debut a new song on the verge. Heck, 1191 01:03:29,200 --> 01:03:31,280 Speaker 1: make us on the verge. Then that's right, Amy, great 1192 01:03:31,320 --> 01:03:33,480 Speaker 1: point too. They know John Party, that's true, great point. 1193 01:03:34,640 --> 01:03:38,080 Speaker 1: Yell over him one versus seven. Yeah, Yeah, you're doing 1194 01:03:38,080 --> 01:03:40,520 Speaker 1: a lot of stammering. And there's some litigation coming quickly. 1195 01:03:41,920 --> 01:03:45,960 Speaker 1: We love litigation. Yes, okay, so let's let's negotiate this out. 1196 01:03:46,000 --> 01:03:48,720 Speaker 1: Go ahead, Maybe not maybe not here, maybe not now. No, 1197 01:03:50,120 --> 01:03:52,320 Speaker 1: I think we need a plan for the cities that 1198 01:03:52,440 --> 01:03:55,240 Speaker 1: don't run the Bobby Bones show. That isn't that is 1199 01:03:55,320 --> 01:03:57,600 Speaker 1: a it's Bobby Bones. But the cities that don't run 1200 01:03:57,680 --> 01:04:00,280 Speaker 1: us at night many run at night. Yeah, we want 1201 01:04:00,360 --> 01:04:04,640 Speaker 1: seven plays nationally or we're taking this to the next level. Sue, Sue, Sue. 1202 01:04:06,520 --> 01:04:08,280 Speaker 1: I feel like we can work something out that's going 1203 01:04:08,320 --> 01:04:11,000 Speaker 1: to be come to us with a plan momicable for all. 1204 01:04:11,200 --> 01:04:13,000 Speaker 1: We'll call you Monday or Tuesday, and you let us 1205 01:04:13,000 --> 01:04:15,240 Speaker 1: know what you come out, Okay, yep, Monday Tuesday, and 1206 01:04:15,320 --> 01:04:17,360 Speaker 1: then we do it next week. Sure, but you will 1207 01:04:17,400 --> 01:04:20,520 Speaker 1: admit it's a little fishy. Well, it's interesting. I never 1208 01:04:20,600 --> 01:04:21,720 Speaker 1: heard a song like this in my life. Well A 1209 01:04:21,800 --> 01:04:24,480 Speaker 1: suddenly we write one and who you all wrote it 1210 01:04:24,600 --> 01:04:26,880 Speaker 1: or John wrote it? No, I wrote it with Jim Beavers. 1211 01:04:27,440 --> 01:04:29,800 Speaker 1: Whose idea was it? Jim and I we sign a 1212 01:04:29,880 --> 01:04:32,240 Speaker 1: room and wrote it, and then Jim wrote with Branley. 1213 01:04:34,120 --> 01:04:38,320 Speaker 1: But you know what, maybe Jim wants to Sue. I heard. 1214 01:04:38,680 --> 01:04:41,680 Speaker 1: I heard that that Hardy was at the same restaurant 1215 01:04:41,720 --> 01:04:44,160 Speaker 1: that Jim and Bobby were that night that they decided 1216 01:04:44,200 --> 01:04:46,320 Speaker 1: to write it. But I heard right, and then I 1217 01:04:46,440 --> 01:04:49,120 Speaker 1: wonder if John hung out with Brantley and gave him 1218 01:04:49,160 --> 01:04:51,040 Speaker 1: the idea played it on the show. Okay, let us 1219 01:04:51,080 --> 01:04:53,320 Speaker 1: know Monday or Tuesday. How do you feel about Eddie's 1220 01:04:53,320 --> 01:04:55,720 Speaker 1: heading off to after the show? Today's driving to West Virginia, 1221 01:04:55,760 --> 01:04:59,200 Speaker 1: walking too Tennessee. I can't wait, Gator Harrison, who who 1222 01:04:59,640 --> 01:05:01,919 Speaker 1: program a bunch of our radio stations? Why we're thinking 1223 01:05:01,920 --> 01:05:04,840 Speaker 1: about coming over for full support? Oh? Like signs and 1224 01:05:05,640 --> 01:05:09,400 Speaker 1: you know where to Tennessee? Where? Well, somewhere somewhere in between. 1225 01:05:09,480 --> 01:05:12,280 Speaker 1: You're somewhere in between West Virginia and Tennessee. Okay, depends 1226 01:05:12,280 --> 01:05:14,600 Speaker 1: where you're at. Do you like that bit? Right? I 1227 01:05:14,680 --> 01:05:16,960 Speaker 1: love the bit, but it starts on Father's Day. Otherwise 1228 01:05:16,960 --> 01:05:20,520 Speaker 1: i'd start. But Other's day is kind of a thing. Sorry, 1229 01:05:20,520 --> 01:05:23,400 Speaker 1: you're sorry, you're leaving your kids. Eddie sor right, he's 1230 01:05:23,400 --> 01:05:25,280 Speaker 1: been here. We're gonna do something. We're gonna get something 1231 01:05:25,280 --> 01:05:28,600 Speaker 1: out of this. You're guaranteeing that. I'm guaranteeing you get 1232 01:05:28,680 --> 01:05:30,720 Speaker 1: something out of it. I feel like you'll like it, Okay, 1233 01:05:30,800 --> 01:05:32,560 Speaker 1: I feel like here from a better hope we like 1234 01:05:32,640 --> 01:05:36,200 Speaker 1: it or else it's Sue Sue, Sue, Sue was gonna 1235 01:05:36,200 --> 01:05:37,680 Speaker 1: do some research over the weekend and find out what 1236 01:05:37,720 --> 01:05:42,120 Speaker 1: exactly we can win monetary damages. Oh, I know he'll know. Okay, 1237 01:05:42,160 --> 01:05:46,520 Speaker 1: we've been suffering. We're good. Ray heady to the chocolover 1238 01:05:46,600 --> 01:05:48,280 Speaker 1: cicada a few minutes ago. Would you like a chocolate 1239 01:05:48,280 --> 01:05:50,840 Speaker 1: cover cicada? I'm gonna pass. Okay, I'm going to pass 1240 01:05:50,920 --> 01:05:54,080 Speaker 1: right there. He is our boss, Rod Phillips, who also 1241 01:05:54,200 --> 01:05:56,840 Speaker 1: admits that it's a little fishy that song exists. Yeah, 1242 01:05:58,000 --> 01:06:00,240 Speaker 1: it's it's in. I didn't say it was fishy, said 1243 01:06:00,240 --> 01:06:02,760 Speaker 1: it's interesting. It is interesting. Okay, we'll end on this. 1244 01:06:02,840 --> 01:06:04,240 Speaker 1: We will play can't say that in a country song 1245 01:06:04,280 --> 01:06:06,600 Speaker 1: from Bobby Ows and Raging Idiots. It's only two minutes long. 1246 01:06:06,920 --> 01:06:10,640 Speaker 1: So is this one of the two PM or we're 1247 01:06:10,680 --> 01:06:11,960 Speaker 1: not on the air. We want to see it fly 1248 01:06:12,120 --> 01:06:14,400 Speaker 1: up the chart. Got it? And if we don't, we 1249 01:06:14,480 --> 01:06:18,720 Speaker 1: know we do su to be a great week. Here 1250 01:06:18,800 --> 01:06:24,440 Speaker 1: you go, Sorry to day. This story comes us from 1251 01:06:24,560 --> 01:06:27,840 Speaker 1: New York City. A twenty seven year old man was 1252 01:06:28,000 --> 01:06:30,560 Speaker 1: in a restaurant and he said, hey, excuse me, can 1253 01:06:30,600 --> 01:06:32,960 Speaker 1: I use your restroom? And the seventy seven year old 1254 01:06:33,000 --> 01:06:36,440 Speaker 1: cook said, sorry, sir, there are no public restrooms. The 1255 01:06:36,520 --> 01:06:39,000 Speaker 1: twenty seven year old got mad, grabbed the cook by 1256 01:06:39,040 --> 01:06:42,800 Speaker 1: the shirt and threw them out the front window. Wow, dang, 1257 01:06:43,600 --> 01:06:46,920 Speaker 1: healthy response, hoping they were on the ground level the restaurant. Yeah, 1258 01:06:47,000 --> 01:06:49,520 Speaker 1: ground level, not on one of those New York skyscrapers. 1259 01:06:49,520 --> 01:06:52,840 Speaker 1: They just throw them out. Also, I mean you got 1260 01:06:52,920 --> 01:06:54,840 Speaker 1: to grab him by the back of the collar, like 1261 01:06:55,000 --> 01:06:56,680 Speaker 1: that's that's a tough thing to do, throw someone out 1262 01:06:56,720 --> 01:06:59,560 Speaker 1: a window. Yeah, it's like a movie. So what happened 1263 01:06:59,560 --> 01:07:02,040 Speaker 1: to the guy? He got some scrapes and bruises, had 1264 01:07:02,040 --> 01:07:04,000 Speaker 1: to be taken to the hospital, and the twenty seven 1265 01:07:04,080 --> 01:07:07,160 Speaker 1: year old ran, but employees ran after him and tackled 1266 01:07:07,240 --> 01:07:08,960 Speaker 1: him and held down to police came. Should have thrown 1267 01:07:09,040 --> 01:07:11,120 Speaker 1: him out of window too, walked and just found a window. 1268 01:07:11,280 --> 01:07:12,720 Speaker 1: Oh yeah, buddy, you want to see what this is like? 1269 01:07:12,920 --> 01:07:15,160 Speaker 1: All right, I'm lunchboxed. That's your bone head story of 1270 01:07:15,200 --> 01:07:18,480 Speaker 1: the day. Thank you guys for listening. Hope you have 1271 01:07:18,520 --> 01:07:22,960 Speaker 1: a wonderful weekend. Amy on your agenda. Oh this weekend 1272 01:07:23,640 --> 01:07:26,120 Speaker 1: I've got I'll be celebrating you and Caitlin. We're having 1273 01:07:26,320 --> 01:07:29,960 Speaker 1: a wedding shower, couple's wedding shower. So that's pretty much 1274 01:07:30,120 --> 01:07:33,440 Speaker 1: like my big activity. What about you. Well, that and 1275 01:07:33,600 --> 01:07:35,560 Speaker 1: Caitlin's parents are in town for that, so we'll be 1276 01:07:35,600 --> 01:07:38,680 Speaker 1: doing a lot of entertaining there with them. Cool. I'm excited. 1277 01:07:38,800 --> 01:07:41,320 Speaker 1: I have never met them. Yeah, oh you haven't. No, 1278 01:07:41,520 --> 01:07:43,840 Speaker 1: not her parents, so they're actually a lot cooler than 1279 01:07:43,880 --> 01:07:45,440 Speaker 1: you would expect because of Caitlin. But I just have 1280 01:07:45,480 --> 01:07:48,520 Speaker 1: always heard stories about in law is not being cool, 1281 01:07:48,560 --> 01:07:50,720 Speaker 1: Like that's been every story and every TV show. It's 1282 01:07:50,720 --> 01:07:54,040 Speaker 1: like law sometimes you get lucky, and I think you 1283 01:07:54,120 --> 01:07:56,400 Speaker 1: got lucky. I keep waiting, like the TV system. I 1284 01:07:56,440 --> 01:07:59,640 Speaker 1: supposed to like them, but yeah, I know that. I 1285 01:08:00,040 --> 01:08:02,320 Speaker 1: actually been looking forward to them coming to town. So yeah, 1286 01:08:02,320 --> 01:08:05,040 Speaker 1: that'd be a big part of the weekend. Be sure 1287 01:08:05,080 --> 01:08:07,040 Speaker 1: to watch Sunday Night if you can. If you can, 1288 01:08:07,560 --> 01:08:09,640 Speaker 1: if you watch Breaking Bobby Bones on nat Geo at 1289 01:08:09,680 --> 01:08:13,480 Speaker 1: ten ninth Central, would love it, be so appreciative, and 1290 01:08:13,560 --> 01:08:14,760 Speaker 1: if you miss it, you can watch it on the 1291 01:08:14,840 --> 01:08:17,000 Speaker 1: nat Geo app where you can get it on Amazon. 1292 01:08:17,160 --> 01:08:19,240 Speaker 1: Get you an episode there. I'll be driving the eighteen 1293 01:08:19,280 --> 01:08:21,800 Speaker 1: wheeler through Chattanooga. I had to get my CDL for 1294 01:08:21,880 --> 01:08:24,680 Speaker 1: this episode and then another one. I'm learning how to 1295 01:08:24,720 --> 01:08:27,439 Speaker 1: stop a towboat and run a towboat, which is crazy. 1296 01:08:28,000 --> 01:08:29,840 Speaker 1: Thank you, see you Monday friends,