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Speaker 1: Hey, it's Danielle Fischl right or Strong and Wilfredell. But

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Speaker 1: you know us best as Tapanga.

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Speaker 2: Sean and Eric from Boy Meets World.

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Speaker 1: And now Pod Meets World, the podcast where we've been

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Speaker 1: sitting down weekly to rewatch the show we starred in

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Speaker 1: as kids, and we've been unpacking well a lot.

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Speaker 2: And we've been taking the show on the road with

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Speaker 2: the Kids Want to Jump Tour where every stop in

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Speaker 2: cities across the US has been totally different and pretty hilarious,

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Speaker 2: if I do say so myself.

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Speaker 3: But we know not everyone could join us. So we're

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Speaker 3: happy to announce that our recent thirtieth anniversary of the show,

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Speaker 3: Live from the met in Philadelphia, will now be available

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Speaker 3: to stream no matter where you live.

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Speaker 1: Our biggest show yet in the hometown of the Matthews,

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Speaker 1: featuring appearances by Trina, Angela McGee, Matthew Lawrence aka Jack Hunter,

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Speaker 1: Tony Mister Turner Quinn, and Danny Harley McNulty, who makes

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Speaker 1: a very special surprise visit.

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Speaker 2: It was so much fun and now you can experience

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Speaker 2: it from the comfort of your own home.

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Speaker 3: It will be available on December eleventh at five pm Pacific.

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Speaker 3: You can learn more about how you can watch at

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Speaker 3: Veeps Dot Events slash Pod meets.

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Speaker 1: World December eleventh, your birthday.

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Speaker 3: That's the boy.

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Speaker 1: Get all the info on streaming the live Pod meets

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Speaker 1: World show so you don't miss out. Go to Veeps

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Speaker 1: Veeps Dot Events, slash Pod meets World now. Today and

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Speaker 1: yesterday was picture day at preschool Nice and yesterday it

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Speaker 1: would have only been one day if you don't have

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Speaker 1: two kids at the school, But if you have two

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Speaker 1: kids at the school and you want them to take

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Speaker 1: sibling pictures, they do it on one day and then

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Speaker 1: they do individual pictures the next day. So yesterday was

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Speaker 1: sibling picture day. And we couldn't convince Keaton to take

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Speaker 1: off his whole costume.

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Speaker 3: Yes, and we were just like that, okay, like that's mine,

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Speaker 3: you know.

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Speaker 1: The school called and they were like, hey, ah, he

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Speaker 1: really wants to wear the costume. And I said, I

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Speaker 1: sent him in it. I knew he wouldn't let us

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Speaker 1: take him out of it before he left. I figured

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Speaker 1: it was not going to be an easy thing to do,

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Speaker 1: So I just put Adler in a Marvel sweatshirt that

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Speaker 1: has superheroes all over it, and their little sibling picture

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Speaker 1: is going to be Hulk and his older brother, and

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Speaker 1: it reminded me of picture Day at school. Do you

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Speaker 1: guys remember picture Day? And do you have your school

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Speaker 1: pictures where you go through that phase where your fake

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Speaker 1: smile is just awful and you are so weird looking, Like,

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Speaker 1: do you guys remember that, because I remember it very well. Yeah,

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Speaker 1: Oh my gosh, Will's going to get us something.

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Speaker 3: Of course, grade I just remember looking back, I clearly

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Speaker 3: did not have like in a great way. I didn't

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Speaker 3: have any self consciousness. So like every picture was me

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Speaker 3: just like just the goofiest, happiest little dweve like and

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Speaker 3: that lasted all the way up until like fourth grade.

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Speaker 3: Like I was just always like, eh, just smiling, you know,

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Speaker 3: if they're sitting there with a puppet or whatever, I

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Speaker 3: just go with it. So yeah, but then I, you know,

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Speaker 3: by fifth by fourth grade, I was out of my

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Speaker 3: fifth grade, I was out of public school. So I

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Speaker 3: stopped taking pictures after that. So cute.

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Speaker 1: I remember my having the pictures where you don't know

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Speaker 1: how to do a real fake smile. So you're just

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Speaker 1: like here's Will where oh my gosh, yes, here's you get.

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Speaker 3: A little Milliam for Dell with your look at that.

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Speaker 2: I got my bullet right there. That's eighth grade. So

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Speaker 2: that's nineteen.

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Speaker 1: What little cardigan are you wearing?

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Speaker 2: It was one of my awesome cardigans, one of my

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Speaker 2: many amazing cardigans. And then we talked about how I

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Speaker 2: did not like high school. So I literally when pictures

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Speaker 2: came up, I think I took like an old headshot

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Speaker 2: and say, and you know, everybody writes all this stuff underneath,

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Speaker 2: like this is the best time of my life, and

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Speaker 2: oh my god, I did all this stuff. And they've

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Speaker 2: got just lists of all the stuff that they loved

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Speaker 2: and the things that they were doing. And I put

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Speaker 2: an old high shot and wrote nothing.

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Speaker 1: Wow, you just look at you.

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Speaker 2: I was angry and there you go.

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Speaker 1: Let me out of here, wrong paragraph next to you.

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Speaker 1: This has been the most formative years of my life.

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Speaker 2: Not a word, nothing, And so to show you. So

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Speaker 2: that was Megan Friedman, who I went to school with. Obviously,

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Speaker 2: we were always next to each other every year in pictures.

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Speaker 2: And I uh still sleep in a T shirt that

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Speaker 2: I was given at her bot mitzvah. No way that

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Speaker 2: still says like Megan's Bob Mitzvah nineteen eighty whatever. I

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Speaker 2: still have it, of course, and I still sleep in

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Speaker 2: my T shirt. So there are my some of the

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Speaker 2: pictures that I have, so.

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Speaker 3: T shirt even lasts that long.

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Speaker 2: Oh I've got T shirts? Are you kidding? I've got

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Speaker 2: T shirts from literally when I was eight, nine, ten

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Speaker 2: years old. I still have I can't.

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Speaker 3: My favorite is my friend Rachel has. She broke her

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Speaker 3: nose right before picture day.

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Speaker 1: Oh my god.

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Speaker 3: So she just has two black eyes and she's still smiling.

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Speaker 3: It's the futest thing. She posted, like every year she

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Speaker 3: posted on Instagram. It's one of the funniest things in

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Speaker 3: the world.

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Speaker 2: Is now not just mool picture days, But did y'all

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Speaker 2: ever do like the family pictures?

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Speaker 3: I'm so glad you're in Mills. Oh yeah and Mill.

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Speaker 1: Yes, Well you've seen my just legendary photo with all

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Speaker 1: the hair that was the old Mills picture, the one

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Speaker 1: where I have just massive amounts sillion It's yeah, yeah, exactly. Well,

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Speaker 1: my mom and I did the photo shoot together, and

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Speaker 1: so it was like a photo for my dad, and

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Speaker 1: so my mom's like wearing an off the shoulder thing

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Speaker 1: and also me nine is wearing it off the shoulder

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Speaker 1: thing with like it's.

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Speaker 3: Just like just glimber, lamb sunshine.

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Speaker 1: Like he was going to put that, and he did.

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Speaker 1: He had it on his desk at work.

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Speaker 3: Like, look at my glo family. Oh my god, I

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Speaker 3: just want to know why everybody.

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Speaker 2: Every photo that I have with my family until like

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Speaker 2: we're adults, we're all glancing off.

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Speaker 3: Everyone off. The best is when there's another version of

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Speaker 3: your head like above you, like, yes, the glamour for

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Speaker 3: the next.

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Speaker 2: Pod meets World photo shoot? Can we do an Olen

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Speaker 2: Mills photo shoot somewhere? Well? I used to.

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Speaker 3: I used to love going doing like the old timey

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Speaker 3: photos or they let you. When I started that's like

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Speaker 3: eleven twelve. Every time I went to like a ren fare, Yeah,

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Speaker 3: any sort of state.

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Speaker 2: Fairs and want to also were fun, though.

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Speaker 1: I know I do love those photo shoots. My mom

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Speaker 1: also on family vacation, she would make a big deal

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Speaker 1: about we're gonna get a family photo here, We're gonna

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Speaker 1: get a family photo here. But it would be like

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Speaker 1: almost every night we'd try to take family pictures and

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Speaker 1: I would always complain about it, and she would say

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Speaker 1: to me, my whole life, she said to me, you're

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Speaker 1: gonna appreciate these someday, And here I am thirty years

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Speaker 1: later opening up my you know, my books, going, I'm

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Speaker 1: so happy I have this entire photo shoot with random

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Speaker 1: nineties hot guy and I mean it like I am.

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Speaker 1: I'm grateful that I have them.

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Speaker 3: And I just remembered I have an eighth grade dance

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Speaker 3: photo of me and Marine and I'm wearing my Foedora

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Speaker 3: that I used to always wear and with socks, and

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Speaker 3: I think I'm wearing tails, like a like a touxedo tails.

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Speaker 3: Would you let us? It's on Facebook? It's on Facebook.

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Speaker 3: I think she posted a somebody from it like Fats World. Right.

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Speaker 3: If I don't know, I'm not on Facebook. But if

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Speaker 3: someone's on Facebook and you see, I think it comes up,

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Speaker 3: so let's find it. I will post it.

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Speaker 2: Yeah, can we please? Because that's that's wonderful. Oh, I

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Speaker 2: love those photos. Susan grew up in a family of photographers,

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Speaker 2: so they're family there. There's picture everywhere where. My family

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Speaker 2: we did like Christmas photos and that was great. My

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Speaker 2: dad always thought the lens cap was on, even when

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Speaker 2: it wasn't. It was like not that you're it took

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Speaker 2: forever to take the photos. We'd have to wait on

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Speaker 2: the stairs. It was the worst I.

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Speaker 1: Have started the tradition of having a family photo shoot

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Speaker 1: and we've done it now for the last couple of

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Speaker 1: years around in fall, and we do like a fall

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Speaker 1: family photo shoot and then we use that photo as

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Speaker 1: like a Christmas card. But then also it is nice

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Speaker 1: to have like every year to see the kids. Yeah,

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Speaker 1: just a record like a you know, nice nice.

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Speaker 2: Always going to remember they were this tall.

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Speaker 1: It's always going to remember, always remember you was this tall. Well,

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Speaker 1: Welcome to Pod Meets World. I'm Daniel Fishl, I'm right

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Speaker 1: or Strong, and I'm will Fredell.

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Speaker 3: Gazing off into the.

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Speaker 1: Distance, gazing off. I'm also the mom of Hulk Mom.

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Speaker 2: Yes, Missus Banner, Oh, I love it.

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Speaker 3: I love it.

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Speaker 1: Missus Banner. Chicago, we are coming to you on November thirtieth,

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Speaker 1: and we couldn't be more excited.

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Speaker 3: That's right, the kids want to jump tour. We'll be

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Speaker 3: live from the Historic Chicago Theater on November thirtieth, and

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Speaker 3: we want you to join us.

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Speaker 2: We'll be telling new stories, meeting and greeting listeners, and

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Speaker 2: judging at costume contest, where the best outfit in the

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Speaker 2: Windy City gets an actual nineties boy meets World shooting

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Speaker 2: script from my personal collection, signed by the three.

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Speaker 1: Of us, and we will be joined by the Great

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Speaker 1: Tony Quinn aka mister.

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Speaker 2: Turner oh Man. I hope he does not drive a

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Speaker 2: motorcycle to the show.

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Speaker 3: Too soon, will too soon, So.

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Speaker 1: Go to Pondmeetsworldshow dot com right now to get tickets

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Speaker 1: to see the Kids Want to Jump Tour at the

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Speaker 1: Chicago Theater on November thirtieth.

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Speaker 3: We're gonna have a.

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Speaker 2: Ton of fun and we'd love to see you there.

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Speaker 1: So today we are recapping season three, episode nineteen, I

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Speaker 1: Was a Teenage Spy. It originally aired April twenty six,

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Speaker 1: ninety six. The synopsis a freak microwave accident sends Corey

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Speaker 1: back in time to nineteen fifty seven. As if that

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Speaker 1: weren't enough, Corey ends up mistaken for a Russian spy

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Speaker 1: because of the information he has about future technology. It

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Speaker 1: was directed by David Traynor. It was written by Jeff C.

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Speaker 3: Sherman. What did you guys think?

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Speaker 2: I'll go first? Go first, because I knew what it

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Speaker 2: was going in because it's just a romp and it's

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Speaker 2: supposed to be ridiculous. I thought it was fun.

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Speaker 3: I loved it. I thought I was absolutly loved it.

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Speaker 1: That was fun.

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Speaker 2: And do you, Danielle, were phenomenal in the same phenomenal sure.

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Speaker 3: Sure, but right we will talk about with the New

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Speaker 3: York accent. But otherwise you actually had character and like

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Speaker 3: you were asserting yourself in such a way that Chepanga hasn't.

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Speaker 3: And I am previously that you.

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Speaker 2: Were supposed to lose the accent because he got through

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Speaker 2: to who you really were and dropped the character because

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Speaker 2: you are showing him who you really are.

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Speaker 1: I thought that too. In the one scene where where

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Speaker 1: I go from like kind of being like snappy snappy

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Speaker 1: to them being like hey stop, I felt like that

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Speaker 1: was intentional. But then for the rest of the episode

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Speaker 1: it should have come back because she she does pop

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Speaker 1: back into anyway. I thought that part was terrible. But

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Speaker 1: I remember doing this episode. I remember thinking this was

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Speaker 1: all so fun, and I thought then while watching it,

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Speaker 1: of course there's some things that just like what is happening?

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Speaker 1: It is an insane episode, But I loved it.

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Speaker 3: Rider I did not love it, but you know, you

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Speaker 3: could have guess that. I don't, you know. The insanity

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Speaker 3: was just like the hits kept coming. I kept being like,

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Speaker 3: who is this person? Why is there a Happy Days reference?

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Speaker 3: Why is Pat Marina here? What is going on? None

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Speaker 3: of it added up to I don't know. None of

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Speaker 3: it made sense to me, and I don't understand the

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Speaker 3: organized like it would start with one organizing principle of like,

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Speaker 3: it's the nineteen fifties, and isn't it funny that the

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Speaker 3: nineteen fifties, you know, didn't understand things, And then it's

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Speaker 3: like but that then it'd because I don't I don't

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Speaker 3: know why we have wax on wax offt I don't

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Speaker 3: know why Alex is just playing the battles. But it's

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Speaker 3: meta with its a fantasy.

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Speaker 1: Maria specifically mentions it, it's your fantasy. Yeah, And so

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Speaker 1: you know, we have the trope of oh, it was

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Speaker 1: all a dream and that dreams are like that where

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Speaker 1: you're like, why what's pat.

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Speaker 3: Does happen? Yeahah, no, it was. It was not like

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Speaker 3: I don't know, there's like something about like it's it's

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Speaker 3: actually making me long for the days of us getting

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Speaker 3: stuck in the subway because there was something there. There's

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Speaker 3: like an organizing story principle that made the absurdity okay.

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Speaker 3: Whereas this was just like I don't like this. Just

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Speaker 3: felt so off the wall and referential in all these

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Speaker 3: different directions, and I was like, I, actually, you know,

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Speaker 3: if you take any individual thing, like the Tabanga storyline,

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Speaker 3: I thought Tony was hysterical.

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Speaker 1: It was great, Shaunz.

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Speaker 3: I like the outfit. I like the way I look.

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Speaker 3: I actually kind of fit in that nineteen fifties.

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Speaker 1: So we get there all the time.

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Speaker 3: But no, but my character doesn't pay off at all.

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Speaker 3: I don't know why we're in. None of it makes

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Speaker 3: sense to me, so, you know whatever.

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Speaker 1: But yeah, the Corey Kluck's like this, he walks from

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Speaker 1: one scene into another scene.

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Speaker 2: Cluck is it's a feverdream. It's a fever dream.

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Speaker 3: It's amazing.

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Speaker 2: I thought it was fun.

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Speaker 3: I absolutely loved it.

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Speaker 1: Okay, So we have guest starring Tom Bosley as Tom Bosley,

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Speaker 1: best known as the iconic TV dad Howard Cunningham on

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Speaker 1: Happy Days, a show that clearly influenced the writers of

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Speaker 1: Boy Meets World, Leather Jackets and all, And for this

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Speaker 1: episode we get three cameos to prove it. There's also

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Speaker 1: Anson Williams playing himself. He's the actor who played Patzi

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Speaker 1: on Happy Days, a legend of the small screen as well,

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Speaker 1: and then Pat Maurita as wise Man.

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Speaker 3: Now remember that. No, it was a complete reshoot. Yeah,

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Speaker 3: Pat Marita was added. We shot it a whole other week. Wow. Yeah.

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Speaker 3: The original storyline was just a beat poem sequence with Alex,

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Speaker 3: and I guess it didn't work for whatever reason. But

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Speaker 3: it was just him playing the bongos and he was

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Speaker 3: the wise Man that we went to talk to. But

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Speaker 3: then they rewrote it and brought in Pat Rita because

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Speaker 3: I guess we didn't have enough list stars or.

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Speaker 1: That's so funny you say that. Right before we got

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Speaker 1: to the wise Man scene, I said out loud to Jensen, Oh,

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Speaker 1: the wise Man is that? The wise Man is Alex

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Speaker 1: And Jensen looks at and Jensen looks at me and

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Speaker 1: he goes, no, No, We're about ready to get into

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Speaker 1: a whole new weird insanity thing. And then we see

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Speaker 1: Alex as Bongos playing the bongos, and I'm like, wait,

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Speaker 1: I know he was he is wise Man, and I

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Speaker 1: completely forgot that he remember in the original scene.

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Speaker 3: Yeah, we shot the whole scene with him and then

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Speaker 3: did reshoots like weeks later with Pat.

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Speaker 2: You think it's just because because I'll guarantee you it

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Speaker 2: wasn't that Alex was bad. You think it was just now.

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Speaker 3: It was Alex being bad, But maybe the scene was bad,

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Speaker 3: Like I remember, it was obviously like something was wrong

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Speaker 3: with it. They were like, oh, let's let's we need

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Speaker 3: to save this episode with more crazy.

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Speaker 1: Right with Pat Merita.

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Speaker 3: I don't know.

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Speaker 4: Wow.

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Speaker 1: So most of the world knows Pat Marita as the

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Speaker 1: unforgettable Mister Miyagi and the Karate Kid movies, but he

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Speaker 1: also played Mitsumo Arnold Takahashi for twenty six episodes in

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Speaker 1: season three of Happy Days. So there is a happy

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Speaker 1: Oh yeah, rappy days.

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Speaker 3: Yeah he ran he yeah, he ran the It does

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Speaker 3: make more sense. The diner, it was a Happy Days reference,

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Speaker 3: like the entire thing.

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Speaker 1: Yeah, it was.

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Speaker 3: Oh okay, that does make a lot more sense than

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Speaker 3: anything else.

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Speaker 1: You guys remember about the guest stars, Tom Bosley or

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Speaker 1: Anson Williams, anything I remember.

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Speaker 2: I think I would sat there and talk to especially

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Speaker 2: Anton Williams about Happy Days, but I don't remember enough

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Speaker 2: of it to like remember stories or anything. I love

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Speaker 2: the meta stuff that they're putting in where he doesn't

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Speaker 2: have like he has no last name or no no sir. Yeah,

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Speaker 2: because that's what Pazzi and Ralph.

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Speaker 1: He was well, and also a little bit like Sean. Yeah,

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Speaker 1: seems like Potzi could have been a little bit of

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Speaker 1: aspiration the Sean character.

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Speaker 2: Well, there's there's also a big correlation between Sean and

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Speaker 2: Phonsie for a number of reasons. Also, like Phonsie was

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Speaker 2: supposed to be a one off character. He wasn't supposed

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Speaker 2: to take over the show. He was originally called Masharelli.

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Speaker 2: I mean, it's like they changed his name, they gave

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Speaker 2: him a bigger part. He became a kind of the

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Speaker 2: same version of Sean, the same journey as Sean. So

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Speaker 2: there's a lot of correlation between our shows.

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Speaker 1: Also guest starring Christopher Darga as the Counterman. He's a

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Speaker 1: recognizable character actor from movies like The Hudsucker, Proxy, Bruce Almighty,

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Speaker 1: and Dude Whars My Car. I also recently had the

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Speaker 1: opportunity to direct him on a Disney Channel show called

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Speaker 1: Pretty Freaking Scary.

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Speaker 3: Yeah. No, of course, not absolutely not.

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Speaker 1: He may have I'm thinking now, like it's entirely possible.

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Speaker 1: He was like, yeah, I was on Boy Meets World,

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Speaker 1: and I was like, yeah, cool, because I never remember

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Speaker 1: anything but now when I see him again, I'm gonna

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Speaker 1: be like, hey, that's so crazy. And then Don sparks

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Speaker 1: as deputy. He has a ton of credits as well,

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Speaker 1: but I will focus on one as he is in

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Speaker 1: one of my favorite movies, PS, I Love you Nice.

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Speaker 1: So to start our recap, we are in Chubbies. Mister

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Speaker 1: Williams and mister Turner walk up to Corey and say

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Speaker 1: he's just the man they wanted to see. Turner asks,

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Speaker 1: how would you like to help a couple teachers handout flyers?

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Speaker 1: Corey tells him he wouldn't, and they respond by handing

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Speaker 1: him the flyers and saying thanks a lot. As they

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Speaker 1: bounce out of Chubby's. Corey tells Sean and Topanga, who

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Speaker 1: are eating nearby, that this year's spring dance is a

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Speaker 1: fifty sohop like anyone would want to go to this.

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Speaker 1: He looks at Tapanga and quickly asks her do you

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Speaker 1: want to go to this? To Panga, who has her

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Speaker 1: hair her bangs combed back, did you guys realize that

360
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Speaker 1: it's the first time I don't have Yeah, I don't

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Speaker 1: have my little bangs and they're like combed back into

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Speaker 1: my hair.

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Speaker 3: So at this point we may have been right where

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Speaker 3: I have to put.

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Speaker 1: On right, but it is not like my hair is

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Speaker 1: flat to my head like it was in preparation for

367
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Speaker 1: a wig. But I do wonder if they wanted to

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Speaker 1: separate because the wig I wear has little bangs, and

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Speaker 1: so I wonder if they wanted to make it, if

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Speaker 1: they wanted to give it like a little differentiation where

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Speaker 1: I looked a.

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Speaker 2: Little different visual difference to wear it.

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Speaker 1: Yeah, but it's not. It's not my favorite hair look

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Speaker 1: for me. I was like, Oh, that's a little threw

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Speaker 1: me off.

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Speaker 3: I'm sorry.

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00:18:29,200 --> 00:18:31,439
Speaker 2: Is Corey back on wanting to date to Panga then?

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00:18:31,480 --> 00:18:34,320
Speaker 2: Because it seemed like they were both fine not and

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Speaker 2: now all of a sudden, it seems like they are

380
00:18:35,680 --> 00:18:37,520
Speaker 2: setting it up to where he's been asking her out

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Speaker 2: and why Yeah, I don't get it.

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00:18:39,160 --> 00:18:40,760
Speaker 3: Well, she even turns it back at him in the scene,

383
00:18:41,119 --> 00:18:43,040
Speaker 3: is like, you broke up with me? Up with me?

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Speaker 2: I didn't get any of that.

385
00:18:44,680 --> 00:18:46,840
Speaker 1: Yeah, And he says, just because we're not going out anymore,

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Speaker 1: you don't want to go out anymore?

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00:18:47,800 --> 00:18:48,400
Speaker 3: What's that about?

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00:18:48,480 --> 00:18:49,959
Speaker 1: And then she says, well, you're the one who made

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Speaker 1: the decision to just be friends. I don't think we

390
00:18:51,760 --> 00:18:56,600
Speaker 1: should complicate that. Well, how very mature. Yeah, Corey urges her,

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Speaker 1: it's a dance in socks. What's complicated about that? Tbanga

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Speaker 1: correctly responds Corey is the one who broke up with her,

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Speaker 1: don't you understand that? And Corey sinks back, of course,

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Speaker 1: I know exactly where we stand, and if you're not careful,

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Speaker 1: I'll break up with you again, and his signature.

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Speaker 3: Banger.

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00:19:10,760 --> 00:19:14,040
Speaker 2: Yeah, it's also my sweater and favorite sweater in a

398
00:19:14,080 --> 00:19:18,119
Speaker 2: different color. Oh, this is a different brown green version.

399
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Speaker 2: And I don't know why I didn't have this one.

400
00:19:19,960 --> 00:19:21,800
Speaker 1: Right, you should have had the This is like a dupe.

401
00:19:21,840 --> 00:19:25,160
Speaker 1: You should have had it. Yeah, So Tapega tells him,

402
00:19:25,160 --> 00:19:26,959
Speaker 1: you've got to stop living in the past, and she

403
00:19:27,000 --> 00:19:30,600
Speaker 1: walks away. Sean tells Corey she's right, and Corey doubles

404
00:19:30,600 --> 00:19:32,760
Speaker 1: down while looking at his soda. No, she's not, Sean,

405
00:19:33,080 --> 00:19:35,040
Speaker 1: are you going to finish that? And Sean tells him

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Speaker 1: it's yours, buddy. Corey takes the drink and says, of

407
00:19:37,359 --> 00:19:39,359
Speaker 1: course it is. Because you're my friend and I'm your friend.

408
00:19:39,400 --> 00:19:41,320
Speaker 1: That's the way it will always be, and there's nothing

409
00:19:41,359 --> 00:19:44,479
Speaker 1: complicated about that. Corey keeps staring at Sean's fries, so

410
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Speaker 1: he adds, you want my fries. Corey takes them and says,

411
00:19:47,560 --> 00:19:49,919
Speaker 1: only if you're not going to finish them. So in

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Speaker 1: case anybody who was watching the show wasn't didn't remember,

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Speaker 1: Corey and Sean are very good friends.

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Speaker 3: Yes, and for a romantic on off partner on off. Yes.

415
00:20:01,440 --> 00:20:03,360
Speaker 2: It also looks like you guys both broke or were

416
00:20:03,400 --> 00:20:05,680
Speaker 2: really close to breaking as you were as Danielle was

417
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Speaker 2: leaving the scene. Huh.

418
00:20:06,960 --> 00:20:07,479
Speaker 3: I agree.

419
00:20:07,920 --> 00:20:10,840
Speaker 1: Writer was smiling as I was walking off, and I

420
00:20:10,880 --> 00:20:12,760
Speaker 1: think I was breaking a little bit right as I

421
00:20:12,800 --> 00:20:14,760
Speaker 1: was leaving, So there was some sort of joke that

422
00:20:14,840 --> 00:20:17,320
Speaker 1: was either between writer and me or that something was

423
00:20:17,320 --> 00:20:20,359
Speaker 1: going on, but we both kind of broke into into that.

424
00:20:21,440 --> 00:20:24,159
Speaker 1: And there's another spot where I'm breaking over Rider's shoulder

425
00:20:24,200 --> 00:20:26,119
Speaker 1: that I'll bring up later too. And then we're in

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Speaker 1: the Matthew's kitchen. Eric can't get the microwave to work

427
00:20:28,920 --> 00:20:31,320
Speaker 1: and Amy explains, oh, I unplugged it. It's been making

428
00:20:31,359 --> 00:20:34,040
Speaker 1: this weird sound. Alan asks what kind of weird sound?

429
00:20:34,080 --> 00:20:36,080
Speaker 1: And on cue, Eric plugs it back in and the

430
00:20:36,119 --> 00:20:38,080
Speaker 1: power in the entire house goes on and off. And

431
00:20:38,119 --> 00:20:41,800
Speaker 1: we hear Corey screaming upstairs. A frantic Corey runs into

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Speaker 1: the kitchen, explaining his computer crashed. Eric passes the microwave

433
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Speaker 1: cord to Morgan and tells her to hold it. She

434
00:20:46,400 --> 00:20:48,720
Speaker 1: dryly says it was me. I did it.

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Speaker 2: That was a very funny, funny.

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Speaker 1: Ye, very well done, Cory says, my term paper on

437
00:20:53,640 --> 00:20:55,280
Speaker 1: the space race is gone. Now I got to come

438
00:20:55,359 --> 00:20:57,679
Speaker 1: up with ten pages on Sputnik and I've gotten nothing.

439
00:20:58,000 --> 00:21:00,960
Speaker 1: Alan tries to help. Sputnik was the first satellite launched

440
00:21:00,960 --> 00:21:02,960
Speaker 1: by the Russians nineteen fifty seven. People thought it was

441
00:21:03,000 --> 00:21:09,800
Speaker 1: a bomb. Amy wearing the exact same outfit from the

442
00:21:09,960 --> 00:21:13,359
Speaker 1: last episode when Eric dated Brenda Marsh.

443
00:21:13,200 --> 00:21:17,120
Speaker 2: Oh really, wow, I did notice that the same outfit.

444
00:21:17,200 --> 00:21:21,480
Speaker 1: It is the exact same the blue denim shirt tucked

445
00:21:21,520 --> 00:21:25,560
Speaker 1: into high waisted red pants and her little sleeves are

446
00:21:25,640 --> 00:21:27,800
Speaker 1: rolled up. It was and I noticed it in the

447
00:21:27,840 --> 00:21:29,960
Speaker 1: last episodes. I thought, that is a cute outfit. And

448
00:21:30,000 --> 00:21:32,000
Speaker 1: when we were talking about what does she do? I

449
00:21:32,080 --> 00:21:33,720
Speaker 1: was like looking at her outfit to see is this

450
00:21:33,920 --> 00:21:38,520
Speaker 1: gallerious outfit? Is this real? So I like specifically remembered

451
00:21:38,520 --> 00:21:42,680
Speaker 1: the clothes she's wearing the full same outfit two weeks

452
00:21:42,720 --> 00:21:43,160
Speaker 1: in a row.

453
00:21:43,359 --> 00:21:46,640
Speaker 2: Huh huh. Interesting, Maybe that is her uniform.

454
00:21:47,320 --> 00:21:48,960
Speaker 3: Yeah, I don't very odd.

455
00:21:48,960 --> 00:21:50,560
Speaker 1: I'm not sure what was going on earth or if

456
00:21:50,560 --> 00:21:53,119
Speaker 1: these were aired out of order, and maybe they just

457
00:21:53,119 --> 00:21:54,480
Speaker 1: thought we'll throw her in that same outfit. It was

458
00:21:54,480 --> 00:21:56,040
Speaker 1: really cute when she wore a few episodes ago and

459
00:21:56,119 --> 00:22:00,400
Speaker 1: not realizing they were gonna air back to back. So

460
00:22:00,480 --> 00:22:03,840
Speaker 1: Amy says, it was a famous day in history. It

461
00:22:03,880 --> 00:22:06,280
Speaker 1: created panic because everybody thought the Russians were putting up

462
00:22:06,280 --> 00:22:07,120
Speaker 1: a spy satellite.

463
00:22:07,240 --> 00:22:08,879
Speaker 3: Corey looks at them, puzzled. How do you know?

464
00:22:09,080 --> 00:22:11,320
Speaker 1: How do you know so much? You're a grocer, Amy

465
00:22:11,359 --> 00:22:14,160
Speaker 1: says in a Russian accent, we're really Russian spies, right,

466
00:22:14,240 --> 00:22:18,480
Speaker 1: Boris and Alan responds yes, Natasha. Phoene then bolts in,

467
00:22:18,560 --> 00:22:21,399
Speaker 1: saying he heard a scream. That's quite a scream. Foene

468
00:22:21,520 --> 00:22:22,840
Speaker 1: heard it from all the way in his house.

469
00:22:22,960 --> 00:22:24,359
Speaker 3: I know that Phoene's gonna come help.

470
00:22:24,760 --> 00:22:28,920
Speaker 2: I knows, yeah, coming in to save them.

471
00:22:31,560 --> 00:22:33,040
Speaker 3: I don't know if you guys notice gorgeous.

472
00:22:33,560 --> 00:22:36,080
Speaker 1: Yeah, Well, throughout the rest of the episode.

473
00:22:35,640 --> 00:22:38,840
Speaker 3: It's but this one like a nice dark see, this

474
00:22:38,880 --> 00:22:40,560
Speaker 3: is a good look for Bill. Yeah.

475
00:22:41,720 --> 00:22:44,000
Speaker 1: Uh so, Corey breaks the news mister Feoenie, don't expect

476
00:22:44,000 --> 00:22:46,159
Speaker 1: to get my paper on time, and Phoene responds, I

477
00:22:46,280 --> 00:22:46,639
Speaker 1: never do.

478
00:22:47,240 --> 00:22:49,880
Speaker 2: I'm about this paper very very quickly. I always say

479
00:22:49,920 --> 00:22:53,560
Speaker 2: very quickly. Is I don't remember much of writing papers

480
00:22:53,560 --> 00:22:56,480
Speaker 2: in high school? But isn't ten pages excessive?

481
00:22:56,960 --> 00:22:58,080
Speaker 1: Feels like it? Yeah?

482
00:22:58,200 --> 00:23:00,560
Speaker 2: For a high school paper, weren't they too? Maybe three

483
00:23:00,560 --> 00:23:02,080
Speaker 2: pages long? If you have to write a paper, you

484
00:23:02,119 --> 00:23:03,760
Speaker 2: have to write a ten page paper.

485
00:23:04,080 --> 00:23:07,159
Speaker 3: I mean I would get like up to ten pages.

486
00:23:07,160 --> 00:23:08,480
Speaker 3: I feel like that would take you would have like

487
00:23:08,560 --> 00:23:09,760
Speaker 3: all semester to write.

488
00:23:09,560 --> 00:23:10,440
Speaker 1: It, right right?

489
00:23:11,000 --> 00:23:12,640
Speaker 2: Yeah, this seemed it seemed excessive.

490
00:23:12,640 --> 00:23:16,240
Speaker 1: The ten ten pages feels feels like too much, mister Phoenie.

491
00:23:16,240 --> 00:23:17,280
Speaker 1: I think we should talk about it.

492
00:23:17,320 --> 00:23:17,920
Speaker 2: I agree.

493
00:23:18,240 --> 00:23:21,359
Speaker 1: Corey continues computer glitches, girlfriend glitches. You guys had it

494
00:23:21,440 --> 00:23:23,720
Speaker 1: so easy going to high school way back in the fifties.

495
00:23:23,960 --> 00:23:28,040
Speaker 1: Alan and Amy both quickly clarify late seventies. Phoene butts in,

496
00:23:28,119 --> 00:23:31,320
Speaker 1: I was there communist switch hunts, mass paranoia, people diving

497
00:23:31,400 --> 00:23:33,520
Speaker 1: under desks, the fear of the bomb was going to drop.

498
00:23:33,760 --> 00:23:36,760
Speaker 1: It wasn't quite the happy days. Ha ha foreshadowing for.

499
00:23:36,760 --> 00:23:41,080
Speaker 3: Shadowing for the episode show it wasn't.

500
00:23:40,960 --> 00:23:44,000
Speaker 1: Quite the happy days you would think. Corey assures him,

501
00:23:44,000 --> 00:23:45,560
Speaker 1: maybe you didn't have a good time, but I bet

502
00:23:45,560 --> 00:23:48,880
Speaker 1: I would. He plugs the microwave and gets fully electrocuted,

503
00:23:48,960 --> 00:23:51,240
Speaker 1: sending him back and forth between present day and the

504
00:23:51,280 --> 00:23:54,920
Speaker 1: fifties in what's not like not so much special effects

505
00:23:54,960 --> 00:23:56,400
Speaker 1: as much as like just quick.

506
00:23:58,040 --> 00:24:00,840
Speaker 2: I felt like that could have been and better.

507
00:24:00,680 --> 00:24:03,360
Speaker 3: Better, something they could have done.

508
00:24:03,840 --> 00:24:07,080
Speaker 2: Yes, even for ninety six on a sitcom, just him

509
00:24:07,440 --> 00:24:10,520
Speaker 2: shaking and then him shaking the other he's not even

510
00:24:10,600 --> 00:24:13,080
Speaker 2: standing the same way. It's like, I feel like there

511
00:24:13,119 --> 00:24:15,080
Speaker 2: could have been some kind of it doesn't have to

512
00:24:15,119 --> 00:24:17,480
Speaker 2: be a special effect, but maybe some effect could have.

513
00:24:18,359 --> 00:24:19,760
Speaker 2: It was strange.

514
00:24:20,520 --> 00:24:24,639
Speaker 1: And then finally we enter our first ever Boy meets

515
00:24:24,680 --> 00:24:28,920
Speaker 1: World time travel episode and Corey is in slims, which

516
00:24:28,960 --> 00:24:29,280
Speaker 1: was nice.

517
00:24:29,600 --> 00:24:31,479
Speaker 3: These did we do? We did this one, we did

518
00:24:31,520 --> 00:24:34,680
Speaker 3: the nineteen forties world or is World War two to one?

519
00:24:34,920 --> 00:24:36,840
Speaker 2: And then yeah, so we go to the future twice.

520
00:24:36,880 --> 00:24:38,520
Speaker 2: There's the one where Eric has the comb over and

521
00:24:38,560 --> 00:24:41,359
Speaker 2: then the place with squirrels one right, So that's I

522
00:24:41,359 --> 00:24:42,680
Speaker 2: think the only times we go there.

523
00:24:44,080 --> 00:24:46,240
Speaker 1: I loved it. I don't know how I'm gonna feel

524
00:24:46,240 --> 00:24:47,600
Speaker 1: about all of them, but man, I really thought this

525
00:24:47,600 --> 00:24:48,280
Speaker 1: one was super fun.

526
00:24:48,320 --> 00:24:49,399
Speaker 2: So then we're in Slims.

527
00:24:49,800 --> 00:24:53,040
Speaker 3: I yeah to me, I remember not liking it at

528
00:24:53,080 --> 00:24:55,520
Speaker 3: the time, and I can tell that I'm not having

529
00:24:55,600 --> 00:24:57,600
Speaker 3: any fun, and I think it's just I don't know

530
00:24:57,640 --> 00:25:00,399
Speaker 3: what's happening. I'm like, why are we doing this? And

531
00:25:00,440 --> 00:25:01,920
Speaker 3: I still kind of feel that way. I'm still looking

532
00:25:01,960 --> 00:25:04,080
Speaker 3: at it, Quen writer, what are you doing here?

533
00:25:04,200 --> 00:25:07,159
Speaker 1: I probably really loved it because I did get to

534
00:25:07,200 --> 00:25:10,040
Speaker 1: do something so out of the norm, and I was

535
00:25:10,119 --> 00:25:13,880
Speaker 1: finally like a real part of the episode. So Cory

536
00:25:13,960 --> 00:25:15,960
Speaker 1: is holding the plug to a jukebox now and the

537
00:25:16,040 --> 00:25:20,040
Speaker 1: music abruptly stops. To Panga, now fully in nineteen fifties,

538
00:25:20,080 --> 00:25:23,440
Speaker 1: get up and apparently from New York or New Jersey.

539
00:25:23,720 --> 00:25:26,200
Speaker 2: All from New York, everybody's all of a sudden.

540
00:25:26,480 --> 00:25:29,399
Speaker 3: She yells at him, Hey you read Jet red Jet. Although,

541
00:25:29,520 --> 00:25:32,800
Speaker 3: oh my god, I've been watching Grace over and over

542
00:25:32,800 --> 00:25:33,520
Speaker 3: and over again.

543
00:25:34,200 --> 00:25:36,720
Speaker 1: She says, hey, Howdy Dooty would dance in here? Why'd

544
00:25:36,760 --> 00:25:39,000
Speaker 1: you pull the plug? Corey tells her sorry, and he

545
00:25:39,040 --> 00:25:41,360
Speaker 1: plugs it back in to Panga goes back to doing

546
00:25:41,400 --> 00:25:43,440
Speaker 1: the twist, and Cory says, wait a minute, to Panga,

547
00:25:43,560 --> 00:25:45,159
Speaker 1: is this the so cop? Did you decide to come

548
00:25:45,200 --> 00:25:49,280
Speaker 1: with me? I was having an absolute blast being able

549
00:25:49,359 --> 00:25:51,560
Speaker 1: to do an accent and getting to wear this outfit.

550
00:25:51,680 --> 00:25:54,320
Speaker 1: And I've I've talked about this before. I will scream

551
00:25:54,400 --> 00:25:57,680
Speaker 1: it from the rooftops. But those shoes I'm wearing were

552
00:25:57,840 --> 00:26:01,400
Speaker 1: loose seal Ball's shoes. Yeah, it's so cool, and they

553
00:26:01,440 --> 00:26:04,760
Speaker 1: were at least a half a size too small, and

554
00:26:05,040 --> 00:26:07,880
Speaker 1: my little toes were just jammed in there.

555
00:26:08,040 --> 00:26:09,480
Speaker 3: But I was like, give you a little bit of

556
00:26:09,520 --> 00:26:10,120
Speaker 3: extra energy.

557
00:26:10,320 --> 00:26:14,000
Speaker 1: I'm wearing a hurt. Wait a second, So you're fourteen,

558
00:26:15,359 --> 00:26:17,119
Speaker 1: fourteen or fifteen? Yeah, fourteen or.

559
00:26:17,160 --> 00:26:21,000
Speaker 2: Fifteen, and Lucille Ball has already has feet that are

560
00:26:21,359 --> 00:26:24,240
Speaker 2: like smaller than your Like you have pretty small feet.

561
00:26:24,080 --> 00:26:26,440
Speaker 1: For a girl, right, Actually, don't know how tight I

562
00:26:26,520 --> 00:26:28,920
Speaker 1: am for being five to one. I actually I'm a

563
00:26:28,960 --> 00:26:31,399
Speaker 1: six and a half, which isn't like a big foot

564
00:26:31,440 --> 00:26:34,040
Speaker 1: by any means, but for people who are my height,

565
00:26:34,160 --> 00:26:36,440
Speaker 1: some people have like four and a half or a five.

566
00:26:36,920 --> 00:26:38,320
Speaker 1: My mom is a five and a half and I'm

567
00:26:38,320 --> 00:26:39,760
Speaker 1: a six and a half, so I have had pretty

568
00:26:39,760 --> 00:26:41,520
Speaker 1: small feet. Sh had small feet. I think she was

569
00:26:41,520 --> 00:26:55,840
Speaker 1: probably a size six. Okay, interesting, So Topanga yells for

570
00:26:55,920 --> 00:26:59,320
Speaker 1: no reason, what are you cracked? I don't date guys,

571
00:26:59,359 --> 00:27:02,920
Speaker 1: I don't know. Corey's confused. The cashier yells bet to everyone. Hey, hey, hey,

572
00:27:03,000 --> 00:27:05,840
Speaker 1: you zoo full of weenies, shake a leg. Time to

573
00:27:05,880 --> 00:27:09,840
Speaker 1: get back to school. I'm assuming you zoo full of

574
00:27:09,920 --> 00:27:12,760
Speaker 1: wienies was common fifties vernacular.

575
00:27:12,400 --> 00:27:14,760
Speaker 2: Fifty one, that's what's stowing your fifties?

576
00:27:14,880 --> 00:27:18,480
Speaker 3: Are we here for breakfast dancing? We're away from school,

577
00:27:18,520 --> 00:27:19,600
Speaker 3: but we're gonna go back to school.

578
00:27:19,640 --> 00:27:19,760
Speaker 1: Now.

579
00:27:19,960 --> 00:27:22,320
Speaker 2: It's brunch. It's brunches, slims.

580
00:27:22,119 --> 00:27:25,159
Speaker 1: Right right, brunch of slims. Everybody blimbs. Everybody gets a

581
00:27:25,240 --> 00:27:27,360
Speaker 1: forty minute break. So as the kids start to leave,

582
00:27:27,440 --> 00:27:29,560
Speaker 1: Corey walks up to the cashier and asks, what year

583
00:27:29,680 --> 00:27:32,200
Speaker 1: is this. The man responds, it's nineteen fifty seven. What's

584
00:27:32,240 --> 00:27:35,240
Speaker 1: the matter, kid? You flip your wig. Corey's in disbelief

585
00:27:35,359 --> 00:27:39,520
Speaker 1: it happened. I'm here Great Caesar's Ghosts. I've gone back

586
00:27:39,560 --> 00:27:42,320
Speaker 1: in time and I had to look up Great Caesar's

587
00:27:42,320 --> 00:27:44,280
Speaker 1: ghost because I was like, what is this that we

588
00:27:44,400 --> 00:27:47,240
Speaker 1: are saying? And it is a reference to a forties

589
00:27:47,320 --> 00:27:52,560
Speaker 1: and fifties Superman radio show catchphrase for the character Perry White.

590
00:27:52,960 --> 00:27:54,600
Speaker 1: That is quite a deep cut.

591
00:27:56,280 --> 00:27:58,720
Speaker 3: Obviously, is that a fifties saying? I think that's a

592
00:27:58,760 --> 00:28:01,879
Speaker 3: fifties saying, And to give Corey a same from the

593
00:28:01,960 --> 00:28:03,200
Speaker 3: forties for no reason?

594
00:28:03,560 --> 00:28:06,600
Speaker 1: Yeah, no, I guess, well, because Corey in this fever

595
00:28:06,800 --> 00:28:10,120
Speaker 1: dream is obsessed with the fifties just because he thinks

596
00:28:10,240 --> 00:28:12,760
Speaker 1: he would have had a good time there. So then

597
00:28:12,840 --> 00:28:15,679
Speaker 1: we're in the school hallway and we see an establishing

598
00:28:15,760 --> 00:28:19,520
Speaker 1: shot of the same school we've seen an establishing shot.

599
00:28:21,080 --> 00:28:24,959
Speaker 3: Obviously dressed kids up in the fifties, and they shot out,

600
00:28:25,400 --> 00:28:26,280
Speaker 3: Y're just great.

601
00:28:27,000 --> 00:28:27,879
Speaker 2: Where is this school?

602
00:28:28,200 --> 00:28:30,959
Speaker 3: It's in Los Felis. It is in Los Felis, at

603
00:28:31,040 --> 00:28:33,240
Speaker 3: least the school that we normally show is in Los Felis.

604
00:28:33,320 --> 00:28:35,640
Speaker 3: But I don't know where this front lawn is at

605
00:28:35,720 --> 00:28:39,080
Speaker 3: that school. This might be a different school than when

606
00:28:39,360 --> 00:28:40,040
Speaker 3: are normal one.

607
00:28:40,240 --> 00:28:42,120
Speaker 2: And you don't think this is stock footage like they

608
00:28:42,160 --> 00:28:43,720
Speaker 2: have the fifties version. You think they went out and

609
00:28:43,800 --> 00:28:45,120
Speaker 2: actually shot I think.

610
00:28:45,000 --> 00:28:48,520
Speaker 3: The show maybe because the school that I passed the

611
00:28:48,520 --> 00:28:50,160
Speaker 3: school all the time. When I go into my to

612
00:28:50,280 --> 00:28:52,880
Speaker 3: my in laws, it's like it's in Los Felis.

613
00:28:53,360 --> 00:28:53,479
Speaker 2: Uh.

614
00:28:53,800 --> 00:28:55,640
Speaker 3: And actually had somebody point out to me once, like

615
00:28:55,800 --> 00:28:57,240
Speaker 3: I was at a coffee shop and they're like, you know,

616
00:28:57,360 --> 00:28:58,880
Speaker 3: you went to school right around here. I'm like, what

617
00:28:58,960 --> 00:28:59,680
Speaker 3: are you talking about.

618
00:29:00,080 --> 00:29:01,960
Speaker 1: That's so funny the exterior fear.

619
00:29:02,160 --> 00:29:04,720
Speaker 3: I was like, that's so funny. But yeah, I don't

620
00:29:04,720 --> 00:29:06,800
Speaker 3: think it has this lawn in front. So this might

621
00:29:06,840 --> 00:29:09,560
Speaker 3: be stock footage where they shot somewhere else for this. Wow.

622
00:29:09,760 --> 00:29:11,200
Speaker 1: We'll have to ask Kendall about whether or not it

623
00:29:11,240 --> 00:29:12,320
Speaker 1: was shot for just for this or if it was

624
00:29:12,320 --> 00:29:15,880
Speaker 1: stock footage. So Corey exclaims it really is the fifties.

625
00:29:15,960 --> 00:29:16,960
Speaker 1: This is hunky dory.

626
00:29:17,240 --> 00:29:18,640
Speaker 3: He sees Sean in a new.

627
00:29:18,720 --> 00:29:22,680
Speaker 1: Totally different leather jacket and says, hey, hey, hey, all right,

628
00:29:23,160 --> 00:29:27,120
Speaker 1: you're here too nineteen fifty. Sean doesn't even shake Corey's hand.

629
00:29:27,480 --> 00:29:30,560
Speaker 1: And now we notice he is a greaser's haircut. And

630
00:29:30,920 --> 00:29:36,080
Speaker 1: let me say, Hotty hot Hot, I should have Coddy

631
00:29:36,640 --> 00:29:37,120
Speaker 1: hot Hot.

632
00:29:37,280 --> 00:29:39,520
Speaker 3: I remember greasing my hair back in the in the

633
00:29:39,560 --> 00:29:41,840
Speaker 3: way in the hair room and being like we should

634
00:29:41,840 --> 00:29:43,520
Speaker 3: be doing this all the time. This looks this is

635
00:29:43,600 --> 00:29:47,240
Speaker 3: a good look for me with the wasted pants on

636
00:29:49,080 --> 00:29:49,840
Speaker 3: they looked great.

637
00:29:50,400 --> 00:29:53,200
Speaker 2: Should so this is what did it for you back

638
00:29:53,240 --> 00:29:53,560
Speaker 2: in the day.

639
00:29:53,600 --> 00:29:54,280
Speaker 3: There, I'm telling you.

640
00:29:54,600 --> 00:29:57,920
Speaker 1: If this is Rider ninety six, we already know that's

641
00:29:57,960 --> 00:29:58,920
Speaker 1: what my diary is from.

642
00:29:59,240 --> 00:29:59,960
Speaker 3: This is the time.

643
00:30:00,040 --> 00:30:03,520
Speaker 2: I'm peak Rider strong, crush strong, Hatty.

644
00:30:03,640 --> 00:30:08,960
Speaker 1: Mccotson's so Corey. He tells Cory, don't handle the merchandise

645
00:30:09,040 --> 00:30:11,760
Speaker 1: unless you intend on paying the price? And writer, do

646
00:30:11,840 --> 00:30:14,520
Speaker 1: you think you're doing any sort of like Danny McNulty impression?

647
00:30:14,800 --> 00:30:16,960
Speaker 3: Totally? That's what I kept thinking about. It is basically,

648
00:30:17,000 --> 00:30:18,640
Speaker 3: I'm just I've become him.

649
00:30:18,680 --> 00:30:21,760
Speaker 1: Right, You're just a person in an episode because.

650
00:30:21,560 --> 00:30:24,680
Speaker 3: He was the very much the nineteen fifties like New

651
00:30:24,800 --> 00:30:28,320
Speaker 3: York reserah bad boy, yeah yeah, And I'm just like,

652
00:30:28,520 --> 00:30:31,960
Speaker 3: it's the rhythm of every line is exactly Danny McNulty.

653
00:30:32,240 --> 00:30:34,800
Speaker 1: Every day, our writers are like, how can we get

654
00:30:35,040 --> 00:30:35,600
Speaker 1: some grease?

655
00:30:36,240 --> 00:30:37,000
Speaker 2: We need something?

656
00:30:37,120 --> 00:30:39,080
Speaker 1: How can we do it? In this episode New.

657
00:30:39,080 --> 00:30:42,480
Speaker 3: York Fifties gangster. I should have just called him baboom

658
00:30:42,560 --> 00:30:45,000
Speaker 3: the whole episode. I know you're right, I.

659
00:30:45,000 --> 00:30:47,760
Speaker 2: Think, but that's also going to the to the Fever dream,

660
00:30:48,640 --> 00:30:52,360
Speaker 2: Shawn Ze kind of becomes Harley. Everything gets twisted together.

661
00:30:52,480 --> 00:30:54,800
Speaker 2: I mean, sure, yeah, I buy it all right.

662
00:30:55,640 --> 00:30:57,800
Speaker 1: Corey laughs and tells Sean, come on, it's me, and

663
00:30:57,880 --> 00:31:00,240
Speaker 1: Sean responds, first of all, I don't know who me is,

664
00:31:00,360 --> 00:31:02,959
Speaker 1: and second of all, it ain't Shawn. It's Shawnsi, as

665
00:31:03,000 --> 00:31:05,480
Speaker 1: he pops the collar on his jacket, and that's our

666
00:31:05,840 --> 00:31:09,360
Speaker 1: first real happy Day's reference of the script. Corey tries

667
00:31:09,440 --> 00:31:11,920
Speaker 1: to tell him we're best friends. Shawnsi says, you see,

668
00:31:12,000 --> 00:31:14,640
Speaker 1: I don't have any friends. I'm a loner. Corey disagrees,

669
00:31:14,680 --> 00:31:16,840
Speaker 1: deep down, you really need a good buddy who's always

670
00:31:16,840 --> 00:31:18,640
Speaker 1: going to be there for you. It's what we always do.

671
00:31:19,080 --> 00:31:21,920
Speaker 1: Shawnzi reaches into his pocket. Okay, buddy boy, why don't

672
00:31:21,960 --> 00:31:24,840
Speaker 1: you hold this, and he hands Cory a ping pong racket.

673
00:31:25,360 --> 00:31:27,719
Speaker 1: Corey questions, Ping Pong, huh I love ping pong? Got

674
00:31:27,760 --> 00:31:30,600
Speaker 1: a ball right on cue. Mister Feenie, who looks about

675
00:31:30,760 --> 00:31:36,320
Speaker 1: four months younger than regular modern day Bill Daniels, comes

676
00:31:36,400 --> 00:31:39,160
Speaker 1: walking out with a dark mustache, and he's coming out

677
00:31:39,160 --> 00:31:41,160
Speaker 1: of the principal's office when a box full of ping

678
00:31:41,240 --> 00:31:44,720
Speaker 1: pong balls falls on him and Feenie yells out, Shonzi Hunterrelly,

679
00:31:45,080 --> 00:31:47,560
Speaker 1: I warned you that your next Shenanigan would be your last.

680
00:31:47,840 --> 00:31:49,640
Speaker 1: And Corey and er Jacks it wasn't him, it was me.

681
00:31:50,720 --> 00:31:52,840
Speaker 1: And it's here that I noticed there is a poster

682
00:31:53,040 --> 00:31:55,200
Speaker 1: in the hallways of a black and white little girl

683
00:31:55,240 --> 00:31:56,840
Speaker 1: photo that says, fight polio.

684
00:31:57,720 --> 00:32:00,760
Speaker 2: It's just all right. In the back on the wall,

685
00:32:01,440 --> 00:32:08,320
Speaker 2: a black potgraph, a blood driver, blood yep so.

686
00:32:08,480 --> 00:32:10,720
Speaker 1: Phoeney responds, Ah, a new student trying to make a

687
00:32:10,800 --> 00:32:13,840
Speaker 1: name for himself, and that name is and Shawnzi leans

688
00:32:13,840 --> 00:32:16,080
Speaker 1: into Corey. If he doesn't know, you be smart, make

689
00:32:16,160 --> 00:32:18,360
Speaker 1: one up, and I guess even though mister phoene is

690
00:32:18,480 --> 00:32:23,840
Speaker 1: four months younger, he is deaf because because that he

691
00:32:24,000 --> 00:32:28,320
Speaker 1: didn't hear sean say that, and Corey stumbles, my name

692
00:32:28,560 --> 00:32:33,080
Speaker 1: is Brad Pitzer. Phoene responds, well, mister Pitzer, if you

693
00:32:33,200 --> 00:32:35,560
Speaker 1: want to keep your nose clean around here, I suggest

694
00:32:35,640 --> 00:32:38,640
Speaker 1: that you steer clear of bad apples like this Johnny

695
00:32:38,720 --> 00:32:43,720
Speaker 1: rotten seed. And as Phoene leaves, oh yeah. As Phoene leaves,

696
00:32:43,760 --> 00:32:45,920
Speaker 1: Shaanzi says, Pitzer, you piped up for me when you

697
00:32:45,960 --> 00:32:47,760
Speaker 1: didn't have to. If I was the type to say

698
00:32:47,800 --> 00:32:50,240
Speaker 1: thank you, I would, And Corey says, you're welcome. But

699
00:32:50,280 --> 00:32:52,720
Speaker 1: Shaunzi cuts him off. But I'm not that type of guy,

700
00:32:52,960 --> 00:32:55,360
Speaker 1: and he walks off, and then we're in the school

701
00:32:55,400 --> 00:32:58,760
Speaker 1: hallway continued, Phoene is measuring Tapanga's hair with a ruler,

702
00:32:58,920 --> 00:33:01,200
Speaker 1: telling her young lady, her hair is far too high,

703
00:33:01,520 --> 00:33:03,880
Speaker 1: a clear violation of school policy and a hazard to

704
00:33:03,960 --> 00:33:07,520
Speaker 1: all low flying aircraft. Tapanga responds, if I see an

705
00:33:07,680 --> 00:33:15,320
Speaker 1: arrow plane, I'll duck all rightly, tells her. And pen

706
00:33:15,400 --> 00:33:17,200
Speaker 1: he tells her to spit out that gum. She spits

707
00:33:17,200 --> 00:33:19,520
Speaker 1: it into a nearby trash can and it clinks loudly

708
00:33:19,600 --> 00:33:21,640
Speaker 1: with an over the top sound effect. And I remember

709
00:33:21,720 --> 00:33:24,440
Speaker 1: thinking that was so fun that I got to one

710
00:33:24,520 --> 00:33:27,480
Speaker 1: spit gum, one chew gum, because I loved to chew gum.

711
00:33:27,800 --> 00:33:30,000
Speaker 1: So one I got to chew gum. Two I got

712
00:33:30,040 --> 00:33:33,160
Speaker 1: to spit that gum from my mouth far into a

713
00:33:33,240 --> 00:33:35,200
Speaker 1: trash can. And then that we were gonna do with

714
00:33:35,320 --> 00:33:37,120
Speaker 1: the sound, A little bit of a cheesy thing with

715
00:33:37,200 --> 00:33:38,600
Speaker 1: the sound, but I loved it.

716
00:33:39,040 --> 00:33:41,000
Speaker 2: Also. The thing that I love is every time you

717
00:33:41,080 --> 00:33:43,680
Speaker 2: spit it, it goes. It's one move, you go puting

718
00:33:43,920 --> 00:33:45,480
Speaker 2: and you turn around and put the other piece right

719
00:33:45,520 --> 00:33:48,200
Speaker 2: back in your eye exactly one move the whole thing.

720
00:33:48,600 --> 00:33:48,760
Speaker 2: I know.

721
00:33:48,880 --> 00:33:52,120
Speaker 1: I love it too. So Corey walks up to Tapanga.

722
00:33:52,200 --> 00:33:54,440
Speaker 1: There you are. She grabs his collar and throws him

723
00:33:54,440 --> 00:33:58,080
Speaker 1: against a locker and a little nod to the Corey's Alternative.

724
00:33:57,520 --> 00:33:59,080
Speaker 2: Friends episode doing it again.

725
00:33:59,440 --> 00:34:02,080
Speaker 1: She points her finger in his chest and tells him listen, Archie,

726
00:34:02,120 --> 00:34:05,240
Speaker 1: the name's t L. Corey clarifies as into pang Lawrence,

727
00:34:05,320 --> 00:34:08,000
Speaker 1: and she says no, as in tough luck for suckers

728
00:34:08,040 --> 00:34:11,360
Speaker 1: who don't know better, and then she walks away, smacking

729
00:34:11,480 --> 00:34:14,319
Speaker 1: him on the face as Corey announces I'm in love.

730
00:34:15,760 --> 00:34:18,480
Speaker 1: Then the bell rings and Turner emerges from his classroom

731
00:34:18,520 --> 00:34:21,240
Speaker 1: with his hair slicked back, glasses on, and a sweater

732
00:34:21,360 --> 00:34:23,240
Speaker 1: vest underneath his suit jacket.

733
00:34:24,800 --> 00:34:27,759
Speaker 3: So who is he doing? I don't know.

734
00:34:29,000 --> 00:34:32,080
Speaker 2: Character Kent, he laughed, the entire Park Kent.

735
00:34:32,360 --> 00:34:34,279
Speaker 1: Yeah, it seems like a little bit of a Clark Kent.

736
00:34:35,040 --> 00:34:37,399
Speaker 1: He looked a little Clark Kent, and Clark Kent had

737
00:34:37,400 --> 00:34:39,160
Speaker 1: that little bit of like a I'm really kind of

738
00:34:39,200 --> 00:34:41,120
Speaker 1: a buttoned up, a little bit of a nerdy guy.

739
00:34:41,320 --> 00:34:43,160
Speaker 2: Yeah, so that's what it.

740
00:34:43,560 --> 00:34:46,080
Speaker 3: It's funny that the like I like that, you know,

741
00:34:46,280 --> 00:34:48,799
Speaker 3: Eric is clearly established it's like the opposite of who

742
00:34:48,840 --> 00:34:51,120
Speaker 3: he really is. So is the idea that, like Turner

743
00:34:51,200 --> 00:34:53,560
Speaker 3: has become a nerd, or she.

744
00:34:53,600 --> 00:34:57,000
Speaker 1: Has comics, he's a little more Archie's comics as opposed

745
00:34:57,040 --> 00:35:00,799
Speaker 1: to like laid back motorcycle guy he's or you.

746
00:35:00,840 --> 00:35:03,160
Speaker 3: Know, you can tell Tony is having so much so

747
00:35:03,520 --> 00:35:04,520
Speaker 3: he just keeps.

748
00:35:04,320 --> 00:35:06,160
Speaker 2: Trying to make me laugh. This was a week where

749
00:35:06,200 --> 00:35:08,200
Speaker 2: he just keep kept trying to make me laugh because

750
00:35:08,280 --> 00:35:09,560
Speaker 2: one of the lines he says, coming.

751
00:35:09,480 --> 00:35:12,000
Speaker 1: Up here, I wonder if it's the same hold. I

752
00:35:12,040 --> 00:35:14,840
Speaker 1: wonder if it's the same one. I think I pulled it.

753
00:35:14,920 --> 00:35:16,600
Speaker 1: I pulled an audio clip because it's one of my

754
00:35:16,640 --> 00:35:19,240
Speaker 1: favorite things. I watched it like five times. So Turner

755
00:35:19,320 --> 00:35:21,040
Speaker 1: is yelling at students. All right, guys, I heard a

756
00:35:21,080 --> 00:35:22,400
Speaker 1: bell that means everyone into class.

757
00:35:22,480 --> 00:35:22,600
Speaker 2: Now.

758
00:35:22,760 --> 00:35:24,719
Speaker 1: None of the student's budge, so he pleads, oh, come on,

759
00:35:24,840 --> 00:35:26,560
Speaker 1: it's my first day. You're gonna make me look bad.

760
00:35:28,040 --> 00:35:30,520
Speaker 1: It's also kind of how Tony looks now like it

761
00:35:30,640 --> 00:35:34,160
Speaker 1: looks like modern day Tony's. So then we're in Turner's classroom.

762
00:35:34,239 --> 00:35:36,520
Speaker 1: All the students are yelling and throwing paper at one another.

763
00:35:36,680 --> 00:35:39,600
Speaker 1: None of them are paying attention to Turner, and he's yelling, Settle, settle,

764
00:35:39,880 --> 00:35:42,280
Speaker 1: what does it take to calm you kids down? Shawnsy

765
00:35:42,360 --> 00:35:45,280
Speaker 1: snaps his fingers and the class goes silent, taking their seats.

766
00:35:45,560 --> 00:35:48,800
Speaker 1: Shawnsy says, go on, teach, make your MoMA proud. Turner

767
00:35:48,880 --> 00:35:51,680
Speaker 1: starts his lesson today. Our topic for discussion what will

768
00:35:51,760 --> 00:35:54,600
Speaker 1: life be like in forty years? Who wants to go first?

769
00:35:54,640 --> 00:35:55,120
Speaker 3: Young lady?

770
00:35:55,200 --> 00:35:57,160
Speaker 1: Your hair is up? Which I thought was a very

771
00:35:57,239 --> 00:36:00,960
Speaker 1: funny line. Tl scoffs at him so and asks Shawnzy

772
00:36:01,040 --> 00:36:03,440
Speaker 1: the same question, and Shaunze tells him I don't know.

773
00:36:03,640 --> 00:36:06,360
Speaker 1: I don't know what I'm having for lunch. Corey eagerly

774
00:36:06,440 --> 00:36:08,640
Speaker 1: raises his hand and responds, forty years from now, I

775
00:36:08,719 --> 00:36:11,040
Speaker 1: can say with total confidence, a man will walk on

776
00:36:11,120 --> 00:36:13,640
Speaker 1: the moon, pizza will have cheese baked into the crust,

777
00:36:13,880 --> 00:36:16,200
Speaker 1: and men and women will be equal partners in the

778
00:36:16,280 --> 00:36:18,279
Speaker 1: workplace and in their relationships.

779
00:36:19,800 --> 00:36:21,400
Speaker 3: In nineteen ninety six, are we.

780
00:36:21,520 --> 00:36:25,279
Speaker 1: Going with the idea that women were equal partners in

781
00:36:25,400 --> 00:36:29,800
Speaker 1: the workplace and in relationships? Because I all know a

782
00:36:29,920 --> 00:36:33,600
Speaker 1: few very intelligent women who would like to have a word.

783
00:36:33,960 --> 00:36:36,360
Speaker 2: Yeah, I'm sure. So.

784
00:36:36,480 --> 00:36:39,000
Speaker 1: Then everyone looks at Corey like he's crazy, and Turner laughs,

785
00:36:39,080 --> 00:36:42,560
Speaker 1: what in imagination? Tell us more about that pizza. Corey

786
00:36:42,600 --> 00:36:43,200
Speaker 1: shakes his head.

787
00:36:43,280 --> 00:36:43,839
Speaker 3: That's all I got.

788
00:36:44,040 --> 00:36:46,080
Speaker 1: Turner responds, good enough, because right now it's time to

789
00:36:46,120 --> 00:36:48,800
Speaker 1: put on our helmets and practice our civil defense drills.

790
00:36:49,560 --> 00:36:53,640
Speaker 3: And then I noticed Dusty is in the audience.

791
00:36:54,360 --> 00:36:58,920
Speaker 1: There, Yes, yes, Dusty is there. And I love nineteen

792
00:36:59,080 --> 00:37:02,880
Speaker 1: fifties Dusty, maybe even more than I love nineteen nineties.

793
00:37:02,960 --> 00:37:05,839
Speaker 1: Dusty gets saying something, It was so great to see

794
00:37:05,920 --> 00:37:08,520
Speaker 1: him sitting there. It was amazing. So Turner puts his

795
00:37:08,600 --> 00:37:11,840
Speaker 1: helmet on and explains, explains, the atomic bomb falls. We

796
00:37:11,920 --> 00:37:12,920
Speaker 1: see a brilliant flash.

797
00:37:13,000 --> 00:37:13,520
Speaker 3: Now what do we do?

798
00:37:13,800 --> 00:37:16,160
Speaker 1: The class says in unison, we duck and cover, and

799
00:37:16,239 --> 00:37:19,440
Speaker 1: everyone jumps under their seats, well everyone except Corey. Turner

800
00:37:19,480 --> 00:37:21,720
Speaker 1: looks at him and says a line, I am completely

801
00:37:21,800 --> 00:37:22,239
Speaker 1: obsessed with.

802
00:37:22,480 --> 00:37:24,120
Speaker 2: Thank you. This is we said this forever.

803
00:37:24,760 --> 00:37:26,080
Speaker 1: You're dead, Brad, let's play it.

804
00:37:26,440 --> 00:37:31,480
Speaker 2: You're dead, Brad, you're dead. Bread, you're dead, Brad, you're dead.

805
00:37:31,520 --> 00:37:31,800
Speaker 3: Brad.

806
00:37:33,040 --> 00:37:37,240
Speaker 2: Wait one more time, Brad, you're dead. Brad, you're dead. Bread.

807
00:37:37,560 --> 00:37:39,520
Speaker 2: And he would do that to me, Bread all the time,

808
00:37:39,719 --> 00:37:43,360
Speaker 2: you're dead, Bred. And it was at one time, he said, Pitzer.

809
00:37:44,200 --> 00:37:47,200
Speaker 2: So the first take you went, you're dead Pitzer, and

810
00:37:47,320 --> 00:37:52,120
Speaker 2: it was like it was so Jim Carrey, Jim married,

811
00:37:52,440 --> 00:37:54,160
Speaker 2: and so we'd be on the golf course and somebody

812
00:37:54,200 --> 00:37:55,520
Speaker 2: would hit it. We'd hit a shot somewhere and you

813
00:37:55,560 --> 00:37:57,080
Speaker 2: just look at me and go, you're dead Pitzer.

814
00:37:57,600 --> 00:37:58,399
Speaker 3: It was you're dead.

815
00:37:58,480 --> 00:37:59,440
Speaker 1: Brad cracks me.

816
00:38:00,600 --> 00:38:01,720
Speaker 3: It's funny because I'm listening.

817
00:38:01,920 --> 00:38:04,040
Speaker 1: I'm listening to the clip, and there is something so

818
00:38:04,840 --> 00:38:07,719
Speaker 1: necessary about seeing his face because there is just a

819
00:38:07,840 --> 00:38:10,080
Speaker 1: way a thing he's doing slightly with his mouth too,

820
00:38:10,360 --> 00:38:15,360
Speaker 1: that is hilarious. You're dead bread, You're dead bread. So

821
00:38:15,600 --> 00:38:17,920
Speaker 1: Corey is amused, mister Turner, you're telling me that if

822
00:38:17,960 --> 00:38:19,800
Speaker 1: the atomic bomb falls, I'll be safe if I go

823
00:38:19,960 --> 00:38:22,560
Speaker 1: like this, flailing his arms above his head, and Turner explains, no, no,

824
00:38:22,680 --> 00:38:24,520
Speaker 1: you've got to drop to the ground, ducked under a desk,

825
00:38:24,600 --> 00:38:27,239
Speaker 1: curl up, cover your neck, and Corey finishes and kiss

826
00:38:27,320 --> 00:38:30,040
Speaker 1: your butt goodbye. And then Turner pops up and sternly

827
00:38:30,080 --> 00:38:33,919
Speaker 1: asks who said that? Who said? But Bay shawnsy lies

828
00:38:33,960 --> 00:38:36,279
Speaker 1: and says, I did, mister Turner, I said, but.

829
00:38:36,840 --> 00:38:40,719
Speaker 3: I mean he was talking to Corey, right, says the word.

830
00:38:40,800 --> 00:38:44,400
Speaker 3: But in response, I mean, why does he not know? Well,

831
00:38:44,760 --> 00:38:46,719
Speaker 3: because he did have his head under the desk.

832
00:38:47,080 --> 00:38:51,800
Speaker 1: So the entire for this moment, it's a really forced story.

833
00:38:53,120 --> 00:38:54,920
Speaker 3: Could have used a little bit of a rewrite there

834
00:38:54,960 --> 00:38:58,040
Speaker 3: on that couple. It maybe make a little.

835
00:38:57,840 --> 00:39:00,239
Speaker 1: Bit of like human said the same thing. When we

836
00:39:00,320 --> 00:39:02,760
Speaker 1: were watching, it was like, but he was talking to Corey.

837
00:39:02,960 --> 00:39:05,800
Speaker 1: Yeah he should have known it was Corey, But I

838
00:39:05,960 --> 00:39:09,200
Speaker 1: don't know. Guys, I disagree. I was like, well, his

839
00:39:09,280 --> 00:39:11,160
Speaker 1: head was down. He could very He's not gonna he

840
00:39:11,440 --> 00:39:14,239
Speaker 1: very easily could say I didn't see who said it.

841
00:39:14,440 --> 00:39:18,399
Speaker 1: I just heard a voice and dream who's gonna say it? Yeah,

842
00:39:18,480 --> 00:39:21,239
Speaker 1: well anyway, so, uh, this is a little bit of

843
00:39:21,280 --> 00:39:24,319
Speaker 1: a role reversal from the open. Turner tells Shawnzi, that's

844
00:39:24,360 --> 00:39:26,959
Speaker 1: it this time, you've gone too far hunter Elly. Corey

845
00:39:27,080 --> 00:39:30,440
Speaker 1: laughs for saying, but Shawnze assures Corey this one's on me.

846
00:39:30,640 --> 00:39:32,920
Speaker 1: Corey asks how come, and he says, it's what we've

847
00:39:32,960 --> 00:39:35,480
Speaker 1: always done. Turner grabs Shawnzy by the ear and he

848
00:39:35,640 --> 00:39:36,680
Speaker 1: drags him out of class.

849
00:39:37,239 --> 00:39:39,279
Speaker 3: Oh I like that.

850
00:39:39,400 --> 00:39:42,440
Speaker 1: I was like, let's do the air thing. Yeah, this

851
00:39:42,560 --> 00:39:45,160
Speaker 1: happens all the time, and then we're in the school hallway.

852
00:39:45,239 --> 00:39:47,440
Speaker 1: We see a picture of the current president, Dwight D.

853
00:39:47,600 --> 00:39:50,120
Speaker 1: Eisenhower in the school hallway as Corey is making a call.

854
00:39:50,480 --> 00:39:53,799
Speaker 1: He's asking for Dean Witter. He calls up a stock brokerage,

855
00:39:54,040 --> 00:39:58,279
Speaker 1: Dean Witter Reynolds, and the Dean Witter picks up. He commands, Yes,

856
00:39:58,320 --> 00:40:00,480
Speaker 1: I'd like to buy some Xerox stock. Never heard of it?

857
00:40:00,600 --> 00:40:03,200
Speaker 1: Huh what about IBM selling it? A Nicolas Cheryl? Take

858
00:40:03,239 --> 00:40:06,360
Speaker 1: them all, tack them all, right, right? Then Eric appears

859
00:40:06,400 --> 00:40:09,120
Speaker 1: with mister Foenie, wearing a Letterman sweater and looking kind

860
00:40:09,200 --> 00:40:14,239
Speaker 1: of Mormon. Yeah, he announces in a new preppy gray

861
00:40:14,360 --> 00:40:19,880
Speaker 1: poupon eating Westport, Connecticut accent. Here's the thing. I've been

862
00:40:19,960 --> 00:40:22,719
Speaker 1: accepted to both Harvard and Yale. You're my mentor, what's

863
00:40:22,760 --> 00:40:25,120
Speaker 1: your advice? And Phoene tells him you'd be a fine

864
00:40:25,160 --> 00:40:28,600
Speaker 1: student at either institution, and Eric laughs, undoubtedly I would, but.

865
00:40:28,640 --> 00:40:29,560
Speaker 3: They've asked me to teach.

866
00:40:30,560 --> 00:40:40,520
Speaker 1: Phoene says, as you know, mister Matthews so great.

867
00:40:42,360 --> 00:40:42,799
Speaker 3: And my hair.

868
00:40:43,320 --> 00:40:44,680
Speaker 2: I think isn't that called a DA?

869
00:40:45,440 --> 00:40:45,840
Speaker 3: I don't know.

870
00:40:46,000 --> 00:40:47,760
Speaker 2: I think it's called the da, which is a ducks,

871
00:40:48,600 --> 00:40:50,440
Speaker 2: which is if you look at the back, it's it's

872
00:40:50,960 --> 00:40:53,200
Speaker 2: like all shaped into like a triangle in the back,

873
00:40:53,320 --> 00:40:55,080
Speaker 2: like a duck's booty.

874
00:40:56,640 --> 00:40:58,920
Speaker 3: By I think you mean who said that?

875
00:40:59,320 --> 00:40:59,759
Speaker 2: Who said that?

876
00:41:00,200 --> 00:41:02,640
Speaker 3: Nope, not us, not us looking right at us.

877
00:41:02,719 --> 00:41:05,600
Speaker 1: But Phoene says, as you know, mister Matthews, there are

878
00:41:05,640 --> 00:41:09,120
Speaker 1: no females at Harvard. Eric uncharacteristically explains, well, I wouldn't

879
00:41:09,120 --> 00:41:11,440
Speaker 1: want anything to distract me from my intellectual pursuits.

880
00:41:11,800 --> 00:41:12,400
Speaker 3: Harvard it is.

881
00:41:12,920 --> 00:41:16,280
Speaker 1: Phoene turns around to see a dumbfounded Corey Ah Young Pitzer,

882
00:41:16,400 --> 00:41:18,960
Speaker 1: enjoying your first day. Corey responds, yes, thank you, but

883
00:41:19,040 --> 00:41:21,880
Speaker 1: about Shonzie, And just then he's cut off by t

884
00:41:22,120 --> 00:41:24,960
Speaker 1: L yelling, why, mister Phoenie, why are you sending Shawnzi

885
00:41:25,000 --> 00:41:27,160
Speaker 1: off to a reform school? Hill Rotten? There, I tell you,

886
00:41:27,400 --> 00:41:30,840
Speaker 1: rot rot. Corey agrees, asking can't you give him another chance?

887
00:41:30,920 --> 00:41:33,800
Speaker 1: And Phoene says, no, mister HUNTERRELLI has run out of chances.

888
00:41:34,000 --> 00:41:37,320
Speaker 1: As for you, Missy, I suggest you mend your wayward

889
00:41:37,400 --> 00:41:40,120
Speaker 1: ways and spit out that gum and I spit into

890
00:41:40,120 --> 00:41:42,359
Speaker 1: the trash can and it makes another cartoonish clanking sound,

891
00:41:43,280 --> 00:41:45,040
Speaker 1: and it feels like too much when I watch it now,

892
00:41:45,160 --> 00:41:48,400
Speaker 1: but I loved it at the time. Corey sized, man,

893
00:41:48,480 --> 00:41:50,279
Speaker 1: things aren't as perfect around here as I thought they'd be.

894
00:41:50,560 --> 00:41:52,799
Speaker 1: TL responds, I say, we blow this dump and head

895
00:41:52,840 --> 00:41:55,319
Speaker 1: to Slims and grab a burger. Cory smiles. I got

896
00:41:55,360 --> 00:41:57,040
Speaker 1: a better idea. How about we go to the zoo

897
00:41:57,080 --> 00:41:57,880
Speaker 1: and see the giraffes.

898
00:41:58,120 --> 00:42:01,839
Speaker 2: Ah oh, let's getting to her now.

899
00:42:03,000 --> 00:42:07,080
Speaker 3: We haven't established this giraffe thing before. Nope, no, And

900
00:42:07,200 --> 00:42:10,160
Speaker 3: in fact, your favorite ice cream is chunky Monkey.

901
00:42:10,000 --> 00:42:12,440
Speaker 1: With chunky Monkey didn't exist because that's a Ben and

902
00:42:12,520 --> 00:42:16,799
Speaker 1: Jerry's flavor. So they found like a so but Corey

903
00:42:16,920 --> 00:42:17,279
Speaker 1: knows that.

904
00:42:18,520 --> 00:42:21,279
Speaker 2: Well, yeah, Ry knows that they hadn't been invented yet,

905
00:42:22,480 --> 00:42:29,440
Speaker 2: so he found his uh founder other kind right yeah? Uh.

906
00:42:29,719 --> 00:42:31,440
Speaker 1: TL wonders, and why would I want to do a

907
00:42:31,520 --> 00:42:33,960
Speaker 1: thing like that? Huh, Corey continues, And after the zoo,

908
00:42:34,000 --> 00:42:36,160
Speaker 1: we'll get some Rocky Road ice cream? She yiels at him.

909
00:42:36,160 --> 00:42:37,600
Speaker 1: Who do you think you are thinking? I like them

910
00:42:37,640 --> 00:42:39,719
Speaker 1: giraffes and Rocky Road ice cream out of nowhere like this?

911
00:42:39,920 --> 00:42:40,080
Speaker 3: Huh.

912
00:42:40,600 --> 00:42:42,800
Speaker 1: Corey explains to Panga, I know you better than anybody,

913
00:42:43,000 --> 00:42:46,439
Speaker 1: and she responds without an accent. I told you quit

914
00:42:46,480 --> 00:42:48,759
Speaker 1: calling me to Panga. Corey keeps smiling at her like

915
00:42:48,840 --> 00:42:51,759
Speaker 1: Norman Bates. She adds, and stop looking at me like that.

916
00:42:52,280 --> 00:42:57,480
Speaker 3: So disrespecting her requests and making her uncomfortable. That's the game, hot,

917
00:42:57,880 --> 00:43:00,399
Speaker 3: that's what she but by the end, that's that's cool. Games.

918
00:43:00,480 --> 00:43:06,920
Speaker 3: Let's work. Just stare at her creepily. Its f I mean,

919
00:43:07,560 --> 00:43:10,279
Speaker 3: she just couldn't get enough.

920
00:43:10,480 --> 00:43:12,439
Speaker 2: We'll get into that a little later because she gets

921
00:43:12,480 --> 00:43:14,600
Speaker 2: a little crazy at some point at it's like.

922
00:43:14,960 --> 00:43:20,120
Speaker 1: Steemies, little steamy action. He doesn't stop basically looking through

923
00:43:20,200 --> 00:43:22,720
Speaker 1: her nose, so she says, you're giving me the hev gebies,

924
00:43:23,160 --> 00:43:25,759
Speaker 1: and then we're in the school hallway continuing. Phoene then

925
00:43:26,040 --> 00:43:28,759
Speaker 1: runs in frantically and announces, I have dire news. The

926
00:43:28,880 --> 00:43:31,879
Speaker 1: Russian Russians have launched a satellite. All the students gasp.

927
00:43:32,120 --> 00:43:34,520
Speaker 1: Phoene continues, Our government thinks it's a spy satellite with

928
00:43:34,560 --> 00:43:37,120
Speaker 1: an atomic warhead. Turner then runs into the hallway with

929
00:43:37,200 --> 00:43:39,680
Speaker 1: his helmet on, yelling flash and everyone gets down on

930
00:43:39,719 --> 00:43:42,440
Speaker 1: the floor, and then Jensen yelled. At this moment, this

931
00:43:42,600 --> 00:43:44,000
Speaker 1: episode is unhinged.

932
00:43:46,520 --> 00:43:48,520
Speaker 3: It took this long to reach unhinged.

933
00:43:48,719 --> 00:43:48,879
Speaker 2: Yes.

934
00:43:49,040 --> 00:43:52,200
Speaker 3: At this point, he was like, what is when it

935
00:43:52,800 --> 00:43:54,920
Speaker 3: really goes over it? Because when the Russian spy thing

936
00:43:55,200 --> 00:43:56,640
Speaker 3: is when it cranks to the next lie it does.

937
00:43:57,320 --> 00:44:00,440
Speaker 3: It's just like Happy Days references and Hi School like

938
00:44:00,560 --> 00:44:01,359
Speaker 3: jokes on our show.

939
00:44:01,680 --> 00:44:03,840
Speaker 1: Right, Yeah, and then all of a sudden it becomes

940
00:44:04,040 --> 00:44:06,880
Speaker 1: a little crazier, but he was still in Corey realizes

941
00:44:07,000 --> 00:44:11,480
Speaker 1: Russian satellite nineteen fifty seven. He knows this, He explains, calmly, Hey, guys, relax,

942
00:44:11,560 --> 00:44:14,960
Speaker 1: it's only Sputnik. Turner looks up frantically, Sputnik. Yeah, my

943
00:44:15,040 --> 00:44:16,560
Speaker 1: parents told me about it. It's not a bomb, and

944
00:44:16,640 --> 00:44:18,520
Speaker 1: it's not for spying. The Russians are just doing some

945
00:44:18,640 --> 00:44:20,960
Speaker 1: space travel experiments and this arms race thing.

946
00:44:21,040 --> 00:44:21,360
Speaker 3: Trust me.

947
00:44:21,360 --> 00:44:23,400
Speaker 1: Where I'm from, no one even worries about it. And

948
00:44:23,520 --> 00:44:27,000
Speaker 1: Phoene asks Corey, and where would that be, mister Pitzer Moscow.

949
00:44:27,400 --> 00:44:30,520
Speaker 1: Turner yells, grab that boy, Bradley Pittzer's a spy. Eric

950
00:44:30,600 --> 00:44:32,760
Speaker 1: grabs Corey and Corey tries to tell him, Eric, please,

951
00:44:32,840 --> 00:44:35,760
Speaker 1: I'm your brother, Eric Ortward's comrade. You mean, it doesn't

952
00:44:35,760 --> 00:44:38,360
Speaker 1: take a Harvard genius and future captain of industry like

953
00:44:38,520 --> 00:44:41,840
Speaker 1: myself to realize you're a trader to these United States.

954
00:44:42,239 --> 00:44:44,719
Speaker 1: Thinking on his feet, Colory Yell's flash and everyone in

955
00:44:44,719 --> 00:44:47,040
Speaker 1: the hallway goes down and ducks recover and Corey runs

956
00:44:47,040 --> 00:44:50,960
Speaker 1: away while he has the chance. I love it.

957
00:44:51,680 --> 00:44:52,279
Speaker 3: I love it all.

958
00:44:52,440 --> 00:44:54,200
Speaker 2: I want to when we get into the next scene.

959
00:44:54,200 --> 00:44:56,759
Speaker 2: I want to talk about the family dynamic because I

960
00:44:56,920 --> 00:44:59,080
Speaker 2: don't understand it.

961
00:44:59,640 --> 00:45:00,440
Speaker 1: I will.

962
00:45:00,440 --> 00:45:01,200
Speaker 3: It's a fever dream, of.

963
00:45:01,239 --> 00:45:02,200
Speaker 1: Course, that.

964
00:45:03,800 --> 00:45:06,719
Speaker 3: Literally, no, No, it's a fever dream. But the chickenhead

965
00:45:06,760 --> 00:45:07,200
Speaker 3: makes sense.

966
00:45:07,280 --> 00:45:11,279
Speaker 2: So how how who's.

967
00:45:12,560 --> 00:45:16,280
Speaker 1: Yes, that's my question. I don't understand the relations.

968
00:45:15,760 --> 00:45:19,360
Speaker 2: Yes, who's supposed to be related? Right? But Eric and

969
00:45:19,480 --> 00:45:21,319
Speaker 2: Corey are brothers in this one?

970
00:45:22,280 --> 00:45:23,000
Speaker 3: Well are they?

971
00:45:23,239 --> 00:45:28,640
Speaker 1: But Eric seemed to know that, right, but Morgan Morgan

972
00:45:28,760 --> 00:45:31,960
Speaker 1: does sister Morgan buys it that that's she's like my

973
00:45:32,040 --> 00:45:34,960
Speaker 1: brother your hey, mom said, she says. But then but

974
00:45:35,160 --> 00:45:40,520
Speaker 1: Tom Allen says he's not. He says, we have a visitor, right, Well,

975
00:45:40,600 --> 00:45:42,600
Speaker 1: he's definitely not his dad. He takes the dimeback, you're

976
00:45:42,600 --> 00:45:44,120
Speaker 1: not My dad didn't give me the dimeback? And then

977
00:45:44,160 --> 00:45:45,480
Speaker 1: Alan and Amy are his parents?

978
00:45:46,200 --> 00:45:46,560
Speaker 3: Are they?

979
00:45:48,320 --> 00:45:50,000
Speaker 1: I don't I don't understand that the rest.

980
00:45:49,840 --> 00:45:53,400
Speaker 2: Of it makes perfect sense agree. I agree with you, Will.

981
00:45:53,800 --> 00:45:56,879
Speaker 3: Will I completely agree with you. I am right there

982
00:45:56,920 --> 00:45:57,120
Speaker 3: with you.

983
00:45:57,320 --> 00:46:02,200
Speaker 1: I I buy everything else and scene I was like, wait.

984
00:46:03,800 --> 00:46:05,359
Speaker 3: Is the dad? And then are they?

985
00:46:05,600 --> 00:46:09,120
Speaker 1: I did the exact same thing, but I I was

986
00:46:09,200 --> 00:46:12,360
Speaker 1: in so funny, so funny.

987
00:46:12,400 --> 00:46:16,720
Speaker 3: I'm so glad you guys. Incredulity is mine from moment.

988
00:46:16,880 --> 00:46:20,320
Speaker 3: Wont so right? So okay, I love that. This is

989
00:46:20,320 --> 00:46:25,920
Speaker 3: where you draw the question is question is happening? Oh

990
00:46:26,040 --> 00:46:39,120
Speaker 3: my god? So then we're back from the commercial. We're

991
00:46:39,120 --> 00:46:39,840
Speaker 3: in the school hallway.

992
00:46:39,960 --> 00:46:41,920
Speaker 1: Eric assures everyone, all right, that's why I couldn't have

993
00:46:41,920 --> 00:46:44,360
Speaker 1: gotten far, and as he confidently walks away, t L

994
00:46:44,440 --> 00:46:46,960
Speaker 1: says all clear. Shawnsey hits the locker behind him and

995
00:46:47,040 --> 00:46:49,320
Speaker 1: Corey is hiding inside. He lets shawn Zy know he

996
00:46:49,360 --> 00:46:51,920
Speaker 1: hit him right in the forehead, and Shawnzi responds, perfect

997
00:46:52,000 --> 00:46:54,600
Speaker 1: name perfect. T L reminds them we got a scram

998
00:46:54,640 --> 00:46:56,960
Speaker 1: before that bunch comes back. Cory says, yeah, but they'll

999
00:46:57,000 --> 00:46:59,000
Speaker 1: recognize me, and t L tells him not in this

1000
00:46:59,120 --> 00:47:02,440
Speaker 1: clever disguise, they won't. And she pulls out those glasses

1001
00:47:02,480 --> 00:47:04,680
Speaker 1: that have a big nose, fuzzy eyebrows, and a mustache

1002
00:47:04,760 --> 00:47:06,960
Speaker 1: attached to them like Groucho marks, and they all run

1003
00:47:06,960 --> 00:47:10,359
Speaker 1: away quickly into the Matthew's backyard slash side yard. They

1004
00:47:10,480 --> 00:47:13,319
Speaker 1: land in the familiar set and Shaunzi asks why Corey

1005
00:47:13,400 --> 00:47:16,080
Speaker 1: wanted to come here. He explains, whenever things get crazy,

1006
00:47:16,120 --> 00:47:18,200
Speaker 1: it's the one place I can count on. T L

1007
00:47:18,280 --> 00:47:21,200
Speaker 1: excitedly asks is this the secret headquarters for you and

1008
00:47:21,280 --> 00:47:23,920
Speaker 1: the rest of the Russian spies? And Corey clarifies I'm

1009
00:47:23,960 --> 00:47:27,200
Speaker 1: not a Russian spy. Shahn Ze stops him. Hey, whatever,

1010
00:47:27,520 --> 00:47:30,640
Speaker 1: friends don't need to explain nothing. Cory smiles and asks,

1011
00:47:30,760 --> 00:47:34,000
Speaker 1: I thought you didn't have friends, and Shaunzy smiles, I didn't.

1012
00:47:34,360 --> 00:47:34,800
Speaker 1: Now I do.

1013
00:47:35,239 --> 00:47:38,120
Speaker 3: So Shawn's willing to sell out shaun Zy. Shaunzie is

1014
00:47:38,200 --> 00:47:40,759
Speaker 3: selling out his nation for a friend for your.

1015
00:47:40,680 --> 00:47:44,000
Speaker 2: Friendship man, and it also is turning on to Panga

1016
00:47:44,200 --> 00:47:46,480
Speaker 2: every state. It's like, She's like, why is this where

1017
00:47:46,480 --> 00:47:47,520
Speaker 2: You're with the other Russian spy.

1018
00:47:47,640 --> 00:47:51,960
Speaker 3: It's like, wow, where where listen? Friendship? It doesn't matter.

1019
00:47:52,200 --> 00:47:55,239
Speaker 1: We have no loyalty to these United States. We only

1020
00:47:55,400 --> 00:47:56,680
Speaker 1: have loyalty to the sky.

1021
00:47:56,920 --> 00:48:00,440
Speaker 3: We just it just he took the fall for the

1022
00:48:00,760 --> 00:48:04,239
Speaker 3: ping pong thing, and I am d G L.

1023
00:48:09,360 --> 00:48:10,399
Speaker 1: T L dude.

1024
00:48:11,440 --> 00:48:15,520
Speaker 3: So she doesn't care. She's like, wow, wrapping your legs

1025
00:48:15,560 --> 00:48:15,960
Speaker 3: around him.

1026
00:48:18,600 --> 00:48:20,480
Speaker 2: I want to know if that was a that doesn't

1027
00:48:20,520 --> 00:48:23,040
Speaker 2: seem like a direction, that seemed like a Danielle thing.

1028
00:48:23,120 --> 00:48:23,920
Speaker 2: I gotta be honest with you.

1029
00:48:24,040 --> 00:48:26,360
Speaker 1: I don't know I did do that, did you?

1030
00:48:26,920 --> 00:48:27,120
Speaker 2: Yeah?

1031
00:48:27,480 --> 00:48:28,040
Speaker 3: I have a picture.

1032
00:48:28,040 --> 00:48:31,000
Speaker 1: I have a picture doing it in a polaroid. I

1033
00:48:31,040 --> 00:48:32,520
Speaker 1: don't know why that was like a thing I did.

1034
00:48:33,560 --> 00:48:34,280
Speaker 1: Here's the nineties.

1035
00:48:35,080 --> 00:48:37,600
Speaker 3: The kissing in this episode. It's probably the most.

1036
00:48:40,239 --> 00:48:42,080
Speaker 1: Well, we don't know. You just normally can't see me

1037
00:48:42,160 --> 00:48:44,920
Speaker 1: behind my horse hair. Maybe I've been doing that the

1038
00:48:44,960 --> 00:48:47,920
Speaker 1: whole time, but I have this wig on and you're

1039
00:48:47,960 --> 00:48:50,920
Speaker 1: doing all the work. Ben is just like he's just

1040
00:48:51,080 --> 00:48:52,319
Speaker 1: taking your kiss, and you're like.

1041
00:48:52,640 --> 00:49:03,359
Speaker 4: I'm like, oh my god, I want to l D shirt.

1042
00:49:08,680 --> 00:49:10,879
Speaker 1: Corey does this weird looking at t L thing again,

1043
00:49:10,960 --> 00:49:12,480
Speaker 1: and she snaps, I thought I told you not to

1044
00:49:12,520 --> 00:49:14,600
Speaker 1: look at me like that, and Corey tells her, sorry,

1045
00:49:14,680 --> 00:49:15,320
Speaker 1: I can't help it.

1046
00:49:15,760 --> 00:49:18,400
Speaker 3: You respect your boundaries. I'm just gonna stare at you

1047
00:49:18,480 --> 00:49:20,120
Speaker 3: creepily and it's gonna work. It's gonna win you. But

1048
00:49:20,160 --> 00:49:24,200
Speaker 3: I'm getting the vibe YOU'RDT. Yeah, if I annoy you

1049
00:49:24,360 --> 00:49:26,560
Speaker 3: and don't listen to you enough, just.

1050
00:49:26,600 --> 00:49:27,520
Speaker 2: Get a stare at you.

1051
00:49:28,160 --> 00:49:29,320
Speaker 3: That's what every woman wants.

1052
00:49:30,440 --> 00:49:32,719
Speaker 1: So they hear a dog barking and Eric's voice saying,

1053
00:49:32,760 --> 00:49:35,320
Speaker 1: come on, you can find one Russian spy your Harvard

1054
00:49:35,400 --> 00:49:38,640
Speaker 1: trained dogs, and Corey runs into the Matthew's kitchen, which

1055
00:49:38,680 --> 00:49:41,440
Speaker 1: is the same right now with fifties. Decore love this.

1056
00:49:41,800 --> 00:49:44,279
Speaker 3: Yeah, that's that's my favorite part. It's the redecoration and

1057
00:49:44,320 --> 00:49:49,160
Speaker 3: the production like this and Chubby's and the apartment. I

1058
00:49:49,360 --> 00:49:51,319
Speaker 3: love all of the like, but I wish he has

1059
00:49:51,320 --> 00:49:52,920
Speaker 3: a school, had a little bit more of it.

1060
00:49:54,040 --> 00:49:56,000
Speaker 2: Get it? But is it? I know? But he is it?

1061
00:49:56,920 --> 00:49:59,759
Speaker 2: He is the only thing throwing me about the whole God, yeah,

1062
00:50:00,600 --> 00:50:01,160
Speaker 2: his house.

1063
00:50:01,560 --> 00:50:02,600
Speaker 3: Why does he live there?

1064
00:50:05,560 --> 00:50:08,440
Speaker 2: And Eric because she's like dad, she's talking like their.

1065
00:50:08,360 --> 00:50:09,160
Speaker 3: Brother and sister.

1066
00:50:09,520 --> 00:50:10,279
Speaker 1: Is Eric there?

1067
00:50:10,880 --> 00:50:12,400
Speaker 2: Does he not know what's going on?

1068
00:50:13,239 --> 00:50:18,560
Speaker 3: You can't you can't question it. It's just fun. Jeez, God,

1069
00:50:18,680 --> 00:50:21,680
Speaker 3: you guys sticks in the mud. She's gonna go with it,

1070
00:50:23,680 --> 00:50:24,359
Speaker 3: Oh my god.

1071
00:50:27,280 --> 00:50:27,480
Speaker 2: Yeah.

1072
00:50:27,760 --> 00:50:30,560
Speaker 1: So Cory opens the door, he lets himself in, yelling

1073
00:50:30,600 --> 00:50:34,040
Speaker 1: mom Dad. He sees treats on the table, homemade brownies. Okay,

1074
00:50:34,120 --> 00:50:36,600
Speaker 1: everything's gonna be all right. And this would all make

1075
00:50:36,719 --> 00:50:38,759
Speaker 1: more sense if it were the sixties and King and

1076
00:50:38,960 --> 00:50:40,360
Speaker 1: Lynn had made those brownies.

1077
00:50:43,320 --> 00:50:45,400
Speaker 3: I I was waiting for some kind of brownie reference.

1078
00:50:45,520 --> 00:50:47,239
Speaker 3: Was like, is just a reference to something from the

1079
00:50:47,320 --> 00:50:52,000
Speaker 3: fifties or is there some But no, he just brownies, just.

1080
00:50:52,480 --> 00:50:58,879
Speaker 1: Just a brownie. Morgan walks down the stairs, scolding him. Ah,

1081
00:50:59,160 --> 00:51:02,400
Speaker 1: Mom said no one can touch those brownies till after dinner.

1082
00:51:02,840 --> 00:51:06,800
Speaker 1: So she is his sister, mister right, And He's.

1083
00:51:06,640 --> 00:51:08,840
Speaker 3: Like, even though Eric doesn't recognize him.

1084
00:51:08,960 --> 00:51:11,400
Speaker 2: That's what So Eric is not part of the family,

1085
00:51:12,040 --> 00:51:16,360
Speaker 2: or is maybe Tom Bosley's kid, but is not Alan

1086
00:51:16,440 --> 00:51:17,760
Speaker 2: and Amy Russian.

1087
00:51:17,600 --> 00:51:28,520
Speaker 3: Kids, I know this part's rowing heart. Suddenly we need

1088
00:51:28,640 --> 00:51:31,759
Speaker 3: some logic. So he asks where's mom and dad?

1089
00:51:31,880 --> 00:51:36,920
Speaker 1: And Morgan responds Mom's out, but dad is upstairs. And

1090
00:51:37,120 --> 00:51:40,040
Speaker 1: then a man walks down the stairs saying, hey, kids,

1091
00:51:40,080 --> 00:51:41,000
Speaker 1: it's Tom Bosley.

1092
00:51:41,680 --> 00:51:46,480
Speaker 3: Every kid, it's like, who why does this matter? And

1093
00:51:46,600 --> 00:51:49,960
Speaker 3: their parents smile and not superior.

1094
00:51:52,640 --> 00:51:55,800
Speaker 1: He's the aforementioned dad from Happy Days. He says, Hi, kitten,

1095
00:51:56,280 --> 00:52:03,800
Speaker 1: Hi son, Okay son there Allowance Corey, puzzled says, but

1096
00:52:03,920 --> 00:52:06,880
Speaker 1: I'm not your son, and then the boss jokes, well,

1097
00:52:06,960 --> 00:52:09,400
Speaker 1: then give me back my dime. There's a knock at

1098
00:52:09,440 --> 00:52:10,919
Speaker 1: the door and Corey hopes it's his dad.

1099
00:52:11,200 --> 00:52:11,440
Speaker 3: It's not.

1100
00:52:11,600 --> 00:52:13,560
Speaker 1: It's Anson Williams. Cory says, wait a minute.

1101
00:52:13,560 --> 00:52:14,520
Speaker 3: He was Anton Williams.

1102
00:52:14,520 --> 00:52:15,400
Speaker 1: He was also on Potzy.

1103
00:52:16,560 --> 00:52:19,120
Speaker 3: What is Potsy? Who's Potzy? So that's a person's niche.

1104
00:52:19,600 --> 00:52:24,080
Speaker 2: Yeah, yeah, rich Richie had two friends, Potzy and Ralph Mouth.

1105
00:52:24,480 --> 00:52:29,719
Speaker 3: Who's Richie? Richie cunning Start was the cory of who is?

1106
00:52:30,120 --> 00:52:32,160
Speaker 3: But I thought Richie Cunningham was who was afraid that

1107
00:52:32,239 --> 00:52:34,640
Speaker 3: your dad was? Your dad was afraid that you were

1108
00:52:34,680 --> 00:52:35,759
Speaker 3: going to be Richie Cunningham.

1109
00:52:35,920 --> 00:52:39,879
Speaker 2: No, I was going to be Chucky Cunningham. The first

1110
00:52:39,960 --> 00:52:42,680
Speaker 2: couple episodes they had a brother who then went upstairs

1111
00:52:42,719 --> 00:52:44,880
Speaker 2: with his basketball and you never saw him again. That

1112
00:52:45,000 --> 00:52:45,880
Speaker 2: was Chucky Cunningham.

1113
00:52:45,960 --> 00:52:47,200
Speaker 3: Yeah, okay, okay.

1114
00:52:47,360 --> 00:52:50,160
Speaker 2: Ron Howard was Richie cunning and so Potzy was his

1115
00:52:50,239 --> 00:52:52,879
Speaker 2: best friend. Potzy and Ralph Mouth for his two best friends.

1116
00:52:52,920 --> 00:52:56,040
Speaker 2: And then there was obviously there was Fonzie. Yeah.

1117
00:52:57,520 --> 00:53:00,239
Speaker 3: So this is the equivalent to Sean walking in to

1118
00:53:00,360 --> 00:53:01,960
Speaker 3: a different show, to a different show.

1119
00:53:02,200 --> 00:53:05,319
Speaker 1: Right, Corey says, wait a minute, you're and the man

1120
00:53:05,360 --> 00:53:08,040
Speaker 1: cuts him off. No, it's Anson Williams. Like I said,

1121
00:53:08,160 --> 00:53:10,640
Speaker 1: I was Anson Williams, not who you think I was.

1122
00:53:10,840 --> 00:53:14,000
Speaker 1: Let's just drop it all right, Wait what Yeah, I'm

1123
00:53:14,000 --> 00:53:21,319
Speaker 1: a little he wanted just about him. I think it's

1124
00:53:21,360 --> 00:53:25,759
Speaker 1: actually a copyright issue because we I feel like we're

1125
00:53:25,760 --> 00:53:27,520
Speaker 1: not allowed to use their character names.

1126
00:53:27,800 --> 00:53:30,839
Speaker 2: Because well, he says later cool it on the AZZI Pay.

1127
00:53:31,520 --> 00:53:33,239
Speaker 1: Right, he says cool it on the Otzi Pay And

1128
00:53:33,520 --> 00:53:38,040
Speaker 1: they call him mister B instead of mister C from

1129
00:53:38,080 --> 00:53:38,760
Speaker 1: Happy Days.

1130
00:53:38,680 --> 00:53:42,280
Speaker 2: Cause he's Tom Bosley. They're playing themselves, right, They're playing themselves.

1131
00:53:42,480 --> 00:53:44,400
Speaker 1: So I didn't know if this was like an inside

1132
00:53:44,480 --> 00:53:47,120
Speaker 1: joke that Anson Williams didn't like to be recognized and

1133
00:53:47,239 --> 00:53:48,320
Speaker 1: called Pozzi.

1134
00:53:48,320 --> 00:53:52,319
Speaker 3: Or if it was a copyright I'm going like these

1135
00:53:52,360 --> 00:53:55,120
Speaker 3: people are I mean just like are they going to sing?

1136
00:53:55,520 --> 00:53:57,560
Speaker 3: Are these the monkeys? Are they? What is happening?

1137
00:53:57,960 --> 00:54:01,080
Speaker 1: But like these jokes, do you think think the general

1138
00:54:01,200 --> 00:54:04,880
Speaker 1: population watching this as they call him in prison the

1139
00:54:04,960 --> 00:54:07,040
Speaker 1: gen pop? Do you think the gen pop is getting

1140
00:54:07,200 --> 00:54:11,839
Speaker 1: these references like, oh, that's because Anson Williams doesn't want

1141
00:54:11,880 --> 00:54:12,879
Speaker 1: to there was at.

1142
00:54:12,760 --> 00:54:14,719
Speaker 3: The end of the Monkeys episode showed up. It was

1143
00:54:14,800 --> 00:54:17,480
Speaker 3: like a manager for a different band in a fictional right.

1144
00:54:17,560 --> 00:54:19,959
Speaker 2: That was that was for the Partridge Family.

1145
00:54:20,080 --> 00:54:20,759
Speaker 1: Partridge Family.

1146
00:54:21,120 --> 00:54:24,160
Speaker 3: Yeah, but he was an actor who played a manager,

1147
00:54:24,239 --> 00:54:25,759
Speaker 3: or he wasn't actual manager for the part.

1148
00:54:25,880 --> 00:54:27,840
Speaker 1: He was an actor who played the manager, but he

1149
00:54:27,920 --> 00:54:29,520
Speaker 1: was the manager here his.

1150
00:54:29,680 --> 00:54:37,440
Speaker 3: Reference this is so there's so many rider I'm so

1151
00:54:38,120 --> 00:54:40,759
Speaker 3: miserable all week, just sitting there going like, I guess

1152
00:54:40,800 --> 00:54:44,439
Speaker 3: I like my hair. At least I look hot.

1153
00:54:47,280 --> 00:54:50,359
Speaker 2: Got that in another alternate world it would have been

1154
00:54:50,960 --> 00:54:52,680
Speaker 2: t L would have been d T F.

1155
00:54:54,320 --> 00:54:56,120
Speaker 3: Yeah, I know. I'm surprised that wasn't a thing.

1156
00:54:56,840 --> 00:54:57,880
Speaker 2: It might have been, we just didn't.

1157
00:54:58,320 --> 00:55:01,879
Speaker 1: Yeah, they saw they saw it before, so anyway. Yeah,

1158
00:55:01,880 --> 00:55:03,239
Speaker 1: I was a little confused about whether it was a

1159
00:55:03,280 --> 00:55:05,160
Speaker 1: copyright thing or whether it was an inside joke about

1160
00:55:05,239 --> 00:55:07,160
Speaker 1: him not wanting to be recognized. I wasn't really sure

1161
00:55:07,440 --> 00:55:09,239
Speaker 1: this part the scene was a little confusing for me.

1162
00:55:09,400 --> 00:55:10,759
Speaker 2: Yeah, me too, just a little bit. Girl.

1163
00:55:13,360 --> 00:55:17,279
Speaker 1: Corey's dad tells Anson just calm down, young fella and

1164
00:55:17,360 --> 00:55:20,080
Speaker 1: have a nice brownie. Tom Boss asks Cory, what's the.

1165
00:55:20,080 --> 00:55:20,440
Speaker 2: Matter with you?

1166
00:55:21,080 --> 00:55:24,319
Speaker 3: I was like, what is this reference? A happy Well?

1167
00:55:24,400 --> 00:55:26,480
Speaker 1: I think it There was that general idea of in

1168
00:55:26,560 --> 00:55:29,680
Speaker 1: the fifties, moms had freshly made cookies, and you know,

1169
00:55:29,719 --> 00:55:32,239
Speaker 1: there were always freshly baked goods when you came home

1170
00:55:32,280 --> 00:55:34,839
Speaker 1: from school. So I think, even like on a very

1171
00:55:35,120 --> 00:55:37,040
Speaker 1: surface level, it was just that, like you would come

1172
00:55:37,040 --> 00:55:38,640
Speaker 1: home and there'd be the smell of brownies in the

1173
00:55:38,719 --> 00:55:40,719
Speaker 1: kitchen because your mom had baked those.

1174
00:55:41,040 --> 00:55:41,320
Speaker 3: Cool.

1175
00:55:42,600 --> 00:55:47,120
Speaker 1: So cool. So spare you look like you lost something?

1176
00:55:47,200 --> 00:55:50,719
Speaker 1: And Corey admits I have my entire life. Morgan announces

1177
00:55:50,840 --> 00:55:53,400
Speaker 1: I can cheer you up and shows everyone her hula hooping.

1178
00:55:54,000 --> 00:55:56,040
Speaker 1: Anson tells Corey, you know, when I was down in

1179
00:55:56,080 --> 00:55:59,279
Speaker 1: the dumps, my parents used to say, just watch time.

1180
00:56:00,080 --> 00:56:01,680
Speaker 2: My favorite Lindy.

1181
00:56:02,480 --> 00:56:05,200
Speaker 3: I that was my favorite part of the scene is

1182
00:56:05,360 --> 00:56:08,399
Speaker 3: Lindsay hooping because I was like, oh Linda, Lindsay duaye

1183
00:56:08,440 --> 00:56:10,080
Speaker 3: knew how to the loop, and that's that's hard to

1184
00:56:10,160 --> 00:56:11,120
Speaker 3: do people, right.

1185
00:56:12,800 --> 00:56:15,120
Speaker 1: So then he Anson says, come to think of it,

1186
00:56:15,239 --> 00:56:17,640
Speaker 1: I didn't have any parents, not even a house. I

1187
00:56:17,760 --> 00:56:20,879
Speaker 1: hung out at other people's houses. Not bad really, That's

1188
00:56:20,880 --> 00:56:23,840
Speaker 1: a big meta Happy Days joke and also very similar

1189
00:56:23,920 --> 00:56:27,239
Speaker 1: to Sean's life. Sean, doesn't you know we have seen

1190
00:56:27,239 --> 00:56:33,560
Speaker 1: his trailer park but the yeah, okay. Morgan then shows

1191
00:56:33,600 --> 00:56:35,759
Speaker 1: her dad the local paper there's something you've got to see.

1192
00:56:35,880 --> 00:56:38,040
Speaker 1: It's a picture of Corey with the headline curly headed

1193
00:56:38,080 --> 00:56:40,680
Speaker 1: spy on the lamb. Corey assures them it's not true.

1194
00:56:41,040 --> 00:56:43,120
Speaker 1: The dad says, of course it's not. Then he walks

1195
00:56:43,160 --> 00:56:45,480
Speaker 1: over to the phone and with the worst phone.

1196
00:56:45,280 --> 00:56:48,680
Speaker 3: Acting doesn't.

1197
00:56:50,200 --> 00:56:52,920
Speaker 1: He just picks it up and he says, FBI please

1198
00:56:53,160 --> 00:56:58,080
Speaker 1: jer Hoover Tager. Yes, I'm here with Anson Williams and

1199
00:56:58,120 --> 00:57:01,840
Speaker 1: our Russian spy x nay on the ASI pay playing

1200
00:57:01,960 --> 00:57:05,440
Speaker 1: once again to this legal constraint or this joke that

1201
00:57:05,520 --> 00:57:07,799
Speaker 1: he doesn't like to be called potzy. I don't know, Jo,

1202
00:57:08,840 --> 00:57:10,239
Speaker 1: I think you need to joke.

1203
00:57:11,360 --> 00:57:13,440
Speaker 3: I know kig Latin was very big in the fifties.

1204
00:57:13,960 --> 00:57:15,600
Speaker 3: We have to ask Kendall about this.

1205
00:57:16,240 --> 00:57:18,880
Speaker 1: So Morgan points to Cory, you're going to jail spy,

1206
00:57:19,600 --> 00:57:22,920
Speaker 1: and who's the boss calms her down by saying, now, now, Morgan,

1207
00:57:23,240 --> 00:57:26,120
Speaker 1: he may be a Russian spy, but until they come

1208
00:57:26,240 --> 00:57:29,400
Speaker 1: and haul him off, he's still our guest. He liked,

1209
00:57:29,440 --> 00:57:35,360
Speaker 1: who's the Boss? And now in the only set left

1210
00:57:35,400 --> 00:57:38,400
Speaker 1: for this acid trip case jail jail.

1211
00:57:41,080 --> 00:57:43,760
Speaker 2: Apparently, Cory is.

1212
00:57:43,800 --> 00:57:46,720
Speaker 1: Locked up and clanking a mug against cell bars, saying

1213
00:57:46,720 --> 00:57:49,120
Speaker 1: he's innocent. Then a cop appears to tell Corey he's

1214
00:57:49,160 --> 00:57:52,080
Speaker 1: got visitors who claim to be your folks, and Amy

1215
00:57:52,200 --> 00:57:53,800
Speaker 1: and Allen w yeah.

1216
00:57:54,000 --> 00:57:56,240
Speaker 2: By this point, by the way, the mushrooms have fully

1217
00:57:56,320 --> 00:58:00,360
Speaker 2: kicked it. Oh yeah, just so you know, fullyied in.

1218
00:58:00,760 --> 00:58:05,440
Speaker 2: And Betsy tells this story all the time. Loved, loved

1219
00:58:05,560 --> 00:58:06,360
Speaker 2: doing this episode.

1220
00:58:06,480 --> 00:58:09,920
Speaker 3: She is phenomenal various episodes of this one. And then

1221
00:58:09,920 --> 00:58:11,200
Speaker 3: when she was Rosie the Riveter.

1222
00:58:11,480 --> 00:58:16,320
Speaker 1: R Yeah, she's They're very stuffy, very Mayberry esque, saying

1223
00:58:16,360 --> 00:58:18,800
Speaker 1: hi to Corey. Corey is relieved, Mom, dad, please tell

1224
00:58:18,840 --> 00:58:20,920
Speaker 1: them you know me. Amy smiles, Well, of course we do,

1225
00:58:21,040 --> 00:58:23,440
Speaker 1: don't we Alan, Alan responds, I think we'd know our

1226
00:58:23,480 --> 00:58:25,880
Speaker 1: own son. Corey tells the cop. You see, finally I

1227
00:58:25,920 --> 00:58:27,600
Speaker 1: got to tell you this nightmare was getting way out

1228
00:58:27,640 --> 00:58:29,760
Speaker 1: of hand. The cop walks away, and Amy comes up

1229
00:58:29,800 --> 00:58:31,840
Speaker 1: real close to Corey, asking through the bars in a

1230
00:58:31,920 --> 00:58:33,840
Speaker 1: Russian accent, do you have the pippers?

1231
00:58:34,560 --> 00:58:38,320
Speaker 3: Now? Don't you think you'd speak Russian? If you speak Russian,

1232
00:58:38,840 --> 00:58:40,760
Speaker 3: you just drop your American accent.

1233
00:58:40,840 --> 00:58:41,840
Speaker 2: That you can do. You can.

1234
00:58:43,800 --> 00:58:49,760
Speaker 3: On everything. This is that's where asking logic about language

1235
00:58:50,360 --> 00:59:00,680
Speaker 3: you you're so pretentious spoken Russian, slipping to a Russian

1236
00:59:00,720 --> 00:59:04,080
Speaker 3: accent the English.

1237
00:59:05,520 --> 00:59:10,720
Speaker 1: Oh you walk it speak okay, so Corey questions papers.

1238
00:59:11,080 --> 00:59:13,240
Speaker 1: Alan goes on, also in an accent, but.

1239
00:59:14,720 --> 00:59:15,600
Speaker 3: Not as good.

1240
00:59:17,240 --> 00:59:20,160
Speaker 1: For the American space program, and Corey asks, why are

1241
00:59:20,200 --> 00:59:23,080
Speaker 1: you guys talking like Boris and Natasha? And Amy says, good,

1242
00:59:23,200 --> 00:59:25,600
Speaker 1: he knows our secret code names. She reaches into her

1243
00:59:25,640 --> 00:59:27,840
Speaker 1: purse and grabs a muffin for Corey. He thanks her.

1244
00:59:27,960 --> 00:59:30,120
Speaker 1: He's sure it contains a secret transmitter and during the

1245
00:59:30,200 --> 00:59:33,040
Speaker 1: night they'll contact him and break him out. Amy clarifies, no,

1246
00:59:33,240 --> 00:59:35,440
Speaker 1: the muffin is to eat. You are two thin. You

1247
00:59:35,520 --> 00:59:37,720
Speaker 1: need to be strong for when they savagely torture you.

1248
00:59:38,040 --> 00:59:38,840
Speaker 1: And Alan, as.

1249
00:59:38,880 --> 00:59:42,120
Speaker 3: Waiting for brownies to pay off muffins, write something.

1250
00:59:42,040 --> 00:59:43,840
Speaker 2: Mom's make good, fifty good.

1251
00:59:44,000 --> 00:59:46,320
Speaker 1: That's what they do, Alan adds, and if they don't,

1252
00:59:46,360 --> 00:59:51,560
Speaker 1: our people will. Uh yeah, this was Betsy's accent is impeccable,

1253
00:59:51,680 --> 00:59:55,840
Speaker 1: and she yeah, Rusty needed Rusty could could use another take.

1254
00:59:55,920 --> 00:59:58,160
Speaker 1: And this is coming from someone who drops her accent

1255
00:59:58,440 --> 01:00:00,680
Speaker 1: halfway through the show, and he picks it up only

1256
01:00:00,720 --> 01:00:04,160
Speaker 1: whenever she wants, so love it. And then a siren

1257
01:00:04,240 --> 01:00:06,040
Speaker 1: goes off, and the cop yells, oh no, it's the

1258
01:00:06,080 --> 01:00:08,560
Speaker 1: big one. They all run into the cell, shouting duck

1259
01:00:08,640 --> 01:00:10,640
Speaker 1: and cover, allowing Corey to sneak out.

1260
01:00:10,840 --> 01:00:13,920
Speaker 3: Just as TL and Shawnzi arrive. They set off the alarm.

1261
01:00:14,200 --> 01:00:16,880
Speaker 1: Shawnzi says, let's get off this rock, and Corey asks

1262
01:00:16,880 --> 01:00:19,800
Speaker 1: what about the FBI? They'll recognize me. And then Tapanga

1263
01:00:19,920 --> 01:00:23,280
Speaker 1: reveals a mascot chicken head and she places it on Corey,

1264
01:00:23,360 --> 01:00:25,680
Speaker 1: telling him not in this clever chicken disguise, they.

1265
01:00:25,600 --> 01:00:28,720
Speaker 3: Won't And again, you're betraying our country for oh yeah,

1266
01:00:28,880 --> 01:00:29,280
Speaker 3: new kid.

1267
01:00:29,600 --> 01:00:32,200
Speaker 2: All right too, I have a story about friendship and

1268
01:00:32,960 --> 01:00:35,840
Speaker 2: wanting to get laid in the fifties, apparently to Panga.

1269
01:00:39,640 --> 01:00:41,920
Speaker 1: I mean honestly, when the chickenhead came out, I cackled.

1270
01:00:42,040 --> 01:00:44,360
Speaker 1: I was like, yeah, great, I love it. I love

1271
01:00:44,440 --> 01:00:45,920
Speaker 1: that there's a chicken head and you're gonna just tell

1272
01:00:45,960 --> 01:00:46,480
Speaker 1: him to put it on.

1273
01:00:46,760 --> 01:00:46,960
Speaker 3: Yeah.

1274
01:00:47,000 --> 01:00:50,920
Speaker 1: So then we're in Shonzie's apartment. They all run inside,

1275
01:00:50,960 --> 01:00:53,880
Speaker 1: Corey still in a chicken mask and clucking. Shawnzi says,

1276
01:00:53,920 --> 01:00:56,040
Speaker 1: Corey'll be safe in his makeout pad. It's been abandoned

1277
01:00:56,040 --> 01:00:58,760
Speaker 1: for years. It's Turner's apartment, but there's no sign of

1278
01:00:58,800 --> 01:01:01,320
Speaker 1: Turner or his stuff. T All questions what kind of

1279
01:01:01,360 --> 01:01:04,040
Speaker 1: a girl would come to make out here? Shaunzy presses

1280
01:01:04,040 --> 01:01:06,080
Speaker 1: a button and the lights go on. Music starts from

1281
01:01:06,080 --> 01:01:08,480
Speaker 1: a jukebox, and a couch is revealed, and so is

1282
01:01:08,560 --> 01:01:09,920
Speaker 1: a cheerleader.

1283
01:01:10,840 --> 01:01:14,120
Speaker 3: She just hangs out here waiting for Shawn's under a blanket. Yes,

1284
01:01:14,880 --> 01:01:18,919
Speaker 3: is she kept prisoner? Well, she keeps anytime.

1285
01:01:21,320 --> 01:01:23,880
Speaker 1: He sits on the couch with his captive teenager and

1286
01:01:24,360 --> 01:01:27,840
Speaker 1: I mean make out partner, Ti l asks Cory, so,

1287
01:01:28,080 --> 01:01:30,320
Speaker 1: how did you get into the spy racket? And Corey says,

1288
01:01:30,360 --> 01:01:32,960
Speaker 1: I'm not a Russian spy. Okay, my name is Corey Matthews.

1289
01:01:33,000 --> 01:01:34,720
Speaker 1: I'm from the future, and I can prove it. My

1290
01:01:34,800 --> 01:01:37,200
Speaker 1: mom sews my name into my underwear. Topanga takes a

1291
01:01:37,280 --> 01:01:40,440
Speaker 1: look and reads Eric Matthews. Coryanga doesn't just.

1292
01:01:40,440 --> 01:01:42,760
Speaker 2: Take a look to Panga says, I'll look at that.

1293
01:01:43,240 --> 01:01:44,000
Speaker 3: I'll look at it.

1294
01:01:44,120 --> 01:01:46,720
Speaker 2: You're right, like she's instantly trying to get in this guy.

1295
01:01:49,200 --> 01:01:50,320
Speaker 3: Trying to get into the pants.

1296
01:01:50,440 --> 01:01:54,720
Speaker 1: Yeah right, Eric Matthews. Corey says, this day just keeps

1297
01:01:54,760 --> 01:01:57,760
Speaker 1: getting worse and worse. Tal says, look whoever you are,

1298
01:01:57,880 --> 01:02:00,920
Speaker 1: wherever you're from, it doesn't really matter. What matters is

1299
01:02:00,960 --> 01:02:04,400
Speaker 1: that you're here. She leans in and she kisses him

1300
01:02:04,920 --> 01:02:08,840
Speaker 1: a big kiss, and he asks what was that for.

1301
01:02:09,240 --> 01:02:11,000
Speaker 1: She says, I like going to the zoo and looking

1302
01:02:11,040 --> 01:02:13,520
Speaker 1: at the drafts, and sometimes at night when my friends

1303
01:02:13,560 --> 01:02:15,600
Speaker 1: are all on dates. But I'm not because I haven't

1304
01:02:15,640 --> 01:02:18,560
Speaker 1: found that right boy yet. I drown my sorrows in

1305
01:02:18,640 --> 01:02:21,080
Speaker 1: a bowl of Rocky Road ice cream. I have zero

1306
01:02:21,280 --> 01:02:23,160
Speaker 1: accent in this scene because.

1307
01:02:22,960 --> 01:02:26,040
Speaker 2: Now you're real. This is the sang That's what.

1308
01:02:26,120 --> 01:02:29,120
Speaker 1: It is, the real DTF one yes, and she asks

1309
01:02:29,200 --> 01:02:31,200
Speaker 1: him do me a favor, would you? Will you look

1310
01:02:31,240 --> 01:02:33,080
Speaker 1: at me that way I don't like, and he says

1311
01:02:33,280 --> 01:02:35,480
Speaker 1: I thought you said it scared you, and she smiles

1312
01:02:35,680 --> 01:02:39,000
Speaker 1: it does. Then she pulls them in for another passionate kiss.

1313
01:02:39,760 --> 01:02:42,160
Speaker 1: Phoene's voice then comes on the stereo and he announces

1314
01:02:42,200 --> 01:02:46,040
Speaker 1: the manhunt for teenage fugitive Brad Pitzer continues, the coastguards

1315
01:02:46,040 --> 01:02:48,520
Speaker 1: on alert. Corey tells them, I don't understand it. Here

1316
01:02:48,560 --> 01:02:50,360
Speaker 1: where I'm from, we're not so worried about bombs and

1317
01:02:50,400 --> 01:02:53,600
Speaker 1: satellites and Russian spies. There are problems, sure, but mostly

1318
01:02:53,640 --> 01:02:56,840
Speaker 1: people get along the police. Spotlights start flashing outside, and

1319
01:02:56,920 --> 01:02:58,440
Speaker 1: Corey tells them, Now all I want to do is

1320
01:02:58,480 --> 01:03:00,200
Speaker 1: go back. Isn't there some way out of here here?

1321
01:03:00,400 --> 01:03:04,440
Speaker 1: Shawnsie looks at t L wise Man. She agrees, wise Man.

1322
01:03:04,880 --> 01:03:07,640
Speaker 2: This is where the story really, this is where it kicks.

1323
01:03:08,080 --> 01:03:10,080
Speaker 3: This is when everything starts to make sense.

1324
01:03:10,160 --> 01:03:13,200
Speaker 1: Everything makes sense here, showy jelous.

1325
01:03:15,120 --> 01:03:18,520
Speaker 3: Yes, it's really yes, Yes, let's bring it. Lett's bring

1326
01:03:18,600 --> 01:03:19,240
Speaker 3: it full circle.

1327
01:03:19,560 --> 01:03:22,520
Speaker 1: So back at Slims. The trio run in and Shawnzi

1328
01:03:22,560 --> 01:03:24,720
Speaker 1: points Corey in the direction of the wise Man. Mister

1329
01:03:24,800 --> 01:03:27,440
Speaker 1: Williams is there, dressed in a beret, dark sunglasses, and

1330
01:03:27,480 --> 01:03:28,240
Speaker 1: he has bongos.

1331
01:03:28,360 --> 01:03:29,760
Speaker 3: Now is he supposed to be blind?

1332
01:03:30,840 --> 01:03:30,960
Speaker 2: Oh?

1333
01:03:31,200 --> 01:03:33,560
Speaker 3: I don't think so, because Alex went on to play.

1334
01:03:34,760 --> 01:03:36,520
Speaker 3: But I don't think he is. For a moment, I

1335
01:03:36,600 --> 01:03:39,480
Speaker 3: thought maybe this was like a precursor to that where

1336
01:03:39,480 --> 01:03:41,200
Speaker 3: he was doing this because he's gone.

1337
01:03:41,240 --> 01:03:44,240
Speaker 1: I think he's just hep Yeah, he's just just a

1338
01:03:44,360 --> 01:03:48,040
Speaker 1: cool guy and he's a revolutionary era poet, so I

1339
01:03:48,080 --> 01:03:51,400
Speaker 1: think he's just doing that kind of stuff. Cory asks,

1340
01:03:51,480 --> 01:03:54,960
Speaker 1: excuse me, mister Wiseman. William says, I'm playing a song man.

1341
01:03:55,440 --> 01:03:58,200
Speaker 1: And he bangs on the bongos twice, then announces all right,

1342
01:03:58,480 --> 01:04:01,360
Speaker 1: now I'm finished. The crowd snaps for him, and Corey asks,

1343
01:04:01,400 --> 01:04:04,040
Speaker 1: wait a minute, you're the wise Man, and he says, no,

1344
01:04:04,280 --> 01:04:07,080
Speaker 1: I am clearly the Hepcat, which is a fun little reference.

1345
01:04:07,520 --> 01:04:09,920
Speaker 1: He continues that there is the wise Man, and then

1346
01:04:10,560 --> 01:04:14,720
Speaker 1: Pat Maurita turns around. He is the wise Man, channeling

1347
01:04:14,840 --> 01:04:18,800
Speaker 1: his karate kid roll of mister Miagi. Shawnzi explains, you,

1348
01:04:18,960 --> 01:04:20,760
Speaker 1: mister wise Man, our friend here is in a lot

1349
01:04:20,800 --> 01:04:22,800
Speaker 1: of trouble and we figured you're the only one. But

1350
01:04:22,880 --> 01:04:25,200
Speaker 1: then he cuts Shawnsy off to say a wise man

1351
01:04:25,280 --> 01:04:27,320
Speaker 1: sees a young boy in trouble and now he wants

1352
01:04:27,360 --> 01:04:27,880
Speaker 1: to go back.

1353
01:04:28,280 --> 01:04:28,480
Speaker 2: Ah.

1354
01:04:28,760 --> 01:04:32,720
Speaker 1: The young boy's name Matthews. Corey is amazed. Cory says,

1355
01:04:32,760 --> 01:04:34,320
Speaker 1: the last thing I remember I was plugging in the

1356
01:04:34,360 --> 01:04:36,200
Speaker 1: microwave and I must have gotten a shock or something.

1357
01:04:36,520 --> 01:04:38,640
Speaker 1: Wise Man interrupt him and says best way out is

1358
01:04:38,680 --> 01:04:41,640
Speaker 1: the way you came in t L and Shawnsy ask, huh,

1359
01:04:41,840 --> 01:04:44,000
Speaker 1: and this is where I'm breaking. I'm like hiding behind

1360
01:04:44,320 --> 01:04:47,880
Speaker 1: Rider's shoulder. Saw that then I'd try to hide my mouth.

1361
01:04:48,640 --> 01:04:50,320
Speaker 2: You're DTL, You're down to laugh.

1362
01:04:50,520 --> 01:04:53,360
Speaker 1: Down to laugh right now, Yeah, gir.

1363
01:04:54,920 --> 01:04:55,640
Speaker 2: GTL.

1364
01:04:55,960 --> 01:05:00,480
Speaker 1: Wise Man continues, get another microwave oven and give yourself

1365
01:05:00,520 --> 01:05:03,160
Speaker 1: another shock. He then takes his wise Man outfit off

1366
01:05:03,240 --> 01:05:06,640
Speaker 1: to reveal a cooking uniform, now referencing his Happy Day's role,

1367
01:05:07,640 --> 01:05:09,720
Speaker 1: and he tells Corey, listen, I ain't got time for

1368
01:05:09,800 --> 01:05:12,800
Speaker 1: all this. I got customers. Corey questions he works here,

1369
01:05:13,080 --> 01:05:15,680
Speaker 1: and the hepcat tells him wise Man got to make a.

1370
01:05:15,680 --> 01:05:18,000
Speaker 2: Living, did you writer? I know you're a big fan

1371
01:05:18,040 --> 01:05:22,760
Speaker 2: of Weezer. Don't you remember the Buddy Holly video?

1372
01:05:23,960 --> 01:05:24,880
Speaker 3: I remember hearing about it.

1373
01:05:25,200 --> 01:05:27,920
Speaker 2: Yeah. So it takes place at the fifties diner with

1374
01:05:28,040 --> 01:05:30,600
Speaker 2: everybody from Happiness essentially, and it's Pat Marita.

1375
01:05:30,360 --> 01:05:32,160
Speaker 3: Who like leads them like Jones directed it.

1376
01:05:32,360 --> 01:05:35,040
Speaker 2: Yeah, good video, great video.

1377
01:05:35,320 --> 01:05:48,760
Speaker 1: Yeah, Corey asks himself another shock. Why didn't I think

1378
01:05:48,800 --> 01:05:51,960
Speaker 1: of that? Wise Man interjects, you did? This is your fantasy.

1379
01:05:52,240 --> 01:05:54,720
Speaker 1: See it's a fantasy, fever dream. We get The answer.

1380
01:05:56,320 --> 01:05:58,280
Speaker 2: Makes sense, all makes sense if you follow it through.

1381
01:05:59,520 --> 01:06:01,560
Speaker 1: Shawn Zi tells Corey, I know you got to go back,

1382
01:06:01,600 --> 01:06:03,400
Speaker 1: but uh, I sure hate to lose a friend like you,

1383
01:06:03,760 --> 01:06:06,280
Speaker 1: and Corey tells him you won't I mean, I think

1384
01:06:06,320 --> 01:06:08,560
Speaker 1: we could be friends just about any time, and Til

1385
01:06:08,680 --> 01:06:11,440
Speaker 1: follows up, So I guess this really is goodbye? Huh?

1386
01:06:11,680 --> 01:06:14,640
Speaker 1: He nods, yeah, I think so. She tries to convince him,

1387
01:06:14,880 --> 01:06:17,680
Speaker 1: if you stayed, I could really make it worth your while.

1388
01:06:17,960 --> 01:06:22,040
Speaker 3: I mean, yeah, so in the fifties the panga was

1389
01:06:22,160 --> 01:06:26,720
Speaker 3: willing to do yes, And it's only in the present homely.

1390
01:06:26,560 --> 01:06:28,880
Speaker 1: Yep, only in the present. Corey laughs and then pleads,

1391
01:06:28,880 --> 01:06:31,520
Speaker 1: because you hold that thought for about forty years. He admits,

1392
01:06:31,920 --> 01:06:33,960
Speaker 1: you'll never find out about this anyway, and then he

1393
01:06:34,080 --> 01:06:35,480
Speaker 1: leans in and kiss kisses her.

1394
01:06:35,720 --> 01:06:37,520
Speaker 2: Why does he say that, I don't know, because they've

1395
01:06:37,520 --> 01:06:40,120
Speaker 2: already been making out most of the time kissing. He's

1396
01:06:40,240 --> 01:06:41,680
Speaker 2: cheating on you with you.

1397
01:06:42,120 --> 01:06:43,440
Speaker 3: You're never going to find out about this.

1398
01:06:43,880 --> 01:06:47,160
Speaker 1: Oh, I didn't think about that aspect that it's like

1399
01:06:48,080 --> 01:06:50,520
Speaker 1: he cheated on me even though we weren't broken up.

1400
01:06:50,640 --> 01:06:54,480
Speaker 1: And it's me right right, I'm still okay, alright, You're

1401
01:06:54,480 --> 01:06:55,800
Speaker 1: never gonna find out about this anyway.

1402
01:06:56,040 --> 01:06:56,320
Speaker 3: Okay.

1403
01:06:57,040 --> 01:06:59,360
Speaker 1: So then we hear dogs barking, we see police lights outside.

1404
01:06:59,400 --> 01:07:01,080
Speaker 1: Corey tells them, Okay, I gotta get out of here.

1405
01:07:01,120 --> 01:07:03,960
Speaker 1: Wait a minute, it's nineteen fifty seven, there is no microwave.

1406
01:07:04,160 --> 01:07:06,880
Speaker 1: Wise Man looks at him and says, oopsie. Corey walks

1407
01:07:06,920 --> 01:07:08,440
Speaker 1: up to him and asks what kind of wise man

1408
01:07:08,480 --> 01:07:10,760
Speaker 1: says oopsie? Wise Man questions, what do you want me

1409
01:07:10,800 --> 01:07:12,280
Speaker 1: to say? Wax on, wax off?

1410
01:07:12,720 --> 01:07:13,000
Speaker 2: Get it?

1411
01:07:14,440 --> 01:07:18,240
Speaker 3: He was reference reference right in karate Kid writer reference.

1412
01:07:18,400 --> 01:07:23,040
Speaker 3: That's rights. I will make all right sense. I will

1413
01:07:23,120 --> 01:07:28,160
Speaker 3: admit rights onety. Funny you just you just last, no matter,

1414
01:07:28,400 --> 01:07:28,840
Speaker 3: no lighter.

1415
01:07:29,000 --> 01:07:30,880
Speaker 1: You are right, you have a point here. It's one

1416
01:07:30,920 --> 01:07:31,640
Speaker 1: reference too far.

1417
01:07:31,960 --> 01:07:34,480
Speaker 2: No, he still like it.

1418
01:07:34,760 --> 01:07:38,960
Speaker 1: I think it's just just one too far. Just if

1419
01:07:39,000 --> 01:07:40,480
Speaker 1: they just told that one thing back.

1420
01:07:40,480 --> 01:07:43,840
Speaker 3: Twenty five too far, like just have a self contained

1421
01:07:43,920 --> 01:07:47,840
Speaker 3: time travel story. I mean, I think our characters being

1422
01:07:48,120 --> 01:07:52,680
Speaker 3: nineteen fifties versions. That's good, that's funny, that's cool, but

1423
01:07:52,800 --> 01:07:53,480
Speaker 3: it's you know, like.

1424
01:07:53,720 --> 01:07:58,200
Speaker 1: Yeah, Corey starts his mad dash, but Eric and Poenie

1425
01:07:58,240 --> 01:08:00,600
Speaker 1: stop him at the stairs. Eric blowses with and shouts,

1426
01:08:00,640 --> 01:08:03,000
Speaker 1: there he is Phoeney tells him another a plus mister

1427
01:08:03,080 --> 01:08:06,880
Speaker 1: Matthews everyone in Slim's, including a mister including a returning

1428
01:08:06,960 --> 01:08:10,280
Speaker 1: mister Turner and Alan and Amy. Hopefully Dusty's there too,

1429
01:08:10,320 --> 01:08:12,600
Speaker 1: And I just didn't see him. He starts. They start

1430
01:08:12,640 --> 01:08:16,360
Speaker 1: to point and shout spy, spy shay.

1431
01:08:17,880 --> 01:08:17,920
Speaker 2: S.

1432
01:08:18,880 --> 01:08:20,880
Speaker 3: Corey yells, I'm Corey, I'm Corey.

1433
01:08:21,280 --> 01:08:23,680
Speaker 1: He's backed into a wall and hits his head and

1434
01:08:23,840 --> 01:08:26,759
Speaker 1: we start to hear Amy's voice, Yeah.

1435
01:08:27,600 --> 01:08:32,000
Speaker 3: Head, damn, brain damage. Not not electric shock yep, Okay,

1436
01:08:32,439 --> 01:08:33,120
Speaker 3: it's not really.

1437
01:08:33,040 --> 01:08:37,600
Speaker 2: Time travel, it's just it's he's dream in a comame.

1438
01:08:37,800 --> 01:08:41,160
Speaker 1: It's a dream. And then we're in the Matthews living room.

1439
01:08:41,200 --> 01:08:43,880
Speaker 1: Corey is laying on the couch unconscious. Little Wizard of

1440
01:08:43,920 --> 01:08:47,280
Speaker 1: Oz reminiscent. Amy's patting his head and Corey says, I'm

1441
01:08:47,320 --> 01:08:50,839
Speaker 1: not Brad Pitt. I'm not Brad Pitt. Morgan responds, well.

1442
01:08:50,720 --> 01:08:54,679
Speaker 2: Duh, actually, well duh. It was great.

1443
01:08:55,000 --> 01:08:57,040
Speaker 1: Corey sits up and Alan tells him to take it easy.

1444
01:08:57,160 --> 01:08:59,439
Speaker 1: You had quite a jolt there, Sean's laugh Yeah you

1445
01:08:59,520 --> 01:09:02,479
Speaker 1: were laughs, Yeah, you were out cold. Corey looks at

1446
01:09:02,560 --> 01:09:06,960
Speaker 1: him and asks Shauncey. Sean responds yes, hee, yes. Corey

1447
01:09:07,080 --> 01:09:09,439
Speaker 1: asks you're always there for me, aren't you, and Sean

1448
01:09:09,520 --> 01:09:12,560
Speaker 1: says hey, and he gives him a thumb up with

1449
01:09:12,720 --> 01:09:14,599
Speaker 1: a Calm Fonsie impression.

1450
01:09:17,600 --> 01:09:18,080
Speaker 3: Go on, do it?

1451
01:09:18,200 --> 01:09:18,360
Speaker 2: Do it?

1452
01:09:18,439 --> 01:09:23,120
Speaker 1: Riter, No, come on rider. Corey scans the room. She's here,

1453
01:09:23,280 --> 01:09:26,680
Speaker 1: I know she's here. Topanga without bangs again, walks in

1454
01:09:26,840 --> 01:09:29,000
Speaker 1: and tells him she got some more ice, some more ice.

1455
01:09:29,439 --> 01:09:31,760
Speaker 1: She asks, are you okay? Corey's looking at her and

1456
01:09:31,800 --> 01:09:34,240
Speaker 1: smiling like a creep again, and she asks why are

1457
01:09:34,320 --> 01:09:36,760
Speaker 1: you looking at me like that? And Corey says, I

1458
01:09:36,840 --> 01:09:39,200
Speaker 1: will always look at you like this, and she says, well,

1459
01:09:39,240 --> 01:09:41,960
Speaker 1: stop because you're giving me the heb gebis. He smiles

1460
01:09:42,040 --> 01:09:45,559
Speaker 1: and says good, which would also be a good ending

1461
01:09:45,640 --> 01:09:46,479
Speaker 1: to a horror movie.

1462
01:09:46,840 --> 01:09:49,920
Speaker 3: Yeah, pretty much. I'm gonna keep looking at you. I

1463
01:09:50,040 --> 01:09:51,000
Speaker 3: want to look at you, and.

1464
01:09:51,080 --> 01:09:54,240
Speaker 1: It'll here when he shocked himself, we weren't right, No,

1465
01:09:54,600 --> 01:09:55,599
Speaker 1: he didn't know himself.

1466
01:09:55,720 --> 01:09:58,960
Speaker 3: He shocked himself with the microwave.

1467
01:09:58,439 --> 01:10:00,639
Speaker 1: Right the first time. Yeah, we heard, but you guys

1468
01:10:00,640 --> 01:10:03,720
Speaker 1: are showed up at his house. Well, no, they called us.

1469
01:10:04,000 --> 01:10:08,400
Speaker 3: They called us. Your best friend life over here is

1470
01:10:08,479 --> 01:10:10,080
Speaker 3: asleep on the couch. Get some ice.

1471
01:10:10,479 --> 01:10:10,919
Speaker 2: Exactly.

1472
01:10:11,560 --> 01:10:13,839
Speaker 1: We're in the Matthew's kitchen. Corey is on the computer,

1473
01:10:14,120 --> 01:10:17,400
Speaker 1: a Model T laptop and Eric, and he tells Eric

1474
01:10:17,400 --> 01:10:19,519
Speaker 1: he's almost done with his term paper on the space program.

1475
01:10:19,760 --> 01:10:21,400
Speaker 1: Eric warns him, you'll be all done if you don't

1476
01:10:21,439 --> 01:10:24,080
Speaker 1: plug that in. The batteries are low. Man, gosh, do

1477
01:10:24,120 --> 01:10:27,400
Speaker 1: you guys remember those days. Yeah, whef your computer died,

1478
01:10:27,560 --> 01:10:28,960
Speaker 1: you just lost everything.

1479
01:10:29,080 --> 01:10:32,439
Speaker 3: That's it, just forever. And I would have papers in

1480
01:10:32,520 --> 01:10:36,719
Speaker 3: my computer would just lock up on me. Oh my god.

1481
01:10:37,160 --> 01:10:44,880
Speaker 1: Yeah, Corey tells Eric, thank you, he saved his life.

1482
01:10:45,080 --> 01:10:46,800
Speaker 1: Corey grabs the cord to plug the computer in, and

1483
01:10:46,840 --> 01:10:49,200
Speaker 1: once he puts it in the outlet, he gets electrocuted again.

1484
01:10:49,439 --> 01:10:51,320
Speaker 1: He freaks out and looks around, saying not again.

1485
01:10:51,439 --> 01:10:51,920
Speaker 3: Where am i?

1486
01:10:52,439 --> 01:10:54,840
Speaker 1: Amy and Alan Russian asking Corey if he's okay. Corey

1487
01:10:54,880 --> 01:10:57,599
Speaker 1: tells him, yeah, still here. Maybe they should get this fixed.

1488
01:10:57,960 --> 01:11:01,480
Speaker 1: Maybe he's with the electrical.

1489
01:11:01,080 --> 01:11:04,280
Speaker 2: Current at the Matthews house and people are constantly getting hurt.

1490
01:11:05,600 --> 01:11:07,760
Speaker 1: Alan says, good, well, let's keep it that way. Corey

1491
01:11:07,840 --> 01:11:10,719
Speaker 1: says out loud, they know me, no foreign accents. Everything's

1492
01:11:10,760 --> 01:11:13,639
Speaker 1: gonna be a okay, And then he hears Phoene saying,

1493
01:11:13,760 --> 01:11:17,480
Speaker 1: mister Matthews. He turns around and Feoenie is wearing a spacesuit.

1494
01:11:17,800 --> 01:11:20,320
Speaker 1: Phoene grabs Corey and I.

1495
01:11:20,439 --> 01:11:22,920
Speaker 3: Thought this was a reference to the show that Bill

1496
01:11:23,120 --> 01:11:26,160
Speaker 3: did do you remember Captain Nice or whatever it did Nice? Yeah,

1497
01:11:26,160 --> 01:11:28,960
Speaker 3: I thought maybe because he wore an outfit made something

1498
01:11:29,080 --> 01:11:30,240
Speaker 3: like that. Yeah yeah.

1499
01:11:30,920 --> 01:11:32,880
Speaker 1: So Phoene grabs Corey and he talks into his watch,

1500
01:11:32,960 --> 01:11:35,280
Speaker 1: Captain Feoenie. Here, I have located the Earth Alien and

1501
01:11:35,320 --> 01:11:37,000
Speaker 1: I will be escorting him back to the mother ship.

1502
01:11:37,160 --> 01:11:40,639
Speaker 1: Corey is confused, mister Feenie, Earth Alien, I'm Phoene cuts

1503
01:11:40,680 --> 01:11:43,360
Speaker 1: him off, telling his crew to beam them up. Corey shrugs, sure,

1504
01:11:43,560 --> 01:11:46,080
Speaker 1: go ahead. A beam of light shines down on them,

1505
01:11:46,120 --> 01:11:48,320
Speaker 1: and they disappear in thin air like they're from Like

1506
01:11:48,360 --> 01:11:53,280
Speaker 1: there's season one, Mincus and that is the greatest episode of.

1507
01:11:53,320 --> 01:12:01,000
Speaker 3: TS ever made. Again's world gets no emmy love. I

1508
01:12:01,080 --> 01:12:01,719
Speaker 3: don't understand.

1509
01:12:01,760 --> 01:12:03,960
Speaker 2: I bought the whole thing, except that I didn't understand

1510
01:12:03,960 --> 01:12:06,240
Speaker 2: the family dynamic. I will, you will, But I bought

1511
01:12:06,280 --> 01:12:06,519
Speaker 2: it all.

1512
01:12:07,040 --> 01:12:08,840
Speaker 1: Otherwise I was cook, line and sinker.

1513
01:12:08,960 --> 01:12:09,519
Speaker 3: Yeah me too.

1514
01:12:10,760 --> 01:12:14,160
Speaker 2: I still don't understand why Danielle's character was down to

1515
01:12:14,200 --> 01:12:15,080
Speaker 2: fish the entire time.

1516
01:12:15,960 --> 01:12:20,960
Speaker 1: It's Danielle to Pang official. That's what it stands for.

1517
01:12:21,160 --> 01:12:25,400
Speaker 1: That's Danielle Topega official. Thank you all for joining us

1518
01:12:25,400 --> 01:12:27,320
Speaker 1: for this episode of Pod Meets World. As always, You

1519
01:12:27,360 --> 01:12:29,519
Speaker 1: can follow us on Instagram Pod Meets World Show. You

1520
01:12:29,560 --> 01:12:31,600
Speaker 1: can send us your emails pod Meets World Show at

1521
01:12:31,720 --> 01:12:34,080
Speaker 1: gmail dot com, and we have March.

1522
01:12:34,720 --> 01:12:36,120
Speaker 2: Do you have the merchandise?

1523
01:12:37,640 --> 01:12:40,160
Speaker 1: Please join us for our next episode recap, which will

1524
01:12:40,200 --> 01:12:43,160
Speaker 1: be season three episode nineteen. I Never Sang for My

1525
01:12:43,280 --> 01:12:46,920
Speaker 1: Legal Guardian, which originally aired May third, nineteen ninety six.

1526
01:12:47,120 --> 01:12:48,839
Speaker 2: Is that the actual name of the episode?

1527
01:12:49,160 --> 01:12:49,599
Speaker 1: I never.

1528
01:12:51,040 --> 01:12:52,519
Speaker 2: Know. I don't think I've ever heard that.

1529
01:12:52,800 --> 01:12:54,040
Speaker 3: I've never heard ever before.

1530
01:12:54,120 --> 01:12:55,360
Speaker 1: I know, I don't know it either. I have no

1531
01:12:55,439 --> 01:12:59,120
Speaker 1: idea what it's about, not even a clue. Cool, weird, Well,

1532
01:12:59,400 --> 01:12:59,920
Speaker 1: send us out.

1533
01:13:00,680 --> 01:13:05,360
Speaker 2: We love you all. Pod dismissed, You're dead, Brad. Podmets

1534
01:13:05,400 --> 01:13:08,479
Speaker 2: World is nheart podcast producer and hosted by Danielle Fischel,

1535
01:13:08,560 --> 01:13:12,759
Speaker 2: Wilfredell and Ryder Strong executive producers Jensen Carp and Amy Sugarman,

1536
01:13:13,040 --> 01:13:16,559
Speaker 2: Executive in charge of production, Danielle Romo, producer and editor,

1537
01:13:16,640 --> 01:13:20,439
Speaker 2: Tara Sudbaksch, producer, Maddy Moore, engineer and Boy Meets World

1538
01:13:20,479 --> 01:13:23,360
Speaker 2: superfan Easton Allen. Our theme song is by Kyle Morton

1539
01:13:23,400 --> 01:13:25,519
Speaker 2: of Typhoon and you can follow us on Instagram at

1540
01:13:25,600 --> 01:13:28,559
Speaker 2: Podmeats World show or email us at Podmeats Worldshow at

1541
01:13:28,680 --> 01:13:29,519
Speaker 2: gmail dot com.