WEBVTT - The Confession

0:00:01.320 --> 0:00:06.040
<v Speaker 1>Previously on the Princess of South Beachliban is getting ready

0:00:06.040 --> 0:00:09.119
<v Speaker 1>to announce that he's running for mayor of Miami. The

0:00:09.200 --> 0:00:11.560
<v Speaker 1>fact that he is about to delightfully share with his

0:00:11.640 --> 0:00:17.440
<v Speaker 1>trusty driver, Orrey Alberto. Wait have we talked about jore Alberto?

0:00:17.960 --> 0:00:21.960
<v Speaker 1>How is that even possible? I thought you knew everybody already. Well,

0:00:22.160 --> 0:00:26.599
<v Speaker 1>it's simple. Rre Alberto is the driver whom I suspect

0:00:26.680 --> 0:00:32.080
<v Speaker 1>is mute. He never speaks, He just communicates through weird growls.

0:00:32.800 --> 0:00:36.360
<v Speaker 1>Maybe that's why Stivan enjoys spending so much time with him.

0:00:36.400 --> 0:00:39.600
<v Speaker 1>And look at that here they are spending quality time

0:00:39.640 --> 0:00:48.160
<v Speaker 1>together right now. Or Alberto, it's a big day. Get

0:00:48.200 --> 0:00:51.440
<v Speaker 1>me home as I've got to get ready for the announcement.

0:00:54.480 --> 0:00:57.440
<v Speaker 1>What announcement you ask? Didn't I tell you I'm running

0:00:57.440 --> 0:01:01.680
<v Speaker 1>for mayor? Exactly? Is the first day of my life

0:01:02.160 --> 0:01:04.920
<v Speaker 1>living my dream, finally getting out of like a leng

0:01:05.000 --> 0:01:09.000
<v Speaker 1>shadow and getting what I want exactly. It's been a

0:01:09.040 --> 0:01:11.000
<v Speaker 1>long road to get here, but I always had a

0:01:11.000 --> 0:01:13.280
<v Speaker 1>clear vision of who I wanted to be, what I

0:01:13.319 --> 0:01:16.520
<v Speaker 1>wanted to achieve, and I knew that if I just

0:01:16.640 --> 0:01:23.319
<v Speaker 1>stuck it out, it would happen. The press called me privilege.

0:01:24.000 --> 0:01:25.600
<v Speaker 1>They have no idea what it took to get here,

0:01:25.760 --> 0:01:27.520
<v Speaker 1>what I had to do. I am not proud of

0:01:27.560 --> 0:01:30.160
<v Speaker 1>all the choices I made, but if this all works out,

0:01:30.440 --> 0:01:40.560
<v Speaker 1>it would have been worth it. Choices you're not proud of.

0:01:41.640 --> 0:01:45.240
<v Speaker 1>Sounds like the perfect opportunity for a flashback to the

0:01:45.360 --> 0:01:56.440
<v Speaker 1>last time you saw Luisa's father. Don't sever alive? Good afternoon,

0:01:57.720 --> 0:02:01.680
<v Speaker 1>you ask for me, He's leave me, okay. When he

0:02:01.760 --> 0:02:07.160
<v Speaker 1>wakes up, can you let him know I was here? Relax? Relax?

0:02:07.800 --> 0:02:11.960
<v Speaker 1>Look into my eyes. Okay, relax, try to control your breathing.

0:02:13.000 --> 0:02:20.919
<v Speaker 1>That's it. That's it leaving. Don't say it here, Drink

0:02:21.000 --> 0:02:25.120
<v Speaker 1>some of this water. Look, don't save it. Oh your

0:02:25.400 --> 0:02:31.919
<v Speaker 1>son in laws here? Then useless? Where's this shell of

0:02:32.000 --> 0:02:35.880
<v Speaker 1>a man before nurse? I would like to speak with

0:02:35.919 --> 0:02:37.799
<v Speaker 1>my father in law in private? It is that all right?

0:02:38.000 --> 0:02:41.040
<v Speaker 1>Are you sure I'll take care of you? My promise?

0:02:41.160 --> 0:02:45.440
<v Speaker 1>Leave us? Okay? When a boss, please let me know

0:02:45.480 --> 0:03:00.960
<v Speaker 1>if he needs anything. Haiti lovers, it's me. You're favorite host,

0:03:01.280 --> 0:03:07.040
<v Speaker 1>Tatiana Boyd. I have a juicy scoop for you. On

0:03:07.200 --> 0:03:13.480
<v Speaker 1>the next tea with Tatiana, We're gonna talk to someone

0:03:14.040 --> 0:03:17.600
<v Speaker 1>very close to a Stevan Calderone. The man's more of

0:03:17.600 --> 0:03:21.680
<v Speaker 1>an introvert, really, but while talking about the Lincoln Aviator

0:03:21.760 --> 0:03:27.520
<v Speaker 1>GT he seemed very confident and outspoken. I mean that

0:03:27.880 --> 0:03:33.000
<v Speaker 1>SUV is really something special. Anyway, Can you guess who

0:03:33.000 --> 0:03:40.120
<v Speaker 1>our next guest is? No way, Jose, you can't. It's impossible.

0:03:42.680 --> 0:03:46.000
<v Speaker 1>All right, that's it for now. Be sure to tune

0:03:46.000 --> 0:03:48.640
<v Speaker 1>in next time if you want the full story on

0:03:48.760 --> 0:04:09.320
<v Speaker 1>the next tee. Tatiana boy, I'm here. What is it

0:04:09.320 --> 0:04:13.880
<v Speaker 1>that you am closer? M hm? I asked you to

0:04:14.040 --> 0:04:21.160
<v Speaker 1>come so you could see the new draft of my will.

0:04:20.200 --> 0:04:23.200
<v Speaker 1>What do you mean a new draft? Wow? I just

0:04:23.240 --> 0:04:25.480
<v Speaker 1>came back from the notary with a will that leaves

0:04:25.520 --> 0:04:33.640
<v Speaker 1>your respect to your family, my family? Do you and

0:04:33.839 --> 0:04:38.600
<v Speaker 1>my pathetic daughter? I think I'm stupid? What are you?

0:04:38.880 --> 0:04:41.640
<v Speaker 1>What are you talking about? Do you think that I

0:04:41.680 --> 0:04:51.440
<v Speaker 1>was born yesterday? That I'm blind? You miserable? Swane? I

0:04:51.640 --> 0:04:56.480
<v Speaker 1>know Louisa I wasn't pregnant. I know that baby isn't

0:04:56.640 --> 0:05:02.160
<v Speaker 1>my blood, so my money you want to get a dime?

0:05:05.040 --> 0:05:08.440
<v Speaker 1>How could you say that you yourself have seen her

0:05:08.480 --> 0:05:13.200
<v Speaker 1>belly grow? That was your grandchild in there That's precisely

0:05:13.200 --> 0:05:15.640
<v Speaker 1>why I brought you that, your will to ensure the

0:05:15.680 --> 0:05:26.360
<v Speaker 1>future of your era. You snake, You'll never amount to anything.

0:05:27.920 --> 0:05:31.640
<v Speaker 1>You don't have this stomach for this world to make

0:05:31.680 --> 0:05:40.120
<v Speaker 1>the hard choices. You're not a mash shut up, decrepital bastard. Finem.

0:05:40.440 --> 0:05:45.200
<v Speaker 1>It's true Luisa wasn't pregnant, but you have no idea

0:05:45.240 --> 0:05:49.840
<v Speaker 1>what it took to get a baby this week. You're

0:05:49.880 --> 0:05:55.400
<v Speaker 1>wrong about me. I am going to accomplish a great

0:05:55.600 --> 0:06:01.880
<v Speaker 1>deal of things, and I am going to do all

0:06:02.760 --> 0:06:12.960
<v Speaker 1>your money. Water. I need water, Oh here, water, sign

0:06:13.000 --> 0:06:17.080
<v Speaker 1>the wheel me. You think I'm useless, but I won't

0:06:17.160 --> 0:06:27.560
<v Speaker 1>let you die. Sign the wheel. Never signed? Fine water?

0:06:29.839 --> 0:06:40.200
<v Speaker 1>Oops dropped it? M No Savetto? Step beside. I don't

0:06:40.240 --> 0:06:42.400
<v Speaker 1>know what happened. He was he was fine a minute ago.

0:06:42.640 --> 0:06:45.800
<v Speaker 1>He was. Don't Savetto. Don't Savetto. Can you hear me?

0:06:46.279 --> 0:06:53.480
<v Speaker 1>Can you hear me? One two three again? One two three?

0:06:54.440 --> 0:06:57.159
<v Speaker 1>So Sevetto? Can somebody get in here? Don't save Letto?

0:06:57.520 --> 0:07:08.960
<v Speaker 1>Please please please do Seletto? Boy earth by toxic masculinity.

0:07:09.520 --> 0:07:13.480
<v Speaker 1>Rough and now, if Stevan might become the mayor of Miami,

0:07:14.080 --> 0:07:17.520
<v Speaker 1>honestly for Florida, It's not the worst I've seen so

0:07:17.800 --> 0:07:21.680
<v Speaker 1>now with me Anna and Donzebo, the death toll is

0:07:21.800 --> 0:07:25.400
<v Speaker 1>up to three? Who else will fall victim to Esteban

0:07:25.440 --> 0:07:31.400
<v Speaker 1>and Luisa's machinations. If you're enjoying Princess of South Beach,

0:07:31.600 --> 0:07:35.320
<v Speaker 1>please subscribe, rate, and review our show wherever you're listening.

0:07:36.320 --> 0:07:38.720
<v Speaker 1>The Princess of South Beach is a production of Ihearts,

0:07:38.760 --> 0:07:42.520
<v Speaker 1>Michael Tura Podcast Network, and Sonoro, Created and directed by

0:07:42.600 --> 0:07:46.440
<v Speaker 1>Jasmine Romero, Written by Jasmine Romero and Joanna Houseman, with

0:07:46.480 --> 0:07:50.920
<v Speaker 1>help from Daniela Serkis, Monisa Hendrix and Christian Hatter. Produced

0:07:50.920 --> 0:07:55.680
<v Speaker 1>by Luis Executive produced by coneal Burne and Gazelle Bances

0:07:55.720 --> 0:07:59.320
<v Speaker 1>for iHeart by Joanna Houseman and by Jasmine Romero and

0:07:59.400 --> 0:08:04.120
<v Speaker 1>Joshua Stein. Porsnara performances in this episode by Rachel Zegler,

0:08:04.480 --> 0:08:09.880
<v Speaker 1>Raoulas Barza, Alfredo Narciso, and Eileen Clarke. Our production manager

0:08:10.040 --> 0:08:14.200
<v Speaker 1>is gerensa Chaitis. Recording and engineering by Emiliano Quintanar, with

0:08:14.400 --> 0:08:19.440
<v Speaker 1>sound designed by Edwin Irigoyen, Cassandra Pinajo, Andres Bayena, Diego

0:08:19.520 --> 0:08:23.480
<v Speaker 1>Medina and Andres Coronaldo. Assistant sound designed by Eric Sinteno,

0:08:23.880 --> 0:08:28.440
<v Speaker 1>casting in coordination by Andres Chitis, Folly by Samantha Gonzalez Fong,

0:08:29.040 --> 0:08:32.320
<v Speaker 1>our theme song and original music by Rodrigo Garcia Roles

0:08:32.480 --> 0:08:33.559
<v Speaker 1>and Charlie Hernandez