1 00:00:01,320 --> 00:00:06,040 Speaker 1: Previously on the Princess of South Beachliban is getting ready 2 00:00:06,040 --> 00:00:09,119 Speaker 1: to announce that he's running for mayor of Miami. The 3 00:00:09,200 --> 00:00:11,560 Speaker 1: fact that he is about to delightfully share with his 4 00:00:11,640 --> 00:00:17,440 Speaker 1: trusty driver, Orrey Alberto. Wait have we talked about jore Alberto? 5 00:00:17,960 --> 00:00:21,960 Speaker 1: How is that even possible? I thought you knew everybody already. Well, 6 00:00:22,160 --> 00:00:26,599 Speaker 1: it's simple. Rre Alberto is the driver whom I suspect 7 00:00:26,680 --> 00:00:32,080 Speaker 1: is mute. He never speaks, He just communicates through weird growls. 8 00:00:32,800 --> 00:00:36,360 Speaker 1: Maybe that's why Stivan enjoys spending so much time with him. 9 00:00:36,400 --> 00:00:39,600 Speaker 1: And look at that here they are spending quality time 10 00:00:39,640 --> 00:00:48,160 Speaker 1: together right now. Or Alberto, it's a big day. Get 11 00:00:48,200 --> 00:00:51,440 Speaker 1: me home as I've got to get ready for the announcement. 12 00:00:54,480 --> 00:00:57,440 Speaker 1: What announcement you ask? Didn't I tell you I'm running 13 00:00:57,440 --> 00:01:01,680 Speaker 1: for mayor? Exactly? Is the first day of my life 14 00:01:02,160 --> 00:01:04,920 Speaker 1: living my dream, finally getting out of like a leng 15 00:01:05,000 --> 00:01:09,000 Speaker 1: shadow and getting what I want exactly. It's been a 16 00:01:09,040 --> 00:01:11,000 Speaker 1: long road to get here, but I always had a 17 00:01:11,000 --> 00:01:13,280 Speaker 1: clear vision of who I wanted to be, what I 18 00:01:13,319 --> 00:01:16,520 Speaker 1: wanted to achieve, and I knew that if I just 19 00:01:16,640 --> 00:01:23,319 Speaker 1: stuck it out, it would happen. The press called me privilege. 20 00:01:24,000 --> 00:01:25,600 Speaker 1: They have no idea what it took to get here, 21 00:01:25,760 --> 00:01:27,520 Speaker 1: what I had to do. I am not proud of 22 00:01:27,560 --> 00:01:30,160 Speaker 1: all the choices I made, but if this all works out, 23 00:01:30,440 --> 00:01:40,560 Speaker 1: it would have been worth it. Choices you're not proud of. 24 00:01:41,640 --> 00:01:45,240 Speaker 1: Sounds like the perfect opportunity for a flashback to the 25 00:01:45,360 --> 00:01:56,440 Speaker 1: last time you saw Luisa's father. Don't sever alive? Good afternoon, 26 00:01:57,720 --> 00:02:01,680 Speaker 1: you ask for me, He's leave me, okay. When he 27 00:02:01,760 --> 00:02:07,160 Speaker 1: wakes up, can you let him know I was here? Relax? Relax? 28 00:02:07,800 --> 00:02:11,960 Speaker 1: Look into my eyes. Okay, relax, try to control your breathing. 29 00:02:13,000 --> 00:02:20,919 Speaker 1: That's it. That's it leaving. Don't say it here, Drink 30 00:02:21,000 --> 00:02:25,120 Speaker 1: some of this water. Look, don't save it. Oh your 31 00:02:25,400 --> 00:02:31,919 Speaker 1: son in laws here? Then useless? Where's this shell of 32 00:02:32,000 --> 00:02:35,880 Speaker 1: a man before nurse? I would like to speak with 33 00:02:35,919 --> 00:02:37,799 Speaker 1: my father in law in private? It is that all right? 34 00:02:38,000 --> 00:02:41,040 Speaker 1: Are you sure I'll take care of you? My promise? 35 00:02:41,160 --> 00:02:45,440 Speaker 1: Leave us? Okay? When a boss, please let me know 36 00:02:45,480 --> 00:03:00,960 Speaker 1: if he needs anything. Haiti lovers, it's me. You're favorite host, 37 00:03:01,280 --> 00:03:07,040 Speaker 1: Tatiana Boyd. I have a juicy scoop for you. On 38 00:03:07,200 --> 00:03:13,480 Speaker 1: the next tea with Tatiana, We're gonna talk to someone 39 00:03:14,040 --> 00:03:17,600 Speaker 1: very close to a Stevan Calderone. The man's more of 40 00:03:17,600 --> 00:03:21,680 Speaker 1: an introvert, really, but while talking about the Lincoln Aviator 41 00:03:21,760 --> 00:03:27,520 Speaker 1: GT he seemed very confident and outspoken. I mean that 42 00:03:27,880 --> 00:03:33,000 Speaker 1: SUV is really something special. Anyway, Can you guess who 43 00:03:33,000 --> 00:03:40,120 Speaker 1: our next guest is? No way, Jose, you can't. It's impossible. 44 00:03:42,680 --> 00:03:46,000 Speaker 1: All right, that's it for now. Be sure to tune 45 00:03:46,000 --> 00:03:48,640 Speaker 1: in next time if you want the full story on 46 00:03:48,760 --> 00:04:09,320 Speaker 1: the next tee. Tatiana boy, I'm here. What is it 47 00:04:09,320 --> 00:04:13,880 Speaker 1: that you am closer? M hm? I asked you to 48 00:04:14,040 --> 00:04:21,160 Speaker 1: come so you could see the new draft of my will. 49 00:04:20,200 --> 00:04:23,200 Speaker 1: What do you mean a new draft? Wow? I just 50 00:04:23,240 --> 00:04:25,480 Speaker 1: came back from the notary with a will that leaves 51 00:04:25,520 --> 00:04:33,640 Speaker 1: your respect to your family, my family? Do you and 52 00:04:33,839 --> 00:04:38,600 Speaker 1: my pathetic daughter? I think I'm stupid? What are you? 53 00:04:38,880 --> 00:04:41,640 Speaker 1: What are you talking about? Do you think that I 54 00:04:41,680 --> 00:04:51,440 Speaker 1: was born yesterday? That I'm blind? You miserable? Swane? I 55 00:04:51,640 --> 00:04:56,480 Speaker 1: know Louisa I wasn't pregnant. I know that baby isn't 56 00:04:56,640 --> 00:05:02,160 Speaker 1: my blood, so my money you want to get a dime? 57 00:05:05,040 --> 00:05:08,440 Speaker 1: How could you say that you yourself have seen her 58 00:05:08,480 --> 00:05:13,200 Speaker 1: belly grow? That was your grandchild in there That's precisely 59 00:05:13,200 --> 00:05:15,640 Speaker 1: why I brought you that, your will to ensure the 60 00:05:15,680 --> 00:05:26,360 Speaker 1: future of your era. You snake, You'll never amount to anything. 61 00:05:27,920 --> 00:05:31,640 Speaker 1: You don't have this stomach for this world to make 62 00:05:31,680 --> 00:05:40,120 Speaker 1: the hard choices. You're not a mash shut up, decrepital bastard. Finem. 63 00:05:40,440 --> 00:05:45,200 Speaker 1: It's true Luisa wasn't pregnant, but you have no idea 64 00:05:45,240 --> 00:05:49,840 Speaker 1: what it took to get a baby this week. You're 65 00:05:49,880 --> 00:05:55,400 Speaker 1: wrong about me. I am going to accomplish a great 66 00:05:55,600 --> 00:06:01,880 Speaker 1: deal of things, and I am going to do all 67 00:06:02,760 --> 00:06:12,960 Speaker 1: your money. Water. I need water, Oh here, water, sign 68 00:06:13,000 --> 00:06:17,080 Speaker 1: the wheel me. You think I'm useless, but I won't 69 00:06:17,160 --> 00:06:27,560 Speaker 1: let you die. Sign the wheel. Never signed? Fine water? 70 00:06:29,839 --> 00:06:40,200 Speaker 1: Oops dropped it? M No Savetto? Step beside. I don't 71 00:06:40,240 --> 00:06:42,400 Speaker 1: know what happened. He was he was fine a minute ago. 72 00:06:42,640 --> 00:06:45,800 Speaker 1: He was. Don't Savetto. Don't Savetto. Can you hear me? 73 00:06:46,279 --> 00:06:53,480 Speaker 1: Can you hear me? One two three again? One two three? 74 00:06:54,440 --> 00:06:57,159 Speaker 1: So Sevetto? Can somebody get in here? Don't save Letto? 75 00:06:57,520 --> 00:07:08,960 Speaker 1: Please please please do Seletto? Boy earth by toxic masculinity. 76 00:07:09,520 --> 00:07:13,480 Speaker 1: Rough and now, if Stevan might become the mayor of Miami, 77 00:07:14,080 --> 00:07:17,520 Speaker 1: honestly for Florida, It's not the worst I've seen so 78 00:07:17,800 --> 00:07:21,680 Speaker 1: now with me Anna and Donzebo, the death toll is 79 00:07:21,800 --> 00:07:25,400 Speaker 1: up to three? Who else will fall victim to Esteban 80 00:07:25,440 --> 00:07:31,400 Speaker 1: and Luisa's machinations. If you're enjoying Princess of South Beach, 81 00:07:31,600 --> 00:07:35,320 Speaker 1: please subscribe, rate, and review our show wherever you're listening. 82 00:07:36,320 --> 00:07:38,720 Speaker 1: The Princess of South Beach is a production of Ihearts, 83 00:07:38,760 --> 00:07:42,520 Speaker 1: Michael Tura Podcast Network, and Sonoro, Created and directed by 84 00:07:42,600 --> 00:07:46,440 Speaker 1: Jasmine Romero, Written by Jasmine Romero and Joanna Houseman, with 85 00:07:46,480 --> 00:07:50,920 Speaker 1: help from Daniela Serkis, Monisa Hendrix and Christian Hatter. Produced 86 00:07:50,920 --> 00:07:55,680 Speaker 1: by Luis Executive produced by coneal Burne and Gazelle Bances 87 00:07:55,720 --> 00:07:59,320 Speaker 1: for iHeart by Joanna Houseman and by Jasmine Romero and 88 00:07:59,400 --> 00:08:04,120 Speaker 1: Joshua Stein. Porsnara performances in this episode by Rachel Zegler, 89 00:08:04,480 --> 00:08:09,880 Speaker 1: Raoulas Barza, Alfredo Narciso, and Eileen Clarke. Our production manager 90 00:08:10,040 --> 00:08:14,200 Speaker 1: is gerensa Chaitis. Recording and engineering by Emiliano Quintanar, with 91 00:08:14,400 --> 00:08:19,440 Speaker 1: sound designed by Edwin Irigoyen, Cassandra Pinajo, Andres Bayena, Diego 92 00:08:19,520 --> 00:08:23,480 Speaker 1: Medina and Andres Coronaldo. Assistant sound designed by Eric Sinteno, 93 00:08:23,880 --> 00:08:28,440 Speaker 1: casting in coordination by Andres Chitis, Folly by Samantha Gonzalez Fong, 94 00:08:29,040 --> 00:08:32,320 Speaker 1: our theme song and original music by Rodrigo Garcia Roles 95 00:08:32,480 --> 00:08:33,559 Speaker 1: and Charlie Hernandez