1 00:00:00,040 --> 00:00:02,759 Speaker 1: If you missed any episodes of Russia Limbaugh The Man 2 00:00:02,800 --> 00:00:06,120 Speaker 1: Behind the Golden E I B Microphone, You've missed more 3 00:00:06,160 --> 00:00:10,400 Speaker 1: great stories from some of Russia's closest friends, family, and colleagues. 4 00:00:10,760 --> 00:00:14,720 Speaker 1: All previous episodes are available now on I Heart Radio 5 00:00:14,960 --> 00:00:25,440 Speaker 1: or wherever you listen to your podcast. Today, on Russia 6 00:00:25,440 --> 00:00:27,840 Speaker 1: Limba The Man Behind the Golden E I B Microphone, 7 00:00:27,880 --> 00:00:29,720 Speaker 1: we take a look at the lighter side of Russia 8 00:00:29,760 --> 00:00:32,519 Speaker 1: Laba and the Russia Limbus Show. You're gonna hear from 9 00:00:32,560 --> 00:00:36,800 Speaker 1: Paul Shanklin, or, as Rush would call him, White comedian 10 00:00:36,920 --> 00:00:40,800 Speaker 1: Paul Shanklin. Once Paul started up with the songs and everything, 11 00:00:40,840 --> 00:00:43,920 Speaker 1: it just I think we all know is that Paul's 12 00:00:43,960 --> 00:00:46,360 Speaker 1: talent was so good that they just said, Okay, we 13 00:00:46,400 --> 00:00:50,160 Speaker 1: gotta hire this guy. Plus anybody that's listened to Rush 14 00:00:50,240 --> 00:00:53,120 Speaker 1: for the full Ride remembers the early days, the humor 15 00:00:53,159 --> 00:00:56,880 Speaker 1: that came from the homeless updates, that came from the 16 00:00:57,000 --> 00:01:02,960 Speaker 1: feminist updates, the gay community rights update. My favorite was 17 00:01:03,200 --> 00:01:07,960 Speaker 1: the animal rights update. That was Rush and Mike Mamone 18 00:01:08,720 --> 00:01:15,759 Speaker 1: creatively together doing something that later would just chafe the left, 19 00:01:16,160 --> 00:01:19,320 Speaker 1: but we had so many laughs from it. Now did 20 00:01:19,520 --> 00:01:22,960 Speaker 1: Rush always have a wicked sense of humor. Yes, and 21 00:01:23,040 --> 00:01:26,959 Speaker 1: you can hear that that humor inside the remarks that 22 00:01:27,040 --> 00:01:29,959 Speaker 1: he was making. He was very witty, He was very funny, 23 00:01:30,560 --> 00:01:35,000 Speaker 1: quite naturally, would find something humorous to say on many levels. 24 00:01:35,319 --> 00:01:37,360 Speaker 1: I mean things he used to say, politics is show 25 00:01:37,400 --> 00:01:40,600 Speaker 1: bus for the ugly. He talked about he talked about 26 00:01:40,680 --> 00:01:44,560 Speaker 1: the uglow Americans, which was just hysterical, but made a point. 27 00:01:44,880 --> 00:01:46,600 Speaker 1: It was it was he would he would find a 28 00:01:46,600 --> 00:01:50,320 Speaker 1: way to pierce sometimes serious issues with a unique sense 29 00:01:50,320 --> 00:01:53,560 Speaker 1: of humor. Rush would just let loose and we'd have 30 00:01:54,040 --> 00:01:56,080 Speaker 1: you know, we could spend two days talking about the 31 00:01:56,200 --> 00:02:00,400 Speaker 1: Arkansas toesucker and things like that. And it was his miracle. 32 00:02:01,400 --> 00:02:09,360 Speaker 1: He had a great sense of fumer about everything. Whether 33 00:02:09,400 --> 00:02:11,440 Speaker 1: you listened every day you are at the E I 34 00:02:11,520 --> 00:02:14,440 Speaker 1: B Network and the Russia Limpball program heard on over 35 00:02:14,600 --> 00:02:17,400 Speaker 1: six hundred great radio stations where every now and then 36 00:02:17,520 --> 00:02:20,800 Speaker 1: nation's leading radio talk show, the most eagerly intersepted program 37 00:02:21,440 --> 00:02:24,160 Speaker 1: are the stories you've never heard from the people behind 38 00:02:24,200 --> 00:02:27,000 Speaker 1: the scenes who knew him best and loved him most. 39 00:02:27,480 --> 00:02:30,320 Speaker 1: Rushman Wall having more fundly human being, it could be 40 00:02:30,360 --> 00:02:33,440 Speaker 1: allowed to have Rush Limbaugh the man behind the Golden 41 00:02:33,440 --> 00:02:38,720 Speaker 1: e IP microphone, hosted by James Golden, born from the 42 00:02:38,800 --> 00:02:42,840 Speaker 1: tragedy of nine eleven, The Tunnel to Towers Foundation supports 43 00:02:42,840 --> 00:02:47,680 Speaker 1: our nation's fallen and catastrophically injured service members, first responders, 44 00:02:47,880 --> 00:02:52,320 Speaker 1: and their families. Thanks to your generosity, the stand Up 45 00:02:52,320 --> 00:02:56,240 Speaker 1: for Betsy Rose campaign, a five million dollar donation was 46 00:02:56,360 --> 00:03:00,400 Speaker 1: made to the foundation to honor dozens of heroes killed 47 00:03:00,840 --> 00:03:05,240 Speaker 1: or injured in the line of duty protecting our communities 48 00:03:05,600 --> 00:03:10,359 Speaker 1: and our freedom. That's shocking, that's disorienting, that's life changing enough, 49 00:03:10,440 --> 00:03:14,480 Speaker 1: but the prospect of losing a home and losing everything 50 00:03:14,480 --> 00:03:17,680 Speaker 1: else and not knowing where to go next. Helping to 51 00:03:17,760 --> 00:03:21,640 Speaker 1: maintain the nest, to maintain the home is one of 52 00:03:21,720 --> 00:03:28,680 Speaker 1: the great offers of security that people in these circumstances need, 53 00:03:28,800 --> 00:03:32,079 Speaker 1: and you've made it all possible. Your help changed lives 54 00:03:32,160 --> 00:03:36,560 Speaker 1: forever for the better. Now, I'm asking you to join 55 00:03:36,680 --> 00:03:39,760 Speaker 1: Tune to Towers on their mission to do good for 56 00:03:39,920 --> 00:03:45,520 Speaker 1: America's heroes and their families. Donate eleven dollars a month 57 00:03:45,960 --> 00:03:50,440 Speaker 1: at T two t dot org. That's t the number 58 00:03:50,480 --> 00:03:59,760 Speaker 1: two t dot org. Any listener to the Rational Bushell 59 00:03:59,840 --> 00:04:04,960 Speaker 1: know was that parodies fun huge part of the equation, 60 00:04:05,920 --> 00:04:09,120 Speaker 1: and there has been no one over the years that 61 00:04:09,240 --> 00:04:12,440 Speaker 1: has bought more fun in terms of parodies to the 62 00:04:12,480 --> 00:04:14,440 Speaker 1: Russi lan Bus Show than the gentleman We're gonna hear 63 00:04:14,480 --> 00:04:17,960 Speaker 1: from today, Paul Shanklin. Now, Paul is not the only 64 00:04:18,000 --> 00:04:21,400 Speaker 1: one that has contributed to the fund to the parodies. 65 00:04:21,720 --> 00:04:24,320 Speaker 1: Early on the show, we had guys like Doug Rice 66 00:04:24,400 --> 00:04:27,920 Speaker 1: who sent in Ditto's rush. We had uh, we had 67 00:04:27,920 --> 00:04:31,479 Speaker 1: Paul Silhan and but when Paul Shanklin came on the scene, 68 00:04:31,600 --> 00:04:36,120 Speaker 1: everything changed. We had showed, we had parodies, we had 69 00:04:36,160 --> 00:04:41,640 Speaker 1: parodies like we've never had before, songs. This guy turned 70 00:04:41,640 --> 00:04:46,520 Speaker 1: out to be, I don't know, a godsend. He was 71 00:04:46,880 --> 00:04:51,760 Speaker 1: something special. Hey, Paul, welcome to Russia. Lumba, the man 72 00:04:51,839 --> 00:04:54,320 Speaker 1: behind the Golden e I B Mike, Well, thank you 73 00:04:54,440 --> 00:04:56,880 Speaker 1: and this is my as normal as I ever get 74 00:04:57,000 --> 00:04:59,320 Speaker 1: normal voice. So this is what you said, can you 75 00:04:59,360 --> 00:05:02,039 Speaker 1: do one of the other? What's this? Maybe? Look James, 76 00:05:02,080 --> 00:05:08,440 Speaker 1: this ain't our Just get on with it, Paul, Okay, 77 00:05:08,440 --> 00:05:12,520 Speaker 1: I have to ask you this. Okay, you're gonna have 78 00:05:12,640 --> 00:05:18,400 Speaker 1: to get okay, pick it up or not. Thanks Reverend Paul. 79 00:05:18,480 --> 00:05:21,640 Speaker 1: How did you first learn of Rusch Lumbo? How did you? 80 00:05:22,120 --> 00:05:24,480 Speaker 1: How did you? When did you come in? When did 81 00:05:24,520 --> 00:05:26,400 Speaker 1: you hear the show for the first time? When did 82 00:05:26,440 --> 00:05:29,800 Speaker 1: you do? How did this happen? The first time I 83 00:05:29,839 --> 00:05:32,560 Speaker 1: heard it? And it was in the it was in 84 00:05:32,640 --> 00:05:34,800 Speaker 1: the early nineties. I can't remember the year, but I 85 00:05:34,880 --> 00:05:38,040 Speaker 1: know who introduced it because it was the local show 86 00:05:38,080 --> 00:05:42,719 Speaker 1: host at w MC sevent in Memphis, where I'm from, 87 00:05:42,760 --> 00:05:45,479 Speaker 1: and uh, Oliver c Reid and he he basically read 88 00:05:45,520 --> 00:05:48,640 Speaker 1: the Wall Street Journal every morning for three hours. Uh, 89 00:05:48,640 --> 00:05:52,479 Speaker 1: so you didn't have to. And he, uh, he got 90 00:05:52,520 --> 00:05:55,680 Speaker 1: into talking about this show that's gonna come on. Yeah, 91 00:05:55,760 --> 00:05:58,520 Speaker 1: it's discuss Russia Lumbo. I don't think it's much to it. 92 00:05:59,320 --> 00:06:01,560 Speaker 1: It's a flash the pan. He's not gonna make it, 93 00:06:01,839 --> 00:06:04,360 Speaker 1: but but give it a listen. And I listened. I 94 00:06:04,400 --> 00:06:07,920 Speaker 1: was hooked, I mean the first day. And uh, Interestingly, 95 00:06:07,920 --> 00:06:10,320 Speaker 1: I always thought Rush was a lot older than he was, 96 00:06:10,839 --> 00:06:13,159 Speaker 1: not because of the way he sounded, but he was mature, 97 00:06:14,200 --> 00:06:17,080 Speaker 1: and that was a difference in talk radio. Somebody somebody 98 00:06:17,120 --> 00:06:19,360 Speaker 1: that was I don't know. He just had a had 99 00:06:19,360 --> 00:06:22,520 Speaker 1: a sense of having been and had had his own 100 00:06:22,560 --> 00:06:27,880 Speaker 1: ideas of way things were Okay, so you listened and 101 00:06:28,200 --> 00:06:31,680 Speaker 1: oh yeah, you, like millions of us, got hooked to 102 00:06:31,720 --> 00:06:36,080 Speaker 1: the show. What made you decide to I want to contribute? 103 00:06:36,200 --> 00:06:38,279 Speaker 1: I want to be a part of this what? What 104 00:06:38,320 --> 00:06:40,680 Speaker 1: was what was that? Like? Well, I had I had 105 00:06:40,680 --> 00:06:44,559 Speaker 1: been trying, um to to do something in local radio 106 00:06:44,600 --> 00:06:48,040 Speaker 1: for some time and uh, and I'd pretty much given 107 00:06:48,120 --> 00:06:51,760 Speaker 1: up on it. Uh. My friend Mike Ramirez, he's a 108 00:06:52,560 --> 00:06:54,640 Speaker 1: uh and I have to say, he's a two two 109 00:06:54,640 --> 00:06:57,920 Speaker 1: time so they get this right, two time Pulitzer Prize winner, 110 00:06:58,600 --> 00:07:01,960 Speaker 1: uh for being a political cartoonist. And we'd play golf 111 00:07:02,000 --> 00:07:04,640 Speaker 1: together and when he was, especially in the short game 112 00:07:04,880 --> 00:07:08,279 Speaker 1: or on tea off either way, I'd say, wait a minute, 113 00:07:08,360 --> 00:07:11,040 Speaker 1: that you ain't doing that right. Let me help and 114 00:07:11,080 --> 00:07:14,200 Speaker 1: mess him up because he's a natural athlete. I'm not. 115 00:07:14,440 --> 00:07:17,440 Speaker 1: So it was the only way I could win. And 116 00:07:17,480 --> 00:07:19,520 Speaker 1: he kept he said, you you've got to get into radio. 117 00:07:19,560 --> 00:07:21,600 Speaker 1: You gotta get in. So he introduced me to people 118 00:07:21,680 --> 00:07:24,720 Speaker 1: and I'm particularly or I used to be shy to 119 00:07:24,760 --> 00:07:29,280 Speaker 1: I'll learn it didn't pay and uh, I just uh 120 00:07:29,440 --> 00:07:31,600 Speaker 1: it just never could find anybody that would let me 121 00:07:31,640 --> 00:07:35,040 Speaker 1: on their show. And uh, it was in the September 122 00:07:37,120 --> 00:07:39,880 Speaker 1: I was at the fair with my wife and we 123 00:07:39,960 --> 00:07:42,480 Speaker 1: walked up to uh to a guy off the midway 124 00:07:42,520 --> 00:07:45,560 Speaker 1: and uh, it was Kenny Bozak with old he's ninety 125 00:07:45,600 --> 00:07:49,280 Speaker 1: eight point seven here in Memphis and he uh, he 126 00:07:49,320 --> 00:07:51,200 Speaker 1: was at this booth. It was the do year move 127 00:07:51,320 --> 00:07:55,080 Speaker 1: contest for Turner Dairy and he was stuck there recording 128 00:07:55,120 --> 00:07:58,720 Speaker 1: people doing their cowmu as they came off the midway drunk. 129 00:07:59,480 --> 00:08:01,640 Speaker 1: And then they were later going to have a move off, 130 00:08:02,320 --> 00:08:05,400 Speaker 1: which I didn't win, by the way, but I said yeah, 131 00:08:05,440 --> 00:08:08,400 Speaker 1: So he said, do you want me to he said? 132 00:08:08,720 --> 00:08:10,800 Speaker 1: I asked him this, and he goes, so, what's going 133 00:08:10,840 --> 00:08:12,440 Speaker 1: on and he goes, oh, you know, the cow moving 134 00:08:12,480 --> 00:08:13,680 Speaker 1: and you know we'll have a move off. I said, 135 00:08:13,680 --> 00:08:16,000 Speaker 1: do you want me to move like ross Paro? And 136 00:08:16,080 --> 00:08:20,600 Speaker 1: he said, yeah, whatever. So I said, look, I'm only 137 00:08:20,640 --> 00:08:23,200 Speaker 1: going to do this for the volunteer. So here goes 138 00:08:26,160 --> 00:08:28,840 Speaker 1: what I've done the volunteers. Can I start over again? 139 00:08:29,720 --> 00:08:32,079 Speaker 1: And he said, would you talk to our morning guy? 140 00:08:32,760 --> 00:08:36,320 Speaker 1: That was great? So I was on their show. And 141 00:08:36,440 --> 00:08:39,000 Speaker 1: you know, of course local radio doesn't pay anything. You know, 142 00:08:39,080 --> 00:08:42,000 Speaker 1: you might get a free half of a steak and 143 00:08:42,080 --> 00:08:45,080 Speaker 1: a third of a baked potato with this coupon. You know, 144 00:08:45,240 --> 00:08:47,760 Speaker 1: they give me all kinds of prizes to go out 145 00:08:47,800 --> 00:08:49,240 Speaker 1: to eat and all that kind of thing. And it 146 00:08:49,280 --> 00:08:53,040 Speaker 1: was fun to do whatever I wanted to, uh for 147 00:08:53,160 --> 00:08:57,280 Speaker 1: local radio and uh but of course Ramire has had 148 00:08:57,320 --> 00:08:59,800 Speaker 1: bigger plans for him. He kept bugging me for eight 149 00:09:00,200 --> 00:09:01,679 Speaker 1: you gotta get on the Limboll Show. You gotta get 150 00:09:01,720 --> 00:09:03,199 Speaker 1: on the Limbo Show. Gotta get on the limb Show. 151 00:09:03,760 --> 00:09:06,240 Speaker 1: And I said, yeah, okay, Well I've done some songs, 152 00:09:06,240 --> 00:09:09,320 Speaker 1: and we recorded several things and and had him on 153 00:09:09,400 --> 00:09:11,960 Speaker 1: tape and uh so he put it all into it. 154 00:09:12,080 --> 00:09:14,880 Speaker 1: He was on back in the ancient days and quarter 155 00:09:15,000 --> 00:09:19,200 Speaker 1: inch shape. And I sent a tape to Johnny Donovan. 156 00:09:19,720 --> 00:09:23,240 Speaker 1: Waited a week. I didn't hear anything, and called Johnny 157 00:09:23,280 --> 00:09:27,439 Speaker 1: Donovan and went something like this, Hello. I said, oh 158 00:09:27,480 --> 00:09:32,040 Speaker 1: this isa I got. That's such a thing, and don't 159 00:09:32,080 --> 00:09:34,840 Speaker 1: didn't get it. Show me another one. So hung up 160 00:09:34,880 --> 00:09:38,280 Speaker 1: and dutifully got together the same stuff, put it in 161 00:09:38,280 --> 00:09:40,720 Speaker 1: a package FedEx all the way up to New York. 162 00:09:40,720 --> 00:09:44,360 Speaker 1: Waited a week, called again, Dope, didn't get it. Send 163 00:09:44,360 --> 00:09:48,239 Speaker 1: me another one. Send him a third tape. I'm persistent 164 00:09:48,320 --> 00:09:50,200 Speaker 1: I might not be much of anything else, but I 165 00:09:50,240 --> 00:09:53,439 Speaker 1: am persistent. Send him a third tape. Called him and 166 00:09:53,520 --> 00:09:56,400 Speaker 1: he he said, yeah, we got it. It was great. 167 00:09:56,679 --> 00:09:59,679 Speaker 1: We'll be in touch. And I was kind of the 168 00:09:59,800 --> 00:10:02,200 Speaker 1: jack did. I kind of gave up, and Ramirez said, 169 00:10:02,600 --> 00:10:04,960 Speaker 1: you didn't. You didn't do any voices when you call. 170 00:10:05,559 --> 00:10:07,880 Speaker 1: I said, no, I didn't do any voices when I called. 171 00:10:07,880 --> 00:10:10,640 Speaker 1: He's he's real busy. He's got this big voice, scary 172 00:10:10,679 --> 00:10:13,960 Speaker 1: big voice, just like James Golden, scary, big voice. And 173 00:10:13,960 --> 00:10:15,880 Speaker 1: I don't know what to do. And I just said, 174 00:10:15,880 --> 00:10:18,200 Speaker 1: I just hung up the phone. He's a calling back 175 00:10:18,200 --> 00:10:20,760 Speaker 1: and just do Clinton. If you called back and do Clinton. 176 00:10:20,760 --> 00:10:23,679 Speaker 1: He's got it. He's got to listen to you. So 177 00:10:23,720 --> 00:10:27,440 Speaker 1: I called him back. He said, hello, Johnny, this is 178 00:10:27,440 --> 00:10:30,760 Speaker 1: Bill Clinton. And I know you and Rush are really tight, 179 00:10:32,160 --> 00:10:35,560 Speaker 1: and for some reason, he and I have really fallen 180 00:10:35,600 --> 00:10:38,240 Speaker 1: out over this gaze in the military thing. Can you 181 00:10:39,240 --> 00:10:41,920 Speaker 1: talk to him and put us back together as friends? 182 00:10:42,480 --> 00:10:44,920 Speaker 1: And he said, who is this? I said, this is 183 00:10:44,960 --> 00:10:48,960 Speaker 1: Paul Shanklin from Memphis, Tennessee. He goes, that was great. Good, 184 00:10:49,040 --> 00:10:56,679 Speaker 1: you send me a taper. Honest truth. That's the honest truth. 185 00:10:57,240 --> 00:11:01,480 Speaker 1: And I've been pulling his leg ever since. Uh, and 186 00:11:01,559 --> 00:11:03,960 Speaker 1: that's how I got started. He's he he kind of 187 00:11:04,000 --> 00:11:06,600 Speaker 1: coached me. You know, I didn't know a whole lot 188 00:11:06,600 --> 00:11:10,920 Speaker 1: about radio, and and Johnny has been my mentor and 189 00:11:11,080 --> 00:11:16,080 Speaker 1: coach and guide all along. And uh, we've had so 190 00:11:16,200 --> 00:11:19,520 Speaker 1: much fun together, although I have driven him a little 191 00:11:19,520 --> 00:11:23,040 Speaker 1: crazy from time to time. When did you start doing voices? Paul? 192 00:11:23,040 --> 00:11:25,560 Speaker 1: Wouldn't you realize we had a talent for this? Well, 193 00:11:27,720 --> 00:11:31,200 Speaker 1: the thing was, it was something that came natural. My 194 00:11:31,200 --> 00:11:35,440 Speaker 1: my mother's family were marines and postal workers, and she 195 00:11:35,559 --> 00:11:37,760 Speaker 1: was a chemist. So you can tell that was not 196 00:11:37,800 --> 00:11:41,520 Speaker 1: the humorous side. My father was a veterinarian and uh, 197 00:11:42,080 --> 00:11:44,679 Speaker 1: his my father's side of the family, they all do that. 198 00:11:45,200 --> 00:11:47,760 Speaker 1: I mean, they were known far and wide for what 199 00:11:47,800 --> 00:11:51,720 Speaker 1: they call in the country mocking folks. And people didn't 200 00:11:51,760 --> 00:11:56,240 Speaker 1: like people that mocked folks. And uh, when I worked 201 00:11:56,240 --> 00:11:59,000 Speaker 1: on the farm Tommy Swain, we used to say Paul 202 00:11:59,559 --> 00:12:06,120 Speaker 1: even me and hateful because I did his voice, you know, 203 00:12:06,840 --> 00:12:10,400 Speaker 1: And uh, I'm not. I was pretty scrawny, so and 204 00:12:10,400 --> 00:12:14,319 Speaker 1: I was the youngest of five kids, so my best 205 00:12:14,360 --> 00:12:21,199 Speaker 1: defense was satire, chance and counters unusual circumstances and seemingly 206 00:12:21,400 --> 00:12:26,760 Speaker 1: unimportant events change the course of history every day. Let's 207 00:12:26,800 --> 00:12:33,040 Speaker 1: find out what happened on this day in history. So 208 00:12:33,600 --> 00:12:37,079 Speaker 1: you're having a good time. Oh yeah, you were right 209 00:12:37,120 --> 00:12:41,360 Speaker 1: about that steam. He puts on a real swanky party. 210 00:12:41,400 --> 00:12:43,600 Speaker 1: But he sure has a lot of kids to send 211 00:12:43,679 --> 00:12:47,920 Speaker 1: to college. Oh they're not his kids. They're massus is 212 00:12:48,640 --> 00:12:54,120 Speaker 1: Who's they're paid to give massages for guests. Oh you 213 00:12:54,160 --> 00:12:58,559 Speaker 1: should get one. Oh no, I I can't imagine. I've 214 00:12:58,640 --> 00:13:02,760 Speaker 1: never We'll rely here. You don't really like it? Do 215 00:13:02,840 --> 00:13:07,840 Speaker 1: you really think I should? Absolutely? It will become a session. 216 00:13:09,080 --> 00:13:15,800 Speaker 1: And that's what happened on this day in history. Soon 217 00:13:16,120 --> 00:13:19,720 Speaker 1: the biggest tell us since Jeffrey Steele's dossier is not 218 00:13:19,880 --> 00:13:25,240 Speaker 1: hitting the shelves. Still mulling it over by Robert Mueller. 219 00:13:27,160 --> 00:13:29,959 Speaker 1: How can a story written to protect a corrupt former 220 00:13:30,080 --> 00:13:34,720 Speaker 1: FBI official by an equally corrupt former FBI official be true? 221 00:13:37,000 --> 00:13:40,240 Speaker 1: Find out when it's leaked in little bitty bits leading 222 00:13:40,320 --> 00:13:44,520 Speaker 1: up to the mid term elections. Learn how quotation marks 223 00:13:44,520 --> 00:13:49,200 Speaker 1: and presidential tweets have actually possibly been used to obstruct justice. 224 00:13:49,920 --> 00:13:53,800 Speaker 1: That this isn't the only hotel bit in question, and 225 00:13:53,960 --> 00:13:57,040 Speaker 1: that Republican and Russian are both spelled with an r 226 00:13:58,240 --> 00:14:01,040 Speaker 1: if half the bias sources and the outrageous tell all 227 00:14:01,120 --> 00:14:04,679 Speaker 1: or true Donald Trump will lose House and Senate seats, 228 00:14:05,040 --> 00:14:09,680 Speaker 1: we hope unofficially leaked by Robert Mueller to the press 229 00:14:09,720 --> 00:14:15,560 Speaker 1: from now till November still Mully get over quoting anonymous 230 00:14:15,600 --> 00:14:23,040 Speaker 1: sources in Russian who sounds suspiciously like the Clintons. Over 231 00:14:23,080 --> 00:14:25,880 Speaker 1: the course of this series, we've been hearing the biographical 232 00:14:25,960 --> 00:14:30,240 Speaker 1: journey of Russia's life, narrated by some of his friends, family, 233 00:14:30,360 --> 00:14:35,040 Speaker 1: and fellow broadcasters. Today, author and former radio host and 234 00:14:35,680 --> 00:14:40,280 Speaker 1: fellow Radio Hall of Fame inductee Neil boards The Life 235 00:14:40,320 --> 00:14:46,800 Speaker 1: of Russia Limbaugh, Chapter seven, narrated by Neil Boortz. When 236 00:14:46,800 --> 00:14:49,400 Speaker 1: you think about what it means to be inducted into 237 00:14:49,480 --> 00:14:52,760 Speaker 1: the Paul of Fame, you might think first of legendary 238 00:14:52,880 --> 00:14:57,240 Speaker 1: names like Ruth Aaron, maybe Montana Marino. Here's a few 239 00:14:57,240 --> 00:15:01,120 Speaker 1: more for you, Freed, Harvey Limbaugh. That's right, members of 240 00:15:01,160 --> 00:15:04,720 Speaker 1: the Radio Hall of Fame, and Rush Limbaugh is obviously 241 00:15:05,320 --> 00:15:08,920 Speaker 1: right there a member, but unlike the others who typically 242 00:15:09,000 --> 00:15:11,600 Speaker 1: have to wait until the end of their careers, it 243 00:15:11,680 --> 00:15:13,920 Speaker 1: was clear early on that the Hall needed to make 244 00:15:14,040 --> 00:15:17,920 Speaker 1: room for Rush. After only five years of syndication and 245 00:15:18,200 --> 00:15:22,800 Speaker 1: overwhelming record breaking success, he became part of a prestigious 246 00:15:22,840 --> 00:15:28,520 Speaker 1: class of inductees in nineteene For a guy from Cape Girardo, Missouri, 247 00:15:28,720 --> 00:15:33,360 Speaker 1: fired from his first seven radio jobs before finding any 248 00:15:33,520 --> 00:15:38,120 Speaker 1: sort of success behind the microphone, the entire experience was 249 00:15:38,480 --> 00:15:42,400 Speaker 1: nothing short of humbling. So many standards of excellence have 250 00:15:42,520 --> 00:15:46,320 Speaker 1: been set by previous inductees, including tonight's, that all I 251 00:15:46,360 --> 00:15:49,080 Speaker 1: can hope to do is try to approximate them as 252 00:15:49,120 --> 00:15:50,720 Speaker 1: I go through my career, and if I am one 253 00:15:50,800 --> 00:15:52,760 Speaker 1: day judged to have done that, then I will consider 254 00:15:52,800 --> 00:15:54,400 Speaker 1: it to have been worth it. In the success, I 255 00:15:54,480 --> 00:15:56,560 Speaker 1: say what I say to the American people, and any 256 00:15:56,600 --> 00:15:58,320 Speaker 1: chance I have a chance to speak to them, I do, 257 00:15:58,640 --> 00:16:01,280 Speaker 1: and I am so grateful and so honored. Regardless what 258 00:16:01,320 --> 00:16:04,000 Speaker 1: I mean to them, I am certain that I will 259 00:16:04,000 --> 00:16:06,280 Speaker 1: never mean as much to them as they mean to me. 260 00:16:06,560 --> 00:16:10,840 Speaker 1: After patiently waiting through a critical introductory speech from Sally 261 00:16:11,120 --> 00:16:16,120 Speaker 1: Jesse Raphael based on their political differences, Rush confidently strolled 262 00:16:16,160 --> 00:16:19,000 Speaker 1: up to the podium and delivered an acceptance speech full 263 00:16:19,040 --> 00:16:22,520 Speaker 1: of class, grace, and gratitude. In the speech, he offered 264 00:16:22,560 --> 00:16:25,840 Speaker 1: his thanks to the American people, family, and colleagues, and 265 00:16:25,960 --> 00:16:29,680 Speaker 1: ironically enough, his competition and those who disagreed with you. 266 00:16:29,920 --> 00:16:31,560 Speaker 1: When I came to New York, there was one man. 267 00:16:31,600 --> 00:16:33,760 Speaker 1: I said, here's the standard. That's what I'm up against. 268 00:16:33,800 --> 00:16:36,640 Speaker 1: Here's who I consider my competition to be. If Larry 269 00:16:36,760 --> 00:16:39,800 Speaker 1: King had not shown that syndicated talk programming would work, 270 00:16:40,040 --> 00:16:42,040 Speaker 1: I wouldn't have had the chance. I thank Larry King 271 00:16:42,040 --> 00:16:43,640 Speaker 1: as well. I thank all of you. Thank you so 272 00:16:43,720 --> 00:16:46,800 Speaker 1: much for allowing you to run along. Thank you, no 273 00:16:46,840 --> 00:16:49,680 Speaker 1: matter if you're an athlete, a musician, or a broadcaster. 274 00:16:49,960 --> 00:16:52,840 Speaker 1: Being inducted into the Hall of Fame as usually the 275 00:16:52,920 --> 00:16:56,760 Speaker 1: crowning achievement of a long career finished as you head 276 00:16:56,760 --> 00:17:00,240 Speaker 1: off in the sunset. But for Rush Limbaugh, it was 277 00:17:00,360 --> 00:17:04,480 Speaker 1: only the beginning, with still more than twenty five years 278 00:17:04,520 --> 00:17:13,160 Speaker 1: of excellence and broadcasting to come. Hey, James Golden, here, 279 00:17:13,320 --> 00:17:15,919 Speaker 1: you know what It's time that you treat yourself to 280 00:17:16,000 --> 00:17:18,680 Speaker 1: a little bit of luxury. You know the company, It's 281 00:17:18,760 --> 00:17:22,000 Speaker 1: my pillow. But what you may not know is that 282 00:17:22,040 --> 00:17:25,520 Speaker 1: my pillow makes more than just the incredible pillows that 283 00:17:25,560 --> 00:17:31,040 Speaker 1: have captivated America. They make sheets and These aren't just 284 00:17:31,280 --> 00:17:35,600 Speaker 1: any sheets. These sheets are smooth, they're soft, they're comfortable. 285 00:17:36,119 --> 00:17:39,200 Speaker 1: You'll look forward to getting under these sheets every night. 286 00:17:39,359 --> 00:17:42,879 Speaker 1: I know I do. My pillow Geeza sheets have a 287 00:17:42,960 --> 00:17:49,399 Speaker 1: luxurious feel. You're going to love. Get yourself the luxury. 288 00:17:49,640 --> 00:17:51,760 Speaker 1: Get a set of these sheets. They come with a 289 00:17:51,800 --> 00:17:56,920 Speaker 1: sixty day comfort guarantee. Pillows sheets. Don't forget the incredible 290 00:17:56,960 --> 00:18:01,320 Speaker 1: slippers from my Pillow. They're available from my Pillow. They 291 00:18:01,359 --> 00:18:04,920 Speaker 1: have a level of comfort you need to experience. Log 292 00:18:05,000 --> 00:18:08,200 Speaker 1: on to my pillow dot com clicking on the new 293 00:18:08,320 --> 00:18:11,919 Speaker 1: radio listeners specials and use promo code icon. Lots of 294 00:18:12,000 --> 00:18:16,560 Speaker 1: incredible offers there. Now that's my pillow dot com promo 295 00:18:16,680 --> 00:18:24,399 Speaker 1: code icon. Paul. I want to talk about the one 296 00:18:24,440 --> 00:18:27,159 Speaker 1: that generated the most controversy and it remains one of 297 00:18:27,200 --> 00:18:32,240 Speaker 1: my favorites. You know what that is, don't you? That song? Yes? 298 00:18:32,400 --> 00:18:37,000 Speaker 1: I that song. Let's talk about that the song, that 299 00:18:37,280 --> 00:18:41,960 Speaker 1: song that yeah brought the magic. That's actually the thing 300 00:18:42,119 --> 00:18:45,200 Speaker 1: is is that you I. I learned a very important 301 00:18:45,240 --> 00:18:49,000 Speaker 1: lesson with that song. What did you learn? Don't quote 302 00:18:49,040 --> 00:18:55,760 Speaker 1: three Democrats in one song? I quoted the guy who 303 00:18:55,760 --> 00:19:00,960 Speaker 1: wrote the piece, Barack Obama. The magic Negro. I quoted 304 00:19:01,080 --> 00:19:04,800 Speaker 1: Joe Biden, and I quoted Al Sharpton, and I got 305 00:19:04,800 --> 00:19:08,080 Speaker 1: in more trouble than I've ever been in. And uh, well, 306 00:19:08,119 --> 00:19:12,719 Speaker 1: since at least seventh grade, Barack, the Magic Negro still 307 00:19:13,320 --> 00:19:16,879 Speaker 1: still remains up there. I think it may be my 308 00:19:17,000 --> 00:19:20,000 Speaker 1: number one favorite that you've ever done. And part of 309 00:19:20,040 --> 00:19:24,040 Speaker 1: it is because of the insanity that it created. The 310 00:19:24,119 --> 00:19:31,560 Speaker 1: left wind absolutely berserk, and it was. Yeah, it was 311 00:19:31,680 --> 00:19:37,320 Speaker 1: a song that was written from a piece that was 312 00:19:37,400 --> 00:19:43,880 Speaker 1: written in the Los Angeles Times and the columnist wrote, matter, Yeah, well, 313 00:19:43,880 --> 00:19:46,800 Speaker 1: what kind of flak did you get from it? I 314 00:19:46,840 --> 00:19:50,320 Speaker 1: was on vacation when it really got big. I put 315 00:19:50,320 --> 00:19:52,959 Speaker 1: it on an album and it it wound up at 316 00:19:53,000 --> 00:19:57,160 Speaker 1: a at a Republican event, and uh, somebody got wound 317 00:19:57,200 --> 00:19:59,080 Speaker 1: up and given out by a friend of mine just 318 00:19:59,400 --> 00:20:01,680 Speaker 1: giving out my album, and of course they looked down 319 00:20:01,680 --> 00:20:04,840 Speaker 1: at and some other Republican no doubt is the one 320 00:20:04,880 --> 00:20:07,560 Speaker 1: that turned him in because they were all vying for 321 00:20:07,640 --> 00:20:14,760 Speaker 1: the GOP leadership position, party party chairman, and uh, somebody 322 00:20:14,760 --> 00:20:17,560 Speaker 1: freaked out, and you know, it's it's it is what 323 00:20:17,720 --> 00:20:19,640 Speaker 1: it is. And there's a good bit of quote from 324 00:20:19,720 --> 00:20:22,840 Speaker 1: everybody that other than me that was involved in it, 325 00:20:23,160 --> 00:20:26,440 Speaker 1: and how Sharpton felt about it, Joe felt him about 326 00:20:26,520 --> 00:20:28,520 Speaker 1: him being bright and new and clean and all of that. 327 00:20:29,200 --> 00:20:33,720 Speaker 1: And Uh. I had somebody say, is there anything you uh, 328 00:20:33,800 --> 00:20:35,159 Speaker 1: if you had to do it over again, is there 329 00:20:35,160 --> 00:20:37,679 Speaker 1: anything you could do differently about the song? I said, yeah, 330 00:20:38,040 --> 00:20:43,280 Speaker 1: really there is. The base is a little tubby range. 331 00:20:44,080 --> 00:20:46,840 Speaker 1: All right, you do a wicked Lewis Farrecan the million 332 00:20:46,920 --> 00:20:51,840 Speaker 1: Man March and Louis Farrakans sort of yes, you know. 333 00:20:51,920 --> 00:20:54,520 Speaker 1: That's where I got my greatest compliment one time. The 334 00:20:54,560 --> 00:20:58,960 Speaker 1: greatest compliment I ever got was when my mother called 335 00:20:58,960 --> 00:21:02,440 Speaker 1: me and she said they played Louis Ferricon on the 336 00:21:02,920 --> 00:21:06,680 Speaker 1: Limball Show today. Was was that you? Wow? My own 337 00:21:06,720 --> 00:21:12,600 Speaker 1: mother didn't recognize my voice. Hello, my sister, Hello, my brother. 338 00:21:13,280 --> 00:21:19,120 Speaker 1: I'm a crazy, crazy man. In a sea of misdirected 339 00:21:19,160 --> 00:21:23,320 Speaker 1: candidates trying to unseat Donald Trump, only one has proven 340 00:21:23,400 --> 00:21:29,680 Speaker 1: she can win. Hillary. Only Hillary can win over moderate liberals, progressives, 341 00:21:29,720 --> 00:21:32,680 Speaker 1: and socialists by reaching out and pretending to be whatever 342 00:21:32,960 --> 00:21:35,600 Speaker 1: you want her to be. She can be a hawk, 343 00:21:36,040 --> 00:21:39,439 Speaker 1: a dove, a sophisticated Yankee, or a diet in the 344 00:21:39,440 --> 00:21:45,080 Speaker 1: world pig riding Southern Democrat, and since she has proven 345 00:21:45,160 --> 00:21:48,719 Speaker 1: she can endure the physical rigors of the campaign with 346 00:21:48,840 --> 00:21:52,000 Speaker 1: some assistance and a d a compliant ramps and elevators 347 00:21:53,080 --> 00:21:56,080 Speaker 1: in the fight against Donald Trump, it's time to bring 348 00:21:56,160 --> 00:22:00,240 Speaker 1: our best. It's time to have a proven candidate. It's 349 00:22:00,320 --> 00:22:12,600 Speaker 1: time Joe Joe clamp she's running against her. Oh yeah, right, well, 350 00:22:12,600 --> 00:22:16,879 Speaker 1: it's I thinking you weren't we doubt hat you'll be 351 00:22:17,320 --> 00:22:21,359 Speaker 1: the sens with Governor Andrew Culomo. Let's listen to it 352 00:22:21,560 --> 00:22:27,840 Speaker 1: as he gets an important call from a close advisor. Hello, 353 00:22:29,640 --> 00:22:34,600 Speaker 1: I need you to do something important. Hey, Ma, I'm 354 00:22:34,720 --> 00:22:38,920 Speaker 1: kind of busy right now. I gotta respond to some stuff. 355 00:22:43,920 --> 00:22:47,600 Speaker 1: You respond to me and I might save your fer. 356 00:22:48,960 --> 00:22:52,679 Speaker 1: I want you to build up your constituency by coming 357 00:22:52,760 --> 00:22:56,560 Speaker 1: to the home I know and talk to the little 358 00:22:56,560 --> 00:22:59,840 Speaker 1: old ladies in the retirement home. Yeah, yeah, I get it. 359 00:23:00,480 --> 00:23:05,040 Speaker 1: I get it, but I can't right now. A lot 360 00:23:05,240 --> 00:23:09,600 Speaker 1: of lonely women here would appreciate some of that special 361 00:23:09,640 --> 00:23:14,720 Speaker 1: attention from you. A little hockey kissy will go along 362 00:23:15,080 --> 00:23:19,280 Speaker 1: way to rebuild your political REAMA. What have you got 363 00:23:19,320 --> 00:23:26,840 Speaker 1: to louse Andrew the governorship? Mike, I can't, I'm busy. 364 00:23:27,760 --> 00:23:33,359 Speaker 1: You know I can't keep you Saturday, Gordon join us 365 00:23:33,400 --> 00:23:42,840 Speaker 1: next time? Are microphones take you behind the scenes? What 366 00:23:43,040 --> 00:23:46,960 Speaker 1: isn't Paul? This has been spectacular. Thank you man, I 367 00:23:47,000 --> 00:23:49,280 Speaker 1: really appreciate you. Let me let me ask you to 368 00:23:49,359 --> 00:23:53,359 Speaker 1: leave us with this. Your thoughts, your thoughts about Russilan Ball, 369 00:23:53,760 --> 00:23:57,720 Speaker 1: who he was, the impact, the funny, your thoughts about 370 00:23:57,720 --> 00:24:02,960 Speaker 1: working with the show and what you have gotten out 371 00:24:03,000 --> 00:24:06,520 Speaker 1: of the experience of working with Rush on the Russlan 372 00:24:06,560 --> 00:24:10,120 Speaker 1: Blood Program. Well, you know, it's it's one thing for 373 00:24:10,200 --> 00:24:14,000 Speaker 1: us to be, you know, in the background, and and 374 00:24:14,119 --> 00:24:16,879 Speaker 1: you know, we had our contributions. People knew we did things, 375 00:24:16,920 --> 00:24:20,080 Speaker 1: but he took all the arrows. And that's hard, uh 376 00:24:20,359 --> 00:24:23,960 Speaker 1: to to have personal people writing articles. And I got 377 00:24:23,960 --> 00:24:25,679 Speaker 1: a little of that on the Magic Negro and some 378 00:24:25,720 --> 00:24:27,560 Speaker 1: other stuff that I had done, but I didn't get 379 00:24:27,560 --> 00:24:32,200 Speaker 1: it for decades. And uh, to have the thick skin 380 00:24:32,440 --> 00:24:40,400 Speaker 1: and still hold your values up, that was that was amazing. 381 00:24:40,520 --> 00:24:46,240 Speaker 1: And how he's different to me than many other show 382 00:24:46,280 --> 00:24:50,359 Speaker 1: hosts was that he was interesting. Um, you know, we 383 00:24:50,400 --> 00:24:52,280 Speaker 1: all kind of knew it what the news of the 384 00:24:52,359 --> 00:24:54,479 Speaker 1: day was because we're watching Fox or we're listening to 385 00:24:54,480 --> 00:24:56,840 Speaker 1: something else. And before the show and we're thinking, what's 386 00:24:56,880 --> 00:24:59,840 Speaker 1: gonna Russian us about that? He might he might talk 387 00:24:59,840 --> 00:25:01,720 Speaker 1: a out whatever the news of the day was for 388 00:25:01,760 --> 00:25:04,280 Speaker 1: ten minutes. Then he would go to what he thought 389 00:25:04,720 --> 00:25:08,440 Speaker 1: was important, would be something completely different and more interesting 390 00:25:08,880 --> 00:25:11,679 Speaker 1: and more informative of behind the scenes and all that. 391 00:25:11,720 --> 00:25:14,479 Speaker 1: But he was interesting for three hours a day. I 392 00:25:14,560 --> 00:25:17,359 Speaker 1: had to do that. I mean, that's it. It seems easy. 393 00:25:17,440 --> 00:25:20,879 Speaker 1: But you've hosted, You've done some things in radio that 394 00:25:21,119 --> 00:25:22,760 Speaker 1: I haven't done. I've done a little bit hosting for 395 00:25:22,920 --> 00:25:26,560 Speaker 1: local radio here, and it wears you out. It's not 396 00:25:26,640 --> 00:25:28,280 Speaker 1: just you know, you get in front of a microphone 397 00:25:28,280 --> 00:25:31,479 Speaker 1: and talk. You gotta have something to say that people will. 398 00:25:31,520 --> 00:25:34,959 Speaker 1: You gotta be interesting for three hours or actually interesting 399 00:25:35,040 --> 00:25:37,320 Speaker 1: for five minutes because somebody will change the channel. So, 400 00:25:37,560 --> 00:25:40,320 Speaker 1: I mean, he was. He was just amazing like that. 401 00:25:40,480 --> 00:25:43,080 Speaker 1: And again the fact that he would you know, he 402 00:25:43,119 --> 00:25:45,760 Speaker 1: would praise me, but he would let me do you 403 00:25:45,800 --> 00:25:49,240 Speaker 1: know what, I what I wanted to do. Uh, And 404 00:25:49,240 --> 00:25:52,160 Speaker 1: it didn't get in the way of that at all. 405 00:25:53,040 --> 00:25:57,119 Speaker 1: Um At one time though, kit Kitt said, yeah, is 406 00:25:57,160 --> 00:25:59,320 Speaker 1: this this girl, she's she works to the show, She's 407 00:25:59,320 --> 00:26:00,959 Speaker 1: got an idea. I'm gonna send it to you and 408 00:26:01,000 --> 00:26:03,080 Speaker 1: you know, just do what you do, what you want 409 00:26:03,119 --> 00:26:05,840 Speaker 1: to with it, and and uh and it was actually 410 00:26:05,960 --> 00:26:09,520 Speaker 1: pretty good and I used it and and then uh 411 00:26:09,800 --> 00:26:12,600 Speaker 1: uh this time I got it. Uh, I got it 412 00:26:12,640 --> 00:26:15,680 Speaker 1: from Rush and uh. He said, you know, I want you, 413 00:26:15,680 --> 00:26:18,600 Speaker 1: I want you to do this. The same girl's name 414 00:26:18,720 --> 00:26:22,199 Speaker 1: on the on the email. Um, let me look at it, 415 00:26:22,240 --> 00:26:25,080 Speaker 1: and I might. And I emailed him back and said, well, look, 416 00:26:25,240 --> 00:26:27,120 Speaker 1: I like it. I really like it, but I might 417 00:26:27,200 --> 00:26:29,560 Speaker 1: change a rhyme or two here because I'm thinking this 418 00:26:29,600 --> 00:26:31,119 Speaker 1: and this, this, this, and I wrote it up and 419 00:26:31,160 --> 00:26:36,919 Speaker 1: kind of changed. He goes, no, don't change anything. It 420 00:26:37,040 --> 00:26:40,080 Speaker 1: was the John Edwards song I Am a Woman, and 421 00:26:40,119 --> 00:26:45,320 Speaker 1: it was written by Catherine And of course Kid had 422 00:26:45,359 --> 00:26:49,159 Speaker 1: never told me who she was. And I told I 423 00:26:49,200 --> 00:26:51,120 Speaker 1: told Angie. I said, well, what what in the world? 424 00:26:51,200 --> 00:26:53,439 Speaker 1: I said, he Russia. Doesn't want to change anything, this 425 00:26:53,480 --> 00:26:56,600 Speaker 1: girl wrote, She goes, probably his girlfriend, Paul and I 426 00:26:56,640 --> 00:27:00,520 Speaker 1: went heads up then and Kid Kidd minuted to it. 427 00:27:00,600 --> 00:27:04,639 Speaker 1: After that. He goes, yeah, I did tell you how funny. 428 00:27:04,720 --> 00:27:07,720 Speaker 1: That's awesome. Well, Paul, this has been a real treat. 429 00:27:08,119 --> 00:27:09,920 Speaker 1: Those of us that have been with the show for 430 00:27:09,920 --> 00:27:11,840 Speaker 1: so long. All of us. We we all love you, 431 00:27:11,840 --> 00:27:14,800 Speaker 1: your joy to work with and and we've enjoyed your 432 00:27:14,840 --> 00:27:18,480 Speaker 1: parodies too, even though we've heard all of them over 433 00:27:18,520 --> 00:27:23,520 Speaker 1: and over fifteen twenty thousand. Yes, join the commercial, but 434 00:27:24,080 --> 00:27:26,800 Speaker 1: they never cease to entertain. Well, thank you, and you 435 00:27:26,920 --> 00:27:30,119 Speaker 1: have an amazing talent. Well, I'll either go to jail 436 00:27:30,160 --> 00:27:33,000 Speaker 1: ford or the neighbors will get me. Well, the neighbors 437 00:27:33,040 --> 00:27:35,879 Speaker 1: might come get you, but they'll do so with laughter. 438 00:27:36,320 --> 00:27:39,600 Speaker 1: Thank you so much for being with us, Paul, as 439 00:27:39,600 --> 00:27:44,960 Speaker 1: they used their pitchforks. Yes, thanks, Paul. We appreciate you 440 00:27:45,000 --> 00:27:47,600 Speaker 1: being with us. Thank you, man, I really appreciate you. 441 00:27:48,600 --> 00:27:54,720 Speaker 1: Is it really true? Are you really harmless? Lovable? Totally? Totally. 442 00:27:54,840 --> 00:28:00,000 Speaker 1: I'm one of the nicest, sweetest, quietest people you would 443 00:28:00,200 --> 00:28:03,080 Speaker 1: ever meet. I'm one of the most humble people that 444 00:28:03,160 --> 00:28:07,160 Speaker 1: you would ever run into. Riley, she's laughing. But it's 445 00:28:07,240 --> 00:28:09,359 Speaker 1: it's it happens. It happens to be the truth you 446 00:28:09,520 --> 00:28:12,400 Speaker 1: asked him. I wouldn't lie to you about it. If 447 00:28:12,440 --> 00:28:14,280 Speaker 1: I were a mean person, I would tell you and 448 00:28:14,280 --> 00:28:17,240 Speaker 1: that I would hang up on you. Okay, my mom's 449 00:28:17,280 --> 00:28:19,600 Speaker 1: wanted to marry you since she was fifteen since he 450 00:28:19,800 --> 00:28:23,920 Speaker 1: was fifteen hold is now eight team. Thanks for sending 451 00:28:23,960 --> 00:28:26,800 Speaker 1: me his limball letters. Wait a minute, he's sending you 452 00:28:26,880 --> 00:28:31,320 Speaker 1: his used limball letters. Well, I'll tell what we'll do. 453 00:28:31,720 --> 00:28:34,199 Speaker 1: We will send you a subscription and charge it to 454 00:28:34,280 --> 00:28:36,800 Speaker 1: our production budget. We'll take it up to Johnny Donovan's budget. 455 00:28:37,200 --> 00:28:43,400 Speaker 1: That's what I'll tell you what. I'll tell you what. 456 00:28:43,480 --> 00:28:46,680 Speaker 1: Let's do. I've got a better idea, Dan, Here's what 457 00:28:46,720 --> 00:28:51,760 Speaker 1: we're gonna do. You must organize a bake sale. Are 458 00:28:51,800 --> 00:28:54,640 Speaker 1: you married, Yeah, there's your wife bake well, yeah, but 459 00:28:54,720 --> 00:28:56,800 Speaker 1: she hates your show. That's another reason I can't get 460 00:28:56,800 --> 00:28:59,400 Speaker 1: the letters. She won't. Let's put the finances to it. 461 00:28:59,520 --> 00:29:02,160 Speaker 1: Then is up to you to go out and earn 462 00:29:02,240 --> 00:29:06,000 Speaker 1: money independent, independently for your wife. So have her bakes 463 00:29:06,000 --> 00:29:07,920 Speaker 1: and stuff, and don't tell her why this is. This 464 00:29:07,960 --> 00:29:09,360 Speaker 1: is a great way to get even. I was a 465 00:29:09,520 --> 00:29:12,920 Speaker 1: smoke in DJ. I was ahead of my time. I 466 00:29:13,000 --> 00:29:16,760 Speaker 1: kept getting fired for playing music I liked. Yeah, those 467 00:29:16,800 --> 00:29:19,160 Speaker 1: were those were, those were fun days. But here we go. 468 00:29:19,720 --> 00:29:38,720 Speaker 1: It's the Rush Hawkins singers and thank the more than 469 00:29:55,440 --> 00:30:32,160 Speaker 1: Billy come on sart' the thank God the Happy Harry 470 00:30:32,320 --> 00:30:40,400 Speaker 1: have a fars of Black Lives Matter, singers rush to 471 00:30:41,640 --> 00:31:07,960 Speaker 1: due on the loan gone, What miss You? Larbislaw, a 472 00:31:08,120 --> 00:31:13,160 Speaker 1: soprano World written down opera singer from Dallas, Texas. We 473 00:31:13,200 --> 00:31:14,920 Speaker 1: had no idea what was coming and just came in 474 00:31:15,000 --> 00:31:19,000 Speaker 1: one day, So did so did Thank the Lord Russia Limbs. 475 00:31:19,040 --> 00:31:21,959 Speaker 1: I just came in one day. Just blew me away. 476 00:31:22,280 --> 00:31:26,960 Speaker 1: Now the Update, which was a musical portion of the program, 477 00:31:26,960 --> 00:31:32,640 Speaker 1: one of the principal ways that I pioneered combining politics 478 00:31:32,720 --> 00:31:36,160 Speaker 1: with comedy and music. A lot of people have done 479 00:31:36,160 --> 00:31:42,440 Speaker 1: it since, but it first happened here. The combination serious discussion, 480 00:31:42,880 --> 00:31:47,120 Speaker 1: irreverent humor, the playing of rock and roll music on 481 00:31:47,720 --> 00:31:51,360 Speaker 1: programs that people thought the audience would not be interested in, 482 00:31:51,480 --> 00:31:55,360 Speaker 1: pioneering stuff, and it was used to educate, to laugh, 483 00:31:55,480 --> 00:31:59,880 Speaker 1: to create humor, and also inform people of things I 484 00:32:00,000 --> 00:32:04,800 Speaker 1: wanted them to know about. The Left Barney Frank up, 485 00:32:04,840 --> 00:32:19,800 Speaker 1: date time Homeless, Ain't got no Sometimes I sing with this, 486 00:32:21,240 --> 00:32:33,320 Speaker 1: I'm alone wrong to bring home General Dincin's Update. There's 487 00:32:33,360 --> 00:32:36,960 Speaker 1: a hold up in the Bronk stood it's lights. There's 488 00:32:36,960 --> 00:32:40,200 Speaker 1: a time to German harmom that's backed up to Jackson's rison. 489 00:32:40,320 --> 00:32:45,800 Speaker 1: There's this Country Shot, a Child's Resistance Wild General David Dinkins, 490 00:32:45,880 --> 00:33:04,560 Speaker 1: where are you? It's time for a timber update, Time 491 00:33:04,600 --> 00:33:09,200 Speaker 1: for a gay community update. Themes Hulks a vocal portrayal 492 00:33:09,280 --> 00:33:20,480 Speaker 1: here by the late and Great Klaus Norman. This is 493 00:33:20,480 --> 00:33:25,480 Speaker 1: our animal rights update theme. Andy Williams and his elevator 494 00:33:25,560 --> 00:33:47,720 Speaker 1: Shoes with the through on Free the Piece update, Slim 495 00:33:47,720 --> 00:33:52,360 Speaker 1: Woman Sat when the Sun Shines on the Mountain and 496 00:33:52,560 --> 00:34:02,280 Speaker 1: the Knight All Run. A feminist update. The sem Nazis 497 00:34:02,320 --> 00:34:16,800 Speaker 1: are livid at me because of well, general principles you done, 498 00:34:20,040 --> 00:34:22,440 Speaker 1: And that's how we taught. That's how we laughed and 499 00:34:22,480 --> 00:34:26,719 Speaker 1: made people aware of the mockery of the left and 500 00:34:26,719 --> 00:34:29,000 Speaker 1: what they really were and what things they believed in. 501 00:34:29,840 --> 00:34:32,320 Speaker 1: And we occasionally go back to the group yard forgotten 502 00:34:32,400 --> 00:34:35,239 Speaker 1: hits and relive it. Ladies and gentlemen. Now it is 503 00:34:35,280 --> 00:34:38,799 Speaker 1: getting good. It's getting good everywhere out there. I have 504 00:34:39,040 --> 00:34:43,440 Speaker 1: just about laughed myself into paralysis here about ten minutes ago, 505 00:34:43,520 --> 00:34:45,719 Speaker 1: and sturdily brought me something. It's in the New York 506 00:34:45,800 --> 00:34:49,560 Speaker 1: Daily News today that I missed on the lesbian farmers 507 00:34:49,600 --> 00:34:53,239 Speaker 1: story here. I don't know that I'm gonna be able 508 00:34:53,239 --> 00:34:56,360 Speaker 1: to explain this to you without cracking up. It's a 509 00:34:56,440 --> 00:35:01,120 Speaker 1: New York Daily news story. Rush Limball warns bomba regime 510 00:35:01,400 --> 00:35:06,280 Speaker 1: is sending government paid lesbian farmers to invade red stakes. 511 00:35:06,680 --> 00:35:09,240 Speaker 1: What they're trying to do is convince lesbians to become farmers. 512 00:35:09,239 --> 00:35:13,480 Speaker 1: He told listeners. There's a specific, sinister motive to the shift, 513 00:35:13,600 --> 00:35:18,120 Speaker 1: Limbaugh claimed, ruining conservative voting blocks. And then I said, 514 00:35:18,120 --> 00:35:20,600 Speaker 1: I'm like you, I never before in my life knew 515 00:35:20,640 --> 00:35:24,239 Speaker 1: that lesbians wanted to be farmers. I suspect what really 516 00:35:24,280 --> 00:35:26,640 Speaker 1: ticked them off was my next line. And like I say, 517 00:35:26,800 --> 00:35:29,360 Speaker 1: I could have thrown in things like about zucchini and 518 00:35:29,600 --> 00:35:32,520 Speaker 1: and carrots in any number, but I didn't. I kept 519 00:35:32,520 --> 00:35:35,920 Speaker 1: it above board. The next line was, I never knew 520 00:35:35,960 --> 00:35:38,440 Speaker 1: that lesbians wanted to get behind the horse and the 521 00:35:38,560 --> 00:35:42,080 Speaker 1: plow and start burrowing. That's probably what took them all, 522 00:35:44,520 --> 00:35:49,520 Speaker 1: lesbian I wanted to get behind the horse. Even laughed 523 00:35:49,520 --> 00:35:51,640 Speaker 1: at my own line when I read it. My own 524 00:35:51,719 --> 00:35:55,680 Speaker 1: line when I read it. Thanks for listening to this 525 00:35:55,719 --> 00:35:58,839 Speaker 1: episode of Russian Limbaugh, The Man behind the Golden ei 526 00:35:58,920 --> 00:36:02,359 Speaker 1: B Microphone. Our thanks today to our very special guest, 527 00:36:02,400 --> 00:36:08,280 Speaker 1: Paul Shanklin, the Witty the creative the white comedian Paul Shanklin, 528 00:36:08,719 --> 00:36:10,680 Speaker 1: who has been a part of the Rush Limbaugh Show 529 00:36:10,719 --> 00:36:14,000 Speaker 1: for these many years. Next episode a real treat, We're 530 00:36:14,000 --> 00:36:16,560 Speaker 1: gonna take you behind the scenes with two people that 531 00:36:16,640 --> 00:36:20,080 Speaker 1: have been with Rush for decades. Rush referred to them 532 00:36:20,120 --> 00:36:23,880 Speaker 1: as Coco and Cookie. You'll find out who they really 533 00:36:23,920 --> 00:36:27,000 Speaker 1: are and what they did with the Russi land Ball 534 00:36:27,080 --> 00:36:31,360 Speaker 1: Show on our next episode. Russia Limbaugh The Man Behind 535 00:36:31,360 --> 00:36:34,439 Speaker 1: the Golden E I B Microphone is produced by Chris 536 00:36:34,600 --> 00:36:38,840 Speaker 1: Kelly and Phil to Howard, the best producers in America, 537 00:36:39,160 --> 00:36:44,280 Speaker 1: Production assistance Mike Mamone and the executive producers Craig Kitchen 538 00:36:44,280 --> 00:36:48,520 Speaker 1: and Julie Talbot. Our program distributed worldwide by Premier Networks, 539 00:36:48,520 --> 00:36:51,440 Speaker 1: found on the I Heart Radio app or wherever you 540 00:36:51,560 --> 00:36:56,080 Speaker 1: listen to your favorite podcast. This is James Golden. This 541 00:36:56,239 --> 00:36:59,560 Speaker 1: is both Nervling. This is James Golden. I'm honored to 542 00:36:59,640 --> 00:37:02,480 Speaker 1: be your host for this and every single episode of 543 00:37:02,560 --> 00:37:06,239 Speaker 1: Russia Limbaugh The Man Behind the Golden E I B Microphone. 544 00:37:06,360 --> 00:37:12,360 Speaker 1: Thank you for being with us. H