WEBVTT - Danielle Dances! (Week 5)

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<v Speaker 1>Hello.

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<v Speaker 2>It's Danielle Fischol, podcaster, TV director and mom of two

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<v Speaker 2>and tonight, maybe more than ever forever known as Topanga,

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<v Speaker 2>and that's because I am currently competing on the thirty

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<v Speaker 2>fourth season of Dancing with the Stars, participating in the

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<v Speaker 2>tradition of Dedication Night, despite having absolutely no dance experience

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<v Speaker 2>before stepping into a practice with my pro partner Pasha Pashkov,

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<v Speaker 2>and throughout this journey, I have decided to record my

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<v Speaker 2>experience in the form of a podcast called Danielle with

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<v Speaker 2>the Stars, hoping that maybe in one hundred to two

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<v Speaker 2>hundred years, people will discover it amongst post apocalyptic rebbel

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<v Speaker 2>and hear what it was like to push yourself every

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<v Speaker 2>day to possibly win a Len Goodman Mirror Ball Trophy.

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<v Speaker 2>I am just off the press line from Dedication Night

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<v Speaker 2>and absolutely jam packed an emotional night of celebrity and dance.

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<v Speaker 2>I danced the jive to the season five through seven

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<v Speaker 2>Boy Meets World theme song by twenty cent Crush featuring

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<v Speaker 2>Phil Rosenthal, and I dedicated it to ninety nine and

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<v Speaker 2>a half year old Bill Daniels aka mister Feenie, who

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<v Speaker 2>joined me on the dance floor. Why did I pick Bill.

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<v Speaker 2>I'll tell you exactly why I picked Bill. I consider

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<v Speaker 2>him to be the patriarch of Boy Meets World, and

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<v Speaker 2>Boy Meets World is a show that forever changed my life,

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<v Speaker 2>not just personally but professionally. And Bill was a shining

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<v Speaker 2>example of what it meant to be a professional and

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<v Speaker 2>to be kind and to be good with kids. He

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<v Speaker 2>didn't have to be He could have treated us like

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<v Speaker 2>snot nosed kids, because we were a lot of times

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<v Speaker 2>we were having fun and goofing around and I came

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<v Speaker 2>to the set with little to zero experience, and he

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<v Speaker 2>never treated me that way. He always treated me like

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<v Speaker 2>a peer, which is really saying something. So I have

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<v Speaker 2>taken Bill's lesson of how to be a professional with

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<v Speaker 2>me onto every set I have gone on to since

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<v Speaker 2>the day I met him at twelve years old. Being

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<v Speaker 2>able to honor Boy Meets World tonight felt so special,

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<v Speaker 2>like such a gift. I knew full well that I

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<v Speaker 2>was representing every nineties kid, every early aughts everyone who's

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<v Speaker 2>grown up watching Boy Meets World and has no doubt

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<v Speaker 2>learned tons of lessons from mister Feenie. Life lessons, school lessons,

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<v Speaker 2>how to be a good person, lessons I knew that

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<v Speaker 2>this was a great opportunity to channel all of that

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<v Speaker 2>love and respect that you all have for him, and

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<v Speaker 2>then through me and through dance, give him his flowers.

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<v Speaker 2>And I was talking to Bill about it before we

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<v Speaker 2>went out there, and I said, everyone here is so

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<v Speaker 2>excited that you're here. And I said, and everyone online

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<v Speaker 2>is talking about how special this is and how happy

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<v Speaker 2>we are to be able to do this for you.

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<v Speaker 2>And he said, Danielle, I would do anything for you.

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<v Speaker 2>And I thought, Yeah, what an honor that he even

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<v Speaker 2>let me do this at ninety eight years old. To

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<v Speaker 2>leave your house early in the day and then be

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<v Speaker 2>on a stage for eight plus hours, do a dress rehearsal,

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<v Speaker 2>sit in a dressing room.

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<v Speaker 1>That's a lot.

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<v Speaker 2>It's a lot to ask of somebody. And I know

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<v Speaker 2>he let me do it, as again Bill showing me

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<v Speaker 2>a lot of respect and treating me like a peer.

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<v Speaker 2>But he didn't need to do it, and I'm so

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<v Speaker 2>honored that he did. So I want to give you

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<v Speaker 2>in case you don't know who Bill is other than

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<v Speaker 2>mister Feenie, I do. Just want to give you a

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<v Speaker 2>little bit of a bio. William David Daniels was born

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<v Speaker 2>in Brooklyn, New York, in nineteen twenty seven, and he

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<v Speaker 2>was a child entertainer himself. He was in a family

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<v Speaker 2>variety act as a kid, dancing and singing, and he

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<v Speaker 2>even made his Broadway debut at just the age of sixteen.

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<v Speaker 2>Soon after, he was drafted in nineteen forty five and

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<v Speaker 2>served as a disc jockey for the Army radio station.

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<v Speaker 2>He would then use the GI bill to enroll at

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<v Speaker 2>Northwestern University to study acting and drama. Once he graduated,

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<v Speaker 2>he quickly became a hard working and highly regarded performer

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<v Speaker 2>who would rack up hundreds of credits. He'd returned to

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<v Speaker 2>stage as an adult dozens of times, and a he

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<v Speaker 2>heard in nineteen sixty seven's cinematic classic The Graduate as

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<v Speaker 2>Dustin Hoffman's father. He famously starred as John Adams in

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<v Speaker 2>both the Broadway musical, where he was nominated for a Tony,

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<v Speaker 2>and then the film version of seventeen seventy six, he

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<v Speaker 2>played Doctor Craig on Saint Elsewhere, a role that won

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<v Speaker 2>him two Emmys and made him and his wife and

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<v Speaker 2>co star Bonnie Bartlett, the first husband and wife team

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<v Speaker 2>to take home the award on the same night in

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<v Speaker 2>twenty years It's also worth noting they are currently the

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<v Speaker 2>longest active Hollywood marriage at seventy four years. Seventy four

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<v Speaker 2>years to be married. Some people don't even live to

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<v Speaker 2>be seventy four years old, and they have been married

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<v Speaker 2>for seventy four years. Bill would also voice Kit, the

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<v Speaker 2>car partner of David Hasselhoff, in the show Night Writer

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<v Speaker 2>and Yes. He was also the strict and kind hearted

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<v Speaker 2>educator George Feeney on all seven seasons of Boy Meets World.

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<v Speaker 2>Who would have ever predicted it would be the role

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<v Speaker 2>of his illustrious career. He'd also appear on Gray's Anatomy

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<v Speaker 2>and later show up on Girl Meets World to reprise

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<v Speaker 2>mister Feenie in the Disney reboot. Bill has also made

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<v Speaker 2>it his life goal to give back to the communities

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<v Speaker 2>who gave to him. He's constantly speaking up for civil

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<v Speaker 2>rights and kindness. He was president of the Screen Actors

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<v Speaker 2>Guild from nineteen ninety nine to two thousand and one,

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<v Speaker 2>and he loves the legacy Feenie has left behind, especially

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<v Speaker 2>the effect it had on viewers who have then gone

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<v Speaker 2>on to enter the field of teaching. In the audience

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<v Speaker 2>tonight was so much of our boy Meets World family,

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<v Speaker 2>will Fredell, Betsy Randall, William, Rusty Russ, Alex de ser,

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<v Speaker 2>Trina McGee, Bonnie Bartlett, Bill's wife, Writer really wanted to

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<v Speaker 2>be here, but he is working out of town. Tony

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<v Speaker 2>Quinn also wanted to be here but could not make it,

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<v Speaker 2>and Matt Lawrence is in Africa, wanted to be here

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<v Speaker 2>but couldn't make it. And Lee Norris lives in North Carolina.

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<v Speaker 2>So I know that everyone was asking me tonight, what

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<v Speaker 2>does it mean to you to have your Boy Meets

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<v Speaker 2>World cast in your family there with you to celebrate

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<v Speaker 2>the show. And I would love to take credit and say, yes,

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<v Speaker 2>they're there to support me, but the truth is every

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<v Speaker 2>single person came out because they wanted to show their

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<v Speaker 2>love and their respect to Bill, and he so rightly

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<v Speaker 2>deserves it. Of course, my real family was also there.

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<v Speaker 2>That's my chosen family, my Boy Meets World family, But

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<v Speaker 2>my real family was there, my mom, my dad, Christine,

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<v Speaker 2>my dad's wife, Jensen's anti Candy was there, my brother

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<v Speaker 2>was there. It was really nice. Obviously, Jensen's there every week,

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<v Speaker 2>not just supporting me in the audience, but also making

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<v Speaker 2>sure all my guests get in the thought that they

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<v Speaker 2>have their credentials and bringing people back and forth and

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<v Speaker 2>just truly taking care of everybody, which means a lot.

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<v Speaker 2>I also had visiting me tonight Janice Leanne Brown The

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<v Speaker 2>Star of Wizards Beyond Waverley Place and Kenzie Richardson The

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<v Speaker 2>Star of Vamparina. Those are two shows I'm able to

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<v Speaker 2>direct for on Disney Channel. It was very sweet of

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<v Speaker 2>them to come out. They looked beautiful. They were all

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<v Speaker 2>glammed up and absolutely gorgeous, and we got to take

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<v Speaker 2>some pictures on the ballroom floor, so.

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<v Speaker 1>That was really fun. I am not gonna lie.

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<v Speaker 2>This was a hard week. It was a hard week.

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<v Speaker 2>We've reached the point in the competition where we're almost

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<v Speaker 2>at the halfway point. Next week is week six and

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<v Speaker 2>there are eleven total weeks of Dancing with the Stars,

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<v Speaker 2>so we are all tired. I think today maybe I

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<v Speaker 2>think today's day thirty, since I've had a day off,

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<v Speaker 2>and those days of working are not inconsequential. We're dancing

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<v Speaker 2>a minimum of four hours a day, plus doing interviews

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<v Speaker 2>for the packages, plus doing like OTF interviews, which also

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<v Speaker 2>are for the packages, and we're also doing press interviews.

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<v Speaker 1>And.

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<v Speaker 2>It's they are busy, busy days, and then on top

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<v Speaker 2>of that just trying to keep your body healthy and

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<v Speaker 2>trying to stay healthy. This week, lots of people were sick.

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<v Speaker 2>Andy was sick, Jen was sick, Pasha and I. The

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<v Speaker 2>rehearsal space that we normally rehearse in that has beautiful

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<v Speaker 2>floors that are great to dance on, was completely booked

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<v Speaker 2>up for some reason. Everybody wanted the same rehearsal time apparently,

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<v Speaker 2>and so we went to a different location and they

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<v Speaker 2>didn't have as nice as floors. There was concrete right

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<v Speaker 2>below the wood floor, and so for four hours we

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<v Speaker 2>did a jive, jumping and bouncing on concer great floors,

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<v Speaker 2>and both Pasha and myself woke up the next day

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<v Speaker 2>and felt like we had the flu. Like our bones,

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<v Speaker 2>our muscles, everything hurt. And it took a full forty

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<v Speaker 2>eight hours for me to feel like I was even

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<v Speaker 2>remotely normal, And even then I don't feel super normal.

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<v Speaker 2>My right hamstring, the one that I tore, has somehow

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<v Speaker 2>made a miraculous recovery. I don't My doctor wants me

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<v Speaker 2>to go and have more imaging when all of this

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<v Speaker 2>is said and done, just to kind of see where

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<v Speaker 2>the dust is settled, and I'm amazed that I have

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<v Speaker 2>a torn hamstring. It feels really good, and now my

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<v Speaker 2>left one just is not great. But you know, this

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<v Speaker 2>dance also just doesn't come super easily to me as

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<v Speaker 2>much as I would want it to, because I'm a fun, bouncy,

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<v Speaker 2>jumpy person. The stamina required for it it was a lot.

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<v Speaker 2>And also, you know where we needed Bill to be

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<v Speaker 2>in what we call the garage, that little part of

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<v Speaker 2>the Dancing with the Stars ballroom that's like a garage.

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<v Speaker 2>Bill was going to be in there, and we had

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<v Speaker 2>to then get to the center of the dance floor,

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<v Speaker 2>and not just the center, but like the upstage center,

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<v Speaker 2>because for a jive, you want to be able to

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<v Speaker 2>see a lot of head to toe and if you're

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<v Speaker 2>too far down the stage and close to the garage,

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<v Speaker 2>too close to say, carry Ann or beyond carry Anne,

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<v Speaker 2>then you won't see a lot of feet. You're gonna

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<v Speaker 2>just mostly see waste up. And so if we knew

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<v Speaker 2>we wanted people to be able to see our footwork,

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<v Speaker 2>we needed to be pretty far upstage, which meant our

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<v Speaker 2>dance started basically with a full sprint, and when you're rehearsing,

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<v Speaker 2>you don't necessarily have the room that has the long

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<v Speaker 2>enough distance for you to practice that sprint. So a

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<v Speaker 2>lot of times throughout the week we were not sprinting.

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<v Speaker 2>We were just starting the dance, you know, like we'd

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<v Speaker 2>like do a little jog and then we'd start the dance.

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<v Speaker 2>And then yesterday, when we got here for camera blocking

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<v Speaker 2>and we were actually in the space, I looked at

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<v Speaker 2>Pasha and I was like, this is far and yeah,

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<v Speaker 2>so I basically started the dance already winded, which is

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<v Speaker 2>not easy.

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<v Speaker 1>Like the amount of.

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<v Speaker 2>Stamina required to do a jive and to do a

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<v Speaker 2>jive well and to rehearse a jive all week is immense.

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<v Speaker 2>We also had done some choreography Wednesday, Thursday, Friday, and

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<v Speaker 2>Saturday that Pasha thought he was pretty happy with, and

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<v Speaker 2>it wasn't perfect. We knew we were going to work

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<v Speaker 2>on it on Sunday, and then when we arrived on

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<v Speaker 2>Sunday morning, Pasha said, don't hate me, but I'm going

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<v Speaker 2>to change eight counts. And I was like, what what

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<v Speaker 2>did you just say? And he was like, yeah, I

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<v Speaker 2>watched our tape back last night and I'm just not

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<v Speaker 2>thrilled with these eight counts. And I think we can

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<v Speaker 2>do better, and I think the judges might be harsh

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<v Speaker 2>on it, and I really want to change it.

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<v Speaker 1>And man, I want to be the.

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<v Speaker 2>Type a person who after four or five days of

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<v Speaker 2>rehearsing something and then just throw me a curveball and

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<v Speaker 2>I'm like, I got it. I am that way with directing,

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<v Speaker 2>I am that way with acting because I have my

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<v Speaker 2>ten thousand hours in those things.

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<v Speaker 1>I know what I'm doing.

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<v Speaker 2>I don't know what I'm doing with dance, and my

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<v Speaker 2>brain really locks onto things. Once my brain locks in

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<v Speaker 2>and goes, this is the routine, this is your choreography.

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<v Speaker 2>It is hard to shake it loose. And he changed

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<v Speaker 2>it on Sunday, and like I wasn't my best self,

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<v Speaker 2>Like I just wasn't my best self. Pasha definitely saw

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<v Speaker 2>the very frustrated side of Danielle, the side that was

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<v Speaker 2>like why are we doing this? And I was really

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<v Speaker 2>beating myself up and I was super frustrated, and I

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<v Speaker 2>felt like I was on the verge of tears a

0:13:58.720 --> 0:14:07.400
<v Speaker 2>couple of times. And you know, there's nothing Pasha could

0:14:07.440 --> 0:14:11.640
<v Speaker 2>do at this point that changes the way I feel

0:14:11.640 --> 0:14:19.160
<v Speaker 2>about him. He is solid as a human being, solid

0:14:19.720 --> 0:14:22.440
<v Speaker 2>as a man, solid as a dancer.

0:14:22.560 --> 0:14:23.320
<v Speaker 1>He is just.

0:14:24.920 --> 0:14:28.920
<v Speaker 2>Truly a plus and so even though I was very

0:14:28.960 --> 0:14:32.080
<v Speaker 2>frustrated with him, and I let him know that I

0:14:32.120 --> 0:14:35.080
<v Speaker 2>was very frustrated with him, I think he also knows

0:14:35.880 --> 0:14:39.200
<v Speaker 2>that it doesn't change a thing about the way I

0:14:39.200 --> 0:14:42.920
<v Speaker 2>feel about him, and I respect him and I appreciate

0:14:43.240 --> 0:14:45.880
<v Speaker 2>his opinion, and I know that if he felt so

0:14:45.920 --> 0:14:47.880
<v Speaker 2>strongly that he wanted to change it, it was for

0:14:48.000 --> 0:14:50.640
<v Speaker 2>good reason. But that doesn't mean that in the moment

0:14:50.680 --> 0:14:53.120
<v Speaker 2>it wasn't hard and that I wasn't a little upset

0:14:53.120 --> 0:14:56.480
<v Speaker 2>by it. I also think this week, being dedication night,

0:14:57.920 --> 0:15:02.160
<v Speaker 2>I felt an enormous amount of pressure to put on

0:15:02.560 --> 0:15:05.960
<v Speaker 2>an even better performance than I normally do. This wasn't

0:15:06.200 --> 0:15:08.760
<v Speaker 2>even a night about me. It was a night about

0:15:08.840 --> 0:15:13.120
<v Speaker 2>somebody named Bill Daniels, who I love and respect so much,

0:15:13.480 --> 0:15:17.600
<v Speaker 2>and I didn't want to go out there and not

0:15:17.680 --> 0:15:20.520
<v Speaker 2>do a good dance. I also felt an immense amount

0:15:20.520 --> 0:15:23.360
<v Speaker 2>of pressure to perform for you, guys, because I know

0:15:24.160 --> 0:15:28.760
<v Speaker 2>that this night was me channeling all of your love

0:15:28.800 --> 0:15:32.560
<v Speaker 2>and respect for Bill and mister Feeney and boy Meets

0:15:32.600 --> 0:15:35.720
<v Speaker 2>World and sending it all to him. And so it

0:15:35.800 --> 0:15:38.760
<v Speaker 2>was just a hard week. You know, and everyone's storylines

0:15:38.760 --> 0:15:41.960
<v Speaker 2>are emotional, and everyone has their family there, and the

0:15:42.040 --> 0:15:44.240
<v Speaker 2>kids were in and out of the rehearsal space, and

0:15:44.800 --> 0:15:46.640
<v Speaker 2>you know, we also didn't get to rehearse with Bill.

0:15:46.760 --> 0:15:49.720
<v Speaker 2>Of course, he's ninety eight years old. He's not leaving

0:15:49.760 --> 0:15:54.320
<v Speaker 2>his house and driving to Hollywood for rehearsals, so we

0:15:54.360 --> 0:15:58.200
<v Speaker 2>didn't really get to rehearse with him. We just, you know,

0:15:58.280 --> 0:16:00.720
<v Speaker 2>so a lot of things changed kind of the last second.

0:16:01.720 --> 0:16:02.200
<v Speaker 1>It was.

0:16:02.560 --> 0:16:07.040
<v Speaker 2>It was a rough week. I feel really relieved that

0:16:07.120 --> 0:16:12.320
<v Speaker 2>it's over, and I just hope that it was an

0:16:12.400 --> 0:16:15.720
<v Speaker 2>enjoyable night. I haven't watched the performance back yet. I

0:16:15.760 --> 0:16:19.200
<v Speaker 2>don't know. I don't know what everyone saw. I feel

0:16:19.200 --> 0:16:20.960
<v Speaker 2>like I messed up. I know I messed up. I

0:16:20.960 --> 0:16:25.040
<v Speaker 2>don't know exactly where, but I know I made mistakes,

0:16:25.080 --> 0:16:29.760
<v Speaker 2>and I immediately after the dance, I just felt I

0:16:29.920 --> 0:16:32.160
<v Speaker 2>was worried I had let Pasha down.

0:16:32.480 --> 0:16:34.480
<v Speaker 1>And I never want to let Pasha down.

0:16:34.400 --> 0:16:40.120
<v Speaker 2>Because he works so hard for us. So I did.

0:16:40.400 --> 0:16:44.160
<v Speaker 2>On a happier note, I did get my first eight

0:16:45.080 --> 0:16:50.200
<v Speaker 2>from Bruno, who seemed to really enjoy the performance, and

0:16:51.360 --> 0:16:54.880
<v Speaker 2>I squealed when I saw him hold up the eight.

0:16:55.120 --> 0:16:59.240
<v Speaker 2>I was so happy about it. It really means a

0:16:59.280 --> 0:17:01.200
<v Speaker 2>lot to me. I was like, on such a special

0:17:01.320 --> 0:17:04.040
<v Speaker 2>night to get my first EID, I'll remember it forever,

0:17:05.040 --> 0:17:09.399
<v Speaker 2>so that makes me very happy. And I loved having

0:17:09.480 --> 0:17:14.760
<v Speaker 2>Kim there. Kim Johnson is just so well trained in ballroom.

0:17:14.880 --> 0:17:17.840
<v Speaker 2>She's won a mirror Ball twice. She is incredible. I

0:17:17.840 --> 0:17:20.879
<v Speaker 2>thought she was so well spoken. I thought her critiques

0:17:21.000 --> 0:17:25.000
<v Speaker 2>and her feedback for everybody was so great. Her with

0:17:25.080 --> 0:17:27.800
<v Speaker 2>the pen trick that she showed me, Pasha and I

0:17:27.840 --> 0:17:30.040
<v Speaker 2>both audibly gasped when we were on the floor, We're like,

0:17:30.119 --> 0:17:34.160
<v Speaker 2>oh ooh, we are definitely taking that with us into rehearsals.

0:17:34.280 --> 0:17:36.919
<v Speaker 2>Can't wait to put that into play. I thought she

0:17:37.080 --> 0:17:40.040
<v Speaker 2>was lovely and so great to have here. I thought

0:17:40.080 --> 0:17:42.920
<v Speaker 2>she really added to the judge's table tonight, and that's

0:17:43.160 --> 0:17:45.720
<v Speaker 2>hard to do as a guest judge. She really did

0:17:45.880 --> 0:17:50.480
<v Speaker 2>a great job. I thought I totally one hundred percent

0:17:51.359 --> 0:17:55.800
<v Speaker 2>understand exactly what Carrie Anne was talking about. It really

0:17:56.160 --> 0:18:02.000
<v Speaker 2>pained me to hear people booing her, because it takes

0:18:02.119 --> 0:18:04.600
<v Speaker 2>courage for us to be out there dancing, and it

0:18:04.720 --> 0:18:08.360
<v Speaker 2>also takes courage for them to have to critique us

0:18:08.800 --> 0:18:10.879
<v Speaker 2>and to give their honest opinions, even when they know

0:18:10.920 --> 0:18:13.960
<v Speaker 2>they're not going to land well with the audience. I

0:18:14.040 --> 0:18:18.480
<v Speaker 2>always appreciate them being thoughtful and giving feedback because it

0:18:18.520 --> 0:18:21.040
<v Speaker 2>is something for me to work on. When she said,

0:18:21.400 --> 0:18:23.440
<v Speaker 2>she's starting to feel like all of our dances look

0:18:23.480 --> 0:18:27.440
<v Speaker 2>the same, and I thought, Okay, we've had a tango,

0:18:27.480 --> 0:18:29.040
<v Speaker 2>we've had a cha chaw, we've had a quick step

0:18:29.040 --> 0:18:30.720
<v Speaker 2>in a jive. Of course, a quick step in a

0:18:30.800 --> 0:18:33.240
<v Speaker 2>jive are kind of similar in the sense that they're

0:18:33.280 --> 0:18:38.119
<v Speaker 2>both a little bouncy. They're also very upbeat. Tango would

0:18:38.119 --> 0:18:40.840
<v Speaker 2>have been a perfect opportunity for me to not have

0:18:40.960 --> 0:18:45.560
<v Speaker 2>my bright, bubbly, vibrant personality on display. But it was

0:18:45.600 --> 0:18:49.680
<v Speaker 2>the first week of Dancing with the Stars. My story

0:18:49.720 --> 0:18:52.480
<v Speaker 2>of why I chose my anthem song being Stronger because

0:18:52.480 --> 0:18:55.639
<v Speaker 2>I had, you know, survived breast cancer. There were a

0:18:55.640 --> 0:18:59.200
<v Speaker 2>lot of reasons why that night. Although not a traditional

0:18:59.240 --> 0:19:02.959
<v Speaker 2>tango smile because tango's a little more serious, I was

0:19:03.000 --> 0:19:06.360
<v Speaker 2>a smiley person during my tango and it was a choice.

0:19:06.440 --> 0:19:10.639
<v Speaker 2>I could have been a very serious tangoer, but that

0:19:10.880 --> 0:19:14.120
<v Speaker 2>just wasn't the mood for our dance, so I smiled

0:19:14.119 --> 0:19:16.800
<v Speaker 2>through it. So if you think about it from their perspective.

0:19:17.320 --> 0:19:19.760
<v Speaker 2>I did a tango where I smiled. I did a

0:19:19.880 --> 0:19:22.280
<v Speaker 2>cha chaw where I smiled really big. I did a

0:19:22.359 --> 0:19:24.639
<v Speaker 2>quick step where I was smiley and bubbly, and tonight

0:19:24.680 --> 0:19:26.800
<v Speaker 2>I did a jive where I was smiley and bubbly.

0:19:27.200 --> 0:19:30.320
<v Speaker 2>I knew exactly what she meant, even though I had

0:19:30.359 --> 0:19:32.399
<v Speaker 2>not thought about it going into tonight, like, oh, I

0:19:32.400 --> 0:19:34.800
<v Speaker 2>wonder if all these faces and dances look the same.

0:19:35.240 --> 0:19:37.800
<v Speaker 2>But the minute she said it, I thought, she's right,

0:19:38.280 --> 0:19:40.919
<v Speaker 2>and this is a TV show at the end of

0:19:40.920 --> 0:19:46.439
<v Speaker 2>the day, and her saying, listen, I'm looking forward to

0:19:46.480 --> 0:19:48.960
<v Speaker 2>seeing something else. That's what what I know. That's not

0:19:49.000 --> 0:19:51.360
<v Speaker 2>the word she used, but what I heard was I'm

0:19:51.400 --> 0:19:54.919
<v Speaker 2>looking forward to seeing another side of you. And the

0:19:54.960 --> 0:19:58.760
<v Speaker 2>good news is next week they're going to get it.

0:19:59.080 --> 0:20:01.720
<v Speaker 2>They're going to get it for and I have no

0:20:01.880 --> 0:20:05.399
<v Speaker 2>doubt that when I show Carrie Anne a totally different

0:20:05.440 --> 0:20:09.399
<v Speaker 2>side of me and she sees a completely different dance

0:20:09.400 --> 0:20:13.199
<v Speaker 2>style and a completely different demeanor from me, I know

0:20:13.480 --> 0:20:16.320
<v Speaker 2>she will pay attention and I know she will say something.

0:20:16.440 --> 0:20:19.800
<v Speaker 2>I know she's giving me thoughtful feedback because she is

0:20:19.920 --> 0:20:25.639
<v Speaker 2>rooting for me. So that was about how that's my commentary.

0:20:25.680 --> 0:20:28.480
<v Speaker 2>And then Derek was very sweet. I feel like, poor guy.

0:20:28.600 --> 0:20:30.639
<v Speaker 2>When there's four people, it's just so hard for anybody

0:20:30.720 --> 0:20:33.440
<v Speaker 2>to get thoughts in. But I thought what he had

0:20:33.440 --> 0:20:36.679
<v Speaker 2>to say was very kind. Everybody is very kind. We

0:20:36.720 --> 0:20:42.119
<v Speaker 2>also had a last minute song change. Apparently the first

0:20:42.200 --> 0:20:45.359
<v Speaker 2>part of the song they used a different verse, and

0:20:45.720 --> 0:20:48.600
<v Speaker 2>someone at ABC is a very big Boy meets World

0:20:48.600 --> 0:20:52.360
<v Speaker 2>fan and saw our dress rehearsal and was like, hmm,

0:20:53.000 --> 0:20:55.840
<v Speaker 2>you have to include the verse about wandering down this

0:20:55.960 --> 0:20:58.080
<v Speaker 2>road that we call life. It has to be in there.

0:20:58.160 --> 0:21:00.800
<v Speaker 2>It's what everyone wants to hear. And I was like, oh, yeah, duh.

0:21:01.520 --> 0:21:04.159
<v Speaker 2>I don't put in too much. I don't get too

0:21:04.240 --> 0:21:06.840
<v Speaker 2>much commentary on the song choices. So I just kind

0:21:06.880 --> 0:21:09.159
<v Speaker 2>of like, whatever they did, they did. But I'm so

0:21:09.240 --> 0:21:13.040
<v Speaker 2>glad they made that change. It was really nice. Also

0:21:13.480 --> 0:21:16.520
<v Speaker 2>looking really forward to hearing what Sharna Burgess has to

0:21:16.600 --> 0:21:20.200
<v Speaker 2>say about tonight and all of the dances. In case

0:21:20.280 --> 0:21:23.159
<v Speaker 2>you are unaware, she has joined the Danielle with the

0:21:23.160 --> 0:21:25.960
<v Speaker 2>Stars family. She has her own show on our feed

0:21:26.040 --> 0:21:30.439
<v Speaker 2>now called Sharna Burgess in the Fourth Chair. She is

0:21:30.480 --> 0:21:33.280
<v Speaker 2>sharing her thoughtful comments on how what she thought of

0:21:33.280 --> 0:21:36.400
<v Speaker 2>the dances. She's giving us her own scores. She has

0:21:36.440 --> 0:21:39.960
<v Speaker 2>her own scoring method, which maybe is a little more

0:21:40.000 --> 0:21:42.480
<v Speaker 2>harsh than some of the Dancing with the Stars judges are.

0:21:43.480 --> 0:21:45.600
<v Speaker 2>So if you haven't heard that yet, I highly recommend

0:21:45.600 --> 0:21:49.080
<v Speaker 2>that you check it out because she is interesting and

0:21:49.880 --> 0:21:53.160
<v Speaker 2>endlessly knowledgeable. So she's a great person to take lessons from.

0:21:53.720 --> 0:21:56.280
<v Speaker 2>If you have not subscribed to that feed, please make

0:21:56.280 --> 0:22:00.200
<v Speaker 2>sure to do that now. I thought everyone's dances tonight

0:22:01.000 --> 0:22:07.720
<v Speaker 2>were unbelievable. I I cried for every single one. I thought,

0:22:08.480 --> 0:22:11.720
<v Speaker 2>having the kids come out the way they were incorporated.

0:22:13.880 --> 0:22:19.280
<v Speaker 2>Olivia and Dylan's dance, her little broken wrists and her

0:22:19.400 --> 0:22:23.080
<v Speaker 2>pointed toes, and the lift where he carried her down

0:22:23.119 --> 0:22:26.199
<v Speaker 2>the staircase, and then her running out to him at

0:22:26.200 --> 0:22:31.800
<v Speaker 2>the very end. So sweet. Cornelia, Andy's daughter, and her

0:22:31.920 --> 0:22:35.280
<v Speaker 2>little pointed fingers when she went running off the floor

0:22:35.320 --> 0:22:38.480
<v Speaker 2>with her little arms out like this, just so sweet.

0:22:39.359 --> 0:22:42.040
<v Speaker 2>I learned tonight in his package that Cornelia is his

0:22:42.119 --> 0:22:46.040
<v Speaker 2>adopted daughter. I did not know that they are just

0:22:46.720 --> 0:22:54.159
<v Speaker 2>so sweet and so lovely. Robert Irwin, My goodness, I

0:22:55.119 --> 0:22:58.000
<v Speaker 2>got to spend quite a bit of time today, maybe

0:22:58.000 --> 0:23:02.480
<v Speaker 2>about thirty minutes sitting next to Terry Irwin in the

0:23:02.480 --> 0:23:07.000
<v Speaker 2>hair and makeup trailer, and I really got to tell

0:23:07.040 --> 0:23:12.520
<v Speaker 2>her from just the bottom of my heart how unbelievably

0:23:12.560 --> 0:23:18.800
<v Speaker 2>special he is. She has done such an amazing job

0:23:19.480 --> 0:23:23.679
<v Speaker 2>raising those kids. And I told Robert when we were

0:23:23.720 --> 0:23:29.439
<v Speaker 2>in the skybox, if my sons grow up to be

0:23:30.680 --> 0:23:35.960
<v Speaker 2>a fraction of what he is, I will just I

0:23:36.000 --> 0:23:39.879
<v Speaker 2>don't need any other accomplishment in my entire life. Everything

0:23:40.440 --> 0:23:44.960
<v Speaker 2>you see of him, there is not one insincere or

0:23:45.119 --> 0:23:50.399
<v Speaker 2>disingenuous thing about him. He is everything that's good in

0:23:50.440 --> 0:23:53.840
<v Speaker 2>the world is wrapped up in Robert Irwin. And also

0:23:54.480 --> 0:23:57.440
<v Speaker 2>he looks like a freaking movie star. He's like a

0:23:57.520 --> 0:24:00.760
<v Speaker 2>movie star who also happens to be the greatest human

0:24:00.760 --> 0:24:03.640
<v Speaker 2>that's ever lived. Like what that does not seem fair?

0:24:03.760 --> 0:24:07.199
<v Speaker 2>But let me tell you, he is all of those things.

0:24:07.280 --> 0:24:09.439
<v Speaker 2>So I can't say it enough. Vote for Robert or

0:24:09.440 --> 0:24:13.080
<v Speaker 2>when I freaking love the kid. I thought Whitney's dance

0:24:13.160 --> 0:24:16.280
<v Speaker 2>was beautiful. I thought Jen's dance with her mom was incredible.

0:24:17.600 --> 0:24:20.359
<v Speaker 2>I thought Elaine dancing with her best friend. Passion and

0:24:20.400 --> 0:24:24.719
<v Speaker 2>I were talking about what an incredible show this is,

0:24:25.560 --> 0:24:31.800
<v Speaker 2>where in one night you can honor your mother, Jordan,

0:24:32.080 --> 0:24:38.320
<v Speaker 2>honoring her father, Whitney, honoring her husband Scott and Mark

0:24:39.680 --> 0:24:44.320
<v Speaker 2>Gay husband being honored. Bill Daniels ninety eight years old,

0:24:44.840 --> 0:24:51.160
<v Speaker 2>Andy adopted daughter Dylan, five year old little sister alex Earl,

0:24:51.880 --> 0:24:55.480
<v Speaker 2>twelve year old sister from a very tumultuous time in

0:24:55.520 --> 0:24:59.560
<v Speaker 2>their family. Elaine dancing with her best friend at a

0:24:59.760 --> 0:25:04.840
<v Speaker 2>song in a dance about female friendships? Was there anything missed?

0:25:05.040 --> 0:25:05.159
<v Speaker 1>Like?

0:25:05.359 --> 0:25:08.600
<v Speaker 2>We just ran the gamut of things that you could

0:25:08.600 --> 0:25:15.560
<v Speaker 2>honor and dedicate, no overlaps and just I mean truly unbelievable,

0:25:15.760 --> 0:25:22.199
<v Speaker 2>unbelievable night of television and then surprise, nobody had to

0:25:22.280 --> 0:25:27.080
<v Speaker 2>go home, which I know last week some people were

0:25:27.240 --> 0:25:30.119
<v Speaker 2>surprised that they sent somebody home on Disney Night, and

0:25:30.200 --> 0:25:33.240
<v Speaker 2>so I was just like, oh gosh, this competition is serious.

0:25:33.280 --> 0:25:36.280
<v Speaker 2>They're sending somebody home every single night. And then tonight

0:25:36.600 --> 0:25:38.679
<v Speaker 2>to find out nobody was going home, it felt like

0:25:38.840 --> 0:25:42.439
<v Speaker 2>the right thing to do. It felt like everybody was

0:25:42.600 --> 0:25:46.600
<v Speaker 2>just on such an emotional high that it would have

0:25:46.640 --> 0:25:52.760
<v Speaker 2>felt really, really bad to send someone home. I really Also,

0:25:52.960 --> 0:25:55.720
<v Speaker 2>I have to say I love the twist of dedication

0:25:55.920 --> 0:25:59.880
<v Speaker 2>night having it be somebody who you can incorporate into

0:25:59.880 --> 0:26:03.720
<v Speaker 2>the dance. I do think making it so that everyone

0:26:03.920 --> 0:26:06.520
<v Speaker 2>does have to incorporate someone to the dance limit some

0:26:06.560 --> 0:26:10.360
<v Speaker 2>people so maybe in the future they can do it's

0:26:10.400 --> 0:26:12.960
<v Speaker 2>your choice. You can do it to somebody who's living

0:26:12.960 --> 0:26:15.119
<v Speaker 2>in which case they come out with you, or you

0:26:15.160 --> 0:26:17.480
<v Speaker 2>could do it to somebody who has passed. But I

0:26:17.480 --> 0:26:21.080
<v Speaker 2>thought it really added a very special touch to a

0:26:21.119 --> 0:26:23.800
<v Speaker 2>dedication night, which has always been one of my favorite weeks.

0:26:24.600 --> 0:26:27.480
<v Speaker 2>But I think having people there was it was really nice.

0:26:27.520 --> 0:26:45.320
<v Speaker 2>It made it extra special. I wore a very Tapenga

0:26:45.480 --> 0:26:48.120
<v Speaker 2>coded I have a very Topanga coded look. I don't

0:26:48.119 --> 0:26:50.840
<v Speaker 2>know that's coded. Actually it's just flat out to bang it,

0:26:50.920 --> 0:26:54.520
<v Speaker 2>no code. I have lots of crimmed tear. I have

0:26:54.640 --> 0:26:58.720
<v Speaker 2>butterfly clips. This actually feels very much like the episode

0:26:58.720 --> 0:27:03.280
<v Speaker 2>where Corey hates to Pega's hair and I guess it's

0:27:03.280 --> 0:27:07.199
<v Speaker 2>like a dinner party at the boy's apartment. That was

0:27:07.240 --> 0:27:10.679
<v Speaker 2>definitely the inspiration we took that picture tried to replicate that.

0:27:11.040 --> 0:27:15.000
<v Speaker 2>We tried to do a very nineties makeup look. The dress.

0:27:15.119 --> 0:27:19.119
<v Speaker 2>The pattern was based off of the green shirt that

0:27:19.200 --> 0:27:22.160
<v Speaker 2>Tapega wears that I wear in the hair cutting episode.

0:27:22.200 --> 0:27:23.960
<v Speaker 2>That ends up being tied around my waist after I

0:27:23.960 --> 0:27:25.880
<v Speaker 2>get my hair cut or when I cut my hair,

0:27:26.359 --> 0:27:30.440
<v Speaker 2>So that shirt was the inspo for the dress. And

0:27:30.600 --> 0:27:34.600
<v Speaker 2>then I wore keads because I needed to do a

0:27:34.600 --> 0:27:36.720
<v Speaker 2>lot of jumping and a lot of hopping, and high

0:27:36.760 --> 0:27:38.600
<v Speaker 2>heels were just not going to be in the cards

0:27:38.600 --> 0:27:40.080
<v Speaker 2>for me today. So then I also got to wear

0:27:40.080 --> 0:27:44.479
<v Speaker 2>a very cute little ruffled sock. Pasha got to dance

0:27:44.680 --> 0:27:47.720
<v Speaker 2>in jeans like the first time in seven years. He's

0:27:47.720 --> 0:27:50.280
<v Speaker 2>ever been this comfortable, he said, hands down, it's his

0:27:50.320 --> 0:27:52.720
<v Speaker 2>favorite costume he's ever worn. He got to wear a

0:27:52.720 --> 0:27:58.360
<v Speaker 2>white T shirt and a sparkly flannelish looking shirt. It

0:27:58.400 --> 0:28:03.840
<v Speaker 2>was actually based off of Sean's outfit from the episode

0:28:03.840 --> 0:28:07.919
<v Speaker 2>where he and Corey are secretly they're sneaking around behind

0:28:08.000 --> 0:28:11.720
<v Speaker 2>Christiana Lokan's back. It was based off of a picture

0:28:11.760 --> 0:28:14.760
<v Speaker 2>of Sean in the library where he's peeking back around

0:28:14.880 --> 0:28:18.119
<v Speaker 2>the library bookshelf and he's wearing a blue flannel shirt.

0:28:18.560 --> 0:28:21.440
<v Speaker 2>That's what Pasha's look was based on. And Pasha shaved

0:28:21.560 --> 0:28:23.679
<v Speaker 2>if he clean shaved his face the first time in

0:28:23.760 --> 0:28:27.160
<v Speaker 2>two years he's done that. He trims normally, but he

0:28:27.240 --> 0:28:29.480
<v Speaker 2>did a clean shave. I saw him this morning and

0:28:29.520 --> 0:28:31.639
<v Speaker 2>I was like, oh my gosh, you look like you're twelve,

0:28:31.680 --> 0:28:32.960
<v Speaker 2>and he said, yeah, well, I'm trying to look like

0:28:33.000 --> 0:28:35.880
<v Speaker 2>a high schooler. I thought he completely pulled it off.

0:28:35.920 --> 0:28:37.399
<v Speaker 2>He was very comfortable. I'm like, you're gonna have to

0:28:37.440 --> 0:28:40.400
<v Speaker 2>find a way to incorporate this outfit into tour because

0:28:40.480 --> 0:28:43.440
<v Speaker 2>this is just way too comfortable. Same for me, although

0:28:43.480 --> 0:28:45.360
<v Speaker 2>I will say I actually missed the high heels. My

0:28:46.080 --> 0:28:49.240
<v Speaker 2>feet being flat all my being flat all week kind

0:28:49.240 --> 0:28:51.600
<v Speaker 2>of hurt. I think I'm just used to heels now.

0:28:52.280 --> 0:28:55.120
<v Speaker 2>So I will wrap up this conversation by also telling

0:28:55.160 --> 0:28:58.040
<v Speaker 2>you the jewelry and the watch that I'm wearing today.

0:28:59.040 --> 0:29:05.560
<v Speaker 2>I absolutely of this vintage ap watch that's green, perfectly

0:29:05.640 --> 0:29:09.680
<v Speaker 2>matched my dress. I love it so much. And then

0:29:09.960 --> 0:29:13.720
<v Speaker 2>I'm wearing a pinky ring from my girlfriend Jamie at

0:29:13.760 --> 0:29:18.400
<v Speaker 2>Forever Fine Jewels. I'm also wearing her dangly earrings here

0:29:18.920 --> 0:29:23.040
<v Speaker 2>and then this earring here. So this was a very

0:29:23.080 --> 0:29:26.719
<v Speaker 2>special gift from the Lou Collective. They are on Instagram

0:29:26.800 --> 0:29:31.720
<v Speaker 2>at shop Lou Collective LU and they have got all

0:29:31.800 --> 0:29:35.520
<v Speaker 2>kinds of cute stuff. She actually came to the owner

0:29:35.560 --> 0:29:38.080
<v Speaker 2>of the shop came to a Pod meets World show

0:29:38.360 --> 0:29:40.640
<v Speaker 2>and we got to meet, and I started following her

0:29:40.800 --> 0:29:43.959
<v Speaker 2>and her amazing shop, and she sent me a message

0:29:44.000 --> 0:29:45.920
<v Speaker 2>and said, I'd love to send you a little gift,

0:29:46.360 --> 0:29:48.600
<v Speaker 2>and she showed me a few pieces, and this was

0:29:48.600 --> 0:29:51.160
<v Speaker 2>the one I was just obsessed with. It's a little

0:29:51.320 --> 0:29:56.880
<v Speaker 2>like Little Crawler, so cute, very shiny, very sparkly. And

0:29:57.400 --> 0:29:59.719
<v Speaker 2>I will tell you more information about the designer in

0:29:59.760 --> 0:30:01.880
<v Speaker 2>my Instagram posts that I'll make, and then of course

0:30:01.960 --> 0:30:06.640
<v Speaker 2>I will add that to the highlight back to this watch.

0:30:06.720 --> 0:30:10.840
<v Speaker 2>So it's a vintage ap Ladies Royal Oak Offshore and

0:30:11.040 --> 0:30:14.320
<v Speaker 2>it is courtesy of Eric Wind and Wind Vintage. He

0:30:14.440 --> 0:30:18.760
<v Speaker 2>has been so generous loaning me different watches for the week.

0:30:18.960 --> 0:30:22.640
<v Speaker 2>The minute I know what I'm wearing the next week,

0:30:22.960 --> 0:30:25.480
<v Speaker 2>I send a picture of it to Eric and he

0:30:25.560 --> 0:30:28.160
<v Speaker 2>then sends me back a list of the watches that

0:30:28.200 --> 0:30:31.080
<v Speaker 2>he has. I get to look through them, my favorite

0:30:31.160 --> 0:30:34.360
<v Speaker 2>kind of shopping, and he sends one to me to wear,

0:30:34.520 --> 0:30:36.840
<v Speaker 2>which is so nice. And then of course I have

0:30:36.960 --> 0:30:40.200
<v Speaker 2>also been mixing in some of my personal pieces. As

0:30:40.200 --> 0:30:42.880
<v Speaker 2>a matter of fact, next week, I think I know

0:30:43.120 --> 0:30:46.160
<v Speaker 2>exactly which personal piece I'm going to wear. It's another

0:30:46.240 --> 0:30:49.080
<v Speaker 2>watch that is near and dear to my heart. I'm

0:30:49.080 --> 0:30:53.560
<v Speaker 2>so lucky that I have friends that let me use

0:30:53.600 --> 0:30:58.160
<v Speaker 2>their gorgeous talents and their passions and the jewels and

0:30:58.200 --> 0:31:00.840
<v Speaker 2>the watches that they have become ex berts in and

0:31:00.920 --> 0:31:02.680
<v Speaker 2>let me borrow them week after week so that I

0:31:02.720 --> 0:31:05.920
<v Speaker 2>could share them with you. Next week it's Wicked Week.

0:31:06.480 --> 0:31:09.000
<v Speaker 2>Very excited we are going to be able to do

0:31:09.160 --> 0:31:12.680
<v Speaker 2>a full departure from our normal style. I think Carrie

0:31:12.720 --> 0:31:15.800
<v Speaker 2>Inn will be very happy. Pasha and I are very

0:31:15.800 --> 0:31:20.120
<v Speaker 2>excited about our song choice and I'm looking forward to it.

0:31:20.240 --> 0:31:26.360
<v Speaker 2>So Guest Judge John m Chu, I can't even believe

0:31:26.360 --> 0:31:27.600
<v Speaker 2>I'm going to be in the same room with him.

0:31:27.800 --> 0:31:33.920
<v Speaker 2>That is incredible. He is an amazing director. So very

0:31:33.960 --> 0:31:37.160
<v Speaker 2>excited for him to join us, and I'm looking forward

0:31:37.160 --> 0:31:42.560
<v Speaker 2>to it. I hope Tonight's dance and this dedication night

0:31:43.360 --> 0:31:45.840
<v Speaker 2>was as special to you as it was to all

0:31:45.880 --> 0:31:48.240
<v Speaker 2>of us. It really meant a lot to all of us,

0:31:48.800 --> 0:31:52.000
<v Speaker 2>and to all of you Boy Meets World fans and

0:31:52.040 --> 0:31:54.600
<v Speaker 2>all of you supporters who have been voting for me

0:31:54.680 --> 0:31:58.320
<v Speaker 2>week after week. Thank you so much, And on behalf

0:31:58.360 --> 0:32:02.160
<v Speaker 2>of Bill, thank you for sending us all your love

0:32:02.320 --> 0:32:05.680
<v Speaker 2>and all your support and uh, we can't wait to

0:32:05.840 --> 0:32:08.400
<v Speaker 2>keep doing this for you week after week until you

0:32:08.440 --> 0:32:12.320
<v Speaker 2>know the wheels fall off. I appreciate you all.

0:32:12.480 --> 0:32:12.880
<v Speaker 1>Thank you.

0:32:13.240 --> 0:32:18.920
<v Speaker 2>I'll see you next time. Bye. Danielle with the Stars

0:32:19.160 --> 0:32:22.600
<v Speaker 2>Produced and hosted by Danielle Fischl. Executive producers Jensen Carp

0:32:22.640 --> 0:32:26.440
<v Speaker 2>and Amy Sugarman, Executive in charge of production Danielle Romo, Producer,

0:32:26.600 --> 0:32:30.360
<v Speaker 2>editor and engineer Tara Sudbosch. Theme song by Justin Siegel.

0:32:30.680 --> 0:32:34.640
<v Speaker 2>Follow us on Instagram at Danielle with Stars and vote

0:32:34.680 --> 0:32:34.880
<v Speaker 2>for me