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Speaker 1: Who do you who? This is George and I am

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Speaker 1: here to say that guess what. I Am taking my

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Speaker 1: stand up show on the road this summer, and I'm

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Speaker 1: going on a little tour in July and August, and

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Speaker 1: my first show will be in none other than Chicago

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Speaker 1: on July twelfth. You can find tickets in my Instagram

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Speaker 1: bio at linktree dot com slash George Severs. That is

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Speaker 1: link l I NK Tree, t r ee dot com

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Speaker 1: slash George Severs. And if you live in Pittsburgh, Philly, Boston, DC, Seattle, Portland,

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Speaker 1: or San Francisco, all of those tickets will become available

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Speaker 1: very soon, so check back in at linktree dot com

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Speaker 1: slash George Severs in the coming days. But for now,

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Speaker 1: if you live in Chicago, please buy tickets to my

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Speaker 1: show on July twelfth. It's going to be at the

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Speaker 1: Den Theater, which is where we did our Stradio live show.

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Speaker 1: I'm so excited. It is my first time ever headlining

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Speaker 1: in Chicago. I can't wait. Can't wait to see everyone,

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Speaker 1: So please please buy tickets and bring your friends. All right,

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Speaker 1: enjoy the episode.

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Speaker 2: Bye podcast starts now what is up everyone around the globe?

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Speaker 2: You are listening to the internationally beloved podcast Radio Lab

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Speaker 2: Bump in that.

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Speaker 1: I need to say something, Okay, go, I don't know

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Speaker 1: how I'm going to even articulate this. I something is

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Speaker 1: happening to my brain and something that is happening to

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Speaker 1: my spirit. I'm like the dumbest I've ever been. I

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Speaker 1: don't know the combination.

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Speaker 2: You tweet about this, I've seen you talk about this.

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Speaker 2: You're working out a lot, You're you're going meathead mode

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Speaker 2: even exclu yes, exactly, that's what it's like. I actually

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Speaker 2: think that there's this been this combination of Brad coming out,

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Speaker 2: Biden performing poorly in the debate, which we can talk

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Speaker 2: about because there's gonna be un news since the since

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Speaker 2: this comes out, so that's the only thing I'll say.

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Speaker 2: There's sort of there's a sort of manic way I'm

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Speaker 2: like going back and forth between half reading the news

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Speaker 2: and listening to three six five igo I.

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Speaker 1: During Pride weekend, I felt for the first time since

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Speaker 1: I was maybe twenty two, I really was like, Pride

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Speaker 1: is everything to me. This everyone in this subway car

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Speaker 1: is my family. I was out until six am, and

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Speaker 1: then after we got out of the club, I swear

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Speaker 1: to God in the middle of the street at six am.

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Speaker 1: We learned the Charlie Apple TikTok dance and filmed it

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Speaker 1: on the street. You George, So I did that with

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Speaker 1: Charlie Barney. Oh my god, I'm telling you something is

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Speaker 1: going on and I'm worried. I think, you know, at

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Speaker 1: my best, I'm like, you know what, this is what

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Speaker 1: happens to me in the summer. My brain goes out

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Speaker 1: the window.

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Speaker 3: You know.

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Speaker 1: People talk about brain worms, and people talk about like

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Speaker 1: killing your brain cells. There's a way you can do that. Actually,

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Speaker 1: with your consent, you can. You can voluntarily euthanize your

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Speaker 1: brain cells. Yeah, just for a couple of months, and

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Speaker 1: then you're back back to school in September. And I'm

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Speaker 1: hoping that's what will happen to me. But I am worried.

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Speaker 2: I mean, that is what summer is for, is for

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Speaker 2: being stupid, And I honestly think this is gonna be

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Speaker 2: people right now, a part of my French are getting

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Speaker 2: rock hard at hearing that you are. You know, the

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Speaker 2: formerly smart George Savers is now a stupid meathead. They're

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Speaker 2: gonna be They're gonna be dripping out of every orifice

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Speaker 2: when they hear that.

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Speaker 1: I mean, I'm telling you, like, I can't even talk.

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Speaker 1: I was at I was literally like shirt off circuit

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Speaker 1: party until six am. I was in the backyard with

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Speaker 1: other I was in a group of other thirty something

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Speaker 1: gay men. Picture this, okay, all of us talking about how,

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Speaker 1: you know, we feel so much better in our thirties

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Speaker 1: and actually we feel we feel more confident now and

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Speaker 1: actually I've never felt hotter than I do now in

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Speaker 1: my thirties. And you know, in my twenties I was insecure,

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Speaker 1: but now I feel so much better. I was like,

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Speaker 1: if you zoom out and look at this, we all

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Speaker 1: deserve to be shot. No, I actually think that's a

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Speaker 1: genius and the only correct take.

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Speaker 2: I think if you I even think I'm I'm excited

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Speaker 2: for when I'm in my forties and I say the

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Speaker 2: exact same thing, totally. I'm excited to never remember that

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Speaker 2: I said that before. Yes, like, I'm excited to be like,

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Speaker 2: this is the best decade of my fucking life and

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Speaker 2: have that always be what I say and it never

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Speaker 2: means anything, but you still say it. Yeah.

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Speaker 1: I was, No, You're absolutely right, and I was thinking

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Speaker 1: that I don't know One of the great parts of

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Speaker 1: being gay really is that you can decide what age

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Speaker 1: you are at any given time. And I think I

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Speaker 1: decided when I was twenty five that I was forty,

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Speaker 1: and now that I'm turning thirty three, I've decided I'm

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Speaker 1: pretty much twenty seven.

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Speaker 2: I mean, I think that's so beautiful.

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Speaker 1: Who knows what's gonna happen when I'm forty. God, I

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Speaker 1: wish I could really let alone fifty.

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Speaker 2: I'm in the opposite right now. I'm like, yeah, I

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Speaker 2: was literally celebrating family values while you were celebrating pride

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Speaker 2: and partying all night.

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Speaker 1: And you know, I I think a part of it

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Speaker 1: is that I am I'm starting a new job next

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Speaker 1: week and I'm getting married in the fall, and so

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Speaker 1: I think those two very adult things are making me

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Speaker 1: be like, made this pride seem like, well, I'm only

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Speaker 1: in my twenties once. But wait, I want to hear more.

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Speaker 1: I know you are in you ar like office job, husband,

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Speaker 1: two kids.

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Speaker 2: Yeah, yeah, yeah, yeah, I'm going to work. I'm well.

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Speaker 2: And so during Pride, I was visiting my parents okay

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Speaker 2: in Michigan. Wow, yeah, sorry, I just needed to let

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Speaker 2: that say again for a second. Well, because it was

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Speaker 2: one of those things where it's like, well, do we

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Speaker 2: even do pride anymore? And apparently the answer is yes.

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Speaker 2: Apparently it's you know, euphoric and everyone can be twenty

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Speaker 2: seven again. I was told the last time I was

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Speaker 2: told we didn't celebrate pride anymore, and we actually went

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Speaker 2: to our parents' house in Michigan and sort of reflected.

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Speaker 1: I just want to say, the theme of this i'll

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Speaker 1: call it a season of the podcast is really, oh,

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Speaker 1: how the tables have turned?

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Speaker 2: The theme is really how the table?

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Speaker 1: It's actually crazy. We're switching roles.

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Speaker 2: It's actually crazy, and it's I don't know if I'm

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Speaker 2: comfortable with it. You know. Really I feel like, you know,

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Speaker 2: the pressure of being the responsible one is too much

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Speaker 2: for me. It's not a place where I feel comfortable.

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Speaker 2: I mean, I'll do my best, of course, we have to.

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Speaker 1: I actually think we're doing a really good job.

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Speaker 2: Well thank you, Yeah, but I've also sort of We

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Speaker 2: recently had an episode where we talked about the trends

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Speaker 2: of summer. Yes, and one of my I said that

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Speaker 2: the weather of summer is partly cloudy. I said that

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Speaker 2: the sport of summer is track and field, and one

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Speaker 2: of our listeners responded, partly cloudy return to land. Are

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Speaker 2: you guys depressed? Yes?

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Speaker 1: I believe that it was Mourra.

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Speaker 2: Yeah.

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Speaker 1: That is this prettiest Amura who always has the courage

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Speaker 1: and the and the fortitude to call it whenever she

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Speaker 1: doesn't like something we say, which is off, which is often,

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Speaker 1: and I.

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Speaker 2: Will say that. When she said that, I was sort

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Speaker 2: of like, damn, maybe you have a point.

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Speaker 1: I agree.

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Speaker 2: There's something about this this era where I've like really

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Speaker 2: put my expectations low, and I'm sort of like, you

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Speaker 2: know what, it's not going to be that fun for

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Speaker 2: the foreseeable future. And that's okay. Yeah, And I don't know.

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Speaker 2: Our guest is looking at.

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Speaker 1: Us with our guest is doing the kind of facial

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Speaker 1: reactions you can only get in, you know, the audition

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Speaker 1: room for Abbot Elementary.

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Speaker 2: Well, and so yeah, so I've been feeling a little

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Speaker 2: bit like I need to check in with that, but

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Speaker 2: not yet.

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Speaker 1: Okay, Well, shall we bring in our guests and then

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Speaker 1: she can help us decide how far gone we are?

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Speaker 2: Yes? But also I want to say one more thing. Okay, wait,

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Speaker 2: have I talked about running late yet? No? I was

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Speaker 2: running late this morning, and I wanted to talk about

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Speaker 2: one thing because of this podcast is you know, it

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Speaker 2: started out as a podcast about podcasting, then it turned

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Speaker 2: into a podcast about straight culture, and now it's a

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Speaker 2: podcast about the differences between New York and LA, of course.

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Speaker 2: And I want to say that one thing that I've

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Speaker 2: realized is running late in New York is so chic

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Speaker 2: and you get to really be like sprinting down the

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Speaker 2: street and you get to like be like sweating and

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Speaker 2: be like, oh my god, I'm crazy and you're like

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Speaker 2: splashing into a puddle and you're Carrie Bradshaw. When you're

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Speaker 2: late in LA, you're like, I guess I'm speeding, yeah.

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Speaker 1: Or or just like sitting in traffic and not moving

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Speaker 1: and just like being stressed.

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Speaker 2: It's so weird to be running late and in a car,

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Speaker 2: like it's one of the most insane things and you

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Speaker 2: just can't do anything about it and just be like,

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Speaker 2: I guess I'm just like I'm I'm essentially like driving

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Speaker 2: a boat to school. It doesn't make any sense. And

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Speaker 2: that was what I was thinking about this morning, Okay,

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Speaker 2: And so I thought I would say it, Well, George,

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Speaker 2: you hate that. I mean, George, you can't engage that

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Speaker 2: at all. I don't know.

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Speaker 1: I'm sorry, I'm gonna. I'm trying to use to engage

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Speaker 1: with it. No, I just I do think maybe car

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Speaker 1: is the default, and it's New York that's different.

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Speaker 2: Huh. I do think you're not You're not talking in

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Speaker 2: a lot of the globe that I depends on, hob

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Speaker 2: of transportation.

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Speaker 1: I mean, I guess that's I think you're not.

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Speaker 2: I think you're forgetting about maybe your home land of

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Speaker 2: your uh huh, in which the train is extremely train

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Speaker 2: is so popular. I think you're forgetting about Tokyo. Okay.

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Speaker 1: What people can't see is Mo is actually directing Sam

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Speaker 1: and behind the scenes is sort of all right, this

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Speaker 1: is this can't be video oldie. All right, we need

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Speaker 1: to bring in Mo.

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Speaker 2: Okay, without further ado, please want with the podcast, Mo

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Speaker 2: Frey Pasek.

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Speaker 1: Oh my god.

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Speaker 3: This is like the breath of air is so crazy.

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Speaker 3: It's like I've been underwater holding my breath and I'm here.

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Speaker 1: Wait before we forget, we so many things.

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Speaker 2: I know we need to job of podcast.

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Speaker 1: I know, and this was a we sort of scheduled

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Speaker 1: this episode last minute, and so I don't have my

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Speaker 1: five page briefing document that I usually get from the aids.

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Speaker 3: I'm opening with, I'm promoting yeah literally, is that okay?

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Speaker 2: And then we're going to be normal about it.

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Speaker 1: And then but people, if people decide to like turn

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Speaker 1: this off, I want them to have first heard what

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Speaker 1: you're promoting, which.

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Speaker 2: They often do, especially Idea.

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Speaker 3: They get nine minutes and they're like, you know.

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Speaker 2: They're like, we're not panter for today, Like what the hell?

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Speaker 3: Yeah, okay, So what I'm going down the barrel of

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Speaker 3: the camp what the viewers can go listen to is

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Speaker 3: on this very day, I found out this morning my

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Speaker 3: podcast trailer is dropping yes and it is a podcast

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Speaker 3: born of my play that I'm taking to the Fringe Festival,

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Speaker 3: and I will be interviewing fringe artists and friends and

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Speaker 3: comedians about the process about making the art that they make,

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Speaker 3: about the sort of minutia that I think when people

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Speaker 3: make a product and the art that they make. I think, one,

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Speaker 3: it's interesting why and two we tend to only talk

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Speaker 3: about the things that worked, and I like to talk

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Speaker 3: about the things that just got them there that maybe

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Speaker 3: seem superfluous or not, were a conversation, like a beautiful

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Speaker 3: evening you had with a partner that inspired you the

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Speaker 3: next day, like those sort of moments that are all

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Speaker 3: a part of the process. And so I'm going to

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Speaker 3: be talking with people about that on my podcast, So

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Speaker 3: please come.

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Speaker 2: When does it come out?

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Speaker 3: On July sixteenth is the day that podcast drops. I hope,

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Speaker 3: I think the trailer or the podcast drops, but whoa

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Speaker 3: And I'm very excited, and.

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Speaker 1: Your show is also happening.

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Speaker 3: So it is my show. It is inspired by my play.

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Speaker 3: It is the themes of my play that the podcasts

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Speaker 3: are covering, sort of, And the play is about, I guess,

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Speaker 3: the way sometimes when we want to connect with people deeply,

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Speaker 3: we can only really be seen by transactional moments or

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Speaker 3: passer buyers, because the people closest to us we can

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Speaker 3: push away by even trauma dumping, by giving too much,

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Speaker 3: by not wanting to be seen. And so these sort

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Speaker 3: of sliding door moments that save our lives with people

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Speaker 3: that we might not even have a relationship beyond a

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Speaker 3: single hello passing in the street. And so it's about

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Speaker 3: a woman sort of understanding that about herself as she's

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Speaker 3: trying to obsessively heal and find all the ways to

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Speaker 3: be better, get better, and turns out maybe just being

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Speaker 3: really present for a moment is more healing than one

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Speaker 3: hundred hours of therapy.

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Speaker 1: With a good time footage not found in our case

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Speaker 1: being present.

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Speaker 2: And it's gonna be at Edinburgh Fringe.

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Speaker 3: It's gonna be at the Edinburgh Fringe Festival, and I'm

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Speaker 3: excited to go to Scotland.

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Speaker 2: Yeah.

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Speaker 1: God, I hope Crazy Lady doesn't stalk you like in

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Speaker 1: Baby Reindeer.

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Speaker 2: Yeah, that would be so sadly, that would be.

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Speaker 1: So sad if that happened to you.

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Speaker 2: I'm actually obsessed with how Baby Reindeer has become a

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Speaker 2: shorthand term. I feel like a lot of people I've

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Speaker 2: heard be like they're gonna like baby Reindeer.

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Speaker 3: Me like, yeah, that's so funny.

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Speaker 2: I am like, oh we needed that word.

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Speaker 3: Yeah, well because we needed something fun to be for stalking.

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Speaker 2: Yeah, I do.

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Speaker 1: I sort of appreciate. I feel fine about Baby Reindeer.

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Speaker 1: I'm not I don't hate it. I don't think it's

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Speaker 1: a masterpiece. I've watched it. Whatever. I do like that.

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Speaker 1: It's sort of put doing a solo show on the map.

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Speaker 3: This is call the people of you. I can tell

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Speaker 3: him to pull the plog out George right now.

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Speaker 1: I do actually think we needed representation of what it

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Speaker 1: is to go to fringe.

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Speaker 2: You know what I think Baby Rainder did is like

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Speaker 2: weird guy, weird guy solo performer.

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Speaker 1: Oh yeah, we need more of that.

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Speaker 2: I've never seen one. I've seen a lot of weird

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Speaker 2: guys in my life. I've seen, but I'm always.

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Speaker 1: Like, it's a type of weird guy that has never

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Speaker 1: been represented.

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Speaker 2: Yeah, And I'm like, I'm always like, can you guys,

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Speaker 2: can you stop? Like I'm like, can you cut it out?

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Speaker 3: Because the weird guys are usually very self indulgent, and

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Speaker 3: this person in this series isn't self indulgent.

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Speaker 2: Yeah, he's like weird guy and there's something behind it,

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Speaker 2: and so I'm like, okay, cool.

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Speaker 1: I do want to push back on him not being

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Speaker 1: self indulgent.

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Speaker 3: I mean, obviously all of us are, but this person

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Speaker 3: at least shows the like To me, a lot of

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Speaker 3: the stories are like, look how hard this ship was,

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Speaker 3: and he shows the complexity of like I was also

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Speaker 3: complicit but also my trauma being because also I'm responsible

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Speaker 3: for taking care of my It.

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Speaker 1: Was like I felt I like he yes, yes, I

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Speaker 1: liked it too. I thought it was pretty brave of him.

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Speaker 2: No, keep going.

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Speaker 3: No, it was just we're laughing at like the way

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Speaker 3: it feels like we're maybe yeah, no.

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Speaker 1: No, I love.

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Speaker 2: You.

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Speaker 1: I did like it. I thought it was brave of

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Speaker 1: him to show how fully he bombed every time he

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Speaker 1: got on stage.

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Speaker 2: Ye.

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Speaker 1: Fun, that was fun, very fun.

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Speaker 3: I was confused, though, can I say when I was

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Speaker 3: speaking about other people with other people about it, when

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Speaker 3: I was like, oh, yeah, it's clearly like he's traumatized,

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Speaker 3: like he's like engaging with this woman, or like I

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Speaker 3: felt like we all understand, like at the very least

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Speaker 3: daddy issues, you know what I mean, Like where it's

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Speaker 3: like someone might engage with weird people and need a

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Speaker 3: validate because they're fucked up. But so many people I

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Speaker 3: talked to were like, I had no idea. I thought

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Speaker 3: it was just so weird tell her to go.

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Speaker 1: Away, totally. Yeah, it's interesting the layers that people recognize

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Speaker 1: versus ignore.

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Speaker 3: But say that though, because why because why.

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Speaker 2: Continue?

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Speaker 1: It seemed like you were shaking your ice drink as

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Speaker 1: a way to clap, like ause though you were like

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Speaker 1: snapping at a spoken word.

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Speaker 2: Wait on the bottom.

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Speaker 1: I just want to say we are pioneering this. Right now,

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Speaker 1: when you're at a show and you want to clap

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Speaker 1: and you're holding an ice drink, just clink your eyes, mo.

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Speaker 2: I want to take it back a few steps because

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Speaker 2: we instantly forced you to promote.

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Speaker 3: And that was my fault and I'm sorry, I can't

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Speaker 3: I tell you, yes, I'm relieved. I don't have to

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Speaker 3: think about it ever.

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Speaker 1: And now, and by the way, what is the podcast

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Speaker 1: in the play called?

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Speaker 3: The play is called Worse than You and is directed

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Speaker 3: by the beautiful Sudie Green if we're aware, past guest

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Speaker 3: in the community, past guest, funniest personal life, and the

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Speaker 3: Sudi is not able to come to Scotland because she's

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Speaker 3: you know, booked and bit blessed. So Sudi will co

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Speaker 3: host from Afar. But the podcast is Worse than You

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Speaker 3: with Mofry Passik produced and Mandeu perfect Erica.

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Speaker 1: Gooda okay, And now we're no longer mentioning either of

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Speaker 1: those things, Sam go okay.

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Speaker 2: Now I want to take it back and say, would

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Speaker 2: you like to engage with the thing that George would

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Speaker 2: not at all about? The running late? Yeah?

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Speaker 3: Absolutely, it was because George.

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Speaker 2: Would not engage at all, and I refuse well.

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Speaker 3: To let this just I actually this might be the

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Speaker 3: whole brunt of the whole podcast.

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Speaker 1: I say this with love, but what I'm refusing to

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Speaker 1: engage with is the idea that it is crazy to

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Speaker 1: be in a car running late. Is that correct?

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Speaker 2: It's not crazy, it's just less glamorous.

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Speaker 3: Wait, so are you refusing? I thought you were refusing

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Speaker 3: to engage because we had to sort of teased that

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Speaker 3: I was going to enter, and you were like, don't

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Speaker 3: introduce a whole new thing. And you're saying because it's

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Speaker 3: actual basis, you didn't like.

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Speaker 2: He's actually like I don't like this. No, I knew

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Speaker 2: that because George is actually not very time aware and

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Speaker 2: he does not care about that.

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Speaker 1: George, what do you mean I'm not time aware?

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Speaker 3: Like I run latere angry, I can't wait?

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Speaker 1: Wait, Sam, say more about me not being time aware?

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Speaker 2: George, you don't know you're not time aware?

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Speaker 3: Messy sense?

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Speaker 1: Am I not time aware?

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Speaker 2: Do it?

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Speaker 3: Bitch? Say it?

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Speaker 1: Say it? Do you feel like I'm always running late?

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Speaker 2: No, it's more like when we're on stage, like I'm

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Speaker 2: the one that has to be like, okay, we got

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Speaker 2: to wrap this up.

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Speaker 1: Okay, that is crazy because I'm the one that always

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Speaker 1: is looking at my watch, and you forced me, in fact,

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Speaker 1: to be the one to keep time. So then I

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Speaker 1: seem like I'm bored on stage because I'm the one

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Speaker 1: wearing a watch.

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Speaker 3: Respond to that, Sam, George, really good point.

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Speaker 2: I just feel like so often you're like, let's keep going,

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Speaker 2: and I'm like, no, we actually.

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Speaker 1: Do have to go. Okay, but this goes back to you.

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Speaker 1: I'm sorry, but this goes back to you being a

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Speaker 1: rule follower and you know, winding a gold star from

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Speaker 1: the teacher, whereas I'm punk rock. I'm sort of baby

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Speaker 1: Reindeer going to fringe bombing, but still going up every

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Speaker 1: night and putting in my hours. Whether or not a

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Speaker 1: crazy woman is talking me.

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Speaker 2: Well, I don't think it's following the rules. I think

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Speaker 2: it's respecting the audience. I think it's respecting the.

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Speaker 1: Guest time, the audience that's there to see us.

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Speaker 3: Wow.

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Speaker 2: One thing that George and I differ on is I

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Speaker 2: have radical empathy for.

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Speaker 3: Our I understand that, and George, by the way my

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Speaker 3: face sometimes George is like, you paid to be here.

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Speaker 1: Your mind that's not well, okay, but but you have

402
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Speaker 1: to you have to sort of like take a risk.

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Speaker 1: Sometimes I'll try to. I'll start doing crowd work and

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Speaker 1: I'll turn to Sam and he will look as though

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Speaker 1: an animal is being slaughtered.

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Speaker 3: Wait what kind of crowd?

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Speaker 2: Oh? I see you're eating a pretzel?

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Speaker 1: Is it good?

409
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Speaker 2: Up?

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Speaker 1: I did say that to me.

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Speaker 3: That's so funny that to me, that's the versive. It's you.

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Speaker 1: I'm sorry, but if we're performing at City Winery where

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Speaker 1: everyone is getting a giant pretzel, I'm not allowed to comment.

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Speaker 2: On that, Like it's this is I think you're allowed

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Speaker 2: to comment on a in a general sense. I just

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Speaker 2: don't like pointing at one specific person in the front.

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Speaker 3: Okay, the way your mouth's moving around that bread.

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Speaker 1: Yes, here's what I think is Like I I'm to me,

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Speaker 1: that's it's going to be awkward at first. Are growing pains,

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Speaker 1: and I want to get to a point where then

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Speaker 1: I have a rapport with an audience. But you have

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Speaker 1: to first get through. You have to first get through

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Speaker 1: that initial awkwardness because of course, no one wants to

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Speaker 1: be talked to like you know, so at first it's awkward,

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Speaker 1: and then you slowly start to build a rapport.

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Speaker 3: There's, like they say in Moneyball, the first person through

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Speaker 3: a glass wall, go and get a little bloody.

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Speaker 1: And Moneyball is what I base my comedic sensibility on.

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Speaker 1: Generally speaking, I think the Jonah Hill character specially is

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Speaker 1: one of my biggest comedy influences other than the woman

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Speaker 1: from Baby Reindeer. Notice I didn't say the man. I

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Speaker 1: said the woman that's stalking him. She is my biggest

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Speaker 1: comedic influence after Jonah Hill and Moneyball. I'm incredible, She's iconic.

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Speaker 2: Wow, I feel that was cathartic. That was complicated.

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Speaker 3: See, I'm obsessed with this because you know what feels

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Speaker 3: better than depression? Anger?

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Speaker 1: Wait, anger feels better than depression.

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Speaker 3: Yeah, because you have something to fight for, You have

439
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Speaker 3: a sense of stability and right and entitlement to your feelings.

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Speaker 1: Oh that's so interesting to me. I'm like, I felt

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Speaker 1: no anger whatsoever. And I was like, thank god, we

442
00:20:11,600 --> 00:20:12,920
Speaker 1: are engaging in play.

443
00:20:13,880 --> 00:20:19,320
Speaker 3: No, we're all really pissed here. Yeah, No, I'm doing

444
00:20:19,359 --> 00:20:21,359
Speaker 3: a bit. Nobody's angry. We're having life. We're having the

445
00:20:21,400 --> 00:20:21,840
Speaker 3: time arrived.

446
00:20:22,160 --> 00:20:24,159
Speaker 1: I genuinely am having the time of my life. I

447
00:20:24,640 --> 00:20:26,560
Speaker 1: wish I could, I wish I could reach across the

448
00:20:26,600 --> 00:20:29,080
Speaker 1: screen and give you both a hug. I feel like

449
00:20:29,160 --> 00:20:31,720
Speaker 1: I'm back at the circuit party where on.

450
00:20:31,880 --> 00:20:34,359
Speaker 3: Saturday, I feel like I giggle, gig go giggle with

451
00:20:34,440 --> 00:20:34,760
Speaker 3: my friends.

452
00:20:34,800 --> 00:20:36,879
Speaker 2: I wish we could confess more things about each other.

453
00:20:37,320 --> 00:20:40,000
Speaker 3: Wait, that'll be the whole thing. Okay, yes, all right,

454
00:20:40,080 --> 00:20:43,280
Speaker 3: well let's begin. I'll start. I'll start with several things. Well,

455
00:20:43,359 --> 00:20:45,640
Speaker 3: first of all, I'm loving this sort of like identity

456
00:20:45,680 --> 00:20:48,240
Speaker 3: shift the two of you are having because it's also

457
00:20:48,320 --> 00:20:49,800
Speaker 3: like I can see it actually killing Sam.

458
00:20:50,200 --> 00:20:50,440
Speaker 2: Yeah.

459
00:20:52,119 --> 00:20:55,280
Speaker 3: It's also like it's like, here's the thing. It's the

460
00:20:55,480 --> 00:20:57,160
Speaker 3: flaw here is that there should be a shift because

461
00:20:57,160 --> 00:20:59,440
Speaker 3: it's actually George is being super hot and like shuret

462
00:20:59,480 --> 00:21:01,040
Speaker 3: off and I'm like, oh my gosh, I've seen the

463
00:21:01,040 --> 00:21:04,440
Speaker 3: close friends. I'm like, oh, like you look incredible and like,

464
00:21:05,400 --> 00:21:08,520
Speaker 3: so I'm going great work and Sam that Sam's like

465
00:21:08,600 --> 00:21:11,359
Speaker 3: core being you know what I mean, And so it's like, no,

466
00:21:11,520 --> 00:21:14,680
Speaker 3: we just need like it's like the episode where in

467
00:21:14,800 --> 00:21:16,800
Speaker 3: the sitcom where it's like I did your job, to

468
00:21:16,840 --> 00:21:19,280
Speaker 3: do your job's hard. It's like then the end they're like, hey,

469
00:21:19,560 --> 00:21:21,040
Speaker 3: how don't we each take a little together.

470
00:21:21,280 --> 00:21:24,760
Speaker 1: Yes, that's exactly it. That's exactly it. Yes, yeah, yeah,

471
00:21:25,119 --> 00:21:27,560
Speaker 1: Well I think the only way we can work it

472
00:21:27,640 --> 00:21:31,760
Speaker 1: out in the remix, so to speak, sure sure is

473
00:21:32,000 --> 00:21:34,879
Speaker 1: for us to like do something together, maybe like go

474
00:21:34,920 --> 00:21:40,000
Speaker 1: on vacation together, and then push it in either direction,

475
00:21:40,200 --> 00:21:42,640
Speaker 1: have like one day where we are a little too professional,

476
00:21:42,680 --> 00:21:46,120
Speaker 1: one day where we go a little too hard. Oh yeah,

477
00:21:46,440 --> 00:21:48,280
Speaker 1: and then we both come out sort of in the

478
00:21:48,320 --> 00:21:49,040
Speaker 1: middle at the end.

479
00:21:49,920 --> 00:21:52,040
Speaker 2: For me, I do think there's something about like I

480
00:21:52,200 --> 00:21:56,800
Speaker 2: need to maybe lean in to if George is going Sam,

481
00:21:56,880 --> 00:21:58,639
Speaker 2: I need to lean more towards George.

482
00:21:58,800 --> 00:22:03,080
Speaker 3: I need because yeah, George isn't family values. No, George

483
00:22:03,160 --> 00:22:05,160
Speaker 3: is intellectualism, and you need to lean towards.

484
00:22:05,000 --> 00:22:06,439
Speaker 2: That because I think you are.

485
00:22:07,400 --> 00:22:11,639
Speaker 1: I mean, I'm reading that's what I was actually English major,

486
00:22:11,840 --> 00:22:12,560
Speaker 1: English major.

487
00:22:12,680 --> 00:22:16,119
Speaker 2: Yes, I think I gotta start posting damn playbills. And

488
00:22:16,160 --> 00:22:18,480
Speaker 2: then we're talking, Yes, you gotta post playbills.

489
00:22:19,040 --> 00:22:19,640
Speaker 3: That's very true.

490
00:22:19,680 --> 00:22:21,560
Speaker 1: That's the final frontier of being me.

491
00:22:21,960 --> 00:22:27,000
Speaker 3: Georgia. No Greek, no nothing, just post a playbill.

492
00:22:28,800 --> 00:22:30,840
Speaker 2: Well, I'm not gonna start pretending to be greedy. You're

493
00:22:30,840 --> 00:22:31,840
Speaker 2: not gonna download d.

494
00:22:36,440 --> 00:22:37,040
Speaker 3: To be Greek.

495
00:22:37,200 --> 00:22:40,560
Speaker 1: Terry Coop starts walking in, Sam starts something, rowing chest

496
00:22:40,600 --> 00:22:41,639
Speaker 1: hair and having a cross.

497
00:22:42,280 --> 00:22:44,199
Speaker 2: God I would give anything that.

498
00:22:44,320 --> 00:22:45,560
Speaker 3: Would be incredible experience.

499
00:22:45,640 --> 00:22:47,639
Speaker 2: Oh my god, I did want to be There was

500
00:22:47,720 --> 00:22:49,159
Speaker 2: like a full year where I was like, maybe I

501
00:22:49,200 --> 00:22:50,560
Speaker 2: can pretend to be Italian, but.

502
00:22:51,200 --> 00:22:54,679
Speaker 3: Cool, Well there are I mean execute that.

503
00:22:55,560 --> 00:22:57,520
Speaker 1: I'm trying to think if you could pull up being Italian.

504
00:22:57,600 --> 00:23:01,720
Speaker 1: I mean it's tough. I think. I think you so

505
00:23:01,920 --> 00:23:05,320
Speaker 1: perfectly are what you are in a way that I've

506
00:23:05,359 --> 00:23:10,280
Speaker 1: always been and say what he is. I don't want

507
00:23:10,320 --> 00:23:12,399
Speaker 1: to say I've been envious of it, but it's more

508
00:23:12,520 --> 00:23:16,840
Speaker 1: like there's something comforting in the brand, the fact that

509
00:23:16,880 --> 00:23:20,639
Speaker 1: your brand is strong, sure, sure, sure, And maybe what

510
00:23:20,680 --> 00:23:22,879
Speaker 1: you're struggling with is that it is expanding in a

511
00:23:22,920 --> 00:23:26,959
Speaker 1: way in ways that are both exciting but also scary

512
00:23:27,040 --> 00:23:29,600
Speaker 1: because there are new unknowns that you are experiencing.

513
00:23:30,160 --> 00:23:32,200
Speaker 2: That's true, George, That's really smart.

514
00:23:32,280 --> 00:23:34,600
Speaker 3: Even you saying that is like delivered in the soft

515
00:23:34,720 --> 00:23:37,200
Speaker 3: sort of like circuit party shirt off way that I'm loving.

516
00:23:38,280 --> 00:23:39,200
Speaker 3: That was so tender.

517
00:23:39,600 --> 00:23:42,880
Speaker 1: Well, well, what are you gonna do? By the way,

518
00:23:42,960 --> 00:23:43,480
Speaker 1: I'm on gi.

519
00:23:47,920 --> 00:23:50,359
Speaker 3: See my experience is there right now? Isn't like is

520
00:23:50,400 --> 00:23:52,399
Speaker 3: like he walked in, It was like he's like nice

521
00:23:52,520 --> 00:23:55,520
Speaker 3: darkwash hymn jeans on a terry clock and then I said,

522
00:23:55,640 --> 00:23:58,280
Speaker 3: incredible sunglasses handsome to me, I get what are that?

523
00:23:58,359 --> 00:24:02,240
Speaker 3: He doesn't even say it as I'm reading m Marnie,

524
00:24:03,040 --> 00:24:03,600
Speaker 3: Oh Mo.

525
00:24:03,880 --> 00:24:06,240
Speaker 1: If you think we haven't spent an entire episode talking

526
00:24:06,240 --> 00:24:07,359
Speaker 1: about Sam's car and.

527
00:24:08,480 --> 00:24:14,040
Speaker 3: It's well, the experience is real, and you didn't you

528
00:24:14,119 --> 00:24:14,639
Speaker 3: said that.

529
00:24:14,880 --> 00:24:17,040
Speaker 1: By the way, you saying they were on sale is

530
00:24:17,200 --> 00:24:23,359
Speaker 1: so me. Me showing up with designer sung classes and

531
00:24:23,440 --> 00:24:26,200
Speaker 1: then without anyone asking me, doing a whole song and

532
00:24:26,280 --> 00:24:28,159
Speaker 1: dance about how they were on sale is like my

533
00:24:28,480 --> 00:24:29,200
Speaker 1: entire pieces.

534
00:24:29,200 --> 00:24:29,919
Speaker 3: Why you're suity?

535
00:24:31,000 --> 00:24:35,160
Speaker 1: I'm very yeah, God, this is like destabilizing.

536
00:24:34,480 --> 00:24:39,560
Speaker 3: Huh more things about each other, though, Well, should we.

537
00:24:39,600 --> 00:24:40,359
Speaker 1: Say something about Mo?

538
00:24:40,800 --> 00:24:42,000
Speaker 2: I think we should say something about Mo.

539
00:24:43,000 --> 00:24:44,840
Speaker 3: Better be fucking good, you know.

540
00:24:44,920 --> 00:24:47,440
Speaker 1: I want to say there's something there's a new side

541
00:24:47,480 --> 00:24:50,080
Speaker 1: of you that has come out during the promotion and

542
00:24:50,280 --> 00:24:53,640
Speaker 1: conception of this play that I feel like is kind

543
00:24:53,680 --> 00:24:54,840
Speaker 1: of a new chapter.

544
00:24:55,400 --> 00:24:56,320
Speaker 3: I love that go on.

545
00:24:56,720 --> 00:24:59,480
Speaker 1: I feel like it's it's the sense that you have

546
00:24:59,640 --> 00:25:03,360
Speaker 1: this ex expansive energy that goes in so many different directions,

547
00:25:03,480 --> 00:25:06,400
Speaker 1: and you have chosen to focus at all on one thing,

548
00:25:06,800 --> 00:25:08,119
Speaker 1: and there's something so powerful in.

549
00:25:08,160 --> 00:25:10,280
Speaker 3: That that is very sweet. I appreciate that, and it

550
00:25:10,440 --> 00:25:12,920
Speaker 3: is true I felt the impact of that. I maybe

551
00:25:12,960 --> 00:25:15,680
Speaker 3: didn't realize because I do just enjoy doing a bunch

552
00:25:15,720 --> 00:25:18,680
Speaker 3: of things, and then once it has been concentrated into something,

553
00:25:18,760 --> 00:25:22,040
Speaker 3: I'm like, oh, like I feel that energy.

554
00:25:22,200 --> 00:25:25,560
Speaker 1: You know what the secret to life is concentrating it

555
00:25:25,680 --> 00:25:29,400
Speaker 1: literally is it's focused. It's actually something that I've learned

556
00:25:29,480 --> 00:25:30,840
Speaker 1: way too late in my life.

557
00:25:31,880 --> 00:25:34,240
Speaker 3: It's something i've learned weight. It's simple focus because it's like,

558
00:25:34,480 --> 00:25:37,639
Speaker 3: what's meditation focused, what's you know, what's presence focus?

559
00:25:37,960 --> 00:25:40,879
Speaker 1: And you actually it's easy to think that actually the

560
00:25:41,359 --> 00:25:46,000
Speaker 1: the the right way to live is to do a

561
00:25:46,080 --> 00:25:50,160
Speaker 1: lot of different things and sort of you know, spread

562
00:25:50,280 --> 00:25:53,080
Speaker 1: your gifts as much as you can.

563
00:25:55,640 --> 00:25:58,399
Speaker 3: And here's the hard part. But it's not bad because

564
00:25:58,400 --> 00:26:01,119
Speaker 3: I used I used to back of people who are like,

565
00:26:01,320 --> 00:26:03,960
Speaker 3: do one thing, I'm like, well, that's capitalism talking like

566
00:26:04,040 --> 00:26:05,600
Speaker 3: I'm an artist, I have many mediums.

567
00:26:05,880 --> 00:26:09,119
Speaker 1: Sure it isn't doing many things capitalism because you're posting

568
00:26:09,160 --> 00:26:11,439
Speaker 1: Instagram reels and doing a sub stack and.

569
00:26:12,119 --> 00:26:15,240
Speaker 2: Not always not if it's like exploring, like I think

570
00:26:15,280 --> 00:26:17,119
Speaker 2: I see what you're saying where it's like, if you

571
00:26:17,200 --> 00:26:19,440
Speaker 2: want to do like, you know, a serious play and

572
00:26:19,680 --> 00:26:22,160
Speaker 2: do stand up, yes, that should be allowed because you're

573
00:26:22,160 --> 00:26:23,440
Speaker 2: not worried about branding.

574
00:26:23,200 --> 00:26:25,879
Speaker 3: As like yes media, because many of people have been like, well,

575
00:26:25,920 --> 00:26:28,640
Speaker 3: you're diluting your brand if you have a substruct businesses,

576
00:26:28,720 --> 00:26:30,960
Speaker 3: I'm like, well, I don't want to be brand driven.

577
00:26:31,520 --> 00:26:33,760
Speaker 1: Yes, Okay, I guess that's fair. Doing one thing is

578
00:26:33,840 --> 00:26:37,560
Speaker 1: more brand driven. Doing many things is more. You know,

579
00:26:37,600 --> 00:26:39,640
Speaker 1: I'm a complete person with many sides of my personality.

580
00:26:39,680 --> 00:26:42,159
Speaker 1: This is interesting because it goes back to we had

581
00:26:42,200 --> 00:26:47,720
Speaker 1: a big debate with Theta Hammel about whether being whether

582
00:26:48,000 --> 00:26:50,200
Speaker 1: small is actually big and big is actually small?

583
00:26:51,280 --> 00:26:52,000
Speaker 3: It's context.

584
00:26:52,520 --> 00:26:55,840
Speaker 1: Yeah, And so now I'm like, is one thing is

585
00:26:55,960 --> 00:26:58,880
Speaker 1: one thing more expansive than many things? Or are many

586
00:26:58,960 --> 00:27:00,200
Speaker 1: things more focused.

587
00:26:59,840 --> 00:27:02,960
Speaker 3: Than We're getting into Schrodinger's cat there, you know we're gonna.

588
00:27:03,600 --> 00:27:05,440
Speaker 1: Okay, Schrodinger's brand.

589
00:27:07,600 --> 00:27:09,960
Speaker 3: Firing on all cylinders or are.

590
00:27:09,880 --> 00:27:10,680
Speaker 1: We firing on one?

591
00:27:11,960 --> 00:27:15,639
Speaker 3: Oh my god, I love my friends so far.

592
00:27:17,720 --> 00:27:20,440
Speaker 1: That was literally me at Pride just I love my friends.

593
00:27:20,560 --> 00:27:21,320
Speaker 1: I love my friends.

594
00:27:21,840 --> 00:27:23,800
Speaker 3: Sometimes I do when you're talking about being stupid, like

595
00:27:23,800 --> 00:27:26,040
Speaker 3: I feel dumb, Like like you guys will say something

596
00:27:26,080 --> 00:27:28,120
Speaker 3: funny STUDI will say something fun I'm like, oh my god,

597
00:27:28,320 --> 00:27:32,200
Speaker 3: my friends are so freaking funny. Yeah, I'm like, I'm

598
00:27:32,280 --> 00:27:33,320
Speaker 3: like the big dum idiot.

599
00:27:33,600 --> 00:27:34,400
Speaker 1: That is not true.

600
00:27:35,440 --> 00:27:39,680
Speaker 3: I know it's not true. I'm very funny, but it

601
00:27:39,800 --> 00:27:40,199
Speaker 3: feels like.

602
00:27:40,280 --> 00:27:41,560
Speaker 2: Oh, I know what you mean. I feel that way

603
00:27:41,600 --> 00:27:46,000
Speaker 2: too sometimes, And I've always liked that role. Like it's

604
00:27:46,119 --> 00:27:47,879
Speaker 2: not even where I it's not where I actually am,

605
00:27:47,960 --> 00:27:50,000
Speaker 2: but in my mind sometimes I'm like, I am the

606
00:27:50,040 --> 00:27:52,320
Speaker 2: one that it gets to be with all these funny people,

607
00:27:52,359 --> 00:27:53,840
Speaker 2: and that's so exciting.

608
00:27:54,119 --> 00:27:56,359
Speaker 1: How great. But it's also it goes back to, you

609
00:27:56,440 --> 00:27:58,200
Speaker 1: know how like you'd never want to be the funniest

610
00:27:58,280 --> 00:28:00,800
Speaker 1: or the smartest person in a room, because then it's

611
00:28:00,840 --> 00:28:01,719
Speaker 1: like where do you go from?

612
00:28:01,800 --> 00:28:03,919
Speaker 2: My parents say, you never want to be the biggest

613
00:28:03,960 --> 00:28:04,800
Speaker 2: house in the neighborhood.

614
00:28:06,320 --> 00:28:07,920
Speaker 1: I don't know about that. I think I actually would

615
00:28:07,960 --> 00:28:10,520
Speaker 1: want to be the biggest. No, because then you got

616
00:28:10,560 --> 00:28:14,080
Speaker 1: a target on your back that neighborhood, that neighborhood Manhattan,

617
00:28:17,320 --> 00:28:18,320
Speaker 1: that was me.

618
00:28:19,320 --> 00:28:21,280
Speaker 2: Wait I have something, Okay, wait, I have something. I

619
00:28:21,320 --> 00:28:23,639
Speaker 2: want to go into a tail Okay, go go go,

620
00:28:23,720 --> 00:28:25,399
Speaker 2: and I want your guys take on it.

621
00:28:25,560 --> 00:28:25,960
Speaker 3: I love that.

622
00:28:26,119 --> 00:28:28,240
Speaker 1: Wait, Sam, one question? Should we do our first segment

623
00:28:28,280 --> 00:28:29,240
Speaker 1: before you go into the tail?

624
00:28:29,600 --> 00:28:29,639
Speaker 3: No?

625
00:28:30,040 --> 00:28:32,200
Speaker 2: Oh, maybe you're right to do it really quickly.

626
00:28:32,280 --> 00:28:33,000
Speaker 1: Let's do it really quick?

627
00:28:33,040 --> 00:28:33,280
Speaker 2: Okay.

628
00:28:33,440 --> 00:28:34,600
Speaker 1: Yeah, Look, who's a time queen?

629
00:28:34,680 --> 00:28:34,840
Speaker 2: Now?

630
00:28:35,480 --> 00:28:37,119
Speaker 1: How the tables keep turning?

631
00:28:37,280 --> 00:28:37,440
Speaker 2: Bit?

632
00:28:37,640 --> 00:28:39,440
Speaker 3: How the time tables have turned?

633
00:28:40,160 --> 00:28:47,560
Speaker 2: I damn? But okay. Our first segment was called straight Shooters,

634
00:28:47,600 --> 00:28:48,960
Speaker 2: and in this time we're going to ask you. Here's

635
00:28:48,960 --> 00:28:51,040
Speaker 2: a rapidfied questions basically this thing or this other thing

636
00:28:51,720 --> 00:28:53,840
Speaker 2: to get you're familiar to you with and complicity and

637
00:28:53,920 --> 00:28:55,920
Speaker 2: straight culture. The only rule is you can't ask any

638
00:28:55,960 --> 00:28:59,040
Speaker 2: follow up questions or will scream at you and give

639
00:28:59,080 --> 00:29:00,600
Speaker 2: you something you mad at us about.

640
00:29:01,280 --> 00:29:07,440
Speaker 1: Yeah, Mo, here we go, Han fried shrimp or Mo

641
00:29:08,000 --> 00:29:08,960
Speaker 1: fry passic?

642
00:29:09,880 --> 00:29:12,400
Speaker 3: That was so cool? Is that the first question? But

643
00:29:12,400 --> 00:29:14,080
Speaker 3: I'm just asking I was that the first personalized one

644
00:29:14,120 --> 00:29:16,760
Speaker 3: because it's gonna be You're okay.

645
00:29:17,040 --> 00:29:19,280
Speaker 1: You almost you almost got away with asking a question there.

646
00:29:19,760 --> 00:29:24,120
Speaker 2: Yeah, that was a good question for conscience.

647
00:29:26,120 --> 00:29:28,320
Speaker 3: Okay, Mo, it's a song saying right now when people

648
00:29:28,320 --> 00:29:28,840
Speaker 3: are listening.

649
00:29:29,120 --> 00:29:34,160
Speaker 2: Yeah, okay, okay, okay, Mo. Built for tough or two

650
00:29:34,520 --> 00:29:35,080
Speaker 2: for suffs?

651
00:29:35,320 --> 00:29:35,600
Speaker 1: Mmmm?

652
00:29:38,440 --> 00:29:39,120
Speaker 3: Two for suffs?

653
00:29:39,920 --> 00:29:42,800
Speaker 1: Okay, mo three six five party girl or three six

654
00:29:43,000 --> 00:29:45,720
Speaker 1: nine damn you fine, hoping she can suck it to

655
00:29:45,800 --> 00:29:46,640
Speaker 1: me one more time?

656
00:29:47,520 --> 00:29:50,200
Speaker 3: Oh wow, I didn't know those were the exact words

657
00:29:50,240 --> 00:29:51,280
Speaker 3: for the second one, so you.

658
00:29:51,320 --> 00:29:53,400
Speaker 1: Know, I actually thought it was three six nine damn

659
00:29:53,480 --> 00:29:55,520
Speaker 1: good time? Am I crazy for sink for things?

660
00:29:55,920 --> 00:29:56,120
Speaker 2: Yeah?

661
00:29:56,240 --> 00:29:57,760
Speaker 1: I thought it was too, but I looked it up

662
00:29:57,800 --> 00:29:58,920
Speaker 1: and it's damn you fine.

663
00:29:58,960 --> 00:30:00,800
Speaker 3: Well, you guys haven't had your and plaster to a

664
00:30:00,840 --> 00:30:02,440
Speaker 3: floor where your ass is rubbing on a hard little

665
00:30:02,440 --> 00:30:04,240
Speaker 3: dicky at a dance floor when you're in the sixth grade.

666
00:30:04,240 --> 00:30:05,800
Speaker 3: You know what I mean? You know that song?

667
00:30:05,920 --> 00:30:06,840
Speaker 2: You know our experience?

668
00:30:06,960 --> 00:30:07,640
Speaker 3: Yeah, you do not know.

669
00:30:08,160 --> 00:30:10,520
Speaker 1: You do not know my life, and you do not

670
00:30:10,640 --> 00:30:11,120
Speaker 1: know what I did.

671
00:30:11,280 --> 00:30:14,760
Speaker 3: George is right, there's a sixth grade or plastered on

672
00:30:14,840 --> 00:30:21,240
Speaker 3: the wall. They're just grinding. Okay. I only remember the

673
00:30:21,320 --> 00:30:23,720
Speaker 3: number three six five, so I'm okay, great, Okay.

674
00:30:24,000 --> 00:30:27,680
Speaker 2: The bling ring or the sting who sings.

675
00:30:29,640 --> 00:30:33,200
Speaker 1: This singer sings every day is a winding road, or

676
00:30:33,320 --> 00:30:35,280
Speaker 1: every gay is in grinding mode.

677
00:30:35,880 --> 00:30:39,800
Speaker 3: Oh that one was really good, George.

678
00:30:40,080 --> 00:30:41,720
Speaker 1: Yeah, And can I tell you something that's the one

679
00:30:41,760 --> 00:30:44,200
Speaker 1: I thought of last minute. I started recording and this

680
00:30:44,320 --> 00:30:45,600
Speaker 1: is why we need to push ourselves.

681
00:30:45,680 --> 00:30:46,920
Speaker 3: Because Sam pushed you a little bit.

682
00:30:46,880 --> 00:30:48,760
Speaker 1: And Sam pushed me. We were about to start recording.

683
00:30:48,760 --> 00:30:50,280
Speaker 1: I said, Sam, I have three can we just do

684
00:30:50,480 --> 00:30:52,240
Speaker 1: like you do four? And I will do three? And

685
00:30:52,360 --> 00:30:54,560
Speaker 1: he said, just push yourself, just take.

686
00:30:54,400 --> 00:30:55,400
Speaker 3: A minute, just push yourself.

687
00:30:55,600 --> 00:30:57,160
Speaker 2: When you say it, when you recount like that, it

688
00:30:57,200 --> 00:30:58,520
Speaker 2: actually sounds like I'm insane.

689
00:30:58,680 --> 00:31:01,520
Speaker 3: Well not just that, So she is talking on like

690
00:31:01,560 --> 00:31:02,520
Speaker 3: you had no emotion behind it.

691
00:31:02,800 --> 00:31:05,160
Speaker 2: To my friend to be like, how about you push yourself?

692
00:31:05,840 --> 00:31:07,520
Speaker 1: That is literally what you said. And I was like, what,

693
00:31:07,760 --> 00:31:10,560
Speaker 1: you're right, Like, it's one more I can sit down

694
00:31:10,600 --> 00:31:11,160
Speaker 1: and I can do it.

695
00:31:12,080 --> 00:31:12,760
Speaker 2: All the listeners.

696
00:31:12,800 --> 00:31:17,400
Speaker 1: The tone was the context also, I mean, you're just

697
00:31:17,560 --> 00:31:21,560
Speaker 1: proving I'm sorry, but you're being so corporate, like you're being,

698
00:31:22,360 --> 00:31:26,240
Speaker 1: my god, digging yourself into this hole for me to

699
00:31:26,360 --> 00:31:28,680
Speaker 1: be like, can I do three? And for you to say, George,

700
00:31:29,480 --> 00:31:30,960
Speaker 1: this is a professional. We're in a.

701
00:31:31,000 --> 00:31:33,080
Speaker 3: Studio right just pushing right right now.

702
00:31:33,600 --> 00:31:37,280
Speaker 2: It's not corporate. It's just wanting us to be you know,

703
00:31:37,360 --> 00:31:38,760
Speaker 2: hold ourselves to a standard.

704
00:31:40,400 --> 00:31:41,920
Speaker 3: Oh my god, this is crazy.

705
00:31:42,320 --> 00:31:46,720
Speaker 1: Can you hear the splashing? Are you saying that?

706
00:31:46,920 --> 00:31:47,680
Speaker 2: Are you peeing right now.

707
00:31:47,760 --> 00:31:51,040
Speaker 1: I was peeing. No, I was, I was filling my way.

708
00:31:51,080 --> 00:31:52,960
Speaker 3: Can I tell you? I literally thought George was like

709
00:31:53,440 --> 00:31:55,680
Speaker 3: got his phone out to like do a sting, to

710
00:31:55,800 --> 00:31:58,120
Speaker 3: be like up Ship Creek without a pod, like you

711
00:31:58,160 --> 00:31:59,480
Speaker 3: know what I mean. Like I thought it was gonna

712
00:31:59,480 --> 00:31:59,920
Speaker 3: be like a bit.

713
00:32:00,080 --> 00:32:02,480
Speaker 1: I actually thought I actually almost did that for three

714
00:32:02,600 --> 00:32:04,880
Speaker 1: six nine. I was going to play the songs.

715
00:32:04,960 --> 00:32:08,280
Speaker 3: But okay, well every day is winding world because I

716
00:32:08,520 --> 00:32:10,520
Speaker 3: forgot what the second one was, but I would have said.

717
00:32:10,320 --> 00:32:12,120
Speaker 1: That it's every gay is in grinding mode.

718
00:32:13,880 --> 00:32:18,360
Speaker 2: Yeah, okay, mo. Information that's been classified or a face

719
00:32:18,480 --> 00:32:20,000
Speaker 2: that's been yassified.

720
00:32:20,360 --> 00:32:21,600
Speaker 1: That's good, honey.

721
00:32:21,840 --> 00:32:29,640
Speaker 3: What's the difference, absolutely, information that's been classified.

722
00:32:29,720 --> 00:32:36,480
Speaker 1: The Great Gatsby or the fate of chat GBT. Oh well,

723
00:32:37,080 --> 00:32:39,920
Speaker 1: the fate of chat GBT. Yes, let's hope it's not

724
00:32:40,080 --> 00:32:42,760
Speaker 1: a good one. Okay, okay, Sam, time for yours?

725
00:32:42,760 --> 00:32:45,400
Speaker 2: Oh wait, we have one more?

726
00:32:45,440 --> 00:32:46,160
Speaker 1: Okay, you have one more?

727
00:32:46,360 --> 00:32:51,040
Speaker 2: Biden is old or I love gold.

728
00:32:54,480 --> 00:32:55,880
Speaker 1: All right, I'm wagging off.

729
00:33:00,120 --> 00:33:01,680
Speaker 2: It's gold member voice.

730
00:33:05,920 --> 00:33:08,080
Speaker 1: Did you think you would forget when you wrote it?

731
00:33:08,360 --> 00:33:10,080
Speaker 3: Did you think about this moment?

732
00:33:10,720 --> 00:33:17,400
Speaker 2: I said, I said, Sam, push yourself. I said, I said,

733
00:33:17,760 --> 00:33:20,760
Speaker 2: you know you don't love to do a voice, and

734
00:33:21,160 --> 00:33:23,360
Speaker 2: you know it's going to be confusing, and George might

735
00:33:23,480 --> 00:33:25,600
Speaker 2: look at you with disdain.

736
00:33:25,880 --> 00:33:28,680
Speaker 1: I never look at you with this stain. I always

737
00:33:28,720 --> 00:33:31,360
Speaker 1: celebrate when you take a creative Faschuck, can I.

738
00:33:31,320 --> 00:33:33,040
Speaker 3: See your face? Can we play backpace? Can we play it?

739
00:33:36,440 --> 00:33:38,320
Speaker 1: I feel like, And you know, tell me if you

740
00:33:38,360 --> 00:33:40,840
Speaker 1: don't feel this way. I feel like when I am

741
00:33:41,000 --> 00:33:44,520
Speaker 1: like often. You know, we of course push the limits

742
00:33:44,560 --> 00:33:47,280
Speaker 1: of stupid and the hope is that you We do

743
00:33:47,360 --> 00:33:49,880
Speaker 1: horseshoe theory, so something is so stupid and it becomes smart.

744
00:33:50,280 --> 00:33:51,560
Speaker 1: And sometimes when Sam.

745
00:33:51,440 --> 00:33:55,400
Speaker 3: Wouldn't be a circle, Okay, I guess we have.

746
00:33:55,440 --> 00:33:57,800
Speaker 1: A I guess we have a scientist in the building.

747
00:33:58,400 --> 00:34:01,760
Speaker 1: Every day is a bit, every day is a winding

748
00:34:01,840 --> 00:34:06,560
Speaker 1: circle more like whoa. But I feel like I you

749
00:34:06,640 --> 00:34:09,719
Speaker 1: know when you do that often I will lovingly kind

750
00:34:09,760 --> 00:34:12,840
Speaker 1: of exaggerate an eye roll. So you know that that

751
00:34:12,920 --> 00:34:14,000
Speaker 1: comes from a place of love.

752
00:34:14,600 --> 00:34:15,280
Speaker 2: Of course.

753
00:34:15,520 --> 00:34:17,560
Speaker 3: Yeah, I'm obsessed with us blurring the lines here, and

754
00:34:17,680 --> 00:34:19,120
Speaker 3: I would.

755
00:34:18,960 --> 00:34:25,040
Speaker 1: Never I feel disdained for very few people name three,

756
00:34:30,160 --> 00:34:35,600
Speaker 1: Chuck Shumer, Oh, Katie Perry true.

757
00:34:36,080 --> 00:34:38,239
Speaker 3: Okay, well then that's pushing you back to the stand up.

758
00:34:38,360 --> 00:34:42,960
Speaker 1: Huh well, and uh, I guess say it.

759
00:34:43,520 --> 00:34:44,239
Speaker 3: Don't flake on.

760
00:34:44,280 --> 00:34:46,160
Speaker 2: This, push yourself.

761
00:34:47,320 --> 00:34:51,160
Speaker 3: What'd you say, Shepherd? I think that's so smart for

762
00:34:51,239 --> 00:34:53,440
Speaker 3: you to say, because now you're involved in the podcast

763
00:34:53,520 --> 00:34:56,000
Speaker 3: dynamic and people are going back and forth, their audiences

764
00:34:56,000 --> 00:34:57,000
Speaker 3: are listening to you guys.

765
00:34:57,080 --> 00:34:59,439
Speaker 1: Yeah, yeah, I would actually really start I would really

766
00:34:59,440 --> 00:35:00,960
Speaker 1: start a few with Deak Shepherd.

767
00:35:01,280 --> 00:35:04,080
Speaker 3: Yeah, yeah, yeah, absolutely.

768
00:35:03,640 --> 00:35:05,400
Speaker 2: That's awesome. Huff Post picking this up.

769
00:35:05,440 --> 00:35:08,600
Speaker 1: I heard Ariana herself, well, great American icon.

770
00:35:08,640 --> 00:35:10,360
Speaker 2: By the way, no one's talking about that.

771
00:35:10,600 --> 00:35:12,719
Speaker 1: You have an I haven't in yet. Well, if she's

772
00:35:12,760 --> 00:35:17,239
Speaker 1: on Sped dial, I said, yeah, sou okay, So Sam

773
00:35:17,320 --> 00:35:20,840
Speaker 1: tell you wait, hold on a scale of zero, you

774
00:35:20,880 --> 00:35:23,400
Speaker 1: haven't chosen chosen because.

775
00:35:23,719 --> 00:35:25,719
Speaker 3: I'm sorry, but I just also need to comment on

776
00:35:25,760 --> 00:35:28,440
Speaker 3: it is not a question. Is it's like it's you're

777
00:35:28,600 --> 00:35:30,279
Speaker 3: using a quote from a character that is like not

778
00:35:30,440 --> 00:35:32,520
Speaker 3: his primary quote, you know what I mean. Like it's

779
00:35:32,560 --> 00:35:34,640
Speaker 3: like it's like doing a bat bastard quote and then

780
00:35:34,920 --> 00:35:37,680
Speaker 3: like yeah, he says, I love, but it's not like

781
00:35:37,800 --> 00:35:40,040
Speaker 3: it's not like a canonical I did.

782
00:35:40,000 --> 00:35:41,120
Speaker 1: Not recognize that.

783
00:35:41,280 --> 00:35:43,960
Speaker 3: I didn't either at all and I just watched Sam

784
00:35:44,120 --> 00:35:45,720
Speaker 3: look at me starting to cry laughing.

785
00:35:48,040 --> 00:35:51,760
Speaker 1: I genuinely was like, is this gollumn? Like he also

786
00:35:52,000 --> 00:35:55,000
Speaker 1: started laughing, Like before you were even done doing the bit, I.

787
00:35:55,080 --> 00:35:58,160
Speaker 2: Was like what is he? Like? What? What?

788
00:35:58,360 --> 00:36:00,560
Speaker 3: What is the It was exactly that meds were like.

789
00:36:00,640 --> 00:36:02,759
Speaker 3: And it was so fun because I realized before right

790
00:36:02,800 --> 00:36:04,640
Speaker 3: before you said gold member, and when you did, you

791
00:36:04,719 --> 00:36:06,080
Speaker 3: said it like we all know, right.

792
00:36:06,239 --> 00:36:07,800
Speaker 2: And it was like, No, what would you say is

793
00:36:07,840 --> 00:36:09,240
Speaker 2: gold members primary quote?

794
00:36:10,200 --> 00:36:12,400
Speaker 3: Oh my god, I don't have master? Is who you quote?

795
00:36:12,719 --> 00:36:15,640
Speaker 2: Yeah, if you're gonna quote gold member, you're gonna say

796
00:36:15,800 --> 00:36:16,560
Speaker 2: I love gold.

797
00:36:17,200 --> 00:36:20,160
Speaker 1: Unfortunately, don't really quote gold Man. I think the last thing,

798
00:36:20,160 --> 00:36:20,560
Speaker 1: that's why.

799
00:36:20,440 --> 00:36:23,120
Speaker 2: It's iconic because no one quotes gold Member.

800
00:36:23,200 --> 00:36:27,800
Speaker 1: He said, Okay, I think we are there's a crisis

801
00:36:27,840 --> 00:36:29,480
Speaker 1: on this podcast, and it is that we are too

802
00:36:29,600 --> 00:36:32,439
Speaker 1: horseshoe pilled, where we always think the opposite is true.

803
00:36:33,000 --> 00:36:36,359
Speaker 1: So you saying that's why it's iconic because no one

804
00:36:36,520 --> 00:36:40,520
Speaker 1: quotes gold Member. So something that is something that is

805
00:36:41,040 --> 00:36:44,880
Speaker 1: inherently non iconic, something that no one quotes, everything becomes

806
00:36:45,080 --> 00:36:46,080
Speaker 1: iconic respective are you.

807
00:36:46,080 --> 00:36:46,480
Speaker 3: Looking at it?

808
00:36:46,640 --> 00:36:48,640
Speaker 2: Well, I mean, honestly, the true iconic thing which I

809
00:36:48,760 --> 00:36:50,840
Speaker 2: just haven't seen it is to start quoting the Love Guru.

810
00:36:51,880 --> 00:36:53,879
Speaker 1: Well, I already, but Sam, I did that last week.

811
00:36:53,960 --> 00:36:56,040
Speaker 1: Remember I do remember the way.

812
00:36:57,680 --> 00:37:00,400
Speaker 3: I'm sorry that sentence that dag and forth is crazy.

813
00:37:01,719 --> 00:37:03,920
Speaker 3: You said, you said a real thing, which is the

814
00:37:04,000 --> 00:37:07,560
Speaker 3: way is to quote? Was it domest zone the love grow?

815
00:37:07,640 --> 00:37:09,080
Speaker 3: That's what it is. You're like the love gir And

816
00:37:09,239 --> 00:37:14,680
Speaker 3: George says, I did that last week. I said, Oh

817
00:37:14,800 --> 00:37:16,319
Speaker 3: my gosh, the Little World.

818
00:37:16,640 --> 00:37:17,759
Speaker 1: This is the best episode ever.

819
00:37:18,120 --> 00:37:19,120
Speaker 3: I'm having the time in my life.

820
00:37:19,200 --> 00:37:19,720
Speaker 2: I'm scared.

821
00:37:21,320 --> 00:37:24,640
Speaker 3: Okay, Well, I'm going to choose obviously Sam's full eye contact,

822
00:37:24,800 --> 00:37:25,640
Speaker 3: long impression.

823
00:37:25,760 --> 00:37:26,120
Speaker 2: Of course.

824
00:37:26,239 --> 00:37:27,960
Speaker 1: I love that was good.

825
00:37:28,000 --> 00:37:30,320
Speaker 3: That was way good that we know.

826
00:37:30,680 --> 00:37:41,040
Speaker 2: I love go. Yeah, so no one knows Gold member,

827
00:37:41,400 --> 00:37:43,040
Speaker 2: I it's gold, It's gold.

828
00:37:44,320 --> 00:37:46,680
Speaker 1: Yeah, it's the Beyonce one. It's the Beyonce one.

829
00:37:46,800 --> 00:37:47,840
Speaker 3: Do you an impression, George?

830
00:37:48,320 --> 00:37:54,960
Speaker 1: Yeah, of Beyonce isn't her name?

831
00:37:56,640 --> 00:37:57,720
Speaker 2: And a whole woman?

832
00:37:58,000 --> 00:38:00,000
Speaker 1: I do remember that, So you could be a George.

833
00:38:00,560 --> 00:38:04,440
Speaker 2: Well, yeah, this will be tasteful.

834
00:38:04,840 --> 00:38:06,600
Speaker 1: Sam, tell your story please.

835
00:38:08,280 --> 00:38:09,960
Speaker 2: Oh I can't believe we're going back to this.

836
00:38:10,239 --> 00:38:13,160
Speaker 1: We need to rank Mo from a scale of zero

837
00:38:13,200 --> 00:38:16,200
Speaker 1: to one hot or not, mo hot or not, I'm

838
00:38:16,560 --> 00:38:20,480
Speaker 1: hot hot. Actually wait, no, that is what we're doing.

839
00:38:20,719 --> 00:38:23,080
Speaker 1: I've decided for this episode instead of zero one, buts

840
00:38:23,120 --> 00:38:24,640
Speaker 1: and Doves are just doing hot or not and your

841
00:38:24,680 --> 00:38:26,080
Speaker 1: ranking is HoTT.

842
00:38:27,520 --> 00:38:27,840
Speaker 3: Thank you?

843
00:38:28,400 --> 00:38:30,280
Speaker 1: Okay, Sam, go okay.

844
00:38:31,040 --> 00:38:33,239
Speaker 2: I guess what I was gonna say, which feels so

845
00:38:33,440 --> 00:38:39,520
Speaker 2: out of context in random now, is that okay I

846
00:38:39,600 --> 00:38:42,200
Speaker 2: had While I was celebrating family values at my parents' house,

847
00:38:42,440 --> 00:38:44,840
Speaker 2: I ran into I went with my mom to a

848
00:38:45,400 --> 00:38:48,160
Speaker 2: sandwich place and we saw someone she's friends with.

849
00:38:48,560 --> 00:38:49,160
Speaker 3: I'm with her.

850
00:38:50,560 --> 00:38:50,759
Speaker 2: With her.

851
00:38:50,800 --> 00:38:53,920
Speaker 3: It's a sandwich shop and you know something about her?

852
00:38:54,200 --> 00:38:57,800
Speaker 2: Oh? There we go and we went to and my

853
00:38:57,880 --> 00:38:59,479
Speaker 2: mom was like, I want to introduce you to my friend.

854
00:38:59,800 --> 00:39:04,200
Speaker 2: And I was like okay, and I was like, we

855
00:39:04,280 --> 00:39:06,920
Speaker 2: actually had just finished recording our Patreon episode, and so

856
00:39:07,040 --> 00:39:09,240
Speaker 2: my mom was like, here's Sam. He was just recording

857
00:39:09,320 --> 00:39:10,440
Speaker 2: his podcast.

858
00:39:10,120 --> 00:39:12,440
Speaker 1: No terrible mistake, Strike one.

859
00:39:13,560 --> 00:39:16,440
Speaker 2: I immediately shut down. I'm like, because then.

860
00:39:16,520 --> 00:39:19,040
Speaker 3: You brought your body caves in on it truly, And I'm.

861
00:39:18,880 --> 00:39:21,839
Speaker 2: Like oh, And she's like, oh, what's your podcast about?

862
00:39:22,440 --> 00:39:24,920
Speaker 2: And I was like, oh no, And then I was like,

863
00:39:25,040 --> 00:39:26,400
Speaker 2: it's called Stradio lab.

864
00:39:26,280 --> 00:39:28,160
Speaker 1: And it's like we do strike too.

865
00:39:28,160 --> 00:39:30,080
Speaker 2: It's like a comedy podcast about it.

866
00:39:30,320 --> 00:39:33,879
Speaker 1: Strike. You said you are, I'm like aboard mission. I'm

867
00:39:33,920 --> 00:39:36,640
Speaker 1: getting word from control. We need to airlift him out

868
00:39:36,640 --> 00:39:36,839
Speaker 1: of there.

869
00:39:37,000 --> 00:39:37,359
Speaker 2: Right now.

870
00:39:38,080 --> 00:39:40,640
Speaker 1: A boat is coming. It's on Lake Michigan and a helicopter.

871
00:39:41,480 --> 00:39:43,520
Speaker 1: The helicopter has your feet and the boat has your head.

872
00:39:43,760 --> 00:39:45,719
Speaker 1: They're like, get him out whatever way you can.

873
00:39:46,719 --> 00:39:48,279
Speaker 3: He's laid down to a board.

874
00:39:49,200 --> 00:39:50,880
Speaker 1: He's being lifted like that cow.

875
00:39:50,960 --> 00:39:53,840
Speaker 3: That gets from the science museums.

876
00:39:55,800 --> 00:39:57,560
Speaker 2: And then I tried to explain it, and then it

877
00:39:57,640 --> 00:39:59,800
Speaker 2: obviously went horribly wrong. They looked at me like I

878
00:39:59,880 --> 00:40:02,640
Speaker 2: was insane, Like sorry, talking about something else. And then

879
00:40:02,640 --> 00:40:05,560
Speaker 2: I slowly backed out, Like but you can't back out,

880
00:40:05,560 --> 00:40:07,440
Speaker 2: You're done, I literally slowly.

881
00:40:09,400 --> 00:40:12,080
Speaker 1: And then you were being Homer Simpson in the bush.

882
00:40:12,480 --> 00:40:14,440
Speaker 2: I was being Homer Simpson in the bush. And then

883
00:40:14,480 --> 00:40:16,399
Speaker 2: we walk outside of my ALM goes, you're so shy.

884
00:40:17,600 --> 00:40:19,840
Speaker 3: I have a question, Yes, this is a crazy experience.

885
00:40:20,160 --> 00:40:24,040
Speaker 2: How how should I have handled the situation? What do

886
00:40:24,200 --> 00:40:26,880
Speaker 2: you say to someone when there's no context?

887
00:40:27,040 --> 00:40:28,719
Speaker 3: What you call the a c l U?

888
00:40:30,200 --> 00:40:31,960
Speaker 1: Right, you call the a c l U and you

889
00:40:33,080 --> 00:40:38,920
Speaker 1: call a CLU, the DNC, Yes, and the Glad Awards

890
00:40:39,000 --> 00:40:42,799
Speaker 1: Committee Committee. And you say, we need a closed door

891
00:40:42,880 --> 00:40:45,360
Speaker 1: meeting with President Joe Biden right now.

892
00:40:45,840 --> 00:40:46,160
Speaker 3: Right now.

893
00:40:46,239 --> 00:40:48,560
Speaker 1: And by the way, I'm not coming to you, You're

894
00:40:48,600 --> 00:40:51,400
Speaker 1: coming to me. I will see you on the shores

895
00:40:51,440 --> 00:40:53,239
Speaker 1: of Lake Michigan in twelve.

896
00:40:52,960 --> 00:40:56,080
Speaker 3: Hours because it's going to take everyone.

897
00:40:56,160 --> 00:40:57,840
Speaker 1: Do you want to know my ernest answer how I

898
00:40:57,840 --> 00:41:01,000
Speaker 1: would answer that I do. I would say very simply.

899
00:41:01,000 --> 00:41:02,719
Speaker 1: I would say, you know, I'm a comedian in New

900
00:41:02,800 --> 00:41:05,440
Speaker 1: York and the podcast is like an interview podcast where

901
00:41:05,440 --> 00:41:10,759
Speaker 1: we interview other comedians. No one would ever ask a

902
00:41:10,840 --> 00:41:13,359
Speaker 1: follow up question. You would move on, and then your

903
00:41:13,400 --> 00:41:16,360
Speaker 1: mom can start, you know, giving her own updates about

904
00:41:17,239 --> 00:41:19,320
Speaker 1: work and life and the renovation.

905
00:41:20,440 --> 00:41:23,440
Speaker 3: Fuck, that's so smart, the renovation.

906
00:41:23,719 --> 00:41:28,560
Speaker 1: That's of course the number one choice. You know, if

907
00:41:28,600 --> 00:41:31,520
Speaker 1: I had it, my way would be for your dear

908
00:41:31,600 --> 00:41:33,560
Speaker 1: mom not to have mentioned the podcast at all. But

909
00:41:34,080 --> 00:41:36,400
Speaker 1: once she did, that is I think the only way forward.

910
00:41:37,480 --> 00:41:40,160
Speaker 2: I find this so complicated because whenever I go to

911
00:41:41,040 --> 00:41:44,040
Speaker 2: anyone that is not in our circles, I feel like

912
00:41:44,160 --> 00:41:47,360
Speaker 2: I'm insane and I'm like, is it me? Like? Is

913
00:41:47,440 --> 00:41:50,200
Speaker 2: it am I being Tina fe going like remembering high school.

914
00:41:50,239 --> 00:41:52,520
Speaker 3: I know, Kelsey, how about your mom piel problem exactly?

915
00:41:53,040 --> 00:41:54,719
Speaker 2: And I'm sort of like, should am I being like

916
00:41:54,800 --> 00:41:56,240
Speaker 2: they're never going to get it, so I'm not explaining

917
00:41:56,280 --> 00:41:58,640
Speaker 2: it to them, or but then whenever I to explain it,

918
00:41:58,719 --> 00:42:00,560
Speaker 2: I sound it insane so that I'm like, oh, yeah,

919
00:42:00,560 --> 00:42:03,319
Speaker 2: I shouldn't have ever tried, and I feel like you.

920
00:42:03,400 --> 00:42:04,400
Speaker 1: Can try to explain it.

921
00:42:05,200 --> 00:42:08,759
Speaker 3: I think here's the thing that because I've run up

922
00:42:08,800 --> 00:42:10,640
Speaker 3: with this against the play a lot, because the play

923
00:42:11,280 --> 00:42:14,480
Speaker 3: is like, it's about trauma, but it's funny, but it's

924
00:42:14,480 --> 00:42:16,480
Speaker 3: about this, And then it's like people like, so it's

925
00:42:16,520 --> 00:42:18,680
Speaker 3: the one woman show. I'm like, well, my gender's very fluid. Well,

926
00:42:18,760 --> 00:42:21,279
Speaker 3: so it's it's the one person show. No, it's a play. Well,

927
00:42:21,360 --> 00:42:23,160
Speaker 3: and then you sit there and you're just like, well,

928
00:42:24,000 --> 00:42:27,840
Speaker 3: am I like, you know, shirking sort of categorization or

929
00:42:27,920 --> 00:42:30,840
Speaker 3: am I being obstinate? Should I just simplify this? And

930
00:42:30,920 --> 00:42:34,520
Speaker 3: I think the stuff we do right, it is hard

931
00:42:35,080 --> 00:42:37,759
Speaker 3: to feel like you're reducing it for an elevator pitch

932
00:42:37,880 --> 00:42:40,239
Speaker 3: for someone you know you're in conversation with. Here's where

933
00:42:40,239 --> 00:42:43,160
Speaker 3: you should trust your gut, right, yeah, you know that,

934
00:42:43,400 --> 00:42:46,160
Speaker 3: like you're not judging this woman, but you can feel

935
00:42:46,200 --> 00:42:47,640
Speaker 3: a vibe and be like, yeah, we're not gonna have

936
00:42:47,640 --> 00:42:51,120
Speaker 3: a conversation about gay culture or straight culture, right. But

937
00:42:51,239 --> 00:42:53,359
Speaker 3: then what we do is we internalize it and we're like, well,

938
00:42:53,360 --> 00:42:55,359
Speaker 3: I'm judging who or I'm not saying it with my chest,

939
00:42:55,800 --> 00:42:58,200
Speaker 3: and it's like it's neither of them. Trust your gun

940
00:42:58,200 --> 00:43:00,640
Speaker 3: in the situation, just like what you just saying, like

941
00:43:00,760 --> 00:43:03,919
Speaker 3: have a shorthand, and if they want to inquire further,

942
00:43:04,120 --> 00:43:06,279
Speaker 3: you can absolutely be like, well it's kind of you know,

943
00:43:06,680 --> 00:43:10,240
Speaker 3: it's silly but nuanced, but we do have bigger general conversations.

944
00:43:10,880 --> 00:43:13,080
Speaker 3: But the thing is, I think we doubt ourselves in

945
00:43:13,120 --> 00:43:15,440
Speaker 3: those moments and we're like, should I have done this?

946
00:43:15,480 --> 00:43:17,600
Speaker 3: Should I have done It's like you wanted to homer

947
00:43:17,680 --> 00:43:20,319
Speaker 3: system and not have that conversation and you didn't even

948
00:43:20,360 --> 00:43:21,600
Speaker 3: bring it up your mom, did you know?

949
00:43:21,800 --> 00:43:21,920
Speaker 1: Right?

950
00:43:22,040 --> 00:43:22,160
Speaker 2: Right?

951
00:43:22,239 --> 00:43:25,360
Speaker 1: Right? I think however, you also have to think about like,

952
00:43:26,160 --> 00:43:28,400
Speaker 1: think about someone who works in private equity and you

953
00:43:28,480 --> 00:43:30,560
Speaker 1: meet them at a party. They are not going to

954
00:43:30,640 --> 00:43:32,719
Speaker 1: go into the weeds of the work that they do.

955
00:43:32,800 --> 00:43:34,600
Speaker 1: They're just going to say, I work in private equity.

956
00:43:35,560 --> 00:43:39,640
Speaker 2: But that's like what bothers me. I honestly am jealous

957
00:43:39,680 --> 00:43:42,719
Speaker 2: of them because if I had had this conversation and

958
00:43:43,120 --> 00:43:46,120
Speaker 2: my mom was like, Sandwich was working private equity, then

959
00:43:46,400 --> 00:43:48,719
Speaker 2: the woman would have just been like awesome like that

960
00:43:48,920 --> 00:43:51,239
Speaker 2: for you, Yeah, Like there wouldn't be a question. There

961
00:43:51,239 --> 00:43:53,640
Speaker 2: would just be like inherent respect, whereas like when you're

962
00:43:53,719 --> 00:43:56,480
Speaker 2: like he was doing this podcast, it's like, so what's

963
00:43:56,600 --> 00:43:57,160
Speaker 2: that all about?

964
00:43:57,280 --> 00:43:58,719
Speaker 3: But I think that has to do with our and

965
00:43:58,840 --> 00:44:02,680
Speaker 3: creativity is people are comfortable with gray area, with you know,

966
00:44:02,920 --> 00:44:05,759
Speaker 3: nuance with that, and so people need you to say

967
00:44:05,840 --> 00:44:08,680
Speaker 3: I'm this or that to feel comfortable processing it or

968
00:44:08,760 --> 00:44:10,480
Speaker 3: being like I know that's good, I know that's bad.

969
00:44:10,640 --> 00:44:13,640
Speaker 1: Here's the other thing. Here's my other strategy. Okay, uh,

970
00:44:14,200 --> 00:44:17,200
Speaker 1: you're the instinct, of course, because you want to justify

971
00:44:17,280 --> 00:44:20,040
Speaker 1: your own work is to go into the creative side

972
00:44:20,080 --> 00:44:23,680
Speaker 1: of it. But actually it's much more safe and relatable

973
00:44:23,760 --> 00:44:27,000
Speaker 1: to talk about like the business and logistical side of it. So,

974
00:44:27,160 --> 00:44:30,200
Speaker 1: for example, she says, you know, what's your podcast, sort

975
00:44:30,239 --> 00:44:32,480
Speaker 1: of say something very quickly and then start being like,

976
00:44:32,800 --> 00:44:34,799
Speaker 1: you know, it's been hard recently because my co host

977
00:44:34,840 --> 00:44:36,960
Speaker 1: and I are in different cities so the scheduling has been,

978
00:44:37,440 --> 00:44:40,040
Speaker 1: you know, really hard to and then suddenly the conversation

979
00:44:40,080 --> 00:44:43,879
Speaker 1: becomes about how hard it is to plan a zoom

980
00:44:43,920 --> 00:44:48,280
Speaker 1: meeting and everyone can relate. I'm serious, No, that's actually

981
00:44:48,360 --> 00:44:48,840
Speaker 1: really smart.

982
00:44:48,960 --> 00:44:51,080
Speaker 2: It's just funny how simple it is.

983
00:44:51,600 --> 00:44:53,400
Speaker 3: It's I think it's a bummer, how simple it is.

984
00:44:53,719 --> 00:44:56,880
Speaker 2: Yeah, honestly, because I'm it's it's confusing because I'm not

985
00:44:57,000 --> 00:45:01,080
Speaker 2: trying to be obstinate. Yeah, I'm trying to treat people

986
00:45:01,160 --> 00:45:03,399
Speaker 2: with respect and be like they yes, they can hear

987
00:45:03,520 --> 00:45:05,319
Speaker 2: this and make sense of it, Like we don't live

988
00:45:05,400 --> 00:45:08,359
Speaker 2: in some tower where we're like incredibly different than other people.

989
00:45:08,920 --> 00:45:11,000
Speaker 2: And then I but then I'm always like, but then

990
00:45:11,040 --> 00:45:13,920
Speaker 2: we also are different than other people. So it's confusing.

991
00:45:14,000 --> 00:45:16,600
Speaker 1: Well, everyone's different. That's what makes America such an amazing

992
00:45:16,640 --> 00:45:17,279
Speaker 1: melting pot.

993
00:45:19,160 --> 00:45:19,200
Speaker 2: Mo.

994
00:45:20,080 --> 00:45:22,160
Speaker 1: I want to know what your straight topic is and

995
00:45:22,239 --> 00:45:23,279
Speaker 1: what you think is straight about it?

996
00:45:23,360 --> 00:45:23,680
Speaker 2: So fun?

997
00:45:23,840 --> 00:45:25,279
Speaker 3: This is so fun. Okay, Well, I feel like we

998
00:45:25,400 --> 00:45:27,080
Speaker 3: always dance with this because I always think about it.

999
00:45:27,080 --> 00:45:29,200
Speaker 3: I laugh because you guys do say like big small,

1000
00:45:29,239 --> 00:45:31,520
Speaker 3: big spot, and I think it's it is the perspective

1001
00:45:31,560 --> 00:45:35,640
Speaker 3: from what you're looking at it, right, Because anything can

1002
00:45:35,719 --> 00:45:38,759
Speaker 3: be anything in or out of context is what we

1003
00:45:38,840 --> 00:45:39,399
Speaker 3: keep talking about.

1004
00:45:39,480 --> 00:45:41,719
Speaker 1: Right, anything can be anything in or out of context.

1005
00:45:41,960 --> 00:45:45,959
Speaker 1: Is one of the great sentences that has been uttered

1006
00:45:46,000 --> 00:45:46,200
Speaker 1: on this.

1007
00:45:46,320 --> 00:45:49,160
Speaker 3: Podcast as is that it didn't realize And now I'm

1008
00:45:49,239 --> 00:45:49,440
Speaker 3: kind of.

1009
00:45:49,440 --> 00:45:52,080
Speaker 1: Like, wait that kind of I'm prod merge and I'm

1010
00:45:52,120 --> 00:45:55,400
Speaker 1: not joking, like anything anything in or out of context.

1011
00:45:55,480 --> 00:45:56,920
Speaker 3: And what's going to be brilliant is it can't be

1012
00:45:57,040 --> 00:45:59,319
Speaker 3: on like a big base, Like it can't be a hat.

1013
00:45:59,440 --> 00:46:01,560
Speaker 3: It has to be a big Exactly.

1014
00:46:01,960 --> 00:46:03,880
Speaker 2: Anything can be anything in or out of context.

1015
00:46:03,960 --> 00:46:06,160
Speaker 1: Don't you think like big Okay, I agree with you

1016
00:46:06,280 --> 00:46:09,640
Speaker 1: Mo for comedic value of course on a hat. But

1017
00:46:09,760 --> 00:46:16,080
Speaker 1: then I'm also thinking streetwear, big block letters. Yeah, just

1018
00:46:16,200 --> 00:46:20,800
Speaker 1: like big oversized T shirt. Anything can be anything in

1019
00:46:21,040 --> 00:46:22,000
Speaker 1: or out of context.

1020
00:46:22,480 --> 00:46:23,920
Speaker 3: I love that. How do we want to shake that?

1021
00:46:24,200 --> 00:46:24,239
Speaker 2: No?

1022
00:46:24,360 --> 00:46:26,200
Speaker 3: No, this is like now the welcome to the new segment.

1023
00:46:26,239 --> 00:46:28,799
Speaker 2: Anything you know, anything can be anything in or out

1024
00:46:28,800 --> 00:46:29,320
Speaker 2: of context.

1025
00:46:29,480 --> 00:46:31,960
Speaker 1: Wait this is I'm sorry but this I'm kind of

1026
00:46:32,120 --> 00:46:34,120
Speaker 1: like I can't move on from this because we don't

1027
00:46:34,160 --> 00:46:36,359
Speaker 1: have this to me is so the spirit of early

1028
00:46:36,440 --> 00:46:39,800
Speaker 1: episodes of the podcast. It's like we used to have

1029
00:46:40,000 --> 00:46:42,040
Speaker 1: we used to make merch. That said, it doesn't matter

1030
00:46:42,120 --> 00:46:43,839
Speaker 1: what your political beliefs are as long as you live

1031
00:46:43,880 --> 00:46:48,680
Speaker 1: out loud. I remember, yeah, and this feels very in

1032
00:46:48,800 --> 00:46:49,600
Speaker 1: conversation with that.

1033
00:46:50,480 --> 00:46:54,279
Speaker 3: Oh, I love being in conversation. Conversation when when like

1034
00:46:54,480 --> 00:46:57,680
Speaker 3: sentences are conversations. What it's crazy?

1035
00:46:58,880 --> 00:47:00,719
Speaker 2: Okay. I also love any can be anything intern out

1036
00:47:00,719 --> 00:47:03,400
Speaker 2: of context because it fully feels like you didn't know

1037
00:47:03,520 --> 00:47:05,319
Speaker 2: this part was coming, and you're like, let's riff.

1038
00:47:05,480 --> 00:47:07,799
Speaker 3: Oh my god, that's so funny. That's so funny. Now

1039
00:47:07,840 --> 00:47:08,480
Speaker 3: I have a full list.

1040
00:47:08,600 --> 00:47:09,920
Speaker 1: I mean, it is so funny to be So, what's

1041
00:47:09,960 --> 00:47:12,200
Speaker 1: your straight topic? And you're like, oh, fuck, well, anything

1042
00:47:12,280 --> 00:47:14,239
Speaker 1: can be anything in or out of context.

1043
00:47:14,520 --> 00:47:16,200
Speaker 3: I turned into the love gurrooms.

1044
00:47:18,480 --> 00:47:27,239
Speaker 2: I love context, old gold, I love my god. You

1045
00:47:27,360 --> 00:47:29,160
Speaker 2: guys know it. That's the only thing he says.

1046
00:47:29,640 --> 00:47:31,680
Speaker 1: Wait, don't you think anything can be anything in or

1047
00:47:31,719 --> 00:47:36,680
Speaker 1: out of context? Also sounds like a kamalaism? You know how? Absolutely? Yeah,

1048
00:47:36,680 --> 00:47:37,440
Speaker 1: it's very It.

1049
00:47:37,560 --> 00:47:39,279
Speaker 2: Exists all which came before you.

1050
00:47:39,360 --> 00:47:42,040
Speaker 3: Here's what's met about it. The phrase itself, we can

1051
00:47:42,120 --> 00:47:45,120
Speaker 3: make anything because I can go anything Como style, right,

1052
00:47:45,239 --> 00:47:46,480
Speaker 3: can't do it, shouldn't do impression?

1053
00:47:47,280 --> 00:47:49,120
Speaker 1: No, no, I see what you're saying. Though, depending on

1054
00:47:49,200 --> 00:47:52,600
Speaker 1: what you you can either stress the first anything the

1055
00:47:52,680 --> 00:47:55,120
Speaker 1: second anything you can stress in or out, or you

1056
00:47:55,160 --> 00:47:59,440
Speaker 1: can stress context context. Yes, and actually, depending on what

1057
00:47:59,520 --> 00:48:02,600
Speaker 1: you stress meaning changes, you literally meaning changes, and you

1058
00:48:02,719 --> 00:48:06,280
Speaker 1: have a completely different, like political outlook of a completely

1059
00:48:06,360 --> 00:48:07,319
Speaker 1: different subjectivity.

1060
00:48:07,960 --> 00:48:10,560
Speaker 2: Honestly, this should be an acting exercise. You should show

1061
00:48:10,640 --> 00:48:15,200
Speaker 2: up your acting class. Yeah, and today's lesson is anything

1062
00:48:15,239 --> 00:48:17,480
Speaker 2: can be anything in or out of context, and you

1063
00:48:17,600 --> 00:48:19,719
Speaker 2: have to say it over and over and over and

1064
00:48:19,800 --> 00:48:21,480
Speaker 2: you have to perform it in different ways.

1065
00:48:21,600 --> 00:48:23,560
Speaker 3: Until finally ready. It's like an hour and I really

1066
00:48:23,600 --> 00:48:24,320
Speaker 3: break and you feel it.

1067
00:48:24,600 --> 00:48:25,040
Speaker 2: You're crying.

1068
00:48:26,440 --> 00:48:31,800
Speaker 3: You know, anything can be anything in a out of

1069
00:48:31,840 --> 00:48:35,160
Speaker 3: context chills, incredible books.

1070
00:48:35,560 --> 00:48:38,880
Speaker 1: The teacher fucked, That is what WA want now?

1071
00:48:44,640 --> 00:48:45,399
Speaker 3: Fucked the cutest guy.

1072
00:48:46,840 --> 00:48:50,319
Speaker 2: The professor. No, No, not in LA.

1073
00:48:52,840 --> 00:48:54,400
Speaker 1: Maybe in New York, but in LA there's so much

1074
00:48:55,719 --> 00:48:56,680
Speaker 1: New York there done that.

1075
00:48:57,760 --> 00:49:00,320
Speaker 2: In LA it's so corporate. You can't even fun the professor.

1076
00:49:00,880 --> 00:49:03,800
Speaker 2: That's true, that's so, that's true.

1077
00:49:03,880 --> 00:49:05,480
Speaker 1: Yeah, serious, a professor in LA.

1078
00:49:05,600 --> 00:49:18,520
Speaker 4: Professor of what smoothies please who, Professor of grain bowls, Professor,

1079
00:49:19,840 --> 00:49:22,680
Speaker 4: Professor of the reboot of Melrose place.

1080
00:49:22,880 --> 00:49:24,239
Speaker 2: Oh, I don't know. It's all.

1081
00:49:27,400 --> 00:49:32,840
Speaker 1: Okay, well, well we have approximately forty five seconds left.

1082
00:49:33,520 --> 00:49:35,760
Speaker 2: What is your time guru.

1083
00:49:36,680 --> 00:49:39,320
Speaker 3: Guru, I'm having time of my life. It's almost eleven eleven?

1084
00:49:39,400 --> 00:49:40,399
Speaker 1: Wait, what's time Guru?

1085
00:49:40,560 --> 00:49:41,919
Speaker 2: Is that just a that's a new.

1086
00:49:43,400 --> 00:49:43,799
Speaker 1: Time guru?

1087
00:49:46,320 --> 00:49:47,400
Speaker 2: Was time.

1088
00:49:48,760 --> 00:49:51,480
Speaker 1: Time gu someone who someone who has like a natural,

1089
00:49:52,040 --> 00:49:55,000
Speaker 1: effortless relationship to time, which, as we have established, I

1090
00:49:55,160 --> 00:49:57,200
Speaker 1: used to not have, but now I don't.

1091
00:49:57,480 --> 00:49:59,759
Speaker 3: I feel like any artist is neurodivergent and does not

1092
00:50:00,080 --> 00:50:00,479
Speaker 3: no time.

1093
00:50:00,800 --> 00:50:03,120
Speaker 2: Well, I actually feel George, to be completely honest, I

1094
00:50:03,160 --> 00:50:04,800
Speaker 2: feel like I've been trying to pay less attention to

1095
00:50:04,840 --> 00:50:07,680
Speaker 2: the time because I feel like in the first you know,

1096
00:50:07,840 --> 00:50:10,600
Speaker 2: half of our podcast run, I was very aware of time,

1097
00:50:10,719 --> 00:50:13,000
Speaker 2: and now I'm trying to be more like.

1098
00:50:13,200 --> 00:50:15,760
Speaker 1: You know what, stay do artist.

1099
00:50:16,480 --> 00:50:17,520
Speaker 3: We can clean it up in the edit.

1100
00:50:17,920 --> 00:50:21,840
Speaker 1: Yeah, okay, And would you say I'm going in the

1101
00:50:21,880 --> 00:50:23,240
Speaker 1: opposite direction once again?

1102
00:50:23,320 --> 00:50:25,560
Speaker 2: We are I think it's possible. I mean in this episode,

1103
00:50:25,600 --> 00:50:27,799
Speaker 2: I do think, yes, but I do think in general.

1104
00:50:27,960 --> 00:50:33,080
Speaker 3: In general, no, in general, you were up till six am.

1105
00:50:33,480 --> 00:50:36,480
Speaker 2: Yeah. In general, none of us is the time guru,

1106
00:50:36,600 --> 00:50:38,279
Speaker 2: but in this episode you are the time guru.

1107
00:50:38,760 --> 00:50:40,560
Speaker 3: None of us are real create it like, I'm sorry

1108
00:50:40,600 --> 00:50:42,600
Speaker 3: if like, if you're on Mike, you're not time guru

1109
00:50:42,719 --> 00:50:44,920
Speaker 3: in real life, you know what I mean? Like like

1110
00:50:45,800 --> 00:50:47,840
Speaker 3: we wouldn't know how to make anything.

1111
00:50:48,120 --> 00:50:49,080
Speaker 2: No, God, no, no.

1112
00:50:50,480 --> 00:50:53,120
Speaker 3: So okay is awesome shit?

1113
00:50:53,200 --> 00:50:53,359
Speaker 2: Yes?

1114
00:50:53,360 --> 00:50:56,520
Speaker 3: Okay, okay, it is eleven eleven party rock Okay, whoa Okay.

1115
00:50:56,560 --> 00:50:58,600
Speaker 3: So I was getting a lot of bullshit an annoying

1116
00:50:58,640 --> 00:51:00,120
Speaker 3: text in my phone, and I was having to a

1117
00:51:00,120 --> 00:51:01,600
Speaker 3: lot of ship. So I said, I want to look

1118
00:51:01,640 --> 00:51:03,520
Speaker 3: at my phone and enjoy myself. So I put tom

1119
00:51:03,600 --> 00:51:06,440
Speaker 3: Selleck in a tiny little hot yeah.

1120
00:51:06,360 --> 00:51:08,040
Speaker 2: Because it flashed, and I was like, that's so hot.

1121
00:51:08,320 --> 00:51:10,160
Speaker 1: Way, tom Selle is your phone background.

1122
00:51:10,560 --> 00:51:12,400
Speaker 3: I all of a sudden got thrown on my Explore

1123
00:51:12,440 --> 00:51:16,880
Speaker 3: page into like magnum p. I like him like TikTok,

1124
00:51:16,920 --> 00:51:18,800
Speaker 3: not TikTok, but like Explore. And all of a sudden,

1125
00:51:18,800 --> 00:51:21,040
Speaker 3: I was like this giant hairy man in big tiny

1126
00:51:21,080 --> 00:51:24,000
Speaker 3: short shorts. I was like, oh, and it's so hot,

1127
00:51:24,040 --> 00:51:25,120
Speaker 3: and so I made in my background.

1128
00:51:25,200 --> 00:51:28,759
Speaker 1: Oh he is the have you seen him in and out?

1129
00:51:29,760 --> 00:51:30,359
Speaker 2: So in and out?

1130
00:51:30,800 --> 00:51:32,200
Speaker 1: Kevin Climb plays.

1131
00:51:33,920 --> 00:51:36,040
Speaker 2: George. I'm sorry the moment you said that, mom and

1132
00:51:36,080 --> 00:51:37,560
Speaker 2: I sort of connected as if we were about to

1133
00:51:37,600 --> 00:51:39,359
Speaker 2: revolt against you. And I will tell you that movie

1134
00:51:39,400 --> 00:51:46,200
Speaker 2: didn't exist, Like yeah it was. We both don't haven't

1135
00:51:46,200 --> 00:51:46,440
Speaker 2: seen it.

1136
00:51:46,600 --> 00:51:49,160
Speaker 1: It's not real, you know what, there's no time.

1137
00:51:49,360 --> 00:51:51,640
Speaker 2: The point is we were, we were convinced we were.

1138
00:51:51,640 --> 00:51:53,160
Speaker 2: There was a moment where we connected with it.

1139
00:51:53,320 --> 00:51:55,920
Speaker 3: We had tilted and then up, and then it was ready.

1140
00:51:55,960 --> 00:51:57,759
Speaker 3: We felt ourselves ready to turn to you on the

1141
00:51:57,800 --> 00:51:59,399
Speaker 3: screen to go wrong.

1142
00:52:02,400 --> 00:52:03,200
Speaker 2: That is crazy.

1143
00:52:03,600 --> 00:52:06,200
Speaker 1: Okay, Tom Selleck plays the gay love interest. Young Tom

1144
00:52:06,280 --> 00:52:09,399
Speaker 1: Selleck mustache very hot. That's all I wanted to say, Sam,

1145
00:52:09,480 --> 00:52:13,720
Speaker 1: you would actually absolutely wait, this would really do it? Yeah, Sam, Actually,

1146
00:52:13,800 --> 00:52:15,239
Speaker 1: you know, I think Sam, this might be what you

1147
00:52:15,360 --> 00:52:18,680
Speaker 1: need to snap back into your old self is to

1148
00:52:18,719 --> 00:52:20,960
Speaker 1: watch horny Tom Selleck in the movie In and Out.

1149
00:52:21,080 --> 00:52:22,839
Speaker 2: And it's this sounds great.

1150
00:52:22,920 --> 00:52:24,799
Speaker 1: Yeah, it's about I can't even get into it. It's

1151
00:52:24,840 --> 00:52:26,840
Speaker 1: with Kevin Klein and Joan Cusack. I believe was nominated

1152
00:52:26,880 --> 00:52:33,600
Speaker 1: for an Oscar for it. It's like, whoah, yeah, it's

1153
00:52:33,680 --> 00:52:35,920
Speaker 1: a great. Yeah, you just made it so legitimate. I

1154
00:52:35,960 --> 00:52:39,919
Speaker 1: got scared because, like move it's.

1155
00:52:39,840 --> 00:52:41,240
Speaker 3: Like if you know what you know, I can Buffy

1156
00:52:41,320 --> 00:52:43,000
Speaker 3: where it's like Don all of a sudden's like dropped

1157
00:52:43,040 --> 00:52:45,400
Speaker 3: in season four and she's always existed. I guess I

1158
00:52:45,480 --> 00:52:47,000
Speaker 3: feel like it's like Sam and I are dropped into

1159
00:52:47,000 --> 00:52:50,120
Speaker 3: the reality where this movie's always existed, and it's like beloved. Yeah,

1160
00:52:50,280 --> 00:52:50,440
Speaker 3: like what?

1161
00:52:51,520 --> 00:52:54,080
Speaker 2: Well, Also, when whenever someone's saying, oh, have you ever

1162
00:52:54,200 --> 00:52:56,279
Speaker 2: like met someone like or someone's been talking about someone

1163
00:52:56,280 --> 00:52:58,600
Speaker 2: and you're like you might know them, they like do commed.

1164
00:52:58,440 --> 00:52:59,880
Speaker 3: Six hundred friends in common with everybody you know?

1165
00:53:00,200 --> 00:53:02,200
Speaker 2: And you're like, yes, you know, I don't know them,

1166
00:53:02,239 --> 00:53:03,640
Speaker 2: and then you looked them up and they're like best

1167
00:53:03,640 --> 00:53:04,360
Speaker 2: friends with everyone you know.

1168
00:53:04,480 --> 00:53:06,720
Speaker 3: Yes, and they're like, we've been hanging out every weekend

1169
00:53:06,800 --> 00:53:08,200
Speaker 3: and you're like, no, you haven't.

1170
00:53:09,719 --> 00:53:12,480
Speaker 2: Yeah, anyway, what are your straight topics? Do you think

1171
00:53:12,520 --> 00:53:14,000
Speaker 2: we'll ever Maybe we don't get to it.

1172
00:53:14,120 --> 00:53:16,080
Speaker 3: No, we have to, we have I can do it. Okay,

1173
00:53:16,120 --> 00:53:17,920
Speaker 3: Well I had a few things. Okay, So now the

1174
00:53:18,000 --> 00:53:19,600
Speaker 3: whole bit is just they're gonna be funny to say,

1175
00:53:20,320 --> 00:53:21,160
Speaker 3: so okay.

1176
00:53:21,040 --> 00:53:23,800
Speaker 2: Which is valid, like like saying I love gold.

1177
00:53:25,880 --> 00:53:32,000
Speaker 3: Two new seconds for you guys? Anything inter out? Okay,

1178
00:53:32,840 --> 00:53:36,439
Speaker 3: my new thing? Oh okay, that is a journal entry? Okay,

1179
00:53:37,520 --> 00:53:41,160
Speaker 3: So okay, morality. I think it's very straight, needing a

1180
00:53:41,280 --> 00:53:45,200
Speaker 3: code of black and white ethics to guide yourself by,

1181
00:53:45,280 --> 00:53:47,040
Speaker 3: because otherwise you'll cause harm.

1182
00:53:47,320 --> 00:53:50,520
Speaker 1: Exactly like it doesn't come from with it. It's like

1183
00:53:50,560 --> 00:53:54,279
Speaker 1: a tank commandment, the idea that before every choice, like fuck, wait,

1184
00:53:54,400 --> 00:53:55,759
Speaker 1: let me check if it violates the tank.

1185
00:53:56,040 --> 00:53:59,040
Speaker 3: Yes, it's like babe, okay, and then I'll keep it.

1186
00:53:59,360 --> 00:54:01,960
Speaker 3: So I'm just gonn to read it the ends, justifying

1187
00:54:02,000 --> 00:54:06,240
Speaker 3: the means the ends by any means necessary force, however

1188
00:54:06,320 --> 00:54:10,280
Speaker 3: you identify that doubt? Comma, are you sure? Shame?

1189
00:54:10,480 --> 00:54:10,680
Speaker 1: Oh?

1190
00:54:11,239 --> 00:54:14,600
Speaker 3: Verbal communication at all? Wait?

1191
00:54:15,120 --> 00:54:15,680
Speaker 2: Explain that one?

1192
00:54:15,680 --> 00:54:18,759
Speaker 3: A little more verbal communication? Oh my gosh. To me,

1193
00:54:18,880 --> 00:54:22,160
Speaker 3: it's like so like, say what you mean and the

1194
00:54:22,200 --> 00:54:23,759
Speaker 3: way that I understand it where it's like you and

1195
00:54:23,800 --> 00:54:25,600
Speaker 3: I turn to each other. We've communicated so much.

1196
00:54:25,640 --> 00:54:27,799
Speaker 1: We understand the foe with just one look.

1197
00:54:28,239 --> 00:54:30,279
Speaker 3: With one look body language, we can read a room,

1198
00:54:30,360 --> 00:54:33,800
Speaker 3: we can see someone's uncomfortable. And it's very straight and

1199
00:54:33,880 --> 00:54:35,680
Speaker 3: patriarchal and capitalists to.

1200
00:54:35,680 --> 00:54:38,360
Speaker 1: Be like you need to have that in writing or

1201
00:54:38,400 --> 00:54:41,320
Speaker 1: to say this right, this right, don't just say that?

1202
00:54:42,200 --> 00:54:42,960
Speaker 2: Why didn't you just say it?

1203
00:54:43,200 --> 00:54:45,799
Speaker 1: I'm making an executive decision that is our topic.

1204
00:54:45,880 --> 00:54:48,160
Speaker 3: I think because you guys don't want to know which

1205
00:54:48,239 --> 00:54:48,920
Speaker 3: friend you are.

1206
00:54:49,239 --> 00:54:52,040
Speaker 1: Wait, wait, you can keep going, you can keep going.

1207
00:54:52,080 --> 00:54:54,279
Speaker 1: But I think verbal communication is the one. Okay, I

1208
00:54:54,320 --> 00:54:54,680
Speaker 1: think it is.

1209
00:54:54,760 --> 00:54:58,040
Speaker 3: But the last one was personality test, Comma, which friend

1210
00:54:58,080 --> 00:54:58,279
Speaker 3: are you?

1211
00:54:58,480 --> 00:54:58,840
Speaker 2: Totally?

1212
00:55:00,040 --> 00:55:01,680
Speaker 1: I mean it goes back to that to honestly goes

1213
00:55:01,680 --> 00:55:02,600
Speaker 1: back to the Ten commandments.

1214
00:55:02,719 --> 00:55:04,120
Speaker 2: I was gonna say the same thing you're kind of

1215
00:55:04,120 --> 00:55:04,400
Speaker 2: working with.

1216
00:55:04,600 --> 00:55:05,920
Speaker 3: Everything is everything in?

1217
00:55:06,000 --> 00:55:07,040
Speaker 1: Anything? Is everything?

1218
00:55:07,640 --> 00:55:08,520
Speaker 3: Anything? Is everything?

1219
00:55:08,680 --> 00:55:09,520
Speaker 1: Anything? Is that you know?

1220
00:55:09,880 --> 00:55:13,800
Speaker 2: Yes? Anything is anything in or out of context? Is

1221
00:55:13,840 --> 00:55:14,239
Speaker 2: that what it was?

1222
00:55:14,400 --> 00:55:16,320
Speaker 1: You can't trust me to know anything is anything in

1223
00:55:16,520 --> 00:55:18,760
Speaker 1: or out of anything can be anything in or out.

1224
00:55:18,600 --> 00:55:24,080
Speaker 3: Of cot Oh okay, So verbal communication eduication.

1225
00:55:23,960 --> 00:55:26,440
Speaker 1: Well, I love the idea. I mean it is truly

1226
00:55:26,560 --> 00:55:31,040
Speaker 1: genius to be like, you know, in an ideal world,

1227
00:55:31,080 --> 00:55:34,000
Speaker 1: everyone should be able to communicate with vibe. I sorry

1228
00:55:34,040 --> 00:55:36,120
Speaker 1: to use this cliche word, but with vibes like it's

1229
00:55:36,200 --> 00:55:40,120
Speaker 1: like you know, a look, a gesture, body language, energy, energy.

1230
00:55:40,600 --> 00:55:44,040
Speaker 1: You know, it's called being in sync with your environment.

1231
00:55:44,080 --> 00:55:47,080
Speaker 1: It's called being one with nature, one with your surroundings,

1232
00:55:47,120 --> 00:55:49,520
Speaker 1: one with your fellow humans. And as soon as you

1233
00:55:49,680 --> 00:55:53,040
Speaker 1: start speaking or writing things down it is a down

1234
00:55:53,640 --> 00:55:54,800
Speaker 1: hill path.

1235
00:55:56,200 --> 00:55:56,399
Speaker 3: Yes.

1236
00:55:57,360 --> 00:56:03,040
Speaker 2: Yeah. It also is like the way that I've been

1237
00:56:03,200 --> 00:56:06,200
Speaker 2: realizing this recently in this thing kind of before where

1238
00:56:06,200 --> 00:56:10,319
Speaker 2: it's like are we unique or are we not? Where

1239
00:56:10,360 --> 00:56:13,960
Speaker 2: I'm like, oh, there are people that can't read people.

1240
00:56:14,440 --> 00:56:15,080
Speaker 3: And they didn't know this.

1241
00:56:17,160 --> 00:56:17,200
Speaker 1: No.

1242
00:56:17,360 --> 00:56:19,160
Speaker 3: The play is really like illuminated a lot of the

1243
00:56:19,200 --> 00:56:22,640
Speaker 3: way I mentally process and like I assumed everyone was

1244
00:56:22,719 --> 00:56:24,600
Speaker 3: kind of doing things the same way in their heads.

1245
00:56:24,680 --> 00:56:27,320
Speaker 3: And it's like no, no, because then and then I

1246
00:56:27,360 --> 00:56:29,399
Speaker 3: had the opportunity because study's close to be like she'd

1247
00:56:29,400 --> 00:56:33,960
Speaker 3: be like, you know, do it more powerfully? And I

1248
00:56:34,200 --> 00:56:37,640
Speaker 3: do what I perceived the word power to be. Yeah,

1249
00:56:37,680 --> 00:56:39,600
Speaker 3: but I but then I would not get it and

1250
00:56:39,680 --> 00:56:40,960
Speaker 3: she'd be like, that's not it. I'd be like, what

1251
00:56:41,080 --> 00:56:41,880
Speaker 3: does power mean?

1252
00:56:41,960 --> 00:56:42,080
Speaker 2: Do you?

1253
00:56:42,160 --> 00:56:44,520
Speaker 3: Can you give me some references of what? And it

1254
00:56:44,640 --> 00:56:48,200
Speaker 3: was something completely different because these words to us mean

1255
00:56:48,400 --> 00:56:51,040
Speaker 3: one thing. So then it's like we're not talking about

1256
00:56:51,040 --> 00:56:53,280
Speaker 3: the essence or the feeling of something. We're just assuming

1257
00:56:53,320 --> 00:56:55,680
Speaker 3: everyone else knows what that word or experience means to you.

1258
00:56:55,760 --> 00:56:57,960
Speaker 1: And this is the false promise of language, is that

1259
00:56:58,560 --> 00:57:01,320
Speaker 1: its goal is to make things more specific, but in

1260
00:57:01,400 --> 00:57:04,480
Speaker 1: fact it only causes more confusion because it makes everyone

1261
00:57:04,600 --> 00:57:08,440
Speaker 1: conform to one meaning that is defined by the hegemony,

1262
00:57:08,640 --> 00:57:11,560
Speaker 1: like that the word power can mean different things to

1263
00:57:11,560 --> 00:57:14,040
Speaker 1: different people, but everyone has to fall in line as

1264
00:57:14,080 --> 00:57:16,040
Speaker 1: soon as the president decides what it means.

1265
00:57:17,320 --> 00:57:19,000
Speaker 3: Wait, actually, no, it's genius.

1266
00:57:19,440 --> 00:57:23,280
Speaker 2: It is that. I also think the way that verbal

1267
00:57:23,320 --> 00:57:27,880
Speaker 2: communication is also like in the moment makes sense, like

1268
00:57:27,960 --> 00:57:30,800
Speaker 2: you're like, I'm verbally communicated because I have to, and

1269
00:57:30,880 --> 00:57:32,920
Speaker 2: you get it, you get what I'm saying. But then

1270
00:57:33,320 --> 00:57:35,560
Speaker 2: when people try to make it use it as proof.

1271
00:57:35,720 --> 00:57:38,280
Speaker 2: I do think people try to take verbal communication out

1272
00:57:38,280 --> 00:57:41,760
Speaker 2: of context because it proofs that they believe this or

1273
00:57:41,840 --> 00:57:43,600
Speaker 2: they and it's like no, no, no, no, no, you

1274
00:57:44,600 --> 00:57:45,200
Speaker 2: don't be like that.

1275
00:57:46,200 --> 00:57:49,520
Speaker 3: It's so easily manipulated. Like I mean, I want to

1276
00:57:49,600 --> 00:57:51,320
Speaker 3: use an example, but I don't know the world enough

1277
00:57:51,360 --> 00:57:53,240
Speaker 3: to know if this is like causing a stir. But

1278
00:57:54,040 --> 00:57:59,120
Speaker 3: I watched the vander Pump reunion and after that I

1279
00:57:59,280 --> 00:58:01,400
Speaker 3: saw the Tom thing on the news. I didn't watch

1280
00:58:01,400 --> 00:58:03,800
Speaker 3: any of it, but it was so funny because someone

1281
00:58:04,000 --> 00:58:06,520
Speaker 3: was like he compared himself.

1282
00:58:06,200 --> 00:58:09,560
Speaker 1: To the war and UK totally totally.

1283
00:58:09,320 --> 00:58:12,640
Speaker 3: Yeah, and it's like, you guys are manipulating words so bad.

1284
00:58:12,680 --> 00:58:15,600
Speaker 3: You're making this shitty guy look awesome. Because he was like, no,

1285
00:58:15,960 --> 00:58:18,000
Speaker 3: I just said there was like large movements and my

1286
00:58:18,120 --> 00:58:19,400
Speaker 3: name was next to them in the news.

1287
00:58:19,520 --> 00:58:23,200
Speaker 1: He literally was saying, like my name it actually made

1288
00:58:23,240 --> 00:58:25,320
Speaker 1: complete sense what he was saying. It made complete He

1289
00:58:25,440 --> 00:58:27,880
Speaker 1: was saying, like, isn't it crazy that I Tom Sandoval,

1290
00:58:28,000 --> 00:58:32,760
Speaker 1: one of the most truly murpy murp people that has

1291
00:58:32,800 --> 00:58:35,680
Speaker 1: ever lived, is in the pages of the New York Times,

1292
00:58:36,080 --> 00:58:38,320
Speaker 1: next to the stories about Ukraine. And by the way,

1293
00:58:38,400 --> 00:58:40,760
Speaker 1: guess who comes out looking bad in that story the

1294
00:58:40,840 --> 00:58:49,160
Speaker 1: New York Times, not Tom stand Ukraine. And then the

1295
00:58:49,320 --> 00:58:52,280
Speaker 1: headline became he like thinks he's as important as Ukraine? Yes,

1296
00:58:52,560 --> 00:58:54,200
Speaker 1: are you people listening to yourself?

1297
00:58:57,240 --> 00:58:59,640
Speaker 3: But that's the word, right. It's like it's like we

1298
00:58:59,760 --> 00:59:02,200
Speaker 3: can use it for our needs and we can intentionally

1299
00:59:02,360 --> 00:59:05,760
Speaker 3: or unintentionally misunderstand. And that's an intentional misunderstanding.

1300
00:59:06,200 --> 00:59:13,400
Speaker 2: Yeah, but verbal communications. There's so much there.

1301
00:59:14,240 --> 00:59:17,240
Speaker 3: Well, okay, here's the theory I have. Now I'm going biblical.

1302
00:59:17,480 --> 00:59:20,520
Speaker 3: Oh yeah, because it's like we like to pretend like

1303
00:59:20,600 --> 00:59:23,560
Speaker 3: we all weren't all forced into like some sort of religion,

1304
00:59:24,000 --> 00:59:27,160
Speaker 3: you know, And so Noah basic of these stories. But honey,

1305
00:59:27,200 --> 00:59:29,520
Speaker 3: it was everywhere. If you're in America, it was awful. Sorry, George,

1306
00:59:29,600 --> 00:59:30,080
Speaker 3: but you were.

1307
00:59:30,760 --> 00:59:32,400
Speaker 1: It was really amazing where I was, and I have

1308
00:59:32,480 --> 00:59:35,240
Speaker 1: no trauma from it. You're like, there's no dogmatics, and

1309
00:59:36,480 --> 00:59:38,040
Speaker 1: this is really progressive. So what so?

1310
00:59:38,960 --> 00:59:41,120
Speaker 3: So I think the Tower of Babbel is this story

1311
00:59:41,200 --> 00:59:43,640
Speaker 3: in the Old Testament, and it is perfect.

1312
00:59:43,680 --> 00:59:45,480
Speaker 1: Wow, I'm so glad you brought this up. I mean,

1313
00:59:45,520 --> 00:59:46,240
Speaker 1: talk about language.

1314
00:59:46,240 --> 00:59:48,200
Speaker 3: Okay, you sparked it, yes, when you were saying the

1315
00:59:48,280 --> 00:59:51,800
Speaker 3: idea that it's to bring us together. Because this idea

1316
00:59:51,920 --> 00:59:53,520
Speaker 3: is all these people in this town wanted to build

1317
00:59:53,520 --> 00:59:55,840
Speaker 3: a tower to heaven, to each God. And so what

1318
00:59:56,000 --> 01:00:00,720
Speaker 3: God did in the story was made all of them

1319
01:00:00,760 --> 01:00:06,000
Speaker 3: speak different languages, so they can never connect and work

1320
01:00:06,080 --> 01:00:08,680
Speaker 3: together to build the tower to heaven. But I hear that,

1321
01:00:09,000 --> 01:00:12,000
Speaker 3: and I go from a queer perspective, I go, oh

1322
01:00:12,120 --> 01:00:16,720
Speaker 3: my gosh, what a concentration of communication, What an opportunity,

1323
01:00:16,840 --> 01:00:21,200
Speaker 3: because I don't have words to come together, beyond words

1324
01:00:22,040 --> 01:00:25,840
Speaker 3: to connect. So we realized that quote unquote God Heaven

1325
01:00:26,440 --> 01:00:29,600
Speaker 3: is actually the connection, the communication. It is nothing to

1326
01:00:29,680 --> 01:00:30,160
Speaker 3: do with this.

1327
01:00:32,960 --> 01:00:37,040
Speaker 1: Guess what verbal communication is a punishment from God.

1328
01:00:39,760 --> 01:00:45,200
Speaker 3: That's exactly what I was getting at. Okay, with your

1329
01:00:45,280 --> 01:00:49,000
Speaker 3: hands clawing the armchair, I need that found bite of

1330
01:00:49,520 --> 01:00:57,600
Speaker 3: verbal communication is a punishment from God. You pour the

1331
01:00:57,640 --> 01:00:59,040
Speaker 3: water all Georgia.

1332
01:00:59,040 --> 01:01:00,960
Speaker 2: I'm so grateful for you to be there for that moment,

1333
01:01:01,000 --> 01:01:03,760
Speaker 2: because honestly, I whenever I start hearing about church, my

1334
01:01:03,840 --> 01:01:05,600
Speaker 2: mind is like, what is up with me? Now?

1335
01:01:05,840 --> 01:01:06,360
Speaker 3: Is it trauma?

1336
01:01:06,680 --> 01:01:09,320
Speaker 1: I don't know, it's what do you mean?

1337
01:01:09,320 --> 01:01:11,880
Speaker 2: It's like it's like more like habit. Like it's like

1338
01:01:11,920 --> 01:01:15,560
Speaker 2: when someone starts talking about anything church, I go, I'm out.

1339
01:01:15,920 --> 01:01:18,840
Speaker 1: Like you don't oh, you just like are not interested.

1340
01:01:19,200 --> 01:01:21,480
Speaker 2: I can't engage with it at all. Like even when

1341
01:01:21,520 --> 01:01:24,080
Speaker 2: people are like it's actually really interesting, like it's not

1342
01:01:24,400 --> 01:01:27,200
Speaker 2: actually like a soap oprap, I'm always like okay.

1343
01:01:27,040 --> 01:01:30,560
Speaker 1: But I'm I've always I have always noticed that about you.

1344
01:01:31,040 --> 01:01:33,280
Speaker 1: Like I remember there was I had this phase where

1345
01:01:33,280 --> 01:01:36,880
Speaker 1: I was like, really you might remember this very desperate

1346
01:01:37,080 --> 01:01:41,240
Speaker 1: for places of congregation that are not commerce based, and

1347
01:01:41,400 --> 01:01:43,480
Speaker 1: I was like, maybe the solution is for all of

1348
01:01:43,560 --> 01:01:45,760
Speaker 1: us to go back to church. And I just remember

1349
01:01:45,840 --> 01:01:53,880
Speaker 1: you would look at me completely blankly. You'd just be like, no, there's.

1350
01:01:53,680 --> 01:01:56,840
Speaker 2: Something I just like cannot do any part of it.

1351
01:01:57,400 --> 01:01:59,720
Speaker 2: And even like the story, I understand that they're like

1352
01:02:00,200 --> 01:02:04,160
Speaker 2: the stories from the Bible have like you know, are

1353
01:02:04,440 --> 01:02:06,240
Speaker 2: just social things that people.

1354
01:02:06,120 --> 01:02:08,560
Speaker 1: Yeah, I mean fre I mean they're like they're like

1355
01:02:08,600 --> 01:02:10,040
Speaker 1: the gold Member of their time.

1356
01:02:11,000 --> 01:02:14,480
Speaker 3: They love gold I mean the Pharisee. I wish I

1357
01:02:14,520 --> 01:02:15,200
Speaker 3: had a reference for that.

1358
01:02:15,320 --> 01:02:18,600
Speaker 2: Dammit. I understand that there's a direct line from the

1359
01:02:18,640 --> 01:02:22,160
Speaker 2: Bible to gold Member. Sure, I still am, like, you

1360
01:02:22,240 --> 01:02:24,360
Speaker 2: know what, I'll just take gold Member. Thanks. You know,

1361
01:02:24,840 --> 01:02:26,600
Speaker 2: I don't need to know what is based on do you.

1362
01:02:26,840 --> 01:02:29,920
Speaker 1: Here's a question for you, all right, do you think

1363
01:02:30,040 --> 01:02:31,920
Speaker 1: this has to do with the Bible and religion or

1364
01:02:31,960 --> 01:02:33,640
Speaker 1: do you think it has to do with a general

1365
01:02:33,960 --> 01:02:37,400
Speaker 1: disinterest in like super old things. I think it is

1366
01:02:37,600 --> 01:02:40,520
Speaker 1: specifically the Bible, you think, so, okay, so you would

1367
01:02:40,520 --> 01:02:43,240
Speaker 1: be more interested in, like, you know, let's say, Greek

1368
01:02:43,320 --> 01:02:46,760
Speaker 1: mythology or things that are old.

1369
01:02:46,920 --> 01:02:53,320
Speaker 2: Greek mythology is juicy, you know. I find Shakespeare interesting, Okay,

1370
01:02:53,520 --> 01:02:56,160
Speaker 2: I just don't the Bible. As soon as people start

1371
01:02:56,160 --> 01:02:58,080
Speaker 2: talking about like when I hear the word the Bible,

1372
01:02:58,240 --> 01:03:00,320
Speaker 2: like in the Bible, my brain shut off.

1373
01:03:00,440 --> 01:03:03,920
Speaker 3: Wow, I'm listinating but I can see that from you specifically,

1374
01:03:03,960 --> 01:03:06,400
Speaker 3: because I think you have a sensitivity as an artist

1375
01:03:06,480 --> 01:03:09,560
Speaker 3: to like theme and like you're like, I can get

1376
01:03:09,600 --> 01:03:11,560
Speaker 3: this theme a better way. It could be more fun.

1377
01:03:11,680 --> 01:03:12,240
Speaker 3: Do you know what I mean?

1378
01:03:12,400 --> 01:03:14,000
Speaker 1: Yeah, Oh my god, I know what it is. Sam.

1379
01:03:14,160 --> 01:03:17,960
Speaker 1: It's like, it's your complete and I think this is

1380
01:03:18,000 --> 01:03:21,040
Speaker 1: one of the best things about you, your complete allergic

1381
01:03:21,120 --> 01:03:25,400
Speaker 1: reaction to anything like hack. And I think that the Bible.

1382
01:03:25,880 --> 01:03:30,360
Speaker 1: I think the Bible is so basic, it's so groundwork

1383
01:03:30,800 --> 01:03:33,040
Speaker 1: that you're like, yeah, we've heard it all, like a

1384
01:03:33,120 --> 01:03:35,320
Speaker 1: subversion in the story, give me something new.

1385
01:03:36,960 --> 01:03:40,520
Speaker 2: Yeah, that's a nice way of putting it. I hope

1386
01:03:40,560 --> 01:03:42,880
Speaker 2: that's true. That would be an awesome compliment.

1387
01:03:43,080 --> 01:03:44,760
Speaker 3: I want the end. I want the end of this

1388
01:03:44,840 --> 01:03:46,640
Speaker 3: next actually the next forty five minutes of me and

1389
01:03:46,640 --> 01:03:48,160
Speaker 3: Groid to be pitching what we think it might be

1390
01:03:48,320 --> 01:03:50,400
Speaker 3: and to end and SAand being like, Okay, so here's

1391
01:03:50,440 --> 01:03:51,400
Speaker 3: this bad thing that hops.

1392
01:03:52,920 --> 01:03:55,400
Speaker 2: No, it's nothing. I don't even have that much church trauma. Like,

1393
01:03:55,480 --> 01:03:58,640
Speaker 2: we didn't go to church that much as as as

1394
01:03:58,680 --> 01:04:00,720
Speaker 2: I was growing up, so I don't really know what

1395
01:04:00,800 --> 01:04:03,040
Speaker 2: it is. It's but I love that theory.

1396
01:04:03,920 --> 01:04:05,520
Speaker 1: I mean, do you think it's because you didn't go

1397
01:04:06,080 --> 01:04:08,160
Speaker 1: that much that you think you don't know as much

1398
01:04:08,200 --> 01:04:10,080
Speaker 1: about it as you're supposed to do, so then you

1399
01:04:10,360 --> 01:04:13,439
Speaker 1: feel embarrassed about that or something chang hit change.

1400
01:04:13,480 --> 01:04:16,240
Speaker 2: Yeah, no, I maybe there's something about like I don't

1401
01:04:16,240 --> 01:04:18,600
Speaker 2: feel like I have ownership over it, like I can't comment.

1402
01:04:18,680 --> 01:04:20,520
Speaker 2: I do feel uneducated in it. So I'm like, let's

1403
01:04:20,560 --> 01:04:22,600
Speaker 2: just not talk about it. But I also feel like

1404
01:04:22,680 --> 01:04:26,160
Speaker 2: it's so weighted that even playfully talking about it, I

1405
01:04:26,280 --> 01:04:28,440
Speaker 2: feel like I'll step in something that I didn't understand.

1406
01:04:29,640 --> 01:04:31,880
Speaker 1: You don't know it well enough to satirize it with

1407
01:04:32,080 --> 01:04:34,120
Speaker 1: a with an eye towards specificity.

1408
01:04:34,840 --> 01:04:40,320
Speaker 2: Yeah, I was well said, thank you, and so it was, And.

1409
01:04:40,360 --> 01:04:42,680
Speaker 1: There's so much talk around it that what are you

1410
01:04:42,720 --> 01:04:45,400
Speaker 1: going to do weigh in and say something not iconic

1411
01:04:45,440 --> 01:04:47,440
Speaker 1: plastic That would be insane, that would.

1412
01:04:47,280 --> 01:04:49,280
Speaker 3: Be so, that would be so stupid if you didn't

1413
01:04:49,320 --> 01:04:51,360
Speaker 3: say anything, could be anything in or out of contest,

1414
01:04:52,840 --> 01:04:54,880
Speaker 3: be stupid if you were to be insane. But I

1415
01:04:54,920 --> 01:04:57,960
Speaker 3: also think I understand that completely too though, because I

1416
01:04:58,080 --> 01:05:01,000
Speaker 3: have I am obsessed with spirituality. I love my like

1417
01:05:01,080 --> 01:05:04,520
Speaker 3: sort of relationship with the unknown, and you do when

1418
01:05:04,560 --> 01:05:07,440
Speaker 3: you speak about that have to be like God, spirit, universe,

1419
01:05:07,520 --> 01:05:09,440
Speaker 3: whatever you call it. If you have trauma, you have

1420
01:05:09,520 --> 01:05:11,840
Speaker 3: to like spend forty five minutes being like, can you

1421
01:05:11,920 --> 01:05:13,600
Speaker 3: receive this in a way that isn't through the lens

1422
01:05:13,640 --> 01:05:14,920
Speaker 3: of everything bad you've experienced?

1423
01:05:15,160 --> 01:05:15,320
Speaker 2: Yeah?

1424
01:05:15,440 --> 01:05:17,920
Speaker 1: Yeah, can you through the lens of everything that came

1425
01:05:18,000 --> 01:05:20,280
Speaker 1: before you? And everything? What is the kamal to the

1426
01:05:20,360 --> 01:05:22,400
Speaker 1: lens all that you live in?

1427
01:05:23,320 --> 01:05:28,600
Speaker 2: Damn God? Everything is anything, Anything can be anything in

1428
01:05:28,760 --> 01:05:32,880
Speaker 2: or out of context. Okay, all right, well okay, so

1429
01:05:33,000 --> 01:05:36,720
Speaker 2: verbal communication I also the way that okay, in the

1430
01:05:36,800 --> 01:05:39,160
Speaker 2: similar thing to like the look like there's so many

1431
01:05:39,200 --> 01:05:41,880
Speaker 2: ways to communicate via like this kind of goes back

1432
01:05:41,920 --> 01:05:45,400
Speaker 2: to my story. I feel where there's like you can

1433
01:05:45,440 --> 01:05:49,480
Speaker 2: communicate through like you know, music or like.

1434
01:05:50,120 --> 01:05:53,480
Speaker 3: Dance, fashion, save your chest.

1435
01:05:53,760 --> 01:05:54,919
Speaker 2: There's a lot of different ways.

1436
01:05:55,040 --> 01:05:59,800
Speaker 3: Say it dead serious, you know, I can't, Sam, Sam, don't.

1437
01:06:00,040 --> 01:06:04,560
Speaker 1: I don't hide behind this semi ironic then near say,

1438
01:06:04,720 --> 01:06:08,480
Speaker 1: with your chest, okay, communicate through fashion and painting?

1439
01:06:09,000 --> 01:06:11,720
Speaker 2: You literally can? You literally can? And I know that

1440
01:06:11,800 --> 01:06:13,040
Speaker 2: this sounds so insane and.

1441
01:06:15,840 --> 01:06:18,360
Speaker 3: Here's some sorry go ahead, mo, No, I'm just all

1442
01:06:18,400 --> 01:06:20,360
Speaker 3: of us are like self aware enough to know that

1443
01:06:20,480 --> 01:06:23,320
Speaker 3: like a person having this real conversation with someone is boring,

1444
01:06:23,520 --> 01:06:24,680
Speaker 3: so it is fun to get go and be like,

1445
01:06:24,760 --> 01:06:27,120
Speaker 3: this is insane, but my fashion tells you who I am.

1446
01:06:27,600 --> 01:06:30,960
Speaker 1: But I actually like yes, but I also all right,

1447
01:06:31,040 --> 01:06:31,680
Speaker 1: hear me out here.

1448
01:06:32,280 --> 01:06:32,480
Speaker 2: Yeah.

1449
01:06:32,880 --> 01:06:36,080
Speaker 1: The issue with verbal communication is thinking that it is

1450
01:06:36,200 --> 01:06:39,520
Speaker 1: a more direct communication. That's actually what I mean, Like,

1451
01:06:39,600 --> 01:06:41,560
Speaker 1: I'm not ready to give up on words, because in fact,

1452
01:06:41,600 --> 01:06:43,560
Speaker 1: I love I actually think if you just look at

1453
01:06:44,600 --> 01:06:47,480
Speaker 1: writing and speaking as an art form akin to painting

1454
01:06:47,800 --> 01:06:52,080
Speaker 1: or fashion, then it's like then it opens up so much.

1455
01:06:52,240 --> 01:06:54,880
Speaker 1: I mean, I would never this is not I think.

1456
01:06:54,960 --> 01:06:57,480
Speaker 1: Saying verbal communication is straight is not an anti reading

1457
01:06:57,600 --> 01:07:01,680
Speaker 1: stance or an anti talking stance. It's it's merely.

1458
01:07:01,440 --> 01:07:03,240
Speaker 2: Anti words supremacy, exactly.

1459
01:07:03,360 --> 01:07:05,320
Speaker 1: That's exactly what it is. It's anti words supremacy.

1460
01:07:06,760 --> 01:07:08,439
Speaker 3: In my brain, I did because I think of words.

1461
01:07:08,480 --> 01:07:11,120
Speaker 3: I said A U N T I E. Anti words.

1462
01:07:12,680 --> 01:07:13,760
Speaker 3: Please welcome to the stage.

1463
01:07:15,040 --> 01:07:17,440
Speaker 1: Because can you imagine if in the way that words

1464
01:07:17,440 --> 01:07:23,520
Speaker 1: have been adopted by a sort of straight coded like

1465
01:07:24,080 --> 01:07:30,320
Speaker 1: reason pilled man masculine sensibility. Okay, imagine if that happened

1466
01:07:30,320 --> 01:07:32,920
Speaker 1: with painting, and if there were just like really like

1467
01:07:33,520 --> 01:07:36,680
Speaker 1: muscular conservative men that were just like angrily painting and

1468
01:07:36,800 --> 01:07:39,720
Speaker 1: being like, this is why taxes should be higher or lower.

1469
01:07:40,720 --> 01:07:42,840
Speaker 2: You're creating all this is kind of the premise of

1470
01:07:42,920 --> 01:07:46,440
Speaker 2: like illegally Blonde, where it's like fashion knowledge should hold

1471
01:07:46,480 --> 01:07:47,160
Speaker 2: up in a court of law.

1472
01:07:47,320 --> 01:07:51,880
Speaker 3: Yeah, but it's intuition. It's intuition, insuition, and we invalidate

1473
01:07:51,920 --> 01:07:54,439
Speaker 3: it because that's a very feminine way of communicating. Quoe

1474
01:07:54,480 --> 01:07:57,240
Speaker 3: unquote not associated with gender. But yeah, yeah, yeah, oh

1475
01:07:57,280 --> 01:07:59,880
Speaker 3: I'm obsessed with in this world. Imagine if on the floor,

1476
01:08:00,040 --> 01:08:02,720
Speaker 3: what is that turtle guy's name, Mitch McConnell, Imagine if

1477
01:08:02,760 --> 01:08:05,400
Speaker 3: he had to go a point to something he painted,

1478
01:08:05,400 --> 01:08:06,320
Speaker 3: I could have saycing a word.

1479
01:08:06,640 --> 01:08:06,840
Speaker 1: Yeah.

1480
01:08:07,360 --> 01:08:07,560
Speaker 2: Yeah.

1481
01:08:07,840 --> 01:08:11,040
Speaker 1: That's that's my challenge for Mitch McConnell say something without

1482
01:08:11,080 --> 01:08:12,320
Speaker 1: saying something. For once.

1483
01:08:14,720 --> 01:08:15,440
Speaker 3: I am floored.

1484
01:08:16,760 --> 01:08:19,559
Speaker 1: I am floored painting in a court of law, pat

1485
01:08:20,080 --> 01:08:21,479
Speaker 1: Mitch McConnell has to paint.

1486
01:08:23,560 --> 01:08:29,080
Speaker 3: Wow, that's actually punitive. I mean I was I dated

1487
01:08:29,120 --> 01:08:32,080
Speaker 3: this guy briefly who like was artistic and sensitive, but

1488
01:08:32,240 --> 01:08:33,960
Speaker 3: like I think had squashed it down for so many

1489
01:08:34,040 --> 01:08:36,599
Speaker 3: years that he said this one time. He was like, yeah,

1490
01:08:36,600 --> 01:08:39,960
Speaker 3: I'm working on this, like script where it's about a

1491
01:08:40,080 --> 01:08:44,519
Speaker 3: detective who like had a very specific disability that made

1492
01:08:44,600 --> 01:08:46,519
Speaker 3: him able to be good at stuff. I go, oh,

1493
01:08:46,640 --> 01:08:51,360
Speaker 3: are you that? Why would you ask that? I don't know,

1494
01:08:51,360 --> 01:08:54,360
Speaker 3: because your art's about it. I like, you're like, how

1495
01:08:54,360 --> 01:08:56,320
Speaker 3: would you know to ask that? I was like, huh.

1496
01:08:57,520 --> 01:08:58,880
Speaker 3: And I feel like that as a conversation with so

1497
01:08:59,000 --> 01:09:00,760
Speaker 3: many people these days, with the like how did you

1498
01:09:00,800 --> 01:09:03,720
Speaker 3: perceive anything about me before I said a word? And

1499
01:09:03,800 --> 01:09:05,200
Speaker 3: you're like, I don't know because you're wearing a shirt

1500
01:09:05,240 --> 01:09:07,640
Speaker 3: that says like, you know, I love this band. Like,

1501
01:09:07,880 --> 01:09:09,479
Speaker 3: so I'm going to ask if you love this band?

1502
01:09:09,640 --> 01:09:12,479
Speaker 2: What? Yeah? That is really funny.

1503
01:09:13,360 --> 01:09:14,960
Speaker 1: Okay, I'm sorry to say this, but I think we

1504
01:09:15,120 --> 01:09:16,840
Speaker 1: might have to do our last segment.

1505
01:09:17,160 --> 01:09:18,679
Speaker 2: Oh my god, you're being time guru.

1506
01:09:18,800 --> 01:09:20,679
Speaker 3: I'm pissed off. I'm pissed off.

1507
01:09:20,840 --> 01:09:22,960
Speaker 1: I mean, I just we are you have somewhere to

1508
01:09:23,000 --> 01:09:25,120
Speaker 1: beat well, but not only that, we're holding hostage people

1509
01:09:25,160 --> 01:09:26,200
Speaker 1: in two different studios.

1510
01:09:27,240 --> 01:09:29,240
Speaker 2: No, you have somewhere to be today. Don't lie.

1511
01:09:30,240 --> 01:09:33,960
Speaker 1: Don't excuse me. I'm being professional and respectful of people.

1512
01:09:34,920 --> 01:09:37,000
Speaker 2: Okay, George, can I tell you one? I have a confession?

1513
01:09:37,160 --> 01:09:39,440
Speaker 1: Okay, what is it? Oh my god, you're both in sunglasses.

1514
01:09:39,560 --> 01:09:40,720
Speaker 2: Jesus Christ, you can't get them on.

1515
01:09:44,280 --> 01:09:45,840
Speaker 3: Oh my god, it's humiliating.

1516
01:09:45,920 --> 01:09:51,799
Speaker 1: Okay, George, George, this is the most sketch comedy bullshit

1517
01:09:51,840 --> 01:09:52,920
Speaker 1: I've ever seen in my life.

1518
01:09:53,000 --> 01:09:55,280
Speaker 2: Go ahead, Okay, Okay, I have to tell you something.

1519
01:09:55,400 --> 01:09:57,759
Speaker 2: The reason I'm sensed to be about the time Guru status.

1520
01:09:58,760 --> 01:10:03,200
Speaker 2: Someone on Okay, this is insane. Ready, No, someone on

1521
01:10:04,120 --> 01:10:08,680
Speaker 2: Spotify left a review comment thing that was like this

1522
01:10:09,160 --> 01:10:13,040
Speaker 2: really called me out and was like, Sam is always

1523
01:10:13,080 --> 01:10:14,879
Speaker 2: in a rush. Sam is always in a rush.

1524
01:10:14,840 --> 01:10:17,160
Speaker 3: And they're begetting to wrap it up, they're projecting.

1525
01:10:16,880 --> 01:10:18,639
Speaker 2: And he does he even want to be there anymore?

1526
01:10:18,880 --> 01:10:21,479
Speaker 2: And I was like, what the fuck? And it actually

1527
01:10:21,520 --> 01:10:23,840
Speaker 2: pissed me off, and I've been unable to shake it.

1528
01:10:24,080 --> 01:10:26,599
Speaker 2: That is easy, And I also don't think it's true.

1529
01:10:26,800 --> 01:10:27,719
Speaker 1: No, it's not true.

1530
01:10:28,439 --> 01:10:31,080
Speaker 2: But that's why I'm sensitive to Time Guru. You cannot

1531
01:10:31,120 --> 01:10:32,280
Speaker 2: read Spotify reviews.

1532
01:10:32,520 --> 01:10:35,519
Speaker 3: I love that vulnerability, thank you. And it's giving Big Daddy,

1533
01:10:35,600 --> 01:10:37,120
Speaker 3: like you put the sunglasses on to be able to.

1534
01:10:37,120 --> 01:10:42,040
Speaker 1: Say you put on the sunglasses of truth.

1535
01:10:42,640 --> 01:10:46,360
Speaker 2: Yeah, it's giving Big Daddy unbelievable.

1536
01:10:48,280 --> 01:10:50,519
Speaker 3: I think that version was projecting because they also probably

1537
01:10:50,880 --> 01:10:53,080
Speaker 3: want to spend time with you or maybe identify as

1538
01:10:53,280 --> 01:10:55,120
Speaker 3: you know George and are protective of George.

1539
01:10:55,160 --> 01:10:58,599
Speaker 1: And sure, I've never felt that you're in a rush.

1540
01:11:00,200 --> 01:11:02,920
Speaker 1: In fact, I understand that we now are in this

1541
01:11:03,200 --> 01:11:08,439
Speaker 1: like are in this mythology where we each have clearly

1542
01:11:08,520 --> 01:11:10,560
Speaker 1: defined roles when it comes to being time guru. But

1543
01:11:10,720 --> 01:11:16,320
Speaker 1: I've always felt pretty like that it's been pretty naturally

1544
01:11:16,439 --> 01:11:17,200
Speaker 1: back and forth.

1545
01:11:17,760 --> 01:11:18,400
Speaker 2: No, I agree.

1546
01:11:18,800 --> 01:11:21,240
Speaker 3: I like the idea that if this podcast stops recording,

1547
01:11:21,360 --> 01:11:23,800
Speaker 3: like we create sort of a myth around you guys

1548
01:11:23,800 --> 01:11:25,600
Speaker 3: where it's like at a party, like both of you

1549
01:11:25,680 --> 01:11:28,160
Speaker 3: are like none of these identities. Like at a party,

1550
01:11:28,160 --> 01:11:29,679
Speaker 3: if I'm speaking to either of you, it's.

1551
01:11:29,560 --> 01:11:34,960
Speaker 2: Like like like, wait, that's really smart, but it is true.

1552
01:11:35,000 --> 01:11:37,840
Speaker 1: Also, I was like, one thing I was thinking during

1553
01:11:37,960 --> 01:11:43,000
Speaker 1: my incredible Pride weekend was I was sort of like

1554
01:11:43,439 --> 01:11:46,160
Speaker 1: I am not in any in all these conversations I'm having.

1555
01:11:46,200 --> 01:11:49,040
Speaker 1: I'm not being especially funny or interesting, but it sort

1556
01:11:49,040 --> 01:11:51,880
Speaker 1: of doesn't matter because I'm just in this sea of identical.

1557
01:11:51,479 --> 01:11:55,000
Speaker 3: Gay man that's so funny. You're being taken care of

1558
01:11:55,120 --> 01:11:55,840
Speaker 3: by anonymity.

1559
01:11:56,160 --> 01:11:58,360
Speaker 1: Like my role is just to like we're literally just

1560
01:11:58,479 --> 01:12:00,720
Speaker 1: all doing the wave, and my role is when it's

1561
01:12:00,760 --> 01:12:02,439
Speaker 1: my turn to just put my hands up sort of

1562
01:12:02,520 --> 01:12:03,280
Speaker 1: half farheartedly.

1563
01:12:03,760 --> 01:12:06,320
Speaker 2: I love that, and maybe that's what I liked.

1564
01:12:06,400 --> 01:12:09,080
Speaker 1: Maybe that's what I liked about Pride. We also everyone

1565
01:12:09,120 --> 01:12:11,080
Speaker 1: looked exactly this. I can't describe to you how everyone

1566
01:12:11,160 --> 01:12:14,240
Speaker 1: was wearing a black tank top, like and normally I

1567
01:12:14,320 --> 01:12:16,120
Speaker 1: feel like maybe maybe a few years ago, when I

1568
01:12:16,240 --> 01:12:18,160
Speaker 1: was sort of like, so, you know, I'm not like

1569
01:12:18,240 --> 01:12:20,760
Speaker 1: other girls, I'd be like, god, I can't pilate if

1570
01:12:20,800 --> 01:12:22,559
Speaker 1: everyone's being the same. And now I'm like, thank god,

1571
01:12:22,600 --> 01:12:23,439
Speaker 1: everyone's being the same.

1572
01:12:23,479 --> 01:12:27,240
Speaker 2: I mean talk about communication fashion literally.

1573
01:12:27,280 --> 01:12:29,360
Speaker 3: But it's also talking about having such a strong sultance

1574
01:12:29,360 --> 01:12:31,880
Speaker 3: of self that you find relief in the similarity.

1575
01:12:32,000 --> 01:12:34,640
Speaker 2: You know, Yeah, I mean I yeah. When I went

1576
01:12:34,720 --> 01:12:38,840
Speaker 2: to Bears in Space three weeks ago, I was like, oh,

1577
01:12:38,880 --> 01:12:40,920
Speaker 2: I'm wearing my outfit and I showed up in literally

1578
01:12:40,920 --> 01:12:42,160
Speaker 2: everyone's wearing the exact same.

1579
01:12:42,040 --> 01:12:44,760
Speaker 3: Outful can I and the mics remember everybody were a

1580
01:12:44,840 --> 01:12:45,960
Speaker 3: tank top to their like.

1581
01:12:46,160 --> 01:12:47,599
Speaker 1: Yeah that can?

1582
01:12:47,640 --> 01:12:47,920
Speaker 2: I say?

1583
01:12:48,320 --> 01:12:50,040
Speaker 1: This is a real stretch and I'm so sorry. This

1584
01:12:50,160 --> 01:12:53,120
Speaker 1: is very much me being Tom Sandoval comparing myself to Ukraine,

1585
01:12:53,200 --> 01:12:55,920
Speaker 1: but here we go. This is something I also feel

1586
01:12:56,160 --> 01:12:58,240
Speaker 1: in the past. You know, i'd say six months if

1587
01:12:58,240 --> 01:13:02,320
Speaker 1: I'm I've gone with you protest. I feel like my

1588
01:13:02,479 --> 01:13:05,680
Speaker 1: favorite part of being in a protest is not everyone's

1589
01:13:05,840 --> 01:13:09,559
Speaker 1: unique sign and unique perspective. It's being in a crowd

1590
01:13:09,640 --> 01:13:12,880
Speaker 1: of people where you almost like lose yourself and are

1591
01:13:12,960 --> 01:13:15,960
Speaker 1: like it feels good to be part of this big

1592
01:13:16,200 --> 01:13:18,640
Speaker 1: mass that is attempting to do.

1593
01:13:18,760 --> 01:13:22,360
Speaker 3: Something completely, you know what I mean. I think that's

1594
01:13:22,400 --> 01:13:25,360
Speaker 3: a very acute understanding of what like grassports or recording

1595
01:13:25,520 --> 01:13:27,760
Speaker 3: organizing and like what movements are because a lot of

1596
01:13:27,800 --> 01:13:31,360
Speaker 3: people feel they individually need to be something and it's like, no,

1597
01:13:31,479 --> 01:13:33,280
Speaker 3: you matter when you are some of the party.

1598
01:13:33,360 --> 01:13:35,400
Speaker 1: Yeah, and I actually don't like a witty sign like

1599
01:13:35,600 --> 01:13:37,800
Speaker 1: go like go post that on No, I agree with that.

1600
01:13:37,920 --> 01:13:40,200
Speaker 1: I agree with that this is actually have some respect.

1601
01:13:40,720 --> 01:13:43,679
Speaker 2: Well, it's also like social media culture versus like actual activism.

1602
01:13:43,880 --> 01:13:46,680
Speaker 1: Yes, I am so it's so liberating to be like

1603
01:13:46,760 --> 01:13:48,479
Speaker 1: I am not a leader here, I am a follower

1604
01:13:48,520 --> 01:13:49,200
Speaker 1: and I am proud of it.

1605
01:13:49,360 --> 01:13:52,280
Speaker 3: Yes, yes, yes, yeah, I was thinking that's our role,

1606
01:13:52,360 --> 01:13:53,880
Speaker 3: you know what I mean, Like, there's people whose lives

1607
01:13:53,880 --> 01:13:56,320
Speaker 3: are devoted to organizing, and we go to what six

1608
01:13:56,400 --> 01:13:56,960
Speaker 3: protests a year.

1609
01:13:56,960 --> 01:13:57,960
Speaker 1: It's like, exactly, there's.

1610
01:13:57,800 --> 01:13:59,800
Speaker 3: Many people who try and center themselves in those spaces,

1611
01:14:00,080 --> 01:14:03,680
Speaker 3: and it's like no, no, no, no, no, no, Sweet.

1612
01:14:03,360 --> 01:14:05,400
Speaker 1: Tea, Okay, we have to do our final segment.

1613
01:14:05,400 --> 01:14:06,840
Speaker 2: I'm sorry, Okay, we have to do our final segment.

1614
01:14:10,240 --> 01:14:11,960
Speaker 2: More final segment. It's called shout outs, and then the

1615
01:14:11,960 --> 01:14:16,599
Speaker 2: segment we shout out uh in the style of two

1616
01:14:16,600 --> 01:14:18,760
Speaker 2: thousand and one TRL or radio shout out. Shout out

1617
01:14:18,760 --> 01:14:22,920
Speaker 2: to your squad back home about anything that you enjoy. George,

1618
01:14:23,000 --> 01:14:25,439
Speaker 2: do you have one? So that was actually really hard

1619
01:14:25,439 --> 01:14:28,960
Speaker 2: because Moe was making mouthing as if saying what I

1620
01:14:29,080 --> 01:14:29,800
Speaker 2: was saying at me.

1621
01:14:30,080 --> 01:14:30,679
Speaker 3: I did that straight.

1622
01:14:30,720 --> 01:14:33,680
Speaker 1: So shooters, damn yeah, I can do and I can

1623
01:14:33,720 --> 01:14:38,519
Speaker 1: do one real quick. Okay, okay, what's up theater goers

1624
01:14:38,760 --> 01:14:40,680
Speaker 1: play bill posters out there? I want to give a

1625
01:14:40,720 --> 01:14:43,680
Speaker 1: shout out to the actor Daniel Radcliffe. You know, I

1626
01:14:43,760 --> 01:14:48,200
Speaker 1: want to say, as a former Harry Potter tween, as

1627
01:14:48,240 --> 01:14:51,679
Speaker 1: someone who has no has seen your face at this point,

1628
01:14:51,760 --> 01:14:54,840
Speaker 1: for you know, over half of my life, I am

1629
01:14:54,920 --> 01:14:57,160
Speaker 1: so proud of you for the man you have become.

1630
01:14:57,760 --> 01:15:00,680
Speaker 1: I just saw Daniel Radcliffe on Broadway last night in

1631
01:15:00,840 --> 01:15:03,960
Speaker 1: Merrily We Roll Along. Such a great actor, did a

1632
01:15:04,200 --> 01:15:08,160
Speaker 1: very passable American accent, great singer, and incredible stage presence.

1633
01:15:08,280 --> 01:15:11,280
Speaker 1: Despite you know, your short stature for being honest, I

1634
01:15:11,400 --> 01:15:16,640
Speaker 1: think has handled the jqrelling thing incredibly well and navigated

1635
01:15:16,680 --> 01:15:20,519
Speaker 1: it with poise and with class. I believe he is

1636
01:15:21,000 --> 01:15:25,240
Speaker 1: such a sweet man who has made interesting artistic choices.

1637
01:15:25,720 --> 01:15:29,679
Speaker 1: I am so proud that the defining kind of middle

1638
01:15:29,760 --> 01:15:35,280
Speaker 1: brow childhood franchise of my generation has such a strong

1639
01:15:36,120 --> 01:15:39,439
Speaker 1: and talented leader at its helm, and I cannot wait

1640
01:15:39,600 --> 01:15:42,200
Speaker 1: for the rest of his career and for the things

1641
01:15:42,240 --> 01:15:47,240
Speaker 1: he will do in the spaces of the stage, the screen,

1642
01:15:47,479 --> 01:15:53,840
Speaker 1: and of course activism. I love that that was That

1643
01:15:53,920 --> 01:15:56,360
Speaker 1: was actually very earnest, That was really good, That.

1644
01:15:56,400 --> 01:15:57,639
Speaker 3: Was fully built, That was beautiful.

1645
01:15:57,880 --> 01:16:00,880
Speaker 2: I have one okay I had and I'm actually gonna

1646
01:16:00,960 --> 01:16:08,400
Speaker 2: change it based on George's okay, what's uh freaks, losers

1647
01:16:08,439 --> 01:16:10,880
Speaker 2: and perverts around the globe? I was gonna shout out

1648
01:16:11,360 --> 01:16:17,200
Speaker 2: the teens in my town in Michigan that have I

1649
01:16:17,320 --> 01:16:19,960
Speaker 2: feel the Internet has shifted them and gotten to them

1650
01:16:20,000 --> 01:16:22,559
Speaker 2: in a way that I really do celebrate. Uh. When

1651
01:16:22,840 --> 01:16:24,880
Speaker 2: when we were teens there, it was bad, but when

1652
01:16:24,920 --> 01:16:27,559
Speaker 2: you guys are teens there, it seems kind of fun. Okay,

1653
01:16:27,640 --> 01:16:29,439
Speaker 2: But the thing I'm actually gonna shout out, based on

1654
01:16:29,560 --> 01:16:37,559
Speaker 2: George's shout out, is Emma Watson. I cut him out

1655
01:16:38,800 --> 01:16:41,920
Speaker 2: ring and I said, you know what, I like this performance.

1656
01:16:42,080 --> 01:16:43,200
Speaker 1: I think she is.

1657
01:16:44,760 --> 01:16:48,679
Speaker 2: I love the wig. I think Emma Watson is sure.

1658
01:16:48,840 --> 01:16:51,439
Speaker 2: She doesn't pomp on the screen in the same way,

1659
01:16:52,160 --> 01:16:55,160
Speaker 2: but I think she there's something there. And I am

1660
01:16:55,320 --> 01:16:57,240
Speaker 2: kind of like, you know what, it's hard to be

1661
01:16:57,320 --> 01:17:00,280
Speaker 2: Hermione Granger and move on, and not everyone can be

1662
01:17:00,360 --> 01:17:03,559
Speaker 2: Daniel Damn Radcliffe. Some people people are like, oh, she's

1663
01:17:03,600 --> 01:17:06,719
Speaker 2: kind of mean. I'm like, okay, that's good. She's allowed.

1664
01:17:08,439 --> 01:17:12,040
Speaker 2: She's her childhood was taken from her by Harry Potter,

1665
01:17:12,600 --> 01:17:15,400
Speaker 2: and not everyone is gonna be so tasteful. And I

1666
01:17:15,439 --> 01:17:19,000
Speaker 2: think she is sort of, you know, maybe what a

1667
01:17:19,040 --> 01:17:21,800
Speaker 2: normal person would be like if they were cast as

1668
01:17:22,240 --> 01:17:24,320
Speaker 2: Hermione in one of the news franchises of all time.

1669
01:17:24,760 --> 01:17:28,760
Speaker 2: And Emma Watson, she's still out there. I think I

1670
01:17:28,960 --> 01:17:31,840
Speaker 2: liked her in Little Women. I like Little Women, I think,

1671
01:17:32,040 --> 01:17:35,320
Speaker 2: and I like the bling ring And I think everyone

1672
01:17:35,400 --> 01:17:37,960
Speaker 2: has been kind of mean to her, and sure there's

1673
01:17:38,000 --> 01:17:41,920
Speaker 2: some reasons why, but I think I celebrate her and

1674
01:17:42,120 --> 01:17:45,519
Speaker 2: give her a shout out, and so I don't regret

1675
01:17:45,640 --> 01:17:48,760
Speaker 2: this at all and I never will xoxo Sam.

1676
01:17:49,600 --> 01:17:52,120
Speaker 1: And to that, I want to say, in terms of

1677
01:17:52,200 --> 01:17:56,880
Speaker 1: Emma Watson's acting abilities, anything can be anything in or

1678
01:17:56,960 --> 01:17:57,880
Speaker 1: out of context.

1679
01:17:59,360 --> 01:18:04,760
Speaker 3: That is so fucking true. That's crazy. I'm sorry, it's

1680
01:18:04,840 --> 01:18:06,880
Speaker 3: so funny. For every five seconds, we'd be like, I

1681
01:18:06,960 --> 01:18:09,160
Speaker 3: love our shop popmen screen, I love our short people,

1682
01:18:09,200 --> 01:18:11,400
Speaker 3: have the reason I love Oh my.

1683
01:18:11,640 --> 01:18:12,800
Speaker 2: Yes, Sam, that was the most.

1684
01:18:13,040 --> 01:18:15,639
Speaker 1: That was the most like qualified, yeah.

1685
01:18:17,560 --> 01:18:19,560
Speaker 3: Like am Maybe someone could send this to her and

1686
01:18:19,640 --> 01:18:20,639
Speaker 3: be like, oh, there's still.

1687
01:18:23,080 --> 01:18:25,519
Speaker 2: No I think she was good. I liked her in

1688
01:18:25,560 --> 01:18:27,360
Speaker 2: the Bling Ring. I thought it was like an interesting

1689
01:18:28,160 --> 01:18:30,920
Speaker 2: It's hard to tell obviously, like what is like I

1690
01:18:31,000 --> 01:18:32,519
Speaker 2: want to rob? I want to rob.

1691
01:18:32,720 --> 01:18:36,760
Speaker 1: Here's the ring, of course. I think it's it's fun.

1692
01:18:36,840 --> 01:18:40,479
Speaker 1: I love the Bling Ring. Here's what makes me upset

1693
01:18:40,920 --> 01:18:44,599
Speaker 1: is imagine if it was Emma Roberts, how much better

1694
01:18:44,680 --> 01:18:46,040
Speaker 1: I'm sorry, that much better?

1695
01:18:46,080 --> 01:18:47,880
Speaker 2: I think the character is I think she was playing

1696
01:18:47,920 --> 01:18:49,880
Speaker 2: flop on purpose, like the character is supposed to be

1697
01:18:49,960 --> 01:18:52,799
Speaker 2: kind of a loser who's like never gonna go anywhere,

1698
01:18:52,880 --> 01:18:55,639
Speaker 2: right right, right, right, Well, it's very like that really

1699
01:18:55,720 --> 01:18:56,240
Speaker 2: came through.

1700
01:18:56,479 --> 01:19:00,280
Speaker 1: I think it is a British person's like idea of

1701
01:19:00,400 --> 01:19:04,160
Speaker 1: what it did see Californian American is and in that sense,

1702
01:19:04,200 --> 01:19:07,280
Speaker 1: it's sort of like a fascinating anthropological study.

1703
01:19:07,840 --> 01:19:08,840
Speaker 2: Not no, I think.

1704
01:19:08,920 --> 01:19:10,720
Speaker 3: I think what's hard for her though, is that, like

1705
01:19:10,800 --> 01:19:12,600
Speaker 3: the whole that was the first sort of iteration of

1706
01:19:12,680 --> 01:19:15,640
Speaker 3: quote unquote type cast for our generation where it's like,

1707
01:19:15,680 --> 01:19:17,120
Speaker 3: how are you going to break free from this? Like

1708
01:19:17,240 --> 01:19:19,400
Speaker 3: Dana Raka was naked on stage with the horse.

1709
01:19:19,520 --> 01:19:21,400
Speaker 1: It's like, yes, I think it was a good decision

1710
01:19:21,479 --> 01:19:22,120
Speaker 1: for her to do that.

1711
01:19:22,320 --> 01:19:24,880
Speaker 3: Yes, and it's a high caliber. I mean, she's doing

1712
01:19:25,040 --> 01:19:28,639
Speaker 3: Sophia Coppola, you know, Like, so I think your damned.

1713
01:19:28,760 --> 01:19:31,599
Speaker 3: But also I always walk when someone's like she's actually

1714
01:19:31,600 --> 01:19:34,080
Speaker 3: a bitch, I'm like, did she just did say something? Directly?

1715
01:19:34,360 --> 01:19:35,680
Speaker 2: I definitely think she's allowed to be.

1716
01:19:36,000 --> 01:19:37,160
Speaker 3: But I don't even think that's a bit.

1717
01:19:37,280 --> 01:19:38,960
Speaker 1: I think it's like you know what I mean, Yeah,

1718
01:19:39,400 --> 01:19:43,519
Speaker 1: I always think of her in perks of being a

1719
01:19:43,560 --> 01:19:46,759
Speaker 1: wallflower saying welcome to the island of misfit.

1720
01:19:46,880 --> 01:19:47,200
Speaker 2: Toys.

1721
01:19:48,680 --> 01:19:50,160
Speaker 3: I remember now when the end up back in the

1722
01:19:50,200 --> 01:19:51,360
Speaker 3: truck and the commercial.

1723
01:19:51,040 --> 01:19:53,559
Speaker 1: They said that, Okay, wait, I'm sorry to be time Guruba.

1724
01:19:53,680 --> 01:19:56,000
Speaker 3: I have to do I have to do my story. Sorry. Okay, well,

1725
01:19:56,040 --> 01:19:57,720
Speaker 3: I was trying to think and I like listen, I'm

1726
01:19:57,880 --> 01:20:00,600
Speaker 3: unfortunately like huge Harry Potter person one point had the

1727
01:20:00,640 --> 01:20:05,960
Speaker 3: second book memorized nor a different child. But I'm not

1728
01:20:06,040 --> 01:20:09,080
Speaker 3: going to do that. There's plenty of time for that. So, okay,

1729
01:20:09,280 --> 01:20:10,240
Speaker 3: is my music started.

1730
01:20:10,080 --> 01:20:16,280
Speaker 2: No night, Ye'll start whenever you know the vibe hate YouTube. Okay.

1731
01:20:16,800 --> 01:20:19,760
Speaker 3: So my thing is shout out to having friends who

1732
01:20:20,040 --> 01:20:22,760
Speaker 3: are very comfortable with me being obsessed with and shout

1733
01:20:22,800 --> 01:20:25,080
Speaker 3: out to Sam and your who I will constantly text

1734
01:20:25,120 --> 01:20:26,760
Speaker 3: and actually hold back a lot of times, and maybe

1735
01:20:26,800 --> 01:20:28,920
Speaker 3: not constantly text, but think about and being like that

1736
01:20:29,040 --> 01:20:30,960
Speaker 3: joke he did from twenty years ago was so good.

1737
01:20:31,200 --> 01:20:33,680
Speaker 3: And I think about George's Fidora Fidora Fedora about a

1738
01:20:33,720 --> 01:20:37,120
Speaker 3: Broadway actor. Google tweet all the time. I sometimes too

1739
01:20:37,160 --> 01:20:39,519
Speaker 3: many times text Sam about tweets he did in twenty

1740
01:20:39,600 --> 01:20:42,080
Speaker 3: fifteen about saying he was so hungover he could see time,

1741
01:20:42,640 --> 01:20:44,519
Speaker 3: and then all his Chow Bonnie tweets which were like,

1742
01:20:44,720 --> 01:20:46,600
Speaker 3: chow Bonnie, lie over the ocean. Cho Bonnie, lie over

1743
01:20:46,720 --> 01:20:50,120
Speaker 3: the sea, Chow me the Bonnie, and just shout out

1744
01:20:50,120 --> 01:20:52,000
Speaker 3: to my friends, who like, since day one, are the

1745
01:20:52,040 --> 01:20:54,280
Speaker 3: funniest people I've ever met, and also like when I

1746
01:20:54,320 --> 01:20:56,840
Speaker 3: text them about Checkov's butt plug, they're like, they're not

1747
01:20:56,960 --> 01:20:59,200
Speaker 3: like chill mo, They're like, thank you, and you guys

1748
01:20:59,200 --> 01:21:00,400
Speaker 3: are the best that I love very much.

1749
01:21:00,400 --> 01:21:03,559
Speaker 2: Oh wow, that's so sweet too.

1750
01:21:04,960 --> 01:21:08,080
Speaker 1: You know our night on the along the Hollywood Walk

1751
01:21:08,120 --> 01:21:09,280
Speaker 1: of Fame? Do you remember this?

1752
01:21:09,400 --> 01:21:12,880
Speaker 3: Oh god, I have not since then laughed that hard.

1753
01:21:13,200 --> 01:21:16,519
Speaker 1: It's it's really difficult to describe. We were simply walking

1754
01:21:16,560 --> 01:21:19,400
Speaker 1: on the Hollywood Walk of Fame, and every time we'd

1755
01:21:19,439 --> 01:21:21,760
Speaker 1: see a name, which is constantly, we would act as

1756
01:21:21,800 --> 01:21:23,680
Speaker 1: though we actually saw that. We would just be like

1757
01:21:23,840 --> 01:21:27,120
Speaker 1: we would scream the Beatles and we'd be like we

1758
01:21:27,280 --> 01:21:27,720
Speaker 1: love them.

1759
01:21:28,400 --> 01:21:29,920
Speaker 3: Like it was like, I'm sorry, I keep spiking this

1760
01:21:29,960 --> 01:21:33,280
Speaker 3: whole episode, but we would all three. It wasn't even

1761
01:21:33,320 --> 01:21:35,839
Speaker 3: like are we going to do it again? It was everyone,

1762
01:21:35,920 --> 01:21:36,519
Speaker 3: we're doing well.

1763
01:21:36,840 --> 01:21:39,639
Speaker 1: Actually, I think became a yeah, and I think when

1764
01:21:39,720 --> 01:21:42,559
Speaker 1: we released this episode, I'm going to publish the photos

1765
01:21:42,560 --> 01:21:46,719
Speaker 1: of because i have photos of it, Watson.

1766
01:21:47,840 --> 01:21:51,519
Speaker 3: Oh yeah, remember Georgia Greager, me and Sam would dot.

1767
01:21:51,560 --> 01:21:53,519
Speaker 3: I was in Daniel's hand and Sam was in Emma's

1768
01:21:53,520 --> 01:21:56,040
Speaker 3: hands at the theater, the Chinese theater.

1769
01:21:57,960 --> 01:22:03,400
Speaker 1: Literally anything can be an Okay, we have to I'm

1770
01:22:03,479 --> 01:22:06,439
Speaker 1: so late. I love you so much. Okay, sorry, George,

1771
01:22:06,560 --> 01:22:09,360
Speaker 1: relate that this was the greatest day of my life.

1772
01:22:09,439 --> 01:22:11,760
Speaker 1: All right, bye Moe, I love you, Love you, Bye

1773
01:22:11,840 --> 01:22:16,559
Speaker 1: bye podcast and now want more. Subscribe to our Patreon

1774
01:22:16,680 --> 01:22:20,080
Speaker 1: for two extra episodes a month, discord access and more

1775
01:22:20,400 --> 01:22:23,799
Speaker 1: by heading to patreon dot com. Slash Stradio lab.

1776
01:22:23,840 --> 01:22:26,439
Speaker 2: And for all our visual learners, free full length video

1777
01:22:26,479 --> 01:22:28,320
Speaker 2: episodes are available on our YouTube.

1778
01:22:28,560 --> 01:22:29,559
Speaker 1: Now get back to work.