1 00:00:02,080 --> 00:00:04,440 Speaker 1: Welcome back to another episode of Alchemy This I'm your host, 2 00:00:04,559 --> 00:00:08,119 Speaker 1: Kevin Pollock. Yes that Kevin Pollock. What's that? I'm sorry? 3 00:00:08,400 --> 00:00:10,200 Speaker 1: Tell the class why I thought it was cool to 4 00:00:10,240 --> 00:00:13,760 Speaker 1: bring marijuana to tenth grade English today? Well last week, 5 00:00:13,760 --> 00:00:15,520 Speaker 1: when I was chewing gum, you asked if I brought 6 00:00:15,640 --> 00:00:18,319 Speaker 1: enough with the whole class. So what No, I'm not 7 00:00:18,360 --> 00:00:20,840 Speaker 1: figgus mart Mr Flores, dude, do you want to get 8 00:00:20,880 --> 00:00:24,320 Speaker 1: higher or not? But I digress. Let's meet our archemist, 9 00:00:24,320 --> 00:00:27,280 Speaker 1: shall we? In no particular order? Please say what the 10 00:00:27,400 --> 00:00:31,600 Speaker 1: holy hell? To Craig Atkowski? What the holy hello? Have 11 00:00:31,760 --> 00:00:34,480 Speaker 1: you and ever tipped a cow or known anyone who 12 00:00:34,520 --> 00:00:38,080 Speaker 1: said they did. I wouldn't do it. I wouldn't consort 13 00:00:38,120 --> 00:00:41,080 Speaker 1: with the type of people who do it. Uh, cows 14 00:00:41,200 --> 00:00:45,640 Speaker 1: are beautiful creatures. I'm having a hamburger for lunch. All 15 00:00:45,720 --> 00:00:49,040 Speaker 1: of that is the correct answer. What's that over there? Why? 16 00:00:49,040 --> 00:00:54,160 Speaker 1: It's Mark Gagliardi, Monty Mark Um. What's your favorite TV 17 00:00:54,480 --> 00:00:56,279 Speaker 1: What was your favorite TV show growing up in Why? 18 00:00:56,760 --> 00:00:59,960 Speaker 1: My favorite TV show was a short lived series called 19 00:01:00,080 --> 00:01:02,440 Speaker 1: to the Charmings. I don't know if you or anyone 20 00:01:02,480 --> 00:01:06,839 Speaker 1: remember this, keep talking. It was Cinderella that's Prince Charming 21 00:01:06,920 --> 00:01:10,399 Speaker 1: fell down a well and wound up in nine America. 22 00:01:10,440 --> 00:01:12,720 Speaker 1: And you're saying that didn't take off. It did not 23 00:01:12,800 --> 00:01:17,080 Speaker 1: take off, but I loved it. The magic mirror on 24 00:01:17,120 --> 00:01:20,440 Speaker 1: the wall, I believe was if not Ben Vereen, then 25 00:01:20,480 --> 00:01:25,520 Speaker 1: a Ben Vereen like showman type. Right to the Charming. 26 00:01:26,319 --> 00:01:28,160 Speaker 1: If you remember the show, and please tell us your 27 00:01:28,200 --> 00:01:30,880 Speaker 1: fondest memories. Your name here at alchemy this dot com, 28 00:01:31,680 --> 00:01:36,560 Speaker 1: pick up your room. Here's Carla Kakowski. Charlotte, isn't your name? 29 00:01:37,000 --> 00:01:42,840 Speaker 1: When you choose fruit, which one do you? Oh? Avocado? 30 00:01:42,959 --> 00:01:48,280 Speaker 1: Because there's a seed right exactly? Please welcome back second 31 00:01:48,360 --> 00:01:52,720 Speaker 1: time or match schlistle Hey, hey, Matthew mcconna nay as 32 00:01:52,760 --> 00:01:55,600 Speaker 1: assumed to be brand spanking new professor at a college 33 00:01:55,600 --> 00:01:57,960 Speaker 1: here in Los Angeles? How will you greet your students 34 00:01:58,000 --> 00:02:04,600 Speaker 1: each morning? With authority in disdain, a winning combination and last, 35 00:02:04,680 --> 00:02:06,640 Speaker 1: but rarely the least say, how do you do to 36 00:02:06,720 --> 00:02:09,560 Speaker 1: Joey Greer Joe Joe the Gorilla if you wake up 37 00:02:09,639 --> 00:02:13,680 Speaker 1: later tonight, I bort a spaceship mid surprisingly painless anal probe. 38 00:02:13,800 --> 00:02:20,880 Speaker 1: How will you greet your students? Hello? Perky, excited with 39 00:02:21,000 --> 00:02:23,880 Speaker 1: something up, you're like, make a boose. Yeah, all right, 40 00:02:23,960 --> 00:02:25,639 Speaker 1: let's get to our first thing, shall we? All today's 41 00:02:25,680 --> 00:02:28,839 Speaker 1: scene suggestions or gathered from your listener emails. If you'd 42 00:02:28,840 --> 00:02:31,760 Speaker 1: like to submit yours, please write to the podcast at 43 00:02:31,800 --> 00:02:34,919 Speaker 1: your name here at alchemy this dot com. That's your 44 00:02:35,040 --> 00:02:38,320 Speaker 1: name here at altemus dot com. Our first thing comes 45 00:02:38,320 --> 00:02:41,959 Speaker 1: from Conrad, who wrote, Hey, guys and gals love the show. 46 00:02:42,320 --> 00:02:46,320 Speaker 1: My first scene idea was too detailed, according to Kevin, 47 00:02:46,400 --> 00:02:49,280 Speaker 1: so I'll just rattle lops some rough ideas rapid fire, 48 00:02:49,560 --> 00:02:52,799 Speaker 1: and hope you bring some of them to life someday. 49 00:02:53,000 --> 00:02:56,359 Speaker 1: And then I wrote in parentheses. Then he laid out 50 00:02:56,480 --> 00:03:00,400 Speaker 1: several one of which I've selected for today, to groups 51 00:03:00,480 --> 00:03:04,280 Speaker 1: of castaways washed up on opposite ends of an island, 52 00:03:04,320 --> 00:03:11,840 Speaker 1: discover one another and vie for superiority. Hopefully this d 53 00:03:12,120 --> 00:03:15,040 Speaker 1: evolves into one of Joey's dream of consciousness monologues and 54 00:03:15,080 --> 00:03:16,960 Speaker 1: everyone else is trying to make sense of it. Keep 55 00:03:17,000 --> 00:03:19,560 Speaker 1: out the great work. I hope this podcast never ends. 56 00:03:19,600 --> 00:03:22,640 Speaker 1: Conrad ps. Despite the fact that he has no voice 57 00:03:22,720 --> 00:03:27,040 Speaker 1: or characters whatsoever, Chris Alvarado must be talented because his 58 00:03:27,200 --> 00:03:30,160 Speaker 1: presence is missed. I hope he returned soon. I was 59 00:03:30,320 --> 00:03:33,280 Speaker 1: just having this conversation about his lack of ability to 60 00:03:33,320 --> 00:03:40,080 Speaker 1: do British accent off microphone. All right, everyone, let's huddle up. Okay, now, 61 00:03:40,120 --> 00:03:41,720 Speaker 1: huddle up, all right now, just let's make sure our 62 00:03:41,760 --> 00:03:45,960 Speaker 1: injuries are are are minor. Al right, now, we gotta 63 00:03:46,040 --> 00:03:49,160 Speaker 1: find we gotta find water. Those are the two ws 64 00:03:49,200 --> 00:03:52,960 Speaker 1: to win, all right, that's alright. Now, Look, we gotta 65 00:03:53,000 --> 00:03:56,240 Speaker 1: make sure that there is no other predators on the island. 66 00:03:56,240 --> 00:03:59,720 Speaker 1: We've gotta be top tier on this. Okay, here, hey, 67 00:04:00,200 --> 00:04:03,640 Speaker 1: what are you doing over there? What the hell? Hello? 68 00:04:03,640 --> 00:04:06,680 Speaker 1: A r Is this a resort beach? You know this 69 00:04:06,760 --> 00:04:09,600 Speaker 1: is a deserted island and this is my island and his. 70 00:04:11,080 --> 00:04:13,360 Speaker 1: We we just washed up. How you doing? My name 71 00:04:13,360 --> 00:04:18,360 Speaker 1: is Steve. It's all right, how do you do? We 72 00:04:18,440 --> 00:04:22,640 Speaker 1: are playing just craft water? Pull out your branch. This 73 00:04:22,760 --> 00:04:26,080 Speaker 1: branch says, we're the ones asking the questions. Here, take 74 00:04:26,120 --> 00:04:29,560 Speaker 1: a seat there, buddy, the branch. I'm sitting. I got 75 00:04:29,600 --> 00:04:33,160 Speaker 1: a question for you, Steve. How come you dressed like 76 00:04:33,200 --> 00:04:36,440 Speaker 1: a flight attendant, but everybody's treating you like the captain. Well, 77 00:04:37,240 --> 00:04:40,960 Speaker 1: the captain's perished and hunder flight protocol. I now take 78 00:04:41,000 --> 00:04:44,039 Speaker 1: the position of captain. Oh really, I don't know that 79 00:04:44,080 --> 00:04:46,760 Speaker 1: about no flight protocol. No, I don't know about flight 80 00:04:46,800 --> 00:04:49,479 Speaker 1: protocol either. We've been out here a while. This is 81 00:04:49,520 --> 00:04:53,360 Speaker 1: our island. Well, when did you get here five thousand 82 00:04:53,400 --> 00:04:59,479 Speaker 1: and twenty one days ago, Steve, Steve Stacy? Did they 83 00:04:59,520 --> 00:05:01,880 Speaker 1: have a branch? Now? Look, flight protocol has changed in 84 00:05:01,880 --> 00:05:04,320 Speaker 1: those five thousand days. Okay, I understand that five thousand 85 00:05:04,680 --> 00:05:07,279 Speaker 1: days prior it might have been different, but it has changed. 86 00:05:07,400 --> 00:05:11,440 Speaker 1: I have a nut allergy. What there's no Five thousand 87 00:05:11,520 --> 00:05:14,400 Speaker 1: days ago, nut allergies weren't a thing. But I guess 88 00:05:14,440 --> 00:05:16,479 Speaker 1: it's a thing now. That sounds like a made up thing. 89 00:05:17,440 --> 00:05:19,440 Speaker 1: I just I need. Do you have those blue chips? 90 00:05:19,520 --> 00:05:23,599 Speaker 1: Blue tart chips, blue tarts? Does anybody have blue tarot chips? 91 00:05:23,760 --> 00:05:26,200 Speaker 1: Do you have any blue tarot tea a second? Are 92 00:05:26,240 --> 00:05:30,320 Speaker 1: you a sorcerer with your Tarot cards and your Tarot chips? 93 00:05:30,600 --> 00:05:33,480 Speaker 1: Trying to do the math on five thousand days? Roughly 94 00:05:33,560 --> 00:05:40,600 Speaker 1: two thousand nights? Okay, I am ten years at the anniversary. Hey, hey, 95 00:05:40,680 --> 00:05:44,520 Speaker 1: take take a step back a seat. That's a branch. 96 00:05:44,600 --> 00:05:49,040 Speaker 1: That's Do you have any water? Can you trade us water? 97 00:05:49,200 --> 00:05:52,320 Speaker 1: Do you want me, can we trade them some water? 98 00:05:52,880 --> 00:05:55,920 Speaker 1: I don't know, Sean, Tell what do you think they 99 00:05:55,960 --> 00:05:59,760 Speaker 1: got to trade us water? Yeah? What you got we got? Steve? 100 00:05:59,800 --> 00:06:05,200 Speaker 1: There are bad boom Wait? Really, what when did you 101 00:06:05,240 --> 00:06:07,800 Speaker 1: get a real bad boone? We were transporting it on 102 00:06:07,960 --> 00:06:10,240 Speaker 1: the plane. We've been here his two thousand a nine. 103 00:06:10,240 --> 00:06:13,280 Speaker 1: We've never seen a bad boons. He can speak, he 104 00:06:13,360 --> 00:06:19,760 Speaker 1: can emotional therapy. I told you, I told you they're wizards, Wizards, sorceress, witches. 105 00:06:20,480 --> 00:06:25,599 Speaker 1: This Plaine debris everywhere, black magic man, black magic Plaine 106 00:06:25,640 --> 00:06:30,240 Speaker 1: debris everywhere. And I gotta say, judging by your military uniforms, 107 00:06:30,240 --> 00:06:33,240 Speaker 1: you do really should not be taking orders from Steve, Like, 108 00:06:33,480 --> 00:06:41,440 Speaker 1: what are you colonels? Colonels were for UPS. Shapes are uniforms, 109 00:06:41,600 --> 00:06:47,680 Speaker 1: and they make it look like they're colonels. Okay, within 110 00:06:47,760 --> 00:06:52,560 Speaker 1: the brand has changed, as UPS wouldn't evolve in ten years. 111 00:06:52,600 --> 00:06:54,520 Speaker 1: I mean, what's the premise. I guess the whole time, 112 00:06:54,560 --> 00:06:57,040 Speaker 1: I've never thought about UPS. I've not once, have not 113 00:06:57,080 --> 00:06:59,719 Speaker 1: once has UPS crossed my mind since we've been here, Peach, No, 114 00:07:00,040 --> 00:07:03,240 Speaker 1: the things that have been crossing our minds shanty trying 115 00:07:03,279 --> 00:07:07,560 Speaker 1: to you know, get food to eat well I'm not 116 00:07:07,640 --> 00:07:10,320 Speaker 1: so concerned about that. I guess I should be now, 117 00:07:10,360 --> 00:07:11,880 Speaker 1: because before it was just the two of us who 118 00:07:11,880 --> 00:07:15,600 Speaker 1: want to ask the baboon a question. You gotta send 119 00:07:15,640 --> 00:07:20,080 Speaker 1: you in bat boon? Yeah, go ahead. Who's in charge here? 120 00:07:20,200 --> 00:07:25,920 Speaker 1: Bat Boon? Come? Jeez, I guess the bat boon's in 121 00:07:26,000 --> 00:07:30,160 Speaker 1: charge in the woods? Oh god, damn ever, goddamn, we 122 00:07:30,160 --> 00:07:32,000 Speaker 1: gotta I gotta chase it. I didn't even get to 123 00:07:32,040 --> 00:07:34,480 Speaker 1: ask what's happened to the world in the last ten years. 124 00:07:34,520 --> 00:07:37,040 Speaker 1: Get yourself a shield, folks, because that bat boon likes 125 00:07:37,040 --> 00:07:40,200 Speaker 1: to fling his pooh oh god, yeah, yeah, he hides 126 00:07:40,240 --> 00:07:42,360 Speaker 1: in the weeds and then he flings the poop. Seriously, 127 00:07:42,360 --> 00:07:44,520 Speaker 1: why did they got ups guys dressed like colonels. Now, 128 00:07:44,960 --> 00:07:47,720 Speaker 1: I don't understand this. Where we moved with the speed 129 00:07:48,000 --> 00:07:50,160 Speaker 1: of the military. All right, I got a question. What's 130 00:07:50,160 --> 00:07:54,080 Speaker 1: the last package that you delivered? It was we don't 131 00:07:54,120 --> 00:07:57,000 Speaker 1: check the contents. I don't believe him, I don't. I 132 00:07:57,000 --> 00:07:59,080 Speaker 1: think they're lying. Yeah, I think they're lying about being 133 00:07:59,480 --> 00:08:01,520 Speaker 1: I'm back to back. I opened it and it was 134 00:08:01,680 --> 00:08:03,480 Speaker 1: Milana cookies and I ate all of it. I'm so 135 00:08:03,520 --> 00:08:07,040 Speaker 1: sorry you opened up a package there were Milana Roger 136 00:08:07,520 --> 00:08:14,480 Speaker 1: that we're on the island. Did you like the gift? Um? I? Yeah, 137 00:08:14,520 --> 00:08:18,280 Speaker 1: I an empty Milano's bag. What? No, what do you 138 00:08:18,280 --> 00:08:20,120 Speaker 1: mean empty Milana? What are you talking about? Yeah? I 139 00:08:20,560 --> 00:08:23,080 Speaker 1: opened it up and it was an empty Milano's bag. 140 00:08:23,080 --> 00:08:24,320 Speaker 1: I guess I don't know what you were with. Those 141 00:08:24,320 --> 00:08:26,960 Speaker 1: little doilies are still were still in there? What do 142 00:08:26,960 --> 00:08:28,440 Speaker 1: you what hell do you mean? It was empty? No? No, 143 00:08:28,520 --> 00:08:31,720 Speaker 1: that was that was from Milan. Okay, those were custom 144 00:08:31,800 --> 00:08:33,600 Speaker 1: cookies from my lady. What the hell you talking about? 145 00:08:34,000 --> 00:08:37,559 Speaker 1: Here's a charon savignon blanc and merlot, sir, okay, And 146 00:08:37,640 --> 00:08:41,760 Speaker 1: where's my drink? Savignon blanc double? Okay? This looks like 147 00:08:41,760 --> 00:08:44,520 Speaker 1: a regular poor This is a This is a gallon 148 00:08:44,679 --> 00:08:47,520 Speaker 1: jug of chardon. Yeah. I want to I want two 149 00:08:47,559 --> 00:08:50,319 Speaker 1: gags and then I want them in Okay, I want 150 00:08:50,320 --> 00:08:52,760 Speaker 1: a tight wine pour you get me, and I want 151 00:08:52,880 --> 00:08:56,760 Speaker 1: I want to break up because you ordered too much 152 00:08:56,800 --> 00:09:01,720 Speaker 1: to drink. This is a it's straight, it's yeah, trying 153 00:09:01,720 --> 00:09:05,120 Speaker 1: to sort it out. Ye. Keep we were taking bets 154 00:09:05,120 --> 00:09:07,719 Speaker 1: in the kitchen. You're taking bets on us. Yeah, this 155 00:09:07,880 --> 00:09:09,959 Speaker 1: is my business, my lawyer. If you could get an 156 00:09:10,000 --> 00:09:12,920 Speaker 1: ivy for these two of whatever. Excuse me, I couldn't help, 157 00:09:12,920 --> 00:09:14,960 Speaker 1: but notice that you have an empty Milano's bag. And 158 00:09:15,000 --> 00:09:16,959 Speaker 1: I just want to know how those cookies were because 159 00:09:16,960 --> 00:09:19,959 Speaker 1: so from Milan myself and I'm very proud of our cookies. 160 00:09:20,000 --> 00:09:22,960 Speaker 1: I don't know this is our chef X. How were 161 00:09:22,960 --> 00:09:26,240 Speaker 1: the how were the cookies were already? You know I 162 00:09:26,280 --> 00:09:28,240 Speaker 1: didn't eat them, so I can't believe you're presuming that 163 00:09:28,320 --> 00:09:29,840 Speaker 1: I did that. That's what you're breaking up with me. Yes, 164 00:09:29,880 --> 00:09:31,520 Speaker 1: I'm in the chef of this restaurant. Normally we do 165 00:09:31,600 --> 00:09:34,400 Speaker 1: not allow people to bring it outside food, but if it, 166 00:09:34,800 --> 00:09:37,520 Speaker 1: if it is Milonnals, I will allow it. And can 167 00:09:37,559 --> 00:09:45,679 Speaker 1: I get service? Is there? Okay? I'm sorry? Okay, Chef Alfredo, Um, 168 00:09:45,840 --> 00:09:49,440 Speaker 1: he has such a distinguished palette. Um he can smell 169 00:09:50,280 --> 00:09:54,360 Speaker 1: Milano's from another room or the absence of try sauce? 170 00:09:54,480 --> 00:09:57,760 Speaker 1: How are the Milonnals? Yes, I invented Alfredo sauce. By 171 00:09:57,760 --> 00:10:01,719 Speaker 1: the way, good catch. I mean I didn't get a 172 00:10:01,800 --> 00:10:04,360 Speaker 1: chance to eat them. What the I don't understand? Did 173 00:10:04,360 --> 00:10:06,200 Speaker 1: you you know what? It's I don't need, I don't 174 00:10:06,240 --> 00:10:09,800 Speaker 1: need you try and you would not let this beautiful 175 00:10:09,880 --> 00:10:11,760 Speaker 1: lady of a taste. No, I got I got them 176 00:10:11,800 --> 00:10:14,280 Speaker 1: for her. I got I love. There were no Milano's 177 00:10:14,360 --> 00:10:18,360 Speaker 1: in there. There was a my lawyer, and there was 178 00:10:18,400 --> 00:10:20,480 Speaker 1: a ring. He just said there was a ring. Hold 179 00:10:20,520 --> 00:10:23,480 Speaker 1: on my lady. Ears just went up. There's discussion of 180 00:10:23,480 --> 00:10:26,000 Speaker 1: a ring. Wait what there was a ring inside? There 181 00:10:26,040 --> 00:10:28,000 Speaker 1: was a custom built ring inside one of the doors 182 00:10:28,000 --> 00:10:30,319 Speaker 1: of the Milano cookie. And you opened up the door 183 00:10:30,320 --> 00:10:32,319 Speaker 1: of the Milana Cookie. There was a ring. Just a second, 184 00:10:32,559 --> 00:10:35,760 Speaker 1: Can I talk to you private a second? Maybe give 185 00:10:35,800 --> 00:10:38,719 Speaker 1: out less information about the ring like it was your 186 00:10:38,760 --> 00:10:42,360 Speaker 1: her lawyer? Yeah, I understand. Trying to help uster Armstrong, 187 00:10:42,800 --> 00:10:46,520 Speaker 1: Mr Armstrong, I'm sitting right here. You are my lawyer. 188 00:10:46,600 --> 00:10:51,640 Speaker 1: You're her lawyer, okay, trying to be fair. I appreciate 189 00:10:51,720 --> 00:10:53,960 Speaker 1: your love of the law and how fair you try 190 00:10:54,000 --> 00:10:56,959 Speaker 1: to stay. If there was a how did how did 191 00:10:56,960 --> 00:11:00,320 Speaker 1: you get how did you get the cookies delivered? How 192 00:11:00,320 --> 00:11:03,079 Speaker 1: did you get the cookies? To leave? It? Alright? Through? Milan? 193 00:11:03,440 --> 00:11:08,080 Speaker 1: I called? But you must have used the service. Oh yes, yes, yes, yes, 194 00:11:08,280 --> 00:11:14,200 Speaker 1: not FedEx. No, not FedEx. You'll be okay. I've just 195 00:11:14,240 --> 00:11:22,520 Speaker 1: been waiting a long time. Jeez, feeble feeble this forest, jungle, 196 00:11:25,240 --> 00:11:30,440 Speaker 1: peoble what people? What? People come down from there? Look, 197 00:11:30,600 --> 00:11:32,600 Speaker 1: I'm sorry, I froze up there and I didn't feel 198 00:11:32,600 --> 00:11:36,800 Speaker 1: comfortable talking. It's okay, PJ and Shantel, It's okay. I'm 199 00:11:36,840 --> 00:11:39,160 Speaker 1: not used to new people. People. Don't take this shi 200 00:11:39,280 --> 00:11:42,240 Speaker 1: at me people, people, Sorry, I don't want to do 201 00:11:42,280 --> 00:11:44,880 Speaker 1: it people, It's all right. Look, I'm stressed out to 202 00:11:45,679 --> 00:11:47,600 Speaker 1: My ship is a weird because I ate that ring. 203 00:11:51,160 --> 00:11:52,960 Speaker 1: Made that ring it was in cookies. I hate all 204 00:11:53,000 --> 00:11:57,280 Speaker 1: the cookies and anything ring. It's cutting up my inside. Peebo, 205 00:11:57,400 --> 00:11:59,040 Speaker 1: Come on, you can't eat those cookies. You don't not 206 00:11:59,080 --> 00:12:02,400 Speaker 1: good for your diet. A monkey man up here? Are 207 00:12:02,440 --> 00:12:10,200 Speaker 1: you hearing that? The snake ship? What are you doing 208 00:12:10,320 --> 00:12:13,120 Speaker 1: talking to the humans? Dumb? Dumb? They taught me to 209 00:12:13,160 --> 00:12:15,839 Speaker 1: talk right there, my friends, I work for UPS. What 210 00:12:15,920 --> 00:12:19,000 Speaker 1: are you talking about? I'm a bad I'm essentially a 211 00:12:19,040 --> 00:12:22,120 Speaker 1: bat boona works for UPS. Okay, you've been out of 212 00:12:22,160 --> 00:12:25,480 Speaker 1: the wilds for too long? Al right, yeah, so now, 213 00:12:26,200 --> 00:12:29,880 Speaker 1: well what's going on this island? Snake? Well, I run things. 214 00:12:30,320 --> 00:12:33,000 Speaker 1: Oh you're a predator. Huh you work for me? Oh? 215 00:12:33,120 --> 00:12:34,760 Speaker 1: I work for you. I want you to do more 216 00:12:34,840 --> 00:12:37,880 Speaker 1: than just talk. When you go back on there, I 217 00:12:37,960 --> 00:12:40,920 Speaker 1: want you to kill Why why would I kill my friends? 218 00:12:41,000 --> 00:12:43,120 Speaker 1: And then p J and shans Hell feel pretty cool too, 219 00:12:43,280 --> 00:12:47,839 Speaker 1: which runs shot down the woman. They've been on this 220 00:12:47,960 --> 00:12:52,880 Speaker 1: island for five thousand days, fourteen years. Those bricks you 221 00:12:53,160 --> 00:12:56,120 Speaker 1: haven't noticed them yet? How big is this island? Man? 222 00:12:57,080 --> 00:12:59,360 Speaker 1: I don't run the west side. Well that's good. Then 223 00:12:59,400 --> 00:13:02,079 Speaker 1: there's enough sources for all of us. Right. If you 224 00:13:02,240 --> 00:13:07,000 Speaker 1: kill them, there's even more kill them. There's even what 225 00:13:07,559 --> 00:13:11,400 Speaker 1: Look for the banana. That's all I can say. Look 226 00:13:11,520 --> 00:13:15,080 Speaker 1: for the banana. Oh man, that sneak is just flying 227 00:13:15,120 --> 00:13:18,800 Speaker 1: through those trees. Okay, yeah, we have another auto cookies 228 00:13:20,000 --> 00:13:22,599 Speaker 1: and then I gotta be a good alright, because a 229 00:13:22,640 --> 00:13:24,920 Speaker 1: lot of people eat these cookies and and some names 230 00:13:24,960 --> 00:13:31,040 Speaker 1: that we don't make you do the cookie. Okay, I'll 231 00:13:31,080 --> 00:13:33,160 Speaker 1: make a goog, make a cook and make a flat 232 00:13:33,280 --> 00:13:35,839 Speaker 1: and squash. I make a gooi, make a gooi, make 233 00:13:35,880 --> 00:13:39,160 Speaker 1: a f They want to put a ring in one 234 00:13:39,200 --> 00:13:41,520 Speaker 1: of the cookies. Want to go. They want to put 235 00:13:41,559 --> 00:13:46,520 Speaker 1: a ring and one of the cookie put the door, yeah, 236 00:13:46,559 --> 00:13:49,360 Speaker 1: the opening. They want to custom my daughter in the 237 00:13:49,400 --> 00:13:53,040 Speaker 1: cookie in the cookie. Okay, I can go this. Pardon me, fellas, 238 00:13:53,080 --> 00:13:55,559 Speaker 1: I hate dint roupy him stand from Patridge Farms. We 239 00:13:55,679 --> 00:13:57,720 Speaker 1: just wanted to say how excited we are. We bought 240 00:13:57,760 --> 00:14:01,199 Speaker 1: the company seventeen years ago. Na, congratulations and I have 241 00:14:01,360 --> 00:14:03,880 Speaker 1: in a Milatta cookie. Yeah, yeah, we We just wanted 242 00:14:03,880 --> 00:14:06,000 Speaker 1: you to know that this is the last shop actually 243 00:14:06,520 --> 00:14:09,440 Speaker 1: not in America, and we gotta are we so proud 244 00:14:09,480 --> 00:14:12,839 Speaker 1: of it? Are you're gonna keep it forever? Keeping alive? 245 00:14:13,160 --> 00:14:16,560 Speaker 1: That's right, there's one shop is the only reason Milanna 246 00:14:16,760 --> 00:14:20,200 Speaker 1: is still on the map. Love you? We want to 247 00:14:20,880 --> 00:14:23,240 Speaker 1: to America? Would you like a free trip to America? 248 00:14:23,360 --> 00:14:29,720 Speaker 1: Free trip to America? Have you heard of a place 249 00:14:29,760 --> 00:14:35,040 Speaker 1: called Dayton, Ohio? No? Dayton Ohio? Wait a minute, I 250 00:14:35,160 --> 00:14:37,360 Speaker 1: think I d no. How that's the way the right 251 00:14:37,440 --> 00:14:41,440 Speaker 1: brought us from. Yes, yes, think of New York, but 252 00:14:41,600 --> 00:14:49,120 Speaker 1: way more sexy they Yes, what are we going to say? 253 00:14:49,440 --> 00:14:51,360 Speaker 1: A lot of people disappeared in the date and OHI 254 00:14:51,720 --> 00:14:54,760 Speaker 1: get out of swear, do you? But but are we 255 00:14:54,840 --> 00:14:57,440 Speaker 1: going to go to America? I remember they want to disappear. 256 00:14:58,040 --> 00:14:59,800 Speaker 1: You think they want us to disappear? So what they 257 00:14:59,840 --> 00:15:01,640 Speaker 1: can get rid of the last A little bit of 258 00:15:01,720 --> 00:15:05,400 Speaker 1: a pepperage from a cookie in Milano. Come, I'm sorry, guys, 259 00:15:05,720 --> 00:15:09,120 Speaker 1: we're not gonna make it a dating Why don't play? 260 00:15:10,800 --> 00:15:20,920 Speaker 1: If not so bad? We're just kind of floating. I'm 261 00:15:21,000 --> 00:15:22,960 Speaker 1: in the float. I'm in the water. Let me get 262 00:15:23,000 --> 00:15:26,520 Speaker 1: on in the boat. You're drowning me, Glano, you're drowning. 263 00:15:26,720 --> 00:15:33,480 Speaker 1: We had to get up here, get a step. That 264 00:15:34,680 --> 00:15:44,880 Speaker 1: step is in that what guys? People? And that is 265 00:15:46,840 --> 00:15:52,280 Speaker 1: oh my god, Oh my god. Did I tell you 266 00:15:52,280 --> 00:15:56,080 Speaker 1: about the Italian waiter we had recently who sounds like 267 00:15:56,160 --> 00:15:59,360 Speaker 1: he was doing a Joey Grier character because he was 268 00:15:59,440 --> 00:16:02,040 Speaker 1: from it and he would say, it's got the shrimpa. 269 00:16:04,800 --> 00:16:09,280 Speaker 1: No one from Italy actually talks like that. So good. 270 00:16:09,520 --> 00:16:18,120 Speaker 1: A Scene two is from M the letter M, who wrote, 271 00:16:18,520 --> 00:16:20,760 Speaker 1: I can tell you guys get a little stressed out 272 00:16:20,920 --> 00:16:23,280 Speaker 1: when you get ideas pitch that are drawn out in 273 00:16:23,360 --> 00:16:28,360 Speaker 1: two specifics. So I thought, I am, I am sweating. 274 00:16:29,760 --> 00:16:31,840 Speaker 1: So I thought about giving you guys another one just 275 00:16:32,040 --> 00:16:34,760 Speaker 1: like that, just kidding. I'd love if you could do 276 00:16:34,880 --> 00:16:37,960 Speaker 1: a scene taking place in a community college art gallery 277 00:16:38,120 --> 00:16:42,240 Speaker 1: during an opening featuring the work of pretentious young artists. 278 00:16:42,320 --> 00:16:46,840 Speaker 1: Thanks M. Just m oh, look at the colors and 279 00:16:46,920 --> 00:16:52,440 Speaker 1: minds of this one that's mine. I did the colors 280 00:16:52,440 --> 00:16:56,080 Speaker 1: and lines on that one. I noticed it's called backyard. 281 00:16:56,480 --> 00:16:59,000 Speaker 1: That's true. It's because I was looking at my backyard 282 00:16:59,160 --> 00:17:01,880 Speaker 1: when I did it. Oh wow, that's beautiful and it's 283 00:17:01,920 --> 00:17:04,280 Speaker 1: something that everybody has. I mean, even if you live 284 00:17:04,320 --> 00:17:06,959 Speaker 1: in an apartment, technically you have a backyard, so it's 285 00:17:07,040 --> 00:17:09,560 Speaker 1: very relatable. You live in an apartment. I'm not saying 286 00:17:09,600 --> 00:17:11,200 Speaker 1: that I live an apartment. I'm just saying, should you 287 00:17:11,440 --> 00:17:14,080 Speaker 1: live in an apartment? I live at my parents house, 288 00:17:14,600 --> 00:17:19,320 Speaker 1: of course. Well it's a high school, aren't gallery. Um, well, 289 00:17:19,359 --> 00:17:22,720 Speaker 1: it's lovely. Are these for sale? Actually they are? Wow, 290 00:17:23,640 --> 00:17:28,679 Speaker 1: theyd five thousand dollars and twenty one that's hilarious. That's um. 291 00:17:28,840 --> 00:17:31,239 Speaker 1: I don't mean to be rude. That's um. That's too 292 00:17:31,359 --> 00:17:40,920 Speaker 1: much money. Very much. Show to you. This is my 293 00:17:41,080 --> 00:17:46,840 Speaker 1: pe teacher, Mr Harris, Mr Harris, is that you? My god? 294 00:17:46,920 --> 00:17:52,240 Speaker 1: The beard you bought your own? Students aren't painting. I 295 00:17:52,400 --> 00:17:55,360 Speaker 1: bought an expression, That's what I bought, right for five 296 00:17:55,440 --> 00:17:59,960 Speaker 1: thou and yeah, and that's what he calls jumping Jack's expression. 297 00:18:01,440 --> 00:18:06,920 Speaker 1: Excuse me, congratulations, thank you? And you thought it was hilarious. Well, 298 00:18:06,960 --> 00:18:11,920 Speaker 1: who's hilarious now the twelfth grader apparently, honey, Let's go 299 00:18:12,000 --> 00:18:14,680 Speaker 1: look at some other ones. Let's move on. Oh, what's 300 00:18:14,720 --> 00:18:19,280 Speaker 1: this interesting? I built this? Oh what do you call this? 301 00:18:20,200 --> 00:18:24,879 Speaker 1: I it's called untitled piece number sixty three because I 302 00:18:25,000 --> 00:18:28,600 Speaker 1: did sixty two that weren't very good, right, and now 303 00:18:28,680 --> 00:18:31,560 Speaker 1: you've perfected it. This is the perfect This is I mean, 304 00:18:31,600 --> 00:18:33,879 Speaker 1: I don't want to toot my own horn, but this 305 00:18:34,119 --> 00:18:38,520 Speaker 1: is perfect art. It is evocative. Is this blood on it? What? 306 00:18:39,040 --> 00:18:41,520 Speaker 1: Some of it is this your blood? Some of it? 307 00:18:41,880 --> 00:18:43,520 Speaker 1: Some of the blood is yourge some of it is not. 308 00:18:45,680 --> 00:18:47,399 Speaker 1: Some of the stuff on it is blood, and some 309 00:18:47,560 --> 00:18:49,800 Speaker 1: of the blood on it is mine, but not all 310 00:18:49,840 --> 00:18:51,520 Speaker 1: the blood on it. Not all the blood on it 311 00:18:51,640 --> 00:18:53,760 Speaker 1: is mine. Not all the stuff on it is blood. 312 00:18:53,840 --> 00:18:57,159 Speaker 1: Some of it's paper mache, right, And so can we 313 00:18:57,520 --> 00:19:00,199 Speaker 1: can we give it a name if we buy it? Um? 314 00:19:00,320 --> 00:19:03,200 Speaker 1: I mean it's called untitled. That's the name. It's the 315 00:19:03,320 --> 00:19:08,240 Speaker 1: title of it is number. There's blood on you. They're 316 00:19:08,320 --> 00:19:12,119 Speaker 1: still just finished? Okay, all right, Well, I'm just worried 317 00:19:12,119 --> 00:19:15,359 Speaker 1: about you. I don't I'm just a little woozy, But 318 00:19:15,520 --> 00:19:19,000 Speaker 1: I think that's what happens when the muse takes over. 319 00:19:19,960 --> 00:19:23,320 Speaker 1: So that's right, that's what happened. That's what she told me. Anyway, 320 00:19:24,560 --> 00:19:28,240 Speaker 1: you guys don't see the news. You can't see me. 321 00:19:28,320 --> 00:19:32,080 Speaker 1: I'm just for you. Oh oh, I should so, I 322 00:19:32,119 --> 00:19:34,240 Speaker 1: guess I don't need to introduce you to my muse 323 00:19:34,359 --> 00:19:38,040 Speaker 1: because she lives on my shoulder. I live here. Yeah, okay, 324 00:19:38,119 --> 00:19:40,080 Speaker 1: but if you have a house in the backyard. She 325 00:19:40,160 --> 00:19:42,239 Speaker 1: has a house in the backyard on my shoulder. That's 326 00:19:42,280 --> 00:19:45,360 Speaker 1: why I was just my favorite shirty. Can we back 327 00:19:45,400 --> 00:19:47,879 Speaker 1: away from the I would like to move on. I 328 00:19:47,880 --> 00:19:50,600 Speaker 1: don't like to put the blood on him. And hey, 329 00:19:50,720 --> 00:19:53,359 Speaker 1: what is your name? This interesting? Wow? Look at what 330 00:19:53,680 --> 00:19:56,240 Speaker 1: is this? What is this piece of art that's walked 331 00:19:56,240 --> 00:19:59,439 Speaker 1: into this room. We're just we're people. Parents, we're parents, 332 00:19:59,720 --> 00:20:06,399 Speaker 1: people parents, wowing. She goes to school here, so we 333 00:20:06,560 --> 00:20:09,360 Speaker 1: came to support. You're very oh, you're very touchy. You're 334 00:20:09,440 --> 00:20:12,840 Speaker 1: very expressive. I'm told that I can interact with the art, 335 00:20:13,280 --> 00:20:17,399 Speaker 1: that it's fun. I'm having fun. I don't understand. I 336 00:20:17,440 --> 00:20:19,520 Speaker 1: don't know, but he feels good. So you've walked into 337 00:20:19,560 --> 00:20:24,080 Speaker 1: this square area, right, you're in the square, which means 338 00:20:24,160 --> 00:20:28,399 Speaker 1: you're the art and I'm hi the artist and watching you. 339 00:20:30,560 --> 00:20:35,560 Speaker 1: What is your name, Magellan, Magella? That's a great name. 340 00:20:36,160 --> 00:20:41,440 Speaker 1: Are your parents here also parents? Oh honey, I don't 341 00:20:41,480 --> 00:20:46,760 Speaker 1: think he goes to school here. Oh come on, well, Magellan, 342 00:20:46,800 --> 00:20:50,119 Speaker 1: are you matriculating at the school? What is this art? 343 00:20:50,320 --> 00:20:56,040 Speaker 1: Saying to me? Mike kind of? Your sister needs to 344 00:20:56,119 --> 00:20:58,040 Speaker 1: go to the bathroom. So we're going to be back 345 00:20:58,119 --> 00:21:02,600 Speaker 1: in a second. Another piece of artists talking from from 346 00:21:02,640 --> 00:21:13,000 Speaker 1: another room. Uh are you Mike? Actually, christ I'm sorry, Magellan, 347 00:21:13,080 --> 00:21:17,840 Speaker 1: I'm taking your sister to can Wow. Wow, all these 348 00:21:17,880 --> 00:21:20,160 Speaker 1: pieces appear to be connected, like they're of a piece. 349 00:21:20,600 --> 00:21:27,200 Speaker 1: What's this one called? This is called Magellan? That's your name? 350 00:21:27,280 --> 00:21:29,200 Speaker 1: That is my name. So it's almost as if I'm 351 00:21:29,240 --> 00:21:32,160 Speaker 1: looking into myself when I look at you. Wow, man, 352 00:21:32,320 --> 00:21:34,160 Speaker 1: that's pretty Do you want to buy the piece? Sure? 353 00:21:34,240 --> 00:21:42,720 Speaker 1: How much? Five dollars? Mr Harris? Where are you coming from? 354 00:21:44,240 --> 00:21:48,560 Speaker 1: But Mr Harris, you want to buy the piece? Really? Great? Great? 355 00:21:48,760 --> 00:21:52,119 Speaker 1: Like you, Mike. Mr Harris, thanks for coming in today. 356 00:21:53,119 --> 00:21:57,520 Speaker 1: They've just been going over your taxes and seeing as 357 00:21:57,560 --> 00:22:02,960 Speaker 1: you bought paintings for five thousand dollars or more. I 358 00:22:03,040 --> 00:22:05,359 Speaker 1: told him he could be supportive of the kids by 359 00:22:05,480 --> 00:22:08,920 Speaker 1: just attending their their sports events, but he insists on 360 00:22:09,200 --> 00:22:13,080 Speaker 1: buying ship from them. You didn't necessarily have the money 361 00:22:13,119 --> 00:22:15,399 Speaker 1: in your account to cover these pieces of art, and 362 00:22:16,280 --> 00:22:20,680 Speaker 1: all but one were returned, Uh, lack of funds. So 363 00:22:20,800 --> 00:22:25,280 Speaker 1: now now we're in we're bankrupted. Well, you're her lawyer, 364 00:22:27,080 --> 00:22:29,760 Speaker 1: so it's a is this affecting both of us? Are 365 00:22:29,800 --> 00:22:32,840 Speaker 1: just her? Well, it's going to affect the alimony payments, 366 00:22:32,880 --> 00:22:36,479 Speaker 1: That's what I'm getting it. But that is incorrect. We're 367 00:22:36,480 --> 00:22:39,399 Speaker 1: gonna go the other way. You're a high school pe teacher. 368 00:22:39,560 --> 00:22:41,959 Speaker 1: How much money did you think you were making a year? Well, 369 00:22:42,040 --> 00:22:45,639 Speaker 1: I know I'm making about a year, right, do you 370 00:22:45,720 --> 00:22:48,399 Speaker 1: believe that? Yeah? So after taxes, how many paintings should 371 00:22:48,400 --> 00:22:52,600 Speaker 1: we be buying? As many as we can? Oh? Yeah, 372 00:22:52,680 --> 00:22:54,080 Speaker 1: let's you know, let's just keep going to the end 373 00:22:54,119 --> 00:22:57,440 Speaker 1: of the bell. Okay, just keep still doing red blacks. 374 00:22:57,520 --> 00:23:00,639 Speaker 1: Huh really part of my youth. It I'll never ever 375 00:23:00,760 --> 00:23:07,400 Speaker 1: forget come back, you know. Um? Okay, well listen, I've 376 00:23:07,560 --> 00:23:09,600 Speaker 1: only got two more follow up questions and we'll let 377 00:23:09,640 --> 00:23:12,840 Speaker 1: you get back to your class. Yeah, what are we 378 00:23:13,000 --> 00:23:16,440 Speaker 1: getting divorced? Oh my god? How have I managed to 379 00:23:16,480 --> 00:23:18,120 Speaker 1: put up with us for song. I don't understand. It's 380 00:23:18,119 --> 00:23:19,800 Speaker 1: just thought you were going to your mom's for a party. 381 00:23:19,880 --> 00:23:22,000 Speaker 1: I didn't think that you were staying there. In said, 382 00:23:22,000 --> 00:23:24,280 Speaker 1: I'm throwing a divorce party at my mother's house. I 383 00:23:24,320 --> 00:23:25,639 Speaker 1: thought it was for her. I thought it was for 384 00:23:25,880 --> 00:23:28,800 Speaker 1: for your you know, after your death, a divorce party, 385 00:23:28,840 --> 00:23:31,080 Speaker 1: because I just served your divorce papers. Because we're getting 386 00:23:31,080 --> 00:23:33,320 Speaker 1: a divorce already at my mom's. Maybe some of these 387 00:23:33,400 --> 00:23:36,160 Speaker 1: questions before the divorce re seating started, I just would 388 00:23:36,200 --> 00:23:37,560 Speaker 1: have been helpful. I mean, if she could have been 389 00:23:37,560 --> 00:23:39,200 Speaker 1: a little more clear, I think that would have been helpful. 390 00:23:39,320 --> 00:23:41,480 Speaker 1: I just I think saying the words to your face 391 00:23:41,600 --> 00:23:44,360 Speaker 1: we're getting a divorce was as clear as one could be. Also, 392 00:23:44,440 --> 00:23:46,119 Speaker 1: for the last year, I've woken up every morning and 393 00:23:46,160 --> 00:23:48,399 Speaker 1: said I hate you. I thought that was to yourself. 394 00:23:48,560 --> 00:23:52,159 Speaker 1: Coach Pete passed out. It's okay, just pokem every time 395 00:23:52,200 --> 00:23:53,679 Speaker 1: you do a lot around to the bell. Okay, Well, 396 00:23:53,920 --> 00:23:56,080 Speaker 1: why don't you give him five thousand dollars? Maybe that 397 00:23:56,080 --> 00:23:58,000 Speaker 1: will make it that, maybe that will revive he's not 398 00:23:58,080 --> 00:24:02,080 Speaker 1: making good art recorded the last seventy four times she 399 00:24:02,200 --> 00:24:04,080 Speaker 1: woke up and say I hated you. Shall we play 400 00:24:04,160 --> 00:24:06,160 Speaker 1: them back? You recording me in the morning, of course 401 00:24:06,200 --> 00:24:11,639 Speaker 1: I did. I don't journal, I record I hate you. 402 00:24:13,480 --> 00:24:18,800 Speaker 1: I hate you, I hate you, I hate Are you 403 00:24:18,920 --> 00:24:21,080 Speaker 1: getting the picture? I don't know if that's just one 404 00:24:21,160 --> 00:24:25,160 Speaker 1: recording or multiple going forward? That was I was hitting forward? Okay, 405 00:24:25,200 --> 00:24:28,320 Speaker 1: But is that over many days or seventy four I 406 00:24:28,480 --> 00:24:31,600 Speaker 1: just don't understand if if you don't, he literally said, 407 00:24:31,640 --> 00:24:34,360 Speaker 1: this is seventy four days of recording. He literally said 408 00:24:34,400 --> 00:24:36,240 Speaker 1: that to you. I get that, but I didn't know 409 00:24:36,280 --> 00:24:41,920 Speaker 1: if it was and I recorded it. Here we go, Oh, 410 00:24:42,040 --> 00:24:46,760 Speaker 1: I got it. I hate you. Okay, you just did that. 411 00:24:46,880 --> 00:24:50,160 Speaker 1: Now you did that now in front of me's not moving. 412 00:24:51,119 --> 00:24:53,240 Speaker 1: It's all right. Just do a lot. But every time 413 00:24:53,240 --> 00:24:54,719 Speaker 1: you pass him, just just spit on them to give 414 00:24:54,800 --> 00:24:57,159 Speaker 1: him some water. Okay, Okay, you really need to go 415 00:24:57,280 --> 00:24:59,359 Speaker 1: pay attention to our son for a minute. Okay, I 416 00:24:59,400 --> 00:25:01,880 Speaker 1: think I need to attention to our marriage for a minute. Here. 417 00:25:01,960 --> 00:25:05,359 Speaker 1: The marriage is done, so uh, if you'll sign here, 418 00:25:05,920 --> 00:25:07,560 Speaker 1: then we can let you get back to your client. 419 00:25:07,680 --> 00:25:10,160 Speaker 1: Is that for us to get married? You and me? Yeah? 420 00:25:10,240 --> 00:25:13,280 Speaker 1: Is that what this is? Yeah? That's right? Okay, all right, 421 00:25:14,080 --> 00:25:17,760 Speaker 1: there there we go. I'm sorry. They never wanted to 422 00:25:17,800 --> 00:25:23,119 Speaker 1: be in your class anyways. He hates you, I recorded it. No, no, no, 423 00:25:24,600 --> 00:25:29,240 Speaker 1: I hate you, dad. I hate your dad, really, Dad, 424 00:25:29,359 --> 00:25:34,080 Speaker 1: I hate you. You're the worst father ever. I think 425 00:25:34,119 --> 00:25:39,240 Speaker 1: your dad don't. Who's that art kid? So what do 426 00:25:39,320 --> 00:25:42,040 Speaker 1: you mean? Mr? Harrisony want to return Magellan to Magellan? 427 00:25:43,280 --> 00:25:46,159 Speaker 1: You purchased Magellan and now you're living art. I know, 428 00:25:46,240 --> 00:25:48,600 Speaker 1: but I just gotta give you this tape square back, uh, 429 00:25:48,760 --> 00:25:52,480 Speaker 1: and just get my money back. Okay, no, no, Mike, 430 00:25:52,640 --> 00:25:57,320 Speaker 1: come on, I need the money. My name is Magellan. Okay, Magellan, Magellan. 431 00:25:58,920 --> 00:26:05,040 Speaker 1: I need you you? Who are you? I meant about 432 00:26:05,040 --> 00:26:08,040 Speaker 1: you in the papers. My son is lost. He went 433 00:26:08,080 --> 00:26:10,200 Speaker 1: on a plane and he hasn't come back in years. 434 00:26:10,200 --> 00:26:11,720 Speaker 1: I want to know is he still alive? Can you 435 00:26:11,800 --> 00:26:14,480 Speaker 1: look into your ball or whatever you magically good to have? 436 00:26:15,160 --> 00:26:18,360 Speaker 1: Is my son? He was a FedEx worker or ups. 437 00:26:18,440 --> 00:26:20,520 Speaker 1: I don't know he was he was, I don't know. 438 00:26:20,760 --> 00:26:22,600 Speaker 1: He wore a military outfit and I don't know what 439 00:26:22,680 --> 00:26:25,000 Speaker 1: he did, but he was my son. MIKEA. I'm gonna 440 00:26:25,040 --> 00:26:28,159 Speaker 1: need that money, Michael, Okay, I'm gonna get get I 441 00:26:28,200 --> 00:26:30,679 Speaker 1: don't know who Mike is Magellan? Please? Is my son 442 00:26:30,760 --> 00:26:35,040 Speaker 1: is still alive? Okay, yes, yes, I see him. He's 443 00:26:35,119 --> 00:26:39,600 Speaker 1: talking to a baboon. What there's a talking baboon? Is 444 00:26:39,640 --> 00:26:42,920 Speaker 1: he in a cartoon? No? No, although there's a couple 445 00:26:42,960 --> 00:26:46,440 Speaker 1: of Italians were somewhat cartoon. Okay, right, okay, just help 446 00:26:46,480 --> 00:26:49,399 Speaker 1: me find him. He's my only son. Okay. There's an island. 447 00:26:49,960 --> 00:26:52,200 Speaker 1: There's an island. You've got to narrow it down, Joe, Okay, 448 00:26:52,320 --> 00:26:54,000 Speaker 1: you have to narrow that down. So you want to 449 00:26:54,040 --> 00:26:57,919 Speaker 1: shot applying day? What I'm a bush parlot. I fly 450 00:26:58,080 --> 00:27:01,000 Speaker 1: to the places now when Nils flos day, I'm sorry, 451 00:27:01,000 --> 00:27:02,440 Speaker 1: you're gonna have to go over that again. What you 452 00:27:02,520 --> 00:27:05,040 Speaker 1: said you wanted it? Shoulder applying to fund at sign 453 00:27:05,080 --> 00:27:07,440 Speaker 1: of something is here? Right, He's got a lot of 454 00:27:07,480 --> 00:27:09,320 Speaker 1: people asking to floor. Do you need it or not? 455 00:27:10,000 --> 00:27:12,960 Speaker 1: I need a plane please? All right? Please? Roger Wise 456 00:27:13,000 --> 00:27:15,880 Speaker 1: just taking so long because I don't understand him. He's 457 00:27:15,880 --> 00:27:18,879 Speaker 1: speaking in a different language. I'm speaking English. I'm a 458 00:27:18,960 --> 00:27:21,840 Speaker 1: bush pilot. He's some he flies bushes. I don't know. 459 00:27:23,119 --> 00:27:24,680 Speaker 1: He can't be more clear to me. At least you 460 00:27:24,840 --> 00:27:26,720 Speaker 1: talk to you about it. We would like to get 461 00:27:26,760 --> 00:27:29,120 Speaker 1: on the plane. Yes secret, you're not wear a guy 462 00:27:29,200 --> 00:27:32,200 Speaker 1: and that's floor, Randy bet. We've provided a map, so 463 00:27:32,320 --> 00:27:34,640 Speaker 1: if you could just put the according to it's really 464 00:27:34,720 --> 00:27:38,440 Speaker 1: abstract on that matter what they see and the Magellan 465 00:27:38,560 --> 00:27:40,480 Speaker 1: created this map, so I don't know how it could 466 00:27:40,480 --> 00:27:42,800 Speaker 1: be clear. I'm not sure what's water and what's land. 467 00:27:43,080 --> 00:27:45,160 Speaker 1: There's a key l a year, but why he's drawn 468 00:27:45,200 --> 00:27:47,440 Speaker 1: in the different symbols to what's on the actual mapes. 469 00:27:47,920 --> 00:27:51,600 Speaker 1: We need to give you an address, at least a 470 00:27:51,720 --> 00:27:55,160 Speaker 1: maca usual maca. What I'm looking for is there a marca? 471 00:27:55,760 --> 00:27:59,600 Speaker 1: I don't have a mark, I don't have visual thing 472 00:27:59,680 --> 00:28:02,679 Speaker 1: like I'm my own rane or sitting there's a crash 473 00:28:02,760 --> 00:28:06,040 Speaker 1: plane there is. There's a crash crash plane and ups 474 00:28:06,080 --> 00:28:09,840 Speaker 1: boxes everywhere? All right? You saw it, right? Bush bush 475 00:28:09,880 --> 00:28:11,840 Speaker 1: man look at me and push man bush man, look 476 00:28:11,880 --> 00:28:15,720 Speaker 1: at me? Look at my eyes? You keep moving? Well 477 00:28:16,000 --> 00:28:19,639 Speaker 1: one is lazy pushman? Look at me? Which want the 478 00:28:19,680 --> 00:28:22,800 Speaker 1: one that my pain? Do you see my pain? My 479 00:28:23,000 --> 00:28:26,119 Speaker 1: son is out there, okay, with dozens and dozens of 480 00:28:26,480 --> 00:28:29,800 Speaker 1: ups boxes that have not been delivered? Can you find 481 00:28:29,840 --> 00:28:32,240 Speaker 1: my son? What's the night? In that movie with Tom 482 00:28:32,320 --> 00:28:40,480 Speaker 1: Hanks Castaway o Philadelphia, Philadelphia. It was a good movie. 483 00:28:40,800 --> 00:28:43,480 Speaker 1: That's not a poe of what we're talking about. I 484 00:28:43,600 --> 00:28:46,240 Speaker 1: need you to find my son. Did you just think 485 00:28:46,280 --> 00:28:48,720 Speaker 1: of that movie? Yeah? I just want anything? It was 486 00:28:48,800 --> 00:28:52,200 Speaker 1: what is Tomanks? Dane? Right? Right? And then I was like, 487 00:28:53,080 --> 00:28:56,000 Speaker 1: does he leave me? Philiphia? I believe? So we just 488 00:28:56,040 --> 00:29:10,080 Speaker 1: get on the plane. Oh yeah, our son. And look 489 00:29:10,120 --> 00:29:13,040 Speaker 1: I think that's another plane as a landed on. Oh gosh, 490 00:29:13,720 --> 00:29:16,440 Speaker 1: there's enough room for all of us. There's resources for everyone. 491 00:29:17,120 --> 00:29:25,800 Speaker 1: Piebo bieboy, look at over there? How do you do? 492 00:29:26,120 --> 00:29:29,760 Speaker 1: How do you do? Hello? Hi? Have you guys seen 493 00:29:29,840 --> 00:29:33,240 Speaker 1: my son? Which you want? Is in your son? He's what? 494 00:29:34,920 --> 00:29:40,280 Speaker 1: Who's your son? The hell are these people? Hey? We don't. 495 00:29:40,320 --> 00:29:42,520 Speaker 1: We don't have any sons around here. Okay, there's no 496 00:29:42,640 --> 00:29:46,400 Speaker 1: status around no little boys. It's right, We're all equal. 497 00:29:46,840 --> 00:29:52,240 Speaker 1: P J. Schantel, Those two Italians, the baboon Stevie, the 498 00:29:52,320 --> 00:29:55,640 Speaker 1: two soldiers that look like ups people. Just Juliana, can 499 00:29:55,720 --> 00:29:58,120 Speaker 1: you I mean that's clearly a corpse. Do you mind 500 00:29:58,160 --> 00:30:00,360 Speaker 1: just Oh, I'm just gonna kick it for a while. Okay, 501 00:30:00,400 --> 00:30:02,440 Speaker 1: you're just gonna hold onto the corporate What is this 502 00:30:02,560 --> 00:30:05,320 Speaker 1: banana doing? Right? Here. Did it fall out of your pocket? 503 00:30:05,480 --> 00:30:10,360 Speaker 1: This banana? Bas what are you doing with that banana 504 00:30:10,440 --> 00:30:12,520 Speaker 1: I have? We can split it up and I'll have 505 00:30:12,560 --> 00:30:14,320 Speaker 1: a piece of that banana. I haven't had a banana 506 00:30:14,360 --> 00:30:16,920 Speaker 1: and at least fourteen years. I'm going to give him 507 00:30:16,920 --> 00:30:19,200 Speaker 1: a friend to banana and wake him up. That's a 508 00:30:19,240 --> 00:30:24,120 Speaker 1: waste of bananas. Just give it to the baboon. See 509 00:30:24,120 --> 00:30:26,000 Speaker 1: if you'll to have you tried spitting on? Who said that? 510 00:30:26,320 --> 00:30:30,240 Speaker 1: I feel like this banana is really important the tree 511 00:30:30,320 --> 00:30:32,560 Speaker 1: just tell us to give it a banana to the baboon. 512 00:30:32,880 --> 00:30:35,680 Speaker 1: Sure I didn't hear anything. That's gonna be the banana 513 00:30:35,720 --> 00:30:39,000 Speaker 1: that the snake spoke of. But it's gonna make me 514 00:30:39,040 --> 00:30:43,800 Speaker 1: I already talk, Like and how hard can it be? Defined? 515 00:30:43,840 --> 00:30:48,040 Speaker 1: An island that's directly between Milan and Dayton. It's in 516 00:30:48,080 --> 00:30:51,280 Speaker 1: the Atlantic Ocean, all right? Yeah, So like this is 517 00:30:51,320 --> 00:30:56,080 Speaker 1: what I call the talking baboon. Um And I spent 518 00:30:56,120 --> 00:30:59,440 Speaker 1: a lot of time adding sound effects to this painting. 519 00:31:01,440 --> 00:31:06,800 Speaker 1: So yeah, it is a banana, and yeah, the banana 520 00:31:06,920 --> 00:31:09,080 Speaker 1: is the key to it all. The banana is what 521 00:31:09,160 --> 00:31:12,280 Speaker 1: gets the baboon to talk? Can it? Can we hear 522 00:31:12,320 --> 00:31:19,479 Speaker 1: it talk? Yeah? Of course, so this is only going 523 00:31:19,520 --> 00:31:22,160 Speaker 1: to beat. This piece of art is only five thousand dollars. 524 00:31:22,440 --> 00:31:25,480 Speaker 1: It seems like get panicked about something. I'll take it. 525 00:31:25,760 --> 00:31:28,920 Speaker 1: You'll you'll take it. I'll take it, you'll take it. Wait, 526 00:31:29,080 --> 00:31:33,080 Speaker 1: Mr Harris, you beg for your money back when you 527 00:31:33,120 --> 00:31:36,720 Speaker 1: bought my backyard. Mr Harris. Pet is dead. It's okay, 528 00:31:36,840 --> 00:31:40,200 Speaker 1: just no to stop telling me other things to do 529 00:31:40,280 --> 00:31:44,080 Speaker 1: to him. He's dead. He's been dead for weeks. All right, 530 00:31:44,880 --> 00:31:46,600 Speaker 1: can you hold the painting so I can go check on? 531 00:31:47,880 --> 00:31:50,280 Speaker 1: All right? I guess I owe you that much. Thank 532 00:31:50,320 --> 00:31:57,080 Speaker 1: you for coming today. Pet was a great kiddes. Make 533 00:31:57,120 --> 00:31:59,360 Speaker 1: sure you end one of the scenes with a funeral. Sorry. 534 00:32:05,000 --> 00:32:07,840 Speaker 1: Our last scene today comes from Kyle, who wrote, Hey, 535 00:32:08,040 --> 00:32:10,360 Speaker 1: I've been listening from the beginning. It just completed my 536 00:32:10,520 --> 00:32:12,880 Speaker 1: second play through of all the episodes. I have to 537 00:32:12,920 --> 00:32:16,400 Speaker 1: say they're even better the second time around. This podcast 538 00:32:16,520 --> 00:32:19,720 Speaker 1: is responsible for making me look absolutely insane while at work, 539 00:32:20,080 --> 00:32:23,920 Speaker 1: walking around and laughing out loud my suggestion. A group 540 00:32:24,000 --> 00:32:27,120 Speaker 1: of Americans attempted across the border back into the US 541 00:32:27,160 --> 00:32:32,600 Speaker 1: after buying large amounts of marijuana from Canada. Uh They 542 00:32:32,720 --> 00:32:37,080 Speaker 1: stopped by the Canadian border patrol who has to figure 543 00:32:37,120 --> 00:32:43,960 Speaker 1: out what to do with them. Kyle from Canada. Uh, yeah, 544 00:32:45,640 --> 00:32:47,680 Speaker 1: I'm from Yeah, I am cool, man, I am cool. 545 00:32:47,800 --> 00:32:52,680 Speaker 1: Um we're from hey man, we're from Michigan. Oh yes, 546 00:32:52,760 --> 00:32:58,000 Speaker 1: of course. Um you look you look cool. He's very cool. 547 00:32:58,160 --> 00:33:02,280 Speaker 1: But please just passports. Okay, cool, she's my supervisor. Are 548 00:33:02,360 --> 00:33:06,680 Speaker 1: you like a trainee? She's just she's a boss. Don't 549 00:33:06,680 --> 00:33:11,120 Speaker 1: ask any questions? Okay, cool. Please whisper when we are 550 00:33:11,240 --> 00:33:19,400 Speaker 1: doing our job. Please. Sorry. Yeah, I'm Jimmy his friend supervisor. Yeah, 551 00:33:19,800 --> 00:33:24,479 Speaker 1: she's my supervisor. Cool, sir, place supervisor. You can hang 552 00:33:24,520 --> 00:33:28,720 Speaker 1: out in Canada. I didn't see it and just generally 553 00:33:28,800 --> 00:33:33,720 Speaker 1: like supervisors from because are you high? What? No, that's 554 00:33:33,920 --> 00:33:38,440 Speaker 1: crazy because you seem very like not really having your 555 00:33:38,520 --> 00:33:42,080 Speaker 1: feet in the ground and I'm not. Okay. We came 556 00:33:42,120 --> 00:33:45,400 Speaker 1: here for the syrup and the maple bark, so that's 557 00:33:45,400 --> 00:33:47,440 Speaker 1: all we came here. Yes, they're high. I believe they're high. 558 00:33:48,160 --> 00:33:49,520 Speaker 1: You're called what you want to do with some boss? 559 00:33:49,520 --> 00:33:53,440 Speaker 1: I want to double check that questions, So please blow 560 00:33:53,520 --> 00:33:58,720 Speaker 1: into this tube. Blow whoa supervisor? And I would like 561 00:33:58,880 --> 00:34:00,800 Speaker 1: for you to do this. Look, lady, we just want 562 00:34:00,800 --> 00:34:02,840 Speaker 1: to get back to Detroit. Okay, so if you could 563 00:34:03,000 --> 00:34:08,320 Speaker 1: just give us your pastorrough you guys listen, I know 564 00:34:08,400 --> 00:34:10,800 Speaker 1: what you guys want. What you guys want, Yes, we 565 00:34:10,880 --> 00:34:15,759 Speaker 1: want your passports so you can cross you here is Oh, 566 00:34:15,840 --> 00:34:21,920 Speaker 1: we're going We're going on Jefferson. Jefferson. Yeah, just raised that. 567 00:34:22,040 --> 00:34:24,840 Speaker 1: Gary impressed. You know that. Well. I do spend a 568 00:34:24,880 --> 00:34:26,279 Speaker 1: lot of time in the United States. And we are 569 00:34:26,280 --> 00:34:28,120 Speaker 1: on the boarder, so you know the currency, and he's 570 00:34:28,120 --> 00:34:31,120 Speaker 1: also holding it in front and he and I know 571 00:34:31,239 --> 00:34:37,799 Speaker 1: you guys think supervisor everybody. I know what you guys 572 00:34:37,840 --> 00:34:44,000 Speaker 1: are thinking. Let's make it a one hundred bust. Are 573 00:34:44,040 --> 00:34:46,120 Speaker 1: you just you're just going to go with this bride thing? 574 00:34:46,200 --> 00:34:49,640 Speaker 1: Oh no, I was just repeating what they said. How 575 00:34:49,680 --> 00:34:53,880 Speaker 1: much is d Canada these days? A hundred American dollars? 576 00:34:54,040 --> 00:35:00,520 Speaker 1: It's worth five Canadian dollars. So we don't have to 577 00:35:00,520 --> 00:35:06,839 Speaker 1: bribe before. Are we nobody trying to bribe anybody? Dude? 578 00:35:06,840 --> 00:35:09,640 Speaker 1: When they come over, man as nuts, it's gonna get 579 00:35:09,640 --> 00:35:11,800 Speaker 1: all the fu weed. Dude. Man, I can't wait for 580 00:35:11,880 --> 00:35:15,160 Speaker 1: that week. We're not of gas though, man, I shouldn't idle, 581 00:35:15,520 --> 00:35:18,560 Speaker 1: but uh keep it running. Yeah, we need the a 582 00:35:18,719 --> 00:35:21,560 Speaker 1: c on. Hell yeah we do, Hell yeah, we do. 583 00:35:21,760 --> 00:35:23,840 Speaker 1: You want to listen to some classic rock. I'd like 584 00:35:23,920 --> 00:35:26,120 Speaker 1: for us to make classic rock. Man, if I could 585 00:35:26,120 --> 00:35:28,320 Speaker 1: be honest about it, Man, we gotta get that band 586 00:35:28,400 --> 00:35:30,640 Speaker 1: back together. Why don't you get that weed? And man 587 00:35:30,760 --> 00:35:34,719 Speaker 1: is gonna click in because we're gonna be inspired exactly exactly, Man, 588 00:35:34,840 --> 00:35:37,480 Speaker 1: right now, I don't have any ideas. That guy's nothing. Man. 589 00:35:37,760 --> 00:35:40,680 Speaker 1: My ideas are always just like I don't know, I 590 00:35:40,719 --> 00:35:45,439 Speaker 1: don't get Yeah, all right, the studio time is yours, 591 00:35:45,480 --> 00:35:48,000 Speaker 1: So whatever you want to start recording. What's the first 592 00:35:48,040 --> 00:35:49,320 Speaker 1: song you have for We're just kind of waiting for 593 00:35:49,360 --> 00:35:51,000 Speaker 1: other two guys, but we can get into a quick 594 00:35:51,320 --> 00:35:57,400 Speaker 1: Uh let's do uh, let's do a um? Oh, I'm 595 00:35:57,440 --> 00:35:58,920 Speaker 1: kind a list of ten songs? Or which one do 596 00:35:58,960 --> 00:36:00,960 Speaker 1: you want to do? First one? This is the first one, 597 00:36:01,040 --> 00:36:09,440 Speaker 1: was the first one. Timmy shoes shoes ties? What want 598 00:36:09,440 --> 00:36:11,600 Speaker 1: to do it? I thought I was playing drums? Man, Oh, 599 00:36:11,840 --> 00:36:14,200 Speaker 1: I want to do you want to play drums? No? 600 00:36:14,480 --> 00:36:16,800 Speaker 1: You do it? You know what I'll do? Um? What 601 00:36:16,920 --> 00:36:20,719 Speaker 1: else you do? You have a violence? Violins? Of course 602 00:36:20,800 --> 00:36:22,640 Speaker 1: we can get some violens. Just gonna take a little bit, 603 00:36:22,800 --> 00:36:25,080 Speaker 1: put them in the room. We'll play that. We'll just 604 00:36:25,200 --> 00:36:27,600 Speaker 1: fill two of you. We're waiting for two. Our buddies 605 00:36:27,600 --> 00:36:30,640 Speaker 1: are more buddies. You're coming in. They're bringing some okay, 606 00:36:30,640 --> 00:36:34,360 Speaker 1: because I can go on a break. I could on 607 00:36:34,440 --> 00:36:36,839 Speaker 1: a smoke break if you guys aren't all here. Yeah, 608 00:36:38,040 --> 00:36:40,239 Speaker 1: we were seeing jamfer but we'll do timmy shoes. Okay. 609 00:36:40,280 --> 00:36:42,959 Speaker 1: Do you want me to record your jam? Yeah? Okay, 610 00:36:46,440 --> 00:36:52,120 Speaker 1: just roll three. But I'm sorry to your drums. Sorry, 611 00:36:52,160 --> 00:36:54,160 Speaker 1: all right, but I guess the front man should count 612 00:36:54,200 --> 00:36:57,600 Speaker 1: off from front man. I think you're the front man. Dude, 613 00:36:57,600 --> 00:37:01,120 Speaker 1: I'm freaking man, I'm freaking it out on the front man. 614 00:37:01,320 --> 00:37:03,439 Speaker 1: All right, I'll do it, I'll do it. Yeah, sure, 615 00:37:04,120 --> 00:37:06,640 Speaker 1: usually the drummer does. In fact, you know, I'm gonna 616 00:37:06,680 --> 00:37:08,640 Speaker 1: stay out of it whatever you guys want to do. So, yeah, 617 00:37:08,680 --> 00:37:11,040 Speaker 1: we're happy to sign this contract. I mean, we'reiting for 618 00:37:11,080 --> 00:37:15,080 Speaker 1: two other guys. But this, uh, this is you do understand. 619 00:37:15,160 --> 00:37:17,239 Speaker 1: This is a this is a real record deal. This 620 00:37:17,400 --> 00:37:20,920 Speaker 1: is a this is a bona fide contract. You are 621 00:37:21,040 --> 00:37:26,000 Speaker 1: going to be rock and roll stars. How many albums? Yeah, 622 00:37:26,120 --> 00:37:29,600 Speaker 1: this is a three album deal. This is so they've 623 00:37:29,600 --> 00:37:32,640 Speaker 1: already done those albums are done. No, you have to 624 00:37:33,040 --> 00:37:38,000 Speaker 1: you have to make the albums. Yeah, and then we 625 00:37:38,160 --> 00:37:39,839 Speaker 1: just need the rest of your band here to say. 626 00:37:43,640 --> 00:37:47,120 Speaker 1: I'm going to raise this to to Jefferson's and I'm 627 00:37:47,200 --> 00:37:48,880 Speaker 1: just hoping that that's gonna get me and you can 628 00:37:48,920 --> 00:37:51,839 Speaker 1: we raise this game interesting get into the United States. Huh. 629 00:37:52,800 --> 00:37:55,800 Speaker 1: You guys don't understand. I'm kind of a big deal musician. 630 00:37:55,840 --> 00:38:00,080 Speaker 1: I've got a rock band. Tell me your name. I 631 00:38:00,120 --> 00:38:02,640 Speaker 1: will google you. We have computers right here. It's not 632 00:38:02,760 --> 00:38:05,680 Speaker 1: like my name is scorpion. Your name is. Sometimes in 633 00:38:05,719 --> 00:38:09,440 Speaker 1: the band they call me scorp last name just scorpion. 634 00:38:09,600 --> 00:38:12,040 Speaker 1: When I scoogle scorpion or I see as a bug. 635 00:38:12,880 --> 00:38:15,200 Speaker 1: He we have, we have his passport. Just google his 636 00:38:15,239 --> 00:38:19,320 Speaker 1: real name. Okay, Nedrick, No, no, no, no, it's not 637 00:38:20,840 --> 00:38:25,600 Speaker 1: turn Fleet Turner, Nedrick Fleet Turner, God, that name so much. 638 00:38:25,880 --> 00:38:31,800 Speaker 1: Hello and letter waiting for two other guys now before 639 00:38:31,840 --> 00:38:34,120 Speaker 1: we get started. And we just want to know who 640 00:38:34,239 --> 00:38:44,239 Speaker 1: likes we. Do you have something? Do you have it? Shows? 641 00:38:47,440 --> 00:38:52,800 Speaker 1: Are you doing at me? All right, I'm gonna do it. 642 00:38:53,080 --> 00:38:59,919 Speaker 1: Throw in the third row. So we don't understand, Well, 643 00:39:00,360 --> 00:39:03,799 Speaker 1: we googled your name, did you did your significant other 644 00:39:03,880 --> 00:39:06,680 Speaker 1: put these pictures up as revenge? Yes, was this like 645 00:39:06,840 --> 00:39:09,880 Speaker 1: prank or these pictures we're finding off you? None? As 646 00:39:09,920 --> 00:39:12,320 Speaker 1: he's a flattering. I mean they're called headshots, dude, I 647 00:39:12,360 --> 00:39:15,440 Speaker 1: wouldn't expect you to get them like looking at in 648 00:39:15,560 --> 00:39:23,200 Speaker 1: this one head So that's me giving head to a scorpion. 649 00:39:23,400 --> 00:39:28,680 Speaker 1: It's kind of art. I wouldn't overthink it. Embarrassing. Yes, 650 00:39:28,840 --> 00:39:33,920 Speaker 1: I'm shamed for you. Whatever, dude, what the funk? Man? Huh? 651 00:39:34,120 --> 00:39:37,759 Speaker 1: What the funk? Will you? Man? I stopped waiting two 652 00:39:37,840 --> 00:39:40,759 Speaker 1: more guys. I'm out of the band. Bullshit, I'm out 653 00:39:40,800 --> 00:39:42,879 Speaker 1: of the band. Fuck you. You can't leave the band. 654 00:39:42,920 --> 00:39:45,080 Speaker 1: This is my band. This is all banding them out 655 00:39:45,120 --> 00:39:48,360 Speaker 1: in your back in. Hey guys, hey, oh, sorry to 656 00:39:48,440 --> 00:39:52,120 Speaker 1: interrupt this fight. Um, I'm Penny Lane. This is Sapphire, 657 00:39:53,520 --> 00:39:55,919 Speaker 1: the other one. We're band aid. Do you like the show? 658 00:39:56,360 --> 00:39:58,799 Speaker 1: I loved it. I really loved how you got us 659 00:39:58,880 --> 00:40:01,759 Speaker 1: amped up and then you just stopped wa Have you 660 00:40:01,840 --> 00:40:04,480 Speaker 1: been a waiting for two other guys? Fan? Say that again? 661 00:40:04,640 --> 00:40:07,520 Speaker 1: How long have you been waiting for two other guys? Fan? Um? 662 00:40:07,680 --> 00:40:10,160 Speaker 1: Just since tonight? Yeah, I've been waiting for two other 663 00:40:10,200 --> 00:40:13,320 Speaker 1: guys since middle school. I'm not in middle school anymore, 664 00:40:13,880 --> 00:40:16,640 Speaker 1: so you're still illegal or just don't do the math 665 00:40:17,120 --> 00:40:22,440 Speaker 1: just high. We're all perfectly legal to the math al right, 666 00:40:22,520 --> 00:40:28,200 Speaker 1: man for tonight. The band's still together, fine, dude, tonight tonight. 667 00:40:28,480 --> 00:40:31,280 Speaker 1: So I gotta say, I'm really really excited about you guys. 668 00:40:31,760 --> 00:40:33,840 Speaker 1: You know, we we've been we've been really wanting to 669 00:40:33,920 --> 00:40:36,400 Speaker 1: do this, this reunion show for a long time, and 670 00:40:36,960 --> 00:40:39,239 Speaker 1: you've got you've got thousands of fans out there just 671 00:40:40,160 --> 00:40:41,719 Speaker 1: we're just waiting on two other guys, and it's just 672 00:40:41,880 --> 00:40:47,840 Speaker 1: like it's and it's just like I think, you know, 673 00:40:48,000 --> 00:40:50,279 Speaker 1: we need to to patch up some of the some 674 00:40:50,400 --> 00:40:52,640 Speaker 1: of the bad mojo that we've had. I mean, we 675 00:40:52,680 --> 00:40:54,440 Speaker 1: haven't been in the same We do this on stage 676 00:40:54,440 --> 00:40:57,560 Speaker 1: because we want this to hap. This is exactly what 677 00:40:57,680 --> 00:41:00,719 Speaker 1: your audience. I notice you're filming this too. Yeah, yeah, 678 00:41:00,840 --> 00:41:03,480 Speaker 1: I mean I haven't seen him in how many days, 679 00:41:04,719 --> 00:41:08,480 Speaker 1: I don't know, five thousand days maybe some like that's 680 00:41:08,480 --> 00:41:12,800 Speaker 1: like fourteen years. Yeah, feel forever doing well, you know what, 681 00:41:12,920 --> 00:41:15,719 Speaker 1: We're really excited to have this all happened out on 682 00:41:15,920 --> 00:41:19,839 Speaker 1: stage live on television. Everybo everybody's exciting. So we're gonna 683 00:41:19,880 --> 00:41:21,719 Speaker 1: caunt you and who is the front man? Who's going 684 00:41:21,760 --> 00:41:25,160 Speaker 1: to countable thing? And just clarify that before we go. 685 00:41:25,400 --> 00:41:27,320 Speaker 1: We're kind of weight on two other guys, like decide 686 00:41:27,320 --> 00:41:31,640 Speaker 1: that you haven't like but at the moment I think 687 00:41:31,719 --> 00:41:34,799 Speaker 1: it's uh, if he wants to take it, you can 688 00:41:34,880 --> 00:41:38,520 Speaker 1: take it. WHOA, wow? This did you? I want to 689 00:41:38,560 --> 00:41:46,560 Speaker 1: take it? One? Two, three? Okay, we have decided. Yes, 690 00:41:46,680 --> 00:41:49,960 Speaker 1: we've made decision. You are allowed to come into Canada. 691 00:41:49,960 --> 00:41:52,800 Speaker 1: And sorry it's taking photo years. I'm like, really hungry. 692 00:41:52,840 --> 00:41:55,239 Speaker 1: Do you guys have any maple bark. We're looking to 693 00:41:55,320 --> 00:42:00,960 Speaker 1: get back into the States. Oh no, that life is 694 00:42:01,080 --> 00:42:03,080 Speaker 1: very short. That's very easy. You just walk right through 695 00:42:04,880 --> 00:42:08,560 Speaker 1: rock and roll. Thank you. We are waiting on two 696 00:42:08,640 --> 00:42:12,080 Speaker 1: other guys. Thank you. What an honor. I mean, like 697 00:42:12,560 --> 00:42:15,960 Speaker 1: we were shortlisted for so many years and then you know, 698 00:42:16,640 --> 00:42:18,480 Speaker 1: you know, the one thing I'll say about music is 699 00:42:18,520 --> 00:42:21,240 Speaker 1: that brings people together and brought us back together playing 700 00:42:21,280 --> 00:42:25,040 Speaker 1: these are my bads. All right, we'll do that. All right. 701 00:42:25,560 --> 00:42:28,080 Speaker 1: We got Dave Girl and Kanye West joining us tonight. 702 00:42:28,960 --> 00:42:30,719 Speaker 1: Those aren't the guys were waiting or not the guys 703 00:42:30,760 --> 00:42:32,640 Speaker 1: were waiting up, but they are filling in, the fill 704 00:42:32,719 --> 00:42:36,000 Speaker 1: in for a bit. All right, dear fellas hopping my game? Ware? 705 00:42:36,080 --> 00:42:40,200 Speaker 1: You two guys going anyways? We gotta get to our band, man, okay, 706 00:42:40,400 --> 00:42:42,480 Speaker 1: take us to the band. Take you to the band. Well, 707 00:42:42,520 --> 00:42:44,400 Speaker 1: the only concert happening here to night's the Rock and 708 00:42:44,520 --> 00:42:47,759 Speaker 1: Roll Hall of Fame. You wouldn't believe it, but like 709 00:42:47,960 --> 00:42:52,040 Speaker 1: that's my band. I can't. I'm right. Well, here we 710 00:42:52,160 --> 00:42:57,000 Speaker 1: go and flag and drive and here stay tickets please 711 00:42:57,080 --> 00:43:00,040 Speaker 1: for rock and Roll Hall of Fame ceremony. You of 712 00:43:00,200 --> 00:43:05,200 Speaker 1: your tickets ship, it's already, it's already started. They've already 713 00:43:05,239 --> 00:43:15,640 Speaker 1: honored it. How much your tickets than you? Why just 714 00:43:15,800 --> 00:43:19,080 Speaker 1: keep happening? Well, I have several jobs, you know. I 715 00:43:19,200 --> 00:43:21,600 Speaker 1: take care of my husband. Do you guys want to Jefferson? 716 00:43:23,320 --> 00:43:26,840 Speaker 1: I'm overflowing with Jefferson. I guess question. I've been here before. 717 00:43:27,040 --> 00:43:31,000 Speaker 1: Dancy's We will take two? Oh great, Jefferson? Here, God, 718 00:43:31,080 --> 00:43:33,800 Speaker 1: thank you? Got to man? How much of the tickets? Okay, 719 00:43:33,880 --> 00:43:40,600 Speaker 1: the tickets five dollars ahead ahead, I've only got one head. Okay, 720 00:43:40,640 --> 00:43:43,120 Speaker 1: I tell you it's almost These are the dumbest people. 721 00:43:43,960 --> 00:43:46,240 Speaker 1: It's almost over. You can slip in the back Okay, 722 00:43:46,360 --> 00:43:52,279 Speaker 1: great show man, great show man. I love you for 723 00:43:52,400 --> 00:43:56,239 Speaker 1: you guys, we love you. Do you want to? Um? 724 00:43:56,880 --> 00:44:00,560 Speaker 1: Should you want to marry one of us? Uh? I 725 00:44:00,640 --> 00:44:02,759 Speaker 1: don't know. I mean, I'm happy to marry all of you, 726 00:44:03,239 --> 00:44:04,640 Speaker 1: but one of you. I think that's a lot. We're 727 00:44:04,800 --> 00:44:10,239 Speaker 1: not two other guys. And I think it's not like 728 00:44:10,320 --> 00:44:12,720 Speaker 1: we need marriage in order to be complete human beings 729 00:44:12,840 --> 00:44:16,440 Speaker 1: or anything. No, not at all. Yeah, you know yet 730 00:44:16,480 --> 00:44:19,279 Speaker 1: that we don't need it. But if you want it, 731 00:44:20,120 --> 00:44:24,680 Speaker 1: just we just need to. She's talking for herself right now. Yeah, well, 732 00:44:24,680 --> 00:44:26,880 Speaker 1: I don't know. You know she wanted to marry her. 733 00:44:27,480 --> 00:44:29,600 Speaker 1: Only if you want there's no, it's not a big deal. 734 00:44:29,680 --> 00:44:31,120 Speaker 1: But if you want it, I'm right here and I'm reading. 735 00:44:31,239 --> 00:44:34,239 Speaker 1: My parents are outside, um to pick you up? For 736 00:44:34,680 --> 00:44:37,560 Speaker 1: how older? I'm out of middle school. We can leave 737 00:44:37,560 --> 00:44:42,480 Speaker 1: it at that. It's fine. I'm gonna do the line 738 00:44:42,480 --> 00:44:51,680 Speaker 1: of coke here, dude, what are you doing? I love you, man, truck, 739 00:44:51,800 --> 00:44:53,719 Speaker 1: I love you. Being a band with you was the 740 00:44:53,719 --> 00:45:00,920 Speaker 1: best person. Don't don't if you're gonna go good way 741 00:45:00,960 --> 00:45:05,800 Speaker 1: not again. Welcome to the gates of Heaven. This is 742 00:45:05,840 --> 00:45:09,000 Speaker 1: my supervisor. I am the supervisor. Do you have any 743 00:45:09,320 --> 00:45:19,560 Speaker 1: sort of passport. We died, we died? Um I got oh, 744 00:45:19,719 --> 00:45:22,360 Speaker 1: I got a cover of our album? Yeah, yeah, we 745 00:45:22,440 --> 00:45:25,800 Speaker 1: have three deal, So maybe this will be decided that 746 00:45:26,040 --> 00:45:29,000 Speaker 1: this is us. But did you ever really complete your album? 747 00:45:29,480 --> 00:45:32,680 Speaker 1: Did you do anything good in your lives? Did you 748 00:45:32,719 --> 00:45:37,239 Speaker 1: ever finish your song? Did you ever find those two 749 00:45:37,320 --> 00:45:44,600 Speaker 1: other people? Did you? Did you? Did you three? Wait? 750 00:45:44,640 --> 00:45:48,879 Speaker 1: Are you doing it right? All right? Going to hell? 751 00:45:49,280 --> 00:46:05,880 Speaker 1: Where you come through? This is? We just need your names? Please? 752 00:46:06,600 --> 00:46:14,520 Speaker 1: What's truck? We expected you? My name is Clive, That's 753 00:46:16,719 --> 00:46:21,920 Speaker 1: what name? Might we have you on truck? And P 754 00:46:22,360 --> 00:46:25,840 Speaker 1: was my name? But PD I pretended to die and 755 00:46:25,920 --> 00:46:27,680 Speaker 1: I get out of my family a long time ago. 756 00:46:27,960 --> 00:46:31,919 Speaker 1: That's right. Will guess what you have? Your family here? 757 00:46:33,400 --> 00:46:40,279 Speaker 1: My dad? How are you doing all right? So this 758 00:46:40,400 --> 00:46:43,479 Speaker 1: piece of art is called PD dies? So wait a minute. 759 00:46:43,520 --> 00:46:48,200 Speaker 1: The island was hell all along? Exactly? Yes, exactly. It's 760 00:46:48,280 --> 00:46:50,960 Speaker 1: five thousand dollars. Five thousand dollars. It seems like a 761 00:46:51,040 --> 00:46:56,360 Speaker 1: bit much, are we okay? Mr Harris? Oh gosh, this 762 00:46:56,520 --> 00:46:59,080 Speaker 1: is about me. I should take it all right? I 763 00:46:59,160 --> 00:47:01,280 Speaker 1: mean fine, And you can have a line of credit 764 00:47:01,360 --> 00:47:05,759 Speaker 1: with me if necessary. Welcome to the Mr Harris Museum. Um, 765 00:47:06,360 --> 00:47:11,920 Speaker 1: I have your tickets please? Oh dad, I've got some 766 00:47:12,200 --> 00:47:17,479 Speaker 1: dank what kind of dank? Straight up, straight up Canadian dank, 767 00:47:17,600 --> 00:47:20,600 Speaker 1: maple dank? Alright, I will give you one kilo. The 768 00:47:20,760 --> 00:47:25,120 Speaker 1: next showing is in three minutes. What is that like? Forever? 769 00:47:25,280 --> 00:47:27,120 Speaker 1: It feels like forever? I did. I'm sorry, I'm Sean, 770 00:47:27,160 --> 00:47:29,279 Speaker 1: I'm I'm a supervisor. Sean, are you are you taking 771 00:47:29,360 --> 00:47:34,320 Speaker 1: kilos of weeds? Excuse me? I am Benadette and I 772 00:47:34,440 --> 00:47:41,480 Speaker 1: am the supervisors. I was just explaining to my supervisor 773 00:47:41,560 --> 00:47:45,640 Speaker 1: Ted that the gentleman was joking about the will you 774 00:47:45,719 --> 00:47:49,440 Speaker 1: can you explain it to me? Sure? As as I 775 00:47:49,560 --> 00:47:53,440 Speaker 1: understood it, there was a conference between the two uh 776 00:47:53,520 --> 00:47:56,360 Speaker 1: an exchange of payment that was not going to be monetary, 777 00:47:56,440 --> 00:47:58,239 Speaker 1: but it was actually going to be of substance, which 778 00:47:58,400 --> 00:48:03,439 Speaker 1: was of course marijuana coming from Canada. And if I'm yes, 779 00:48:03,600 --> 00:48:07,960 Speaker 1: this is Afghan coutch, this is a very very strong 780 00:48:08,760 --> 00:48:11,279 Speaker 1: I'm actually getting a hybrid of this of Scorpion King 781 00:48:11,400 --> 00:48:16,400 Speaker 1: as well. It's a very long stream of consciousness. Bananas. 782 00:48:17,960 --> 00:48:19,760 Speaker 1: There might be banana in this. And if it's banana, 783 00:48:19,840 --> 00:48:22,600 Speaker 1: you smoke it, you're gonna speak in different things, but 784 00:48:22,719 --> 00:48:25,239 Speaker 1: just that not from experience. Of course, I don't mean 785 00:48:25,280 --> 00:48:26,840 Speaker 1: that I've done that, but of course you know that 786 00:48:26,960 --> 00:48:29,200 Speaker 1: it's something around and it's not illegal everywhere. So if 787 00:48:29,239 --> 00:48:30,839 Speaker 1: I had done it, it's not the end of the world. 788 00:48:30,920 --> 00:48:33,000 Speaker 1: But you know, that's my journey, and that's not anything 789 00:48:33,040 --> 00:48:34,520 Speaker 1: that I want to put on anyone else. In fact, 790 00:48:34,560 --> 00:48:36,040 Speaker 1: that we're going to an art studio and that we 791 00:48:36,160 --> 00:48:38,440 Speaker 1: can involve ourselves in these different pieces. I think that's 792 00:48:38,480 --> 00:48:40,400 Speaker 1: the point, isn't it to go to another world? Now. 793 00:48:40,680 --> 00:48:45,080 Speaker 1: I don't know what this has to do with Harris's museum, okay, 794 00:48:45,239 --> 00:48:47,200 Speaker 1: but I do know that if this gentleman wants to 795 00:48:47,280 --> 00:48:49,520 Speaker 1: come in, it's a five dollar ticket. There we go. 796 00:48:49,680 --> 00:48:57,600 Speaker 1: Five bucks, agreed, And that is our show for today. 797 00:48:59,760 --> 00:49:01,799 Speaker 1: If you enjoyed it, right to us at your name 798 00:49:01,880 --> 00:49:04,720 Speaker 1: here at almy this dot com. If not, it's Jemmy 799 00:49:04,800 --> 00:49:10,200 Speaker 1: Greeber on Instagram. Let's go on and thank all of 800 00:49:10,239 --> 00:49:12,759 Speaker 1: our alcome, it's Carla Kakowski. Thank you so much, Thank 801 00:49:12,800 --> 00:49:14,640 Speaker 1: you so much, such a joy to have you and 802 00:49:14,880 --> 00:49:18,880 Speaker 1: I've missed you terribly and now I know why. Thank you. 803 00:49:19,680 --> 00:49:23,480 Speaker 1: Thank you. Um folks can find you and the show's 804 00:49:23,520 --> 00:49:26,879 Speaker 1: list of shows. Yeah, Carla Kakowski dot Com, at Carla 805 00:49:26,960 --> 00:49:30,680 Speaker 1: Kakowski on Twitter, at Carla Kakowski on Instagram. Also, you 806 00:49:30,719 --> 00:49:33,080 Speaker 1: want to give the street address? I want to stop 807 00:49:33,200 --> 00:49:39,520 Speaker 1: trying Oak Street? Was that this episode? Mark a Blood 808 00:49:39,600 --> 00:49:42,360 Speaker 1: Treasure Season two coming up? Season one now on Amazon 809 00:49:42,560 --> 00:49:45,960 Speaker 1: Prime at Mark Gags on Twitter and every last Wednesday 810 00:49:46,000 --> 00:49:49,120 Speaker 1: of the month a Dynasty typewriter. Welcome to the Amazon family. 811 00:49:49,560 --> 00:49:54,360 Speaker 1: Thank you, Craig reach Twitter, handles at Kakowski for my 812 00:49:54,480 --> 00:49:59,480 Speaker 1: personal stuff at Orange Tucks, improv for shows at Craigslist, 813 00:49:59,520 --> 00:50:03,480 Speaker 1: peak ass for podcasts, super fantastic match. So if you 814 00:50:03,520 --> 00:50:06,840 Speaker 1: go to Kakowski's Twitter, one of those comments was liked 815 00:50:06,920 --> 00:50:10,840 Speaker 1: by me. That's the best way to find Thank you 816 00:50:11,000 --> 00:50:15,320 Speaker 1: for that and thanks for joining us today at Jeffy 817 00:50:15,400 --> 00:50:19,720 Speaker 1: Greeber on Instagram. How do you spell it as it sounds? 818 00:50:20,200 --> 00:50:22,320 Speaker 1: I can't be more clear. This has been a conversation 819 00:50:22,400 --> 00:50:25,439 Speaker 1: that's happened. I just don't get uh. Westside Comedy Theater 820 00:50:25,480 --> 00:50:28,719 Speaker 1: every second and fourth Wednesday at nine o'clock. Are you 821 00:50:28,840 --> 00:50:38,480 Speaker 1: saying bear supply? Yes, let's thank producer and I heard media. 822 00:50:38,760 --> 00:50:40,759 Speaker 1: If you enjoy the show, please tell everyone you've ever met, 823 00:50:40,840 --> 00:50:43,520 Speaker 1: write a review. Go to wherever you get your podcasts. 824 00:50:44,160 --> 00:50:46,040 Speaker 1: I'm not going to assume it's iTunes. Go wherever you 825 00:50:46,120 --> 00:50:48,480 Speaker 1: get them, and please write a review. Till everyone you've 826 00:50:48,480 --> 00:50:50,640 Speaker 1: ever been right to us seem suggesting your name here 827 00:50:50,640 --> 00:50:53,200 Speaker 1: at alchemy this dot com. That's your name here at 828 00:50:53,239 --> 00:50:55,600 Speaker 1: alchemy this dot com. I'm Kevin Park. Thank you all 829 00:50:55,719 --> 00:50:58,400 Speaker 1: very much for listening to the show. We really appreciate it. 830 00:50:58,520 --> 00:51:00,879 Speaker 1: I read the emails and I love each and every 831 00:51:00,960 --> 00:51:03,799 Speaker 1: damn one of you, except for Steve who've written into 832 00:51:03,840 --> 00:51:06,480 Speaker 1: the show. Great great great. Thank you again until next time. 833 00:51:12,000 --> 00:51:12,320 Speaker 1: Forgot