WEBVTT - Don’t Be a Schmo Yo, Try a Yoyo!

0:00:00.200 --> 0:00:28.560
<v Speaker 1>Ridiculous History is a production of iHeartRadio. Yo Yo Yo Yo.

0:00:28.840 --> 0:00:31.920
<v Speaker 1>Welcome back to the show, fellow Ridiculous Historians. Thank you,

0:00:31.960 --> 0:00:35.279
<v Speaker 1>as always so much for tuning in. Let's hear it

0:00:35.360 --> 0:00:38.440
<v Speaker 1>for the Man, the Myth, the Legend. I'm gonna pull

0:00:38.440 --> 0:00:43.160
<v Speaker 1>a random one here, Noel h Max Plastic Whip Williams.

0:00:43.280 --> 0:00:50.199
<v Speaker 2>Whoa the Man, the Myth, the Mystery, Max Shmo Yo

0:00:50.320 --> 0:00:51.280
<v Speaker 2>Yo Yo Williams.

0:00:52.240 --> 0:00:56.000
<v Speaker 1>Now, that is none other than the legendary Noel Brown.

0:00:56.080 --> 0:00:59.680
<v Speaker 1>They called me Ben Bullen in this neck of the woods.

0:01:00.480 --> 0:01:04.400
<v Speaker 1>We tease this episode. A few weeks back. We were

0:01:04.480 --> 0:01:09.560
<v Speaker 1>talking about pong, which led us to exploring ping pong analog.

0:01:10.760 --> 0:01:14.319
<v Speaker 1>Right right, right, right right, And now Noel, you are

0:01:14.319 --> 0:01:18.160
<v Speaker 1>our research associate for this episode, and thank you so much. Man.

0:01:19.760 --> 0:01:24.080
<v Speaker 1>It turns out we're both pretty into yo yo's. Did

0:01:24.120 --> 0:01:25.839
<v Speaker 1>you have that phase as a child.

0:01:26.040 --> 0:01:29.679
<v Speaker 2>I was never any good at it, always fascinated by it.

0:01:29.880 --> 0:01:33.559
<v Speaker 2>Definitely have owned a yo yo or two in my day,

0:01:33.720 --> 0:01:36.360
<v Speaker 2>but I never really could master any of the tricks.

0:01:36.360 --> 0:01:38.920
<v Speaker 2>And it was kind of similar to my fascination with

0:01:39.000 --> 0:01:42.240
<v Speaker 2>stage magic. You know, it's a I don't know, I.

0:01:42.280 --> 0:01:45.920
<v Speaker 1>Like a trick, Ben, I like a trick that's very

0:01:46.000 --> 0:01:46.800
<v Speaker 1>hip hop of you.

0:01:46.880 --> 0:01:49.160
<v Speaker 2>Well, your intro is very hip hop, and let's just

0:01:49.280 --> 0:01:51.200
<v Speaker 2>think we're talking about hip hop.

0:01:51.240 --> 0:01:55.919
<v Speaker 1>Though yo yo ing has become cool again, it would seem.

0:01:56.000 --> 0:02:00.800
<v Speaker 2>And there's some very zeitgeiste figures that are into yo

0:02:00.880 --> 0:02:03.080
<v Speaker 2>yo's that are in these days and they're bringing it back.

0:02:03.080 --> 0:02:06.320
<v Speaker 2>But that's not really anything new because the history of

0:02:06.520 --> 0:02:09.880
<v Speaker 2>the humble yo yo is littered riddled. Dare I say

0:02:09.919 --> 0:02:11.359
<v Speaker 2>to take a page out of the stuff they don't

0:02:11.360 --> 0:02:16.640
<v Speaker 2>want you to know intro with celebrity endorsements and you know,

0:02:17.440 --> 0:02:23.919
<v Speaker 2>very spectacular displays of yo yo prowess. So whether you

0:02:23.919 --> 0:02:27.040
<v Speaker 2>yourself cut your teeth walking the dog in the yo

0:02:27.120 --> 0:02:30.320
<v Speaker 2>yo parlance or rocking the baby also in the yo

0:02:30.360 --> 0:02:32.359
<v Speaker 2>yo parlance, I might be getting that a little bit

0:02:32.680 --> 0:02:33.200
<v Speaker 2>mixed up.

0:02:34.040 --> 0:02:36.000
<v Speaker 1>That's the one where you hold it up and you

0:02:36.080 --> 0:02:39.560
<v Speaker 1>have the streams swing, yes, trying like a pendulum.

0:02:40.360 --> 0:02:43.720
<v Speaker 2>You could also maybe rock the dog or walk the baby,

0:02:43.840 --> 0:02:47.359
<v Speaker 2>depending or you might even have then correctly learned that

0:02:47.360 --> 0:02:49.880
<v Speaker 2>the yo yo was used as an ancient hunting weapon

0:02:50.560 --> 0:02:54.840
<v Speaker 2>for like clubbing seals or something. The humble yo yo

0:02:55.080 --> 0:02:58.800
<v Speaker 2>has likely crossed your radar in one fashion or another.

0:02:59.160 --> 0:03:02.640
<v Speaker 2>But the history of the ooyo, as we often come

0:03:02.840 --> 0:03:05.840
<v Speaker 2>around to in topics we discuss on ridiculous history and

0:03:05.840 --> 0:03:08.240
<v Speaker 2>stuff they don't want you to know, is the story

0:03:08.280 --> 0:03:11.760
<v Speaker 2>of genius marketing as much as it is one of

0:03:11.840 --> 0:03:16.160
<v Speaker 2>invention and some pretty rad tricks. So today we bring

0:03:16.200 --> 0:03:19.600
<v Speaker 2>you the ridiculous history of the yo yo or don't

0:03:19.600 --> 0:03:22.320
<v Speaker 2>be a shmo yo, Try a yo yo?

0:03:29.400 --> 0:03:32.440
<v Speaker 1>Before we go on. I really like the title of this,

0:03:32.639 --> 0:03:36.400
<v Speaker 1>and I'm a fan of giving people flowers while they're

0:03:36.440 --> 0:03:40.360
<v Speaker 1>still around to get the flowers. This title is awesome.

0:03:40.480 --> 0:03:42.440
<v Speaker 1>Can you see it one more time? Oh, don't be

0:03:42.480 --> 0:03:44.720
<v Speaker 1>a shmo yo, Try a yo yo.

0:03:45.800 --> 0:03:48.120
<v Speaker 2>Got a comma in there, just to make sure shmo

0:03:48.160 --> 0:03:50.320
<v Speaker 2>yo isn't one where I Also, I've been rewatching a

0:03:50.360 --> 0:03:53.000
<v Speaker 2>lot of curb lately, and he loves he calls people

0:03:53.040 --> 0:03:57.200
<v Speaker 2>a shmo yo sometimes, if I'm not mistaken LD.

0:03:57.760 --> 0:04:00.280
<v Speaker 1>So let's just jump right into the origin of the

0:04:00.360 --> 0:04:01.720
<v Speaker 1>yo yo. We're not quite sure.

0:04:01.960 --> 0:04:05.200
<v Speaker 2>Historians differ, and there's a lot of miss info out

0:04:05.240 --> 0:04:07.480
<v Speaker 2>there that may also itself be the product of some

0:04:07.600 --> 0:04:11.640
<v Speaker 2>marketing spin. Not quite sure how far the yo yo

0:04:11.840 --> 0:04:16.080
<v Speaker 2>dates back. What we do know is that there were

0:04:16.480 --> 0:04:18.559
<v Speaker 2>as far back as four hundred and five hundred PC

0:04:18.920 --> 0:04:24.240
<v Speaker 2>Greece images depicted in various you know, frescoes and the like,

0:04:24.720 --> 0:04:27.240
<v Speaker 2>depicting the use of something resembling the yo yo.

0:04:27.800 --> 0:04:33.160
<v Speaker 1>Okay, so we're looking at carving's right, not written descriptions.

0:04:32.480 --> 0:04:37.000
<v Speaker 2>Were carving frescoes, you know, not cave paintings, but the

0:04:37.120 --> 0:04:39.120
<v Speaker 2>visual visual depictions.

0:04:39.279 --> 0:04:41.799
<v Speaker 1>Okay, So a circle and a line.

0:04:41.880 --> 0:04:44.880
<v Speaker 2>Something along those lines, that's right, something along both circles

0:04:44.880 --> 0:04:47.880
<v Speaker 2>and lines. Yoyo's do exist in the Metropolitan Museum of

0:04:48.000 --> 0:04:53.920
<v Speaker 2>Arts Fletcher Fund collection from this period. But a lot

0:04:53.920 --> 0:04:57.440
<v Speaker 2>of countries have claimed to have invented this thing, and there,

0:04:57.640 --> 0:04:59.719
<v Speaker 2>as we often see in history, seems to be a

0:04:59.720 --> 0:05:04.680
<v Speaker 2>lot of parallel thinking around a little circular thing with

0:05:04.760 --> 0:05:07.000
<v Speaker 2>an axle in the middle and a string attached to

0:05:07.040 --> 0:05:10.560
<v Speaker 2>it that you can fling around in various ways. Some

0:05:10.760 --> 0:05:15.000
<v Speaker 2>historians argue about multiple sites of origin, like I was

0:05:15.040 --> 0:05:17.640
<v Speaker 2>just saying currently. However, the most accepted theory as that

0:05:17.720 --> 0:05:24.120
<v Speaker 2>it originated in Asia around one thousand BCE. Although there

0:05:24.120 --> 0:05:26.680
<v Speaker 2>aren't any records of the yo yo in Asia during

0:05:26.760 --> 0:05:28.840
<v Speaker 2>this period. The yoyo as we know it today, there

0:05:28.880 --> 0:05:33.560
<v Speaker 2>is something called the diabolo, the Chinese yo yo as

0:05:33.560 --> 0:05:37.480
<v Speaker 2>it is known in English, and you're our Chinese expert here, Ben,

0:05:37.800 --> 0:05:39.840
<v Speaker 2>maybe you can help with these pronunciations. It goes by

0:05:39.839 --> 0:05:40.919
<v Speaker 2>two different names.

0:05:41.880 --> 0:05:46.479
<v Speaker 1>I am definitely not an expert. This is definitely Chinese.

0:05:46.520 --> 0:05:49.560
<v Speaker 1>We can confirm that the two different names would be

0:05:49.560 --> 0:05:53.800
<v Speaker 1>a sell lib and omu go my man.

0:05:54.440 --> 0:05:58.200
<v Speaker 2>Both of these terms refer to the same object and

0:05:58.279 --> 0:06:02.480
<v Speaker 2>can be interchangeable depending on the region. So it literally

0:06:02.520 --> 0:06:07.159
<v Speaker 2>does translate to pulling bell or pulling ring, which is

0:06:07.279 --> 0:06:10.359
<v Speaker 2>very descriptive of the action of pulling the string to

0:06:10.520 --> 0:06:11.839
<v Speaker 2>make this object spin.

0:06:11.960 --> 0:06:13.600
<v Speaker 1>So this is maybe a little more Ben.

0:06:13.640 --> 0:06:16.880
<v Speaker 2>You've probably seen these like a top where you sort

0:06:16.880 --> 0:06:18.960
<v Speaker 2>of wind it up and rip the cord and then

0:06:19.000 --> 0:06:22.480
<v Speaker 2>the thing spins on its end. I'm thinking that's rings

0:06:22.520 --> 0:06:23.880
<v Speaker 2>about theolo.

0:06:24.080 --> 0:06:27.000
<v Speaker 1>Okay, yeah, yeah, for the pulley bell or the shit.

0:06:28.480 --> 0:06:33.159
<v Speaker 1>That's that seems accurate. It reminds me a little bit

0:06:33.200 --> 0:06:36.880
<v Speaker 1>of those toys that may have been before your time,

0:06:37.240 --> 0:06:39.880
<v Speaker 1>the ring fighter things. I can't remember the name, but

0:06:40.000 --> 0:06:42.919
<v Speaker 1>you you pulled the string or you pulled like a

0:06:42.960 --> 0:06:47.240
<v Speaker 1>plastic tab and they rolled around in a little arena. Yeah,

0:06:47.240 --> 0:06:48.839
<v Speaker 1>that's right. I think those are.

0:06:50.400 --> 0:06:53.960
<v Speaker 2>Gosh, hold on a second, there's something Matt like Matt's

0:06:54.000 --> 0:06:57.000
<v Speaker 2>Kid like those, or there was a more modern version.

0:06:58.279 --> 0:07:00.320
<v Speaker 2>It was like, I think, out of Japan, and it

0:07:00.400 --> 0:07:02.279
<v Speaker 2>had a lot of trading cards associated with it and

0:07:02.320 --> 0:07:04.320
<v Speaker 2>a lot of culture. Now I'm totally spacing on the name,

0:07:04.360 --> 0:07:07.200
<v Speaker 2>and I know people out there are screaming their podcast device.

0:07:07.240 --> 0:07:10.080
<v Speaker 1>It's okay, you're don't have to scream, folks, We'll figure

0:07:10.120 --> 0:07:13.680
<v Speaker 1>it out. We also know the second meaning that you

0:07:13.760 --> 0:07:19.040
<v Speaker 1>alluded to for dia bolo is hung shot, which is.

0:07:19.440 --> 0:07:24.720
<v Speaker 2>Empty bamboo, empty bamboo, which likely refers to the hollow nature.

0:07:24.560 --> 0:07:25.720
<v Speaker 1>Of the objects.

0:07:25.720 --> 0:07:27.240
<v Speaker 2>And this is coming to us from a really great

0:07:27.400 --> 0:07:31.240
<v Speaker 2>blog post by Lingo Ace all about Chinese yoyo tradition's

0:07:31.320 --> 0:07:35.680
<v Speaker 2>history and tricks. And so when we see folks demonstrating

0:07:35.760 --> 0:07:40.040
<v Speaker 2>what the da bolo would have been, it typically is

0:07:40.080 --> 0:07:44.200
<v Speaker 2>more like two sticks with strings attached to it, looped

0:07:44.240 --> 0:07:48.360
<v Speaker 2>around a large item which has got the rounded shape

0:07:48.360 --> 0:07:50.960
<v Speaker 2>on either side that tapers in the middle, and then

0:07:51.000 --> 0:07:53.040
<v Speaker 2>you kind of use it to make the thing dance

0:07:53.120 --> 0:07:54.080
<v Speaker 2>across the stro.

0:07:54.280 --> 0:07:58.000
<v Speaker 1>This is like a rave, it's a little it is

0:07:58.040 --> 0:08:02.600
<v Speaker 1>a still devil. Sticks coded I'm not gonna hacky sack.

0:08:02.800 --> 0:08:04.480
<v Speaker 1>Well yeah, well hackey sack of Jason.

0:08:04.560 --> 0:08:06.600
<v Speaker 2>I think the yo yo, we can all argue, definitely

0:08:06.680 --> 0:08:09.280
<v Speaker 2>falls squarely into that camp. But during the l parallel

0:08:09.800 --> 0:08:12.720
<v Speaker 2>parallel thinking, to be sure, Ben, But during the late

0:08:12.760 --> 0:08:16.800
<v Speaker 2>eighteenth century we start to see examples of this popping

0:08:16.880 --> 0:08:20.280
<v Speaker 2>up in France. Of course, as they do in France,

0:08:20.280 --> 0:08:23.000
<v Speaker 2>they had to fancify it, so these versions were made

0:08:23.000 --> 0:08:27.600
<v Speaker 2>out of glass or ivory and were called the de Normandy.

0:08:28.120 --> 0:08:31.840
<v Speaker 2>We've got some citations from Britannica on that one, and

0:08:32.320 --> 0:08:35.840
<v Speaker 2>Duncan Toys you may know as kind of the king

0:08:35.880 --> 0:08:38.600
<v Speaker 2>of the yo yo, or at least the popularizer of

0:08:38.679 --> 0:08:41.079
<v Speaker 2>the yo yo. And they've definitely come back into their

0:08:41.120 --> 0:08:44.760
<v Speaker 2>own as far as the modern types and spin no

0:08:44.840 --> 0:08:45.719
<v Speaker 2>pun intended on.

0:08:45.720 --> 0:08:46.160
<v Speaker 1>The yo yo.

0:08:46.320 --> 0:08:49.320
<v Speaker 2>But they have a great section on their website talking

0:08:49.320 --> 0:08:51.680
<v Speaker 2>about the history of the yo yo, and they talk about.

0:08:51.440 --> 0:08:54.559
<v Speaker 1>A picture of King Louis the XVIII. What's that one, Ben?

0:08:54.640 --> 0:08:58.720
<v Speaker 1>Is that thirteenth twelfth, fourteenth? You know me and them Roman.

0:08:58.559 --> 0:09:02.880
<v Speaker 2>Nomes things I appreciate. So he wasn't the son king,

0:09:02.920 --> 0:09:06.040
<v Speaker 2>he was a couple kings. Later shows him playing with

0:09:06.640 --> 0:09:10.319
<v Speaker 2>a yo yo as a child. We also have historical

0:09:10.360 --> 0:09:13.240
<v Speaker 2>documents showing the yoyo was popular to pass the time

0:09:13.360 --> 0:09:16.800
<v Speaker 2>during the French Revolution, like they needed something to do

0:09:16.920 --> 0:09:20.360
<v Speaker 2>to pass the time. I guess in between stormings, right.

0:09:21.720 --> 0:09:26.600
<v Speaker 1>Right, Well, not everybody can own a full working guillotine,

0:09:27.040 --> 0:09:29.920
<v Speaker 1>so you gotta you gotta have something to do with

0:09:29.960 --> 0:09:31.640
<v Speaker 1>your hands, right, God has something to do you with

0:09:31.679 --> 0:09:32.880
<v Speaker 1>your hands while you still got him.

0:09:33.800 --> 0:09:36.480
<v Speaker 2>You did start to see the depictions of this and

0:09:36.600 --> 0:09:40.480
<v Speaker 2>paintings into the eighteen hundreds. And I believe our buddy

0:09:41.040 --> 0:09:45.280
<v Speaker 2>who was scared of rabbits, Napoleon was tossed it around

0:09:45.280 --> 0:09:47.439
<v Speaker 2>a yo yo before the Battle of water I guess

0:09:47.480 --> 0:09:48.520
<v Speaker 2>he wasn't scared of rabbits.

0:09:48.559 --> 0:09:53.400
<v Speaker 1>He was just sort of mobbed by rabbits. He was unprepared.

0:09:53.520 --> 0:09:58.160
<v Speaker 1>He was unprepared historically on many levels. But also he

0:09:58.480 --> 0:10:02.240
<v Speaker 1>wasn't a dumb guy. And what a flex to walk

0:10:02.280 --> 0:10:05.720
<v Speaker 1>around before you go into Waterloo. I know you just

0:10:05.760 --> 0:10:09.199
<v Speaker 1>have a yo yo. No, that's that's an intimidation.

0:10:09.480 --> 0:10:11.120
<v Speaker 2>I think it's a bit of a power move ben

0:10:11.640 --> 0:10:15.760
<v Speaker 2>In England, according to Britannica, it was referred to as

0:10:15.800 --> 0:10:18.600
<v Speaker 2>the bandalore or I love this one because it just

0:10:18.640 --> 0:10:21.600
<v Speaker 2>kind of makes like an automatopoia a quiz.

0:10:22.120 --> 0:10:25.640
<v Speaker 1>Okay, so you would say, oh, let me have my quiz.

0:10:25.800 --> 0:10:28.120
<v Speaker 2>I love that it's so English, and I think Jonathan

0:10:28.160 --> 0:10:33.040
<v Speaker 2>strictly aka the Quizzer would approve an illustration depicted the

0:10:33.080 --> 0:10:37.400
<v Speaker 2>Prince of Wales. Later, George the Fourth got that one

0:10:37.480 --> 0:10:41.400
<v Speaker 2>right playing with his yo yo, and so it became

0:10:41.440 --> 0:10:43.600
<v Speaker 2>a hit with the jet seestying. I guess they didn't

0:10:43.640 --> 0:10:45.640
<v Speaker 2>have jests, but you know what I mean, fashionistas of

0:10:45.720 --> 0:10:49.000
<v Speaker 2>the time. Uh, the popularity of the toy a lot

0:10:49.080 --> 0:10:52.840
<v Speaker 2>like I guess lawn tennis, which preceded table tennis or

0:10:52.840 --> 0:10:56.520
<v Speaker 2>ping pong, started to enter the ranks of the nobility,

0:10:56.880 --> 0:11:00.480
<v Speaker 2>leading to a lot of references during this period, a

0:11:00.520 --> 0:11:03.680
<v Speaker 2>lot of them in political cartoons.

0:11:03.559 --> 0:11:08.120
<v Speaker 1>Showing this as a bit of a pastime of the swells. Now,

0:11:08.280 --> 0:11:14.520
<v Speaker 1>in your research yournal, you've included some drawings of the time,

0:11:14.679 --> 0:11:19.480
<v Speaker 1>some political cartoons, and I think we love to describe them.

0:11:20.040 --> 0:11:23.679
<v Speaker 1>What are the first is? I love it is a

0:11:25.000 --> 0:11:30.040
<v Speaker 1>unfortunate situation with an older school marmed type and she's

0:11:30.120 --> 0:11:34.600
<v Speaker 1>been a sailed two boys, she's been menaced sailed by

0:11:34.679 --> 0:11:40.880
<v Speaker 1>two boys. Children throwing yo yo's, and it's called The

0:11:41.320 --> 0:11:42.560
<v Speaker 1>caption reads.

0:11:42.520 --> 0:11:48.040
<v Speaker 2>The sensation boll wow, the laziest pleasantry in the public streets.

0:11:48.360 --> 0:11:53.560
<v Speaker 2>Yo yo as the rage in the sixties, rude boys perhaps.

0:11:53.040 --> 0:11:54.760
<v Speaker 1>Doing around the world.

0:11:54.840 --> 0:11:58.120
<v Speaker 2>I think that's an eighteen pretty basic that's right, the eighteens,

0:11:58.679 --> 0:12:00.719
<v Speaker 2>pretty basic trick A lot of people might be familiar with,

0:12:00.800 --> 0:12:03.200
<v Speaker 2>where you take the thing, you fling it out and

0:12:03.240 --> 0:12:04.720
<v Speaker 2>then you pull it and you kind of do a

0:12:04.760 --> 0:12:06.280
<v Speaker 2>loopy loop with it, and then you pull it back

0:12:06.320 --> 0:12:10.000
<v Speaker 2>into your hand. We would be remiss if we did

0:12:10.040 --> 0:12:12.040
<v Speaker 2>not point out that the reason all of this works

0:12:12.120 --> 0:12:15.120
<v Speaker 2>is because of centripetal force and gravity.

0:12:15.640 --> 0:12:20.800
<v Speaker 1>Ah yes, gravity, our old nemesis, and energy which can

0:12:20.880 --> 0:12:22.679
<v Speaker 1>neither be created nor destroyed.

0:12:22.920 --> 0:12:25.719
<v Speaker 2>And it's it's basically, if I'm not mistaken, then it's

0:12:25.800 --> 0:12:29.199
<v Speaker 2>kind of preserved in the motion of the of the

0:12:29.320 --> 0:12:31.280
<v Speaker 2>yo yo and when you kind of yank it, that

0:12:31.520 --> 0:12:34.440
<v Speaker 2>energy allows it to travel back up the string.

0:12:35.160 --> 0:12:38.559
<v Speaker 1>Nailed it hold of one, just so, I mean, if

0:12:38.600 --> 0:12:41.000
<v Speaker 1>we walk the dog out here, though, I've got a

0:12:41.080 --> 0:12:46.320
<v Speaker 1>question for you, Noel. It sounds like parallel thinking teaches

0:12:46.440 --> 0:12:51.840
<v Speaker 1>us that the Mediterranean and parts of East Asia discover

0:12:52.520 --> 0:12:56.920
<v Speaker 1>the yo yo discovered that centrepetal force on their own,

0:12:57.200 --> 0:13:00.920
<v Speaker 1>and that it became popularized in Europe. But how did

0:13:00.960 --> 0:13:02.520
<v Speaker 1>it get to the United States.

0:13:03.240 --> 0:13:05.360
<v Speaker 2>Yeah, it's a good question, Ben, And we do have

0:13:05.440 --> 0:13:08.280
<v Speaker 2>a couple other fun images kind of showing these very

0:13:08.320 --> 0:13:11.240
<v Speaker 2>bougie French folks playing with their toys.

0:13:11.600 --> 0:13:12.400
<v Speaker 1>And it's funny.

0:13:12.840 --> 0:13:15.960
<v Speaker 2>The article that I referenced earlier are actually let me

0:13:16.240 --> 0:13:20.480
<v Speaker 2>reference this one specifically. I haven't yet doc Lucky's History

0:13:20.559 --> 0:13:24.079
<v Speaker 2>of the yo yo Lucky Meisenheimer, MD, who wrote a

0:13:24.080 --> 0:13:27.720
<v Speaker 2>book called Lucky's Collector's Guide to twentieth century Yoyo's histories

0:13:27.720 --> 0:13:30.640
<v Speaker 2>and Values. He's also the former chairman of the American

0:13:30.720 --> 0:13:34.440
<v Speaker 2>Yoyo Association's History and Collecting Committee, so he knows a

0:13:34.480 --> 0:13:36.640
<v Speaker 2>thing or two about the yo yo. And he points

0:13:36.679 --> 0:13:38.839
<v Speaker 2>out that a lot of these images from the period

0:13:38.880 --> 0:13:42.480
<v Speaker 2>that we're talking about here in Europe depicted adults playing

0:13:42.520 --> 0:13:46.000
<v Speaker 2>with this, and it sort of trickled down to the kids,

0:13:46.040 --> 0:13:48.640
<v Speaker 2>because you mentioned the one with the young whipper snappers

0:13:48.720 --> 0:13:51.520
<v Speaker 2>or the rude boys messing around with this older lady.

0:13:51.760 --> 0:13:55.160
<v Speaker 2>But most of the images did show old folks, older folks,

0:13:55.200 --> 0:13:57.480
<v Speaker 2>adults playing with these as a sign of kind of

0:13:57.559 --> 0:13:59.960
<v Speaker 2>like this was a pastime of the well to do

0:14:00.280 --> 0:14:03.520
<v Speaker 2>who were able to exercise their leisure time in this way.

0:14:04.960 --> 0:14:09.040
<v Speaker 1>Now you're too worried about the war, my friend, you

0:14:09.120 --> 0:14:12.600
<v Speaker 1>should do what I do. Take us slow constitutional in

0:14:12.640 --> 0:14:17.199
<v Speaker 1>the afternoon, go to the Angerrarium and witness your rented

0:14:17.240 --> 0:14:22.320
<v Speaker 1>pineapple and dangle quiz Tangle your quiz perfect.

0:14:22.440 --> 0:14:24.440
<v Speaker 2>We got there, so you asked about how it kind

0:14:24.440 --> 0:14:27.440
<v Speaker 2>of got to what we know today. November of eighteen

0:14:27.520 --> 0:14:31.080
<v Speaker 2>sixty six, we've got James el Haven and Charles Hittrick

0:14:31.320 --> 0:14:35.960
<v Speaker 2>of Cincinnati, Ohio, who get the first patent for a

0:14:36.040 --> 0:14:38.920
<v Speaker 2>yo yo in the United States, and it was described

0:14:39.560 --> 0:14:42.800
<v Speaker 2>It described the patent a yo yo as coupled together

0:14:42.960 --> 0:14:45.640
<v Speaker 2>or as being coupled together at their centers by means

0:14:45.720 --> 0:14:48.640
<v Speaker 2>of a clutch. It was also the first time a

0:14:48.680 --> 0:14:53.040
<v Speaker 2>method called rim waiting was mentioned in the patent, and

0:14:53.080 --> 0:14:55.920
<v Speaker 2>it specifically said, it will be observed that the marginals

0:14:56.000 --> 0:14:59.840
<v Speaker 2>swell sea. The sea is being the exhibit in the patent.

0:15:00.040 --> 0:15:04.040
<v Speaker 2>Magery exercises the function of a flywheel. Flywheel being kind

0:15:04.080 --> 0:15:07.640
<v Speaker 2>of like a Pulley system of ropes and gears that

0:15:07.680 --> 0:15:12.560
<v Speaker 2>you would use to maybe operate scenes in a scenery

0:15:12.600 --> 0:15:15.160
<v Speaker 2>in a play, or you know, part curtains and things

0:15:15.240 --> 0:15:15.640
<v Speaker 2>like that.

0:15:16.000 --> 0:15:18.840
<v Speaker 1>Right, And so what we're saying here, folks, is that

0:15:19.040 --> 0:15:23.600
<v Speaker 1>for thousands of years, various civilizations came up with something

0:15:23.760 --> 0:15:26.920
<v Speaker 1>like this, but the rubber hits the road, right, or

0:15:26.960 --> 0:15:32.360
<v Speaker 1>the stream hits the yo When we talk about the

0:15:32.440 --> 0:15:34.360
<v Speaker 1>idea of patenting.

0:15:34.240 --> 0:15:38.720
<v Speaker 2>Design and the Yo Yo Museum as a piece titled

0:15:38.720 --> 0:15:40.600
<v Speaker 2>the Brief History A Brief History of the yo Yo

0:15:40.720 --> 0:15:43.760
<v Speaker 2>and got some really fun info from that one as well.

0:15:43.920 --> 0:15:46.400
<v Speaker 2>They point out that the real importance of the patent

0:15:46.960 --> 0:15:50.120
<v Speaker 2>is that it suggests the very first use of patents

0:15:50.160 --> 0:15:54.640
<v Speaker 2>to protect design improvements from what we know more as

0:15:54.680 --> 0:15:58.760
<v Speaker 2>the historical version of the yoyo in the manufacturing of

0:15:58.800 --> 0:16:03.360
<v Speaker 2>a yo yo. So that's pretty neat. We start to

0:16:03.360 --> 0:16:07.880
<v Speaker 2>see the aforementioned haven and hetrick really entering into the

0:16:07.960 --> 0:16:10.000
<v Speaker 2>business of mass producing yoyos.

0:16:10.560 --> 0:16:15.080
<v Speaker 1>So for thousands of years, different civilizations figured out something

0:16:15.640 --> 0:16:18.800
<v Speaker 1>like a yo yo, and then later it gets patented

0:16:19.000 --> 0:16:22.880
<v Speaker 1>and enters mass manufacture. I think a lot of us

0:16:23.120 --> 0:16:27.080
<v Speaker 1>listening tonight are going to be wondering if the yo

0:16:27.160 --> 0:16:30.080
<v Speaker 1>yos of the past were like the fidget spinners or

0:16:30.120 --> 0:16:31.600
<v Speaker 1>the rosaries of today.

0:16:31.920 --> 0:16:32.160
<v Speaker 3>Right.

0:16:32.280 --> 0:16:35.000
<v Speaker 2>We've also often asked the question about how come there's

0:16:35.040 --> 0:16:36.960
<v Speaker 2>not one person credited.

0:16:36.520 --> 0:16:38.440
<v Speaker 1>With like the fidget spinner.

0:16:39.200 --> 0:16:42.400
<v Speaker 2>We do know that patents can't expire as well and

0:16:42.480 --> 0:16:47.040
<v Speaker 2>get entered into the public domain as well as you know, trademarks.

0:16:47.640 --> 0:16:50.880
<v Speaker 2>It's a question for another day, but I think you're

0:16:51.200 --> 0:16:54.280
<v Speaker 2>getting at something. We also tease this idea of was

0:16:54.320 --> 0:16:57.600
<v Speaker 2>this thing used as a hunting implement?

0:16:58.120 --> 0:17:01.600
<v Speaker 1>Right, That's that's something he alluded to at the top.

0:17:01.720 --> 0:17:04.720
<v Speaker 1>I say we dive in because no, I don't know

0:17:05.040 --> 0:17:11.639
<v Speaker 1>much about this. I remember vaguely hearing stuff about Southeast Asia.

0:17:11.280 --> 0:17:15.040
<v Speaker 2>That's right, the Philippines in particular, a famous This is

0:17:15.520 --> 0:17:17.720
<v Speaker 2>a really I'm gonna pull a lot from this, or

0:17:17.720 --> 0:17:21.280
<v Speaker 2>we're gonna pull a lot from Lucky's the history of

0:17:21.280 --> 0:17:24.480
<v Speaker 2>the yo yo. Because this guy really is, I would argue,

0:17:24.520 --> 0:17:26.760
<v Speaker 2>probably the pre eminent yo yo scholar.

0:17:27.160 --> 0:17:28.160
<v Speaker 1>He's on the committee.

0:17:28.200 --> 0:17:30.479
<v Speaker 2>He's on the committee, and he also points out that

0:17:30.680 --> 0:17:34.480
<v Speaker 2>he himself is responsible for spreading some of the misinformation

0:17:34.840 --> 0:17:35.760
<v Speaker 2>that we're talking about.

0:17:35.880 --> 0:17:37.639
<v Speaker 1>He owns up to that.

0:17:38.040 --> 0:17:39.800
<v Speaker 2>I would go ahead and just find this whole article

0:17:39.840 --> 0:17:43.560
<v Speaker 2>and read Lucky Meisenheimer MD's piece where He goes into

0:17:43.640 --> 0:17:47.239
<v Speaker 2>a lot of these various conflicting histories of the yo

0:17:47.280 --> 0:17:50.480
<v Speaker 2>yo and the way he himself may have contributed to

0:17:50.520 --> 0:17:54.800
<v Speaker 2>some of that. But he points out that the claim

0:17:54.960 --> 0:17:56.600
<v Speaker 2>that the yo yo I'm just going to quote directly

0:17:56.640 --> 0:17:58.520
<v Speaker 2>from his writing was used as a weapon in the

0:17:58.560 --> 0:18:01.320
<v Speaker 2>Philippines isn't new. This has been the subject of much

0:18:01.320 --> 0:18:04.199
<v Speaker 2>debate over the last several decades. The Duncan Yo Yo

0:18:04.359 --> 0:18:09.000
<v Speaker 2>Company also used the weapon narrative as a promotional gimmick,

0:18:09.520 --> 0:18:12.960
<v Speaker 2>but behind the scenes they themselves recognized that this was

0:18:13.640 --> 0:18:17.080
<v Speaker 2>likely not true. We're going to get into Duncan in

0:18:17.080 --> 0:18:18.240
<v Speaker 2>a little bit, but I just thought we'd get this

0:18:18.280 --> 0:18:19.720
<v Speaker 2>part out of the way because it's a lot of fun.

0:18:20.920 --> 0:18:25.160
<v Speaker 2>One early yo yo demonstrator for the Duncan Company claimed

0:18:25.440 --> 0:18:27.520
<v Speaker 2>that he was the one who made up the story

0:18:27.560 --> 0:18:30.200
<v Speaker 2>in the first place. However, there is good evidence to

0:18:30.280 --> 0:18:34.040
<v Speaker 2>support that the yo yo was a weapon in the Philippines,

0:18:34.080 --> 0:18:43.680
<v Speaker 2>however not necessarily used in the way you might think so.

0:18:43.720 --> 0:18:46.920
<v Speaker 2>The story, as it goes the idea of this being

0:18:46.960 --> 0:18:52.119
<v Speaker 2>a century's old Filipino hunting device, describes a hunter, you know,

0:18:52.200 --> 0:18:55.359
<v Speaker 2>finding a refuge or a secret spot in a tree,

0:18:56.040 --> 0:18:58.240
<v Speaker 2>fortifying himself as so he can like kind of hide

0:18:58.240 --> 0:19:02.360
<v Speaker 2>from his target, holding a heavy, oversized yo yo, waiting

0:19:02.400 --> 0:19:05.280
<v Speaker 2>for his prey to pass below, and at the critical moment,

0:19:05.680 --> 0:19:08.919
<v Speaker 2>the yoyo would be flung, hurled, and balk the animal

0:19:09.000 --> 0:19:12.359
<v Speaker 2>right on the head, presumably killing it or knocking it out,

0:19:12.640 --> 0:19:16.760
<v Speaker 2>and then allowing it to return to the hunter, especially

0:19:16.760 --> 0:19:19.840
<v Speaker 2>if he missed and needed a second.

0:19:19.520 --> 0:19:22.440
<v Speaker 1>Shot, a boomerang on a string a bit of that.

0:19:23.160 --> 0:19:25.679
<v Speaker 2>However, Meisenheimer points out that the physics of the yoyo

0:19:25.800 --> 0:19:30.080
<v Speaker 2>make this pretty improbable that that would work. However, there

0:19:30.119 --> 0:19:32.399
<v Speaker 2>is no question that something like a yoyo existed in

0:19:32.400 --> 0:19:34.720
<v Speaker 2>the Philippines for quite a long time. There isn't any

0:19:34.800 --> 0:19:37.320
<v Speaker 2>documented evidence that it was used as a hunting tool

0:19:37.600 --> 0:19:40.639
<v Speaker 2>in this exact way. There is, however, evidence that the

0:19:40.720 --> 0:19:44.000
<v Speaker 2>Duncan Company popularized this themselves as a bit of a

0:19:44.040 --> 0:19:48.000
<v Speaker 2>gimmick in promoting the yo yo, it would seem Meisenheimer

0:19:48.040 --> 0:19:50.240
<v Speaker 2>says that the hunting origin is pure fantasy. It was

0:19:50.280 --> 0:19:52.760
<v Speaker 2>a memorable story and helped to sell yo yo's. The

0:19:52.800 --> 0:19:55.320
<v Speaker 2>hunting origin of the toy was printed so often, as

0:19:55.400 --> 0:19:58.920
<v Speaker 2>is often the case, that it has become an urban legend. However,

0:19:59.400 --> 0:20:02.720
<v Speaker 2>he also points out that it is there is evidence

0:20:02.800 --> 0:20:05.280
<v Speaker 2>that it was used as a weapon in some fashion,

0:20:05.560 --> 0:20:08.160
<v Speaker 2>though not the way we might think or the way

0:20:08.160 --> 0:20:11.439
<v Speaker 2>that was just described, Ben, think of think of it

0:20:11.480 --> 0:20:13.840
<v Speaker 2>as a way to like hide a string like a garrot.

0:20:14.080 --> 0:20:17.280
<v Speaker 2>Remember those where you like you got the creepy assassin

0:20:17.359 --> 0:20:19.760
<v Speaker 2>coming up behind you and strangling you with piano wire

0:20:19.960 --> 0:20:20.440
<v Speaker 2>after like.

0:20:20.400 --> 0:20:23.040
<v Speaker 1>Hey, might be a great guy. You know, true that

0:20:23.200 --> 0:20:26.760
<v Speaker 1>all assassins are creepy. No, it's true, just getting situations

0:20:26.840 --> 0:20:29.160
<v Speaker 1>and not all creeps are assassins. Max, what you got

0:20:29.400 --> 0:20:30.160
<v Speaker 1>to jump in here?

0:20:30.240 --> 0:20:32.440
<v Speaker 3>I'm not sure if you can get a yo yo.

0:20:32.560 --> 0:20:35.360
<v Speaker 3>But in the hit Man series, the video game where

0:20:35.359 --> 0:20:37.200
<v Speaker 3>you you know, play as an assassin, Oh, I love

0:20:37.240 --> 0:20:40.359
<v Speaker 3>that one, you can get very You can get a

0:20:40.359 --> 0:20:42.359
<v Speaker 3>garat obviously it comes like pretty standard. But you can

0:20:42.359 --> 0:20:45.560
<v Speaker 3>get like you know, like ear bud cables and stuff

0:20:45.600 --> 0:20:46.160
<v Speaker 3>like that.

0:20:45.920 --> 0:20:47.320
<v Speaker 1>You can use for that. I don't know if you

0:20:47.320 --> 0:20:49.679
<v Speaker 1>can get a yoyo though. Okay, all right, well we

0:20:49.800 --> 0:20:53.679
<v Speaker 1>have some notes for you creators of hit Man. We

0:20:53.760 --> 0:20:56.720
<v Speaker 1>also know again it goes back to what you're saying

0:20:56.760 --> 0:21:03.320
<v Speaker 1>about parallel thinking, right, and about corporations wanting to sell stuff.

0:21:05.200 --> 0:21:09.080
<v Speaker 1>When I'm hearing this myth perpetrated by Duncan, which, as

0:21:09.119 --> 0:21:12.119
<v Speaker 1>you said, we'll get into in a moment, it reminds

0:21:12.200 --> 0:21:16.879
<v Speaker 1>me of those back pages of old school comic books

0:21:16.920 --> 0:21:20.400
<v Speaker 1>and you know, boy Scout type magazines where they would say,

0:21:20.800 --> 0:21:24.080
<v Speaker 1>we'll sell you a pair of nun Chucks and will

0:21:24.119 --> 0:21:28.040
<v Speaker 1>train you in the agent art. And right next to that,

0:21:28.400 --> 0:21:31.679
<v Speaker 1>I sound elderly now, but right next to that sometimes

0:21:31.720 --> 0:21:35.639
<v Speaker 1>there would be an ad for the Filipino art of

0:21:35.720 --> 0:21:36.199
<v Speaker 1>the yo yo.

0:21:37.000 --> 0:21:40.040
<v Speaker 2>Sure well, speaking of that man or to that point,

0:21:40.960 --> 0:21:43.960
<v Speaker 2>I'd mentioned that our expert here pointed out that there

0:21:44.080 --> 0:21:48.120
<v Speaker 2>is written evidence that it was used as some kind

0:21:48.200 --> 0:21:50.440
<v Speaker 2>of weapon, and that comes from an eighteen eighty eight

0:21:50.520 --> 0:21:55.600
<v Speaker 2>letter by doctor Jose Rizol, a Filipino national hero, who

0:21:55.640 --> 0:21:59.000
<v Speaker 2>wrote of his transatlantic voyage from America to England. Quote,

0:21:59.040 --> 0:22:01.480
<v Speaker 2>I am barked for your aboard the city of Rome,

0:22:01.800 --> 0:22:04.320
<v Speaker 2>said to be the second largest steamer on earth. At

0:22:04.320 --> 0:22:06.800
<v Speaker 2>the end of the voyage, a periodical is printed on board.

0:22:06.880 --> 0:22:09.159
<v Speaker 2>I met many people here, and as I had with

0:22:09.240 --> 0:22:12.160
<v Speaker 2>me a yo Yo, the Europeans and Americans were astonished

0:22:12.160 --> 0:22:14.119
<v Speaker 2>to see how I used it as a weapon of attack.

0:22:14.720 --> 0:22:15.919
<v Speaker 1>I think he's being cute.

0:22:16.000 --> 0:22:18.320
<v Speaker 2>I think he may well be ben but it is

0:22:18.520 --> 0:22:21.359
<v Speaker 2>it is evidence we can point to. Meisenheimer goes on.

0:22:21.400 --> 0:22:23.120
<v Speaker 2>So unless you want to dispute one of the most

0:22:23.200 --> 0:22:26.560
<v Speaker 2>famous Filipino historical figures writing, the question becomes not was

0:22:26.600 --> 0:22:28.719
<v Speaker 2>the yoyo used as a weapon in the Philippines, but

0:22:28.920 --> 0:22:31.159
<v Speaker 2>how was it used? So this is a point of

0:22:31.240 --> 0:22:34.240
<v Speaker 2>much speculation. I think we pointed out one possible use.

0:22:34.720 --> 0:22:39.440
<v Speaker 2>Another would be the thick leather cord of a particular

0:22:39.600 --> 0:22:42.800
<v Speaker 2>design of yo yo, perhaps used like a sarong in

0:22:42.880 --> 0:22:45.760
<v Speaker 2>martial arts, which is sort of that garat kind of situation,

0:22:46.440 --> 0:22:49.080
<v Speaker 2>and the suggestion that this mechanism allowed it.

0:22:49.040 --> 0:22:49.959
<v Speaker 1>To be concealed.

0:22:50.480 --> 0:22:53.560
<v Speaker 2>And there also appears to be a kind of startorial

0:22:54.119 --> 0:22:56.439
<v Speaker 2>version of this, where the thick leather cord of a

0:22:56.440 --> 0:22:58.919
<v Speaker 2>particular design of yoyo might have been used to like

0:22:59.000 --> 0:23:03.040
<v Speaker 2>wrap a or you know, sort of a stand in

0:23:03.119 --> 0:23:06.840
<v Speaker 2>for like underwear of some kind. Doctor Rissol had training

0:23:06.840 --> 0:23:10.479
<v Speaker 2>in martial arts, and it suggested that this is the

0:23:10.520 --> 0:23:13.960
<v Speaker 2>mechanism he used the yoyo as a weapon. It's basically

0:23:13.960 --> 0:23:15.119
<v Speaker 2>a concealed weapon.

0:23:15.800 --> 0:23:20.520
<v Speaker 1>Okay. I also think Risol, who is a national hero

0:23:20.600 --> 0:23:23.960
<v Speaker 1>of the Philippines. I also think he was being a

0:23:23.960 --> 0:23:28.760
<v Speaker 1>bit diplomatic when he was on this transatlantic voyage, and

0:23:28.840 --> 0:23:32.919
<v Speaker 1>maybe he was conversationally disarming people.

0:23:33.080 --> 0:23:34.840
<v Speaker 2>I think you're right, Ben, I do think you're right,

0:23:34.840 --> 0:23:37.920
<v Speaker 2>but I did think it was worth mentioning. So now

0:23:37.960 --> 0:23:42.040
<v Speaker 2>as we've already teased Ben, we've got mister Duncan entering

0:23:42.119 --> 0:23:42.600
<v Speaker 2>the chat.

0:23:43.080 --> 0:23:46.560
<v Speaker 1>Which is I think a name inextricably linked for all

0:23:46.640 --> 0:23:51.920
<v Speaker 1>time to the yo Yo. Yes, yeah, if you had

0:23:52.000 --> 0:23:55.359
<v Speaker 1>a yo yo in the United States, you probably had

0:23:55.400 --> 0:24:01.280
<v Speaker 1>one from Donald F. Duncan, Chicago businessman who read into

0:24:01.359 --> 0:24:05.880
<v Speaker 1>his first yo Yo on a business trip to San

0:24:05.920 --> 0:24:10.880
<v Speaker 1>Francisco in nineteen twenty eight, and the person he saw

0:24:11.240 --> 0:24:14.919
<v Speaker 1>using the yo yo was a guy named Pedro Flores,

0:24:15.359 --> 0:24:17.480
<v Speaker 1>recently arrived from the Philippines.

0:24:17.920 --> 0:24:22.640
<v Speaker 2>For sure, he had already begun selling a toy labeled

0:24:22.640 --> 0:24:25.639
<v Speaker 2>with the name yo Yo, meaning come come in the

0:24:25.720 --> 0:24:28.360
<v Speaker 2>native language of the Philippines, which I guess that that

0:24:28.359 --> 0:24:31.719
<v Speaker 2>that's Trigallas. I think that's right, Ben, I'm not one

0:24:31.800 --> 0:24:35.480
<v Speaker 2>hundred percent sure. I do have another source from the

0:24:35.520 --> 0:24:39.200
<v Speaker 2>Smithsonian and they just refer to the native language of

0:24:39.240 --> 0:24:42.760
<v Speaker 2>the Philippines. So there may well be more than one,

0:24:42.880 --> 0:24:47.520
<v Speaker 2>but tone languages for sure. For sure, yoyo does what

0:24:47.640 --> 0:24:50.240
<v Speaker 2>I know of tagalag that does kind of track.

0:24:50.680 --> 0:24:54.840
<v Speaker 1>Okay, yeah, that makes sense. That makes sense. So it's

0:24:55.200 --> 0:24:58.680
<v Speaker 1>nineteen twenty nine. We're in the early days of that

0:24:58.800 --> 0:25:03.200
<v Speaker 1>year and Floory's has, as you said, he's created this

0:25:03.280 --> 0:25:08.200
<v Speaker 1>company Yo Yo Come Come. He gets his financing, he

0:25:08.240 --> 0:25:13.480
<v Speaker 1>gets his investors, his backers, and he makes correct me yournal.

0:25:13.680 --> 0:25:18.160
<v Speaker 1>He makes more than one hundred thousand of these toys yep.

0:25:18.200 --> 0:25:21.400
<v Speaker 2>Carved out of wood. He trademarks the name yo Yo,

0:25:21.680 --> 0:25:24.919
<v Speaker 2>and then he realizes a real kicker that this definitely

0:25:24.920 --> 0:25:28.040
<v Speaker 2>becomes part of the Duncan model. I think we all

0:25:28.080 --> 0:25:30.880
<v Speaker 2>know this. It is not something that is intuitively easy

0:25:30.960 --> 0:25:35.159
<v Speaker 2>to do well right, playing with the yo Yo. It's tricky.

0:25:35.240 --> 0:25:36.560
<v Speaker 2>You got to kind of know what you're doing. You

0:25:36.600 --> 0:25:39.119
<v Speaker 2>gotta have practice, and you first of all have to

0:25:39.119 --> 0:25:41.919
<v Speaker 2>be shown how to do it. So he assembles a

0:25:42.000 --> 0:25:46.280
<v Speaker 2>crack team of yo Yo masters to demonstrate some basic

0:25:46.359 --> 0:25:50.280
<v Speaker 2>tricks and get people on board with this toy.

0:25:50.960 --> 0:25:53.919
<v Speaker 1>You too can walk the dog. And this is where

0:25:54.160 --> 0:25:57.560
<v Speaker 1>our buddy Duncan comes into play. All right, So we've

0:25:57.560 --> 0:26:00.479
<v Speaker 1>seen this out on the West Coast. He is a marketer,

0:26:00.800 --> 0:26:05.080
<v Speaker 1>he is an entrepreneur, and get this, he is already

0:26:05.280 --> 0:26:10.280
<v Speaker 1>a manufacturer of wooden novelty items and toys, so he

0:26:10.400 --> 0:26:13.040
<v Speaker 1>has the infrastructure to make this happen.

0:26:13.359 --> 0:26:16.480
<v Speaker 2>Yeah, it just reminds me of the movie The Hudsucker

0:26:16.520 --> 0:26:20.159
<v Speaker 2>Proxy about the sort of like fanciful version of the

0:26:20.200 --> 0:26:22.560
<v Speaker 2>introduction of the hula hoop, and they keep saying, you know,

0:26:22.680 --> 0:26:25.280
<v Speaker 2>for kids, but they have a real hard time in

0:26:25.440 --> 0:26:29.000
<v Speaker 2>the movie figuring out how.

0:26:28.720 --> 0:26:30.480
<v Speaker 1>To sell the thing.

0:26:30.560 --> 0:26:33.960
<v Speaker 2>It's basically just a hoop, and it takes this one

0:26:34.080 --> 0:26:36.399
<v Speaker 2>kid on the street picking it up and starting to

0:26:36.760 --> 0:26:39.160
<v Speaker 2>shimmy it around his hips before all the other kids

0:26:39.200 --> 0:26:40.800
<v Speaker 2>see him do it, and then they got to do

0:26:40.880 --> 0:26:41.119
<v Speaker 2>it too.

0:26:41.200 --> 0:26:42.760
<v Speaker 1>They got to figure out how to do it. They

0:26:42.800 --> 0:26:44.800
<v Speaker 1>got to get one. That's what kicks off the craze.

0:26:44.840 --> 0:26:49.840
<v Speaker 2>So demonstration is key here and he Duncan raises five

0:26:49.880 --> 0:26:51.920
<v Speaker 2>thousand bucks, which a lot of money at that time. Gosh,

0:26:51.960 --> 0:26:55.639
<v Speaker 2>we should probably do an inflation calculator and a dude

0:26:55.880 --> 0:27:04.920
<v Speaker 2>a boop five thousand In nineteen thirty two money is

0:27:06.160 --> 0:27:09.520
<v Speaker 2>around one hundred and eighteen thousand, seven hundred and five

0:27:09.600 --> 0:27:13.119
<v Speaker 2>dollars and eleven cents roughly today.

0:27:13.160 --> 0:27:18.280
<v Speaker 1>And with this windfall, Duncan, as we have it here

0:27:18.320 --> 0:27:23.959
<v Speaker 1>in the notes, secures Flores's remaining assets. He also acquires

0:27:24.040 --> 0:27:28.639
<v Speaker 1>that trademark Yo Yo. The trademark will not expire until

0:27:28.760 --> 0:27:33.960
<v Speaker 1>decades and decades later in nineteen sixty five, and competing

0:27:34.359 --> 0:27:39.359
<v Speaker 1>plastic yo yos begin to outsell the wooden ones. That's

0:27:39.400 --> 0:27:42.800
<v Speaker 1>what happens in the mid nineteen sixties. But for decades

0:27:43.359 --> 0:27:47.280
<v Speaker 1>Duncan was the monopoly man of yo yo's, and they

0:27:47.320 --> 0:27:50.680
<v Speaker 1>were mostly wooden, and they mostly came from this one

0:27:50.760 --> 0:27:52.080
<v Speaker 1>guy's company, yep.

0:27:52.160 --> 0:27:55.800
<v Speaker 2>And he took Flores's lead and did the very same

0:27:55.800 --> 0:27:59.120
<v Speaker 2>thing in terms of assembling these demonstration crews. Who would

0:27:59.160 --> 0:28:02.000
<v Speaker 2>go to school, who would you know, hang out in

0:28:02.040 --> 0:28:04.399
<v Speaker 2>Times not Times Square, but like you know, public parks

0:28:04.400 --> 0:28:06.800
<v Speaker 2>and maybe Times Square, various places in New York City

0:28:06.840 --> 0:28:08.840
<v Speaker 2>as well street as well as on the West Coast

0:28:08.960 --> 0:28:13.840
<v Speaker 2>exactly been. But the real marketing genius comes when he

0:28:13.920 --> 0:28:18.080
<v Speaker 2>approaches a guy you might have heard of, mister William

0:28:18.200 --> 0:28:24.200
<v Speaker 2>Randolph Hurst, the owner of the country's largest chain of newspapers,

0:28:25.040 --> 0:28:28.080
<v Speaker 2>and he decides that to offer kind of a trade

0:28:28.200 --> 0:28:30.000
<v Speaker 2>sort of put his money where his mouth is in

0:28:30.040 --> 0:28:32.560
<v Speaker 2>a way, or at the very least say I've got

0:28:32.560 --> 0:28:35.119
<v Speaker 2>an idea for you, mister Hurst, how we can do

0:28:35.200 --> 0:28:38.080
<v Speaker 2>some in we can help each other out. He comes

0:28:38.160 --> 0:28:40.240
<v Speaker 2>up with the idea to launch the yo yo and

0:28:40.280 --> 0:28:46.400
<v Speaker 2>feature them in newspaper ads advertising yo yo competitions. He

0:28:47.280 --> 0:28:49.880
<v Speaker 2>proposed to mister Hurst that if Hurst gave him free

0:28:49.920 --> 0:28:55.720
<v Speaker 2>advertising space, he could help increase the papers circulations through

0:28:55.800 --> 0:29:00.200
<v Speaker 2>these advertisements because he had the genius idea of it

0:29:00.280 --> 0:29:03.400
<v Speaker 2>be a caveat of entering. A prerequisite for entering the

0:29:03.440 --> 0:29:07.360
<v Speaker 2>contest that kids had to sell two to three subscriptions

0:29:07.400 --> 0:29:08.560
<v Speaker 2>to the newspaper.

0:29:09.080 --> 0:29:13.000
<v Speaker 1>Amazing, amazing, and we also have to shout out. It

0:29:13.200 --> 0:29:16.560
<v Speaker 1>just hit me now reading through research here, it just

0:29:16.680 --> 0:29:22.160
<v Speaker 1>hit me. That's why yo yo's became such a trope

0:29:22.400 --> 0:29:26.800
<v Speaker 1>in later political cartoons. Absolutely because you would have a

0:29:26.920 --> 0:29:32.320
<v Speaker 1>yo yo competition entirely tied in with the empire of

0:29:32.440 --> 0:29:36.520
<v Speaker 1>William Randolph Hurst. Oh that's brilliant. Oh I feel so cold,

0:29:36.840 --> 0:29:38.800
<v Speaker 1>It's pretty Yeah, it's chilly for sure.

0:29:45.400 --> 0:29:47.520
<v Speaker 2>Hurst is a little bit on the fence about this,

0:29:47.680 --> 0:29:49.600
<v Speaker 2>so he decides to test it in a little bit

0:29:49.600 --> 0:29:53.440
<v Speaker 2>of a pilot experiment just using his Chicago newspaper, and

0:29:53.480 --> 0:29:57.000
<v Speaker 2>in six weeks, the popularity of the Yo Yo and

0:29:57.040 --> 0:30:02.480
<v Speaker 2>these competitions sold him fifty thousand new subscriptions, which gave

0:30:02.600 --> 0:30:07.000
<v Speaker 2>him the confidence he needed to give Duncan free ad

0:30:07.000 --> 0:30:09.640
<v Speaker 2>space and his papers all around the nation.

0:30:10.760 --> 0:30:15.280
<v Speaker 1>And then we see some more tremendous marketing by mister Duncan.

0:30:16.040 --> 0:30:20.360
<v Speaker 1>The patriarch of the Yo Yo now sends a bunch

0:30:20.440 --> 0:30:25.000
<v Speaker 1>of street teams out professional Yo Yo demonstrators city the

0:30:25.080 --> 0:30:28.960
<v Speaker 1>city schoolyard near your own. It's kind of like the

0:30:29.000 --> 0:30:34.800
<v Speaker 1>brilliant thing that Oscar Meyer would later do bymobiles. Yeah,

0:30:34.840 --> 0:30:37.320
<v Speaker 1>so they basically, they said, the Yo Yo version of

0:30:37.400 --> 0:30:43.000
<v Speaker 1>wienermobiles across the United States, across the land, and they

0:30:43.040 --> 0:30:48.400
<v Speaker 1>promote these local contests. Kids learn tricks, they get very invested,

0:30:48.440 --> 0:30:53.560
<v Speaker 1>they create their own grassroots independent communities. And now Duncan

0:30:53.880 --> 0:30:56.520
<v Speaker 1>is like the Willie Wonka of yoyo's.

0:30:57.200 --> 0:31:00.800
<v Speaker 2>And there's actually a name that they're using for these demonstrators.

0:31:00.800 --> 0:31:05.000
<v Speaker 2>They called them Duncan Professionals, and a lot of these

0:31:05.040 --> 0:31:09.880
<v Speaker 2>folks actually went on to start some companies that would

0:31:09.880 --> 0:31:13.800
<v Speaker 2>give Duncan a run for their money. Once that trademark

0:31:13.880 --> 0:31:16.120
<v Speaker 2>ran out, we'll get a little more into that. But

0:31:16.520 --> 0:31:19.280
<v Speaker 2>what Duncan also was really good at was tapping into

0:31:19.400 --> 0:31:23.600
<v Speaker 2>name recognition and celebrities. We had folks like Douglas Fairbanks,

0:31:23.640 --> 0:31:25.800
<v Speaker 2>Mary Pickford. These are names that maybe won't ring as

0:31:25.880 --> 0:31:28.719
<v Speaker 2>much of a bell to a modern ear. Baseball Hall

0:31:28.760 --> 0:31:31.480
<v Speaker 2>of Famer Luke Garrig you probably have heard of Hack Wilson.

0:31:31.800 --> 0:31:34.840
<v Speaker 1>All of these folks were photographed.

0:31:34.200 --> 0:31:37.680
<v Speaker 2>Using their Yo yo's and would participate in paid promotions

0:31:38.280 --> 0:31:40.760
<v Speaker 2>with movie icons like what is it our gang?

0:31:40.800 --> 0:31:44.880
<v Speaker 1>Isn't it the Little Rascals? Yeah, yeah, yeah, yep. And

0:31:45.120 --> 0:31:50.440
<v Speaker 1>they were promoting specific brands of Yo Yo's at different times,

0:31:50.520 --> 0:31:53.880
<v Speaker 1>all owned by Duncan, by the way, things like Gold

0:31:54.000 --> 0:32:00.680
<v Speaker 1>Seal and Oh Boy yo Yo's. If a town did

0:32:00.760 --> 0:32:05.560
<v Speaker 1>not have a visible local celebrity, then you just got

0:32:05.560 --> 0:32:10.360
<v Speaker 1>the police commissioner or the mayor or another high ranking

0:32:10.480 --> 0:32:14.720
<v Speaker 1>public official to be in a photograph holding a Yo yo.

0:32:15.200 --> 0:32:17.080
<v Speaker 2>And I just got to read this directly from our

0:32:17.120 --> 0:32:21.480
<v Speaker 2>expert Lucky Meisenheimer, MD, because he puts it so beautifully,

0:32:22.000 --> 0:32:26.400
<v Speaker 2>this idea that Duncan may have ruined themselves in their

0:32:26.480 --> 0:32:29.960
<v Speaker 2>own effective marketing because their success with promoting the toy

0:32:30.000 --> 0:32:33.320
<v Speaker 2>over four decades made the word yoyo a household name,

0:32:34.040 --> 0:32:36.360
<v Speaker 2>almost more than the association with.

0:32:36.360 --> 0:32:38.240
<v Speaker 1>Duncan in some ways.

0:32:38.840 --> 0:32:42.440
<v Speaker 2>Once the pat or the trademark ran out, you started

0:32:42.480 --> 0:32:45.680
<v Speaker 2>to see challenges to Duncan's soul right to use that name,

0:32:45.760 --> 0:32:49.320
<v Speaker 2>made by folks like Joe Radavan of the Royal Yo

0:32:49.400 --> 0:32:53.120
<v Speaker 2>Yo Company. And to our previous point, Radavan was one

0:32:53.160 --> 0:32:58.600
<v Speaker 2>of those early Duncan professionals who himself was from the Philippines,

0:32:58.680 --> 0:33:01.480
<v Speaker 2>so it's very full circle. In nineteen thirty seven he

0:33:01.600 --> 0:33:04.400
<v Speaker 2>left Duncan and formed his own company, and in nineteen

0:33:04.400 --> 0:33:07.840
<v Speaker 2>sixty five, after a lengthy court battle, Duncan was stripped

0:33:07.880 --> 0:33:11.120
<v Speaker 2>of that trademark protection by the courts, which determined that

0:33:11.120 --> 0:33:15.160
<v Speaker 2>the word yo yo had at this point ben become generic.

0:33:15.760 --> 0:33:20.920
<v Speaker 1>Yes, yeah, now, because you can't own the word paper, right,

0:33:21.640 --> 0:33:25.840
<v Speaker 1>you can't own the concept of wind or hats or

0:33:26.760 --> 0:33:30.000
<v Speaker 1>what's another one, shoe feet no wow. Yeah.

0:33:30.040 --> 0:33:32.320
<v Speaker 2>However, though, that's not the case in other countries, because,

0:33:32.320 --> 0:33:35.479
<v Speaker 2>as Meisenheimer points out, there are other countries like Canada

0:33:35.520 --> 0:33:40.400
<v Speaker 2>where the word yoyo is still under trademark protection. The

0:33:40.520 --> 0:33:43.720
<v Speaker 2>sixties saw a little bit of a wane in the

0:33:43.800 --> 0:33:48.440
<v Speaker 2>popularity of yo yo's as new toys and you know,

0:33:48.600 --> 0:33:52.000
<v Speaker 2>gadgets and things made it start to feel a little

0:33:52.000 --> 0:33:55.640
<v Speaker 2>bit you know, old hat, a little bit antiquated. But

0:33:55.720 --> 0:34:02.560
<v Speaker 2>in the eighties the yoyo experienced a massives with a

0:34:02.680 --> 0:34:07.000
<v Speaker 2>new modern design. The new yoyos were made of plastic

0:34:07.040 --> 0:34:10.200
<v Speaker 2>and had a ball bearing axle that made them a

0:34:10.239 --> 0:34:15.200
<v Speaker 2>lot zippier allowed them to perform even longer sleeps or

0:34:15.239 --> 0:34:17.560
<v Speaker 2>spin times right where you hold it at the bottom.

0:34:17.600 --> 0:34:21.160
<v Speaker 2>It's called making it sleep, and even more complex tricks.

0:34:21.760 --> 0:34:24.960
<v Speaker 2>That's when we see the American Yo Yo Association clocking

0:34:25.000 --> 0:34:28.319
<v Speaker 2>the world sleep record for a fixed axle yo yo

0:34:28.520 --> 0:34:34.080
<v Speaker 2>in nineteen ninety one by Dale Oliver at fifty one seconds.

0:34:33.360 --> 0:34:38.320
<v Speaker 1>And as recently as two thousand and one we see

0:34:38.360 --> 0:34:42.880
<v Speaker 1>that that record has been dwarfed. The American Yoyo Association's

0:34:42.920 --> 0:34:47.320
<v Speaker 1>world record in twenty twenty one for sleep was thirteen

0:34:47.360 --> 0:34:52.800
<v Speaker 1>minutes and five seconds, set by the legendary Rick Wyatt.

0:34:52.520 --> 0:34:54.600
<v Speaker 2>One hundred percent. Ben I wouldn't be surprised if it's

0:34:54.600 --> 0:34:58.640
<v Speaker 2>been further dwarfed by now, because yo yo ing is

0:34:58.640 --> 0:35:00.960
<v Speaker 2>is you know, you could a it's niche. It's not

0:35:01.040 --> 0:35:03.200
<v Speaker 2>like an Olympic sport or anything. It doesn't quite have

0:35:03.280 --> 0:35:06.480
<v Speaker 2>the same cachet as say X games type sports, but

0:35:06.600 --> 0:35:09.400
<v Speaker 2>is getting there because there's a lot of like pretty

0:35:09.440 --> 0:35:12.120
<v Speaker 2>cool people that are into yo yoing, like our very

0:35:12.160 --> 0:35:15.600
<v Speaker 2>own Fay Webster, who is a fantastic musician from here

0:35:15.600 --> 0:35:18.360
<v Speaker 2>in Atlanta who has a lot of connections to the

0:35:18.440 --> 0:35:21.600
<v Speaker 2>hip hop community here, started off her career as a photographer,

0:35:22.360 --> 0:35:24.600
<v Speaker 2>you know, hanging out with folks like Lil YACHTI and

0:35:24.920 --> 0:35:28.600
<v Speaker 2>various other rappers from the scene. Her music isn't really

0:35:28.600 --> 0:35:31.000
<v Speaker 2>in that vein at all. It's much more kind of awesome, crooney,

0:35:32.000 --> 0:35:37.320
<v Speaker 2>very delightful, Billie holiday asque kind of music, vocal music

0:35:38.120 --> 0:35:41.360
<v Speaker 2>because I sound like a grandpa myself. But she actually

0:35:41.480 --> 0:35:45.160
<v Speaker 2>is a huge yoyo officionado, and I believe she's doing

0:35:45.560 --> 0:35:48.960
<v Speaker 2>Yo Yo Invitational right here in Atlanta, So it's really

0:35:49.000 --> 0:35:51.880
<v Speaker 2>cool to see that connection right here in our in

0:35:51.920 --> 0:35:56.520
<v Speaker 2>our hometown. The modern National Yo Yo Championships were first

0:35:56.600 --> 0:36:00.480
<v Speaker 2>held in Chico, California in nineteen ninety three recent pretty

0:36:00.480 --> 0:36:03.160
<v Speaker 2>recent under the direction of a guy named Bob Maloney,

0:36:03.160 --> 0:36:06.560
<v Speaker 2>who later became the director of the National Yoyo Museum

0:36:06.680 --> 0:36:11.520
<v Speaker 2>in Chico. And this is again coming from Lucky Weisenheimer MD.

0:36:12.320 --> 0:36:15.719
<v Speaker 2>They changed, though, however, drastically in nineteen ninety six, just

0:36:15.800 --> 0:36:19.359
<v Speaker 2>the landscape of competitive yo yoing when a guy named

0:36:19.360 --> 0:36:24.399
<v Speaker 2>Alex Garcia won the very first freestyle competition. Now that's

0:36:24.440 --> 0:36:27.600
<v Speaker 2>what we're talking about, and what makes it freestyle is

0:36:28.200 --> 0:36:31.920
<v Speaker 2>the type of yo yo where the yoyo is no

0:36:32.000 --> 0:36:34.680
<v Speaker 2>longer attached to your finger, but it's attached to a

0:36:34.719 --> 0:36:37.319
<v Speaker 2>counterweight that's held in your hand, which allows you to

0:36:37.320 --> 0:36:40.560
<v Speaker 2>do tricks that completely disconnect the yo yo from your

0:36:40.640 --> 0:36:43.840
<v Speaker 2>body and the actual yo yo from the string. You

0:36:43.880 --> 0:36:46.120
<v Speaker 2>can pop it off and then roll it back on.

0:36:46.239 --> 0:36:49.800
<v Speaker 2>There's all kinds of really really really magic, cool tricks

0:36:49.840 --> 0:36:52.319
<v Speaker 2>that you can do with this free hand style of

0:36:52.440 --> 0:36:56.520
<v Speaker 2>yo yoing. I would just really encourage anyone out there

0:36:56.560 --> 0:36:59.200
<v Speaker 2>to just google or do some YouTube searches of some

0:36:59.320 --> 0:37:03.080
<v Speaker 2>of the top yoyos across the country and around the world,

0:37:03.120 --> 0:37:04.799
<v Speaker 2>because there's some stuff that's going to blow your mind.

0:37:06.160 --> 0:37:09.840
<v Speaker 1>Yeah, and we know this is still look, it's not

0:37:09.960 --> 0:37:13.200
<v Speaker 1>the halcyon Ds of the nineteen sixties, but the yo

0:37:13.280 --> 0:37:16.000
<v Speaker 1>yo is a cool idea. It's a lot of fun.

0:37:16.160 --> 0:37:19.360
<v Speaker 1>It's a popular toy. If you have kids and you

0:37:19.520 --> 0:37:23.439
<v Speaker 1>want them to have something kinetic to play with that's

0:37:23.480 --> 0:37:26.600
<v Speaker 1>not going to hurt too many people, then forego the

0:37:26.680 --> 0:37:28.440
<v Speaker 1>nunchucks and get the yo yo.

0:37:28.680 --> 0:37:32.960
<v Speaker 2>Get them a yo yo. Competitive yo yos today can

0:37:33.000 --> 0:37:36.600
<v Speaker 2>spend at up to eight thousand revolutions per minute. They're

0:37:36.640 --> 0:37:40.239
<v Speaker 2>typically made of aluminum, titanium, or steel, and they are

0:37:40.560 --> 0:37:45.840
<v Speaker 2>produced with extremely exacting machining standards.

0:37:46.400 --> 0:37:49.640
<v Speaker 1>I want, you know what, I want a comic book

0:37:49.680 --> 0:37:54.799
<v Speaker 1>adaptation of a superhero that uses a yo yo, Like

0:37:55.000 --> 0:37:58.440
<v Speaker 1>you know, the way Daredevil uses the sticks or the

0:37:58.440 --> 0:38:01.960
<v Speaker 1>way Batman uses the rings. It'd be cool to have

0:38:02.000 --> 0:38:03.600
<v Speaker 1>a yo yo superhero.

0:38:03.800 --> 0:38:06.719
<v Speaker 2>I completely agree, Ben, And there's no doubt that that

0:38:06.800 --> 0:38:10.640
<v Speaker 2>yoyo superhero would be able to do most of, if

0:38:10.680 --> 0:38:13.839
<v Speaker 2>not all, of, some of the modern tricks that we're

0:38:13.840 --> 0:38:15.600
<v Speaker 2>just gonna rattle off for you real quick as we

0:38:15.640 --> 0:38:19.279
<v Speaker 2>wrap up this episode. Not no longer the Humble, Walk

0:38:19.360 --> 0:38:22.080
<v Speaker 2>the Dog, or Rock the Baby, Rock the Cradle, whatever

0:38:22.120 --> 0:38:22.759
<v Speaker 2>you want to call it.

0:38:23.040 --> 0:38:26.280
<v Speaker 1>We're talking about things like the Elevator, the brain Twister.

0:38:26.400 --> 0:38:30.360
<v Speaker 2>These all sound like roller coasters, the mock five personal

0:38:30.400 --> 0:38:33.520
<v Speaker 2>favorite here, the Poppin Fresh.

0:38:33.920 --> 0:38:37.160
<v Speaker 1>I've got some firstal favorites as well. I love that

0:38:37.239 --> 0:38:41.320
<v Speaker 1>there is a potential for combos in these moves Trapeze

0:38:41.360 --> 0:38:45.480
<v Speaker 1>trapeze and brother trapeze and Brother slack rther that of

0:38:45.520 --> 0:38:47.640
<v Speaker 1>course double or nothing. Oh, of course we.

0:38:47.680 --> 0:38:50.920
<v Speaker 2>Got the zipper, the split bottom mounts, the Revolution and

0:38:50.960 --> 0:38:54.959
<v Speaker 2>the reverse to your previous list Ben Slack Trapeze. Why

0:38:55.040 --> 0:38:57.000
<v Speaker 2>is that what in all caps? I don't know, man,

0:38:57.160 --> 0:38:59.600
<v Speaker 2>it just seems really extra. It's very intense. I had

0:38:59.640 --> 0:39:01.799
<v Speaker 2>to get the win across. We've got the we got

0:39:01.880 --> 0:39:06.560
<v Speaker 2>various whips, Ben, the jade, the iron, the plastic, the rejection.

0:39:07.960 --> 0:39:13.400
<v Speaker 1>The Kamakase mount is uh interesting, and then there's whipped

0:39:13.400 --> 0:39:17.000
<v Speaker 1>to Kama case. And then there's the Houdini mount, but

0:39:17.200 --> 0:39:18.560
<v Speaker 1>not spelled the way you think.

0:39:18.680 --> 0:39:20.279
<v Speaker 2>It's not spelled the way you think it could be

0:39:20.280 --> 0:39:22.279
<v Speaker 2>a typo in this thing, but it might not as well.

0:39:22.320 --> 0:39:24.840
<v Speaker 2>I think the mount is when you like it's just

0:39:24.920 --> 0:39:26.640
<v Speaker 2>one of those ones where I think that the yoyo

0:39:26.680 --> 0:39:29.000
<v Speaker 2>disconnects on the string and then you pop it back on.

0:39:29.040 --> 0:39:29.800
<v Speaker 1>If I'm not mistaken.

0:39:29.800 --> 0:39:32.760
<v Speaker 2>I've seen some videos where the titles of the tricks

0:39:32.960 --> 0:39:39.239
<v Speaker 2>were listening underneath it and it's ringing a Bellhiste's the

0:39:39.239 --> 0:39:44.319
<v Speaker 2>cold Fusion, the spiritual successor to walk the dog skin.

0:39:44.440 --> 0:39:50.279
<v Speaker 1>The gerbil, Now, come on, that's egregious. It is do

0:39:50.320 --> 0:39:53.640
<v Speaker 1>you hate no? I like gerbils. They're cute. I got

0:39:53.640 --> 0:39:55.480
<v Speaker 1>no problem with trolls. I didn't invent the name.

0:39:55.800 --> 0:39:59.240
<v Speaker 2>Uh the gyroscopic flop, which sounds like a bad trip

0:39:59.280 --> 0:39:59.920
<v Speaker 2>to the doc.

0:40:01.000 --> 0:40:05.200
<v Speaker 1>Now that's that's an endoscopic flop. That's different. Hey, the

0:40:05.239 --> 0:40:09.200
<v Speaker 1>ping pong mm hmm yeah. Check out our earlier episode

0:40:09.280 --> 0:40:13.839
<v Speaker 1>on the evolution of table tennis or ping pong. We

0:40:13.960 --> 0:40:18.640
<v Speaker 1>have so many other names, tricks, hooks, all kinds of sides.

0:40:18.880 --> 0:40:22.480
<v Speaker 1>We got a gunslinger, we got a grind. I don't

0:40:22.520 --> 0:40:25.920
<v Speaker 1>know what the one point five Eli Hopp is now,

0:40:25.960 --> 0:40:28.600
<v Speaker 1>but I hope it's named after a guy I do too.

0:40:28.760 --> 0:40:30.840
<v Speaker 2>And a lot of these start to take on names

0:40:31.280 --> 0:40:35.799
<v Speaker 2>very closely resembling skateboard tricks, and it really is at

0:40:35.800 --> 0:40:39.080
<v Speaker 2>that level of cool to it to a certain degree now,

0:40:39.239 --> 0:40:42.040
<v Speaker 2>like where people are making really cool videos of doing

0:40:42.160 --> 0:40:45.080
<v Speaker 2>yoyo tricks. Also, like another thing that I enjoy is

0:40:45.120 --> 0:40:49.520
<v Speaker 2>something called krdistry, where people are manipulating and doing crazy

0:40:49.560 --> 0:40:53.799
<v Speaker 2>tricks with playing cards, not magic tricks, but just manipulating

0:40:53.840 --> 0:40:57.720
<v Speaker 2>them and you know, doing crazy riffle shaking roll like water,

0:40:57.800 --> 0:41:00.719
<v Speaker 2>making them roll like water. And this is another kind

0:41:00.719 --> 0:41:03.160
<v Speaker 2>of spiritual successor to that. And there's tons of content

0:41:03.200 --> 0:41:05.560
<v Speaker 2>out there if you want to check it out. So

0:41:05.880 --> 0:41:09.480
<v Speaker 2>that's it for Yo Yo's man, So don't get out

0:41:09.480 --> 0:41:13.160
<v Speaker 2>there and try yourself for Yoyo dope schmo Yo.

0:41:14.200 --> 0:41:18.600
<v Speaker 1>Wonderful title, wonderful story. This makes me want to grab

0:41:18.920 --> 0:41:22.480
<v Speaker 1>yo yo myself. We can't wait to hear your stories. No,

0:41:22.760 --> 0:41:25.640
<v Speaker 1>we're probably going to get some feedback on this one

0:41:25.800 --> 0:41:29.280
<v Speaker 1>from people who send us cool clips of them doing

0:41:29.640 --> 0:41:33.240
<v Speaker 1>yo yo tricks. Big thanks to our super producer, mister

0:41:33.320 --> 0:41:37.319
<v Speaker 1>Max Williams. Big thanks to our research associate for this episode,

0:41:37.560 --> 0:41:39.440
<v Speaker 1>none other than mister Noel Brown.

0:41:39.480 --> 0:41:42.200
<v Speaker 2>Oh, thank you kindly, Ben, Thanks to Alex Williams who

0:41:42.200 --> 0:41:46.080
<v Speaker 2>composed our theme, Christopher Rosiotis and Eve's Jeff Coates here

0:41:46.120 --> 0:41:46.600
<v Speaker 2>in spirit.

0:41:47.040 --> 0:41:50.759
<v Speaker 1>And thanks to our heist colleagues Ridiculous Crime. If you

0:41:50.840 --> 0:41:54.560
<v Speaker 1>dig us, you'll love them. Big thanks of course to

0:41:55.000 --> 0:42:00.400
<v Speaker 1>aj Bahamas, Jacobs, Doctor Rachel Big, Spinach, Lance and Polite.

0:42:00.480 --> 0:42:03.440
<v Speaker 1>How do you do? To Jonathan Strickland to aka the Quist?

0:42:03.880 --> 0:42:04.040
<v Speaker 2>Yes?

0:42:04.239 --> 0:42:07.799
<v Speaker 1>Fine? How do you do? Indeed, do you sir. We'll

0:42:07.800 --> 0:42:08.880
<v Speaker 1>see you next time, folks.

0:42:15.719 --> 0:42:19.520
<v Speaker 2>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:42:19.600 --> 0:42:21.760
<v Speaker 2>or wherever you listen to your favorite shows.