WEBVTT - D. Woods Interview

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<v Speaker 1>Real people, real celebrity join the Breakfast Morning. Everybody is

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<v Speaker 1>DJ Envy Angela Yee, Charlemagne the guy. We are the

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<v Speaker 1>Breakfast Club special guests in the building. Yeah, former member

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<v Speaker 1>of Danity King didn't like your favorite. You get tired

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<v Speaker 1>of hand that former member of Danity King. I mean,

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<v Speaker 1>I am a former member of Dannity King, so I

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<v Speaker 1>can't really be tired of it. I mean, but I

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<v Speaker 1>do like to be called d Woods you know. But

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<v Speaker 1>why didn't never invite you to the Dannity can't? You

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<v Speaker 1>know what? Charlomagne, Look, I got this tea in my

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<v Speaker 1>cup and we ain't about to spill it all over

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<v Speaker 1>this nice control booth here. I ain't paying for none

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<v Speaker 1>of this equipment in here, so we're gonna keep all

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<v Speaker 1>the tea in the cup. But um, you know, we

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<v Speaker 1>had a lot of conversation about that whole thing, and

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<v Speaker 1>I love the things that you told me. You said,

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<v Speaker 1>you know, why be real with fake people? You told

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<v Speaker 1>me that out your mouth you saw the other girls

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<v Speaker 1>fake Charlemagne girl, you're trying to start something people. Okay,

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<v Speaker 1>we know we're talking about Okay, you know we're speaking

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<v Speaker 1>about over here, But um, I was really excited, you know,

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<v Speaker 1>to continue with my career. Um, things that I wasn't

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<v Speaker 1>able to show in the group. I'm doing now, um

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<v Speaker 1>expressing all of my talents. I'm a triple threat and

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<v Speaker 1>I also owned my own record label, so you know,

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<v Speaker 1>I'm just moving up and moving on, you know, acting, acting.

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<v Speaker 1>So let's talk about that, because we did have Vonique

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<v Speaker 1>up here the other day and she was talking about

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<v Speaker 1>this independent film that she is producing, and you were

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<v Speaker 1>starring in it as well, So let's talk about it.

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<v Speaker 1>It's called Blackbirds, right, black black Okay, Okay, black birds,

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<v Speaker 1>black birds. It's just well, you know black people always

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<v Speaker 1>gotta put all the time you called Joe Button Joe buttons.

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<v Speaker 1>It is what woods? Okay, okay, yeah, but Blackbird. It's amazing,

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<v Speaker 1>an amazing film. We had a screening here in New

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<v Speaker 1>York last night at the Schaumberg. Amazing response. I've seen

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<v Speaker 1>the film about five times at different film festivals throughout

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<v Speaker 1>last year twenty fourteen, and I will have to say

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<v Speaker 1>that the New York audience was like the best audience,

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<v Speaker 1>like they were into it. It centers around a young

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<v Speaker 1>boy by the name of Randy Rousseau and he's coming

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<v Speaker 1>to terms with his true self. He's coming to terms

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<v Speaker 1>with his sexuality, and it's a conflict because he's in

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<v Speaker 1>a very small, conservative religious town in Mississippi. His mother

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<v Speaker 1>is played by Monique, his father's played by Isaiah Washington. Him,

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<v Speaker 1>and I'm one of his friends. Yeah, preacher's daughter. I'm

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<v Speaker 1>a preacher's kid, so you know, I get into some

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<v Speaker 1>stuff too. Now, you live in Atlanta, so you probably

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<v Speaker 1>see a lot of guys dealing with these sexual identity

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<v Speaker 1>having sexual identity issues. Yes, yes, And then I've been

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<v Speaker 1>in the arts my entire life. You know, I've been

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<v Speaker 1>in Dan's company's theater companies. So this is not new

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<v Speaker 1>to me. I've I've seen them. They've come out to

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<v Speaker 1>me and I'm like, who are you coming out to

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<v Speaker 1>I've been Yeah, I'm glad you are now being honest

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<v Speaker 1>because now we all can be honest about it. So

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<v Speaker 1>you never was in Atlanta dating the guy or not dating.

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<v Speaker 1>But like the guy, I wonder why he wouldn't give

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<v Speaker 1>you no rim and you're like, find out he was gatting,

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<v Speaker 1>Like oh that's what, Well, that's not usually the problem.

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<v Speaker 1>The problem is they do come after you, and then

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<v Speaker 1>you have to have your good, good gay friend. You

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<v Speaker 1>know what I'm saying, to be like on girl. He

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<v Speaker 1>was in the club last night, so he's trade. That's

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<v Speaker 1>the word trade. Trade. You never heard me trade. I'm

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<v Speaker 1>a nice piece of trade to some of these guys.

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<v Speaker 1>These guys love me, the kids love me. Right. Please

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<v Speaker 1>please please don't be trade. Please don't trade me. I

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<v Speaker 1>need I need you to be one side of the other.

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<v Speaker 1>When when they're trade, it's like they're trading, they're going back.

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<v Speaker 1>And I thought that was like a term for like

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<v Speaker 1>a hot piece of something. It means that. It means

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<v Speaker 1>in the daytime they wear their wedding ring, they go

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<v Speaker 1>to their wife, and at night they are at the

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<v Speaker 1>club trade doing that. Dam I didn't said out the

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<v Speaker 1>NiFe to trade a few times and then you wonder

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<v Speaker 1>why your followers went up. But we needed to pick

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<v Speaker 1>a side. How did you work with Monique? I heard

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<v Speaker 1>she so hard to work with. Shut up, look at you.

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<v Speaker 1>She was just here. You ain't say that to work

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<v Speaker 1>with No Monique. No, Monique is so gracious, so nurturing,

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<v Speaker 1>so warm and so generous. Um. I was on her show,

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<v Speaker 1>The Monique Show, and it was on BT her talk show.

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<v Speaker 1>She gave me a national you know, television platform immediately

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<v Speaker 1>after me departing from the group, when I started wood

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<v Speaker 1>Grain Entertainment and I got to perform and I had

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<v Speaker 1>a you know, a couch interview, and you know, that's

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<v Speaker 1>like prime real estate for an independent artist to get

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<v Speaker 1>on that platform. And it was so soon after, you know,

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<v Speaker 1>my whole ordeal. And she gave me such good words

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<v Speaker 1>of encouragement to just keep pushing forward, to not worry

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<v Speaker 1>about the bull you know what I'm saying. She was like, baby,

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<v Speaker 1>everybody's not meant to be in a group. And I

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<v Speaker 1>was like, okay, you know what I'm saying. And you know,

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<v Speaker 1>meeting up with her again on the set um, she

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<v Speaker 1>was the same way. You know, I walked in the

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<v Speaker 1>first day I came to say, I walked in and

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<v Speaker 1>she was in the middle of a very dramatic scene

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<v Speaker 1>with her co star, um Julian Walker, and I had

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<v Speaker 1>to watch her slap him in the face like ten

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<v Speaker 1>times and he was taking it like a g and

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<v Speaker 1>I was just like, this is intense. I want to

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<v Speaker 1>go back to the hotel right my lines. But then

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<v Speaker 1>as soon as they cut, you know, she you know,

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<v Speaker 1>broke her baby warm hugs and everything. So she's very nurturing.

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<v Speaker 1>She did like that, she got that motherly thing about her.

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<v Speaker 1>Absolutely like a lot of hugs and kisses. They used

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<v Speaker 1>to intern I did. I did yees yeah one show,

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<v Speaker 1>um I was. I was Promotion Street Team intern. But

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<v Speaker 1>see I was doing too much and that's the reason

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<v Speaker 1>why I got fired for being an inn. They actually

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<v Speaker 1>hired me, but that didn't last very long. I was like,

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<v Speaker 1>not a lot of interns get fired. We haven't fired

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<v Speaker 1>a lot of interns. Well you know, um Mark is

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<v Speaker 1>Mark still here? Hey Mark, um and he and he

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<v Speaker 1>so lovingly fired me. I didn't even realize I got fired.

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<v Speaker 1>But you know, Um, I was pursuing my dream. I

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<v Speaker 1>was always asking for time off. I have an audition,

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<v Speaker 1>I got rehearsal. And then finally, Um, I came to him.

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<v Speaker 1>I was like, Mark, I got a tour. I'm dancing

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<v Speaker 1>for song and song on tour. I need to leave

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<v Speaker 1>an absence and he was like, okay, Um, we'll just

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<v Speaker 1>come in and we'll talk about it. And I was

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<v Speaker 1>like okay, So he's when I came in. He was like, okay,

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<v Speaker 1>So what we're gonna do is I'm gonna take you

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<v Speaker 1>off a payroll and then UM, when you're when you're

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<v Speaker 1>finished with a tour, just come back, let us know

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<v Speaker 1>and we'll talk about it. And I was like, is

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<v Speaker 1>that the same thing as a leave about He's never

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<v Speaker 1>gonna take you off a payroll from the system. I

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<v Speaker 1>was like, yeah, yeah, that's the same. I was like okay,

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<v Speaker 1>and I just went right back out on my little promotions.

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<v Speaker 1>Um assignment. They did not they did not take and

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<v Speaker 1>then UM, I was with my coworker and they were like,

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<v Speaker 1>what did he say? And I was like, well he

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<v Speaker 1>said this this is They were like, girl, if you

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<v Speaker 1>don't go home, he fired you. So you wanted to

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<v Speaker 1>be a radio personality. I didn't. I I signed up

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<v Speaker 1>for the internship because I knew I wanted to be

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<v Speaker 1>on the radio. I wanted my music to be on

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<v Speaker 1>the radio. So also in doing too much, you know,

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<v Speaker 1>I'm a promotions you know, intern, and then I was

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<v Speaker 1>on the street team and everything. But I'm sitting in

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<v Speaker 1>the sales meetings, I'm taking meetings with the music director,

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<v Speaker 1>program director. I'm like walking around asking questions, like doing

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<v Speaker 1>too much, Like I was taking advantage of the what

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<v Speaker 1>do you do? Okay? And I was meeting all the

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<v Speaker 1>personalities you know, sign up for extra you know. Oh okay,

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<v Speaker 1>Well then I was doing what I was supposed to do.

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<v Speaker 1>What's up with Chanelle is great? She has a new

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<v Speaker 1>single I was called I Can Be Your Stripper. It

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<v Speaker 1>is out now, Hey, Andy bitch parts. Yeah, whenever she

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<v Speaker 1>Nell comes to new like, you know, she'd be with me.

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<v Speaker 1>She ain't trying to leave money the BF they got

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<v Speaker 1>going on, you know what, Charlemagne, Look, what can I

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<v Speaker 1>just do her own thing? Though? You know that's what

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<v Speaker 1>you gotta do. I think when you signed any label,

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<v Speaker 1>everybody got to build your own buzz and keep it going. Yeah.

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<v Speaker 1>But we were actually out with Wayne on some of

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<v Speaker 1>his Sorry for the weight toward dates. So I mean

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<v Speaker 1>their family and they ran and die. So I don't

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<v Speaker 1>know what's really going on with that, but I just

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<v Speaker 1>hope for the best because I know how it is

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<v Speaker 1>breaking from a big machine. How come yell ain't never

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<v Speaker 1>tried to do a group together? Me and Chanelle, we

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<v Speaker 1>are a group. We're sisters to go. We're sisters. We've

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<v Speaker 1>done so much together. We wore the same we were

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<v Speaker 1>we were twins for a long time in our life

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<v Speaker 1>because my mother just bought the same close as two

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<v Speaker 1>of everything. Damn. But then I started growing taller. As

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<v Speaker 1>you can see, I'm a little taller than Chanelle, right,

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<v Speaker 1>so I can't wear the same stuff anymore. Why are

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<v Speaker 1>you duck in the faith from Aubrey though? H he

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<v Speaker 1>said you ducked to fight from all bluff fight? Oh?

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<v Speaker 1>Is there a fight? There's no fight? Y'all don't get

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<v Speaker 1>along right all real day. I mean I don't speak

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<v Speaker 1>to them, but I wouldn't say I don't get along.

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<v Speaker 1>I just don't. It ain't gonna be no physical fight again.

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<v Speaker 1>I've never been in ye. I never understand why you

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<v Speaker 1>and don didn't have a relationship being the only black

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<v Speaker 1>girls in the group. You know what I mean me either? True?

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<v Speaker 1>Back on you? Do you ever still speak to Diddy? Though?

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<v Speaker 1>You know what? I have not spoken to him, but

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<v Speaker 1>when I heard about Revolt, I reached out to him

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<v Speaker 1>because he was in Atlanta for the BT Hip Hop Awards.

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<v Speaker 1>I reached out and congratulated him. You know when assistant

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<v Speaker 1>and assistant assistant you got maybe he got it Revolt,

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<v Speaker 1>Well he gonna hear it today, Hey, Pop black Rob?

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<v Speaker 1>Who else on this list? G up? What was it. Listen,

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<v Speaker 1>people that he doesn't want that's a little petty. Well whatever,

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<v Speaker 1>she's not paying you, no mine, she doesn't. Well maybe

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<v Speaker 1>every time I congratulate you though for you know, a

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<v Speaker 1>new movie and everything that would be great. You know,

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<v Speaker 1>did you audition or was it I did? I did audition?

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<v Speaker 1>The story is crazy because you know, sometimes these opportunities,

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<v Speaker 1>you know, it's like the stars aligned and they choose you.

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<v Speaker 1>So I was in LA I was, um, you know,

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<v Speaker 1>auditioning for other stuff is also you know, award season,

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<v Speaker 1>Grammy time, and I'm just out networking and I overheard

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<v Speaker 1>another actor talking about the project and I was like,

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<v Speaker 1>what are you talking about? You know, and he's like, oh,

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<v Speaker 1>it's this dad. He didn't know Monique was attached to

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<v Speaker 1>the project yet, but he was like, oh yeah, and

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<v Speaker 1>there's probably your role for you. You You should reach out

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<v Speaker 1>to your agent. And I was like, I'm gonna do that.

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<v Speaker 1>Thank you, Betty wish you never told you that. Did

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<v Speaker 1>he get the part? It's not like they were trying

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<v Speaker 1>to get the same part. Though. He didn't get it.

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<v Speaker 1>But you know, God works in mysterious way, so maybe

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<v Speaker 1>the only reason why he was involved in it so

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<v Speaker 1>I can be involved in it. And you know, every

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<v Speaker 1>time I see him in LA, I'm like thankful to

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<v Speaker 1>him because you know, he gave me a little what's

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<v Speaker 1>his name? His name is Jay C. Jones, What up? Jac?

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<v Speaker 1>And he was also he was a cast member of

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<v Speaker 1>Glee and everything. So he's doing good, He's okay. Yeah,

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<v Speaker 1>So what else is next for you? D was, I know,

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<v Speaker 1>you have your own independent label, Yeah, doing your acting,

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<v Speaker 1>So what is the next big thing for you? Well,

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<v Speaker 1>it's also still attached to this project Blackbird. I teamed

0:11:25.559 --> 0:11:28.280
<v Speaker 1>up with Patrick im Polk, our director, and his production

0:11:28.320 --> 0:11:38.200
<v Speaker 1>company Tall Skinny black Boy and UM but Specy Back

0:11:38.240 --> 0:11:41.640
<v Speaker 1>Boy Productions. UM also another one of our producers, Keith Brown,

0:11:41.679 --> 0:11:43.360
<v Speaker 1>and they both reached out to me and said, we

0:11:43.480 --> 0:11:46.080
<v Speaker 1>heard you have your independent label, can we, you know,

0:11:46.200 --> 0:11:49.320
<v Speaker 1>put the soundtrack out through your label? So yeah, I

0:11:49.360 --> 0:11:51.720
<v Speaker 1>was like, come on, let's do it. So the soundtrack

0:11:51.760 --> 0:11:54.240
<v Speaker 1>will be out soon. UM. The first single is dropping

0:11:54.280 --> 0:11:56.880
<v Speaker 1>this coming Tuesday, So go see the movie on Friday

0:11:56.880 --> 0:12:01.800
<v Speaker 1>because it's in theaters Friday in UM New York, LA, Atlanta,

0:12:01.960 --> 0:12:08.000
<v Speaker 1>San Francisco, and DC. And then UM, the first single,

0:12:08.080 --> 0:12:11.400
<v Speaker 1>find Your Way, will be on everywhere digitally on Tuesdays.

0:12:11.880 --> 0:12:13.240
<v Speaker 1>What do you think that? What do you think you

0:12:13.280 --> 0:12:15.360
<v Speaker 1>gotta do to shake them? D Woods from Danny Canny,

0:12:15.360 --> 0:12:17.440
<v Speaker 1>because you do a lot. You was in Candy's play, Yes,

0:12:19.360 --> 0:12:21.280
<v Speaker 1>Mother's Love. You're doing your acting thing, Like what do

0:12:21.280 --> 0:12:22.640
<v Speaker 1>you when do you think people would be like, Okay,

0:12:22.640 --> 0:12:24.680
<v Speaker 1>this is just D Woods? I mean, I think it's

0:12:24.720 --> 0:12:27.600
<v Speaker 1>just the more I do stuff, And you know, it's

0:12:27.679 --> 0:12:29.800
<v Speaker 1>great that people recognize me from that. It's great that

0:12:29.840 --> 0:12:32.200
<v Speaker 1>they were so attached to it. It's great that they

0:12:32.280 --> 0:12:34.800
<v Speaker 1>liked what I did in that in the confines of

0:12:34.800 --> 0:12:36.679
<v Speaker 1>that group, because like I said, I wasn't able to

0:12:36.679 --> 0:12:40.400
<v Speaker 1>really express everything. But you know, everything comes in its

0:12:40.400 --> 0:12:42.720
<v Speaker 1>own time. And the more I do, the more they see,

0:12:43.160 --> 0:12:45.679
<v Speaker 1>the more they understand who d was is, you know,

0:12:45.960 --> 0:12:49.640
<v Speaker 1>in full color and you know justin Timberlake. Of course

0:12:49.720 --> 0:12:51.880
<v Speaker 1>we don't say, oh, justin Timberlake formerly of in Sync

0:12:51.960 --> 0:12:55.600
<v Speaker 1>because he's done so much, but you know Beyonce formerly

0:12:55.640 --> 0:12:57.520
<v Speaker 1>a Destiny's Child. But it's just the more you do,

0:12:57.559 --> 0:12:59.360
<v Speaker 1>the more you do, the more you build up your

0:12:59.600 --> 0:13:09.160
<v Speaker 1>you know, what's the D stand for. It stands for duble, delicious, delicious.

0:13:10.200 --> 0:13:11.760
<v Speaker 1>That would be a hot name if he was a guy,

0:13:11.840 --> 0:13:20.280
<v Speaker 1>or for appointment, d Woods not a guy. But we

0:13:20.320 --> 0:13:25.280
<v Speaker 1>appreciate you joining us well. I appreciate up here with us.

0:13:25.480 --> 0:13:27.199
<v Speaker 1>You know well. I want you to know that I'm

0:13:27.320 --> 0:13:29.360
<v Speaker 1>very concerned about the fact that I've been using this

0:13:29.600 --> 0:13:32.160
<v Speaker 1>term not knowing what the hell I'm talking about the track.

0:13:32.679 --> 0:13:34.480
<v Speaker 1>I really want you all to know that I do

0:13:34.600 --> 0:13:37.600
<v Speaker 1>not know what I did not know what that meant. Okay,

0:13:37.679 --> 0:13:41.040
<v Speaker 1>the more you know, the better you like a pet.

0:13:41.280 --> 0:13:44.319
<v Speaker 1>If you knew man't do better stud you know what

0:13:44.360 --> 0:13:48.000
<v Speaker 1>I mean. I didn't know trade meant that, But now

0:13:48.000 --> 0:13:54.360
<v Speaker 1>you know I ain't trade in places already it's the trade.

0:13:55.800 --> 0:13:58.680
<v Speaker 1>I have no trade clause. I have a no trade

0:13:58.720 --> 0:14:04.600
<v Speaker 1>clause in my contract. Okay, I cannot be traded. Okay,

0:14:05.080 --> 0:14:06.520
<v Speaker 1>it's the breakfast club. Good morning,