1
00:00:01,080 --> 00:00:08,159
Speaker 1: Real people, real celebrity join the Breakfast Morning. Everybody is

2
00:00:08,240 --> 00:00:11,200
Speaker 1: DJ Envy Angela Yee, Charlemagne the guy. We are the

3
00:00:11,240 --> 00:00:15,000
Speaker 1: Breakfast Club special guests in the building. Yeah, former member

4
00:00:15,000 --> 00:00:22,960
Speaker 1: of Danity King didn't like your favorite. You get tired

5
00:00:23,000 --> 00:00:25,320
Speaker 1: of hand that former member of Danity King. I mean,

6
00:00:25,400 --> 00:00:27,440
Speaker 1: I am a former member of Dannity King, so I

7
00:00:27,480 --> 00:00:29,960
Speaker 1: can't really be tired of it. I mean, but I

8
00:00:30,040 --> 00:00:33,640
Speaker 1: do like to be called d Woods you know. But

9
00:00:33,720 --> 00:00:36,839
Speaker 1: why didn't never invite you to the Dannity can't? You

10
00:00:36,880 --> 00:00:39,760
Speaker 1: know what? Charlomagne, Look, I got this tea in my

11
00:00:39,840 --> 00:00:41,720
Speaker 1: cup and we ain't about to spill it all over

12
00:00:41,800 --> 00:00:44,919
Speaker 1: this nice control booth here. I ain't paying for none

13
00:00:44,960 --> 00:00:46,879
Speaker 1: of this equipment in here, so we're gonna keep all

14
00:00:46,880 --> 00:00:49,320
Speaker 1: the tea in the cup. But um, you know, we

15
00:00:49,400 --> 00:00:52,040
Speaker 1: had a lot of conversation about that whole thing, and

16
00:00:52,080 --> 00:00:53,800
Speaker 1: I love the things that you told me. You said,

17
00:00:53,840 --> 00:00:56,240
Speaker 1: you know, why be real with fake people? You told

18
00:00:56,240 --> 00:00:59,000
Speaker 1: me that out your mouth you saw the other girls

19
00:00:59,000 --> 00:01:07,560
Speaker 1: fake Charlemagne girl, you're trying to start something people. Okay,

20
00:01:07,720 --> 00:01:10,800
Speaker 1: we know we're talking about Okay, you know we're speaking

21
00:01:10,800 --> 00:01:14,960
Speaker 1: about over here, But um, I was really excited, you know,

22
00:01:15,080 --> 00:01:18,959
Speaker 1: to continue with my career. Um, things that I wasn't

23
00:01:19,000 --> 00:01:22,319
Speaker 1: able to show in the group. I'm doing now, um

24
00:01:22,360 --> 00:01:25,880
Speaker 1: expressing all of my talents. I'm a triple threat and

25
00:01:26,040 --> 00:01:29,000
Speaker 1: I also owned my own record label, so you know,

26
00:01:29,040 --> 00:01:32,760
Speaker 1: I'm just moving up and moving on, you know, acting, acting.

27
00:01:33,360 --> 00:01:35,440
Speaker 1: So let's talk about that, because we did have Vonique

28
00:01:35,480 --> 00:01:37,240
Speaker 1: up here the other day and she was talking about

29
00:01:37,240 --> 00:01:40,560
Speaker 1: this independent film that she is producing, and you were

30
00:01:40,600 --> 00:01:42,640
Speaker 1: starring in it as well, So let's talk about it.

31
00:01:42,640 --> 00:01:47,960
Speaker 1: It's called Blackbirds, right, black black Okay, Okay, black birds,

32
00:01:48,240 --> 00:01:50,200
Speaker 1: black birds. It's just well, you know black people always

33
00:01:50,200 --> 00:01:56,440
Speaker 1: gotta put all the time you called Joe Button Joe buttons.

34
00:01:56,520 --> 00:02:02,040
Speaker 1: It is what woods? Okay, okay, yeah, but Blackbird. It's amazing,

35
00:02:02,080 --> 00:02:04,360
Speaker 1: an amazing film. We had a screening here in New

36
00:02:04,440 --> 00:02:08,120
Speaker 1: York last night at the Schaumberg. Amazing response. I've seen

37
00:02:08,160 --> 00:02:11,200
Speaker 1: the film about five times at different film festivals throughout

38
00:02:11,560 --> 00:02:14,799
Speaker 1: last year twenty fourteen, and I will have to say

39
00:02:14,840 --> 00:02:17,799
Speaker 1: that the New York audience was like the best audience,

40
00:02:17,880 --> 00:02:21,919
Speaker 1: like they were into it. It centers around a young

41
00:02:21,960 --> 00:02:25,280
Speaker 1: boy by the name of Randy Rousseau and he's coming

42
00:02:25,280 --> 00:02:27,960
Speaker 1: to terms with his true self. He's coming to terms

43
00:02:28,000 --> 00:02:30,680
Speaker 1: with his sexuality, and it's a conflict because he's in

44
00:02:30,680 --> 00:02:35,000
Speaker 1: a very small, conservative religious town in Mississippi. His mother

45
00:02:35,200 --> 00:02:38,480
Speaker 1: is played by Monique, his father's played by Isaiah Washington. Him,

46
00:02:38,520 --> 00:02:41,000
Speaker 1: and I'm one of his friends. Yeah, preacher's daughter. I'm

47
00:02:41,000 --> 00:02:43,080
Speaker 1: a preacher's kid, so you know, I get into some

48
00:02:43,120 --> 00:02:45,040
Speaker 1: stuff too. Now, you live in Atlanta, so you probably

49
00:02:45,040 --> 00:02:47,680
Speaker 1: see a lot of guys dealing with these sexual identity

50
00:02:47,760 --> 00:02:50,520
Speaker 1: having sexual identity issues. Yes, yes, And then I've been

51
00:02:50,560 --> 00:02:52,360
Speaker 1: in the arts my entire life. You know, I've been

52
00:02:52,440 --> 00:02:55,639
Speaker 1: in Dan's company's theater companies. So this is not new

53
00:02:55,680 --> 00:02:58,240
Speaker 1: to me. I've I've seen them. They've come out to

54
00:02:58,320 --> 00:03:00,120
Speaker 1: me and I'm like, who are you coming out to

55
00:03:00,200 --> 00:03:03,360
Speaker 1: I've been Yeah, I'm glad you are now being honest

56
00:03:03,440 --> 00:03:05,639
Speaker 1: because now we all can be honest about it. So

57
00:03:05,720 --> 00:03:08,160
Speaker 1: you never was in Atlanta dating the guy or not dating.

58
00:03:08,160 --> 00:03:09,680
Speaker 1: But like the guy, I wonder why he wouldn't give

59
00:03:09,680 --> 00:03:11,560
Speaker 1: you no rim and you're like, find out he was gatting,

60
00:03:11,720 --> 00:03:14,680
Speaker 1: Like oh that's what, Well, that's not usually the problem.

61
00:03:14,720 --> 00:03:16,919
Speaker 1: The problem is they do come after you, and then

62
00:03:17,000 --> 00:03:19,280
Speaker 1: you have to have your good, good gay friend. You

63
00:03:19,280 --> 00:03:21,120
Speaker 1: know what I'm saying, to be like on girl. He

64
00:03:21,200 --> 00:03:24,200
Speaker 1: was in the club last night, so he's trade. That's

65
00:03:24,200 --> 00:03:30,839
Speaker 1: the word trade. Trade. You never heard me trade. I'm

66
00:03:30,840 --> 00:03:32,359
Speaker 1: a nice piece of trade to some of these guys.

67
00:03:32,360 --> 00:03:35,560
Speaker 1: These guys love me, the kids love me. Right. Please

68
00:03:35,800 --> 00:03:41,880
Speaker 1: please please don't be trade. Please don't trade me. I

69
00:03:41,960 --> 00:03:43,800
Speaker 1: need I need you to be one side of the other.

70
00:03:43,840 --> 00:03:46,840
Speaker 1: When when they're trade, it's like they're trading, they're going back.

71
00:03:46,880 --> 00:03:51,800
Speaker 1: And I thought that was like a term for like

72
00:03:52,360 --> 00:03:55,360
Speaker 1: a hot piece of something. It means that. It means

73
00:03:55,680 --> 00:03:57,600
Speaker 1: in the daytime they wear their wedding ring, they go

74
00:03:57,640 --> 00:03:59,120
Speaker 1: to their wife, and at night they are at the

75
00:03:59,160 --> 00:04:04,040
Speaker 1: club trade doing that. Dam I didn't said out the

76
00:04:04,120 --> 00:04:07,680
Speaker 1: NiFe to trade a few times and then you wonder

77
00:04:07,720 --> 00:04:12,080
Speaker 1: why your followers went up. But we needed to pick

78
00:04:12,120 --> 00:04:14,600
Speaker 1: a side. How did you work with Monique? I heard

79
00:04:14,600 --> 00:04:18,800
Speaker 1: she so hard to work with. Shut up, look at you.

80
00:04:19,000 --> 00:04:21,880
Speaker 1: She was just here. You ain't say that to work

81
00:04:21,880 --> 00:04:26,080
Speaker 1: with No Monique. No, Monique is so gracious, so nurturing,

82
00:04:26,440 --> 00:04:29,400
Speaker 1: so warm and so generous. Um. I was on her show,

83
00:04:29,440 --> 00:04:31,640
Speaker 1: The Monique Show, and it was on BT her talk show.

84
00:04:32,000 --> 00:04:35,520
Speaker 1: She gave me a national you know, television platform immediately

85
00:04:35,560 --> 00:04:37,800
Speaker 1: after me departing from the group, when I started wood

86
00:04:37,800 --> 00:04:39,880
Speaker 1: Grain Entertainment and I got to perform and I had

87
00:04:39,920 --> 00:04:42,000
Speaker 1: a you know, a couch interview, and you know, that's

88
00:04:42,040 --> 00:04:45,240
Speaker 1: like prime real estate for an independent artist to get

89
00:04:45,279 --> 00:04:47,600
Speaker 1: on that platform. And it was so soon after, you know,

90
00:04:47,920 --> 00:04:50,719
Speaker 1: my whole ordeal. And she gave me such good words

91
00:04:50,720 --> 00:04:53,640
Speaker 1: of encouragement to just keep pushing forward, to not worry

92
00:04:53,680 --> 00:04:56,039
Speaker 1: about the bull you know what I'm saying. She was like, baby,

93
00:04:56,080 --> 00:04:58,200
Speaker 1: everybody's not meant to be in a group. And I

94
00:04:58,279 --> 00:05:02,200
Speaker 1: was like, okay, you know what I'm saying. And you know,

95
00:05:02,279 --> 00:05:04,560
Speaker 1: meeting up with her again on the set um, she

96
00:05:04,680 --> 00:05:07,279
Speaker 1: was the same way. You know, I walked in the

97
00:05:07,320 --> 00:05:08,800
Speaker 1: first day I came to say, I walked in and

98
00:05:08,839 --> 00:05:11,760
Speaker 1: she was in the middle of a very dramatic scene

99
00:05:11,800 --> 00:05:16,800
Speaker 1: with her co star, um Julian Walker, and I had

100
00:05:16,880 --> 00:05:19,159
Speaker 1: to watch her slap him in the face like ten

101
00:05:19,240 --> 00:05:24,960
Speaker 1: times and he was taking it like a g and

102
00:05:25,000 --> 00:05:27,720
Speaker 1: I was just like, this is intense. I want to

103
00:05:27,720 --> 00:05:30,040
Speaker 1: go back to the hotel right my lines. But then

104
00:05:30,080 --> 00:05:31,880
Speaker 1: as soon as they cut, you know, she you know,

105
00:05:31,920 --> 00:05:36,839
Speaker 1: broke her baby warm hugs and everything. So she's very nurturing.

106
00:05:36,920 --> 00:05:39,040
Speaker 1: She did like that, she got that motherly thing about her.

107
00:05:39,080 --> 00:05:41,760
Speaker 1: Absolutely like a lot of hugs and kisses. They used

108
00:05:41,760 --> 00:05:49,160
Speaker 1: to intern I did. I did yees yeah one show,

109
00:05:49,640 --> 00:05:53,080
Speaker 1: um I was. I was Promotion Street Team intern. But

110
00:05:53,320 --> 00:05:55,720
Speaker 1: see I was doing too much and that's the reason

111
00:05:55,760 --> 00:05:59,320
Speaker 1: why I got fired for being an inn. They actually

112
00:05:59,400 --> 00:06:02,000
Speaker 1: hired me, but that didn't last very long. I was like,

113
00:06:02,040 --> 00:06:03,840
Speaker 1: not a lot of interns get fired. We haven't fired

114
00:06:03,880 --> 00:06:08,400
Speaker 1: a lot of interns. Well you know, um Mark is

115
00:06:08,400 --> 00:06:13,400
Speaker 1: Mark still here? Hey Mark, um and he and he

116
00:06:13,480 --> 00:06:17,000
Speaker 1: so lovingly fired me. I didn't even realize I got fired.

117
00:06:17,400 --> 00:06:19,560
Speaker 1: But you know, Um, I was pursuing my dream. I

118
00:06:19,600 --> 00:06:21,440
Speaker 1: was always asking for time off. I have an audition,

119
00:06:21,480 --> 00:06:24,840
Speaker 1: I got rehearsal. And then finally, Um, I came to him.

120
00:06:24,839 --> 00:06:26,960
Speaker 1: I was like, Mark, I got a tour. I'm dancing

121
00:06:27,000 --> 00:06:28,800
Speaker 1: for song and song on tour. I need to leave

122
00:06:28,800 --> 00:06:31,880
Speaker 1: an absence and he was like, okay, Um, we'll just

123
00:06:31,960 --> 00:06:34,000
Speaker 1: come in and we'll talk about it. And I was

124
00:06:34,000 --> 00:06:36,680
Speaker 1: like okay, So he's when I came in. He was like, okay,

125
00:06:36,720 --> 00:06:38,800
Speaker 1: So what we're gonna do is I'm gonna take you

126
00:06:38,839 --> 00:06:42,120
Speaker 1: off a payroll and then UM, when you're when you're

127
00:06:42,120 --> 00:06:43,719
Speaker 1: finished with a tour, just come back, let us know

128
00:06:43,960 --> 00:06:46,160
Speaker 1: and we'll talk about it. And I was like, is

129
00:06:46,160 --> 00:06:49,440
Speaker 1: that the same thing as a leave about He's never

130
00:06:49,480 --> 00:06:52,560
Speaker 1: gonna take you off a payroll from the system. I

131
00:06:52,640 --> 00:06:54,799
Speaker 1: was like, yeah, yeah, that's the same. I was like okay,

132
00:06:54,839 --> 00:06:57,159
Speaker 1: and I just went right back out on my little promotions.

133
00:06:57,279 --> 00:07:02,800
Speaker 1: Um assignment. They did not they did not take and

134
00:07:02,839 --> 00:07:05,240
Speaker 1: then UM, I was with my coworker and they were like,

135
00:07:05,279 --> 00:07:06,640
Speaker 1: what did he say? And I was like, well he

136
00:07:06,680 --> 00:07:08,200
Speaker 1: said this this is They were like, girl, if you

137
00:07:08,240 --> 00:07:11,160
Speaker 1: don't go home, he fired you. So you wanted to

138
00:07:11,160 --> 00:07:14,840
Speaker 1: be a radio personality. I didn't. I I signed up

139
00:07:14,880 --> 00:07:16,520
Speaker 1: for the internship because I knew I wanted to be

140
00:07:16,680 --> 00:07:19,120
Speaker 1: on the radio. I wanted my music to be on

141
00:07:19,160 --> 00:07:21,640
Speaker 1: the radio. So also in doing too much, you know,

142
00:07:21,720 --> 00:07:24,280
Speaker 1: I'm a promotions you know, intern, and then I was

143
00:07:24,320 --> 00:07:26,480
Speaker 1: on the street team and everything. But I'm sitting in

144
00:07:26,480 --> 00:07:29,800
Speaker 1: the sales meetings, I'm taking meetings with the music director,

145
00:07:29,840 --> 00:07:34,520
Speaker 1: program director. I'm like walking around asking questions, like doing

146
00:07:34,560 --> 00:07:37,040
Speaker 1: too much, Like I was taking advantage of the what

147
00:07:37,120 --> 00:07:39,720
Speaker 1: do you do? Okay? And I was meeting all the

148
00:07:39,760 --> 00:07:46,200
Speaker 1: personalities you know, sign up for extra you know. Oh okay,

149
00:07:46,240 --> 00:07:48,400
Speaker 1: Well then I was doing what I was supposed to do.

150
00:07:48,960 --> 00:07:52,160
Speaker 1: What's up with Chanelle is great? She has a new

151
00:07:52,200 --> 00:07:54,800
Speaker 1: single I was called I Can Be Your Stripper. It

152
00:07:54,960 --> 00:08:00,800
Speaker 1: is out now, Hey, Andy bitch parts. Yeah, whenever she

153
00:08:00,840 --> 00:08:02,600
Speaker 1: Nell comes to new like, you know, she'd be with me.

154
00:08:02,760 --> 00:08:05,200
Speaker 1: She ain't trying to leave money the BF they got

155
00:08:05,240 --> 00:08:10,520
Speaker 1: going on, you know what, Charlemagne, Look, what can I

156
00:08:10,640 --> 00:08:12,160
Speaker 1: just do her own thing? Though? You know that's what

157
00:08:12,200 --> 00:08:14,040
Speaker 1: you gotta do. I think when you signed any label,

158
00:08:14,080 --> 00:08:17,520
Speaker 1: everybody got to build your own buzz and keep it going. Yeah.

159
00:08:17,600 --> 00:08:19,600
Speaker 1: But we were actually out with Wayne on some of

160
00:08:19,640 --> 00:08:23,000
Speaker 1: his Sorry for the weight toward dates. So I mean

161
00:08:23,440 --> 00:08:26,000
Speaker 1: their family and they ran and die. So I don't

162
00:08:26,000 --> 00:08:27,520
Speaker 1: know what's really going on with that, but I just

163
00:08:27,560 --> 00:08:29,040
Speaker 1: hope for the best because I know how it is

164
00:08:29,040 --> 00:08:31,400
Speaker 1: breaking from a big machine. How come yell ain't never

165
00:08:31,400 --> 00:08:33,440
Speaker 1: tried to do a group together? Me and Chanelle, we

166
00:08:33,480 --> 00:08:38,920
Speaker 1: are a group. We're sisters to go. We're sisters. We've

167
00:08:39,000 --> 00:08:42,480
Speaker 1: done so much together. We wore the same we were

168
00:08:42,559 --> 00:08:44,440
Speaker 1: we were twins for a long time in our life

169
00:08:44,480 --> 00:08:46,440
Speaker 1: because my mother just bought the same close as two

170
00:08:46,440 --> 00:08:49,280
Speaker 1: of everything. Damn. But then I started growing taller. As

171
00:08:49,320 --> 00:08:51,400
Speaker 1: you can see, I'm a little taller than Chanelle, right,

172
00:08:51,600 --> 00:08:55,000
Speaker 1: so I can't wear the same stuff anymore. Why are

173
00:08:55,000 --> 00:08:58,079
Speaker 1: you duck in the faith from Aubrey though? H he

174
00:08:58,160 --> 00:09:03,319
Speaker 1: said you ducked to fight from all bluff fight? Oh?

175
00:09:05,160 --> 00:09:07,559
Speaker 1: Is there a fight? There's no fight? Y'all don't get

176
00:09:07,559 --> 00:09:11,000
Speaker 1: along right all real day. I mean I don't speak

177
00:09:11,040 --> 00:09:13,240
Speaker 1: to them, but I wouldn't say I don't get along.

178
00:09:13,280 --> 00:09:15,400
Speaker 1: I just don't. It ain't gonna be no physical fight again.

179
00:09:16,120 --> 00:09:21,719
Speaker 1: I've never been in ye. I never understand why you

180
00:09:21,760 --> 00:09:24,160
Speaker 1: and don didn't have a relationship being the only black

181
00:09:24,200 --> 00:09:32,560
Speaker 1: girls in the group. You know what I mean me either? True?

182
00:09:33,480 --> 00:09:36,200
Speaker 1: Back on you? Do you ever still speak to Diddy? Though?

183
00:09:36,440 --> 00:09:38,200
Speaker 1: You know what? I have not spoken to him, but

184
00:09:38,240 --> 00:09:41,240
Speaker 1: when I heard about Revolt, I reached out to him

185
00:09:41,280 --> 00:09:44,040
Speaker 1: because he was in Atlanta for the BT Hip Hop Awards.

186
00:09:44,040 --> 00:09:47,400
Speaker 1: I reached out and congratulated him. You know when assistant

187
00:09:47,400 --> 00:09:53,240
Speaker 1: and assistant assistant you got maybe he got it Revolt,

188
00:09:53,320 --> 00:09:57,160
Speaker 1: Well he gonna hear it today, Hey, Pop black Rob?

189
00:09:57,840 --> 00:10:01,680
Speaker 1: Who else on this list? G up? What was it. Listen,

190
00:10:01,720 --> 00:10:06,200
Speaker 1: people that he doesn't want that's a little petty. Well whatever,

191
00:10:06,520 --> 00:10:10,880
Speaker 1: she's not paying you, no mine, she doesn't. Well maybe

192
00:10:10,880 --> 00:10:12,880
Speaker 1: every time I congratulate you though for you know, a

193
00:10:12,960 --> 00:10:15,640
Speaker 1: new movie and everything that would be great. You know,

194
00:10:15,679 --> 00:10:18,439
Speaker 1: did you audition or was it I did? I did audition?

195
00:10:18,520 --> 00:10:21,840
Speaker 1: The story is crazy because you know, sometimes these opportunities,

196
00:10:22,080 --> 00:10:24,920
Speaker 1: you know, it's like the stars aligned and they choose you.

197
00:10:25,120 --> 00:10:27,800
Speaker 1: So I was in LA I was, um, you know,

198
00:10:27,880 --> 00:10:30,439
Speaker 1: auditioning for other stuff is also you know, award season,

199
00:10:30,520 --> 00:10:33,719
Speaker 1: Grammy time, and I'm just out networking and I overheard

200
00:10:34,000 --> 00:10:37,280
Speaker 1: another actor talking about the project and I was like,

201
00:10:37,280 --> 00:10:38,960
Speaker 1: what are you talking about? You know, and he's like, oh,

202
00:10:39,040 --> 00:10:42,120
Speaker 1: it's this dad. He didn't know Monique was attached to

203
00:10:42,120 --> 00:10:44,480
Speaker 1: the project yet, but he was like, oh yeah, and

204
00:10:44,600 --> 00:10:46,280
Speaker 1: there's probably your role for you. You You should reach out

205
00:10:46,280 --> 00:10:48,559
Speaker 1: to your agent. And I was like, I'm gonna do that.

206
00:10:48,600 --> 00:10:50,360
Speaker 1: Thank you, Betty wish you never told you that. Did

207
00:10:50,400 --> 00:10:53,719
Speaker 1: he get the part? It's not like they were trying

208
00:10:53,720 --> 00:10:56,040
Speaker 1: to get the same part. Though. He didn't get it.

209
00:10:56,120 --> 00:10:58,800
Speaker 1: But you know, God works in mysterious way, so maybe

210
00:10:58,840 --> 00:11:00,960
Speaker 1: the only reason why he was involved in it so

211
00:11:01,040 --> 00:11:03,120
Speaker 1: I can be involved in it. And you know, every

212
00:11:03,160 --> 00:11:05,400
Speaker 1: time I see him in LA, I'm like thankful to

213
00:11:05,480 --> 00:11:07,640
Speaker 1: him because you know, he gave me a little what's

214
00:11:07,640 --> 00:11:10,360
Speaker 1: his name? His name is Jay C. Jones, What up? Jac?

215
00:11:11,120 --> 00:11:12,880
Speaker 1: And he was also he was a cast member of

216
00:11:12,920 --> 00:11:15,400
Speaker 1: Glee and everything. So he's doing good, He's okay. Yeah,

217
00:11:15,440 --> 00:11:17,160
Speaker 1: So what else is next for you? D was, I know,

218
00:11:17,240 --> 00:11:19,800
Speaker 1: you have your own independent label, Yeah, doing your acting,

219
00:11:19,960 --> 00:11:22,319
Speaker 1: So what is the next big thing for you? Well,

220
00:11:22,360 --> 00:11:25,480
Speaker 1: it's also still attached to this project Blackbird. I teamed

221
00:11:25,559 --> 00:11:28,280
Speaker 1: up with Patrick im Polk, our director, and his production

222
00:11:28,320 --> 00:11:38,200
Speaker 1: company Tall Skinny black Boy and UM but Specy Back

223
00:11:38,240 --> 00:11:41,640
Speaker 1: Boy Productions. UM also another one of our producers, Keith Brown,

224
00:11:41,679 --> 00:11:43,360
Speaker 1: and they both reached out to me and said, we

225
00:11:43,480 --> 00:11:46,080
Speaker 1: heard you have your independent label, can we, you know,

226
00:11:46,200 --> 00:11:49,320
Speaker 1: put the soundtrack out through your label? So yeah, I

227
00:11:49,360 --> 00:11:51,720
Speaker 1: was like, come on, let's do it. So the soundtrack

228
00:11:51,760 --> 00:11:54,240
Speaker 1: will be out soon. UM. The first single is dropping

229
00:11:54,280 --> 00:11:56,880
Speaker 1: this coming Tuesday, So go see the movie on Friday

230
00:11:56,880 --> 00:12:01,800
Speaker 1: because it's in theaters Friday in UM New York, LA, Atlanta,

231
00:12:01,960 --> 00:12:08,000
Speaker 1: San Francisco, and DC. And then UM, the first single,

232
00:12:08,080 --> 00:12:11,400
Speaker 1: find Your Way, will be on everywhere digitally on Tuesdays.

233
00:12:11,880 --> 00:12:13,240
Speaker 1: What do you think that? What do you think you

234
00:12:13,280 --> 00:12:15,360
Speaker 1: gotta do to shake them? D Woods from Danny Canny,

235
00:12:15,360 --> 00:12:17,440
Speaker 1: because you do a lot. You was in Candy's play, Yes,

236
00:12:19,360 --> 00:12:21,280
Speaker 1: Mother's Love. You're doing your acting thing, Like what do

237
00:12:21,280 --> 00:12:22,640
Speaker 1: you when do you think people would be like, Okay,

238
00:12:22,640 --> 00:12:24,680
Speaker 1: this is just D Woods? I mean, I think it's

239
00:12:24,720 --> 00:12:27,600
Speaker 1: just the more I do stuff, And you know, it's

240
00:12:27,679 --> 00:12:29,800
Speaker 1: great that people recognize me from that. It's great that

241
00:12:29,840 --> 00:12:32,200
Speaker 1: they were so attached to it. It's great that they

242
00:12:32,280 --> 00:12:34,800
Speaker 1: liked what I did in that in the confines of

243
00:12:34,800 --> 00:12:36,679
Speaker 1: that group, because like I said, I wasn't able to

244
00:12:36,679 --> 00:12:40,400
Speaker 1: really express everything. But you know, everything comes in its

245
00:12:40,400 --> 00:12:42,720
Speaker 1: own time. And the more I do, the more they see,

246
00:12:43,160 --> 00:12:45,679
Speaker 1: the more they understand who d was is, you know,

247
00:12:45,960 --> 00:12:49,640
Speaker 1: in full color and you know justin Timberlake. Of course

248
00:12:49,720 --> 00:12:51,880
Speaker 1: we don't say, oh, justin Timberlake formerly of in Sync

249
00:12:51,960 --> 00:12:55,600
Speaker 1: because he's done so much, but you know Beyonce formerly

250
00:12:55,640 --> 00:12:57,520
Speaker 1: a Destiny's Child. But it's just the more you do,

251
00:12:57,559 --> 00:12:59,360
Speaker 1: the more you do, the more you build up your

252
00:12:59,600 --> 00:13:09,160
Speaker 1: you know, what's the D stand for. It stands for duble, delicious, delicious.

253
00:13:10,200 --> 00:13:11,760
Speaker 1: That would be a hot name if he was a guy,

254
00:13:11,840 --> 00:13:20,280
Speaker 1: or for appointment, d Woods not a guy. But we

255
00:13:20,320 --> 00:13:25,280
Speaker 1: appreciate you joining us well. I appreciate up here with us.

256
00:13:25,480 --> 00:13:27,199
Speaker 1: You know well. I want you to know that I'm

257
00:13:27,320 --> 00:13:29,360
Speaker 1: very concerned about the fact that I've been using this

258
00:13:29,600 --> 00:13:32,160
Speaker 1: term not knowing what the hell I'm talking about the track.

259
00:13:32,679 --> 00:13:34,480
Speaker 1: I really want you all to know that I do

260
00:13:34,600 --> 00:13:37,600
Speaker 1: not know what I did not know what that meant. Okay,

261
00:13:37,679 --> 00:13:41,040
Speaker 1: the more you know, the better you like a pet.

262
00:13:41,280 --> 00:13:44,319
Speaker 1: If you knew man't do better stud you know what

263
00:13:44,360 --> 00:13:48,000
Speaker 1: I mean. I didn't know trade meant that, But now

264
00:13:48,000 --> 00:13:54,360
Speaker 1: you know I ain't trade in places already it's the trade.

265
00:13:55,800 --> 00:13:58,680
Speaker 1: I have no trade clause. I have a no trade

266
00:13:58,720 --> 00:14:04,600
Speaker 1: clause in my contract. Okay, I cannot be traded. Okay,

267
00:14:05,080 --> 00:14:06,520
Speaker 1: it's the breakfast club. Good morning,