1
00:00:18,200 --> 00:00:24,400
Speaker 1: I have a little bit of an update for you guys,

2
00:00:24,560 --> 00:00:28,440
Speaker 1: very important update. I told you the story of how

3
00:00:28,720 --> 00:00:35,560
Speaker 1: I very embarrassingly forced myself into a picture with Richard

4
00:00:35,600 --> 00:00:40,720
Speaker 1: Dreyfuss and his wife, and so many of you have

5
00:00:40,800 --> 00:00:43,240
Speaker 1: been so kind in coming up to me and telling

6
00:00:43,280 --> 00:00:45,839
Speaker 1: me or responding to me on Instagram and saying, oh

7
00:00:45,880 --> 00:00:48,240
Speaker 1: my gosh, I'm so glad you have those moments too,

8
00:00:48,640 --> 00:00:51,800
Speaker 1: and then sharing with me your ick moments of doing

9
00:00:51,840 --> 00:00:56,680
Speaker 1: something super cringey. Well, to take my cringey story one

10
00:00:56,720 --> 00:01:00,800
Speaker 1: step further, when we were in the Austin when we

11
00:01:00,800 --> 00:01:05,320
Speaker 1: were at the Austin convention, Will and I got into

12
00:01:05,360 --> 00:01:09,840
Speaker 1: the car from the airport with Richard Dreyfus and his wife,

13
00:01:10,040 --> 00:01:14,360
Speaker 1: and I was so hoping that they did not remember me,

14
00:01:14,640 --> 00:01:18,399
Speaker 1: that they didn't recognize me. But nope, that.

15
00:01:18,400 --> 00:01:20,560
Speaker 2: Crazy lady who jumped in the photo with us.

16
00:01:20,760 --> 00:01:24,720
Speaker 1: The minute with them the car, Svetlana, Richard's wife, is like,

17
00:01:25,120 --> 00:01:28,920
Speaker 1: I remember you. She's so sweet, and she's like, you're

18
00:01:29,160 --> 00:01:31,759
Speaker 1: She's telling me how cute I am, and and I'm thinking,

19
00:01:31,760 --> 00:01:36,040
Speaker 1: I'm like, oh gosh, she remembers this is awful. Oh no,

20
00:01:36,160 --> 00:01:38,319
Speaker 1: they think I'm so weird, So I just don't mention it.

21
00:01:38,400 --> 00:01:40,039
Speaker 1: I don't say a single word about it, Like, by

22
00:01:40,080 --> 00:01:42,640
Speaker 1: the way, I'm sorry I jumped into that. I didn't

23
00:01:42,640 --> 00:01:44,639
Speaker 1: want to just I just wanted to pretend it didn't happen.

24
00:01:44,959 --> 00:01:48,520
Speaker 1: And then the next day we arrived at the convention

25
00:01:49,400 --> 00:01:55,960
Speaker 1: and they had printed out, yes, the photo for me,

26
00:01:56,800 --> 00:02:01,640
Speaker 1: and there they are just so confused, used who is

27
00:02:01,680 --> 00:02:05,280
Speaker 1: this girl? Why is she jumping into this photo? And

28
00:02:06,040 --> 00:02:08,920
Speaker 1: they signed it for me, which is so sweet. So

29
00:02:09,040 --> 00:02:11,920
Speaker 1: now I can frame this picture and I'll remember the

30
00:02:11,960 --> 00:02:16,280
Speaker 1: cringey moment. You've got the moment forever. That's one you

31
00:02:16,360 --> 00:02:18,120
Speaker 1: were on the left.

32
00:02:18,960 --> 00:02:22,960
Speaker 2: Yes, I was just checking to say that. So that

33
00:02:23,080 --> 00:02:24,679
Speaker 2: was the fun. That was a fun car ride though,

34
00:02:24,800 --> 00:02:27,200
Speaker 2: because we're riding with Richard Dreyfus, who was talking about

35
00:02:27,200 --> 00:02:29,880
Speaker 2: Phil Daniels the whole time, how much how much he

36
00:02:29,960 --> 00:02:32,600
Speaker 2: loves Bill and how much working with Bill was incredible,

37
00:02:32,639 --> 00:02:36,200
Speaker 2: and how he's the consummate actorate was I don't remember

38
00:02:36,200 --> 00:02:36,960
Speaker 2: what it was, the.

39
00:02:36,960 --> 00:02:40,880
Speaker 1: Graduate Richard Dreyfuss has a very small part.

40
00:02:40,240 --> 00:02:42,600
Speaker 2: Part and the graduate okay, but he was just they

41
00:02:42,600 --> 00:02:44,800
Speaker 2: were And then I was talking to Bill and Bonnie

42
00:02:44,840 --> 00:02:47,160
Speaker 2: about him and they're like, oh, my god, Richard Dreyfuss

43
00:02:47,200 --> 00:02:48,760
Speaker 2: is the nicest guy in the world and we love

44
00:02:48,800 --> 00:02:49,920
Speaker 2: working It was so cool.

45
00:02:49,919 --> 00:02:53,480
Speaker 3: Well, so he is now the only celebrity I've ever

46
00:02:53,560 --> 00:02:54,920
Speaker 3: asked for a picture with.

47
00:02:55,880 --> 00:02:58,800
Speaker 2: Yeah because the Jaws, right, Yeah, because of Jaws.

48
00:02:58,800 --> 00:03:02,280
Speaker 3: So in the India is obsessed with Jaws. Like it's

49
00:03:02,440 --> 00:03:05,280
Speaker 3: just his favorite movie. He's not only the first one,

50
00:03:05,280 --> 00:03:08,920
Speaker 3: He's watched all four of them. Yeah, many, many times.

51
00:03:09,440 --> 00:03:12,800
Speaker 3: He's obsessed with sharks. But he really just loves Jaws.

52
00:03:12,840 --> 00:03:15,960
Speaker 3: He also loves Spielberg. Like he's now been twice in

53
00:03:16,040 --> 00:03:19,000
Speaker 3: kindergarten and then in second grade asked to pick his

54
00:03:19,120 --> 00:03:22,560
Speaker 3: hero in life, and he's chosen Steven Spielberg both times

55
00:03:22,600 --> 00:03:25,239
Speaker 3: and presented Spielberg to the class. I Meanwhile, everyone else

56
00:03:25,320 --> 00:03:28,080
Speaker 3: is doing like they're Dad or Martin Luther King or

57
00:03:28,360 --> 00:03:31,480
Speaker 3: Rosa Parks like important, you know. But he's like, this

58
00:03:31,520 --> 00:03:34,640
Speaker 3: guy makes movies that I like. But so he's obsessed

59
00:03:34,639 --> 00:03:36,200
Speaker 3: with Jaws. So he wanted to come to the He

60
00:03:36,240 --> 00:03:38,560
Speaker 3: was coming to the convention and he wanted to be

61
00:03:38,680 --> 00:03:41,360
Speaker 3: He wanted to be being eaten by a shark. So

62
00:03:41,400 --> 00:03:43,960
Speaker 3: he found one of those inflatable costumes. He whereas has

63
00:03:44,000 --> 00:03:46,120
Speaker 3: like his own fan. So it looks like he's being

64
00:03:46,160 --> 00:03:49,840
Speaker 3: swallowed from, you know, below by a shark. So he

65
00:03:49,920 --> 00:03:51,840
Speaker 3: was walking, he was ready to go to the convention

66
00:03:51,960 --> 00:03:56,000
Speaker 3: wearing this shark eating a person outfit. And Alex is like, wait,

67
00:03:56,400 --> 00:03:59,400
Speaker 3: I think I have a like a military jacket and

68
00:03:59,520 --> 00:04:03,280
Speaker 3: like a little hat that looks exactly like Quint there,

69
00:04:03,320 --> 00:04:05,680
Speaker 3: the fisherman who gets eaten and jaws off of the boat.

70
00:04:05,720 --> 00:04:06,520
Speaker 2: It's like the famous scene.

71
00:04:06,600 --> 00:04:09,240
Speaker 1: And Indy was like, yes, So he put on this

72
00:04:09,280 --> 00:04:10,120
Speaker 1: little coat.

73
00:04:10,480 --> 00:04:12,880
Speaker 3: And his little hat and we wrote Quint on the

74
00:04:12,960 --> 00:04:15,920
Speaker 3: name tag and he came to the convention. And then

75
00:04:15,960 --> 00:04:17,839
Speaker 3: when we found out Richard Dreyfus was there, I was like,

76
00:04:17,960 --> 00:04:21,080
Speaker 3: I we have we have to ask, and Richard agent

77
00:04:21,240 --> 00:04:23,920
Speaker 3: was so nice and was like, hey, we will at

78
00:04:23,960 --> 00:04:27,160
Speaker 3: any point, you know, just grab us when when Indie's around.

79
00:04:27,600 --> 00:04:29,800
Speaker 3: So sure enough, we like pulled Richard Drevis out of

80
00:04:29,800 --> 00:04:31,800
Speaker 3: his like signing booth where he was, and he came

81
00:04:31,839 --> 00:04:34,560
Speaker 3: out and he saw Indy and he was like Quint.

82
00:04:34,760 --> 00:04:35,840
Speaker 2: And they took this.

83
00:04:36,120 --> 00:04:38,040
Speaker 3: They took photos together, and then we talked for a

84
00:04:38,080 --> 00:04:40,720
Speaker 3: little bit and at one point I said, okay, Indy,

85
00:04:40,800 --> 00:04:42,840
Speaker 3: let's go and he's like, wait, wait, what's his name?

86
00:04:43,400 --> 00:04:48,280
Speaker 3: Like Indy, He's like, you're a Spielberg monstrosity.

87
00:04:48,560 --> 00:04:49,160
Speaker 2: That's great.

88
00:04:49,160 --> 00:04:52,000
Speaker 3: Indie s Dreyfus called you a Spielberg monstrosity.

89
00:04:52,040 --> 00:04:55,960
Speaker 2: That's going on. I love it. He was so he

90
00:04:56,000 --> 00:04:56,600
Speaker 2: was so sweet.

91
00:04:56,600 --> 00:04:58,599
Speaker 1: Did you they actually did you read?

92
00:04:58,640 --> 00:05:03,080
Speaker 2: Not that long ago? Peter Benchley, who wrote Jaws, also

93
00:05:03,120 --> 00:05:05,440
Speaker 2: from that The same boy lived in the same town

94
00:05:05,960 --> 00:05:09,360
Speaker 2: where when I got married, in Stonington, Connecticut. He came

95
00:05:09,360 --> 00:05:11,160
Speaker 2: out saying he never would have written it again if

96
00:05:11,160 --> 00:05:13,520
Speaker 2: he had to do it over because so many people

97
00:05:13,680 --> 00:05:17,560
Speaker 2: killed sharks after the book came out, because people were

98
00:05:17,600 --> 00:05:20,120
Speaker 2: so scared by it that he's like, if I had

99
00:05:20,120 --> 00:05:21,720
Speaker 2: to do it over again, I never would have written Jaws,

100
00:05:21,720 --> 00:05:23,080
Speaker 2: which is such a shame. But it was based on

101
00:05:23,080 --> 00:05:25,919
Speaker 2: apparently on a real thing where he was texts of

102
00:05:26,000 --> 00:05:28,800
Speaker 2: nineteen sixteen. Is that what it was? But I think

103
00:05:28,839 --> 00:05:32,279
Speaker 2: he also saw some one he saw a huge, a

104
00:05:32,360 --> 00:05:34,520
Speaker 2: huge shark. I think, yeah, But I know, I mean, it's.

105
00:05:34,360 --> 00:05:36,520
Speaker 3: Like, it's a debatable whether Jaws is based on this,

106
00:05:36,600 --> 00:05:38,479
Speaker 3: but I guess in nineteen sixteen there were a series

107
00:05:38,480 --> 00:05:40,360
Speaker 3: of shark attacks and what it was. I think there

108
00:05:40,360 --> 00:05:43,040
Speaker 3: were bull sharks that were because they can go up

109
00:05:43,120 --> 00:05:46,760
Speaker 3: river in fresh water, and so it was like there

110
00:05:46,760 --> 00:05:48,640
Speaker 3: were freshwater shark attacks.

111
00:05:48,240 --> 00:05:49,560
Speaker 2: That killed like a couple of people.

112
00:05:50,040 --> 00:05:52,600
Speaker 3: And then yeah, that was like the inspiration, you know,

113
00:05:52,680 --> 00:05:55,080
Speaker 3: because suddenly there was all this panic about sharks eating

114
00:05:55,120 --> 00:05:56,200
Speaker 3: people that were just swimming.

115
00:05:56,520 --> 00:05:59,560
Speaker 2: Oh yeah, that's great. That's sharks still freaked me out.

116
00:05:59,720 --> 00:06:02,160
Speaker 2: And I know that there are. You know, they're probably

117
00:06:02,279 --> 00:06:04,520
Speaker 2: very nice. They've got families, they've got jobs, I get it,

118
00:06:04,640 --> 00:06:07,800
Speaker 2: very kind, they're very kind people. And they've all got

119
00:06:07,839 --> 00:06:09,279
Speaker 2: their own through. Everyone's going through.

120
00:06:09,120 --> 00:06:10,839
Speaker 3: Their own Yeah, they're all going through their own stuff.

121
00:06:10,839 --> 00:06:14,240
Speaker 2: You know, they got packed me exactly. But it's they

122
00:06:14,360 --> 00:06:16,320
Speaker 2: still the idea that I'm swimming in the ocean with

123
00:06:16,360 --> 00:06:18,520
Speaker 2: something that looks at me as if I could be

124
00:06:18,600 --> 00:06:20,240
Speaker 2: food that freaks me out. Yeah.

125
00:06:20,279 --> 00:06:24,680
Speaker 1: Well, the other convention we went to recently was nineties con. Uh,

126
00:06:24,720 --> 00:06:28,160
Speaker 1: and the very few sharks at nineties con. There were

127
00:06:28,240 --> 00:06:29,120
Speaker 1: there's some some.

128
00:06:29,040 --> 00:06:31,200
Speaker 2: Sharks of What's con. So there's some sharks.

129
00:06:31,200 --> 00:06:34,200
Speaker 1: I mean, we were in Florida, so they're definitely alligators.

130
00:06:34,520 --> 00:06:36,280
Speaker 1: We didn't see any I don't think. Did you say

131
00:06:36,279 --> 00:06:39,320
Speaker 1: any I didn't say anything. I didn't see any alligators.

132
00:06:39,560 --> 00:06:42,400
Speaker 1: But I took on a very fun role while we

133
00:06:42,400 --> 00:06:45,800
Speaker 1: were there, and my role was to let Ryder know

134
00:06:46,640 --> 00:06:51,160
Speaker 1: every day what needed to be slightly adjusted in his appearance.

135
00:06:51,800 --> 00:06:54,880
Speaker 1: On the first day we were there, Ryder was having

136
00:06:54,960 --> 00:06:56,400
Speaker 1: a normal I don't know who he was, I don't

137
00:06:56,400 --> 00:06:57,760
Speaker 1: remember who he was talking to, but he was having

138
00:06:57,800 --> 00:07:00,120
Speaker 1: a conversation and I walked up to say hello, and

139
00:07:00,320 --> 00:07:06,480
Speaker 1: Rider had blood all over his neck, like multiple different.

140
00:07:07,080 --> 00:07:08,560
Speaker 3: Part of the reason I have a beard is because

141
00:07:08,640 --> 00:07:10,440
Speaker 3: I don't have to shave.

142
00:07:10,520 --> 00:07:13,520
Speaker 4: Do you shave with a broken glass bottle that you find?

143
00:07:14,640 --> 00:07:20,520
Speaker 4: That's what that was. Like, dude, what happened? You were bleeding?

144
00:07:20,600 --> 00:07:23,040
Speaker 2: I'm like what? And sure enough it wasn't a small

145
00:07:23,120 --> 00:07:28,360
Speaker 2: like drop here, drop there. It was like people were concerned, Yeah, yeah,

146
00:07:28,800 --> 00:07:29,760
Speaker 2: so what are you shaving?

147
00:07:30,000 --> 00:07:32,440
Speaker 1: He went and cleaned that up. It was It was

148
00:07:32,440 --> 00:07:36,280
Speaker 1: a I was like, please, you're not here for cabin fever. Go.

149
00:07:40,080 --> 00:07:42,720
Speaker 2: It was a great cosplay as a person holding on

150
00:07:42,800 --> 00:07:43,720
Speaker 2: to life. It was great.

151
00:07:44,160 --> 00:07:46,600
Speaker 1: And then the next day again walked up to say

152
00:07:46,600 --> 00:07:49,720
Speaker 1: hello and he had white like cream in his hair.

153
00:07:49,800 --> 00:07:52,280
Speaker 1: Whatever product you had been using, chunks.

154
00:07:53,160 --> 00:07:57,840
Speaker 3: There's something about merry moment. What you did that was

155
00:07:57,880 --> 00:08:00,960
Speaker 3: actually took a picture of it. I did, and you

156
00:08:00,960 --> 00:08:02,400
Speaker 3: showed me the picture of the back of my hair

157
00:08:02,440 --> 00:08:05,320
Speaker 3: with like my hair wax product or whatever, like just

158
00:08:05,320 --> 00:08:07,560
Speaker 3: all clumped up, and you need to fix this.

159
00:08:08,280 --> 00:08:13,120
Speaker 2: Ye, somebody's looking out for me. Danielle keeps us, keeps

160
00:08:13,200 --> 00:08:14,800
Speaker 2: us on the straight and narrow. The other thing I've

161
00:08:14,840 --> 00:08:18,240
Speaker 2: noticed is anytime you mention anything to Danielle, it doesn't

162
00:08:18,240 --> 00:08:21,680
Speaker 2: matter what it is, she will find the product that

163
00:08:21,760 --> 00:08:25,960
Speaker 2: suits it and google you to buy it instantly. She said,

164
00:08:26,320 --> 00:08:28,480
Speaker 2: link to whatever it is. Conversations.

165
00:08:28,520 --> 00:08:32,360
Speaker 3: I had to hear about cars charcoal deodorant because of Danielle,

166
00:08:32,400 --> 00:08:33,880
Speaker 3: because she mentioned it on this podcast.

167
00:08:33,880 --> 00:08:36,320
Speaker 2: I know everybody's like, what is that natural? Do you?

168
00:08:36,360 --> 00:08:40,040
Speaker 2: I'm like, geez, really, but it doesn't actually be getting

169
00:08:40,040 --> 00:08:41,319
Speaker 2: paid by that company.

170
00:08:41,760 --> 00:08:45,760
Speaker 1: Like Little Seed Farm charcoal natural deodorant. I'll say it

171
00:08:45,800 --> 00:08:47,840
Speaker 1: again because I talked about it once and people do

172
00:08:47,920 --> 00:08:50,720
Speaker 1: come up. We put it in our Podmeets World stories once. Well,

173
00:08:50,720 --> 00:08:52,720
Speaker 1: the problem with the stories that it disappears after twenty

174
00:08:52,760 --> 00:08:54,679
Speaker 1: four hours, so people didn't get a chance to hear

175
00:08:54,679 --> 00:08:57,640
Speaker 1: me talk about it. But yeah, so I if you

176
00:08:57,640 --> 00:09:00,680
Speaker 1: ever need anything, I just I'll send you the I found.

177
00:09:00,720 --> 00:09:03,440
Speaker 1: You know, I can send shopping links for anything. I

178
00:09:03,480 --> 00:09:06,680
Speaker 1: am good at shopping. Yes, So anyway to wrap up

179
00:09:06,720 --> 00:09:10,079
Speaker 1: this little this story about the cons, special shout out

180
00:09:10,080 --> 00:09:12,640
Speaker 1: to Matt Templeton, who is Richard Dreyfus's agent, who was

181
00:09:12,720 --> 00:09:15,160
Speaker 1: so kind and bringing Richard over to see Indie every

182
00:09:15,200 --> 00:09:18,480
Speaker 1: sweet and got me this copy of this picture, which

183
00:09:18,520 --> 00:09:21,640
Speaker 1: I'm so proud to now hang and put on my wall.

184
00:09:22,920 --> 00:09:24,120
Speaker 1: Welcome to Podmeets World.

185
00:09:24,160 --> 00:09:27,240
Speaker 2: I'm Danielle Fischl, I'm Rid Strong, and I'm Wilfredell.

186
00:09:27,679 --> 00:09:29,880
Speaker 1: It's almost time for a new pod Meets World, but

187
00:09:29,880 --> 00:09:33,480
Speaker 1: it's also almost time for some new Pod Meets World lives.

188
00:09:33,840 --> 00:09:35,199
Speaker 1: That's right, Danielle Fisher.

189
00:09:35,240 --> 00:09:38,600
Speaker 2: We'll be bringing the podcast to Cleveland, Ohio on October thirteenth,

190
00:09:38,720 --> 00:09:39,720
Speaker 2: just over a week away.

191
00:09:39,920 --> 00:09:42,680
Speaker 3: We're at the Mime Ohio Theater, then in Toronto on

192
00:09:42,720 --> 00:09:45,880
Speaker 3: October fourteenth at the Queen Elizabeth Theater, and in Pittsburgh

193
00:09:45,920 --> 00:09:47,960
Speaker 3: on October fifteenth at the Bay In Theater.

194
00:09:48,360 --> 00:09:50,640
Speaker 1: Tickets are still available right now. All you have to

195
00:09:50,679 --> 00:09:53,240
Speaker 1: do is go to podmeetsworldshow dot com and check out

196
00:09:53,240 --> 00:09:55,680
Speaker 1: the schedule. Because we are visiting a ton of cities

197
00:09:55,720 --> 00:09:57,760
Speaker 1: through the end of the year and even Texas in

198
00:09:57,840 --> 00:10:00,199
Speaker 1: twenty twenty four. What are you waiting for?

199
00:10:00,320 --> 00:10:03,320
Speaker 2: Let's make this pod beats you visit Podmeats worldshow dot

200
00:10:03,360 --> 00:10:05,400
Speaker 2: Com now, and we hope to see you in the

201
00:10:05,400 --> 00:10:07,959
Speaker 2: audience in Cleveland, Toronto or Pittsburgh next week.

202
00:10:18,960 --> 00:10:21,360
Speaker 1: Let's jump into our recab. We are here to talk

203
00:10:21,360 --> 00:10:24,880
Speaker 1: about season three, episode twelve, The Grass Is Always Greener.

204
00:10:24,920 --> 00:10:28,960
Speaker 1: It originally aired January twelfth, nineteen ninety six. The synopsis

205
00:10:29,200 --> 00:10:32,280
Speaker 1: Corey is getting bored in his relationship with Tapanga and

206
00:10:32,400 --> 00:10:36,240
Speaker 1: decides to go with Sean to another school's party. Corey

207
00:10:36,360 --> 00:10:38,200
Speaker 1: is having the time of his life until he finds

208
00:10:38,240 --> 00:10:42,680
Speaker 1: out that Tapanga had a similar plan. Directed by Jeff McCracken,

209
00:10:42,720 --> 00:10:47,000
Speaker 1: written by Donna Trujillo. Guest starring Jim Janssen. He's back

210
00:10:47,040 --> 00:10:50,160
Speaker 1: as doctor Currell. Did not remember him ever coming back,

211
00:10:50,200 --> 00:10:54,079
Speaker 1: but really happy to see him. Eric Egan as Brent.

212
00:10:54,400 --> 00:10:59,880
Speaker 1: He played young Keyferth Sutherland in Flatliners. Oh, Marisa Theodore

213
00:11:00,120 --> 00:11:03,680
Speaker 1: as Tara, and Mina Suvari returns as Hillary. She is

214
00:11:03,679 --> 00:11:06,800
Speaker 1: playing a different character than she did in her first appearance.

215
00:11:06,960 --> 00:11:09,080
Speaker 2: Who was she in her first appearance? She was she

216
00:11:09,200 --> 00:11:09,800
Speaker 2: was the cousin.

217
00:11:10,120 --> 00:11:11,959
Speaker 1: She was cousin, does he split water? Why does he

218
00:11:12,000 --> 00:11:12,480
Speaker 1: spit water?

219
00:11:12,640 --> 00:11:15,160
Speaker 2: Yeah? That one, So it could be the same character, I.

220
00:11:15,120 --> 00:11:17,520
Speaker 1: Guess no, not yeah in that episode, but she's not

221
00:11:17,559 --> 00:11:19,240
Speaker 1: the person who says does he spit water? She's the

222
00:11:19,280 --> 00:11:21,440
Speaker 1: cousin of the person who asks why he's spitting water?

223
00:11:21,920 --> 00:11:24,760
Speaker 2: No, she says it too, she says he spits water.

224
00:11:26,360 --> 00:11:27,679
Speaker 2: So it could be the same character. She just goes

225
00:11:27,679 --> 00:11:29,960
Speaker 2: to a different school. Now she's now we know who

226
00:11:30,000 --> 00:11:30,280
Speaker 2: she is.

227
00:11:30,280 --> 00:11:32,600
Speaker 1: True, But didn't she Yeah? I guess wouldn't she.

228
00:11:34,880 --> 00:11:35,920
Speaker 2: On the show, right?

229
00:11:36,120 --> 00:11:38,160
Speaker 1: Because I was like she was like a door person.

230
00:11:38,000 --> 00:11:39,960
Speaker 2: For I didn't remember her at all in this episode.

231
00:11:39,960 --> 00:11:42,520
Speaker 2: I only remembered her in this spit water episode.

232
00:11:42,600 --> 00:11:43,680
Speaker 1: Yeah, it's so funny.

233
00:11:43,920 --> 00:11:45,000
Speaker 2: So, man, this is.

234
00:11:44,920 --> 00:11:49,160
Speaker 3: A weird episode. A weird I have so many weird

235
00:11:49,360 --> 00:11:51,600
Speaker 3: thoughts about it. I don't know where to be kidding.

236
00:11:51,600 --> 00:11:55,679
Speaker 3: I mean, I just yeah, I thought it was so

237
00:11:55,840 --> 00:11:57,520
Speaker 3: bad and then it ripped my heart out, and.

238
00:11:57,520 --> 00:11:57,959
Speaker 2: I kind of.

239
00:12:00,280 --> 00:12:03,760
Speaker 1: Me I thought the exact same way. I was like,

240
00:12:03,880 --> 00:12:06,800
Speaker 1: oh my god. I'm like, as I was writing my notes,

241
00:12:06,880 --> 00:12:09,600
Speaker 1: I was keeping a bunch of notes that were like, God,

242
00:12:09,720 --> 00:12:13,400
Speaker 1: really this oh. And then I watched it and I

243
00:12:13,440 --> 00:12:15,280
Speaker 1: was like, oh man, I'm in.

244
00:12:15,640 --> 00:12:19,680
Speaker 2: I am shipping to Penga and Corey. Now, wow, this

245
00:12:19,720 --> 00:12:23,199
Speaker 2: is the one it turned. Wow, I disagree.

246
00:12:24,280 --> 00:12:25,000
Speaker 1: I get it too.

247
00:12:25,040 --> 00:12:29,040
Speaker 3: Oh man, that ending montage, I was full on feeling

248
00:12:29,120 --> 00:12:29,880
Speaker 3: the fields and I.

249
00:12:29,840 --> 00:12:31,360
Speaker 2: Was like, oh, makes sense.

250
00:12:32,400 --> 00:12:34,040
Speaker 1: So I literally can't believe. I thought I was going

251
00:12:34,120 --> 00:12:35,640
Speaker 1: to be the only person. I thought you guys were

252
00:12:35,640 --> 00:12:36,800
Speaker 1: both gonna hate it and I was going to be

253
00:12:36,800 --> 00:12:38,000
Speaker 1: the only person. Like, guys, I'm in.

254
00:12:38,080 --> 00:12:43,200
Speaker 2: I'm so worked just trying to this relationship on us.

255
00:12:43,280 --> 00:12:44,200
Speaker 2: Oh my god. No.

256
00:12:44,280 --> 00:12:46,800
Speaker 3: I needed it to be sad and tragic, and it is,

257
00:12:47,040 --> 00:12:50,000
Speaker 3: and it is so on board.

258
00:12:48,559 --> 00:12:53,520
Speaker 2: They needed to get No, no, they keep cutting the

259
00:12:53,679 --> 00:12:54,880
Speaker 2: five years together.

260
00:12:55,200 --> 00:12:59,640
Speaker 1: You're so horrible. You're going to get me, man, Okay,

261
00:13:00,080 --> 00:13:00,800
Speaker 1: we will get to it.

262
00:13:00,880 --> 00:13:01,240
Speaker 2: I could.

263
00:13:01,320 --> 00:13:05,840
Speaker 1: I will. You're right, writer, You're right. It's I just

264
00:13:06,480 --> 00:13:09,400
Speaker 1: know it's it's it's it shouldn't work.

265
00:13:09,600 --> 00:13:11,680
Speaker 3: And I also think that's part of the reason that

266
00:13:11,760 --> 00:13:17,160
Speaker 3: it works for is indicative of why it hasn't worked.

267
00:13:17,600 --> 00:13:19,600
Speaker 1: Let me here, let me explain.

268
00:13:19,760 --> 00:13:20,600
Speaker 2: Uh.

269
00:13:20,720 --> 00:13:21,959
Speaker 1: It reduces the.

270
00:13:21,920 --> 00:13:26,000
Speaker 3: Relationship to visuals and makes it iconographic, which is what

271
00:13:26,040 --> 00:13:28,560
Speaker 3: it needed to be if that makes sense, because it

272
00:13:28,640 --> 00:13:31,000
Speaker 3: isn't a developed relationship. It's not great.

273
00:13:31,120 --> 00:13:35,120
Speaker 2: But when you put they put sacks and you see.

274
00:13:35,000 --> 00:13:37,800
Speaker 3: Clip some of these kids growing up together, I am in.

275
00:13:40,120 --> 00:13:42,000
Speaker 3: I don't want to talk to each other. I don't

276
00:13:42,000 --> 00:13:43,880
Speaker 3: want to know the relationship, but I just want.

277
00:13:43,679 --> 00:13:48,440
Speaker 1: To be a beautiful montage of context that makes it works. Okay,

278
00:13:48,520 --> 00:13:50,520
Speaker 1: let's you know what, screw it, Let's jump ahead to

279
00:13:50,520 --> 00:13:52,800
Speaker 1: the very end here I said. Then a montage of

280
00:13:52,840 --> 00:13:55,280
Speaker 1: scenes start rolling of Corey into Panga while All I

281
00:13:55,320 --> 00:13:59,240
Speaker 1: Know by Art Garfunkle plays in the background. What the

282
00:13:59,760 --> 00:14:03,040
Speaker 1: how much did they pay for Art Garfunkel music? Also,

283
00:14:03,360 --> 00:14:06,400
Speaker 1: this is exactly why, from this moment on, we believe

284
00:14:06,480 --> 00:14:09,280
Speaker 1: the lie that Tapega and Corey have this incredible and

285
00:14:09,360 --> 00:14:13,280
Speaker 1: amazing chemistry and history and love story. But really it's

286
00:14:13,400 --> 00:14:16,240
Speaker 1: just a montage of me looking pretty and kissing Corey

287
00:14:16,400 --> 00:14:19,200
Speaker 1: with absolutely no context. So you don't remember that I

288
00:14:19,240 --> 00:14:21,800
Speaker 1: was actually kissing Corey after he cheated on me, or

289
00:14:21,920 --> 00:14:24,200
Speaker 1: that he threw his jacket off me after he bullied

290
00:14:24,200 --> 00:14:25,440
Speaker 1: me into saying I loved him.

291
00:14:25,440 --> 00:14:26,200
Speaker 2: But it worked.

292
00:14:26,280 --> 00:14:27,920
Speaker 1: I'm sold they belong together.

293
00:14:28,160 --> 00:14:31,040
Speaker 2: Yes, you couldn't have said it better. It's I'm so

294
00:14:31,160 --> 00:14:31,640
Speaker 2: on board.

295
00:14:31,680 --> 00:14:33,760
Speaker 3: I'm the exact same way I was watching this episode,

296
00:14:33,800 --> 00:14:35,800
Speaker 3: but I hate these scenes. I don't want to watch

297
00:14:35,880 --> 00:14:38,560
Speaker 3: these people. You are great, actually you're really good acting.

298
00:14:39,520 --> 00:14:42,520
Speaker 3: This is like you like arrived as an actor. But

299
00:14:42,800 --> 00:14:45,040
Speaker 3: then I was like, I still hate it it all,

300
00:14:45,360 --> 00:14:47,800
Speaker 3: and then that montage say.

301
00:14:47,600 --> 00:14:53,160
Speaker 2: Reaction, I I you are just Oh god, the both

302
00:14:53,160 --> 00:14:56,440
Speaker 2: of you are just are are just montage whores.

303
00:14:58,360 --> 00:15:01,400
Speaker 1: And you know what, Will want music to tell me

304
00:15:01,440 --> 00:15:05,160
Speaker 1: what I'm supposed to be. Tell me right now, Violin

305
00:15:05,400 --> 00:15:11,080
Speaker 1: swell me, Violin, swell me into into just I have

306
00:15:11,160 --> 00:15:12,120
Speaker 1: full body chills.

307
00:15:12,400 --> 00:15:14,040
Speaker 2: Oh god, funny.

308
00:15:14,720 --> 00:15:17,080
Speaker 1: I love how it worked for you guys. I think

309
00:15:17,080 --> 00:15:18,400
Speaker 1: it's great that it did.

310
00:15:18,680 --> 00:15:21,920
Speaker 2: It was so cheesy and hard, and they took the

311
00:15:22,080 --> 00:15:25,000
Speaker 2: four scenes that and they just cut them together and

312
00:15:25,040 --> 00:15:26,400
Speaker 2: now they've been together forever.

313
00:15:26,440 --> 00:15:30,760
Speaker 1: It's like, I, yes, it didn't work, it dumb, it didn't.

314
00:15:30,600 --> 00:15:31,200
Speaker 2: At all for me.

315
00:15:31,440 --> 00:15:35,240
Speaker 1: It wow, I love it. This is exactly why we

316
00:15:35,280 --> 00:15:38,440
Speaker 1: do this podcast. Got I'm literally sweating. I have I'm

317
00:15:38,480 --> 00:15:41,840
Speaker 1: literally sweating. I this is why we do this because

318
00:15:41,960 --> 00:15:45,200
Speaker 1: I want to hear every one of Will's criticisms as

319
00:15:45,200 --> 00:15:48,040
Speaker 1: we go, and we probably had the exact same criticisms,

320
00:15:48,240 --> 00:15:48,480
Speaker 1: and you.

321
00:15:48,520 --> 00:15:51,280
Speaker 2: Both agreed that it's a bad episode up until the montage,

322
00:15:51,280 --> 00:15:52,320
Speaker 2: which is also bad.

323
00:15:52,360 --> 00:15:53,720
Speaker 1: It just you guys loved it.

324
00:15:53,800 --> 00:15:54,280
Speaker 2: I don't know.

325
00:15:54,400 --> 00:15:57,040
Speaker 1: I actually there were so many things I didn't like

326
00:15:57,080 --> 00:16:00,960
Speaker 1: about it, and yet I love the idea of two

327
00:16:01,000 --> 00:16:05,400
Speaker 1: people in a teenage relationship both pretending to be other

328
00:16:05,520 --> 00:16:08,880
Speaker 1: people and such. I mean, really, I really loved you.

329
00:16:09,080 --> 00:16:12,600
Speaker 2: Episode of season four where they've actually established the relationship.

330
00:16:12,760 --> 00:16:16,320
Speaker 2: Great idea. The second episode where there's actually a couple

331
00:16:16,440 --> 00:16:20,000
Speaker 2: really and they're already bored and have to be other people. Like,

332
00:16:20,080 --> 00:16:22,520
Speaker 2: let's jump on, stop forcing on me.

333
00:16:22,720 --> 00:16:24,920
Speaker 1: Let's jump in. We are in the Matthews living room

334
00:16:24,920 --> 00:16:27,360
Speaker 1: to Panga and Amy are crying as they're watching a movie.

335
00:16:27,640 --> 00:16:34,000
Speaker 1: To Penga yells man, yeah, man, take her, Trevor, take her.

336
00:16:34,320 --> 00:16:37,280
Speaker 1: At the TV A scene with Amy. I have a

337
00:16:37,320 --> 00:16:41,120
Speaker 1: scene with Amy at the Matthews house, which I guess

338
00:16:41,440 --> 00:16:43,720
Speaker 1: is I'm comfortable here because we have gone on so

339
00:16:43,800 --> 00:16:46,160
Speaker 1: many dates. We just haven't gone on any of them

340
00:16:46,240 --> 00:16:52,320
Speaker 1: on this TV show. We haven't seen any of them.

341
00:16:52,600 --> 00:16:55,000
Speaker 3: Well, no, you guys had the pool, the pool that

342
00:16:55,120 --> 00:16:58,040
Speaker 3: you were teaching. He was teaching you to play pool

343
00:16:57,560 --> 00:16:59,320
Speaker 3: was ruined.

344
00:16:59,000 --> 00:17:03,080
Speaker 2: By the love they broke, essentially broke, so that was bad.

345
00:17:03,160 --> 00:17:06,360
Speaker 2: The one date they've they've shown ends up bad. Then

346
00:17:06,359 --> 00:17:08,960
Speaker 2: they're just married. When you guys were in seven minutes

347
00:17:08,960 --> 00:17:11,640
Speaker 2: in heaven or but it's still they're just now married.

348
00:17:11,760 --> 00:17:13,960
Speaker 2: We have to accept they are married. They are now

349
00:17:14,040 --> 00:17:16,439
Speaker 2: not only married, but we're through their whole relationship and

350
00:17:16,480 --> 00:17:17,000
Speaker 2: they're bored.

351
00:17:17,200 --> 00:17:19,480
Speaker 1: Right, they're bored. They're already the board, We're already there.

352
00:17:19,880 --> 00:17:22,960
Speaker 2: It's like we skipped them actually being in a relationship.

353
00:17:23,000 --> 00:17:26,159
Speaker 1: We skipped all that. We just said it happened. Yeah,

354
00:17:26,240 --> 00:17:28,399
Speaker 1: So the ladies are patting their eyes with tissues and

355
00:17:28,440 --> 00:17:30,880
Speaker 1: Amy says, oh, that's so beautiful. As the movie ends,

356
00:17:31,080 --> 00:17:33,280
Speaker 1: Tapanga asks Cory if he enjoyed the movie, but Corey

357
00:17:33,320 --> 00:17:35,280
Speaker 1: is asleep on the couch. Topanga has to nudge him

358
00:17:35,280 --> 00:17:36,600
Speaker 1: to wake him up, and he tells and she tells

359
00:17:36,640 --> 00:17:39,320
Speaker 1: him he's drooling. Corey says, no, I was crying through

360
00:17:39,359 --> 00:17:42,120
Speaker 1: my mouth. Tapanga suggests he just goes upstairs to watch

361
00:17:42,119 --> 00:17:44,560
Speaker 1: the game with his father if he's bored. Corey responds

362
00:17:44,600 --> 00:17:46,600
Speaker 1: with anyone can watch a Super Bowl, right, it takes

363
00:17:46,640 --> 00:17:49,800
Speaker 1: a special man to watch a classic like this, So

364
00:17:49,920 --> 00:17:52,000
Speaker 1: it's the super Bowl, it's not just a game.

365
00:17:52,080 --> 00:17:54,320
Speaker 2: He's missing the super Bowl to watch the things and

366
00:17:54,400 --> 00:17:57,679
Speaker 2: Alan is upstairs with the little TV super Bowl Morgan,

367
00:17:58,200 --> 00:18:01,880
Speaker 2: I guess more apparently, why Rusty's not in this episode?

368
00:18:02,080 --> 00:18:05,080
Speaker 1: No, he had finals. He had ye so many finals

369
00:18:05,160 --> 00:18:06,119
Speaker 1: so far, He's.

370
00:18:06,000 --> 00:18:08,320
Speaker 2: Got must have three PhDs by this point. What do

371
00:18:08,320 --> 00:18:10,480
Speaker 2: you think was Rusty getting other work?

372
00:18:10,600 --> 00:18:12,399
Speaker 1: Is that what was happening? Because he must have been

373
00:18:12,440 --> 00:18:15,120
Speaker 1: a series, right, He must have been getting other work.

374
00:18:15,160 --> 00:18:16,800
Speaker 2: He had to be, because why would they have written

375
00:18:16,840 --> 00:18:20,440
Speaker 2: him out. They wouldn't have. My guess is he they? Yeah? They.

376
00:18:20,800 --> 00:18:22,600
Speaker 2: I'm guessing he had other things to do because he

377
00:18:22,640 --> 00:18:24,800
Speaker 2: was working all the time, and I'm getting by the

378
00:18:24,840 --> 00:18:27,320
Speaker 2: season three, he probably wrote that into his contractor was like, Hey,

379
00:18:27,320 --> 00:18:29,200
Speaker 2: if I get something else, you gotta let me go,

380
00:18:29,280 --> 00:18:31,239
Speaker 2: and they do because they respected him so much as

381
00:18:31,240 --> 00:18:32,639
Speaker 2: an actor. I was like, all right, go. You know,

382
00:18:32,640 --> 00:18:34,440
Speaker 2: he's doing Briscoe County and a whole bunch of other

383
00:18:34,480 --> 00:18:36,119
Speaker 2: things by this point, so I think he was. He

384
00:18:36,160 --> 00:18:37,240
Speaker 2: was probably doing something else.

385
00:18:37,720 --> 00:18:39,920
Speaker 1: Well. Then Eric walks in and asks Cory if that's

386
00:18:39,960 --> 00:18:42,520
Speaker 1: what he is a special man. He then lifts Corey

387
00:18:42,520 --> 00:18:44,840
Speaker 1: in a fireman's carry up over his shoulder and tells

388
00:18:44,840 --> 00:18:48,080
Speaker 1: Amy he's saving a life and carries Corey into the kitchen.

389
00:18:48,680 --> 00:18:52,480
Speaker 1: Eric is also not watching the super Bowl with his

390
00:18:52,560 --> 00:18:55,520
Speaker 1: dad or you came down from downstairs in the.

391
00:18:55,560 --> 00:18:59,520
Speaker 2: Kitchen, but I'm doing an intervention into Corey for some reason.

392
00:19:00,119 --> 00:19:03,120
Speaker 1: So good in this episode, will Oh, you are fun obviously,

393
00:19:03,400 --> 00:19:05,920
Speaker 1: so comfortable and casual. And I did notice it was

394
00:19:05,920 --> 00:19:07,400
Speaker 1: a Jeff McCracken episode.

395
00:19:07,520 --> 00:19:08,480
Speaker 3: And you are.

396
00:19:08,720 --> 00:19:11,240
Speaker 1: You are so solid and so strong and so funny

397
00:19:11,240 --> 00:19:14,639
Speaker 1: throughout this entire episode. Really good episode for you. So

398
00:19:14,720 --> 00:19:16,960
Speaker 1: then now we're in the Matthew's kitchen. Eric says to Corey,

399
00:19:17,000 --> 00:19:18,920
Speaker 1: you and to Pega spent the last three Friday nights

400
00:19:18,920 --> 00:19:20,800
Speaker 1: at home tearing up at chick flicks.

401
00:19:20,960 --> 00:19:23,840
Speaker 2: So it's supposed to be Friday night that they're watching

402
00:19:23,880 --> 00:19:24,320
Speaker 2: this one.

403
00:19:24,480 --> 00:19:26,879
Speaker 1: So the super Bowl Sunday tonight, Friday night.

404
00:19:27,080 --> 00:19:28,240
Speaker 2: Okay, gotcha?

405
00:19:28,480 --> 00:19:31,880
Speaker 1: Perfect? Perfect. I'm glad we are all on board. We're

406
00:19:31,920 --> 00:19:36,160
Speaker 1: all on the same page here, continuities are friend. So

407
00:19:36,240 --> 00:19:39,000
Speaker 1: Corey responds, excuse me, last Friday night, if you recall

408
00:19:39,080 --> 00:19:40,680
Speaker 1: to Panga and I spent a lovely evening at home

409
00:19:40,680 --> 00:19:43,320
Speaker 1: watching no TV whatsoever, and Eric tells him, yeah, you

410
00:19:43,440 --> 00:19:46,679
Speaker 1: made jam Corey corrects him by saying it was actually Preserves,

411
00:19:47,240 --> 00:19:50,280
Speaker 1: and then he reveals couple's magazine, which is where they

412
00:19:50,280 --> 00:19:53,720
Speaker 1: got the Preserves recipe, and he says he lied and

413
00:19:53,760 --> 00:19:55,119
Speaker 1: said that he was married so he could get a

414
00:19:55,119 --> 00:19:58,840
Speaker 1: subscription discount worth noting the couple on the cover of

415
00:19:58,880 --> 00:20:00,000
Speaker 1: this are two sent.

416
00:20:01,960 --> 00:20:04,240
Speaker 2: There are people have been around since it was old.

417
00:20:04,400 --> 00:20:10,840
Speaker 1: We're older than the mom from Munchies from Rosa's Mom older.

418
00:20:12,480 --> 00:20:15,480
Speaker 2: I remember this line because I remember this is one

419
00:20:15,520 --> 00:20:17,000
Speaker 2: of the ones that kept. I don't know if ever

420
00:20:17,200 --> 00:20:19,120
Speaker 2: you have ever had these, but they ring in your

421
00:20:19,160 --> 00:20:22,439
Speaker 2: head because you can't get either the emphasis or the

422
00:20:22,520 --> 00:20:27,800
Speaker 2: cadence right. And so we're supposed to say, no, you're

423
00:20:27,840 --> 00:20:32,080
Speaker 2: an old boring couple, but I say old boring couple,

424
00:20:32,240 --> 00:20:36,520
Speaker 2: old boring like they it's And I remember as I'm recording,

425
00:20:36,560 --> 00:20:39,560
Speaker 2: I remember, as we're shooting, going why can't I get

426
00:20:39,560 --> 00:20:41,480
Speaker 2: the cadence right, old boring.

427
00:20:41,200 --> 00:20:42,440
Speaker 1: Cup like it?

428
00:20:42,440 --> 00:20:44,880
Speaker 2: It's if you old boring couple, like all of them

429
00:20:44,880 --> 00:20:48,720
Speaker 2: are at the same level, it's really weird. So I

430
00:20:49,200 --> 00:20:53,040
Speaker 2: remember that specifically as I don't think old boring couple.

431
00:20:53,200 --> 00:20:54,160
Speaker 2: But I didn't.

432
00:20:53,960 --> 00:20:56,760
Speaker 1: Old no, it was just because.

433
00:20:56,720 --> 00:20:58,440
Speaker 2: It must have just been in my ears because it

434
00:20:58,480 --> 00:21:02,720
Speaker 2: was it just kept ringing. You'd have to adjust your TV.

435
00:21:03,240 --> 00:21:06,360
Speaker 2: That's the proper way to say it, though, TV call

436
00:21:06,400 --> 00:21:09,919
Speaker 2: your television television of the TV's Are you having a

437
00:21:09,960 --> 00:21:11,600
Speaker 2: good August Rider having a good.

438
00:21:15,160 --> 00:21:15,760
Speaker 1: This is weird?

439
00:21:15,760 --> 00:21:18,320
Speaker 3: This is weird, Like this is this episode gets so

440
00:21:18,359 --> 00:21:21,040
Speaker 3: weird when you compare it with the Wendy episode, like

441
00:21:21,040 --> 00:21:24,720
Speaker 3: when you go back to that whole storyline where she

442
00:21:24,960 --> 00:21:28,359
Speaker 3: was crazy and now it's like this whole episode and

443
00:21:28,520 --> 00:21:30,240
Speaker 3: we talked about it when we watched that episode. It's

444
00:21:30,280 --> 00:21:34,760
Speaker 3: so strange that the Corey to Panga dynamic, I don't know.

445
00:21:34,800 --> 00:21:35,720
Speaker 1: It's yeah.

446
00:21:36,080 --> 00:21:37,840
Speaker 2: So here's the thing. So I don't want to harp

447
00:21:37,840 --> 00:21:40,720
Speaker 2: on this the entire episode, So I'm gonna just say

448
00:21:40,720 --> 00:21:44,680
Speaker 2: this out loud. Now, this is not a bad episode

449
00:21:44,960 --> 00:21:48,280
Speaker 2: if you don't care that they have not established the

450
00:21:48,320 --> 00:21:52,359
Speaker 2: Corey Topanga relationship at all. If you're fine with just

451
00:21:52,440 --> 00:21:55,640
Speaker 2: going I'm being told that they're together. We are now

452
00:21:55,680 --> 00:21:58,000
Speaker 2: being told that they're together. They've been together so long

453
00:21:58,040 --> 00:22:00,600
Speaker 2: that it's now boring. If you're okay with not seeing

454
00:22:00,640 --> 00:22:03,119
Speaker 2: any of that it's actually not a bad episode, or

455
00:22:03,160 --> 00:22:05,040
Speaker 2: if you're okay with it just being a montage, which

456
00:22:05,119 --> 00:22:08,600
Speaker 2: I think I am, Like, I'm not okay with being

457
00:22:08,680 --> 00:22:11,840
Speaker 2: forced this relationship yet to where it's like we haven't

458
00:22:11,840 --> 00:22:14,680
Speaker 2: the stuff we've seen you like the show has established it.

459
00:22:14,640 --> 00:22:18,080
Speaker 3: The show hasn't heard absolutely this relationship being the central

460
00:22:18,119 --> 00:22:18,880
Speaker 3: love of core.

461
00:22:19,040 --> 00:22:22,600
Speaker 1: Correct And if you have your fully agree, I've been in.

462
00:22:22,680 --> 00:22:24,400
Speaker 2: Agreement every step of the way.

463
00:22:24,480 --> 00:22:27,760
Speaker 3: But the montage got me and I'm just a sucker

464
00:22:27,760 --> 00:22:32,000
Speaker 3: for a good montage. And like, so again, that's why

465
00:22:32,440 --> 00:22:34,600
Speaker 3: it broke my heart to see you guys how young

466
00:22:34,840 --> 00:22:37,879
Speaker 3: you were. That's like going back through to me and

467
00:22:37,920 --> 00:22:40,520
Speaker 3: realizing how much you had changed. It was like it's

468
00:22:40,560 --> 00:22:42,800
Speaker 3: like the movie Boyhood, you know, just there's something that

469
00:22:42,960 --> 00:22:46,080
Speaker 3: works about seeing that in rapid succession where you go, oh,

470
00:22:46,119 --> 00:22:49,040
Speaker 3: this is it's it's I've been there, I've been along

471
00:22:49,080 --> 00:22:52,439
Speaker 3: for this journey, and so it creates the false past.

472
00:22:52,760 --> 00:22:55,119
Speaker 2: Correct, And you were okay with the false past and

473
00:22:55,160 --> 00:22:55,720
Speaker 2: I wasn't.

474
00:22:55,760 --> 00:22:57,480
Speaker 1: And that's just that that was the difference. So I

475
00:22:57,520 --> 00:22:58,080
Speaker 1: can get why.

476
00:22:58,000 --> 00:23:01,320
Speaker 2: People would we just get to give it up there

477
00:23:01,359 --> 00:23:04,280
Speaker 2: in a relationship if you just accept they're in a relationship,

478
00:23:04,280 --> 00:23:05,840
Speaker 2: and then it's not that bad an episode. So I

479
00:23:05,840 --> 00:23:07,920
Speaker 2: want to say that blanket statement. I get that if

480
00:23:07,960 --> 00:23:10,639
Speaker 2: you accept they're in a relationship, it's actually not that

481
00:23:10,680 --> 00:23:12,919
Speaker 2: bad an episode. I don't think it's been earned, and

482
00:23:12,960 --> 00:23:15,320
Speaker 2: I do not accept that they're that it's there yet.

483
00:23:15,359 --> 00:23:16,280
Speaker 2: That's I also think.

484
00:23:16,160 --> 00:23:19,280
Speaker 3: The episode's not great for other reasons too, like well, yeah,

485
00:23:19,320 --> 00:23:21,960
Speaker 3: I mean actually there, Yeah, it's a weird episode.

486
00:23:22,119 --> 00:23:24,280
Speaker 1: Well, I would like to say that in this scene,

487
00:23:24,880 --> 00:23:29,320
Speaker 1: I don't gather anywhere that Corey has a problem with it.

488
00:23:29,440 --> 00:23:32,040
Speaker 1: The whole episode ends up being that Corey's like, I

489
00:23:32,080 --> 00:23:34,800
Speaker 1: don't know, man, I'm in a rut. But like, other

490
00:23:34,840 --> 00:23:37,040
Speaker 1: than the fact that Corey was asleep during the movie,

491
00:23:37,920 --> 00:23:41,320
Speaker 1: he seems to look he loved making preserves. He's into

492
00:23:41,320 --> 00:23:42,040
Speaker 1: the muffins.

493
00:23:42,160 --> 00:23:42,399
Speaker 2: I know.

494
00:23:42,520 --> 00:23:45,400
Speaker 1: It's the fact that his brother tells him what you're

495
00:23:45,480 --> 00:23:48,960
Speaker 1: doing is boring, and then Sean's you know, but really

496
00:23:49,000 --> 00:23:50,080
Speaker 1: he's actually.

497
00:23:50,040 --> 00:23:53,640
Speaker 2: Perfectly happy, because again he's always been the old man.

498
00:23:53,960 --> 00:23:55,919
Speaker 3: Yeah, and where Corey ends up is exactly this, So

499
00:23:56,920 --> 00:23:59,719
Speaker 3: it does seem like he's discovered part of himself and

500
00:24:00,200 --> 00:24:02,280
Speaker 3: everyone else is just telling him that there's something wrong.

501
00:24:02,200 --> 00:24:04,200
Speaker 2: That there's something wrong with that kind of the point

502
00:24:04,359 --> 00:24:06,360
Speaker 2: like that, yes, that he should get broken up with.

503
00:24:06,680 --> 00:24:08,760
Speaker 1: And they shouldn't pretend to be other people. You were

504
00:24:08,800 --> 00:24:12,000
Speaker 1: living as Sean, when living as Corey does mean Friday nights,

505
00:24:12,040 --> 00:24:14,400
Speaker 1: baking preserves and muffins.

506
00:24:14,080 --> 00:24:16,399
Speaker 2: Be yourself and the true leve will find you is

507
00:24:16,440 --> 00:24:19,199
Speaker 2: basically I think what the message was. Yes, so, at

508
00:24:19,280 --> 00:24:20,480
Speaker 2: least in a montage for him.

509
00:24:20,520 --> 00:24:22,240
Speaker 1: Corey says he and too Panga have been going out

510
00:24:22,240 --> 00:24:24,720
Speaker 1: for five months and in their circle they're considered young

511
00:24:24,760 --> 00:24:26,960
Speaker 1: and hip on que we here Tapega yell from the

512
00:24:26,960 --> 00:24:29,160
Speaker 1: other room, huh, how are the muffins doing? And Corey

513
00:24:29,200 --> 00:24:31,360
Speaker 1: responds back saying I'll stick a fork in them. Hun.

514
00:24:31,920 --> 00:24:33,720
Speaker 1: Eric grabs the fork and points it at Corey, saying,

515
00:24:33,720 --> 00:24:35,439
Speaker 1: go near that oven and I'll stick a fork in you.

516
00:24:35,800 --> 00:24:38,439
Speaker 1: Corey says you wouldn't, and Eric responds that he'd be

517
00:24:38,440 --> 00:24:40,560
Speaker 1: doing him a favor. Corey tells him to stop being

518
00:24:40,600 --> 00:24:43,800
Speaker 1: such a Wisenheimer, and then he asks who said that,

519
00:24:43,880 --> 00:24:47,680
Speaker 1: and Eric said you did, Pops, So I guess Wisenheimer

520
00:24:47,800 --> 00:24:51,040
Speaker 1: is suddenly where he realizes who become.

521
00:24:50,960 --> 00:24:54,600
Speaker 2: I've lost control of Yes, yes exactly.

522
00:24:56,960 --> 00:24:58,879
Speaker 1: Then we're in the school hallway. Corey is running through

523
00:24:58,880 --> 00:25:00,480
Speaker 1: the hallway up to the lockers, and he asked Sean

524
00:25:00,520 --> 00:25:01,920
Speaker 1: to tell him about his weekend. He wants to know

525
00:25:01,960 --> 00:25:03,400
Speaker 1: if he went on a lot of dates. He wants

526
00:25:03,440 --> 00:25:06,399
Speaker 1: all the details. You're wearing a real like seventies vibe

527
00:25:06,400 --> 00:25:09,360
Speaker 1: out fit. I know it's seventies, but also like this

528
00:25:09,440 --> 00:25:12,800
Speaker 1: whole episode feels very swingers.

529
00:25:13,160 --> 00:25:15,560
Speaker 2: It doesn't. I will say this though, writer, and it's

530
00:25:15,560 --> 00:25:19,240
Speaker 2: something we mentioned on a I think a previous rewatch.

531
00:25:19,920 --> 00:25:22,879
Speaker 2: You mentioned that you felt that you had kind of

532
00:25:22,880 --> 00:25:24,120
Speaker 2: a lack of energy.

533
00:25:25,200 --> 00:25:27,800
Speaker 3: Of sad writer. Here, I wrote, sad writer, and you

534
00:25:27,880 --> 00:25:30,000
Speaker 3: know what I felt it here? I had been dumped.

535
00:25:30,720 --> 00:25:33,239
Speaker 1: I had been you remember, now, this was no This

536
00:25:33,320 --> 00:25:33,560
Speaker 1: was the.

537
00:25:33,520 --> 00:25:36,639
Speaker 3: Episode that I talked about where I had the double

538
00:25:36,760 --> 00:25:41,320
Speaker 3: the two dates. Oh my, this is Minaris here. So

539
00:25:41,440 --> 00:25:43,000
Speaker 3: this is the episode where I was. I had been

540
00:25:43,119 --> 00:25:47,160
Speaker 3: dumped probably you know, a month before by Marie. Oh okay,

541
00:25:47,280 --> 00:25:51,080
Speaker 3: I was so devastated. And then this was this episode

542
00:25:51,119 --> 00:25:53,639
Speaker 3: when the tape night was when I started dating again.

543
00:25:54,320 --> 00:25:56,480
Speaker 2: Oh my god, Because you did you seem like you

544
00:25:56,520 --> 00:25:59,200
Speaker 2: were kind of either playing it cool or it was

545
00:25:59,280 --> 00:26:01,320
Speaker 2: kind of probably of cool. Too, because I had two

546
00:26:01,440 --> 00:26:05,760
Speaker 2: dates at this tape night. Right wait, okay, wait very briefly,

547
00:26:05,760 --> 00:26:07,080
Speaker 2: because I think he told that at one of our

548
00:26:07,119 --> 00:26:09,240
Speaker 2: live shows. But you have told our dear listener about

549
00:26:09,240 --> 00:26:10,879
Speaker 2: this what happened. Okay.

550
00:26:10,920 --> 00:26:16,080
Speaker 3: So I had a huge crush on Mina Soar during

551
00:26:16,080 --> 00:26:19,720
Speaker 3: this episode and we hung out the entire week. She

552
00:26:20,000 --> 00:26:23,000
Speaker 3: pre taped all of her seats.

553
00:26:23,040 --> 00:26:25,520
Speaker 1: On Wednesday, and so she wasn't going to be there

554
00:26:25,760 --> 00:26:27,120
Speaker 1: gone Thursday tape.

555
00:26:27,240 --> 00:26:30,720
Speaker 3: I said, you should come to the new night, like

556
00:26:30,880 --> 00:26:32,639
Speaker 3: make it like a thing, like you come to the

557
00:26:32,680 --> 00:26:35,560
Speaker 3: tape night. We'll hang out, we'll go out afterwards probably,

558
00:26:35,680 --> 00:26:38,399
Speaker 3: you know. And so she decided to come back and

559
00:26:38,440 --> 00:26:41,440
Speaker 3: had her mom drop her off because.

560
00:26:41,160 --> 00:26:43,360
Speaker 2: She was still under age. We were sixteen.

561
00:26:43,440 --> 00:26:45,840
Speaker 1: Her mom drop her off for the tape night.

562
00:26:46,640 --> 00:26:53,399
Speaker 3: Meanwhile, David Combs invited Rachel Rachel Rachel Lee Cook as

563
00:26:53,440 --> 00:26:56,240
Speaker 3: a blind date for me. He had been had not

564
00:26:56,359 --> 00:26:58,199
Speaker 3: really blind ed. He had been telling me, like, you

565
00:26:58,240 --> 00:27:00,159
Speaker 3: and Rachel are really going to like each other. I'm

566
00:27:00,160 --> 00:27:02,400
Speaker 3: gonna because he had worked with her on Tom and Hawk,

567
00:27:03,280 --> 00:27:05,320
Speaker 3: and he was like, I'm gonna invite Rachel.

568
00:27:05,359 --> 00:27:07,240
Speaker 1: And so sure enough, on.

569
00:27:07,160 --> 00:27:10,960
Speaker 3: Tape night, I had two women that I was interested in,

570
00:27:11,040 --> 00:27:14,040
Speaker 3: and I was literally running from from hanging out with

571
00:27:14,080 --> 00:27:15,359
Speaker 3: me and on the front of the set to the

572
00:27:15,400 --> 00:27:17,760
Speaker 3: back of the set where Rachel was hanging out and like,

573
00:27:18,840 --> 00:27:21,920
Speaker 3: and I finally just reached a point where Mina could

574
00:27:21,920 --> 00:27:23,960
Speaker 3: tell something was going on and she was just like.

575
00:27:23,960 --> 00:27:26,080
Speaker 2: I'm gonna leave and my mom's gonna come pick me up,

576
00:27:26,080 --> 00:27:26,520
Speaker 2: and she's.

577
00:27:26,400 --> 00:27:30,280
Speaker 3: Like, but I ended up dating Rachel for like a

578
00:27:30,359 --> 00:27:32,120
Speaker 3: year and a half, so it worked out.

579
00:27:32,200 --> 00:27:34,639
Speaker 1: But yeah, oh, that's so funny.

580
00:27:34,720 --> 00:27:36,960
Speaker 3: It was crazy, Like I told the story during a

581
00:27:37,080 --> 00:27:39,200
Speaker 3: live show and Will it was a two truth and

582
00:27:39,240 --> 00:27:41,520
Speaker 3: a lie game and you totally didn't believe that this

583
00:27:41,560 --> 00:27:43,919
Speaker 3: actually happened. That I was like, faulty towers, ain't it

584
00:27:43,960 --> 00:27:44,960
Speaker 3: between two dates?

585
00:27:45,240 --> 00:27:46,439
Speaker 2: But yeah, tape night brilliant.

586
00:27:46,440 --> 00:27:47,760
Speaker 3: But anyway, so that was what was going on during

587
00:27:47,760 --> 00:27:50,760
Speaker 3: this tape night. But I definitely like, because now we

588
00:27:50,800 --> 00:27:52,919
Speaker 3: can locate because I think I said it when we

589
00:27:52,960 --> 00:27:56,000
Speaker 3: were doing the Little Corey Wait, yeah, the big episode.

590
00:27:56,080 --> 00:27:59,560
Speaker 3: But I seemed off and sad. I think that's probably accurate.

591
00:27:59,600 --> 00:28:02,080
Speaker 3: That probably was when I got the downfall, Yeah, and

592
00:28:02,119 --> 00:28:04,800
Speaker 3: then I would be like really sad for the next

593
00:28:04,880 --> 00:28:08,640
Speaker 3: month or two or whatever until this night when yeah.

594
00:28:08,240 --> 00:28:13,359
Speaker 1: I love it, I love it ninety great hmmm. So uh.

595
00:28:14,119 --> 00:28:16,840
Speaker 1: Sean laughs and says, who counts six? And Corey says,

596
00:28:16,880 --> 00:28:18,680
Speaker 1: tell me like your life depended on it. Sean looks

597
00:28:18,680 --> 00:28:21,240
Speaker 1: at Corey and says, I'm no rocket scientologist.

598
00:28:21,640 --> 00:28:24,160
Speaker 2: We've said. I still say this, dude, I literally still

599
00:28:24,160 --> 00:28:26,199
Speaker 2: say this. So I thought it was something that I

600
00:28:26,240 --> 00:28:27,920
Speaker 2: had created. I had no idea I stole it from

601
00:28:27,920 --> 00:28:29,560
Speaker 2: you from the show. I still to this day say

602
00:28:29,560 --> 00:28:31,760
Speaker 2: I'm not a rocket scientologist. But yeah, it's great.

603
00:28:31,880 --> 00:28:34,800
Speaker 1: It's a good one. Corey explains his life doesn't have

604
00:28:34,880 --> 00:28:36,600
Speaker 1: to be in a horrible, boring rut to ask how

605
00:28:36,600 --> 00:28:38,600
Speaker 1: Sewn's weekend was, and then he begs, throw a bone

606
00:28:38,640 --> 00:28:41,719
Speaker 1: to your buddy. Sean gasps and says, no, you doubled

607
00:28:41,720 --> 00:28:44,360
Speaker 1: with your folks. Again, Corey clarifies, no, that was only

608
00:28:44,400 --> 00:28:47,080
Speaker 1: on Friday and Saturday. On Sunday, it was just him

609
00:28:47,120 --> 00:28:51,880
Speaker 1: and Tapanga at the mall. And then the audience woos

610
00:28:52,280 --> 00:28:55,200
Speaker 1: for the mall, as if being at the mall alone

611
00:28:55,320 --> 00:29:00,920
Speaker 1: is sexy. But then it works without the woo. The

612
00:29:01,080 --> 00:29:05,480
Speaker 1: joke of she bought me slacks doesn't really work like

613
00:29:05,880 --> 00:29:09,120
Speaker 1: it's almost like thank god the audience wooed because then

614
00:29:09,280 --> 00:29:11,760
Speaker 1: there was the turn of she bought me slacks and

615
00:29:11,760 --> 00:29:12,720
Speaker 1: then it gets a laugh.

616
00:29:12,840 --> 00:29:15,600
Speaker 3: Well, isn't that what happened on tape nights, that the

617
00:29:15,640 --> 00:29:19,280
Speaker 3: audience would start to know their their like, so I

618
00:29:19,280 --> 00:29:21,280
Speaker 3: bet you this is like second or third take where

619
00:29:21,280 --> 00:29:23,480
Speaker 3: they knew that the joke was coming so they said

620
00:29:23,520 --> 00:29:24,840
Speaker 3: it up with us.

621
00:29:24,920 --> 00:29:26,000
Speaker 2: Yeah, right, because I.

622
00:29:26,640 --> 00:29:28,680
Speaker 3: Remember that would happen and you could see me sort

623
00:29:28,720 --> 00:29:31,239
Speaker 3: of waiting for the wu like you could see it,

624
00:29:31,280 --> 00:29:33,720
Speaker 3: and I felt like the audience was kind of.

625
00:29:33,840 --> 00:29:35,440
Speaker 2: It was strangely at the time, it's like, oh, the

626
00:29:35,480 --> 00:29:36,080
Speaker 2: mall is sex.

627
00:29:36,240 --> 00:29:39,520
Speaker 1: The mall is so sexy, I know. So Sean tells

628
00:29:39,520 --> 00:29:41,520
Speaker 1: Corey he thinks he has a problem, and Corey thinks

629
00:29:41,560 --> 00:29:44,240
Speaker 1: so too, but Sean says Corey's in luck. He asks

630
00:29:44,320 --> 00:29:46,760
Speaker 1: Cory what am I the world's biggest expert on and

631
00:29:46,800 --> 00:29:50,040
Speaker 1: Corey looks confused and says, really not anything. I mean,

632
00:29:50,040 --> 00:29:51,720
Speaker 1: what about languages.

633
00:29:52,080 --> 00:29:55,960
Speaker 2: Right, pig rearing. Yeah, there's plenty of things.

634
00:29:56,560 --> 00:29:58,280
Speaker 1: So Sean points at him and says, I do know

635
00:29:58,360 --> 00:30:00,840
Speaker 1: a lot about love, and it sounds to me like

636
00:30:00,880 --> 00:30:03,080
Speaker 1: you and Tapanga are in a slump. Corey tells him, no,

637
00:30:03,120 --> 00:30:05,920
Speaker 1: they're terrific. It's just him. He's lost his edge. He

638
00:30:05,920 --> 00:30:08,800
Speaker 1: says he's just not the same old dangerous Corey, and

639
00:30:08,840 --> 00:30:11,840
Speaker 1: Shawn sarcastically tells him he's right, there's been talk about it.

640
00:30:11,960 --> 00:30:13,960
Speaker 1: Sean reveals he got a special invite to a dance

641
00:30:13,960 --> 00:30:16,000
Speaker 1: at Hamilton High and asks Corey to come with him

642
00:30:16,080 --> 00:30:18,720
Speaker 1: and to wear his new slacks. Cory's is a party

643
00:30:18,720 --> 00:30:20,800
Speaker 1: at another school could be just what he needs. Then

644
00:30:20,840 --> 00:30:23,280
Speaker 1: he realizes he has plans with Topanga tonight. Sean says,

645
00:30:23,400 --> 00:30:24,920
Speaker 1: change them. Tell her you need a night out with

646
00:30:24,960 --> 00:30:27,440
Speaker 1: the boys. Sean looks over and tells Corey that Tapanga

647
00:30:27,480 --> 00:30:29,200
Speaker 1: is actually right across the hall. He can tell her

648
00:30:29,280 --> 00:30:31,640
Speaker 1: right now. Cory says, oh, this isn't going to be easy.

649
00:30:31,800 --> 00:30:34,680
Speaker 1: The key is to be direct and vague, yet obvious

650
00:30:34,840 --> 00:30:39,800
Speaker 1: and subtle. Line so funny, great line. Tapega walks up

651
00:30:39,800 --> 00:30:41,760
Speaker 1: to Corey and says hi. He looks at her and smiles,

652
00:30:41,800 --> 00:30:44,200
Speaker 1: then turns to Sean and says, I can't go. I

653
00:30:44,960 --> 00:30:47,840
Speaker 1: thought it was also really funny and cute. Your hair

654
00:30:48,640 --> 00:30:52,560
Speaker 1: is so long. This is horse hair.

655
00:30:52,680 --> 00:30:56,320
Speaker 2: It's just like it is, so it's the whole, the

656
00:30:56,360 --> 00:31:00,840
Speaker 2: whole frame, Like I funny, you just can't take your

657
00:31:00,840 --> 00:31:01,680
Speaker 2: eyes off of it.

658
00:31:01,680 --> 00:31:05,600
Speaker 1: It's just so long, Yeah, a glorious mane of horse

659
00:31:05,760 --> 00:31:11,560
Speaker 1: horse hair. So she says that she knows they have plans,

660
00:31:12,240 --> 00:31:14,280
Speaker 1: and she asks if they can reschedule. She says some

661
00:31:14,320 --> 00:31:16,200
Speaker 1: of the girls are getting together, and Corey puts his

662
00:31:16,200 --> 00:31:18,800
Speaker 1: finger on her lips and says, don't speak. He tells her,

663
00:31:18,920 --> 00:31:20,600
Speaker 1: if you need to get together with the girls of

664
00:31:20,640 --> 00:31:25,160
Speaker 1: your gender, I completely understand. Mm hmm to bang. A

665
00:31:25,240 --> 00:31:27,960
Speaker 1: nudges Corey and asks if he's been reading Couple's magazine,

666
00:31:28,000 --> 00:31:29,720
Speaker 1: and Corey says he took the quiz on the back

667
00:31:30,200 --> 00:31:33,400
Speaker 1: ninety five ninety five to fegus miles and kisses him

668
00:31:33,400 --> 00:31:35,480
Speaker 1: before she walks away, and Sean looks at Corey and

669
00:31:35,520 --> 00:31:37,600
Speaker 1: wants to know, ninety five is that your age or

670
00:31:37,640 --> 00:31:41,160
Speaker 1: your score? So I just wanted to know what he

671
00:31:41,200 --> 00:31:41,680
Speaker 1: got wrong.

672
00:31:42,000 --> 00:31:43,880
Speaker 2: I don't know why all those going through my head

673
00:31:43,920 --> 00:31:46,080
Speaker 2: is like what did he get wrong? Make you guys

674
00:31:46,160 --> 00:31:48,560
Speaker 2: notice my notebook? Is this this.

675
00:31:48,640 --> 00:31:49,680
Speaker 1: Drafty brightness.

676
00:31:50,960 --> 00:31:53,600
Speaker 3: Right across it? Man, And then it has the face

677
00:31:53,640 --> 00:31:54,760
Speaker 3: that I used to just draw.

678
00:31:54,920 --> 00:31:57,640
Speaker 1: I remember that the eyes and the hair guy's in

679
00:31:57,680 --> 00:32:01,720
Speaker 1: the hair. Yeah, so it's drafty bred and that. I

680
00:32:01,720 --> 00:32:02,280
Speaker 1: wonder what else.

681
00:32:02,280 --> 00:32:04,240
Speaker 3: I couldn't really, but I was definitely like, oh, I

682
00:32:04,240 --> 00:32:06,080
Speaker 3: thought for sure you guys were noticing because my hand

683
00:32:06,440 --> 00:32:07,360
Speaker 3: open between me and.

684
00:32:07,320 --> 00:32:11,080
Speaker 1: Ben Rock, you passed the shiny locks of my hair

685
00:32:11,240 --> 00:32:11,960
Speaker 1: I couldn't see.

686
00:32:12,160 --> 00:32:15,400
Speaker 3: Yeah, I'm clearly like, try to show off strafty bright.

687
00:32:15,640 --> 00:32:16,760
Speaker 1: Yeah, Oh that's so cool.

688
00:32:16,840 --> 00:32:19,120
Speaker 2: I love that peaks. This is peak Danielle's hair and

689
00:32:19,120 --> 00:32:21,040
Speaker 2: probably peak drafty bright. Then if you're trying to make

690
00:32:21,040 --> 00:32:22,880
Speaker 2: it work, yeah, I'm trying to sell it.

691
00:32:23,160 --> 00:32:28,320
Speaker 1: I really peaked like in life at like sixteen, we're

692
00:32:28,320 --> 00:32:31,320
Speaker 1: inching close to like I'm never going to be cooler

693
00:32:31,320 --> 00:32:33,240
Speaker 1: than I am right now. Like I'll be able to

694
00:32:33,240 --> 00:32:35,160
Speaker 1: see it in an episode. I'll be like, that's it. That's

695
00:32:35,200 --> 00:32:36,480
Speaker 1: the moment where I peaked in life.

696
00:32:36,560 --> 00:32:39,280
Speaker 2: Absolutely, me too. Yeah, we're still very much on the

697
00:32:39,360 --> 00:32:42,480
Speaker 2: upswing got I got, I got tons ahead of me, baby,

698
00:32:42,600 --> 00:32:43,320
Speaker 2: not even close.

699
00:32:43,600 --> 00:32:45,040
Speaker 1: That is true. That's the way to the way to

700
00:32:45,080 --> 00:32:57,240
Speaker 1: think of it. Let's see. So then we're in the

701
00:32:57,240 --> 00:32:59,440
Speaker 1: school hallway. Mister Turner runs out of his classroom to

702
00:32:59,440 --> 00:33:01,080
Speaker 1: catch up with air Eric. He wants to talk about

703
00:33:01,120 --> 00:33:04,760
Speaker 1: his paper on of Mice and Men again. I know,

704
00:33:05,960 --> 00:33:08,840
Speaker 1: and you guys are making each other love.

705
00:33:08,920 --> 00:33:12,200
Speaker 2: Oh yeah, totally making love up, totally cracking each other up.

706
00:33:12,320 --> 00:33:14,760
Speaker 1: Mister Turner says he has some serious questions about it,

707
00:33:14,840 --> 00:33:17,160
Speaker 1: like where is it, and Eric responds saying, I can't

708
00:33:17,160 --> 00:33:19,280
Speaker 1: find the book anywhere. I've been to every pet store

709
00:33:19,280 --> 00:33:21,600
Speaker 1: in the city, and at first I didn't get it.

710
00:33:21,720 --> 00:33:22,920
Speaker 1: I was like, I don't get this joke. And then

711
00:33:22,960 --> 00:33:25,520
Speaker 1: I was like, oh, once you said you found a

712
00:33:25,520 --> 00:33:27,760
Speaker 1: pamphlet on land turtles, I realized, oh, you think of

713
00:33:27,800 --> 00:33:29,720
Speaker 1: Mice and Men as a book about an animal, and

714
00:33:29,760 --> 00:33:33,120
Speaker 1: so I'm going to a pet store. Got it. So

715
00:33:33,280 --> 00:33:35,480
Speaker 1: mister Turner says he'll do Eric a favor. He'll lend

716
00:33:35,520 --> 00:33:37,680
Speaker 1: him his copy. Eric takes the book and hands Turner

717
00:33:37,720 --> 00:33:41,160
Speaker 1: the land Turner Land Turtle's pamphlet, hoping that that'll suffice.

718
00:33:41,440 --> 00:33:44,360
Speaker 1: Mister Williams arrives and asks Eric how his journalism project

719
00:33:44,400 --> 00:33:47,120
Speaker 1: is going, and Eric responds in what mister Williams says,

720
00:33:47,200 --> 00:33:50,320
Speaker 1: in journalism, you're supposed to analyze the evening news. Eric

721
00:33:50,360 --> 00:33:51,840
Speaker 1: tells him he did it, and he puts his arm

722
00:33:51,880 --> 00:33:53,880
Speaker 1: around mister Williams shoulder and says, walk with me.

723
00:33:54,000 --> 00:33:57,520
Speaker 2: Let's love that. Come on.

724
00:33:57,760 --> 00:34:00,560
Speaker 1: I analyze it for exactly right now.

725
00:34:02,280 --> 00:34:06,120
Speaker 2: I just remember working with all the adults and this week,

726
00:34:06,280 --> 00:34:08,040
Speaker 2: and I didn't remember much of the storyline. I just

727
00:34:08,080 --> 00:34:10,520
Speaker 2: remember it was like I felt like I was with

728
00:34:10,560 --> 00:34:14,200
Speaker 2: the adult actors total, you know, so it was like, oh,

729
00:34:15,080 --> 00:34:15,640
Speaker 2: you're grown.

730
00:34:15,760 --> 00:34:18,920
Speaker 3: But like they were like, why do they have to

731
00:34:19,120 --> 00:34:23,520
Speaker 3: add another teacher because they needed somebody to be terrible.

732
00:34:24,239 --> 00:34:25,640
Speaker 1: Remember we talked about that last time.

733
00:34:25,680 --> 00:34:28,040
Speaker 3: But I wish like Eli had more to do, and

734
00:34:28,200 --> 00:34:30,080
Speaker 3: of course, you know, because he doesn't. He's just kind

735
00:34:30,080 --> 00:34:32,480
Speaker 3: of one of the like end up giving the chemistry

736
00:34:32,480 --> 00:34:35,480
Speaker 3: teacher more of a storyline. And this this just feels forced,

737
00:34:35,520 --> 00:34:38,880
Speaker 3: like to force all four teachers into this situation with you,

738
00:34:38,920 --> 00:34:39,960
Speaker 3: it was like a little.

739
00:34:41,760 --> 00:34:42,160
Speaker 2: Two of them.

740
00:34:42,200 --> 00:34:43,480
Speaker 3: It could have this could have been enough, you know,

741
00:34:43,520 --> 00:34:45,759
Speaker 3: but now we got to get Fieni and the chemistry.

742
00:34:45,800 --> 00:34:47,960
Speaker 2: It's like I just remember it being like, oh, I'm

743
00:34:47,960 --> 00:34:49,960
Speaker 2: one of the adults though, like that was cool to me.

744
00:34:50,040 --> 00:34:52,120
Speaker 2: It was well, not only one of them. You're running

745
00:34:52,160 --> 00:34:54,359
Speaker 2: the scenes like it was cool keeping it going.

746
00:34:54,560 --> 00:34:57,719
Speaker 1: You're you are so good and so funny in it.

747
00:34:57,840 --> 00:34:58,400
Speaker 2: Thank you.

748
00:34:58,560 --> 00:35:01,160
Speaker 1: Uh so, mister Feenie then shows up and sees Eric. Oh,

749
00:35:01,239 --> 00:35:03,960
Speaker 1: mister Matthews, very interesting essay on Joan of arc. Eric

750
00:35:04,000 --> 00:35:07,239
Speaker 1: thanks Phoene for finally giving him a little appreciation around here,

751
00:35:07,440 --> 00:35:09,320
Speaker 1: and then Phoene says he doubts that ark meant that

752
00:35:09,400 --> 00:35:12,280
Speaker 1: Joan was from Arkansas though, and Eric says it's a theory,

753
00:35:12,320 --> 00:35:15,480
Speaker 1: and Phoenie tells him it's an f Eric asks why

754
00:35:15,520 --> 00:35:18,080
Speaker 1: they can't all just cut him some slack? And I

755
00:35:18,160 --> 00:35:20,440
Speaker 1: want to listen to this read here. I pulled the

756
00:35:20,560 --> 00:35:21,400
Speaker 1: sound clip.

757
00:35:22,040 --> 00:35:23,840
Speaker 2: Why can't you guys just cut me some slack?

758
00:35:24,920 --> 00:35:28,040
Speaker 4: What is your best Jerry side?

759
00:35:28,320 --> 00:35:31,239
Speaker 3: This is doing your Seinfeld impression. I think you were

760
00:35:31,280 --> 00:35:32,839
Speaker 3: doing intentionally to make Tony laugh.

761
00:35:33,000 --> 00:35:36,600
Speaker 2: Yes, I was Tony and I would do that stuff

762
00:35:36,640 --> 00:35:39,160
Speaker 2: all the time, just to throw each other off.

763
00:35:39,200 --> 00:35:41,880
Speaker 1: So yeah, you call me some slack, call me some sluck.

764
00:35:42,239 --> 00:35:44,520
Speaker 1: I love it. I was like, we have to play

765
00:35:44,520 --> 00:35:47,600
Speaker 1: that for everybody. It's so good, so funny. And then

766
00:35:47,960 --> 00:35:50,640
Speaker 1: doctor Surrell, wearing a lab coat and looking like two

767
00:35:50,719 --> 00:35:53,040
Speaker 1: kids stacked on top of each other, he walks up

768
00:35:53,080 --> 00:35:56,400
Speaker 1: and tells Sean not to bother, showing up to chemistry anymore.

769
00:35:56,560 --> 00:35:58,439
Speaker 1: He should just blow something up at home and bring

770
00:35:58,480 --> 00:36:00,879
Speaker 1: it in. I did not expect this guy to come back.

771
00:36:01,040 --> 00:36:03,000
Speaker 1: Does he ever appear again? Like, is this going to

772
00:36:03,080 --> 00:36:06,520
Speaker 1: be a Darlene Vogel situation where we vague remember him.

773
00:36:06,840 --> 00:36:09,080
Speaker 1: I don't know, but maybe it could end up being

774
00:36:09,080 --> 00:36:10,400
Speaker 1: that he has more of a right to host this

775
00:36:10,440 --> 00:36:11,440
Speaker 1: podcast than I do.

776
00:36:11,920 --> 00:36:15,560
Speaker 2: So I just well, one more, one more episode in

777
00:36:15,560 --> 00:36:18,000
Speaker 2: a montage, and he can just be with Tipanga.

778
00:36:19,320 --> 00:36:22,800
Speaker 1: So that's not a problem at all. So Eric thanks

779
00:36:22,840 --> 00:36:25,719
Speaker 1: doctor Sorel telling his telling him he's a man among men.

780
00:36:26,120 --> 00:36:28,440
Speaker 1: Eric excuses himself from the group of teachers and tells

781
00:36:28,440 --> 00:36:32,839
Speaker 1: them he has Sarah mix. This is something you and Tony, Tony.

782
00:36:32,560 --> 00:36:35,760
Speaker 2: And I and you could see Tony totally losing it,

783
00:36:35,400 --> 00:36:38,440
Speaker 2: losing it. He does the kind of huh yeah.

784
00:36:38,280 --> 00:36:41,399
Speaker 1: We Turner asks if he means ceramics, and Eric says, yeah,

785
00:36:41,560 --> 00:36:43,480
Speaker 1: the ashtray class.

786
00:36:44,400 --> 00:36:45,439
Speaker 2: Tony and I still do that.

787
00:36:45,560 --> 00:36:47,520
Speaker 1: It's so great. You guys still laugh about it. It's

788
00:36:47,600 --> 00:36:49,560
Speaker 1: and you will you you look like you're going to

789
00:36:49,600 --> 00:36:53,759
Speaker 1: break through it to absolutely. It's very funny. Once you know,

790
00:36:54,840 --> 00:36:57,279
Speaker 1: once you know that that's what you you look like

791
00:36:57,280 --> 00:36:59,399
Speaker 1: like our audience will totally see it and then we'll

792
00:36:59,400 --> 00:37:00,319
Speaker 1: be like, oh, wow, that it.

793
00:37:00,239 --> 00:37:02,040
Speaker 2: Really does look different. I can start to pick it out.

794
00:37:02,160 --> 00:37:04,680
Speaker 1: Yeah, Sophine, talking to the other teacher, says, you know

795
00:37:04,719 --> 00:37:06,759
Speaker 1: what scares me, He'll end up making more money than

796
00:37:06,800 --> 00:37:11,960
Speaker 1: any of us. Sad sad truth about about teacher salaries.

797
00:37:12,760 --> 00:37:14,640
Speaker 1: So then we're in the Matthew's kitchen. Eric runs down

798
00:37:14,640 --> 00:37:16,880
Speaker 1: the stairs and tells Amy, Mom, hold my calls tonight,

799
00:37:16,920 --> 00:37:18,839
Speaker 1: I'm going to be studying. Amy tells him she needs

800
00:37:18,840 --> 00:37:20,879
Speaker 1: to get her camera. Eric says he's serious. He has

801
00:37:20,880 --> 00:37:24,120
Speaker 1: his pencils and notebook and refreshment. Amy smiles and asks

802
00:37:24,200 --> 00:37:26,920
Speaker 1: where are your books? Eric says he either left them

803
00:37:26,920 --> 00:37:29,200
Speaker 1: in his locker or on the bus. Amy corrects him

804
00:37:29,320 --> 00:37:31,960
Speaker 1: he doesn't take the bus, and he says, well, then

805
00:37:32,680 --> 00:37:35,640
Speaker 1: they're safely in my locker. But when I do, without you, mom,

806
00:37:35,800 --> 00:37:38,640
Speaker 1: And he starts to walk out the door wearing a

807
00:37:38,920 --> 00:37:41,520
Speaker 1: new leather.

808
00:37:40,600 --> 00:37:46,240
Speaker 2: Leather one stick around no.

809
00:37:46,160 --> 00:37:48,960
Speaker 1: Idea, Yeah this one looks like a New York taxi

810
00:37:49,080 --> 00:37:49,920
Speaker 1: driver jacket.

811
00:37:50,120 --> 00:37:52,560
Speaker 2: Yeah. I don't know what that is, but yes, yeah.

812
00:37:52,600 --> 00:37:55,399
Speaker 1: Also, is this the most stupid Eric has ever been

813
00:37:55,600 --> 00:37:58,080
Speaker 1: in the in any like? This is just yes.

814
00:37:58,160 --> 00:37:58,640
Speaker 2: I think.

815
00:38:00,960 --> 00:38:04,920
Speaker 3: We did the mouse Brain episode that's where we like

816
00:38:05,080 --> 00:38:07,719
Speaker 3: went ridiculous with it, and so I think this is

817
00:38:07,840 --> 00:38:09,160
Speaker 3: just continuing that trend.

818
00:38:09,360 --> 00:38:12,440
Speaker 2: But they're also now very slowly starting to turn Sean

819
00:38:12,840 --> 00:38:17,440
Speaker 2: way more clever and girl oriented and Eric more stupid,

820
00:38:17,760 --> 00:38:20,160
Speaker 2: so that we're officially starting to grab our roles at

821
00:38:20,160 --> 00:38:21,640
Speaker 2: this point, right right.

822
00:38:21,520 --> 00:38:23,319
Speaker 3: Because I guess it's already been a I mean, it

823
00:38:23,360 --> 00:38:26,480
Speaker 3: was established pretty early on that Sean was a ladies man.

824
00:38:26,440 --> 00:38:29,000
Speaker 2: Right right, but he was also the dumb one too,

825
00:38:29,120 --> 00:38:31,319
Speaker 2: and now they can't they realize they eventually you just

826
00:38:31,320 --> 00:38:34,440
Speaker 2: can't have two, right, So it's like, you know, especially

827
00:38:34,480 --> 00:38:36,600
Speaker 2: when they're Rusty's not on the show, that it's like,

828
00:38:36,640 --> 00:38:38,640
Speaker 2: you know, they're taking characters out, they're adding your characters

829
00:38:38,640 --> 00:38:40,239
Speaker 2: doing this. It's like, we can't have everyone be dumb,

830
00:38:40,320 --> 00:38:42,799
Speaker 2: so we're gonna take their roles and go from there.

831
00:38:43,680 --> 00:38:44,839
Speaker 2: They want you to take the roles.

832
00:38:47,280 --> 00:38:49,560
Speaker 1: Then we're in Turner's apartment. Sean answers the door and

833
00:38:49,600 --> 00:38:51,799
Speaker 1: Corey walks in. He needs help picking out what to

834
00:38:51,840 --> 00:38:55,160
Speaker 1: wear for this other school party. Corey pulls out his

835
00:38:55,239 --> 00:38:57,600
Speaker 1: first shirt. It's a blue flannel. Sean says, it's fine.

836
00:38:57,719 --> 00:38:59,520
Speaker 1: Corey asks Sean if he likes it better than the

837
00:38:59,560 --> 00:39:02,560
Speaker 1: second option, which he reveals to be a blue flannel

838
00:39:02,640 --> 00:39:04,960
Speaker 1: that looks exactly like the other one.

839
00:39:05,239 --> 00:39:07,680
Speaker 2: I saw this joke coming one hundred miles away, and

840
00:39:07,719 --> 00:39:08,520
Speaker 2: it was still funny.

841
00:39:08,560 --> 00:39:11,560
Speaker 1: It's still funny, still good. Sean says, they're both great.

842
00:39:11,640 --> 00:39:14,839
Speaker 1: Everything you have is fine. They're all very you. Cory says,

843
00:39:14,880 --> 00:39:17,040
Speaker 1: that's the problem, Sean, Everything I own is me. It

844
00:39:17,040 --> 00:39:19,200
Speaker 1: ain't cutting the djon And I was like, oh, yeah,

845
00:39:19,239 --> 00:39:21,879
Speaker 1: I know this show, the show with the guy who

846
00:39:21,880 --> 00:39:24,399
Speaker 1: thinks he's just boring and the same all the time

847
00:39:24,440 --> 00:39:27,560
Speaker 1: and never gets into any hygjinks. At least now in

848
00:39:27,719 --> 00:39:30,200
Speaker 1: where we are in this episode, it makes sense, he says,

849
00:39:30,239 --> 00:39:32,560
Speaker 1: he's just making preserves. At least it fits yep, at

850
00:39:32,640 --> 00:39:35,280
Speaker 1: least it fits there. Sean says, maybe it's not Corey.

851
00:39:35,320 --> 00:39:37,600
Speaker 1: He asks if everything is cool between him and Topanga.

852
00:39:37,719 --> 00:39:39,719
Speaker 1: Cory says, yes, he loves her, she's the best. It's

853
00:39:39,800 --> 00:39:42,640
Speaker 1: not Tapanga, it's him. Corey doesn't know what his problem is.

854
00:39:42,960 --> 00:39:45,080
Speaker 1: Still concerned with his wardrobe, Sean tells Corey he can

855
00:39:45,120 --> 00:39:47,760
Speaker 1: borrow something of his. He offers a jacket or a hat,

856
00:39:47,920 --> 00:39:49,960
Speaker 1: Cory says he'll take the jacket. He's very prone to

857
00:39:50,000 --> 00:39:53,040
Speaker 1: hat heead sometimes he gets it without even wearing a hat.

858
00:39:53,280 --> 00:39:55,919
Speaker 1: And then or the jacket, isn't it it is, it's

859
00:39:55,960 --> 00:39:58,560
Speaker 1: the jacket hold on to.

860
00:40:00,120 --> 00:40:02,759
Speaker 3: So now Corey's got I had no memory that he

861
00:40:02,880 --> 00:40:05,319
Speaker 3: wore it, and obviously becomes the thing like you know.

862
00:40:05,440 --> 00:40:09,200
Speaker 2: But as this was happening, I was like, what what Cory?

863
00:40:09,680 --> 00:40:11,720
Speaker 1: Where everybody was now in the jacket?

864
00:40:11,920 --> 00:40:13,239
Speaker 2: Yes, we got.

865
00:40:13,280 --> 00:40:16,520
Speaker 1: Corey puts on Sean's jacket as they head out the door.

866
00:40:16,560 --> 00:40:19,040
Speaker 1: And now we will see if Corey gets the riz

867
00:40:19,080 --> 00:40:22,520
Speaker 1: from the jacket. I think he's going to And then

868
00:40:22,600 --> 00:40:24,719
Speaker 1: we're in the school hallway. Eric is walking to his

869
00:40:24,800 --> 00:40:27,160
Speaker 1: locker when he hears something coming from one of the classrooms.

870
00:40:27,440 --> 00:40:29,600
Speaker 3: Showing up at school at night all.

871
00:40:31,040 --> 00:40:34,719
Speaker 2: The time, the school isn't locked and everyone's got a

872
00:40:34,800 --> 00:40:36,640
Speaker 2: key or he's.

873
00:40:36,520 --> 00:40:39,680
Speaker 3: Pre Columbine, so yeah, yeah school probably we're a little

874
00:40:39,719 --> 00:40:40,160
Speaker 3: more open.

875
00:40:40,280 --> 00:40:43,720
Speaker 2: But but your man, that's that's nuts. I mean, it happens.

876
00:40:44,040 --> 00:40:46,799
Speaker 1: Yeah. So Eric is walking to his locker when he

877
00:40:46,800 --> 00:40:49,240
Speaker 1: hears something coming from one of the classrooms. It's mister Turner,

878
00:40:49,280 --> 00:40:51,560
Speaker 1: Phoenie and mister Williams and doctor Currell sitting at a

879
00:40:51,560 --> 00:40:54,359
Speaker 1: table playing poker. Eric walks in and says, so this

880
00:40:54,440 --> 00:40:57,040
Speaker 1: is what happens at faculty meetings, and Phoene says, just

881
00:40:57,080 --> 00:40:59,279
Speaker 1: on Mondays, this is our weekly game. We don't play

882
00:40:59,280 --> 00:41:01,480
Speaker 1: for money. We talk, We relax and try to forget.

883
00:41:01,480 --> 00:41:03,960
Speaker 1: There's such a thing as students. I like that they

884
00:41:04,000 --> 00:41:06,520
Speaker 1: have to fit out, like get out. In one full sentence,

885
00:41:06,920 --> 00:41:09,719
Speaker 1: it's not illegal, it's not about money. It's you know,

886
00:41:09,800 --> 00:41:13,160
Speaker 1: so that the teachers we know and love are not

887
00:41:13,360 --> 00:41:16,760
Speaker 1: in any way slandered, and we'll paint all the slander

888
00:41:16,800 --> 00:41:18,640
Speaker 1: on the doctor who's only around a little bit.

889
00:41:18,760 --> 00:41:21,200
Speaker 3: I guess quick question to Will's point, why we had

890
00:41:21,200 --> 00:41:23,000
Speaker 3: to have this extra because we couldn't have it be

891
00:41:23,120 --> 00:41:24,520
Speaker 3: one of the main Okay, I can't.

892
00:41:24,560 --> 00:41:26,160
Speaker 1: You can't have that. You can't have a main cast

893
00:41:26,239 --> 00:41:26,440
Speaker 1: be that.

894
00:41:26,520 --> 00:41:31,040
Speaker 2: But so it's supposed to be Monday, So then the

895
00:41:31,239 --> 00:41:33,880
Speaker 2: night before is that when he was hanging out with Tapanga.

896
00:41:33,960 --> 00:41:35,920
Speaker 2: Was that then supposed to be Super Bowl Sunday? So

897
00:41:35,960 --> 00:41:38,520
Speaker 2: then it wasn't the Friday that he said it was Friday.

898
00:41:39,360 --> 00:41:42,319
Speaker 1: That that does make sense, actually that his point is

899
00:41:42,400 --> 00:41:45,239
Speaker 1: the last three Fridays. He's not saying that today is

900
00:41:45,400 --> 00:41:48,120
Speaker 1: necessarily a Friday, just that the last Fridays.

901
00:41:48,719 --> 00:41:50,920
Speaker 2: So then Corey and Sean are going to the normal

902
00:41:51,040 --> 00:41:52,440
Speaker 2: Monday night school dance.

903
00:41:52,600 --> 00:41:56,160
Speaker 1: Obviously you have a big school party on a market. Okay,

904
00:41:56,239 --> 00:41:58,520
Speaker 1: just making sure we're all on the same page. You

905
00:41:58,560 --> 00:42:02,840
Speaker 1: don't care about school when you're a kid, you know. So,

906
00:42:03,000 --> 00:42:05,640
Speaker 1: Eric says, Oh, they don't play for money, even Doctor Cerell.

907
00:42:05,760 --> 00:42:08,240
Speaker 1: Doctor Cerell says there's no need to. With finals around

908
00:42:08,280 --> 00:42:10,480
Speaker 1: the corner, he's sure to have fresh cash rolling in.

909
00:42:10,800 --> 00:42:14,040
Speaker 1: And I actually, I know, like, I love that we

910
00:42:14,080 --> 00:42:17,360
Speaker 1: get to have a super seedy character whose entire identity

911
00:42:17,440 --> 00:42:19,200
Speaker 1: is just that he's openly unethical.

912
00:42:19,440 --> 00:42:20,560
Speaker 2: I kind of like it.

913
00:42:20,719 --> 00:42:22,759
Speaker 1: I like it too. I love it. I think it's

914
00:42:22,800 --> 00:42:25,040
Speaker 1: really funny because, like we've said, when when you're talking

915
00:42:25,040 --> 00:42:28,160
Speaker 1: about steaks on a kid show, you have to like everybody,

916
00:42:28,400 --> 00:42:30,920
Speaker 1: you know. You can't be like, oh, that teacher, that

917
00:42:31,080 --> 00:42:34,800
Speaker 1: feinny guy is openly unethical. He takes money from students.

918
00:42:34,840 --> 00:42:36,719
Speaker 1: But this guy who only pops in here and there

919
00:42:37,160 --> 00:42:40,839
Speaker 1: he does. I think it's really great. Eric asks if

920
00:42:40,840 --> 00:42:42,719
Speaker 1: he can join them in unison. They all say no.

921
00:42:43,080 --> 00:42:44,680
Speaker 1: Eric says he'll make a deal with them. He plays

922
00:42:44,760 --> 00:42:46,839
Speaker 1: until he loses, then he'll go home and study. He

923
00:42:46,880 --> 00:42:49,160
Speaker 1: asks as teachers, how do you argue with that? Mister

924
00:42:49,200 --> 00:42:51,680
Speaker 1: Feeney size and says he needs the grades deal him in.

925
00:42:52,800 --> 00:42:55,799
Speaker 1: Teachers are bummed, but Eric pulls up a chair, and

926
00:42:55,840 --> 00:42:59,839
Speaker 1: then we're at the Hamilton High Monday night party. Dan

927
00:43:00,920 --> 00:43:03,400
Speaker 1: American Sean get to the front of the line at

928
00:43:03,400 --> 00:43:06,200
Speaker 1: the party, and the door girl American Beauty and American

929
00:43:06,239 --> 00:43:09,759
Speaker 1: Pies Mina Souvari asks for their Hamilton High ID card.

930
00:43:09,880 --> 00:43:12,440
Speaker 1: Corey tells her they go to John Adams, but Sean

931
00:43:12,480 --> 00:43:14,879
Speaker 1: says they should be on the guest list Sean Hunter.

932
00:43:15,440 --> 00:43:18,360
Speaker 1: The girl blushes and says, oh wow, Sewan Hunter, but

933
00:43:18,440 --> 00:43:21,279
Speaker 1: she's looking at Corey. She says they heard he was

934
00:43:21,280 --> 00:43:24,080
Speaker 1: coming and gives Corey the wristband. She thinks he's Sean.

935
00:43:24,640 --> 00:43:27,000
Speaker 1: She motions motions to the real Sean and calls him

936
00:43:27,200 --> 00:43:29,640
Speaker 1: the guest. The girl says her name is Hillary and

937
00:43:29,640 --> 00:43:31,080
Speaker 1: that she won't be stuck at the door all night.

938
00:43:31,360 --> 00:43:34,880
Speaker 1: She asks Corey aka Sean to save her a dance.

939
00:43:35,120 --> 00:43:37,960
Speaker 1: Corey looks shocked as the girl holds his hand. Sean

940
00:43:38,000 --> 00:43:41,200
Speaker 1: speaks up, saying you Betty will right Sean. Corey is

941
00:43:41,200 --> 00:43:43,319
Speaker 1: about to explain himself to Hillary, but Sean pushes him

942
00:43:43,320 --> 00:43:45,200
Speaker 1: away before he can tell her the truth. Corey looks

943
00:43:45,200 --> 00:43:47,160
Speaker 1: at Sean and says, that girl thinks I'm you. He

944
00:43:47,160 --> 00:43:49,400
Speaker 1: says they have to set her straight or else word

945
00:43:49,440 --> 00:43:51,319
Speaker 1: will spread that Corey is Sean Hunter.

946
00:43:52,120 --> 00:43:58,400
Speaker 3: If Sean's mojo just the jacket, jacket, of the jacket,

947
00:43:58,440 --> 00:44:00,680
Speaker 3: it's not my about.

948
00:44:00,719 --> 00:44:01,719
Speaker 1: Eric was a ladies man.

949
00:44:01,760 --> 00:44:03,760
Speaker 2: When Eric was a ladies man, when he had the jacket,

950
00:44:03,920 --> 00:44:06,280
Speaker 2: and then he loses the jacket and starts to become

951
00:44:06,320 --> 00:44:09,200
Speaker 2: done and has it's everything.

952
00:44:09,360 --> 00:44:11,520
Speaker 1: Yeah, yeah, the jacket is the riz.

953
00:44:12,360 --> 00:44:14,440
Speaker 2: So somebody out there right now, let's find out who

954
00:44:14,480 --> 00:44:17,320
Speaker 2: the biggest player is out in the world right now,

955
00:44:17,520 --> 00:44:22,239
Speaker 2: and that's your jacket. That's who has your jacket exactly. Wow,

956
00:44:22,760 --> 00:44:26,440
Speaker 2: Sean's got quite the reputation too, travels from school, I

957
00:44:26,440 --> 00:44:28,520
Speaker 2: mean from school to school to school as the ladies man.

958
00:44:28,560 --> 00:44:29,400
Speaker 2: That's impressive.

959
00:44:29,560 --> 00:44:32,400
Speaker 1: Yeah, well, Sean doesn't care. But Corey tries explaining if

960
00:44:32,440 --> 00:44:34,400
Speaker 1: people think I'm you, but he gets cut off by

961
00:44:34,400 --> 00:44:36,760
Speaker 1: two girls looking over at him. They're giggling and waving

962
00:44:37,080 --> 00:44:40,400
Speaker 1: the jacket is working. Sean smiles and pats him on

963
00:44:40,440 --> 00:44:42,960
Speaker 1: the back, saying, let's go Sean. The boys walk into

964
00:44:42,960 --> 00:44:44,880
Speaker 1: the party and there's a poster on the wall saying

965
00:44:45,239 --> 00:44:48,360
Speaker 1: Jungle tonight, Hamilton High eight pm.

966
00:44:49,000 --> 00:44:49,400
Speaker 2: Jungle.

967
00:44:50,080 --> 00:44:54,840
Speaker 1: Yeah, there's nothing jungle themed there is.

968
00:44:55,000 --> 00:44:57,880
Speaker 2: Well again, have you spent a Monday night in the jungle,

969
00:44:58,200 --> 00:44:59,680
Speaker 2: because it's actually very accurate.

970
00:45:01,560 --> 00:45:05,239
Speaker 1: Dance in the jungle on a Monday night. This is

971
00:45:05,280 --> 00:45:06,719
Speaker 1: what it looks like. I get it. I get it

972
00:45:06,719 --> 00:45:08,279
Speaker 1: now now that you say that, you're right. I've never

973
00:45:08,280 --> 00:45:09,480
Speaker 1: been in the jungle on Monday night.

974
00:45:09,600 --> 00:45:12,960
Speaker 3: So these party scenes were some of the most depressing

975
00:45:13,000 --> 00:45:15,200
Speaker 3: things to watch I've ever seen in my life.

976
00:45:15,440 --> 00:45:16,840
Speaker 2: I've never like it.

977
00:45:17,120 --> 00:45:19,719
Speaker 1: Just it just made me sad in like a deep

978
00:45:19,880 --> 00:45:23,200
Speaker 1: soul way, Like we have to explain a little bit

979
00:45:23,280 --> 00:45:27,920
Speaker 1: about how awful they are. There is no music music,

980
00:45:28,440 --> 00:45:31,440
Speaker 1: and then afterwards it is usually the longest scene of

981
00:45:31,480 --> 00:45:35,360
Speaker 1: the day by the amount of time it takes to

982
00:45:35,440 --> 00:45:38,920
Speaker 1: set up the background actor action, and the amount of

983
00:45:38,960 --> 00:45:42,040
Speaker 1: time you are yelled at for there to be more dancing,

984
00:45:42,400 --> 00:45:47,680
Speaker 1: bigger moves, more, Come on, keep it up, keep up

985
00:45:47,719 --> 00:45:48,440
Speaker 1: the energy.

986
00:45:48,360 --> 00:45:49,520
Speaker 2: Energy energy energy.

987
00:45:50,400 --> 00:45:54,080
Speaker 1: Gosh, they're painful, they're painful to watch these scenes. I

988
00:45:54,080 --> 00:45:57,240
Speaker 1: can remember them so vividly, and it's it's.

989
00:45:56,840 --> 00:45:59,400
Speaker 3: But I also think there's something sad about this party

990
00:45:59,719 --> 00:46:03,279
Speaker 3: even visually. Like obviously we have our associations with our

991
00:46:03,520 --> 00:46:05,759
Speaker 3: but I'm wondering if our listeners also just feel like

992
00:46:05,800 --> 00:46:07,200
Speaker 3: this this party.

993
00:46:07,440 --> 00:46:10,320
Speaker 1: Maybe let us know if you think this party feels sad.

994
00:46:10,440 --> 00:46:12,279
Speaker 1: At least it's a Hamilton High party, not a job.

995
00:46:12,680 --> 00:46:14,359
Speaker 3: It's funny the way, because I didn't feel that way

996
00:46:14,400 --> 00:46:18,600
Speaker 3: about the dance party like in season two with Ingrid

997
00:46:18,680 --> 00:46:24,399
Speaker 3: withn Tanya, like rat like a full feel about it

998
00:46:24,640 --> 00:46:25,759
Speaker 3: or something decorated.

999
00:46:25,800 --> 00:46:28,080
Speaker 1: It was just better. This is like this is also

1000
00:46:28,200 --> 00:46:29,080
Speaker 1: lyrikes me sad.

1001
00:46:29,440 --> 00:46:29,920
Speaker 2: That's the thing.

1002
00:46:30,080 --> 00:46:35,320
Speaker 1: And for some reason it's really left side loaded.

1003
00:46:35,400 --> 00:46:38,520
Speaker 2: Really yeah, Like half of the party is like in

1004
00:46:38,600 --> 00:46:41,000
Speaker 2: full swing and then there's kind of the right side,

1005
00:46:41,080 --> 00:46:43,600
Speaker 2: which they just went now just stats everybody. It's like

1006
00:46:43,600 --> 00:46:45,719
Speaker 2: they're on a plane and it's tipping this way, so

1007
00:46:45,760 --> 00:46:48,920
Speaker 2: they threw everyone. It was very strange to why.

1008
00:46:49,480 --> 00:46:53,040
Speaker 1: Well, everyone's dancing sadly. As Ryder points out and Shawn

1009
00:46:53,080 --> 00:46:55,520
Speaker 1: and Corey run in, Sean grabs Corey's shoulders and says, okay,

1010
00:46:55,560 --> 00:46:57,719
Speaker 1: as far as anybody at this party knows you are

1011
00:46:57,800 --> 00:47:00,480
Speaker 1: Shawn Hunter. Corey responds, No, that's just one girl at

1012
00:47:00,520 --> 00:47:02,080
Speaker 1: the door who thought I was you. That's it, just

1013
00:47:02,160 --> 00:47:04,959
Speaker 1: one girl. Then four girls show up behind them, looking

1014
00:47:05,000 --> 00:47:07,560
Speaker 1: at Corey and saying hi, Sean. Corey looks at them

1015
00:47:07,600 --> 00:47:10,840
Speaker 1: in shock. One girl smiles and says hi. Sewn whispers

1016
00:47:10,880 --> 00:47:14,200
Speaker 1: to Corey, somebody's talking to you. These girls look like

1017
00:47:14,600 --> 00:47:16,880
Speaker 1: they're someone's daughter from the writing staff.

1018
00:47:18,080 --> 00:47:19,080
Speaker 2: Are they? Why did you?

1019
00:47:19,280 --> 00:47:22,759
Speaker 1: Why do we both think of that? They're young? They're young.

1020
00:47:22,800 --> 00:47:26,040
Speaker 1: They're younger than the rest of the background actors. They

1021
00:47:26,160 --> 00:47:29,680
Speaker 1: don't look like typical background actors that would have been

1022
00:47:29,760 --> 00:47:34,040
Speaker 1: cast in the role of I'm gonna lure to Corey, Nope,

1023
00:47:34,320 --> 00:47:36,960
Speaker 1: they're not. No, they're background actors. They don't other than

1024
00:47:37,000 --> 00:47:40,319
Speaker 1: the one girl says Hi, she's credited, but the background

1025
00:47:40,400 --> 00:47:45,160
Speaker 1: actors are absolutely And then I wondered, is one of

1026
00:47:45,160 --> 00:47:47,680
Speaker 1: them maybe Howard Busgang's daughter.

1027
00:47:49,360 --> 00:47:50,200
Speaker 2: I have no idea.

1028
00:47:50,560 --> 00:47:53,200
Speaker 1: I'm not sure, but I just was like, this is

1029
00:47:53,239 --> 00:47:56,279
Speaker 1: somebody's child. At least one of those girls is not.

1030
00:47:57,239 --> 00:48:00,720
Speaker 1: This is someone's child. I once child.

1031
00:48:00,960 --> 00:48:01,839
Speaker 2: I had the same thought.

1032
00:48:01,880 --> 00:48:05,480
Speaker 1: Yeah, but maybe Corey waves to the flirting group and says, oh, hi,

1033
00:48:05,560 --> 00:48:08,200
Speaker 1: pretty girl, a pretty girl. The main girl responds impressed.

1034
00:48:08,239 --> 00:48:10,200
Speaker 1: Only Sean Hunter can pull off a line like that.

1035
00:48:10,480 --> 00:48:13,640
Speaker 1: Sean looks at Corey and asks, so, how did it feel? Sean? Also,

1036
00:48:14,440 --> 00:48:15,960
Speaker 1: this is the first time where I was like, oh,

1037
00:48:16,040 --> 00:48:18,560
Speaker 1: my gosh, they've been dating for five months and Corey

1038
00:48:18,640 --> 00:48:20,880
Speaker 1: is already chomping at the bit to be with somebody

1039
00:48:20,960 --> 00:48:23,399
Speaker 1: other than to Panga. This is where I was in

1040
00:48:23,440 --> 00:48:26,560
Speaker 1: my you know, nasty little noteway, being like, come on,

1041
00:48:27,600 --> 00:48:34,520
Speaker 1: this is not that's right cram into a season. Yeah, yeah,

1042
00:48:34,520 --> 00:48:35,120
Speaker 1: it's weird.

1043
00:48:35,160 --> 00:48:38,000
Speaker 2: It is so weird. Yeah, that's what I'm saying. It

1044
00:48:38,040 --> 00:48:40,919
Speaker 2: hasn't been earned yet. This is this is not we

1045
00:48:40,920 --> 00:48:43,280
Speaker 2: we shouldn't. The problem with a bunch of the Corey

1046
00:48:43,320 --> 00:48:49,080
Speaker 2: Topanga episodes are none of them seem to be in

1047
00:48:49,120 --> 00:48:53,400
Speaker 2: the like like they just keep jumping years where it's like,

1048
00:48:53,480 --> 00:48:55,320
Speaker 2: you know, oh, this is an episode that should have

1049
00:48:55,320 --> 00:48:56,680
Speaker 2: been done at the end of season two. Oh, this

1050
00:48:56,719 --> 00:48:57,920
Speaker 2: is an episode that should have been done at the

1051
00:48:58,000 --> 00:48:59,400
Speaker 2: end of the season four. This is an episode that

1052
00:48:59,640 --> 00:49:00,240
Speaker 2: we've talked.

1053
00:49:00,080 --> 00:49:03,160
Speaker 3: About, I mean sitcom in general, but especially Boy Meets

1054
00:49:03,160 --> 00:49:06,880
Speaker 3: World and Girl Meets World is really the there's a

1055
00:49:06,920 --> 00:49:10,560
Speaker 3: lot of telling you who people are and who relationships

1056
00:49:10,560 --> 00:49:12,879
Speaker 3: are rather than showing you. That's just the nature of.

1057
00:49:13,000 --> 00:49:15,480
Speaker 2: Like, yes, but some of them, but our show yes,

1058
00:49:15,480 --> 00:49:17,400
Speaker 2: because I mean.

1059
00:49:17,920 --> 00:49:20,560
Speaker 3: Actually doesn't break the law get into trouble that much. Right,

1060
00:49:20,640 --> 00:49:22,719
Speaker 3: You're just told that he's a bad guy, Sean is

1061
00:49:22,719 --> 00:49:25,160
Speaker 3: a ladies man. But you almost you know, you just

1062
00:49:25,280 --> 00:49:25,799
Speaker 3: hear about it.

1063
00:49:25,840 --> 00:49:29,200
Speaker 1: You don't really see it, right dates Right, It's.

1064
00:49:29,200 --> 00:49:31,600
Speaker 2: Enough though, But it's also one of those things where

1065
00:49:31,640 --> 00:49:34,000
Speaker 2: if it's going to become the crux of your show,

1066
00:49:34,280 --> 00:49:36,560
Speaker 2: if Ross and Rachel is the crux of your show,

1067
00:49:37,160 --> 00:49:40,879
Speaker 2: you develop Ross and Rachel, right, I mean that's you

1068
00:49:40,920 --> 00:49:44,040
Speaker 2: want to watch Ross and Rachel become Ross and Rachel.

1069
00:49:44,239 --> 00:49:46,719
Speaker 2: You don't do an episode where they're they're hey, they've met,

1070
00:49:46,840 --> 00:49:48,960
Speaker 2: now they've kissed, Oh my god, they're together, and then

1071
00:49:49,000 --> 00:49:51,799
Speaker 2: the next episode they've been together for seven months. It's like, no,

1072
00:49:51,960 --> 00:49:53,960
Speaker 2: I don't want to see that. I want to see

1073
00:49:54,480 --> 00:49:57,399
Speaker 2: them develop as Ross and Rachel. Even if you do it.

1074
00:49:57,400 --> 00:50:01,600
Speaker 1: Over three episodes and then call that seven five months

1075
00:50:01,680 --> 00:50:04,320
Speaker 1: or something. But we've seen like one date, really.

1076
00:50:04,400 --> 00:50:09,640
Speaker 2: And then you disappear for six episodes and another it's

1077
00:50:09,680 --> 00:50:11,759
Speaker 2: like it's just it has it and this is again,

1078
00:50:11,800 --> 00:50:13,440
Speaker 2: I don't want to harp on the overall note, but

1079
00:50:13,560 --> 00:50:15,680
Speaker 2: it just hasn't been earned yet, and I feel like

1080
00:50:15,920 --> 00:50:19,960
Speaker 2: they're forcing us to Nope, they're married, now, deal with it.

1081
00:50:20,000 --> 00:50:22,960
Speaker 2: And it's like, I agree with you with that. You're

1082
00:50:23,000 --> 00:50:25,959
Speaker 2: okay until art Garfunk will start. That's right, our.

1083
00:50:25,920 --> 00:50:29,279
Speaker 1: Garfuncle hooks me. So he says there's something exciting about

1084
00:50:29,280 --> 00:50:31,960
Speaker 1: being Sean, and Sean responds, now you understand my Monday

1085
00:50:31,960 --> 00:50:35,120
Speaker 1: morning smile. Sean says, tonight, it's all Corey's Tomorrow he

1086
00:50:35,120 --> 00:50:37,279
Speaker 1: can go back to being his every day lack luster boor,

1087
00:50:37,360 --> 00:50:39,479
Speaker 1: and Corey inter reps. He says he gets it. Sean

1088
00:50:39,520 --> 00:50:42,040
Speaker 1: says Corey should go check out those little ladies over there.

1089
00:50:42,120 --> 00:50:44,680
Speaker 1: Corey does. He pops the collar on Shawn's leather jacket,

1090
00:50:44,719 --> 00:50:47,200
Speaker 1: puts two thumbs up in the air, and he says hey.

1091
00:50:48,080 --> 00:50:50,319
Speaker 1: Sean pulls him away, asking what he's doing. Cory says

1092
00:50:50,320 --> 00:50:52,440
Speaker 1: he was doing sewn. Sean corrects him, that wasn't me,

1093
00:50:52,640 --> 00:50:57,560
Speaker 1: that was Ponsie Bonsie. Another little happy days reference we get.

1094
00:50:56,880 --> 00:50:59,200
Speaker 3: Corey, I ever saw happy days in my life, So

1095
00:50:59,480 --> 00:51:01,920
Speaker 3: every non we'll do it, we'll go, We'll do it

1096
00:51:01,920 --> 00:51:02,680
Speaker 3: a happy day's night.

1097
00:51:03,480 --> 00:51:05,600
Speaker 1: Corey looks stumped, saying this is trickier than he thought.

1098
00:51:05,600 --> 00:51:07,919
Speaker 1: Sean tells him he's trying too hard. He gives him advice, saying,

1099
00:51:07,960 --> 00:51:11,560
Speaker 1: just relax and be myself. Cute line. He tells Corey,

1100
00:51:11,560 --> 00:51:13,440
Speaker 1: don't do anything. Cory says, so you're telling me the

1101
00:51:13,520 --> 00:51:15,359
Speaker 1: key to being Sean Hunter is doing nothing. Just by

1102
00:51:15,400 --> 00:51:17,440
Speaker 1: sitting at this table with my armsholded, girls are going

1103
00:51:17,480 --> 00:51:19,080
Speaker 1: to come up and ask me to dance. And right

1104
00:51:19,160 --> 00:51:23,000
Speaker 1: as he does it, Ar grabs him and says, Sean,

1105
00:51:23,120 --> 00:51:26,240
Speaker 1: let's dance. Sean looks at Cory, sticks his two thumbs

1106
00:51:26,320 --> 00:51:28,800
Speaker 1: up and says hey in his Fonzie impression and celebration.

1107
00:51:29,640 --> 00:51:31,960
Speaker 1: And then we're back at the John Adams Faculty meeting

1108
00:51:32,239 --> 00:51:35,080
Speaker 1: aka card game. Phoene puts down his cards and announces,

1109
00:51:35,120 --> 00:51:37,960
Speaker 1: I have three aces. Beat that, mister Matthews Eric size

1110
00:51:38,000 --> 00:51:40,640
Speaker 1: and says, darn, I only have two jacks and a

1111
00:51:40,719 --> 00:51:43,480
Speaker 1: ten and another jack and another ten. I went again.

1112
00:51:43,719 --> 00:51:47,440
Speaker 1: He laughs maniacally at Phoeney, did either of you guys

1113
00:51:47,440 --> 00:51:49,759
Speaker 1: ever play cards with the cast or crew? Or just

1114
00:51:49,840 --> 00:51:51,840
Speaker 1: like play cards anyway, magic.

1115
00:51:51,960 --> 00:51:54,640
Speaker 3: I mean we talked about I got into magic and

1116
00:51:54,680 --> 00:51:56,600
Speaker 3: then I got into poker at the same time like

1117
00:51:56,640 --> 00:51:58,160
Speaker 3: everybody in America did, right.

1118
00:51:58,120 --> 00:51:59,200
Speaker 1: Which I think it was a little later.

1119
00:51:59,320 --> 00:52:01,080
Speaker 2: Yeah, oh yeah, Tony and I do. Tony and I

1120
00:52:01,080 --> 00:52:03,520
Speaker 2: would play regular five card draw together. I mean, not

1121
00:52:03,560 --> 00:52:05,879
Speaker 2: for money or anything, but we said there we usually

1122
00:52:05,960 --> 00:52:07,759
Speaker 2: ended up having fights with the poker chips more than

1123
00:52:07,800 --> 00:52:08,799
Speaker 2: we did right game.

1124
00:52:08,880 --> 00:52:10,239
Speaker 1: Yeah, you guys would hit each other on the head

1125
00:52:10,239 --> 00:52:10,839
Speaker 1: with the poker chips.

1126
00:52:11,160 --> 00:52:11,359
Speaker 2: Yeah.

1127
00:52:11,560 --> 00:52:14,320
Speaker 1: It was fun, so fun, so make sure just love it.

1128
00:52:14,600 --> 00:52:17,279
Speaker 2: It's so of course. So then he says he has

1129
00:52:17,320 --> 00:52:20,440
Speaker 2: two jacks and two tens and then another jack, so

1130
00:52:20,480 --> 00:52:22,200
Speaker 2: he has a full house. Tight, that's right, Okay, gotcha.

1131
00:52:22,320 --> 00:52:24,520
Speaker 1: Yeah, mister Williams looks at Eric and says he knows

1132
00:52:24,560 --> 00:52:26,919
Speaker 1: he's cheating. He just can't figure out how. Eric says,

1133
00:52:26,920 --> 00:52:29,160
Speaker 1: mister Williams's words have soiled him. Why can't they just

1134
00:52:29,200 --> 00:52:31,760
Speaker 1: believe Eric Matthews is good at something? And then doctor

1135
00:52:31,760 --> 00:52:33,520
Speaker 1: Cerell chimes in and tells Eric to get off his

1136
00:52:33,600 --> 00:52:36,319
Speaker 1: high horse. They know he's cheating. When he finds out how,

1137
00:52:36,400 --> 00:52:38,960
Speaker 1: they'll talk. And this is definitely where I agree with

1138
00:52:39,040 --> 00:52:41,600
Speaker 1: Ryder's point, they couldn't even come up with a different

1139
00:52:41,640 --> 00:52:44,359
Speaker 1: thought for doctor Cerel to have. He just repeats what

1140
00:52:44,400 --> 00:52:47,440
Speaker 1: mister Williams has already said. That they know he's lying,

1141
00:52:48,080 --> 00:52:50,600
Speaker 1: and Phoene says, gentlemen, please Annie app the Soonery loses

1142
00:52:50,640 --> 00:52:53,520
Speaker 1: the scenery studies at Home Away from Us. We're back

1143
00:52:53,560 --> 00:52:58,360
Speaker 1: at the Hamilton High party. Everyone is dancing really bad dancing,

1144
00:52:58,840 --> 00:53:01,319
Speaker 1: I mean big, but.

1145
00:53:01,239 --> 00:53:05,960
Speaker 3: There's also one person doing She's like just up and down,

1146
00:53:06,000 --> 00:53:07,200
Speaker 3: like it's like pupp.

1147
00:53:08,480 --> 00:53:10,239
Speaker 2: Happen by.

1148
00:53:10,440 --> 00:53:12,520
Speaker 1: I literally was watching this scene and I was like,

1149
00:53:12,560 --> 00:53:13,480
Speaker 1: I have PTSD.

1150
00:53:13,719 --> 00:53:18,600
Speaker 3: Just watching gave me like existential sadness. I was just like, wow,

1151
00:53:19,040 --> 00:53:22,040
Speaker 3: end it now. I can't go on, I can't do

1152
00:53:22,080 --> 00:53:22,720
Speaker 3: this anymore.

1153
00:53:22,880 --> 00:53:28,279
Speaker 1: Please please end the day now. Oh my god, this is.

1154
00:53:29,920 --> 00:53:32,759
Speaker 2: For me. Is this scene just over and over and

1155
00:53:32,800 --> 00:53:33,200
Speaker 2: over again.

1156
00:53:35,840 --> 00:53:38,960
Speaker 1: Boy? The camera pans to Corey. He's dancing with three

1157
00:53:39,000 --> 00:53:41,479
Speaker 1: new girls, and he gives Sean another thumbs up. Sean

1158
00:53:41,600 --> 00:53:44,080
Speaker 1: thumbs up and back and smiles. Corey finishes dancing and

1159
00:53:44,080 --> 00:53:46,760
Speaker 1: tells the girls, okay, remember that is now our song.

1160
00:53:46,840 --> 00:53:47,960
Speaker 1: They smile and walk away.

1161
00:53:48,280 --> 00:53:50,680
Speaker 3: Sean comes up, this is where I wrote some down

1162
00:53:50,719 --> 00:53:54,239
Speaker 3: something that like, I know we're hard on on boy

1163
00:53:54,280 --> 00:53:56,799
Speaker 3: Mes World, and we get a lot of ish for it.

1164
00:53:56,840 --> 00:54:00,200
Speaker 3: But one thing I will say that I probably we

1165
00:54:00,239 --> 00:54:03,680
Speaker 3: don't comment enough on is how funny our show is,

1166
00:54:03,719 --> 00:54:08,719
Speaker 3: like actually witty line by line, the cleverness this episode

1167
00:54:08,880 --> 00:54:12,520
Speaker 3: is not that funny, Like I didn't find I was

1168
00:54:12,600 --> 00:54:14,640
Speaker 3: And it was right here where I realized what's wrong?

1169
00:54:15,040 --> 00:54:15,680
Speaker 2: What is off?

1170
00:54:15,719 --> 00:54:18,360
Speaker 3: And I was like, it's not a funny episode, Like

1171
00:54:18,560 --> 00:54:21,000
Speaker 3: the individual jokes are just not that good.

1172
00:54:21,400 --> 00:54:23,000
Speaker 2: Like the line by line.

1173
00:54:22,840 --> 00:54:25,000
Speaker 3: I was like, it's it lost boy me to wear

1174
00:54:25,120 --> 00:54:27,719
Speaker 3: for the first time, didn't hold up that end of

1175
00:54:27,760 --> 00:54:30,160
Speaker 3: the bargain for me, Like there's you know, we can

1176
00:54:30,200 --> 00:54:33,200
Speaker 3: criticize the approaches to character or story like we do

1177
00:54:33,280 --> 00:54:37,320
Speaker 3: all the time, but pretty much it's consistently a very

1178
00:54:37,360 --> 00:54:40,840
Speaker 3: funny show. And this episode for me was not funny.

1179
00:54:40,960 --> 00:54:42,560
Speaker 3: Like and this scene was where I really hit me.

1180
00:54:42,600 --> 00:54:44,960
Speaker 3: I was like, just the like back and forth and

1181
00:54:45,000 --> 00:54:47,240
Speaker 3: like the French Girls, it just wasn't funny.

1182
00:54:47,280 --> 00:54:50,480
Speaker 1: I was like, yeah, also, this a storyline is not funny.

1183
00:54:50,520 --> 00:54:52,560
Speaker 1: I thought the scene in the hallway with Eric and

1184
00:54:52,600 --> 00:54:55,040
Speaker 1: the teachers like that had a lot of really funny

1185
00:54:55,320 --> 00:54:59,279
Speaker 1: funny moments and but you're right that like in the

1186
00:54:59,560 --> 00:55:04,200
Speaker 1: story line, because it's also even if the writing were different,

1187
00:55:04,480 --> 00:55:07,920
Speaker 1: like trying to find more jokes seeing Sean be an

1188
00:55:07,960 --> 00:55:11,399
Speaker 1: incredible wingman and encouraging Corey on, Corey would have had

1189
00:55:11,440 --> 00:55:15,080
Speaker 1: to be so flailing, like such a due bo that

1190
00:55:15,200 --> 00:55:16,880
Speaker 1: in order to make it funny, and then it wouldn't

1191
00:55:16,880 --> 00:55:19,319
Speaker 1: have felt like our show. It would have felt slapsticky, like,

1192
00:55:19,600 --> 00:55:23,040
Speaker 1: because the whole point is he didn't really need to

1193
00:55:23,120 --> 00:55:25,279
Speaker 1: change himself too much. I mean, the truth is, all

1194
00:55:25,320 --> 00:55:27,799
Speaker 1: he did was put on a leather jacket exactly.

1195
00:55:28,080 --> 00:55:28,600
Speaker 2: Take the name.

1196
00:55:29,000 --> 00:55:32,000
Speaker 1: So there is and and it's leading to a bigger thing.

1197
00:55:32,280 --> 00:55:33,160
Speaker 1: The montage.

1198
00:55:33,640 --> 00:55:35,120
Speaker 2: Well, that's what it comes to.

1199
00:55:35,440 --> 00:55:38,480
Speaker 3: I think this is just a drama episode. A storyline

1200
00:55:38,520 --> 00:55:40,760
Speaker 3: was to break up Corey into Penga.

1201
00:55:40,560 --> 00:55:43,120
Speaker 1: All right, because we have so earned their relationship.

1202
00:55:43,400 --> 00:55:45,799
Speaker 2: Here's the other thing. First of all, Danielle, if you

1203
00:55:45,800 --> 00:55:48,120
Speaker 2: thought I was going to let Duibo go by without

1204
00:55:48,160 --> 00:55:50,200
Speaker 2: mentioning something, you are sadly mistake.

1205
00:55:51,400 --> 00:55:54,120
Speaker 1: And the second thing is, are you Wisenheimer?

1206
00:55:54,440 --> 00:55:58,600
Speaker 2: Yeah exactly, douiebo wise And I found something very kind

1207
00:55:58,600 --> 00:56:01,719
Speaker 2: of jarring about the cutting back and forth from the

1208
00:56:01,760 --> 00:56:05,680
Speaker 2: A storyline to the faculty storyline. They weren't cutting, There

1209
00:56:05,719 --> 00:56:08,799
Speaker 2: weren't any outs to the scene. It was just like

1210
00:56:09,320 --> 00:56:11,319
Speaker 2: there'd be part of a scene and then you'd cut

1211
00:56:11,360 --> 00:56:12,560
Speaker 2: to the next thing, and then they'd be part of

1212
00:56:12,600 --> 00:56:14,439
Speaker 2: the scene, then you'd cut to us playing cards again.

1213
00:56:14,680 --> 00:56:17,800
Speaker 2: It wasn't like they weren't ending on a button.

1214
00:56:17,880 --> 00:56:21,040
Speaker 3: They weren't end Just the whole poker storyline is just

1215
00:56:21,120 --> 00:56:23,319
Speaker 3: kind of a nonsense. It's not really a story. It's

1216
00:56:23,360 --> 00:56:25,880
Speaker 3: like you show up and you're really good at poker

1217
00:56:25,960 --> 00:56:27,320
Speaker 3: and then they're mad about.

1218
00:56:27,040 --> 00:56:28,600
Speaker 1: It, and that's.

1219
00:56:29,960 --> 00:56:30,360
Speaker 3: Anything.

1220
00:56:30,680 --> 00:56:32,320
Speaker 2: What are you going to do? Least make it funny,

1221
00:56:32,560 --> 00:56:34,600
Speaker 2: and you just make it so funny that it's like

1222
00:56:34,680 --> 00:56:36,320
Speaker 2: it doesn't matter that there's nothing.

1223
00:56:38,760 --> 00:56:38,920
Speaker 3: Right.

1224
00:56:39,120 --> 00:56:41,920
Speaker 1: But it's it's very I thought the cutting back and

1225
00:56:42,000 --> 00:56:44,399
Speaker 1: forth between the two, well.

1226
00:56:44,320 --> 00:56:47,040
Speaker 3: It's it's as if their story when there's no story,

1227
00:56:47,280 --> 00:56:51,200
Speaker 3: like until Tapanga shows up, there is no story so far,

1228
00:56:51,280 --> 00:56:54,280
Speaker 3: like this is just him being shot, like nothing changes

1229
00:56:54,320 --> 00:56:56,040
Speaker 3: in this scene, like this scene.

1230
00:56:55,880 --> 00:56:57,600
Speaker 2: Very yeah, it's very it's very duebo.

1231
00:56:59,719 --> 00:57:01,759
Speaker 1: Well. Well, Sean comes up to Corey and asks how

1232
00:57:01,800 --> 00:57:03,839
Speaker 1: he's doing. Corey says, the reviews are in. We are

1233
00:57:03,880 --> 00:57:06,680
Speaker 1: a hit. Sean responds, I know I saw. Corey says,

1234
00:57:06,719 --> 00:57:08,399
Speaker 1: it's not just about the girls, it's the way he's

1235
00:57:08,440 --> 00:57:11,560
Speaker 1: feeling tonight, not knowing what's going to happen. It's so exciting.

1236
00:57:11,920 --> 00:57:14,160
Speaker 1: Corey thanks Sean for letting him be Sean tonight, and

1237
00:57:14,200 --> 00:57:17,160
Speaker 1: Sean says Corey's just being himself. Corey corrects him, saying,

1238
00:57:17,160 --> 00:57:19,919
Speaker 1: but everyone here thinks I'm Sean Hunter. A girl walks

1239
00:57:20,000 --> 00:57:22,040
Speaker 1: up to grab a punch and giggles when Corey looks

1240
00:57:22,080 --> 00:57:24,520
Speaker 1: at her. Corey says, well, whoever I am. He's having

1241
00:57:24,520 --> 00:57:27,600
Speaker 1: a pretty good time. Sean says, it's about to get

1242
00:57:27,640 --> 00:57:30,919
Speaker 1: even better. Word is there's a very hot French girl

1243
00:57:30,960 --> 00:57:33,200
Speaker 1: at the party who comes from some place in Europe.

1244
00:57:33,640 --> 00:57:37,760
Speaker 1: Corey asks, possibly France. Sean says, yeah, France, the gateway

1245
00:57:37,760 --> 00:57:41,600
Speaker 1: to Saint Louis. I'm going to get so much hate

1246
00:57:41,600 --> 00:57:44,760
Speaker 1: for not understanding this joke. Does anyone understand it?

1247
00:57:44,960 --> 00:57:46,520
Speaker 2: No? I think it's just that I'm funny.

1248
00:57:46,560 --> 00:57:49,560
Speaker 3: It's just a random miss he picked a place.

1249
00:57:49,640 --> 00:57:50,720
Speaker 1: This is a dumb fact.

1250
00:57:50,800 --> 00:57:51,840
Speaker 2: Yeah I'm wrong.

1251
00:57:52,360 --> 00:57:54,480
Speaker 1: Okay, So then this is another question because I thought, well,

1252
00:57:54,520 --> 00:57:56,680
Speaker 1: writer might understand it, because writer is the one who

1253
00:57:56,720 --> 00:57:59,520
Speaker 1: said it. Were there ever jokes in the script that

1254
00:57:59,560 --> 00:58:02,720
Speaker 1: you guys just like wouldn't understand and then would you

1255
00:58:02,800 --> 00:58:05,360
Speaker 1: ever flat out ask I don't get the joke? Can

1256
00:58:05,400 --> 00:58:06,360
Speaker 1: someone explain it to me?

1257
00:58:08,720 --> 00:58:10,360
Speaker 2: That's a good question. I don't think so.

1258
00:58:10,640 --> 00:58:12,480
Speaker 1: I don't think that how we get run them, Cowboy

1259
00:58:12,560 --> 00:58:12,880
Speaker 1: run them?

1260
00:58:12,920 --> 00:58:15,160
Speaker 2: Isn't that how we would get the random obscure references

1261
00:58:15,160 --> 00:58:18,440
Speaker 2: sometimes as being like I don't get this and win.

1262
00:58:18,760 --> 00:58:20,880
Speaker 1: But that was that was what Michael would do during

1263
00:58:21,000 --> 00:58:24,080
Speaker 1: note sessions. He would make references, but and he would

1264
00:58:24,120 --> 00:58:26,080
Speaker 1: be explaining, like you, I want you to in this

1265
00:58:26,160 --> 00:58:28,760
Speaker 1: scene be like, you know, and reference something that we

1266
00:58:28,800 --> 00:58:31,840
Speaker 1: had never heard of. But in scripts, I don't remember

1267
00:58:32,000 --> 00:58:35,520
Speaker 1: not getting jokes. I mean I remember thinking things were

1268
00:58:35,520 --> 00:58:36,200
Speaker 1: not funny.

1269
00:58:36,880 --> 00:58:39,960
Speaker 3: Yeah, A lot of times I would be like, I

1270
00:58:39,960 --> 00:58:41,920
Speaker 3: don't think this is funny, but I'll do it anyway,

1271
00:58:43,480 --> 00:58:45,360
Speaker 3: you know, which is probably why I start phoning in

1272
00:58:45,440 --> 00:58:46,400
Speaker 3: a lot of performances.

1273
00:58:46,400 --> 00:58:49,120
Speaker 1: But right around because I wonder if there is more

1274
00:58:49,160 --> 00:58:52,800
Speaker 1: of an explanation to that France is the gateway to

1275
00:58:52,880 --> 00:58:55,400
Speaker 1: Saint Louis than what we are just assuming that it's

1276
00:58:55,480 --> 00:58:57,000
Speaker 1: just a funny.

1277
00:58:57,120 --> 00:58:59,520
Speaker 3: Yeah, I think it's just a complete lack of geography.

1278
00:58:59,560 --> 00:59:01,160
Speaker 3: I think it's just to lack of understanding.

1279
00:59:01,400 --> 00:59:03,640
Speaker 1: Okay, so again you're putting pair France.

1280
00:59:03,800 --> 00:59:05,440
Speaker 2: In France, yeah, who knows?

1281
00:59:05,480 --> 00:59:06,439
Speaker 1: In the United States.

1282
00:59:06,480 --> 00:59:09,080
Speaker 2: I think it's just random funny. Sounds like if he

1283
00:59:09,120 --> 00:59:10,960
Speaker 2: didn't say Saint Louis, he could have said anything else

1284
00:59:11,000 --> 00:59:13,080
Speaker 2: that was funny. I mean, Poughkeepsie would have been a

1285
00:59:13,080 --> 00:59:17,400
Speaker 2: funnier reference, right, because funny.

1286
00:59:20,160 --> 00:59:21,280
Speaker 1: You're absolutely right.

1287
00:59:21,440 --> 00:59:23,480
Speaker 2: I probably wouldn't have asked paw Tucket.

1288
00:59:34,480 --> 00:59:37,360
Speaker 1: So Corey asks Sean, so, who is she? What she

1289
00:59:37,440 --> 00:59:39,200
Speaker 1: doing here? Sean says he hasn't talked to her yet.

1290
00:59:39,200 --> 00:59:41,600
Speaker 1: Cory says that's so unlike him, but Sean clarifies, I'm

1291
00:59:41,600 --> 00:59:44,280
Speaker 1: not Sean tonight, you are, so go find her. Cory

1292
00:59:44,320 --> 00:59:46,440
Speaker 1: says that would be wrong. He has to panga. He

1293
00:59:46,480 --> 00:59:48,800
Speaker 1: says he already feels weird enough at this party without her.

1294
00:59:48,880 --> 00:59:50,520
Speaker 1: Sean brushes it off and says, all he's going to

1295
00:59:50,600 --> 00:59:52,840
Speaker 1: do is talk to her. Cory asks what they talk about,

1296
00:59:52,880 --> 00:59:54,720
Speaker 1: and Sean tells him talk about cheese. They love it.

1297
00:59:54,920 --> 00:59:57,000
Speaker 1: Cory says, then cheese it is, and he walks away

1298
00:59:57,000 --> 00:59:58,720
Speaker 1: to go find her. And I wrote he is a

1299
00:59:58,800 --> 01:00:03,120
Speaker 1: terrible boyfriend. So I am I am Also this not

1300
01:00:03,400 --> 01:00:06,160
Speaker 1: nothing changes, This is just exposition. We're literally just get

1301
01:00:06,360 --> 01:00:07,600
Speaker 1: setting up the next scene.

1302
01:00:07,640 --> 01:00:10,120
Speaker 2: This is like four times now they keep cutting back

1303
01:00:10,160 --> 01:00:12,640
Speaker 2: to these little vignettes that don't make it, don't make sense,

1304
01:00:12,680 --> 01:00:14,920
Speaker 2: and have nothing whatsoever to do as anything.

1305
01:00:15,280 --> 01:00:19,040
Speaker 1: Nothing's coppelling this forward. Also, it would actually be better

1306
01:00:19,080 --> 01:00:21,320
Speaker 1: for it to be a ramp up that now he

1307
01:00:21,560 --> 01:00:24,520
Speaker 1: is thinking of, you know, he had a I don't know,

1308
01:00:24,560 --> 01:00:27,080
Speaker 1: I mean something, we're I know, no, I know exactly

1309
01:00:27,080 --> 01:00:27,439
Speaker 1: you're saying.

1310
01:00:27,440 --> 01:00:29,240
Speaker 2: It's he doesn't want to dance with the first girls

1311
01:00:29,280 --> 01:00:31,440
Speaker 2: and Sean keeps trying to coach them that there's a

1312
01:00:32,600 --> 01:00:37,000
Speaker 2: story to dance something or it's not working and he

1313
01:00:37,040 --> 01:00:37,680
Speaker 2: has to do something.

1314
01:00:37,680 --> 01:00:39,440
Speaker 3: He has to put on the leather jacket and then

1315
01:00:39,480 --> 01:00:41,800
Speaker 3: it worked, you know, like it changes. Yeah, the fact

1316
01:00:41,840 --> 01:00:44,680
Speaker 3: that nothing has changed since he got mistaken for Sean.

1317
01:00:45,000 --> 01:00:46,640
Speaker 2: Yeah, that's no, that's it. Yea.

1318
01:00:47,040 --> 01:00:49,640
Speaker 1: Yeah, So I was not I'm just so far I'm

1319
01:00:49,640 --> 01:00:54,240
Speaker 1: not into the storyline, not a fan. But Mark, wait

1320
01:00:54,320 --> 01:00:57,080
Speaker 1: till I'm off with those violins. I'm in Uh, we're

1321
01:00:57,160 --> 01:00:59,480
Speaker 1: back to the faculty meeting. Eric smiles as he puts

1322
01:00:59,480 --> 01:01:01,280
Speaker 1: his cards down and says, JACKI I.

1323
01:01:01,280 --> 01:01:05,080
Speaker 3: Went, how did you guys notice anything about the soda cans?

1324
01:01:05,520 --> 01:01:06,920
Speaker 2: But they were the pass.

1325
01:01:08,440 --> 01:01:10,880
Speaker 3: There was like the clearest doctor papson I think we've

1326
01:01:10,880 --> 01:01:11,800
Speaker 3: ever seen on the show.

1327
01:01:11,920 --> 01:01:13,360
Speaker 2: Yeah, I still got mine. It's good.

1328
01:01:13,920 --> 01:01:15,000
Speaker 1: So I think we've talked about it.

1329
01:01:15,320 --> 01:01:17,200
Speaker 3: Yeah, we should just mention it again in case our

1330
01:01:17,200 --> 01:01:19,240
Speaker 3: listeners because that was like the first episode. But our

1331
01:01:19,400 --> 01:01:24,600
Speaker 3: our our props guy was named Paps and Marks, so

1332
01:01:25,040 --> 01:01:26,720
Speaker 3: he made doctor Paps and sodas.

1333
01:01:26,760 --> 01:01:30,280
Speaker 1: Because you fake, you have to faking. Yeah, you have

1334
01:01:30,320 --> 01:01:32,200
Speaker 1: to greek out a thing. It has to be like

1335
01:01:32,240 --> 01:01:34,240
Speaker 1: a fake product, but you want it to look enough

1336
01:01:34,280 --> 01:01:36,960
Speaker 1: like a real product. So instead of mister Pibb or

1337
01:01:37,000 --> 01:01:41,160
Speaker 1: doctor Pepper, it was a mister and the doctors.

1338
01:01:41,200 --> 01:01:43,840
Speaker 2: They would go farther because some you'll watch some shows

1339
01:01:43,840 --> 01:01:45,280
Speaker 2: where they just they'll take a piece of tape and

1340
01:01:45,280 --> 01:01:47,960
Speaker 2: they'll cover something so it's like you're eating areos, you

1341
01:01:48,000 --> 01:01:50,760
Speaker 2: know that kind of thing. Where our prop people we

1342
01:01:50,920 --> 01:01:52,600
Speaker 2: had fun with it. We'd have doctor.

1343
01:01:53,880 --> 01:01:56,120
Speaker 1: Different kind of fake stuff that were really cool.

1344
01:01:56,200 --> 01:02:02,520
Speaker 2: Yeah, I sign he signed the camp for me. That's cute.

1345
01:02:02,840 --> 01:02:05,480
Speaker 1: So mister Turner chimes in, all right, Matthews, I'm not

1346
01:02:05,480 --> 01:02:07,400
Speaker 1: saying you're cheating. I'm thinking it really hard, but I'm

1347
01:02:07,440 --> 01:02:09,040
Speaker 1: not saying it. I just need to know for my

1348
01:02:09,160 --> 01:02:10,800
Speaker 1: own peace of mind. I know I love that too.

1349
01:02:10,920 --> 01:02:13,120
Speaker 2: I'm just thinking it delivery. I'm thinking it real hard,

1350
01:02:13,160 --> 01:02:14,000
Speaker 2: but I'm not saying it.

1351
01:02:14,680 --> 01:02:16,760
Speaker 1: Doctor Cerel butts in and tells Turner to stop with

1352
01:02:16,800 --> 01:02:19,280
Speaker 1: the pleasantries. He says, as principal of John Adams, hyge,

1353
01:02:19,280 --> 01:02:21,600
Speaker 1: I demand to know how you're doing this. Phoene cuts

1354
01:02:21,640 --> 01:02:24,400
Speaker 1: him off and yells, you're not the principle. Doctor Cerell responds,

1355
01:02:24,440 --> 01:02:28,040
Speaker 1: you just keep thinking that, George. Eric says he's not

1356
01:02:28,080 --> 01:02:30,480
Speaker 1: doing anything wrong. Then he accidentally knocks over the bag

1357
01:02:30,480 --> 01:02:32,360
Speaker 1: of pretzels next to him. They tell him to clean

1358
01:02:32,440 --> 01:02:34,320
Speaker 1: up his mess, and he responds, sure, there's only two

1359
01:02:34,400 --> 01:02:36,640
Speaker 1: hundred and thirty eight pretzel sticks. They all look at

1360
01:02:36,720 --> 01:02:39,880
Speaker 1: him shocked. Turner asks what did you say? Eric looks

1361
01:02:39,920 --> 01:02:42,160
Speaker 1: up with, you know, four five hundred and seventy two

1362
01:02:42,200 --> 01:02:46,200
Speaker 1: grains of salt. Mister Williams yells out, the man's a counter.

1363
01:02:46,600 --> 01:02:49,000
Speaker 1: Mister Turner asks, so what is this like rain Man

1364
01:02:49,080 --> 01:02:52,000
Speaker 1: or what? Eric just yeah, yeah, definitely good movie. Definitely movie.

1365
01:02:52,200 --> 01:02:54,520
Speaker 2: I'm thinking this through though. What is that how do

1366
01:02:54,560 --> 01:02:57,200
Speaker 2: you cheat at poker? If you count cards? Can you

1367
01:02:57,240 --> 01:03:00,360
Speaker 2: do that? Well? You can catch I think you can

1368
01:03:00,360 --> 01:03:02,560
Speaker 2: do it with poker, too, can't you. I don't know

1369
01:03:02,760 --> 01:03:05,240
Speaker 2: all you would get. You still don't see what they had,

1370
01:03:05,360 --> 01:03:06,880
Speaker 2: and yell is the gambler. I don't know you would

1371
01:03:06,880 --> 01:03:07,800
Speaker 2: stimbler among us.

1372
01:03:07,800 --> 01:03:09,720
Speaker 3: You would just know to fold, I guess, because you're

1373
01:03:09,760 --> 01:03:11,240
Speaker 3: not going to get any good cards.

1374
01:03:11,320 --> 01:03:14,840
Speaker 2: But but isn't it also like rain Man, there's a

1375
01:03:14,840 --> 01:03:16,520
Speaker 2: thing where he's talking about an't they playing poker? When

1376
01:03:16,680 --> 01:03:21,640
Speaker 2: when queen's or that there's lots of them blacks is

1377
01:03:21,800 --> 01:03:23,680
Speaker 2: the one that you count? You can't. I don't think

1378
01:03:23,720 --> 01:03:24,360
Speaker 2: you can count.

1379
01:03:24,920 --> 01:03:27,480
Speaker 1: The only way you could count with poker is if

1380
01:03:27,480 --> 01:03:30,200
Speaker 1: you were playing more than one poker hand with the

1381
01:03:30,240 --> 01:03:33,200
Speaker 1: same deck, so that after the first hand, when you've

1382
01:03:33,200 --> 01:03:36,480
Speaker 1: seen what everybody you know what was out so that

1383
01:03:36,640 --> 01:03:38,040
Speaker 1: then but you'd have.

1384
01:03:38,000 --> 01:03:41,439
Speaker 3: To shuffle too, to shuffle, so there's literally no way

1385
01:03:41,440 --> 01:03:42,040
Speaker 3: to keep track.

1386
01:03:42,280 --> 01:03:44,360
Speaker 2: Like the counting doesn't help. I don't think with poker.

1387
01:03:45,000 --> 01:03:48,240
Speaker 1: No, no, I don't think I wanted they wanted the

1388
01:03:48,320 --> 01:03:48,919
Speaker 1: rain Man joke.

1389
01:03:49,040 --> 01:03:50,960
Speaker 2: This entire thing was just so they can shoot the

1390
01:03:50,960 --> 01:03:53,320
Speaker 2: thing from Foenie exactly from the pool.

1391
01:03:55,200 --> 01:03:57,560
Speaker 1: So mister William says, all right, that's it, game over.

1392
01:03:57,720 --> 01:03:59,680
Speaker 1: Eric begs them not to leave. Doctor Sorell says, the

1393
01:03:59,680 --> 01:04:01,800
Speaker 1: fund and have to stop. He tells Eric he's taking

1394
01:04:01,840 --> 01:04:04,280
Speaker 1: his favorite students to a science fair this weekend in

1395
01:04:04,280 --> 01:04:08,280
Speaker 1: Atlantic City. They'll be researching things like probability statistics, maybe

1396
01:04:08,280 --> 01:04:11,320
Speaker 1: a little keno Phoene says, I don't think so, mister Currell,

1397
01:04:11,600 --> 01:04:15,840
Speaker 1: and then he corrects Phoene, it's doctor Crell. Phoene's response, Oh,

1398
01:04:15,960 --> 01:04:18,040
Speaker 1: give it up, man, you're not a doctor.

1399
01:04:19,000 --> 01:04:22,000
Speaker 2: Now I'm going to say something. This is the first

1400
01:04:22,040 --> 01:04:24,680
Speaker 2: time I really felt like Bill was phony in this

1401
01:04:24,920 --> 01:04:27,920
Speaker 2: entire Yeah. I don't think he liked it. None of

1402
01:04:27,960 --> 01:04:30,080
Speaker 2: us knew what it was. I know, but you could

1403
01:04:30,120 --> 01:04:31,280
Speaker 2: tell he's off.

1404
01:04:31,360 --> 01:04:33,760
Speaker 3: He is off, and you could tell that Bill, you

1405
01:04:33,800 --> 01:04:36,240
Speaker 3: know what, I had this episode and I don't really.

1406
01:04:36,520 --> 01:04:38,480
Speaker 1: He was bummed about Maureen breaking up with you.

1407
01:04:38,640 --> 01:04:41,920
Speaker 2: He was pho he was you know what he was.

1408
01:04:42,400 --> 01:04:45,400
Speaker 1: He was having a double date at the two dates

1409
01:04:45,440 --> 01:04:48,160
Speaker 1: that two dates that night. He was running back and

1410
01:04:48,200 --> 01:04:50,800
Speaker 1: forth between schools.

1411
01:04:50,840 --> 01:04:52,160
Speaker 2: He was. What it was was.

1412
01:04:52,120 --> 01:04:54,880
Speaker 3: Do you guys think that there's a chance that me

1413
01:04:54,960 --> 01:04:57,720
Speaker 3: breaking up with Maureen might have inspired the A storyline

1414
01:04:57,760 --> 01:05:00,760
Speaker 3: a little bit, because I mean, I'm still.

1415
01:05:00,600 --> 01:05:02,520
Speaker 1: In every part of your life, So I don't know

1416
01:05:02,520 --> 01:05:05,640
Speaker 1: why they wouldn't. Like I remember I almost quit the

1417
01:05:05,680 --> 01:05:09,000
Speaker 1: show crying backstage, like because Marine broke up.

1418
01:05:09,040 --> 01:05:11,720
Speaker 3: Because of Marine, this was like so after movie, I

1419
01:05:11,760 --> 01:05:14,920
Speaker 3: wouldn't be like everyone knew that this was happening in

1420
01:05:14,960 --> 01:05:18,120
Speaker 3: my life that I was like devastated about this breakup,

1421
01:05:18,160 --> 01:05:20,760
Speaker 3: and then Corey and Tapanga break up like within a

1422
01:05:20,920 --> 01:05:23,240
Speaker 3: month or two months of like that happening in my

1423
01:05:23,280 --> 01:05:24,400
Speaker 3: real life.

1424
01:05:24,040 --> 01:05:26,840
Speaker 2: Like I don't know. I also think it had a

1425
01:05:26,840 --> 01:05:28,760
Speaker 2: lot to do with what was going on in certain

1426
01:05:28,800 --> 01:05:31,920
Speaker 2: writers and producers' lives at the time. Sure there's that

1427
01:05:31,960 --> 01:05:34,640
Speaker 2: as well. I think that's true. We definitely know that.

1428
01:05:35,120 --> 01:05:38,040
Speaker 2: But yeah, I think I love the idea that right

1429
01:05:38,080 --> 01:05:41,160
Speaker 2: now Rusty is at finals and Bill had two dates

1430
01:05:41,160 --> 01:05:43,680
Speaker 2: on the s two dates. I think that's That's where

1431
01:05:43,680 --> 01:05:44,360
Speaker 2: I'm going with this.

1432
01:05:44,760 --> 01:05:48,240
Speaker 1: Uh so, Ben, he says he won't have a member

1433
01:05:48,280 --> 01:05:50,800
Speaker 1: of his faculty behaving like this. Sorell says, not a problem.

1434
01:05:50,840 --> 01:05:52,920
Speaker 1: I quit. Then he turns back to Eric and asks

1435
01:05:52,920 --> 01:05:55,280
Speaker 1: if he's in for the trip, I, for one, would

1436
01:05:55,320 --> 01:05:57,880
Speaker 1: be very into the Eric and Doctor Cerel TV movie

1437
01:05:57,880 --> 01:06:00,280
Speaker 1: in Atlantic City. I'd like to see a god.

1438
01:06:00,320 --> 01:06:02,680
Speaker 3: That should have been the montage at the end the

1439
01:06:02,960 --> 01:06:05,760
Speaker 3: carfugal montage to just a montage of them road trip.

1440
01:06:08,080 --> 01:06:13,600
Speaker 5: Oh that's funny while the sad music and then he

1441
01:06:13,760 --> 01:06:17,560
Speaker 5: just keeps seeing you guys throwing ound on a bed

1442
01:06:17,600 --> 01:06:18,280
Speaker 5: of poker jaw.

1443
01:06:20,240 --> 01:06:22,120
Speaker 1: That would have made this episode amazing.

1444
01:06:22,360 --> 01:06:23,400
Speaker 2: Yeah, that would have been great.

1445
01:06:24,480 --> 01:06:26,919
Speaker 1: Then we're back at the Hamilton High party. Corey's walking

1446
01:06:26,960 --> 01:06:29,200
Speaker 1: around trying to find this French girl. Corey admits to

1447
01:06:29,200 --> 01:06:30,800
Speaker 1: Shawn he hasn't found her yet, but he's having the

1448
01:06:30,800 --> 01:06:34,040
Speaker 1: best time looking. It sure beats shopping for slacks. Sean

1449
01:06:34,080 --> 01:06:35,959
Speaker 1: sticks out his hand to high five Corey and says

1450
01:06:35,960 --> 01:06:38,920
Speaker 1: you wild man, And then two girls walk by, complaining,

1451
01:06:38,920 --> 01:06:40,840
Speaker 1: why are the guys all over that French girl? It's

1452
01:06:40,880 --> 01:06:43,920
Speaker 1: just a stupid foreign accent. Sean gasps and realizes she's

1453
01:06:44,000 --> 01:06:47,400
Speaker 1: right there. Course, and who knows what could happen?

1454
01:06:47,720 --> 01:06:51,680
Speaker 3: Now this is where it did, ye'll, you're you're standing,

1455
01:06:52,560 --> 01:06:57,600
Speaker 3: it's like Will's leaning. Oh my god, You're like, well,

1456
01:06:57,640 --> 01:06:59,840
Speaker 3: it's the forst Like we can't see your face.

1457
01:07:00,200 --> 01:07:00,440
Speaker 2: I have.

1458
01:07:01,920 --> 01:07:06,080
Speaker 1: My hair all over one shoulder so awkward. I was like,

1459
01:07:06,200 --> 01:07:07,320
Speaker 1: what is happening?

1460
01:07:07,880 --> 01:07:11,080
Speaker 3: Yep, it's it's it's even sadder than the sad dancing.

1461
01:07:11,240 --> 01:07:13,120
Speaker 2: Now we have sad standing.

1462
01:07:13,000 --> 01:07:14,400
Speaker 1: Of the French girl.

1463
01:07:14,680 --> 01:07:18,959
Speaker 3: Literally everyone knows it's going to be have we set

1464
01:07:18,960 --> 01:07:19,600
Speaker 3: this up enough?

1465
01:07:19,760 --> 01:07:23,800
Speaker 1: Aesome called that just even that portion of my hair

1466
01:07:23,960 --> 01:07:28,680
Speaker 1: is I'm so still recognizable even from that terrible angle

1467
01:07:28,760 --> 01:07:31,000
Speaker 1: with all my hair pulled around my shoulder and a

1468
01:07:31,080 --> 01:07:34,960
Speaker 1: hat on. Oh god, why just why? Because I remember

1469
01:07:35,000 --> 01:07:37,640
Speaker 1: by the way I remember in the scene and doing

1470
01:07:37,640 --> 01:07:40,640
Speaker 1: the blocking being like what else can we do? What

1471
01:07:40,720 --> 01:07:44,640
Speaker 1: else can we do? Like how can we disguise this

1472
01:07:44,800 --> 01:07:45,080
Speaker 1: hat on?

1473
01:07:45,160 --> 01:07:45,640
Speaker 2: The hat?

1474
01:07:46,000 --> 01:07:46,200
Speaker 3: Yeah?

1475
01:07:46,280 --> 01:07:46,600
Speaker 2: Or cat?

1476
01:07:47,240 --> 01:07:47,960
Speaker 1: A cap shoulders?

1477
01:07:48,040 --> 01:07:49,400
Speaker 2: Is that what it's called? Because we know you don't

1478
01:07:49,440 --> 01:07:51,160
Speaker 2: like to wear those, so maybe if you put those on,

1479
01:07:51,200 --> 01:07:52,920
Speaker 2: they'd be like, well, it can't be her because she's

1480
01:07:52,960 --> 01:07:54,320
Speaker 2: wearing the cap shoulders.

1481
01:07:54,000 --> 01:07:57,840
Speaker 1: Right, she's wearing capsleaves that would have been it. You're right,

1482
01:07:57,840 --> 01:07:59,720
Speaker 1: that's a good point. I also the one of the

1483
01:07:59,840 --> 01:08:01,400
Speaker 1: you guys gave me a compliment that I was good

1484
01:08:01,640 --> 01:08:03,680
Speaker 1: in these next couple of scenes. I think the reason

1485
01:08:03,720 --> 01:08:05,720
Speaker 1: I'm so so bad is because I have a jacket on.

1486
01:08:06,040 --> 01:08:06,360
Speaker 1: I can't.

1487
01:08:06,640 --> 01:08:08,640
Speaker 3: I can't act in a Jokey, you clearly can't stand

1488
01:08:08,680 --> 01:08:10,680
Speaker 3: because this is just I can't stand.

1489
01:08:10,240 --> 01:08:13,400
Speaker 1: This is awful, terrible. You'll really blame you.

1490
01:08:13,480 --> 01:08:15,760
Speaker 3: I think the whole setup is bad, but man, it's

1491
01:08:15,800 --> 01:08:16,719
Speaker 3: awkward and it's.

1492
01:08:16,600 --> 01:08:21,800
Speaker 1: Sad, bad sta acting, bad jeacting coming up. Corey says,

1493
01:08:21,840 --> 01:08:23,840
Speaker 1: you're right, Sean, there's no turning back now or is

1494
01:08:23,880 --> 01:08:27,160
Speaker 1: The French would say Viva las Vegas. Corey walks away

1495
01:08:27,200 --> 01:08:30,120
Speaker 1: as Sean says, wow, so Elvis was French, and then

1496
01:08:30,200 --> 01:08:32,880
Speaker 1: Corey not funny. Now that's not funny.

1497
01:08:32,960 --> 01:08:35,040
Speaker 3: Give me funny, like what is happening?

1498
01:08:35,360 --> 01:08:37,439
Speaker 1: I agree, that's not funny. That was not that was

1499
01:08:37,720 --> 01:08:40,240
Speaker 1: They could have done better for you there. So Corey

1500
01:08:40,280 --> 01:08:41,720
Speaker 1: walks up to the French girl, who has her back

1501
01:08:41,760 --> 01:08:43,679
Speaker 1: to camera as another guy is asking her to dance

1502
01:08:43,720 --> 01:08:46,479
Speaker 1: with weird hand signals and a fake French accent, and

1503
01:08:46,520 --> 01:08:49,479
Speaker 1: she says, ah we and as she turns around, we

1504
01:08:49,560 --> 01:09:00,200
Speaker 1: see because I have had on. They both look at

1505
01:09:00,200 --> 01:09:02,719
Speaker 1: each other in shock. Cory is visibly hurt and asks

1506
01:09:02,760 --> 01:09:05,040
Speaker 1: to Panga, you're the French girl. She looks at him

1507
01:09:05,080 --> 01:09:07,880
Speaker 1: and doesn't respond, and Corey says, I'm talking to you,

1508
01:09:07,960 --> 01:09:13,600
Speaker 1: and again he's angry, angry, so angry at me. The

1509
01:09:13,640 --> 01:09:15,960
Speaker 1: guy who had asked a panga to dance, or young

1510
01:09:16,040 --> 01:09:18,080
Speaker 1: Kiefer as I'm going to now call him, yells. She

1511
01:09:18,120 --> 01:09:20,920
Speaker 1: doesn't speak English, pal, Now back off. He's got the

1512
01:09:20,920 --> 01:09:24,040
Speaker 1: best middle part I've ever seen. I know we should

1513
01:09:24,080 --> 01:09:25,160
Speaker 1: be the middle part.

1514
01:09:25,479 --> 01:09:28,320
Speaker 2: Whoa you know you heard me. I'm saying it. I'm

1515
01:09:28,360 --> 01:09:28,800
Speaker 2: saying it.

1516
01:09:29,439 --> 01:09:33,320
Speaker 3: I think America disagrees with you.

1517
01:09:33,520 --> 01:09:35,720
Speaker 2: It seems like America disagrees with me a lot. So

1518
01:09:35,840 --> 01:09:38,720
Speaker 2: that's okay. But it's a pretty great middle.

1519
01:09:38,520 --> 01:09:41,559
Speaker 3: Are you're taking yourself out of the running, dude, He's

1520
01:09:41,560 --> 01:09:45,440
Speaker 3: got a solid middle party, great middle part.

1521
01:09:45,800 --> 01:09:46,559
Speaker 2: You're turning on me.

1522
01:09:46,640 --> 01:09:49,200
Speaker 3: Now here's the thing he is going to give the

1523
01:09:49,240 --> 01:09:54,120
Speaker 3: middle part. Like Jonathan brandis yes, okay, oh yeah, Will, Yes, writer,

1524
01:09:54,280 --> 01:09:55,800
Speaker 3: I should be in the top five.

1525
01:09:55,840 --> 01:10:00,280
Speaker 1: But this guy Eric, Well, here's here's the thing. Writer,

1526
01:10:00,520 --> 01:10:04,800
Speaker 1: your hair and and Will's hair has so you have

1527
01:10:04,840 --> 01:10:07,519
Speaker 1: so much hair that even with a part, it's not

1528
01:10:07,720 --> 01:10:11,599
Speaker 1: like a super obvious part. This guy has like he

1529
01:10:11,680 --> 01:10:14,280
Speaker 1: has like a part. It almost looks like someone shaved

1530
01:10:14,280 --> 01:10:17,040
Speaker 1: his part down the middle. And it is mushroom. It

1531
01:10:17,120 --> 01:10:21,800
Speaker 1: is butt cut. It is it is? It is? It is?

1532
01:10:21,880 --> 01:10:23,200
Speaker 1: It is something to to.

1533
01:10:24,680 --> 01:10:31,280
Speaker 3: I feel like, you know, I have one thing, guys, Okay,

1534
01:10:31,280 --> 01:10:32,080
Speaker 3: it's yours writer.

1535
01:10:32,120 --> 01:10:32,760
Speaker 2: It's it's yours.

1536
01:10:32,800 --> 01:10:34,040
Speaker 1: I can't do it to him, I can't do it.

1537
01:10:34,040 --> 01:10:34,680
Speaker 2: It's yours writer.

1538
01:10:35,000 --> 01:10:36,360
Speaker 1: I just said, Eric, did you.

1539
01:10:37,840 --> 01:10:43,840
Speaker 2: Eric's okay? Uh?

1540
01:10:44,880 --> 01:10:46,920
Speaker 1: So Corey looks at him and says, no, you back

1541
01:10:46,960 --> 01:10:51,120
Speaker 1: off now, and to Pega sounds accent, says, do not

1542
01:10:51,200 --> 01:10:53,519
Speaker 1: make a scene, and the Hamilton High schooler is in shock.

1543
01:10:53,560 --> 01:10:55,400
Speaker 1: When he understands what Topanga said. He thinks he just

1544
01:10:55,479 --> 01:10:57,479
Speaker 1: understood French. He runs away to tell his friends he

1545
01:10:57,520 --> 01:11:00,400
Speaker 1: speaks French. French. Now to Pega and Corey are now alone.

1546
01:11:00,479 --> 01:11:03,519
Speaker 1: Corey tells her to explain what she's doing here in English. Please.

1547
01:11:03,840 --> 01:11:05,639
Speaker 1: To Penga says her and her girlfriends thought it would

1548
01:11:05,640 --> 01:11:07,760
Speaker 1: be fun to come to another school's party. Corey is

1549
01:11:07,840 --> 01:11:10,799
Speaker 1: upset because she's pretending to be another person. Tapega asks,

1550
01:11:10,800 --> 01:11:13,439
Speaker 1: what's wrong with that? Good question?

1551
01:11:14,360 --> 01:11:17,439
Speaker 2: Eh, you look great by the way, that should be

1552
01:11:17,439 --> 01:11:19,000
Speaker 2: thrown out there that you look at her.

1553
01:11:19,439 --> 01:11:23,879
Speaker 1: I'm nearing peak. Danielle Fisher, Yeah, it was all downhill

1554
01:11:24,080 --> 01:11:26,760
Speaker 1: the season later. Honestly, it's true we're getting to it.

1555
01:11:26,800 --> 01:11:27,080
Speaker 2: I'll know.

1556
01:11:27,240 --> 01:11:29,240
Speaker 1: I'll know when it's when we hit like, oh, that's

1557
01:11:29,280 --> 01:11:31,360
Speaker 1: it from here on out. It's just a yeah, there's

1558
01:11:31,400 --> 01:11:32,000
Speaker 1: like a smell.

1559
01:11:32,120 --> 01:11:34,040
Speaker 2: Now you're tough to be around. It's not this right,

1560
01:11:34,320 --> 01:11:34,640
Speaker 2: you'll know.

1561
01:11:36,520 --> 01:11:38,519
Speaker 1: Corey asks what's wrong with her being her and she

1562
01:11:38,560 --> 01:11:42,240
Speaker 1: says nothing. Being French just seemed exciting. Corey says, it

1563
01:11:42,280 --> 01:11:45,120
Speaker 1: takes a pretty insecure person to pretend to be other people.

1564
01:11:45,320 --> 01:11:47,320
Speaker 1: I find it hard to believe that he's still this

1565
01:11:47,479 --> 01:11:50,439
Speaker 1: angry as he's saying those words, and he hasn't quite

1566
01:11:50,439 --> 01:11:53,920
Speaker 1: realized yet that that's what he's been doing all night,

1567
01:11:54,000 --> 01:11:57,240
Speaker 1: but uh, perfectly timed. Hillary walks up and then says, hey, Sean,

1568
01:11:57,320 --> 01:11:59,160
Speaker 1: I've been looking for you to Pega looks at him

1569
01:11:59,160 --> 01:12:03,200
Speaker 1: in shock and asks, Sean, and this is where I noticed.

1570
01:12:03,640 --> 01:12:05,760
Speaker 1: I don't notice anything about this party that looks like

1571
01:12:05,800 --> 01:12:08,680
Speaker 1: a jungle. I looked around one last time because I

1572
01:12:08,720 --> 01:12:10,920
Speaker 1: knew we were leaving, and I was like, where is

1573
01:12:10,960 --> 01:12:11,400
Speaker 1: the jungle?

1574
01:12:11,800 --> 01:12:14,240
Speaker 3: Such an awkward transition, like to the outside of the party.

1575
01:12:14,280 --> 01:12:15,400
Speaker 2: I know, I was like, what is hat?

1576
01:12:15,520 --> 01:12:15,800
Speaker 3: I mean?

1577
01:12:16,200 --> 01:12:18,280
Speaker 2: I think you're right, Will, there's something off about all

1578
01:12:18,320 --> 01:12:19,240
Speaker 2: the transitions in this.

1579
01:12:19,280 --> 01:12:21,639
Speaker 1: It is the cuts are really weird to cut.

1580
01:12:21,520 --> 01:12:24,880
Speaker 3: To, like suddenly being outside and like where is Sean?

1581
01:12:24,960 --> 01:12:25,160
Speaker 5: Now?

1582
01:12:25,200 --> 01:12:27,000
Speaker 1: Where's the no one just thinks.

1583
01:12:26,760 --> 01:12:30,760
Speaker 2: That nobody else is outside at this Monday night dance, right,

1584
01:12:30,800 --> 01:12:39,200
Speaker 2: I mean it's very strange.

1585
01:12:42,920 --> 01:12:45,400
Speaker 1: Well, we're outside of Hamilton, Hi. Corey explains he didn't

1586
01:12:45,400 --> 01:12:47,160
Speaker 1: come here to be Sean. He says, who would want

1587
01:12:47,200 --> 01:12:48,720
Speaker 1: to be Sean when they can be me? And then

1588
01:12:48,760 --> 01:12:51,280
Speaker 1: he raises his hand to Pega, puts his hand down

1589
01:12:51,280 --> 01:12:53,720
Speaker 1: and says, well, just be you and can you tell me?

1590
01:12:53,760 --> 01:12:56,240
Speaker 1: Why did you come here? Corey says because he needed

1591
01:12:56,240 --> 01:12:57,920
Speaker 1: a change. It was either going to the party or

1592
01:12:57,920 --> 01:13:00,080
Speaker 1: going to buy another pair of slacks. To Pang to

1593
01:13:00,120 --> 01:13:02,240
Speaker 1: clarify as he came here because he wanted to have

1594
01:13:02,280 --> 01:13:04,560
Speaker 1: some fun. Corey says they haven't had fun in a

1595
01:13:04,600 --> 01:13:07,200
Speaker 1: long time. She agrees and asks how long it's been?

1596
01:13:07,360 --> 01:13:07,880
Speaker 5: So old?

1597
01:13:08,560 --> 01:13:11,639
Speaker 1: I know, I know, Sarah.

1598
01:13:11,720 --> 01:13:15,639
Speaker 3: This is such a shoehorning a conversation. Yes, fifty year

1599
01:13:15,680 --> 01:13:20,080
Speaker 3: old people have, Yes, correct, forty five year old writers

1600
01:13:20,120 --> 01:13:22,400
Speaker 3: of shows have with their wives.

1601
01:13:22,040 --> 01:13:25,960
Speaker 2: And again trying to force you to know that they have. Okay,

1602
01:13:26,000 --> 01:13:28,000
Speaker 2: we haven't shown you at all. This has not been

1603
01:13:28,040 --> 01:13:29,760
Speaker 2: earned at all. We haven't given it to you at all.

1604
01:13:30,040 --> 01:13:32,599
Speaker 2: So we're telling you they've been together for so long,

1605
01:13:32,600 --> 01:13:35,000
Speaker 2: they're already in a rut. Go and it's like, I'm

1606
01:13:35,080 --> 01:13:37,559
Speaker 2: just not okay with it. Sorry, I'm not I want

1607
01:13:37,560 --> 01:13:38,520
Speaker 2: to see the relationship.

1608
01:13:38,880 --> 01:13:41,479
Speaker 1: So Cory asks her, how long have we been married? Now?

1609
01:13:41,520 --> 01:13:44,719
Speaker 1: Forty fifty years. She responds with saying they're in a rut.

1610
01:13:44,920 --> 01:13:47,360
Speaker 1: Corey says, they're in a big rut, a rut filled

1611
01:13:47,360 --> 01:13:50,680
Speaker 1: with couple magazines and slacks and jams. Corey says when

1612
01:13:50,720 --> 01:13:52,519
Speaker 1: he and to Panga started going out, everything was so

1613
01:13:52,560 --> 01:13:55,280
Speaker 1: exciting for him. Every day was something different. To Panga agrees,

1614
01:13:55,320 --> 01:13:58,760
Speaker 1: saying there's just no mystery anymore. And I am so

1615
01:13:58,920 --> 01:14:04,040
Speaker 1: monotone and I am just repeating in slightly different words

1616
01:14:04,120 --> 01:14:08,040
Speaker 1: exactly what Corey is saying. I am basically Corey's hype man,

1617
01:14:08,479 --> 01:14:10,960
Speaker 1: Like he's like, I think we should take time away,

1618
01:14:10,960 --> 01:14:17,160
Speaker 1: and I go time away, Like, uh, I'm basically the

1619
01:14:17,280 --> 01:14:23,360
Speaker 1: diddy to his biggie, Like it's it's Corey says, No, no,

1620
01:14:23,400 --> 01:14:25,720
Speaker 1: absolutely not. Corey says he sees Eric and Shawn going

1621
01:14:25,720 --> 01:14:27,920
Speaker 1: on their dates excited and wondering what's going to happen

1622
01:14:28,080 --> 01:14:30,679
Speaker 1: to Penga says they've forgotten what that feels like. I'll

1623
01:14:30,680 --> 01:14:35,479
Speaker 1: be watching. I'll be watching you. Literally, I'm just like

1624
01:14:35,600 --> 01:14:38,800
Speaker 1: chiming in with didyisms. He's the biggie, he's got all

1625
01:14:38,800 --> 01:14:40,920
Speaker 1: the stuff. And then I'll be watching you take that.

1626
01:14:41,120 --> 01:14:44,680
Speaker 2: Take that. Yeah, yeah, thank you.

1627
01:14:44,800 --> 01:14:46,880
Speaker 1: There you go. You got it. I'm actually I'm super

1628
01:14:46,920 --> 01:14:49,320
Speaker 1: impressed with both of you that you understand these references.

1629
01:14:49,439 --> 01:14:50,960
Speaker 1: I get them, you do, I.

1630
01:14:50,880 --> 01:14:53,960
Speaker 2: Know, I'm just kind of you got it, you got.

1631
01:14:57,960 --> 01:14:59,880
Speaker 1: Corey feels like he still cares about her as much

1632
01:14:59,880 --> 01:15:02,240
Speaker 1: as he always has and that'll never change. Topanga looks

1633
01:15:02,240 --> 01:15:04,439
Speaker 1: at him and asks if they're breaking up. Corey says

1634
01:15:04,479 --> 01:15:06,120
Speaker 1: he doesn't want to break up, and Tapanga tells him

1635
01:15:06,160 --> 01:15:08,320
Speaker 1: when people break up, they always end up hating each other.

1636
01:15:08,680 --> 01:15:11,439
Speaker 1: Corey reassures her they're not like other people. Then he

1637
01:15:11,439 --> 01:15:13,920
Speaker 1: looks at Shawn's leather jacket and to Pega's outfit and says,

1638
01:15:14,120 --> 01:15:16,720
Speaker 1: actually they are, but they could never hate each other

1639
01:15:16,800 --> 01:15:19,439
Speaker 1: no matter who they are, even though we all remember

1640
01:15:19,560 --> 01:15:22,120
Speaker 1: he couldn't stand her when he first met her just

1641
01:15:22,160 --> 01:15:23,080
Speaker 1: a couple years ago.

1642
01:15:23,280 --> 01:15:25,240
Speaker 2: But I digress.

1643
01:15:25,920 --> 01:15:29,519
Speaker 1: Tapanga asks again, we're breaking up, aren't we? He reiterates, No,

1644
01:15:29,600 --> 01:15:32,479
Speaker 1: they're not. They're never going to break up. Announcer voice.

1645
01:15:32,720 --> 01:15:36,800
Speaker 1: This is incorrect, she says Corey. Maybe the people who

1646
01:15:36,840 --> 01:15:38,880
Speaker 1: end up hating each other are the people who waited

1647
01:15:38,920 --> 01:15:43,599
Speaker 1: too long to break up. Wise freaking words to Panga.

1648
01:15:44,280 --> 01:15:46,719
Speaker 2: Yeah, well, I mean I love that you've been together

1649
01:15:46,760 --> 01:15:48,160
Speaker 2: for hours at this point.

1650
01:15:48,200 --> 01:15:51,400
Speaker 1: Yes, we've been together for hours, but also I do

1651
01:15:51,880 --> 01:15:57,160
Speaker 1: I do love that. Like maybe this is the advice

1652
01:15:57,200 --> 01:16:00,680
Speaker 1: that Corey and Topanga should have taken years later, Like

1653
01:16:01,560 --> 01:16:07,160
Speaker 1: there is no harm in breaking up with somebody, and

1654
01:16:07,240 --> 01:16:10,960
Speaker 1: when you are young and you have been together for

1655
01:16:11,240 --> 01:16:15,559
Speaker 1: only five months and now, it is not a failure

1656
01:16:15,720 --> 01:16:20,320
Speaker 1: to say, maybe this isn't working. Yeah, we're not supposed

1657
01:16:20,320 --> 01:16:24,280
Speaker 1: to be together nuts ever, maybe not, And by the way, maybe.

1658
01:16:24,040 --> 01:16:24,640
Speaker 2: Maybe we are.

1659
01:16:25,080 --> 01:16:28,559
Speaker 1: But right now I'm feeling like I'd rather go flirt

1660
01:16:28,560 --> 01:16:31,479
Speaker 1: with girls at another party, and you want to flirt

1661
01:16:31,520 --> 01:16:33,960
Speaker 1: with dudes at a party pretending to be French. That

1662
01:16:34,040 --> 01:16:36,559
Speaker 1: feels like maybe we should be able to go do that.

1663
01:16:36,640 --> 01:16:39,479
Speaker 1: Nothing wrong with it, Still appreciate you, still respect you,

1664
01:16:39,520 --> 01:16:42,599
Speaker 1: no conflict, Let's just not be together. Yeah, But anyway,

1665
01:16:42,840 --> 01:16:45,240
Speaker 1: Corey now questions if Tapanga wants to break up with him,

1666
01:16:45,240 --> 01:16:47,400
Speaker 1: and Tapanga tells him she wants to keep caring about

1667
01:16:47,479 --> 01:16:49,160
Speaker 1: him as much as she cares about him right now.

1668
01:16:49,320 --> 01:16:51,280
Speaker 1: Cory says that means they should break up right away then,

1669
01:16:51,320 --> 01:16:53,719
Speaker 1: so they can still stay great friend friends to Panga

1670
01:16:53,760 --> 01:16:57,719
Speaker 1: nods and ads, which we've always been sure jan Corey

1671
01:16:57,760 --> 01:17:01,320
Speaker 1: smiles and says, yeah, nothing will ever change. Tapanga agrees

1672
01:17:01,320 --> 01:17:03,360
Speaker 1: with them, and they just stand there looking at each other.

1673
01:17:03,640 --> 01:17:06,719
Speaker 1: Corey says, well, I'll see you. Topanga smiles and says, yeah,

1674
01:17:07,160 --> 01:17:10,360
Speaker 1: see you, and they walk away, and then we hear

1675
01:17:10,360 --> 01:17:12,639
Speaker 1: footsteps running back. This is where I started to get hooked.

1676
01:17:13,680 --> 01:17:16,719
Speaker 1: Footsteps running back. It's Tapanga returning to say Corey, maybe

1677
01:17:16,720 --> 01:17:19,439
Speaker 1: we're making a miss, and she stops when she doesn't

1678
01:17:19,439 --> 01:17:23,080
Speaker 1: see Corey there anymore. She crosses her arms, I'm apparently cold,

1679
01:17:23,200 --> 01:17:26,479
Speaker 1: and she walks away. Corey then runs back in Topanga,

1680
01:17:26,520 --> 01:17:29,479
Speaker 1: I'm not sure this, and he stops when he doesn't

1681
01:17:29,479 --> 01:17:33,360
Speaker 1: see Tapanga anywhere. Like two ships in the night. He's

1682
01:17:33,439 --> 01:17:35,519
Speaker 1: visibly upset as he walks over to the bench and

1683
01:17:35,560 --> 01:17:39,439
Speaker 1: sits down, staring off into the distance, and then we

1684
01:17:39,520 --> 01:17:42,519
Speaker 1: see the tag closing credits, Corey and Tapanga are in

1685
01:17:42,560 --> 01:17:45,240
Speaker 1: mister Turner's classroom. Topanga looks at Corey, who is upset

1686
01:17:45,240 --> 01:17:48,960
Speaker 1: looking looking away from Topanga, and then a montage of

1687
01:17:49,080 --> 01:17:55,120
Speaker 1: seeds start rolling of Corey and Topanga. All lie Art

1688
01:17:55,160 --> 01:17:59,439
Speaker 1: Garfunkle plays in the background. Oh how much did they

1689
01:17:59,479 --> 01:18:01,080
Speaker 1: pay Art Garfunkle?

1690
01:18:01,960 --> 01:18:02,639
Speaker 2: Then much?

1691
01:18:03,080 --> 01:18:05,479
Speaker 1: This is it, guys, This is exactly why from this

1692
01:18:05,520 --> 01:18:07,519
Speaker 1: moment on, I'm going to reiterate what I said at

1693
01:18:07,520 --> 01:18:10,880
Speaker 1: the beginning. We believe the lie that Tapanga and Corey

1694
01:18:11,040 --> 01:18:14,639
Speaker 1: have this incredible, amazing chemistry and history and a love story.

1695
01:18:14,680 --> 01:18:18,559
Speaker 1: But really it's just a montage where they told us

1696
01:18:18,640 --> 01:18:23,799
Speaker 1: what happened. It needs to be man, they belong together.

1697
01:18:25,520 --> 01:18:29,520
Speaker 1: I look, I feel.

1698
01:18:29,240 --> 01:18:31,120
Speaker 2: Like the anonymous things should pop up right now and

1699
01:18:31,200 --> 01:18:36,840
Speaker 2: just hear a voice going, you're being lied to montage.

1700
01:18:37,000 --> 01:18:37,400
Speaker 2: I don't know.

1701
01:18:37,479 --> 01:18:39,920
Speaker 3: I I totally it totally worked on men, totally worked.

1702
01:18:41,160 --> 01:18:43,960
Speaker 3: It's like, Wow, I actually care about the Corey to Panga.

1703
01:18:44,120 --> 01:18:46,920
Speaker 3: I love these kids. I love seeing you guys young.

1704
01:18:47,080 --> 01:18:49,840
Speaker 3: It like made me like God, it just freaked me

1705
01:18:49,880 --> 01:18:52,200
Speaker 3: out how much you've changed in three seasons.

1706
01:18:52,280 --> 01:18:53,840
Speaker 2: And that's why I got you.

1707
01:18:54,240 --> 01:18:56,360
Speaker 1: That's why gets people.

1708
01:18:58,320 --> 01:19:02,639
Speaker 2: But I mean again, it works if you're easily swayed

1709
01:19:02,680 --> 01:19:05,640
Speaker 2: for things like that, then yes, it works if you

1710
01:19:05,720 --> 01:19:09,479
Speaker 2: have any kind of I wow, wait a second, No,

1711
01:19:09,520 --> 01:19:10,680
Speaker 2: it's not about you.

1712
01:19:10,600 --> 01:19:13,000
Speaker 1: Know, it's about wanting to earn it.

1713
01:19:13,320 --> 01:19:16,080
Speaker 3: No, I know, of course, of course, but I do

1714
01:19:16,160 --> 01:19:20,720
Speaker 3: think that you know, it's it worked like it's like

1715
01:19:21,080 --> 01:19:23,360
Speaker 3: if you just said to buy it is a like

1716
01:19:23,600 --> 01:19:26,200
Speaker 3: this whole storyline, like the fact that they're breaking up

1717
01:19:26,240 --> 01:19:29,080
Speaker 3: is sad. Is only a thing if you accept the

1718
01:19:29,120 --> 01:19:31,959
Speaker 3: precept that they are souls destined for each other, which.

1719
01:19:31,800 --> 01:19:34,799
Speaker 2: Is which you didn't at all until the montage exactly

1720
01:19:34,800 --> 01:19:36,559
Speaker 2: you've said, I'm just saying.

1721
01:19:36,360 --> 01:19:38,880
Speaker 3: That I know, but I've said it before like that,

1722
01:19:39,479 --> 01:19:42,280
Speaker 3: it's become Lord. It's a precept of Boy Meets World.

1723
01:19:42,360 --> 01:19:44,519
Speaker 3: You have to accept. The point of Boy Meets World

1724
01:19:44,600 --> 01:19:46,840
Speaker 3: is that Corey and Debanga were born for each other, right,

1725
01:19:46,840 --> 01:19:48,840
Speaker 3: And of course I don't believe in that in the

1726
01:19:48,840 --> 01:19:51,200
Speaker 3: real world. I don't believe on souls. I don't believe

1727
01:19:51,200 --> 01:19:53,599
Speaker 3: in destiny. I don't believe in two people being meant.

1728
01:19:53,360 --> 01:19:53,880
Speaker 1: For each other.

1729
01:19:54,240 --> 01:19:56,000
Speaker 3: But if a lot of people do believe in that

1730
01:19:56,080 --> 01:19:59,320
Speaker 3: kind of thing, and I think you you kind of

1731
01:19:59,360 --> 01:20:01,080
Speaker 3: if you like Boy the World, you kind of have

1732
01:20:01,160 --> 01:20:03,719
Speaker 3: to believe the corn to Panga because that's the only

1733
01:20:03,760 --> 01:20:06,200
Speaker 3: like what Danielle was just saying, the only source of

1734
01:20:06,240 --> 01:20:08,759
Speaker 3: conflict with them breaking up is that it's a failure

1735
01:20:09,120 --> 01:20:12,040
Speaker 3: because their souls are meant for each other, right and so.

1736
01:20:12,120 --> 01:20:14,160
Speaker 1: Like, And again I have no problem with that.

1737
01:20:14,240 --> 01:20:16,479
Speaker 2: If that's how what the show was going to be,

1738
01:20:16,720 --> 01:20:18,559
Speaker 2: or even when they brought it to Panga character on

1739
01:20:19,080 --> 01:20:22,519
Speaker 2: going that route with it, let's figure at all. It

1740
01:20:22,640 --> 01:20:25,519
Speaker 2: was like she's net We're talking about how Danielle's barely

1741
01:20:25,560 --> 01:20:27,800
Speaker 2: on the show when she is on, She's not used

1742
01:20:27,800 --> 01:20:30,120
Speaker 2: properly when she is on there, changing her character all

1743
01:20:30,160 --> 01:20:32,559
Speaker 2: the time. All of a sudden, it's just they're together,

1744
01:20:32,760 --> 01:20:34,680
Speaker 2: accept it, move on there together. We don't want to

1745
01:20:34,680 --> 01:20:35,160
Speaker 2: talk about it.

1746
01:20:36,160 --> 01:20:39,960
Speaker 3: Third season that became yes, like one of the and

1747
01:20:40,040 --> 01:20:41,599
Speaker 3: it was revisionist history.

1748
01:20:41,800 --> 01:20:43,320
Speaker 1: Yeah, but it wasn't even that.

1749
01:20:43,320 --> 01:20:46,120
Speaker 2: That would have been fine if they if after that

1750
01:20:46,240 --> 01:20:49,800
Speaker 2: first we belong together and they get they fall in

1751
01:20:49,840 --> 01:20:52,280
Speaker 2: love after that, if the show was then about that,

1752
01:20:52,600 --> 01:20:55,920
Speaker 2: right ohip.

1753
01:20:54,439 --> 01:20:56,680
Speaker 1: For the other episodes that Danielle's not in, well, I

1754
01:20:56,760 --> 01:20:59,400
Speaker 1: wonder now if we're broken up, I'm actually going to

1755
01:20:59,439 --> 01:21:03,360
Speaker 1: have a bigger part on the show because now and

1756
01:21:03,439 --> 01:21:06,960
Speaker 1: conflict there that would be great, or maybe I just

1757
01:21:07,000 --> 01:21:09,519
Speaker 1: won't be Like I wonder if now we keep waiting

1758
01:21:09,560 --> 01:21:12,479
Speaker 1: for the moment where now to Penga becomes a part

1759
01:21:12,479 --> 01:21:14,880
Speaker 1: of the show, Like I wonder if here is where

1760
01:21:14,880 --> 01:21:18,360
Speaker 1: it happens, where now they hope because we're much a bigger.

1761
01:21:18,080 --> 01:21:19,920
Speaker 3: Part of the show in the first season, right like

1762
01:21:20,680 --> 01:21:23,240
Speaker 3: when you're when your character had character and you would

1763
01:21:23,280 --> 01:21:25,240
Speaker 3: come in and you were weird to everybody, it.

1764
01:21:25,200 --> 01:21:28,559
Speaker 2: Was so fun. It was they're still trying to figure

1765
01:21:28,600 --> 01:21:30,640
Speaker 2: you out. But I I just and I get what

1766
01:21:30,680 --> 01:21:32,519
Speaker 2: people are saying. And then again not harping on it,

1767
01:21:32,560 --> 01:21:34,720
Speaker 2: but it's you have to, right, you have to just

1768
01:21:35,439 --> 01:21:38,000
Speaker 2: accept the fact that we're we're not going to see

1769
01:21:38,000 --> 01:21:39,840
Speaker 2: their origin in any way. We're not going to see

1770
01:21:39,840 --> 01:21:42,360
Speaker 2: them build a relationship. They're just in a relationship. And

1771
01:21:42,400 --> 01:21:44,439
Speaker 2: now we have to deal with that and they they

1772
01:21:44,479 --> 01:21:46,240
Speaker 2: have to figure it out. They have to end up,

1773
01:21:46,479 --> 01:21:49,800
Speaker 2: right And I and I guess I'm just not there yet. No,

1774
01:21:50,320 --> 01:21:56,719
Speaker 2: that's just I'm just not You didn't do it amazing Simon.

1775
01:21:56,880 --> 01:22:01,840
Speaker 2: If it was Paul Simon, maybe how Dar, you didn't

1776
01:22:01,880 --> 01:22:02,519
Speaker 2: do it for me?

1777
01:22:02,720 --> 01:22:03,280
Speaker 1: Don't it?

1778
01:22:03,680 --> 01:22:05,640
Speaker 2: The fun Ark uncle didn't do it? Did you?

1779
01:22:05,640 --> 01:22:05,840
Speaker 3: Guys?

1780
01:22:05,840 --> 01:22:07,960
Speaker 1: Ever see Watership Down the Car?

1781
01:22:08,680 --> 01:22:12,479
Speaker 2: No what? It's an amazing cartoon. Oh my god, you

1782
01:22:12,560 --> 01:22:17,520
Speaker 2: have to. But as a guard Garfuncle song, Brighteyes Burning

1783
01:22:18,160 --> 01:22:19,040
Speaker 2: like Fire.

1784
01:22:18,880 --> 01:22:21,000
Speaker 3: Oh my god, it was like it maybe cry when

1785
01:22:21,000 --> 01:22:23,200
Speaker 3: I was like six. It's a crazy cartoon. You guys

1786
01:22:23,200 --> 01:22:24,960
Speaker 3: have to see it. Every time I think of our

1787
01:22:25,040 --> 01:22:26,679
Speaker 3: Carvo that's the song, right, Okay?

1788
01:22:27,200 --> 01:22:29,040
Speaker 1: Thank you all for joining us for this episode. Join

1789
01:22:29,120 --> 01:22:30,800
Speaker 1: us for our next episode, which will be season three

1790
01:22:30,840 --> 01:22:34,280
Speaker 1: episode thirteen, New Friends and Old It air January nineteenth,

1791
01:22:34,400 --> 01:22:36,720
Speaker 1: nineteen ninety six. As always, you can follow us on

1792
01:22:36,760 --> 01:22:38,800
Speaker 1: Instagram pod Meets World Show. You can send us your

1793
01:22:38,800 --> 01:22:41,479
Speaker 1: emails pod meets World Show at gmail dot com and

1794
01:22:41,760 --> 01:22:48,000
Speaker 1: we have merchandise merch Montage. Now I'm in pod meets

1795
01:22:48,000 --> 01:22:53,760
Speaker 1: Worldshow dot com. We love you all, pod dismissed. Pod

1796
01:22:53,760 --> 01:22:56,640
Speaker 1: Meets World is an iHeart podcast produced and hosted by

1797
01:22:56,720 --> 01:23:00,920
Speaker 1: Danielle Fischel, Wilfredell and Ryder Strong Executive produce, Jensen Karp

1798
01:23:01,000 --> 01:23:04,439
Speaker 1: and Amy Sugarman Executive in charge of production, Danielle Romo,

1799
01:23:04,560 --> 01:23:09,200
Speaker 1: producer and editor Tara Sudbachsch producer Jackie Rodriguez, engineer and

1800
01:23:09,320 --> 01:23:12,559
Speaker 1: Boy Meets World superfan Easton Allen. Our theme song is

1801
01:23:12,600 --> 01:23:15,240
Speaker 1: by Kyle Morton of Typhoon. You can follow us on

1802
01:23:15,320 --> 01:23:18,120
Speaker 1: Instagram at Pod Meets World Show or email us at

1803
01:23:18,160 --> 01:23:20,519
Speaker 1: Pod Meets Worldshow at gmail dot com