WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

0:00:01.440 --> 0:00:05.200
<v Speaker 1>It's the Best Bits of the Week with Morgan. Number two.

0:00:06.320 --> 0:00:09.600
<v Speaker 1>Welcome y'all to the Best Bits of the Week. I'm

0:00:09.640 --> 0:00:12.560
<v Speaker 1>Morgan and this is Best Bits, just the Bits. So

0:00:12.600 --> 0:00:14.440
<v Speaker 1>if you're getting caught up on the Bobby Bone Show,

0:00:14.520 --> 0:00:16.360
<v Speaker 1>or you missed some things from this week, or maybe

0:00:16.400 --> 0:00:18.360
<v Speaker 1>you just want to listen again, then this is a

0:00:18.400 --> 0:00:21.960
<v Speaker 1>podcast for you. So these are the top seven segments

0:00:22.079 --> 0:00:24.040
<v Speaker 1>from the show this week, and I break them down,

0:00:24.160 --> 0:00:26.400
<v Speaker 1>well not really break them down, but I share with

0:00:26.440 --> 0:00:28.720
<v Speaker 1>you the ones that got the most engaged with, or

0:00:28.800 --> 0:00:31.400
<v Speaker 1>you guys called about, or it was kind of chaos

0:00:31.440 --> 0:00:32.880
<v Speaker 1>on the show. Yeah, those are the ones that I

0:00:32.920 --> 0:00:34.600
<v Speaker 1>love to share with you all. So we're going to

0:00:34.720 --> 0:00:37.800
<v Speaker 1>kick it off. Bobby enlisted the help of Megan Trainer

0:00:37.880 --> 0:00:41.159
<v Speaker 1>to send a video to an awesome listener who had

0:00:41.200 --> 0:00:44.000
<v Speaker 1>requested it by reaching out to Bobby, and he made

0:00:44.000 --> 0:00:47.279
<v Speaker 1>it happen with his friendship with Megan Trainers. So just

0:00:47.320 --> 0:00:49.919
<v Speaker 1>a super cool moment that definitely is one you want

0:00:49.960 --> 0:00:53.480
<v Speaker 1>to hear. Number seven, on the phone, we have Julie

0:00:53.560 --> 0:00:57.080
<v Speaker 1>who lives in Naples, Florida. Hi Julie, good morning, Hi,

0:00:57.240 --> 0:00:59.000
<v Speaker 1>how are you. I'm doing pretty good? Do you know

0:00:59.040 --> 0:01:02.800
<v Speaker 1>why have you on I have a feeling, what's the

0:01:02.880 --> 0:01:07.160
<v Speaker 1>feel talk about? You? And I have never met, so

0:01:07.200 --> 0:01:08.880
<v Speaker 1>why would you think I would call you right now?

0:01:10.040 --> 0:01:13.320
<v Speaker 1>So I sent a letter a little while ago saying

0:01:13.360 --> 0:01:16.320
<v Speaker 1>that my son, who is a lieutenant in the US

0:01:16.480 --> 0:01:20.000
<v Speaker 1>Navy and the naval pilot, is getting married next month.

0:01:22.080 --> 0:01:27.479
<v Speaker 1>Megan Trainer has a wonderful song called Mom that I

0:01:27.520 --> 0:01:30.039
<v Speaker 1>have always listened to and always felt close to in

0:01:30.120 --> 0:01:33.479
<v Speaker 1>my heart. The sweet girl that my son is marrying

0:01:34.000 --> 0:01:40.000
<v Speaker 1>is a sister of five siblings, and they are all girls.

0:01:41.160 --> 0:01:44.440
<v Speaker 1>For this wedding or for any of those girl's weddings,

0:01:45.120 --> 0:01:47.360
<v Speaker 1>her mom will never get a dance with a son.

0:01:48.880 --> 0:01:51.480
<v Speaker 1>So I would love to be able to play the

0:01:51.560 --> 0:01:56.160
<v Speaker 1>mom's song and possibly get just a well wished for

0:01:56.320 --> 0:01:59.200
<v Speaker 1>Megan Trainer well wished the weel at their wedding. And

0:01:59.320 --> 0:02:02.600
<v Speaker 1>you sit letter letter who knew people was doing at that?

0:02:02.600 --> 0:02:05.120
<v Speaker 1>That's crazy? And so I got it. And there was

0:02:05.160 --> 0:02:06.960
<v Speaker 1>also one in there to Megan Trainer. And I guess

0:02:06.960 --> 0:02:08.560
<v Speaker 1>you had reached out to Megan a few different ways

0:02:08.560 --> 0:02:11.320
<v Speaker 1>but didn't have any luck. Is that true? I did.

0:02:11.520 --> 0:02:14.160
<v Speaker 1>I've tried a few things. I've tried her fan club

0:02:14.200 --> 0:02:17.880
<v Speaker 1>and I've tried her marketing guy and I haven't gotten

0:02:17.880 --> 0:02:22.639
<v Speaker 1>any response. Well for me, you get a response. So

0:02:24.400 --> 0:02:26.200
<v Speaker 1>I did post this on TikTok. Do you have any

0:02:26.240 --> 0:02:28.040
<v Speaker 1>chance to see that? Where I was like, hey, Megan Trainer,

0:02:28.080 --> 0:02:30.320
<v Speaker 1>can you hear me? Can you help me? Any chance?

0:02:30.320 --> 0:02:33.520
<v Speaker 1>Anybody show that to you? I haven't seen it, I

0:02:33.560 --> 0:02:37.079
<v Speaker 1>haven't looked, so I posted it and I've been waiting.

0:02:37.120 --> 0:02:40.600
<v Speaker 1>I can't get Megan to answer me either, but I

0:02:40.720 --> 0:02:42.240
<v Speaker 1>keep waiting. So do you want me to keep trying

0:02:42.320 --> 0:02:44.680
<v Speaker 1>or do you mean give up? I would love for

0:02:44.720 --> 0:02:46.760
<v Speaker 1>you to keep trying, and we will keep our eyes

0:02:46.760 --> 0:02:50.520
<v Speaker 1>open on TikTok to see I'm just kidding. Actually got

0:02:50.520 --> 0:02:53.960
<v Speaker 1>something from her for you? I did, Yeah, yeah, yeah,

0:02:53.760 --> 0:02:55.679
<v Speaker 1>I know Megan a little I know Megan a little

0:02:55.720 --> 0:02:57.400
<v Speaker 1>bit and we follow each other on TikTok and she

0:02:57.480 --> 0:02:59.880
<v Speaker 1>saw it. And I'm not going to play the whole thing.

0:03:00.040 --> 0:03:01.880
<v Speaker 1>I want you to have it, but can she hear

0:03:01.880 --> 0:03:03.480
<v Speaker 1>it right through the phone. I'm gonna play you like

0:03:03.480 --> 0:03:05.720
<v Speaker 1>a small clip of the video that Megan sent for

0:03:05.800 --> 0:03:07.399
<v Speaker 1>you so you can hear it now, and then I'll

0:03:07.400 --> 0:03:09.519
<v Speaker 1>just send you over the whole video that she made. Okay, Oh,

0:03:09.600 --> 0:03:11.960
<v Speaker 1>my gosh, that would be wonderful. Okay, here's a little clip,

0:03:12.000 --> 0:03:17.399
<v Speaker 1>go ahead, LTJG. Craig Him and Darcy Kircher. Hi. I'm

0:03:17.440 --> 0:03:21.160
<v Speaker 1>Megan Trainer and I heard that you are getting married.

0:03:21.280 --> 0:03:24.360
<v Speaker 1>First of all, thank you very services, Craig Him and

0:03:25.200 --> 0:03:26.760
<v Speaker 1>I can't wait for your wedding. It's gonna be the

0:03:26.800 --> 0:03:28.960
<v Speaker 1>best I ever wish I could be there. I love

0:03:29.000 --> 0:03:35.160
<v Speaker 1>you so much. Congratulations ma best I ever. WHOA, So

0:03:35.240 --> 0:03:40.440
<v Speaker 1>that's Megan. Oh my gosh, I'm speechless. Well it's actually

0:03:40.440 --> 0:03:42.080
<v Speaker 1>a lot longer than that too. I just didn't want

0:03:42.080 --> 0:03:44.120
<v Speaker 1>the audience right now. I seach your video. I don't

0:03:44.160 --> 0:03:45.600
<v Speaker 1>want you to be able to have it and do

0:03:45.640 --> 0:03:48.400
<v Speaker 1>with that what you want. But I appreciate the letter,

0:03:48.560 --> 0:03:50.080
<v Speaker 1>and I'm sorry it took me so long to get

0:03:50.080 --> 0:03:51.840
<v Speaker 1>to it. I didn't even get these letters on my

0:03:51.840 --> 0:03:53.200
<v Speaker 1>desk to like three months after they were sent. I

0:03:53.200 --> 0:03:54.720
<v Speaker 1>think the Pony Express is one that brought it in.

0:03:55.160 --> 0:03:57.120
<v Speaker 1>I think that. I think that's how they deliver letters again.

0:03:57.720 --> 0:04:00.480
<v Speaker 1>So I'm gonna send you this entire video for Megan,

0:04:00.520 --> 0:04:02.320
<v Speaker 1>because I know you asked for one to play at

0:04:02.320 --> 0:04:04.560
<v Speaker 1>your wedding and tell your son. We said, thank you

0:04:04.560 --> 0:04:07.280
<v Speaker 1>for serving and we're super happy for him and his

0:04:07.360 --> 0:04:09.440
<v Speaker 1>new wife the same. And just a big shout out

0:04:09.440 --> 0:04:12.480
<v Speaker 1>to Megan Trainer for making it happen. Oh my goodness,

0:04:12.520 --> 0:04:15.160
<v Speaker 1>thank you so so much. And this will mean the

0:04:15.200 --> 0:04:18.120
<v Speaker 1>world to the family. That's what I do. It's awesome

0:04:18.360 --> 0:04:20.839
<v Speaker 1>here I am. I'm looking muppet babies making dreams come true.

0:04:20.920 --> 0:04:23.480
<v Speaker 1>You know what I mean. Okay, Julie, I'm gonna text

0:04:23.560 --> 0:04:25.360
<v Speaker 1>us over to you in the next few minutes. And

0:04:25.520 --> 0:04:27.440
<v Speaker 1>I appreciate you being a listener. Thanks for sending me

0:04:27.440 --> 0:04:29.640
<v Speaker 1>the letter, and I hope the wedding goes as awesome

0:04:29.640 --> 0:04:32.880
<v Speaker 1>as you hope. Oh, thank you so much, and y'all

0:04:32.920 --> 0:04:35.880
<v Speaker 1>have a wonderful, wonderful day. Yeah YouTube downhold, don't hang up,

0:04:36.120 --> 0:04:37.960
<v Speaker 1>you go and put he round hold and then we'll

0:04:38.000 --> 0:04:40.040
<v Speaker 1>just text it to her and then she has it. It

0:04:39.920 --> 0:04:42.279
<v Speaker 1>It was cool and Meghan is awesome. Very yeah, pretty cool.

0:04:43.279 --> 0:04:47.039
<v Speaker 1>It's the best bits of the week with Morgan. Number two.

0:04:48.360 --> 0:04:51.960
<v Speaker 1>Our iHeart Festival happened last weekend in Las Vegas, and

0:04:52.040 --> 0:04:54.479
<v Speaker 1>of course that brought a lot of stories to the

0:04:54.520 --> 0:04:57.560
<v Speaker 1>show this week, and one of them being that Lunchbox

0:04:57.680 --> 0:05:01.400
<v Speaker 1>met his idol, the miss Thanks to Bobby because Bobby,

0:05:01.600 --> 0:05:04.960
<v Speaker 1>the Miss, and Kristin Cavalary were all presenting at the

0:05:05.360 --> 0:05:08.120
<v Speaker 1>iHeart Festival. They were announcing a performer and they were

0:05:08.160 --> 0:05:12.440
<v Speaker 1>all up there together. So Bobby had held his word

0:05:12.520 --> 0:05:15.480
<v Speaker 1>for Lunchbox held his word is that I don't remember

0:05:15.520 --> 0:05:19.560
<v Speaker 1>what the metaphors kept his word for Lunchbox to meet

0:05:19.600 --> 0:05:23.000
<v Speaker 1>the Miss, and he introduced them backstage and Lunchbox totally

0:05:23.040 --> 0:05:26.440
<v Speaker 1>freaked out, like he had a full on bandgirl moment

0:05:26.520 --> 0:05:29.120
<v Speaker 1>with the Miss. So that's what you're about to hear

0:05:29.560 --> 0:05:32.440
<v Speaker 1>right now. Number six. You know, going into the weekend

0:05:32.920 --> 0:05:35.520
<v Speaker 1>before we went to Las Vegas, we we're talking about

0:05:35.640 --> 0:05:37.320
<v Speaker 1>kind of what our jobs were, and I said, hey,

0:05:37.320 --> 0:05:41.159
<v Speaker 1>I'm gonna be you know, on for the CW introducing

0:05:41.200 --> 0:05:44.880
<v Speaker 1>Morgan Wallen, and with me will be the Miss and

0:05:45.000 --> 0:05:49.480
<v Speaker 1>Kristin Cavalary now Kristin Cavalery from Laguna Beach Fame. Yeah,

0:05:49.520 --> 0:05:51.840
<v Speaker 1>and the Miss from well, what I know I'm from

0:05:51.880 --> 0:05:54.080
<v Speaker 1>is he had a show on USA Network right next

0:05:54.080 --> 0:05:56.200
<v Speaker 1>to mine. I'd always see him in promos and he's

0:05:56.200 --> 0:05:58.400
<v Speaker 1>a wrestler. Although I'll watch this much, I mean, I

0:05:58.440 --> 0:05:59.920
<v Speaker 1>guess I don't watch wrestling at all anymore. But you

0:06:00.080 --> 0:06:02.800
<v Speaker 1>to love it. And then he was on real world apparently,

0:06:02.839 --> 0:06:05.359
<v Speaker 1>but in real world back to New York. So you know,

0:06:05.400 --> 0:06:07.080
<v Speaker 1>I never know how somebody's going to be before I

0:06:07.080 --> 0:06:10.800
<v Speaker 1>meet him. Nice, not nice, busy. Sometimes there are so

0:06:10.839 --> 0:06:14.279
<v Speaker 1>many like middle famous people there that are based trying

0:06:14.279 --> 0:06:17.400
<v Speaker 1>to like outdo each other because if if somebody's super famous,

0:06:17.440 --> 0:06:19.240
<v Speaker 1>they're usually pretty cool. They don't give a crap because

0:06:19.240 --> 0:06:21.800
<v Speaker 1>they're like, I made it. I don't need to prove anything,

0:06:23.120 --> 0:06:25.560
<v Speaker 1>but them is famous famous. I didn't realize it until

0:06:25.560 --> 0:06:27.279
<v Speaker 1>I kind of got into it. He's like four million

0:06:27.320 --> 0:06:31.600
<v Speaker 1>Instagram followers. Wow, he's got a reality showing USA Network.

0:06:32.040 --> 0:06:34.359
<v Speaker 1>He's one of the big wrestlers, Like people really know

0:06:34.400 --> 0:06:36.120
<v Speaker 1>who he is. And so I was like, oh, man,

0:06:36.160 --> 0:06:38.640
<v Speaker 1>I hope this guy's cool. And so I didn't see

0:06:38.680 --> 0:06:40.920
<v Speaker 1>him until I don't know, a couple of hours before

0:06:40.920 --> 0:06:43.120
<v Speaker 1>we're supposed to do this, and I just walked into

0:06:43.160 --> 0:06:44.400
<v Speaker 1>this room and he was standing there, and I wasn't

0:06:44.400 --> 0:06:48.080
<v Speaker 1>gonna go up to him and just be like, hey buddy, Bobby,

0:06:48.200 --> 0:06:50.560
<v Speaker 1>I know I needed a reason. Oh I didn't have to.

0:06:50.600 --> 0:06:52.320
<v Speaker 1>He came up to me. It was super cool, and

0:06:52.360 --> 0:06:54.360
<v Speaker 1>he goes, hey, Bobby, how's it going? And I was

0:06:54.440 --> 0:06:56.120
<v Speaker 1>and I know what to call him, Mike them Is,

0:06:56.360 --> 0:07:00.480
<v Speaker 1>so I said amen. So he said, hey, how's it

0:07:00.839 --> 0:07:03.280
<v Speaker 1>And he immediately asked me about Dancing with the Stars,

0:07:03.839 --> 0:07:05.640
<v Speaker 1>and I forgot he did it the season right after me.

0:07:05.760 --> 0:07:07.039
<v Speaker 1>And he told me he had watched a lot of

0:07:07.080 --> 0:07:08.960
<v Speaker 1>my dances because he didn't know how to dance either,

0:07:09.480 --> 0:07:11.160
<v Speaker 1>and he was like, I watched how you didn't. He

0:07:11.200 --> 0:07:12.880
<v Speaker 1>was like quoting. He was like, when you ran into

0:07:12.920 --> 0:07:14.760
<v Speaker 1>the crowd. I was like, dude, I know what I

0:07:14.800 --> 0:07:16.800
<v Speaker 1>was doing. He's like, that was the greatest part about it.

0:07:16.960 --> 0:07:18.240
<v Speaker 1>And so we kind of hit it off and we

0:07:18.240 --> 0:07:22.160
<v Speaker 1>were talking about USA Network. But I look over We've

0:07:22.200 --> 0:07:24.680
<v Speaker 1>been talking for five, six, seven minutes for a long time,

0:07:24.840 --> 0:07:26.920
<v Speaker 1>and I see Lunchbox just like I don't know how

0:07:27.000 --> 0:07:29.840
<v Speaker 1>Lunchbox got there. He just appeared like he had been

0:07:29.880 --> 0:07:32.000
<v Speaker 1>following the miss all through the building. I don't know.

0:07:32.280 --> 0:07:34.760
<v Speaker 1>I just look over on Lunchbox says like just standing

0:07:34.800 --> 0:07:37.400
<v Speaker 1>there like a runner at a starting line, just ready

0:07:37.440 --> 0:07:41.960
<v Speaker 1>to fire off. And he's just looking and looking. But

0:07:42.040 --> 0:07:45.000
<v Speaker 1>I'm actually in a pretty good, normal human conversation with

0:07:45.040 --> 0:07:47.760
<v Speaker 1>this guy so annoying, and I was like man, this

0:07:47.840 --> 0:07:50.560
<v Speaker 1>dude's pretty cool. We're talking about real live stuff. And

0:07:50.680 --> 0:07:53.480
<v Speaker 1>I just see lunchbox and I know I gotta take

0:07:53.520 --> 0:07:55.160
<v Speaker 1>one for the team and not hang out with the

0:07:55.200 --> 0:07:57.200
<v Speaker 1>miss and go ahead and introduced lunchbox to the miss.

0:07:57.600 --> 0:07:59.680
<v Speaker 1>And so how long did it feel like? I was

0:07:59.720 --> 0:08:03.760
<v Speaker 1>twenty minutes. I was like, hello, the whole point of

0:08:03.760 --> 0:08:07.239
<v Speaker 1>this interaction, it wasn't the whole point in me? Okay,

0:08:07.280 --> 0:08:10.600
<v Speaker 1>in my head, this is his head. Yeah. I was like, Bobby,

0:08:10.920 --> 0:08:12.800
<v Speaker 1>the only reason you are talking to him right now

0:08:12.880 --> 0:08:15.040
<v Speaker 1>is it introducing to me? And I kept trying to

0:08:15.280 --> 0:08:17.240
<v Speaker 1>I was moving my head left and right, trying to

0:08:17.280 --> 0:08:20.560
<v Speaker 1>get in your sight line of vision whatever you call. Yeah,

0:08:20.560 --> 0:08:23.240
<v Speaker 1>And I was like I was trying to make noises.

0:08:23.280 --> 0:08:26.800
<v Speaker 1>I did a couple like clock, I did a couple

0:08:26.800 --> 0:08:30.320
<v Speaker 1>of everything, and Bobby just kept talking and talking. I'm like, Bobby,

0:08:30.440 --> 0:08:32.840
<v Speaker 1>you never talked to anybody this long? What are you doing?

0:08:33.440 --> 0:08:35.240
<v Speaker 1>I never talked to anybody that long? What was I doing?

0:08:35.679 --> 0:08:38.360
<v Speaker 1>Just enjoyed the conversation. And so I do see lunch

0:08:38.360 --> 0:08:40.640
<v Speaker 1>box over there. Did you could call me? Oh? I could?

0:08:42.640 --> 0:08:45.320
<v Speaker 1>I felt like I heard something a lot, and I'm like, okay.

0:08:45.400 --> 0:08:47.000
<v Speaker 1>His face was red because he was like, is all

0:08:47.000 --> 0:08:50.440
<v Speaker 1>building up? And so I found a natural point to

0:08:50.600 --> 0:08:53.240
<v Speaker 1>in the conversation because the mid and I were going

0:08:53.280 --> 0:08:55.319
<v Speaker 1>to be together later and say, hey, man, do you

0:08:55.360 --> 0:08:59.319
<v Speaker 1>mind to introduce you to somebody? Oh yeah, oh yeah,

0:08:59.400 --> 0:09:00.959
<v Speaker 1>And I was I didn't know what to expect. I

0:09:01.000 --> 0:09:02.920
<v Speaker 1>don't know what Lunchbox was gonna do. Play it cool,

0:09:02.960 --> 0:09:05.080
<v Speaker 1>like was he gonna write yeah? But then the build

0:09:05.160 --> 0:09:07.679
<v Speaker 1>up like yeah, take him for long? So long, Like

0:09:07.720 --> 0:09:09.120
<v Speaker 1>if you would have introduced me right away, I think

0:09:09.120 --> 0:09:11.960
<v Speaker 1>I'd have been cool. No, no chance. So here is Lunchbox.

0:09:12.600 --> 0:09:14.520
<v Speaker 1>It was awesome. Did you just could come again? It

0:09:14.600 --> 0:09:16.880
<v Speaker 1>was great? Man, I want to I am not listening

0:09:16.920 --> 0:09:19.199
<v Speaker 1>back to this, So I wonder if I seemed as

0:09:19.200 --> 0:09:21.760
<v Speaker 1>cool as in my hands as I did his whole

0:09:21.760 --> 0:09:24.320
<v Speaker 1>clubs one minute, We'll tell you. And he's talking to

0:09:24.360 --> 0:09:26.560
<v Speaker 1>the miss but he has his phone up like recording

0:09:26.559 --> 0:09:29.440
<v Speaker 1>the whole time. I'm videoing it. Man, So this is set.

0:09:29.679 --> 0:09:31.440
<v Speaker 1>We're there, We're in a hallway. I say, hey, Mike,

0:09:31.480 --> 0:09:34.160
<v Speaker 1>I want to introduce you to Lunchbox. And I couldn't

0:09:34.160 --> 0:09:36.400
<v Speaker 1>even say who Lunchbox was in my life before. Lunchbox

0:09:36.480 --> 0:09:48.560
<v Speaker 1>is like right on him okay, hit its Hey, dude,

0:09:48.559 --> 0:09:53.880
<v Speaker 1>I've been back to New York. Yeah, I didn't realize.

0:09:54.080 --> 0:09:56.840
<v Speaker 1>I was just talking about it and he was like yeah,

0:09:57.120 --> 0:10:01.760
<v Speaker 1>and then you're just like yeah. When I heard he

0:10:01.880 --> 0:10:03.400
<v Speaker 1>was going to introduce with you if we worked together,

0:10:03.440 --> 0:10:08.360
<v Speaker 1>I was like, oh, sorry, Miss the gull Yellow didn't

0:10:08.400 --> 0:10:10.520
<v Speaker 1>have to say, you're being too loud. Do you want

0:10:10.520 --> 0:10:12.599
<v Speaker 1>to shock? You want to know who? You wanna know?

0:10:12.640 --> 0:10:15.240
<v Speaker 1>Who's on real road with Kevin Dunn, Rachel, the League

0:10:15.320 --> 0:10:17.600
<v Speaker 1>that all of them, the girlfriends, Chicogo, the mikeup, Sorry,

0:10:17.640 --> 0:10:27.640
<v Speaker 1>Boddy Camera, Rachel, Rachel. It went for trouble. So I'm

0:10:27.679 --> 0:10:29.040
<v Speaker 1>just glad to see that, you know, like I want

0:10:29.040 --> 0:10:32.840
<v Speaker 1>to be on the real road so bad. I know,

0:10:33.960 --> 0:10:36.320
<v Speaker 1>and it keeps going. But here's what I want to say.

0:10:36.679 --> 0:10:39.000
<v Speaker 1>The reason we had to stop there. They were recording.

0:10:39.000 --> 0:10:41.240
<v Speaker 1>It was like some big artist is recording an interview

0:10:41.400 --> 0:10:45.720
<v Speaker 1>and Lunchbox is like the miss. So when the back

0:10:45.840 --> 0:10:48.800
<v Speaker 1>is some clip, I don't know who it was, Halsey,

0:10:48.920 --> 0:10:52.640
<v Speaker 1>I don't know you hear the mass, but he was

0:10:52.679 --> 0:10:57.920
<v Speaker 1>super nice and Lunchbox did his deal there and they

0:10:57.920 --> 0:11:01.920
<v Speaker 1>asked me to save the miss. Oh yeah, I'll call

0:11:02.000 --> 0:11:04.040
<v Speaker 1>him miss I mean, I mean Bobby did come back

0:11:04.040 --> 0:11:05.480
<v Speaker 1>in and go hey. I felt like a girl at

0:11:05.520 --> 0:11:06.760
<v Speaker 1>the club, like when one of your friends it's a

0:11:06.760 --> 0:11:09.280
<v Speaker 1>girls club, is getting bothered by some weirdo and you

0:11:09.360 --> 0:11:12.840
<v Speaker 1>got to go in and like dance and say I

0:11:12.920 --> 0:11:15.720
<v Speaker 1>didn't I thought I was laughing at lunchbox, although he

0:11:15.760 --> 0:11:18.559
<v Speaker 1>was a little intense, I was laughing. But one of

0:11:18.559 --> 0:11:22.240
<v Speaker 1>the miss group it was super nice, normal folks. They

0:11:22.240 --> 0:11:25.120
<v Speaker 1>were like oh, and I was like, do you want

0:11:25.120 --> 0:11:27.600
<v Speaker 1>me to save him? And they were like please, would you?

0:11:27.880 --> 0:11:29.960
<v Speaker 1>And then I kind of just had to all right, guys,

0:11:30.280 --> 0:11:34.319
<v Speaker 1>miss gotta go. Yeah. He came over and like pulled

0:11:34.760 --> 0:11:36.880
<v Speaker 1>the miss out of the situation. I was like, man,

0:11:36.920 --> 0:11:38.520
<v Speaker 1>I gave you as long as I could, I know,

0:11:38.760 --> 0:11:40.200
<v Speaker 1>but I got a question, like when you were with

0:11:40.240 --> 0:11:42.600
<v Speaker 1>him later on the say anything about me? You guys

0:11:42.640 --> 0:11:44.439
<v Speaker 1>didn't go on a date. He was like, hey man,

0:11:45.000 --> 0:11:48.320
<v Speaker 1>that it was cool what he did say afterwards, because

0:11:48.840 --> 0:11:50.280
<v Speaker 1>he said he had to go, but really we left,

0:11:50.320 --> 0:11:51.760
<v Speaker 1>but him and I both left to talk in the

0:11:51.800 --> 0:11:55.080
<v Speaker 1>hall again. Oh. I was like, hey man, I was like,

0:11:55.120 --> 0:11:57.120
<v Speaker 1>hey man, sorry about that. He goes, Man, I'm in wrestling.

0:11:57.120 --> 0:11:59.160
<v Speaker 1>I get crazy like that all the time something like that.

0:11:59.520 --> 0:12:02.600
<v Speaker 1>There you go, lunch Box, you're a normal fan. Yeah, man,

0:12:02.600 --> 0:12:05.640
<v Speaker 1>that's cool. He likes definitely not aren't. Yeah you were.

0:12:05.760 --> 0:12:08.680
<v Speaker 1>You were nice. It was just very intense. You came

0:12:08.720 --> 0:12:12.880
<v Speaker 1>on strong. That's how he is. He's intense. That's his character.

0:12:13.360 --> 0:12:17.040
<v Speaker 1>Was just give him little chat. But he liked you. Yes, yeah,

0:12:17.080 --> 0:12:19.120
<v Speaker 1>he liked you. I wonder who followed me. Let me check.

0:12:19.760 --> 0:12:24.080
<v Speaker 1>He followed me on Instagram. Really so jealous. I'm gonna

0:12:24.080 --> 0:12:26.199
<v Speaker 1>look at his Instagram. But I didn't attack him anything yet.

0:12:26.640 --> 0:12:31.880
<v Speaker 1>Lunch Box, he follows me, Jimmy Allen, lunch go to

0:12:31.920 --> 0:12:38.000
<v Speaker 1>the Elves lunch well, Tom Brady the Rock No, none, No,

0:12:38.160 --> 0:12:42.240
<v Speaker 1>lunch Box. Maybe forgot I'll send m DM say, hey, dude,

0:12:42.240 --> 0:12:46.680
<v Speaker 1>you forgot to follow me remember me? No, don't, I will.

0:12:46.920 --> 0:12:49.200
<v Speaker 1>He did compare He did compare you to Tom Brady though,

0:12:49.760 --> 0:12:51.720
<v Speaker 1>Yeah he did. It gave me a pretty good compliment.

0:12:51.720 --> 0:12:56.160
<v Speaker 1>A lot of people do think I'm Tom Brady. Okay, Well, anyway,

0:12:56.360 --> 0:13:02.240
<v Speaker 1>he did follow you. Not cool man. It's the best

0:13:02.360 --> 0:13:06.760
<v Speaker 1>bits of the week with Morgan. Number two. Maddie and

0:13:06.760 --> 0:13:09.080
<v Speaker 1>Tay were on the show this week. They performed Unfortunately

0:13:09.120 --> 0:13:11.160
<v Speaker 1>I can't have that here for y'all, but you can

0:13:11.200 --> 0:13:14.040
<v Speaker 1>definitely check that out at Bobby Bones YouTube page or

0:13:14.120 --> 0:13:16.280
<v Speaker 1>Bobby bones dot com. It's up there, so you guys

0:13:16.320 --> 0:13:19.320
<v Speaker 1>can check that out. It's from their second part of

0:13:19.360 --> 0:13:22.120
<v Speaker 1>their album, Through the Madness. It's Volume two. It's one

0:13:22.120 --> 0:13:24.560
<v Speaker 1>of the songs from that that just came out. But

0:13:24.600 --> 0:13:26.680
<v Speaker 1>while they were on with Us, Tay talked about being

0:13:26.800 --> 0:13:30.040
<v Speaker 1>a new mom, and Maddie also talked about her farm

0:13:30.080 --> 0:13:32.800
<v Speaker 1>and the one chicken she has left, which these girls

0:13:32.840 --> 0:13:34.600
<v Speaker 1>are always just fun to listen to. They have some

0:13:34.640 --> 0:13:37.679
<v Speaker 1>great stories. So here it is number five. Hey, you

0:13:37.679 --> 0:13:41.600
<v Speaker 1>guys doing good. It's good to see it. I was amy.

0:13:41.640 --> 0:13:45.240
<v Speaker 1>I was on vacation and I got a text from Maddie.

0:13:45.720 --> 0:13:48.320
<v Speaker 1>She was like, I'll see tomorrow. I was like, no,

0:13:48.440 --> 0:13:51.319
<v Speaker 1>you won't. I'm way gone. Oh. She was like we're

0:13:51.320 --> 0:13:53.000
<v Speaker 1>coming in tomorrow. And I was like, there's got to

0:13:53.040 --> 0:13:55.760
<v Speaker 1>be some wire that has been crossed. Oh yeah, I

0:13:55.920 --> 0:13:58.520
<v Speaker 1>jacked it up. I live in La La Land. My

0:13:58.600 --> 0:14:00.920
<v Speaker 1>brain was all mushy, it's still well she it hasn't,

0:14:01.040 --> 0:14:03.400
<v Speaker 1>but yeah, I was like, okay, just kidding, it's wrong week.

0:14:03.480 --> 0:14:06.400
<v Speaker 1>Sorry on vacation. Yeah, I didn't even know I didn't

0:14:06.400 --> 0:14:09.880
<v Speaker 1>know what she meant. Well, she as like, maybe she's

0:14:09.880 --> 0:14:11.640
<v Speaker 1>going to the studio to record something. I don't want

0:14:11.679 --> 0:14:12.640
<v Speaker 1>to tell her. I'm not gonna be there. I'm just

0:14:12.679 --> 0:14:14.760
<v Speaker 1>gonna let her go record. You know. So you said

0:14:14.760 --> 0:14:17.360
<v Speaker 1>the month wrong, like totally. Oh, I had the whole

0:14:17.520 --> 0:14:20.040
<v Speaker 1>entire thing wrong, because I think we had this like

0:14:20.080 --> 0:14:22.120
<v Speaker 1>for one day and then we switched it or something,

0:14:22.560 --> 0:14:25.360
<v Speaker 1>and my brain just totally forgot. I felt so bad.

0:14:25.360 --> 0:14:27.560
<v Speaker 1>I was like, oh my gosh, i'specting her on vacation.

0:14:27.920 --> 0:14:31.560
<v Speaker 1>I'm so sorry. I think like maybe five minutes after

0:14:31.600 --> 0:14:33.920
<v Speaker 1>I texted you, I was like, oh, just kidding. Sorry,

0:14:33.960 --> 0:14:35.280
<v Speaker 1>I didn't respond. I was like, i'mna let her do

0:14:35.320 --> 0:14:37.600
<v Speaker 1>what she's gonna do. We'll see what happens. We'll see

0:14:37.600 --> 0:14:40.160
<v Speaker 1>what it ends up recorded. And then I gotta I

0:14:40.240 --> 0:14:42.640
<v Speaker 1>changed my phone number, but I gotta check my old

0:14:42.640 --> 0:14:44.600
<v Speaker 1>phone about once every dree or four days. And there

0:14:44.640 --> 0:14:46.320
<v Speaker 1>was a picture of you with a chicken, the one

0:14:46.320 --> 0:14:49.160
<v Speaker 1>remaining chicken. I did because I thought you would appreciate

0:14:49.280 --> 0:14:51.920
<v Speaker 1>the story. And she's still going strong. Her name is

0:14:52.040 --> 0:14:56.640
<v Speaker 1>Una like one in Spanish because she is the lone survivor,

0:14:56.800 --> 0:14:58.880
<v Speaker 1>and named her after everybody died. That's a time to

0:14:58.920 --> 0:15:01.800
<v Speaker 1>name a chicken. Yeah, it's pretty terrible, but you know,

0:15:02.120 --> 0:15:04.520
<v Speaker 1>I feel like on tour, I can only manage one chicken.

0:15:04.600 --> 0:15:06.560
<v Speaker 1>So maybe it was God's way of being like, girl,

0:15:06.640 --> 0:15:09.240
<v Speaker 1>you can't manage sick, So we're just gonna have the one.

0:15:09.600 --> 0:15:12.760
<v Speaker 1>And my dog's lover. She thinks she's a dog. It's weird.

0:15:13.000 --> 0:15:15.640
<v Speaker 1>It's a thing, but yeah, we've got one lone survivor.

0:15:15.800 --> 0:15:18.520
<v Speaker 1>You named her based on everybody that died. Yeah, well,

0:15:18.840 --> 0:15:20.800
<v Speaker 1>the last time I came in here, I got like

0:15:20.880 --> 0:15:23.400
<v Speaker 1>four new chickens and those all died. So it's just

0:15:23.640 --> 0:15:26.720
<v Speaker 1>I'm a horrible chicken owner. I really need to attractors.

0:15:26.720 --> 0:15:29.240
<v Speaker 1>Supply they're gonna be like, you cannot buy more chickens

0:15:29.320 --> 0:15:33.400
<v Speaker 1>because yeah, I put her name on a list. Yeah,

0:15:33.440 --> 0:15:36.440
<v Speaker 1>that's a pretty normal thing, right, is the chickens? Apparently

0:15:37.520 --> 0:15:40.000
<v Speaker 1>if you live near woods. Yeah, we live out in

0:15:40.040 --> 0:15:43.000
<v Speaker 1>the middle of nowhere. So yeah, Taylor, what's up with you?

0:15:43.600 --> 0:15:47.000
<v Speaker 1>Not much? Just mom and yeah, mom and hard You

0:15:47.040 --> 0:15:49.160
<v Speaker 1>guys had a song. It was just Maddie because you

0:15:49.160 --> 0:15:51.280
<v Speaker 1>were mom your early moment. I was an early moment.

0:15:51.400 --> 0:15:52.680
<v Speaker 1>So this is the first time we've seen you in

0:15:52.720 --> 0:15:57.360
<v Speaker 1>here since So, I mean, so, what's how's your life different? Like,

0:15:57.640 --> 0:16:00.560
<v Speaker 1>how are you feeling? Oh lord, um, nothing, it's the same.

0:16:00.840 --> 0:16:03.760
<v Speaker 1>I used to live off like twelve hours to sleep

0:16:03.760 --> 0:16:06.960
<v Speaker 1>at night and now it's like five, which I'll take it, um.

0:16:07.120 --> 0:16:10.320
<v Speaker 1>But just loving being Laton's mom. She's the best little baby.

0:16:10.400 --> 0:16:13.000
<v Speaker 1>She travels with us everywhere, and yesterday she was on

0:16:13.000 --> 0:16:15.360
<v Speaker 1>her like third flight in three days, and now we're

0:16:15.360 --> 0:16:18.000
<v Speaker 1>going on another flight today and she's just like chilling

0:16:18.120 --> 0:16:20.240
<v Speaker 1>along for the right. She doesn't cry her ears, don't

0:16:20.280 --> 0:16:22.280
<v Speaker 1>get all poppy because mine do. I do both, I cry,

0:16:22.280 --> 0:16:25.360
<v Speaker 1>amys get poppy. Oh my god, saying no, she she

0:16:25.520 --> 0:16:28.000
<v Speaker 1>winds here and there, she does not like she'll just

0:16:28.040 --> 0:16:31.520
<v Speaker 1>get bored, you know. But yeah, me too, same. Yeah,

0:16:31.520 --> 0:16:34.800
<v Speaker 1>I'm just like her baby. Yeah oh yeah. So you

0:16:34.800 --> 0:16:37.560
<v Speaker 1>guys have a new song every night every morning? Yes,

0:16:37.640 --> 0:16:39.440
<v Speaker 1>and so I don't know, but put me in the

0:16:39.920 --> 0:16:41.720
<v Speaker 1>mental space to hear this, like what am I hearing?

0:16:41.720 --> 0:16:43.600
<v Speaker 1>And why am I hearing it? We wrote it with

0:16:43.760 --> 0:16:47.040
<v Speaker 1>Jonathan Singleton and Brock berry Hill, two writers that we love,

0:16:47.520 --> 0:16:50.480
<v Speaker 1>and I think Brock actually had the title every night

0:16:50.520 --> 0:16:53.360
<v Speaker 1>every morning and this was in the middle of the pandemic,

0:16:53.440 --> 0:16:55.640
<v Speaker 1>so it was like I'm seeing you every night and

0:16:55.720 --> 0:16:59.600
<v Speaker 1>every morning. So it felt really, um, I guess present

0:16:59.680 --> 0:17:02.720
<v Speaker 1>in the moment and we love a good like love song.

0:17:02.800 --> 0:17:05.960
<v Speaker 1>But also I was really excited, being from Texas to

0:17:06.000 --> 0:17:08.520
<v Speaker 1>write something that felt like a two stepping song, since

0:17:08.560 --> 0:17:10.800
<v Speaker 1>that's like the big thing there, like we grow up

0:17:10.880 --> 0:17:12.800
<v Speaker 1>two stepping, like when you're like two years old, you

0:17:12.880 --> 0:17:15.200
<v Speaker 1>learn how to and that was always a dream of mine,

0:17:15.200 --> 0:17:17.320
<v Speaker 1>and so we just kind of turn this little love

0:17:17.359 --> 0:17:20.080
<v Speaker 1>song into a little Texas two steps. So the album

0:17:20.200 --> 0:17:22.680
<v Speaker 1>is out Through the Madness, Volume two. I feel comfortable

0:17:22.720 --> 0:17:24.240
<v Speaker 1>doing this with you guys because I know you. But

0:17:25.119 --> 0:17:28.440
<v Speaker 1>somebody sends me facts about you guys from We always

0:17:28.440 --> 0:17:31.919
<v Speaker 1>are forwarded things and I never use them, oh yeah,

0:17:32.080 --> 0:17:34.800
<v Speaker 1>because they're always super generic and lame. Yeah, what I

0:17:34.800 --> 0:17:38.160
<v Speaker 1>would like to do. I don't even know if they're true. Okaye,

0:17:38.400 --> 0:17:41.720
<v Speaker 1>neither fun facts about Maddie. I'm gonna give you four

0:17:41.720 --> 0:17:42.880
<v Speaker 1>of them and you can just tell me if they're

0:17:42.880 --> 0:17:45.040
<v Speaker 1>true or false. Okay, this is like two truths in

0:17:45.119 --> 0:17:48.120
<v Speaker 1>a lie. Almost yes, except I think they're all true. Okay.

0:17:48.200 --> 0:17:50.600
<v Speaker 1>Number one, Maddie, when you're not making music, your favorite

0:17:50.600 --> 0:17:54.240
<v Speaker 1>thing to do is gardening. Yes, yeah, I'm really an

0:17:54.240 --> 0:17:56.960
<v Speaker 1>old lady. In my heart, I'm not as like cool

0:17:57.040 --> 0:18:01.280
<v Speaker 1>as most twenty something year old Okay. Maddie says her

0:18:01.320 --> 0:18:05.240
<v Speaker 1>biggest fans are her mom and dad. Oh okay, yeah,

0:18:05.280 --> 0:18:07.440
<v Speaker 1>I would say your nieces and Matthew. Oh yeah, they

0:18:07.480 --> 0:18:11.320
<v Speaker 1>think I'm so cool. There's one line, all right, Maddie

0:18:11.320 --> 0:18:15.000
<v Speaker 1>loves to dance. I'm sure you've seen these moves. Okay,

0:18:15.040 --> 0:18:16.680
<v Speaker 1>I don't. I haven't seen them. I haven't seen a move,

0:18:16.760 --> 0:18:19.560
<v Speaker 1>but obviously I can't get Houston real quick. And then

0:18:19.640 --> 0:18:22.320
<v Speaker 1>you play the mandolin. I do play the mandolin. I

0:18:22.400 --> 0:18:25.239
<v Speaker 1>haven't played her in a long time, but I did

0:18:25.240 --> 0:18:28.760
<v Speaker 1>to bring her back out on tour four four. Yeah,

0:18:28.800 --> 0:18:32.639
<v Speaker 1>that's pretty good fact. Okay, Taylor. Your favorite place to

0:18:32.640 --> 0:18:38.360
<v Speaker 1>write music it well, this is a lame one is Nashville, Tennessee.

0:18:38.920 --> 0:18:45.160
<v Speaker 1>Her favorite place to breathe. M Taylor started singing out.

0:18:45.280 --> 0:18:47.960
<v Speaker 1>He started singing the national anthem at your brother's baseball games.

0:18:48.119 --> 0:18:50.919
<v Speaker 1>That is true, that's true. That's where your tough like

0:18:51.040 --> 0:18:53.359
<v Speaker 1>thick skin came. Yeah. I got boot off the stage

0:18:53.400 --> 0:18:56.119
<v Speaker 1>one time in a Blue Jayson Orioles game. There was

0:18:56.119 --> 0:18:59.520
<v Speaker 1>a stage or the field. You did not get booted it.

0:18:59.680 --> 0:19:02.240
<v Speaker 1>I did it because I sang the Canadian national anthem

0:19:02.240 --> 0:19:04.159
<v Speaker 1>and they were like, sing your own and they booed

0:19:04.160 --> 0:19:08.840
<v Speaker 1>me off the fields. I was like fourteen or something

0:19:08.840 --> 0:19:12.439
<v Speaker 1>sing your own. It's so rude that a grown adult.

0:19:12.520 --> 0:19:14.960
<v Speaker 1>I've always held a little rutch. But I do love Canadians.

0:19:15.040 --> 0:19:18.840
<v Speaker 1>But to Blue Jay fans, yeah, I have no idea,

0:19:19.520 --> 0:19:21.560
<v Speaker 1>not even get in the five. That's crazy they boot you.

0:19:21.880 --> 0:19:23.960
<v Speaker 1>Did you mess up the words? No? I think they

0:19:24.000 --> 0:19:27.320
<v Speaker 1>just didn't like me. Oh Canada, I don't know it

0:19:27.359 --> 0:19:29.320
<v Speaker 1>at all, so they can really boo me. I love it.

0:19:29.680 --> 0:19:33.320
<v Speaker 1>I love it. Okay, finished the little blank here? Fill

0:19:33.359 --> 0:19:35.760
<v Speaker 1>in the blank. And if you were not a musician,

0:19:35.840 --> 0:19:37.879
<v Speaker 1>you would want to be a blank? I don't know,

0:19:38.760 --> 0:19:43.200
<v Speaker 1>maybe like oh, would you say, Maddie? Yeah, yeah, for sure.

0:19:43.240 --> 0:19:44.480
<v Speaker 1>If I had all the time in the world to

0:19:44.520 --> 0:19:46.959
<v Speaker 1>go study that, that would be fun This one is

0:19:47.280 --> 0:19:50.000
<v Speaker 1>the weirdest one. Okay, and we're gonna end on this one.

0:19:50.040 --> 0:19:53.119
<v Speaker 1>This is the weirdest one. Um, you had something in

0:19:53.160 --> 0:19:58.200
<v Speaker 1>the fifth grade, what was it, the fifth grade? I

0:19:58.200 --> 0:20:00.560
<v Speaker 1>don't even know how this would be funny. Yeah, I'm

0:20:00.560 --> 0:20:04.000
<v Speaker 1>not even gonna say this happened in the fifth grade. Um,

0:20:04.040 --> 0:20:08.040
<v Speaker 1>I won first chair and band. No, that's pretty cool.

0:20:08.160 --> 0:20:10.160
<v Speaker 1>That should have been it. Yeah, because this next one's

0:20:10.200 --> 0:20:16.200
<v Speaker 1>kind of creepy. Okay, so no creepier, oh creepier. Um,

0:20:17.119 --> 0:20:23.240
<v Speaker 1>your first kiss happened in fifth grade? Oh yeah, that's true, y'all.

0:20:23.280 --> 0:20:26.640
<v Speaker 1>My first kiss took a couple tries, like days, Like

0:20:26.680 --> 0:20:30.280
<v Speaker 1>it was just in seventh or seventh or eighth grade

0:20:30.359 --> 0:20:33.199
<v Speaker 1>something like that. It's more normal. It was like one

0:20:33.240 --> 0:20:34.879
<v Speaker 1>of those things where one of our friends was like,

0:20:34.920 --> 0:20:36.520
<v Speaker 1>y'all should kiss, and then we kissed, and then we

0:20:36.600 --> 0:20:43.240
<v Speaker 1>ran away from each other, like physically, yes, but what

0:20:43.480 --> 0:20:47.640
<v Speaker 1>person would ever see that and go so so talk

0:20:47.640 --> 0:20:49.320
<v Speaker 1>about your first kiss was in fifth grade? And Miss

0:20:49.400 --> 0:20:52.360
<v Speaker 1>Johnston's weird, right, that is very weird. One time we

0:20:52.359 --> 0:20:56.399
<v Speaker 1>were like just goofy and like tried to google ourselves

0:20:56.440 --> 0:21:00.760
<v Speaker 1>and there are some bizarre questions. If you look up

0:21:00.760 --> 0:21:02.800
<v Speaker 1>our Maddie and Tae, it looks it says our Maddie

0:21:02.800 --> 0:21:06.560
<v Speaker 1>and Tae dating. Yeah, well, this is something that we do. Confusing,

0:21:06.880 --> 0:21:09.360
<v Speaker 1>and you're leading me into it. The top five most

0:21:09.359 --> 0:21:13.400
<v Speaker 1>googled Maddie and Tae questions. Oh yeah, okay, one ore,

0:21:13.440 --> 0:21:16.960
<v Speaker 1>Maddie and te sisters are friends? Yes? Friends, Okay, that's

0:21:16.960 --> 0:21:19.320
<v Speaker 1>a good one. That's that's appropriate. That's nice. How did

0:21:19.359 --> 0:21:22.439
<v Speaker 1>Maddie and Tae know each other? Um? We met in

0:21:22.520 --> 0:21:25.359
<v Speaker 1>Dallas twelve years ago through a vocal coach. I think

0:21:25.440 --> 0:21:28.720
<v Speaker 1>that's everywhere somewhere. How did Maddie and Tae become famous?

0:21:29.560 --> 0:21:31.280
<v Speaker 1>I don't know. Are we famous? I don't think. I

0:21:31.280 --> 0:21:36.440
<v Speaker 1>don't think famous, famous famous? How tall is Maddie of

0:21:36.520 --> 0:21:39.720
<v Speaker 1>Maddie and Tay? That is so random? I'm five two,

0:21:40.480 --> 0:21:43.560
<v Speaker 1>but like, man, they must be like, wow, she's really short,

0:21:43.680 --> 0:21:47.000
<v Speaker 1>so we need to google how short she is? And finally,

0:21:47.240 --> 0:21:51.440
<v Speaker 1>is Tay related to Mason Die from Stranger Things Season four?

0:21:51.760 --> 0:21:55.360
<v Speaker 1>Is that really a googled question? It's literally the fifth one? Okay, yeah,

0:21:55.560 --> 0:21:58.040
<v Speaker 1>are you yeah? It's my brother. We had to keep

0:21:58.080 --> 0:22:03.040
<v Speaker 1>that secret really yeah? Yeah Jason? Second, yeah, Mason, I

0:22:03.040 --> 0:22:04.959
<v Speaker 1>didn't know that. I thought you were going to say no,

0:22:05.040 --> 0:22:07.760
<v Speaker 1>that's how things get started. No, he we had to

0:22:07.840 --> 0:22:10.680
<v Speaker 1>keep that secret. We ever talked about that? Yeah, okay,

0:22:10.880 --> 0:22:13.040
<v Speaker 1>say no, so this be exclusive? Yeah? Yeah, I have

0:22:13.080 --> 0:22:17.080
<v Speaker 1>no idea. Yeah, it was secret. We couldn't like we

0:22:17.160 --> 0:22:19.560
<v Speaker 1>knew Mason was going to be like the villain on

0:22:19.720 --> 0:22:25.000
<v Speaker 1>y'all seen it? Right? Yeah, but still cool. It's crazy. Yeah.

0:22:25.040 --> 0:22:26.440
<v Speaker 1>I like season one a whole lot. I just never

0:22:26.480 --> 0:22:29.520
<v Speaker 1>started back again. Yeah, but it's a commitment. Your brothers

0:22:29.520 --> 0:22:32.439
<v Speaker 1>in Stranger Things season four. Yeah, that's super cool. I know.

0:22:32.720 --> 0:22:36.480
<v Speaker 1>Is he famous? Yes? Yes, he's like going, where's he going?

0:22:36.640 --> 0:22:39.960
<v Speaker 1>South America? Yeah? Well, you guys said you weren't famous,

0:22:40.000 --> 0:22:41.760
<v Speaker 1>so you have a weird definition of fame because obviously

0:22:41.800 --> 0:22:43.159
<v Speaker 1>you are. But that's why I'm like, is he famous

0:22:43.200 --> 0:22:46.119
<v Speaker 1>in your I don't know. I don't feel famous, and

0:22:46.240 --> 0:22:48.280
<v Speaker 1>I hope that I never do because I feel like

0:22:48.320 --> 0:22:50.960
<v Speaker 1>that's got to get weird, you know. Yeah, like that,

0:22:51.040 --> 0:22:54.639
<v Speaker 1>Well you are? You are, guys, let's not be So

0:22:54.680 --> 0:22:57.280
<v Speaker 1>here's what I'm gonna say. The album is out through

0:22:57.320 --> 0:22:59.800
<v Speaker 1>the Madness Volume two. It's out, you guys, go listen

0:22:59.800 --> 0:23:02.160
<v Speaker 1>to a streaming like crazy. You guys are also headlining

0:23:02.160 --> 0:23:04.400
<v Speaker 1>the CMT Next Woman of a Country tour, and so

0:23:04.480 --> 0:23:07.760
<v Speaker 1>you got a bunch of shows there, right, that's still happenings. Yes,

0:23:08.880 --> 0:23:12.240
<v Speaker 1>anybody with you on this tour? Yes. Sasha and Abby

0:23:12.320 --> 0:23:16.359
<v Speaker 1>Kane are lovely openers. Good, they are amazing, amazing women.

0:23:16.440 --> 0:23:18.600
<v Speaker 1>I'm so thankful that we get to kind of take

0:23:18.640 --> 0:23:21.240
<v Speaker 1>them under our wing for this tour. But we're having

0:23:21.320 --> 0:23:23.520
<v Speaker 1>some fun times. I can't wait until we have a

0:23:23.560 --> 0:23:26.440
<v Speaker 1>wine night. That's that's on my bucket list for the tour. Yeah,

0:23:26.520 --> 0:23:28.479
<v Speaker 1>all the way to the end of October. They're all

0:23:28.520 --> 0:23:31.680
<v Speaker 1>over from Oklahoma City, Dallas, Houston, Boston, New York. If

0:23:31.680 --> 0:23:33.359
<v Speaker 1>you listen to us, you can go to one of

0:23:33.359 --> 0:23:35.960
<v Speaker 1>these shows for sure. They'll be everywhere. Okay, Maddie and

0:23:36.000 --> 0:23:38.240
<v Speaker 1>takes great to see you guys. Let me in with this.

0:23:38.280 --> 0:23:39.520
<v Speaker 1>I don't know if this is an awkward question or not,

0:23:39.600 --> 0:23:40.920
<v Speaker 1>so I'd like to end on any question that could

0:23:40.920 --> 0:23:43.880
<v Speaker 1>be awkward. Oh love it? How do we feel about

0:23:43.920 --> 0:23:46.960
<v Speaker 1>girl in the Country song? How do we feel about it? Um?

0:23:47.720 --> 0:23:51.159
<v Speaker 1>I honestly was expecting to be like sick of playing

0:23:51.160 --> 0:23:54.560
<v Speaker 1>it by now, But I love it more now than

0:23:54.600 --> 0:23:57.199
<v Speaker 1>I did then because I didn't realize how ballsy and

0:23:57.320 --> 0:24:01.240
<v Speaker 1>like screw everything that's hapkay in our genre. And now

0:24:01.280 --> 0:24:04.240
<v Speaker 1>I'm like, damn, we were some bold and like. Also

0:24:04.320 --> 0:24:07.919
<v Speaker 1>I'm like, I'm I'm glad that no one like hated it.

0:24:08.040 --> 0:24:10.120
<v Speaker 1>I mean, there was a couple there's a couple, yeah

0:24:10.160 --> 0:24:14.640
<v Speaker 1>there was, but like just the guts to do that.

0:24:14.760 --> 0:24:17.720
<v Speaker 1>I think I have an appreciation, but we were so naive.

0:24:17.760 --> 0:24:19.840
<v Speaker 1>I would like to reproduce it. That's how I feel about.

0:24:19.920 --> 0:24:23.440
<v Speaker 1>Why what about it? Now? Do you feel because it's

0:24:23.480 --> 0:24:26.000
<v Speaker 1>too slick? The production? I mean it's it's really we

0:24:26.040 --> 0:24:28.120
<v Speaker 1>got to produce our first record with Dan Huff, which

0:24:28.200 --> 0:24:31.679
<v Speaker 1>is freaking incredible. But now that we are really involved

0:24:31.680 --> 0:24:34.000
<v Speaker 1>in the production, I would love to like to read

0:24:34.119 --> 0:24:36.159
<v Speaker 1>grunge it up a little bit. Me too. I like

0:24:36.280 --> 0:24:38.000
<v Speaker 1>your answer. I thought you may go like, you know,

0:24:38.040 --> 0:24:39.520
<v Speaker 1>we don't want to play this song forever because we

0:24:39.520 --> 0:24:42.639
<v Speaker 1>were kids and we know it was But okay, you

0:24:42.640 --> 0:24:45.000
<v Speaker 1>feel that way about our fans, don't you know what

0:24:45.000 --> 0:24:46.920
<v Speaker 1>I mean? Yeah, Like there's sometimes I still like, so

0:24:47.040 --> 0:24:48.560
<v Speaker 1>I played all them, I'll be at home and I'll

0:24:48.560 --> 0:24:52.959
<v Speaker 1>be like, where's my jam But so you don't look

0:24:52.960 --> 0:24:54.040
<v Speaker 1>at them on the set lesson and go, oh, I

0:24:54.080 --> 0:24:57.040
<v Speaker 1>gotta play it again. No, I'm like, I don't know.

0:24:57.640 --> 0:25:00.119
<v Speaker 1>I just I'm still really proud of it. Now. I

0:25:00.119 --> 0:25:02.480
<v Speaker 1>will say maybe like three years ago, my answer would

0:25:02.480 --> 0:25:04.200
<v Speaker 1>have been different, where I would have been like, oh

0:25:04.200 --> 0:25:06.320
<v Speaker 1>my gosh, we made too many people mad and like,

0:25:06.880 --> 0:25:10.160
<v Speaker 1>you know, just caused too much crap. And now I'm like, no,

0:25:10.240 --> 0:25:12.680
<v Speaker 1>I'm glad that we did that. It needed to be done.

0:25:12.760 --> 0:25:14.800
<v Speaker 1>And then there was a big shift, like I don't

0:25:14.840 --> 0:25:16.479
<v Speaker 1>think it was just us. I think there were so

0:25:16.480 --> 0:25:18.760
<v Speaker 1>many other artists that kind of were like, Hey, this

0:25:18.960 --> 0:25:21.320
<v Speaker 1>thing we're doing in country music is lame and it's

0:25:21.480 --> 0:25:24.879
<v Speaker 1>not relevant anymore. We need to and now all the

0:25:24.880 --> 0:25:28.399
<v Speaker 1>songs are about girls and I'm into that. Well, I

0:25:28.440 --> 0:25:31.679
<v Speaker 1>like the answer. You just answered it at all I

0:25:31.760 --> 0:25:33.440
<v Speaker 1>like to say, And this isn't even more awkward in

0:25:33.520 --> 0:25:41.760
<v Speaker 1>fifth grade, right, I'm just kidding. Thank you. It's the

0:25:41.800 --> 0:25:47.720
<v Speaker 1>best Bits of the week with Morgan number two what

0:25:47.880 --> 0:25:51.320
<v Speaker 1>I am now dubbing the gene controversy of the week.

0:25:51.640 --> 0:25:55.720
<v Speaker 1>Eddie wanted to ask Marion Morris's guitarists about his jeans

0:25:55.760 --> 0:25:58.400
<v Speaker 1>where he got him, but basically freaked out because he

0:25:58.400 --> 0:26:00.199
<v Speaker 1>thought everybody would make fun of him on this show,

0:26:00.680 --> 0:26:03.240
<v Speaker 1>mostly Lunchbox would make fun of him for asking another

0:26:03.280 --> 0:26:06.400
<v Speaker 1>guy about his jeans, so he never asked. But then

0:26:06.400 --> 0:26:07.960
<v Speaker 1>he brought it up on the show that he fell

0:26:08.000 --> 0:26:10.119
<v Speaker 1>awkward and he wanted to ask, and we got in

0:26:10.200 --> 0:26:13.879
<v Speaker 1>touch with said guitarist, and they had a conversation on

0:26:13.920 --> 0:26:16.760
<v Speaker 1>the phone while on the show and it was interesting.

0:26:17.240 --> 0:26:20.159
<v Speaker 1>But if you've ever been a guy who's wanted to

0:26:20.160 --> 0:26:22.199
<v Speaker 1>know if you can ask another guy about his clothes

0:26:22.240 --> 0:26:25.360
<v Speaker 1>and where he got them, then this conversation is totally

0:26:25.440 --> 0:26:27.800
<v Speaker 1>for you. Number four, So Eddie wants to know if

0:26:27.800 --> 0:26:29.680
<v Speaker 1>it's awkward if you ask another guy where he bought

0:26:29.680 --> 0:26:33.639
<v Speaker 1>his clothes? Would you guys create weird rules? We have

0:26:33.680 --> 0:26:35.520
<v Speaker 1>weird rules. I think women would just be like, hey,

0:26:35.560 --> 0:26:37.800
<v Speaker 1>where'd you get that? No problem, a big deal. But

0:26:37.920 --> 0:26:41.639
<v Speaker 1>why what happened? First? Well, I've been shopping for like

0:26:41.720 --> 0:26:44.800
<v Speaker 1>new jeans and I don't know where to start. But

0:26:44.920 --> 0:26:47.080
<v Speaker 1>I saw someone come in the studio the other day.

0:26:47.200 --> 0:26:50.320
<v Speaker 1>He was Marrin's guitarist, and I saw his jeans and

0:26:50.359 --> 0:26:52.639
<v Speaker 1>see I already see lunchbox making faces at me, and

0:26:52.800 --> 0:26:54.480
<v Speaker 1>this is why I didn't want to have an embarrassed

0:26:54.480 --> 0:26:56.400
<v Speaker 1>to bring this up. Go ahead, And so I saw

0:26:56.440 --> 0:26:58.359
<v Speaker 1>his jeans and I was about to be like, dude,

0:26:58.640 --> 0:27:00.640
<v Speaker 1>what jeans are those? And where'd you get him? Because

0:27:00.880 --> 0:27:04.000
<v Speaker 1>I'd like to buy him? And I stopped myself because

0:27:04.119 --> 0:27:07.360
<v Speaker 1>I figured one he probably would get awkward about that

0:27:07.560 --> 0:27:10.879
<v Speaker 1>because who who asked another guy where you got your clothes?

0:27:10.880 --> 0:27:12.480
<v Speaker 1>And then I knew you guys would make fun of me,

0:27:12.480 --> 0:27:14.080
<v Speaker 1>at least lunch wots would make fun of me after

0:27:14.160 --> 0:27:16.080
<v Speaker 1>I asked, Okay, can a guy randomly ask another guy

0:27:16.080 --> 0:27:18.080
<v Speaker 1>who's not a close friend where he got his clothes

0:27:18.119 --> 0:27:20.800
<v Speaker 1>and how much they cost? No, Well, because the guy

0:27:20.880 --> 0:27:26.040
<v Speaker 1>thinks you're hitting on him. Oh my goodness, yes, yes, yes, yes.

0:27:26.080 --> 0:27:27.960
<v Speaker 1>If you walk up to a dude and just be like, hey, man,

0:27:27.960 --> 0:27:30.960
<v Speaker 1>where'd you get those jeans? Like? What? Excuse me? Like?

0:27:31.000 --> 0:27:32.440
<v Speaker 1>They look good on you? I thought i'd get me

0:27:32.480 --> 0:27:35.119
<v Speaker 1>about I wouldn't say that. Well, that's what you're basically saying,

0:27:35.320 --> 0:27:37.400
<v Speaker 1>is hey, those look good on you, the way they

0:27:37.440 --> 0:27:39.760
<v Speaker 1>shape your butt, and get me a pair of No,

0:27:40.000 --> 0:27:42.159
<v Speaker 1>he's saying, I just like the way they look the

0:27:42.280 --> 0:27:46.120
<v Speaker 1>jeans exactly, which I'm going to call him. No, Oh

0:27:46.160 --> 0:27:49.000
<v Speaker 1>my gosh, No, No, I mean i'd really like awkward.

0:27:49.040 --> 0:27:50.680
<v Speaker 1>I'd really like to know where he got those jeans.

0:27:50.720 --> 0:27:53.040
<v Speaker 1>But I just don't know if I should even go there.

0:27:53.400 --> 0:27:55.240
<v Speaker 1>Just get hey, let it go and maybe find my

0:27:55.240 --> 0:27:56.639
<v Speaker 1>own pair of jeans. Yeah, I think you can just

0:27:56.640 --> 0:27:58.600
<v Speaker 1>go to the store man person of all. Is it awkward? Yes?

0:27:58.680 --> 0:28:01.119
<v Speaker 1>Or no? Amy, No, I say no as well, only

0:28:01.160 --> 0:28:02.600
<v Speaker 1>you don't yell it out. Have you ever done it?

0:28:03.040 --> 0:28:07.399
<v Speaker 1>Probably probably like hey, what what brand is that? Yeah? Probably,

0:28:07.440 --> 0:28:09.840
<v Speaker 1>I don't think it's an awkward But also I'm not

0:28:09.920 --> 0:28:11.960
<v Speaker 1>like a dude. That's true. That's true. I'm like somewhere

0:28:11.960 --> 0:28:15.440
<v Speaker 1>in the medal. Yeah, I'm not really dude, dude, ray, wait,

0:28:15.520 --> 0:28:18.880
<v Speaker 1>thing it's all about the article of clothing jeans, and sure,

0:28:18.960 --> 0:28:21.080
<v Speaker 1>I mean, jeans is pretty bad. That's there's no way

0:28:21.119 --> 0:28:24.080
<v Speaker 1>you can pull that conversation off a T shirt and shoes. Yes,

0:28:24.240 --> 0:28:27.439
<v Speaker 1>shirts and shoes are fine. Shoes, I think so. Now

0:28:27.440 --> 0:28:30.440
<v Speaker 1>it depends on what item is. Yes, because jeans are

0:28:30.480 --> 0:28:34.280
<v Speaker 1>like the butt Like you said, Yeah, I think, hey, great,

0:28:34.280 --> 0:28:35.880
<v Speaker 1>but where'd you get those jeans? But I think that's

0:28:35.880 --> 0:28:37.800
<v Speaker 1>probably a weird thing. Okay, Okay, here's what we're gonna do.

0:28:37.800 --> 0:28:39.120
<v Speaker 1>I'm gonna say I can get on the phone. Oh

0:28:39.240 --> 0:28:41.920
<v Speaker 1>really yeah, Oh that's gonna be so awkward. Dude, Seriously,

0:28:41.880 --> 0:28:43.720
<v Speaker 1>I do hope he's awake. If it's gonna make me

0:28:43.800 --> 0:28:46.160
<v Speaker 1>look like not good, I don't want to do this.

0:28:46.200 --> 0:28:47.600
<v Speaker 1>I would ask him. I mean I would be like

0:28:47.760 --> 0:28:49.400
<v Speaker 1>talking about it. I'll be like, yeah, but I didn't

0:28:49.440 --> 0:28:51.200
<v Speaker 1>do it. I'd be like, hey, Ben, where'd you get

0:28:51.200 --> 0:28:54.440
<v Speaker 1>those jeans? Yah? That's his name, Ben. Those jeans are cool, man.

0:28:54.840 --> 0:28:56.840
<v Speaker 1>And then I think he warmed it. I heard festival too,

0:28:56.880 --> 0:28:59.280
<v Speaker 1>because when I saw him, I'm like, those Now we're

0:28:59.320 --> 0:29:02.320
<v Speaker 1>bordering on Okay, okay, let me see if we can

0:29:02.360 --> 0:29:05.160
<v Speaker 1>track them down. Let's play this song Cole Swindel. She

0:29:05.200 --> 0:29:07.480
<v Speaker 1>had medeads Carolina. You guys can also go to the

0:29:07.480 --> 0:29:09.520
<v Speaker 1>Facebook page and let us know. Can a dude be like, hey,

0:29:09.560 --> 0:29:11.680
<v Speaker 1>where'd you get those pants? I like them. I don't

0:29:11.680 --> 0:29:13.640
<v Speaker 1>think there's anything wrong with it. See, you're just saying

0:29:13.680 --> 0:29:15.280
<v Speaker 1>it right now. It's kind of weird. It doesn't I

0:29:15.280 --> 0:29:17.360
<v Speaker 1>would say that one hundred out of one hundred times.

0:29:17.600 --> 0:29:23.880
<v Speaker 1>Oh man, you've already admitted your different Yeah, differently. It's

0:29:23.920 --> 0:29:27.440
<v Speaker 1>the best bits of the week. With Morgan number two,

0:29:28.600 --> 0:29:32.520
<v Speaker 1>we got a big update on Amy's Sisters HDTV show

0:29:32.720 --> 0:29:37.160
<v Speaker 1>Building Roots. It's coming back for a second season, which congratulations,

0:29:37.440 --> 0:29:40.760
<v Speaker 1>so amazing. But even better, we got an update on

0:29:40.840 --> 0:29:43.000
<v Speaker 1>whether Amy and Lunchbox are going to be making an

0:29:43.040 --> 0:29:45.760
<v Speaker 1>appearance on the second season, and well, great news for

0:29:45.800 --> 0:29:49.000
<v Speaker 1>Amy and honestly not great news for Lunchbox, but you

0:29:49.040 --> 0:29:51.680
<v Speaker 1>know that's all right. It was all in good fun.

0:29:51.800 --> 0:29:53.680
<v Speaker 1>I guess maybe I don't really know what to say

0:29:53.720 --> 0:29:56.000
<v Speaker 1>here because it was a little awkward and Lunchbox was

0:29:56.040 --> 0:29:58.880
<v Speaker 1>sad but super exciting for Amy and really exciting for

0:29:58.960 --> 0:30:01.840
<v Speaker 1>her sister and her HU. Has been just some fun

0:30:01.840 --> 0:30:05.400
<v Speaker 1>news here, but also some letdown news here for Lunchbox

0:30:05.920 --> 0:30:08.920
<v Speaker 1>number three. A couple of segments ago, Amy mentioned that

0:30:09.120 --> 0:30:13.000
<v Speaker 1>her sisters show, which is called Building Roots, got renewed

0:30:13.000 --> 0:30:16.280
<v Speaker 1>for a season two on HGTV, which we're very excited about, which, again,

0:30:16.280 --> 0:30:19.840
<v Speaker 1>do you guys lucious they just heard. So that being said,

0:30:20.000 --> 0:30:22.680
<v Speaker 1>I think Amy's got some news for Lunchbox that she

0:30:22.800 --> 0:30:25.280
<v Speaker 1>was wanting to say. Dennis aid, hold off, what would

0:30:25.280 --> 0:30:27.120
<v Speaker 1>you like to sell Lunchbox? Because he thinks he's going

0:30:27.160 --> 0:30:29.640
<v Speaker 1>to be on the show, right, So he met with

0:30:29.760 --> 0:30:32.320
<v Speaker 1>casting because they're potentially going to do an episode in

0:30:32.440 --> 0:30:36.040
<v Speaker 1>Nashville even though it's based in Colorado. And while I

0:30:36.080 --> 0:30:40.440
<v Speaker 1>can't give details about that yet, I don't know that

0:30:40.560 --> 0:30:43.000
<v Speaker 1>Lunchbox is like a hole in the roof thing is

0:30:43.280 --> 0:30:45.840
<v Speaker 1>gonna be that if let's just say if he doesn't

0:30:45.840 --> 0:30:48.880
<v Speaker 1>get featured on the show because he wants his home repaired,

0:30:48.920 --> 0:30:50.680
<v Speaker 1>which that's not what they do. Yeah, they don't just

0:30:50.680 --> 0:30:52.560
<v Speaker 1>come in mister fixing. No, no no, no, but we were

0:30:52.560 --> 0:30:54.200
<v Speaker 1>gonna do I mean why they were fixing that. Oh

0:30:54.240 --> 0:30:55.640
<v Speaker 1>you're here, he might as well do the kitchen, might

0:30:55.680 --> 0:30:57.720
<v Speaker 1>as well do the bathroom. I had a backpack. He

0:30:58.000 --> 0:30:59.560
<v Speaker 1>has to pay for it. I think he was shocked

0:30:59.600 --> 0:31:01.640
<v Speaker 1>by that. And I said, okay, I'll get a loan,

0:31:01.760 --> 0:31:04.040
<v Speaker 1>no problem, you toll casting, you would get a loan

0:31:04.080 --> 0:31:05.440
<v Speaker 1>to pay for it all. Yeah, And they told me

0:31:05.520 --> 0:31:07.320
<v Speaker 1>I was an a segment. They told me I was

0:31:07.360 --> 0:31:09.160
<v Speaker 1>the ayah, I was. I told that all the time

0:31:09.160 --> 0:31:11.240
<v Speaker 1>about Hollywood. I'll be honest, you're the mat You're the guy.

0:31:11.320 --> 0:31:13.480
<v Speaker 1>You're the guy, didn't. I mean, they were building me

0:31:13.520 --> 0:31:14.760
<v Speaker 1>up and then all of a sudden, I didn't hear

0:31:14.800 --> 0:31:17.320
<v Speaker 1>from them. I haven't heard from them. They like you, Oh,

0:31:17.360 --> 0:31:21.720
<v Speaker 1>they like you. It brings me to my little thing

0:31:21.760 --> 0:31:26.120
<v Speaker 1>that I'm going to say here, so I will tell

0:31:26.240 --> 0:31:30.040
<v Speaker 1>Lunchbox that I think sadly he's not going to be used.

0:31:31.200 --> 0:31:35.000
<v Speaker 1>What Why am I not gonna why? Why would what?

0:31:35.000 --> 0:31:37.200
<v Speaker 1>What happened why didn't they tell me, Like, why don't

0:31:37.200 --> 0:31:39.360
<v Speaker 1>they come back and buy Hey, they had me Pegg,

0:31:39.440 --> 0:31:42.120
<v Speaker 1>there's an a Pegg. I think they just told you that,

0:31:43.000 --> 0:31:44.840
<v Speaker 1>like you, you could possibly be an A, which we

0:31:44.840 --> 0:31:46.440
<v Speaker 1>don't even know what that meant. I don't either. No,

0:31:46.520 --> 0:31:49.320
<v Speaker 1>it was the big, the big project for the story

0:31:49.440 --> 0:31:51.880
<v Speaker 1>like that that episode, because it's a repair in your house.

0:31:52.680 --> 0:31:54.760
<v Speaker 1>And then there was like it's a family show and

0:31:54.840 --> 0:31:57.240
<v Speaker 1>he didn't want his family on it. Oh yeah, that'd

0:31:57.240 --> 0:31:59.240
<v Speaker 1>be tough. No, my wife was going to be on there.

0:32:00.120 --> 0:32:05.400
<v Speaker 1>She's never in anything. Okay, yes, okay, I don't understand.

0:32:05.520 --> 0:32:07.200
<v Speaker 1>They told you that they're not going to work with him.

0:32:07.280 --> 0:32:10.640
<v Speaker 1>I listen. I can't even say for sure they're working here,

0:32:10.720 --> 0:32:16.120
<v Speaker 1>but they're probably not working with him. I am okay. Also, no, no,

0:32:16.120 --> 0:32:19.000
<v Speaker 1>no, no no, no, no, no, no, no no, there's the

0:32:19.080 --> 0:32:21.640
<v Speaker 1>other couple that applied for the A story and it's good.

0:32:22.200 --> 0:32:24.240
<v Speaker 1>Oh someone else has already got the A story if

0:32:24.560 --> 0:32:28.080
<v Speaker 1>they're coming here, Oh yeah, it can't be. How can

0:32:28.120 --> 0:32:30.560
<v Speaker 1>they be better than me? And then I'll think it's

0:32:30.560 --> 0:32:31.960
<v Speaker 1>probably because you have they don't have a hole in

0:32:32.000 --> 0:32:33.200
<v Speaker 1>the roof, like they really want to do what the

0:32:33.200 --> 0:32:36.280
<v Speaker 1>show does. Why I did. I wanted to do the

0:32:36.360 --> 0:32:38.520
<v Speaker 1>kitchen and the your initial reason as a hole in

0:32:38.520 --> 0:32:41.560
<v Speaker 1>your roof, Right, that's why you get a roofer. So

0:32:41.600 --> 0:32:43.480
<v Speaker 1>if I get my roof fixed, then they'll do it.

0:32:44.000 --> 0:32:47.000
<v Speaker 1>I don't know they met with you, like, look, I

0:32:47.040 --> 0:32:49.360
<v Speaker 1>think they liked you. And I'm gonna send him an email. Okay,

0:32:50.240 --> 0:32:51.640
<v Speaker 1>I'm gonna send an email and be like, you know,

0:32:51.640 --> 0:32:53.520
<v Speaker 1>it's absolutely rude that you chose not to go with me.

0:32:53.560 --> 0:32:56.080
<v Speaker 1>So what we're gonna say at the final part? Oh well,

0:32:56.800 --> 0:32:59.480
<v Speaker 1>also there's a B story and I don't know that

0:32:59.520 --> 0:33:03.400
<v Speaker 1>I might be it. Oh my god, Well, obviously you're

0:33:03.400 --> 0:33:05.120
<v Speaker 1>gonna be on it. You're gonna be the B story

0:33:05.120 --> 0:33:08.480
<v Speaker 1>in my a. But now you got demoted, which maybe

0:33:08.560 --> 0:33:09.959
<v Speaker 1>you thought you'd get the motor to be. And then

0:33:10.000 --> 0:33:12.360
<v Speaker 1>Amy goes to see, yeah, I got you got demoted,

0:33:13.200 --> 0:33:17.040
<v Speaker 1>fired nothing, and Amy's gonna be I cannot believe this show.

0:33:17.200 --> 0:33:19.600
<v Speaker 1>This show has no future. It already does. It's just

0:33:19.680 --> 0:33:21.959
<v Speaker 1>been a need for a second season. But why I

0:33:22.000 --> 0:33:25.000
<v Speaker 1>am shocked that they are not gonna use me all

0:33:25.000 --> 0:33:26.800
<v Speaker 1>the We're not gonna talk about the episode. We're not

0:33:26.800 --> 0:33:29.960
<v Speaker 1>gonna talk about it at all. Who's we in what episode?

0:33:30.480 --> 0:33:33.240
<v Speaker 1>We're telling me, not talking about what I'm putting it on. Notice,

0:33:33.280 --> 0:33:35.400
<v Speaker 1>right now we're putting it on the ball held. Let

0:33:35.440 --> 0:33:41.760
<v Speaker 1>me see how building room? How much dark lunchbox is noticed? Zer? Zero? Yeah?

0:33:41.840 --> 0:33:44.720
<v Speaker 1>Zero zero? Bobby, Bobby, do you think it's a bad

0:33:44.760 --> 0:33:46.240
<v Speaker 1>move by them for not to put me on? It's

0:33:46.240 --> 0:33:48.240
<v Speaker 1>their show. You don't really have what they're looking for.

0:33:49.000 --> 0:33:51.360
<v Speaker 1>I have a house, I have needs, and I have

0:33:51.440 --> 0:33:55.000
<v Speaker 1>fame of a house, and you have needs. You need

0:33:55.120 --> 0:33:57.160
<v Speaker 1>a natural project for them to work on. That's not

0:33:57.200 --> 0:33:58.520
<v Speaker 1>just a hole in your roof or not. You go

0:33:58.600 --> 0:34:02.200
<v Speaker 1>wh I can also do this real quick? Well, Amy,

0:34:02.200 --> 0:34:03.640
<v Speaker 1>I can't wait to you. Do you become a star

0:34:03.680 --> 0:34:05.920
<v Speaker 1>from this. I'm going to text your sister. We'll see. Listen.

0:34:05.960 --> 0:34:09.479
<v Speaker 1>I'm texting your sister is saying, how rude? Okay, well

0:34:09.760 --> 0:34:11.560
<v Speaker 1>we have you want to text her? Breaking No, we

0:34:11.600 --> 0:34:14.600
<v Speaker 1>don't care, breaking news. So rude? So I believe you?

0:34:14.600 --> 0:34:19.960
<v Speaker 1>What was someone else? You're dead to me? Also, all

0:34:20.040 --> 0:34:21.759
<v Speaker 1>of this is off the record, you know, and your

0:34:21.760 --> 0:34:23.680
<v Speaker 1>brother in law too. You can't say off the record.

0:34:23.719 --> 0:34:26.200
<v Speaker 1>When you just said on a national he was like,

0:34:26.239 --> 0:34:29.840
<v Speaker 1>oh this is a secret, no official Hayes in the barn.

0:34:30.440 --> 0:34:31.719
<v Speaker 1>I mean your brother in law is I'm like, it

0:34:31.760 --> 0:34:33.440
<v Speaker 1>was an emergency. I need to talk to casting today.

0:34:33.480 --> 0:34:36.360
<v Speaker 1>Well guess what you're dead to me too. Wow, just

0:34:36.360 --> 0:34:40.640
<v Speaker 1>put on a group tech say you let me play

0:34:40.680 --> 0:34:43.440
<v Speaker 1>this song. Thank you for the update, Amy. Wow. Amy's

0:34:43.480 --> 0:34:45.160
<v Speaker 1>gonna be on the show on Lunchbox, isn't it. Wow?

0:34:45.320 --> 0:34:48.600
<v Speaker 1>There you have it. It's the best bits of the

0:34:48.640 --> 0:34:53.520
<v Speaker 1>week with Morgan. Number two. Parker McCollum stopped by the

0:34:53.560 --> 0:34:56.040
<v Speaker 1>show this week and I got to see him in

0:34:56.120 --> 0:35:00.480
<v Speaker 1>concert recently and he was so incredible live. Definitely check

0:35:00.560 --> 0:35:02.960
<v Speaker 1>him out. If he's coming too your city, go see him.

0:35:03.000 --> 0:35:05.920
<v Speaker 1>I'm telling you, the crowd gets wild. People are loving

0:35:05.960 --> 0:35:09.120
<v Speaker 1>at Parker McCollum. And this interview is no exception. Y'all

0:35:09.160 --> 0:35:11.640
<v Speaker 1>love to hear this and hear all of the stories

0:35:11.680 --> 0:35:13.960
<v Speaker 1>that he shared because he was very honest. He talked

0:35:13.960 --> 0:35:16.480
<v Speaker 1>about what it's like being on stage performing and he

0:35:16.680 --> 0:35:19.919
<v Speaker 1>even mentioned that he knows which songs of his people

0:35:19.920 --> 0:35:21.480
<v Speaker 1>are going to get up and go get popcorn or

0:35:21.520 --> 0:35:24.319
<v Speaker 1>go to the bathroom during and he also recognizes when

0:35:24.360 --> 0:35:27.680
<v Speaker 1>fans yawn, and his whole goal when he's performing is

0:35:27.719 --> 0:35:29.440
<v Speaker 1>to make sure people stand on their feet. It was

0:35:29.480 --> 0:35:32.680
<v Speaker 1>just a really cool, honest and refreshing interview with Parker

0:35:32.719 --> 0:35:36.720
<v Speaker 1>McCollum and Bobby so here It is number two, buddy,

0:35:37.880 --> 0:35:39.560
<v Speaker 1>Good to see you. It's good to see you as well.

0:35:39.800 --> 0:35:41.359
<v Speaker 1>You know, every time I look at you, you're playing

0:35:41.360 --> 0:35:44.680
<v Speaker 1>a massive show and they continue to get bigger and bigger.

0:35:44.680 --> 0:35:47.840
<v Speaker 1>Are you feeling like the wave growth for you? I

0:35:47.880 --> 0:35:50.839
<v Speaker 1>don't know, man, It's it's been crazy, crazy, blur all

0:35:50.920 --> 0:35:53.520
<v Speaker 1>your hands down, craziest year in my life, like every

0:35:53.680 --> 0:35:55.760
<v Speaker 1>year before this, and I'm like, yo, I'm barely hanging

0:35:55.800 --> 0:35:58.920
<v Speaker 1>on to this thing. This year way more intense and

0:35:59.560 --> 0:36:03.120
<v Speaker 1>all good, bless so lucky. Um, probably a good thing

0:36:03.160 --> 0:36:05.040
<v Speaker 1>that it's a blur. I do that thing and sometimes

0:36:05.040 --> 0:36:07.880
<v Speaker 1>people take a picture inside their house and I'll like

0:36:07.960 --> 0:36:11.440
<v Speaker 1>zoom into parts of their house and go, yeah, so

0:36:11.600 --> 0:36:13.680
<v Speaker 1>I and I rarely admit this, but I'm like, looking,

0:36:13.760 --> 0:36:15.600
<v Speaker 1>let me see. But I do it at your shows too,

0:36:15.640 --> 0:36:18.359
<v Speaker 1>because they're so big, and I like zoom to see

0:36:18.400 --> 0:36:20.560
<v Speaker 1>if there are people's top roads and yeah, if it's

0:36:20.560 --> 0:36:22.840
<v Speaker 1>sold out and how big the venue is. You're playing

0:36:22.840 --> 0:36:25.799
<v Speaker 1>some really big spaces right now. Like sometimes I do

0:36:25.840 --> 0:36:28.279
<v Speaker 1>that on stage. You do what. I'm looking up there,

0:36:28.280 --> 0:36:31.520
<v Speaker 1>I'm like, up there. Do you watch ticket sales? No?

0:36:31.960 --> 0:36:34.680
<v Speaker 1>Never do you ask before you go on stage? Sometimes?

0:36:35.040 --> 0:36:37.520
<v Speaker 1>Do you ever get news you don't like? Yes? And

0:36:37.560 --> 0:36:39.640
<v Speaker 1>then how do you react to it? Go out there

0:36:39.640 --> 0:36:43.040
<v Speaker 1>and swing even harder? Do you ever go? Oh? Man,

0:36:43.200 --> 0:36:45.480
<v Speaker 1>I can't. I guess people don't like me in this

0:36:45.520 --> 0:36:49.919
<v Speaker 1>part of the country. Um No, because I do that? Okay, well, good,

0:36:49.960 --> 0:36:51.240
<v Speaker 1>because I do that in every part of the country.

0:36:51.239 --> 0:36:52.920
<v Speaker 1>I'm like, is that a good thing? Yeah, that is

0:36:52.960 --> 0:36:55.440
<v Speaker 1>a good thing. No, man, I try not to. I

0:36:55.520 --> 0:36:58.080
<v Speaker 1>really try not to think about it. Um. Sometimes you

0:36:58.400 --> 0:37:01.440
<v Speaker 1>I've been there, like big shows or whatever that or

0:37:01.480 --> 0:37:03.000
<v Speaker 1>maybe a show you were like, oh, I know, we'll

0:37:03.000 --> 0:37:06.279
<v Speaker 1>sell it out and you don't. Um. Sometimes I'll like,

0:37:07.000 --> 0:37:10.359
<v Speaker 1>you know, I'll be asking around before i'll ask, I'll

0:37:10.360 --> 0:37:12.800
<v Speaker 1>call Henry and my agent. I'll be like, hey, we

0:37:12.880 --> 0:37:16.120
<v Speaker 1>sole many tickets tonight, because it's been most nights. Who

0:37:16.120 --> 0:37:18.000
<v Speaker 1>don't have to ask so And that's why I ask you,

0:37:18.000 --> 0:37:20.239
<v Speaker 1>because it's you've been killing it so often. If you're

0:37:20.239 --> 0:37:22.320
<v Speaker 1>a neurotic like me. Anytime I put any ticket on sale,

0:37:22.360 --> 0:37:24.279
<v Speaker 1>I'm looking at the little blue dots, but I'm doing

0:37:24.320 --> 0:37:27.040
<v Speaker 1>theaters though, and they sell individual seats there and I'm like,

0:37:27.080 --> 0:37:28.680
<v Speaker 1>I guess people don't want to sit that close to me,

0:37:28.920 --> 0:37:30.719
<v Speaker 1>so I really freak out about it. But good for

0:37:30.800 --> 0:37:33.600
<v Speaker 1>you they sit down for and when they when they

0:37:33.640 --> 0:37:35.560
<v Speaker 1>have seats a lot of times they'll sit down. That's

0:37:35.560 --> 0:37:36.960
<v Speaker 1>like the thing I worry about. And I'm like, what

0:37:37.000 --> 0:37:38.839
<v Speaker 1>if they sit down all night? Then I'll stand Oh

0:37:38.840 --> 0:37:41.400
<v Speaker 1>you worry about them sitting. See, I don't want on

0:37:41.400 --> 0:37:43.600
<v Speaker 1>their feet. I don't want anybody standing up. But I'm

0:37:43.600 --> 0:37:46.279
<v Speaker 1>also doing jokes, so if they're standing out, they're probably leaving.

0:37:46.719 --> 0:37:49.879
<v Speaker 1>I don't know, man, I probably look I probably worry

0:37:49.920 --> 0:37:51.360
<v Speaker 1>about it and look at it more than I admit,

0:37:51.440 --> 0:37:53.279
<v Speaker 1>but really not that much. Dot. Do you ever look

0:37:53.320 --> 0:37:56.160
<v Speaker 1>at anybody in the audience and if they're like looking

0:37:56.200 --> 0:37:58.839
<v Speaker 1>at their phone or not paying attention to you, and go, man,

0:37:58.880 --> 0:38:00.480
<v Speaker 1>I gotta turn this thing up a little of it. No,

0:38:00.560 --> 0:38:03.760
<v Speaker 1>but you'll see people. I'll see people yawn Oh, nonny.

0:38:04.480 --> 0:38:07.200
<v Speaker 1>I have a funny story about that, and and I

0:38:07.239 --> 0:38:09.000
<v Speaker 1>think about it every time someone yawns. But I sat

0:38:09.080 --> 0:38:10.920
<v Speaker 1>front Road to John Mayer concert at one time in

0:38:10.920 --> 0:38:13.520
<v Speaker 1>San Antonio. I mean, like front Road dead center in

0:38:13.560 --> 0:38:17.240
<v Speaker 1>front of his microphone, and it was in I yawned

0:38:17.320 --> 0:38:21.960
<v Speaker 1>during Why Georgia and uh um. After the song he

0:38:22.040 --> 0:38:23.400
<v Speaker 1>was He didn't look at me and say it, but

0:38:23.440 --> 0:38:25.040
<v Speaker 1>he was like, oh, we already got people yawning, and

0:38:25.120 --> 0:38:27.640
<v Speaker 1>they played something a little more up tempo. But I

0:38:27.680 --> 0:38:29.919
<v Speaker 1>always see people yawned. But you have to think about

0:38:29.960 --> 0:38:34.200
<v Speaker 1>yourself at that point, you probably weren't bored. Maybe before

0:38:34.280 --> 0:38:36.719
<v Speaker 1>I was just tired. Yeah, and so so now you

0:38:36.719 --> 0:38:39.319
<v Speaker 1>have to just think that's you watching John Mayer. Yeah,

0:38:39.320 --> 0:38:41.319
<v Speaker 1>when people go to the bathroom in the middle of

0:38:41.320 --> 0:38:44.520
<v Speaker 1>a song, does that bother you? Um? No, But I

0:38:44.840 --> 0:38:46.840
<v Speaker 1>know which songs they're going to the bathroom on, like

0:38:46.960 --> 0:38:48.640
<v Speaker 1>pretty Hard, they're back in their seat by the time

0:38:48.640 --> 0:38:50.040
<v Speaker 1>we play that, or I can't breathe a hell of

0:38:50.080 --> 0:38:52.719
<v Speaker 1>a year. There's a couple of songs I noticed, like

0:38:52.760 --> 0:38:54.719
<v Speaker 1>if we do a cover, which is very rare, we didn't.

0:38:54.719 --> 0:38:58.200
<v Speaker 1>We rarely rarely do covers. But people go get some popcorn.

0:38:58.239 --> 0:39:01.040
<v Speaker 1>What's your go to cover? Um? For a little while,

0:39:01.040 --> 0:39:04.399
<v Speaker 1>it was true by George Strait Earlier this year. We

0:39:04.400 --> 0:39:08.080
<v Speaker 1>were doing Dwight Yoacom's version of Suspicious Minds for a while,

0:39:08.440 --> 0:39:10.600
<v Speaker 1>but that's a really cold And I was getting messages

0:39:10.600 --> 0:39:12.879
<v Speaker 1>after the shows from kids that were like, Hey, your

0:39:12.920 --> 0:39:18.040
<v Speaker 1>new song is awesome, and that's like the one part

0:39:18.040 --> 0:39:21.160
<v Speaker 1>of the show. Just nobody, no, nobody, no, these kids

0:39:21.239 --> 0:39:23.680
<v Speaker 1>know that song and they're just like, we don't want

0:39:23.680 --> 0:39:25.960
<v Speaker 1>to hear that. Yeah, Parker McCallum was here with us,

0:39:26.520 --> 0:39:29.239
<v Speaker 1>and I haven't seen you in person since, like the

0:39:29.320 --> 0:39:34.360
<v Speaker 1>laptop incident happened, because I believe, oh, when it got stolen, Yeah,

0:39:34.400 --> 0:39:37.279
<v Speaker 1>that was bad. And I've saved this the entire time

0:39:37.520 --> 0:39:38.719
<v Speaker 1>because I wanted to talk to you about it on

0:39:38.760 --> 0:39:43.200
<v Speaker 1>the air. So your laptop was stolen from where Hollie

0:39:43.200 --> 0:39:45.719
<v Speaker 1>It was actually Hollie Ray's computer. She was fine out

0:39:45.719 --> 0:39:48.160
<v Speaker 1>of somewhere and was taken. It was stolen in the

0:39:49.200 --> 0:39:51.520
<v Speaker 1>when you come out the other side of the yes,

0:39:51.560 --> 0:39:54.439
<v Speaker 1>out of the base. Wait, what when you just put

0:39:54.480 --> 0:39:57.839
<v Speaker 1>it through for like six seconds and somebody took it

0:39:57.880 --> 0:40:00.439
<v Speaker 1>and went home somewhere. Hold on, let me get this straight.

0:40:00.800 --> 0:40:03.040
<v Speaker 1>You put yourself so you take your shoes off. That's

0:40:03.040 --> 0:40:05.000
<v Speaker 1>what happened to take your laptop. I don't know, or

0:40:05.040 --> 0:40:07.719
<v Speaker 1>maybe that's crazy if someone is that bolded. I was there.

0:40:07.760 --> 0:40:09.279
<v Speaker 1>I was not with Hallie Ray. When it happened, I

0:40:09.320 --> 0:40:11.000
<v Speaker 1>was about to walk on stage somewhere and I just

0:40:11.000 --> 0:40:12.480
<v Speaker 1>put on Twitter. I'm like, yo, this is where its

0:40:12.480 --> 0:40:15.640
<v Speaker 1>computer says if anybody knows anybody here, like because you

0:40:15.640 --> 0:40:18.000
<v Speaker 1>did the track my computer, which is crazy that it

0:40:18.000 --> 0:40:19.520
<v Speaker 1>would be on because that means the computer has to

0:40:19.640 --> 0:40:22.080
<v Speaker 1>be on. And so it tracked. It showed up at

0:40:22.120 --> 0:40:26.239
<v Speaker 1>somebody's house and I came off stage, and I guess

0:40:26.280 --> 0:40:28.239
<v Speaker 1>it was some big miss. They said it was a misunderstanding.

0:40:28.280 --> 0:40:29.959
<v Speaker 1>I don't know. I was not there, but these people

0:40:30.040 --> 0:40:32.440
<v Speaker 1>got very upset that like hundreds of people started showing

0:40:32.480 --> 0:40:35.239
<v Speaker 1>up to their house on a Friday night asking for

0:40:35.280 --> 0:40:38.160
<v Speaker 1>this laptop. Oh my god, So I really should not

0:40:38.200 --> 0:40:41.719
<v Speaker 1>have done that. You posted where it was I did. Yeah,

0:40:41.719 --> 0:40:43.319
<v Speaker 1>I just put on Twitter real quick. I was like,

0:40:43.520 --> 0:40:45.600
<v Speaker 1>I was like, hey, just somebody run grabbed this like

0:40:45.680 --> 0:40:49.480
<v Speaker 1>from their house. And then I was on stage for

0:40:49.520 --> 0:40:50.920
<v Speaker 1>an hour and a half and I come off and

0:40:50.960 --> 0:40:53.920
<v Speaker 1>I think my four manager at the time had like

0:40:54.000 --> 0:40:55.920
<v Speaker 1>gone on stage and or gone on the bus and

0:40:55.960 --> 0:40:58.759
<v Speaker 1>got my phone and deleted the tweet and all that.

0:40:58.760 --> 0:41:00.080
<v Speaker 1>They were really coming to the ears like what's your

0:41:00.120 --> 0:41:02.000
<v Speaker 1>phone password? I can remember that and they deleted it.

0:41:02.120 --> 0:41:04.840
<v Speaker 1>He says that over the mic three two it was

0:41:04.960 --> 0:41:07.680
<v Speaker 1>it was it was sorry to those people. That's crazy

0:41:07.920 --> 0:41:10.040
<v Speaker 1>an accident unless they stole it. Yeah, I think it

0:41:10.120 --> 0:41:13.200
<v Speaker 1>was stolen. I would think so too, so not sorry, Yeah,

0:41:13.239 --> 0:41:15.120
<v Speaker 1>but I would. But still, I mean, I'm sure they

0:41:15.120 --> 0:41:17.840
<v Speaker 1>would have probably could have just contacted it. Mightn't have

0:41:17.840 --> 0:41:19.400
<v Speaker 1>to put the third dress on. You know, it's a

0:41:19.400 --> 0:41:21.720
<v Speaker 1>great story. I've been saving it. They'll never do that again.

0:41:22.000 --> 0:41:24.360
<v Speaker 1>I saw a picture of maybe it was in Nashville.

0:41:24.400 --> 0:41:26.560
<v Speaker 1>So they throw a bra up on stage, and you

0:41:26.600 --> 0:41:28.560
<v Speaker 1>know that was a big thing in the eighties and nineties.

0:41:28.560 --> 0:41:31.520
<v Speaker 1>People throw them underwear up on stage. But women like you.

0:41:31.600 --> 0:41:34.759
<v Speaker 1>Women love you, Dudes love you. But how did your wife? Yeah,

0:41:34.800 --> 0:41:36.600
<v Speaker 1>how does your wife something that don't How did your

0:41:36.640 --> 0:41:40.080
<v Speaker 1>wife reactro people women are on their underwear on stage? Um,

0:41:40.239 --> 0:41:43.160
<v Speaker 1>you know, I don't. She's she's pretty good about it, man,

0:41:43.280 --> 0:41:46.359
<v Speaker 1>She's Uh, I can understand why. Maybe. I mean, if

0:41:46.360 --> 0:41:48.160
<v Speaker 1>she was up there and much of men were throwing

0:41:48.200 --> 0:41:50.960
<v Speaker 1>their boxers at her, I'd probably be like, not one

0:41:51.040 --> 0:41:53.680
<v Speaker 1>hundred percent, But she's I think she's ninety nine percent

0:41:53.680 --> 0:41:56.399
<v Speaker 1>okay with it. Do you have to go. You can't

0:41:56.400 --> 0:41:58.959
<v Speaker 1>save them, right, I guess it's you can't put leaving

0:41:58.960 --> 0:42:01.760
<v Speaker 1>your house, like in a box of underwear that's thrown.

0:42:01.960 --> 0:42:03.880
<v Speaker 1>We did have a guy that worked at Anyone night

0:42:03.880 --> 0:42:06.359
<v Speaker 1>askot he said they're expensive and his daughter wears them?

0:42:06.680 --> 0:42:12.160
<v Speaker 1>What no true story? His daughter yes, and he there's

0:42:12.160 --> 0:42:15.680
<v Speaker 1>a true story. Do you think that people that throw

0:42:16.280 --> 0:42:20.080
<v Speaker 1>this is us imagining people that do that. Do you

0:42:20.120 --> 0:42:22.799
<v Speaker 1>think they bring extra or they take theirs off? I've

0:42:22.800 --> 0:42:26.640
<v Speaker 1>wondered that. I've wondered that because sometimes, like man, they'll

0:42:26.640 --> 0:42:29.040
<v Speaker 1>throw them and they're I mean, it's like a it's

0:42:29.080 --> 0:42:31.880
<v Speaker 1>like a gag gift almost, like the brawl is so big.

0:42:31.920 --> 0:42:34.799
<v Speaker 1>I'm like somebody, some some guy trying to be funny.

0:42:34.880 --> 0:42:38.759
<v Speaker 1>Probably unless it's not a gag gift. So, I mean,

0:42:39.640 --> 0:42:41.960
<v Speaker 1>I don't know, that's not I'm not not my field

0:42:41.960 --> 0:42:44.319
<v Speaker 1>of expertise. I don't have many of them. Well, what's

0:42:44.360 --> 0:42:48.520
<v Speaker 1>the first song you play in your set? Uh? Wight outside?

0:42:48.920 --> 0:42:52.279
<v Speaker 1>Why that one? H. I don't write a ton of

0:42:52.360 --> 0:42:54.560
<v Speaker 1>up tempo stuff. I write a lot of sad, slow

0:42:54.560 --> 0:42:58.759
<v Speaker 1>country songs and um try to come out swinging hard.

0:42:59.080 --> 0:43:01.520
<v Speaker 1>Do any your folks go hey, write some more up

0:43:01.560 --> 0:43:04.200
<v Speaker 1>tempo stuff all the time they do. Is that a

0:43:04.239 --> 0:43:07.040
<v Speaker 1>constant struggle? Do you mean yes? Do you have to

0:43:07.040 --> 0:43:08.920
<v Speaker 1>walk in room and go, Okay, we're gonna even though

0:43:08.920 --> 0:43:11.560
<v Speaker 1>this idea is super sad, we gotta give it up

0:43:11.680 --> 0:43:15.279
<v Speaker 1>up tempo feel. Um I try to. I try to.

0:43:15.400 --> 0:43:17.800
<v Speaker 1>I think probably too much. I put too much emphasis

0:43:17.800 --> 0:43:21.600
<v Speaker 1>on it lately. Um, I just get bored sanging sad,

0:43:21.880 --> 0:43:25.160
<v Speaker 1>slow songs all the time. And they're my favorite songs

0:43:25.160 --> 0:43:27.520
<v Speaker 1>in the world. I love sad, slow country love songs

0:43:27.520 --> 0:43:30.880
<v Speaker 1>about everything going terribly wrong. I've written a ton of them. Um,

0:43:31.280 --> 0:43:33.880
<v Speaker 1>But I kind of like crave. I'm like, man, I

0:43:33.920 --> 0:43:36.480
<v Speaker 1>want to do something it's maybe a little more up tempo,

0:43:36.600 --> 0:43:38.520
<v Speaker 1>or try to write something that's more up tempo today

0:43:38.600 --> 0:43:42.000
<v Speaker 1>or um but I don't know, Man, it seems like

0:43:42.040 --> 0:43:45.520
<v Speaker 1>all my best songs are slow. What's creatively for you

0:43:45.600 --> 0:43:47.799
<v Speaker 1>right now? Like what keeps you going? What's like? What

0:43:47.880 --> 0:43:49.719
<v Speaker 1>are you super interested in or are you just too

0:43:49.719 --> 0:43:51.600
<v Speaker 1>tired and you're only focused on the road to sit

0:43:51.640 --> 0:43:55.040
<v Speaker 1>down and actually be creative throughout the summer super tired

0:43:55.400 --> 0:43:58.000
<v Speaker 1>didn't want to write? What was trying really hard to

0:43:58.040 --> 0:44:00.279
<v Speaker 1>write was like really carving out time for my self

0:44:00.280 --> 0:44:02.759
<v Speaker 1>on the road to sit down and play guitar and

0:44:02.800 --> 0:44:07.959
<v Speaker 1>write songs and just just not good. And then once

0:44:07.960 --> 0:44:10.960
<v Speaker 1>the season's changed, and like now that like here in Nashville,

0:44:10.960 --> 0:44:12.919
<v Speaker 1>you know, the trees are all yellow, like they've changed

0:44:12.920 --> 0:44:14.800
<v Speaker 1>a little bit, and the air is a little cooler

0:44:14.800 --> 0:44:17.719
<v Speaker 1>and crisper, and I'm like the creative juices. It just

0:44:18.200 --> 0:44:19.320
<v Speaker 1>had a song when I wrote when I was a

0:44:19.320 --> 0:44:22.480
<v Speaker 1>freshman high school called Permitent Headphones. There's a line and

0:44:22.520 --> 0:44:24.279
<v Speaker 1>it says, a change of season is a change of

0:44:24.360 --> 0:44:27.239
<v Speaker 1>my soul. And that's like the truest thing in the

0:44:27.280 --> 0:44:30.080
<v Speaker 1>world from my songwriting, Like when it's even from springtime

0:44:30.080 --> 0:44:32.799
<v Speaker 1>to summer, like just that that change kind of gets

0:44:32.840 --> 0:44:36.080
<v Speaker 1>it going a little bit. But very tired and yeah,

0:44:36.239 --> 0:44:38.359
<v Speaker 1>pretty tired a songwriting too. What do you think it's

0:44:38.400 --> 0:44:43.400
<v Speaker 1>the best song you've ever written? I don't know. I

0:44:43.400 --> 0:44:45.840
<v Speaker 1>don't think any of them really deserved too too much praise.

0:44:47.200 --> 0:44:49.640
<v Speaker 1>I haven't done anything. What song are you most proud of?

0:44:50.320 --> 0:44:53.800
<v Speaker 1>Probably rest of my life? Why I don't know it

0:44:53.960 --> 0:44:58.319
<v Speaker 1>just you know, you hear about songwriters write, you know,

0:44:58.440 --> 0:45:00.640
<v Speaker 1>great songs, or you hear the story about these great

0:45:00.640 --> 0:45:02.360
<v Speaker 1>songs that were written, and they're like, oh, man, I

0:45:02.400 --> 0:45:04.200
<v Speaker 1>wrote it, like David Lee Murphy wrote Dust on the

0:45:04.239 --> 0:45:07.560
<v Speaker 1>Bottle and like twenty minutes at his kitchen table or something,

0:45:07.680 --> 0:45:10.840
<v Speaker 1>and uh and so and I wrote that song and

0:45:10.920 --> 0:45:14.000
<v Speaker 1>like in fifteen minutes at nine o'clock in the morning,

0:45:14.239 --> 0:45:16.839
<v Speaker 1>dead sober, on like a Tuesday. Just that was a

0:45:16.880 --> 0:45:19.800
<v Speaker 1>little used weight on those moments. As a songwriter, I

0:45:20.040 --> 0:45:21.719
<v Speaker 1>would have come by, have you heard a song in

0:45:21.760 --> 0:45:24.759
<v Speaker 1>the past few years, and you go, damn, I wish

0:45:24.760 --> 0:45:27.240
<v Speaker 1>I'd written that, not as you were close to actually

0:45:27.239 --> 0:45:28.920
<v Speaker 1>writing that song, but it was so good, it was

0:45:28.960 --> 0:45:32.319
<v Speaker 1>written so well, there you go, holy crap. I wish

0:45:32.360 --> 0:45:34.440
<v Speaker 1>that did that. I wish I could have created that,

0:45:34.480 --> 0:45:36.960
<v Speaker 1>like what what do you respect? What? Song? Shrucker Speed

0:45:37.000 --> 0:45:39.560
<v Speaker 1>by Fred Eaglesmith. I wish I would have written that

0:45:39.640 --> 0:45:44.560
<v Speaker 1>song and make a grown man cry um um. You know.

0:45:44.600 --> 0:45:47.520
<v Speaker 1>I listened to this song like probably seventy eighty times

0:45:48.200 --> 0:45:52.000
<v Speaker 1>this weekend and last week. Pretty Little Adriana by Vince Gill.

0:45:52.800 --> 0:45:55.319
<v Speaker 1>I've probably listened to that song eighty times in the

0:45:55.400 --> 0:45:59.840
<v Speaker 1>last five or six days. What about it makes you respect?

0:46:00.040 --> 0:46:04.080
<v Speaker 1>It's so much, It's extremely simple. The verses are just

0:46:04.120 --> 0:46:06.239
<v Speaker 1>like I miss your smile, I miss your touch. It's

0:46:06.320 --> 0:46:11.640
<v Speaker 1>nothing over the top poetic lyrically, but it's the melody

0:46:11.800 --> 0:46:15.880
<v Speaker 1>is the chorus. Melody is just And I think you

0:46:15.920 --> 0:46:20.000
<v Speaker 1>can't sing Vince gill songs really, yeah, hardly anybody, hardly

0:46:20.040 --> 0:46:22.800
<v Speaker 1>anybody can And uh, I don't know. I'm on my

0:46:22.840 --> 0:46:25.200
<v Speaker 1>bus like before the show, just straining my voice trying

0:46:25.200 --> 0:46:27.759
<v Speaker 1>to hit that chorus and it's just phenomenal. Man. Have

0:46:27.800 --> 0:46:30.560
<v Speaker 1>you ever blown your voice out getting ready before a show?

0:46:31.680 --> 0:46:34.200
<v Speaker 1>I think I've over overdone it on the warm up before,

0:46:34.560 --> 0:46:37.600
<v Speaker 1>probably multiple times this summer. The more tired it gets,

0:46:37.600 --> 0:46:39.480
<v Speaker 1>the longer all warm up and try to like really,

0:46:40.239 --> 0:46:42.080
<v Speaker 1>you know, kind of just think about it like a muscle,

0:46:42.160 --> 0:46:44.560
<v Speaker 1>you know, like if you're stretching a warming up kind

0:46:44.560 --> 0:46:46.200
<v Speaker 1>of the same thing you work out on the road.

0:46:46.520 --> 0:46:49.680
<v Speaker 1>You try to I did. I went to a gym

0:46:49.800 --> 0:46:53.440
<v Speaker 1>every day for since I started touring my merch guy

0:46:53.560 --> 0:46:55.640
<v Speaker 1>laying and I would wake up, find a gym in town,

0:46:55.760 --> 0:46:58.560
<v Speaker 1>go pay a day pass and or by a day

0:46:58.560 --> 0:47:01.480
<v Speaker 1>pass and work out and then, oh, I don't know,

0:47:01.520 --> 0:47:06.879
<v Speaker 1>twelve months ago I started playing golf every single day.

0:47:07.000 --> 0:47:10.200
<v Speaker 1>You do every over over we did a rough math

0:47:10.320 --> 0:47:13.160
<v Speaker 1>over fifteen hundred holes in the last twelve months. Are

0:47:13.200 --> 0:47:15.600
<v Speaker 1>you better? It is better? Yeah? Are you playing a

0:47:15.640 --> 0:47:17.680
<v Speaker 1>town at all? Um? And you know I never play

0:47:17.719 --> 0:47:19.640
<v Speaker 1>when I'm in town. I'm usually only home on Monday

0:47:19.640 --> 0:47:22.560
<v Speaker 1>and Tuesday, and um, I play every single day on

0:47:22.600 --> 0:47:25.839
<v Speaker 1>the road. And Halley Ray's usually likes to spend time

0:47:25.880 --> 0:47:27.879
<v Speaker 1>with me, which I understand. I wants to spend time

0:47:27.920 --> 0:47:29.560
<v Speaker 1>with her too. Um. All I know is that when

0:47:29.600 --> 0:47:30.920
<v Speaker 1>I've text you to play golf, you always say no

0:47:31.000 --> 0:47:33.239
<v Speaker 1>at home. Now I know that that's why, because you

0:47:33.440 --> 0:47:35.560
<v Speaker 1>and I always I mean, I'm always doing you know,

0:47:35.680 --> 0:47:38.080
<v Speaker 1>even stuff like this all the time. So are you

0:47:38.160 --> 0:47:42.320
<v Speaker 1>telling me and maybe interpreting this wrong, you'd rather spend

0:47:42.320 --> 0:47:48.000
<v Speaker 1>time with her than me? That's what women do right there?

0:47:48.520 --> 0:47:50.520
<v Speaker 1>Say something? She's like, So you're saying this, I'm like,

0:47:50.560 --> 0:47:52.600
<v Speaker 1>I'm not saying that. Let's talk about the new song

0:47:52.680 --> 0:47:56.080
<v Speaker 1>for a second, So handle on You. You and Monte

0:47:56.120 --> 0:47:58.760
<v Speaker 1>Criswell wrote it, like talk to me about I'm always

0:47:58.760 --> 0:48:02.600
<v Speaker 1>interested in how one idea comes and makes it all

0:48:02.680 --> 0:48:05.040
<v Speaker 1>the way to radio single. Even so you're in a

0:48:05.120 --> 0:48:08.160
<v Speaker 1>room and handle on You comes from what was it

0:48:08.200 --> 0:48:10.239
<v Speaker 1>a lyric and some alliance somebody had written or just

0:48:10.280 --> 0:48:13.440
<v Speaker 1>an idea for a song. Um. You know, Monty came over.

0:48:13.520 --> 0:48:18.080
<v Speaker 1>I was living. I had a place downtown really just

0:48:18.080 --> 0:48:21.400
<v Speaker 1>a couple of blocks from here, um U for like

0:48:21.440 --> 0:48:23.759
<v Speaker 1>two years and I was moving out of it. Um

0:48:23.800 --> 0:48:26.439
<v Speaker 1>I bought this house here and uh, Monty came over

0:48:26.480 --> 0:48:28.480
<v Speaker 1>and all my stuff is in boxes and hally and

0:48:28.480 --> 0:48:30.359
<v Speaker 1>I actually this is a while ago. We had broken

0:48:30.440 --> 0:48:33.440
<v Speaker 1>up at the time, and uh, he came over and

0:48:33.480 --> 0:48:35.439
<v Speaker 1>had this title. He said, Man, I guess this song

0:48:35.440 --> 0:48:37.520
<v Speaker 1>we should write called and finally got a handle on you.

0:48:38.480 --> 0:48:40.439
<v Speaker 1>And I was like, well I like that a lot

0:48:40.480 --> 0:48:42.919
<v Speaker 1>and set around for about that one was written actually

0:48:42.960 --> 0:48:46.919
<v Speaker 1>really quickly too. Um probably I don't know, in an

0:48:46.920 --> 0:48:49.640
<v Speaker 1>hour hour and a half. We're gonna play it. Now.

0:48:49.719 --> 0:48:52.719
<v Speaker 1>This is handle on you, Parker McCallum, way back in

0:48:52.760 --> 0:48:55.360
<v Speaker 1>just one second. Do you ever write a song Parker

0:48:55.400 --> 0:49:00.279
<v Speaker 1>that sucks? Oh? Yes, like you finish us, say time

0:49:00.320 --> 0:49:03.120
<v Speaker 1>and I'm talking like, you write the song, you finished it,

0:49:03.640 --> 0:49:06.359
<v Speaker 1>you record the demo even and you feel pretty good.

0:49:06.360 --> 0:49:08.560
<v Speaker 1>But then you go back and listen maybe I don't

0:49:08.560 --> 0:49:10.200
<v Speaker 1>know what your process is A day a week later

0:49:10.239 --> 0:49:13.280
<v Speaker 1>and you go, oh, why were we thinking man, I'm

0:49:13.360 --> 0:49:15.440
<v Speaker 1>so it's such. I was just talking to my dad

0:49:15.480 --> 0:49:19.400
<v Speaker 1>this morning on the way here about this um but

0:49:20.080 --> 0:49:22.800
<v Speaker 1>it's like a huge complex with myself. Even the songs

0:49:22.840 --> 0:49:24.600
<v Speaker 1>that I had that I wrote this weekend. I wrote

0:49:24.600 --> 0:49:28.200
<v Speaker 1>four songs this weekend out on the road, and while

0:49:28.200 --> 0:49:29.600
<v Speaker 1>we were writing them, I was like, man, I just

0:49:29.719 --> 0:49:32.880
<v Speaker 1>was so into him, was really really feeling creative and

0:49:32.960 --> 0:49:35.400
<v Speaker 1>loved what we were doing. And then listen to them

0:49:35.440 --> 0:49:39.560
<v Speaker 1>all yesterday even and I'm like, those aren't very good. Well,

0:49:39.719 --> 0:49:41.400
<v Speaker 1>what makes them not very good? I think I just

0:49:41.400 --> 0:49:44.200
<v Speaker 1>get really tired of them, I really really quickly. Even

0:49:44.239 --> 0:49:46.880
<v Speaker 1>when we cut, you know, we'll go for this new album.

0:49:46.880 --> 0:49:49.480
<v Speaker 1>I've been cutting, We've been in the studio and you know,

0:49:49.520 --> 0:49:51.839
<v Speaker 1>you're listening to these mixes and turning them back and

0:49:51.840 --> 0:49:54.000
<v Speaker 1>forth over and no and over again, and I just

0:49:54.040 --> 0:49:56.440
<v Speaker 1>get so burnt out on the song so quick. Is

0:49:56.440 --> 0:49:59.120
<v Speaker 1>that how you know on a song that you've written

0:49:59.200 --> 0:50:01.560
<v Speaker 1>or recorded as real good that you don't burn out

0:50:01.560 --> 0:50:03.840
<v Speaker 1>on it so quick? That's not how you know? No,

0:50:03.960 --> 0:50:06.200
<v Speaker 1>I get so it doesn't. Even I think the best

0:50:06.200 --> 0:50:08.680
<v Speaker 1>songs on this record I got so tired of so quick,

0:50:08.719 --> 0:50:10.680
<v Speaker 1>And I'm like, I just want to do something different already,

0:50:10.680 --> 0:50:12.640
<v Speaker 1>and the record it's not even done. It's like a

0:50:12.680 --> 0:50:16.439
<v Speaker 1>crazy battle I have with myself daily. Then who talks

0:50:16.440 --> 0:50:19.520
<v Speaker 1>you through the battle? Then, so you have to give

0:50:19.560 --> 0:50:21.440
<v Speaker 1>yourself advice. I like that. I do that too. I

0:50:21.520 --> 0:50:23.600
<v Speaker 1>give myself a lot of advice, and usually it's bad. Yeah,

0:50:23.640 --> 0:50:25.440
<v Speaker 1>I mean, I don't even know if I give myself advice.

0:50:25.480 --> 0:50:30.080
<v Speaker 1>I just I just kind of, um, I don't know,

0:50:30.160 --> 0:50:31.799
<v Speaker 1>shut it off and put it away and don't pay

0:50:31.840 --> 0:50:34.720
<v Speaker 1>attention to it instead of like listening to the songs

0:50:34.719 --> 0:50:37.839
<v Speaker 1>and you know, like compromises myself and being like, hey,

0:50:37.880 --> 0:50:41.040
<v Speaker 1>you're thinking wrong about this. I'll just be like yeah,

0:50:41.360 --> 0:50:43.480
<v Speaker 1>and won't pay attention to it. Do you then go

0:50:43.560 --> 0:50:46.640
<v Speaker 1>back to it and it's just like I know it's good.

0:50:46.680 --> 0:50:50.080
<v Speaker 1>I'm done, And I don't even know it's good. I'm

0:50:50.120 --> 0:50:52.600
<v Speaker 1>just like it's good enough for the record. I think

0:50:53.920 --> 0:50:57.320
<v Speaker 1>it's a crazy crazy walking me down to Rotic Highway

0:50:57.360 --> 0:50:59.719
<v Speaker 1>here all the time. Man, It's it's always on my

0:50:59.760 --> 0:51:02.720
<v Speaker 1>mind twenty four to seven. Um. And it's a weird

0:51:02.800 --> 0:51:05.640
<v Speaker 1>thing to do for a living. Your betting everything you've

0:51:05.680 --> 0:51:09.439
<v Speaker 1>worked for, everything you've built, you know, for I don't

0:51:09.480 --> 0:51:12.600
<v Speaker 1>know somebody's calling. Parker's somebody famous? My dad? I told

0:51:12.680 --> 0:51:14.160
<v Speaker 1>him I was gonna be on Was it your dad?

0:51:14.200 --> 0:51:15.680
<v Speaker 1>I told him I was gonna be on Harry Parts.

0:51:15.920 --> 0:51:17.800
<v Speaker 1>He probably thinks him on right now. Put him on speaker.

0:51:17.880 --> 0:51:19.120
<v Speaker 1>Let's talk to him. You want to talk to him

0:51:19.360 --> 0:51:21.239
<v Speaker 1>if that's really him, pro speaker got a couple of

0:51:21.239 --> 0:51:23.640
<v Speaker 1>words for him. No, it's Gus. It's Gus West, good

0:51:23.680 --> 0:51:27.279
<v Speaker 1>cowboy on West Texas. Um, Gus West. The guys that

0:51:27.360 --> 0:51:29.799
<v Speaker 1>his name, the good cow hell have no idea who

0:51:29.800 --> 0:51:31.680
<v Speaker 1>I am, but per month it's going back quick. Yeah,

0:51:32.360 --> 0:51:35.160
<v Speaker 1>let me call him. Do you want to call the FaceTime? Yea,

0:51:35.280 --> 0:51:41.759
<v Speaker 1>Let's put him on FaceTime. He's kind, he's a cowboys song.

0:51:41.800 --> 0:51:45.319
<v Speaker 1>I'm gone right here, dude, all right, he's probably all right.

0:51:45.360 --> 0:51:48.920
<v Speaker 1>Let's see what Gus is up to. He sells cow medicine. Really, yes,

0:51:49.880 --> 0:51:54.320
<v Speaker 1>exclusive interview with Gus. He's answered here he is. Guys,

0:51:56.680 --> 0:52:01.920
<v Speaker 1>what up? What up? Big dog? Hey? I'm Bobby Bones.

0:52:01.920 --> 0:52:04.279
<v Speaker 1>How are you doing pretty good? What do you know?

0:52:04.520 --> 0:52:06.160
<v Speaker 1>You know I'm over here with Parker? Just say, you

0:52:06.239 --> 0:52:13.320
<v Speaker 1>know shooting? You know you know we're shooting? Hey? So

0:52:13.520 --> 0:52:16.800
<v Speaker 1>you you you you you do? Uh? Animal medicine. Is

0:52:16.840 --> 0:52:20.200
<v Speaker 1>that what it is? Yeah, sir, what do you what

0:52:20.280 --> 0:52:21.799
<v Speaker 1>do you mean, like, tell me about your day? What's

0:52:21.880 --> 0:52:27.040
<v Speaker 1>what's your job? Uh? Just I don't know. Uh, it's

0:52:27.080 --> 0:52:30.200
<v Speaker 1>pretty much like a ranchers just call me, tell me

0:52:30.280 --> 0:52:32.400
<v Speaker 1>what they need or ask questions about what they might

0:52:33.000 --> 0:52:35.239
<v Speaker 1>or what they're seeing or something like that, and then

0:52:35.280 --> 0:52:37.560
<v Speaker 1>I just kind of fill them in from there. You

0:52:37.640 --> 0:52:39.200
<v Speaker 1>ever put your hand all way up a cow's butt?

0:52:40.280 --> 0:52:43.799
<v Speaker 1>Sometimes about a horse? What animals? But how many animal

0:52:43.840 --> 0:52:52.480
<v Speaker 1>butts you put your hand in? Not me? But all right, No,

0:52:53.360 --> 0:52:55.840
<v Speaker 1>whenever you called, we asked Parker who because we're in

0:52:55.880 --> 0:52:57.200
<v Speaker 1>the middle of interview here, and he goes, it's Gus.

0:52:57.320 --> 0:53:00.719
<v Speaker 1>Gus a good cowboy from uh East Texas, west from

0:53:00.719 --> 0:53:02.640
<v Speaker 1>West Texas. And I was like, well, let's talk to Gus.

0:53:02.719 --> 0:53:04.520
<v Speaker 1>So you just should know that behind your back, Parker

0:53:04.600 --> 0:53:08.319
<v Speaker 1>thinks you're a good dude. Oh I love him. He's

0:53:08.320 --> 0:53:13.279
<v Speaker 1>the best. Yeah. You ever go to a Parker shown? Yeah? Yeah,

0:53:13.360 --> 0:53:16.920
<v Speaker 1>pretty good? Huh, pretty good, pretty good singer? Yeah? Alright, alright, buddy,

0:53:17.680 --> 0:53:21.560
<v Speaker 1>what we've been on the radio is that? Okay? All right?

0:53:21.600 --> 0:53:25.680
<v Speaker 1>You don't running for the law or anything, right, all right? Buddy.

0:53:26.600 --> 0:53:28.400
<v Speaker 1>All right, all right, Gus has got sunglasses on the

0:53:28.440 --> 0:53:30.680
<v Speaker 1>cowboy hat, so I didn't know I'm from right now?

0:53:31.880 --> 0:53:34.200
<v Speaker 1>All right, Gus, I'll I'll tell Parker to call you back.

0:53:34.239 --> 0:53:37.400
<v Speaker 1>I'll talk to you soon, all right, buddy, see you.

0:53:39.000 --> 0:53:43.319
<v Speaker 1>I like all Gusts. He is every single verse. How

0:53:43.360 --> 0:53:45.920
<v Speaker 1>did you meet Gush? Where did that come from? Home?

0:53:46.200 --> 0:53:51.200
<v Speaker 1>Gus was booking it's called the uh Coleman Rodeo UM

0:53:52.320 --> 0:53:57.320
<v Speaker 1>for the Stanford Rodeo. UM. It's oldest rodeo and in Texas,

0:53:57.520 --> 0:53:59.640
<v Speaker 1>and he was booking it when I was like in

0:53:59.719 --> 0:54:01.200
<v Speaker 1>a I think the first time I played it, I

0:54:01.280 --> 0:54:02.880
<v Speaker 1>was in my pickup truck. Next year, I was in

0:54:02.960 --> 0:54:05.200
<v Speaker 1>a van. Next year I was in a bigger van

0:54:05.239 --> 0:54:06.879
<v Speaker 1>and played it. The next year I'm wearing a tour

0:54:06.920 --> 0:54:09.440
<v Speaker 1>bus and knowing him a long time. And um, he

0:54:09.520 --> 0:54:13.239
<v Speaker 1>actually introduced me to my wife, Hallie ray Light. That's

0:54:13.320 --> 0:54:15.320
<v Speaker 1>the that should be the lead of that story and

0:54:15.400 --> 0:54:17.400
<v Speaker 1>then the rest comes out. So when he introduces you

0:54:17.520 --> 0:54:20.080
<v Speaker 1>to her, how does he introduce you? Uh? He actually, well,

0:54:20.080 --> 0:54:22.000
<v Speaker 1>I guess he did introduces He told me why I

0:54:22.040 --> 0:54:23.760
<v Speaker 1>was playing at rodeo one year and we had stayed

0:54:23.800 --> 0:54:26.319
<v Speaker 1>up all night and drinking beer after and he had

0:54:26.360 --> 0:54:30.080
<v Speaker 1>gone to Oklahoma State for like a semester and and

0:54:31.120 --> 0:54:32.960
<v Speaker 1>he said, Man, there's this girl, Hallie ray Light. You

0:54:33.000 --> 0:54:34.560
<v Speaker 1>got to meet. Said, I think he'd like her a lot,

0:54:34.760 --> 0:54:37.680
<v Speaker 1>and um, and so I didn't even, you know, think

0:54:37.760 --> 0:54:40.000
<v Speaker 1>much about that. I just liked the name Hallie ray Light.

0:54:40.280 --> 0:54:41.640
<v Speaker 1>I thought that was a good name for a song.

0:54:41.760 --> 0:54:44.480
<v Speaker 1>So I started trying to write a song about it,

0:54:44.680 --> 0:54:47.680
<v Speaker 1>and uh, and I did, and word got back to her,

0:54:47.719 --> 0:54:50.279
<v Speaker 1>and you know, I guess she come. She came out

0:54:50.320 --> 0:54:54.120
<v Speaker 1>to Uh. We played in still Water where Oklahoma State is,

0:54:54.160 --> 0:54:55.560
<v Speaker 1>and she came out and saw us at the Tumble.

0:54:55.560 --> 0:54:59.560
<v Speaker 1>We played a little bar there. One night was the instant. No,

0:55:00.160 --> 0:55:03.200
<v Speaker 1>that was the first first night I was ever on

0:55:03.280 --> 0:55:08.080
<v Speaker 1>a tour bus permanently. Was that night. And um, you know,

0:55:08.160 --> 0:55:09.719
<v Speaker 1>she came to the show and came up on the bus.

0:55:09.840 --> 0:55:13.160
<v Speaker 1>And I think I was a little probably thought I was,

0:55:13.680 --> 0:55:16.000
<v Speaker 1>you know, living a little bit larger than I really was.

0:55:16.360 --> 0:55:18.839
<v Speaker 1>And uh, I don't think she liked me very much.

0:55:19.560 --> 0:55:22.160
<v Speaker 1>She was on tour bus for about three and a

0:55:22.160 --> 0:55:25.160
<v Speaker 1>half minutes. She said my behavior was not acceptable, and

0:55:25.320 --> 0:55:27.239
<v Speaker 1>so she left. She said that with her work like

0:55:27.280 --> 0:55:29.520
<v Speaker 1>allud she get It was like nine months. I was.

0:55:29.640 --> 0:55:32.560
<v Speaker 1>I hollered at her for like nine months? Did she

0:55:32.680 --> 0:55:35.520
<v Speaker 1>keeps saying no? Or does she just not answer? She

0:55:35.760 --> 0:55:37.360
<v Speaker 1>was she was kind of toying with it, you know.

0:55:37.560 --> 0:55:40.080
<v Speaker 1>I think she would she would give me a little

0:55:40.080 --> 0:55:41.560
<v Speaker 1>bit of attention here and there, but most of the

0:55:41.600 --> 0:55:44.600
<v Speaker 1>time she wouldn't act like she'd she was not interested.

0:55:45.000 --> 0:55:47.400
<v Speaker 1>It worked, huh, I did. Yeah, Yeah, it took me

0:55:47.520 --> 0:55:49.840
<v Speaker 1>nine months. I would do when I end with this,

0:55:50.280 --> 0:55:52.560
<v Speaker 1>because you know, when someone has such success, I always

0:55:52.600 --> 0:55:56.239
<v Speaker 1>like to ask them how they react when adversity hits,

0:55:56.280 --> 0:55:58.880
<v Speaker 1>which is what you've done. You're very humble and you

0:55:58.920 --> 0:56:00.760
<v Speaker 1>know how you were talking about looking tickets and stuff.

0:56:01.000 --> 0:56:02.480
<v Speaker 1>But I do want to know, like, what's going right

0:56:02.520 --> 0:56:04.000
<v Speaker 1>for you right now? Give me the four things in

0:56:04.080 --> 0:56:07.359
<v Speaker 1>your life that's going right for you right now? Her

0:56:07.440 --> 0:56:09.239
<v Speaker 1>and I are as good as we've ever been. That

0:56:09.360 --> 0:56:14.040
<v Speaker 1>helps a lot as it probably everybody knows. Um that

0:56:14.120 --> 0:56:17.600
<v Speaker 1>would be one number two. Um. I mean, I think

0:56:17.760 --> 0:56:20.040
<v Speaker 1>the career is going good. It could be going better.

0:56:20.360 --> 0:56:22.040
<v Speaker 1>I think we have a long long way to go.

0:56:22.680 --> 0:56:25.359
<v Speaker 1>M What do you mean way to go? You're killing it? Yeah,

0:56:25.440 --> 0:56:27.200
<v Speaker 1>But I mean I mean, it's a lot of people

0:56:27.200 --> 0:56:30.719
<v Speaker 1>have had a couple number ones and um uh you know,

0:56:31.080 --> 0:56:33.000
<v Speaker 1>sold out some shows. To really do it and have

0:56:33.120 --> 0:56:36.719
<v Speaker 1>a career of you know, like an impressive career in

0:56:36.760 --> 0:56:39.800
<v Speaker 1>country music is really the ultimate goal. And to do

0:56:39.920 --> 0:56:44.200
<v Speaker 1>it for a long time. Um, but it's going well,

0:56:44.320 --> 0:56:49.839
<v Speaker 1>that would be number two. Um number three? Uh wait

0:56:49.880 --> 0:56:52.480
<v Speaker 1>whatever you about to say smiling about what are you

0:56:52.480 --> 0:56:55.160
<v Speaker 1>about to say? I was justa say my family's healthy. Yes,

0:56:55.360 --> 0:56:57.839
<v Speaker 1>that's really good. Um, you know my mom and dad

0:56:57.880 --> 0:57:00.960
<v Speaker 1>are around that sixty more and they're doing really good.

0:57:01.280 --> 0:57:06.200
<v Speaker 1>Um and uh, oh, I don't know. You gotta find

0:57:06.239 --> 0:57:08.279
<v Speaker 1>one more. Dig deep, there's there's quite there's a lot

0:57:08.360 --> 0:57:14.600
<v Speaker 1>going good man, Guss. Gus is still healthy driving. Apparently

0:57:14.719 --> 0:57:18.440
<v Speaker 1>Gus is gonna tell that story to every person in

0:57:18.560 --> 0:57:21.720
<v Speaker 1>West Texas by five pm today. Well, the good thing

0:57:21.840 --> 0:57:23.680
<v Speaker 1>is he'll also have an audio clip of it because

0:57:23.960 --> 0:57:25.800
<v Speaker 1>he was on the air. He can then play it

0:57:25.880 --> 0:57:28.880
<v Speaker 1>how he came on that. Yeah, and Gus, you said

0:57:28.880 --> 0:57:30.560
<v Speaker 1>you got the highest ratings ever, say you got higher

0:57:30.600 --> 0:57:32.320
<v Speaker 1>ratings and Parker it during the interview. Although that's not

0:57:32.320 --> 0:57:36.120
<v Speaker 1>even a thing you can measure. Gusby bones, Gus the

0:57:36.120 --> 0:57:38.520
<v Speaker 1>good Cowboy made his appearance today. Well, Parker, you know

0:57:38.560 --> 0:57:40.520
<v Speaker 1>I'm rooting for you, man, thank you. You don't need

0:57:40.600 --> 0:57:43.400
<v Speaker 1>my rooting because you're killing it. And you know, just

0:57:44.680 --> 0:57:46.720
<v Speaker 1>you talk about, you know things, you want to get

0:57:46.760 --> 0:57:48.760
<v Speaker 1>it better, but it's like you have the hardest thing

0:57:48.800 --> 0:57:51.760
<v Speaker 1>to get is a live audience to show up passionately.

0:57:52.280 --> 0:57:53.919
<v Speaker 1>Because again, you can put out a couple of songs.

0:57:53.920 --> 0:57:56.400
<v Speaker 1>I have a couple number ones. You've done that, but

0:57:56.480 --> 0:57:58.680
<v Speaker 1>I'm talking about you have built a passionate fan base

0:57:58.720 --> 0:58:01.240
<v Speaker 1>and those people don't go away. I think that's really good.

0:58:01.240 --> 0:58:02.960
<v Speaker 1>I know you know that. I know you think that's awesome,

0:58:02.960 --> 0:58:04.919
<v Speaker 1>and you give your fans a lot and that's super

0:58:04.960 --> 0:58:06.520
<v Speaker 1>important to you. But man, it's just really cool to

0:58:06.560 --> 0:58:09.680
<v Speaker 1>see killing it and thank you. The new songs great

0:58:09.840 --> 0:58:12.280
<v Speaker 1>and I guess we'll see you soon whenever you grace

0:58:12.360 --> 0:58:14.240
<v Speaker 1>this with your presence again. Well, so you've been as

0:58:14.360 --> 0:58:16.440
<v Speaker 1>nice to me as anybody has since the first time

0:58:16.480 --> 0:58:18.440
<v Speaker 1>we've ever met. So that's true. I remember that all

0:58:18.480 --> 0:58:20.480
<v Speaker 1>the time. That's true. Thank you. Welcome. You should remember

0:58:20.520 --> 0:58:22.560
<v Speaker 1>that when I need it. When I text You'm like, hey, man,

0:58:22.800 --> 0:58:25.080
<v Speaker 1>need a job, let me come work for you. I

0:58:25.160 --> 0:58:27.360
<v Speaker 1>mean gus. I just want to go play goal. Yeah, yeah, yeah,

0:58:27.400 --> 0:58:29.360
<v Speaker 1>all right, there is Parker McCallum. Everybody go to see

0:58:29.360 --> 0:58:34.360
<v Speaker 1>a park. Thank yo. It's the best bits of the

0:58:34.440 --> 0:58:39.960
<v Speaker 1>week with Morgan number two then coming in at the

0:58:40.120 --> 0:58:42.959
<v Speaker 1>number one spot that made us all laugh. This week,

0:58:43.200 --> 0:58:46.680
<v Speaker 1>Lunchbox made some bathroom confessions. While he was at the

0:58:46.720 --> 0:58:49.920
<v Speaker 1>airport coming home from Las Vegas. He went into the

0:58:50.000 --> 0:58:53.280
<v Speaker 1>bathroom and started having conversations with strangers and made some

0:58:53.440 --> 0:58:55.680
<v Speaker 1>confessions to them to see what their reaction would be.

0:58:56.000 --> 0:58:58.800
<v Speaker 1>And let me just tell you, these strangers are pretty kind,

0:58:58.840 --> 0:59:02.240
<v Speaker 1>at least the first few. There's one that just kept

0:59:02.280 --> 0:59:04.800
<v Speaker 1>with one word answers and he was not having any

0:59:04.840 --> 0:59:08.560
<v Speaker 1>part of lunchboxes antics. But the other ones were pretty awesome.

0:59:08.600 --> 0:59:11.400
<v Speaker 1>And these are some interesting conversations to have in the

0:59:11.440 --> 0:59:14.080
<v Speaker 1>bathroom with a stranger that he will never see again.

0:59:14.640 --> 0:59:18.280
<v Speaker 1>Number one, it's time for some bathroom confessions where Lunchbox

0:59:18.400 --> 0:59:21.480
<v Speaker 1>goes into a public bathroom. He goes into a stall,

0:59:22.200 --> 0:59:24.280
<v Speaker 1>waits for someone to sit in the stall next to him,

0:59:24.280 --> 0:59:30.120
<v Speaker 1>and then just starts talking and asking questions. I would

0:59:30.160 --> 0:59:32.000
<v Speaker 1>imagine it's a pretty stinky part of the job here.

0:59:32.240 --> 0:59:34.800
<v Speaker 1>It's pretty it's pretty bad. You go ahead. It's pretty awkward.

0:59:34.840 --> 0:59:36.920
<v Speaker 1>How long did you sit in the bathroom? Probably about

0:59:36.960 --> 0:59:39.920
<v Speaker 1>twenty five minutes total. Yeah, because because once you use

0:59:40.000 --> 0:59:41.760
<v Speaker 1>the stalls, you gotta wait for them to leave, and

0:59:41.760 --> 0:59:44.080
<v Speaker 1>you gotta wait for new clients to come in our clients.

0:59:44.440 --> 0:59:48.520
<v Speaker 1>That sounds dirty. Where'd you go? Do you want to

0:59:48.560 --> 0:59:57.240
<v Speaker 1>say restaurant? We'll just say people traveling? Airport? Yeah, airports

0:59:57.280 --> 0:59:59.760
<v Speaker 1>sounds shady, interesting, like real shady. Stun goes on at

0:59:59.760 --> 1:00:03.040
<v Speaker 1>the air for it, put your foot under it. Let's

1:00:03.040 --> 1:00:05.720
<v Speaker 1>just say that. I let's just go okay, here has

1:00:05.800 --> 1:00:09.960
<v Speaker 1>lunchbox at a public bathroom? Go ahead, Stall two? Install three?

1:00:10.880 --> 1:00:17.320
<v Speaker 1>You there, stall two? On a question? Um, I took

1:00:17.400 --> 1:00:19.400
<v Speaker 1>my five year old son to Hooters to celebrate his

1:00:19.520 --> 1:00:23.640
<v Speaker 1>birthday and his mom got upset, and I'm just wondering,

1:00:23.680 --> 1:00:26.760
<v Speaker 1>does that make me a bad dad? It's not that

1:00:26.880 --> 1:00:31.880
<v Speaker 1>bad right now? Birthday park time? Hooters? Does what stall?

1:00:32.000 --> 1:00:35.880
<v Speaker 1>Was that? Were you stall too? Yeah? Would you take

1:00:35.920 --> 1:00:41.200
<v Speaker 1>your zumber Hooters? Okay, I'm gonna go ahead there. Skating girl. See,

1:00:41.720 --> 1:00:43.480
<v Speaker 1>I thought my wife made me think I was crazy,

1:00:43.520 --> 1:00:44.560
<v Speaker 1>but I thought it was just kind of like a

1:00:44.840 --> 1:00:47.320
<v Speaker 1>you know, experience, that he could learn from, you know,

1:00:47.400 --> 1:00:50.360
<v Speaker 1>his breastfed, so he's goes. I feel you. Man. Well, hey,

1:00:50.440 --> 1:00:52.040
<v Speaker 1>thanks for your bringing back. I hope you have a

1:00:52.080 --> 1:00:56.440
<v Speaker 1>great trip. Man, thank you. There's just a lot of sounds.

1:00:57.640 --> 1:00:59.800
<v Speaker 1>That's the first clip I think I could smell. I

1:01:00.960 --> 1:01:03.240
<v Speaker 1>mean it was great. I was talking to Stall too

1:01:03.320 --> 1:01:05.240
<v Speaker 1>and some guy just walking through the bathroom. Game has

1:01:05.240 --> 1:01:07.600
<v Speaker 1>it been? It was to just passer by like that

1:01:07.760 --> 1:01:10.080
<v Speaker 1>was awesome. I'm not going to play that clip again,

1:01:10.120 --> 1:01:11.840
<v Speaker 1>but if you go back and listen on the podcast

1:01:12.520 --> 1:01:15.160
<v Speaker 1>and you listen very closely, you hear it. There's some

1:01:15.280 --> 1:01:19.440
<v Speaker 1>sound graffiti. Dude, I heard that. We all reacted to say.

1:01:20.240 --> 1:01:22.160
<v Speaker 1>I mean that is the part of the problem with

1:01:22.320 --> 1:01:25.400
<v Speaker 1>being in there. I mean the clippics. Now, yeah, I

1:01:25.560 --> 1:01:28.080
<v Speaker 1>hear as lunchbox again, sitting in a bathroom trying to

1:01:28.080 --> 1:01:32.520
<v Speaker 1>talk to folks. Wow, this toilet paper come hurts? Stall four?

1:01:32.600 --> 1:01:34.240
<v Speaker 1>Can I get a piece here? Toilet paper? Sep, it's

1:01:34.240 --> 1:01:38.720
<v Speaker 1>as hard as this toilet paper? Are you sure? Could

1:01:38.720 --> 1:01:40.200
<v Speaker 1>you slide me a square and see if I can

1:01:40.240 --> 1:01:46.200
<v Speaker 1>try it? Oh? Thank you? Man? Oh do you mind

1:01:46.240 --> 1:01:49.720
<v Speaker 1>told me another piece? Oh? If you get the roll

1:01:49.760 --> 1:01:53.560
<v Speaker 1>out to be great? Man? Oh? Thank you very much.

1:01:54.920 --> 1:01:58.280
<v Speaker 1>Stall too, how are you doing? Man? A toilet paper over?

1:01:58.280 --> 1:01:59.920
<v Speaker 1>It was pretty rough. Stall four was a nice up.

1:02:00.120 --> 1:02:04.840
<v Speaker 1>Throw me the role. There's bros in the bathroom. He

1:02:04.920 --> 1:02:06.760
<v Speaker 1>wanted to hear Stall too. I'll give you someone he

1:02:06.800 --> 1:02:10.880
<v Speaker 1>gave me. It's pretty good. There you go, Manny want more?

1:02:12.000 --> 1:02:21.400
<v Speaker 1>You're sure? Sure? It's just weird mister social in there.

1:02:22.840 --> 1:02:26.600
<v Speaker 1>I mean Stall four ripped out the whole roll and

1:02:26.760 --> 1:02:29.760
<v Speaker 1>gave it, drew me under the stall. It's the same bro,

1:02:30.880 --> 1:02:33.360
<v Speaker 1>toilet paper bro. And then Stall two wanted nothing to

1:02:33.440 --> 1:02:35.360
<v Speaker 1>do with it. He was he was out. I mean,

1:02:35.440 --> 1:02:37.840
<v Speaker 1>I really think I made him rush because like when

1:02:37.840 --> 1:02:39.400
<v Speaker 1>I started trying to give him toilet paper, run of

1:02:39.440 --> 1:02:41.480
<v Speaker 1>the thing, he flushed it and jetted. You gotta think

1:02:41.520 --> 1:02:44.000
<v Speaker 1>anybody having to use the bathroom and sit on the

1:02:44.040 --> 1:02:46.640
<v Speaker 1>toilet as a dude in the airport not having a

1:02:46.720 --> 1:02:50.000
<v Speaker 1>great day, Oh for sure. It's just I don't want

1:02:50.000 --> 1:02:53.040
<v Speaker 1>to do that. It's your house. It's different in an airport.

1:02:53.680 --> 1:02:55.680
<v Speaker 1>It is ain't somewhere you want to be. You don't

1:02:55.720 --> 1:02:57.320
<v Speaker 1>mind going to the urinal, but you don't want to sit.

1:02:57.400 --> 1:02:59.480
<v Speaker 1>It's just and then all of a sudden times you're

1:02:59.480 --> 1:03:02.320
<v Speaker 1>browny next door wants to say, what up this guy? Hey,

1:03:02.800 --> 1:03:07.120
<v Speaker 1>here's lunchbox. Go ahead, it's stall four. What's up? It's

1:03:07.160 --> 1:03:12.720
<v Speaker 1>tall three? My phone dining? I was wondering if I

1:03:12.760 --> 1:03:14.960
<v Speaker 1>could borrow yours to scroll Instagram? Will I usually look

1:03:15.000 --> 1:03:19.160
<v Speaker 1>at Instagram while I'm on the potty? Can I borrow

1:03:19.200 --> 1:03:22.840
<v Speaker 1>your phone just just to look at this real quick?

1:03:24.520 --> 1:03:30.120
<v Speaker 1>Is that a note? No, you're sure. I'm just gonna

1:03:30.160 --> 1:03:33.400
<v Speaker 1>make sure what's going on Insta? What my phone's did?

1:03:33.720 --> 1:03:39.520
<v Speaker 1>How would you leave? Are you leaving? Yeah? All right,

1:03:39.720 --> 1:03:44.880
<v Speaker 1>my what a weird question to be asked toilet? Can

1:03:44.920 --> 1:03:46.920
<v Speaker 1>I use your phone? And then he goes full potty?

1:03:48.320 --> 1:03:51.280
<v Speaker 1>Someday you're gonna walk out. Something's gonna beat you up. Yeah, yeah,

1:03:52.040 --> 1:03:54.040
<v Speaker 1>I thought about that. I thought about that. That day

1:03:54.160 --> 1:03:57.080
<v Speaker 1>wasn't today. I'm glad that's Sunday. This bit ain't gonna

1:03:57.120 --> 1:04:00.919
<v Speaker 1>turn out good. Nice shot lunchbox, that is funny. It's

1:04:01.000 --> 1:04:04.440
<v Speaker 1>the best Bits of the Week with Morgan number two.

1:04:05.880 --> 1:04:07.560
<v Speaker 1>That's it for me this weekend. Thank you all for

1:04:07.720 --> 1:04:10.000
<v Speaker 1>hanging out with me. That is just the bits. Make

1:04:10.040 --> 1:04:13.400
<v Speaker 1>sure you check out part one of Best Bits with

1:04:13.560 --> 1:04:16.200
<v Speaker 1>Scuba Steve. This weekend, we caught up on our weekends.

1:04:16.240 --> 1:04:18.600
<v Speaker 1>He was at iHeart Festival. I was in a wedding.

1:04:18.720 --> 1:04:21.640
<v Speaker 1>We shared some moments that have been kind of happy

1:04:21.840 --> 1:04:24.760
<v Speaker 1>for us lately, some time marches on. It was all

1:04:24.840 --> 1:04:27.520
<v Speaker 1>really fun content. Also the farms we would love to

1:04:27.600 --> 1:04:30.560
<v Speaker 1>have because Sandra Bolock is selling her avocado farm and

1:04:30.680 --> 1:04:32.680
<v Speaker 1>I need some answers on what Scuba Steve would like

1:04:32.720 --> 1:04:34.560
<v Speaker 1>to have in a farm. It was a fun conversation.

1:04:34.640 --> 1:04:36.680
<v Speaker 1>I hope you go and check that out. And just

1:04:36.840 --> 1:04:39.720
<v Speaker 1>like I mentioned on that one, our Florida friends, we

1:04:39.880 --> 1:04:43.240
<v Speaker 1>are thinking about you and sending you all of our

1:04:43.360 --> 1:04:46.160
<v Speaker 1>love and hoping you stay safe with the hurricane and

1:04:46.240 --> 1:04:49.520
<v Speaker 1>the aftermath. We are actively watching the situation in ways

1:04:49.560 --> 1:04:51.400
<v Speaker 1>that we will be able to help when this is over.

1:04:51.600 --> 1:04:54.160
<v Speaker 1>So we're thinking about you. Please stay safe out there.

1:04:54.280 --> 1:04:57.120
<v Speaker 1>To everyone else, I hope you have a wonderful weekend,

1:04:57.240 --> 1:04:59.080
<v Speaker 1>and thank you for joining me hanging out with me.

1:04:59.480 --> 1:05:02.040
<v Speaker 1>Make sure you follow me on social media at web

1:05:02.160 --> 1:05:04.800
<v Speaker 1>Girl Morgan on All the Things and the show at

1:05:04.880 --> 1:05:09.280
<v Speaker 1>Bobby Bones Show. I love y'all, Bye The Bobby Bone Show,

1:05:09.360 --> 1:05:10.240
<v Speaker 1>Bobby Bones