1
00:00:01,440 --> 00:00:05,200
Speaker 1: It's the Best Bits of the Week with Morgan. Number two.

2
00:00:06,320 --> 00:00:09,600
Speaker 1: Welcome y'all to the Best Bits of the Week. I'm

3
00:00:09,640 --> 00:00:12,560
Speaker 1: Morgan and this is Best Bits, just the Bits. So

4
00:00:12,600 --> 00:00:14,440
Speaker 1: if you're getting caught up on the Bobby Bone Show,

5
00:00:14,520 --> 00:00:16,360
Speaker 1: or you missed some things from this week, or maybe

6
00:00:16,400 --> 00:00:18,360
Speaker 1: you just want to listen again, then this is a

7
00:00:18,400 --> 00:00:21,960
Speaker 1: podcast for you. So these are the top seven segments

8
00:00:22,079 --> 00:00:24,040
Speaker 1: from the show this week, and I break them down,

9
00:00:24,160 --> 00:00:26,400
Speaker 1: well not really break them down, but I share with

10
00:00:26,440 --> 00:00:28,720
Speaker 1: you the ones that got the most engaged with, or

11
00:00:28,800 --> 00:00:31,400
Speaker 1: you guys called about, or it was kind of chaos

12
00:00:31,440 --> 00:00:32,880
Speaker 1: on the show. Yeah, those are the ones that I

13
00:00:32,920 --> 00:00:34,600
Speaker 1: love to share with you all. So we're going to

14
00:00:34,720 --> 00:00:37,800
Speaker 1: kick it off. Bobby enlisted the help of Megan Trainer

15
00:00:37,880 --> 00:00:41,159
Speaker 1: to send a video to an awesome listener who had

16
00:00:41,200 --> 00:00:44,000
Speaker 1: requested it by reaching out to Bobby, and he made

17
00:00:44,000 --> 00:00:47,279
Speaker 1: it happen with his friendship with Megan Trainers. So just

18
00:00:47,320 --> 00:00:49,919
Speaker 1: a super cool moment that definitely is one you want

19
00:00:49,960 --> 00:00:53,480
Speaker 1: to hear. Number seven, on the phone, we have Julie

20
00:00:53,560 --> 00:00:57,080
Speaker 1: who lives in Naples, Florida. Hi Julie, good morning, Hi,

21
00:00:57,240 --> 00:00:59,000
Speaker 1: how are you. I'm doing pretty good? Do you know

22
00:00:59,040 --> 00:01:02,800
Speaker 1: why have you on I have a feeling, what's the

23
00:01:02,880 --> 00:01:07,160
Speaker 1: feel talk about? You? And I have never met, so

24
00:01:07,200 --> 00:01:08,880
Speaker 1: why would you think I would call you right now?

25
00:01:10,040 --> 00:01:13,320
Speaker 1: So I sent a letter a little while ago saying

26
00:01:13,360 --> 00:01:16,320
Speaker 1: that my son, who is a lieutenant in the US

27
00:01:16,480 --> 00:01:20,000
Speaker 1: Navy and the naval pilot, is getting married next month.

28
00:01:22,080 --> 00:01:27,479
Speaker 1: Megan Trainer has a wonderful song called Mom that I

29
00:01:27,520 --> 00:01:30,039
Speaker 1: have always listened to and always felt close to in

30
00:01:30,120 --> 00:01:33,479
Speaker 1: my heart. The sweet girl that my son is marrying

31
00:01:34,000 --> 00:01:40,000
Speaker 1: is a sister of five siblings, and they are all girls.

32
00:01:41,160 --> 00:01:44,440
Speaker 1: For this wedding or for any of those girl's weddings,

33
00:01:45,120 --> 00:01:47,360
Speaker 1: her mom will never get a dance with a son.

34
00:01:48,880 --> 00:01:51,480
Speaker 1: So I would love to be able to play the

35
00:01:51,560 --> 00:01:56,160
Speaker 1: mom's song and possibly get just a well wished for

36
00:01:56,320 --> 00:01:59,200
Speaker 1: Megan Trainer well wished the weel at their wedding. And

37
00:01:59,320 --> 00:02:02,600
Speaker 1: you sit letter letter who knew people was doing at that?

38
00:02:02,600 --> 00:02:05,120
Speaker 1: That's crazy? And so I got it. And there was

39
00:02:05,160 --> 00:02:06,960
Speaker 1: also one in there to Megan Trainer. And I guess

40
00:02:06,960 --> 00:02:08,560
Speaker 1: you had reached out to Megan a few different ways

41
00:02:08,560 --> 00:02:11,320
Speaker 1: but didn't have any luck. Is that true? I did.

42
00:02:11,520 --> 00:02:14,160
Speaker 1: I've tried a few things. I've tried her fan club

43
00:02:14,200 --> 00:02:17,880
Speaker 1: and I've tried her marketing guy and I haven't gotten

44
00:02:17,880 --> 00:02:22,639
Speaker 1: any response. Well for me, you get a response. So

45
00:02:24,400 --> 00:02:26,200
Speaker 1: I did post this on TikTok. Do you have any

46
00:02:26,240 --> 00:02:28,040
Speaker 1: chance to see that? Where I was like, hey, Megan Trainer,

47
00:02:28,080 --> 00:02:30,320
Speaker 1: can you hear me? Can you help me? Any chance?

48
00:02:30,320 --> 00:02:33,520
Speaker 1: Anybody show that to you? I haven't seen it, I

49
00:02:33,560 --> 00:02:37,079
Speaker 1: haven't looked, so I posted it and I've been waiting.

50
00:02:37,120 --> 00:02:40,600
Speaker 1: I can't get Megan to answer me either, but I

51
00:02:40,720 --> 00:02:42,240
Speaker 1: keep waiting. So do you want me to keep trying

52
00:02:42,320 --> 00:02:44,680
Speaker 1: or do you mean give up? I would love for

53
00:02:44,720 --> 00:02:46,760
Speaker 1: you to keep trying, and we will keep our eyes

54
00:02:46,760 --> 00:02:50,520
Speaker 1: open on TikTok to see I'm just kidding. Actually got

55
00:02:50,520 --> 00:02:53,960
Speaker 1: something from her for you? I did, Yeah, yeah, yeah,

56
00:02:53,760 --> 00:02:55,679
Speaker 1: I know Megan a little I know Megan a little

57
00:02:55,720 --> 00:02:57,400
Speaker 1: bit and we follow each other on TikTok and she

58
00:02:57,480 --> 00:02:59,880
Speaker 1: saw it. And I'm not going to play the whole thing.

59
00:03:00,040 --> 00:03:01,880
Speaker 1: I want you to have it, but can she hear

60
00:03:01,880 --> 00:03:03,480
Speaker 1: it right through the phone. I'm gonna play you like

61
00:03:03,480 --> 00:03:05,720
Speaker 1: a small clip of the video that Megan sent for

62
00:03:05,800 --> 00:03:07,399
Speaker 1: you so you can hear it now, and then I'll

63
00:03:07,400 --> 00:03:09,519
Speaker 1: just send you over the whole video that she made. Okay, Oh,

64
00:03:09,600 --> 00:03:11,960
Speaker 1: my gosh, that would be wonderful. Okay, here's a little clip,

65
00:03:12,000 --> 00:03:17,399
Speaker 1: go ahead, LTJG. Craig Him and Darcy Kircher. Hi. I'm

66
00:03:17,440 --> 00:03:21,160
Speaker 1: Megan Trainer and I heard that you are getting married.

67
00:03:21,280 --> 00:03:24,360
Speaker 1: First of all, thank you very services, Craig Him and

68
00:03:25,200 --> 00:03:26,760
Speaker 1: I can't wait for your wedding. It's gonna be the

69
00:03:26,800 --> 00:03:28,960
Speaker 1: best I ever wish I could be there. I love

70
00:03:29,000 --> 00:03:35,160
Speaker 1: you so much. Congratulations ma best I ever. WHOA, So

71
00:03:35,240 --> 00:03:40,440
Speaker 1: that's Megan. Oh my gosh, I'm speechless. Well it's actually

72
00:03:40,440 --> 00:03:42,080
Speaker 1: a lot longer than that too. I just didn't want

73
00:03:42,080 --> 00:03:44,120
Speaker 1: the audience right now. I seach your video. I don't

74
00:03:44,160 --> 00:03:45,600
Speaker 1: want you to be able to have it and do

75
00:03:45,640 --> 00:03:48,400
Speaker 1: with that what you want. But I appreciate the letter,

76
00:03:48,560 --> 00:03:50,080
Speaker 1: and I'm sorry it took me so long to get

77
00:03:50,080 --> 00:03:51,840
Speaker 1: to it. I didn't even get these letters on my

78
00:03:51,840 --> 00:03:53,200
Speaker 1: desk to like three months after they were sent. I

79
00:03:53,200 --> 00:03:54,720
Speaker 1: think the Pony Express is one that brought it in.

80
00:03:55,160 --> 00:03:57,120
Speaker 1: I think that. I think that's how they deliver letters again.

81
00:03:57,720 --> 00:04:00,480
Speaker 1: So I'm gonna send you this entire video for Megan,

82
00:04:00,520 --> 00:04:02,320
Speaker 1: because I know you asked for one to play at

83
00:04:02,320 --> 00:04:04,560
Speaker 1: your wedding and tell your son. We said, thank you

84
00:04:04,560 --> 00:04:07,280
Speaker 1: for serving and we're super happy for him and his

85
00:04:07,360 --> 00:04:09,440
Speaker 1: new wife the same. And just a big shout out

86
00:04:09,440 --> 00:04:12,480
Speaker 1: to Megan Trainer for making it happen. Oh my goodness,

87
00:04:12,520 --> 00:04:15,160
Speaker 1: thank you so so much. And this will mean the

88
00:04:15,200 --> 00:04:18,120
Speaker 1: world to the family. That's what I do. It's awesome

89
00:04:18,360 --> 00:04:20,839
Speaker 1: here I am. I'm looking muppet babies making dreams come true.

90
00:04:20,920 --> 00:04:23,480
Speaker 1: You know what I mean. Okay, Julie, I'm gonna text

91
00:04:23,560 --> 00:04:25,360
Speaker 1: us over to you in the next few minutes. And

92
00:04:25,520 --> 00:04:27,440
Speaker 1: I appreciate you being a listener. Thanks for sending me

93
00:04:27,440 --> 00:04:29,640
Speaker 1: the letter, and I hope the wedding goes as awesome

94
00:04:29,640 --> 00:04:32,880
Speaker 1: as you hope. Oh, thank you so much, and y'all

95
00:04:32,920 --> 00:04:35,880
Speaker 1: have a wonderful, wonderful day. Yeah YouTube downhold, don't hang up,

96
00:04:36,120 --> 00:04:37,960
Speaker 1: you go and put he round hold and then we'll

97
00:04:38,000 --> 00:04:40,040
Speaker 1: just text it to her and then she has it. It

98
00:04:39,920 --> 00:04:42,279
Speaker 1: It was cool and Meghan is awesome. Very yeah, pretty cool.

99
00:04:43,279 --> 00:04:47,039
Speaker 1: It's the best bits of the week with Morgan. Number two.

100
00:04:48,360 --> 00:04:51,960
Speaker 1: Our iHeart Festival happened last weekend in Las Vegas, and

101
00:04:52,040 --> 00:04:54,479
Speaker 1: of course that brought a lot of stories to the

102
00:04:54,520 --> 00:04:57,560
Speaker 1: show this week, and one of them being that Lunchbox

103
00:04:57,680 --> 00:05:01,400
Speaker 1: met his idol, the miss Thanks to Bobby because Bobby,

104
00:05:01,600 --> 00:05:04,960
Speaker 1: the Miss, and Kristin Cavalary were all presenting at the

105
00:05:05,360 --> 00:05:08,120
Speaker 1: iHeart Festival. They were announcing a performer and they were

106
00:05:08,160 --> 00:05:12,440
Speaker 1: all up there together. So Bobby had held his word

107
00:05:12,520 --> 00:05:15,480
Speaker 1: for Lunchbox held his word is that I don't remember

108
00:05:15,520 --> 00:05:19,560
Speaker 1: what the metaphors kept his word for Lunchbox to meet

109
00:05:19,600 --> 00:05:23,000
Speaker 1: the Miss, and he introduced them backstage and Lunchbox totally

110
00:05:23,040 --> 00:05:26,440
Speaker 1: freaked out, like he had a full on bandgirl moment

111
00:05:26,520 --> 00:05:29,120
Speaker 1: with the Miss. So that's what you're about to hear

112
00:05:29,560 --> 00:05:32,440
Speaker 1: right now. Number six. You know, going into the weekend

113
00:05:32,920 --> 00:05:35,520
Speaker 1: before we went to Las Vegas, we we're talking about

114
00:05:35,640 --> 00:05:37,320
Speaker 1: kind of what our jobs were, and I said, hey,

115
00:05:37,320 --> 00:05:41,159
Speaker 1: I'm gonna be you know, on for the CW introducing

116
00:05:41,200 --> 00:05:44,880
Speaker 1: Morgan Wallen, and with me will be the Miss and

117
00:05:45,000 --> 00:05:49,480
Speaker 1: Kristin Cavalary now Kristin Cavalery from Laguna Beach Fame. Yeah,

118
00:05:49,520 --> 00:05:51,840
Speaker 1: and the Miss from well, what I know I'm from

119
00:05:51,880 --> 00:05:54,080
Speaker 1: is he had a show on USA Network right next

120
00:05:54,080 --> 00:05:56,200
Speaker 1: to mine. I'd always see him in promos and he's

121
00:05:56,200 --> 00:05:58,400
Speaker 1: a wrestler. Although I'll watch this much, I mean, I

122
00:05:58,440 --> 00:05:59,920
Speaker 1: guess I don't watch wrestling at all anymore. But you

123
00:06:00,080 --> 00:06:02,800
Speaker 1: to love it. And then he was on real world apparently,

124
00:06:02,839 --> 00:06:05,359
Speaker 1: but in real world back to New York. So you know,

125
00:06:05,400 --> 00:06:07,080
Speaker 1: I never know how somebody's going to be before I

126
00:06:07,080 --> 00:06:10,800
Speaker 1: meet him. Nice, not nice, busy. Sometimes there are so

127
00:06:10,839 --> 00:06:14,279
Speaker 1: many like middle famous people there that are based trying

128
00:06:14,279 --> 00:06:17,400
Speaker 1: to like outdo each other because if if somebody's super famous,

129
00:06:17,440 --> 00:06:19,240
Speaker 1: they're usually pretty cool. They don't give a crap because

130
00:06:19,240 --> 00:06:21,800
Speaker 1: they're like, I made it. I don't need to prove anything,

131
00:06:23,120 --> 00:06:25,560
Speaker 1: but them is famous famous. I didn't realize it until

132
00:06:25,560 --> 00:06:27,279
Speaker 1: I kind of got into it. He's like four million

133
00:06:27,320 --> 00:06:31,600
Speaker 1: Instagram followers. Wow, he's got a reality showing USA Network.

134
00:06:32,040 --> 00:06:34,359
Speaker 1: He's one of the big wrestlers, Like people really know

135
00:06:34,400 --> 00:06:36,120
Speaker 1: who he is. And so I was like, oh, man,

136
00:06:36,160 --> 00:06:38,640
Speaker 1: I hope this guy's cool. And so I didn't see

137
00:06:38,680 --> 00:06:40,920
Speaker 1: him until I don't know, a couple of hours before

138
00:06:40,920 --> 00:06:43,120
Speaker 1: we're supposed to do this, and I just walked into

139
00:06:43,160 --> 00:06:44,400
Speaker 1: this room and he was standing there, and I wasn't

140
00:06:44,400 --> 00:06:48,080
Speaker 1: gonna go up to him and just be like, hey buddy, Bobby,

141
00:06:48,200 --> 00:06:50,560
Speaker 1: I know I needed a reason. Oh I didn't have to.

142
00:06:50,600 --> 00:06:52,320
Speaker 1: He came up to me. It was super cool, and

143
00:06:52,360 --> 00:06:54,360
Speaker 1: he goes, hey, Bobby, how's it going? And I was

144
00:06:54,440 --> 00:06:56,120
Speaker 1: and I know what to call him, Mike them Is,

145
00:06:56,360 --> 00:07:00,480
Speaker 1: so I said amen. So he said, hey, how's it

146
00:07:00,839 --> 00:07:03,280
Speaker 1: And he immediately asked me about Dancing with the Stars,

147
00:07:03,839 --> 00:07:05,640
Speaker 1: and I forgot he did it the season right after me.

148
00:07:05,760 --> 00:07:07,039
Speaker 1: And he told me he had watched a lot of

149
00:07:07,080 --> 00:07:08,960
Speaker 1: my dances because he didn't know how to dance either,

150
00:07:09,480 --> 00:07:11,160
Speaker 1: and he was like, I watched how you didn't. He

151
00:07:11,200 --> 00:07:12,880
Speaker 1: was like quoting. He was like, when you ran into

152
00:07:12,920 --> 00:07:14,760
Speaker 1: the crowd. I was like, dude, I know what I

153
00:07:14,800 --> 00:07:16,800
Speaker 1: was doing. He's like, that was the greatest part about it.

154
00:07:16,960 --> 00:07:18,240
Speaker 1: And so we kind of hit it off and we

155
00:07:18,240 --> 00:07:22,160
Speaker 1: were talking about USA Network. But I look over We've

156
00:07:22,200 --> 00:07:24,680
Speaker 1: been talking for five, six, seven minutes for a long time,

157
00:07:24,840 --> 00:07:26,920
Speaker 1: and I see Lunchbox just like I don't know how

158
00:07:27,000 --> 00:07:29,840
Speaker 1: Lunchbox got there. He just appeared like he had been

159
00:07:29,880 --> 00:07:32,000
Speaker 1: following the miss all through the building. I don't know.

160
00:07:32,280 --> 00:07:34,760
Speaker 1: I just look over on Lunchbox says like just standing

161
00:07:34,800 --> 00:07:37,400
Speaker 1: there like a runner at a starting line, just ready

162
00:07:37,440 --> 00:07:41,960
Speaker 1: to fire off. And he's just looking and looking. But

163
00:07:42,040 --> 00:07:45,000
Speaker 1: I'm actually in a pretty good, normal human conversation with

164
00:07:45,040 --> 00:07:47,760
Speaker 1: this guy so annoying, and I was like man, this

165
00:07:47,840 --> 00:07:50,560
Speaker 1: dude's pretty cool. We're talking about real live stuff. And

166
00:07:50,680 --> 00:07:53,480
Speaker 1: I just see lunchbox and I know I gotta take

167
00:07:53,520 --> 00:07:55,160
Speaker 1: one for the team and not hang out with the

168
00:07:55,200 --> 00:07:57,200
Speaker 1: miss and go ahead and introduced lunchbox to the miss.

169
00:07:57,600 --> 00:07:59,680
Speaker 1: And so how long did it feel like? I was

170
00:07:59,720 --> 00:08:03,760
Speaker 1: twenty minutes. I was like, hello, the whole point of

171
00:08:03,760 --> 00:08:07,239
Speaker 1: this interaction, it wasn't the whole point in me? Okay,

172
00:08:07,280 --> 00:08:10,600
Speaker 1: in my head, this is his head. Yeah. I was like, Bobby,

173
00:08:10,920 --> 00:08:12,800
Speaker 1: the only reason you are talking to him right now

174
00:08:12,880 --> 00:08:15,040
Speaker 1: is it introducing to me? And I kept trying to

175
00:08:15,280 --> 00:08:17,240
Speaker 1: I was moving my head left and right, trying to

176
00:08:17,280 --> 00:08:20,560
Speaker 1: get in your sight line of vision whatever you call. Yeah,

177
00:08:20,560 --> 00:08:23,240
Speaker 1: And I was like I was trying to make noises.

178
00:08:23,280 --> 00:08:26,800
Speaker 1: I did a couple like clock, I did a couple

179
00:08:26,800 --> 00:08:30,320
Speaker 1: of everything, and Bobby just kept talking and talking. I'm like, Bobby,

180
00:08:30,440 --> 00:08:32,840
Speaker 1: you never talked to anybody this long? What are you doing?

181
00:08:33,440 --> 00:08:35,240
Speaker 1: I never talked to anybody that long? What was I doing?

182
00:08:35,679 --> 00:08:38,360
Speaker 1: Just enjoyed the conversation. And so I do see lunch

183
00:08:38,360 --> 00:08:40,640
Speaker 1: box over there. Did you could call me? Oh? I could?

184
00:08:42,640 --> 00:08:45,320
Speaker 1: I felt like I heard something a lot, and I'm like, okay.

185
00:08:45,400 --> 00:08:47,000
Speaker 1: His face was red because he was like, is all

186
00:08:47,000 --> 00:08:50,440
Speaker 1: building up? And so I found a natural point to

187
00:08:50,600 --> 00:08:53,240
Speaker 1: in the conversation because the mid and I were going

188
00:08:53,280 --> 00:08:55,319
Speaker 1: to be together later and say, hey, man, do you

189
00:08:55,360 --> 00:08:59,319
Speaker 1: mind to introduce you to somebody? Oh yeah, oh yeah,

190
00:08:59,400 --> 00:09:00,959
Speaker 1: And I was I didn't know what to expect. I

191
00:09:01,000 --> 00:09:02,920
Speaker 1: don't know what Lunchbox was gonna do. Play it cool,

192
00:09:02,960 --> 00:09:05,080
Speaker 1: like was he gonna write yeah? But then the build

193
00:09:05,160 --> 00:09:07,679
Speaker 1: up like yeah, take him for long? So long, Like

194
00:09:07,720 --> 00:09:09,120
Speaker 1: if you would have introduced me right away, I think

195
00:09:09,120 --> 00:09:11,960
Speaker 1: I'd have been cool. No, no chance. So here is Lunchbox.

196
00:09:12,600 --> 00:09:14,520
Speaker 1: It was awesome. Did you just could come again? It

197
00:09:14,600 --> 00:09:16,880
Speaker 1: was great? Man, I want to I am not listening

198
00:09:16,920 --> 00:09:19,199
Speaker 1: back to this, So I wonder if I seemed as

199
00:09:19,200 --> 00:09:21,760
Speaker 1: cool as in my hands as I did his whole

200
00:09:21,760 --> 00:09:24,320
Speaker 1: clubs one minute, We'll tell you. And he's talking to

201
00:09:24,360 --> 00:09:26,560
Speaker 1: the miss but he has his phone up like recording

202
00:09:26,559 --> 00:09:29,440
Speaker 1: the whole time. I'm videoing it. Man, So this is set.

203
00:09:29,679 --> 00:09:31,440
Speaker 1: We're there, We're in a hallway. I say, hey, Mike,

204
00:09:31,480 --> 00:09:34,160
Speaker 1: I want to introduce you to Lunchbox. And I couldn't

205
00:09:34,160 --> 00:09:36,400
Speaker 1: even say who Lunchbox was in my life before. Lunchbox

206
00:09:36,480 --> 00:09:48,560
Speaker 1: is like right on him okay, hit its Hey, dude,

207
00:09:48,559 --> 00:09:53,880
Speaker 1: I've been back to New York. Yeah, I didn't realize.

208
00:09:54,080 --> 00:09:56,840
Speaker 1: I was just talking about it and he was like yeah,

209
00:09:57,120 --> 00:10:01,760
Speaker 1: and then you're just like yeah. When I heard he

210
00:10:01,880 --> 00:10:03,400
Speaker 1: was going to introduce with you if we worked together,

211
00:10:03,440 --> 00:10:08,360
Speaker 1: I was like, oh, sorry, Miss the gull Yellow didn't

212
00:10:08,400 --> 00:10:10,520
Speaker 1: have to say, you're being too loud. Do you want

213
00:10:10,520 --> 00:10:12,599
Speaker 1: to shock? You want to know who? You wanna know?

214
00:10:12,640 --> 00:10:15,240
Speaker 1: Who's on real road with Kevin Dunn, Rachel, the League

215
00:10:15,320 --> 00:10:17,600
Speaker 1: that all of them, the girlfriends, Chicogo, the mikeup, Sorry,

216
00:10:17,640 --> 00:10:27,640
Speaker 1: Boddy Camera, Rachel, Rachel. It went for trouble. So I'm

217
00:10:27,679 --> 00:10:29,040
Speaker 1: just glad to see that, you know, like I want

218
00:10:29,040 --> 00:10:32,840
Speaker 1: to be on the real road so bad. I know,

219
00:10:33,960 --> 00:10:36,320
Speaker 1: and it keeps going. But here's what I want to say.

220
00:10:36,679 --> 00:10:39,000
Speaker 1: The reason we had to stop there. They were recording.

221
00:10:39,000 --> 00:10:41,240
Speaker 1: It was like some big artist is recording an interview

222
00:10:41,400 --> 00:10:45,720
Speaker 1: and Lunchbox is like the miss. So when the back

223
00:10:45,840 --> 00:10:48,800
Speaker 1: is some clip, I don't know who it was, Halsey,

224
00:10:48,920 --> 00:10:52,640
Speaker 1: I don't know you hear the mass, but he was

225
00:10:52,679 --> 00:10:57,920
Speaker 1: super nice and Lunchbox did his deal there and they

226
00:10:57,920 --> 00:11:01,920
Speaker 1: asked me to save the miss. Oh yeah, I'll call

227
00:11:02,000 --> 00:11:04,040
Speaker 1: him miss I mean, I mean Bobby did come back

228
00:11:04,040 --> 00:11:05,480
Speaker 1: in and go hey. I felt like a girl at

229
00:11:05,520 --> 00:11:06,760
Speaker 1: the club, like when one of your friends it's a

230
00:11:06,760 --> 00:11:09,280
Speaker 1: girls club, is getting bothered by some weirdo and you

231
00:11:09,360 --> 00:11:12,840
Speaker 1: got to go in and like dance and say I

232
00:11:12,920 --> 00:11:15,720
Speaker 1: didn't I thought I was laughing at lunchbox, although he

233
00:11:15,760 --> 00:11:18,559
Speaker 1: was a little intense, I was laughing. But one of

234
00:11:18,559 --> 00:11:22,240
Speaker 1: the miss group it was super nice, normal folks. They

235
00:11:22,240 --> 00:11:25,120
Speaker 1: were like oh, and I was like, do you want

236
00:11:25,120 --> 00:11:27,600
Speaker 1: me to save him? And they were like please, would you?

237
00:11:27,880 --> 00:11:29,960
Speaker 1: And then I kind of just had to all right, guys,

238
00:11:30,280 --> 00:11:34,319
Speaker 1: miss gotta go. Yeah. He came over and like pulled

239
00:11:34,760 --> 00:11:36,880
Speaker 1: the miss out of the situation. I was like, man,

240
00:11:36,920 --> 00:11:38,520
Speaker 1: I gave you as long as I could, I know,

241
00:11:38,760 --> 00:11:40,200
Speaker 1: but I got a question, like when you were with

242
00:11:40,240 --> 00:11:42,600
Speaker 1: him later on the say anything about me? You guys

243
00:11:42,640 --> 00:11:44,439
Speaker 1: didn't go on a date. He was like, hey man,

244
00:11:45,000 --> 00:11:48,320
Speaker 1: that it was cool what he did say afterwards, because

245
00:11:48,840 --> 00:11:50,280
Speaker 1: he said he had to go, but really we left,

246
00:11:50,320 --> 00:11:51,760
Speaker 1: but him and I both left to talk in the

247
00:11:51,800 --> 00:11:55,080
Speaker 1: hall again. Oh. I was like, hey man, I was like,

248
00:11:55,120 --> 00:11:57,120
Speaker 1: hey man, sorry about that. He goes, Man, I'm in wrestling.

249
00:11:57,120 --> 00:11:59,160
Speaker 1: I get crazy like that all the time something like that.

250
00:11:59,520 --> 00:12:02,600
Speaker 1: There you go, lunch Box, you're a normal fan. Yeah, man,

251
00:12:02,600 --> 00:12:05,640
Speaker 1: that's cool. He likes definitely not aren't. Yeah you were.

252
00:12:05,760 --> 00:12:08,680
Speaker 1: You were nice. It was just very intense. You came

253
00:12:08,720 --> 00:12:12,880
Speaker 1: on strong. That's how he is. He's intense. That's his character.

254
00:12:13,360 --> 00:12:17,040
Speaker 1: Was just give him little chat. But he liked you. Yes, yeah,

255
00:12:17,080 --> 00:12:19,120
Speaker 1: he liked you. I wonder who followed me. Let me check.

256
00:12:19,760 --> 00:12:24,080
Speaker 1: He followed me on Instagram. Really so jealous. I'm gonna

257
00:12:24,080 --> 00:12:26,199
Speaker 1: look at his Instagram. But I didn't attack him anything yet.

258
00:12:26,640 --> 00:12:31,880
Speaker 1: Lunch Box, he follows me, Jimmy Allen, lunch go to

259
00:12:31,920 --> 00:12:38,000
Speaker 1: the Elves lunch well, Tom Brady the Rock No, none, No,

260
00:12:38,160 --> 00:12:42,240
Speaker 1: lunch Box. Maybe forgot I'll send m DM say, hey, dude,

261
00:12:42,240 --> 00:12:46,680
Speaker 1: you forgot to follow me remember me? No, don't, I will.

262
00:12:46,920 --> 00:12:49,200
Speaker 1: He did compare He did compare you to Tom Brady though,

263
00:12:49,760 --> 00:12:51,720
Speaker 1: Yeah he did. It gave me a pretty good compliment.

264
00:12:51,720 --> 00:12:56,160
Speaker 1: A lot of people do think I'm Tom Brady. Okay, Well, anyway,

265
00:12:56,360 --> 00:13:02,240
Speaker 1: he did follow you. Not cool man. It's the best

266
00:13:02,360 --> 00:13:06,760
Speaker 1: bits of the week with Morgan. Number two. Maddie and

267
00:13:06,760 --> 00:13:09,080
Speaker 1: Tay were on the show this week. They performed Unfortunately

268
00:13:09,120 --> 00:13:11,160
Speaker 1: I can't have that here for y'all, but you can

269
00:13:11,200 --> 00:13:14,040
Speaker 1: definitely check that out at Bobby Bones YouTube page or

270
00:13:14,120 --> 00:13:16,280
Speaker 1: Bobby bones dot com. It's up there, so you guys

271
00:13:16,320 --> 00:13:19,320
Speaker 1: can check that out. It's from their second part of

272
00:13:19,360 --> 00:13:22,120
Speaker 1: their album, Through the Madness. It's Volume two. It's one

273
00:13:22,120 --> 00:13:24,560
Speaker 1: of the songs from that that just came out. But

274
00:13:24,600 --> 00:13:26,680
Speaker 1: while they were on with Us, Tay talked about being

275
00:13:26,800 --> 00:13:30,040
Speaker 1: a new mom, and Maddie also talked about her farm

276
00:13:30,080 --> 00:13:32,800
Speaker 1: and the one chicken she has left, which these girls

277
00:13:32,840 --> 00:13:34,600
Speaker 1: are always just fun to listen to. They have some

278
00:13:34,640 --> 00:13:37,679
Speaker 1: great stories. So here it is number five. Hey, you

279
00:13:37,679 --> 00:13:41,600
Speaker 1: guys doing good. It's good to see it. I was amy.

280
00:13:41,640 --> 00:13:45,240
Speaker 1: I was on vacation and I got a text from Maddie.

281
00:13:45,720 --> 00:13:48,320
Speaker 1: She was like, I'll see tomorrow. I was like, no,

282
00:13:48,440 --> 00:13:51,319
Speaker 1: you won't. I'm way gone. Oh. She was like we're

283
00:13:51,320 --> 00:13:53,000
Speaker 1: coming in tomorrow. And I was like, there's got to

284
00:13:53,040 --> 00:13:55,760
Speaker 1: be some wire that has been crossed. Oh yeah, I

285
00:13:55,920 --> 00:13:58,520
Speaker 1: jacked it up. I live in La La Land. My

286
00:13:58,600 --> 00:14:00,920
Speaker 1: brain was all mushy, it's still well she it hasn't,

287
00:14:01,040 --> 00:14:03,400
Speaker 1: but yeah, I was like, okay, just kidding, it's wrong week.

288
00:14:03,480 --> 00:14:06,400
Speaker 1: Sorry on vacation. Yeah, I didn't even know I didn't

289
00:14:06,400 --> 00:14:09,880
Speaker 1: know what she meant. Well, she as like, maybe she's

290
00:14:09,880 --> 00:14:11,640
Speaker 1: going to the studio to record something. I don't want

291
00:14:11,679 --> 00:14:12,640
Speaker 1: to tell her. I'm not gonna be there. I'm just

292
00:14:12,679 --> 00:14:14,760
Speaker 1: gonna let her go record. You know. So you said

293
00:14:14,760 --> 00:14:17,360
Speaker 1: the month wrong, like totally. Oh, I had the whole

294
00:14:17,520 --> 00:14:20,040
Speaker 1: entire thing wrong, because I think we had this like

295
00:14:20,080 --> 00:14:22,120
Speaker 1: for one day and then we switched it or something,

296
00:14:22,560 --> 00:14:25,360
Speaker 1: and my brain just totally forgot. I felt so bad.

297
00:14:25,360 --> 00:14:27,560
Speaker 1: I was like, oh my gosh, i'specting her on vacation.

298
00:14:27,920 --> 00:14:31,560
Speaker 1: I'm so sorry. I think like maybe five minutes after

299
00:14:31,600 --> 00:14:33,920
Speaker 1: I texted you, I was like, oh, just kidding. Sorry,

300
00:14:33,960 --> 00:14:35,280
Speaker 1: I didn't respond. I was like, i'mna let her do

301
00:14:35,320 --> 00:14:37,600
Speaker 1: what she's gonna do. We'll see what happens. We'll see

302
00:14:37,600 --> 00:14:40,160
Speaker 1: what it ends up recorded. And then I gotta I

303
00:14:40,240 --> 00:14:42,640
Speaker 1: changed my phone number, but I gotta check my old

304
00:14:42,640 --> 00:14:44,600
Speaker 1: phone about once every dree or four days. And there

305
00:14:44,640 --> 00:14:46,320
Speaker 1: was a picture of you with a chicken, the one

306
00:14:46,320 --> 00:14:49,160
Speaker 1: remaining chicken. I did because I thought you would appreciate

307
00:14:49,280 --> 00:14:51,920
Speaker 1: the story. And she's still going strong. Her name is

308
00:14:52,040 --> 00:14:56,640
Speaker 1: Una like one in Spanish because she is the lone survivor,

309
00:14:56,800 --> 00:14:58,880
Speaker 1: and named her after everybody died. That's a time to

310
00:14:58,920 --> 00:15:01,800
Speaker 1: name a chicken. Yeah, it's pretty terrible, but you know,

311
00:15:02,120 --> 00:15:04,520
Speaker 1: I feel like on tour, I can only manage one chicken.

312
00:15:04,600 --> 00:15:06,560
Speaker 1: So maybe it was God's way of being like, girl,

313
00:15:06,640 --> 00:15:09,240
Speaker 1: you can't manage sick, So we're just gonna have the one.

314
00:15:09,600 --> 00:15:12,760
Speaker 1: And my dog's lover. She thinks she's a dog. It's weird.

315
00:15:13,000 --> 00:15:15,640
Speaker 1: It's a thing, but yeah, we've got one lone survivor.

316
00:15:15,800 --> 00:15:18,520
Speaker 1: You named her based on everybody that died. Yeah, well,

317
00:15:18,840 --> 00:15:20,800
Speaker 1: the last time I came in here, I got like

318
00:15:20,880 --> 00:15:23,400
Speaker 1: four new chickens and those all died. So it's just

319
00:15:23,640 --> 00:15:26,720
Speaker 1: I'm a horrible chicken owner. I really need to attractors.

320
00:15:26,720 --> 00:15:29,240
Speaker 1: Supply they're gonna be like, you cannot buy more chickens

321
00:15:29,320 --> 00:15:33,400
Speaker 1: because yeah, I put her name on a list. Yeah,

322
00:15:33,440 --> 00:15:36,440
Speaker 1: that's a pretty normal thing, right, is the chickens? Apparently

323
00:15:37,520 --> 00:15:40,000
Speaker 1: if you live near woods. Yeah, we live out in

324
00:15:40,040 --> 00:15:43,000
Speaker 1: the middle of nowhere. So yeah, Taylor, what's up with you?

325
00:15:43,600 --> 00:15:47,000
Speaker 1: Not much? Just mom and yeah, mom and hard You

326
00:15:47,040 --> 00:15:49,160
Speaker 1: guys had a song. It was just Maddie because you

327
00:15:49,160 --> 00:15:51,280
Speaker 1: were mom your early moment. I was an early moment.

328
00:15:51,400 --> 00:15:52,680
Speaker 1: So this is the first time we've seen you in

329
00:15:52,720 --> 00:15:57,360
Speaker 1: here since So, I mean, so, what's how's your life different? Like,

330
00:15:57,640 --> 00:16:00,560
Speaker 1: how are you feeling? Oh lord, um, nothing, it's the same.

331
00:16:00,840 --> 00:16:03,760
Speaker 1: I used to live off like twelve hours to sleep

332
00:16:03,760 --> 00:16:06,960
Speaker 1: at night and now it's like five, which I'll take it, um.

333
00:16:07,120 --> 00:16:10,320
Speaker 1: But just loving being Laton's mom. She's the best little baby.

334
00:16:10,400 --> 00:16:13,000
Speaker 1: She travels with us everywhere, and yesterday she was on

335
00:16:13,000 --> 00:16:15,360
Speaker 1: her like third flight in three days, and now we're

336
00:16:15,360 --> 00:16:18,000
Speaker 1: going on another flight today and she's just like chilling

337
00:16:18,120 --> 00:16:20,240
Speaker 1: along for the right. She doesn't cry her ears, don't

338
00:16:20,280 --> 00:16:22,280
Speaker 1: get all poppy because mine do. I do both, I cry,

339
00:16:22,280 --> 00:16:25,360
Speaker 1: amys get poppy. Oh my god, saying no, she she

340
00:16:25,520 --> 00:16:28,000
Speaker 1: winds here and there, she does not like she'll just

341
00:16:28,040 --> 00:16:31,520
Speaker 1: get bored, you know. But yeah, me too, same. Yeah,

342
00:16:31,520 --> 00:16:34,800
Speaker 1: I'm just like her baby. Yeah oh yeah. So you

343
00:16:34,800 --> 00:16:37,560
Speaker 1: guys have a new song every night every morning? Yes,

344
00:16:37,640 --> 00:16:39,440
Speaker 1: and so I don't know, but put me in the

345
00:16:39,920 --> 00:16:41,720
Speaker 1: mental space to hear this, like what am I hearing?

346
00:16:41,720 --> 00:16:43,600
Speaker 1: And why am I hearing it? We wrote it with

347
00:16:43,760 --> 00:16:47,040
Speaker 1: Jonathan Singleton and Brock berry Hill, two writers that we love,

348
00:16:47,520 --> 00:16:50,480
Speaker 1: and I think Brock actually had the title every night

349
00:16:50,520 --> 00:16:53,360
Speaker 1: every morning and this was in the middle of the pandemic,

350
00:16:53,440 --> 00:16:55,640
Speaker 1: so it was like I'm seeing you every night and

351
00:16:55,720 --> 00:16:59,600
Speaker 1: every morning. So it felt really, um, I guess present

352
00:16:59,680 --> 00:17:02,720
Speaker 1: in the moment and we love a good like love song.

353
00:17:02,800 --> 00:17:05,960
Speaker 1: But also I was really excited, being from Texas to

354
00:17:06,000 --> 00:17:08,520
Speaker 1: write something that felt like a two stepping song, since

355
00:17:08,560 --> 00:17:10,800
Speaker 1: that's like the big thing there, like we grow up

356
00:17:10,880 --> 00:17:12,800
Speaker 1: two stepping, like when you're like two years old, you

357
00:17:12,880 --> 00:17:15,200
Speaker 1: learn how to and that was always a dream of mine,

358
00:17:15,200 --> 00:17:17,320
Speaker 1: and so we just kind of turn this little love

359
00:17:17,359 --> 00:17:20,080
Speaker 1: song into a little Texas two steps. So the album

360
00:17:20,200 --> 00:17:22,680
Speaker 1: is out Through the Madness, Volume two. I feel comfortable

361
00:17:22,720 --> 00:17:24,240
Speaker 1: doing this with you guys because I know you. But

362
00:17:25,119 --> 00:17:28,440
Speaker 1: somebody sends me facts about you guys from We always

363
00:17:28,440 --> 00:17:31,919
Speaker 1: are forwarded things and I never use them, oh yeah,

364
00:17:32,080 --> 00:17:34,800
Speaker 1: because they're always super generic and lame. Yeah, what I

365
00:17:34,800 --> 00:17:38,160
Speaker 1: would like to do. I don't even know if they're true. Okaye,

366
00:17:38,400 --> 00:17:41,720
Speaker 1: neither fun facts about Maddie. I'm gonna give you four

367
00:17:41,720 --> 00:17:42,880
Speaker 1: of them and you can just tell me if they're

368
00:17:42,880 --> 00:17:45,040
Speaker 1: true or false. Okay, this is like two truths in

369
00:17:45,119 --> 00:17:48,120
Speaker 1: a lie. Almost yes, except I think they're all true. Okay.

370
00:17:48,200 --> 00:17:50,600
Speaker 1: Number one, Maddie, when you're not making music, your favorite

371
00:17:50,600 --> 00:17:54,240
Speaker 1: thing to do is gardening. Yes, yeah, I'm really an

372
00:17:54,240 --> 00:17:56,960
Speaker 1: old lady. In my heart, I'm not as like cool

373
00:17:57,040 --> 00:18:01,280
Speaker 1: as most twenty something year old Okay. Maddie says her

374
00:18:01,320 --> 00:18:05,240
Speaker 1: biggest fans are her mom and dad. Oh okay, yeah,

375
00:18:05,280 --> 00:18:07,440
Speaker 1: I would say your nieces and Matthew. Oh yeah, they

376
00:18:07,480 --> 00:18:11,320
Speaker 1: think I'm so cool. There's one line, all right, Maddie

377
00:18:11,320 --> 00:18:15,000
Speaker 1: loves to dance. I'm sure you've seen these moves. Okay,

378
00:18:15,040 --> 00:18:16,680
Speaker 1: I don't. I haven't seen them. I haven't seen a move,

379
00:18:16,760 --> 00:18:19,560
Speaker 1: but obviously I can't get Houston real quick. And then

380
00:18:19,640 --> 00:18:22,320
Speaker 1: you play the mandolin. I do play the mandolin. I

381
00:18:22,400 --> 00:18:25,239
Speaker 1: haven't played her in a long time, but I did

382
00:18:25,240 --> 00:18:28,760
Speaker 1: to bring her back out on tour four four. Yeah,

383
00:18:28,800 --> 00:18:32,639
Speaker 1: that's pretty good fact. Okay, Taylor. Your favorite place to

384
00:18:32,640 --> 00:18:38,360
Speaker 1: write music it well, this is a lame one is Nashville, Tennessee.

385
00:18:38,920 --> 00:18:45,160
Speaker 1: Her favorite place to breathe. M Taylor started singing out.

386
00:18:45,280 --> 00:18:47,960
Speaker 1: He started singing the national anthem at your brother's baseball games.

387
00:18:48,119 --> 00:18:50,919
Speaker 1: That is true, that's true. That's where your tough like

388
00:18:51,040 --> 00:18:53,359
Speaker 1: thick skin came. Yeah. I got boot off the stage

389
00:18:53,400 --> 00:18:56,119
Speaker 1: one time in a Blue Jayson Orioles game. There was

390
00:18:56,119 --> 00:18:59,520
Speaker 1: a stage or the field. You did not get booted it.

391
00:18:59,680 --> 00:19:02,240
Speaker 1: I did it because I sang the Canadian national anthem

392
00:19:02,240 --> 00:19:04,159
Speaker 1: and they were like, sing your own and they booed

393
00:19:04,160 --> 00:19:08,840
Speaker 1: me off the fields. I was like fourteen or something

394
00:19:08,840 --> 00:19:12,439
Speaker 1: sing your own. It's so rude that a grown adult.

395
00:19:12,520 --> 00:19:14,960
Speaker 1: I've always held a little rutch. But I do love Canadians.

396
00:19:15,040 --> 00:19:18,840
Speaker 1: But to Blue Jay fans, yeah, I have no idea,

397
00:19:19,520 --> 00:19:21,560
Speaker 1: not even get in the five. That's crazy they boot you.

398
00:19:21,880 --> 00:19:23,960
Speaker 1: Did you mess up the words? No? I think they

399
00:19:24,000 --> 00:19:27,320
Speaker 1: just didn't like me. Oh Canada, I don't know it

400
00:19:27,359 --> 00:19:29,320
Speaker 1: at all, so they can really boo me. I love it.

401
00:19:29,680 --> 00:19:33,320
Speaker 1: I love it. Okay, finished the little blank here? Fill

402
00:19:33,359 --> 00:19:35,760
Speaker 1: in the blank. And if you were not a musician,

403
00:19:35,840 --> 00:19:37,879
Speaker 1: you would want to be a blank? I don't know,

404
00:19:38,760 --> 00:19:43,200
Speaker 1: maybe like oh, would you say, Maddie? Yeah, yeah, for sure.

405
00:19:43,240 --> 00:19:44,480
Speaker 1: If I had all the time in the world to

406
00:19:44,520 --> 00:19:46,959
Speaker 1: go study that, that would be fun This one is

407
00:19:47,280 --> 00:19:50,000
Speaker 1: the weirdest one. Okay, and we're gonna end on this one.

408
00:19:50,040 --> 00:19:53,119
Speaker 1: This is the weirdest one. Um, you had something in

409
00:19:53,160 --> 00:19:58,200
Speaker 1: the fifth grade, what was it, the fifth grade? I

410
00:19:58,200 --> 00:20:00,560
Speaker 1: don't even know how this would be funny. Yeah, I'm

411
00:20:00,560 --> 00:20:04,000
Speaker 1: not even gonna say this happened in the fifth grade. Um,

412
00:20:04,040 --> 00:20:08,040
Speaker 1: I won first chair and band. No, that's pretty cool.

413
00:20:08,160 --> 00:20:10,160
Speaker 1: That should have been it. Yeah, because this next one's

414
00:20:10,200 --> 00:20:16,200
Speaker 1: kind of creepy. Okay, so no creepier, oh creepier. Um,

415
00:20:17,119 --> 00:20:23,240
Speaker 1: your first kiss happened in fifth grade? Oh yeah, that's true, y'all.

416
00:20:23,280 --> 00:20:26,640
Speaker 1: My first kiss took a couple tries, like days, Like

417
00:20:26,680 --> 00:20:30,280
Speaker 1: it was just in seventh or seventh or eighth grade

418
00:20:30,359 --> 00:20:33,199
Speaker 1: something like that. It's more normal. It was like one

419
00:20:33,240 --> 00:20:34,879
Speaker 1: of those things where one of our friends was like,

420
00:20:34,920 --> 00:20:36,520
Speaker 1: y'all should kiss, and then we kissed, and then we

421
00:20:36,600 --> 00:20:43,240
Speaker 1: ran away from each other, like physically, yes, but what

422
00:20:43,480 --> 00:20:47,640
Speaker 1: person would ever see that and go so so talk

423
00:20:47,640 --> 00:20:49,320
Speaker 1: about your first kiss was in fifth grade? And Miss

424
00:20:49,400 --> 00:20:52,360
Speaker 1: Johnston's weird, right, that is very weird. One time we

425
00:20:52,359 --> 00:20:56,399
Speaker 1: were like just goofy and like tried to google ourselves

426
00:20:56,440 --> 00:21:00,760
Speaker 1: and there are some bizarre questions. If you look up

427
00:21:00,760 --> 00:21:02,800
Speaker 1: our Maddie and Tae, it looks it says our Maddie

428
00:21:02,800 --> 00:21:06,560
Speaker 1: and Tae dating. Yeah, well, this is something that we do. Confusing,

429
00:21:06,880 --> 00:21:09,360
Speaker 1: and you're leading me into it. The top five most

430
00:21:09,359 --> 00:21:13,400
Speaker 1: googled Maddie and Tae questions. Oh yeah, okay, one ore,

431
00:21:13,440 --> 00:21:16,960
Speaker 1: Maddie and te sisters are friends? Yes? Friends, Okay, that's

432
00:21:16,960 --> 00:21:19,320
Speaker 1: a good one. That's that's appropriate. That's nice. How did

433
00:21:19,359 --> 00:21:22,439
Speaker 1: Maddie and Tae know each other? Um? We met in

434
00:21:22,520 --> 00:21:25,359
Speaker 1: Dallas twelve years ago through a vocal coach. I think

435
00:21:25,440 --> 00:21:28,720
Speaker 1: that's everywhere somewhere. How did Maddie and Tae become famous?

436
00:21:29,560 --> 00:21:31,280
Speaker 1: I don't know. Are we famous? I don't think. I

437
00:21:31,280 --> 00:21:36,440
Speaker 1: don't think famous, famous famous? How tall is Maddie of

438
00:21:36,520 --> 00:21:39,720
Speaker 1: Maddie and Tay? That is so random? I'm five two,

439
00:21:40,480 --> 00:21:43,560
Speaker 1: but like, man, they must be like, wow, she's really short,

440
00:21:43,680 --> 00:21:47,000
Speaker 1: so we need to google how short she is? And finally,

441
00:21:47,240 --> 00:21:51,440
Speaker 1: is Tay related to Mason Die from Stranger Things Season four?

442
00:21:51,760 --> 00:21:55,360
Speaker 1: Is that really a googled question? It's literally the fifth one? Okay, yeah,

443
00:21:55,560 --> 00:21:58,040
Speaker 1: are you yeah? It's my brother. We had to keep

444
00:21:58,080 --> 00:22:03,040
Speaker 1: that secret really yeah? Yeah Jason? Second, yeah, Mason, I

445
00:22:03,040 --> 00:22:04,959
Speaker 1: didn't know that. I thought you were going to say no,

446
00:22:05,040 --> 00:22:07,760
Speaker 1: that's how things get started. No, he we had to

447
00:22:07,840 --> 00:22:10,680
Speaker 1: keep that secret. We ever talked about that? Yeah, okay,

448
00:22:10,880 --> 00:22:13,040
Speaker 1: say no, so this be exclusive? Yeah? Yeah, I have

449
00:22:13,080 --> 00:22:17,080
Speaker 1: no idea. Yeah, it was secret. We couldn't like we

450
00:22:17,160 --> 00:22:19,560
Speaker 1: knew Mason was going to be like the villain on

451
00:22:19,720 --> 00:22:25,000
Speaker 1: y'all seen it? Right? Yeah, but still cool. It's crazy. Yeah.

452
00:22:25,040 --> 00:22:26,440
Speaker 1: I like season one a whole lot. I just never

453
00:22:26,480 --> 00:22:29,520
Speaker 1: started back again. Yeah, but it's a commitment. Your brothers

454
00:22:29,520 --> 00:22:32,439
Speaker 1: in Stranger Things season four. Yeah, that's super cool. I know.

455
00:22:32,720 --> 00:22:36,480
Speaker 1: Is he famous? Yes? Yes, he's like going, where's he going?

456
00:22:36,640 --> 00:22:39,960
Speaker 1: South America? Yeah? Well, you guys said you weren't famous,

457
00:22:40,000 --> 00:22:41,760
Speaker 1: so you have a weird definition of fame because obviously

458
00:22:41,800 --> 00:22:43,159
Speaker 1: you are. But that's why I'm like, is he famous

459
00:22:43,200 --> 00:22:46,119
Speaker 1: in your I don't know. I don't feel famous, and

460
00:22:46,240 --> 00:22:48,280
Speaker 1: I hope that I never do because I feel like

461
00:22:48,320 --> 00:22:50,960
Speaker 1: that's got to get weird, you know. Yeah, like that,

462
00:22:51,040 --> 00:22:54,639
Speaker 1: Well you are? You are, guys, let's not be So

463
00:22:54,680 --> 00:22:57,280
Speaker 1: here's what I'm gonna say. The album is out through

464
00:22:57,320 --> 00:22:59,800
Speaker 1: the Madness Volume two. It's out, you guys, go listen

465
00:22:59,800 --> 00:23:02,160
Speaker 1: to a streaming like crazy. You guys are also headlining

466
00:23:02,160 --> 00:23:04,400
Speaker 1: the CMT Next Woman of a Country tour, and so

467
00:23:04,480 --> 00:23:07,760
Speaker 1: you got a bunch of shows there, right, that's still happenings. Yes,

468
00:23:08,880 --> 00:23:12,240
Speaker 1: anybody with you on this tour? Yes. Sasha and Abby

469
00:23:12,320 --> 00:23:16,359
Speaker 1: Kane are lovely openers. Good, they are amazing, amazing women.

470
00:23:16,440 --> 00:23:18,600
Speaker 1: I'm so thankful that we get to kind of take

471
00:23:18,640 --> 00:23:21,240
Speaker 1: them under our wing for this tour. But we're having

472
00:23:21,320 --> 00:23:23,520
Speaker 1: some fun times. I can't wait until we have a

473
00:23:23,560 --> 00:23:26,440
Speaker 1: wine night. That's that's on my bucket list for the tour. Yeah,

474
00:23:26,520 --> 00:23:28,479
Speaker 1: all the way to the end of October. They're all

475
00:23:28,520 --> 00:23:31,680
Speaker 1: over from Oklahoma City, Dallas, Houston, Boston, New York. If

476
00:23:31,680 --> 00:23:33,359
Speaker 1: you listen to us, you can go to one of

477
00:23:33,359 --> 00:23:35,960
Speaker 1: these shows for sure. They'll be everywhere. Okay, Maddie and

478
00:23:36,000 --> 00:23:38,240
Speaker 1: takes great to see you guys. Let me in with this.

479
00:23:38,280 --> 00:23:39,520
Speaker 1: I don't know if this is an awkward question or not,

480
00:23:39,600 --> 00:23:40,920
Speaker 1: so I'd like to end on any question that could

481
00:23:40,920 --> 00:23:43,880
Speaker 1: be awkward. Oh love it? How do we feel about

482
00:23:43,920 --> 00:23:46,960
Speaker 1: girl in the Country song? How do we feel about it? Um?

483
00:23:47,720 --> 00:23:51,159
Speaker 1: I honestly was expecting to be like sick of playing

484
00:23:51,160 --> 00:23:54,560
Speaker 1: it by now, But I love it more now than

485
00:23:54,600 --> 00:23:57,199
Speaker 1: I did then because I didn't realize how ballsy and

486
00:23:57,320 --> 00:24:01,240
Speaker 1: like screw everything that's hapkay in our genre. And now

487
00:24:01,280 --> 00:24:04,240
Speaker 1: I'm like, damn, we were some bold and like. Also

488
00:24:04,320 --> 00:24:07,919
Speaker 1: I'm like, I'm I'm glad that no one like hated it.

489
00:24:08,040 --> 00:24:10,120
Speaker 1: I mean, there was a couple there's a couple, yeah

490
00:24:10,160 --> 00:24:14,640
Speaker 1: there was, but like just the guts to do that.

491
00:24:14,760 --> 00:24:17,720
Speaker 1: I think I have an appreciation, but we were so naive.

492
00:24:17,760 --> 00:24:19,840
Speaker 1: I would like to reproduce it. That's how I feel about.

493
00:24:19,920 --> 00:24:23,440
Speaker 1: Why what about it? Now? Do you feel because it's

494
00:24:23,480 --> 00:24:26,000
Speaker 1: too slick? The production? I mean it's it's really we

495
00:24:26,040 --> 00:24:28,120
Speaker 1: got to produce our first record with Dan Huff, which

496
00:24:28,200 --> 00:24:31,679
Speaker 1: is freaking incredible. But now that we are really involved

497
00:24:31,680 --> 00:24:34,000
Speaker 1: in the production, I would love to like to read

498
00:24:34,119 --> 00:24:36,159
Speaker 1: grunge it up a little bit. Me too. I like

499
00:24:36,280 --> 00:24:38,000
Speaker 1: your answer. I thought you may go like, you know,

500
00:24:38,040 --> 00:24:39,520
Speaker 1: we don't want to play this song forever because we

501
00:24:39,520 --> 00:24:42,639
Speaker 1: were kids and we know it was But okay, you

502
00:24:42,640 --> 00:24:45,000
Speaker 1: feel that way about our fans, don't you know what

503
00:24:45,000 --> 00:24:46,920
Speaker 1: I mean? Yeah, Like there's sometimes I still like, so

504
00:24:47,040 --> 00:24:48,560
Speaker 1: I played all them, I'll be at home and I'll

505
00:24:48,560 --> 00:24:52,959
Speaker 1: be like, where's my jam But so you don't look

506
00:24:52,960 --> 00:24:54,040
Speaker 1: at them on the set lesson and go, oh, I

507
00:24:54,080 --> 00:24:57,040
Speaker 1: gotta play it again. No, I'm like, I don't know.

508
00:24:57,640 --> 00:25:00,119
Speaker 1: I just I'm still really proud of it. Now. I

509
00:25:00,119 --> 00:25:02,480
Speaker 1: will say maybe like three years ago, my answer would

510
00:25:02,480 --> 00:25:04,200
Speaker 1: have been different, where I would have been like, oh

511
00:25:04,200 --> 00:25:06,320
Speaker 1: my gosh, we made too many people mad and like,

512
00:25:06,880 --> 00:25:10,160
Speaker 1: you know, just caused too much crap. And now I'm like, no,

513
00:25:10,240 --> 00:25:12,680
Speaker 1: I'm glad that we did that. It needed to be done.

514
00:25:12,760 --> 00:25:14,800
Speaker 1: And then there was a big shift, like I don't

515
00:25:14,840 --> 00:25:16,479
Speaker 1: think it was just us. I think there were so

516
00:25:16,480 --> 00:25:18,760
Speaker 1: many other artists that kind of were like, Hey, this

517
00:25:18,960 --> 00:25:21,320
Speaker 1: thing we're doing in country music is lame and it's

518
00:25:21,480 --> 00:25:24,879
Speaker 1: not relevant anymore. We need to and now all the

519
00:25:24,880 --> 00:25:28,399
Speaker 1: songs are about girls and I'm into that. Well, I

520
00:25:28,440 --> 00:25:31,679
Speaker 1: like the answer. You just answered it at all I

521
00:25:31,760 --> 00:25:33,440
Speaker 1: like to say, And this isn't even more awkward in

522
00:25:33,520 --> 00:25:41,760
Speaker 1: fifth grade, right, I'm just kidding. Thank you. It's the

523
00:25:41,800 --> 00:25:47,720
Speaker 1: best Bits of the week with Morgan number two what

524
00:25:47,880 --> 00:25:51,320
Speaker 1: I am now dubbing the gene controversy of the week.

525
00:25:51,640 --> 00:25:55,720
Speaker 1: Eddie wanted to ask Marion Morris's guitarists about his jeans

526
00:25:55,760 --> 00:25:58,400
Speaker 1: where he got him, but basically freaked out because he

527
00:25:58,400 --> 00:26:00,199
Speaker 1: thought everybody would make fun of him on this show,

528
00:26:00,680 --> 00:26:03,240
Speaker 1: mostly Lunchbox would make fun of him for asking another

529
00:26:03,280 --> 00:26:06,400
Speaker 1: guy about his jeans, so he never asked. But then

530
00:26:06,400 --> 00:26:07,960
Speaker 1: he brought it up on the show that he fell

531
00:26:08,000 --> 00:26:10,119
Speaker 1: awkward and he wanted to ask, and we got in

532
00:26:10,200 --> 00:26:13,879
Speaker 1: touch with said guitarist, and they had a conversation on

533
00:26:13,920 --> 00:26:16,760
Speaker 1: the phone while on the show and it was interesting.

534
00:26:17,240 --> 00:26:20,159
Speaker 1: But if you've ever been a guy who's wanted to

535
00:26:20,160 --> 00:26:22,199
Speaker 1: know if you can ask another guy about his clothes

536
00:26:22,240 --> 00:26:25,360
Speaker 1: and where he got them, then this conversation is totally

537
00:26:25,440 --> 00:26:27,800
Speaker 1: for you. Number four, So Eddie wants to know if

538
00:26:27,800 --> 00:26:29,680
Speaker 1: it's awkward if you ask another guy where he bought

539
00:26:29,680 --> 00:26:33,639
Speaker 1: his clothes? Would you guys create weird rules? We have

540
00:26:33,680 --> 00:26:35,520
Speaker 1: weird rules. I think women would just be like, hey,

541
00:26:35,560 --> 00:26:37,800
Speaker 1: where'd you get that? No problem, a big deal. But

542
00:26:37,920 --> 00:26:41,639
Speaker 1: why what happened? First? Well, I've been shopping for like

543
00:26:41,720 --> 00:26:44,800
Speaker 1: new jeans and I don't know where to start. But

544
00:26:44,920 --> 00:26:47,080
Speaker 1: I saw someone come in the studio the other day.

545
00:26:47,200 --> 00:26:50,320
Speaker 1: He was Marrin's guitarist, and I saw his jeans and

546
00:26:50,359 --> 00:26:52,639
Speaker 1: see I already see lunchbox making faces at me, and

547
00:26:52,800 --> 00:26:54,480
Speaker 1: this is why I didn't want to have an embarrassed

548
00:26:54,480 --> 00:26:56,400
Speaker 1: to bring this up. Go ahead, And so I saw

549
00:26:56,440 --> 00:26:58,359
Speaker 1: his jeans and I was about to be like, dude,

550
00:26:58,640 --> 00:27:00,640
Speaker 1: what jeans are those? And where'd you get him? Because

551
00:27:00,880 --> 00:27:04,000
Speaker 1: I'd like to buy him? And I stopped myself because

552
00:27:04,119 --> 00:27:07,360
Speaker 1: I figured one he probably would get awkward about that

553
00:27:07,560 --> 00:27:10,879
Speaker 1: because who who asked another guy where you got your clothes?

554
00:27:10,880 --> 00:27:12,480
Speaker 1: And then I knew you guys would make fun of me,

555
00:27:12,480 --> 00:27:14,080
Speaker 1: at least lunch wots would make fun of me after

556
00:27:14,160 --> 00:27:16,080
Speaker 1: I asked, Okay, can a guy randomly ask another guy

557
00:27:16,080 --> 00:27:18,080
Speaker 1: who's not a close friend where he got his clothes

558
00:27:18,119 --> 00:27:20,800
Speaker 1: and how much they cost? No, Well, because the guy

559
00:27:20,880 --> 00:27:26,040
Speaker 1: thinks you're hitting on him. Oh my goodness, yes, yes, yes, yes.

560
00:27:26,080 --> 00:27:27,960
Speaker 1: If you walk up to a dude and just be like, hey, man,

561
00:27:27,960 --> 00:27:30,960
Speaker 1: where'd you get those jeans? Like? What? Excuse me? Like?

562
00:27:31,000 --> 00:27:32,440
Speaker 1: They look good on you? I thought i'd get me

563
00:27:32,480 --> 00:27:35,119
Speaker 1: about I wouldn't say that. Well, that's what you're basically saying,

564
00:27:35,320 --> 00:27:37,400
Speaker 1: is hey, those look good on you, the way they

565
00:27:37,440 --> 00:27:39,760
Speaker 1: shape your butt, and get me a pair of No,

566
00:27:40,000 --> 00:27:42,159
Speaker 1: he's saying, I just like the way they look the

567
00:27:42,280 --> 00:27:46,120
Speaker 1: jeans exactly, which I'm going to call him. No, Oh

568
00:27:46,160 --> 00:27:49,000
Speaker 1: my gosh, No, No, I mean i'd really like awkward.

569
00:27:49,040 --> 00:27:50,680
Speaker 1: I'd really like to know where he got those jeans.

570
00:27:50,720 --> 00:27:53,040
Speaker 1: But I just don't know if I should even go there.

571
00:27:53,400 --> 00:27:55,240
Speaker 1: Just get hey, let it go and maybe find my

572
00:27:55,240 --> 00:27:56,639
Speaker 1: own pair of jeans. Yeah, I think you can just

573
00:27:56,640 --> 00:27:58,600
Speaker 1: go to the store man person of all. Is it awkward? Yes?

574
00:27:58,680 --> 00:28:01,119
Speaker 1: Or no? Amy, No, I say no as well, only

575
00:28:01,160 --> 00:28:02,600
Speaker 1: you don't yell it out. Have you ever done it?

576
00:28:03,040 --> 00:28:07,399
Speaker 1: Probably probably like hey, what what brand is that? Yeah? Probably,

577
00:28:07,440 --> 00:28:09,840
Speaker 1: I don't think it's an awkward But also I'm not

578
00:28:09,920 --> 00:28:11,960
Speaker 1: like a dude. That's true. That's true. I'm like somewhere

579
00:28:11,960 --> 00:28:15,440
Speaker 1: in the medal. Yeah, I'm not really dude, dude, ray, wait,

580
00:28:15,520 --> 00:28:18,880
Speaker 1: thing it's all about the article of clothing jeans, and sure,

581
00:28:18,960 --> 00:28:21,080
Speaker 1: I mean, jeans is pretty bad. That's there's no way

582
00:28:21,119 --> 00:28:24,080
Speaker 1: you can pull that conversation off a T shirt and shoes. Yes,

583
00:28:24,240 --> 00:28:27,439
Speaker 1: shirts and shoes are fine. Shoes, I think so. Now

584
00:28:27,440 --> 00:28:30,440
Speaker 1: it depends on what item is. Yes, because jeans are

585
00:28:30,480 --> 00:28:34,280
Speaker 1: like the butt Like you said, Yeah, I think, hey, great,

586
00:28:34,280 --> 00:28:35,880
Speaker 1: but where'd you get those jeans? But I think that's

587
00:28:35,880 --> 00:28:37,800
Speaker 1: probably a weird thing. Okay, Okay, here's what we're gonna do.

588
00:28:37,800 --> 00:28:39,120
Speaker 1: I'm gonna say I can get on the phone. Oh

589
00:28:39,240 --> 00:28:41,920
Speaker 1: really yeah, Oh that's gonna be so awkward. Dude, Seriously,

590
00:28:41,880 --> 00:28:43,720
Speaker 1: I do hope he's awake. If it's gonna make me

591
00:28:43,800 --> 00:28:46,160
Speaker 1: look like not good, I don't want to do this.

592
00:28:46,200 --> 00:28:47,600
Speaker 1: I would ask him. I mean I would be like

593
00:28:47,760 --> 00:28:49,400
Speaker 1: talking about it. I'll be like, yeah, but I didn't

594
00:28:49,440 --> 00:28:51,200
Speaker 1: do it. I'd be like, hey, Ben, where'd you get

595
00:28:51,200 --> 00:28:54,440
Speaker 1: those jeans? Yah? That's his name, Ben. Those jeans are cool, man.

596
00:28:54,840 --> 00:28:56,840
Speaker 1: And then I think he warmed it. I heard festival too,

597
00:28:56,880 --> 00:28:59,280
Speaker 1: because when I saw him, I'm like, those Now we're

598
00:28:59,320 --> 00:29:02,320
Speaker 1: bordering on Okay, okay, let me see if we can

599
00:29:02,360 --> 00:29:05,160
Speaker 1: track them down. Let's play this song Cole Swindel. She

600
00:29:05,200 --> 00:29:07,480
Speaker 1: had medeads Carolina. You guys can also go to the

601
00:29:07,480 --> 00:29:09,520
Speaker 1: Facebook page and let us know. Can a dude be like, hey,

602
00:29:09,560 --> 00:29:11,680
Speaker 1: where'd you get those pants? I like them. I don't

603
00:29:11,680 --> 00:29:13,640
Speaker 1: think there's anything wrong with it. See, you're just saying

604
00:29:13,680 --> 00:29:15,280
Speaker 1: it right now. It's kind of weird. It doesn't I

605
00:29:15,280 --> 00:29:17,360
Speaker 1: would say that one hundred out of one hundred times.

606
00:29:17,600 --> 00:29:23,880
Speaker 1: Oh man, you've already admitted your different Yeah, differently. It's

607
00:29:23,920 --> 00:29:27,440
Speaker 1: the best bits of the week. With Morgan number two,

608
00:29:28,600 --> 00:29:32,520
Speaker 1: we got a big update on Amy's Sisters HDTV show

609
00:29:32,720 --> 00:29:37,160
Speaker 1: Building Roots. It's coming back for a second season, which congratulations,

610
00:29:37,440 --> 00:29:40,760
Speaker 1: so amazing. But even better, we got an update on

611
00:29:40,840 --> 00:29:43,000
Speaker 1: whether Amy and Lunchbox are going to be making an

612
00:29:43,040 --> 00:29:45,760
Speaker 1: appearance on the second season, and well, great news for

613
00:29:45,800 --> 00:29:49,000
Speaker 1: Amy and honestly not great news for Lunchbox, but you

614
00:29:49,040 --> 00:29:51,680
Speaker 1: know that's all right. It was all in good fun.

615
00:29:51,800 --> 00:29:53,680
Speaker 1: I guess maybe I don't really know what to say

616
00:29:53,720 --> 00:29:56,000
Speaker 1: here because it was a little awkward and Lunchbox was

617
00:29:56,040 --> 00:29:58,880
Speaker 1: sad but super exciting for Amy and really exciting for

618
00:29:58,960 --> 00:30:01,840
Speaker 1: her sister and her HU. Has been just some fun

619
00:30:01,840 --> 00:30:05,400
Speaker 1: news here, but also some letdown news here for Lunchbox

620
00:30:05,920 --> 00:30:08,920
Speaker 1: number three. A couple of segments ago, Amy mentioned that

621
00:30:09,120 --> 00:30:13,000
Speaker 1: her sisters show, which is called Building Roots, got renewed

622
00:30:13,000 --> 00:30:16,280
Speaker 1: for a season two on HGTV, which we're very excited about, which, again,

623
00:30:16,280 --> 00:30:19,840
Speaker 1: do you guys lucious they just heard. So that being said,

624
00:30:20,000 --> 00:30:22,680
Speaker 1: I think Amy's got some news for Lunchbox that she

625
00:30:22,800 --> 00:30:25,280
Speaker 1: was wanting to say. Dennis aid, hold off, what would

626
00:30:25,280 --> 00:30:27,120
Speaker 1: you like to sell Lunchbox? Because he thinks he's going

627
00:30:27,160 --> 00:30:29,640
Speaker 1: to be on the show, right, So he met with

628
00:30:29,760 --> 00:30:32,320
Speaker 1: casting because they're potentially going to do an episode in

629
00:30:32,440 --> 00:30:36,040
Speaker 1: Nashville even though it's based in Colorado. And while I

630
00:30:36,080 --> 00:30:40,440
Speaker 1: can't give details about that yet, I don't know that

631
00:30:40,560 --> 00:30:43,000
Speaker 1: Lunchbox is like a hole in the roof thing is

632
00:30:43,280 --> 00:30:45,840
Speaker 1: gonna be that if let's just say if he doesn't

633
00:30:45,840 --> 00:30:48,880
Speaker 1: get featured on the show because he wants his home repaired,

634
00:30:48,920 --> 00:30:50,680
Speaker 1: which that's not what they do. Yeah, they don't just

635
00:30:50,680 --> 00:30:52,560
Speaker 1: come in mister fixing. No, no no, no, but we were

636
00:30:52,560 --> 00:30:54,200
Speaker 1: gonna do I mean why they were fixing that. Oh

637
00:30:54,240 --> 00:30:55,640
Speaker 1: you're here, he might as well do the kitchen, might

638
00:30:55,680 --> 00:30:57,720
Speaker 1: as well do the bathroom. I had a backpack. He

639
00:30:58,000 --> 00:30:59,560
Speaker 1: has to pay for it. I think he was shocked

640
00:30:59,600 --> 00:31:01,640
Speaker 1: by that. And I said, okay, I'll get a loan,

641
00:31:01,760 --> 00:31:04,040
Speaker 1: no problem, you toll casting, you would get a loan

642
00:31:04,080 --> 00:31:05,440
Speaker 1: to pay for it all. Yeah, And they told me

643
00:31:05,520 --> 00:31:07,320
Speaker 1: I was an a segment. They told me I was

644
00:31:07,360 --> 00:31:09,160
Speaker 1: the ayah, I was. I told that all the time

645
00:31:09,160 --> 00:31:11,240
Speaker 1: about Hollywood. I'll be honest, you're the mat You're the guy.

646
00:31:11,320 --> 00:31:13,480
Speaker 1: You're the guy, didn't. I mean, they were building me

647
00:31:13,520 --> 00:31:14,760
Speaker 1: up and then all of a sudden, I didn't hear

648
00:31:14,800 --> 00:31:17,320
Speaker 1: from them. I haven't heard from them. They like you, Oh,

649
00:31:17,360 --> 00:31:21,720
Speaker 1: they like you. It brings me to my little thing

650
00:31:21,760 --> 00:31:26,120
Speaker 1: that I'm going to say here, so I will tell

651
00:31:26,240 --> 00:31:30,040
Speaker 1: Lunchbox that I think sadly he's not going to be used.

652
00:31:31,200 --> 00:31:35,000
Speaker 1: What Why am I not gonna why? Why would what?

653
00:31:35,000 --> 00:31:37,200
Speaker 1: What happened why didn't they tell me, Like, why don't

654
00:31:37,200 --> 00:31:39,360
Speaker 1: they come back and buy Hey, they had me Pegg,

655
00:31:39,440 --> 00:31:42,120
Speaker 1: there's an a Pegg. I think they just told you that,

656
00:31:43,000 --> 00:31:44,840
Speaker 1: like you, you could possibly be an A, which we

657
00:31:44,840 --> 00:31:46,440
Speaker 1: don't even know what that meant. I don't either. No,

658
00:31:46,520 --> 00:31:49,320
Speaker 1: it was the big, the big project for the story

659
00:31:49,440 --> 00:31:51,880
Speaker 1: like that that episode, because it's a repair in your house.

660
00:31:52,680 --> 00:31:54,760
Speaker 1: And then there was like it's a family show and

661
00:31:54,840 --> 00:31:57,240
Speaker 1: he didn't want his family on it. Oh yeah, that'd

662
00:31:57,240 --> 00:31:59,240
Speaker 1: be tough. No, my wife was going to be on there.

663
00:32:00,120 --> 00:32:05,400
Speaker 1: She's never in anything. Okay, yes, okay, I don't understand.

664
00:32:05,520 --> 00:32:07,200
Speaker 1: They told you that they're not going to work with him.

665
00:32:07,280 --> 00:32:10,640
Speaker 1: I listen. I can't even say for sure they're working here,

666
00:32:10,720 --> 00:32:16,120
Speaker 1: but they're probably not working with him. I am okay. Also, no, no,

667
00:32:16,120 --> 00:32:19,000
Speaker 1: no, no no, no, no, no, no, no no, there's the

668
00:32:19,080 --> 00:32:21,640
Speaker 1: other couple that applied for the A story and it's good.

669
00:32:22,200 --> 00:32:24,240
Speaker 1: Oh someone else has already got the A story if

670
00:32:24,560 --> 00:32:28,080
Speaker 1: they're coming here, Oh yeah, it can't be. How can

671
00:32:28,120 --> 00:32:30,560
Speaker 1: they be better than me? And then I'll think it's

672
00:32:30,560 --> 00:32:31,960
Speaker 1: probably because you have they don't have a hole in

673
00:32:32,000 --> 00:32:33,200
Speaker 1: the roof, like they really want to do what the

674
00:32:33,200 --> 00:32:36,280
Speaker 1: show does. Why I did. I wanted to do the

675
00:32:36,360 --> 00:32:38,520
Speaker 1: kitchen and the your initial reason as a hole in

676
00:32:38,520 --> 00:32:41,560
Speaker 1: your roof, Right, that's why you get a roofer. So

677
00:32:41,600 --> 00:32:43,480
Speaker 1: if I get my roof fixed, then they'll do it.

678
00:32:44,000 --> 00:32:47,000
Speaker 1: I don't know they met with you, like, look, I

679
00:32:47,040 --> 00:32:49,360
Speaker 1: think they liked you. And I'm gonna send him an email. Okay,

680
00:32:50,240 --> 00:32:51,640
Speaker 1: I'm gonna send an email and be like, you know,

681
00:32:51,640 --> 00:32:53,520
Speaker 1: it's absolutely rude that you chose not to go with me.

682
00:32:53,560 --> 00:32:56,080
Speaker 1: So what we're gonna say at the final part? Oh well,

683
00:32:56,800 --> 00:32:59,480
Speaker 1: also there's a B story and I don't know that

684
00:32:59,520 --> 00:33:03,400
Speaker 1: I might be it. Oh my god, Well, obviously you're

685
00:33:03,400 --> 00:33:05,120
Speaker 1: gonna be on it. You're gonna be the B story

686
00:33:05,120 --> 00:33:08,480
Speaker 1: in my a. But now you got demoted, which maybe

687
00:33:08,560 --> 00:33:09,959
Speaker 1: you thought you'd get the motor to be. And then

688
00:33:10,000 --> 00:33:12,360
Speaker 1: Amy goes to see, yeah, I got you got demoted,

689
00:33:13,200 --> 00:33:17,040
Speaker 1: fired nothing, and Amy's gonna be I cannot believe this show.

690
00:33:17,200 --> 00:33:19,600
Speaker 1: This show has no future. It already does. It's just

691
00:33:19,680 --> 00:33:21,959
Speaker 1: been a need for a second season. But why I

692
00:33:22,000 --> 00:33:25,000
Speaker 1: am shocked that they are not gonna use me all

693
00:33:25,000 --> 00:33:26,800
Speaker 1: the We're not gonna talk about the episode. We're not

694
00:33:26,800 --> 00:33:29,960
Speaker 1: gonna talk about it at all. Who's we in what episode?

695
00:33:30,480 --> 00:33:33,240
Speaker 1: We're telling me, not talking about what I'm putting it on. Notice,

696
00:33:33,280 --> 00:33:35,400
Speaker 1: right now we're putting it on the ball held. Let

697
00:33:35,440 --> 00:33:41,760
Speaker 1: me see how building room? How much dark lunchbox is noticed? Zer? Zero? Yeah?

698
00:33:41,840 --> 00:33:44,720
Speaker 1: Zero zero? Bobby, Bobby, do you think it's a bad

699
00:33:44,760 --> 00:33:46,240
Speaker 1: move by them for not to put me on? It's

700
00:33:46,240 --> 00:33:48,240
Speaker 1: their show. You don't really have what they're looking for.

701
00:33:49,000 --> 00:33:51,360
Speaker 1: I have a house, I have needs, and I have

702
00:33:51,440 --> 00:33:55,000
Speaker 1: fame of a house, and you have needs. You need

703
00:33:55,120 --> 00:33:57,160
Speaker 1: a natural project for them to work on. That's not

704
00:33:57,200 --> 00:33:58,520
Speaker 1: just a hole in your roof or not. You go

705
00:33:58,600 --> 00:34:02,200
Speaker 1: wh I can also do this real quick? Well, Amy,

706
00:34:02,200 --> 00:34:03,640
Speaker 1: I can't wait to you. Do you become a star

707
00:34:03,680 --> 00:34:05,920
Speaker 1: from this. I'm going to text your sister. We'll see. Listen.

708
00:34:05,960 --> 00:34:09,479
Speaker 1: I'm texting your sister is saying, how rude? Okay, well

709
00:34:09,760 --> 00:34:11,560
Speaker 1: we have you want to text her? Breaking No, we

710
00:34:11,600 --> 00:34:14,600
Speaker 1: don't care, breaking news. So rude? So I believe you?

711
00:34:14,600 --> 00:34:19,960
Speaker 1: What was someone else? You're dead to me? Also, all

712
00:34:20,040 --> 00:34:21,759
Speaker 1: of this is off the record, you know, and your

713
00:34:21,760 --> 00:34:23,680
Speaker 1: brother in law too. You can't say off the record.

714
00:34:23,719 --> 00:34:26,200
Speaker 1: When you just said on a national he was like,

715
00:34:26,239 --> 00:34:29,840
Speaker 1: oh this is a secret, no official Hayes in the barn.

716
00:34:30,440 --> 00:34:31,719
Speaker 1: I mean your brother in law is I'm like, it

717
00:34:31,760 --> 00:34:33,440
Speaker 1: was an emergency. I need to talk to casting today.

718
00:34:33,480 --> 00:34:36,360
Speaker 1: Well guess what you're dead to me too. Wow, just

719
00:34:36,360 --> 00:34:40,640
Speaker 1: put on a group tech say you let me play

720
00:34:40,680 --> 00:34:43,440
Speaker 1: this song. Thank you for the update, Amy. Wow. Amy's

721
00:34:43,480 --> 00:34:45,160
Speaker 1: gonna be on the show on Lunchbox, isn't it. Wow?

722
00:34:45,320 --> 00:34:48,600
Speaker 1: There you have it. It's the best bits of the

723
00:34:48,640 --> 00:34:53,520
Speaker 1: week with Morgan. Number two. Parker McCollum stopped by the

724
00:34:53,560 --> 00:34:56,040
Speaker 1: show this week and I got to see him in

725
00:34:56,120 --> 00:35:00,480
Speaker 1: concert recently and he was so incredible live. Definitely check

726
00:35:00,560 --> 00:35:02,960
Speaker 1: him out. If he's coming too your city, go see him.

727
00:35:03,000 --> 00:35:05,920
Speaker 1: I'm telling you, the crowd gets wild. People are loving

728
00:35:05,960 --> 00:35:09,120
Speaker 1: at Parker McCollum. And this interview is no exception. Y'all

729
00:35:09,160 --> 00:35:11,640
Speaker 1: love to hear this and hear all of the stories

730
00:35:11,680 --> 00:35:13,960
Speaker 1: that he shared because he was very honest. He talked

731
00:35:13,960 --> 00:35:16,480
Speaker 1: about what it's like being on stage performing and he

732
00:35:16,680 --> 00:35:19,919
Speaker 1: even mentioned that he knows which songs of his people

733
00:35:19,920 --> 00:35:21,480
Speaker 1: are going to get up and go get popcorn or

734
00:35:21,520 --> 00:35:24,319
Speaker 1: go to the bathroom during and he also recognizes when

735
00:35:24,360 --> 00:35:27,680
Speaker 1: fans yawn, and his whole goal when he's performing is

736
00:35:27,719 --> 00:35:29,440
Speaker 1: to make sure people stand on their feet. It was

737
00:35:29,480 --> 00:35:32,680
Speaker 1: just a really cool, honest and refreshing interview with Parker

738
00:35:32,719 --> 00:35:36,720
Speaker 1: McCollum and Bobby so here It is number two, buddy,

739
00:35:37,880 --> 00:35:39,560
Speaker 1: Good to see you. It's good to see you as well.

740
00:35:39,800 --> 00:35:41,359
Speaker 1: You know, every time I look at you, you're playing

741
00:35:41,360 --> 00:35:44,680
Speaker 1: a massive show and they continue to get bigger and bigger.

742
00:35:44,680 --> 00:35:47,840
Speaker 1: Are you feeling like the wave growth for you? I

743
00:35:47,880 --> 00:35:50,839
Speaker 1: don't know, man, It's it's been crazy, crazy, blur all

744
00:35:50,920 --> 00:35:53,520
Speaker 1: your hands down, craziest year in my life, like every

745
00:35:53,680 --> 00:35:55,760
Speaker 1: year before this, and I'm like, yo, I'm barely hanging

746
00:35:55,800 --> 00:35:58,920
Speaker 1: on to this thing. This year way more intense and

747
00:35:59,560 --> 00:36:03,120
Speaker 1: all good, bless so lucky. Um, probably a good thing

748
00:36:03,160 --> 00:36:05,040
Speaker 1: that it's a blur. I do that thing and sometimes

749
00:36:05,040 --> 00:36:07,880
Speaker 1: people take a picture inside their house and I'll like

750
00:36:07,960 --> 00:36:11,440
Speaker 1: zoom into parts of their house and go, yeah, so

751
00:36:11,600 --> 00:36:13,680
Speaker 1: I and I rarely admit this, but I'm like, looking,

752
00:36:13,760 --> 00:36:15,600
Speaker 1: let me see. But I do it at your shows too,

753
00:36:15,640 --> 00:36:18,359
Speaker 1: because they're so big, and I like zoom to see

754
00:36:18,400 --> 00:36:20,560
Speaker 1: if there are people's top roads and yeah, if it's

755
00:36:20,560 --> 00:36:22,840
Speaker 1: sold out and how big the venue is. You're playing

756
00:36:22,840 --> 00:36:25,799
Speaker 1: some really big spaces right now. Like sometimes I do

757
00:36:25,840 --> 00:36:28,279
Speaker 1: that on stage. You do what. I'm looking up there,

758
00:36:28,280 --> 00:36:31,520
Speaker 1: I'm like, up there. Do you watch ticket sales? No?

759
00:36:31,960 --> 00:36:34,680
Speaker 1: Never do you ask before you go on stage? Sometimes?

760
00:36:35,040 --> 00:36:37,520
Speaker 1: Do you ever get news you don't like? Yes? And

761
00:36:37,560 --> 00:36:39,640
Speaker 1: then how do you react to it? Go out there

762
00:36:39,640 --> 00:36:43,040
Speaker 1: and swing even harder? Do you ever go? Oh? Man,

763
00:36:43,200 --> 00:36:45,480
Speaker 1: I can't. I guess people don't like me in this

764
00:36:45,520 --> 00:36:49,919
Speaker 1: part of the country. Um No, because I do that? Okay, well, good,

765
00:36:49,960 --> 00:36:51,240
Speaker 1: because I do that in every part of the country.

766
00:36:51,239 --> 00:36:52,920
Speaker 1: I'm like, is that a good thing? Yeah, that is

767
00:36:52,960 --> 00:36:55,440
Speaker 1: a good thing. No, man, I try not to. I

768
00:36:55,520 --> 00:36:58,080
Speaker 1: really try not to think about it. Um. Sometimes you

769
00:36:58,400 --> 00:37:01,440
Speaker 1: I've been there, like big shows or whatever that or

770
00:37:01,480 --> 00:37:03,000
Speaker 1: maybe a show you were like, oh, I know, we'll

771
00:37:03,000 --> 00:37:06,279
Speaker 1: sell it out and you don't. Um. Sometimes I'll like,

772
00:37:07,000 --> 00:37:10,359
Speaker 1: you know, I'll be asking around before i'll ask, I'll

773
00:37:10,360 --> 00:37:12,800
Speaker 1: call Henry and my agent. I'll be like, hey, we

774
00:37:12,880 --> 00:37:16,120
Speaker 1: sole many tickets tonight, because it's been most nights. Who

775
00:37:16,120 --> 00:37:18,000
Speaker 1: don't have to ask so And that's why I ask you,

776
00:37:18,000 --> 00:37:20,239
Speaker 1: because it's you've been killing it so often. If you're

777
00:37:20,239 --> 00:37:22,320
Speaker 1: a neurotic like me. Anytime I put any ticket on sale,

778
00:37:22,360 --> 00:37:24,279
Speaker 1: I'm looking at the little blue dots, but I'm doing

779
00:37:24,320 --> 00:37:27,040
Speaker 1: theaters though, and they sell individual seats there and I'm like,

780
00:37:27,080 --> 00:37:28,680
Speaker 1: I guess people don't want to sit that close to me,

781
00:37:28,920 --> 00:37:30,719
Speaker 1: so I really freak out about it. But good for

782
00:37:30,800 --> 00:37:33,600
Speaker 1: you they sit down for and when they when they

783
00:37:33,640 --> 00:37:35,560
Speaker 1: have seats a lot of times they'll sit down. That's

784
00:37:35,560 --> 00:37:36,960
Speaker 1: like the thing I worry about. And I'm like, what

785
00:37:37,000 --> 00:37:38,839
Speaker 1: if they sit down all night? Then I'll stand Oh

786
00:37:38,840 --> 00:37:41,400
Speaker 1: you worry about them sitting. See, I don't want on

787
00:37:41,400 --> 00:37:43,600
Speaker 1: their feet. I don't want anybody standing up. But I'm

788
00:37:43,600 --> 00:37:46,279
Speaker 1: also doing jokes, so if they're standing out, they're probably leaving.

789
00:37:46,719 --> 00:37:49,879
Speaker 1: I don't know, man, I probably look I probably worry

790
00:37:49,920 --> 00:37:51,360
Speaker 1: about it and look at it more than I admit,

791
00:37:51,440 --> 00:37:53,279
Speaker 1: but really not that much. Dot. Do you ever look

792
00:37:53,320 --> 00:37:56,160
Speaker 1: at anybody in the audience and if they're like looking

793
00:37:56,200 --> 00:37:58,839
Speaker 1: at their phone or not paying attention to you, and go, man,

794
00:37:58,880 --> 00:38:00,480
Speaker 1: I gotta turn this thing up a little of it. No,

795
00:38:00,560 --> 00:38:03,760
Speaker 1: but you'll see people. I'll see people yawn Oh, nonny.

796
00:38:04,480 --> 00:38:07,200
Speaker 1: I have a funny story about that, and and I

797
00:38:07,239 --> 00:38:09,000
Speaker 1: think about it every time someone yawns. But I sat

798
00:38:09,080 --> 00:38:10,920
Speaker 1: front Road to John Mayer concert at one time in

799
00:38:10,920 --> 00:38:13,520
Speaker 1: San Antonio. I mean, like front Road dead center in

800
00:38:13,560 --> 00:38:17,240
Speaker 1: front of his microphone, and it was in I yawned

801
00:38:17,320 --> 00:38:21,960
Speaker 1: during Why Georgia and uh um. After the song he

802
00:38:22,040 --> 00:38:23,400
Speaker 1: was He didn't look at me and say it, but

803
00:38:23,440 --> 00:38:25,040
Speaker 1: he was like, oh, we already got people yawning, and

804
00:38:25,120 --> 00:38:27,640
Speaker 1: they played something a little more up tempo. But I

805
00:38:27,680 --> 00:38:29,919
Speaker 1: always see people yawned. But you have to think about

806
00:38:29,960 --> 00:38:34,200
Speaker 1: yourself at that point, you probably weren't bored. Maybe before

807
00:38:34,280 --> 00:38:36,719
Speaker 1: I was just tired. Yeah, and so so now you

808
00:38:36,719 --> 00:38:39,319
Speaker 1: have to just think that's you watching John Mayer. Yeah,

809
00:38:39,320 --> 00:38:41,319
Speaker 1: when people go to the bathroom in the middle of

810
00:38:41,320 --> 00:38:44,520
Speaker 1: a song, does that bother you? Um? No, But I

811
00:38:44,840 --> 00:38:46,840
Speaker 1: know which songs they're going to the bathroom on, like

812
00:38:46,960 --> 00:38:48,640
Speaker 1: pretty Hard, they're back in their seat by the time

813
00:38:48,640 --> 00:38:50,040
Speaker 1: we play that, or I can't breathe a hell of

814
00:38:50,080 --> 00:38:52,719
Speaker 1: a year. There's a couple of songs I noticed, like

815
00:38:52,760 --> 00:38:54,719
Speaker 1: if we do a cover, which is very rare, we didn't.

816
00:38:54,719 --> 00:38:58,200
Speaker 1: We rarely rarely do covers. But people go get some popcorn.

817
00:38:58,239 --> 00:39:01,040
Speaker 1: What's your go to cover? Um? For a little while,

818
00:39:01,040 --> 00:39:04,399
Speaker 1: it was true by George Strait Earlier this year. We

819
00:39:04,400 --> 00:39:08,080
Speaker 1: were doing Dwight Yoacom's version of Suspicious Minds for a while,

820
00:39:08,440 --> 00:39:10,600
Speaker 1: but that's a really cold And I was getting messages

821
00:39:10,600 --> 00:39:12,879
Speaker 1: after the shows from kids that were like, Hey, your

822
00:39:12,920 --> 00:39:18,040
Speaker 1: new song is awesome, and that's like the one part

823
00:39:18,040 --> 00:39:21,160
Speaker 1: of the show. Just nobody, no, nobody, no, these kids

824
00:39:21,239 --> 00:39:23,680
Speaker 1: know that song and they're just like, we don't want

825
00:39:23,680 --> 00:39:25,960
Speaker 1: to hear that. Yeah, Parker McCallum was here with us,

826
00:39:26,520 --> 00:39:29,239
Speaker 1: and I haven't seen you in person since, like the

827
00:39:29,320 --> 00:39:34,360
Speaker 1: laptop incident happened, because I believe, oh, when it got stolen, Yeah,

828
00:39:34,400 --> 00:39:37,279
Speaker 1: that was bad. And I've saved this the entire time

829
00:39:37,520 --> 00:39:38,719
Speaker 1: because I wanted to talk to you about it on

830
00:39:38,760 --> 00:39:43,200
Speaker 1: the air. So your laptop was stolen from where Hollie

831
00:39:43,200 --> 00:39:45,719
Speaker 1: It was actually Hollie Ray's computer. She was fine out

832
00:39:45,719 --> 00:39:48,160
Speaker 1: of somewhere and was taken. It was stolen in the

833
00:39:49,200 --> 00:39:51,520
Speaker 1: when you come out the other side of the yes,

834
00:39:51,560 --> 00:39:54,439
Speaker 1: out of the base. Wait, what when you just put

835
00:39:54,480 --> 00:39:57,839
Speaker 1: it through for like six seconds and somebody took it

836
00:39:57,880 --> 00:40:00,439
Speaker 1: and went home somewhere. Hold on, let me get this straight.

837
00:40:00,800 --> 00:40:03,040
Speaker 1: You put yourself so you take your shoes off. That's

838
00:40:03,040 --> 00:40:05,000
Speaker 1: what happened to take your laptop. I don't know, or

839
00:40:05,040 --> 00:40:07,719
Speaker 1: maybe that's crazy if someone is that bolded. I was there.

840
00:40:07,760 --> 00:40:09,279
Speaker 1: I was not with Hallie Ray. When it happened, I

841
00:40:09,320 --> 00:40:11,000
Speaker 1: was about to walk on stage somewhere and I just

842
00:40:11,000 --> 00:40:12,480
Speaker 1: put on Twitter. I'm like, yo, this is where its

843
00:40:12,480 --> 00:40:15,640
Speaker 1: computer says if anybody knows anybody here, like because you

844
00:40:15,640 --> 00:40:18,000
Speaker 1: did the track my computer, which is crazy that it

845
00:40:18,000 --> 00:40:19,520
Speaker 1: would be on because that means the computer has to

846
00:40:19,640 --> 00:40:22,080
Speaker 1: be on. And so it tracked. It showed up at

847
00:40:22,120 --> 00:40:26,239
Speaker 1: somebody's house and I came off stage, and I guess

848
00:40:26,280 --> 00:40:28,239
Speaker 1: it was some big miss. They said it was a misunderstanding.

849
00:40:28,280 --> 00:40:29,959
Speaker 1: I don't know. I was not there, but these people

850
00:40:30,040 --> 00:40:32,440
Speaker 1: got very upset that like hundreds of people started showing

851
00:40:32,480 --> 00:40:35,239
Speaker 1: up to their house on a Friday night asking for

852
00:40:35,280 --> 00:40:38,160
Speaker 1: this laptop. Oh my god, So I really should not

853
00:40:38,200 --> 00:40:41,719
Speaker 1: have done that. You posted where it was I did. Yeah,

854
00:40:41,719 --> 00:40:43,319
Speaker 1: I just put on Twitter real quick. I was like,

855
00:40:43,520 --> 00:40:45,600
Speaker 1: I was like, hey, just somebody run grabbed this like

856
00:40:45,680 --> 00:40:49,480
Speaker 1: from their house. And then I was on stage for

857
00:40:49,520 --> 00:40:50,920
Speaker 1: an hour and a half and I come off and

858
00:40:50,960 --> 00:40:53,920
Speaker 1: I think my four manager at the time had like

859
00:40:54,000 --> 00:40:55,920
Speaker 1: gone on stage and or gone on the bus and

860
00:40:55,960 --> 00:40:58,759
Speaker 1: got my phone and deleted the tweet and all that.

861
00:40:58,760 --> 00:41:00,080
Speaker 1: They were really coming to the ears like what's your

862
00:41:00,120 --> 00:41:02,000
Speaker 1: phone password? I can remember that and they deleted it.

863
00:41:02,120 --> 00:41:04,840
Speaker 1: He says that over the mic three two it was

864
00:41:04,960 --> 00:41:07,680
Speaker 1: it was it was sorry to those people. That's crazy

865
00:41:07,920 --> 00:41:10,040
Speaker 1: an accident unless they stole it. Yeah, I think it

866
00:41:10,120 --> 00:41:13,200
Speaker 1: was stolen. I would think so too, so not sorry, Yeah,

867
00:41:13,239 --> 00:41:15,120
Speaker 1: but I would. But still, I mean, I'm sure they

868
00:41:15,120 --> 00:41:17,840
Speaker 1: would have probably could have just contacted it. Mightn't have

869
00:41:17,840 --> 00:41:19,400
Speaker 1: to put the third dress on. You know, it's a

870
00:41:19,400 --> 00:41:21,720
Speaker 1: great story. I've been saving it. They'll never do that again.

871
00:41:22,000 --> 00:41:24,360
Speaker 1: I saw a picture of maybe it was in Nashville.

872
00:41:24,400 --> 00:41:26,560
Speaker 1: So they throw a bra up on stage, and you

873
00:41:26,600 --> 00:41:28,560
Speaker 1: know that was a big thing in the eighties and nineties.

874
00:41:28,560 --> 00:41:31,520
Speaker 1: People throw them underwear up on stage. But women like you.

875
00:41:31,600 --> 00:41:34,759
Speaker 1: Women love you, Dudes love you. But how did your wife? Yeah,

876
00:41:34,800 --> 00:41:36,600
Speaker 1: how does your wife something that don't How did your

877
00:41:36,640 --> 00:41:40,080
Speaker 1: wife reactro people women are on their underwear on stage? Um,

878
00:41:40,239 --> 00:41:43,160
Speaker 1: you know, I don't. She's she's pretty good about it, man,

879
00:41:43,280 --> 00:41:46,359
Speaker 1: She's Uh, I can understand why. Maybe. I mean, if

880
00:41:46,360 --> 00:41:48,160
Speaker 1: she was up there and much of men were throwing

881
00:41:48,200 --> 00:41:50,960
Speaker 1: their boxers at her, I'd probably be like, not one

882
00:41:51,040 --> 00:41:53,680
Speaker 1: hundred percent, But she's I think she's ninety nine percent

883
00:41:53,680 --> 00:41:56,399
Speaker 1: okay with it. Do you have to go. You can't

884
00:41:56,400 --> 00:41:58,959
Speaker 1: save them, right, I guess it's you can't put leaving

885
00:41:58,960 --> 00:42:01,760
Speaker 1: your house, like in a box of underwear that's thrown.

886
00:42:01,960 --> 00:42:03,880
Speaker 1: We did have a guy that worked at Anyone night

887
00:42:03,880 --> 00:42:06,359
Speaker 1: askot he said they're expensive and his daughter wears them?

888
00:42:06,680 --> 00:42:12,160
Speaker 1: What no true story? His daughter yes, and he there's

889
00:42:12,160 --> 00:42:15,680
Speaker 1: a true story. Do you think that people that throw

890
00:42:16,280 --> 00:42:20,080
Speaker 1: this is us imagining people that do that. Do you

891
00:42:20,120 --> 00:42:22,799
Speaker 1: think they bring extra or they take theirs off? I've

892
00:42:22,800 --> 00:42:26,640
Speaker 1: wondered that. I've wondered that because sometimes, like man, they'll

893
00:42:26,640 --> 00:42:29,040
Speaker 1: throw them and they're I mean, it's like a it's

894
00:42:29,080 --> 00:42:31,880
Speaker 1: like a gag gift almost, like the brawl is so big.

895
00:42:31,920 --> 00:42:34,799
Speaker 1: I'm like somebody, some some guy trying to be funny.

896
00:42:34,880 --> 00:42:38,759
Speaker 1: Probably unless it's not a gag gift. So, I mean,

897
00:42:39,640 --> 00:42:41,960
Speaker 1: I don't know, that's not I'm not not my field

898
00:42:41,960 --> 00:42:44,319
Speaker 1: of expertise. I don't have many of them. Well, what's

899
00:42:44,360 --> 00:42:48,520
Speaker 1: the first song you play in your set? Uh? Wight outside?

900
00:42:48,920 --> 00:42:52,279
Speaker 1: Why that one? H. I don't write a ton of

901
00:42:52,360 --> 00:42:54,560
Speaker 1: up tempo stuff. I write a lot of sad, slow

902
00:42:54,560 --> 00:42:58,759
Speaker 1: country songs and um try to come out swinging hard.

903
00:42:59,080 --> 00:43:01,520
Speaker 1: Do any your folks go hey, write some more up

904
00:43:01,560 --> 00:43:04,200
Speaker 1: tempo stuff all the time they do. Is that a

905
00:43:04,239 --> 00:43:07,040
Speaker 1: constant struggle? Do you mean yes? Do you have to

906
00:43:07,040 --> 00:43:08,920
Speaker 1: walk in room and go, Okay, we're gonna even though

907
00:43:08,920 --> 00:43:11,560
Speaker 1: this idea is super sad, we gotta give it up

908
00:43:11,680 --> 00:43:15,279
Speaker 1: up tempo feel. Um I try to. I try to.

909
00:43:15,400 --> 00:43:17,800
Speaker 1: I think probably too much. I put too much emphasis

910
00:43:17,800 --> 00:43:21,600
Speaker 1: on it lately. Um, I just get bored sanging sad,

911
00:43:21,880 --> 00:43:25,160
Speaker 1: slow songs all the time. And they're my favorite songs

912
00:43:25,160 --> 00:43:27,520
Speaker 1: in the world. I love sad, slow country love songs

913
00:43:27,520 --> 00:43:30,880
Speaker 1: about everything going terribly wrong. I've written a ton of them. Um,

914
00:43:31,280 --> 00:43:33,880
Speaker 1: But I kind of like crave. I'm like, man, I

915
00:43:33,920 --> 00:43:36,480
Speaker 1: want to do something it's maybe a little more up tempo,

916
00:43:36,600 --> 00:43:38,520
Speaker 1: or try to write something that's more up tempo today

917
00:43:38,600 --> 00:43:42,000
Speaker 1: or um but I don't know, Man, it seems like

918
00:43:42,040 --> 00:43:45,520
Speaker 1: all my best songs are slow. What's creatively for you

919
00:43:45,600 --> 00:43:47,799
Speaker 1: right now? Like what keeps you going? What's like? What

920
00:43:47,880 --> 00:43:49,719
Speaker 1: are you super interested in or are you just too

921
00:43:49,719 --> 00:43:51,600
Speaker 1: tired and you're only focused on the road to sit

922
00:43:51,640 --> 00:43:55,040
Speaker 1: down and actually be creative throughout the summer super tired

923
00:43:55,400 --> 00:43:58,000
Speaker 1: didn't want to write? What was trying really hard to

924
00:43:58,040 --> 00:44:00,279
Speaker 1: write was like really carving out time for my self

925
00:44:00,280 --> 00:44:02,759
Speaker 1: on the road to sit down and play guitar and

926
00:44:02,800 --> 00:44:07,959
Speaker 1: write songs and just just not good. And then once

927
00:44:07,960 --> 00:44:10,960
Speaker 1: the season's changed, and like now that like here in Nashville,

928
00:44:10,960 --> 00:44:12,919
Speaker 1: you know, the trees are all yellow, like they've changed

929
00:44:12,920 --> 00:44:14,800
Speaker 1: a little bit, and the air is a little cooler

930
00:44:14,800 --> 00:44:17,719
Speaker 1: and crisper, and I'm like the creative juices. It just

931
00:44:18,200 --> 00:44:19,320
Speaker 1: had a song when I wrote when I was a

932
00:44:19,320 --> 00:44:22,480
Speaker 1: freshman high school called Permitent Headphones. There's a line and

933
00:44:22,520 --> 00:44:24,279
Speaker 1: it says, a change of season is a change of

934
00:44:24,360 --> 00:44:27,239
Speaker 1: my soul. And that's like the truest thing in the

935
00:44:27,280 --> 00:44:30,080
Speaker 1: world from my songwriting, Like when it's even from springtime

936
00:44:30,080 --> 00:44:32,799
Speaker 1: to summer, like just that that change kind of gets

937
00:44:32,840 --> 00:44:36,080
Speaker 1: it going a little bit. But very tired and yeah,

938
00:44:36,239 --> 00:44:38,359
Speaker 1: pretty tired a songwriting too. What do you think it's

939
00:44:38,400 --> 00:44:43,400
Speaker 1: the best song you've ever written? I don't know. I

940
00:44:43,400 --> 00:44:45,840
Speaker 1: don't think any of them really deserved too too much praise.

941
00:44:47,200 --> 00:44:49,640
Speaker 1: I haven't done anything. What song are you most proud of?

942
00:44:50,320 --> 00:44:53,800
Speaker 1: Probably rest of my life? Why I don't know it

943
00:44:53,960 --> 00:44:58,319
Speaker 1: just you know, you hear about songwriters write, you know,

944
00:44:58,440 --> 00:45:00,640
Speaker 1: great songs, or you hear the story about these great

945
00:45:00,640 --> 00:45:02,360
Speaker 1: songs that were written, and they're like, oh, man, I

946
00:45:02,400 --> 00:45:04,200
Speaker 1: wrote it, like David Lee Murphy wrote Dust on the

947
00:45:04,239 --> 00:45:07,560
Speaker 1: Bottle and like twenty minutes at his kitchen table or something,

948
00:45:07,680 --> 00:45:10,840
Speaker 1: and uh and so and I wrote that song and

949
00:45:10,920 --> 00:45:14,000
Speaker 1: like in fifteen minutes at nine o'clock in the morning,

950
00:45:14,239 --> 00:45:16,839
Speaker 1: dead sober, on like a Tuesday. Just that was a

951
00:45:16,880 --> 00:45:19,800
Speaker 1: little used weight on those moments. As a songwriter, I

952
00:45:20,040 --> 00:45:21,719
Speaker 1: would have come by, have you heard a song in

953
00:45:21,760 --> 00:45:24,759
Speaker 1: the past few years, and you go, damn, I wish

954
00:45:24,760 --> 00:45:27,240
Speaker 1: I'd written that, not as you were close to actually

955
00:45:27,239 --> 00:45:28,920
Speaker 1: writing that song, but it was so good, it was

956
00:45:28,960 --> 00:45:32,319
Speaker 1: written so well, there you go, holy crap. I wish

957
00:45:32,360 --> 00:45:34,440
Speaker 1: that did that. I wish I could have created that,

958
00:45:34,480 --> 00:45:36,960
Speaker 1: like what what do you respect? What? Song? Shrucker Speed

959
00:45:37,000 --> 00:45:39,560
Speaker 1: by Fred Eaglesmith. I wish I would have written that

960
00:45:39,640 --> 00:45:44,560
Speaker 1: song and make a grown man cry um um. You know.

961
00:45:44,600 --> 00:45:47,520
Speaker 1: I listened to this song like probably seventy eighty times

962
00:45:48,200 --> 00:45:52,000
Speaker 1: this weekend and last week. Pretty Little Adriana by Vince Gill.

963
00:45:52,800 --> 00:45:55,319
Speaker 1: I've probably listened to that song eighty times in the

964
00:45:55,400 --> 00:45:59,840
Speaker 1: last five or six days. What about it makes you respect?

965
00:46:00,040 --> 00:46:04,080
Speaker 1: It's so much, It's extremely simple. The verses are just

966
00:46:04,120 --> 00:46:06,239
Speaker 1: like I miss your smile, I miss your touch. It's

967
00:46:06,320 --> 00:46:11,640
Speaker 1: nothing over the top poetic lyrically, but it's the melody

968
00:46:11,800 --> 00:46:15,880
Speaker 1: is the chorus. Melody is just And I think you

969
00:46:15,920 --> 00:46:20,000
Speaker 1: can't sing Vince gill songs really, yeah, hardly anybody, hardly

970
00:46:20,040 --> 00:46:22,800
Speaker 1: anybody can And uh, I don't know. I'm on my

971
00:46:22,840 --> 00:46:25,200
Speaker 1: bus like before the show, just straining my voice trying

972
00:46:25,200 --> 00:46:27,759
Speaker 1: to hit that chorus and it's just phenomenal. Man. Have

973
00:46:27,800 --> 00:46:30,560
Speaker 1: you ever blown your voice out getting ready before a show?

974
00:46:31,680 --> 00:46:34,200
Speaker 1: I think I've over overdone it on the warm up before,

975
00:46:34,560 --> 00:46:37,600
Speaker 1: probably multiple times this summer. The more tired it gets,

976
00:46:37,600 --> 00:46:39,480
Speaker 1: the longer all warm up and try to like really,

977
00:46:40,239 --> 00:46:42,080
Speaker 1: you know, kind of just think about it like a muscle,

978
00:46:42,160 --> 00:46:44,560
Speaker 1: you know, like if you're stretching a warming up kind

979
00:46:44,560 --> 00:46:46,200
Speaker 1: of the same thing you work out on the road.

980
00:46:46,520 --> 00:46:49,680
Speaker 1: You try to I did. I went to a gym

981
00:46:49,800 --> 00:46:53,440
Speaker 1: every day for since I started touring my merch guy

982
00:46:53,560 --> 00:46:55,640
Speaker 1: laying and I would wake up, find a gym in town,

983
00:46:55,760 --> 00:46:58,560
Speaker 1: go pay a day pass and or by a day

984
00:46:58,560 --> 00:47:01,480
Speaker 1: pass and work out and then, oh, I don't know,

985
00:47:01,520 --> 00:47:06,879
Speaker 1: twelve months ago I started playing golf every single day.

986
00:47:07,000 --> 00:47:10,200
Speaker 1: You do every over over we did a rough math

987
00:47:10,320 --> 00:47:13,160
Speaker 1: over fifteen hundred holes in the last twelve months. Are

988
00:47:13,200 --> 00:47:15,600
Speaker 1: you better? It is better? Yeah? Are you playing a

989
00:47:15,640 --> 00:47:17,680
Speaker 1: town at all? Um? And you know I never play

990
00:47:17,719 --> 00:47:19,640
Speaker 1: when I'm in town. I'm usually only home on Monday

991
00:47:19,640 --> 00:47:22,560
Speaker 1: and Tuesday, and um, I play every single day on

992
00:47:22,600 --> 00:47:25,839
Speaker 1: the road. And Halley Ray's usually likes to spend time

993
00:47:25,880 --> 00:47:27,879
Speaker 1: with me, which I understand. I wants to spend time

994
00:47:27,920 --> 00:47:29,560
Speaker 1: with her too. Um. All I know is that when

995
00:47:29,600 --> 00:47:30,920
Speaker 1: I've text you to play golf, you always say no

996
00:47:31,000 --> 00:47:33,239
Speaker 1: at home. Now I know that that's why, because you

997
00:47:33,440 --> 00:47:35,560
Speaker 1: and I always I mean, I'm always doing you know,

998
00:47:35,680 --> 00:47:38,080
Speaker 1: even stuff like this all the time. So are you

999
00:47:38,160 --> 00:47:42,320
Speaker 1: telling me and maybe interpreting this wrong, you'd rather spend

1000
00:47:42,320 --> 00:47:48,000
Speaker 1: time with her than me? That's what women do right there?

1001
00:47:48,520 --> 00:47:50,520
Speaker 1: Say something? She's like, So you're saying this, I'm like,

1002
00:47:50,560 --> 00:47:52,600
Speaker 1: I'm not saying that. Let's talk about the new song

1003
00:47:52,680 --> 00:47:56,080
Speaker 1: for a second, So handle on You. You and Monte

1004
00:47:56,120 --> 00:47:58,760
Speaker 1: Criswell wrote it, like talk to me about I'm always

1005
00:47:58,760 --> 00:48:02,600
Speaker 1: interested in how one idea comes and makes it all

1006
00:48:02,680 --> 00:48:05,040
Speaker 1: the way to radio single. Even so you're in a

1007
00:48:05,120 --> 00:48:08,160
Speaker 1: room and handle on You comes from what was it

1008
00:48:08,200 --> 00:48:10,239
Speaker 1: a lyric and some alliance somebody had written or just

1009
00:48:10,280 --> 00:48:13,440
Speaker 1: an idea for a song. Um. You know, Monty came over.

1010
00:48:13,520 --> 00:48:18,080
Speaker 1: I was living. I had a place downtown really just

1011
00:48:18,080 --> 00:48:21,400
Speaker 1: a couple of blocks from here, um U for like

1012
00:48:21,440 --> 00:48:23,759
Speaker 1: two years and I was moving out of it. Um

1013
00:48:23,800 --> 00:48:26,439
Speaker 1: I bought this house here and uh, Monty came over

1014
00:48:26,480 --> 00:48:28,480
Speaker 1: and all my stuff is in boxes and hally and

1015
00:48:28,480 --> 00:48:30,359
Speaker 1: I actually this is a while ago. We had broken

1016
00:48:30,440 --> 00:48:33,440
Speaker 1: up at the time, and uh, he came over and

1017
00:48:33,480 --> 00:48:35,439
Speaker 1: had this title. He said, Man, I guess this song

1018
00:48:35,440 --> 00:48:37,520
Speaker 1: we should write called and finally got a handle on you.

1019
00:48:38,480 --> 00:48:40,439
Speaker 1: And I was like, well I like that a lot

1020
00:48:40,480 --> 00:48:42,919
Speaker 1: and set around for about that one was written actually

1021
00:48:42,960 --> 00:48:46,919
Speaker 1: really quickly too. Um probably I don't know, in an

1022
00:48:46,920 --> 00:48:49,640
Speaker 1: hour hour and a half. We're gonna play it. Now.

1023
00:48:49,719 --> 00:48:52,719
Speaker 1: This is handle on you, Parker McCallum, way back in

1024
00:48:52,760 --> 00:48:55,360
Speaker 1: just one second. Do you ever write a song Parker

1025
00:48:55,400 --> 00:49:00,279
Speaker 1: that sucks? Oh? Yes, like you finish us, say time

1026
00:49:00,320 --> 00:49:03,120
Speaker 1: and I'm talking like, you write the song, you finished it,

1027
00:49:03,640 --> 00:49:06,359
Speaker 1: you record the demo even and you feel pretty good.

1028
00:49:06,360 --> 00:49:08,560
Speaker 1: But then you go back and listen maybe I don't

1029
00:49:08,560 --> 00:49:10,200
Speaker 1: know what your process is A day a week later

1030
00:49:10,239 --> 00:49:13,280
Speaker 1: and you go, oh, why were we thinking man, I'm

1031
00:49:13,360 --> 00:49:15,440
Speaker 1: so it's such. I was just talking to my dad

1032
00:49:15,480 --> 00:49:19,400
Speaker 1: this morning on the way here about this um but

1033
00:49:20,080 --> 00:49:22,800
Speaker 1: it's like a huge complex with myself. Even the songs

1034
00:49:22,840 --> 00:49:24,600
Speaker 1: that I had that I wrote this weekend. I wrote

1035
00:49:24,600 --> 00:49:28,200
Speaker 1: four songs this weekend out on the road, and while

1036
00:49:28,200 --> 00:49:29,600
Speaker 1: we were writing them, I was like, man, I just

1037
00:49:29,719 --> 00:49:32,880
Speaker 1: was so into him, was really really feeling creative and

1038
00:49:32,960 --> 00:49:35,400
Speaker 1: loved what we were doing. And then listen to them

1039
00:49:35,440 --> 00:49:39,560
Speaker 1: all yesterday even and I'm like, those aren't very good. Well,

1040
00:49:39,719 --> 00:49:41,400
Speaker 1: what makes them not very good? I think I just

1041
00:49:41,400 --> 00:49:44,200
Speaker 1: get really tired of them, I really really quickly. Even

1042
00:49:44,239 --> 00:49:46,880
Speaker 1: when we cut, you know, we'll go for this new album.

1043
00:49:46,880 --> 00:49:49,480
Speaker 1: I've been cutting, We've been in the studio and you know,

1044
00:49:49,520 --> 00:49:51,839
Speaker 1: you're listening to these mixes and turning them back and

1045
00:49:51,840 --> 00:49:54,000
Speaker 1: forth over and no and over again, and I just

1046
00:49:54,040 --> 00:49:56,440
Speaker 1: get so burnt out on the song so quick. Is

1047
00:49:56,440 --> 00:49:59,120
Speaker 1: that how you know on a song that you've written

1048
00:49:59,200 --> 00:50:01,560
Speaker 1: or recorded as real good that you don't burn out

1049
00:50:01,560 --> 00:50:03,840
Speaker 1: on it so quick? That's not how you know? No,

1050
00:50:03,960 --> 00:50:06,200
Speaker 1: I get so it doesn't. Even I think the best

1051
00:50:06,200 --> 00:50:08,680
Speaker 1: songs on this record I got so tired of so quick,

1052
00:50:08,719 --> 00:50:10,680
Speaker 1: And I'm like, I just want to do something different already,

1053
00:50:10,680 --> 00:50:12,640
Speaker 1: and the record it's not even done. It's like a

1054
00:50:12,680 --> 00:50:16,439
Speaker 1: crazy battle I have with myself daily. Then who talks

1055
00:50:16,440 --> 00:50:19,520
Speaker 1: you through the battle? Then, so you have to give

1056
00:50:19,560 --> 00:50:21,440
Speaker 1: yourself advice. I like that. I do that too. I

1057
00:50:21,520 --> 00:50:23,600
Speaker 1: give myself a lot of advice, and usually it's bad. Yeah,

1058
00:50:23,640 --> 00:50:25,440
Speaker 1: I mean, I don't even know if I give myself advice.

1059
00:50:25,480 --> 00:50:30,080
Speaker 1: I just I just kind of, um, I don't know,

1060
00:50:30,160 --> 00:50:31,799
Speaker 1: shut it off and put it away and don't pay

1061
00:50:31,840 --> 00:50:34,720
Speaker 1: attention to it instead of like listening to the songs

1062
00:50:34,719 --> 00:50:37,839
Speaker 1: and you know, like compromises myself and being like, hey,

1063
00:50:37,880 --> 00:50:41,040
Speaker 1: you're thinking wrong about this. I'll just be like yeah,

1064
00:50:41,360 --> 00:50:43,480
Speaker 1: and won't pay attention to it. Do you then go

1065
00:50:43,560 --> 00:50:46,640
Speaker 1: back to it and it's just like I know it's good.

1066
00:50:46,680 --> 00:50:50,080
Speaker 1: I'm done, And I don't even know it's good. I'm

1067
00:50:50,120 --> 00:50:52,600
Speaker 1: just like it's good enough for the record. I think

1068
00:50:53,920 --> 00:50:57,320
Speaker 1: it's a crazy crazy walking me down to Rotic Highway

1069
00:50:57,360 --> 00:50:59,719
Speaker 1: here all the time. Man, It's it's always on my

1070
00:50:59,760 --> 00:51:02,720
Speaker 1: mind twenty four to seven. Um. And it's a weird

1071
00:51:02,800 --> 00:51:05,640
Speaker 1: thing to do for a living. Your betting everything you've

1072
00:51:05,680 --> 00:51:09,439
Speaker 1: worked for, everything you've built, you know, for I don't

1073
00:51:09,480 --> 00:51:12,600
Speaker 1: know somebody's calling. Parker's somebody famous? My dad? I told

1074
00:51:12,680 --> 00:51:14,160
Speaker 1: him I was gonna be on Was it your dad?

1075
00:51:14,200 --> 00:51:15,680
Speaker 1: I told him I was gonna be on Harry Parts.

1076
00:51:15,920 --> 00:51:17,800
Speaker 1: He probably thinks him on right now. Put him on speaker.

1077
00:51:17,880 --> 00:51:19,120
Speaker 1: Let's talk to him. You want to talk to him

1078
00:51:19,360 --> 00:51:21,239
Speaker 1: if that's really him, pro speaker got a couple of

1079
00:51:21,239 --> 00:51:23,640
Speaker 1: words for him. No, it's Gus. It's Gus West, good

1080
00:51:23,680 --> 00:51:27,279
Speaker 1: cowboy on West Texas. Um, Gus West. The guys that

1081
00:51:27,360 --> 00:51:29,799
Speaker 1: his name, the good cow hell have no idea who

1082
00:51:29,800 --> 00:51:31,680
Speaker 1: I am, but per month it's going back quick. Yeah,

1083
00:51:32,360 --> 00:51:35,160
Speaker 1: let me call him. Do you want to call the FaceTime? Yea,

1084
00:51:35,280 --> 00:51:41,759
Speaker 1: Let's put him on FaceTime. He's kind, he's a cowboys song.

1085
00:51:41,800 --> 00:51:45,319
Speaker 1: I'm gone right here, dude, all right, he's probably all right.

1086
00:51:45,360 --> 00:51:48,920
Speaker 1: Let's see what Gus is up to. He sells cow medicine. Really, yes,

1087
00:51:49,880 --> 00:51:54,320
Speaker 1: exclusive interview with Gus. He's answered here he is. Guys,

1088
00:51:56,680 --> 00:52:01,920
Speaker 1: what up? What up? Big dog? Hey? I'm Bobby Bones.

1089
00:52:01,920 --> 00:52:04,279
Speaker 1: How are you doing pretty good? What do you know?

1090
00:52:04,520 --> 00:52:06,160
Speaker 1: You know I'm over here with Parker? Just say, you

1091
00:52:06,239 --> 00:52:13,320
Speaker 1: know shooting? You know you know we're shooting? Hey? So

1092
00:52:13,520 --> 00:52:16,800
Speaker 1: you you you you you do? Uh? Animal medicine. Is

1093
00:52:16,840 --> 00:52:20,200
Speaker 1: that what it is? Yeah, sir, what do you what

1094
00:52:20,280 --> 00:52:21,799
Speaker 1: do you mean, like, tell me about your day? What's

1095
00:52:21,880 --> 00:52:27,040
Speaker 1: what's your job? Uh? Just I don't know. Uh, it's

1096
00:52:27,080 --> 00:52:30,200
Speaker 1: pretty much like a ranchers just call me, tell me

1097
00:52:30,280 --> 00:52:32,400
Speaker 1: what they need or ask questions about what they might

1098
00:52:33,000 --> 00:52:35,239
Speaker 1: or what they're seeing or something like that, and then

1099
00:52:35,280 --> 00:52:37,560
Speaker 1: I just kind of fill them in from there. You

1100
00:52:37,640 --> 00:52:39,200
Speaker 1: ever put your hand all way up a cow's butt?

1101
00:52:40,280 --> 00:52:43,799
Speaker 1: Sometimes about a horse? What animals? But how many animal

1102
00:52:43,840 --> 00:52:52,480
Speaker 1: butts you put your hand in? Not me? But all right, No,

1103
00:52:53,360 --> 00:52:55,840
Speaker 1: whenever you called, we asked Parker who because we're in

1104
00:52:55,880 --> 00:52:57,200
Speaker 1: the middle of interview here, and he goes, it's Gus.

1105
00:52:57,320 --> 00:53:00,719
Speaker 1: Gus a good cowboy from uh East Texas, west from

1106
00:53:00,719 --> 00:53:02,640
Speaker 1: West Texas. And I was like, well, let's talk to Gus.

1107
00:53:02,719 --> 00:53:04,520
Speaker 1: So you just should know that behind your back, Parker

1108
00:53:04,600 --> 00:53:08,319
Speaker 1: thinks you're a good dude. Oh I love him. He's

1109
00:53:08,320 --> 00:53:13,279
Speaker 1: the best. Yeah. You ever go to a Parker shown? Yeah? Yeah,

1110
00:53:13,360 --> 00:53:16,920
Speaker 1: pretty good? Huh, pretty good, pretty good singer? Yeah? Alright, alright, buddy,

1111
00:53:17,680 --> 00:53:21,560
Speaker 1: what we've been on the radio is that? Okay? All right?

1112
00:53:21,600 --> 00:53:25,680
Speaker 1: You don't running for the law or anything, right, all right? Buddy.

1113
00:53:26,600 --> 00:53:28,400
Speaker 1: All right, all right, Gus has got sunglasses on the

1114
00:53:28,440 --> 00:53:30,680
Speaker 1: cowboy hat, so I didn't know I'm from right now?

1115
00:53:31,880 --> 00:53:34,200
Speaker 1: All right, Gus, I'll I'll tell Parker to call you back.

1116
00:53:34,239 --> 00:53:37,400
Speaker 1: I'll talk to you soon, all right, buddy, see you.

1117
00:53:39,000 --> 00:53:43,319
Speaker 1: I like all Gusts. He is every single verse. How

1118
00:53:43,360 --> 00:53:45,920
Speaker 1: did you meet Gush? Where did that come from? Home?

1119
00:53:46,200 --> 00:53:51,200
Speaker 1: Gus was booking it's called the uh Coleman Rodeo UM

1120
00:53:52,320 --> 00:53:57,320
Speaker 1: for the Stanford Rodeo. UM. It's oldest rodeo and in Texas,

1121
00:53:57,520 --> 00:53:59,640
Speaker 1: and he was booking it when I was like in

1122
00:53:59,719 --> 00:54:01,200
Speaker 1: a I think the first time I played it, I

1123
00:54:01,280 --> 00:54:02,880
Speaker 1: was in my pickup truck. Next year, I was in

1124
00:54:02,960 --> 00:54:05,200
Speaker 1: a van. Next year I was in a bigger van

1125
00:54:05,239 --> 00:54:06,879
Speaker 1: and played it. The next year I'm wearing a tour

1126
00:54:06,920 --> 00:54:09,440
Speaker 1: bus and knowing him a long time. And um, he

1127
00:54:09,520 --> 00:54:13,239
Speaker 1: actually introduced me to my wife, Hallie ray Light. That's

1128
00:54:13,320 --> 00:54:15,320
Speaker 1: the that should be the lead of that story and

1129
00:54:15,400 --> 00:54:17,400
Speaker 1: then the rest comes out. So when he introduces you

1130
00:54:17,520 --> 00:54:20,080
Speaker 1: to her, how does he introduce you? Uh? He actually, well,

1131
00:54:20,080 --> 00:54:22,000
Speaker 1: I guess he did introduces He told me why I

1132
00:54:22,040 --> 00:54:23,760
Speaker 1: was playing at rodeo one year and we had stayed

1133
00:54:23,800 --> 00:54:26,319
Speaker 1: up all night and drinking beer after and he had

1134
00:54:26,360 --> 00:54:30,080
Speaker 1: gone to Oklahoma State for like a semester and and

1135
00:54:31,120 --> 00:54:32,960
Speaker 1: he said, Man, there's this girl, Hallie ray Light. You

1136
00:54:33,000 --> 00:54:34,560
Speaker 1: got to meet. Said, I think he'd like her a lot,

1137
00:54:34,760 --> 00:54:37,680
Speaker 1: and um, and so I didn't even, you know, think

1138
00:54:37,760 --> 00:54:40,000
Speaker 1: much about that. I just liked the name Hallie ray Light.

1139
00:54:40,280 --> 00:54:41,640
Speaker 1: I thought that was a good name for a song.

1140
00:54:41,760 --> 00:54:44,480
Speaker 1: So I started trying to write a song about it,

1141
00:54:44,680 --> 00:54:47,680
Speaker 1: and uh, and I did, and word got back to her,

1142
00:54:47,719 --> 00:54:50,279
Speaker 1: and you know, I guess she come. She came out

1143
00:54:50,320 --> 00:54:54,120
Speaker 1: to Uh. We played in still Water where Oklahoma State is,

1144
00:54:54,160 --> 00:54:55,560
Speaker 1: and she came out and saw us at the Tumble.

1145
00:54:55,560 --> 00:54:59,560
Speaker 1: We played a little bar there. One night was the instant. No,

1146
00:55:00,160 --> 00:55:03,200
Speaker 1: that was the first first night I was ever on

1147
00:55:03,280 --> 00:55:08,080
Speaker 1: a tour bus permanently. Was that night. And um, you know,

1148
00:55:08,160 --> 00:55:09,719
Speaker 1: she came to the show and came up on the bus.

1149
00:55:09,840 --> 00:55:13,160
Speaker 1: And I think I was a little probably thought I was,

1150
00:55:13,680 --> 00:55:16,000
Speaker 1: you know, living a little bit larger than I really was.

1151
00:55:16,360 --> 00:55:18,839
Speaker 1: And uh, I don't think she liked me very much.

1152
00:55:19,560 --> 00:55:22,160
Speaker 1: She was on tour bus for about three and a

1153
00:55:22,160 --> 00:55:25,160
Speaker 1: half minutes. She said my behavior was not acceptable, and

1154
00:55:25,320 --> 00:55:27,239
Speaker 1: so she left. She said that with her work like

1155
00:55:27,280 --> 00:55:29,520
Speaker 1: allud she get It was like nine months. I was.

1156
00:55:29,640 --> 00:55:32,560
Speaker 1: I hollered at her for like nine months? Did she

1157
00:55:32,680 --> 00:55:35,520
Speaker 1: keeps saying no? Or does she just not answer? She

1158
00:55:35,760 --> 00:55:37,360
Speaker 1: was she was kind of toying with it, you know.

1159
00:55:37,560 --> 00:55:40,080
Speaker 1: I think she would she would give me a little

1160
00:55:40,080 --> 00:55:41,560
Speaker 1: bit of attention here and there, but most of the

1161
00:55:41,600 --> 00:55:44,600
Speaker 1: time she wouldn't act like she'd she was not interested.

1162
00:55:45,000 --> 00:55:47,400
Speaker 1: It worked, huh, I did. Yeah, Yeah, it took me

1163
00:55:47,520 --> 00:55:49,840
Speaker 1: nine months. I would do when I end with this,

1164
00:55:50,280 --> 00:55:52,560
Speaker 1: because you know, when someone has such success, I always

1165
00:55:52,600 --> 00:55:56,239
Speaker 1: like to ask them how they react when adversity hits,

1166
00:55:56,280 --> 00:55:58,880
Speaker 1: which is what you've done. You're very humble and you

1167
00:55:58,920 --> 00:56:00,760
Speaker 1: know how you were talking about looking tickets and stuff.

1168
00:56:01,000 --> 00:56:02,480
Speaker 1: But I do want to know, like, what's going right

1169
00:56:02,520 --> 00:56:04,000
Speaker 1: for you right now? Give me the four things in

1170
00:56:04,080 --> 00:56:07,359
Speaker 1: your life that's going right for you right now? Her

1171
00:56:07,440 --> 00:56:09,239
Speaker 1: and I are as good as we've ever been. That

1172
00:56:09,360 --> 00:56:14,040
Speaker 1: helps a lot as it probably everybody knows. Um that

1173
00:56:14,120 --> 00:56:17,600
Speaker 1: would be one number two. Um. I mean, I think

1174
00:56:17,760 --> 00:56:20,040
Speaker 1: the career is going good. It could be going better.

1175
00:56:20,360 --> 00:56:22,040
Speaker 1: I think we have a long long way to go.

1176
00:56:22,680 --> 00:56:25,359
Speaker 1: M What do you mean way to go? You're killing it? Yeah,

1177
00:56:25,440 --> 00:56:27,200
Speaker 1: But I mean I mean, it's a lot of people

1178
00:56:27,200 --> 00:56:30,719
Speaker 1: have had a couple number ones and um uh you know,

1179
00:56:31,080 --> 00:56:33,000
Speaker 1: sold out some shows. To really do it and have

1180
00:56:33,120 --> 00:56:36,719
Speaker 1: a career of you know, like an impressive career in

1181
00:56:36,760 --> 00:56:39,800
Speaker 1: country music is really the ultimate goal. And to do

1182
00:56:39,920 --> 00:56:44,200
Speaker 1: it for a long time. Um, but it's going well,

1183
00:56:44,320 --> 00:56:49,839
Speaker 1: that would be number two. Um number three? Uh wait

1184
00:56:49,880 --> 00:56:52,480
Speaker 1: whatever you about to say smiling about what are you

1185
00:56:52,480 --> 00:56:55,160
Speaker 1: about to say? I was justa say my family's healthy. Yes,

1186
00:56:55,360 --> 00:56:57,839
Speaker 1: that's really good. Um, you know my mom and dad

1187
00:56:57,880 --> 00:57:00,960
Speaker 1: are around that sixty more and they're doing really good.

1188
00:57:01,280 --> 00:57:06,200
Speaker 1: Um and uh, oh, I don't know. You gotta find

1189
00:57:06,239 --> 00:57:08,279
Speaker 1: one more. Dig deep, there's there's quite there's a lot

1190
00:57:08,360 --> 00:57:14,600
Speaker 1: going good man, Guss. Gus is still healthy driving. Apparently

1191
00:57:14,719 --> 00:57:18,440
Speaker 1: Gus is gonna tell that story to every person in

1192
00:57:18,560 --> 00:57:21,720
Speaker 1: West Texas by five pm today. Well, the good thing

1193
00:57:21,840 --> 00:57:23,680
Speaker 1: is he'll also have an audio clip of it because

1194
00:57:23,960 --> 00:57:25,800
Speaker 1: he was on the air. He can then play it

1195
00:57:25,880 --> 00:57:28,880
Speaker 1: how he came on that. Yeah, and Gus, you said

1196
00:57:28,880 --> 00:57:30,560
Speaker 1: you got the highest ratings ever, say you got higher

1197
00:57:30,600 --> 00:57:32,320
Speaker 1: ratings and Parker it during the interview. Although that's not

1198
00:57:32,320 --> 00:57:36,120
Speaker 1: even a thing you can measure. Gusby bones, Gus the

1199
00:57:36,120 --> 00:57:38,520
Speaker 1: good Cowboy made his appearance today. Well, Parker, you know

1200
00:57:38,560 --> 00:57:40,520
Speaker 1: I'm rooting for you, man, thank you. You don't need

1201
00:57:40,600 --> 00:57:43,400
Speaker 1: my rooting because you're killing it. And you know, just

1202
00:57:44,680 --> 00:57:46,720
Speaker 1: you talk about, you know things, you want to get

1203
00:57:46,760 --> 00:57:48,760
Speaker 1: it better, but it's like you have the hardest thing

1204
00:57:48,800 --> 00:57:51,760
Speaker 1: to get is a live audience to show up passionately.

1205
00:57:52,280 --> 00:57:53,919
Speaker 1: Because again, you can put out a couple of songs.

1206
00:57:53,920 --> 00:57:56,400
Speaker 1: I have a couple number ones. You've done that, but

1207
00:57:56,480 --> 00:57:58,680
Speaker 1: I'm talking about you have built a passionate fan base

1208
00:57:58,720 --> 00:58:01,240
Speaker 1: and those people don't go away. I think that's really good.

1209
00:58:01,240 --> 00:58:02,960
Speaker 1: I know you know that. I know you think that's awesome,

1210
00:58:02,960 --> 00:58:04,919
Speaker 1: and you give your fans a lot and that's super

1211
00:58:04,960 --> 00:58:06,520
Speaker 1: important to you. But man, it's just really cool to

1212
00:58:06,560 --> 00:58:09,680
Speaker 1: see killing it and thank you. The new songs great

1213
00:58:09,840 --> 00:58:12,280
Speaker 1: and I guess we'll see you soon whenever you grace

1214
00:58:12,360 --> 00:58:14,240
Speaker 1: this with your presence again. Well, so you've been as

1215
00:58:14,360 --> 00:58:16,440
Speaker 1: nice to me as anybody has since the first time

1216
00:58:16,480 --> 00:58:18,440
Speaker 1: we've ever met. So that's true. I remember that all

1217
00:58:18,480 --> 00:58:20,480
Speaker 1: the time. That's true. Thank you. Welcome. You should remember

1218
00:58:20,520 --> 00:58:22,560
Speaker 1: that when I need it. When I text You'm like, hey, man,

1219
00:58:22,800 --> 00:58:25,080
Speaker 1: need a job, let me come work for you. I

1220
00:58:25,160 --> 00:58:27,360
Speaker 1: mean gus. I just want to go play goal. Yeah, yeah, yeah,

1221
00:58:27,400 --> 00:58:29,360
Speaker 1: all right, there is Parker McCallum. Everybody go to see

1222
00:58:29,360 --> 00:58:34,360
Speaker 1: a park. Thank yo. It's the best bits of the

1223
00:58:34,440 --> 00:58:39,960
Speaker 1: week with Morgan number two then coming in at the

1224
00:58:40,120 --> 00:58:42,959
Speaker 1: number one spot that made us all laugh. This week,

1225
00:58:43,200 --> 00:58:46,680
Speaker 1: Lunchbox made some bathroom confessions. While he was at the

1226
00:58:46,720 --> 00:58:49,920
Speaker 1: airport coming home from Las Vegas. He went into the

1227
00:58:50,000 --> 00:58:53,280
Speaker 1: bathroom and started having conversations with strangers and made some

1228
00:58:53,440 --> 00:58:55,680
Speaker 1: confessions to them to see what their reaction would be.

1229
00:58:56,000 --> 00:58:58,800
Speaker 1: And let me just tell you, these strangers are pretty kind,

1230
00:58:58,840 --> 00:59:02,240
Speaker 1: at least the first few. There's one that just kept

1231
00:59:02,280 --> 00:59:04,800
Speaker 1: with one word answers and he was not having any

1232
00:59:04,840 --> 00:59:08,560
Speaker 1: part of lunchboxes antics. But the other ones were pretty awesome.

1233
00:59:08,600 --> 00:59:11,400
Speaker 1: And these are some interesting conversations to have in the

1234
00:59:11,440 --> 00:59:14,080
Speaker 1: bathroom with a stranger that he will never see again.

1235
00:59:14,640 --> 00:59:18,280
Speaker 1: Number one, it's time for some bathroom confessions where Lunchbox

1236
00:59:18,400 --> 00:59:21,480
Speaker 1: goes into a public bathroom. He goes into a stall,

1237
00:59:22,200 --> 00:59:24,280
Speaker 1: waits for someone to sit in the stall next to him,

1238
00:59:24,280 --> 00:59:30,120
Speaker 1: and then just starts talking and asking questions. I would

1239
00:59:30,160 --> 00:59:32,000
Speaker 1: imagine it's a pretty stinky part of the job here.

1240
00:59:32,240 --> 00:59:34,800
Speaker 1: It's pretty it's pretty bad. You go ahead. It's pretty awkward.

1241
00:59:34,840 --> 00:59:36,920
Speaker 1: How long did you sit in the bathroom? Probably about

1242
00:59:36,960 --> 00:59:39,920
Speaker 1: twenty five minutes total. Yeah, because because once you use

1243
00:59:40,000 --> 00:59:41,760
Speaker 1: the stalls, you gotta wait for them to leave, and

1244
00:59:41,760 --> 00:59:44,080
Speaker 1: you gotta wait for new clients to come in our clients.

1245
00:59:44,440 --> 00:59:48,520
Speaker 1: That sounds dirty. Where'd you go? Do you want to

1246
00:59:48,560 --> 00:59:57,240
Speaker 1: say restaurant? We'll just say people traveling? Airport? Yeah, airports

1247
00:59:57,280 --> 00:59:59,760
Speaker 1: sounds shady, interesting, like real shady. Stun goes on at

1248
00:59:59,760 --> 01:00:03,040
Speaker 1: the air for it, put your foot under it. Let's

1249
01:00:03,040 --> 01:00:05,720
Speaker 1: just say that. I let's just go okay, here has

1250
01:00:05,800 --> 01:00:09,960
Speaker 1: lunchbox at a public bathroom? Go ahead, Stall two? Install three?

1251
01:00:10,880 --> 01:00:17,320
Speaker 1: You there, stall two? On a question? Um, I took

1252
01:00:17,400 --> 01:00:19,400
Speaker 1: my five year old son to Hooters to celebrate his

1253
01:00:19,520 --> 01:00:23,640
Speaker 1: birthday and his mom got upset, and I'm just wondering,

1254
01:00:23,680 --> 01:00:26,760
Speaker 1: does that make me a bad dad? It's not that

1255
01:00:26,880 --> 01:00:31,880
Speaker 1: bad right now? Birthday park time? Hooters? Does what stall?

1256
01:00:32,000 --> 01:00:35,880
Speaker 1: Was that? Were you stall too? Yeah? Would you take

1257
01:00:35,920 --> 01:00:41,200
Speaker 1: your zumber Hooters? Okay, I'm gonna go ahead there. Skating girl. See,

1258
01:00:41,720 --> 01:00:43,480
Speaker 1: I thought my wife made me think I was crazy,

1259
01:00:43,520 --> 01:00:44,560
Speaker 1: but I thought it was just kind of like a

1260
01:00:44,840 --> 01:00:47,320
Speaker 1: you know, experience, that he could learn from, you know,

1261
01:00:47,400 --> 01:00:50,360
Speaker 1: his breastfed, so he's goes. I feel you. Man. Well, hey,

1262
01:00:50,440 --> 01:00:52,040
Speaker 1: thanks for your bringing back. I hope you have a

1263
01:00:52,080 --> 01:00:56,440
Speaker 1: great trip. Man, thank you. There's just a lot of sounds.

1264
01:00:57,640 --> 01:00:59,800
Speaker 1: That's the first clip I think I could smell. I

1265
01:01:00,960 --> 01:01:03,240
Speaker 1: mean it was great. I was talking to Stall too

1266
01:01:03,320 --> 01:01:05,240
Speaker 1: and some guy just walking through the bathroom. Game has

1267
01:01:05,240 --> 01:01:07,600
Speaker 1: it been? It was to just passer by like that

1268
01:01:07,760 --> 01:01:10,080
Speaker 1: was awesome. I'm not going to play that clip again,

1269
01:01:10,120 --> 01:01:11,840
Speaker 1: but if you go back and listen on the podcast

1270
01:01:12,520 --> 01:01:15,160
Speaker 1: and you listen very closely, you hear it. There's some

1271
01:01:15,280 --> 01:01:19,440
Speaker 1: sound graffiti. Dude, I heard that. We all reacted to say.

1272
01:01:20,240 --> 01:01:22,160
Speaker 1: I mean that is the part of the problem with

1273
01:01:22,320 --> 01:01:25,400
Speaker 1: being in there. I mean the clippics. Now, yeah, I

1274
01:01:25,560 --> 01:01:28,080
Speaker 1: hear as lunchbox again, sitting in a bathroom trying to

1275
01:01:28,080 --> 01:01:32,520
Speaker 1: talk to folks. Wow, this toilet paper come hurts? Stall four?

1276
01:01:32,600 --> 01:01:34,240
Speaker 1: Can I get a piece here? Toilet paper? Sep, it's

1277
01:01:34,240 --> 01:01:38,720
Speaker 1: as hard as this toilet paper? Are you sure? Could

1278
01:01:38,720 --> 01:01:40,200
Speaker 1: you slide me a square and see if I can

1279
01:01:40,240 --> 01:01:46,200
Speaker 1: try it? Oh? Thank you? Man? Oh do you mind

1280
01:01:46,240 --> 01:01:49,720
Speaker 1: told me another piece? Oh? If you get the roll

1281
01:01:49,760 --> 01:01:53,560
Speaker 1: out to be great? Man? Oh? Thank you very much.

1282
01:01:54,920 --> 01:01:58,280
Speaker 1: Stall too, how are you doing? Man? A toilet paper over?

1283
01:01:58,280 --> 01:01:59,920
Speaker 1: It was pretty rough. Stall four was a nice up.

1284
01:02:00,120 --> 01:02:04,840
Speaker 1: Throw me the role. There's bros in the bathroom. He

1285
01:02:04,920 --> 01:02:06,760
Speaker 1: wanted to hear Stall too. I'll give you someone he

1286
01:02:06,800 --> 01:02:10,880
Speaker 1: gave me. It's pretty good. There you go, Manny want more?

1287
01:02:12,000 --> 01:02:21,400
Speaker 1: You're sure? Sure? It's just weird mister social in there.

1288
01:02:22,840 --> 01:02:26,600
Speaker 1: I mean Stall four ripped out the whole roll and

1289
01:02:26,760 --> 01:02:29,760
Speaker 1: gave it, drew me under the stall. It's the same bro,

1290
01:02:30,880 --> 01:02:33,360
Speaker 1: toilet paper bro. And then Stall two wanted nothing to

1291
01:02:33,440 --> 01:02:35,360
Speaker 1: do with it. He was he was out. I mean,

1292
01:02:35,440 --> 01:02:37,840
Speaker 1: I really think I made him rush because like when

1293
01:02:37,840 --> 01:02:39,400
Speaker 1: I started trying to give him toilet paper, run of

1294
01:02:39,440 --> 01:02:41,480
Speaker 1: the thing, he flushed it and jetted. You gotta think

1295
01:02:41,520 --> 01:02:44,000
Speaker 1: anybody having to use the bathroom and sit on the

1296
01:02:44,040 --> 01:02:46,640
Speaker 1: toilet as a dude in the airport not having a

1297
01:02:46,720 --> 01:02:50,000
Speaker 1: great day, Oh for sure. It's just I don't want

1298
01:02:50,000 --> 01:02:53,040
Speaker 1: to do that. It's your house. It's different in an airport.

1299
01:02:53,680 --> 01:02:55,680
Speaker 1: It is ain't somewhere you want to be. You don't

1300
01:02:55,720 --> 01:02:57,320
Speaker 1: mind going to the urinal, but you don't want to sit.

1301
01:02:57,400 --> 01:02:59,480
Speaker 1: It's just and then all of a sudden times you're

1302
01:02:59,480 --> 01:03:02,320
Speaker 1: browny next door wants to say, what up this guy? Hey,

1303
01:03:02,800 --> 01:03:07,120
Speaker 1: here's lunchbox. Go ahead, it's stall four. What's up? It's

1304
01:03:07,160 --> 01:03:12,720
Speaker 1: tall three? My phone dining? I was wondering if I

1305
01:03:12,760 --> 01:03:14,960
Speaker 1: could borrow yours to scroll Instagram? Will I usually look

1306
01:03:15,000 --> 01:03:19,160
Speaker 1: at Instagram while I'm on the potty? Can I borrow

1307
01:03:19,200 --> 01:03:22,840
Speaker 1: your phone just just to look at this real quick?

1308
01:03:24,520 --> 01:03:30,120
Speaker 1: Is that a note? No, you're sure. I'm just gonna

1309
01:03:30,160 --> 01:03:33,400
Speaker 1: make sure what's going on Insta? What my phone's did?

1310
01:03:33,720 --> 01:03:39,520
Speaker 1: How would you leave? Are you leaving? Yeah? All right,

1311
01:03:39,720 --> 01:03:44,880
Speaker 1: my what a weird question to be asked toilet? Can

1312
01:03:44,920 --> 01:03:46,920
Speaker 1: I use your phone? And then he goes full potty?

1313
01:03:48,320 --> 01:03:51,280
Speaker 1: Someday you're gonna walk out. Something's gonna beat you up. Yeah, yeah,

1314
01:03:52,040 --> 01:03:54,040
Speaker 1: I thought about that. I thought about that. That day

1315
01:03:54,160 --> 01:03:57,080
Speaker 1: wasn't today. I'm glad that's Sunday. This bit ain't gonna

1316
01:03:57,120 --> 01:04:00,919
Speaker 1: turn out good. Nice shot lunchbox, that is funny. It's

1317
01:04:01,000 --> 01:04:04,440
Speaker 1: the best Bits of the Week with Morgan number two.

1318
01:04:05,880 --> 01:04:07,560
Speaker 1: That's it for me this weekend. Thank you all for

1319
01:04:07,720 --> 01:04:10,000
Speaker 1: hanging out with me. That is just the bits. Make

1320
01:04:10,040 --> 01:04:13,400
Speaker 1: sure you check out part one of Best Bits with

1321
01:04:13,560 --> 01:04:16,200
Speaker 1: Scuba Steve. This weekend, we caught up on our weekends.

1322
01:04:16,240 --> 01:04:18,600
Speaker 1: He was at iHeart Festival. I was in a wedding.

1323
01:04:18,720 --> 01:04:21,640
Speaker 1: We shared some moments that have been kind of happy

1324
01:04:21,840 --> 01:04:24,760
Speaker 1: for us lately, some time marches on. It was all

1325
01:04:24,840 --> 01:04:27,520
Speaker 1: really fun content. Also the farms we would love to

1326
01:04:27,600 --> 01:04:30,560
Speaker 1: have because Sandra Bolock is selling her avocado farm and

1327
01:04:30,680 --> 01:04:32,680
Speaker 1: I need some answers on what Scuba Steve would like

1328
01:04:32,720 --> 01:04:34,560
Speaker 1: to have in a farm. It was a fun conversation.

1329
01:04:34,640 --> 01:04:36,680
Speaker 1: I hope you go and check that out. And just

1330
01:04:36,840 --> 01:04:39,720
Speaker 1: like I mentioned on that one, our Florida friends, we

1331
01:04:39,880 --> 01:04:43,240
Speaker 1: are thinking about you and sending you all of our

1332
01:04:43,360 --> 01:04:46,160
Speaker 1: love and hoping you stay safe with the hurricane and

1333
01:04:46,240 --> 01:04:49,520
Speaker 1: the aftermath. We are actively watching the situation in ways

1334
01:04:49,560 --> 01:04:51,400
Speaker 1: that we will be able to help when this is over.

1335
01:04:51,600 --> 01:04:54,160
Speaker 1: So we're thinking about you. Please stay safe out there.

1336
01:04:54,280 --> 01:04:57,120
Speaker 1: To everyone else, I hope you have a wonderful weekend,

1337
01:04:57,240 --> 01:04:59,080
Speaker 1: and thank you for joining me hanging out with me.

1338
01:04:59,480 --> 01:05:02,040
Speaker 1: Make sure you follow me on social media at web

1339
01:05:02,160 --> 01:05:04,800
Speaker 1: Girl Morgan on All the Things and the show at

1340
01:05:04,880 --> 01:05:09,280
Speaker 1: Bobby Bones Show. I love y'all, Bye The Bobby Bone Show,

1341
01:05:09,360 --> 01:05:10,240
Speaker 1: Bobby Bones