WEBVTT - Ed Begley Jr

0:00:00.560 --> 0:00:03.800
<v Speaker 1>My name is Craig Ferguson. The name of this podcast

0:00:04.160 --> 0:00:08.600
<v Speaker 1>is joy. I talked to interest in people about what

0:00:08.640 --> 0:00:14.480
<v Speaker 1>brings them happiness. Ed Begley Junior is a legend and

0:00:14.600 --> 0:00:18.960
<v Speaker 1>show business and he came down from on High to

0:00:19.079 --> 0:00:24.040
<v Speaker 1>talk to poor lonely me in Hollywood. He's a wonderful man.

0:00:24.280 --> 0:00:36.440
<v Speaker 1>Ed Begley Junior. I first met you it was I'm

0:00:36.440 --> 0:00:38.760
<v Speaker 1>going to say it would be about nineteen ninety seven.

0:00:39.479 --> 0:00:41.599
<v Speaker 2>Was it Drew carry It was the Drew Carey show, Right,

0:00:41.800 --> 0:00:42.680
<v Speaker 2>so good on that show.

0:00:42.760 --> 0:00:44.960
<v Speaker 1>Oh man, you're so good on that show. But I

0:00:45.000 --> 0:00:47.000
<v Speaker 1>remember one of the things that really stick in my

0:00:47.040 --> 0:00:49.400
<v Speaker 1>mind about it was that you turned up in an

0:00:49.479 --> 0:00:50.440
<v Speaker 1>EV one.

0:00:51.280 --> 0:00:53.040
<v Speaker 2>I did. That's right. I had one on that year,

0:00:54.120 --> 0:00:55.960
<v Speaker 2>EV one ninety seven.

0:00:56.200 --> 0:00:59.200
<v Speaker 1>The electric car, and I was like, I remember because

0:00:59.200 --> 0:01:01.000
<v Speaker 1>I said does it go fast? And you said yeah.

0:01:01.120 --> 0:01:03.440
<v Speaker 1>We drove around on the Warner Brothers law and an

0:01:03.480 --> 0:01:06.720
<v Speaker 1>Evy one and it was like shelf a shovel that thing.

0:01:06.840 --> 0:01:08.280
<v Speaker 2>Yeah, it was rievable.

0:01:08.520 --> 0:01:09.760
<v Speaker 1>And then they shut it down.

0:01:10.120 --> 0:01:12.840
<v Speaker 2>They crushed them all they did. They did everything where

0:01:12.840 --> 0:01:16.199
<v Speaker 2>they had them in production available for lease and not sale.

0:01:16.200 --> 0:01:18.240
<v Speaker 2>And keep in mind they'd never sold one. They just

0:01:18.280 --> 0:01:20.440
<v Speaker 2>wanted to lease it so they could control it. Right,

0:01:20.680 --> 0:01:22.720
<v Speaker 2>there's a line in Shakespeare I think to condemn with

0:01:22.800 --> 0:01:25.360
<v Speaker 2>faint praise. That's what they did with that car. They

0:01:25.400 --> 0:01:27.880
<v Speaker 2>had all these ads in the la time, not for

0:01:27.920 --> 0:01:29.720
<v Speaker 2>a long time, but they had full page ads the

0:01:29.760 --> 0:01:33.319
<v Speaker 2>electric car. The Saturn logo is as big as my thumbnail.

0:01:33.360 --> 0:01:35.840
<v Speaker 2>Maybe really you couldn't. Nobody knew where to get it.

0:01:36.040 --> 0:01:39.039
<v Speaker 2>I'd pull a group of people, hundreds or dozens, I'd say,

0:01:39.040 --> 0:01:40.880
<v Speaker 2>how many people know about the electric car? All hands

0:01:40.880 --> 0:01:42.880
<v Speaker 2>would go up the GM electric car? Hands would go up.

0:01:42.959 --> 0:01:45.200
<v Speaker 2>How many people know where to get one? One person?

0:01:45.240 --> 0:01:46.840
<v Speaker 2>Maybe nobody knew where to get it.

0:01:46.920 --> 0:01:49.640
<v Speaker 1>I remember, because I remember I'm saying I would do this.

0:01:49.720 --> 0:01:52.040
<v Speaker 1>I would get an electric car. How did you charge

0:01:52.040 --> 0:01:55.120
<v Speaker 1>the EV one was a deal to charge it?

0:01:55.280 --> 0:01:57.600
<v Speaker 2>Yeah, it was a bit of a minor bit of

0:01:57.640 --> 0:01:59.600
<v Speaker 2>work to charge it properly. You could charge it in

0:01:59.600 --> 0:02:02.000
<v Speaker 2>one hundred ten volt, but that was you know, slow, slow,

0:02:02.440 --> 0:02:04.520
<v Speaker 2>right with that amount of current. But if you had

0:02:04.600 --> 0:02:07.040
<v Speaker 2>a two and forty volt line in your garage many

0:02:07.040 --> 0:02:09.000
<v Speaker 2>people do for an electric dryer or some other.

0:02:08.840 --> 0:02:11.000
<v Speaker 1>Apartment well in Britain as that that's exactly.

0:02:11.040 --> 0:02:15.000
<v Speaker 2>That's the standard voltage exactly right. So it's not not

0:02:15.120 --> 0:02:17.080
<v Speaker 2>that difficult to get an electrician to come in wired

0:02:17.120 --> 0:02:18.959
<v Speaker 2>if you don't have it, because there's you know, three

0:02:19.000 --> 0:02:22.440
<v Speaker 2>wires coming into everybody's home that you know equals two

0:02:22.440 --> 0:02:24.399
<v Speaker 2>and forty volts, so you can do it.

0:02:24.400 --> 0:02:27.160
<v Speaker 1>It's so crazy to me that who should have done

0:02:27.200 --> 0:02:29.359
<v Speaker 1>did you? I mean, I know there was that documentary

0:02:29.400 --> 0:02:31.720
<v Speaker 1>Who Killed the Electric Car? Did you see that?

0:02:32.040 --> 0:02:33.160
<v Speaker 2>Yeah, I'm in it, believe it or not.

0:02:33.760 --> 0:02:34.360
<v Speaker 1>I didn't see it.

0:02:34.400 --> 0:02:38.120
<v Speaker 2>So it's a good no, because it's a good documentary.

0:02:38.200 --> 0:02:39.600
<v Speaker 2>Chris Payne did a wonderful job.

0:02:39.680 --> 0:02:41.520
<v Speaker 1>Well Who Killed the Electric Car?

0:02:41.600 --> 0:02:45.200
<v Speaker 2>Then they rightly put the blame at several people's feet.

0:02:45.360 --> 0:02:47.400
<v Speaker 2>You know, there's lots of people that did things that

0:02:47.440 --> 0:02:50.160
<v Speaker 2>made it go away. But Wagoner I think that's his

0:02:50.280 --> 0:02:52.560
<v Speaker 2>correct name, the guy at GM. And they said, what's

0:02:52.600 --> 0:02:55.079
<v Speaker 2>your biggest success while you're there? And he said something

0:02:55.120 --> 0:02:57.400
<v Speaker 2>I don't remember, And he said, what's your biggest failure?

0:02:57.400 --> 0:02:58.760
<v Speaker 2>He said killing the electric car?

0:02:59.120 --> 0:02:59.320
<v Speaker 1>Oh?

0:02:59.440 --> 0:03:02.640
<v Speaker 2>Really they knew it was it right in the customer

0:03:02.639 --> 0:03:05.680
<v Speaker 2>being something great. And now every manufacturer has electric cars.

0:03:05.760 --> 0:03:07.320
<v Speaker 1>Yeah, no, they all have to do it now. Yeah,

0:03:07.560 --> 0:03:09.960
<v Speaker 1>and it's do you drive an electric car? You do?

0:03:10.160 --> 0:03:13.200
<v Speaker 2>I have? Yeah, I've had electric cars since nineteen seventy

0:03:13.240 --> 0:03:14.560
<v Speaker 2>believe it or not quite primitive?

0:03:14.560 --> 0:03:16.400
<v Speaker 1>Then what what did you have to?

0:03:16.720 --> 0:03:19.480
<v Speaker 2>Let me be full disclosure player here we're talking about

0:03:19.480 --> 0:03:22.400
<v Speaker 2>electric you know, electric car its a golf cart with

0:03:22.480 --> 0:03:25.840
<v Speaker 2>a windshow wiping a horn, Electric carts with a t

0:03:27.040 --> 0:03:28.640
<v Speaker 2>a cave, electric cart?

0:03:28.880 --> 0:03:29.320
<v Speaker 1>Do you play?

0:03:30.400 --> 0:03:32.959
<v Speaker 2>I do not play golf. Do anything involving a sphere

0:03:33.000 --> 0:03:33.720
<v Speaker 2>or count me out.

0:03:34.320 --> 0:03:36.720
<v Speaker 1>I don't think if you has been a big sporting man.

0:03:36.840 --> 0:03:39.120
<v Speaker 2>No, I'm a bike rider. I used to ski, but

0:03:39.160 --> 0:03:40.880
<v Speaker 2>now I've kind of slowed down.

0:03:41.080 --> 0:03:43.200
<v Speaker 1>You know, I have to say I fell off a

0:03:43.240 --> 0:03:48.360
<v Speaker 1>horse about three weeks ago. Oh boy, and it hurt,

0:03:48.680 --> 0:03:52.200
<v Speaker 1>but I'm okay. But I'm sixty one now, and I

0:03:52.240 --> 0:03:54.920
<v Speaker 1>think I don't think I'm going to ski again because

0:03:55.040 --> 0:03:57.640
<v Speaker 1>because I like, you get an idea of what it's

0:03:57.800 --> 0:04:01.360
<v Speaker 1>like to come back from a fall, and it's it's

0:04:01.400 --> 0:04:02.360
<v Speaker 1>not like it used to be.

0:04:02.480 --> 0:04:04.440
<v Speaker 2>Man, I know I can't do it anywhere. There's no rolling,

0:04:04.520 --> 0:04:05.400
<v Speaker 2>no tuck and rolling.

0:04:05.520 --> 0:04:06.760
<v Speaker 1>No I can tuck or roll.

0:04:06.800 --> 0:04:07.800
<v Speaker 2>I can't tuck and roll.

0:04:08.920 --> 0:04:10.920
<v Speaker 1>It's like it's like when asked to do a job.

0:04:11.000 --> 0:04:14.640
<v Speaker 1>Now I can sing or dance. I can't sing and dance.

0:04:14.680 --> 0:04:16.200
<v Speaker 2>Let's be to my drumming. Now I can do the

0:04:16.240 --> 0:04:18.200
<v Speaker 2>high hat. I can't do the kick drummer. I can't

0:04:18.200 --> 0:04:20.480
<v Speaker 2>do the drummer. I used to be a drummer.

0:04:20.560 --> 0:04:23.160
<v Speaker 1>Yeah, me too. Yeah, that was Is that how you

0:04:23.160 --> 0:04:24.960
<v Speaker 1>didn't start is that you were an actor? You were

0:04:24.960 --> 0:04:25.520
<v Speaker 1>a kid actor?

0:04:25.600 --> 0:04:27.880
<v Speaker 2>Yeah, it was a I started at seventeen. I wanted

0:04:27.960 --> 0:04:30.080
<v Speaker 2>from the age of ten, but I had no skills.

0:04:30.120 --> 0:04:32.160
<v Speaker 2>So I was shocked that no one gave me a job.

0:04:32.320 --> 0:04:34.440
<v Speaker 2>I had to real wake me when I'm famous attitude,

0:04:34.600 --> 0:04:36.440
<v Speaker 2>and I never got any work. And I finally trained

0:04:36.480 --> 0:04:37.200
<v Speaker 2>and I got work.

0:04:37.520 --> 0:04:40.520
<v Speaker 1>You would do well, no, because no, it doesn't matter exactly.

0:04:40.880 --> 0:04:42.919
<v Speaker 2>You can reality star and next thing you know, you

0:04:43.000 --> 0:04:44.200
<v Speaker 2>got thirteen on air.

0:04:44.440 --> 0:04:45.520
<v Speaker 1>What was your first gig?

0:04:46.240 --> 0:04:47.279
<v Speaker 2>My Three Sons?

0:04:47.520 --> 0:04:50.200
<v Speaker 1>That's right. I think I asked you that before My

0:04:50.320 --> 0:04:52.440
<v Speaker 1>Three Sons, which is in the you know, it's in

0:04:52.480 --> 0:04:54.279
<v Speaker 1>the Hall of Fame as an American classic.

0:04:54.400 --> 0:04:56.960
<v Speaker 2>It is. It's a classic. Fred McMurray. Yeah, to get

0:04:57.000 --> 0:04:58.520
<v Speaker 2>a star of that magnitude, you know.

0:04:58.600 --> 0:05:00.880
<v Speaker 1>To do TV back then, Yeah, to get a.

0:05:01.400 --> 0:05:03.919
<v Speaker 2>Movie, start to do television. They had a guarantee he

0:05:03.920 --> 0:05:06.000
<v Speaker 2>would only shoot like one day a week. So we

0:05:06.160 --> 0:05:09.280
<v Speaker 2>do all this stuff with him with Fred McMurray on Friday,

0:05:09.360 --> 0:05:13.200
<v Speaker 2>let's say all different actors came in, all different you know, shots,

0:05:13.240 --> 0:05:15.160
<v Speaker 2>angles and what have you. To do it you're done,

0:05:15.200 --> 0:05:15.920
<v Speaker 2>see you next week.

0:05:16.000 --> 0:05:17.039
<v Speaker 1>See what one day a week?

0:05:17.160 --> 0:05:17.800
<v Speaker 2>One day a week.

0:05:17.880 --> 0:05:20.600
<v Speaker 1>I love that. See that's what I miss about the

0:05:20.960 --> 0:05:23.400
<v Speaker 1>glory days of sitcoms that you know, when we were

0:05:23.400 --> 0:05:25.440
<v Speaker 1>doing the Drew Carey Show, we got it down to

0:05:25.560 --> 0:05:26.800
<v Speaker 1>like two and a half days a week.

0:05:27.040 --> 0:05:28.239
<v Speaker 2>That was such a good show.

0:05:28.600 --> 0:05:30.839
<v Speaker 1>It was a fun show. It's lost media now though,

0:05:30.920 --> 0:05:32.440
<v Speaker 1>It's like you can't find it anywhere.

0:05:33.080 --> 0:05:34.040
<v Speaker 2>Is that true? Yeah?

0:05:34.080 --> 0:05:35.919
<v Speaker 1>I think there's something to do with the music rights

0:05:35.960 --> 0:05:36.760
<v Speaker 1>on it or something.

0:05:37.000 --> 0:05:38.880
<v Speaker 2>Damn it all though it was so fine.

0:05:38.839 --> 0:05:41.560
<v Speaker 1>It's I don't know where it is. But is Do

0:05:41.640 --> 0:05:44.120
<v Speaker 1>you hear about Drew Carey during the Right of Strike?

0:05:44.200 --> 0:05:44.840
<v Speaker 1>What he did?

0:05:45.360 --> 0:05:46.080
<v Speaker 2>What did he do?

0:05:46.360 --> 0:05:51.040
<v Speaker 1>He kept an open tab at a restaurant in Hollywood.

0:05:51.320 --> 0:05:55.279
<v Speaker 1>I think it's called Scribbles or Scrandles or Sandals or something.

0:05:55.520 --> 0:05:58.800
<v Speaker 1>It's a restaurant like a diner that everybody likes to

0:05:58.800 --> 0:06:01.560
<v Speaker 1>go to and Drew captain open tab so if you

0:06:01.560 --> 0:06:03.240
<v Speaker 1>had a w G A card, you can go in

0:06:03.400 --> 0:06:04.920
<v Speaker 1>and get I love that.

0:06:04.800 --> 0:06:07.960
<v Speaker 2>Guy for so many reasons. Another one, he's amazing. He's

0:06:08.000 --> 0:06:08.960
<v Speaker 2>such a great guy.

0:06:09.160 --> 0:06:11.800
<v Speaker 1>Swingers, that's Swing Swingers restaurant.

0:06:11.839 --> 0:06:14.000
<v Speaker 2>He did, didn't It shouldn't shock me for a moment.

0:06:14.120 --> 0:06:15.200
<v Speaker 2>I think he would do.

0:06:15.360 --> 0:06:18.760
<v Speaker 1>His tab was like seventy grand or something for the strike.

0:06:18.920 --> 0:06:22.960
<v Speaker 1>I mean to just buying tuna melts for every right

0:06:24.920 --> 0:06:27.760
<v Speaker 1>for five months, which is but that's who he is.

0:06:28.279 --> 0:06:30.080
<v Speaker 2>I got to call him up an embarrassing when we're here.

0:06:30.200 --> 0:06:32.919
<v Speaker 1>Yeah, the thing is as well. He gets embarrassed with

0:06:32.960 --> 0:06:34.200
<v Speaker 1>that kind of thing. It's weird.

0:06:34.400 --> 0:06:35.560
<v Speaker 2>Good, then my work is done.

0:06:36.800 --> 0:06:38.680
<v Speaker 1>So let me ask you this. Because you're you're a

0:06:38.800 --> 0:06:42.000
<v Speaker 1>child of show business, right, I mean you're at Begley

0:06:42.040 --> 0:06:44.880
<v Speaker 1>Junior because your dad, Ed Begley was a famous actor too, right.

0:06:44.839 --> 0:06:48.520
<v Speaker 2>Yeah, big actor angry man during number ten won an

0:06:48.520 --> 0:06:51.159
<v Speaker 2>Oscar for Sweet Bird of Youth, best supporting. I didn't

0:06:51.200 --> 0:06:54.919
<v Speaker 2>want any front Broadway with Paul Muni and inherit the wind,

0:06:55.200 --> 0:06:56.720
<v Speaker 2>big big actor, big time.

0:06:57.000 --> 0:06:59.880
<v Speaker 1>So was he hesitant about you becoming an.

0:06:59.839 --> 0:07:03.400
<v Speaker 2>Eye or he was quite hesitant and rightly so my

0:07:03.640 --> 0:07:07.040
<v Speaker 2>older brother Tom, Tom had been in show business with

0:07:07.120 --> 0:07:09.680
<v Speaker 2>him briefly. I mean going back to you know, like Vaudeville,

0:07:09.720 --> 0:07:12.000
<v Speaker 2>that had a Vaudeville act together father and son. But

0:07:12.080 --> 0:07:14.440
<v Speaker 2>it turned out at some age Tom went, I didn't

0:07:14.440 --> 0:07:16.000
<v Speaker 2>want to do that. You made me do that, and

0:07:16.040 --> 0:07:17.800
<v Speaker 2>I want to be playing stickball with the guys, and

0:07:17.840 --> 0:07:19.640
<v Speaker 2>you had me when you're a stupid act and forget

0:07:19.640 --> 0:07:21.640
<v Speaker 2>about it. And then so he didn't want to do

0:07:21.680 --> 0:07:23.520
<v Speaker 2>it for about five or seven years, and he went,

0:07:23.640 --> 0:07:25.440
<v Speaker 2>now I was wrong the second time. The first time

0:07:25.560 --> 0:07:27.320
<v Speaker 2>was right. Now I was right again. I want to

0:07:27.320 --> 0:07:29.320
<v Speaker 2>be an actor again. My dad would like that ship

0:07:29.360 --> 0:07:32.960
<v Speaker 2>is sail boy. I remember my older brother Tom, who

0:07:32.960 --> 0:07:36.000
<v Speaker 2>I worshiped that ship is sailed. But he occasionally got

0:07:36.080 --> 0:07:39.360
<v Speaker 2>him a job on something like Alfred Hitchcock Presents or something.

0:07:39.480 --> 0:07:44.040
<v Speaker 1>This is the glory days of television, man. Everything was.

0:07:44.160 --> 0:07:47.040
<v Speaker 1>The whole city was pumping with wark at that time.

0:07:47.200 --> 0:07:49.640
<v Speaker 2>Rod Serling he wrote patterns that my dad was brilliant in,

0:07:49.680 --> 0:07:52.000
<v Speaker 2>and Dick Kylie was in and all these Everett Sloan

0:07:52.120 --> 0:07:55.400
<v Speaker 2>was in just nothing but great writer, sitting limit directing

0:07:55.400 --> 0:07:58.160
<v Speaker 2>these TV shows like Twelve Angry Men. Then it became.

0:07:58.280 --> 0:08:01.080
<v Speaker 2>It became it was a television show, I believe the teleplay,

0:08:01.280 --> 0:08:03.240
<v Speaker 2>and it became a great movie and it's still here.

0:08:03.560 --> 0:08:06.360
<v Speaker 2>Patty Chaievski, that's the golden age of television. But you

0:08:06.360 --> 0:08:08.440
<v Speaker 2>know what I think. I think this is the platinum

0:08:08.440 --> 0:08:09.560
<v Speaker 2>age of television right now.

0:08:09.600 --> 0:08:11.080
<v Speaker 1>I hear you. You were on one of the best

0:08:11.120 --> 0:08:14.000
<v Speaker 1>shows ever made recently, The Better Call Saul.

0:08:14.320 --> 0:08:17.960
<v Speaker 2>No Question and Peter gold come on. Unbelievable doing it

0:08:18.040 --> 0:08:21.120
<v Speaker 2>once with Breaking Bad, Breaking Bad, than to do it again.

0:08:21.040 --> 0:08:23.680
<v Speaker 1>I know. I remember I saw Bob Odenkirk. Got kids

0:08:23.760 --> 0:08:24.960
<v Speaker 1>used to go to the same school, and I know

0:08:25.040 --> 0:08:28.280
<v Speaker 1>Bob a little bit, and you know, one of the nicest,

0:08:28.480 --> 0:08:29.280
<v Speaker 1>easiest men.

0:08:29.280 --> 0:08:30.240
<v Speaker 2>I love Bob so much.

0:08:30.320 --> 0:08:33.560
<v Speaker 1>Unbelievable. So I see I see him in the parking lot.

0:08:33.600 --> 0:08:35.280
<v Speaker 1>We were dropping the kids off for the school bus

0:08:35.320 --> 0:08:36.480
<v Speaker 1>or something, and I said, what are you up to?

0:08:36.480 --> 0:08:39.000
<v Speaker 1>Because Breaking Bad had just ended, and he said, well,

0:08:39.040 --> 0:08:40.520
<v Speaker 1>the guys that come back to me and they want

0:08:40.559 --> 0:08:43.600
<v Speaker 1>to take the soul Goodman character and maybe do something

0:08:43.600 --> 0:08:44.679
<v Speaker 1>with it. I said, you're going to do it and

0:08:44.760 --> 0:08:47.800
<v Speaker 1>he went, oh no, I can they do it again?

0:08:48.520 --> 0:08:49.319
<v Speaker 2>That's what I thought.

0:08:49.679 --> 0:08:53.600
<v Speaker 1>I didn't And but man, did they ever? I prefer

0:08:53.800 --> 0:08:56.480
<v Speaker 1>Betcle and I love Breaking Bad. I love to tear

0:08:56.480 --> 0:08:57.360
<v Speaker 1>a better call Saul.

0:08:57.920 --> 0:08:59.440
<v Speaker 2>I don't know. It's like which child do you like?

0:08:59.440 --> 0:09:02.560
<v Speaker 2>I like so much. But they really the art direction,

0:09:03.000 --> 0:09:06.120
<v Speaker 2>the cinematography, it's like a feature film. Every single episode

0:09:06.200 --> 0:09:08.760
<v Speaker 2>is like a feature film. And then Vincent Peter know

0:09:08.800 --> 0:09:10.440
<v Speaker 2>how to do it. Every episode they have that thing

0:09:10.520 --> 0:09:13.719
<v Speaker 2>like they had Breaking Bad, that that original visual thing.

0:09:13.800 --> 0:09:15.439
<v Speaker 2>You go, what the hell does that mean? Yeah, it's

0:09:15.480 --> 0:09:17.600
<v Speaker 2>flying through the air and a motor home blows past

0:09:17.640 --> 0:09:20.319
<v Speaker 2>the pants. What could that possibly mean? Yeah, a low

0:09:20.400 --> 0:09:24.280
<v Speaker 2>rider car going on the hydraulics. We spent we spent

0:09:24.440 --> 0:09:27.120
<v Speaker 2>shellcasings down on the ground and the window blown out

0:09:27.120 --> 0:09:28.120
<v Speaker 2>and back. What does that mean?

0:09:28.200 --> 0:09:31.480
<v Speaker 1>And then we learn it's it's I think the visual

0:09:31.520 --> 0:09:36.079
<v Speaker 1>storytelling is unbelievable and it's fantastic. But what also kind

0:09:36.120 --> 0:09:40.160
<v Speaker 1>of struck me with Bear Cole Soul was it seems

0:09:40.200 --> 0:09:44.640
<v Speaker 1>like the they had mailowed ever so slightly in the

0:09:44.720 --> 0:09:47.800
<v Speaker 1>sense that for me it made it because Breaking Bad

0:09:47.880 --> 0:09:50.160
<v Speaker 1>something It's like, I can't I can't watch this. I

0:09:50.200 --> 0:09:53.800
<v Speaker 1>know it's hard, it's just too hard. But they kind

0:09:53.800 --> 0:09:57.320
<v Speaker 1>of dialed it back just a tiny bit for bear cales,

0:09:57.360 --> 0:10:00.160
<v Speaker 1>so that when when the violence of the whole or

0:10:00.160 --> 0:10:03.320
<v Speaker 1>it did happen, you were like, yeah, these guys deserve that,

0:10:03.760 --> 0:10:06.040
<v Speaker 1>you know, and all that. It was amazing though, I

0:10:06.040 --> 0:10:08.520
<v Speaker 1>mean just amazing. Does you have fun doing it?

0:10:08.760 --> 0:10:09.800
<v Speaker 2>I had the best time ever.

0:10:10.240 --> 0:10:12.160
<v Speaker 1>I enjoy the act and then I love it.

0:10:12.240 --> 0:10:15.400
<v Speaker 2>I thought i'd be done by now, but I people still.

0:10:15.200 --> 0:10:18.480
<v Speaker 1>Call, well, you're a great actor, right, I mean, you

0:10:18.520 --> 0:10:20.360
<v Speaker 1>no idea what. I'm not anyone who was on my

0:10:20.440 --> 0:10:23.920
<v Speaker 1>three sons exactly, and everybody knows how punctual you are.

0:10:23.960 --> 0:10:26.440
<v Speaker 1>I mean, I've never heard of anyone say.

0:10:26.440 --> 0:10:27.840
<v Speaker 2>You know what. I'm going to say something now, and

0:10:27.880 --> 0:10:29.960
<v Speaker 2>I really believe it's true. Well, first of all, the

0:10:29.960 --> 0:10:32.240
<v Speaker 2>first part we all know is true. I'm not Joaquin Phoenix,

0:10:32.280 --> 0:10:34.280
<v Speaker 2>I'm not Meryl Streep, I'm not Bob de Niro. I

0:10:34.280 --> 0:10:36.120
<v Speaker 2>don't have that level of skill. I just don't know.

0:10:36.480 --> 0:10:38.880
<v Speaker 2>Nothing bad about it, nothing, no judgment. I don't have it.

0:10:39.080 --> 0:10:40.760
<v Speaker 2>But I show up on time, No, I do not.

0:10:40.880 --> 0:10:43.920
<v Speaker 2>I show up early every single day. I never cost

0:10:44.000 --> 0:10:46.280
<v Speaker 2>him any time, and I always there and know my

0:10:46.360 --> 0:10:48.920
<v Speaker 2>lines and I remember that stuff. As it turns out,

0:10:48.960 --> 0:10:49.679
<v Speaker 2>who knew.

0:10:49.760 --> 0:10:54.280
<v Speaker 1>One hundred percent. I mean, I think that what kills actors,

0:10:54.480 --> 0:10:58.319
<v Speaker 1>particularly on the way up young actors is attitude. When

0:10:58.360 --> 0:11:02.800
<v Speaker 1>you think that you're so talented that people will look

0:11:02.840 --> 0:11:06.640
<v Speaker 1>beyond your behavior, which that's that's not the case.

0:11:07.040 --> 0:11:09.080
<v Speaker 2>My job is to do my job as an actor,

0:11:09.160 --> 0:11:11.360
<v Speaker 2>be prepared with what I think the character is in

0:11:11.400 --> 0:11:13.440
<v Speaker 2>my lines and all that. But then my job is

0:11:13.440 --> 0:11:16.360
<v Speaker 2>also to make every single department do their job better.

0:11:16.520 --> 0:11:18.920
<v Speaker 2>To help the boom man, the lighting guy, everybody, the

0:11:19.120 --> 0:11:21.720
<v Speaker 2>first assistant with his follow focus, hit that mark so

0:11:21.760 --> 0:11:24.480
<v Speaker 2>we can keep it in focus, all that stuff. That's

0:11:24.520 --> 0:11:26.880
<v Speaker 2>my job to make their job as easy as I can.

0:11:26.920 --> 0:11:27.960
<v Speaker 2>Did you get done my job?

0:11:28.080 --> 0:11:29.880
<v Speaker 1>Did you get that ethos from your father?

0:11:30.040 --> 0:11:33.640
<v Speaker 2>Was that he never ever walked to the set. He

0:11:33.720 --> 0:11:36.560
<v Speaker 2>ran to the set. Mister Begley, we're ready for you.

0:11:36.640 --> 0:11:40.640
<v Speaker 2>Now hold that boy, I'm going in. Now start running

0:11:40.640 --> 0:11:42.679
<v Speaker 2>with his stubby little legs. He just ran his ass

0:11:42.760 --> 0:11:46.600
<v Speaker 2>to the set right there. Knew everybody's name, made everybody's

0:11:46.679 --> 0:11:47.360
<v Speaker 2>job easier.

0:11:47.520 --> 0:11:50.360
<v Speaker 1>People have an odd idea about how Hollywood it is.

0:11:50.400 --> 0:11:53.720
<v Speaker 1>It's actually it's a very I mean, it's very worktown.

0:11:53.840 --> 0:11:57.000
<v Speaker 1>It's work based more than anything else. And this idea

0:11:57.160 --> 0:12:01.000
<v Speaker 1>that you know, those actors are millionaires and they, you know,

0:12:01.120 --> 0:12:03.520
<v Speaker 1>going on straight and you go, well, some actors absolutely

0:12:03.520 --> 0:12:05.480
<v Speaker 1>are millionaires and then make a great deal of money.

0:12:05.480 --> 0:12:08.080
<v Speaker 1>But I think the vast majority of actors in this

0:12:08.200 --> 0:12:10.559
<v Speaker 1>town it's like it's a middle class job exactly.

0:12:10.600 --> 0:12:13.040
<v Speaker 2>The vast majority of people just getn't check to check.

0:12:13.520 --> 0:12:14.360
<v Speaker 1>Yeah, but I.

0:12:14.360 --> 0:12:18.640
<v Speaker 2>Learned something as far as cooperating and making everybody's job easier.

0:12:18.840 --> 0:12:20.880
<v Speaker 2>I did a movie called She Doubled with Meryl Streep.

0:12:21.120 --> 0:12:23.400
<v Speaker 1>Oh yeah, that that's a great movie.

0:12:24.080 --> 0:12:26.680
<v Speaker 2>She would come in with some brilliant idea, like she

0:12:26.880 --> 0:12:28.880
<v Speaker 2>has in every movie she's ever done. What's on the

0:12:28.920 --> 0:12:31.880
<v Speaker 2>page is often wonderful, and she always does something brilliant,

0:12:32.080 --> 0:12:36.320
<v Speaker 2>and Susan Seidelman, the director, would say, mmm, you know what,

0:12:36.360 --> 0:12:38.320
<v Speaker 2>I think you should do something else, and she says

0:12:38.360 --> 0:12:40.559
<v Speaker 2>something and I'm sitting there thinking that's terrible. My god,

0:12:40.600 --> 0:12:43.520
<v Speaker 2>She's going to get now scolded by Meryl Streep. How

0:12:43.600 --> 0:12:45.240
<v Speaker 2>dare you tell me what to do? And how dare

0:12:45.280 --> 0:12:47.600
<v Speaker 2>you come up with a lesser idea? She goes, Okay,

0:12:47.880 --> 0:12:49.680
<v Speaker 2>let me take this sowsier and make it into a

0:12:49.679 --> 0:12:52.160
<v Speaker 2>silk person. Here you are did exactly what she said

0:12:52.400 --> 0:12:54.480
<v Speaker 2>and made it completely fine. Wasn't as good as what

0:12:54.520 --> 0:12:57.360
<v Speaker 2>she did. It was like nearly as good, or maybe

0:12:57.400 --> 0:13:00.520
<v Speaker 2>even as good. But she does You could take a

0:13:00.559 --> 0:13:01.880
<v Speaker 2>bad idea and make it great.

0:13:02.440 --> 0:13:03.599
<v Speaker 1>You ever worked with you, and you don't have to

0:13:03.640 --> 0:13:05.600
<v Speaker 1>say any names, but you've ever worked with an actor

0:13:06.280 --> 0:13:09.760
<v Speaker 1>and you thought, what the hell you doing here? Because

0:13:09.760 --> 0:13:12.160
<v Speaker 1>I'm well, I'm going to preface with saying that I've

0:13:12.160 --> 0:13:14.240
<v Speaker 1>worked with a couple. I'm like, I have to why

0:13:14.280 --> 0:13:17.040
<v Speaker 1>are you doing this job if it's so painful? I know,

0:13:17.320 --> 0:13:19.640
<v Speaker 1>because it's easy, and you know, all you have to

0:13:19.679 --> 0:13:22.840
<v Speaker 1>do is just like you say, be professional about it,

0:13:22.880 --> 0:13:24.880
<v Speaker 1>and everybody's cool. That's what people.

0:13:24.600 --> 0:13:27.920
<v Speaker 2>Want, right If you had a reading, if you auditioned

0:13:27.960 --> 0:13:30.400
<v Speaker 2>some manner and they like what you did, try and

0:13:30.400 --> 0:13:32.040
<v Speaker 2>do that for the first take. I want to do something

0:13:32.040 --> 0:13:34.120
<v Speaker 2>else and do that. You want to do something that's

0:13:34.120 --> 0:13:36.400
<v Speaker 2>occurred to your sense of reading? Fine, ass the director

0:13:36.440 --> 0:13:38.440
<v Speaker 2>if he wants to see that. I just bring in

0:13:38.559 --> 0:13:41.280
<v Speaker 2>like a salad ball with different stuff. If you want

0:13:41.320 --> 0:13:42.680
<v Speaker 2>some of this or that, what do you want on it?

0:13:43.160 --> 0:13:45.080
<v Speaker 2>And you guys pick what you want?

0:13:45.200 --> 0:13:47.360
<v Speaker 1>Will you read for a part if you like it?

0:13:47.520 --> 0:13:50.080
<v Speaker 1>Or is that in the rear view mirror.

0:13:50.160 --> 0:13:52.160
<v Speaker 2>I don't have to read often, but when I have

0:13:52.240 --> 0:13:54.360
<v Speaker 2>the opportunity, I'm happy. To my agents. No, we don't

0:13:54.360 --> 0:13:56.120
<v Speaker 2>want you to read. We don't want I said, dude.

0:13:56.160 --> 0:13:58.160
<v Speaker 2>I like reading. I get to go and play the

0:13:58.200 --> 0:13:59.959
<v Speaker 2>part in the room. Then I get to do it

0:14:00.240 --> 0:14:03.440
<v Speaker 2>again with pay in front of digital camera.

0:14:03.480 --> 0:14:05.280
<v Speaker 1>But I guess you do, see. I always I had

0:14:05.280 --> 0:14:09.000
<v Speaker 1>a different thing about about reading for parts. I always thought, wait,

0:14:09.040 --> 0:14:11.640
<v Speaker 1>so you want me to do the job, and then

0:14:12.080 --> 0:14:14.400
<v Speaker 1>if you don't like it, you fire me. I feel

0:14:14.520 --> 0:14:17.480
<v Speaker 1>right because because once I get as far as landing

0:14:17.559 --> 0:14:20.040
<v Speaker 1>the lines, which you got to really do for the reading,

0:14:20.440 --> 0:14:23.720
<v Speaker 1>then now it's mine. I care about it and now,

0:14:23.880 --> 0:14:26.120
<v Speaker 1>and then I get fired. I found it very difficult.

0:14:26.120 --> 0:14:29.760
<v Speaker 1>And of course everybody gets you know, doesn't get every audition.

0:14:29.800 --> 0:14:33.760
<v Speaker 1>It just doesn't happen for anyone. But I found it

0:14:33.960 --> 0:14:35.800
<v Speaker 1>very tough. I couldn't take it.

0:14:35.960 --> 0:14:37.840
<v Speaker 2>I'm thinking right now, I haven't had to read in

0:14:37.840 --> 0:14:39.960
<v Speaker 2>a while, but if I had to read for something tomorrow,

0:14:40.000 --> 0:14:43.280
<v Speaker 2>for something good, sometimes I get confused, like a casting directory.

0:14:43.680 --> 0:14:45.960
<v Speaker 2>Wait a minute, you read for me last month, I said, yeah,

0:14:45.960 --> 0:14:47.920
<v Speaker 2>but that was different. It was great material. This one

0:14:48.240 --> 0:14:50.680
<v Speaker 2>so great, you know, they don't know that's what it is.

0:14:50.680 --> 0:14:53.920
<v Speaker 2>Then material, I get to go and play it in

0:14:53.920 --> 0:14:56.600
<v Speaker 2>a room, I get to play that part. It's gravy.

0:14:56.640 --> 0:14:57.920
<v Speaker 2>If they want me to do it again in front

0:14:57.920 --> 0:14:59.560
<v Speaker 2>of a digital camera, that's gravy.

0:15:08.000 --> 0:15:10.440
<v Speaker 1>So let's talk a little bit about because you and

0:15:10.520 --> 0:15:14.760
<v Speaker 1>I have a similar no, no, a similar story when

0:15:14.760 --> 0:15:18.680
<v Speaker 1>it comes to the old Uh yeah, the old alcohol.

0:15:18.720 --> 0:15:20.320
<v Speaker 2>I had a thirst. I like my gargle.

0:15:20.520 --> 0:15:22.480
<v Speaker 1>Yeah, I did the wage. Were you when you quit?

0:15:22.840 --> 0:15:25.360
<v Speaker 2>I was thirty years older in nineteen seventy nine.

0:15:25.440 --> 0:15:27.600
<v Speaker 1>I was almost the same. Obviously, look at just before

0:15:27.640 --> 0:15:28.720
<v Speaker 1>my thirtieth birthday.

0:15:28.920 --> 0:15:33.120
<v Speaker 2>My daughter got sober at fifteen. I got sober at fifteen. World,

0:15:33.200 --> 0:15:33.840
<v Speaker 2>I'd run.

0:15:33.680 --> 0:15:36.160
<v Speaker 1>The world, you know. I look at that because people

0:15:36.200 --> 0:15:39.520
<v Speaker 1>sometimes say, you know, you know, I spilled more on

0:15:39.680 --> 0:15:42.760
<v Speaker 1>Mortal than you drank and all that. I'm like, yeah,

0:15:42.760 --> 0:15:45.480
<v Speaker 1>that doesn't make you better at it now, that just

0:15:45.560 --> 0:15:48.920
<v Speaker 1>means you drank longer. I'm glad I got sober when

0:15:48.960 --> 0:15:52.760
<v Speaker 1>I did, because I felt like, I think thirty is

0:15:53.120 --> 0:15:56.240
<v Speaker 1>kind of a sweet spot because you've done enough damage

0:15:56.320 --> 0:15:59.280
<v Speaker 1>to really fuck up your life a bit, but usually

0:15:59.320 --> 0:16:03.480
<v Speaker 1>not beyond repair. And I convinced you this is what

0:16:03.560 --> 0:16:07.240
<v Speaker 1>I thought. I convinced myself with a shadow of a doubt,

0:16:07.640 --> 0:16:11.040
<v Speaker 1>that I was, you know, someone who had alcoholism. That's

0:16:11.080 --> 0:16:12.360
<v Speaker 1>what I have, Drew, Carro.

0:16:12.480 --> 0:16:13.120
<v Speaker 2>You were sober.

0:16:13.400 --> 0:16:16.120
<v Speaker 1>Oh yeah, I was sober three years by the time

0:16:16.160 --> 0:16:17.200
<v Speaker 1>I stuck me.

0:16:17.160 --> 0:16:19.280
<v Speaker 2>Too before sat Els, the same thing three years before

0:16:19.320 --> 0:16:20.280
<v Speaker 2>st elsewhere.

0:16:20.280 --> 0:16:24.240
<v Speaker 1>Because gag for you. Didn't you get like ten Emmys

0:16:24.280 --> 0:16:24.960
<v Speaker 1>for that or something.

0:16:24.960 --> 0:16:27.000
<v Speaker 2>I mean, I got nominated six times. I never won,

0:16:27.080 --> 0:16:31.400
<v Speaker 2>but I got you never won. No'sful. No, It's fine

0:16:31.400 --> 0:16:33.200
<v Speaker 2>to get nominated, really is it is?

0:16:33.280 --> 0:16:35.960
<v Speaker 1>But I mean I always think when you go to

0:16:35.960 --> 0:16:38.200
<v Speaker 1>these awards ceremonies and you think I'm not going to win,

0:16:38.280 --> 0:16:41.120
<v Speaker 1>but you kind of you do.

0:16:41.600 --> 0:16:42.000
<v Speaker 2>What if?

0:16:42.320 --> 0:16:44.920
<v Speaker 1>Yeah? I remember once I want to name me, and

0:16:44.960 --> 0:16:46.640
<v Speaker 1>I was like the first time I want to namey,

0:16:46.720 --> 0:16:49.240
<v Speaker 1>I was like so excited. I didn't want to be

0:16:49.320 --> 0:16:51.720
<v Speaker 1>that excited. I totally blew my cool. I was like,

0:16:51.920 --> 0:16:53.400
<v Speaker 1>this is the greatest thing.

0:16:53.760 --> 0:16:56.480
<v Speaker 2>It is the greatest a rush. It is a rush.

0:16:56.560 --> 0:16:57.960
<v Speaker 1>Oh my god, I love I would know.

0:16:57.920 --> 0:16:59.840
<v Speaker 2>The winning rush, but I know the nominated rush. And

0:16:59.880 --> 0:17:01.960
<v Speaker 2>that's fine. That's enough. That's all I need.

0:17:01.760 --> 0:17:04.280
<v Speaker 1>I think you've I think you've had a few. Can

0:17:04.760 --> 0:17:06.040
<v Speaker 1>You've won stuff, haven't you.

0:17:06.320 --> 0:17:08.960
<v Speaker 2>I was nominated recently too for this show, great show

0:17:09.160 --> 0:17:12.400
<v Speaker 2>done by these wonderful women control all to lead about

0:17:13.200 --> 0:17:16.439
<v Speaker 2>women's health clinic. I got nominated for an Emmy for

0:17:16.520 --> 0:17:19.320
<v Speaker 2>that for best you know, like streaming show or something

0:17:19.440 --> 0:17:22.040
<v Speaker 2>or online only show, whatever they call it. And I

0:17:22.119 --> 0:17:25.200
<v Speaker 2>was literally this is the truth, sitting there thinking, oh, please, God,

0:17:25.240 --> 0:17:26.960
<v Speaker 2>don't let me win. I just don't know. I don't

0:17:26.960 --> 0:17:28.720
<v Speaker 2>feel like talking to a lot of people right now.

0:17:28.960 --> 0:17:31.080
<v Speaker 2>Please God, don't let me win. I was actually praying

0:17:31.080 --> 0:17:32.679
<v Speaker 2>that I did not win. I got my wish.

0:17:32.920 --> 0:17:33.600
<v Speaker 1>Oh yeah, you didn't.

0:17:33.640 --> 0:17:36.240
<v Speaker 2>When you saw the show, you know why? Yeah? People

0:17:36.280 --> 0:17:38.000
<v Speaker 2>say you tried to act so humble, I said, I'm

0:17:38.200 --> 0:17:40.560
<v Speaker 2>obviously humble. Go see some of my early work. I

0:17:40.600 --> 0:17:42.199
<v Speaker 2>have reason to be humble. I'd a lot to be

0:17:42.240 --> 0:17:42.840
<v Speaker 2>humble about it.

0:17:42.880 --> 0:17:44.560
<v Speaker 1>I don't know. I think you'll be in a bit

0:17:44.680 --> 0:17:48.160
<v Speaker 1>tough on yourself. But that's the kind of thing that

0:17:49.840 --> 0:17:54.280
<v Speaker 1>what surprised me, I guess, and I think surprises civilians

0:17:54.320 --> 0:17:57.600
<v Speaker 1>who are not alcoholic, is that I thought, when I

0:17:57.600 --> 0:18:02.760
<v Speaker 1>stopped drinking, i'd get bear you know, mentally, and that

0:18:02.760 --> 0:18:06.679
<v Speaker 1>that wasn't the case for me. I kind of go crazier.

0:18:07.160 --> 0:18:10.200
<v Speaker 1>Was he my behavior? But in my level of this comfort?

0:18:10.280 --> 0:18:10.840
<v Speaker 1>You know what I mean?

0:18:11.160 --> 0:18:13.000
<v Speaker 2>Was there a period early on where it worked for

0:18:13.040 --> 0:18:15.119
<v Speaker 2>you drinking? Yeah?

0:18:15.240 --> 0:18:16.320
<v Speaker 1>Yeah, for sure too.

0:18:16.560 --> 0:18:18.520
<v Speaker 2>I think it. I literally think it saved my life

0:18:18.520 --> 0:18:19.560
<v Speaker 2>before it almost killed me.

0:18:19.680 --> 0:18:21.160
<v Speaker 1>I totally agree, one hundred percent.

0:18:21.240 --> 0:18:23.960
<v Speaker 2>I was such a wreck I needed at sixteen seventeen eighteen,

0:18:24.000 --> 0:18:25.840
<v Speaker 2>all this stuff that happened to me. I went, I

0:18:25.920 --> 0:18:28.560
<v Speaker 2>just need to numb my ass somehow. I'll take anything

0:18:28.600 --> 0:18:30.960
<v Speaker 2>you got, right, they give me heroin. At that young age,

0:18:30.960 --> 0:18:31.960
<v Speaker 2>I probably would have done it.

0:18:32.080 --> 0:18:34.800
<v Speaker 1>Well. You know, you were coming through Hollywood when that

0:18:34.840 --> 0:18:36.640
<v Speaker 1>a lot of that stuff was around. Did you run

0:18:36.680 --> 0:18:38.200
<v Speaker 1>into it constantly?

0:18:38.240 --> 0:18:40.600
<v Speaker 2>In fact, it wasn't like if you wired, you're fire

0:18:40.680 --> 0:18:43.560
<v Speaker 2>the way it became, let's say nineteen eighty something. Before that,

0:18:43.640 --> 0:18:45.320
<v Speaker 2>it was like, why is he not doing any of

0:18:45.320 --> 0:18:47.880
<v Speaker 2>my cocaine? Is he a n arc? Is he up tight?

0:18:48.160 --> 0:18:49.879
<v Speaker 2>Shall I be worried about this guy? Who is this

0:18:49.920 --> 0:18:52.040
<v Speaker 2>guy that's not doing any drugs? He won't even smoke

0:18:52.080 --> 0:18:54.600
<v Speaker 2>a joint with me? Get him, get the get him

0:18:54.600 --> 0:18:56.520
<v Speaker 2>off the set. It's crazy it was crazy.

0:18:56.680 --> 0:19:00.320
<v Speaker 1>I don't know about like the rise of mariwa on

0:19:00.480 --> 0:19:04.600
<v Speaker 1>cannabis now, right, Like it's it's like people is like

0:19:04.680 --> 0:19:07.359
<v Speaker 1>a Starbucks you can get I know, I mean I

0:19:07.560 --> 0:19:09.199
<v Speaker 1>kind of like that is the drug. I mean, I've

0:19:09.280 --> 0:19:12.000
<v Speaker 1>taken every drug that was available at the time I

0:19:12.040 --> 0:19:16.600
<v Speaker 1>was taking drugs, right, I've taken heroin, I've taken crack, cocaine,

0:19:16.680 --> 0:19:19.360
<v Speaker 1>I've taken cocaine. I've taken every drug, like a lot

0:19:19.359 --> 0:19:21.440
<v Speaker 1>of the stuff math and stuff like that that wasn't

0:19:21.440 --> 0:19:23.600
<v Speaker 1>there or ecstasy. I was out of the game by

0:19:23.640 --> 0:19:27.239
<v Speaker 1>that time. But I've taken a lot of drugs, and

0:19:27.280 --> 0:19:30.800
<v Speaker 1>the one that gave me the most psychotic reaction, without

0:19:30.800 --> 0:19:33.480
<v Speaker 1>a shadow of a doubt, was cannabis.

0:19:34.000 --> 0:19:36.199
<v Speaker 2>And but high end cannabis, not the kind of cannabis

0:19:36.280 --> 0:19:37.240
<v Speaker 2>day of today, right.

0:19:37.359 --> 0:19:37.879
<v Speaker 1>I don't know.

0:19:38.000 --> 0:19:38.800
<v Speaker 2>Yeah, who knows.

0:19:40.440 --> 0:19:43.760
<v Speaker 1>From a store I was buying from a guy. Yeah,

0:19:45.440 --> 0:19:47.639
<v Speaker 1>but I don't know. I mean, it produced in me

0:19:47.680 --> 0:19:50.760
<v Speaker 1>a psychosis, which I still makes me a little uncomfortable

0:19:50.800 --> 0:19:54.040
<v Speaker 1>to talk about thirty plus years later, thirty two years later, nearly.

0:19:54.160 --> 0:19:55.680
<v Speaker 2>I actually, now that I think of it, for only

0:19:55.720 --> 0:19:57.639
<v Speaker 2>a moment, I had the same reaction most of the

0:19:57.680 --> 0:20:01.359
<v Speaker 2>time when I smoked pot, I got extremely paranoid. Yep, I,

0:20:01.640 --> 0:20:03.800
<v Speaker 2>oh my god, I'm in the post office, the post office.

0:20:04.480 --> 0:20:05.520
<v Speaker 2>What am I doing the DMV.

0:20:06.080 --> 0:20:08.280
<v Speaker 1>I don't know what to do. No, it wasn't a

0:20:08.359 --> 0:20:09.000
<v Speaker 1>cool thing.

0:20:09.160 --> 0:20:10.960
<v Speaker 2>Yeah, it shouldn't be scary to be in the DMV.

0:20:11.200 --> 0:20:12.399
<v Speaker 1>No, it shouldn't be wow.

0:20:12.560 --> 0:20:14.040
<v Speaker 2>Well for other reasons.

0:20:14.960 --> 0:20:17.600
<v Speaker 1>But it's kind of weird though, because there is this

0:20:17.680 --> 0:20:23.240
<v Speaker 1>kind of the orthodoxy, because because everything is about media orthodoxy.

0:20:23.280 --> 0:20:24.560
<v Speaker 1>I think, right now, you've got to you got to

0:20:24.600 --> 0:20:27.040
<v Speaker 1>say the right thing, or you're in trouble. Right, And

0:20:27.400 --> 0:20:31.159
<v Speaker 1>the implication is that if you, I feel anyway, if

0:20:31.200 --> 0:20:36.639
<v Speaker 1>you say anything negative about cannabis, that you're somehow you know,

0:20:37.840 --> 0:20:40.960
<v Speaker 1>like slightly to the right of Hitler when it comes to,

0:20:41.359 --> 0:20:45.879
<v Speaker 1>you know, social interaction. I'm like, no, I just don't

0:20:46.040 --> 0:20:47.800
<v Speaker 1>like it at all, and never did.

0:20:48.080 --> 0:20:50.800
<v Speaker 2>I never did either. I I kept doing it. Well.

0:20:51.359 --> 0:20:52.920
<v Speaker 1>I see, I loved that alcohol.

0:20:53.119 --> 0:20:53.800
<v Speaker 2>I loved it too.

0:20:54.040 --> 0:20:55.240
<v Speaker 1>I love this work.

0:20:55.440 --> 0:20:58.320
<v Speaker 2>Yeah, you could get it anywhere. Yeah, it was okay

0:20:58.359 --> 0:20:59.840
<v Speaker 2>to drink it. I used to drink it on this

0:21:00.080 --> 0:21:03.199
<v Speaker 2>that in a scene. I would ask the prop man,

0:21:03.240 --> 0:21:06.400
<v Speaker 2>I said, now, don't get don't give me that near

0:21:06.440 --> 0:21:08.399
<v Speaker 2>beer stuff I want. I need it for my character.

0:21:08.440 --> 0:21:11.119
<v Speaker 2>I need real beer. The movie was blue collar, and

0:21:11.119 --> 0:21:13.600
<v Speaker 2>there's a shot in it you can see not that. Well,

0:21:13.600 --> 0:21:15.520
<v Speaker 2>it's a good movie. It's worth seeing. I don't see

0:21:15.520 --> 0:21:17.159
<v Speaker 2>it just for this, of course, just when I was

0:21:17.160 --> 0:21:19.560
<v Speaker 2>walking in my car and I'm clearly really drunk or

0:21:19.600 --> 0:21:22.119
<v Speaker 2>I'm a brilliant actor, or I'm really drunk. It's the latter.

0:21:22.400 --> 0:21:25.800
<v Speaker 1>Well, they're not mutually exclusive conditions. I mean, there's been

0:21:25.840 --> 0:21:28.400
<v Speaker 1>prenny are really good actors who were really drunk while

0:21:28.440 --> 0:21:29.040
<v Speaker 1>they were acting.

0:21:29.160 --> 0:21:31.359
<v Speaker 2>That's why, that's why I drank. Now that you remind me,

0:21:31.440 --> 0:21:34.000
<v Speaker 2>it was your brothers, you know in England that were

0:21:34.080 --> 0:21:36.800
<v Speaker 2>the ones that you know, Burton O'Toole, all those guys,

0:21:38.160 --> 0:21:40.600
<v Speaker 2>you know, all those guys.

0:21:41.240 --> 0:21:43.160
<v Speaker 1>Date or sober though all those guys now they all

0:21:43.200 --> 0:21:45.520
<v Speaker 1>either died of drink or I mean Tony got sober

0:21:45.560 --> 0:21:46.280
<v Speaker 1>and uh.

0:21:46.840 --> 0:21:48.160
<v Speaker 2>Not a few of the others did.

0:21:48.240 --> 0:21:51.680
<v Speaker 1>Yeah, yeah, I mean it was I remember I talked

0:21:51.680 --> 0:21:54.400
<v Speaker 1>to as a director. I know, do you know Peter Medak.

0:21:54.520 --> 0:21:57.320
<v Speaker 2>Peter Maddock? I know, I love Peter mad Yeah, isn't

0:21:57.320 --> 0:21:58.560
<v Speaker 2>he great? He's a great guy.

0:21:58.760 --> 0:22:02.600
<v Speaker 1>He's a lovely guy. He directed The Ruling Class.

0:22:02.760 --> 0:22:03.800
<v Speaker 2>What a good movie that was?

0:22:03.880 --> 0:22:07.600
<v Speaker 1>Yeah, and that was Tool was in that movie. He

0:22:07.640 --> 0:22:08.960
<v Speaker 1>was Drake and he said, yeah it was.

0:22:09.080 --> 0:22:13.560
<v Speaker 2>It was insane and Caroline Seymour was in it so beautiful.

0:22:13.040 --> 0:22:15.639
<v Speaker 1>And yeah, that's a crazy film.

0:22:15.840 --> 0:22:16.560
<v Speaker 2>Crazy film.

0:22:16.680 --> 0:22:20.240
<v Speaker 1>But these movies these kind of like, I guess that

0:22:20.280 --> 0:22:22.960
<v Speaker 1>would be the seventies, late sixties, early.

0:22:23.000 --> 0:22:24.520
<v Speaker 2>I think so, I think it's seventies.

0:22:24.920 --> 0:22:29.199
<v Speaker 1>I mean that kind of almost like Easy Riders was

0:22:29.240 --> 0:22:30.480
<v Speaker 1>an easy rat of Raging Bull.

0:22:30.680 --> 0:22:32.440
<v Speaker 2>What aod? Did you read that book? So?

0:22:32.920 --> 0:22:35.239
<v Speaker 1>Yeah, did you Was it accurate? Do you think at

0:22:35.240 --> 0:22:36.480
<v Speaker 1>that time? Because you were?

0:22:37.160 --> 0:22:38.919
<v Speaker 2>But I knew of those movies. I was not on

0:22:38.960 --> 0:22:41.480
<v Speaker 2>those movies. I was not Easy Writer Raging Bull, but

0:22:41.640 --> 0:22:44.200
<v Speaker 2>on a lot of those movies that those same people did.

0:22:44.400 --> 0:22:47.000
<v Speaker 2>I worked with Bob Rafelson, for instance. I worked with

0:22:47.040 --> 0:22:49.720
<v Speaker 2>Paul Schrader and in my book I talk about you

0:22:49.760 --> 0:22:53.040
<v Speaker 2>know what set was like in that book, and believe me,

0:22:53.080 --> 0:22:54.159
<v Speaker 2>it was the wild West.

0:22:54.800 --> 0:22:56.600
<v Speaker 1>Yeah, it kind of I want to talk to you

0:22:56.600 --> 0:22:59.800
<v Speaker 1>a little bit because the biography tell me the title again.

0:23:00.040 --> 0:23:01.960
<v Speaker 2>To the Temple of Tranquility and step on it.

0:23:03.800 --> 0:23:07.199
<v Speaker 1>So that's you know, it's the story of growing well,

0:23:07.200 --> 0:23:12.840
<v Speaker 1>it's your life story, but growing up around those sets,

0:23:12.880 --> 0:23:15.800
<v Speaker 1>it must have been very strange. I don't know anython

0:23:15.880 --> 0:23:17.720
<v Speaker 1>get made. I mean, I don't know how you could

0:23:17.720 --> 0:23:20.240
<v Speaker 1>make a movie with a cell phone, never mind everybody

0:23:20.240 --> 0:23:22.119
<v Speaker 1>being high on cocaine.

0:23:22.280 --> 0:23:24.080
<v Speaker 2>You look at some of these old episodes of I

0:23:24.080 --> 0:23:26.800
<v Speaker 2>don't know, Charlie's Angels. I'm not picking on them specifically,

0:23:26.800 --> 0:23:29.000
<v Speaker 2>but I think it might have been that show, any show,

0:23:29.040 --> 0:23:30.960
<v Speaker 2>And I worked on that show in the seventies, so

0:23:31.000 --> 0:23:33.359
<v Speaker 2>I should probably shut up. But I mean lots of

0:23:33.400 --> 0:23:37.240
<v Speaker 2>shows like that. The writing is so incredibly bizarre, and

0:23:37.240 --> 0:23:40.280
<v Speaker 2>then you find out everybody was high on something. Everybody

0:23:40.400 --> 0:23:41.879
<v Speaker 2>everybody was high on something.

0:23:42.119 --> 0:23:45.400
<v Speaker 1>Well, I think if you if you get a show

0:23:45.560 --> 0:23:49.160
<v Speaker 1>like Fantasy Island, right, which runs for years and years

0:23:49.160 --> 0:23:51.320
<v Speaker 1>and years. So Li Sister print money, Yeah, I mean

0:23:51.520 --> 0:23:55.960
<v Speaker 1>really it is. But that kind of thing doesn't really.

0:23:56.280 --> 0:23:59.000
<v Speaker 1>I mean, I guess it exists, but it doesn't. It

0:23:59.119 --> 0:24:01.600
<v Speaker 1>exists in kind of like the Netflix thing, Like some

0:24:01.640 --> 0:24:04.560
<v Speaker 1>people make a ton of money, but the actual formula

0:24:04.640 --> 0:24:09.600
<v Speaker 1>of making these big network shows, I think that's that's

0:24:09.720 --> 0:24:11.119
<v Speaker 1>kind of over.

0:24:11.600 --> 0:24:14.159
<v Speaker 2>It is a lot that. Yeah, that formulae.

0:24:13.760 --> 0:24:17.080
<v Speaker 1>Stuff yeah, which is a shame because I kind of

0:24:17.240 --> 0:24:21.280
<v Speaker 1>loved it. But you know, everything changes. The new the

0:24:21.280 --> 0:24:25.000
<v Speaker 1>TV is dr it is better, no doubt about it. Now. Listen,

0:24:25.480 --> 0:24:32.200
<v Speaker 1>you are comedic royalty. It's true because of if for

0:24:32.280 --> 0:24:35.760
<v Speaker 1>nothing else, and there's a large, large body of work,

0:24:36.119 --> 0:24:40.480
<v Speaker 1>but for nothing else, you have a role, into my mind,

0:24:41.240 --> 0:24:44.760
<v Speaker 1>the greatest comedy movie of the last fifty years, which

0:24:44.800 --> 0:24:47.080
<v Speaker 1>is of course Spinal Tap. I agree, yeah, you know,

0:24:47.280 --> 0:24:52.640
<v Speaker 1>I mean, it isn't an amazing piece of work. Were

0:24:52.640 --> 0:24:54.520
<v Speaker 1>you guys aware when you were doing it that you

0:24:54.680 --> 0:24:57.280
<v Speaker 1>had I mean, it looks to me like a lot

0:24:57.280 --> 0:25:00.560
<v Speaker 1>of fun. But having interacted a little bit with to forget,

0:25:01.480 --> 0:25:04.080
<v Speaker 1>he's not what I thought he would be. He's very

0:25:04.560 --> 0:25:07.040
<v Speaker 1>He's quite a serious person, I think, isn't he.

0:25:07.040 --> 0:25:09.440
<v Speaker 2>He is a very serious man about his work and everything.

0:25:09.480 --> 0:25:12.639
<v Speaker 2>And he's because of that he makes brilliant movies.

0:25:12.720 --> 0:25:14.040
<v Speaker 1>He sure does.

0:25:14.240 --> 0:25:16.960
<v Speaker 2>Rob Reiner and the guys, Harry Sheer and Michael McKean,

0:25:17.000 --> 0:25:19.320
<v Speaker 2>all of them. When I did it, I had no

0:25:19.400 --> 0:25:21.600
<v Speaker 2>idea what was going to happen with it all. In fact,

0:25:21.600 --> 0:25:24.119
<v Speaker 2>it was purported to be just like a part of

0:25:24.119 --> 0:25:26.000
<v Speaker 2>the sizzle reel. They're going to do to raise money

0:25:26.119 --> 0:25:28.840
<v Speaker 2>because it was kind of kinescope looking stuff, you know,

0:25:28.880 --> 0:25:31.359
<v Speaker 2>old footage looking stuff where that we're playing there, like

0:25:31.359 --> 0:25:34.960
<v Speaker 2>black and white mop top kind of stuff. And so

0:25:35.040 --> 0:25:38.160
<v Speaker 2>that's what we did. Then about a year later they went,

0:25:38.280 --> 0:25:40.640
<v Speaker 2>you know what, they got the funding to do the movie,

0:25:40.680 --> 0:25:42.840
<v Speaker 2>so they want to use that sizzle reel kind of

0:25:42.840 --> 0:25:46.520
<v Speaker 2>stuff that we shot low res is a feature, it's

0:25:46.520 --> 0:25:50.639
<v Speaker 2>not a bug. So they and we signed contracts to

0:25:51.200 --> 0:25:53.399
<v Speaker 2>allow it to be used in a sag movie. And

0:25:53.600 --> 0:25:55.000
<v Speaker 2>that's my memory of how it happened.

0:25:55.200 --> 0:25:56.879
<v Speaker 1>It's funny, so it was kind of pieced together a

0:25:56.920 --> 0:25:59.399
<v Speaker 1>little bit. So lucky to be in it, but you

0:25:59.480 --> 0:26:03.280
<v Speaker 1>became part of that kind of loose repertory company that

0:26:03.960 --> 0:26:07.440
<v Speaker 1>Christopher Guest put together for you know, A Mighty Wind

0:26:07.600 --> 0:26:10.119
<v Speaker 1>and these movies. So did you do best in the

0:26:10.119 --> 0:26:11.920
<v Speaker 1>show as well? You did best Show.

0:26:11.960 --> 0:26:15.040
<v Speaker 2>And that's how Chris Guest single handily sprung me out

0:26:15.040 --> 0:26:17.159
<v Speaker 2>of movie jail. I was in movie jail in the

0:26:17.240 --> 0:26:19.320
<v Speaker 2>nineties because I'd done a bunch of movies that weren't

0:26:19.359 --> 0:26:23.640
<v Speaker 2>successful box office and got poor reviews. So by nineteen

0:26:23.720 --> 0:26:26.040
<v Speaker 2>ninety it was like, yeah, Ed's fine, but who else

0:26:26.080 --> 0:26:28.119
<v Speaker 2>you got and I wouldn't get. I didn't get a

0:26:28.119 --> 0:26:30.040
<v Speaker 2>lot of studio work. I could go up to Canada

0:26:30.080 --> 0:26:31.560
<v Speaker 2>do a movie with a little girl and a bear.

0:26:32.200 --> 0:26:34.600
<v Speaker 2>I could go Australian movie with a little girl.

0:26:35.760 --> 0:26:38.159
<v Speaker 1>Yeah I did. I went to Florida. I did a

0:26:38.200 --> 0:26:40.080
<v Speaker 1>movie with a token dog. I know what you mean.

0:26:40.400 --> 0:26:42.959
<v Speaker 2>I did Miss Bear True Story, and I did Joey

0:26:43.240 --> 0:26:46.240
<v Speaker 2>in Australia. So that's what I did. But I gotta

0:26:46.320 --> 0:26:48.480
<v Speaker 2>do it though exactly I kept working. I did a

0:26:48.520 --> 0:26:50.879
<v Speaker 2>lot of TV. So don't throw any benefits from me.

0:26:51.080 --> 0:26:53.879
<v Speaker 2>But Chris Guests single handily by putting me invest in

0:26:53.960 --> 0:26:57.240
<v Speaker 2>Show in nineteen ninety nine, I believe was the hear yeah,

0:26:57.280 --> 0:26:59.200
<v Speaker 2>he busted me out of movie jails.

0:26:59.520 --> 0:27:02.240
<v Speaker 1>It's a great movie. It is a great movie. The

0:27:02.320 --> 0:27:04.840
<v Speaker 1>method of working, I mean, there's been a lot talked

0:27:04.840 --> 0:27:08.439
<v Speaker 1>about it. Is it as is it as improvisational? Is

0:27:08.440 --> 0:27:14.160
<v Speaker 1>it fields? Or is it more scripted than people realize?

0:27:14.200 --> 0:27:17.520
<v Speaker 2>It is as improvisational as you could imagine. Really, Chris

0:27:17.560 --> 0:27:19.879
<v Speaker 2>Guest and Eugene Levy, that's who did the first like

0:27:19.960 --> 0:27:22.080
<v Speaker 2>three of them did the you know, Best in Show,

0:27:22.280 --> 0:27:25.000
<v Speaker 2>Guffman Best in Show in a mighty win. Then After that,

0:27:25.040 --> 0:27:27.800
<v Speaker 2>it's been Jim Pittick, the wonderful Jim Pittock too great.

0:27:27.840 --> 0:27:29.359
<v Speaker 1>He was on the Drew Case show as well.

0:27:29.440 --> 0:27:32.400
<v Speaker 2>Yeah, he's fantastic, great guard too. I love him.

0:27:32.480 --> 0:27:32.720
<v Speaker 1>Yeah.

0:27:33.080 --> 0:27:35.720
<v Speaker 2>So they would take the time and do the hard

0:27:35.760 --> 0:27:38.080
<v Speaker 2>work of writing the treatment, the twenty five page treatment,

0:27:38.480 --> 0:27:40.800
<v Speaker 2>so Best in Show, for instance, all it has on

0:27:40.840 --> 0:27:43.920
<v Speaker 2>the page is Jerry and Cookie Fleck, which is Eugene

0:27:44.000 --> 0:27:47.080
<v Speaker 2>Levy and Katherine O'Hara. So I can't go wrong. I

0:27:47.080 --> 0:27:50.000
<v Speaker 2>got to just stand there and not break up. Jerry

0:27:50.000 --> 0:27:51.960
<v Speaker 2>and Cookie Fleck try to check in the hotel. The

0:27:52.040 --> 0:27:53.160
<v Speaker 2>credit card doesn't work.

0:27:53.560 --> 0:27:56.800
<v Speaker 1>That's it, right, And that's a great premise for people

0:27:56.800 --> 0:27:57.400
<v Speaker 1>like that to work.

0:27:57.560 --> 0:28:00.200
<v Speaker 2>So from there, it's like, you know the court, it's

0:28:00.200 --> 0:28:02.160
<v Speaker 2>the G minor seventh that you're going to be playing here,

0:28:02.200 --> 0:28:05.159
<v Speaker 2>and just now start riffing. And that's what we do.

0:28:05.200 --> 0:28:07.359
<v Speaker 2>We just play. They give you the chord, chard or

0:28:07.400 --> 0:28:09.280
<v Speaker 2>whatever you want to call it of the treatment, and

0:28:09.320 --> 0:28:10.960
<v Speaker 2>then you blow some notes after that.

0:28:11.520 --> 0:28:14.359
<v Speaker 1>Now you talk about it in terms of musicianship, which

0:28:14.680 --> 0:28:18.639
<v Speaker 1>makes perfect sense because all of these guys are all musicians.

0:28:18.680 --> 0:28:21.680
<v Speaker 1>They're all the musicians. Are you? Are you a player?

0:28:21.680 --> 0:28:22.600
<v Speaker 1>To you still play.

0:28:22.960 --> 0:28:26.920
<v Speaker 2>I do not play anymore. My neurological condition dictates otherwise.

0:28:27.160 --> 0:28:28.919
<v Speaker 1>You haven't usological condition. I do.

0:28:28.960 --> 0:28:31.960
<v Speaker 2>I have Parkinson's. I kind of spoiled the last chapter.

0:28:32.280 --> 0:28:34.560
<v Speaker 1>I'm shocked to hear you say it.

0:28:34.480 --> 0:28:37.080
<v Speaker 2>And I'm very happy that you don't know it. I'm

0:28:37.080 --> 0:28:39.280
<v Speaker 2>doing pretty good. This is the way Parkinson's can be

0:28:39.640 --> 0:28:40.840
<v Speaker 2>twenty twenty three.

0:28:41.000 --> 0:28:42.520
<v Speaker 1>Your hands are not shaken at all.

0:28:42.680 --> 0:28:44.600
<v Speaker 2>I know I could pass the sobriety checkpoint.

0:28:44.840 --> 0:28:48.479
<v Speaker 1>Yeah, that's I'm well. Do you feel okay? When did

0:28:48.520 --> 0:28:48.960
<v Speaker 1>that happen?

0:28:49.040 --> 0:28:51.480
<v Speaker 2>I feel okay. It happened in two thousand and four.

0:28:51.520 --> 0:28:52.920
<v Speaker 2>I got it. I didn't even know I had it

0:28:52.960 --> 0:28:57.080
<v Speaker 2>for twelve years. Twenty sixteen, I got diagnosed. And I've

0:28:57.120 --> 0:28:59.960
<v Speaker 2>done all this stuff the AMA kind of neurologists tell

0:28:59.920 --> 0:29:02.200
<v Speaker 2>you to do. Then for extra credit, I did other

0:29:02.480 --> 0:29:03.959
<v Speaker 2>holistic things that have helped too.

0:29:04.320 --> 0:29:08.760
<v Speaker 1>So like, let's let me guess you you you already

0:29:08.760 --> 0:29:12.080
<v Speaker 1>didn't drink alcohol, so you probably stopped eating meat and

0:29:12.200 --> 0:29:13.680
<v Speaker 1>dairy and stuff that vegan.

0:29:13.800 --> 0:29:16.120
<v Speaker 2>I've been a vegan for a while. Yeah, And so

0:29:16.920 --> 0:29:21.080
<v Speaker 2>also I started doing uh, I always did vigorous exercise.

0:29:21.120 --> 0:29:23.000
<v Speaker 2>I upped the and a bit there. I do a

0:29:23.040 --> 0:29:26.640
<v Speaker 2>lot of very useful exercise. I do something called glutathion.

0:29:26.800 --> 0:29:29.239
<v Speaker 2>I do something it's something that's good for people who

0:29:29.240 --> 0:29:32.680
<v Speaker 2>have neurological conditions. It kind of helps ease the uh,

0:29:33.080 --> 0:29:35.520
<v Speaker 2>you know, the nervous system from kind of zopping out

0:29:35.560 --> 0:29:38.960
<v Speaker 2>a little bit, right, And NAD helps to Hyperbaric chamber

0:29:39.000 --> 0:29:41.160
<v Speaker 2>actually helped me to Wow. You go in a hyperbaric

0:29:41.240 --> 0:29:44.040
<v Speaker 2>chamber and you get an oxygen rich infusion there for

0:29:44.080 --> 0:29:46.360
<v Speaker 2>the hour that you're in there. That helps a lot.

0:29:46.400 --> 0:29:48.480
<v Speaker 2>And even and stem cells. There's places you can get

0:29:48.520 --> 0:29:50.160
<v Speaker 2>stem cells and that's helped me too.

0:29:50.960 --> 0:29:53.920
<v Speaker 1>That's kind of I remember when my kids were born.

0:29:54.560 --> 0:29:58.400
<v Speaker 1>They just started with the oldest boy that you could

0:29:58.440 --> 0:30:01.360
<v Speaker 1>get the from the bilical cord. They would take it,

0:30:01.640 --> 0:30:04.840
<v Speaker 1>I store it right stem cells if it was ever

0:30:04.920 --> 0:30:06.400
<v Speaker 1>needed for treatment later on.

0:30:06.760 --> 0:30:09.560
<v Speaker 2>Very smart, that's what they're doing. Stem cell is a

0:30:09.640 --> 0:30:10.600
<v Speaker 2>very good way to go too.

0:30:10.960 --> 0:30:13.280
<v Speaker 1>So what do they do. They just like inject some

0:30:13.520 --> 0:30:15.000
<v Speaker 1>kind of mixture of it into you. It makes you

0:30:15.000 --> 0:30:15.480
<v Speaker 1>feel better.

0:30:15.560 --> 0:30:18.080
<v Speaker 2>Yeah, They give you an ivy with stem cells in

0:30:18.120 --> 0:30:21.000
<v Speaker 2>it for about thirty minutes with some gluecoase, and they

0:30:21.040 --> 0:30:23.800
<v Speaker 2>give you four injections wherever you have a little bit

0:30:23.800 --> 0:30:25.520
<v Speaker 2>of body fat. I have a little bit of body

0:30:25.520 --> 0:30:28.160
<v Speaker 2>fat my abdomen, So they give you four shots there.

0:30:29.000 --> 0:30:31.000
<v Speaker 1>Where I'd get it as well, or my ass.

0:30:32.600 --> 0:30:35.080
<v Speaker 2>I should probably get it there too. Read it around.

0:30:35.360 --> 0:30:37.640
<v Speaker 1>I've got plenty of body fat. But I hope that's

0:30:37.680 --> 0:30:40.440
<v Speaker 1>where it stops. For note, I had no idea. I

0:30:40.480 --> 0:30:44.120
<v Speaker 1>mean for me, that's great, because you don't. I mean,

0:30:44.120 --> 0:30:47.080
<v Speaker 1>you don't come across as anyone who's even remotely infirm

0:30:47.160 --> 0:30:49.440
<v Speaker 1>in any way. You just look like, yo, it's dead.

0:30:49.400 --> 0:30:49.840
<v Speaker 2>Bless you.

0:30:50.160 --> 0:30:50.800
<v Speaker 1>It's the truth.

0:30:50.960 --> 0:30:53.239
<v Speaker 2>I had a similar reaction for people I worked with

0:30:53.280 --> 0:30:56.120
<v Speaker 2>on two separate TV series, and I said, thank you

0:30:56.160 --> 0:30:58.840
<v Speaker 2>so much for being so patient with my Parkinson's and went,

0:30:58.880 --> 0:31:00.000
<v Speaker 2>what the hell are you talking?

0:31:00.240 --> 0:31:03.560
<v Speaker 1>Yeah, I mean, it's really it's a I'm genuinely shocked

0:31:03.640 --> 0:31:06.880
<v Speaker 1>to hear you. I mean, I had no idea. Let's

0:31:06.880 --> 0:31:09.440
<v Speaker 1>just see. This is why I never read the book

0:31:09.480 --> 0:31:12.520
<v Speaker 1>or see the movie before I talk to someone, because

0:31:12.520 --> 0:31:13.760
<v Speaker 1>I used to say to me when I was doing

0:31:13.840 --> 0:31:15.160
<v Speaker 1>late night the would say you have to see the

0:31:15.240 --> 0:31:17.960
<v Speaker 1>movie before the guest comes on, and I'd be like why,

0:31:18.600 --> 0:31:20.360
<v Speaker 1>They said, well, then you can talk about the movie

0:31:20.360 --> 0:31:23.760
<v Speaker 1>I said, But truly, the idea is that if we're

0:31:23.760 --> 0:31:25.960
<v Speaker 1>going to talk about a movie, that nobody has seen

0:31:26.000 --> 0:31:28.920
<v Speaker 1>this movie. So if the actor who's in the movie

0:31:29.000 --> 0:31:30.920
<v Speaker 1>talks to me about it and I ask questions about

0:31:30.960 --> 0:31:33.080
<v Speaker 1>the movie, I'm asking the questions that other people who

0:31:33.080 --> 0:31:34.880
<v Speaker 1>have not yet seen the movie you're going to ask.

0:31:35.200 --> 0:31:36.400
<v Speaker 1>Isn't that the way to do it?

0:31:36.640 --> 0:31:38.840
<v Speaker 2>Whatever you're doing, this is one of the best interviewers

0:31:38.840 --> 0:31:40.680
<v Speaker 2>I've ever had. So whatever you're doing, keep doing it,

0:31:40.760 --> 0:31:42.200
<v Speaker 2>my friend. I'm enjoying this.

0:31:42.480 --> 0:31:49.600
<v Speaker 1>But I kind of feel like interviews, like everything in life, marriage, family,

0:31:50.000 --> 0:31:55.480
<v Speaker 1>to a degree, you can't really do this, but marriage, relationships, movies, interviews,

0:31:55.800 --> 0:31:59.080
<v Speaker 1>everything is casting. Everything is casting.

0:31:59.520 --> 0:32:00.760
<v Speaker 2>You know that. I think you're right.

0:32:01.120 --> 0:32:03.920
<v Speaker 1>I think it is like I've directed one movie and

0:32:03.960 --> 0:32:07.480
<v Speaker 1>I compromised and compromised and compromised on casting. Now I

0:32:07.520 --> 0:32:11.280
<v Speaker 1>directed this movie, I wrote the movie, I'm in the movie,

0:32:11.600 --> 0:32:14.080
<v Speaker 1>and I don't like the movie. Now, how did that happen?

0:32:14.280 --> 0:32:16.920
<v Speaker 2>Wait a minute, because I pushed the name of this movie.

0:32:16.960 --> 0:32:20.040
<v Speaker 1>It's called I'll Be There, and it's now I really

0:32:20.080 --> 0:32:22.040
<v Speaker 1>really want to see You should see the movie because

0:32:22.160 --> 0:32:26.280
<v Speaker 1>it's some people like the movie. I don't like the movie,

0:32:27.480 --> 0:32:30.360
<v Speaker 1>and I've never liked the movie. And the reason why

0:32:30.400 --> 0:32:32.120
<v Speaker 1>I never liked the movie, and I don't want to

0:32:32.160 --> 0:32:33.920
<v Speaker 1>say that like some of the actors in the movie,

0:32:34.160 --> 0:32:36.960
<v Speaker 1>like I was like very happy to have them, and

0:32:37.000 --> 0:32:40.400
<v Speaker 1>they're good actors, but it wasn't the way I wanted

0:32:40.440 --> 0:32:42.720
<v Speaker 1>it to be. I compromised on a lot of things,

0:32:42.720 --> 0:32:46.040
<v Speaker 1>and in the end, it just didn't. And I think

0:32:46.280 --> 0:32:49.200
<v Speaker 1>the other piece of casting, the greatest mistake I made

0:32:49.200 --> 0:32:52.880
<v Speaker 1>in casting is that I put myself in the movie interesting,

0:32:53.080 --> 0:32:55.400
<v Speaker 1>and that was did you ever do that? Did you

0:32:55.400 --> 0:32:56.000
<v Speaker 1>ever direct?

0:32:56.480 --> 0:32:58.760
<v Speaker 2>I directed a couple of NYPD Blue, but I wasn't

0:32:58.760 --> 0:33:01.280
<v Speaker 2>in any of them. So yeah, I made it just

0:33:01.360 --> 0:33:02.080
<v Speaker 2>nothing but fun.

0:33:02.320 --> 0:33:04.400
<v Speaker 1>Yeah, I bet you'd enjoyed it. See, I should never

0:33:04.480 --> 0:33:06.320
<v Speaker 1>have put myself in the movie. First of all, I

0:33:06.400 --> 0:33:09.000
<v Speaker 1>was not as good an actor as anyone else who

0:33:09.000 --> 0:33:10.760
<v Speaker 1>had cast in the movie. They were all much better

0:33:10.800 --> 0:33:17.360
<v Speaker 1>actors than me. I'm sitting there in the you know,

0:33:17.400 --> 0:33:19.560
<v Speaker 1>watching the rushes, which we used to have back then,

0:33:19.640 --> 0:33:22.080
<v Speaker 1>and you know, I'm watching the dailies and I'm going,

0:33:22.120 --> 0:33:24.680
<v Speaker 1>oh my god, I suck and they're all good. This

0:33:24.840 --> 0:33:28.920
<v Speaker 1>is terrible. And we try and cut around it, but

0:33:29.040 --> 0:33:36.120
<v Speaker 1>it's it's very definitely. I think good actors, weirdly enough,

0:33:36.240 --> 0:33:40.240
<v Speaker 1>and you have this have an odd lack of vanity

0:33:40.480 --> 0:33:44.320
<v Speaker 1>because people think of actors as being vain, but actually

0:33:44.880 --> 0:33:47.760
<v Speaker 1>I think it's it's a little more complex than that.

0:33:47.960 --> 0:33:49.360
<v Speaker 1>I don't think they're vain at all. I think they're

0:33:49.400 --> 0:33:52.800
<v Speaker 1>wildly insecure. But if you give them something to be,

0:33:53.720 --> 0:33:56.400
<v Speaker 1>they can relax, right, you know what I mean. It's like,

0:33:56.480 --> 0:33:59.920
<v Speaker 1>here's your personality, here's who you are, here's what you think,

0:34:00.080 --> 0:34:03.080
<v Speaker 1>here's how you react. And I think there are certain

0:34:03.120 --> 0:34:06.160
<v Speaker 1>personalities and actor you know, who are good actors that go,

0:34:06.560 --> 0:34:09.319
<v Speaker 1>oh that's great. No, No, I know how to be

0:34:09.440 --> 0:34:10.960
<v Speaker 1>and how to do things.

0:34:11.080 --> 0:34:13.160
<v Speaker 2>I'm one of those people. I love being directed. I

0:34:13.200 --> 0:34:15.720
<v Speaker 2>come in with something sometimes, you know, I have my choice.

0:34:15.719 --> 0:34:18.120
<v Speaker 2>Sometimes it's good, sometimes it's not so good at all,

0:34:18.480 --> 0:34:20.359
<v Speaker 2>and the director says, why don't you try it this way?

0:34:20.360 --> 0:34:22.319
<v Speaker 2>I go, how could I have missed that? That's like

0:34:22.480 --> 0:34:24.399
<v Speaker 2>eighty five times better than what I had in mind?

0:34:24.440 --> 0:34:27.120
<v Speaker 2>How could I not think of that generally the general

0:34:27.200 --> 0:34:29.799
<v Speaker 2>category of something like that. That's so brilliant and not

0:34:29.840 --> 0:34:30.839
<v Speaker 2>at all what I came in with.

0:34:39.760 --> 0:34:42.080
<v Speaker 1>Have you ever worked with someoney, You've thought this guy

0:34:42.120 --> 0:34:43.399
<v Speaker 1>there's no idea what he's doing.

0:34:44.080 --> 0:34:46.120
<v Speaker 2>I think that of myself. On the take one, I think,

0:34:46.160 --> 0:34:47.280
<v Speaker 2>oh god, I know i'm talking.

0:34:47.120 --> 0:34:49.080
<v Speaker 1>About you know, I'm talking about you and secure, I'm

0:34:49.120 --> 0:34:50.239
<v Speaker 1>talking about what am.

0:34:50.200 --> 0:34:53.400
<v Speaker 2>I going to do? I've seen that happen. Yeah, And

0:34:53.480 --> 0:34:55.759
<v Speaker 2>sometimes they cut it together in the editing room and

0:34:55.800 --> 0:34:58.440
<v Speaker 2>you go, you would never know in a million years.

0:34:58.520 --> 0:35:01.520
<v Speaker 2>Know there's a performing something and right now, very very

0:35:01.560 --> 0:35:05.160
<v Speaker 2>famous actor. And he did it one line at a time.

0:35:05.239 --> 0:35:07.480
<v Speaker 2>He somehow just couldn't get his lines two in a row.

0:35:07.719 --> 0:35:09.799
<v Speaker 2>Had to do it one single line at a time.

0:35:10.560 --> 0:35:12.120
<v Speaker 2>And he did it. And I went, this is going

0:35:12.200 --> 0:35:14.359
<v Speaker 2>to be a disaster. They're gonna have to reshoot it.

0:35:14.840 --> 0:35:17.680
<v Speaker 2>Cut it together. It looks fantastic. You never you never know.

0:35:17.719 --> 0:35:22.319
<v Speaker 1>It's amazing, amazing. I remember I did you remember Rod Steiger? Oh?

0:35:22.360 --> 0:35:24.480
<v Speaker 2>I loved I got to know him a tiny bit.

0:35:24.640 --> 0:35:26.479
<v Speaker 1>Yeah, I got to know him a little bit. First

0:35:26.480 --> 0:35:28.919
<v Speaker 1>movie I did in Hollywood was a vampire movie, which

0:35:28.960 --> 0:35:32.279
<v Speaker 1>I think was maybe in his last movie. It was

0:35:32.280 --> 0:35:35.719
<v Speaker 1>a movie called man what was it called Modern Vampires?

0:35:35.800 --> 0:35:39.080
<v Speaker 1>I think, and exactly as you would think, you know what,

0:35:39.160 --> 0:35:42.359
<v Speaker 1>I mean, like like a schlock vampire movie. I think

0:35:42.440 --> 0:35:45.200
<v Speaker 1>Ky Elfman directed it, Danny Elfman's brother. Oh wow, And

0:35:45.239 --> 0:35:48.920
<v Speaker 1>it was it was fun and crazy and sort of

0:35:49.040 --> 0:35:51.640
<v Speaker 1>I think it was awful on purpose, but I don't know.

0:35:51.719 --> 0:35:54.120
<v Speaker 1>I mean, it was awful, but it was kind of

0:35:54.160 --> 0:36:01.839
<v Speaker 1>awful on purpose, like right, Bobby Pasta rarely played Dracula.

0:36:00.960 --> 0:36:01.400
<v Speaker 2>By a way.

0:36:01.440 --> 0:36:04.680
<v Speaker 1>I'm laughing, I know, because Bobby Pasarelli was like, he's

0:36:04.680 --> 0:36:06.960
<v Speaker 1>a guy from Brooklyn. How he's doing the creatures of

0:36:07.000 --> 0:36:09.600
<v Speaker 1>the Night, the Sun and all that. You know, it's

0:36:09.680 --> 0:36:13.399
<v Speaker 1>like crazy, you know, Bobby Passli's paying Dragon and Rod

0:36:13.480 --> 0:36:22.719
<v Speaker 1>Steiger was playing Professor van helsing and fucking nuts. But

0:36:22.800 --> 0:36:25.960
<v Speaker 1>I remember sitting with Rod Steiger in a in a

0:36:26.040 --> 0:36:28.120
<v Speaker 1>car one night and I was talking to him, obviously

0:36:28.160 --> 0:36:31.239
<v Speaker 1>about on the Waterfront because you know that scene he

0:36:31.280 --> 0:36:34.520
<v Speaker 1>does with Brando when Brando does the you know, I

0:36:34.560 --> 0:36:36.600
<v Speaker 1>could have been a contender.

0:36:37.160 --> 0:36:38.080
<v Speaker 2>When I am in the.

0:36:38.040 --> 0:36:41.400
<v Speaker 1>Back of the cab and he said he didn't like Brando.

0:36:41.480 --> 0:36:43.160
<v Speaker 1>He said he didn't he didn't get along with Brando,

0:36:43.200 --> 0:36:44.959
<v Speaker 1>said it was terrible actor at work with He didn't

0:36:45.000 --> 0:36:47.759
<v Speaker 1>did enjoy working with him. He said that he would

0:36:47.760 --> 0:36:50.200
<v Speaker 1>never stay for a reverse show. He would never do

0:36:50.239 --> 0:36:52.920
<v Speaker 1>any off camera working, which is mean you got to

0:36:52.960 --> 0:36:55.200
<v Speaker 1>do that, you do that, and he said, and he

0:36:55.200 --> 0:36:59.040
<v Speaker 1>would never do that for the singles in the cab

0:36:59.160 --> 0:37:01.880
<v Speaker 1>show when they're doing you should have taken care of me, Jony,

0:37:01.880 --> 0:37:03.640
<v Speaker 1>I could have been a contender and all that kind

0:37:03.640 --> 0:37:06.120
<v Speaker 1>of stuff. And so I went and I looked at it,

0:37:06.600 --> 0:37:10.160
<v Speaker 1>and it's all in a two show, you know, it's

0:37:10.160 --> 0:37:12.280
<v Speaker 1>all there's both of them in the show all the time.

0:37:13.360 --> 0:37:16.280
<v Speaker 1>It's kind of interesting. I was like, right, maybe that's

0:37:16.560 --> 0:37:18.960
<v Speaker 1>what he was doing. Maybe he was forcing, maybe he

0:37:19.040 --> 0:37:22.040
<v Speaker 1>was doing you a favor, because it's an odd thing.

0:37:22.560 --> 0:37:25.319
<v Speaker 1>I mean, Brando clearly was Do you ever meet him?

0:37:25.800 --> 0:37:28.399
<v Speaker 2>I knew him fairly well. Yeah, I got a nice

0:37:28.440 --> 0:37:32.680
<v Speaker 2>chapter about it in the book. Really yes, did.

0:37:32.520 --> 0:37:37.000
<v Speaker 1>You get along very well? Good? Because I've heard terrible stories,

0:37:37.080 --> 0:37:38.400
<v Speaker 1>but I never met, so I don't know.

0:37:38.440 --> 0:37:40.279
<v Speaker 2>But the reason I kept getting asked up there to

0:37:40.360 --> 0:37:43.120
<v Speaker 2>visit him was I knew the ground rules. He never

0:37:43.200 --> 0:37:47.160
<v Speaker 2>ever ever wanted to talk about acting, writing, directing, clamation, puppetry,

0:37:47.239 --> 0:37:50.760
<v Speaker 2>trained seals, anything that was like show business. He wouldn't

0:37:50.760 --> 0:37:52.840
<v Speaker 2>talk about. You'd be done, you'd be out of the rolodex.

0:37:52.920 --> 0:37:57.279
<v Speaker 2>What did you guys talk about drywall, steel pipe, galvanized

0:37:57.320 --> 0:38:01.520
<v Speaker 2>pipe versus copper pipe, you know, panels, wind turbines.

0:38:01.800 --> 0:38:03.640
<v Speaker 1>Oh, he was interested in green stuff.

0:38:03.800 --> 0:38:06.040
<v Speaker 2>Yeah, electric eels is a power source?

0:38:06.360 --> 0:38:07.480
<v Speaker 1>Is that possible? Come on?

0:38:07.600 --> 0:38:08.200
<v Speaker 2>Not remotely?

0:38:08.320 --> 0:38:09.440
<v Speaker 1>No, I didn't think so.

0:38:09.239 --> 0:38:12.600
<v Speaker 2>So I dissuaded him with that thought. He literally wanted

0:38:12.640 --> 0:38:13.040
<v Speaker 2>to do it.

0:38:15.360 --> 0:38:18.919
<v Speaker 1>Well, the idea of electric eels as I mean, fuck,

0:38:18.960 --> 0:38:20.719
<v Speaker 1>that would be great though. Imagine how cool it would

0:38:20.719 --> 0:38:22.520
<v Speaker 1>be just fill your car up with eels.

0:38:22.840 --> 0:38:25.280
<v Speaker 2>But he wanted to do them in a motor or something,

0:38:25.280 --> 0:38:26.800
<v Speaker 2>and he thought you could put an anode in a

0:38:26.880 --> 0:38:28.799
<v Speaker 2>catherine in the water and get current. But before that,

0:38:29.200 --> 0:38:31.120
<v Speaker 2>when he called me up this time, I thought, wow,

0:38:31.160 --> 0:38:33.359
<v Speaker 2>this is finally it, this is the big day. Called

0:38:33.360 --> 0:38:36.239
<v Speaker 2>me up and he goes edward ed the bagel. It's

0:38:36.280 --> 0:38:38.520
<v Speaker 2>bran Flake's. You need to get up here as soon

0:38:38.560 --> 0:38:41.000
<v Speaker 2>as possible. I've got a project I want to do

0:38:41.040 --> 0:38:43.279
<v Speaker 2>with you. I've got all the funding in place, I've

0:38:43.280 --> 0:38:46.399
<v Speaker 2>got distribution. Get up here quickly, please, for God's sake,

0:38:46.400 --> 0:38:50.560
<v Speaker 2>we got to talk about this project, project, distribution, funding,

0:38:50.640 --> 0:38:52.440
<v Speaker 2>Let's go. I finally he wants to talk acting and

0:38:52.440 --> 0:38:54.839
<v Speaker 2>it's with me. I normally rude my bike up there.

0:38:54.840 --> 0:38:56.680
<v Speaker 2>I took my car and wants chewing pen to get

0:38:56.719 --> 0:38:59.320
<v Speaker 2>the job, so I raced up there. He wanted to

0:38:59.360 --> 0:39:03.080
<v Speaker 2>talk about elect keels distributing. He had the funding for

0:39:03.120 --> 0:39:05.640
<v Speaker 2>the electric heels, he had the distribution. Here was a

0:39:05.640 --> 0:39:07.719
<v Speaker 2>wonderful project he wanted to do with me, and he

0:39:07.719 --> 0:39:09.840
<v Speaker 2>wanted to use electric heels to power his house.

0:39:10.800 --> 0:39:14.800
<v Speaker 1>It's it's a shamement never gave bus.

0:39:15.360 --> 0:39:16.880
<v Speaker 2>I mean, I thought he was winding me up, but

0:39:16.960 --> 0:39:17.719
<v Speaker 2>he was serious about it.

0:39:17.760 --> 0:39:19.240
<v Speaker 1>You really wanted to use the electric kills.

0:39:19.560 --> 0:39:20.800
<v Speaker 2>I literally thought it was possible.

0:39:21.600 --> 0:39:21.719
<v Speaker 1>Man.

0:39:21.800 --> 0:39:23.799
<v Speaker 2>He had a vision for my wind turbine, and he went,

0:39:24.040 --> 0:39:26.839
<v Speaker 2>you still have that wind turbine in the desert. Yeah,

0:39:26.880 --> 0:39:28.800
<v Speaker 2>I still have it. How would you like to increase

0:39:28.800 --> 0:39:33.920
<v Speaker 2>the power one hundred percent? Percent? One hundred percent? How

0:39:33.960 --> 0:39:36.600
<v Speaker 2>can you increase it one hundred percent? And he draws

0:39:36.600 --> 0:39:39.400
<v Speaker 2>a picture of like like a corner copy with en cutoff,

0:39:39.480 --> 0:39:43.239
<v Speaker 2>or an ear trumpet or a funnel right in front

0:39:43.239 --> 0:39:45.399
<v Speaker 2>of my wind turbine. I said, do you know how

0:39:45.400 --> 0:39:47.640
<v Speaker 2>big my wind turbine is? Because it's like he had

0:39:47.640 --> 0:39:49.920
<v Speaker 2>a little drawing of it. I said, it's one hundred

0:39:49.920 --> 0:39:51.520
<v Speaker 2>and fifty feet, So.

0:39:51.680 --> 0:39:53.280
<v Speaker 1>You have a giant wind turbine.

0:39:53.360 --> 0:39:55.200
<v Speaker 2>I had a wind turbine in the California Desert. I

0:39:55.239 --> 0:39:57.359
<v Speaker 2>was just part of a wind farm. I invested in it.

0:39:57.800 --> 0:40:00.040
<v Speaker 2>So he knew that. And the thing he had in

0:40:00.040 --> 0:40:02.040
<v Speaker 2>front of this funnel would have made that like three

0:40:02.080 --> 0:40:05.040
<v Speaker 2>hundred feet. It would, I said, it would tear down

0:40:05.040 --> 0:40:07.000
<v Speaker 2>the wind turbine. The winds would be so much you

0:40:07.040 --> 0:40:09.680
<v Speaker 2>take every bird in the Pacific Flyway and chop them

0:40:09.760 --> 0:40:12.400
<v Speaker 2>up like a queasin art. But he had all these

0:40:12.600 --> 0:40:14.879
<v Speaker 2>Why is it always no with you? For God's sake,

0:40:14.920 --> 0:40:15.880
<v Speaker 2>everything's always no.

0:40:17.040 --> 0:40:19.120
<v Speaker 1>You should have got in on the electric eels.

0:40:19.200 --> 0:40:21.640
<v Speaker 2>I should have. You got to beat a billionaire. By now,

0:40:21.719 --> 0:40:22.560
<v Speaker 2>I'd be rich by now.

0:40:22.600 --> 0:40:27.000
<v Speaker 1>You'd be rich in that sweet electric iel. Money swimming,

0:40:28.000 --> 0:40:30.879
<v Speaker 1>swimming in it. The idea, because you hear a lot

0:40:30.920 --> 0:40:36.400
<v Speaker 1>of stuff about electric cars and fossil fuel and wind

0:40:36.440 --> 0:40:38.960
<v Speaker 1>turbines and stuff like that, and people the negative is

0:40:38.960 --> 0:40:44.319
<v Speaker 1>always the amount of carbon footprint that it takes to

0:40:44.360 --> 0:40:47.319
<v Speaker 1>get these things to where they are. Or the big

0:40:47.360 --> 0:40:50.160
<v Speaker 1>thing about electric cars is where do all the batteries go?

0:40:50.440 --> 0:40:53.359
<v Speaker 1>And you know, is that real? Is that a real.

0:40:53.400 --> 0:40:55.600
<v Speaker 2>You should always consider those things. But it's been very

0:40:55.640 --> 0:40:58.879
<v Speaker 2>well studied by Union of Concerned Scientists, lots of other

0:40:58.920 --> 0:41:01.640
<v Speaker 2>people who PHG after the name. I looked at it,

0:41:02.000 --> 0:41:04.600
<v Speaker 2>and there's still pollution. There's pollution in the mountain bike,

0:41:04.800 --> 0:41:08.360
<v Speaker 2>there's pollution, pllution. Cape men have made pollution with their fires.

0:41:08.600 --> 0:41:11.000
<v Speaker 2>There's pollution from anything. But the question is how much.

0:41:11.480 --> 0:41:13.560
<v Speaker 2>And it's a tea spoon to a tanker truck. You know,

0:41:13.920 --> 0:41:16.520
<v Speaker 2>from what you make with solar panels, there's energy used

0:41:16.520 --> 0:41:18.760
<v Speaker 2>to create it. But over the life of the solar panels,

0:41:18.760 --> 0:41:21.600
<v Speaker 2>which these days is forty fifty years. You know, they

0:41:21.640 --> 0:41:24.040
<v Speaker 2>don't just last a decade. People go, they'll be gone

0:41:24.080 --> 0:41:26.520
<v Speaker 2>in a decade. They lose power, but very little. They

0:41:26.840 --> 0:41:29.200
<v Speaker 2>lose like a percentage in a year or two another

0:41:29.239 --> 0:41:34.000
<v Speaker 2>percent after that. Well does that too, And anything makes pollution.

0:41:34.239 --> 0:41:37.080
<v Speaker 2>But you know, wind turbine, for example, you need energy

0:41:37.120 --> 0:41:39.399
<v Speaker 2>to make the wind turbine. But over the long life

0:41:39.440 --> 0:41:41.919
<v Speaker 2>of it, mine, for instance, I had thirty years. Three

0:41:41.960 --> 0:41:44.440
<v Speaker 2>decades made me a lot of money, and it also

0:41:44.440 --> 0:41:46.600
<v Speaker 2>made a lot of power. And mine was the old

0:41:46.760 --> 0:41:49.719
<v Speaker 2>the old kind that's only you know, seventy five kilo watch.

0:41:49.800 --> 0:41:52.600
<v Speaker 1>Yeah, they're all over Scotland. They're the big giant.

0:41:52.280 --> 0:41:55.080
<v Speaker 2>One, the big, the megaw and a half, they're two meg.

0:41:55.040 --> 0:41:58.680
<v Speaker 1>Yeah, they're huge. But it's kind of tricky because they're

0:41:58.719 --> 0:41:59.240
<v Speaker 1>not pretty.

0:42:00.480 --> 0:42:00.960
<v Speaker 2>No, they're not.

0:42:01.360 --> 0:42:05.120
<v Speaker 1>They're and I think when you get so many of them,

0:42:05.520 --> 0:42:07.560
<v Speaker 1>you know, because you have to basically with the nature

0:42:07.600 --> 0:42:09.200
<v Speaker 1>of where they are. They have to be in areas

0:42:09.200 --> 0:42:11.719
<v Speaker 1>where it's wind. It just tends to be areas that

0:42:11.920 --> 0:42:15.680
<v Speaker 1>are pretty, you know, but the coastal Yeah, it's it's

0:42:15.760 --> 0:42:18.560
<v Speaker 1>it's a little tricky. Yeah, this idea to put them

0:42:18.800 --> 0:42:21.839
<v Speaker 1>all out to sea around Britain like.

0:42:21.840 --> 0:42:23.440
<v Speaker 2>They could do that. Yeah, they can do it so

0:42:23.520 --> 0:42:26.040
<v Speaker 2>far away you won't even notice the spect in the distance. Yeah,

0:42:26.200 --> 0:42:27.040
<v Speaker 2>run the cable in.

0:42:28.080 --> 0:42:30.279
<v Speaker 1>Be kind of cool. I think they should do more

0:42:30.360 --> 0:42:33.280
<v Speaker 1>than very committed too. Obviously. You still ride this subway.

0:42:32.880 --> 0:42:34.680
<v Speaker 2>In la and I do. I write it regularly.

0:42:34.800 --> 0:42:37.040
<v Speaker 1>Yeah, no, I've never been on it. I lived here

0:42:37.120 --> 0:42:38.880
<v Speaker 1>for twenty three years. I was never on it.

0:42:38.880 --> 0:42:41.279
<v Speaker 2>It's a wonderful system, is it actually? Oh yeah, it

0:42:41.320 --> 0:42:43.359
<v Speaker 2>takes a lot of people a lot of miles. It's

0:42:43.360 --> 0:42:45.680
<v Speaker 2>a big area they cover. You can take the rail

0:42:45.760 --> 0:42:48.480
<v Speaker 2>of the bus or light rail or something from Pomona

0:42:48.600 --> 0:42:52.440
<v Speaker 2>all the way out to Long Beach and from also

0:42:52.480 --> 0:42:54.440
<v Speaker 2>you can take it out to like Trencas to uh.

0:42:54.880 --> 0:42:57.400
<v Speaker 2>You know, it's a big area that the Metro covers.

0:42:57.600 --> 0:42:59.920
<v Speaker 1>It's so funny because I whenever I'm in Los Ange.

0:43:00.560 --> 0:43:02.319
<v Speaker 1>I mean, I don't live here anymore. I haven't left

0:43:02.320 --> 0:43:04.840
<v Speaker 1>here for a couple of years. But the I can't

0:43:04.960 --> 0:43:07.200
<v Speaker 1>imagine not having a car. I need to rent a

0:43:07.200 --> 0:43:10.000
<v Speaker 1>car when I get here. I feel trapped. Yeah, you know,

0:43:10.200 --> 0:43:13.480
<v Speaker 1>I but maybe it's a mindset that needs fixing.

0:43:13.640 --> 0:43:16.560
<v Speaker 2>Yeah, some roots are going to be trickier than others.

0:43:16.600 --> 0:43:18.200
<v Speaker 2>If you live somewhere out in the middle of the

0:43:18.239 --> 0:43:20.520
<v Speaker 2>West Valley and you need to get downtown every day

0:43:20.760 --> 0:43:22.600
<v Speaker 2>to get to that Orange Line bus and then you

0:43:22.640 --> 0:43:25.359
<v Speaker 2>get to the subway and make those you know, connections

0:43:25.520 --> 0:43:27.279
<v Speaker 2>can take you a while. They're trying to eliminate that,

0:43:27.400 --> 0:43:30.920
<v Speaker 2>make that more efficient. But but for me, I live

0:43:30.960 --> 0:43:34.480
<v Speaker 2>in Studio City. I hop on that Metro Red line,

0:43:34.640 --> 0:43:36.920
<v Speaker 2>you know, to go downtown or Hollywood. It's just much

0:43:36.960 --> 0:43:40.000
<v Speaker 2>easier than driving. It's quicker, easier, everything about. It's better.

0:43:40.040 --> 0:43:41.680
<v Speaker 1>I'm going to try it. You towed me into it.

0:43:41.719 --> 0:43:43.880
<v Speaker 1>I'm going to give it a try. Yeah, is it clean.

0:43:44.360 --> 0:43:46.719
<v Speaker 2>It is. It's now clean again. It was not clean

0:43:46.800 --> 0:43:49.319
<v Speaker 2>for a while because of COVID. You know, some a

0:43:49.320 --> 0:43:51.520
<v Speaker 2>lot of people who have, you know, mental problems and

0:43:51.600 --> 0:43:54.600
<v Speaker 2>drug problems kind of took over the subway stations, what

0:43:54.719 --> 0:43:57.520
<v Speaker 2>have you. We're taking it back. Not for me. I

0:43:57.560 --> 0:43:59.719
<v Speaker 2>have choices. I could get in my electric car and go.

0:44:00.080 --> 0:44:02.960
<v Speaker 2>People have no choice. Working people rely on the subway

0:44:03.000 --> 0:44:04.600
<v Speaker 2>and on the bush line. The bus line is the

0:44:04.640 --> 0:44:07.239
<v Speaker 2>backbone of the system, and you got to keep those

0:44:07.239 --> 0:44:09.440
<v Speaker 2>safe and the rail stations. And we were taking it

0:44:09.480 --> 0:44:10.320
<v Speaker 2>back every day.

0:44:10.480 --> 0:44:13.360
<v Speaker 1>Do you do you get involved in local politics and

0:44:13.680 --> 0:44:14.040
<v Speaker 1>that bit.

0:44:14.360 --> 0:44:16.640
<v Speaker 2>Yeah. My daughter's working at Metro now, so I'm very

0:44:16.640 --> 0:44:17.399
<v Speaker 2>supportive of her.

0:44:17.680 --> 0:44:17.960
<v Speaker 1>Cool.

0:44:18.000 --> 0:44:20.200
<v Speaker 2>We did a thing she wrote she writes the Metro

0:44:20.280 --> 0:44:22.320
<v Speaker 2>all the time. She has said she was a baby

0:44:22.440 --> 0:44:24.560
<v Speaker 2>with me. And then she did a thing where she

0:44:24.600 --> 0:44:26.960
<v Speaker 2>wrote it all week, didn't get in her car, her

0:44:27.080 --> 0:44:29.120
<v Speaker 2>electric car once, wrote it all week, and then we

0:44:29.160 --> 0:44:31.360
<v Speaker 2>went to the oscars together on the Metro.

0:44:31.680 --> 0:44:35.080
<v Speaker 1>Ah, that's right, Yeah, I heard about that. Yeah, that's awesome.

0:44:35.200 --> 0:44:37.920
<v Speaker 2>It was very very good. So now she's working at

0:44:37.960 --> 0:44:39.879
<v Speaker 2>Metro trying to help spread the word about what works

0:44:39.920 --> 0:44:41.080
<v Speaker 2>and what needs to be worked on.

0:44:41.560 --> 0:44:44.720
<v Speaker 1>Well the seat now I have O kaid. My youngest

0:44:44.719 --> 0:44:47.800
<v Speaker 1>boy is thirteen, my oldest is in his early twenties.

0:44:47.840 --> 0:44:51.680
<v Speaker 1>And you mentioned earlier that your dog got sober when

0:44:51.680 --> 0:44:55.640
<v Speaker 1>she was fifteen, and I haven't seen anthem like that

0:44:55.680 --> 0:45:00.440
<v Speaker 1>and my kids, but I'd be terrified by that, you know.

0:45:00.760 --> 0:45:03.360
<v Speaker 1>But the idea of I did. I don't want to,

0:45:03.400 --> 0:45:07.000
<v Speaker 1>you know, you know, discuss your daughter because that's her business.

0:45:07.000 --> 0:45:09.919
<v Speaker 1>But how did you feel about that? Did you feel

0:45:09.960 --> 0:45:11.520
<v Speaker 1>like because you had gone through it, you were able

0:45:11.560 --> 0:45:13.399
<v Speaker 1>to help her or do you have to stand back

0:45:13.440 --> 0:45:15.040
<v Speaker 1>a bit and let her find her own way to it?

0:45:15.080 --> 0:45:17.040
<v Speaker 2>What was the I did a little bit of each,

0:45:17.120 --> 0:45:19.800
<v Speaker 2>you know. I just said, because there was a morning

0:45:19.840 --> 0:45:22.200
<v Speaker 2>with it, it seemed like things were going off the rails,

0:45:22.640 --> 0:45:25.680
<v Speaker 2>and I just wanted to say. She said, do you dad?

0:45:25.719 --> 0:45:28.720
<v Speaker 2>Do you think I Do you think I have a problem?

0:45:28.840 --> 0:45:32.839
<v Speaker 2>And I said, yes, I do. Do you want help? Yes?

0:45:32.920 --> 0:45:35.520
<v Speaker 2>I do, said, She says, okay, then I'm here. And

0:45:35.600 --> 0:45:37.200
<v Speaker 2>I didn't want to make her do anything or be

0:45:37.239 --> 0:45:39.560
<v Speaker 2>a dad in this case, make her do X Y

0:45:39.680 --> 0:45:39.840
<v Speaker 2>or Z.

0:45:39.840 --> 0:45:43.440
<v Speaker 1>A tricky I mean, it's funny because I mean, I

0:45:43.560 --> 0:45:47.279
<v Speaker 1>definitely qualified to get help when I was fifteen years old.

0:45:47.280 --> 0:45:48.719
<v Speaker 1>I didn't get it till I was twenty nine. But

0:45:49.480 --> 0:45:52.040
<v Speaker 1>any anyone that can sin, and I've met people who

0:45:52.080 --> 0:45:55.960
<v Speaker 1>get sober at that age are great, you know, just great.

0:45:56.520 --> 0:45:58.720
<v Speaker 1>And I love the idea that people can get sober

0:45:58.800 --> 0:46:01.200
<v Speaker 1>now when they're young. Used to be quite kind of

0:46:02.480 --> 0:46:06.879
<v Speaker 1>a kind of snobbishness, weird, reverse kind of snobbishness about

0:46:06.920 --> 0:46:09.759
<v Speaker 1>you had to really screw your life up for a

0:46:09.760 --> 0:46:12.520
<v Speaker 1>long period of time before you qualified for sobriety, which

0:46:13.239 --> 0:46:14.000
<v Speaker 1>doesn't seem fair.

0:46:14.160 --> 0:46:16.160
<v Speaker 2>Imagine if that had social media when I was out

0:46:16.160 --> 0:46:19.279
<v Speaker 2>there drinking, I'd never work another day. I would not

0:46:19.360 --> 0:46:22.839
<v Speaker 2>have worked in the seventies eighties. And I think of it.

0:46:22.840 --> 0:46:25.880
<v Speaker 1>I talked I obviously, I have friends who have been

0:46:25.920 --> 0:46:29.000
<v Speaker 1>sover for a long time, and we talked about that,

0:46:29.000 --> 0:46:31.480
<v Speaker 1>that the idea if there had been social media in

0:46:31.520 --> 0:46:36.359
<v Speaker 1>the nineteen eighties. I mean, not because of anything other

0:46:36.440 --> 0:46:39.160
<v Speaker 1>than just like pathetic behavior exactly.

0:46:39.760 --> 0:46:41.400
<v Speaker 2>It was just tragic, it was.

0:46:41.480 --> 0:46:44.080
<v Speaker 1>But I mean, that's the thing about and I've been

0:46:44.120 --> 0:46:47.120
<v Speaker 1>guilty of this as anyone that when talking particularly to

0:46:47.520 --> 0:46:49.920
<v Speaker 1>you know, in show business or doing stand up and stuff.

0:46:49.960 --> 0:46:54.799
<v Speaker 1>You can make the drinking years sound funny, right, but

0:46:54.880 --> 0:46:56.359
<v Speaker 1>they weren't that funny. They were.

0:46:56.920 --> 0:47:01.359
<v Speaker 2>There's some serious stuff connected life connect Yeah. The fact

0:47:01.400 --> 0:47:03.840
<v Speaker 2>that I didn't kill anybody I'm so grateful for because.

0:47:03.640 --> 0:47:05.879
<v Speaker 1>I too when I get busted from my d UI,

0:47:06.239 --> 0:47:10.279
<v Speaker 1>I'm like, oh jeez, if i'd hit someone us, Oh

0:47:10.360 --> 0:47:12.399
<v Speaker 1>my god, do you imagine.

0:47:11.880 --> 0:47:14.120
<v Speaker 2>I drank a quarto vote every day, took pills, and

0:47:14.200 --> 0:47:15.160
<v Speaker 2>operated a vehicle.

0:47:15.400 --> 0:47:17.799
<v Speaker 1>Yeah the hell I did that. The pills, did you say?

0:47:18.520 --> 0:47:21.319
<v Speaker 2>I would take thallium to cure the hangover. I would

0:47:21.320 --> 0:47:23.719
<v Speaker 2>occasionally take kayludes, which you're not to take one.

0:47:23.840 --> 0:47:26.239
<v Speaker 1>I never got around to quailudes. That's one dimest I

0:47:26.239 --> 0:47:28.640
<v Speaker 1>said earlier. I took them home, but I didn't take queludes.

0:47:28.640 --> 0:47:32.279
<v Speaker 1>I hear tell. They were They were pretty good, remarkable things.

0:47:32.320 --> 0:47:34.799
<v Speaker 2>They were considered an hypnotic drug, and yeah, I was

0:47:34.800 --> 0:47:36.200
<v Speaker 2>definitely hypnotized by them.

0:47:37.880 --> 0:47:41.839
<v Speaker 1>Yeah, and the acid, I remember. Cannabis and acid were

0:47:41.840 --> 0:47:44.320
<v Speaker 1>the ones I didn't like. I like the zippy ones

0:47:44.520 --> 0:47:48.880
<v Speaker 1>like cocaine or meth, you know both, or a nice

0:47:48.920 --> 0:47:51.279
<v Speaker 1>solid base note of heroin. You know.

0:47:52.160 --> 0:47:54.160
<v Speaker 2>I did it four times. I snorted it four times,

0:47:54.160 --> 0:47:54.960
<v Speaker 2>and I loved it too.

0:47:55.160 --> 0:47:59.000
<v Speaker 1>Yeah, about how many times I did it? About the

0:47:59.040 --> 0:48:02.520
<v Speaker 1>same amount of times. And I remember thinking, I remember

0:48:02.640 --> 0:48:04.759
<v Speaker 1>lying down, I've don't you remember they used to call

0:48:04.760 --> 0:48:08.360
<v Speaker 1>it speedball, Yeah, cocaine and heroin and staying together. And

0:48:08.400 --> 0:48:13.120
<v Speaker 1>I remember lying down in a shitty apartment in New

0:48:13.200 --> 0:48:16.040
<v Speaker 1>York having done that, and I felt like I was

0:48:16.160 --> 0:48:19.000
<v Speaker 1>upside down and I couldn't shake the feeling of like

0:48:19.120 --> 0:48:21.680
<v Speaker 1>I was hanging by my feet. Oh boy, every time

0:48:21.719 --> 0:48:23.879
<v Speaker 1>I closed my eyes, I felt like I was upside down,

0:48:24.080 --> 0:48:28.359
<v Speaker 1>and I thought, this is not recreational, This is not

0:48:28.600 --> 0:48:30.120
<v Speaker 1>this I'm not having a good time here.

0:48:30.320 --> 0:48:30.400
<v Speaker 2>No.

0:48:30.760 --> 0:48:34.120
<v Speaker 1>And it was only another nine years before it gets over.

0:48:34.840 --> 0:48:37.080
<v Speaker 2>I started to realize there was a bad scene for

0:48:37.160 --> 0:48:39.279
<v Speaker 2>me in seventy six. It took me three years to

0:48:39.320 --> 0:48:40.680
<v Speaker 2>finally get it together.

0:48:40.800 --> 0:48:45.960
<v Speaker 1>It takes a while. Yeah, So do you think is

0:48:45.960 --> 0:48:49.640
<v Speaker 1>there's still a time when when you were owed by Hollywood?

0:48:49.640 --> 0:48:53.000
<v Speaker 1>Because I think of you, someone who's lived inside this business,

0:48:53.000 --> 0:48:56.879
<v Speaker 1>in this town for so long, your entire life. Really

0:48:57.360 --> 0:49:00.759
<v Speaker 1>you have been inside it. Does it contain mystery and

0:49:00.880 --> 0:49:03.200
<v Speaker 1>awe for you know? Or is it it's a place

0:49:03.200 --> 0:49:05.840
<v Speaker 1>of work and like you ever meet someone you go

0:49:05.920 --> 0:49:07.319
<v Speaker 1>I can't believe I met You know.

0:49:07.760 --> 0:49:10.080
<v Speaker 2>I still get that reaction when I meet people who

0:49:10.120 --> 0:49:13.440
<v Speaker 2>are fine actors, fine musicians, things like that. I just

0:49:13.800 --> 0:49:16.600
<v Speaker 2>get all the twitter because it's a big deal. People

0:49:16.680 --> 0:49:20.120
<v Speaker 2>that are that on their game, that creative, that talented.

0:49:20.680 --> 0:49:23.360
<v Speaker 2>Just when I first met Joaquin Phoenix, I was like trembling.

0:49:23.400 --> 0:49:27.000
<v Speaker 2>He's such an incredible actor. It just inspires me everything

0:49:27.040 --> 0:49:29.919
<v Speaker 2>I've ever seen him in. So that was a big one.

0:49:30.239 --> 0:49:32.200
<v Speaker 2>Working with Meryl Streep for the first time, you know,

0:49:32.239 --> 0:49:35.320
<v Speaker 2>meeting Jack Nicholson for the first time, working with Bob Hoskins,

0:49:35.320 --> 0:49:36.880
<v Speaker 2>for God's sake, what a talent he was.

0:49:37.000 --> 0:49:38.719
<v Speaker 1>He was, Yeah, I tried to get him to go

0:49:38.840 --> 0:49:40.640
<v Speaker 1>in that to that movie I told you about it.

0:49:40.640 --> 0:49:42.439
<v Speaker 1>I spoke to him in the phone. Oh my god,

0:49:42.560 --> 0:49:45.000
<v Speaker 1>I love this old rock star in it. And I

0:49:45.040 --> 0:49:47.399
<v Speaker 1>spoke to the one and I said, will you Ben?

0:49:47.440 --> 0:49:50.080
<v Speaker 1>He went, well, who else is in it?

0:49:50.320 --> 0:49:51.320
<v Speaker 2>Very good? Bob Hoskins.

0:49:51.960 --> 0:49:54.239
<v Speaker 1>I said well, and I said, a bunch of people

0:49:54.239 --> 0:49:56.560
<v Speaker 1>who were in it. He went, yeah, Oh, I'll have

0:49:56.560 --> 0:50:00.479
<v Speaker 1>a think about it. I never heard, never heard again,

0:50:01.200 --> 0:50:02.000
<v Speaker 1>But that's all right.

0:50:02.960 --> 0:50:04.759
<v Speaker 2>I have a bold work of art. Right as you

0:50:04.880 --> 0:50:07.560
<v Speaker 2>enter my home, Bob Hoskins came in years ago for

0:50:07.600 --> 0:50:10.520
<v Speaker 2>the first time, looked at it, went, hey, what happened

0:50:10.520 --> 0:50:13.719
<v Speaker 2>to here? What happened here? Here?

0:50:14.360 --> 0:50:17.319
<v Speaker 1>What's the what's the Is it? Very fan of kind

0:50:17.360 --> 0:50:19.440
<v Speaker 1>of striking modern piece? Is that? What it is?

0:50:19.760 --> 0:50:21.759
<v Speaker 2>Just a bunch of colors, splatter kind of colors and

0:50:21.760 --> 0:50:24.759
<v Speaker 2>what have you. It's not a facer, a vaz or

0:50:24.800 --> 0:50:27.520
<v Speaker 2>a flower or anything like that. It's all right, he

0:50:27.680 --> 0:50:28.080
<v Speaker 2>was great.

0:50:28.239 --> 0:50:31.600
<v Speaker 1>It sounds good. Well, you know what, we're out of time, man.

0:50:31.600 --> 0:50:33.279
<v Speaker 2>Well let's get together and do it again.

0:50:33.600 --> 0:50:36.720
<v Speaker 1>I'm very happy to do it again. And I am

0:50:37.440 --> 0:50:41.520
<v Speaker 1>sad to hear about your diagnosis, but I am delighted

0:50:41.560 --> 0:50:43.360
<v Speaker 1>for you that you had to tell me about it

0:50:43.400 --> 0:50:46.240
<v Speaker 1>because I couldn't. I swear to because you know, Billy

0:50:46.600 --> 0:50:49.480
<v Speaker 1>Corny has Parkinson so now and Billy you can you

0:50:49.480 --> 0:50:50.040
<v Speaker 1>can see it.

0:50:50.160 --> 0:50:52.560
<v Speaker 2>I love that man. You read that wonderful piece about

0:50:52.640 --> 0:50:55.359
<v Speaker 2>him in the Times. I think it was La Times.

0:50:55.360 --> 0:50:57.520
<v Speaker 2>It was a great piece about him, and Pam I

0:50:57.600 --> 0:51:00.720
<v Speaker 2>didn't not wonderful. I'll send it to you, yes, please.

0:51:00.840 --> 0:51:02.319
<v Speaker 2>Billy was Jackie Robinson for me?

0:51:02.360 --> 0:51:03.920
<v Speaker 1>Do you know what I mean? Yeah? I mean he

0:51:04.000 --> 0:51:05.920
<v Speaker 1>was like there was he was Elvis.

0:51:06.080 --> 0:51:07.240
<v Speaker 2>You know he is Elvis.

0:51:07.320 --> 0:51:11.960
<v Speaker 1>He is Elvis. He's amazing, amazing, And he said that

0:51:12.200 --> 0:51:14.040
<v Speaker 1>did he tell you about that? He was walking through

0:51:14.080 --> 0:51:17.440
<v Speaker 1>the airport and a doctor come over to him and said,

0:51:17.960 --> 0:51:20.520
<v Speaker 1>I think you may have Parkinson's. You should you should

0:51:20.520 --> 0:51:22.640
<v Speaker 1>go and get checked out, just because of the walk.

0:51:23.200 --> 0:51:25.600
<v Speaker 2>Oh that's right. I heard something to that effect. Yes,

0:51:25.680 --> 0:51:28.360
<v Speaker 2>that's right. He didn't know that happened to me. But

0:51:28.560 --> 0:51:31.479
<v Speaker 2>the guy didn't tell me. He told my cousin. Really,

0:51:31.560 --> 0:51:34.520
<v Speaker 2>and so my cousin said, rightly, so for what I

0:51:34.600 --> 0:51:37.400
<v Speaker 2>knew at the time. A neurologist said, does your cousin

0:51:37.480 --> 0:51:40.920
<v Speaker 2>know that he has Parkinson's. My cousin rightly said he

0:51:40.960 --> 0:51:43.560
<v Speaker 2>didn't have Parkinson's. He would have told me that. Yeah,

0:51:43.600 --> 0:51:45.840
<v Speaker 2>but he could see it and I didn't, and he didn't.

0:51:45.680 --> 0:51:46.400
<v Speaker 1>Want It's amazing.

0:51:46.520 --> 0:51:49.040
<v Speaker 2>He seemed uncomfortable come and say, ed, this guy thinks

0:51:49.040 --> 0:51:51.440
<v Speaker 2>he have Parkinson's. I wouldn't want to do that to him,

0:51:51.480 --> 0:51:53.520
<v Speaker 2>so he didn't do it to me. It's probably just

0:51:53.560 --> 0:51:55.200
<v Speaker 2>as well I didn't learn it till years later.

0:51:56.080 --> 0:51:58.560
<v Speaker 1>That's an amazing thing. I mean, it's but you don't

0:51:58.560 --> 0:51:59.960
<v Speaker 1>have that distinctive walk.

0:52:00.400 --> 0:52:02.120
<v Speaker 2>Now it's very subtle, all very subtle.

0:52:02.160 --> 0:52:07.520
<v Speaker 1>Back, Yeah, well look, continued health to you, to my friend,

0:52:08.080 --> 0:52:11.560
<v Speaker 1>it's great to see you. You are an inspiration and

0:52:11.640 --> 0:52:14.520
<v Speaker 1>a force for good in this time. You are a

0:52:14.560 --> 0:52:20.520
<v Speaker 1>corrective weight and in in the Hollywood scales and powerful one.

0:52:21.400 --> 0:52:23.440
<v Speaker 2>Good to see you now, always, good to see you

0:52:23.520 --> 0:52:23.839
<v Speaker 2>all right,