WEBVTT - The King of Hollywood

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<v Speaker 1>Why Uzzy Media Productions. The Misfits was a much anticipated

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<v Speaker 1>film when it was released in nineteen sixty one. The

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<v Speaker 1>movie featured two enormous Hollywood stars, Marilyn Monroe and Clark Gable,

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<v Speaker 1>but The Misfits was a box office flop. A year later,

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<v Speaker 1>Monroe was found dead from a drug overdose. The Misfits

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<v Speaker 1>was not just the last film that Monroe completed, it

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<v Speaker 1>was also Clark Gable's final appearance on screen. The fifty

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<v Speaker 1>nine year old Gable died from a heart attack just

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<v Speaker 1>twelve days after shooting finished. Monroe was stunned and heartbroken

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<v Speaker 1>when she learned of Gable's death. She told one reporter quote,

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<v Speaker 1>nobody was more of a man's man than he was,

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<v Speaker 1>but he appreciated women. It's clear Monroe was talking about

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<v Speaker 1>someone who was much more than a co star to her.

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<v Speaker 1>Lark Gable was like a father to Monroe. When she

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<v Speaker 1>was being shuffled between orphanages and foster homes as a child,

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<v Speaker 1>she slept with the movie stars picture under her pillow,

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<v Speaker 1>which is why on the final day of shooting for

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<v Speaker 1>The Misfits, Monroe reportedly walked over to her famous costar

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<v Speaker 1>and made a confession, She told Gable, do you know something?

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<v Speaker 1>You're my hero and I never had a hero before.

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<v Speaker 1>Clark Gable's rise to the top of Hollywood during the

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<v Speaker 1>nineteen thirties was much different than Monroe's two decades later.

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<v Speaker 1>Both actors came from humble origins and we're products of

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<v Speaker 1>a studio system that transformed them into larger than life figures. Monroe, however,

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<v Speaker 1>as we learned in episode three, thought of Hollywood as

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<v Speaker 1>quote a merry go round with beds for horses, and

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<v Speaker 1>she resented the fact that her career advancement depended upon

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<v Speaker 1>pleasing the predatory male executive she called the wolves. Monroe's hero,

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<v Speaker 1>Clark Gable did not have to confront the wolves the

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<v Speaker 1>way that women did in early Hollywood, but unlike Monroe,

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<v Speaker 1>he was willing to do whatever it took to become

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<v Speaker 1>a star. In this episode, we chart Clark Gable's journey

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<v Speaker 1>to screen legend, including how Hollywood's archetypal man reportedly used

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<v Speaker 1>and abused women along the way. Suit the star away

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<v Speaker 1>from how's it going, I know you got a clue?

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<v Speaker 1>What you do? You complain brand new to all the

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<v Speaker 1>other chicks out here that I know what you are

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<v Speaker 1>what you are, baby, look at you. I'm Sean Braswell.

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<v Speaker 1>Welcome back to the Thread. This season is about the

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<v Speaker 1>chain of historical events behind the rise of feminist leader

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<v Speaker 1>Gloria Steinham. The chain we follow takes us back to

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<v Speaker 1>the Hollywood of the nineteen thirties and Clark Gable. He's

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<v Speaker 1>the man who uttered perhaps the most famous line in

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<v Speaker 1>film history as Rhett Butler and Gone with the Wind. Frankly,

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<v Speaker 1>my here, I don't give a damn. Here's a quick

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<v Speaker 1>recap to follow our thread so far, but please listen

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<v Speaker 1>to the previous episodes if you haven't already. Las Vegas, Nevada,

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<v Speaker 1>was a desolate, struggling town in the late nineteen thirties

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<v Speaker 1>that changed dramatically after Clark Gable's wife, Real Langham, went

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<v Speaker 1>there to get a quickie divorce while Gable filmed Gone

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<v Speaker 1>with the Wind, and pretty soon people were running. You

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<v Speaker 1>might say, to Las Vegas to get a divorce, because

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<v Speaker 1>everyone wanted to get a divorce where the Gables had

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<v Speaker 1>gotten theirs. Seven years later, a nineteen year old Marilyn

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<v Speaker 1>Monroe obtained her own divorce there. Maryland clearly felt that

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<v Speaker 1>it would be easier for her to pursue her modeling

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<v Speaker 1>and acting career if she were single. Fast forward another

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<v Speaker 1>seven years, A magazine publisher named Hugh Hefner uses a

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<v Speaker 1>nude photo of Monroe taken when she was a struggling model,

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<v Speaker 1>to sell the first issue of Playboy magazine. She was

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<v Speaker 1>the the launching key to the beginning of Playboy. Fast

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<v Speaker 1>forward another seven years, and Hefner founds the first Playboy club,

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<v Speaker 1>whose bunny clad employees revolutionized the nightclub scene. A young

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<v Speaker 1>reporter named Gloria Steinham then writes an expose of life

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<v Speaker 1>as a bunny, one which helps spark her resolve to

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<v Speaker 1>spend a lifetime on women's rights. It was subject to

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<v Speaker 1>constant what we would now term sexual harassment, but there

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<v Speaker 1>wasn't even a word for it. Then. In this episode,

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<v Speaker 1>we turn our attention to the movie star whose landmark

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<v Speaker 1>divorce helped launch Las Vegas, the man they called the

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<v Speaker 1>King of Hollywood, Clark Gable. Clark Gable plays a Nevada

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<v Speaker 1>cowboy in The Misfits, one who finds love and companionship

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<v Speaker 1>with a recently divorced younger woman played by Monroe. In

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<v Speaker 1>the final scene of the movie, Monroe turns to Gable

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<v Speaker 1>as they drive down desert road at night. How do

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<v Speaker 1>you find your way back in the dark? Just head

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<v Speaker 1>for that big star, straight on the high. Raise Catt'll

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<v Speaker 1>take us right home. Those would be the last lines

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<v Speaker 1>Clark Gable would utter on screen. Two weeks later, he

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<v Speaker 1>died from a heart attack. The New York Times headline

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<v Speaker 1>read the King is Dead. Gable's widow and fifth wife,

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<v Speaker 1>Kay blamed one person for her husband's sudden death. Marilyn Monroe,

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<v Speaker 1>the actress, had a reputation for causing delays and problems

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<v Speaker 1>on set, and The Misfits was no different. Monroe was

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<v Speaker 1>always late, She forgot her lines. She fought constantly on

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<v Speaker 1>set with her husband, Arthur Miller, the playwright who had

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<v Speaker 1>written The Misfits for her. She also popped amphetamines and tranquilizers.

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<v Speaker 1>The filming was very, very difficult. This is Monroe. Biographer

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<v Speaker 1>Sarah church Well, her relationship with Arthur Miller was breaking down,

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<v Speaker 1>um and um. There were many many problems on the set, uh,

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<v Speaker 1>some of which had to do with Maryland's own problems

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<v Speaker 1>with addiction, but also with her unhappiness in her marriage.

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<v Speaker 1>To make matters worse, the Nevada summer heat was oppressive.

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<v Speaker 1>The delays, the waiting, and the heat were hard on

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<v Speaker 1>the aging Gable. He also insisted on doing many of

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<v Speaker 1>his own stunts, including being dragged by a truck for

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<v Speaker 1>over four hundred feet across the desert. The physical strain

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<v Speaker 1>on Gable during the Misfits may have contributed to the

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<v Speaker 1>star's death, but Gable was also a chronic smoker and

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<v Speaker 1>a heavy drinker, and he spent his reign as the

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<v Speaker 1>King of Hollywood living large and trying to live up

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<v Speaker 1>to his larger than life image. Gable starred in some

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<v Speaker 1>of Hollywood's best films, including It Happened One Night, Mutiny

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<v Speaker 1>on the Bounty, and of course, Gone with the Wind. MGM,

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<v Speaker 1>the studio that owned Clark Gable services for decades, structs

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<v Speaker 1>Aintematic Gold when they discovered him. This is E. J. Flemett,

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<v Speaker 1>author of several books on early Hollywood and stars like Gable.

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<v Speaker 1>Clark Gable's success really was based upon the fact that

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<v Speaker 1>the product that M. Jim put on the screen, the

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<v Speaker 1>movie Clark Gable was an every man. But Gable was

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<v Speaker 1>so much more than an every man. There had been

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<v Speaker 1>other super masculine men in Hollywood and Helen Peterson is

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<v Speaker 1>the author of Scandals of Classic Hollywood and a senior

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<v Speaker 1>culture writer for BuzzFeed. But no one had that sort

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<v Speaker 1>of like swarthy, unshaven masculinity that Clark Gable popularized over

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<v Speaker 1>the course of the nineteen thirties. Gables frequent co star

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<v Speaker 1>and even more frequent lover. Actress Joan Crawford perhaps summed

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<v Speaker 1>up Gable best. She said, he represented man at his

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<v Speaker 1>most primeval viril, rough and ready, with the instincts of

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<v Speaker 1>a wild beast. Gable had more balls than any man

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<v Speaker 1>I've ever known. So one of the things that made

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<v Speaker 1>women go wild old was that in a lot of

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<v Speaker 1>his performances he had stubble, like he was a slightly unshaven,

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<v Speaker 1>and that at the time, you know, it was a

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<v Speaker 1>signifier of this sort of unmitigated masculinity. Gable cemented this

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<v Speaker 1>impression and one of the scenes from the nineteen four

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<v Speaker 1>classic It happened one night he took off his shirt

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<v Speaker 1>and he wasn't wearing an undershirt, which was just scandalous

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<v Speaker 1>at the time. Gable won the Oscar for Best Actor

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<v Speaker 1>for his performance in that film. He was also given

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<v Speaker 1>another honor, Hollywood Colnation Gable and Maniva Crown, King and

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<v Speaker 1>Queen of the Street to Gable and behalf of the

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<v Speaker 1>twenty minutes fans, I present to you this kingly crown.

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<v Speaker 1>Thank you. Ed. You know I play gamblers, newspaper men,

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<v Speaker 1>pondike miners and now a test pilot. But this is

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<v Speaker 1>the first time I've ever played the role of a game.

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<v Speaker 1>Gable scoffed at his honorific title. In private, he said,

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<v Speaker 1>this king stuff is pure. I'm just a lucky slab

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<v Speaker 1>from Ohio. I happened to be in the right place

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<v Speaker 1>at the right time, and I had a lot of

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<v Speaker 1>smart guys helping me. That's all. It's true. Gable had

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<v Speaker 1>a lot of guys to help him, and even more women.

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<v Speaker 1>He slept with virtually every woman acrossed paths with Marna

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<v Speaker 1>Lloyd later said that he was the least selective man

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<v Speaker 1>in the hemisphere. Had screw anything. It didn't even have

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<v Speaker 1>to be pretty or clean. Gable was legendary around MGM

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<v Speaker 1>for his womanizing. One day, Gable was in a studio

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<v Speaker 1>executive's office and his desk was covered with hundreds of

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<v Speaker 1>studio stills of the contract actresses at MGM and Gabel

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<v Speaker 1>looked at them and said, I've had every single one

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<v Speaker 1>of them. It didn't stop with the contract actresses. He

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<v Speaker 1>had affairs with virtually every famous MGM star, John Crawford,

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<v Speaker 1>Marilena Dietrich, Marian Davies. It's hard to actually find one

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<v Speaker 1>that he did not have a fair but at least

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<v Speaker 1>one of those alleged conquests had broader consequences. It was

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<v Speaker 1>Gable's relationship with a twenty two year old rising film

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<v Speaker 1>star named Loretta Young. Loretta Young was kind of like

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<v Speaker 1>the Jennifer Anison of the nineteen thirties, just you know,

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<v Speaker 1>a very very steady and lovable star that wasn't necessarily

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<v Speaker 1>an incredible actress, but was widely beloved. Loretta Young signed

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<v Speaker 1>on to make a film with Clark Gable, Call of

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<v Speaker 1>the Wild, about gold prospectors in the Klondike. And she

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<v Speaker 1>goes with Clark Gable to shoot Call of the Wild,

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<v Speaker 1>which is based on the Jack London novel. And they're

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<v Speaker 1>in the wilderness in you know, the forest outside of

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<v Speaker 1>Seattle and on location, which was somewhat rare at the time.

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<v Speaker 1>Despite the frigid weather, Sparks flew between Young and the

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<v Speaker 1>married Gable and not just on screen. So you have

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<v Speaker 1>this long shoot in the winter, in the middle of nowhere,

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<v Speaker 1>and you have a beautiful star and Laretta Young, and

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<v Speaker 1>then another very handsome and flirtation a star in Clark Gable,

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<v Speaker 1>and you know there's home movies of them being flirtatious

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<v Speaker 1>with one another, and people on the set said that

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<v Speaker 1>they were flirting. Young, Gable and the rest of the

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<v Speaker 1>casting crew boarded an overnight train back to Hollywood when

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<v Speaker 1>filming came to an end. The stars were given individual

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<v Speaker 1>compartments for the journey. Loretta Young was in her compartment

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<v Speaker 1>in the overnight train and Clark Gable knocked on the

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<v Speaker 1>compartment door, and, as she told her biographer and also

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<v Speaker 1>her son and daughter in law, he knocked on the

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<v Speaker 1>door and she didn't know how to say no. Young

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<v Speaker 1>later said that she thought Gable just wanted to visit

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<v Speaker 1>her compartment, but according to Young, he had other ideas

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<v Speaker 1>in mind. She said quote, he wasn't rough, but I

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<v Speaker 1>kept saying no, and he wouldn't take no for an answer.

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<v Speaker 1>Clark Gable returned home to his wife, Real Langham after

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<v Speaker 1>shooting finished on Call of the Wild. His first words were,

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<v Speaker 1>I want my freedom. He didn't get it, at least

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<v Speaker 1>not then. Not long after, Gable received some news Loretta

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<v Speaker 1>Young was pregnant. He ignored it. Young was devastated. She

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<v Speaker 1>was freaked out. I mean, the thing to be an

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<v Speaker 1>unwed mother at that time in Hollywood, you know, it

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<v Speaker 1>would be the end of her career and she would

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<v Speaker 1>be a fallen woman. I mean, when that happened with

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<v Speaker 1>Hollywood starlet's usually the course of action and was to

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<v Speaker 1>get an abortion, but Loretta refused. Instead, she orchestrated one

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<v Speaker 1>of the greatest cover ups in Hollywood history. Young told

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<v Speaker 1>the studio she needed a vacation and left for Europe

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<v Speaker 1>with her mother. She remained there for months, explaining that

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<v Speaker 1>she was ill. Young then secretly returned to her mom's

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<v Speaker 1>house in California for her final trimester. She would go

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<v Speaker 1>out at night only and walk around the neighborhood to

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<v Speaker 1>get a little bit of exercise because she was still crazy.

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<v Speaker 1>But there were rumors that she was pregnant. Young invited

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<v Speaker 1>one prominent gossip columnists to her mom's house to dispel

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<v Speaker 1>the rumors. She greeted the calumnists from her bed and

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<v Speaker 1>they piled pillows all over her and they said, she's

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<v Speaker 1>just sick. She can't get out of bed, and they

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<v Speaker 1>essentially convinced the world that she was not pregnant by

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<v Speaker 1>putting pillows on top of her bed. One evening, about

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<v Speaker 1>nine months after Call of the Wild ceased filming on location,

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<v Speaker 1>Clark Gable attended the New York premiere of his next film. Afterwards,

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<v Speaker 1>Gable received an unsigned telegram in his hotel room. It read, beautiful,

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<v Speaker 1>blue eyed, blonde baby girl for an eight fifteen. This morning,

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<v Speaker 1>Gabel walked into the bathroom, tore up the telegram, and

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<v Speaker 1>flushed it down the toilet. It took decades for Young

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<v Speaker 1>to come to terms with what she claimed happened to

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<v Speaker 1>her that night in the train compartment, says Anne Helen Peterson.

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<v Speaker 1>In the nineties, Loretta Young was watching a program that

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<v Speaker 1>described day rape or you know, acquaintance rape, and the

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<v Speaker 1>dynamics of how that worked. That's someone that you know

0:14:04.200 --> 0:14:07.720
<v Speaker 1>that you know it's not a violent thing, but that

0:14:07.880 --> 0:14:10.880
<v Speaker 1>it is unwanted sex. And she saw that program and

0:14:10.960 --> 0:14:14.160
<v Speaker 1>heard that definition, and she said, that's what happened between

0:14:14.160 --> 0:14:18.640
<v Speaker 1>me and Clerk Gable. Loretta Young devised even more elaborate

0:14:18.679 --> 0:14:21.520
<v Speaker 1>plans after giving birth. She placed her baby in an

0:14:21.600 --> 0:14:23.920
<v Speaker 1>orphanage for the time being, and went back to work

0:14:23.920 --> 0:14:27.040
<v Speaker 1>on her next movie. Over a year later, she told

0:14:27.040 --> 0:14:30.360
<v Speaker 1>the press she decided to adopt two babies. What eventually

0:14:30.360 --> 0:14:33.880
<v Speaker 1>happened is those two children turned into one child, and

0:14:33.920 --> 0:14:36.400
<v Speaker 1>that one child that she adopted turned out to be

0:14:36.440 --> 0:14:40.000
<v Speaker 1>her own child. Thanks to Young's efforts, the story would

0:14:40.040 --> 0:14:43.160
<v Speaker 1>remain just a Hollywood r She was so smart, she

0:14:43.240 --> 0:14:46.360
<v Speaker 1>was so savvy. She pulled it off with no help.

0:14:46.480 --> 0:14:48.600
<v Speaker 1>She didn't have like a publicist who was coaching her

0:14:48.640 --> 0:14:51.600
<v Speaker 1>on us. Was like her her mom and her sisters,

0:14:52.000 --> 0:14:55.840
<v Speaker 1>who figured out how to game the entire publicity apparatus

0:14:55.880 --> 0:14:58.880
<v Speaker 1>so that she could keep her daughter like that's amazing.

0:15:01.840 --> 0:15:03.680
<v Speaker 1>Loretta Young did not get a lot of help from

0:15:03.720 --> 0:15:07.440
<v Speaker 1>the studio and navigating the rocky shoals of Hollywood morality

0:15:07.560 --> 0:15:12.720
<v Speaker 1>and scandal. She was unmarried, female, pregnant, and unwilling to

0:15:12.720 --> 0:15:16.040
<v Speaker 1>get an abortion. But her male co star, Clark Gable,

0:15:16.280 --> 0:15:19.760
<v Speaker 1>had plenty of help with his career threatening scandals up

0:15:19.800 --> 0:15:23.200
<v Speaker 1>next the men they called the Hollywood Fixers, an elite

0:15:23.240 --> 0:15:27.360
<v Speaker 1>special forces unit for scandal management. Clark Gable may never

0:15:27.400 --> 0:15:30.720
<v Speaker 1>have become Marilyn Monroe's hero or the King of Hollywood

0:15:31.000 --> 0:15:35.000
<v Speaker 1>without the help of some powerful allies within the studio system.

0:15:35.040 --> 0:15:38.240
<v Speaker 1>The fixers at MGM saved gable skin more than once,

0:15:38.640 --> 0:15:41.640
<v Speaker 1>and they were also responsible for his ill fated marriage

0:15:41.680 --> 0:15:59.120
<v Speaker 1>to relaying them. Historians call the nineteen thirties the golden

0:15:59.120 --> 0:16:02.240
<v Speaker 1>Age of Hollywood, and more than anything, that golden age

0:16:02.280 --> 0:16:07.120
<v Speaker 1>was defined by stars. The studios realized right away that

0:16:07.160 --> 0:16:12.440
<v Speaker 1>the fans reacted to the stars as much as they

0:16:12.480 --> 0:16:15.200
<v Speaker 1>did to the movie This is e. J. Fleming again.

0:16:15.520 --> 0:16:20.440
<v Speaker 1>And the studios also realized that the individual stars translated

0:16:20.480 --> 0:16:24.320
<v Speaker 1>to money, so it was imperative that they had an

0:16:24.440 --> 0:16:27.920
<v Speaker 1>organized system in place to take care of any problems

0:16:28.000 --> 0:16:31.080
<v Speaker 1>that came up. There was one studio in particular that

0:16:31.160 --> 0:16:34.720
<v Speaker 1>stood out as a star making machine, Anne Helen Peterson

0:16:35.120 --> 0:16:37.640
<v Speaker 1>MGM was the King, so they had one of their

0:16:37.640 --> 0:16:40.760
<v Speaker 1>slogans was more stars in the heavens. They were like

0:16:40.800 --> 0:16:44.960
<v Speaker 1>the HBO of nineteen thirties Hollywood. MGM stable of stars

0:16:45.000 --> 0:16:49.720
<v Speaker 1>included Clark Gable, Joan Crawford, Fred Astaire, Gene Harlow, and

0:16:49.800 --> 0:16:53.760
<v Speaker 1>Judy Garland. MGM and other studios took the personal behavior

0:16:53.800 --> 0:16:57.520
<v Speaker 1>of their stars very seriously. Any hint of scandal could

0:16:57.560 --> 0:17:01.760
<v Speaker 1>sink a star, and more importantly, the studio's large investment

0:17:01.880 --> 0:17:05.160
<v Speaker 1>in them. So MGM, like all of the other major

0:17:05.200 --> 0:17:08.800
<v Speaker 1>studios at the time, had what we're called fixers, and

0:17:08.840 --> 0:17:13.000
<v Speaker 1>those are people who collaborated with the publicity department to

0:17:13.160 --> 0:17:16.960
<v Speaker 1>make sure that no negative stories or stories that didn't

0:17:16.960 --> 0:17:20.160
<v Speaker 1>match the public image of the star would be released.

0:17:20.760 --> 0:17:24.240
<v Speaker 1>Clark Gable encountered MGMs fixers early on in his career

0:17:24.280 --> 0:17:26.840
<v Speaker 1>at the studio. In fact, that's how he came to

0:17:26.880 --> 0:17:30.040
<v Speaker 1>be married to Real Langham in the first place. Gable's

0:17:30.080 --> 0:17:33.720
<v Speaker 1>first major films were coming out in nine At the time,

0:17:33.840 --> 0:17:36.760
<v Speaker 1>he was living with Langham, a wealthy woman seventeen years

0:17:36.760 --> 0:17:40.560
<v Speaker 1>his senior. One day, Langham came to see MGM boss

0:17:40.640 --> 0:17:43.920
<v Speaker 1>Louis B. Mayer. Mayor had an experienced secretary who was

0:17:44.040 --> 0:17:47.720
<v Speaker 1>used to handling disgruntled wives and girlfriends. Her name was

0:17:47.760 --> 0:17:51.040
<v Speaker 1>Ida Koverman. Remember that name. We will get back to

0:17:51.080 --> 0:17:54.919
<v Speaker 1>Ida in the next episode. Ida Cooverman quickly redirected the

0:17:54.960 --> 0:17:58.720
<v Speaker 1>distraught Real Langham to a studio executive named Howard Strickling.

0:17:59.040 --> 0:18:02.720
<v Speaker 1>Howard Strickling was the publicity director and m JAM. He

0:18:02.920 --> 0:18:06.120
<v Speaker 1>was the guy that had to develop the stories, designed

0:18:06.160 --> 0:18:09.480
<v Speaker 1>the spin and sell then narratives. Langham broke down in

0:18:09.520 --> 0:18:12.080
<v Speaker 1>Strickling's office. She told him how she was living with

0:18:12.119 --> 0:18:15.440
<v Speaker 1>Gable for years with the understanding they would marry. She

0:18:15.560 --> 0:18:17.359
<v Speaker 1>threatened to raise a stink in the press if he

0:18:17.359 --> 0:18:21.880
<v Speaker 1>didn't propose. Studio executive summoned Gable and waived his contract

0:18:21.920 --> 0:18:24.840
<v Speaker 1>in front of him. The entire contract could be avoided

0:18:25.040 --> 0:18:28.840
<v Speaker 1>if the actor engaged in sexual or criminal misconduct. To

0:18:28.920 --> 0:18:32.320
<v Speaker 1>save his career, Clark Gable agreed to marry Real Langham.

0:18:36.240 --> 0:18:38.679
<v Speaker 1>MGM did much more than force its young stars to

0:18:38.720 --> 0:18:41.639
<v Speaker 1>marry live in lovers. They made sure no rough edges

0:18:41.680 --> 0:18:45.040
<v Speaker 1>came into public views, says Anne Helen Peterson. So anything

0:18:45.040 --> 0:18:49.080
<v Speaker 1>that they did, whether it was drunken mischief, punching a

0:18:49.119 --> 0:18:53.719
<v Speaker 1>waiter at a bar, um, abusing a wife or a partner,

0:18:54.160 --> 0:18:57.919
<v Speaker 1>those things were covered up in collaboration with the press

0:18:58.160 --> 0:19:02.080
<v Speaker 1>and the police department. MGM controlled every police force within

0:19:02.160 --> 0:19:06.679
<v Speaker 1>fifty miles. It had an army of doctors, psychiatrists, pharmacists,

0:19:06.760 --> 0:19:10.000
<v Speaker 1>lawyers and reporters that it could enlist at any time

0:19:10.040 --> 0:19:13.000
<v Speaker 1>to fix a problem. And MGM's chief fixer was a

0:19:13.040 --> 0:19:16.760
<v Speaker 1>man named Eddie Mannix. Mannix was a former amusement park

0:19:16.800 --> 0:19:19.760
<v Speaker 1>bouncer from New Jersey. One of the jobs Mannix was

0:19:19.800 --> 0:19:22.040
<v Speaker 1>tasked with was to keep an eye on Clark Gable.

0:19:22.760 --> 0:19:27.200
<v Speaker 1>Both men were inveterate gamblers, drinkers, and womanizers. They quickly

0:19:27.240 --> 0:19:31.280
<v Speaker 1>became close friends, and whenever Gable had a problem, Mannix,

0:19:31.480 --> 0:19:35.040
<v Speaker 1>along with Howard Strickling, was there to solve it. Yes,

0:19:35.080 --> 0:19:38.040
<v Speaker 1>Gable felt the blade of the studio's almighty sword when

0:19:38.080 --> 0:19:41.480
<v Speaker 1>he was forced to marry Realangum. But as Gable star rose,

0:19:41.840 --> 0:19:45.840
<v Speaker 1>he saw that same sword go to work for him.

0:19:45.840 --> 0:19:49.920
<v Speaker 1>He was driving drunk in Hollywood and he hit a

0:19:49.960 --> 0:19:53.959
<v Speaker 1>woman in a crosswalk and drove away. Clark Gable had

0:19:53.960 --> 0:19:57.240
<v Speaker 1>a lot of car accidents in his life, according to E. J. Fleming,

0:19:57.520 --> 0:20:01.000
<v Speaker 1>This one in three was the worst. He immediately called

0:20:01.080 --> 0:20:04.440
<v Speaker 1>Strickling and said he thought he hit somebody with his car.

0:20:04.880 --> 0:20:08.600
<v Speaker 1>Strickling called the Hollywood police and they confirmed that yes,

0:20:08.680 --> 0:20:12.800
<v Speaker 1>there was a dead woman on a crosswalk and people

0:20:12.880 --> 0:20:17.760
<v Speaker 1>identified gables car. MGMs fixers went to work, says Fleming.

0:20:18.240 --> 0:20:21.439
<v Speaker 1>MGM reportedly paid off the victim's family and paid another

0:20:21.480 --> 0:20:25.360
<v Speaker 1>employee to take the rap for the accident. Twelve years later,

0:20:25.640 --> 0:20:28.320
<v Speaker 1>Gable was driving home drunk again when he lost control

0:20:28.320 --> 0:20:31.320
<v Speaker 1>of his car on Sunset Boulevard and plowed into a tree.

0:20:32.119 --> 0:20:34.960
<v Speaker 1>Gable was taken to a nearby hospital. News of the

0:20:35.000 --> 0:20:39.080
<v Speaker 1>accident leaked to the press. MGM's publicity team, never cowed

0:20:39.080 --> 0:20:42.439
<v Speaker 1>by irony, told reporters that Gable was sideswiped by a

0:20:42.520 --> 0:20:50.000
<v Speaker 1>drunk driver. Like so many other royals in history, Clark

0:20:50.040 --> 0:20:53.399
<v Speaker 1>Gable got away with just about everything. But even before

0:20:53.400 --> 0:20:57.119
<v Speaker 1>he became a star, Gable was an unflinching opportunist, one

0:20:57.119 --> 0:21:00.119
<v Speaker 1>who would do almost anything and sleep with anyone that

0:21:00.200 --> 0:21:03.240
<v Speaker 1>might advance his career. Real langenm was just one of

0:21:03.280 --> 0:21:05.679
<v Speaker 1>several women who served his rungs in the ladder that

0:21:05.720 --> 0:21:12.000
<v Speaker 1>Gable used to climb to the top of Hollywood. Clark

0:21:12.000 --> 0:21:14.960
<v Speaker 1>Gable's route to Hollywood was an orthodox, to say the least.

0:21:15.400 --> 0:21:18.119
<v Speaker 1>He was from Cadiz, Ohio, a small river town in

0:21:18.160 --> 0:21:20.879
<v Speaker 1>the middle of nowhere. The young man, then known as

0:21:20.880 --> 0:21:23.680
<v Speaker 1>Billy Gable, quit school and went to work in Akron

0:21:23.760 --> 0:21:28.040
<v Speaker 1>doing odd jobs and Helen Peterson. Again. Like many classic

0:21:28.040 --> 0:21:31.600
<v Speaker 1>Hollywood stars, he had a pretty poor and rough and

0:21:31.600 --> 0:21:34.720
<v Speaker 1>tumble childhood, His parents were in and out of pictures.

0:21:34.720 --> 0:21:39.040
<v Speaker 1>His mom died when he was young um, and he

0:21:39.240 --> 0:21:42.520
<v Speaker 1>made his way to start um kind of by fits

0:21:42.520 --> 0:21:46.200
<v Speaker 1>and starts. Eventually Gable found his way to Portland, Oregon.

0:21:46.560 --> 0:21:48.439
<v Speaker 1>There he met the first of a series of older

0:21:48.440 --> 0:21:51.680
<v Speaker 1>women that would change his life. E. J. Fleming explains

0:21:52.080 --> 0:21:54.520
<v Speaker 1>Gable used women his entire life. He was with a

0:21:54.680 --> 0:22:00.800
<v Speaker 1>traveling stage crew in Oregon early in his career, and

0:22:00.960 --> 0:22:04.280
<v Speaker 1>he hooked up with the lead actress, a woman named

0:22:04.280 --> 0:22:09.160
<v Speaker 1>Franz door Fler. She actually got him his first job acting,

0:22:09.880 --> 0:22:13.840
<v Speaker 1>and he promised to marry her, uh so she would

0:22:13.920 --> 0:22:17.640
<v Speaker 1>keep giving him jobs. Gable broke that promise. He left

0:22:17.680 --> 0:22:20.280
<v Speaker 1>door Floer a year later when he met Josephine Dillon.

0:22:20.720 --> 0:22:24.800
<v Speaker 1>Josephine was a kind of a homely acting coach. He

0:22:24.920 --> 0:22:27.760
<v Speaker 1>was twenty years older than than Gable, but she took

0:22:27.800 --> 0:22:31.399
<v Speaker 1>a liking to him all women did. She renamed him Clark.

0:22:31.960 --> 0:22:35.000
<v Speaker 1>Dylan soon became the first Mrs Clark Gable. The newly

0:22:35.040 --> 0:22:38.119
<v Speaker 1>weds moved into a Hollywood bungalow. Gable worked as a

0:22:38.119 --> 0:22:42.080
<v Speaker 1>garage mechanic and struggled as a studio extra. He was

0:22:42.119 --> 0:22:45.879
<v Speaker 1>tall and handsome, but he had enormous ears and unattractive teeth.

0:22:46.160 --> 0:22:48.119
<v Speaker 1>So one of the things that Josephine Dillon for how

0:22:48.280 --> 0:22:52.399
<v Speaker 1>did for him was basically instruct him on how he

0:22:52.400 --> 0:22:54.959
<v Speaker 1>could make it as a Hollywood star and not just

0:22:55.119 --> 0:22:58.360
<v Speaker 1>as a you know, sort of handsome guy from Ohio.

0:22:59.160 --> 0:23:03.400
<v Speaker 1>And what she did was paid for him to get

0:23:03.480 --> 0:23:06.920
<v Speaker 1>new teeth. His teeth were crooked and bad. She also

0:23:07.040 --> 0:23:09.000
<v Speaker 1>taught him how to speak in a way that it

0:23:09.240 --> 0:23:13.159
<v Speaker 1>was less high pitched and feminine. Gable rewarded Dylan's efforts

0:23:13.160 --> 0:23:15.679
<v Speaker 1>on his behalf by abandoning her. He took up with

0:23:15.720 --> 0:23:19.240
<v Speaker 1>yet another older woman, actress Pauline Frederick. She had this

0:23:19.320 --> 0:23:21.960
<v Speaker 1>huge mansion on since at Bovard. He moved in with her.

0:23:21.960 --> 0:23:25.080
<v Speaker 1>He never told Dylan he was even in town, and

0:23:25.119 --> 0:23:29.400
<v Speaker 1>he was basically a kept man. He didn't do any acting.

0:23:30.160 --> 0:23:35.600
<v Speaker 1>She just kept giving him sports cars and jewelry. Gable

0:23:35.640 --> 0:23:38.200
<v Speaker 1>was indeed it kept man, even if no single woman

0:23:38.320 --> 0:23:41.119
<v Speaker 1>kept him for all that long. Finally he met a

0:23:41.119 --> 0:23:44.520
<v Speaker 1>wealthy forty four year old divorce and socialite from Texas

0:23:44.720 --> 0:23:47.320
<v Speaker 1>named Real Langham, and it was kind of a full marriage.

0:23:47.359 --> 0:23:50.760
<v Speaker 1>They pretended they were married. They introduced themselves as Mr

0:23:50.800 --> 0:23:54.040
<v Speaker 1>and Miss as Gable. With Langham bank rolling him, Gable

0:23:54.119 --> 0:23:57.000
<v Speaker 1>pursued a career on Broadway and then back in Hollywood.

0:23:57.440 --> 0:24:00.400
<v Speaker 1>The Ohio Ruffian blossomed into a suave or be night.

0:24:00.800 --> 0:24:03.960
<v Speaker 1>He wore Brooks Brothers suits. Sometimes he carried a cane.

0:24:04.359 --> 0:24:07.639
<v Speaker 1>I think that you could safely call Clark Gable a

0:24:07.720 --> 0:24:13.040
<v Speaker 1>gold digger. He saw opportunity in a way to rise

0:24:13.080 --> 0:24:15.919
<v Speaker 1>through their ranks in Hollywood, and that was given to

0:24:16.000 --> 0:24:20.639
<v Speaker 1>him by the rank and money and success of his

0:24:20.720 --> 0:24:24.440
<v Speaker 1>respective wives. You'll recall that Marilyn Monroe had no desire

0:24:24.480 --> 0:24:27.840
<v Speaker 1>to be a kept woman, despite no shortage of opportunities.

0:24:28.680 --> 0:24:32.280
<v Speaker 1>As a result, she often lent paycheck to paycheck. Gable

0:24:32.320 --> 0:24:35.240
<v Speaker 1>took a very different tack. One of the interesting things

0:24:35.240 --> 0:24:38.199
<v Speaker 1>about Gable is that during his early career as a

0:24:38.280 --> 0:24:42.159
<v Speaker 1>stage actor was that he never had to worry about

0:24:42.560 --> 0:24:47.240
<v Speaker 1>the types of things that most struggling actors had to

0:24:47.240 --> 0:24:49.879
<v Speaker 1>worry about. He never had to worry about money, He

0:24:49.960 --> 0:24:53.840
<v Speaker 1>never had to worry about a place to stay, he

0:24:53.880 --> 0:24:56.520
<v Speaker 1>never had to worry about food. He didn't have to

0:24:56.560 --> 0:25:01.960
<v Speaker 1>worry about anything because door flour Dylan Paulian, Frederick real

0:25:02.000 --> 0:25:06.200
<v Speaker 1>laying him had him on the payroll. Gable was more

0:25:06.240 --> 0:25:09.080
<v Speaker 1>than a boy toy. He was a Pygmalion like project.

0:25:09.600 --> 0:25:12.920
<v Speaker 1>His female keepers could play Henry Higgins to his Eliza Doolittle.

0:25:13.520 --> 0:25:16.800
<v Speaker 1>After Gable signed with MGM, the starmakers at the studio

0:25:16.840 --> 0:25:23.760
<v Speaker 1>continued the transformation. Gable was a complete studio creation. The

0:25:23.800 --> 0:25:27.879
<v Speaker 1>Clark Gable that everybody remembers and saw in all the

0:25:27.920 --> 0:25:34.200
<v Speaker 1>movies was the antithesis of the real Clark Gable. He

0:25:34.440 --> 0:25:41.000
<v Speaker 1>was almost laughably hypochondriac. He had to be taught the

0:25:41.119 --> 0:25:44.919
<v Speaker 1>basic manners because he was basically kind of an uncouth

0:25:45.640 --> 0:25:50.080
<v Speaker 1>Ohio bumpkin. MGM sent Gable for new dentures. They restyled

0:25:50.119 --> 0:25:53.160
<v Speaker 1>his hair, plucked his eyebrows, and sent him to the gym.

0:25:53.240 --> 0:25:55.879
<v Speaker 1>They even tried pinning his ears back with tape. It

0:25:55.960 --> 0:25:59.280
<v Speaker 1>didn't work, so studio cameramen were instructed to film him

0:25:59.280 --> 0:26:02.320
<v Speaker 1>from the side as much as possible. The end result,

0:26:02.880 --> 0:26:05.560
<v Speaker 1>MGM cast him in a series of increasingly big roles.

0:26:05.600 --> 0:26:08.840
<v Speaker 1>In ninety one, the same year the studio forced him

0:26:08.880 --> 0:26:12.159
<v Speaker 1>to marry Real Agum. Movie goers had never seen anyone

0:26:12.240 --> 0:26:15.840
<v Speaker 1>like him. One magazine dubbed him the Great God Gable.

0:26:16.440 --> 0:26:18.560
<v Speaker 1>Here he is with Carol Lombard in the nineteen thirty

0:26:18.560 --> 0:26:22.640
<v Speaker 1>two film No Man of her Own. Sure go so FATCHO?

0:26:23.640 --> 0:26:26.320
<v Speaker 1>I wouldn't be and I was sure of you. Men

0:26:26.359 --> 0:26:29.840
<v Speaker 1>all over America started to imitate his brash, macho style.

0:26:30.440 --> 0:26:32.960
<v Speaker 1>It was not uncommon to overhear a woman responding to

0:26:33.000 --> 0:26:35.360
<v Speaker 1>those men by saying, who do you think you are?

0:26:35.560 --> 0:26:43.199
<v Speaker 1>Clark Gable. Clark Gable was in the right place at

0:26:43.240 --> 0:26:46.840
<v Speaker 1>the right time in Hollywood. MGM was loaded with female

0:26:46.880 --> 0:26:50.080
<v Speaker 1>stars but short of romantic leading men. By the end

0:26:50.119 --> 0:26:52.520
<v Speaker 1>of the decade, and after his stint as Rhett Butler,

0:26:52.800 --> 0:26:56.240
<v Speaker 1>Clark Gable was the biggest star on the planet. Gable's

0:26:56.280 --> 0:26:58.760
<v Speaker 1>massive fame also helped fire up the divorce courts of

0:26:58.840 --> 0:27:01.439
<v Speaker 1>Las Vegas, and aren't a chain of events that shaped

0:27:01.480 --> 0:27:05.960
<v Speaker 1>the lives of Marilyn Monroe, Hugh Hefner, and Gloria Steinem

0:27:06.000 --> 0:27:08.600
<v Speaker 1>Next week, in our final episode of the season, we

0:27:08.720 --> 0:27:11.639
<v Speaker 1>find out what launched Clark Gable. Even with all the

0:27:11.680 --> 0:27:14.840
<v Speaker 1>help from his various wives and female patrons, the young

0:27:14.880 --> 0:27:17.879
<v Speaker 1>Gable might not have succeeded in Hollywood without a little

0:27:17.880 --> 0:27:21.520
<v Speaker 1>good fortune, including a single test audience that was stacked

0:27:21.520 --> 0:27:24.680
<v Speaker 1>in his favor. We also retrace our steps and learn

0:27:24.760 --> 0:27:27.520
<v Speaker 1>more about the casting couches of early Hollywood and how

0:27:27.520 --> 0:27:31.359
<v Speaker 1>they connect to Gloria Steinham and the women's movement today.

0:27:32.720 --> 0:27:37.760
<v Speaker 1>Womanizing Daddio, he had got the swagger of a champion.

0:27:38.040 --> 0:27:41.840
<v Speaker 1>So bad for you. You just can't find the right company,

0:27:41.960 --> 0:27:45.400
<v Speaker 1>And I guess when you have one makes it hard.

0:27:45.760 --> 0:27:49.280
<v Speaker 1>It could be easy who you are. That's just who

0:27:49.359 --> 0:27:52.879
<v Speaker 1>you are. Baby. The Threat is produced by Libby Coleman

0:27:53.080 --> 0:27:57.040
<v Speaker 1>and me Sean Braswell. Chris Hoff engineered our show special

0:27:57.040 --> 0:28:01.040
<v Speaker 1>thanks to Cindy Carpian, Tracy Moran, and James Watkins. This

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<v Speaker 1>episode features a cover of the song Womanizer by Britney

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<v Speaker 1>Spears that was recorded at the New Foundry Studios by

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<v Speaker 1>Sophie Goldby. To learn more about the Thread, visit ausi

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<v Speaker 1>dot com, slash the thread all one word, and make

0:28:13.359 --> 0:28:16.640
<v Speaker 1>sure to subscribe to the Threat on Apple Podcasts. Check

0:28:16.680 --> 0:28:19.240
<v Speaker 1>us out at ausi dot com or on Twitter and Facebook.

0:28:19.640 --> 0:28:22.879
<v Speaker 1>If you love surprising, engaging stories from history, look no

0:28:23.000 --> 0:28:26.400
<v Speaker 1>further than the flashback section of ausy dot com. That's

0:28:26.440 --> 0:28:31.159
<v Speaker 1>o z y dot com. Or you don't trying to

0:28:31.359 --> 0:28:35.080
<v Speaker 1>run no, just just what you up by. You don't

0:28:35.119 --> 0:28:38.040
<v Speaker 1>trying to fright. No, just just do what you are,

0:28:39.760 --> 0:28:48.600
<v Speaker 1>Sam crazy. I've got your crazy, nothing but the woman. No,

0:28:50.440 --> 0:28:52.480
<v Speaker 1>you're a woman now