1 00:00:12,240 --> 00:00:17,799 Speaker 1: It's time I will welcome TV naught even nicely on 2 00:00:17,800 --> 00:00:20,040 Speaker 1: your host Rob shoots are on. It's Thursday, which means 3 00:00:20,040 --> 00:00:24,040 Speaker 1: our dear friend Mark Looper, Hey, lupy, are you there? 4 00:00:24,280 --> 00:00:25,720 Speaker 2: You'd be loose here here. 5 00:00:26,440 --> 00:00:28,880 Speaker 1: I'm running on fumes today, so I'm lucky. This is 6 00:00:28,880 --> 00:00:31,040 Speaker 1: not a complaint. Last night I was up to like 7 00:00:31,320 --> 00:00:34,040 Speaker 1: one o'clock doing CNN, so CNN has booked me a 8 00:00:34,040 --> 00:00:36,880 Speaker 1: lot now to talk about Rob, Briana and all different 9 00:00:36,920 --> 00:00:40,240 Speaker 1: types of celebrities. So I love, love doing it. But oh, Mark, 10 00:00:40,280 --> 00:00:43,319 Speaker 1: you've worked in TV a long time. The hours. It's 11 00:00:43,560 --> 00:00:46,519 Speaker 1: rough business, isn't it. You're up late, you're you're a 12 00:00:46,560 --> 00:00:49,000 Speaker 1: bit lay, you're up early. It's a lot, it is. 13 00:00:49,040 --> 00:00:50,800 Speaker 2: But luckily you had good hair and makeup to make 14 00:00:50,840 --> 00:00:52,680 Speaker 2: you look like you were fully away. 15 00:00:52,960 --> 00:00:54,920 Speaker 1: I'm going to post this picture I just because I 16 00:00:55,000 --> 00:00:57,000 Speaker 1: send you clips now after the show, and I think 17 00:00:57,000 --> 00:00:59,720 Speaker 1: that's very smart. They want all their guests to really 18 00:00:59,720 --> 00:01:02,000 Speaker 1: add ties the show for them by putting it on 19 00:01:02,040 --> 00:01:04,360 Speaker 1: social media. So yes, it helps me because all my 20 00:01:04,360 --> 00:01:06,600 Speaker 1: friends are like, oh my gosh, i'ms so legit he's 21 00:01:06,600 --> 00:01:08,759 Speaker 1: on CNN. But it also helps the show too because 22 00:01:08,800 --> 00:01:13,119 Speaker 1: suddenly people are like, the show is really fabulous. I'll 23 00:01:13,160 --> 00:01:18,039 Speaker 1: post the clip to day Mark. I look fabu. There's 24 00:01:18,200 --> 00:01:22,240 Speaker 1: no more magical room in the whole of New York 25 00:01:22,560 --> 00:01:26,640 Speaker 1: than CNN's makeup room. It is. It could turn an 26 00:01:26,760 --> 00:01:30,880 Speaker 1: ugly duckling lightning into a swan. It's g I've seen them. 27 00:01:30,920 --> 00:01:33,000 Speaker 1: Not gonna drop names here because I'll never get invited back, 28 00:01:33,080 --> 00:01:35,360 Speaker 1: but I've seen a few people walk into that room 29 00:01:35,440 --> 00:01:40,760 Speaker 1: and they've walked out a completely different person. Their hair 30 00:01:40,760 --> 00:01:43,160 Speaker 1: and makeup room it's always where you have to bow dad. 31 00:01:43,240 --> 00:01:46,440 Speaker 1: That's where the respect, That's where the real wizardry of 32 00:01:46,560 --> 00:01:49,000 Speaker 1: television goes on. Okay, let's jump into that show. What 33 00:01:49,160 --> 00:01:51,760 Speaker 1: time is it? My friends? It is tea time, big, 34 00:01:51,800 --> 00:01:53,560 Speaker 1: big story. At the top of the show, so Rob 35 00:01:53,600 --> 00:01:55,480 Speaker 1: Ryan as kids, at least two of them have broke 36 00:01:55,560 --> 00:02:00,520 Speaker 1: their silence about the horror, calling it an unimaginable pain. However, 37 00:02:00,840 --> 00:02:03,320 Speaker 1: they did not mention their brother in the statement. So 38 00:02:03,400 --> 00:02:08,080 Speaker 1: Hollywood was still reeling from Rob and Michelle Reiner's Ryaner's passing, 39 00:02:08,160 --> 00:02:11,440 Speaker 1: and now their kids, Jake and romy romy found the 40 00:02:11,480 --> 00:02:15,880 Speaker 1: bodies are finally speaking out in a heartbreaking statement, Mark 41 00:02:15,919 --> 00:02:19,800 Speaker 1: that they're describing it as living with quote unimaginable pain, 42 00:02:20,320 --> 00:02:24,120 Speaker 1: calling the loss horrific, and deavor stating this is the 43 00:02:24,160 --> 00:02:26,600 Speaker 1: part that really really got to me. So I feel 44 00:02:26,639 --> 00:02:28,800 Speaker 1: like this with my mom. They said they were not 45 00:02:29,360 --> 00:02:32,399 Speaker 1: just our parents, they were our best friends. So they've 46 00:02:32,440 --> 00:02:36,440 Speaker 1: lost their parents, their best friends, potentially their brother too. 47 00:02:36,520 --> 00:02:40,240 Speaker 1: They have thanked their fans and friends and even strangers 48 00:02:40,280 --> 00:02:43,840 Speaker 1: around the world for the outpouring of love and condolences. However, 49 00:02:43,919 --> 00:02:46,440 Speaker 1: now they're asking for some privacy. That's going to be 50 00:02:46,520 --> 00:02:49,560 Speaker 1: very difficult because this case is moving a head, so 51 00:02:49,560 --> 00:02:52,519 Speaker 1: we're trying to be respectful of that. But I think 52 00:02:52,560 --> 00:02:54,960 Speaker 1: there's still a lot of story to come out here, 53 00:02:55,040 --> 00:02:57,760 Speaker 1: a lot of questions. Mark, the question of the day 54 00:02:58,240 --> 00:03:01,800 Speaker 1: is who's paying for the defense? This attorney that he's 55 00:03:01,880 --> 00:03:05,440 Speaker 1: hired is a superstar. I was on CNN last night 56 00:03:05,480 --> 00:03:08,880 Speaker 1: with Mark Garagos, the lawyer who worked with Michael Jackson, 57 00:03:08,919 --> 00:03:12,280 Speaker 1: like this is a superstar. They anne up to two 58 00:03:12,600 --> 00:03:16,880 Speaker 1: three four thousand dollars an hour mod this. Nick has 59 00:03:16,919 --> 00:03:19,720 Speaker 1: no money. Nick never had a job. His mom and 60 00:03:19,840 --> 00:03:23,800 Speaker 1: dad paid for everything. So now I hit the phones. 61 00:03:23,840 --> 00:03:26,520 Speaker 1: I had to find out who's paying. The attorney would 62 00:03:26,520 --> 00:03:29,120 Speaker 1: not tell me. I mean, I do have hutsparactually acting, 63 00:03:29,440 --> 00:03:32,520 Speaker 1: but they wouldn't tell me. However, family sources said the 64 00:03:32,600 --> 00:03:35,360 Speaker 1: family's paying. And when we say family here, it's probably 65 00:03:35,440 --> 00:03:37,880 Speaker 1: Robin Michelle. I mean the irony of this, that they 66 00:03:37,920 --> 00:03:41,200 Speaker 1: paid for their son in life and now they're paying 67 00:03:41,280 --> 00:03:44,960 Speaker 1: in their death too. It's something now. This as controversial 68 00:03:44,960 --> 00:03:47,240 Speaker 1: as it sounds, though, I reached out to another family 69 00:03:47,240 --> 00:03:50,600 Speaker 1: friend and they said, listen, they are in so much shock, 70 00:03:50,680 --> 00:03:53,760 Speaker 1: but he's still their brother, and even if he did this, 71 00:03:53,840 --> 00:03:56,440 Speaker 1: which they believe he did, they want him to have 72 00:03:56,520 --> 00:04:00,120 Speaker 1: good representation. They want the facts to come out. I 73 00:04:00,240 --> 00:04:03,440 Speaker 1: do not want the death penalty. And so are they 74 00:04:03,480 --> 00:04:07,000 Speaker 1: paying for this? My sources say yes. What do you 75 00:04:07,000 --> 00:04:10,640 Speaker 1: think amark about the statement? I think it was quite beautiful. 76 00:04:10,920 --> 00:04:13,880 Speaker 1: And what do you think about money? Here? Is this 77 00:04:13,920 --> 00:04:17,279 Speaker 1: is now a conversation about that two hundred million dollars. 78 00:04:17,320 --> 00:04:18,240 Speaker 1: Who's going to get that. 79 00:04:18,560 --> 00:04:21,560 Speaker 2: It's just a horrible and shocking story, it really is. 80 00:04:21,720 --> 00:04:23,960 Speaker 2: And for any person to experience is to find their 81 00:04:24,000 --> 00:04:28,240 Speaker 2: parents brutally murdered in such a horrific ways, just it's 82 00:04:28,320 --> 00:04:30,880 Speaker 2: life altering and so my heart goes out to everyone 83 00:04:30,920 --> 00:04:34,240 Speaker 2: involved here. I think too. It's complicated because it is 84 00:04:34,360 --> 00:04:37,120 Speaker 2: their brother who has now taking the lives of their 85 00:04:37,160 --> 00:04:39,960 Speaker 2: best friends, their parents. They you know, he's totally uprooted 86 00:04:40,000 --> 00:04:43,000 Speaker 2: everything that they know to be true. I think here, 87 00:04:43,279 --> 00:04:45,400 Speaker 2: you know, I would imagine the money is coming from 88 00:04:45,440 --> 00:04:47,960 Speaker 2: the parents, because it's proven that he's not really ever 89 00:04:48,000 --> 00:04:50,440 Speaker 2: been able to hold a real job or to make money. 90 00:04:50,480 --> 00:04:52,800 Speaker 2: And he's been in and out of rehab since he 91 00:04:52,880 --> 00:04:55,680 Speaker 2: was in his early twenties, so he hasn't really been 92 00:04:55,720 --> 00:04:58,320 Speaker 2: able to make anything of himself other than you know, 93 00:04:58,400 --> 00:05:01,440 Speaker 2: being nepple baby who caused problem. And so, you know, 94 00:05:01,640 --> 00:05:03,840 Speaker 2: I think here too, what's so sad, and I've been 95 00:05:03,880 --> 00:05:06,440 Speaker 2: reading a lot about this story is that the parents 96 00:05:06,440 --> 00:05:10,120 Speaker 2: have been so supportive of him from his whole time 97 00:05:10,240 --> 00:05:13,960 Speaker 2: during these struggles, and it's just so it's devastating to 98 00:05:14,040 --> 00:05:17,880 Speaker 2: know that their efforts couldn't bring him across the line. 99 00:05:18,000 --> 00:05:21,680 Speaker 1: Yeah. Yeah, it's heartbreaking, isn't it. You know, Hollywood knew 100 00:05:21,760 --> 00:05:25,240 Speaker 1: Nick was trouble. People in Hollywood knew. He's been around 101 00:05:25,279 --> 00:05:27,520 Speaker 1: for thirty two years and he's been in trouble for 102 00:05:27,600 --> 00:05:29,640 Speaker 1: most of it. The mom and dad dragged him to parties, 103 00:05:29,680 --> 00:05:32,320 Speaker 1: They dragged him to the Conan Brian Potty who takes 104 00:05:32,320 --> 00:05:34,800 Speaker 1: their thirty two year old son to a party on 105 00:05:34,839 --> 00:05:36,960 Speaker 1: a Saturday night because he's got no friends, Like it's 106 00:05:37,040 --> 00:05:40,760 Speaker 1: just everything about this is so so sad. But there's 107 00:05:40,800 --> 00:05:43,320 Speaker 1: still his parents and they loved him, and my inside 108 00:05:43,400 --> 00:05:46,080 Speaker 1: is my family. Sources tell me they would forgive him 109 00:05:46,160 --> 00:05:49,000 Speaker 1: if they were still alive and Nick had committed this 110 00:05:49,160 --> 00:05:53,200 Speaker 1: horrendous act on somebody else, on a different couple, they 111 00:05:53,240 --> 00:05:56,000 Speaker 1: would be devastated. But they love him, they know he 112 00:05:56,080 --> 00:05:58,400 Speaker 1: has mental health issues. And now we're going to figure 113 00:05:58,440 --> 00:06:02,560 Speaker 1: out where the family ends upon this. I'm told there's 114 00:06:02,560 --> 00:06:05,479 Speaker 1: a split. There's some people in the family who want 115 00:06:05,600 --> 00:06:08,359 Speaker 1: him gone, who are just so and I get that, 116 00:06:08,480 --> 00:06:10,159 Speaker 1: I do get it. And there's other people in the 117 00:06:10,200 --> 00:06:13,320 Speaker 1: family that this is their brother. They grew up with him, 118 00:06:13,560 --> 00:06:17,119 Speaker 1: they know him, they've known he's been trouble his whole life. 119 00:06:17,200 --> 00:06:20,560 Speaker 1: And what do you do. We don't have the resources 120 00:06:20,560 --> 00:06:22,760 Speaker 1: of Rob Ryiner. What do you do if you're a 121 00:06:22,800 --> 00:06:25,880 Speaker 1: regular person, mark like you, like I like our friends 122 00:06:25,920 --> 00:06:29,280 Speaker 1: listening like the Naughties. If there's a problem in the house, 123 00:06:29,320 --> 00:06:32,720 Speaker 1: there's red flags. We've seen this. We all know somebody 124 00:06:32,960 --> 00:06:35,920 Speaker 1: within our family or a friend's family who has mental 125 00:06:35,920 --> 00:06:40,840 Speaker 1: health troubles issues. Now hopefully, hopefully it's not as extreme 126 00:06:40,880 --> 00:06:44,000 Speaker 1: as this, but it could be. We have seen red flags. 127 00:06:44,040 --> 00:06:48,120 Speaker 1: What do you do as parents? It is an unanswerable question, 128 00:06:48,400 --> 00:06:50,839 Speaker 1: and that's why this question keeps going around and around. 129 00:06:50,920 --> 00:06:53,359 Speaker 1: Some people think you should be much harsher. He should 130 00:06:53,360 --> 00:06:56,000 Speaker 1: have been incarcerated, he should have been locked up, They 131 00:06:56,040 --> 00:06:59,599 Speaker 1: should have put him away, But that's very difficult to 132 00:06:59,640 --> 00:07:02,160 Speaker 1: doing California, as we saw from Britney spears to get 133 00:07:02,200 --> 00:07:06,880 Speaker 1: a psychiatric hold on somebody who's actually really, really difficult. 134 00:07:07,240 --> 00:07:11,200 Speaker 1: The system here has failed and it breaks my heart. 135 00:07:11,400 --> 00:07:14,640 Speaker 1: We normally do a poll question, now, don't we But 136 00:07:14,680 --> 00:07:17,320 Speaker 1: we don't do poles when it's a topic like this. 137 00:07:17,440 --> 00:07:21,920 Speaker 1: I'm not interested in poles when something this devastating has happened. 138 00:07:21,960 --> 00:07:25,040 Speaker 1: So we're going to keep moving on our final Nick 139 00:07:25,160 --> 00:07:27,160 Speaker 1: story of the show, and then I promise we'll get 140 00:07:27,200 --> 00:07:29,680 Speaker 1: into some different type of gossip, something a little bit 141 00:07:29,920 --> 00:07:33,960 Speaker 1: more uplifting. We have finally seen him. He appeared in 142 00:07:34,040 --> 00:07:38,480 Speaker 1: court yesterday, Mark, What do we know about that appearance? 143 00:07:38,680 --> 00:07:40,600 Speaker 2: Yes, so he appeared in quarrier for the first time 144 00:07:40,680 --> 00:07:44,360 Speaker 2: yesterday after he really you know, allegedly stabbed his parents 145 00:07:44,360 --> 00:07:47,840 Speaker 2: to death. Now he arrived in Los Angeles to shoveled, 146 00:07:48,160 --> 00:07:51,000 Speaker 2: hollow eyed, and shaggled at the hands and feet, and 147 00:07:51,120 --> 00:07:54,240 Speaker 2: dressed in the anti self firm prevention smart As he 148 00:07:54,320 --> 00:07:57,400 Speaker 2: faced the two counter first degree water and the nick 149 00:07:57,440 --> 00:07:59,800 Speaker 2: you know, he remained silent and stared straight ahead throughout 150 00:07:59,840 --> 00:08:03,239 Speaker 2: the briefing, making his first public appearance since the arrest, 151 00:08:03,720 --> 00:08:07,320 Speaker 2: and apparently his high power of defense Attorney Al Jackson 152 00:08:07,400 --> 00:08:10,920 Speaker 2: called the case of this devastating tragedy and urged public 153 00:08:11,400 --> 00:08:14,400 Speaker 2: not to judge rush judgment, I should say, and he 154 00:08:14,560 --> 00:08:17,760 Speaker 2: also he has an arraignment schedule for January seventh. 155 00:08:18,160 --> 00:08:21,720 Speaker 1: January seventh, January seventh. I've never seen this before. I've 156 00:08:21,720 --> 00:08:27,480 Speaker 1: never seen one of these anti harm prevention, anti suicide schmocks. 157 00:08:27,520 --> 00:08:30,560 Speaker 1: He was almost naked, except he was covered in this 158 00:08:30,800 --> 00:08:35,080 Speaker 1: blue more than more than a straight dat racket. He 159 00:08:35,320 --> 00:08:37,800 Speaker 1: looked terrible. The judge, they asked that he was not 160 00:08:37,920 --> 00:08:41,000 Speaker 1: shown on camera, but we saw sketches also too. We 161 00:08:41,080 --> 00:08:44,040 Speaker 1: had reporters, yes, people in the room in the court 162 00:08:44,280 --> 00:08:48,920 Speaker 1: who described him here. This could be mark the trial 163 00:08:49,360 --> 00:08:53,000 Speaker 1: of the century. We've just got through the Diddy trial. 164 00:08:53,440 --> 00:08:56,600 Speaker 1: We can't forget the oj Simpson trial. Of course, maybe 165 00:08:56,640 --> 00:09:01,080 Speaker 1: the biggest celebrity trial of all time, that Michael Jackson trial. 166 00:09:01,600 --> 00:09:05,240 Speaker 1: This is going to be massive. I'm already told Mark 167 00:09:05,640 --> 00:09:10,480 Speaker 1: News organizations are thinking about moving reporters out to LA 168 00:09:10,559 --> 00:09:12,920 Speaker 1: to cover this. Most of the anchors, all the anchors 169 00:09:12,920 --> 00:09:16,319 Speaker 1: of the big three network shows Mark are based here 170 00:09:16,320 --> 00:09:18,439 Speaker 1: in New York. I think they're going to move out 171 00:09:18,440 --> 00:09:22,280 Speaker 1: to LA for weeks, days, or maybe even months at 172 00:09:22,320 --> 00:09:24,720 Speaker 1: a time to cover this. Do you see this trial 173 00:09:24,960 --> 00:09:27,800 Speaker 1: as being headline news for the next couple of months? 174 00:09:27,880 --> 00:09:28,480 Speaker 1: I do you know? 175 00:09:28,520 --> 00:09:31,840 Speaker 2: They've already put out a documentary special last night it 176 00:09:31,920 --> 00:09:35,400 Speaker 2: was on ABC. I will say that because Rob Reiner, 177 00:09:35,520 --> 00:09:38,280 Speaker 2: really he crosses over so many different types of people 178 00:09:38,280 --> 00:09:40,880 Speaker 2: in generations. So people have been impacted by his work 179 00:09:40,920 --> 00:09:43,360 Speaker 2: from the seventies and up until now, and so I 180 00:09:43,400 --> 00:09:45,679 Speaker 2: think there is a true love for him. He seemed 181 00:09:45,720 --> 00:09:47,720 Speaker 2: like a wonderful guy and he's touched so many laves 182 00:09:47,760 --> 00:09:50,160 Speaker 2: in a positive way that it's hard not to feel 183 00:09:50,200 --> 00:09:52,440 Speaker 2: invested in his story and to see this through it. 184 00:09:52,520 --> 00:09:55,520 Speaker 1: Yeah, that's the words invested, isn't it. It's the way 185 00:09:55,520 --> 00:09:58,520 Speaker 1: he made us feel. He just made everybody feel something. 186 00:09:58,880 --> 00:10:02,480 Speaker 1: Yesterday Anderson Coop working on a new primetime documentary and 187 00:10:02,520 --> 00:10:06,560 Speaker 1: I film that yesterday too. It's amazing these TV people Mark. 188 00:10:06,559 --> 00:10:10,640 Speaker 1: They're so quick and smart and the product is so 189 00:10:10,800 --> 00:10:13,960 Speaker 1: great and they do it in like twenty four hours. 190 00:10:14,160 --> 00:10:16,760 Speaker 1: I think they call it slamming it. They just like 191 00:10:16,960 --> 00:10:20,000 Speaker 1: slam a. It's just wild to watch. I'll give you 192 00:10:20,000 --> 00:10:22,040 Speaker 1: the heads up when that's going to end or tas Okay, 193 00:10:22,120 --> 00:10:26,559 Speaker 1: let's move along away from away from Rob ryaner Oh 194 00:10:26,600 --> 00:10:29,520 Speaker 1: it breaks my heart. But we do have some quite 195 00:10:29,600 --> 00:10:33,240 Speaker 1: shocking gossip here that the oscars now are moving from 196 00:10:33,280 --> 00:10:36,920 Speaker 1: TV to YouTube. You heard that right in twenty twenty nine. 197 00:10:37,320 --> 00:10:40,040 Speaker 1: The Academy of Motion Pictures and Science, so it sounds 198 00:10:40,080 --> 00:10:43,000 Speaker 1: so official when you say it, that has announced that 199 00:10:43,040 --> 00:10:46,880 Speaker 1: they're going to begin the two hundred and first Oscars. Wow, 200 00:10:47,000 --> 00:10:51,319 Speaker 1: two hundred and first Oscars one sorry, oh gosh, one 201 00:10:51,440 --> 00:10:53,600 Speaker 1: hundred and first one oh one one, one hundred and 202 00:10:53,600 --> 00:10:59,160 Speaker 1: first Oscars in twenty twenty nine on YouTube. I think 203 00:10:59,200 --> 00:11:02,480 Speaker 1: this market shocking is its sounds. It's not that shocking. 204 00:11:02,840 --> 00:11:06,920 Speaker 1: The world's changing, and the oscars moving is a big moment, 205 00:11:07,320 --> 00:11:10,440 Speaker 1: but it's hardly the beginning, I would argue we're well 206 00:11:10,480 --> 00:11:14,360 Speaker 1: into this process now of Netflix, of YouTube, we are 207 00:11:14,480 --> 00:11:18,560 Speaker 1: moving away and I think, actually my question would be 208 00:11:18,640 --> 00:11:23,280 Speaker 1: what took you so long? People now watch television, they 209 00:11:23,320 --> 00:11:25,840 Speaker 1: watch their favorite shows on YouTube. You can get a 210 00:11:25,840 --> 00:11:28,520 Speaker 1: global audience. If you put it up on YouTube on ABC, 211 00:11:28,720 --> 00:11:30,960 Speaker 1: on NBC or whatever network I think it was ABC, 212 00:11:31,240 --> 00:11:32,800 Speaker 1: You're not going to get a global audience. It's an 213 00:11:32,800 --> 00:11:34,959 Speaker 1: American audience. So if you put it on YouTube, the 214 00:11:35,320 --> 00:11:38,000 Speaker 1: Oscars can go global. Pictures now they always have there 215 00:11:38,040 --> 00:11:40,800 Speaker 1: been for a long time, are really global events. And 216 00:11:40,840 --> 00:11:43,080 Speaker 1: so to me, Mark, actually I think it makes a 217 00:11:43,080 --> 00:11:45,000 Speaker 1: lot of sense. What do you think it does? 218 00:11:45,080 --> 00:11:47,240 Speaker 2: You know? I was looking into this and the peak 219 00:11:47,280 --> 00:11:50,520 Speaker 2: audience for the Oscars was in nineteen ninety seven with 220 00:11:50,720 --> 00:11:54,880 Speaker 2: the Titanic, and since then just about fifty five million 221 00:11:54,920 --> 00:11:56,920 Speaker 2: people watching. And you know, as i've vlid, it's on 222 00:11:56,920 --> 00:11:59,960 Speaker 2: about twenty million. So the audiences are rouding. People are 223 00:12:00,160 --> 00:12:03,920 Speaker 2: not looking at broadcasts the same way. And YouTube has 224 00:12:04,000 --> 00:12:07,160 Speaker 2: two billion users. This is a big opportunity for the 225 00:12:07,200 --> 00:12:09,760 Speaker 2: awards show to people to be watched by many different 226 00:12:09,760 --> 00:12:13,640 Speaker 2: people across the world in real time, and they can 227 00:12:13,640 --> 00:12:15,880 Speaker 2: make it longer. They don't have to add out curses 228 00:12:15,880 --> 00:12:17,520 Speaker 2: and it could be you know, this could be a 229 00:12:17,520 --> 00:12:19,400 Speaker 2: really fun thing for the askers. 230 00:12:19,960 --> 00:12:21,439 Speaker 1: I like it. I think this is a good to do. 231 00:12:21,559 --> 00:12:25,000 Speaker 1: I've just started a YouTube channel, and so my friends, 232 00:12:25,040 --> 00:12:27,440 Speaker 1: people in the media, particularly my book publisher, from being 233 00:12:27,480 --> 00:12:29,120 Speaker 1: really honest, told me that you have to try and 234 00:12:29,160 --> 00:12:32,160 Speaker 1: reach as many people as possible on many, many different platforms. 235 00:12:32,160 --> 00:12:34,640 Speaker 1: You can't just be a podcaster, host or a sub 236 00:12:34,640 --> 00:12:37,880 Speaker 1: stack writer. You've got to do it as much as possible. 237 00:12:37,920 --> 00:12:40,080 Speaker 1: So every day now I post a five days a week, 238 00:12:40,080 --> 00:12:42,560 Speaker 1: I post a little video on YouTube. It's really helped. 239 00:12:42,840 --> 00:12:46,760 Speaker 1: You'd be surprised at how many people have discovered me 240 00:12:46,800 --> 00:12:48,400 Speaker 1: for the first time. Where you be and I've been 241 00:12:48,440 --> 00:12:52,720 Speaker 1: around forever, but it's so interesting. YouTube does reach a 242 00:12:52,960 --> 00:12:56,360 Speaker 1: different type of audience, and so I think this was 243 00:12:56,880 --> 00:12:58,560 Speaker 1: just the beginning mark. I think we're going to see 244 00:12:58,559 --> 00:13:01,480 Speaker 1: a lot more, a lot more shows, a lot more 245 00:13:01,520 --> 00:13:05,360 Speaker 1: award shows going to streaming. Okay, this story made me 246 00:13:05,720 --> 00:13:08,760 Speaker 1: made me smile. I saw them recently. I was at 247 00:13:08,800 --> 00:13:11,640 Speaker 1: a play on Broadway at art and they sat right 248 00:13:11,679 --> 00:13:14,320 Speaker 1: in front of me, George Clooney and Amalk Clooney. Now 249 00:13:14,400 --> 00:13:19,160 Speaker 1: he has swore off, Mark swore off kissing. What is 250 00:13:19,280 --> 00:13:19,839 Speaker 1: going on? 251 00:13:19,920 --> 00:13:22,800 Speaker 2: That's all right? So the sixty sixty four year old 252 00:13:22,880 --> 00:13:26,760 Speaker 2: Hollywood I kind of revealed he's following in Paul Newman's footsteps, 253 00:13:26,840 --> 00:13:30,040 Speaker 2: joking that he's done kissing a girl on screen as 254 00:13:30,040 --> 00:13:33,760 Speaker 2: he embraces a new phase in his career. He admitted 255 00:13:33,760 --> 00:13:36,640 Speaker 2: that Turning Sixties spoke to a reality check about his age, 256 00:13:36,880 --> 00:13:39,640 Speaker 2: image and where he fits in in modern movies, and 257 00:13:39,679 --> 00:13:42,720 Speaker 2: he's no longer interested in competing with much younger leading 258 00:13:42,760 --> 00:13:45,040 Speaker 2: men or playing the romantic heart throb. 259 00:13:45,640 --> 00:13:48,920 Speaker 1: Oh I like these. When I said he's no longer 260 00:13:49,000 --> 00:13:50,760 Speaker 1: going to be kissing, it sounded likely he's not going 261 00:13:50,760 --> 00:13:54,240 Speaker 1: to be kissing a ball. I like this. I think 262 00:13:54,240 --> 00:13:57,000 Speaker 1: there's something about it, and there's something about being aware 263 00:13:57,440 --> 00:14:01,199 Speaker 1: of your age and who you are. And he, because 264 00:14:01,240 --> 00:14:03,960 Speaker 1: of the way Hollywood works, he could keep making movies 265 00:14:04,040 --> 00:14:06,959 Speaker 1: kissing twenty year old girls. He really could. That we 266 00:14:07,400 --> 00:14:11,080 Speaker 1: don't bat an eyelid when the guy is significantly older, 267 00:14:11,080 --> 00:14:12,880 Speaker 1: and he just doesn't want to be that guy. He 268 00:14:12,920 --> 00:14:16,680 Speaker 1: doesn't want to be that guy on screen kissing young girls. 269 00:14:16,760 --> 00:14:19,320 Speaker 1: I'm sure Amal had something to say about this too, 270 00:14:20,320 --> 00:14:23,160 Speaker 1: So I think this is great, hey, And he also 271 00:14:23,240 --> 00:14:24,920 Speaker 1: has the power to do it, like a lot of 272 00:14:24,960 --> 00:14:28,360 Speaker 1: actors wouldn't have the power to change scripts, Like if 273 00:14:28,400 --> 00:14:31,000 Speaker 1: you hire me, I got to do the script. I 274 00:14:31,040 --> 00:14:32,760 Speaker 1: can't decide I don't want to do this part or 275 00:14:32,800 --> 00:14:35,000 Speaker 1: that part. So he has the power to do it. 276 00:14:35,040 --> 00:14:37,360 Speaker 1: And good for you. Georgia k quickly before we go 277 00:14:37,440 --> 00:14:41,120 Speaker 1: to break. Timothy Shallonay skipped his La and New York 278 00:14:41,200 --> 00:14:44,200 Speaker 1: after parties of his new film, Marty Supreme. So this 279 00:14:44,240 --> 00:14:46,400 Speaker 1: film is meant to be fantastic. I have not seen 280 00:14:46,440 --> 00:14:48,640 Speaker 1: it yet. However, friends of mine who woul invited to 281 00:14:48,680 --> 00:14:52,240 Speaker 1: a big fancy party Times Squares. They did this big 282 00:14:52,280 --> 00:14:55,200 Speaker 1: party and afterwards they did the star studied reception at 283 00:14:55,200 --> 00:14:57,920 Speaker 1: the National Arts Club. I've been their market. It's quite fancy. 284 00:14:58,240 --> 00:15:00,960 Speaker 1: I think it's in grammar Soon it is in Gramercy, 285 00:15:01,200 --> 00:15:05,200 Speaker 1: really quite fancy. Everybody said they were all aware, except Timothy. 286 00:15:05,480 --> 00:15:07,360 Speaker 1: I hit the phones and they said, it's just not 287 00:15:07,440 --> 00:15:10,160 Speaker 1: his thing. He doesn't really do press. He walks the 288 00:15:10,160 --> 00:15:13,000 Speaker 1: red carpet, but he doesn't do interviews. He just just photographs. 289 00:15:13,160 --> 00:15:15,440 Speaker 1: He slips in and he introduces the movie and then 290 00:15:15,440 --> 00:15:17,720 Speaker 1: he goes back to his hotel room, and then that's 291 00:15:17,760 --> 00:15:20,760 Speaker 1: sort of it. He's not comfortable too. I say, good 292 00:15:20,760 --> 00:15:23,240 Speaker 1: for you. You know, if you want to sell a project, 293 00:15:23,400 --> 00:15:25,400 Speaker 1: I'm from the school of more is less. You wait 294 00:15:25,480 --> 00:15:27,840 Speaker 1: until this book comes out in April. I'm going to 295 00:15:27,920 --> 00:15:31,480 Speaker 1: be everywhere everywhere. But I get it too. If it's 296 00:15:31,560 --> 00:15:33,720 Speaker 1: just not your thing, you do what you have to do, 297 00:15:34,080 --> 00:15:36,600 Speaker 1: and then don't force yourself to do something you don't 298 00:15:36,720 --> 00:15:39,480 Speaker 1: like doing. He doesn't like parties, he doesn't like this stuff, 299 00:15:39,680 --> 00:15:42,160 Speaker 1: you know, but it's your film. I'd probably suck it up, 300 00:15:42,360 --> 00:15:44,000 Speaker 1: but it is up to him. Okay, we're going to 301 00:15:44,080 --> 00:15:47,520 Speaker 1: take a quick break and we will be right back. 302 00:15:48,720 --> 00:15:53,120 Speaker 1: Welcome back to the naughty but nicey heads from Shoot 303 00:15:53,200 --> 00:15:55,800 Speaker 1: with a Dear Friend, Mark Lippo. No polls today. We 304 00:15:55,880 --> 00:15:58,880 Speaker 1: do not do poles when the subject's so heavy, when 305 00:15:58,880 --> 00:16:01,520 Speaker 1: it's so serious, but we all get to do nicest, 306 00:16:01,560 --> 00:16:03,680 Speaker 1: which is my favorite part of the show. A nicest 307 00:16:04,280 --> 00:16:05,120 Speaker 1: of the day. 308 00:16:05,760 --> 00:16:10,920 Speaker 2: Oh wow, it's one of our favorites. Rob Our girl 309 00:16:10,960 --> 00:16:14,400 Speaker 2: Taylor Swift has she has some ideas for a tour 310 00:16:14,520 --> 00:16:17,520 Speaker 2: or percolating, but Insider says she's in no rush to 311 00:16:17,800 --> 00:16:22,120 Speaker 2: get on the road, so Taylor Swift has been off 312 00:16:22,120 --> 00:16:25,160 Speaker 2: stage for now, but she's dreaming big. Sources to say 313 00:16:25,160 --> 00:16:29,360 Speaker 2: that the pop megastar always has ideas percolating, but a 314 00:16:29,400 --> 00:16:33,040 Speaker 2: future tour is not the immediate future. However, She's now 315 00:16:33,120 --> 00:16:37,680 Speaker 2: enjoying a rare earned break after her record shutting eras Run. 316 00:16:37,720 --> 00:16:40,240 Speaker 1: What do you think she could sell out tomorrow? Like 317 00:16:40,280 --> 00:16:42,200 Speaker 1: a lot of stars have to take a break to 318 00:16:42,360 --> 00:16:46,440 Speaker 1: regenerate interest, you get over too Sometimes pop stars are 319 00:16:46,480 --> 00:16:48,440 Speaker 1: on the road so much you just you don't want 320 00:16:48,440 --> 00:16:51,160 Speaker 1: to see it anymore. Too many times, Taylor is an event, 321 00:16:51,440 --> 00:16:53,160 Speaker 1: and so she's very aware of this. I've always said 322 00:16:53,160 --> 00:16:55,160 Speaker 1: that Taylor is an extraordinary musician, but she is an 323 00:16:55,160 --> 00:16:58,800 Speaker 1: extraordinary marketing publicist. She knows how to do this, and 324 00:16:58,800 --> 00:17:01,480 Speaker 1: so in the moment, it's probably wise that she's given 325 00:17:01,560 --> 00:17:02,960 Speaker 1: us a little bit of a break and then in 326 00:17:02,960 --> 00:17:05,880 Speaker 1: a few years she'll be back. Though it is not over, 327 00:17:05,960 --> 00:17:08,800 Speaker 1: and I'm glad about that. She's too great to not 328 00:17:08,920 --> 00:17:12,200 Speaker 1: be touring again. Taylor, whenever you want to do a show, 329 00:17:12,920 --> 00:17:15,680 Speaker 1: mark and I will be there, okay, and now and 330 00:17:15,760 --> 00:17:18,280 Speaker 1: not is the day? Naughty, naughty, naughty. There's an video 331 00:17:18,320 --> 00:17:21,720 Speaker 1: footage of Nick Ryan a looking very calm walking by 332 00:17:21,720 --> 00:17:25,560 Speaker 1: his parents' home after the grisly murden. Now, the reason 333 00:17:25,640 --> 00:17:28,359 Speaker 1: this is so important is that whole neighborhood, it was 334 00:17:28,400 --> 00:17:31,760 Speaker 1: a really posh neighborhood Brentwood. Cameras are everywhere. If ever 335 00:17:31,760 --> 00:17:33,639 Speaker 1: you've been there, there are cameras, not just on the 336 00:17:33,640 --> 00:17:36,760 Speaker 1: private houses, on the streets. It's probably the most videoed 337 00:17:36,960 --> 00:17:40,440 Speaker 1: neighborhood maybe in America. Cameras everywhere, So we're going to 338 00:17:40,480 --> 00:17:43,040 Speaker 1: see a lot of video footage, or at least the 339 00:17:43,040 --> 00:17:45,960 Speaker 1: police are. Now the reason this is so important, as 340 00:17:46,040 --> 00:17:49,200 Speaker 1: my my pal Nancy Grace pointed out, they're going to 341 00:17:49,280 --> 00:17:52,320 Speaker 1: try and say he was insane. That he was he 342 00:17:52,480 --> 00:17:56,320 Speaker 1: had a mental breakdown and killed his parents. This video 343 00:17:56,440 --> 00:18:00,480 Speaker 1: does not look like somebody softening with mental health. We 344 00:18:00,520 --> 00:18:02,840 Speaker 1: see him at one point going to a store and 345 00:18:02,960 --> 00:18:06,359 Speaker 1: buy a drink. You notice his clothes have no blood 346 00:18:06,400 --> 00:18:09,520 Speaker 1: on them, which means after he murdered his parents, allegedly, 347 00:18:10,000 --> 00:18:13,520 Speaker 1: he packed a new shirt and new jeans, and he 348 00:18:13,560 --> 00:18:16,360 Speaker 1: went into a gas station and paid for the can 349 00:18:16,440 --> 00:18:19,359 Speaker 1: of soda with his pull dad his wallet, So he 350 00:18:19,400 --> 00:18:22,840 Speaker 1: packed his wallet, he packed a change of clothing. There's 351 00:18:22,920 --> 00:18:26,240 Speaker 1: no blood on him. He walked around looking kind of 352 00:18:26,359 --> 00:18:29,880 Speaker 1: chilled out. It looked like you and me buying something. 353 00:18:30,000 --> 00:18:32,840 Speaker 1: And so these videos are going to be really, really 354 00:18:32,880 --> 00:18:37,280 Speaker 1: important because to argue that he was insane is easy. 355 00:18:37,359 --> 00:18:41,280 Speaker 1: You would be insane to do this to your parents. However, 356 00:18:41,800 --> 00:18:46,160 Speaker 1: when the jury sees this video, many videos of him 357 00:18:46,240 --> 00:18:52,200 Speaker 1: walking around looking so chilled, looking so relaxed, definitely he's 358 00:18:52,320 --> 00:18:56,280 Speaker 1: changed his clothing, then that's going to be harder to prove. 359 00:18:56,480 --> 00:18:59,399 Speaker 1: Just a little insight there into the case that's going 360 00:18:59,440 --> 00:19:02,800 Speaker 1: to explode in January. Okay, let's end with a moment 361 00:19:02,840 --> 00:19:04,280 Speaker 1: of rub You're gonna rob you, gonna rob you again 362 00:19:04,280 --> 00:19:08,600 Speaker 1: and roub I thought this was particularly appropriate for today 363 00:19:08,720 --> 00:19:12,600 Speaker 1: because of all the stuff in the news. Grief is 364 00:19:12,640 --> 00:19:16,080 Speaker 1: not a problem that you solve. It's a journey that 365 00:19:16,160 --> 00:19:19,639 Speaker 1: you have to travel. Stop trying to fix the pain 366 00:19:20,160 --> 00:19:25,000 Speaker 1: or rush the timeline. Feel it, it's raw, it's messy, 367 00:19:25,600 --> 00:19:29,000 Speaker 1: Cry and scream, do whatever you want to let it out. 368 00:19:29,320 --> 00:19:32,280 Speaker 1: You'll have your moments of despair and then bursts of 369 00:19:32,400 --> 00:19:37,400 Speaker 1: light and then despair again, and that's totally normal. Don't 370 00:19:37,600 --> 00:19:42,320 Speaker 1: judge yourself because loss changes you, but it doesn't have 371 00:19:42,480 --> 00:19:46,200 Speaker 1: to break you. Take small steps every single day, a shower, 372 00:19:46,480 --> 00:19:49,359 Speaker 1: call a friend, brief, some fresh air, play with your doggie, 373 00:19:49,680 --> 00:19:52,400 Speaker 1: keep showing up for yourself because life goes on and 374 00:19:52,480 --> 00:19:58,959 Speaker 1: so will you. Pain fades, but love remains once again 375 00:19:59,119 --> 00:20:03,159 Speaker 1: here grief. It's not a problem that you will ever solve, 376 00:20:03,680 --> 00:20:07,879 Speaker 1: It's a journey that you will feel. Hey, that is 377 00:20:08,080 --> 00:20:12,199 Speaker 1: it for today. Thank you so much for listening. So 378 00:20:12,240 --> 00:20:14,920 Speaker 1: they're not even nice with Rob and Mark shell Mark, 379 00:20:14,920 --> 00:20:18,000 Speaker 1: I think we're doing a really good job of balancing 380 00:20:18,080 --> 00:20:22,000 Speaker 1: some optimistic and fun news with clearly the biggest story 381 00:20:22,200 --> 00:20:24,920 Speaker 1: of the year here. How do you feel about the tone. 382 00:20:24,920 --> 00:20:26,200 Speaker 1: I think we've got it right today. 383 00:20:26,359 --> 00:20:28,520 Speaker 2: Yeah, listen, it's a very tough story, but you know, 384 00:20:28,600 --> 00:20:31,120 Speaker 2: we always try to have a little fun here even 385 00:20:31,160 --> 00:20:33,360 Speaker 2: when things are tough, and you know, I think we've 386 00:20:33,400 --> 00:20:34,680 Speaker 2: done the right thing today. 387 00:20:35,280 --> 00:20:37,399 Speaker 1: I hope. So I don't forget to subscribe on the 388 00:20:37,440 --> 00:20:40,040 Speaker 1: iHeart App, Apple podcast whatever you listening to give us 389 00:20:40,040 --> 00:20:42,399 Speaker 1: a review if you can. They really do help and 390 00:20:42,440 --> 00:20:46,359 Speaker 1: remember altogether. Now let me hear you singing along. If 391 00:20:46,400 --> 00:20:49,440 Speaker 1: you're going to be aughting, you've got to be let 392 00:20:49,480 --> 00:20:54,560 Speaker 1: me hear you nice. Take care everybody. It's not even 393 00:20:54,760 --> 00:20:55,960 Speaker 1: nice with Rah