1 00:00:00,080 --> 00:00:24,880 Speaker 1: M. So, I came across this term the other week, um, 2 00:00:24,920 --> 00:00:26,680 Speaker 1: and I've been thinking about it a lot. Have you 3 00:00:26,720 --> 00:00:32,760 Speaker 1: guys ever heard of the end of history illusion? No? Yeah, 4 00:00:32,760 --> 00:00:35,120 Speaker 1: but I'm intrigued. I hadn't heard this either. It's it's 5 00:00:35,159 --> 00:00:37,440 Speaker 1: it's a good new it's relatively new. I guess it 6 00:00:37,479 --> 00:00:40,879 Speaker 1: was coined in like two thousand two fourteen, and I 7 00:00:40,920 --> 00:00:43,559 Speaker 1: came across into something I was reading, And I've been 8 00:00:43,560 --> 00:00:47,480 Speaker 1: thinking about it a lot in relation to our show, um, 9 00:00:47,479 --> 00:00:49,879 Speaker 1: which is it's this, it's it's it's the end of 10 00:00:49,960 --> 00:00:54,240 Speaker 1: history illusion. And it's a cognitive bias that people have 11 00:00:55,000 --> 00:00:58,440 Speaker 1: that we tend to think of ourselves in our current 12 00:00:59,080 --> 00:01:03,560 Speaker 1: context or life as fixed as like we've we've we 13 00:01:03,640 --> 00:01:07,080 Speaker 1: were done growing, Whereas when we look back on times 14 00:01:07,080 --> 00:01:09,200 Speaker 1: in our lives, like we look back on our adolescents 15 00:01:09,319 --> 00:01:12,120 Speaker 1: or early twenties, we're able to see ourselves as like 16 00:01:12,120 --> 00:01:14,280 Speaker 1: a work in progress. You know that we give ourselves 17 00:01:14,360 --> 00:01:16,480 Speaker 1: grace when we look back and say, oh, yeah, I 18 00:01:16,560 --> 00:01:19,840 Speaker 1: wasn't fully grown yet, or I was changing constantly, But 19 00:01:19,880 --> 00:01:22,880 Speaker 1: then we rate ourselves at the current moment as like 20 00:01:23,000 --> 00:01:25,720 Speaker 1: incapable of changing, like we think of history is done, 21 00:01:25,760 --> 00:01:28,720 Speaker 1: like we're done growing, and like they've done a bunch 22 00:01:28,720 --> 00:01:33,360 Speaker 1: of studies where people consistently rate themselves as like finished 23 00:01:33,480 --> 00:01:36,280 Speaker 1: or fixed, um, you know, like and and yet when 24 00:01:36,280 --> 00:01:38,360 Speaker 1: we look back on our lives, we can say, oh, no, 25 00:01:38,480 --> 00:01:40,880 Speaker 1: I wasn't done growing at all yet. And it's something 26 00:01:40,880 --> 00:01:43,760 Speaker 1: that I've been trying to keep in mind in relation 27 00:01:43,800 --> 00:01:47,119 Speaker 1: to this show. You know, this this project that we've 28 00:01:47,120 --> 00:01:50,000 Speaker 1: embarked upon together and now we're opening up to the 29 00:01:50,480 --> 00:01:53,120 Speaker 1: world to listen in on where we're looking back on, 30 00:01:53,720 --> 00:01:56,200 Speaker 1: you know, obviously a very pivotal time in our lives, 31 00:01:56,240 --> 00:01:58,040 Speaker 1: and we're able to say like, oh my god, we 32 00:01:58,040 --> 00:02:01,560 Speaker 1: were so young, we didn't know anything, but that actually 33 00:02:02,360 --> 00:02:05,760 Speaker 1: we still kind of are, like we still don't know anything, 34 00:02:05,800 --> 00:02:09,200 Speaker 1: and we still are not done. And I've been thinking 35 00:02:09,240 --> 00:02:12,799 Speaker 1: about like how it's kind of important for us and 36 00:02:12,919 --> 00:02:15,000 Speaker 1: probably for our listeners to be aware of that we're 37 00:02:15,040 --> 00:02:18,040 Speaker 1: still changing and growing, you know, like we're not coming 38 00:02:18,080 --> 00:02:20,880 Speaker 1: to a conclusion about Boy Meets World. We're not gonna 39 00:02:20,919 --> 00:02:23,800 Speaker 1: like decide like, oh well that's the way the show 40 00:02:23,960 --> 00:02:25,800 Speaker 1: was or that's what it actually meant to us. It's 41 00:02:25,800 --> 00:02:27,600 Speaker 1: going to keep changing, you know, and that we're going 42 00:02:27,639 --> 00:02:31,320 Speaker 1: to keep changing and growing, and like ten years from now, 43 00:02:31,520 --> 00:02:33,920 Speaker 1: we might listen back to Pod Meets World and be like, 44 00:02:34,160 --> 00:02:37,119 Speaker 1: what were we thinking we were so young in our 45 00:02:37,200 --> 00:02:39,680 Speaker 1: forties back then when we were talking about the show. 46 00:02:39,760 --> 00:02:42,240 Speaker 1: That would be That's that would actually be really interesting, 47 00:02:42,360 --> 00:02:44,880 Speaker 1: is do Pod Meets World to this time? It's personal, 48 00:02:45,000 --> 00:02:47,840 Speaker 1: and we'll do it twenty years from now, and we 49 00:02:47,880 --> 00:02:51,280 Speaker 1: watched the show again, and it's going to mean something 50 00:02:51,320 --> 00:02:54,320 Speaker 1: completely different than next time we watched it. Abs No, 51 00:02:54,480 --> 00:02:56,799 Speaker 1: but it's so true, right, Like we tend to think 52 00:02:56,800 --> 00:02:59,440 Speaker 1: of ourselves as done, and like we have to kind 53 00:02:59,440 --> 00:03:02,799 Speaker 1: of give ourselves permission to to not know. And like 54 00:03:02,840 --> 00:03:06,200 Speaker 1: when we when we have these strong opinions about various 55 00:03:06,240 --> 00:03:09,720 Speaker 1: episodes or scenes or moments, to say like, well, we're 56 00:03:09,760 --> 00:03:12,400 Speaker 1: just kind of figuring them out now or coming up 57 00:03:12,400 --> 00:03:15,840 Speaker 1: with ideas about them now, and they're probably going to change. 58 00:03:15,960 --> 00:03:19,400 Speaker 1: That's changing, you know. Anyway. It's something I've been trying 59 00:03:19,400 --> 00:03:22,760 Speaker 1: to like keep in mind, um, because yeah, it's not 60 00:03:22,760 --> 00:03:24,960 Speaker 1: going to be fixed, you know. Yeah, I mean this 61 00:03:25,040 --> 00:03:27,880 Speaker 1: is an ongoing project. In thirty years, when we do 62 00:03:27,919 --> 00:03:30,000 Speaker 1: this again, we're gonna be like, Man, I relate to 63 00:03:30,080 --> 00:03:38,760 Speaker 1: Rue McClanahan so much as you know, Mr Feeney really 64 00:03:38,880 --> 00:03:41,080 Speaker 1: was the only character who knew what he was doing. No, 65 00:03:41,200 --> 00:03:44,360 Speaker 1: but it's true, and it's it's it's also the second 66 00:03:44,440 --> 00:03:48,120 Speaker 1: you stop growing as a person, you're done. You're supposed 67 00:03:48,160 --> 00:03:50,800 Speaker 1: to be. That's our point. That's the point of being here. 68 00:03:50,840 --> 00:03:52,760 Speaker 1: Is you grow every day and you learn every day, 69 00:03:52,840 --> 00:03:56,000 Speaker 1: and you know you you hope that's what you're doing. Anyway, 70 00:03:56,000 --> 00:03:58,400 Speaker 1: I would imagine that you know how well we talk 71 00:03:58,480 --> 00:04:02,520 Speaker 1: about how the perfect example is none of us realizing 72 00:04:02,680 --> 00:04:08,440 Speaker 1: how wonderful or important Rusty and Betsy were that And 73 00:04:08,480 --> 00:04:10,880 Speaker 1: that's all we're looking at. It is how amazing they are. 74 00:04:10,960 --> 00:04:13,760 Speaker 1: And so there, there's it's just it's where you are 75 00:04:13,800 --> 00:04:15,880 Speaker 1: in that journey of life where you're gonna kind of 76 00:04:16,320 --> 00:04:20,599 Speaker 1: as traveling down the road called life, as a great 77 00:04:20,760 --> 00:04:26,520 Speaker 1: great poet wrote. A great poet once said that, um 78 00:04:26,680 --> 00:04:29,240 Speaker 1: I I found something. Speaking of our histories, I found 79 00:04:29,279 --> 00:04:31,520 Speaker 1: a couple of things. So I've been occasionally I will 80 00:04:31,560 --> 00:04:34,080 Speaker 1: go on cleaning product projects, which I was gonna say, 81 00:04:34,520 --> 00:04:38,080 Speaker 1: go on cleaning products, which a whole different thing. Again, 82 00:04:38,160 --> 00:04:43,719 Speaker 1: Well again, sorry, i'll tell you free based wind. Um No, 83 00:04:44,000 --> 00:04:47,119 Speaker 1: I've been, so I'll go. I'll find something that hasn't 84 00:04:47,120 --> 00:04:49,520 Speaker 1: been cleaned in forever. And so I'm in this little 85 00:04:49,520 --> 00:04:52,000 Speaker 1: podcast room and right above me are these two shelves, 86 00:04:52,080 --> 00:04:54,000 Speaker 1: and Sue's like, came in the other day. She's like, well, 87 00:04:54,000 --> 00:04:55,960 Speaker 1: at least your shelves are empty. And I went and 88 00:04:56,000 --> 00:04:59,640 Speaker 1: I opened it up and it was horrifying. So I'm 89 00:04:59,720 --> 00:05:01,680 Speaker 1: the we had off. I said, I'm going to clean 90 00:05:01,680 --> 00:05:03,200 Speaker 1: it out. I just started cleaning it out and I 91 00:05:03,200 --> 00:05:05,080 Speaker 1: sent you guys a picture. I found it a huge 92 00:05:05,080 --> 00:05:07,960 Speaker 1: stack of Boy Meets World scripts that I think we 93 00:05:08,040 --> 00:05:10,880 Speaker 1: find a way to give out to everybody our pod 94 00:05:10,920 --> 00:05:13,680 Speaker 1: Meets World fans. But I came across two things which 95 00:05:13,680 --> 00:05:17,640 Speaker 1: were pretty great. First is from our very last episode. 96 00:05:18,200 --> 00:05:22,760 Speaker 1: It's the last script that we did, the Matt Nelson script, 97 00:05:22,960 --> 00:05:26,719 Speaker 1: signed by everybody, which is pretty incredible. But the other 98 00:05:26,760 --> 00:05:29,120 Speaker 1: thing I found, which which our audience will understand what 99 00:05:29,120 --> 00:05:31,320 Speaker 1: I'm talking about, but you guys will really understand what 100 00:05:31,360 --> 00:05:34,080 Speaker 1: I'm talking about. When I first moved out to Los Angeles, 101 00:05:34,160 --> 00:05:37,520 Speaker 1: I was by myself. I didn't know anybody here, and 102 00:05:37,600 --> 00:05:44,160 Speaker 1: to make me feel more comfortable alone, Arlene wrote out 103 00:05:44,200 --> 00:05:50,200 Speaker 1: her name and address and phone number so I could 104 00:05:50,240 --> 00:05:52,400 Speaker 1: always get in touch with her if I needed to, 105 00:05:53,240 --> 00:05:56,039 Speaker 1: And it was in a pile of stuff that I 106 00:05:56,160 --> 00:05:59,360 Speaker 1: have in a posted note in her handwriting, and it 107 00:05:59,520 --> 00:06:02,560 Speaker 1: just hit me. It was so strange and it came 108 00:06:02,600 --> 00:06:06,080 Speaker 1: out of nowhere, and to think it was the first 109 00:06:06,080 --> 00:06:09,440 Speaker 1: time I I kind of realized that she's been gone 110 00:06:09,640 --> 00:06:13,360 Speaker 1: for like twenty seven years. Yeah, yeah, you're right. And 111 00:06:14,160 --> 00:06:17,440 Speaker 1: just she was such a wonderful person and this was 112 00:06:17,480 --> 00:06:19,600 Speaker 1: her I mean, just I didn't know anybody, and so 113 00:06:19,760 --> 00:06:23,760 Speaker 1: one of the first things she did was I kept 114 00:06:23,760 --> 00:06:26,600 Speaker 1: it and I still have it, and so I don't know, 115 00:06:26,640 --> 00:06:29,320 Speaker 1: it's just I kept it right here, So I just 116 00:06:29,360 --> 00:06:30,960 Speaker 1: I thought I would share that with you. We're also 117 00:06:30,960 --> 00:06:35,480 Speaker 1: going to give that away to our fans. And exactly 118 00:06:36,480 --> 00:06:39,880 Speaker 1: was the Arlene Grayson phone number, but here. Yeah, it 119 00:06:40,040 --> 00:06:42,800 Speaker 1: just it was so strange to find an amazing woman, 120 00:06:42,960 --> 00:06:44,960 Speaker 1: you know, like I mean to the fact that she 121 00:06:45,080 --> 00:06:47,520 Speaker 1: was sympathetic enough to like reach out to you and 122 00:06:47,560 --> 00:06:49,800 Speaker 1: be like, just in case you need anything, here right 123 00:06:49,920 --> 00:06:53,200 Speaker 1: am like going above and beyond as a producer, like yeah, 124 00:06:53,240 --> 00:06:55,520 Speaker 1: I'm just gonna I'm also here for you as a person, 125 00:06:55,720 --> 00:06:59,760 Speaker 1: as a parental sort of figure. It was she was 126 00:06:59,800 --> 00:07:02,400 Speaker 1: just she was amazing she was truly amazing. So yeah, 127 00:07:02,440 --> 00:07:04,280 Speaker 1: I just I came across that and I thought you'd 128 00:07:04,320 --> 00:07:05,760 Speaker 1: want to see that. It was pretty pretty neat to 129 00:07:05,800 --> 00:07:08,040 Speaker 1: be glad you kept all these scripts too. I mean 130 00:07:08,120 --> 00:07:11,200 Speaker 1: I never kept any of them. I wish I had. 131 00:07:11,400 --> 00:07:13,720 Speaker 1: These are just the ones I found up here. I've 132 00:07:13,720 --> 00:07:16,720 Speaker 1: got a crate of them up in the other room. 133 00:07:16,760 --> 00:07:20,880 Speaker 1: I don't see anything. And the only reason so I 134 00:07:20,880 --> 00:07:23,560 Speaker 1: also found a Batman Beyond script from Return of the 135 00:07:23,640 --> 00:07:25,760 Speaker 1: Joker signed body everybody that I just went and had 136 00:07:25,840 --> 00:07:28,440 Speaker 1: framed today. And the reason I didn't have this one 137 00:07:28,480 --> 00:07:32,080 Speaker 1: framed is because I realized Trina wasn't there and I 138 00:07:32,120 --> 00:07:34,320 Speaker 1: want her to sign it. Rusty didn't sign it, and 139 00:07:34,440 --> 00:07:36,480 Speaker 1: Bill didn't sign it. So I'm going to make sure 140 00:07:36,520 --> 00:07:39,760 Speaker 1: this year I get everybody else's signature on it, and 141 00:07:39,800 --> 00:07:41,720 Speaker 1: then I will throw up behind. Is that the one 142 00:07:41,760 --> 00:07:45,400 Speaker 1: that's Matthew Nelson's script? This is this was the shooting 143 00:07:45,440 --> 00:07:47,800 Speaker 1: draft of a Brave New World. I made sure and 144 00:07:47,800 --> 00:07:50,480 Speaker 1: I checked. It's in perfect condition. It's got every page there, 145 00:07:50,520 --> 00:07:53,680 Speaker 1: it's got the breakdowns, it's got everything. So once I 146 00:07:53,720 --> 00:07:55,520 Speaker 1: get everybody else to sign it, I'm gonna I'm gonna 147 00:07:55,560 --> 00:07:58,240 Speaker 1: frame it and if you notice, that was probably the 148 00:07:58,320 --> 00:08:01,239 Speaker 1: last time I signed by a with a little face 149 00:08:01,320 --> 00:08:04,840 Speaker 1: that I used to drive and the X do you 150 00:08:04,880 --> 00:08:08,160 Speaker 1: want to get into the X? But the best part 151 00:08:08,160 --> 00:08:11,960 Speaker 1: about the face is that I was drawing I was doing. 152 00:08:12,000 --> 00:08:13,560 Speaker 1: I would always sign my name and then I put 153 00:08:13,600 --> 00:08:16,880 Speaker 1: that little face next to it. And I remember we 154 00:08:16,880 --> 00:08:20,360 Speaker 1: were signing autographs for one of the last episodes, probably 155 00:08:20,520 --> 00:08:25,800 Speaker 1: maybe that script, and um uh Amy Snow our phone 156 00:08:25,840 --> 00:08:27,480 Speaker 1: page at the time, who was still a really good 157 00:08:27,520 --> 00:08:29,680 Speaker 1: friend of mine. Um and I went on to work 158 00:08:29,680 --> 00:08:31,600 Speaker 1: with her. She directed a film that I produced, and 159 00:08:31,720 --> 00:08:33,960 Speaker 1: she's a great friend and a great writer. But at 160 00:08:33,960 --> 00:08:36,280 Speaker 1: the time she was she was our phone page and 161 00:08:36,360 --> 00:08:38,439 Speaker 1: she would be the person and responsible for having to 162 00:08:38,520 --> 00:08:41,160 Speaker 1: sign all the scripts that they would give away to 163 00:08:41,160 --> 00:08:43,720 Speaker 1: the audience. And on one of the times I was 164 00:08:43,720 --> 00:08:46,520 Speaker 1: signed doing a little face and she just very innocently 165 00:08:46,559 --> 00:08:48,400 Speaker 1: asked me. She's like, so how long are you going 166 00:08:48,480 --> 00:08:53,079 Speaker 1: to keep doing that little thing? And I was just like, 167 00:08:53,440 --> 00:08:56,600 Speaker 1: you're right, it's pretty childish. I'm twenty years old now. 168 00:08:56,640 --> 00:08:58,199 Speaker 1: I don't think I need to be doing a card 169 00:08:58,600 --> 00:09:01,000 Speaker 1: And so I decided to retire are put in a 170 00:09:01,000 --> 00:09:03,880 Speaker 1: little face, So no longer, so that was probably the 171 00:09:03,960 --> 00:09:09,640 Speaker 1: last time I signed it. That's hilarious. Well, that's really cute. 172 00:09:09,679 --> 00:09:11,760 Speaker 1: Thank you for sharing all of that with us, will 173 00:09:11,840 --> 00:09:15,480 Speaker 1: and um, yeah, well, welcome to Pod Meets World. I'm 174 00:09:15,559 --> 00:09:20,920 Speaker 1: Daniel Fishel, I'm Rider Strong, and I'm Wilfred. So this 175 00:09:21,040 --> 00:09:24,840 Speaker 1: week we are very honored to welcome a fan favorite 176 00:09:24,840 --> 00:09:27,319 Speaker 1: of Boy Meets World, someone who has been requested to 177 00:09:27,360 --> 00:09:30,480 Speaker 1: come on the podcast hundreds of times by fans. Um. 178 00:09:30,520 --> 00:09:32,600 Speaker 1: I keep seeing and be tagged on Instagram, and I'm 179 00:09:32,600 --> 00:09:36,400 Speaker 1: sure he's like, yes, yes, I'm coming on, leave me alone. Um. 180 00:09:36,480 --> 00:09:39,360 Speaker 1: He is someone we all have wonderful memories of as 181 00:09:39,600 --> 00:09:43,280 Speaker 1: Frankie Stucchino, a bully with a what with a heart 182 00:09:43,280 --> 00:09:46,600 Speaker 1: of gold who appeared in nineteen episodes of Boy Meets World, 183 00:09:46,679 --> 00:09:50,120 Speaker 1: starting with the season to Reset Back to School. He's 184 00:09:50,160 --> 00:09:53,400 Speaker 1: also beloved for his roles in American History X, alongside 185 00:09:53,720 --> 00:09:57,960 Speaker 1: William Rusty Roy, the Wolf of Wall Street, Remember the Titans, 186 00:09:58,000 --> 00:10:01,439 Speaker 1: and most memorably as Randy My Name Is Earl and 187 00:10:01,720 --> 00:10:04,840 Speaker 1: William the Magic I Obsessed, Mall Rat and Kevin Smith's 188 00:10:04,920 --> 00:10:09,640 Speaker 1: View Askew Universe. And he was most recently seen in 189 00:10:09,679 --> 00:10:12,840 Speaker 1: the award winning movie Babylon with Brad Pitt. No big deal, 190 00:10:12,880 --> 00:10:16,760 Speaker 1: he's just yeah, he's just nothing, nothing going on in 191 00:10:16,800 --> 00:10:19,600 Speaker 1: his life. Child actors that aren't working anymore. Yeah, exactly, 192 00:10:19,640 --> 00:10:22,880 Speaker 1: such a shame. It is time to welcome our favorite 193 00:10:22,920 --> 00:10:40,280 Speaker 1: tough guy Ethan. Hey, guys, Yeah, how's it going. Oh 194 00:10:40,320 --> 00:10:43,440 Speaker 1: my gosh, it's so good to see you. Also, you're 195 00:10:43,600 --> 00:10:47,120 Speaker 1: lighting and where you are it's so pretty awesome. It's cool, 196 00:10:47,559 --> 00:10:52,560 Speaker 1: it's so moody. Yeah, this is like if you could 197 00:10:52,559 --> 00:10:59,880 Speaker 1: just see the jumbles are. We're not probably allowed to swear. 198 00:11:00,080 --> 00:11:03,720 Speaker 1: You can say anything you want, really, Okay, you guys 199 00:11:03,720 --> 00:11:05,760 Speaker 1: will patch that up for me because I do have 200 00:11:05,840 --> 00:11:10,000 Speaker 1: a mouth like a pirate. Okay, maybe will make your swear. 201 00:11:10,000 --> 00:11:14,080 Speaker 1: We should make them louder. They should just make them louder. 202 00:11:14,120 --> 00:11:16,760 Speaker 1: I think we should bracket it. I love Yes, Have 203 00:11:16,880 --> 00:11:18,800 Speaker 1: you always had a mouth like a pirate? I don't 204 00:11:18,840 --> 00:11:24,200 Speaker 1: remember you cursing on boy Meat's World, No, I think 205 00:11:24,240 --> 00:11:27,000 Speaker 1: I think I have. You know my like, my grandmother 206 00:11:27,080 --> 00:11:29,440 Speaker 1: used to tell me that um cursing was a sign 207 00:11:29,640 --> 00:11:33,160 Speaker 1: of low i Q. And at some point I read 208 00:11:33,600 --> 00:11:36,600 Speaker 1: like Bukowski and I was like, he's got a pretty good, 209 00:11:36,640 --> 00:11:40,040 Speaker 1: I Q and he swears a lot, swears a lot 210 00:11:40,200 --> 00:11:42,880 Speaker 1: like what I can say whatever I want. I love 211 00:11:42,960 --> 00:11:46,200 Speaker 1: that you've already mentioned Bukowski because one of my key 212 00:11:46,360 --> 00:11:49,240 Speaker 1: memories from our time, my boy Meate's world was you 213 00:11:49,400 --> 00:11:53,520 Speaker 1: giving me a copy of Burning and Water Drowning in Flame, 214 00:11:53,640 --> 00:11:56,400 Speaker 1: a Bookowski collection, because you knew I was into poetry, 215 00:11:56,520 --> 00:11:59,640 Speaker 1: but at the time I was into like English romantic poets, 216 00:11:59,720 --> 00:12:02,560 Speaker 1: and and you were the first person to be like, 217 00:12:02,920 --> 00:12:05,679 Speaker 1: you need you need to get into the twentieth century 218 00:12:05,880 --> 00:12:09,920 Speaker 1: and you gave me and it changed my life. I 219 00:12:09,960 --> 00:12:13,120 Speaker 1: became like a Kowski fanadict, which then led to Jon 220 00:12:13,200 --> 00:12:17,840 Speaker 1: Fonte later in the Best And you were like, you 221 00:12:17,840 --> 00:12:21,200 Speaker 1: need to be reading this writer. And you totally totally 222 00:12:21,240 --> 00:12:24,520 Speaker 1: got to me, and you greatly influenced my reading life, 223 00:12:24,559 --> 00:12:26,960 Speaker 1: like with one gift. And I think you just did it, 224 00:12:27,040 --> 00:12:29,240 Speaker 1: Like I don't think it was for any occasion. You 225 00:12:29,320 --> 00:12:31,400 Speaker 1: just came and brought me a Pokowski, but you're like, 226 00:12:31,400 --> 00:12:33,040 Speaker 1: you need to read this, and you were so right. 227 00:12:33,320 --> 00:12:36,600 Speaker 1: So like this kid is smart, he's reading a lot. 228 00:12:36,840 --> 00:12:41,080 Speaker 1: What if I corrupt him a little bit? It was 229 00:12:41,120 --> 00:12:46,800 Speaker 1: so great, just so even it's come up a couple 230 00:12:46,800 --> 00:12:49,240 Speaker 1: of times on the podcast, But was Boy Meets World 231 00:12:49,280 --> 00:12:54,920 Speaker 1: your first ever job? First ever job, by the way, 232 00:12:55,640 --> 00:13:02,319 Speaker 1: it was it was my second audition. I got an 233 00:13:02,360 --> 00:13:05,000 Speaker 1: agent and he was like, Okay, I'm gonna start sending 234 00:13:05,000 --> 00:13:08,920 Speaker 1: you out. And I had an audition for Melrose Place 235 00:13:09,160 --> 00:13:13,160 Speaker 1: in the morning in Santa Monica. I drove, I did 236 00:13:13,200 --> 00:13:16,720 Speaker 1: that audition, got to call they want you for this job. 237 00:13:16,840 --> 00:13:21,320 Speaker 1: As I'm driving to see Sally Steiner in Burbank. Go 238 00:13:21,440 --> 00:13:24,040 Speaker 1: to see Sally Steiner. Get the call right before I go, 239 00:13:24,080 --> 00:13:26,720 Speaker 1: and you're not sad they're not hiring you. You didn't 240 00:13:26,760 --> 00:13:30,520 Speaker 1: get kind of bummed, but like, I got another shot 241 00:13:30,559 --> 00:13:33,200 Speaker 1: at this right now. Went in to see Sally Steiner. 242 00:13:33,280 --> 00:13:37,360 Speaker 1: She said come back this afternoon for these other people. 243 00:13:37,400 --> 00:13:39,360 Speaker 1: And I was like, what does that mean? Maybe I 244 00:13:39,400 --> 00:13:42,280 Speaker 1: blew this too. And then I went back from Michael 245 00:13:42,360 --> 00:13:50,040 Speaker 1: Jacob's first job, first auditioning, believing Sane's that's how the 246 00:13:50,040 --> 00:13:55,640 Speaker 1: business works. Just do your first Yeah. Easy. But it's 247 00:13:55,880 --> 00:13:57,800 Speaker 1: so crazy to me is that I thought of you 248 00:13:57,960 --> 00:14:01,320 Speaker 1: was such a grown up with such a wealth of information, 249 00:14:01,400 --> 00:14:04,160 Speaker 1: and you were like such a pro actor and like 250 00:14:04,720 --> 00:14:07,280 Speaker 1: so for me to realize now that you were your 251 00:14:07,320 --> 00:14:11,200 Speaker 1: first job, ever, is just mind boggling. It seems so confident, 252 00:14:11,480 --> 00:14:18,160 Speaker 1: not obvious. Dude, I didn't know what takes of my 253 00:14:18,280 --> 00:14:21,760 Speaker 1: first scene where I shoved Ben into a locker or 254 00:14:21,760 --> 00:14:26,400 Speaker 1: something like, Yes, I thought I was I thought I 255 00:14:26,440 --> 00:14:29,160 Speaker 1: was getting fired. I was like, nobody can't do this 256 00:14:29,160 --> 00:14:31,520 Speaker 1: this many times? This is psychotic. Why am I not 257 00:14:31,600 --> 00:14:33,960 Speaker 1: doing this right? I don't remember that. Do you guys 258 00:14:34,040 --> 00:14:37,920 Speaker 1: remember doing that that many times? No? But it's actually 259 00:14:38,000 --> 00:14:40,600 Speaker 1: makes perfect sense that a new person on the cast 260 00:14:40,720 --> 00:14:43,640 Speaker 1: would instantly be shown that they were a new person 261 00:14:43,680 --> 00:14:46,640 Speaker 1: on the cast. Does that make sense? I was very 262 00:14:46,680 --> 00:14:49,440 Speaker 1: clearly a new person, and it was like, let's let's 263 00:14:49,440 --> 00:14:51,440 Speaker 1: show you that we're in charge. Yeah. I think what 264 00:14:51,560 --> 00:14:54,040 Speaker 1: will saying is that somebody was not going to let 265 00:14:54,080 --> 00:14:57,600 Speaker 1: you come in and feel too confident about yourself, even 266 00:14:57,640 --> 00:15:01,680 Speaker 1: if you deserve to have confidence. Yeah, they achieved that 267 00:15:01,760 --> 00:15:06,680 Speaker 1: in spades. No, I felt very welcome. Other other than that, 268 00:15:06,720 --> 00:15:11,040 Speaker 1: we did that thing many many times, and I just 269 00:15:11,080 --> 00:15:13,280 Speaker 1: didn't know any better and was like at first, like, well, 270 00:15:13,280 --> 00:15:14,960 Speaker 1: this is just what you do. You do a lot, 271 00:15:15,000 --> 00:15:16,720 Speaker 1: but not in front of an audience. By the time 272 00:15:16,760 --> 00:15:18,920 Speaker 1: we were done, the audience was just like, can you guys, 273 00:15:19,360 --> 00:15:23,040 Speaker 1: ye do anything else? Scene? Yeah, you know, you know 274 00:15:23,080 --> 00:15:24,960 Speaker 1: when you're starting to lose the audience when they start 275 00:15:25,000 --> 00:15:27,720 Speaker 1: you hear the fake laughter and they're they're forcing all 276 00:15:27,720 --> 00:15:29,440 Speaker 1: that stuff, and you're kind of sitting there going like, Okay, 277 00:15:29,480 --> 00:15:31,160 Speaker 1: we gotta we gotta move on. We're losing them. But 278 00:15:31,280 --> 00:15:34,160 Speaker 1: we also just recently watched that episode that it's just 279 00:15:34,200 --> 00:15:36,640 Speaker 1: the first episode of the second season, and it is 280 00:15:36,680 --> 00:15:40,120 Speaker 1: a huge episode. There's so much going on. It's like 281 00:15:40,160 --> 00:15:42,960 Speaker 1: a whole new show and you guys are introduced, you 282 00:15:43,040 --> 00:15:46,400 Speaker 1: and Blake and um Danny and like it's like a 283 00:15:46,440 --> 00:15:49,840 Speaker 1: whole like a whole set of a subset of characters 284 00:15:49,880 --> 00:15:52,160 Speaker 1: that like get a lot of screen time, and it 285 00:15:52,280 --> 00:15:55,320 Speaker 1: just and we were watching it going backstage. Must have 286 00:15:55,360 --> 00:15:58,080 Speaker 1: been crazy. None of us could really remember it, but 287 00:15:58,160 --> 00:16:00,400 Speaker 1: it must have been such a hectic episode because we 288 00:16:00,440 --> 00:16:04,560 Speaker 1: had Tony Mr. Turner introduced you guys high school. He 289 00:16:04,640 --> 00:16:07,320 Speaker 1: is so much going on. It's jarring and it must 290 00:16:07,360 --> 00:16:10,080 Speaker 1: have felt like crazy making to all of us at 291 00:16:10,080 --> 00:16:13,000 Speaker 1: the time. But I don't really remember it, do you do? 292 00:16:13,040 --> 00:16:16,160 Speaker 1: You remember meeting Danny and Blake on set like the 293 00:16:16,200 --> 00:16:18,520 Speaker 1: first day and feeling like, oh, these are the guys 294 00:16:18,560 --> 00:16:22,040 Speaker 1: that I'm gonna be like in a crew with. I 295 00:16:22,120 --> 00:16:25,080 Speaker 1: remember Blake and feeling very much like I'm in Me 296 00:16:25,160 --> 00:16:29,200 Speaker 1: and Blake are contemporaries. And then I remember Danny being 297 00:16:29,280 --> 00:16:34,040 Speaker 1: like he's older, he's cooler. We don't talk to him 298 00:16:34,040 --> 00:16:36,200 Speaker 1: too much. He you know what I mean, Like he's 299 00:16:36,240 --> 00:16:40,840 Speaker 1: a little more mysterious. He had that Harley Kinder thing. 300 00:16:41,080 --> 00:16:43,000 Speaker 1: I don't know if it was like method or what 301 00:16:43,040 --> 00:16:46,760 Speaker 1: it was, but he was like less approachable. Blake and 302 00:16:46,840 --> 00:16:50,560 Speaker 1: I from you know, the moment it was like, you're Joey, 303 00:16:50,640 --> 00:16:55,200 Speaker 1: You're Frankie. Okay, we're buds rat right, that's sing. He 304 00:16:55,240 --> 00:16:57,000 Speaker 1: said the same thing. Blake said the same thing, where 305 00:16:57,000 --> 00:16:58,960 Speaker 1: it was just kind of an instant connection between the 306 00:16:59,000 --> 00:17:03,360 Speaker 1: two of you. Yeah, it was great. And I had 307 00:17:03,440 --> 00:17:07,240 Speaker 1: seen the show prior to that, and I just remember 308 00:17:07,840 --> 00:17:10,680 Speaker 1: coming in and going, this does not look anything like 309 00:17:11,280 --> 00:17:14,520 Speaker 1: what I watched last year. It just was totally it 310 00:17:14,600 --> 00:17:21,000 Speaker 1: seemed totally different. Yeah, yeah, it was. We felt the 311 00:17:21,040 --> 00:17:25,560 Speaker 1: same way. Yeah, we're now slowly getting more comfortable with 312 00:17:25,560 --> 00:17:28,800 Speaker 1: season two, but it was a completely different television show 313 00:17:28,800 --> 00:17:31,320 Speaker 1: and we're trying we're kind of now figuring out why 314 00:17:31,359 --> 00:17:32,919 Speaker 1: there was a whole bunch of changes when it came 315 00:17:32,960 --> 00:17:34,600 Speaker 1: to the writing staff, and a bunch of changes when 316 00:17:34,600 --> 00:17:37,960 Speaker 1: it came to the cast and the producers, and there 317 00:17:38,000 --> 00:17:40,239 Speaker 1: was it seems to be maybe a mandate somewhere that 318 00:17:40,280 --> 00:17:42,800 Speaker 1: the show was to be aged up. So all of 319 00:17:42,840 --> 00:17:46,840 Speaker 1: a sudden, this kind of innocent family sitcom has become 320 00:17:47,280 --> 00:17:50,600 Speaker 1: much more high school, much more sexual. Uh, it was 321 00:17:50,760 --> 00:17:53,320 Speaker 1: just we were calling it drop shock. Well I am 322 00:17:53,560 --> 00:17:57,480 Speaker 1: they haven't caught on yet, but um to to just yeah, 323 00:17:57,520 --> 00:17:59,240 Speaker 1: getting season two and hey, we're going to start the 324 00:17:59,240 --> 00:18:00,879 Speaker 1: show over a little it, which is what it seemed 325 00:18:00,880 --> 00:18:03,920 Speaker 1: like we were doing. Even what made you get into 326 00:18:03,960 --> 00:18:06,480 Speaker 1: acting to begin with? So you have your your first 327 00:18:06,560 --> 00:18:08,800 Speaker 1: day of auditions Melrose Place in Boy Meant's World and 328 00:18:08,800 --> 00:18:12,240 Speaker 1: you technically booked them both. What what was the motivation 329 00:18:12,280 --> 00:18:14,800 Speaker 1: and inspiration behind you getting into it at that at 330 00:18:14,840 --> 00:18:20,320 Speaker 1: that age of your life. So, I, as an overweight kid, 331 00:18:21,000 --> 00:18:26,280 Speaker 1: was unbelievably uncomfortable with myself, and I I went to 332 00:18:26,359 --> 00:18:30,919 Speaker 1: school oddly with a couple of actors, uh, Solei moon Fry. 333 00:18:31,200 --> 00:18:34,280 Speaker 1: I went to school with her and Giovanni Rabc and 334 00:18:34,320 --> 00:18:37,080 Speaker 1: I went to actually the set of the Wonder Years 335 00:18:37,200 --> 00:18:40,800 Speaker 1: with Vanni once and and I was just like, this 336 00:18:40,880 --> 00:18:44,120 Speaker 1: is incredible, Like it seemed incredible that that you could 337 00:18:44,119 --> 00:18:46,719 Speaker 1: go and play make Believe and get paid for it 338 00:18:46,840 --> 00:18:50,160 Speaker 1: and not go to school. Although there was like classroom, 339 00:18:50,200 --> 00:18:54,000 Speaker 1: but it wasn't anything like real school. Um, there was that. 340 00:18:54,320 --> 00:18:57,840 Speaker 1: But the thing I noticed mostly that was appealing to 341 00:18:57,840 --> 00:19:02,520 Speaker 1: me with these guys was that well didn't actually see them. 342 00:19:03,000 --> 00:19:08,400 Speaker 1: People saw characters. People saw the guy from with Annie. 343 00:19:08,640 --> 00:19:11,040 Speaker 1: I don't know if that was after my two dads 344 00:19:11,119 --> 00:19:14,480 Speaker 1: or or before whatever. If it was just that he 345 00:19:14,560 --> 00:19:18,040 Speaker 1: was kind of known for the Wonder Years at that point, 346 00:19:18,040 --> 00:19:20,720 Speaker 1: but he was kind of a known actor, and they 347 00:19:20,760 --> 00:19:23,680 Speaker 1: saw that they saw whoever they saw from TV. So 348 00:19:23,720 --> 00:19:28,200 Speaker 1: they was just Punky Burst at the time, and and 349 00:19:28,520 --> 00:19:32,240 Speaker 1: nobody knew anything about them other than that. And it 350 00:19:32,359 --> 00:19:38,040 Speaker 1: seemed like this wonderful defense against people actually looking at 351 00:19:38,080 --> 00:19:40,480 Speaker 1: you and seeing you and observing you. And it was 352 00:19:40,520 --> 00:19:42,800 Speaker 1: appealing to me in that way that you could kind 353 00:19:42,800 --> 00:19:46,560 Speaker 1: of hide. The other thing that was kind of fascinating 354 00:19:47,080 --> 00:19:50,240 Speaker 1: and nice for me was I was kind of, um 355 00:19:50,359 --> 00:19:55,640 Speaker 1: always plagued with this feeling of discomfort with myself and feeling, 356 00:19:55,920 --> 00:19:58,879 Speaker 1: uh that I was bad and wrong because of my 357 00:19:59,000 --> 00:20:02,919 Speaker 1: weight and the characters I played were all meant to 358 00:20:02,960 --> 00:20:06,840 Speaker 1: be overweight. So for those moments, it suddenly became okay 359 00:20:06,880 --> 00:20:09,840 Speaker 1: to be overweight and and and it wasn't there was 360 00:20:09,880 --> 00:20:13,400 Speaker 1: no wrongness in that, in that in embodying that character. 361 00:20:13,920 --> 00:20:15,760 Speaker 1: So there were a few things like that that we're 362 00:20:15,800 --> 00:20:18,919 Speaker 1: appealing and then it was just like I don't have 363 00:20:19,000 --> 00:20:21,639 Speaker 1: to go to school and I can make money and 364 00:20:21,720 --> 00:20:24,960 Speaker 1: it's like the coolest job ever. And it was kind 365 00:20:25,000 --> 00:20:28,960 Speaker 1: of like a mix of all of that. That's amazing 366 00:20:29,000 --> 00:20:31,480 Speaker 1: to me that the idea that the best way to 367 00:20:31,560 --> 00:20:35,920 Speaker 1: hide is to have more people watching you kind of incredible. 368 00:20:35,960 --> 00:20:38,359 Speaker 1: I mean, yeah, it's it's amazing though, but but it's true. 369 00:20:38,359 --> 00:20:40,520 Speaker 1: You do you get to especially for somebody like you, 370 00:20:40,560 --> 00:20:42,440 Speaker 1: and we're going to get into some of your other roles. 371 00:20:42,440 --> 00:20:45,879 Speaker 1: I think because I instantly go to American History X, where, 372 00:20:45,920 --> 00:20:48,080 Speaker 1: you know, while we didn't know each other very well 373 00:20:48,320 --> 00:20:49,920 Speaker 1: when we were doing more means where we still knew 374 00:20:49,960 --> 00:20:52,120 Speaker 1: each other. And I remember the first time I saw 375 00:20:52,160 --> 00:20:55,160 Speaker 1: American History X, I just saw a completely different person 376 00:20:55,240 --> 00:20:58,440 Speaker 1: on the screen, and I was so captivated by it 377 00:20:59,040 --> 00:21:01,240 Speaker 1: and by you that it was one of those things 378 00:21:01,240 --> 00:21:02,920 Speaker 1: where it was one of those moments in my life 379 00:21:02,960 --> 00:21:05,000 Speaker 1: where I was like, I don't I don't think I 380 00:21:05,040 --> 00:21:07,040 Speaker 1: know any of these people the way I thought I did, 381 00:21:07,119 --> 00:21:10,480 Speaker 1: because they're becoming who they are to then become the 382 00:21:10,600 --> 00:21:13,760 Speaker 1: characters they want to embody. So to see that, I 383 00:21:13,840 --> 00:21:16,120 Speaker 1: remember walking out going like, I'm not sure I knew 384 00:21:16,160 --> 00:21:20,120 Speaker 1: Ethan at all because to do that, to find that 385 00:21:20,200 --> 00:21:22,159 Speaker 1: in him, it was just that was amazing and rusty 386 00:21:22,200 --> 00:21:24,240 Speaker 1: too for for that matter, for you know, the one 387 00:21:24,320 --> 00:21:26,480 Speaker 1: or two scenes he was in. You're just seeing such 388 00:21:26,520 --> 00:21:28,040 Speaker 1: a different side of these people that you thought you 389 00:21:28,119 --> 00:21:31,840 Speaker 1: quote unquote new uh. To then see that was was 390 00:21:31,880 --> 00:21:35,040 Speaker 1: pretty incredible. So yeah, it was to me making fun 391 00:21:35,080 --> 00:21:38,000 Speaker 1: of myself. Was was if I could do that quickly, 392 00:21:38,440 --> 00:21:40,680 Speaker 1: then nobody else would make fun of you, because it's like, yeah, 393 00:21:40,720 --> 00:21:43,879 Speaker 1: the guy making fun of yourself, it's it's smoking mirrors, 394 00:21:43,880 --> 00:21:46,320 Speaker 1: it's how do we distract them from this thing? And 395 00:21:46,760 --> 00:21:49,879 Speaker 1: I could rationalize it in a way. And this this 396 00:21:50,000 --> 00:21:51,959 Speaker 1: kind of came later, but it was part of what 397 00:21:52,040 --> 00:21:55,200 Speaker 1: was appealing to me was are they looking at me 398 00:21:55,560 --> 00:21:59,040 Speaker 1: because I'm disfigured in the way that I perceived that 399 00:21:59,080 --> 00:22:01,680 Speaker 1: I'm disfigured, or are they looking at me because they've 400 00:22:01,720 --> 00:22:05,600 Speaker 1: seen me in something. The minute I could rationalize that 401 00:22:05,720 --> 00:22:07,919 Speaker 1: they're staring at me because they saw me on a 402 00:22:07,960 --> 00:22:12,480 Speaker 1: TV show, if there was such a relief associated with that, 403 00:22:12,600 --> 00:22:17,280 Speaker 1: and that actually it wasn't that until Boy Meets World. 404 00:22:17,280 --> 00:22:20,440 Speaker 1: I actually had the most one of the most profound 405 00:22:20,520 --> 00:22:26,400 Speaker 1: experiences I've had as an actor. I I've always felt 406 00:22:26,440 --> 00:22:30,679 Speaker 1: that I was an embarrassment to my father, and you know, 407 00:22:31,640 --> 00:22:34,600 Speaker 1: I just you know, he was like this fit, active guy, 408 00:22:34,840 --> 00:22:37,560 Speaker 1: and I was a kid that was not fit and active, 409 00:22:38,280 --> 00:22:41,399 Speaker 1: and he was the one who very much always wanted 410 00:22:41,400 --> 00:22:47,000 Speaker 1: me to diet. And and the first time I ever 411 00:22:47,080 --> 00:22:49,400 Speaker 1: spent any Boy Meets World money, I took my father 412 00:22:49,480 --> 00:22:52,080 Speaker 1: on vacation and we went to an island in the Caribbean, 413 00:22:52,160 --> 00:22:55,000 Speaker 1: just me and him, and it was like this bonding thing. 414 00:22:55,080 --> 00:22:58,719 Speaker 1: And we were at the pool one day, and you know, 415 00:22:58,760 --> 00:23:01,840 Speaker 1: I'm still very uncomfortable with myself wearing a shirt in 416 00:23:01,840 --> 00:23:05,359 Speaker 1: the pool and there's these kids, and you know, you know, 417 00:23:05,480 --> 00:23:08,159 Speaker 1: as a bigger guy, you avoid kids because there's no filter, 418 00:23:08,240 --> 00:23:11,960 Speaker 1: and they'll just say and and and it's horrible, but like, 419 00:23:12,440 --> 00:23:13,960 Speaker 1: what are you gonna do yell at kids? You're not 420 00:23:13,960 --> 00:23:19,680 Speaker 1: gonna yell at kids, and I remember, uh having this 421 00:23:19,800 --> 00:23:23,360 Speaker 1: feeling of fear that these kids are gonna say something 422 00:23:23,800 --> 00:23:26,680 Speaker 1: and make me feel like crap in front of my dad, 423 00:23:27,000 --> 00:23:30,840 Speaker 1: who I've I've just like taken on this trip. And 424 00:23:30,880 --> 00:23:33,520 Speaker 1: they pulled the rug out from under me. They they 425 00:23:33,600 --> 00:23:35,760 Speaker 1: came up to me to talk about boy Mets World, 426 00:23:36,240 --> 00:23:40,359 Speaker 1: and it was truly the first time I felt that 427 00:23:40,440 --> 00:23:43,399 Speaker 1: my father was really proud of me, and it was 428 00:23:43,480 --> 00:23:48,080 Speaker 1: like really profoundly meaningful. You know. It was like a 429 00:23:48,119 --> 00:23:53,520 Speaker 1: massive deal because all the that I carried inside about 430 00:23:53,560 --> 00:24:01,040 Speaker 1: myself evaporated in that moment. It was really awesome. Wow. Man, Yeah, 431 00:24:01,240 --> 00:24:03,359 Speaker 1: it was a big deal. The show was a big deal. 432 00:24:03,560 --> 00:24:08,560 Speaker 1: It touched a lot of people. We're starting to realize that. 433 00:24:08,600 --> 00:24:10,480 Speaker 1: I mean, I think we knew, but you know, but 434 00:24:10,600 --> 00:24:14,439 Speaker 1: you don't know. I'm you don't really get what it 435 00:24:14,480 --> 00:24:16,960 Speaker 1: meant to people until you hear a lot of the stories, 436 00:24:16,960 --> 00:24:19,840 Speaker 1: and especially when we started doing conventions together and things 437 00:24:19,880 --> 00:24:21,640 Speaker 1: like that, and you hear the stories of people coming 438 00:24:21,680 --> 00:24:24,600 Speaker 1: up to us and how much the show affected them 439 00:24:24,760 --> 00:24:27,760 Speaker 1: and different aspects of the show. I mean, you don't 440 00:24:27,800 --> 00:24:30,720 Speaker 1: some people identify with Writer's character because of the way 441 00:24:30,720 --> 00:24:32,720 Speaker 1: Sean grew up in a trailer park. They identify with 442 00:24:33,119 --> 00:24:35,479 Speaker 1: Eric because he he didn't get into college and had 443 00:24:35,520 --> 00:24:38,159 Speaker 1: to find another way to get in there. Or Danielle's 444 00:24:38,200 --> 00:24:42,280 Speaker 1: character of being unkey and weird and smart and still 445 00:24:42,480 --> 00:24:46,160 Speaker 1: having friends and boys. You know, yeah, you just it's 446 00:24:46,280 --> 00:24:48,919 Speaker 1: it's you don't realize how much you're affecting people when 447 00:24:48,920 --> 00:24:51,879 Speaker 1: you're doing what you're doing. Um So, yeah, hearing stories 448 00:24:51,920 --> 00:24:56,960 Speaker 1: like that is insane amazing. Yeah, it was like life 449 00:24:57,040 --> 00:25:00,080 Speaker 1: changing moment for me, and so thank you guys for 450 00:25:00,200 --> 00:25:04,479 Speaker 1: being a part of it. It's so different from you know, 451 00:25:04,560 --> 00:25:08,000 Speaker 1: my experience, like because I just hated fame so much, 452 00:25:08,200 --> 00:25:10,840 Speaker 1: like I just never wanted to get recognized. I never 453 00:25:10,880 --> 00:25:13,840 Speaker 1: wanted to be acknowledged. Um So, it's it's I'm so 454 00:25:13,880 --> 00:25:16,439 Speaker 1: glad that it was like the exact opposite for you. 455 00:25:16,440 --> 00:25:17,959 Speaker 1: You know that at a moment like that could be 456 00:25:18,000 --> 00:25:22,440 Speaker 1: so empowering. I mean, yes, but look, there is certainly 457 00:25:22,720 --> 00:25:26,080 Speaker 1: there's a line there, and I can't I can't imagine 458 00:25:26,160 --> 00:25:29,359 Speaker 1: what you were going through could be fun at all, 459 00:25:29,400 --> 00:25:32,320 Speaker 1: because that's a totally different thing. This is kids who 460 00:25:32,560 --> 00:25:35,000 Speaker 1: you know, they're also recognizing I'm the bully though I'm 461 00:25:35,160 --> 00:25:38,439 Speaker 1: kind hearted, I'm not a guy they're running up and 462 00:25:38,560 --> 00:25:42,400 Speaker 1: squealing over. But it is there is some defense there. 463 00:25:42,480 --> 00:25:45,200 Speaker 1: It is a deflection. It's like I now have kids 464 00:25:45,720 --> 00:25:49,439 Speaker 1: who on any other at any other point in my life, 465 00:25:49,760 --> 00:25:52,560 Speaker 1: would have been snickering at me, or would have been 466 00:25:52,760 --> 00:25:57,280 Speaker 1: nice kids and and just ignored me, or maybe made friends. 467 00:25:57,320 --> 00:26:01,639 Speaker 1: But there the the the look from across at a distance, 468 00:26:01,840 --> 00:26:05,639 Speaker 1: the continued look back that always meant I'm going to 469 00:26:05,760 --> 00:26:10,560 Speaker 1: get made fun of and and it stopped meaning, which 470 00:26:10,640 --> 00:26:15,639 Speaker 1: was a big deal, massive, massive deal. Wow. I So 471 00:26:16,160 --> 00:26:18,840 Speaker 1: we had Blake on recently and he talked about how 472 00:26:18,880 --> 00:26:22,600 Speaker 1: important your friendship was to him, not just while he 473 00:26:22,680 --> 00:26:25,080 Speaker 1: was on Boy Means World, but just generally in his life. 474 00:26:25,720 --> 00:26:28,800 Speaker 1: What do you remember about your friendship with Blake and 475 00:26:28,920 --> 00:26:31,320 Speaker 1: the way you guys were on set together, and do 476 00:26:31,359 --> 00:26:34,040 Speaker 1: you remember any pranks like we We think about you 477 00:26:34,040 --> 00:26:36,399 Speaker 1: guys as being like a little I don't know if 478 00:26:36,440 --> 00:26:41,600 Speaker 1: Frank's is the right word, but yeah, we were up 479 00:26:41,640 --> 00:26:44,800 Speaker 1: to stuff. We were certainly up to stuff. Um. Blake 480 00:26:44,880 --> 00:26:47,600 Speaker 1: was so much fun and we were we were very 481 00:26:47,800 --> 00:26:51,080 Speaker 1: very close friends. You know, I'm now a grandfather. So 482 00:26:51,400 --> 00:26:55,880 Speaker 1: and this is also going back almost are you. Yeah, 483 00:26:56,160 --> 00:26:59,240 Speaker 1: it's completely wild. But yeah, I have a nine month 484 00:26:59,280 --> 00:27:06,199 Speaker 1: old grand four girls, granddaughter. Yeah, congratulations, that's incredible. So 485 00:27:06,240 --> 00:27:09,520 Speaker 1: I don't have a huge amount of time for socializing, 486 00:27:09,560 --> 00:27:14,280 Speaker 1: but I've you know, Blake. Blake and I continued to 487 00:27:14,320 --> 00:27:18,840 Speaker 1: be friends until I basically was like, I'm not raising kids, 488 00:27:18,960 --> 00:27:21,680 Speaker 1: I'm not going to be social with people. And that 489 00:27:22,119 --> 00:27:24,520 Speaker 1: chapter is over. You know, Well, it's funny because Blake 490 00:27:24,600 --> 00:27:28,080 Speaker 1: now has a has a child, and so he understands 491 00:27:28,119 --> 00:27:32,919 Speaker 1: it perfectly. I can guarantee you he is in the 492 00:27:32,920 --> 00:27:38,160 Speaker 1: thick of it. So we also recently had on Adam Scott, 493 00:27:38,200 --> 00:27:40,040 Speaker 1: and so what do you what do you remember about 494 00:27:40,240 --> 00:27:43,760 Speaker 1: that kind of changeover from you know, we had had Danny, 495 00:27:43,840 --> 00:27:46,200 Speaker 1: Danny was Harley, than Danny left, and then they brought 496 00:27:46,200 --> 00:27:49,040 Speaker 1: somebody else on for one episode and that person was gone, 497 00:27:49,280 --> 00:27:52,720 Speaker 1: and then Adam Scott comes in. Do you have any 498 00:27:52,720 --> 00:27:55,680 Speaker 1: specific memories about your time with Adam or about that changeover. 499 00:27:56,760 --> 00:28:00,360 Speaker 1: I loved Adam. Adam was wonderful. I remember feeling very 500 00:28:00,359 --> 00:28:03,119 Speaker 1: empathetic for the position he was put in, you know, 501 00:28:03,280 --> 00:28:07,199 Speaker 1: because Harley was a popular character and that and and 502 00:28:07,240 --> 00:28:09,320 Speaker 1: then and then there was that other guy who was 503 00:28:09,480 --> 00:28:12,159 Speaker 1: in and out. So it's like he came in knowing 504 00:28:12,240 --> 00:28:16,600 Speaker 1: that that's a lot of compressure. And I just felt 505 00:28:16,640 --> 00:28:20,119 Speaker 1: like he was such a nice, good guy that I 506 00:28:20,200 --> 00:28:22,440 Speaker 1: was rooting for him, you know what I mean. He 507 00:28:22,800 --> 00:28:26,480 Speaker 1: he was like a guy where I don't remember the 508 00:28:26,560 --> 00:28:32,399 Speaker 1: last guy. I don't remember the intern between Unfortunately, like 509 00:28:32,440 --> 00:28:36,200 Speaker 1: two days it was yeah, he Yeah, he came, came 510 00:28:36,240 --> 00:28:37,800 Speaker 1: and was gone. I mean, they didn't even have time 511 00:28:37,840 --> 00:28:39,440 Speaker 1: to change the name of the character. They just you're 512 00:28:39,480 --> 00:28:42,840 Speaker 1: Harley now, thanks, you know. So, yeah, we didn't. I 513 00:28:42,840 --> 00:28:44,800 Speaker 1: don't remember his name either. Well we'll find out when 514 00:28:44,800 --> 00:28:47,960 Speaker 1: we get to the episode. Yeah, exactly. But Adam was 515 00:28:48,000 --> 00:28:51,040 Speaker 1: a sweetheart and uh and I thought he was great. 516 00:28:51,080 --> 00:28:53,160 Speaker 1: You know, he was a totally different than Harley, but 517 00:28:53,200 --> 00:28:56,080 Speaker 1: he was He was awesome in a totally different way. 518 00:28:56,160 --> 00:29:00,640 Speaker 1: Very cool and um maybe not quite as scared, but 519 00:29:00,760 --> 00:29:05,440 Speaker 1: that's okay because we weren't meant to be the scariest guys. Yeah, no, 520 00:29:05,880 --> 00:29:07,760 Speaker 1: I have I have a question for you. So, before 521 00:29:07,800 --> 00:29:11,680 Speaker 1: he came on, um and and was just obviously one 522 00:29:11,680 --> 00:29:13,760 Speaker 1: of the nicest guys ever, were you a wrestling fan 523 00:29:13,800 --> 00:29:15,640 Speaker 1: had did you know who Vader was before they brought 524 00:29:15,720 --> 00:29:19,640 Speaker 1: him on to play your dad, no idea. Never I 525 00:29:19,680 --> 00:29:22,760 Speaker 1: saw Cogan, I like new whole Cogan. I knew Jake 526 00:29:22,800 --> 00:29:24,840 Speaker 1: the Snake. I knew when when when he written out 527 00:29:24,840 --> 00:29:26,920 Speaker 1: of match with Jake the Snake. I knew Jake the Snake. 528 00:29:27,000 --> 00:29:30,120 Speaker 1: But but I had never heard of Vader before, which 529 00:29:30,240 --> 00:29:34,800 Speaker 1: seem sacrilegious to me, you know, having known now he 530 00:29:34,920 --> 00:29:37,040 Speaker 1: was a big deal, but I didn't at the time 531 00:29:37,120 --> 00:29:40,000 Speaker 1: know him. Did you have a great time working with 532 00:29:40,080 --> 00:29:42,120 Speaker 1: him as your dad? Like, what was your relationship? I 533 00:29:42,120 --> 00:29:44,560 Speaker 1: mean you probably worked closer with him than than any 534 00:29:44,600 --> 00:29:50,880 Speaker 1: of us. What was you know? He told me he 535 00:29:51,280 --> 00:29:55,680 Speaker 1: I got like really hardcore stories about fighting in Asia. 536 00:29:56,360 --> 00:29:59,400 Speaker 1: He would go and do we all remember, Yeah, where 537 00:29:59,480 --> 00:30:01,960 Speaker 1: he like he lost an eye in a match and 538 00:30:02,040 --> 00:30:05,120 Speaker 1: scooped his eye back in back in himself. That's right, 539 00:30:05,280 --> 00:30:08,040 Speaker 1: put it back in himself when he won some sort 540 00:30:08,040 --> 00:30:13,360 Speaker 1: of ultimate fighting international. Yeah, it's a crazy When he 541 00:30:13,640 --> 00:30:16,080 Speaker 1: first told me that story, I was like, this guy's 542 00:30:16,800 --> 00:30:19,840 Speaker 1: And then I asked some people and they were like, no, no, 543 00:30:19,920 --> 00:30:22,800 Speaker 1: he's legit. Like that guy's as legit as they come. 544 00:30:22,840 --> 00:30:25,760 Speaker 1: And then I was kind of like treated him with 545 00:30:25,760 --> 00:30:28,560 Speaker 1: a lot more deference but when he first said told 546 00:30:28,560 --> 00:30:30,960 Speaker 1: that story, I was like, you're just coming in hearing 547 00:30:31,000 --> 00:30:33,440 Speaker 1: and to tell me you lost an eye and fight 548 00:30:33,520 --> 00:30:36,480 Speaker 1: in Japan. Yeah, and shoved it back into your head. 549 00:30:36,560 --> 00:30:39,200 Speaker 1: What kind of what do you take me for it? Um? 550 00:30:39,920 --> 00:30:46,120 Speaker 1: The most nerve racking experience which you were there for, righting, 551 00:30:46,400 --> 00:30:51,440 Speaker 1: was that WrestleMania. Yes, and so I almost got into 552 00:30:51,440 --> 00:30:57,200 Speaker 1: a fight with multiple people. Nobody prepared us for. No, no, 553 00:30:57,840 --> 00:31:00,520 Speaker 1: They just wanting to shut us out, no idea, and 554 00:31:00,600 --> 00:31:05,200 Speaker 1: I didn't know. I think all the people there, we're 555 00:31:05,280 --> 00:31:08,040 Speaker 1: just there as red, like they didn't know what was happening. 556 00:31:08,280 --> 00:31:13,000 Speaker 1: We didn't know what's happening. And people hated him. People 557 00:31:13,040 --> 00:31:18,160 Speaker 1: hated Vader so much, and they were saying really nasty stuff. 558 00:31:18,160 --> 00:31:22,400 Speaker 1: But I remember somebody telling me in between stuff, they 559 00:31:22,400 --> 00:31:25,520 Speaker 1: were like, you're Mike, stop fighting with people because you 560 00:31:25,560 --> 00:31:27,880 Speaker 1: can hear what you're saying. Oh, I love it. You 561 00:31:27,960 --> 00:31:30,520 Speaker 1: fought back. Ben and I were just terrified. I remember 562 00:31:30,560 --> 00:31:34,120 Speaker 1: feeling like like running backstage and almost crying because everyone 563 00:31:34,240 --> 00:31:39,160 Speaker 1: was just like, you know, screal boardman world, and we 564 00:31:39,160 --> 00:31:41,000 Speaker 1: were just like but you, I know, you were on 565 00:31:41,120 --> 00:31:43,600 Speaker 1: like you were in the ring the entire time. Ben 566 00:31:43,640 --> 00:31:45,480 Speaker 1: and I were like running in and out, but you 567 00:31:45,520 --> 00:31:47,520 Speaker 1: were there the whole I love that you fought back. 568 00:31:48,360 --> 00:31:50,959 Speaker 1: I was I almost got into a physical fight with 569 00:31:51,000 --> 00:31:54,760 Speaker 1: people in the audience, and one of the whoever was 570 00:31:54,920 --> 00:31:58,680 Speaker 1: somebody there, somebody on our team, was like, stop, you're 571 00:31:58,760 --> 00:32:02,000 Speaker 1: acting like, don't listen to them. You're gonna get in 572 00:32:02,040 --> 00:32:04,800 Speaker 1: real trouble. And I was like, that guy's keep saying, 573 00:32:05,040 --> 00:32:11,440 Speaker 1: your mom, I'm ready. You know that was That was 574 00:32:11,480 --> 00:32:16,000 Speaker 1: one of the most nerve racket experiences of my life. Yeah, god, God, 575 00:32:16,960 --> 00:32:21,280 Speaker 1: I'll think about that sometimes. Like you know, it's very difficult, 576 00:32:21,280 --> 00:32:24,120 Speaker 1: even on gigantic movies to like lock up New York 577 00:32:24,200 --> 00:32:26,960 Speaker 1: City streets, and so you'll be in the middle of 578 00:32:26,960 --> 00:32:30,280 Speaker 1: shooting something and you'll just think, like, this is a 579 00:32:30,360 --> 00:32:33,680 Speaker 1: hundred million dollar movie and you guys can't like pause. 580 00:32:33,800 --> 00:32:36,360 Speaker 1: These people from the walking through the same like what 581 00:32:36,400 --> 00:32:39,520 Speaker 1: are you? What are we doing there? And even then 582 00:32:39,560 --> 00:32:42,600 Speaker 1: I'll have to remind myself just go back to the 583 00:32:42,640 --> 00:32:48,840 Speaker 1: mid nineties and WrestleMania and this is like nothing can eat. 584 00:32:51,680 --> 00:32:53,720 Speaker 1: So I have a question for you, because you're you're 585 00:32:53,760 --> 00:32:58,040 Speaker 1: in a very unique position to answer this. Um you 586 00:32:58,280 --> 00:33:00,440 Speaker 1: went on I mean not only to do all the 587 00:33:00,480 --> 00:33:02,680 Speaker 1: films that you've done, but My Name Is Earl was 588 00:33:02,680 --> 00:33:04,920 Speaker 1: it was a huge hit as well. Can you talk 589 00:33:04,960 --> 00:33:08,800 Speaker 1: about is there one type of television you enjoyed doing 590 00:33:08,840 --> 00:33:10,720 Speaker 1: more than you know? I mean, you went from four 591 00:33:10,760 --> 00:33:13,320 Speaker 1: camera on Boy Meats World with an audience to single 592 00:33:13,400 --> 00:33:15,479 Speaker 1: cam on My Name Is Earl, which is kind of 593 00:33:15,520 --> 00:33:18,520 Speaker 1: like shooting a film every day. Is there one type 594 00:33:18,640 --> 00:33:21,719 Speaker 1: of show you preferred doing over the other? Well, okay, 595 00:33:21,760 --> 00:33:24,640 Speaker 1: I mean like there's uh, there's I guess I. I 596 00:33:25,000 --> 00:33:27,640 Speaker 1: guess I would have to answer this as honestly as 597 00:33:27,640 --> 00:33:31,280 Speaker 1: I possibly can and say, like I did Boy Meats World, 598 00:33:31,440 --> 00:33:35,720 Speaker 1: which really spoiled me for my next working experience, which 599 00:33:35,800 --> 00:33:39,520 Speaker 1: was like so night and day, nothing like the leisurely 600 00:33:39,680 --> 00:33:42,800 Speaker 1: work schedule that we had, especially because you guys would 601 00:33:42,840 --> 00:33:45,360 Speaker 1: have to go to school and I wouldn't. And suddenly 602 00:33:45,360 --> 00:33:47,880 Speaker 1: it's like me and Blake are going to the movies 603 00:33:47,960 --> 00:33:50,240 Speaker 1: at lunch in the middle of the day. You guys 604 00:33:50,280 --> 00:33:51,920 Speaker 1: have a couple hours of school, and we're just like, 605 00:33:51,960 --> 00:33:56,760 Speaker 1: please keep them in school. This is great, Um, but 606 00:33:57,640 --> 00:34:00,840 Speaker 1: I like the aesthetic. I guess, I guess I would 607 00:34:00,880 --> 00:34:07,000 Speaker 1: probably prefer watching a single camera show. But you just 608 00:34:07,160 --> 00:34:10,680 Speaker 1: can't be. I then went on to do uh a 609 00:34:10,719 --> 00:34:13,560 Speaker 1: bunch of episodes of a show called The Ranch and 610 00:34:13,640 --> 00:34:17,640 Speaker 1: the Ranch, you know, towards the last season of that, 611 00:34:17,719 --> 00:34:20,600 Speaker 1: I was on Boy Meats World. It even got looser 612 00:34:20,600 --> 00:34:23,200 Speaker 1: than that. It got to be like table read and 613 00:34:23,280 --> 00:34:27,880 Speaker 1: we're out. We just call it do the table. So 614 00:34:28,040 --> 00:34:30,520 Speaker 1: it got to the point on The Ranch where they'd 615 00:34:30,560 --> 00:34:33,400 Speaker 1: call me and go, we need you for four episodes 616 00:34:33,480 --> 00:34:39,560 Speaker 1: this season. We need six hours pick a day and 617 00:34:39,600 --> 00:34:43,760 Speaker 1: I'd go, I'd go like, how's this day and they'd go, great, 618 00:34:43,920 --> 00:34:46,160 Speaker 1: we'll see you from this time to this time. And 619 00:34:46,200 --> 00:34:48,640 Speaker 1: I would literally show up and they would block shoot 620 00:34:48,680 --> 00:34:50,440 Speaker 1: my scenes and I would be done, And that was 621 00:34:50,520 --> 00:34:59,319 Speaker 1: the whole season, like four episodes or it was insane. Now, 622 00:34:59,520 --> 00:35:02,319 Speaker 1: I don't think you can beat multi camera for like 623 00:35:03,239 --> 00:35:06,040 Speaker 1: your life, especially if you have kids or something like that. 624 00:35:06,640 --> 00:35:11,320 Speaker 1: Was that also David Trainer? Yeah, David Trainer, who you 625 00:35:11,360 --> 00:35:13,640 Speaker 1: would have met on your very first job ever, Boy 626 00:35:13,680 --> 00:35:23,399 Speaker 1: Meets World? What what like? The greatest guy? It's amazing man. Yes, yeah, 627 00:35:23,440 --> 00:35:26,520 Speaker 1: it's one of our first guests. Yeah, yeah, absolutely. I 628 00:35:26,520 --> 00:35:29,919 Speaker 1: mean we remember him so well because he was so 629 00:35:30,080 --> 00:35:32,200 Speaker 1: I mean, obviously we were all for the most part 630 00:35:32,239 --> 00:35:35,640 Speaker 1: pretty green and the way he works with actors, and 631 00:35:35,719 --> 00:35:38,319 Speaker 1: I mean, you know, he's he's just one of the 632 00:35:38,360 --> 00:35:41,399 Speaker 1: best ever. So yeah, that's so funny. Did you guys 633 00:35:41,440 --> 00:35:43,040 Speaker 1: talk about Boy Meets World then when you did that 634 00:35:43,640 --> 00:35:46,960 Speaker 1: really all the time? Yeah? Yeah, And I had um 635 00:35:47,040 --> 00:35:52,640 Speaker 1: he did all the episodes of that seven ye and 636 00:35:52,719 --> 00:35:54,919 Speaker 1: I went to there said a couple of times and 637 00:35:55,360 --> 00:35:58,560 Speaker 1: was like, Holy trainer, you're here. This is amazing. So 638 00:35:58,680 --> 00:36:02,000 Speaker 1: I had seen him again in between, but it was 639 00:36:02,040 --> 00:36:04,520 Speaker 1: a pretty big It was a twenty year gap between 640 00:36:04,520 --> 00:36:06,879 Speaker 1: when I had worked with him, and it was really fun. Man, 641 00:36:07,239 --> 00:36:19,319 Speaker 1: he's he's he's the best. Do you have a specific 642 00:36:19,600 --> 00:36:23,880 Speaker 1: favorite like behind the scenes memory of filming that isn't WrestleMania, 643 00:36:23,960 --> 00:36:27,040 Speaker 1: or maybe it is WrestleMania, or like a favorite episode 644 00:36:27,080 --> 00:36:29,279 Speaker 1: or scene that really stands out to you over the 645 00:36:29,360 --> 00:36:32,600 Speaker 1: nineteen episodes of Boy Meets World you did, Yeah, I 646 00:36:33,160 --> 00:36:36,600 Speaker 1: think it's not WrestleMania. Like that's one of those things 647 00:36:36,640 --> 00:36:39,600 Speaker 1: like you you get into a car accident and you 648 00:36:39,640 --> 00:36:42,319 Speaker 1: survive it, and then you tell the story because it's 649 00:36:42,320 --> 00:36:46,360 Speaker 1: like exciting, but you don't want to ever do that again, 650 00:36:46,920 --> 00:36:53,600 Speaker 1: you know. I think, just like the first episode. Every 651 00:36:53,640 --> 00:37:00,759 Speaker 1: every experience on that episode was new and fresh and 652 00:37:00,960 --> 00:37:06,160 Speaker 1: interesting and exciting, and and it it never really got old, 653 00:37:06,280 --> 00:37:08,719 Speaker 1: you know, it was always it was always kind of 654 00:37:09,040 --> 00:37:13,359 Speaker 1: fun and exciting. But that first that first episode that 655 00:37:13,440 --> 00:37:18,640 Speaker 1: was Disney. Um, working at Disney was exciting. Yeah, all 656 00:37:18,640 --> 00:37:23,279 Speaker 1: of it. It was just so surreal. Yeah, Disney Studios. 657 00:37:23,640 --> 00:37:25,360 Speaker 1: I mean, I know it's it's probably also because it 658 00:37:25,400 --> 00:37:28,560 Speaker 1: was my first job too, but like, although that's not true, 659 00:37:28,560 --> 00:37:30,680 Speaker 1: I had done Full House, but there's something about when 660 00:37:30,680 --> 00:37:34,719 Speaker 1: you first work at Disney Studios and you're that just 661 00:37:34,800 --> 00:37:39,160 Speaker 1: feels like, I don't know, the magic of Disney. People 662 00:37:39,160 --> 00:37:41,840 Speaker 1: talk about the magic of Disney. You go onto the 663 00:37:41,880 --> 00:37:45,879 Speaker 1: Disney lot and the squirrels come up to you. That's 664 00:37:45,920 --> 00:37:48,560 Speaker 1: not a joke, they actually do. It is there is 665 00:37:48,600 --> 00:37:51,520 Speaker 1: something about Disney that is just magical. Really, they're piping 666 00:37:51,520 --> 00:37:56,280 Speaker 1: in happiness from somewhere. It's amazing. Man. So when Blake 667 00:37:56,360 --> 00:37:59,399 Speaker 1: was here, he we asked him about if he had 668 00:37:59,400 --> 00:38:03,680 Speaker 1: a specific memory about when or how he found out 669 00:38:03,719 --> 00:38:06,320 Speaker 1: you guys weren't going to be coming back to the show, 670 00:38:07,360 --> 00:38:09,680 Speaker 1: and he told us a story that you guys actually 671 00:38:09,680 --> 00:38:13,680 Speaker 1: went in to pitch a script that you had written. Yeah, 672 00:38:13,800 --> 00:38:15,759 Speaker 1: so the story Blake told and I was I was 673 00:38:15,800 --> 00:38:17,640 Speaker 1: actually before actually know what, let me not tell you 674 00:38:17,680 --> 00:38:20,200 Speaker 1: what Blake said. Let's just do you have a memory 675 00:38:20,400 --> 00:38:24,280 Speaker 1: of when or how you found out that like Frankie 676 00:38:24,280 --> 00:38:26,080 Speaker 1: and Joey just weren't going to be coming back to 677 00:38:26,080 --> 00:38:31,799 Speaker 1: the show ever. No, I don't. I don't remember. No, 678 00:38:32,040 --> 00:38:40,680 Speaker 1: I really don't. Um. I mean no, I don't remember. 679 00:38:40,760 --> 00:38:44,239 Speaker 1: I don't remember it being official in that way. But 680 00:38:44,480 --> 00:38:47,640 Speaker 1: it was always weak. I suppose it probably was. Yeah, well, 681 00:38:47,960 --> 00:38:49,759 Speaker 1: because even when you guys did the first episode, you 682 00:38:49,800 --> 00:38:51,719 Speaker 1: had no idea that you were coming back, right, it 683 00:38:51,760 --> 00:38:54,560 Speaker 1: was just the one off. No, it was towards the 684 00:38:54,640 --> 00:38:57,000 Speaker 1: end of the week and they were like, hey, two 685 00:38:57,040 --> 00:39:01,319 Speaker 1: weeks from now, are you busy? And I of course 686 00:39:01,440 --> 00:39:04,560 Speaker 1: was not. So that was kind of my entire experience, 687 00:39:04,640 --> 00:39:09,800 Speaker 1: was like hey this week, can you work? You know? Um? 688 00:39:09,920 --> 00:39:13,840 Speaker 1: But I I have no memory really of it becoming 689 00:39:13,880 --> 00:39:16,239 Speaker 1: an official, but I would love to hear what Blake's. Yeah, 690 00:39:16,320 --> 00:39:20,000 Speaker 1: so Blake said that you guys wrote a script that 691 00:39:20,120 --> 00:39:22,799 Speaker 1: was based around like Catcher in the Rye, Like there 692 00:39:22,880 --> 00:39:26,680 Speaker 1: was a Holden Caufield character, and you were really excited 693 00:39:26,680 --> 00:39:28,400 Speaker 1: about it. You had worked really hard on it. You 694 00:39:28,440 --> 00:39:31,520 Speaker 1: felt like you had all the angles worked out, and 695 00:39:31,600 --> 00:39:34,640 Speaker 1: you went in to pitch it to Michael Jacobs, and 696 00:39:35,080 --> 00:39:38,239 Speaker 1: in that meeting, Michael listened. He took it all in 697 00:39:38,280 --> 00:39:40,920 Speaker 1: and he was like, yeah, you know, it's really good. Um, 698 00:39:41,040 --> 00:39:43,920 Speaker 1: we're not going to buy it, but I'm you know, 699 00:39:44,080 --> 00:39:46,160 Speaker 1: glad you guys are here because we have good news. 700 00:39:46,200 --> 00:39:49,719 Speaker 1: We're actually going to offer you contracts. Like whether that 701 00:39:49,760 --> 00:39:53,399 Speaker 1: meant more recurring or thirteen out of twenty two or one, 702 00:39:53,440 --> 00:39:55,719 Speaker 1: like I don't you don't don't know if you really specified, 703 00:39:55,719 --> 00:39:57,200 Speaker 1: but it was definitely like, you guys are going to 704 00:39:57,280 --> 00:39:59,359 Speaker 1: be an official part of the cast. Now, you're gonna 705 00:39:59,360 --> 00:40:03,000 Speaker 1: be coming background regularly. And then you guys never heard 706 00:40:03,040 --> 00:40:06,120 Speaker 1: from him again and just never came back to the show. 707 00:40:06,680 --> 00:40:09,319 Speaker 1: He said, you left the room. You were high fiving, like, yeah, 708 00:40:09,360 --> 00:40:12,000 Speaker 1: this is awesome, He's like, and then nothing. I feel 709 00:40:12,080 --> 00:40:15,960 Speaker 1: like I do remember going to see him, but I don't. 710 00:40:16,120 --> 00:40:22,000 Speaker 1: I don't remember. I mean, listen in in fairness towards 711 00:40:22,080 --> 00:40:24,480 Speaker 1: the end, I had a bit of a drug problem, 712 00:40:25,080 --> 00:40:28,000 Speaker 1: and you know, like we like we can be as 713 00:40:28,360 --> 00:40:31,680 Speaker 1: real and open podcast as we want. We're adults now, 714 00:40:31,719 --> 00:40:34,400 Speaker 1: I've gotten my act together. I've been sober now for 715 00:40:34,520 --> 00:40:37,680 Speaker 1: multiple decades, and so that's good. But towards the end, 716 00:40:38,120 --> 00:40:42,120 Speaker 1: and you know, I never I just never thought about 717 00:40:42,160 --> 00:40:45,600 Speaker 1: it because I wasn't really paying attention. I'm sure that happened. 718 00:40:45,640 --> 00:40:49,480 Speaker 1: I do have some vague recollection of us in Michael 719 00:40:49,520 --> 00:40:52,920 Speaker 1: Jacob's office, and it's it's a memory where I'm like, 720 00:40:53,320 --> 00:40:57,680 Speaker 1: why the were we in Michael jakes off, you know, 721 00:40:59,120 --> 00:41:02,560 Speaker 1: But but I do recall us being there, and I 722 00:41:02,560 --> 00:41:05,280 Speaker 1: I could have gotten excited over anything at that point. 723 00:41:05,360 --> 00:41:08,719 Speaker 1: You know, I was excitable in that state, but U 724 00:41:09,239 --> 00:41:11,719 Speaker 1: and I was. But you were also already working a 725 00:41:11,760 --> 00:41:15,560 Speaker 1: lot world, you know. I imagine that it probably didn't 726 00:41:15,600 --> 00:41:17,800 Speaker 1: mean as much to you because I mean, even between 727 00:41:17,880 --> 00:41:20,359 Speaker 1: what season two and three you did Mall Rats right 728 00:41:20,440 --> 00:41:22,360 Speaker 1: like that must have been a writer, because I remember 729 00:41:22,360 --> 00:41:24,480 Speaker 1: you coming back and telling us about it and being like, oh, 730 00:41:24,520 --> 00:41:26,160 Speaker 1: I can't wait for this because I was a huge 731 00:41:26,440 --> 00:41:29,120 Speaker 1: Clerks fan and I love that whole you know, so 732 00:41:29,160 --> 00:41:30,400 Speaker 1: it was like such a big deal that you were 733 00:41:30,440 --> 00:41:33,080 Speaker 1: already doing. And then American History X like that all 734 00:41:33,080 --> 00:41:36,080 Speaker 1: happened during Boy Meets World, So yeah, you were already 735 00:41:36,120 --> 00:41:40,560 Speaker 1: like rolling right into other projects. Yeah, I think. I mean, 736 00:41:40,760 --> 00:41:44,680 Speaker 1: like I liked the I think, you know, when I 737 00:41:45,000 --> 00:41:48,360 Speaker 1: didn't understand anything at first, and so at first it 738 00:41:48,440 --> 00:41:50,640 Speaker 1: was like I'm on this show. And when I was 739 00:41:50,680 --> 00:41:53,400 Speaker 1: doing multiple episodes, I was like, oh, I'm I'm on 740 00:41:53,480 --> 00:41:56,000 Speaker 1: this show, like I'm actually on this show. And then 741 00:41:56,040 --> 00:41:59,800 Speaker 1: I I learned like, oh no, there's different contracts and that, 742 00:42:00,000 --> 00:42:02,520 Speaker 1: you know, I didn't understand TV and movies and anything 743 00:42:02,560 --> 00:42:05,360 Speaker 1: like that. And I think by the time I stopped 744 00:42:05,400 --> 00:42:08,200 Speaker 1: doing the show, I was just doing other stuff and 745 00:42:08,239 --> 00:42:13,200 Speaker 1: it wasn't there. I have no memory of any point 746 00:42:13,600 --> 00:42:17,279 Speaker 1: going like that's a bummer that I'm not doing that right, 747 00:42:17,880 --> 00:42:20,080 Speaker 1: you know, right, you just got you just were stopped 748 00:42:20,120 --> 00:42:22,400 Speaker 1: being asked, but you were being asked to do a 749 00:42:22,400 --> 00:42:29,440 Speaker 1: bunch of other things exactly right. And then you know 750 00:42:29,600 --> 00:42:33,240 Speaker 1: your I will guarantee you your question is better than mine. 751 00:42:34,120 --> 00:42:36,960 Speaker 1: I don't know about that now, and then we'll be 752 00:42:37,000 --> 00:42:40,440 Speaker 1: the judge. Well, I was going to talk about his 753 00:42:40,800 --> 00:42:49,520 Speaker 1: journey into this new healthy, incredible life questions too. Yes, 754 00:42:49,840 --> 00:42:53,160 Speaker 1: I mean, I I follow you on Instagram. I see 755 00:42:53,200 --> 00:42:56,759 Speaker 1: your your food journey and your fitness journey. Talk to 756 00:42:56,840 --> 00:43:00,200 Speaker 1: us about that and what you are up to And 757 00:43:00,480 --> 00:43:04,520 Speaker 1: I just started working out again, and my whole body hurts. Thanks, 758 00:43:04,560 --> 00:43:09,040 Speaker 1: my whole body hurts. Um. I I was kind of 759 00:43:09,680 --> 00:43:15,640 Speaker 1: newly sober in two thousand, two thousand one, two thousand one, 760 00:43:15,680 --> 00:43:20,560 Speaker 1: newly sober, and uh, I'd had a few rough patches 761 00:43:20,600 --> 00:43:23,000 Speaker 1: of getting sober, and and now I kind of had 762 00:43:23,040 --> 00:43:27,359 Speaker 1: my footing there. And you know, I woke up one 763 00:43:27,400 --> 00:43:28,960 Speaker 1: day and I was like, Oh, I have this whole 764 00:43:29,000 --> 00:43:31,640 Speaker 1: other thing that I haven't been thinking about that I 765 00:43:31,640 --> 00:43:36,880 Speaker 1: should really start addressing. And I had this girlfriend who 766 00:43:36,920 --> 00:43:39,560 Speaker 1: I cared very much about, and I had this weird 767 00:43:39,640 --> 00:43:43,280 Speaker 1: experience where I kind of realized that if I didn't 768 00:43:43,320 --> 00:43:47,120 Speaker 1: do something about this, my relationship couldn't go anywhere with 769 00:43:47,160 --> 00:43:49,480 Speaker 1: her because there was tons of stuff that I couldn't 770 00:43:49,920 --> 00:43:53,000 Speaker 1: participate with her. And she liked going to going on 771 00:43:53,080 --> 00:43:55,760 Speaker 1: hikes and spending time at the beach and going to museums. 772 00:43:55,880 --> 00:43:58,840 Speaker 1: None of that was interesting to me at my size 773 00:43:59,480 --> 00:44:03,959 Speaker 1: and uh, and so I had to ask her for help. 774 00:44:04,000 --> 00:44:05,879 Speaker 1: And asking her for help, it was almost as though 775 00:44:05,880 --> 00:44:07,799 Speaker 1: I was letting her in on a secret, because she 776 00:44:07,840 --> 00:44:12,240 Speaker 1: didn't ever treat me as though it was an issue 777 00:44:12,760 --> 00:44:17,360 Speaker 1: and it was a very weird situation to find myself in. 778 00:44:17,840 --> 00:44:19,719 Speaker 1: And then when I asked her for help, she kind 779 00:44:19,760 --> 00:44:21,920 Speaker 1: of was like, yeah, that's no problem, we can totally 780 00:44:21,960 --> 00:44:26,200 Speaker 1: do that. Um. There were many years after that of 781 00:44:26,960 --> 00:44:32,520 Speaker 1: trying to uh figure out what food was doing to 782 00:44:32,640 --> 00:44:36,320 Speaker 1: me rather than what I was doing to myself with food, 783 00:44:36,840 --> 00:44:39,399 Speaker 1: and so I didn't really get my I didn't really 784 00:44:39,440 --> 00:44:43,799 Speaker 1: come to a proper equilibrium with that until many years later. 785 00:44:43,920 --> 00:44:48,640 Speaker 1: And um, there was a one point with her where 786 00:44:49,320 --> 00:44:52,680 Speaker 1: I had gotten really thin and doing lots of cardio 787 00:44:52,760 --> 00:44:56,399 Speaker 1: and starving myself and that just was not sustainable at all. 788 00:44:56,400 --> 00:44:58,560 Speaker 1: And I finally threw up my hands and said to 789 00:44:58,600 --> 00:45:00,440 Speaker 1: my wife, I'm getting fat at him, like this is 790 00:45:00,480 --> 00:45:02,520 Speaker 1: not fun, living like this is not fun. And she 791 00:45:02,600 --> 00:45:05,680 Speaker 1: was like, Okay, that's fine. And then I was doing 792 00:45:05,719 --> 00:45:09,279 Speaker 1: a show in San Francisco and I tore my bicept 793 00:45:09,360 --> 00:45:12,239 Speaker 1: and I gained a bunch of weight, but I didn't care. 794 00:45:12,280 --> 00:45:14,000 Speaker 1: I was eating whatever I wanted. And I had to 795 00:45:14,040 --> 00:45:16,120 Speaker 1: have surgery on my arm, and normally it was like 796 00:45:16,160 --> 00:45:21,000 Speaker 1: a very simple outpatient surgery, and because of my weight, 797 00:45:21,360 --> 00:45:24,400 Speaker 1: they said no, no, you're too heavy for outpatient. You 798 00:45:24,440 --> 00:45:26,839 Speaker 1: have to go do this in a hospital and my 799 00:45:26,880 --> 00:45:32,600 Speaker 1: wife said, listen, I've never really cared. I love you. 800 00:45:32,600 --> 00:45:34,720 Speaker 1: You know I love you. This is not an issue 801 00:45:34,760 --> 00:45:39,160 Speaker 1: that I have with you aesthetically at all, but because 802 00:45:39,600 --> 00:45:42,879 Speaker 1: there's this weird health concern, you have to get your 803 00:45:42,880 --> 00:45:46,520 Speaker 1: weight below whatever that number is. I don't care what 804 00:45:46,560 --> 00:45:49,719 Speaker 1: the number is, but get your weight below that. And 805 00:45:49,760 --> 00:45:52,840 Speaker 1: then I just was like, Okay, now I have another 806 00:45:52,960 --> 00:45:55,239 Speaker 1: reason to do this. Plus I have a bunch of 807 00:45:55,320 --> 00:45:58,160 Speaker 1: kids and I want to be around for them as 808 00:45:58,160 --> 00:46:01,000 Speaker 1: long as possible. But that's been that's been the real 809 00:46:01,040 --> 00:46:08,440 Speaker 1: impetus behind trying to get and maintain a level of leanness. Um. 810 00:46:08,480 --> 00:46:10,279 Speaker 1: So when I was on social media, which I have 811 00:46:10,320 --> 00:46:11,879 Speaker 1: not been for years and years and years, and there's 812 00:46:11,960 --> 00:46:14,360 Speaker 1: very few things I miss about social media, but following 813 00:46:14,360 --> 00:46:17,080 Speaker 1: you is I do miss because you gave me a 814 00:46:17,080 --> 00:46:19,440 Speaker 1: philosophy when I start working out. I've always struggle with 815 00:46:19,440 --> 00:46:24,839 Speaker 1: my weight. I will fluctuate sixty pounds sometimes. Um, you 816 00:46:25,120 --> 00:46:28,560 Speaker 1: had a concept that just spoke so much to me, 817 00:46:28,640 --> 00:46:31,200 Speaker 1: and I would hit you up on Instagram about it. Uh, 818 00:46:31,239 --> 00:46:32,600 Speaker 1: and I'd like you to talk a little bit about 819 00:46:32,600 --> 00:46:35,400 Speaker 1: it if you could, which is killing your clone. And 820 00:46:35,400 --> 00:46:36,920 Speaker 1: I was wondering if you maybe you could talk a 821 00:46:36,920 --> 00:46:39,520 Speaker 1: little bit about killing your clone, because it really resonated 822 00:46:39,560 --> 00:46:41,959 Speaker 1: with me. Yeah, so the idea of killing your clone, 823 00:46:41,960 --> 00:46:44,880 Speaker 1: and this the when I tore my bicept. I was 824 00:46:46,400 --> 00:46:49,799 Speaker 1: playing this character based on a guy and the real 825 00:46:49,880 --> 00:46:52,479 Speaker 1: guy is I don't know if you've seen the movie 826 00:46:52,520 --> 00:46:55,240 Speaker 1: The Hunted with Benacio del Toro and Tom Louie Jones. 827 00:46:55,360 --> 00:46:58,359 Speaker 1: So the guy I was playing is the guy who 828 00:46:58,440 --> 00:47:04,839 Speaker 1: choreographed all that knife off. He's uh considered uh um 829 00:47:04,880 --> 00:47:09,840 Speaker 1: a subject matter expert in edged weapons by by our government, 830 00:47:09,960 --> 00:47:14,600 Speaker 1: like our government says he's the most knowledgeable person with knives, 831 00:47:15,280 --> 00:47:18,240 Speaker 1: and yeah, he's awesome. Is this? This is also Patrick 832 00:47:18,320 --> 00:47:22,440 Speaker 1: Huguets teacher, isn't it? Yes? Pat's been training with him 833 00:47:22,480 --> 00:47:25,120 Speaker 1: even longer than I've known him, and I I was 834 00:47:25,239 --> 00:47:28,479 Speaker 1: playing a character based on him in a TV show 835 00:47:28,520 --> 00:47:31,200 Speaker 1: called Chance, which I thought was very good. Nobody watched it, 836 00:47:31,719 --> 00:47:36,040 Speaker 1: and getting to know him was this amazing experience. And 837 00:47:36,080 --> 00:47:38,440 Speaker 1: he had all these little knowledge bombs and one of 838 00:47:38,480 --> 00:47:43,200 Speaker 1: them was kill your clone. And for him, because he's uh, 839 00:47:43,280 --> 00:47:47,520 Speaker 1: he trains military people in combatives. The idea is like, 840 00:47:48,200 --> 00:47:51,319 Speaker 1: as a warrior, every day you have to be able 841 00:47:51,360 --> 00:47:54,920 Speaker 1: to kill the old version of you, but not the 842 00:47:54,960 --> 00:47:57,160 Speaker 1: old version of you ten years ago, the version of 843 00:47:57,200 --> 00:48:00,399 Speaker 1: you today tomorrow. You have to be be to kill. 844 00:48:00,440 --> 00:48:05,920 Speaker 1: So you have to always be leveling up every day, training, uh, 845 00:48:06,239 --> 00:48:09,239 Speaker 1: reading something. And so the way I apply it is 846 00:48:09,320 --> 00:48:12,480 Speaker 1: just in order for me to level up as a person, 847 00:48:12,560 --> 00:48:15,960 Speaker 1: as a father, as a husband, as an actor, as 848 00:48:16,000 --> 00:48:20,439 Speaker 1: a human being. Whatever I'm doing every day is leveling up, 849 00:48:20,840 --> 00:48:23,440 Speaker 1: and it's killing the old version of me. And the 850 00:48:23,480 --> 00:48:26,400 Speaker 1: old version of me again, is not from the distant past. 851 00:48:26,480 --> 00:48:29,600 Speaker 1: It's from the immediate past. It's from five minutes ago. 852 00:48:29,640 --> 00:48:33,600 Speaker 1: How am I improving myself constantly? And in order to 853 00:48:33,680 --> 00:48:36,319 Speaker 1: do that, I'm doing that so that I can kill 854 00:48:36,680 --> 00:48:39,400 Speaker 1: the clone of me that exists in the past. Not 855 00:48:39,520 --> 00:48:41,600 Speaker 1: such a cool concept. It really resonated me. I remember, 856 00:48:41,719 --> 00:48:44,160 Speaker 1: just because I would. It was when I was really 857 00:48:44,160 --> 00:48:46,560 Speaker 1: trail running, which I'm trying to get into again, and 858 00:48:46,600 --> 00:48:48,960 Speaker 1: I would want to stop after about three miles, and 859 00:48:48,960 --> 00:48:51,040 Speaker 1: then I'd say, no, wait, I did three miles yesterday, 860 00:48:51,080 --> 00:48:52,960 Speaker 1: So I went three point two and then I take 861 00:48:53,000 --> 00:48:54,560 Speaker 1: a picture. I'd send it to you be like, killed 862 00:48:54,560 --> 00:48:57,799 Speaker 1: my clone. You're like good, Keep keep it up. That's 863 00:48:57,800 --> 00:49:00,200 Speaker 1: a week later, I'm like four, I did full you know, 864 00:49:00,239 --> 00:49:03,919 Speaker 1: it just kept going. Was let me say, it might 865 00:49:04,040 --> 00:49:09,319 Speaker 1: be also important that you rest for a day so 866 00:49:09,360 --> 00:49:11,120 Speaker 1: that you can kill that colin, you know what I mean. Like, 867 00:49:11,160 --> 00:49:14,919 Speaker 1: there's that too, Like a day if you're just constantly 868 00:49:15,239 --> 00:49:19,240 Speaker 1: going above, above, above, four miles and six miles, eventually 869 00:49:19,400 --> 00:49:21,480 Speaker 1: you know you're running a hundred miles and your body says, 870 00:49:21,520 --> 00:49:24,000 Speaker 1: go yourself, we're not doing this, you know what I mean? 871 00:49:24,080 --> 00:49:29,520 Speaker 1: So yeah, there's that too. Yeah. Pat would always talk 872 00:49:29,520 --> 00:49:31,880 Speaker 1: about So Patrick Fuguet for for those of you don't know, 873 00:49:31,920 --> 00:49:36,200 Speaker 1: and a terrific actor. He was starting um almost almost 874 00:49:36,200 --> 00:49:40,560 Speaker 1: famous and uh is a phenomenal dungeon master for the 875 00:49:41,200 --> 00:49:43,520 Speaker 1: for the nerds out there, he was my d m um. 876 00:49:43,600 --> 00:49:46,200 Speaker 1: So it was. And by the way, he's a killer. 877 00:49:46,920 --> 00:49:50,719 Speaker 1: He is a killer, like I yeah, the first day 878 00:49:50,760 --> 00:49:52,400 Speaker 1: I saw him in class, I was like, what are 879 00:49:52,440 --> 00:49:54,120 Speaker 1: you doing here? Pat? And he was like, what do 880 00:49:54,200 --> 00:49:56,200 Speaker 1: you mean? This is where I trained? And he is 881 00:49:56,239 --> 00:50:00,319 Speaker 1: an assassin, Like he's a bad man. Yeah, very yeah, 882 00:50:00,400 --> 00:50:04,480 Speaker 1: like yes, you just you kind of don't expect it, 883 00:50:04,520 --> 00:50:06,120 Speaker 1: which is the thing I think that makes him so 884 00:50:06,200 --> 00:50:10,359 Speaker 1: damn dangerous, which is awesome. Um, but yeah, he so 885 00:50:10,480 --> 00:50:12,759 Speaker 1: he was would always impart that kind of wisdom as well, 886 00:50:12,800 --> 00:50:14,239 Speaker 1: where he's like, no, you gotta you gotta do this, 887 00:50:14,280 --> 00:50:16,120 Speaker 1: you gotta do And then I started asking about that 888 00:50:16,160 --> 00:50:19,760 Speaker 1: teacher and he's like you and I gotta talk, okay, okay. 889 00:50:20,120 --> 00:50:23,160 Speaker 1: So yeah, it's very very very cool. Yeah, he's awesome 890 00:50:23,200 --> 00:50:26,239 Speaker 1: that Tom Kaier is his name, and he he's a 891 00:50:26,320 --> 00:50:30,920 Speaker 1: very special, special person because you know, I like to 892 00:50:30,960 --> 00:50:36,680 Speaker 1: train combative ju jitsu stuff like that. It's almost always physical. 893 00:50:37,440 --> 00:50:42,000 Speaker 1: Most of what I've learned from Tom is philosophical m M, 894 00:50:42,680 --> 00:50:53,520 Speaker 1: which is great. Yeah. I want to go back to 895 00:50:53,560 --> 00:50:55,680 Speaker 1: boy Meat's world for a second because I want it. 896 00:50:55,760 --> 00:50:58,520 Speaker 1: So after you had done a number of episodes in 897 00:50:58,560 --> 00:51:00,640 Speaker 1: the first couple of seasons and didn't see you for 898 00:51:00,640 --> 00:51:03,480 Speaker 1: a long time, we they brought you back for the 899 00:51:03,520 --> 00:51:07,080 Speaker 1: graduation episode in season five. Do you have any memories 900 00:51:07,120 --> 00:51:08,600 Speaker 1: of what that was like to be back all of 901 00:51:08,640 --> 00:51:10,879 Speaker 1: a sudden after a couple of years of not being there. 902 00:51:10,880 --> 00:51:12,759 Speaker 1: Do you have any memories of that reunit that that 903 00:51:12,840 --> 00:51:18,560 Speaker 1: graduation episode. I just remember shooting at Radford and being 904 00:51:18,680 --> 00:51:20,880 Speaker 1: like this this is a popular show. Why does it 905 00:51:20,960 --> 00:51:27,000 Speaker 1: keep moving? I remember that being every every two years 906 00:51:27,000 --> 00:51:29,759 Speaker 1: it's a new studio. I was with you guys for 907 00:51:29,800 --> 00:51:35,560 Speaker 1: Disney and then and when they were like, yeah, come 908 00:51:35,600 --> 00:51:39,000 Speaker 1: do this episode it's at Radford, I was like, what's 909 00:51:39,040 --> 00:51:41,640 Speaker 1: going on here? Why can't they just have this? We 910 00:51:41,760 --> 00:51:46,680 Speaker 1: keep getting evicted? Well it does anyone know why? But 911 00:51:47,040 --> 00:51:48,719 Speaker 1: I mean, I mean, I think it goes back to 912 00:51:48,800 --> 00:51:52,480 Speaker 1: like we never felt like a popular show. Like we 913 00:51:52,520 --> 00:51:56,120 Speaker 1: always felt like we were sort of taken for granted, 914 00:51:56,200 --> 00:51:59,080 Speaker 1: like nobody. I don't know. I never even within the 915 00:51:59,120 --> 00:52:01,400 Speaker 1: t G I F line know, we had lower ratings 916 00:52:01,440 --> 00:52:03,719 Speaker 1: than Sabrina the Teenage Witch and all that, so we 917 00:52:03,760 --> 00:52:06,719 Speaker 1: always kind of felt like we might get canceled at 918 00:52:06,760 --> 00:52:09,440 Speaker 1: any moment. And it seems ridiculous now because we look back, 919 00:52:09,480 --> 00:52:11,680 Speaker 1: We're like, there were millions of people watching us, we 920 00:52:11,719 --> 00:52:14,000 Speaker 1: had so many fans, but we always felt like we 921 00:52:14,040 --> 00:52:17,480 Speaker 1: were on the bubble, which is just weird. Um Yeah, so, 922 00:52:17,640 --> 00:52:18,920 Speaker 1: I mean to me, it was part of that. It 923 00:52:19,000 --> 00:52:21,359 Speaker 1: was just like they just shuffle us around. We never 924 00:52:21,400 --> 00:52:24,200 Speaker 1: had that much money, We never had security as a show. 925 00:52:24,640 --> 00:52:27,680 Speaker 1: I don't like that. Yeah, that's weird. I that was 926 00:52:27,800 --> 00:52:31,439 Speaker 1: prior to me even understanding what what TV ratings were 927 00:52:31,520 --> 00:52:34,799 Speaker 1: it was just you know, people seem to like it, 928 00:52:34,920 --> 00:52:36,640 Speaker 1: and it's part of t G. I F that seemed 929 00:52:36,640 --> 00:52:38,319 Speaker 1: to be a big deal to you know, like most 930 00:52:38,320 --> 00:52:41,480 Speaker 1: people aren't watching TV on Friday nights, but they're watching 931 00:52:41,520 --> 00:52:44,720 Speaker 1: t t G if some yeah, we had that block. 932 00:52:44,840 --> 00:52:47,279 Speaker 1: That block seemed to be just kind of unstoppable on 933 00:52:47,280 --> 00:52:50,960 Speaker 1: a Friday night. So because I mean this is because 934 00:52:51,040 --> 00:52:54,560 Speaker 1: you've changed so much physically. Do you ever get recognized 935 00:52:54,600 --> 00:52:58,719 Speaker 1: from Boy Meets World all the time? You still do? Okay, 936 00:52:59,040 --> 00:53:01,960 Speaker 1: It's it's it's you know, it's one of those things 937 00:53:02,000 --> 00:53:06,560 Speaker 1: where they have to put it together like a like 938 00:53:06,840 --> 00:53:09,880 Speaker 1: I know who you are right now for whatever reason, 939 00:53:10,320 --> 00:53:13,960 Speaker 1: and I knew who you were fifteen years ago, but 940 00:53:14,520 --> 00:53:17,960 Speaker 1: you were part of my life thirty years ago, you 941 00:53:17,960 --> 00:53:20,879 Speaker 1: know what I mean. Like it's one of those weird things. Um, 942 00:53:21,320 --> 00:53:28,399 Speaker 1: but it is astonishing how consistent, you know what I mean, 943 00:53:28,480 --> 00:53:32,600 Speaker 1: Like it's just always existed, you know, you do. When 944 00:53:32,680 --> 00:53:35,439 Speaker 1: I remember when we were doing it, there was a 945 00:53:35,480 --> 00:53:39,200 Speaker 1: certain age range of people who watched the show, and 946 00:53:39,239 --> 00:53:42,480 Speaker 1: it wasn't ever a nineteen year old. It was like 947 00:53:42,520 --> 00:53:46,000 Speaker 1: a fifteen year old. It was never a year old. 948 00:53:46,560 --> 00:53:50,240 Speaker 1: And to have to go through the past thirty years 949 00:53:50,680 --> 00:53:54,839 Speaker 1: and experience the different generations that have been touched by 950 00:53:54,840 --> 00:53:56,719 Speaker 1: that show, because it's always I don't know if it's 951 00:53:56,719 --> 00:53:58,520 Speaker 1: on the air now, but it was on the air 952 00:53:58,560 --> 00:54:02,399 Speaker 1: for nearly thirty years. Yeah, the same. Yeah, and once 953 00:54:02,440 --> 00:54:04,760 Speaker 1: streaming came around and then kind of went to streaming, 954 00:54:04,760 --> 00:54:09,120 Speaker 1: but before streaming existed, it was never not on the air. Yeah, 955 00:54:09,320 --> 00:54:12,600 Speaker 1: which is really wild. Yeah, because you're right now there 956 00:54:12,600 --> 00:54:15,200 Speaker 1: are eight year olds who know of it, there are 957 00:54:15,239 --> 00:54:17,080 Speaker 1: forty five year olds who know of it, and then 958 00:54:17,160 --> 00:54:21,520 Speaker 1: every single age in between, Yeah, which is you know, 959 00:54:21,640 --> 00:54:24,440 Speaker 1: sometimes somebody will say like I loved you on boy 960 00:54:24,680 --> 00:54:27,920 Speaker 1: T World, and I'm like, you're years old. When did 961 00:54:27,920 --> 00:54:31,600 Speaker 1: you watch are we talking? Weren't a live They're like, oh, 962 00:54:31,640 --> 00:54:36,320 Speaker 1: on MTV and reruns? Right, Yeah, it wasn't even MTV. 963 00:54:36,520 --> 00:54:41,480 Speaker 1: Was it like MTV? We were like on the we 964 00:54:41,520 --> 00:54:44,759 Speaker 1: were like an ESPN THEO it was, Yeah, we were 965 00:54:44,760 --> 00:54:47,440 Speaker 1: we weren't even on the top MTV. Okay, we're watching it. 966 00:54:48,200 --> 00:54:52,680 Speaker 1: You are the last person I could possibly ask about 967 00:54:52,719 --> 00:54:57,440 Speaker 1: this mystery that has come up. It's a good one, 968 00:54:58,160 --> 00:55:01,600 Speaker 1: so I've I mean, I think it's just a lot 969 00:55:01,680 --> 00:55:04,400 Speaker 1: of character that's why we're trying. We're dying writer. Writer 970 00:55:04,440 --> 00:55:06,520 Speaker 1: doesn't like the mystery, but I'm gonna tell you about 971 00:55:06,520 --> 00:55:10,120 Speaker 1: it anyway. So when Adam Scott was here, Adam Scott, 972 00:55:10,320 --> 00:55:12,920 Speaker 1: at the end of his interview says, all right, I'm 973 00:55:12,920 --> 00:55:14,839 Speaker 1: going to tell you something. I haven't even talked about 974 00:55:14,840 --> 00:55:17,040 Speaker 1: it about this at all. I just recently told the 975 00:55:17,080 --> 00:55:19,560 Speaker 1: story to like my wife. I have otherwise kept it 976 00:55:19,640 --> 00:55:21,880 Speaker 1: a complete secret all this time, but I'm dying to 977 00:55:21,960 --> 00:55:24,880 Speaker 1: know if Writer, if you remember this story. And the 978 00:55:24,960 --> 00:55:28,600 Speaker 1: story was that at the end of the season, we 979 00:55:28,680 --> 00:55:32,319 Speaker 1: had just taped the last scene and everyone is like, 980 00:55:32,440 --> 00:55:35,200 Speaker 1: whoa high fiving? You know, we're going into Hiatus rap 981 00:55:35,239 --> 00:55:38,600 Speaker 1: party tomorrow or whatever it is, and everybody's like congratulating 982 00:55:38,600 --> 00:55:43,399 Speaker 1: each other and giving hugs, and Adam Writer hugged you 983 00:55:43,960 --> 00:55:46,920 Speaker 1: and Blake and then Adam was standing there and Adam 984 00:55:47,000 --> 00:55:50,240 Speaker 1: went in and gave Writer a big hug, and Writer 985 00:55:50,520 --> 00:55:55,120 Speaker 1: apparently shoved him off of him, like kind of aggressively 986 00:55:55,120 --> 00:55:58,120 Speaker 1: and looked at him like what the f man and 987 00:55:58,680 --> 00:56:01,200 Speaker 1: Adam was like and then ran and then it righter 988 00:56:01,320 --> 00:56:05,759 Speaker 1: than ran off. I have absolutely no memory of that 989 00:56:05,840 --> 00:56:08,000 Speaker 1: at all. I don't think I can't picture a rider 990 00:56:08,080 --> 00:56:11,200 Speaker 1: doing that. Writer with such a sweetheart and such a hugger. 991 00:56:11,239 --> 00:56:16,279 Speaker 1: I think it's so. I'm a huggy guy, always been. 992 00:56:16,640 --> 00:56:19,040 Speaker 1: I mean, is that one of the things where like, 993 00:56:19,520 --> 00:56:22,839 Speaker 1: you hug somebody and you and you perceive, right, it's 994 00:56:22,840 --> 00:56:26,879 Speaker 1: all in your your universe kind of you perceive their 995 00:56:27,000 --> 00:56:29,960 Speaker 1: energy not being off, and then it becomes over the 996 00:56:30,000 --> 00:56:36,400 Speaker 1: course of decades this shove. Right, That is entirely possible 997 00:56:36,440 --> 00:56:38,359 Speaker 1: that it could have been something small that in his 998 00:56:38,520 --> 00:56:41,359 Speaker 1: in his mind and especially feeling insecure, like, oh my gosh, 999 00:56:41,400 --> 00:56:43,000 Speaker 1: I hugged at the star at the show and it didn't. 1000 00:56:43,120 --> 00:56:45,480 Speaker 1: It didn't it didn't get the response that I was expecting, 1001 00:56:45,520 --> 00:56:48,319 Speaker 1: And it could have been that. But also one of 1002 00:56:48,360 --> 00:56:51,280 Speaker 1: the things that I thought of was that I remember 1003 00:56:51,440 --> 00:56:55,560 Speaker 1: you and Blake being especially Blake being very like, like 1004 00:56:55,600 --> 00:56:59,960 Speaker 1: I said, mischievous or pranky, and I imagined that maybe 1005 00:57:00,160 --> 00:57:03,880 Speaker 1: you two did something like grabbed Writer's butt in the 1006 00:57:03,920 --> 00:57:10,400 Speaker 1: middle of Adams hug by the way that could have happened, Okay, right, 1007 00:57:10,719 --> 00:57:13,400 Speaker 1: I mean, that's I think that could have happened, like 1008 00:57:13,440 --> 00:57:16,720 Speaker 1: because because like Adam told us about, he killed you 1009 00:57:16,720 --> 00:57:19,680 Speaker 1: guys like an incredibly dirty joke, and you and Blake 1010 00:57:19,720 --> 00:57:22,080 Speaker 1: were like, you know who would think that's funny? Tony 1011 00:57:22,200 --> 00:57:27,440 Speaker 1: Quinn and like that's funny, and you like so you 1012 00:57:27,440 --> 00:57:29,640 Speaker 1: guys would do stuff like that all the time, and 1013 00:57:29,800 --> 00:57:33,000 Speaker 1: like there's I don't remember this moment at all, but 1014 00:57:33,080 --> 00:57:36,360 Speaker 1: I imagine one of you guys watching him hug me 1015 00:57:36,640 --> 00:57:38,760 Speaker 1: could have like grabbed my ass or something to just 1016 00:57:39,160 --> 00:57:41,440 Speaker 1: freak me out, and I thought it was him, and 1017 00:57:41,920 --> 00:57:44,400 Speaker 1: I don't know. Yeah, the first thing I thought of 1018 00:57:44,560 --> 00:57:47,560 Speaker 1: was like, I wonder if there was something going on 1019 00:57:47,600 --> 00:57:50,520 Speaker 1: where that was kind of set up and so anyway, 1020 00:57:50,680 --> 00:57:55,680 Speaker 1: I don't have a strong memory of that specifically occurring. However, 1021 00:57:56,160 --> 00:58:00,840 Speaker 1: within that universe that a million percent like if somebody 1022 00:58:00,840 --> 00:58:04,520 Speaker 1: said this happened, I'd go, yeah, that probably probably that 1023 00:58:04,600 --> 00:58:10,080 Speaker 1: sounds more pile yeah then right or just not like 1024 00:58:10,200 --> 00:58:13,760 Speaker 1: we hug right. Well that so that leads to Blake. 1025 00:58:13,800 --> 00:58:15,560 Speaker 1: The other thing Blake told us was that when he 1026 00:58:16,200 --> 00:58:18,280 Speaker 1: when you no speak for him, when he said he 1027 00:58:18,360 --> 00:58:21,280 Speaker 1: met all of us, he felt like we were all 1028 00:58:21,400 --> 00:58:24,880 Speaker 1: kind of the good pure kids, and you were the 1029 00:58:24,920 --> 00:58:26,400 Speaker 1: two of you were kind of like a little bit 1030 00:58:26,440 --> 00:58:29,439 Speaker 1: of darkness coming on the set. Is that how how 1031 00:58:29,480 --> 00:58:34,360 Speaker 1: you felt when you met us. Look, you guys had 1032 00:58:34,400 --> 00:58:38,560 Speaker 1: to go to school. You guys had people there who 1033 00:58:38,600 --> 00:58:43,120 Speaker 1: were in authority positions. And me and Blake had forties 1034 00:58:43,240 --> 00:58:47,640 Speaker 1: in our trailers, if you know what I mean. We 1035 00:58:47,640 --> 00:58:51,520 Speaker 1: we didn't. That's what we had. We we had like 1036 00:58:52,040 --> 00:58:55,040 Speaker 1: we had cocktails for lunch, even though neither of us 1037 00:58:55,080 --> 00:58:59,240 Speaker 1: were anywhere near to one one. Is that true? Were 1038 00:58:59,280 --> 00:59:05,520 Speaker 1: you really seventeen years old? Man? Are doing that? I'm 1039 00:59:05,560 --> 00:59:07,840 Speaker 1: not going to speak for Blake. I was doing just 1040 00:59:07,880 --> 00:59:11,439 Speaker 1: about everything you could imagine, maybe not on day one 1041 00:59:11,480 --> 00:59:13,880 Speaker 1: of work at the time. We got to the point 1042 00:59:13,880 --> 00:59:15,560 Speaker 1: where I was like, oh, these guys have to go 1043 00:59:15,600 --> 00:59:17,600 Speaker 1: to school every day for three hours and I don't 1044 00:59:17,760 --> 00:59:20,520 Speaker 1: have this, Like I don't have to be here, like 1045 00:59:20,640 --> 00:59:23,320 Speaker 1: I can do whatever. And then when we come back, 1046 00:59:24,280 --> 00:59:29,040 Speaker 1: nobody's got a lot of energy, like nobody very loose. 1047 00:59:29,360 --> 00:59:33,760 Speaker 1: It became so there was I don't think Look, and 1048 00:59:33,800 --> 00:59:36,600 Speaker 1: also Blake had been doing this for a while already, 1049 00:59:36,680 --> 00:59:40,600 Speaker 1: so he he had everything dialed way more than I did. 1050 00:59:41,520 --> 00:59:46,760 Speaker 1: But I was I feel like that identity grew, you know, 1051 00:59:47,800 --> 00:59:51,400 Speaker 1: there was a there were higher stakes for you guys. 1052 00:59:51,520 --> 00:59:53,880 Speaker 1: You guys, you know, by the time I understood what 1053 00:59:54,000 --> 00:59:57,240 Speaker 1: contracts were and all of that, and how there were 1054 00:59:57,760 --> 01:00:00,800 Speaker 1: you know, not right, I don't think ever had a parent, 1055 01:00:00,920 --> 01:00:04,439 Speaker 1: but there were some parents. Ben's mom was always there, 1056 01:00:05,200 --> 01:00:08,600 Speaker 1: um and and so it was like, okay, we're now 1057 01:00:08,600 --> 01:00:12,560 Speaker 1: in our best behavior, and then there's just carnage in 1058 01:00:12,600 --> 01:00:15,320 Speaker 1: the trailer, you know, behind in the alley. We're out 1059 01:00:15,320 --> 01:00:19,640 Speaker 1: in the alley behind the building, which is like the 1060 01:00:20,320 --> 01:00:25,080 Speaker 1: you know, the crack alley on your Disney law. You 1061 01:00:25,120 --> 01:00:29,880 Speaker 1: guys were having so much fun though it wasn't super healthy, 1062 01:00:29,960 --> 01:00:32,800 Speaker 1: but it was probably so much fun. It was so 1063 01:00:32,920 --> 01:00:35,120 Speaker 1: much fun. It couldn't have been better. Like honestly, it 1064 01:00:35,320 --> 01:00:39,680 Speaker 1: spoiled me for jobs moving into the future, like some 1065 01:00:40,120 --> 01:00:45,000 Speaker 1: pilots that were multi camp pilots. Uh. After that, and 1066 01:00:45,040 --> 01:00:47,880 Speaker 1: I was just like, what are we doing? Why are 1067 01:00:47,920 --> 01:00:51,080 Speaker 1: we still here? Why? What do you know? Much learning? 1068 01:00:51,920 --> 01:00:57,800 Speaker 1: It's been done? I want three hours for lunch at 1069 01:00:57,840 --> 01:01:01,640 Speaker 1: the bar? What is the six I'm call all about? Yeah? 1070 01:01:01,640 --> 01:01:03,840 Speaker 1: I know I remember realizing that too, like after Boy 1071 01:01:03,880 --> 01:01:07,000 Speaker 1: met World, like working as an actor is hard, but 1072 01:01:07,640 --> 01:01:12,640 Speaker 1: multi multi caam it was the easiest schedule and and 1073 01:01:12,760 --> 01:01:16,520 Speaker 1: also coming in for me having have you guys having 1074 01:01:17,280 --> 01:01:20,280 Speaker 1: ironed whatever kinks out year one, even though I know 1075 01:01:20,440 --> 01:01:24,040 Speaker 1: it was changing a lot, it was already running. Once 1076 01:01:24,080 --> 01:01:27,320 Speaker 1: that machine is running for a while, it's it just 1077 01:01:27,400 --> 01:01:30,680 Speaker 1: knows what it is and they're not nobody scrambling to 1078 01:01:30,760 --> 01:01:33,880 Speaker 1: get everybody there. You know. It was like it was 1079 01:01:34,000 --> 01:01:36,520 Speaker 1: nice to come in on season two on a show 1080 01:01:36,560 --> 01:01:39,600 Speaker 1: that's established, that knows what it is or knows what 1081 01:01:39,680 --> 01:01:43,240 Speaker 1: it's becoming, and everybody knows their part. It was great. 1082 01:01:43,400 --> 01:01:49,360 Speaker 1: It was awesome. So looking back now after thirty very 1083 01:01:49,400 --> 01:01:52,360 Speaker 1: consistent years working in Hollywood, like, I just like to 1084 01:01:52,480 --> 01:01:54,360 Speaker 1: have a little list of some of the directors that 1085 01:01:54,400 --> 01:01:58,320 Speaker 1: Ethan has worked with, Martin Scorsese, Ted Demi, Todd Phillips, 1086 01:01:58,360 --> 01:02:01,320 Speaker 1: Tony k Tony Scott, Dave that Lynch, Kevin Smith, and 1087 01:02:01,400 --> 01:02:06,760 Speaker 1: Channing Tatum. What are your three feelings looking back on 1088 01:02:06,840 --> 01:02:11,440 Speaker 1: your very first job, Boy Meets World, David Trainer, the 1089 01:02:11,560 --> 01:02:16,800 Speaker 1: best guy in the business. Um, there's utter just the 1090 01:02:16,840 --> 01:02:22,360 Speaker 1: fondest memories. Like I I feel like, you know, uh, 1091 01:02:23,440 --> 01:02:25,200 Speaker 1: I've been asked many times like how do I get 1092 01:02:25,200 --> 01:02:26,800 Speaker 1: in acting? And I'm like, I don't know, you know, 1093 01:02:26,920 --> 01:02:30,040 Speaker 1: especially now, like who knows how anything works now? Because 1094 01:02:30,040 --> 01:02:33,240 Speaker 1: it's like everything's done like this on zoom. Like, if 1095 01:02:33,600 --> 01:02:35,560 Speaker 1: you guys were doing this three years ago, we'd be 1096 01:02:35,600 --> 01:02:38,880 Speaker 1: sitting in a room somewhere all together. What we don't 1097 01:02:38,880 --> 01:02:41,600 Speaker 1: even do that now. So I I don't know how 1098 01:02:41,640 --> 01:02:45,000 Speaker 1: it works now, but I know that, like you tend 1099 01:02:45,080 --> 01:02:48,760 Speaker 1: to not get your first audition, and and then when 1100 01:02:48,800 --> 01:02:51,640 Speaker 1: they say, like you're not in the union, you can't work, 1101 01:02:52,080 --> 01:02:55,680 Speaker 1: there's not a backup five hours later that says like, well, 1102 01:02:55,720 --> 01:02:58,480 Speaker 1: we'll take you and we'll handle that union thing. And 1103 01:02:58,520 --> 01:03:02,440 Speaker 1: so I've always felt really kind of um lucky or 1104 01:03:02,520 --> 01:03:05,640 Speaker 1: blessed in that way, blessed to be alive today with 1105 01:03:05,680 --> 01:03:09,400 Speaker 1: all the dumb stuff I did to my body. UM, 1106 01:03:09,440 --> 01:03:13,439 Speaker 1: blessed to have not um turned into a total life. 1107 01:03:13,800 --> 01:03:17,040 Speaker 1: You know, UM, maybe have yelled a few times in 1108 01:03:17,040 --> 01:03:20,000 Speaker 1: the last thirty years, but but never maliciously, which is 1109 01:03:20,160 --> 01:03:24,840 Speaker 1: thank god. UM. And uh, the fact that it started 1110 01:03:24,840 --> 01:03:27,880 Speaker 1: with boy Meat's world has been nothing but make me 1111 01:03:27,960 --> 01:03:32,840 Speaker 1: feel grateful because it has affected so many people, Like 1112 01:03:32,920 --> 01:03:38,880 Speaker 1: it's profound how many people of ridiculously varying ages through 1113 01:03:38,960 --> 01:03:42,880 Speaker 1: the years, from little kids to adults to adults now 1114 01:03:42,920 --> 01:03:45,600 Speaker 1: who said I grew up with you like you meant 1115 01:03:45,720 --> 01:03:48,560 Speaker 1: something to me. As a child. That's a huge deal. 1116 01:03:50,400 --> 01:03:54,840 Speaker 1: Did your kids watch it? Um? I don't know if 1117 01:03:54,840 --> 01:03:58,160 Speaker 1: my kids. We we shrive very hard to limit television, 1118 01:03:58,200 --> 01:04:01,480 Speaker 1: like we don't have kids in our We have some 1119 01:04:01,640 --> 01:04:06,120 Speaker 1: streaming platforms. I have told them many times, like I 1120 01:04:06,160 --> 01:04:09,760 Speaker 1: caught them as teenagers watching my name is Earle, and 1121 01:04:09,760 --> 01:04:11,760 Speaker 1: I was like, what are you doing? Turn that off? 1122 01:04:11,800 --> 01:04:14,000 Speaker 1: Like I don't want that plane into here. So I've 1123 01:04:14,040 --> 01:04:17,240 Speaker 1: always kind of like not like seeing myself and then 1124 01:04:17,320 --> 01:04:23,480 Speaker 1: felt uncomfortable with myself in my house. And so they haven't. 1125 01:04:23,840 --> 01:04:26,160 Speaker 1: I don't think they have. They might have. I have 1126 01:04:26,240 --> 01:04:30,280 Speaker 1: no idea. I don't as they My fellow co host 1127 01:04:30,320 --> 01:04:32,800 Speaker 1: here will tell you I am happily childless. I have 1128 01:04:33,040 --> 01:04:35,880 Speaker 1: a step daughter, but happily childless. But from everything I've 1129 01:04:35,880 --> 01:04:39,440 Speaker 1: heard about parenting, um, it sounds like you can catch 1130 01:04:39,480 --> 01:04:42,040 Speaker 1: your children doing a lot worse things than watching your 1131 01:04:42,040 --> 01:04:46,120 Speaker 1: own television show, for sure, which I and I taught 1132 01:04:46,160 --> 01:04:48,800 Speaker 1: them doing worse things than watching my But I don't 1133 01:04:48,840 --> 01:04:51,480 Speaker 1: even know. It's less of a it's less of a 1134 01:04:51,520 --> 01:04:57,040 Speaker 1: painful memory somehow, you know, them laughing at you, basically 1135 01:04:57,240 --> 01:05:00,959 Speaker 1: doing this performance to like distract people from actually looking 1136 01:05:01,000 --> 01:05:03,400 Speaker 1: at you. It was a very meta thing to walk 1137 01:05:03,480 --> 01:05:06,560 Speaker 1: into my house and see them watching the show and 1138 01:05:06,600 --> 01:05:09,160 Speaker 1: then saying like, no, it's actually pretty good dad. You 1139 01:05:09,200 --> 01:05:13,280 Speaker 1: know well I said the same thing to Blake, because 1140 01:05:13,280 --> 01:05:16,040 Speaker 1: Blake also hasn't watched it in you know, thirty some 1141 01:05:16,160 --> 01:05:21,520 Speaker 1: odd years. But if you ever feel so inclined, do 1142 01:05:21,640 --> 01:05:25,880 Speaker 1: yourself a favor and watch your performance on Boy Meets World, 1143 01:05:26,000 --> 01:05:32,480 Speaker 1: because it's great. It's great, man, you are truly phenomenal. 1144 01:05:33,320 --> 01:05:38,280 Speaker 1: And um, you know. Writer remembers talking about it with 1145 01:05:38,360 --> 01:05:41,640 Speaker 1: David Trainer, that David Trainer specifically pulling right aside and 1146 01:05:41,680 --> 01:05:44,800 Speaker 1: being like, look at this guy. Look at what he's 1147 01:05:44,840 --> 01:05:48,080 Speaker 1: able to do by like your second episode. He he 1148 01:05:48,320 --> 01:05:50,360 Speaker 1: like pointed you out. He's like, this is this is 1149 01:05:50,360 --> 01:05:52,920 Speaker 1: an actor. This is how you need to be like 1150 01:05:53,000 --> 01:05:56,480 Speaker 1: he is, so he's like, I mean, his point was, 1151 01:05:57,040 --> 01:05:59,400 Speaker 1: this character could easily be a joke. You know, this 1152 01:05:59,520 --> 01:06:03,280 Speaker 1: character could easily, as written, be one note. And Ethan 1153 01:06:03,480 --> 01:06:07,520 Speaker 1: is taking everything so seriously and committing so hard to 1154 01:06:08,280 --> 01:06:11,320 Speaker 1: what he's doing that this is like, you know, a 1155 01:06:11,360 --> 01:06:15,440 Speaker 1: masterclass in acting. Watch this guy. Um, And I totally 1156 01:06:15,480 --> 01:06:17,920 Speaker 1: remember it, and I remember realizing it too, which is 1157 01:06:17,920 --> 01:06:19,960 Speaker 1: partly why I thought you were such an old pro 1158 01:06:21,240 --> 01:06:22,880 Speaker 1: you know what, I've never assumed that it was your 1159 01:06:22,880 --> 01:06:25,040 Speaker 1: first job. In my mind, you were just this older 1160 01:06:25,120 --> 01:06:28,680 Speaker 1: genius actor I had to had to follow. I bet there, 1161 01:06:29,000 --> 01:06:31,240 Speaker 1: I bet a little bit of it was just like, 1162 01:06:32,160 --> 01:06:36,800 Speaker 1: don't blow this, you know, ye don't because I even remember, 1163 01:06:37,240 --> 01:06:40,720 Speaker 1: like I have to even today, go like, you got 1164 01:06:40,720 --> 01:06:43,720 Speaker 1: a job, you have to actually put some effort into this, 1165 01:06:43,720 --> 01:06:45,600 Speaker 1: because there is kind of the thing to go like, 1166 01:06:45,640 --> 01:06:48,040 Speaker 1: I've been doing this for a while, I'm just gonna 1167 01:06:48,040 --> 01:06:51,600 Speaker 1: I'm just gonna show up. And I was not just 1168 01:06:51,680 --> 01:06:54,200 Speaker 1: showing up for the world. I was working. I was 1169 01:06:54,240 --> 01:06:57,480 Speaker 1: like I was trying, you know, I was trying. Yeah, right, 1170 01:06:58,160 --> 01:07:01,480 Speaker 1: well it shows. It's it shows, I mean, really a 1171 01:07:01,520 --> 01:07:04,720 Speaker 1: remarkable performance. So thank you for being here with us, Ethan. 1172 01:07:04,720 --> 01:07:06,560 Speaker 1: I hope it wasn't too much of a I think 1173 01:07:06,560 --> 01:07:09,480 Speaker 1: you were being hassled on Instagram about it. You need 1174 01:07:09,520 --> 01:07:13,520 Speaker 1: to get anything. We were like, we are you know, 1175 01:07:13,600 --> 01:07:16,800 Speaker 1: any mention of Boy Meets World. It's it's nothing but 1176 01:07:17,040 --> 01:07:20,760 Speaker 1: pure glorious nostalgia for me. And I'm so glad you 1177 01:07:20,760 --> 01:07:23,120 Speaker 1: guys are doing this because I think that there are 1178 01:07:23,800 --> 01:07:28,680 Speaker 1: so many people who want to ask me questions about 1179 01:07:28,800 --> 01:07:30,960 Speaker 1: you guys, and I'm like, I don't know what to 1180 01:07:31,040 --> 01:07:33,760 Speaker 1: tell you talk to them. So I think it's like 1181 01:07:34,480 --> 01:07:37,200 Speaker 1: somewhat important that you guys are doing this. Thank you well, 1182 01:07:37,200 --> 01:07:39,480 Speaker 1: thank you, And if you'd ever like to come back 1183 01:07:39,520 --> 01:07:41,840 Speaker 1: for a recap, maybe we could force you to watch 1184 01:07:41,840 --> 01:07:43,320 Speaker 1: an episode and then you can come back and talk 1185 01:07:43,360 --> 01:07:46,360 Speaker 1: about it with us. All right, I'll do that. Yeah, 1186 01:07:46,520 --> 01:07:49,480 Speaker 1: I want to watch the one I remember talking about 1187 01:07:49,480 --> 01:07:52,880 Speaker 1: having a grilled cheese in my sandwich and somebody. That's 1188 01:07:52,920 --> 01:07:55,720 Speaker 1: something that people have said to me repeatedly, and so 1189 01:07:55,800 --> 01:07:57,440 Speaker 1: I need to go back and watch that. I have 1190 01:07:57,480 --> 01:08:01,960 Speaker 1: no idea what it is. Okay, we we will put 1191 01:08:02,440 --> 01:08:04,680 Speaker 1: we will put our producer on it to figure out 1192 01:08:04,680 --> 01:08:07,000 Speaker 1: which episode that is, and then maybe come back and 1193 01:08:07,040 --> 01:08:10,800 Speaker 1: recap that one with us. Yeah, okay, it's in season three. 1194 01:08:10,840 --> 01:08:14,439 Speaker 1: I just got a note it's in season three, so yeah, 1195 01:08:14,520 --> 01:08:17,479 Speaker 1: so we will. We will be wrapping this, uh this 1196 01:08:17,520 --> 01:08:21,320 Speaker 1: season up probably around June and then moving into season three, 1197 01:08:21,360 --> 01:08:23,200 Speaker 1: so maybe towards the end of this year you could 1198 01:08:23,240 --> 01:08:26,960 Speaker 1: come back and recap that one with us. I'm okay, awesome, 1199 01:08:27,040 --> 01:08:41,840 Speaker 1: thank you so much for being to see you guys. Wow, 1200 01:08:41,920 --> 01:08:45,200 Speaker 1: isn't it so crazy? How I was thinking about the 1201 01:08:45,240 --> 01:08:47,559 Speaker 1: fact that he has no memory really of being in 1202 01:08:47,600 --> 01:08:51,120 Speaker 1: Michael's office and pitching the script idea, And I'm thinking, 1203 01:08:51,240 --> 01:08:55,400 Speaker 1: isn't it so weird and wonderful and amazing? How many 1204 01:08:55,479 --> 01:08:58,040 Speaker 1: times it has come up that, like, our memories are 1205 01:08:58,080 --> 01:09:00,559 Speaker 1: all so different because of the things we're going on 1206 01:09:00,640 --> 01:09:02,880 Speaker 1: in our lives at the time, and like the things 1207 01:09:02,920 --> 01:09:05,160 Speaker 1: that were you know, like how it was so important 1208 01:09:05,200 --> 01:09:07,479 Speaker 1: to me that I got this audition for Topango when 1209 01:09:07,479 --> 01:09:09,599 Speaker 1: I was and yet ultimately it was just another guest 1210 01:09:09,600 --> 01:09:11,920 Speaker 1: star role, but to me it stood out so much. 1211 01:09:12,360 --> 01:09:15,920 Speaker 1: Um and here Blake, Blake, it was such a like 1212 01:09:15,960 --> 01:09:20,280 Speaker 1: it was such a memory for him, and Even's like, yeah, 1213 01:09:21,439 --> 01:09:24,439 Speaker 1: I have a recollection of doing something like that. But 1214 01:09:24,520 --> 01:09:26,760 Speaker 1: you're right, right, or to exactly what you said, he 1215 01:09:26,840 --> 01:09:30,120 Speaker 1: was already doing so many other things, not getting a 1216 01:09:30,120 --> 01:09:32,800 Speaker 1: phone call about boy Meat's world wasn't as high on 1217 01:09:33,000 --> 01:09:37,160 Speaker 1: his radar as it was maybe on Blake's exactly. Yeah, yeah, 1218 01:09:38,040 --> 01:09:40,559 Speaker 1: it's just so it's yeah, hearing those stories too, but 1219 01:09:40,600 --> 01:09:42,200 Speaker 1: I mean things that were happening on the set that 1220 01:09:42,240 --> 01:09:44,360 Speaker 1: we had no idea, but just all these different little 1221 01:09:44,360 --> 01:09:47,400 Speaker 1: worlds were going on these pocket worlds that are happening 1222 01:09:47,400 --> 01:09:49,880 Speaker 1: in this one global universe that was boy Meats World 1223 01:09:50,400 --> 01:09:53,320 Speaker 1: is uh is pretty cool and we're all going, wait 1224 01:09:53,400 --> 01:09:57,160 Speaker 1: what uh So? I think that's I think that's what 1225 01:09:57,520 --> 01:09:59,600 Speaker 1: That's what I'm taking away more from this podcast, I 1226 01:09:59,600 --> 01:10:01,719 Speaker 1: think than anything else, as much as I'm loving watching 1227 01:10:01,760 --> 01:10:03,680 Speaker 1: the episodes, and I am and it's phenomenal to kind 1228 01:10:03,680 --> 01:10:06,240 Speaker 1: of stroll down memory lane too. Oh, I remember shooting 1229 01:10:06,280 --> 01:10:08,720 Speaker 1: this and this is what the character did. Hearing the 1230 01:10:08,760 --> 01:10:11,280 Speaker 1: other experiences of the people that we had no idea 1231 01:10:11,320 --> 01:10:13,920 Speaker 1: what was going on in these little worlds has been 1232 01:10:14,000 --> 01:10:16,120 Speaker 1: so eye opening to me. It's been amazing. I mean, 1233 01:10:16,360 --> 01:10:22,519 Speaker 1: Blake and Ethan won't okay, Ethan was drunk yet three o'clock, 1234 01:10:22,560 --> 01:10:25,880 Speaker 1: we're going to the bar just a little bit. The 1235 01:10:25,920 --> 01:10:27,360 Speaker 1: thought of the two of them going to get a 1236 01:10:27,360 --> 01:10:29,320 Speaker 1: beer and then going to a movie and then showing 1237 01:10:29,400 --> 01:10:34,240 Speaker 1: back up to do our run through. Were you guys 1238 01:10:34,280 --> 01:10:40,600 Speaker 1: in English class two? Can you help me with the 1239 01:10:40,680 --> 01:10:45,040 Speaker 1: math problem? But it's also so funny that he lumps 1240 01:10:45,040 --> 01:10:47,240 Speaker 1: me in with that's what everybody lumped me in with 1241 01:10:47,240 --> 01:10:50,000 Speaker 1: with with you guys where it was I was actually 1242 01:10:50,080 --> 01:10:54,439 Speaker 1: apparently older than them, and we were just so different 1243 01:10:54,520 --> 01:10:56,479 Speaker 1: that the idea was hanging out and going to the 1244 01:10:56,479 --> 01:11:00,400 Speaker 1: shooting rangement. Yeah, it just never go I don't think 1245 01:11:00,400 --> 01:11:02,559 Speaker 1: it occurred to them to ever invite me to have 1246 01:11:02,600 --> 01:11:04,680 Speaker 1: a drink in the trailer, And it never occurred to 1247 01:11:04,720 --> 01:11:07,479 Speaker 1: me to ask. You know, we're just yours. We're such 1248 01:11:07,520 --> 01:11:09,880 Speaker 1: different people that you kind of now I want to 1249 01:11:09,920 --> 01:11:11,439 Speaker 1: go back and go just once. I want to go 1250 01:11:11,439 --> 01:11:13,479 Speaker 1: share a beer with those guys in the trailer. I 1251 01:11:13,560 --> 01:11:15,880 Speaker 1: know the one time you did go in the trailer 1252 01:11:15,920 --> 01:11:19,040 Speaker 1: and they played music with Jenny Lewis, Like, that was 1253 01:11:19,120 --> 01:11:21,360 Speaker 1: the awesome day. Yeah, it was a phenomenal day. So yeah, 1254 01:11:21,439 --> 01:11:23,320 Speaker 1: that was man, that was cool. And the whole god 1255 01:11:23,360 --> 01:11:27,160 Speaker 1: the story about his dad. I know, I wish we 1256 01:11:27,200 --> 01:11:29,719 Speaker 1: had a different podcast because I wanted to like really 1257 01:11:29,760 --> 01:11:32,000 Speaker 1: have a whole conversation about that. I was like, man, 1258 01:11:32,920 --> 01:11:35,080 Speaker 1: let's let's let's talk about this on the on the 1259 01:11:35,080 --> 01:11:38,559 Speaker 1: other podcast we have, and then a third podcast just 1260 01:11:38,600 --> 01:11:40,760 Speaker 1: to talk about all the films he's done and the 1261 01:11:40,800 --> 01:11:44,559 Speaker 1: directors that he's worked with, and and the grandchildren he has. 1262 01:11:45,320 --> 01:11:49,160 Speaker 1: These kids are Gray's of grandpa. He's a grandpa. That's cool, 1263 01:11:49,200 --> 01:11:51,320 Speaker 1: man And and then okay, so then we're gonna need 1264 01:11:51,479 --> 01:11:54,040 Speaker 1: that's four. We're gonna need a fifth just about his 1265 01:11:54,120 --> 01:11:57,440 Speaker 1: health journey, because that's a whole another world for him. 1266 01:11:57,560 --> 01:11:59,880 Speaker 1: Um and if you have not followed him and on 1267 01:12:00,080 --> 01:12:04,320 Speaker 1: Instagram and seeing his um his journey, it's staggering. And 1268 01:12:04,360 --> 01:12:06,040 Speaker 1: the people that he's helped in the kind of health 1269 01:12:06,160 --> 01:12:08,519 Speaker 1: world as well, myself included. I mean I was I 1270 01:12:08,520 --> 01:12:10,040 Speaker 1: would look at it every day and I would always 1271 01:12:10,040 --> 01:12:11,960 Speaker 1: send him a picture, you know, kind of hey killed 1272 01:12:12,000 --> 01:12:14,560 Speaker 1: my clone today, and he was always supportive. Yeah, it 1273 01:12:14,640 --> 01:12:17,880 Speaker 1: was very very cool. That's cute. Well, thank you guys 1274 01:12:17,880 --> 01:12:20,120 Speaker 1: for joining us for this episode of Pod Meets World. 1275 01:12:20,160 --> 01:12:22,439 Speaker 1: You can follow us on Instagram, pod meets World Show. 1276 01:12:22,680 --> 01:12:27,960 Speaker 1: We have got merch pod meets World show dot com, 1277 01:12:28,000 --> 01:12:29,840 Speaker 1: and you can send us your emails at pod meets 1278 01:12:29,880 --> 01:12:34,479 Speaker 1: World Show at gmail dot com. And don't forget you 1279 01:12:34,520 --> 01:12:37,599 Speaker 1: can catch some of our season one episodes on YouTube. 1280 01:12:37,640 --> 01:12:40,559 Speaker 1: We are adding new shows all the time, I promise you. 1281 01:12:40,720 --> 01:12:42,519 Speaker 1: It's just that it takes a while to get him loaded. 1282 01:12:43,000 --> 01:12:44,840 Speaker 1: Uh So, yeah, thank you guys for being with us. 1283 01:12:44,840 --> 01:12:47,640 Speaker 1: I hope this episode lived up to all your expectations. 1284 01:12:47,640 --> 01:12:51,240 Speaker 1: Since man, people love Ethan as they should. Boy, They've 1285 01:12:51,280 --> 01:12:53,720 Speaker 1: they've been excited to have him on. So thanks for 1286 01:12:53,760 --> 01:12:55,400 Speaker 1: being with us. Will you want to send us out? 1287 01:12:55,920 --> 01:13:00,920 Speaker 1: We love you all, pod dismissed. Pod Meets World is 1288 01:13:00,920 --> 01:13:04,160 Speaker 1: an I heart podcast produced and hosted by Daniel Fishel Wilford, 1289 01:13:04,280 --> 01:13:07,200 Speaker 1: l and Ryder Strong Executive producers Jensen Carp and Amy 1290 01:13:07,240 --> 01:13:10,880 Speaker 1: Sugarman Executive in charge of production, Daniel Romo, producer and editor, 1291 01:13:10,960 --> 01:13:14,360 Speaker 1: Taara soup Box producer, Jackie Rodriguez engineer and Boy Meets 1292 01:13:14,400 --> 01:13:17,080 Speaker 1: World super fan Easton Allen. Our theme songs by Kyle 1293 01:13:17,120 --> 01:13:19,519 Speaker 1: Morton of Typhoon and You can follow us on Instagram 1294 01:13:19,560 --> 01:13:22,400 Speaker 1: at Pod Meets World Show or email us at Pod 1295 01:13:22,400 --> 01:13:24,760 Speaker 1: Meets World Show at gmail dot com