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Speaker 1: It's nine one Oengine with Jenny Garth and Tory Spelling.

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Speaker 1: We are joining you for another episode, and I not

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Speaker 1: to an lergy. Did I scare you guys?

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Speaker 2: No, here's my question, but I would love to know

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Speaker 2: just sort of your initial thoughts on this episode.

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Speaker 1: Well, geez, you didn't even butter me up or warm

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Speaker 1: me up or anything.

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Speaker 2: In the shower clearly right before this, just thinking it

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Speaker 2: through in my mind, trying to understand why are these

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Speaker 2: episodes not good?

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Speaker 3: So you go, you go, oh gosh.

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Speaker 1: I mean, this felt like a very typical, nothing really

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Speaker 1: happens kind of episode of a TV show that's been

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Speaker 1: on Brain seasons.

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Speaker 2: It's so it's precisely literally what my thought was. What

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Speaker 2: my thought was almost that everybody knows it's sort of

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Speaker 2: meandering and struggling, and I'm assuming at this point they're

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Speaker 2: in negotiations with Luke Perry to return. They probably know

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Speaker 2: Jason Priestley is going to be departing, so they're literally going,

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Speaker 2: we just were like treading water to get Luke back,

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Speaker 2: which will not that Jason leaving was the right thing,

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Speaker 2: but knowing that Luke coming back will give it this

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Speaker 2: just huge spark revive it.

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Speaker 3: So that is literally what I feel.

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Speaker 1: I wish we knew for Sureseys I don't know.

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Speaker 3: Isn't this episode?

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Speaker 2: I mean, I just don't know that they would have

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Speaker 2: been dealing with that in the summer under the gun,

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Speaker 2: trying to figure out knowing Jason's leaving, because Jason probably

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Speaker 2: has told them I'm leaving right because he's not a jerk,

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Speaker 2: he's a producer. He's not going to just be like, oh,

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Speaker 2: it's episode five, season nine, I'm out, you know, Yeah,

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Speaker 2: but it does feel like, oh, what is this?

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Speaker 1: I mean, yeah, we're at episode twenty six already, and

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Speaker 1: there's thirty two, thirty three. Yeah, so not a lot longer. Well,

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Speaker 1: I just wish I could remember how it happened, because I,

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Speaker 1: in my mind get a little bit confused with like,

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Speaker 1: did Jason's accident happen? And then that's what made him

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Speaker 1: not come back?

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Speaker 2: Oh?

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Speaker 1: Or I can't remember the timeline exactly in my mind.

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Speaker 2: When can someone look up when was Jason's accident? When

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Speaker 2: was that? That's really interesting? Wait, we have a synopsis.

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Speaker 2: We better do that, all right.

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Speaker 1: Right, Okay, we're talking about season eight, episode twenty six,

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Speaker 1: All the Glitters. It aired April First, nineteen ninety eight.

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Speaker 1: Maybe that's it. Maybe it's in April Fool, April Fool.

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Speaker 2: Tell us.

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Speaker 1: The synopsis Samy.

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Speaker 2: I sure will David's got songs at Jingle Jingle, Jingle,

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Speaker 2: Jill feels the fizzle and now study's single. By the way,

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Speaker 2: Noah proves to Donna that love don't cost a thing

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Speaker 2: after she is showered with jewels that have no bling.

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Speaker 2: Brandon gets bamboozled by a guy who really stinks. A

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Speaker 2: kid from Kelly's clinic loves the ice rink. David is

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Speaker 2: in debt, his career is on the fritz. Mattury just

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Speaker 2: found out her song is Just the Pits. That's actually

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Speaker 2: funny because of the Armpits.

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Speaker 1: Directed by Michael Lang, written by Tyler Benzinger.

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Speaker 3: Here's my thing.

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Speaker 2: It's a contest for me on the worst storyline here,

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Speaker 2: which it's a toss up between Donna and the jewels,

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Speaker 2: which I'm like, really don't care, and Steve, I'm just like,

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Speaker 2: what are you doing to me, this random girl with

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Speaker 2: the random letters.

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Speaker 3: Then she meets the guy doesn't like him.

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Speaker 1: We already did the Oh, I'm going to change the

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Speaker 1: bedroom up, I mean furniture. And then the boyfriend reacts,

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Speaker 1: We did that storyline with Brandon and Kelly and.

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Speaker 2: Probably other people also ludicrous. It's they're making this woman

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Speaker 2: into a absolute freak.

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Speaker 3: No one's doing that.

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Speaker 2: No one is meeting a person one week earlier going

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Speaker 2: into their house.

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Speaker 1: First of all, No, it's been one month, Amy, Oh.

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Speaker 2: Pardon, I'm sorry, you're right there there, one month. Where

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Speaker 2: does she get all the money?

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Speaker 1: I don't know, but it's all returnable. That's what she

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Speaker 1: told him. So whatever you don't like, it's all returnable.

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Speaker 3: And which poster came down?

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Speaker 2: Shack? Was it?

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Speaker 1: Shack is signed? Yeah?

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Speaker 3: That whole storyline just made me like, what are you what?

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Speaker 1: It made me. It made me cringe because maybe, you know,

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Speaker 1: one month into my relationship with Dave, maybe I could

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Speaker 1: have given away some of his things.

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Speaker 2: Did he move in that fast? No?

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Speaker 1: Three months? Three months? But god I did. Yeah. When

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Speaker 1: she said I would never throw something of yours away,

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Speaker 1: and I was like, you're not supposed to do that?

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Speaker 1: Did I do that? So?

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Speaker 2: Do you?

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Speaker 3: What do you think is dumber?

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Speaker 2: Do you storyline or the jewelry storyline?

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Speaker 1: I think this the reporter with Brandon is stupid. And

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Speaker 1: I also think it's quite dumb that all of a

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Speaker 1: sudden there's a child, a neurodivergent child, working in the clinic.

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Speaker 1: That no, that's clearly well established there. Everybody knows him.

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Speaker 1: He's in love with Kelly. They're best friends, and we've

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Speaker 1: never even heard of him before.

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Speaker 2: That storyline actually did not bother me as much as

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Speaker 2: the others. I was like, you know what, sort he

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Speaker 2: was adorable? Yeah, And I thought Lisa was interesting about

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Speaker 2: the mother and sort of saying to you, you know,

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Speaker 2: this is harder than you think, and you sort of

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Speaker 2: being Kelly like and like I got this, I can do.

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Speaker 1: Don't worry about a thing, yeah, promise.

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Speaker 2: So that I was like, Okay, this is actually somewhat interesting.

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Speaker 2: And then you know, tying in the eyes. And I

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Speaker 2: liked seeing Jason on the zamboni. That one was the

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Speaker 2: least of the problems for me.

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Speaker 1: Okay, okay.

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Speaker 2: It was like the bling jewelry you did?

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Speaker 1: Did you just not not like the necklace that he

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Speaker 1: gave her, Like, what was your first reaction when she

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Speaker 1: opened it?

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Speaker 3: I love it?

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Speaker 2: It was pretty thank you. There's plenty of jewelry that

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Speaker 2: doesn't have to be diamonds. That is a wonderful gift

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Speaker 2: and like the whole story behind it. First of all,

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Speaker 2: it just isn't Donna and Donna and Valerie. So first

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Speaker 2: of all, Valerie has treated Donna so badly over and

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Speaker 2: over and over again, So why would Donna listen to

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Speaker 2: anything Valerie says and go get that thing of praise?

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Speaker 2: Like it's so unnecessary. It's just like, why assume it

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Speaker 2: was diamonds? That's what's totally bananas to me too.

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Speaker 1: Like I think, well, I'm gonna stall your role right there. Okay,

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Speaker 1: I think, if you're really rich, boyfriend, yeah, buys you

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Speaker 1: something in a velvet box like.

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Speaker 2: Gives gives, doesn't buy a gift something in a velvet

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Speaker 2: from Grandma Edna or whatever.

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Speaker 1: You don't know it's Grandma Edna's yet, Yeah's true. And

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Speaker 1: you open it and it glistens and sparkles like a diamond.

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Speaker 1: You're gonna think it's a diamond.

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Speaker 2: Accurate. Sure, yes, And I understand the theory of like

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Speaker 2: getting in at praise for the insurance, but also like

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Speaker 2: just getting the gift is super nice, So she could

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Speaker 2: have just been like so happy about it, and then

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Speaker 2: she also could have been like hey, on her own

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Speaker 2: on the DL go get it appraised, and then when

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Speaker 2: it doesn't appraise at anything, you know that it's costume jewelry.

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Speaker 2: But it's still a super cool gift. That's why I'm like,

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Speaker 2: Donna wouldn't do that. She wouldn't be like, doesn't she

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Speaker 2: have sort of an And then you gave me fake jewelry?

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Speaker 1: Right because he says the word. He says exactly what

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Speaker 1: val said to her, which was, it's an exact indicator

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Speaker 1: of how much your boyfriend loves you.

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Speaker 3: Oh my gosh, it's so.

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Speaker 1: Then he says that to her, I give you this

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Speaker 1: because it's it's an exact indicator how much well of you.

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Speaker 1: That's why I gave it.

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Speaker 2: And then she just has egg on her face because

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Speaker 2: she says the obnoxious thing that Donna would never say.

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Speaker 2: That's my other problem. That's it's Donna would never say that.

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Speaker 2: She would never do any of these things. It's not her.

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Speaker 2: And she also hates Valerie because Valerie was awful to her.

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Speaker 2: Why is she listening to her? Why does she even

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Speaker 2: speak to her?

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Speaker 1: Oh, Ken, he's the one that's like, you should get

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Speaker 1: that appraised. And I'm thinking in my head when I'm

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Speaker 1: sure when I said that. I was like, wait, you're

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Speaker 1: supposed to get jewelry appraised? What's that means?

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Speaker 3: You're twenty year old?

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Speaker 1: That's my other Yeah, like what, I don't know, you're

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Speaker 1: supposed to hear jewelry correct.

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Speaker 2: That's the other thing that I'm like, what is happening?

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Speaker 2: It's so just ludicrous. It's just like these people are

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Speaker 2: not behaving the way they would behave.

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Speaker 1: It's not it's adults writing young people's storyline totally.

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Speaker 2: And also, if a twenty year old is done wrong

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Speaker 2: by another twenty something, right say there whatever they are

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Speaker 2: twenty three. Now, you're not like continually like let me

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Speaker 2: go back to her and get advice from her. You're

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Speaker 2: like that chick sucks, and you tell all your other

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Speaker 2: differences that chick sucks. That's when twenty.

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Speaker 3: Something's do She's out.

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Speaker 2: At one point, I will say, though David's house did

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Speaker 2: not look like a set, I felt like they showed

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Speaker 2: the real exterior for like a moment that or they

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Speaker 2: really lit it well, because at one point I was like, oh,

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Speaker 2: that doesn't look so fake.

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Speaker 1: No, it's fake.

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Speaker 4: Sorry.

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Speaker 2: Also, any twenty something would be so stoked to write

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Speaker 2: music for a commercial that was also totally insane.

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Speaker 1: It was he just too he was he felt like

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Speaker 1: he was too good for it because he just came

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Speaker 1: off that big record label.

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Speaker 2: Of Jasper's Law or whatever that I didn't even think

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Speaker 2: was his. I don't even know.

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Speaker 1: It wasn't even his song.

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Speaker 3: I don't know, but I thought out too.

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Speaker 1: It was his noodling. But their lyrics or his lyrics

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Speaker 1: and their noodle, I don't know.

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Speaker 2: It all just sounds like.

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Speaker 1: I would like him to not sit in front of

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Speaker 1: that keyboard. Ever.

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Speaker 2: Again, I'm fine with the armpit song, Like, be so

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Speaker 2: stoked that this guy is having you write his song

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Speaker 2: for his Deodoran commercials.

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Speaker 3: That's a huge gig, right, And he said.

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Speaker 1: You're gonna make a lot of money from it.

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Speaker 2: Valerie, you said it was a film on what planet?

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Speaker 2: Is David Silver? The new John Williams? Are you kidding me?

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Speaker 2: The whole thing is so in I love it.

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Speaker 1: How Valerie, It is just like, oh, guess who I

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Speaker 1: met today, the hottest new filmmaker in the sat in town?

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Speaker 1: Like do they live in Keepski or something?

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Speaker 2: Like? What?

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Speaker 1: How is she just meeting the top new people in town?

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Speaker 1: How does she have her finger on the pulse of

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Speaker 1: the film industry, the music industry.

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Speaker 2: It's so so stupid, Like that's why. I'm just like,

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Speaker 2: it's not the actors that are doing bad acting, none

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Speaker 2: of it. We're just right. And I'm not even to

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Speaker 2: blame the direction. It's the writing. The writing is just.

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Speaker 1: Yeah, I mean, we we did. I told you guys

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Speaker 1: that Michael Lang directed this, and we've talked to Michael

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Speaker 1: I think on our show, haven't we and he now

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Speaker 1: seeing this seeing this in the end of season eight.

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Speaker 1: There were no wheels on this train. It was just

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Speaker 1: we were. He would come in to work and be like,

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Speaker 1: what are you having Raccoon. We'd be like, well, and

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Speaker 1: then we just you know, and he'd be like, Okay,

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Speaker 1: I love it.

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Speaker 3: It's not the director.

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Speaker 2: To me, the show visually looks fine, the acting's fine.

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Speaker 2: The way you're kind of telling the story is all fine, right,

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Speaker 2: the way it's edited, it's all. I have one storyline

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Speaker 2: that I'm like, I can't follow this, But it's the writing.

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Speaker 1: It's just like, what what which one can't you follow?

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Speaker 2: The Steve one, know, the Brandon I'm like, so there's

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Speaker 2: a story.

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Speaker 1: About it, no idea what he was doing the whole.

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Speaker 2: To me, it seems like, okay, so we're building the

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Speaker 2: forum or so fi or whatever.

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Speaker 1: It is, right, and then they're investigating like some.

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Speaker 2: Kind of big owner I don't even know. I was

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Speaker 2: like the budget or something, right, And then it's all

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Speaker 2: kind of going along and they're getting the gets and

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Speaker 2: the interviews, and Brandon gets to work on this story

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Speaker 2: and then the guy got a bigger story and it's gone.

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Speaker 3: It was so weird.

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Speaker 1: I was like, I took his story, didn't he don't.

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Speaker 2: I don't know. I actually could not follow this storyline.

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Speaker 2: And then bringing you into the lunch and then you're

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Speaker 2: so mad and puffy puffy, huffy huffy, and then the

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Speaker 2: guy's bailing and your kid that works for you isn't

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Speaker 2: going to get to go to the King's game.

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Speaker 1: Why would Kelly be all so huffy puffy about this

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Speaker 1: guy or this opportunity for Brandon? Like why she like

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Speaker 1: no more than anybody, I.

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Speaker 3: Don't know, I mean, all of you care about.

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Speaker 2: Then all of a sudden is this kid that we've

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Speaker 2: never met, which is it's great, but you're like, how

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Speaker 2: dare you? Brandon? You're always a little so mad at

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Speaker 2: him too. I'm like.

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Speaker 1: They're always a little so I like that you're always

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Speaker 1: a little so mad at him.

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Speaker 3: Like, well, sometimes I'm like, can you'd be nice?

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Speaker 1: I don't know why she They write them like the

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Speaker 1: bicker sacked. They're like Jim and Cindy Walsh.

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Speaker 2: They're worse. Jim and Cindy didn't bicker like this. It's

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Speaker 2: so perfect to call them the bicker since that's how

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Speaker 2: they write them and why they're twenty something years old.

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Speaker 2: They're both like smoking hot doing their thing. You guys

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Speaker 2: would be like so stoked. You wouldn't be having First

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Speaker 2: of all, you wouldn't be having these dumb conversations.

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Speaker 1: Second of all, Kelly wouldn't be wearing those suits.

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Speaker 2: I know you like home from work and be like

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Speaker 2: let's go to that club, right, let's go to this

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Speaker 2: Let's order pizza.

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Speaker 1: Like we're not grown ups, We're not making Brussels sprout

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Speaker 1: forty nine.

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Speaker 3: Like it's just.

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Speaker 2: Like, Noah on the boat is like actually kind of

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Speaker 2: more tolerable.

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Speaker 1: For me that he's his agent lives on him.

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Speaker 2: Yeah, he lives on a boat and he's sort of scrappy,

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Speaker 2: but he's rich and it's kind of like, Okay, that's

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Speaker 2: sort of cool. I know you're not gonna like this,

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Speaker 2: but like, Noah is my favorite on the whole thing.

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Speaker 1: Right now, Okay, you're gonna have to leave the zoom

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Speaker 1: right now. Please.

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Speaker 2: He's the only one who doesn't irritate me.

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Speaker 1: Because you know why, because he doesn't do anything.

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Speaker 3: Correct and I don't even know him.

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Speaker 1: He just he doesn't. You don't know, he's not He

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Speaker 1: doesn't affect you one where the.

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Speaker 2: Gery is.

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Speaker 3: And Steve the break up O there so getting broken.

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Speaker 1: Up with no We went four times and then he

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Speaker 1: said this, He was like, yeah, we went four times

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Speaker 1: last night. They're talking all about that inappropriate And then

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Speaker 1: second of all, when when he's talking about it again,

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Speaker 1: I think Janet's in attendance for this conversation, he said, yeah,

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Speaker 1: we were right in the middle of a good bounce.

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Speaker 2: Oh my god, I heard these are words.

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Speaker 1: That came out of his mouth, not mine.

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Speaker 3: That's what I'm saying.

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Speaker 1: Who is writing this garbage? Oh it's so bad. I mean,

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Speaker 1: it's good because you want it to get better. It's

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Speaker 1: good because like you have so much faith in the

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Speaker 1: show that's been with you for this long, like you're

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Speaker 1: sure that it's gonna turn around.

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Speaker 2: There's never a time I'm like, I just need to

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Speaker 2: turn this off.

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Speaker 3: It's not that bad. That's the thing that's sort of.

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Speaker 1: But it's not exciting. It doesn't say come tune in

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Speaker 1: next week, like wait a week.

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Speaker 2: To these moments where I can't remember if I've watched

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Speaker 2: the episode or not right like like someone will send

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Speaker 2: a note like don't forget Monday, and I'm like, did

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Speaker 2: I watch it or not yet? And that's weird.

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Speaker 1: Does the does the people? Do the people still enjoy

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Speaker 1: it though when you know we're it on the street.

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Speaker 3: So here's my thought on that.

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Speaker 2: And I can only say, as like a fan, yes,

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Speaker 2: I do enjoy it. It's not torture to me to

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Speaker 2: watch it. I never think of turning.

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Speaker 1: Out of you, not you.

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Speaker 2: I think the consensus, and I don't want to speak

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Speaker 2: for everybody, I think the consensus is that people do

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Speaker 2: feel that season eight was pretty weak, but that season

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Speaker 2: nine and ten really improve, so that like nobody give up.

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Speaker 1: Yeah, So, like I said, people are just not willing

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Speaker 1: to give up because.

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Speaker 2: And I like think, like every fifty comments right five

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Speaker 2: people are irritated by us by not loving these episodes,

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Speaker 2: and forty five are like look, we get it. These

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Speaker 2: are not the best. So there's a handful of people

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Speaker 2: that are like, how dare you? You should love it

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Speaker 2: all you're supposed to be a fan, blah blah blah.

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Speaker 2: But most people are like, these are pretty bad.

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Speaker 1: You guys. I'm watching the show for the very first time.

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Speaker 1: I have never seen season eight, episode twenty six before

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Speaker 1: in my life before. I watched it this morning, and

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Speaker 1: that's how I feel about it. I feel underwhelmed. I

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Speaker 1: feel like, yeah, I don't really care because nothing's there's

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Speaker 1: no stakes in it, and.

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Speaker 2: Why would we care if for Juie Reeve's fake or not,

342
00:17:01,200 --> 00:17:04,440
Speaker 2: or if Steve stays with this dingling who redecorated his

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Speaker 2: bedroom after one month, and like, do you know what

344
00:17:07,200 --> 00:17:09,040
Speaker 2: I'm saying is like and do we really care?

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Speaker 3: Is it dramatic?

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Speaker 2: If David writes this Armpits song or not. It's just like,

347
00:17:13,280 --> 00:17:16,119
Speaker 2: there's nothing in it where I'm like, what would I

348
00:17:16,320 --> 00:17:18,600
Speaker 2: do when I write the song or not? Of course

349
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Speaker 2: i'd write the song go away.

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Speaker 1: Yeah, it's just.

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Speaker 2: But you feel it coming back. You're like I do

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Speaker 2: a minute.

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Speaker 1: Yeah, Like at the last bit of that episode, I

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Speaker 1: was like, ooh, there's a little spark between Steve and Jon.

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Speaker 1: I could be interested in that.

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Speaker 2: I think we're a week or two from them, like

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Speaker 2: going on the day. Oh, you know what next week

358
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Speaker 2: is the reunion. I think Gabrielle comes back next week.

359
00:17:55,640 --> 00:17:58,159
Speaker 2: I have this feeling that we've made it to the

360
00:17:58,240 --> 00:18:02,359
Speaker 2: five year high school reunion. Oh okay, I feel like

361
00:18:03,160 --> 00:18:05,560
Speaker 2: I don't know. Maybe someone can fact check me, but

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Speaker 2: I feel like that might be next week.

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Speaker 3: It's it's either next week or the week after. And

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Speaker 3: we get the.

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Speaker 2: Sort of bomb drop that Andrea and Jesse are splitting

366
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Speaker 2: or I've split, which is kind it's kind of a

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Speaker 2: bomb drop.

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Speaker 1: We don't know that yet. No, didn't she tell that

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00:18:22,840 --> 00:18:23,719
Speaker 1: last time she came to her?

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00:18:24,080 --> 00:18:27,440
Speaker 2: No, when she came, like for the birthday, the twenty

371
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Speaker 2: first birthday or something, I don't know.

372
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Speaker 3: I think I don't think so. I think this is

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Speaker 3: where we learned that.

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Speaker 1: Is she gonna bring the kid with her? What happens to.

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Speaker 2: The kid, Hannah, I don't think she Maybe she's home

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Speaker 2: with the dad, Hannah.

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00:18:38,200 --> 00:18:42,359
Speaker 1: I think, well, if it's Gabrielle or Gabrielle or what

378
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Speaker 1: I'm trying to make it with her real name Andrea

379
00:18:46,880 --> 00:18:49,800
Speaker 1: Andrea what if it's Hannah or Hannah we just you know,

380
00:18:50,040 --> 00:18:53,520
Speaker 1: never know. And then there's Ian and Ian and it's

381
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Speaker 1: there's a lot of that on this Yeah, there's a

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Speaker 1: lot of that. So but but but my point is,

383
00:18:59,000 --> 00:18:59,840
Speaker 1: what was my point?

384
00:19:00,280 --> 00:19:01,919
Speaker 3: Well, I jumped ahead. It was so funny.

385
00:19:02,000 --> 00:19:04,400
Speaker 2: You can tell so you know how like you your

386
00:19:04,440 --> 00:19:06,320
Speaker 2: paramount plus remembers where you are.

387
00:19:06,520 --> 00:19:09,760
Speaker 3: So when I went in, mine was on a Dylan episode.

388
00:19:09,800 --> 00:19:11,840
Speaker 2: So last week I must have got so irritated that

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Speaker 2: I jumped to nine because I just wanted to watch

390
00:19:13,880 --> 00:19:14,520
Speaker 2: him come back.

391
00:19:15,119 --> 00:19:17,520
Speaker 1: Oh how did it feel?

392
00:19:17,640 --> 00:19:19,840
Speaker 2: It's great? I mean, look, it's pretty great when he

393
00:19:19,880 --> 00:19:22,760
Speaker 2: comes back. I'm not gonna lie like I think. I

394
00:19:22,760 --> 00:19:25,480
Speaker 2: think we're really going to enjoy those episodes. I still

395
00:19:25,520 --> 00:19:27,320
Speaker 2: have my one thing that I'm not going to tell

396
00:19:27,400 --> 00:19:31,520
Speaker 2: till it happens. But it's not even that exciting. People

397
00:19:31,520 --> 00:19:33,400
Speaker 2: are excited about in the comments, thank you, but it's

398
00:19:33,400 --> 00:19:35,600
Speaker 2: not that exciting. It's just a sort of a something

399
00:19:35,600 --> 00:19:39,159
Speaker 2: I noticed. But yeah, I'm definitely excited for him to

400
00:19:39,160 --> 00:19:40,960
Speaker 2: come back, as I've been watching it on TikTok, Like

401
00:19:41,240 --> 00:19:42,399
Speaker 2: that's what's keeping me going.

402
00:19:42,480 --> 00:19:44,160
Speaker 3: I'm like, I want that.

403
00:19:44,320 --> 00:19:45,800
Speaker 1: You want yourself somewhere Dylan.

404
00:19:46,119 --> 00:19:47,520
Speaker 3: Yeah, so much.

405
00:19:47,560 --> 00:19:50,720
Speaker 2: And I also like, look, it's not just Luke Perry,

406
00:19:50,760 --> 00:19:58,240
Speaker 2: it's like Dylan. I miss that that Dylan.

407
00:19:58,840 --> 00:20:04,280
Speaker 1: Yeah, the impact, Yeah, intrigue, the mystery.

408
00:20:04,520 --> 00:20:07,359
Speaker 2: Hey, the whole show, even though it wasn't from the

409
00:20:07,440 --> 00:20:11,840
Speaker 2: beginning right the original show, they never expected Dylan to

410
00:20:11,880 --> 00:20:14,919
Speaker 2: become what he became right in the very first few episodes,

411
00:20:15,880 --> 00:20:18,880
Speaker 2: but he did become that. So it's like we lost

412
00:20:19,520 --> 00:20:21,760
Speaker 2: we lost one of the two. Look, this is not

413
00:20:21,840 --> 00:20:23,720
Speaker 2: a this is just I'm gonna say this. I don't

414
00:20:23,760 --> 00:20:28,199
Speaker 2: want to be offensive. Please forgive me for me. This

415
00:20:28,320 --> 00:20:32,840
Speaker 2: show was always about Brandon and Dylan. I know people

416
00:20:32,880 --> 00:20:36,440
Speaker 2: have it as Branda and Brandon, Kelly and the love trying,

417
00:20:37,000 --> 00:20:39,920
Speaker 2: like those were the two, and so I lost one

418
00:20:39,960 --> 00:20:40,240
Speaker 2: of them.

419
00:20:40,320 --> 00:20:42,800
Speaker 1: Yeah, because you were a young girl watching, Yeah, it's

420
00:20:42,840 --> 00:20:46,240
Speaker 1: of course totally. I don't see anybody but Brandon or.

421
00:20:46,280 --> 00:20:50,480
Speaker 2: Dylan correct, like truly, And even then, I just remember

422
00:20:50,560 --> 00:20:53,760
Speaker 2: not thinking I was not like into David Silver or

423
00:20:54,080 --> 00:20:57,879
Speaker 2: Steve Sanders that they were fine. I just don't I

424
00:20:57,880 --> 00:21:00,440
Speaker 2: don't ever remember even thinking they're attractive until now.

425
00:21:00,760 --> 00:21:02,560
Speaker 1: I kind of felt like they were just part of

426
00:21:02,560 --> 00:21:03,000
Speaker 1: the crew.

427
00:21:03,520 --> 00:21:07,200
Speaker 2: Yeah, it was Brandon k Dylan and everything revolved around them.

428
00:21:07,800 --> 00:21:11,760
Speaker 3: For me, well, this is our theory. One oh one.

429
00:21:11,960 --> 00:21:12,760
Speaker 2: I feel it bad.

430
00:21:13,320 --> 00:21:16,440
Speaker 1: I feel I feel bad for a couple of reasons. One,

431
00:21:16,560 --> 00:21:21,280
Speaker 1: I can't remember, uh you, so you're splotchy It's okay, yeah.

432
00:21:21,640 --> 00:21:25,720
Speaker 1: Two I feel bad if it's disappointing to people or

433
00:21:26,200 --> 00:21:27,280
Speaker 1: disappointed people.

434
00:21:28,080 --> 00:21:30,600
Speaker 2: That's so funny. That would not funny. But like I

435
00:21:31,280 --> 00:21:33,960
Speaker 2: hear that that it makes you feel bad. It's just

436
00:21:34,040 --> 00:21:35,119
Speaker 2: so not your fault.

437
00:21:36,840 --> 00:21:41,120
Speaker 1: Well, I feel like as one of the faces of its.

438
00:21:41,000 --> 00:21:44,640
Speaker 3: Right, you want people to you're what when what you create?

439
00:21:44,840 --> 00:21:49,920
Speaker 2: Right, It's like I create it honestly, just reading creating

440
00:21:49,960 --> 00:21:52,800
Speaker 2: a loudmans right. So it's like someone's saying, say you

441
00:21:52,880 --> 00:21:54,680
Speaker 2: made a movie, and someone's like, I love your movie.

442
00:21:54,720 --> 00:21:56,800
Speaker 2: I didn't like your movie. You'd be bummed for the

443
00:21:56,800 --> 00:21:58,520
Speaker 2: person that doesn't like it.

444
00:21:58,520 --> 00:22:01,520
Speaker 1: It's a shame because after you know, when you build

445
00:22:01,520 --> 00:22:05,560
Speaker 1: a character for that long, it's it feels like we're

446
00:22:05,600 --> 00:22:06,280
Speaker 1: just idling.

447
00:22:06,800 --> 00:22:09,320
Speaker 2: That's such a great way to say it. It's not

448
00:22:09,840 --> 00:22:12,520
Speaker 2: broken totally. The car's not on the side of the

449
00:22:12,640 --> 00:22:17,280
Speaker 2: road just going to the dump. Here's what I know.

450
00:22:17,359 --> 00:22:18,920
Speaker 3: It's just doing nothing.

451
00:22:19,080 --> 00:22:23,080
Speaker 1: Here's what I know about idling. One time I had

452
00:22:23,440 --> 00:22:25,960
Speaker 1: Dave after we first met. He had this like cool

453
00:22:26,600 --> 00:22:30,119
Speaker 1: land Rover thing. He looks so cool in it, but

454
00:22:30,200 --> 00:22:33,200
Speaker 1: it wasn't like new or anything, and I took it

455
00:22:33,480 --> 00:22:35,240
Speaker 1: with the girls one time. I was like, I need

456
00:22:35,280 --> 00:22:38,560
Speaker 1: to borrow your thing in your car to pull something.

457
00:22:38,560 --> 00:22:41,520
Speaker 1: I don't know what. Yeah, yeah, And we sat in it.

458
00:22:41,560 --> 00:22:43,639
Speaker 1: It was hot outside and we sat in it with

459
00:22:43,720 --> 00:22:46,600
Speaker 1: the air conditioning on for I guess what was too

460
00:22:46,640 --> 00:22:49,520
Speaker 1: long idling like that, and the car blew up and

461
00:22:49,560 --> 00:22:51,520
Speaker 1: caught on fire and we all had to run out.

462
00:22:51,840 --> 00:22:55,000
Speaker 2: Well, first of all, that's terrible. Yeah, but how did

463
00:22:55,080 --> 00:22:57,600
Speaker 2: feel about it? He was not please well because it

464
00:22:57,600 --> 00:23:00,200
Speaker 2: was like his baby cars. It was his precious like

465
00:23:00,280 --> 00:23:04,080
Speaker 2: special car. Yeah whoa, but yeah, that's true. I see.

466
00:23:04,200 --> 00:23:07,640
Speaker 2: I like the analogy, right, which idle too long? Which, look,

467
00:23:07,640 --> 00:23:09,600
Speaker 2: we're gonna idle a little bit more. Then we get

468
00:23:09,640 --> 00:23:14,040
Speaker 2: the sort of the wedding situation, and Brandon's gonna leave,

469
00:23:14,200 --> 00:23:15,040
Speaker 2: Dylan's gonna come.

470
00:23:15,080 --> 00:23:17,480
Speaker 3: We're on the last couple idols here.

471
00:23:18,040 --> 00:23:20,040
Speaker 1: We'll just idle it idle it up with us a

472
00:23:20,080 --> 00:23:21,240
Speaker 1: little bit longer next week.

473
00:23:21,920 --> 00:23:29,080
Speaker 2: So I'm gonna give this a h Yeah, there's nothing.

474
00:23:29,119 --> 00:23:30,240
Speaker 1: I'm gonna give it a six.

475
00:23:30,400 --> 00:23:32,560
Speaker 2: So we've ever given it two? You know what I'm saying.

476
00:23:33,480 --> 00:23:38,160
Speaker 1: Yeah. Anyways, Episode twenty seven is up next week. It's

477
00:23:38,200 --> 00:23:42,640
Speaker 1: called Reunion. Be there because maybe something exciting at.

478
00:23:42,680 --> 00:23:43,679
Speaker 3: Next week's We're gonna like it.

479
00:23:43,680 --> 00:23:44,040
Speaker 2: We're gonna