WEBVTT - #525 - Nelly 

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<v Speaker 1>Check check check. Yo, y'all know what it is.

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<v Speaker 2>It's your man, Nelly I and were rolling out right

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<v Speaker 2>here on the Bootleg Cavs Show.

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<v Speaker 3>Hey, before we start the episode, we're gonna remind everybody, man,

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<v Speaker 3>we got one of the biggest radio shows in the country,

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<v Speaker 3>syndicated in almost one hundred cities all over. Shout out

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<v Speaker 3>to iHeartRadio. All right, some of the latest cities that

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<v Speaker 3>we've been able to add. Man, We want to give

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<v Speaker 3>a shout out to ninety three point nine to Beat

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<v Speaker 3>in Honolulu. That's right, Hawaii, we over there going crazy.

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<v Speaker 3>I also want to give a shout out Hot ninety

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<v Speaker 3>eight three and Tucson. Shout out to Tucson going crazy.

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<v Speaker 3>Also want to give a shout out to Wild ninety

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<v Speaker 3>four one in Tampa going crazy. We just got Richmond.

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<v Speaker 3>We also just got the good folks in Bakersfield at

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<v Speaker 3>Hot one O four to seven. So we're going crazy

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<v Speaker 3>on the radio with my partner James Andre Jefferson Junior

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<v Speaker 3>for the Bootleg cav Show. So make sure you tune

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<v Speaker 3>in and you can listen anywhere on.

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<v Speaker 4>That iHeart Radio app.

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<v Speaker 1>That's right.

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<v Speaker 3>Let's get into the interview, all.

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<v Speaker 1>Right, man, Bootleg cav show.

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<v Speaker 3>We got a special guest, an absolute legend, Nelly is

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<v Speaker 3>in the building.

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<v Speaker 4>What's up, Nelly Man?

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<v Speaker 1>How you doing?

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<v Speaker 4>I'm good, brother, I mean, I gotta tell you bro.

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<v Speaker 3>First of all, Country Grammar was a very important album

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<v Speaker 3>in my life.

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<v Speaker 4>Thog, thank you congratulations.

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<v Speaker 3>I know it's been twenty five years for a couple

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<v Speaker 3>of years were twenty seven years now.

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<v Speaker 2>Well, the song actually came out in in ninety nine,

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<v Speaker 2>but the album.

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<v Speaker 1>Came out thousand. Album the album Right came out in

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<v Speaker 1>two thousand.

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<v Speaker 3>But we are okay because I saw you it redropped

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<v Speaker 3>a couple of years ago.

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<v Speaker 4>But so the song yeah.

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<v Speaker 2>And We're Crazy, the song nationally is dropped in ninety nine,

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<v Speaker 2>but the song locally was originally did in like ninety eight,

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<v Speaker 2>and then I re recorded it once we got the

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<v Speaker 2>deal with Universal Right, and then we put that out

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<v Speaker 2>in ninety nine, and then the album was in two thousand.

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<v Speaker 2>So Country Gramma the song actually been out for a minute, yo.

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<v Speaker 3>So the best part of the iHeart Awards for me

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<v Speaker 3>yesterday was seeing the Saint.

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<v Speaker 4>Lunatics Whatch You Gonna Stay?

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<v Speaker 1>Man?

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<v Speaker 3>Which is so fire because Free Cities was by ship

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<v Speaker 3>Oh man, such a slept On album too.

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<v Speaker 1>Thank you brother, thank you. Yeah. Man, those are my brothers,

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<v Speaker 1>you know.

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<v Speaker 2>And it's crazy because me and City I always the

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<v Speaker 2>City is my little brothers. Say that, but that's why

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<v Speaker 2>I used to wear a band aid for obviously. But

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<v Speaker 2>Keywan and Murphy Lee or real brothers biologically you should

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<v Speaker 2>say that. And I've been knowing Murph and Keywan since

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<v Speaker 2>Murf was like eight years old and Keiwan was like

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<v Speaker 2>eleven twelve. So we grew up literally together, you know

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<v Speaker 2>what I mean, doing other shit, and we just didn't

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<v Speaker 2>know that music was going to be, you know, where we.

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<v Speaker 1>Would make our impact on the world.

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<v Speaker 2>But man, when you got that family base, yeah, you

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<v Speaker 2>go through shit, right.

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<v Speaker 3>I about to say it was good to see because

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<v Speaker 3>I know last year there was like, you know whatever,

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<v Speaker 3>stories around, so it was good to see.

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<v Speaker 1>When I saw that, I was like, hell yeah yeah.

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<v Speaker 2>But it's I think, you know, it's it's sometimes confusion

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<v Speaker 2>because when you're going about things and you're not paying

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<v Speaker 2>attention to certain things, you have no idea what's happening,

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<v Speaker 2>you know, But then as you get older, you're assuming

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<v Speaker 2>what happened. But then when you find out, oh, man,

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<v Speaker 2>that wasn't the case. Then It's easy. We just needed

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<v Speaker 2>to have a conversation to be.

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<v Speaker 4>Like, bro, lack of communication.

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<v Speaker 2>Bro, that's not what happened. This is actually how that went.

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<v Speaker 2>And at the time, you know, Mirph was super young.

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<v Speaker 2>He had just graduated from high school basically, or probably

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<v Speaker 2>about a year and.

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<v Speaker 4>A half removed.

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<v Speaker 2>And yeah, man, I mean, you know, things happened so

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<v Speaker 2>fast as well. I just we just needed to have

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<v Speaker 2>a conversation to and everything needed to be explained. But

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<v Speaker 2>at the end of the day, I love for one

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<v Speaker 2>another will never subside over business.

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<v Speaker 1>I mean well always it would always.

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<v Speaker 3>Yeah, yeah, were you and your wife's initial like like reuniting?

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<v Speaker 1>Was it at the versus?

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<v Speaker 2>This is the thing when I went to Versus, I

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<v Speaker 2>actually I had somebody with me right when I went

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<v Speaker 2>to when I what I'm.

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<v Speaker 3>Saying, but you guys shared the stage, and you know,

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<v Speaker 3>the internet was like oh ship at the same time I.

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<v Speaker 1>Was, I didn't want it tints.

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<v Speaker 2>And when I walked in, her mother has saw me,

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<v Speaker 2>and I knew that Mom was gonna go back and

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<v Speaker 2>let her know that I was in the building. So

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<v Speaker 2>we was here to celebrate with these brothers two of

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<v Speaker 2>my cats, yep Joe and joh And to celebrate their music.

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<v Speaker 2>So I didn't I didn't want a tints and we

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<v Speaker 2>didn't even talk. I just went over, you know, we

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<v Speaker 2>got the hug, rate, the eyes, and boom and we

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<v Speaker 2>didn't talk for probably another almost eight to nine months

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<v Speaker 2>to a year. We didn't have a conversation. That was

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<v Speaker 2>that And you know, but everything happens for a reason.

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<v Speaker 3>I think that's awesome. I think it's so dope. And

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<v Speaker 3>by the way, kudos to you guys figuring out how

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<v Speaker 3>to hide a wedding. How hard was that for that

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<v Speaker 3>not to get out until after it happened.

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<v Speaker 2>Well, once I found out that, once we found out

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<v Speaker 2>that she was pregnant, it was just like, yeah, I

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<v Speaker 2>didn't want this to be.

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<v Speaker 1>Not a I don't want to say like a child.

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<v Speaker 4>We exactly Well, you guys are probably already planning, you know.

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<v Speaker 2>Well, we hadn't talked about it. We hadn't talked about

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<v Speaker 2>any of that yet. I hadn't, you know, But I

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<v Speaker 2>was like, yo, you know what, let's just knock this

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<v Speaker 2>out because we're going to be doing so much and

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<v Speaker 2>everything's moving so fast, and I didn't want to yeah,

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<v Speaker 2>I didn't want her to be, you know, a baby mama.

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<v Speaker 2>I like, because we already knew where we were in life.

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<v Speaker 2>And you know, if we're back like this, this must

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<v Speaker 2>be what this supposed to be.

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<v Speaker 4>You know, I love it to be cares like.

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<v Speaker 3>Sometimes people's timing is off, whether it's like points in

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<v Speaker 3>your life, doesn't mean it's the wrong person, but maybe

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<v Speaker 3>it's the wrong timing exactly. So you go through whatever

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<v Speaker 3>you go through, whatever she goes through. You guys evolved,

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<v Speaker 3>but you guys know each other yo, and love.

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<v Speaker 4>Each other well.

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<v Speaker 2>Any relationship, man, I based any relationship on does this

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<v Speaker 2>person bring more good to your life than bad? Any relationship.

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<v Speaker 2>It could be your relationship with your parents, your kids, your.

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<v Speaker 4>Homie, anything.

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<v Speaker 2>Does this person bring more good to your life than bad?

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<v Speaker 2>And if they do, then great, you know what I mean.

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<v Speaker 2>And then but if they don't, then you know that

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<v Speaker 2>you might need to remove this person from being able

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<v Speaker 2>to get some of your time.

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<v Speaker 1>And that's what I think for me and her.

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<v Speaker 2>After we got a chance to look and was like, Yo,

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<v Speaker 2>a lot of the shit that we was bitching about

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<v Speaker 2>we cool.

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<v Speaker 4>Yeah, for sure, I love it, man.

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<v Speaker 2>We were way more happier than we thought being pissed off.

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<v Speaker 3>Was how cool? Because I know it was a surprised

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<v Speaker 3>that she introduced you. She had a dope speech for you.

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<v Speaker 1>Man, I didn't know she was doing that. I had

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<v Speaker 1>no idea.

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<v Speaker 2>I thought she was going to the seat because we

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<v Speaker 2>had just left the dressing room, and you know, she

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<v Speaker 2>was like, go killing bag, look okay, boom boom. She

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<v Speaker 2>was like, they're going to their seat. And then I'm

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<v Speaker 2>backstage and I got you know.

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<v Speaker 1>My ins and you hear her ins and I'm like,

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<v Speaker 1>I know that voice.

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<v Speaker 2>And then I looked to the screen, I'm like, wow, wow,

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<v Speaker 2>that got be like yeah, but it was dope, man,

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<v Speaker 2>it was dope.

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<v Speaker 1>Yeah, that's my that's my baby. Man, she did a thing.

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<v Speaker 3>I want to go back. You're one of the greatest

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<v Speaker 3>selling hip hop artists of all time. I feel like

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<v Speaker 3>you truly evolved the genre in a way that is

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<v Speaker 3>still her today. I don't think we get future. I

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<v Speaker 3>don't think we get some of these melodic artists without you.

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<v Speaker 3>I mean, damn you. You influenced fifty in my opinion,

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<v Speaker 3>you know what I mean, Like, well.

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<v Speaker 2>I think we all influence each other, right, So without

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<v Speaker 2>Celo without good soulful green, there's no there might not

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<v Speaker 2>be no Lelly without.

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<v Speaker 1>Even both thugs back in the day arrested development. You

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<v Speaker 1>know what I'm saying.

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<v Speaker 2>And you get a lot of you know a lot

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<v Speaker 2>of the people that are you know, melodic, and it's

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<v Speaker 2>about influence, because we all influence each other. So I'm

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<v Speaker 2>just happy that I can pass on inspiration and like

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<v Speaker 2>you're saying, make it so that it's it's it's not

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<v Speaker 2>hearing something.

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<v Speaker 1>Irregular to be on the radio.

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<v Speaker 2>And then you got brothers like t Pain and Acon

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<v Speaker 2>that just take that ship to a whole nother level, man,

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<v Speaker 2>because t Pain is.

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<v Speaker 1>The goat, Like he's a goat man. He's one of

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<v Speaker 1>the most alien level talented people. Man. People don't realize

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<v Speaker 1>that guy.

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<v Speaker 2>Damn that his mental his knowledge of music, the way

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<v Speaker 2>he can put ship together. Like you know, I grew

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<v Speaker 2>up in music my whole life. I'm not even the

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<v Speaker 2>first one in my family to even do a record.

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<v Speaker 2>My uncle Rudy rest in Peace, did an album and

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<v Speaker 2>nineteen eighty eight, and he's the one who taught me about,

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<v Speaker 2>you know, just music in general, and how to count balls,

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<v Speaker 2>how to do certain things and I was in band.

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<v Speaker 2>I did the drum line thing. Yeah, I played the

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<v Speaker 2>trumpet for a little bit and all of that. Even

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<v Speaker 2>when it was church, I was in the choir, the

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<v Speaker 2>kids choir. So music has always been around me. So

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<v Speaker 2>when you see somebody like pain and the things he's

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<v Speaker 2>able to capture, man, he's incredible.

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<v Speaker 3>Do you feel like because when it comes to prolific runs,

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<v Speaker 3>I think of your run from Country Grammar to Sweatsuit.

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<v Speaker 3>I mean the fact you're able to drop two albums

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<v Speaker 3>on the same day and they each went one and

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<v Speaker 3>two on the chart Nellyville in between that it's one

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<v Speaker 3>of the greatest runs in history.

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<v Speaker 1>Thanks.

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<v Speaker 4>Do you feel like you get your flowers?

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<v Speaker 3>When we talk about the goat conversation, I don't trop

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<v Speaker 3>off of it like that.

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<v Speaker 1>Yeah I don't.

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<v Speaker 2>I literally don't like I talked shit with you if

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<v Speaker 2>you want talk, But because somebody else, I don't worry

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<v Speaker 2>about it. I always say, you know, long as they

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<v Speaker 2>they can put my flowers on my grad you know

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<v Speaker 2>what I'm saying, And that's cool with me because my

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<v Speaker 2>job is first is the fathers, the husband is the

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<v Speaker 2>you know what I'm saying is protecting and providing and

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<v Speaker 2>setting changing the course of what my family was doing

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<v Speaker 2>because I was blessed to be in that position.

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<v Speaker 1>So that's what I care about.

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<v Speaker 4>First.

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<v Speaker 2>If it comes, it comes, and I feel like a

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<v Speaker 2>lot of times it may not be the right time.

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<v Speaker 2>Like we talked about timing, Everything is timing, you know

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<v Speaker 2>what I mean. Like sometimes you got to look back

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<v Speaker 2>to understand what somebody like a Terrell Owens did or

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<v Speaker 2>meant to the league, or what a Randy Moss meant

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<v Speaker 2>to the league, because you know, when they're doing it,

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<v Speaker 2>it could be little things that make you overlook them

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<v Speaker 2>for some reason. But then when you think about the

0:10:54.679 --> 0:10:56.920
<v Speaker 2>game and you go back and you be like, damn,

0:10:57.679 --> 0:11:00.880
<v Speaker 2>Doe was beasted, you know what I'm saying. So if

0:11:00.880 --> 0:11:04.839
<v Speaker 2>that happens like that, then that's that's cool. And from

0:11:04.880 --> 0:11:07.880
<v Speaker 2>where I'm from, we used to getting over look, like

0:11:08.320 --> 0:11:09.040
<v Speaker 2>from Saint Louis.

0:11:09.040 --> 0:11:10.320
<v Speaker 1>I'm somewhere like Saint Louis.

0:11:10.840 --> 0:11:13.280
<v Speaker 3>Yeah, I mean for people you cut that light off

0:11:13.280 --> 0:11:18.480
<v Speaker 3>for quick head, it keeps blinking. That's fine, speaking of

0:11:18.480 --> 0:11:22.280
<v Speaker 3>Saint Louis. Saint Louis recently obviously, it's it's it's been

0:11:22.280 --> 0:11:23.520
<v Speaker 3>in the neuce for the wrong reasons. It's one of

0:11:23.520 --> 0:11:25.600
<v Speaker 3>the most dangerous places in America, if not the most

0:11:25.640 --> 0:11:26.640
<v Speaker 3>dangerous place in America.

0:11:28.440 --> 0:11:31.920
<v Speaker 1>You know, country Grammar. While it was Ride with Me

0:11:31.960 --> 0:11:33.320
<v Speaker 1>and a lot of hits on there, it was also

0:11:33.360 --> 0:11:35.160
<v Speaker 1>a lot of street ship on there. Still the show

0:11:35.240 --> 0:11:35.720
<v Speaker 1>was on there.

0:11:36.360 --> 0:11:40.840
<v Speaker 3>You know, what point in time did you realize, because

0:11:40.880 --> 0:11:43.640
<v Speaker 3>I feel like you had a real conscientious effort to

0:11:43.679 --> 0:11:46.480
<v Speaker 3>be like, you know what, I'm I don't want to

0:11:46.640 --> 0:11:50.360
<v Speaker 3>limit myself in this box. You had to, you know,

0:11:50.760 --> 0:11:53.080
<v Speaker 3>I mean the come up was quick, but I feel

0:11:53.080 --> 0:11:56.080
<v Speaker 3>like you have like a real conscientious effort to try

0:11:56.120 --> 0:11:58.400
<v Speaker 3>to kind of like make sure you weren't just stuck

0:11:58.480 --> 0:12:02.480
<v Speaker 3>in a box there that immediately or was it like, oh,

0:12:02.559 --> 0:12:04.560
<v Speaker 3>we got something here and then some of the pop

0:12:04.600 --> 0:12:06.000
<v Speaker 3>looks started coming in and.

0:12:06.160 --> 0:12:10.040
<v Speaker 2>Period like, but I didn't understand the whole thing of pop.

0:12:10.080 --> 0:12:11.560
<v Speaker 2>It wasn't like I was trying to go pop. I

0:12:11.600 --> 0:12:14.280
<v Speaker 2>just did the records, and you know that's what That's

0:12:14.320 --> 0:12:17.440
<v Speaker 2>what the label does. That's their expertise of saying, Yo,

0:12:17.520 --> 0:12:19.440
<v Speaker 2>this can play her, this can work her, and this

0:12:19.480 --> 0:12:21.560
<v Speaker 2>can work there. It's not like I'm going into the

0:12:21.559 --> 0:12:24.319
<v Speaker 2>studio make a pop head. I don't know how to

0:12:24.360 --> 0:12:24.959
<v Speaker 2>fucking do that.

0:12:25.360 --> 0:12:26.440
<v Speaker 1>I don't know. You know what I'm saying.

0:12:26.480 --> 0:12:28.760
<v Speaker 2>I just go in there and if I hear a beat,

0:12:28.760 --> 0:12:30.679
<v Speaker 2>I like, I'm gonna do what I can do on

0:12:30.720 --> 0:12:33.360
<v Speaker 2>that beat. Now, I grew up hustling anyway, and you

0:12:33.400 --> 0:12:35.760
<v Speaker 2>know when you hustle as you always trying to keep

0:12:35.760 --> 0:12:37.600
<v Speaker 2>a door open. You know what I'm saying.

0:12:38.360 --> 0:12:40.600
<v Speaker 1>But obviously I've.

0:12:42.120 --> 0:12:45.600
<v Speaker 2>Sold drugs, but I've sold every ding. I sold burnout phones,

0:12:45.640 --> 0:12:48.720
<v Speaker 2>I sold T shirts. I said, you know, could whatever

0:12:48.880 --> 0:12:51.800
<v Speaker 2>it's in demand, That's where I was putting the energy.

0:12:51.840 --> 0:12:53.760
<v Speaker 2>And it wasn't no different with this music because I

0:12:53.760 --> 0:12:55.880
<v Speaker 2>feel like, yo, if I can get it, hit her,

0:12:55.920 --> 0:12:57.440
<v Speaker 2>get it hit her, get it, get hit to her.

0:12:57.679 --> 0:12:59.559
<v Speaker 2>Because if you look at all the songs, none of

0:12:59.600 --> 0:13:02.079
<v Speaker 2>them sound the like Country Grandma. Don't sound like e

0:13:02.240 --> 0:13:05.240
<v Speaker 2>I Yeah, don't sound like batter Up, batter Up, don't

0:13:05.240 --> 0:13:07.560
<v Speaker 2>sound like they're all different. Man with Me, don't sound

0:13:07.600 --> 0:13:09.280
<v Speaker 2>like Hot in here, Hot Sure, don't sound.

0:13:09.200 --> 0:13:11.080
<v Speaker 1>Like Dilemma number one sounds different.

0:13:11.160 --> 0:13:16.640
<v Speaker 2>Yeah, one, Air Force one, Yep, Pimp Juice, Grills, on

0:13:16.679 --> 0:13:17.160
<v Speaker 2>and on and on.

0:13:17.280 --> 0:13:19.719
<v Speaker 1>Yeah, justin Dream, all of that ship is different. None

0:13:19.760 --> 0:13:24.200
<v Speaker 1>of those songs. Another slept On, Classic bad Boys Too soundtrack.

0:13:24.400 --> 0:13:26.160
<v Speaker 1>None of those songs sound alike.

0:13:27.080 --> 0:13:30.920
<v Speaker 2>And when you are able to have that type of options,

0:13:31.280 --> 0:13:33.400
<v Speaker 2>you know what I'm saying, you can always find an outlet.

0:13:33.440 --> 0:13:33.800
<v Speaker 1>I feel.

0:13:33.920 --> 0:13:38.120
<v Speaker 3>Yeah, have you heard the Playboy Cardi album? He sampled

0:13:38.240 --> 0:13:41.960
<v Speaker 3>Ashanti's Only You record? Have you heard the song? No,

0:13:42.080 --> 0:13:45.440
<v Speaker 3>I haven't, but I heard that he did. It's it's

0:13:45.480 --> 0:13:47.200
<v Speaker 3>crazy because to me, that's one of the best beats,

0:13:47.240 --> 0:13:49.240
<v Speaker 3>like ever, like that beat his fucking insane shout to

0:13:49.280 --> 0:13:50.480
<v Speaker 3>your girl because that song's crazy.

0:13:50.480 --> 0:13:52.079
<v Speaker 4>But yeah, like he did it.

0:13:52.040 --> 0:13:54.559
<v Speaker 3>At Rolling Loud And when I tell you like crazy,

0:13:54.600 --> 0:13:55.720
<v Speaker 3>the place exploded.

0:13:56.440 --> 0:13:57.280
<v Speaker 4>It was it was crazy.

0:13:57.320 --> 0:14:02.240
<v Speaker 2>Yeah, it was yeah, man, Yeah, she's you know, I'm

0:14:02.240 --> 0:14:03.280
<v Speaker 2>a fan of my wife.

0:14:03.400 --> 0:14:06.080
<v Speaker 3>Would you and your wife ever do like a Jay

0:14:06.120 --> 0:14:08.400
<v Speaker 3>and Bay type of album?

0:14:09.400 --> 0:14:14.680
<v Speaker 2>I think if it organically comes, if like if we're working,

0:14:14.720 --> 0:14:18.079
<v Speaker 2>we're doing songs in the studio and we start putting

0:14:18.320 --> 0:14:21.200
<v Speaker 2>the pieces together and it comes like that, I think

0:14:22.640 --> 0:14:24.120
<v Speaker 2>definitely possibilities.

0:14:24.120 --> 0:14:26.040
<v Speaker 1>We do a lot of shows together as well.

0:14:25.960 --> 0:14:26.240
<v Speaker 4>For sure.

0:14:26.280 --> 0:14:27.920
<v Speaker 3>Yeah, you guys are in a lot of shows together anyway,

0:14:27.920 --> 0:14:29.880
<v Speaker 3>because like if you're going to book a dope show,

0:14:30.040 --> 0:14:31.880
<v Speaker 3>like for guys like me.

0:14:35.040 --> 0:14:39.960
<v Speaker 2>I mean it's even we even discussing potential residencies in

0:14:40.040 --> 0:14:45.280
<v Speaker 2>Vegas together and things like that. We're trying to you know,

0:14:45.920 --> 0:14:48.240
<v Speaker 2>the options are there. We're just trying to make sure

0:14:49.240 --> 0:14:50.480
<v Speaker 2>things are what they need to do.

0:14:50.600 --> 0:14:51.520
<v Speaker 4>I always wonder this.

0:14:52.120 --> 0:14:55.120
<v Speaker 3>I feel like from a fan's perspective, there was always

0:14:55.160 --> 0:14:58.640
<v Speaker 3>like a like it was. It was probably made up

0:14:58.680 --> 0:15:01.120
<v Speaker 3>by by me and my friends, but I always felt

0:15:01.120 --> 0:15:03.440
<v Speaker 3>like this like rivalry between you and Ludacris, because you

0:15:03.440 --> 0:15:06.240
<v Speaker 3>guys were very simultaneously like cracking at the same time.

0:15:07.880 --> 0:15:10.480
<v Speaker 1>Legend. And then he ended up but he ended up

0:15:10.680 --> 0:15:12.000
<v Speaker 1>signing Chingy from your city.

0:15:13.000 --> 0:15:16.960
<v Speaker 2>Well yeah, him and but more so Shaka, right, more

0:15:17.040 --> 0:15:18.680
<v Speaker 2>so more so Shaka.

0:15:19.120 --> 0:15:22.800
<v Speaker 1>But it wasn't a here's the thing. I was happy

0:15:22.880 --> 0:15:23.480
<v Speaker 1>for Chingy.

0:15:23.640 --> 0:15:26.920
<v Speaker 2>It was other people that was in the in the mix,

0:15:27.080 --> 0:15:28.680
<v Speaker 2>that was in.

0:15:28.280 --> 0:15:29.240
<v Speaker 4>Your on your side.

0:15:29.400 --> 0:15:30.280
<v Speaker 1>Yeah, yeah, that.

0:15:30.400 --> 0:15:35.160
<v Speaker 2>Was manipulating the situation because they weren't a part of

0:15:35.200 --> 0:15:38.480
<v Speaker 2>what's going on. And because me and Chinky was cool,

0:15:38.600 --> 0:15:40.400
<v Speaker 2>Chingy was cool with all of the tics. If you

0:15:40.440 --> 0:15:43.960
<v Speaker 2>look at that video, Keywan and Murph is in that video, right,

0:15:44.200 --> 0:15:45.840
<v Speaker 2>you know what I'm saying. I didn't really have a

0:15:46.680 --> 0:15:50.640
<v Speaker 2>problem because I told CHINGI yo, bro, I got to

0:15:50.640 --> 0:15:53.600
<v Speaker 2>put out MRF like murf is my is my focus

0:15:53.720 --> 0:15:55.160
<v Speaker 2>right now, and I would never knock.

0:15:55.240 --> 0:15:57.800
<v Speaker 1>So he went on and ran with that and.

0:15:57.840 --> 0:15:58.520
<v Speaker 4>Had a good run.

0:15:59.080 --> 0:16:01.280
<v Speaker 2>Man, are you crazy? That's that's that's another one of

0:16:01.280 --> 0:16:03.840
<v Speaker 2>my little billows. Man, he's actually going on tour with us.

0:16:04.000 --> 0:16:06.280
<v Speaker 4>Yeah, I mean, dude, Kingi's got records.

0:16:06.400 --> 0:16:08.560
<v Speaker 2>Yeah, Man, Saint Louis got put on the map that

0:16:08.720 --> 0:16:09.600
<v Speaker 2>around that time on.

0:16:09.520 --> 0:16:10.640
<v Speaker 1>One hundred huge way.

0:16:10.720 --> 0:16:13.080
<v Speaker 3>Man, you were just I know you met Sexy Read

0:16:13.160 --> 0:16:14.800
<v Speaker 3>last night, but I saw you guys just chop it

0:16:14.840 --> 0:16:17.480
<v Speaker 3>up in the other room in there. How cool is

0:16:17.520 --> 0:16:20.000
<v Speaker 3>it to see, like, first of all, Saint Louis have

0:16:20.160 --> 0:16:22.360
<v Speaker 3>somebody like Sexy Red. That's like on the fourth floort

0:16:22.560 --> 0:16:24.640
<v Speaker 3>of pop culture right now. She got a big record

0:16:24.640 --> 0:16:27.520
<v Speaker 3>with Bruno Mars. Like now, Saint Louis is known for

0:16:28.200 --> 0:16:31.680
<v Speaker 3>because it's Nellyville, but it's Sexyville kind of too right now.

0:16:32.320 --> 0:16:34.520
<v Speaker 1>I mean, you know she's she's doing the thing.

0:16:34.560 --> 0:16:37.720
<v Speaker 2>Man. You're just so happy for her because she's honesty.

0:16:37.920 --> 0:16:40.440
<v Speaker 2>Whether you you know some people you may agree, you

0:16:40.480 --> 0:16:42.760
<v Speaker 2>may not agree, but the thing about it is you're

0:16:42.880 --> 0:16:47.800
<v Speaker 2>not You will never say she isn't real. She's honest

0:16:48.480 --> 0:16:51.920
<v Speaker 2>and coming from where she's come from, and she's she's

0:16:51.960 --> 0:16:54.640
<v Speaker 2>feeding a lot of people from where she is, and

0:16:54.680 --> 0:16:58.160
<v Speaker 2>she's also appealing to fans all around the world and

0:16:58.200 --> 0:17:01.560
<v Speaker 2>people who accept her for who she is. And you

0:17:01.600 --> 0:17:04.560
<v Speaker 2>always want that for anybody, man. And like I said, again,

0:17:05.080 --> 0:17:07.040
<v Speaker 2>that's our little system. And it's our little system I'm

0:17:07.040 --> 0:17:07.960
<v Speaker 2>talking about Saint Louis.

0:17:08.880 --> 0:17:11.000
<v Speaker 1>Yeah, we hold we we hold.

0:17:10.760 --> 0:17:13.920
<v Speaker 2>Littles down and she's she's doing a great job.

0:17:14.600 --> 0:17:17.639
<v Speaker 3>What I used to have some Vocal obviously back in

0:17:17.680 --> 0:17:19.000
<v Speaker 3>the day, Back in the day, they used to be

0:17:19.040 --> 0:17:20.960
<v Speaker 3>at Burlington co Factory going crazy.

0:17:21.040 --> 0:17:22.840
<v Speaker 1>Yeah.

0:17:22.960 --> 0:17:26.040
<v Speaker 3>When it comes to fashion, dog like the band Aid

0:17:26.200 --> 0:17:27.640
<v Speaker 3>vocal clothing.

0:17:27.280 --> 0:17:28.960
<v Speaker 1>The backwards jerseys.

0:17:29.359 --> 0:17:32.320
<v Speaker 3>I mean you had your fingerprints all throughout, just like

0:17:32.680 --> 0:17:35.320
<v Speaker 3>fashion trends for real, Like when you go to these.

0:17:35.240 --> 0:17:39.159
<v Speaker 1>Two thousands parties, people be dressing like, yeah.

0:17:38.119 --> 0:17:40.920
<v Speaker 2>Well, I was always told, man, you're you haven't made

0:17:40.960 --> 0:17:44.840
<v Speaker 2>it until you're a costume, until until somebody's dressing up

0:17:44.880 --> 0:17:46.920
<v Speaker 2>like you on Halloween, and you know that's what and

0:17:46.920 --> 0:17:50.760
<v Speaker 2>then Nelly costume, that's when you know, Yeah, man, everybody

0:17:50.800 --> 0:17:53.320
<v Speaker 2>had their own stamp on it. So I mean, yeah,

0:17:53.359 --> 0:17:55.800
<v Speaker 2>I mean, you're thankful, bro, You're grateful and.

0:17:56.080 --> 0:17:58.000
<v Speaker 1>You've touched a lot of people. So that's what that's

0:17:58.040 --> 0:17:59.000
<v Speaker 1>what being an artist is.

0:18:00.480 --> 0:18:01.320
<v Speaker 4>Talk to me about.

0:18:01.520 --> 0:18:04.119
<v Speaker 3>Uh, you know, over the years, man, you know, country

0:18:04.160 --> 0:18:07.280
<v Speaker 3>music has obviously become more pop culture than ever, but

0:18:07.359 --> 0:18:10.119
<v Speaker 3>you were the first person in hip hop to step

0:18:10.200 --> 0:18:13.080
<v Speaker 3>into that genre with Tim McGraw over and over obviously

0:18:13.240 --> 0:18:15.800
<v Speaker 3>huge record. But now you see guys like, you know,

0:18:15.920 --> 0:18:19.400
<v Speaker 3>my brother Jelly Roll, who was a rapper for years

0:18:19.560 --> 0:18:22.399
<v Speaker 3>and now he's a superstar. You got you know, little

0:18:22.440 --> 0:18:25.160
<v Speaker 3>Dirk Free him, but working with Morgan Wallend, Like, did

0:18:25.200 --> 0:18:29.280
<v Speaker 3>you have any foresight or idea? Because that bro? Back

0:18:29.320 --> 0:18:31.240
<v Speaker 3>then they told me I was crazy.

0:18:31.440 --> 0:18:32.360
<v Speaker 1>My my, my, My.

0:18:32.400 --> 0:18:34.240
<v Speaker 2>Label thought I was nuts because you got to understand,

0:18:34.240 --> 0:18:37.520
<v Speaker 2>I'm coming off of Nellyville, right coming off of Nellyville

0:18:37.560 --> 0:18:39.320
<v Speaker 2>and was a hard album.

0:18:39.520 --> 0:18:41.320
<v Speaker 1>You just got got into it with Caress one.

0:18:41.440 --> 0:18:43.240
<v Speaker 2>Come on, I'm coming off of Hot in Here, I'm

0:18:43.240 --> 0:18:46.719
<v Speaker 2>coming off of Dilemma Air Force ones. And then I

0:18:46.720 --> 0:18:49.360
<v Speaker 2>told my label, yeah, I want to do a song

0:18:49.400 --> 0:18:51.919
<v Speaker 2>with Tim McGraw, I said, thinking about I got this idea.

0:18:52.359 --> 0:18:55.680
<v Speaker 1>They're like, uh, what you what?

0:18:56.000 --> 0:18:57.720
<v Speaker 2>I'm like, yeah, yeah, I want to do a song

0:18:57.760 --> 0:19:01.919
<v Speaker 2>with Tim McGraw, and thankfully enough, the powers that be

0:19:02.359 --> 0:19:06.720
<v Speaker 2>entrusted in me because they were like, yo, you know,

0:19:07.160 --> 0:19:08.840
<v Speaker 2>I mean, shit, what are we gonna do?

0:19:08.880 --> 0:19:10.840
<v Speaker 1>Tell him? No, the guy ain't missed, you know what

0:19:10.840 --> 0:19:15.760
<v Speaker 1>I'm saying. So, but again, I grew up in Saint Louis.

0:19:15.800 --> 0:19:17.480
<v Speaker 1>I was Saint Louis raised me.

0:19:17.520 --> 0:19:19.719
<v Speaker 2>I'm a military baby, but I was born in Texas

0:19:20.440 --> 0:19:23.400
<v Speaker 2>and the country is just it's just in the blood.

0:19:23.080 --> 0:19:23.200
<v Speaker 1>You know.

0:19:23.280 --> 0:19:24.680
<v Speaker 4>Yeah, I dope.

0:19:24.760 --> 0:19:28.359
<v Speaker 2>And my uncle, My uncle is somebody who put me

0:19:28.440 --> 0:19:32.119
<v Speaker 2>on to songwriting period like Lino Richie and everything and

0:19:32.160 --> 0:19:34.520
<v Speaker 2>showed me everything Lina Richie was writing. He was writing

0:19:34.600 --> 0:19:37.480
<v Speaker 2>music for country pop, R and B and everything, so

0:19:38.080 --> 0:19:42.560
<v Speaker 2>you know, Charlie Pride and Hank Williams, George Straight, all

0:19:42.600 --> 0:19:46.399
<v Speaker 2>of that, and I was on all genres of music.

0:19:46.440 --> 0:19:47.920
<v Speaker 2>So this was something that I was like, Yo, I

0:19:49.000 --> 0:19:51.600
<v Speaker 2>love the stories. I love the stories and the sincerity

0:19:51.680 --> 0:19:55.000
<v Speaker 2>that comes from you know, country music. So you know,

0:19:55.080 --> 0:19:57.199
<v Speaker 2>it was something that I wanted to try, something I

0:19:57.200 --> 0:19:59.960
<v Speaker 2>wanted to do, And thankfully shout out to Tim McGraw,

0:20:00.119 --> 0:20:00.560
<v Speaker 2>my big bro.

0:20:00.720 --> 0:20:02.359
<v Speaker 1>He he believed.

0:20:01.960 --> 0:20:03.840
<v Speaker 2>In me and gave me a shot and we were

0:20:03.840 --> 0:20:06.240
<v Speaker 2>able to put together something like you said that came

0:20:06.240 --> 0:20:09.320
<v Speaker 2>out in two thousand and four. Yeah, like two thousand

0:20:09.359 --> 0:20:13.640
<v Speaker 2>and four and now yeah that was on the Yeah

0:20:13.800 --> 0:20:16.720
<v Speaker 2>on Swiss Fuit and people, you know, they thought I

0:20:16.800 --> 0:20:19.000
<v Speaker 2>was crazy until it hit and then they was like,

0:20:19.080 --> 0:20:20.600
<v Speaker 2>holy shit, Yo.

0:20:20.560 --> 0:20:23.600
<v Speaker 3>I remember the line the only only dudes moving units

0:20:23.640 --> 0:20:26.960
<v Speaker 3>is the pimp juice in us? Did you and Eminem

0:20:27.000 --> 0:20:29.280
<v Speaker 3>have any because at there was a certain point in

0:20:29.320 --> 0:20:32.800
<v Speaker 3>time where it's communication you and but you and Eminem

0:20:32.800 --> 0:20:37.480
<v Speaker 3>were like the like biggest selling artists in the world,

0:20:37.800 --> 0:20:40.840
<v Speaker 3>very different obviously, but like, did you guys ever have

0:20:40.960 --> 0:20:42.880
<v Speaker 3>any sort of conversation then?

0:20:43.200 --> 0:20:44.320
<v Speaker 1>Or this was the thing.

0:20:44.480 --> 0:20:50.520
<v Speaker 2>I misinterpreted something when I was really really new, and

0:20:51.040 --> 0:20:54.040
<v Speaker 2>you know, I wanted to apologize to m you know

0:20:54.080 --> 0:20:55.960
<v Speaker 2>what I mean. But I was at a time where

0:20:56.000 --> 0:20:58.480
<v Speaker 2>you know, I'm coming in, I'm the new guy. Anybody

0:20:58.560 --> 0:21:00.360
<v Speaker 2>talking you know from.

0:21:00.720 --> 0:21:03.280
<v Speaker 4>What what was it that you missed that you misunderstood?

0:21:03.520 --> 0:21:08.800
<v Speaker 2>Well, somehow I misinterpreted that he had something to say about.

0:21:08.480 --> 0:21:09.600
<v Speaker 4>What we were doing.

0:21:09.680 --> 0:21:10.359
<v Speaker 1>What we were.

0:21:10.200 --> 0:21:13.000
<v Speaker 2>Doing, And when I went on MTV, I made some

0:21:13.040 --> 0:21:16.600
<v Speaker 2>comments because you know, I'm I'm still fresh from what

0:21:16.720 --> 0:21:19.440
<v Speaker 2>from the loop, I'm I'm ready, it's up like where

0:21:19.480 --> 0:21:22.640
<v Speaker 2>you at. But that wasn't the case. Man and him

0:21:22.840 --> 0:21:25.639
<v Speaker 2>is he's gold Man, you know what I'm saying. And

0:21:25.760 --> 0:21:29.840
<v Speaker 2>he's so dope. And when that was going on, I

0:21:29.880 --> 0:21:34.119
<v Speaker 2>forgot who. We was in Detroit and we were at

0:21:34.160 --> 0:21:38.840
<v Speaker 2>the after party and somebody came and was like, yo, him,

0:21:38.920 --> 0:21:43.640
<v Speaker 2>want to come through and holler and I'm like, okay,

0:21:44.359 --> 0:21:47.200
<v Speaker 2>you know. And when he came in and he's such

0:21:47.200 --> 0:21:50.000
<v Speaker 2>a dope cat, I think he had yo he. I

0:21:50.000 --> 0:21:51.120
<v Speaker 2>think he had Hayley with him.

0:21:52.200 --> 0:21:55.920
<v Speaker 1>She was young. They probably love your every day, That's

0:21:55.960 --> 0:21:58.000
<v Speaker 1>what he was like. He was like, yo, man, my daughter.

0:21:58.440 --> 0:22:00.159
<v Speaker 1>I was like, I felt like a dick. You know

0:22:00.200 --> 0:22:02.439
<v Speaker 1>what I'm saying. Like I felt it's just like yo,

0:22:02.520 --> 0:22:03.280
<v Speaker 1>I felt like a dick.

0:22:03.400 --> 0:22:03.600
<v Speaker 4>Man.

0:22:03.800 --> 0:22:08.119
<v Speaker 2>And because we were we were Imminem fans, you know

0:22:08.160 --> 0:22:12.360
<v Speaker 2>what I'm saying, we was and just miscommunication. Man and

0:22:12.520 --> 0:22:15.359
<v Speaker 2>him is, he's he's a dope cat. Man, He's a

0:22:15.440 --> 0:22:17.640
<v Speaker 2>He's a dope cat. And I'm glad. I'm glad we

0:22:18.320 --> 0:22:20.080
<v Speaker 2>got that out the way because.

0:22:19.800 --> 0:22:21.359
<v Speaker 1>You know, I mean, it was like it was a

0:22:21.400 --> 0:22:22.680
<v Speaker 1>sales rivalry here.

0:22:22.800 --> 0:22:24.760
<v Speaker 2>Yeah, but it's fucked up when you people that you

0:22:24.840 --> 0:22:27.399
<v Speaker 2>fuck with and that you admire on a on a

0:22:27.480 --> 0:22:29.360
<v Speaker 2>level and you know what I'm saying, And it's like, yo,

0:22:29.480 --> 0:22:34.159
<v Speaker 2>dude spits, you know. And I appreciate all factors of

0:22:34.240 --> 0:22:37.359
<v Speaker 2>hip hop. I appreciate the battle rap because Saint Louis

0:22:37.400 --> 0:22:38.199
<v Speaker 2>is huge for battle rap.

0:22:38.240 --> 0:22:41.000
<v Speaker 1>Shout out the hit man, holler herb. You know what

0:22:41.040 --> 0:22:41.400
<v Speaker 1>I'm saying.

0:22:41.440 --> 0:22:43.960
<v Speaker 2>A lot of the battle rappers that come about it there,

0:22:44.119 --> 0:22:48.040
<v Speaker 2>and you know, we appreciate that side. And we we

0:22:48.080 --> 0:22:52.520
<v Speaker 2>got hit makers as well and things like that. So yeah, man, yeah,

0:22:52.520 --> 0:22:54.840
<v Speaker 2>I'm glad we squashed that man because m was well,

0:22:56.200 --> 0:22:56.840
<v Speaker 2>EM's a cat.

0:22:57.280 --> 0:22:58.280
<v Speaker 4>He's one of them guys.

0:22:58.359 --> 0:23:02.159
<v Speaker 3>Yeah, what what obviously you you you're running crazy on

0:23:02.200 --> 0:23:02.880
<v Speaker 3>the road up.

0:23:04.000 --> 0:23:05.320
<v Speaker 4>I know you're going to Australia tonight.

0:23:05.400 --> 0:23:09.840
<v Speaker 2>Yeah, Australia later tonight. Start this couple of shows to

0:23:10.000 --> 0:23:12.639
<v Speaker 2>come back and kick off the What a Party Yet

0:23:12.720 --> 0:23:16.240
<v Speaker 2>tour and just have some fun this summer. Man, Look,

0:23:16.320 --> 0:23:20.199
<v Speaker 2>who is gonna be on the tour? Tour over here

0:23:20.280 --> 0:23:22.000
<v Speaker 2>is a little bit like, here's a little bit different.

0:23:22.040 --> 0:23:23.919
<v Speaker 2>Some of the people, you know, they couldn't get over there.

0:23:24.600 --> 0:23:26.119
<v Speaker 1>You know, Australia is a little different.

0:23:26.240 --> 0:23:31.080
<v Speaker 3>Yeah, you got this trip.

0:23:31.280 --> 0:23:35.000
<v Speaker 2>Yeah, so I think, well, I'm just taking my brothers

0:23:35.040 --> 0:23:37.360
<v Speaker 2>over there, the Tics to Australia.

0:23:37.400 --> 0:23:38.640
<v Speaker 1>We haven't been over there in a minute.

0:23:38.640 --> 0:23:40.480
<v Speaker 2>But when we come back and we start over here,

0:23:40.560 --> 0:23:45.639
<v Speaker 2>it's like myself, it's my brother joh is eve uh

0:23:45.880 --> 0:23:50.280
<v Speaker 2>fab is on some ship shout out the fab fab.

0:23:50.160 --> 0:23:51.320
<v Speaker 1>Is one of the most underrated.

0:23:51.520 --> 0:23:52.560
<v Speaker 4>Oh my god, they were.

0:23:53.560 --> 0:23:57.360
<v Speaker 2>That's my brother too, man, he's ill uh Tics uh

0:23:57.680 --> 0:23:58.760
<v Speaker 2>my my little brother.

0:23:58.640 --> 0:24:02.239
<v Speaker 1>Chingy And that's gonna be special stuff going around. Man.

0:24:02.280 --> 0:24:04.359
<v Speaker 1>So we're just gonna have some fucking fun, know what

0:24:04.400 --> 0:24:06.480
<v Speaker 1>I'm saying. The summer. I think we could use it.

0:24:06.680 --> 0:24:08.680
<v Speaker 3>Yo. Did you in jaw like once you went to

0:24:08.680 --> 0:24:12.280
<v Speaker 3>shanty Like, did he say, Man, I'm glad, I'm glad, I'm.

0:24:12.160 --> 0:24:14.760
<v Speaker 1>Glad, I'm glad. Job always remained cool for sure.

0:24:14.840 --> 0:24:17.920
<v Speaker 2>Yeah, because even in the beginning, obviously, because we kind

0:24:17.960 --> 0:24:19.440
<v Speaker 2>of came out similar.

0:24:19.200 --> 0:24:21.200
<v Speaker 1>For sure, one hundred time, so you.

0:24:21.160 --> 0:24:23.280
<v Speaker 3>Were a little bitfore in terms of like popping. But

0:24:23.359 --> 0:24:25.399
<v Speaker 3>you know, Venni vetty Vicci was like two thousands, so

0:24:25.440 --> 0:24:28.760
<v Speaker 3>around the same time. Yeah, yeah, I think I think

0:24:29.240 --> 0:24:30.640
<v Speaker 3>he took off with Hollow Yeah.

0:24:30.640 --> 0:24:31.880
<v Speaker 4>I think that might have been ninety nine.

0:24:33.000 --> 0:24:36.200
<v Speaker 1>Yeah, because he got a he got a good hollow record.

0:24:36.280 --> 0:24:39.120
<v Speaker 1>Yeah with Jay and X. But that's rule three three

0:24:39.160 --> 0:24:40.480
<v Speaker 1>six is when things got different.

0:24:41.680 --> 0:24:44.960
<v Speaker 2>Yeah, yeah, I think, yeah, you know my brother, I

0:24:45.520 --> 0:24:47.879
<v Speaker 2>think my brother was hitting that ground out here, that

0:24:47.960 --> 0:24:50.680
<v Speaker 2>Graham going and we talk about teasing about that.

0:24:51.880 --> 0:24:54.840
<v Speaker 1>You know, he started implementing the melodies. Yo, he hurt

0:24:55.080 --> 0:24:58.080
<v Speaker 1>country grammar and he was like melodies a little more.

0:24:58.280 --> 0:24:59.400
<v Speaker 1>You know what I'm saying, Like.

0:24:59.440 --> 0:25:02.560
<v Speaker 2>I will give it to him, my brother, my cat,

0:25:03.200 --> 0:25:05.760
<v Speaker 2>he found it. You know, it's about finding your niche.

0:25:05.760 --> 0:25:08.520
<v Speaker 2>And when he found that note that that that that

0:25:08.920 --> 0:25:12.480
<v Speaker 2>him because job job makes records. He knows he's got

0:25:12.480 --> 0:25:14.200
<v Speaker 2>the implement of making records.

0:25:14.200 --> 0:25:17.760
<v Speaker 1>Man. And my cat like he gets down, he gets down. Yeah.

0:25:18.000 --> 0:25:20.840
<v Speaker 3>Like I said, dude, I think like when we think

0:25:20.840 --> 0:25:23.520
<v Speaker 3>of the Drakes and all these guys who are singing,

0:25:23.560 --> 0:25:26.479
<v Speaker 3>I'm like, yo, this is all like Nelly derived Obviously

0:25:26.520 --> 0:25:28.879
<v Speaker 3>you were influenced by a goodie mob and all that,

0:25:28.920 --> 0:25:31.320
<v Speaker 3>but I'm like, man like, yo, like you made it

0:25:31.400 --> 0:25:34.359
<v Speaker 3>cool to make songs, like to sing like it didn't

0:25:34.359 --> 0:25:36.679
<v Speaker 3>always have, especially in that era that was that was

0:25:36.720 --> 0:25:38.200
<v Speaker 3>you know when you turned on the radio back then,

0:25:38.200 --> 0:25:40.560
<v Speaker 3>it was a lot different man obviously, DMX god Rest

0:25:40.560 --> 0:25:41.000
<v Speaker 3>of Soul was.

0:25:41.119 --> 0:25:43.399
<v Speaker 1>DMX had a lot of melody. DMX was.

0:25:43.560 --> 0:25:46.040
<v Speaker 2>I remember seeing him in ninety eight in can Kun

0:25:46.800 --> 0:25:48.879
<v Speaker 2>and I didn't know who he was. I had no

0:25:48.960 --> 0:25:50.879
<v Speaker 2>idea and they were like everybody was going to this

0:25:50.920 --> 0:25:51.640
<v Speaker 2>performance as.

0:25:51.600 --> 0:25:56.000
<v Speaker 4>New kid dm MAX and leather overalls on.

0:25:58.200 --> 0:26:01.399
<v Speaker 2>You know what I'm saying, The dog Chance, Yeah, I

0:26:01.520 --> 0:26:03.400
<v Speaker 2>was like, damn in.

0:26:03.040 --> 0:26:06.240
<v Speaker 1>His stage presence was just all times ill man, all

0:26:06.359 --> 0:26:09.000
<v Speaker 1>time man. And he made a hell of an impression.

0:26:09.359 --> 0:26:12.639
<v Speaker 3>So yeah, well listen man. Twenty five years of Country

0:26:12.640 --> 0:26:16.720
<v Speaker 3>Grammar a classic album. Uh and it has stood the

0:26:16.760 --> 0:26:21.679
<v Speaker 3>test of time. To thank you and uh so that

0:26:21.760 --> 0:26:24.720
<v Speaker 3>means the Nellyville twenty five anniversaries a couple of years away.

0:26:25.119 --> 0:26:26.760
<v Speaker 4>Yeah that's crazy.

0:26:26.920 --> 0:26:30.520
<v Speaker 1>Yeah, definitely man this yeah yeah old one, no O

0:26:30.680 --> 0:26:35.600
<v Speaker 1>two so yeah twenty yeah. Wait, number one was on

0:26:35.640 --> 0:26:37.560
<v Speaker 1>the Training Day soundtrack too, right, what was it? One

0:26:37.600 --> 0:26:38.960
<v Speaker 1>was on the Training Day soundtrack?

0:26:39.040 --> 0:26:40.400
<v Speaker 4>Great soundtrack, and then.

0:26:40.760 --> 0:26:42.960
<v Speaker 1>Yeah we added it to What's See.

0:26:42.960 --> 0:26:45.159
<v Speaker 2>We've been blessed man to be a part of a

0:26:45.200 --> 0:26:47.639
<v Speaker 2>lot of great movements that bad boys.

0:26:47.400 --> 0:26:48.040
<v Speaker 4>Bad Boys too.

0:26:48.960 --> 0:26:50.919
<v Speaker 1>When Murph to help launch.

0:26:50.720 --> 0:26:55.960
<v Speaker 2>Murph and Free City and then School boy, Murphy's Law Murphy.

0:26:56.040 --> 0:26:58.800
<v Speaker 3>Yeah, listen, I just when I saw Murphy Lee backstage,

0:26:58.920 --> 0:27:01.359
<v Speaker 3>Yeah there, no, I sold last night.

0:27:01.400 --> 0:27:02.520
<v Speaker 4>I had to grab him and be like.

0:27:03.119 --> 0:27:06.359
<v Speaker 3>I loved your album and Free City was my ship,

0:27:06.520 --> 0:27:07.919
<v Speaker 3>dog Man, great album.

0:27:07.960 --> 0:27:10.960
<v Speaker 2>We knew Murphy was gonna be because he's just a

0:27:10.960 --> 0:27:12.320
<v Speaker 2>hard worker, you know what I'm saying.

0:27:12.320 --> 0:27:14.320
<v Speaker 1>And we knew that he was, like, it's gonna be

0:27:14.359 --> 0:27:15.520
<v Speaker 1>a fucking animal.

0:27:15.640 --> 0:27:17.760
<v Speaker 3>Are you working on new music right now? We all,

0:27:18.000 --> 0:27:21.080
<v Speaker 3>I'm sure you guys all being together. Everyone's probably inspired.

0:27:20.600 --> 0:27:23.040
<v Speaker 1>Together, man, And the energy is good.

0:27:23.160 --> 0:27:28.080
<v Speaker 2>And we've got so many people who want to be

0:27:28.119 --> 0:27:31.200
<v Speaker 2>a part of it. As far as like you know, producers,

0:27:31.359 --> 0:27:33.240
<v Speaker 2>we've expired. You know Metros from.

0:27:33.080 --> 0:27:35.760
<v Speaker 4>The Louis He always got that cardinal.

0:27:36.280 --> 0:27:38.040
<v Speaker 1>He grew up on us, you know what I'm saying.

0:27:38.080 --> 0:27:41.200
<v Speaker 1>He'll tell you it's just like so him and Chop Squad.

0:27:41.960 --> 0:27:45.320
<v Speaker 1>Have you linked with Metro booming to work it all that? Well? No,

0:27:45.520 --> 0:27:49.440
<v Speaker 1>just family man, like like that's my little bro. We talk.

0:27:49.520 --> 0:27:50.240
<v Speaker 1>But it's there.

0:27:50.359 --> 0:27:50.840
<v Speaker 4>It is there.

0:27:51.200 --> 0:27:54.159
<v Speaker 2>It's not a situation where we're not. It's just about

0:27:54.280 --> 0:27:57.040
<v Speaker 2>finding that opportunity. But above and beyond that, like you

0:27:57.040 --> 0:27:59.680
<v Speaker 2>said in the Saint Louis. We truly all we got,

0:28:00.480 --> 0:28:01.400
<v Speaker 2>So it's.

0:28:01.240 --> 0:28:04.880
<v Speaker 1>Not it's not like La. We don't have a breathroa

0:28:05.119 --> 0:28:09.160
<v Speaker 1>of people who have been on that level like that.

0:28:09.320 --> 0:28:11.800
<v Speaker 4>I went to East Saint Louis. I was into Saint

0:28:11.840 --> 0:28:12.400
<v Speaker 4>Louis once.

0:28:13.400 --> 0:28:14.600
<v Speaker 1>You must went to the strip club.

0:28:14.640 --> 0:28:15.560
<v Speaker 4>I went to Pink Cadillage.

0:28:16.600 --> 0:28:18.960
<v Speaker 1>The name pink Slip, Pink slip pink something. Yeah, that's

0:28:18.960 --> 0:28:23.679
<v Speaker 1>ships crazy. I was in Louis.

0:28:23.680 --> 0:28:27.920
<v Speaker 3>I was like, it's different over here. Yeah, very yeah, yeah,

0:28:28.240 --> 0:28:30.840
<v Speaker 3>people don't know. That's like over the state line in Illinois. Yeah.

0:28:31.000 --> 0:28:33.560
<v Speaker 2>Man, like East, we all party over in East. Great

0:28:33.560 --> 0:28:36.120
<v Speaker 2>strip club though, Man, East St. Louis got the best clubs,

0:28:36.280 --> 0:28:40.560
<v Speaker 2>always history, history, East St. Louis Is, you know. East St.

0:28:40.600 --> 0:28:43.400
<v Speaker 2>Louis is the deal man. It's a very truthful place.

0:28:43.480 --> 0:28:43.680
<v Speaker 3>Man.

0:28:43.720 --> 0:28:45.520
<v Speaker 1>We love it. We grow up over there. As far

0:28:45.560 --> 0:28:46.200
<v Speaker 1>as our party.

0:28:46.320 --> 0:28:49.520
<v Speaker 3>Yeah, well listen, man, you're a fucking living legend, a goat.

0:28:50.080 --> 0:28:52.600
<v Speaker 3>Congrats on twenty five years, Congrats on the iHeart Award,

0:28:52.680 --> 0:28:56.120
<v Speaker 3>and Mann, I'm just honored to be sitting here with

0:28:56.160 --> 0:28:56.640
<v Speaker 3>you dog.

0:28:56.480 --> 0:28:58.680
<v Speaker 1>For my pleasure. Yes, thank you for the energy and

0:28:58.720 --> 0:28:59.000
<v Speaker 1>the love.

0:28:59.080 --> 0:29:01.360
<v Speaker 4>Yes, Sir Nelly let's go. Yes, sir, can I get

0:29:01.360 --> 0:29:02.360
<v Speaker 4>a radio drop from you?

0:29:02.480 --> 0:29:04.920
<v Speaker 3>Just say introduce yourself and say you're listening to the

0:29:04.920 --> 0:29:05.920
<v Speaker 3>Bootleg cav Show.

0:29:06.120 --> 0:29:09.080
<v Speaker 1>Yep, chack chack check. Yo, y'all know what it is.

0:29:09.160 --> 0:29:11.720
<v Speaker 2>It's your man, Nelly I, and we're rolling out right

0:29:11.720 --> 0:29:13.320
<v Speaker 2>here on the Bootleg calv Show.

0:29:13.760 --> 0:29:14.360
<v Speaker 1>Olah