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Speaker 1: Big Bank and DJ Scream bring you Big Fat podcast

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Speaker 1: in the streets. Visit the new website today www dot

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Speaker 1: Big Facts pod dot com Live for first class sounds

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Speaker 1: is DJ Scream, Big Banks here, Baby Jae is here.

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Speaker 1: It is time for Big Facts Friday's We are in

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Speaker 1: this bit. Shots to o g shante, shots to cash

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Speaker 1: up in this motherfucker. What's what's happening to people? Everybody good?

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Speaker 1: What's up? Yea? That dryss? What's up? They give you

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Speaker 1: some energy in two days. Man, we ain't got time

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Speaker 1: to be sleeping. What's up? Bank? You already know it is?

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Speaker 1: You know what the fun going on? We do so

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Speaker 1: so this one we're gonna chat about today, man, So

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Speaker 1: say you on to come up. And basically it could

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Speaker 1: be a bigger rapper or somebody bigger in that particular

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Speaker 1: space and they're not working with you, they're not showing

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Speaker 1: you no love, and then eventually you surpassed them and

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Speaker 1: they're reaching out to you to try to fund what

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Speaker 1: you maybe do busines, this, maybe do music, maybe do shows.

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Speaker 1: How do you handle that? Do you return that same

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Speaker 1: energy or if they got the money or they got

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Speaker 1: whatever the cases, do you like? It really depends on

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Speaker 1: the situation. It depends on the situation. What you mean.

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Speaker 1: I'm talking about this a person that cold shoulders you

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Speaker 1: like you try to funk with him and they give

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Speaker 1: you that cold shoulder, like the over cold shoulder, like

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Speaker 1: you can't pay me for a feature. One of them

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Speaker 1: type the motherfucker you might be might time I problem

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Speaker 1: you probably wuldn't read it. I feel you. It's a

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Speaker 1: cold shoulder though, think about But it's always it's always

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Speaker 1: a way to do stuff, and it's always a way

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Speaker 1: to do things with tact. To say like you can't

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Speaker 1: even pay me for a feature is basically you're telling me,

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Speaker 1: fuck you you think you can gonna pay Drake for

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Speaker 1: a feature. No, but he's gonna let me down easy.

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Speaker 1: He's not gonna be like like he's gonna tell you

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Speaker 1: can't pay for a feature though he said no, he's

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Speaker 1: not gonna, but he's not gonna say it like that.

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Speaker 1: He's gonna agrees it a little bit. Talk to him.

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Speaker 1: What like if you it depends Now if I'm if

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Speaker 1: I'm buzzing like a guy, you're doing your thing. You

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Speaker 1: ain't it, but you're doing your thing. You like, maybe

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Speaker 1: well you're saying like how baby was a year ago.

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Speaker 1: And if you try to years ago, Yeah, you try

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Speaker 1: to ask somebody like at that time, like before he

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Speaker 1: took off boom and baby no, he know he's making noise.

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Speaker 1: You just be like fuck them right, cold shoulder, I

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Speaker 1: ain't suing with what we see a lot in Atlanta.

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Speaker 1: That's why this is a good comment. Say to come

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Speaker 1: back and ask me, Hey, now the person has become it.

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Speaker 1: But then again, like I said, it depends on how

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Speaker 1: cold the shoulder is, because a lot of these niggas,

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Speaker 1: when you say cold shoulder, it's not that they're trying

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Speaker 1: to be rude or trying to be disrespectful or trying

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Speaker 1: to be on no, like nigger ship. They just got

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Speaker 1: too much going on to be thinking about quote wasting

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Speaker 1: time like somebody that's not gonna be able to help

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Speaker 1: them elevate where they are not. Okay, yeah, we're speaking again,

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Speaker 1: we're speaking sense. How you think a knucklehead nigger in

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Speaker 1: the hood running around in the streets doing this thing

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Speaker 1: got a little bit of buzz maybe at a liqueur

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Speaker 1: or gonna take it if they go to an a

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Speaker 1: list rapper with some money trying to get a feature

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Speaker 1: and pay them for the feature and they say, no,

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Speaker 1: they're gonna be offended. That's just it. They're gonna be offended. Bro,

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Speaker 1: they I got crucial in liqueur fucked up. I'm doing

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Speaker 1: my thing. Funk with me. I got this twine. You

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Speaker 1: know what I'm saying. Let's see when you get to

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Speaker 1: us and I know again we're speaking with sense, and

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Speaker 1: a lot of people don't have that. But when you

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Speaker 1: get to like a certain point, like these niggers don't

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Speaker 1: care about money. I'm not gonna I'm not gonna I'm

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Speaker 1: not gonna get it like I'm not gonna say the

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Speaker 1: rapper or whatever. But a rapper buddy of mine, I

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Speaker 1: had a show for him four dred dollars. He was like, no,

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Speaker 1: I'm cool, I don't want to do it. I get it.

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Speaker 1: What but the person with the fall hunted bands is

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Speaker 1: gonna be offended that you won't take this fur hundred

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Speaker 1: bands and do this show. What My money ain't as

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Speaker 1: good as whoopy whoop money. That's all I'm saying. No,

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Speaker 1: but see, you gotta under I'm sorry now, but you

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Speaker 1: gotta understand. Like I had to understand too, is like

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Speaker 1: these people have worked very hard to get to the

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Speaker 1: point where they're able to turn down that type of ship.

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Speaker 1: So it's like for you to be offended. It's kind

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Speaker 1: of like a disrespect to their craft, you see what

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Speaker 1: I'm saying, because they put in work to get to

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Speaker 1: the point to be able to say like, no, I

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Speaker 1: don't want to do this or they don't and you

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Speaker 1: got It goes back to like what we always talk

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Speaker 1: about about. Nobody owes you ship from the beginning anyway.

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Speaker 1: So I agree with you. I'm just saying they're gonna

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Speaker 1: be offended, but I agree with you now. The other

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Speaker 1: part of it is you become it, so you're it.

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Speaker 1: Now you're it, Bro, wouldn't bro reaching out? Yeah? Always

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Speaker 1: want to funk with you, bro, see you not not

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Speaker 1: that not That's what I always wanted to sunk with you.

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Speaker 1: He's cold. He might not be just dead in the water,

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Speaker 1: but he's definitely going this way. He ain't just dead

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Speaker 1: in the water. I could do business with the nig

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Speaker 1: on my TWNE and then you gotta pay me. You

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Speaker 1: gotta give me a jet to get you gotta pay

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Speaker 1: for my this for the video it was in the

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Speaker 1: same city. Yeah, jet, because gona be somewhere else. Yeah anyway, Yeah,

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Speaker 1: like it's gonna be on my turn. You're gonna know that.

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Speaker 1: You like coach out of town to get coach already

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Speaker 1: have got them, dimp you give me a jet to

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Speaker 1: hit back now I've been get me from Durban, Africa.

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Speaker 1: Now that's so real ship and we won't like you

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Speaker 1: know that just happened a lot that getting away of

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Speaker 1: the being it though, because if it makes sense for

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Speaker 1: me to do it with being with the nigga out

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Speaker 1: been a bit ship even outside of the business though,

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Speaker 1: what if it's something the fans want the fans, Okay,

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Speaker 1: if it do business the fans, I'm saying, fuck him

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Speaker 1: when it comes down to the fat the fans. When

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Speaker 1: it comes down to Hill, I wanted to see thank

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Speaker 1: do a song with Whoop Whoop. You're gonna do it

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Speaker 1: for the fans, know what the fan I mean? I

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Speaker 1: mean we had at him because not whole show to me, No,

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Speaker 1: not him. I'll get what you're saying, but see the

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Speaker 1: fans don't know that. Hey, well they don't tell them. Yeah,

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Speaker 1: we gotta go on go on a live rent. This

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Speaker 1: is the reason why I did a song with Brooke.

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Speaker 1: I won't I've been reached out to him. What if

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Speaker 1: he declined the song because the song wasn't good. That's

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Speaker 1: what I was saying too, though it's like that could

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Speaker 1: happen with two established people. Though that happened all the

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Speaker 1: time to established people or whatever, like if the song

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Speaker 1: isn't good. She was saying, the cold showed you. Basically, bro,

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Speaker 1: I don't even want to hear what you're talking about. Man,

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Speaker 1: I don't want hear the song. And then I don't

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Speaker 1: know that about know you about showing you. I feel

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Speaker 1: like you never let nothing get in the way of

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Speaker 1: the business. But it takes a lot of humility too,

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Speaker 1: because we all probably have been there in some type

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Speaker 1: of situation a lot up there, as Aristotle was saying,

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Speaker 1: that you look it down a little bit, like do

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Speaker 1: you lift them up? Do you let him fall? And

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Speaker 1: what what do you do? In all my heart too good?

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Speaker 1: I don't. I don't did it a lot of times?

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Speaker 1: Yeah you can't, you can't. It depends on the situation,

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Speaker 1: depending on the mood you in it, depending you never know,

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Speaker 1: you never know how you feeling that day, Like okay,

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Speaker 1: now you did still, come on, I'm gonna do it.

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Speaker 1: In a way. You're probably be blessed for that. It's

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Speaker 1: just all depending on how you're feeling that day. Yeah yeah,

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Speaker 1: me personal yeah yeah yeah. I'm just saying because I

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Speaker 1: think that that causes a lot of amongst just rappers.

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Speaker 1: Let's not just say a line. I think that causes

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Speaker 1: a lot of like weird energy intention amongst the rappers.

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Speaker 1: You know what I'm saying, Like they got that you

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Speaker 1: want fucking with me when I was coming up down

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Speaker 1: that nigger type of energy with them, and it happens.

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Speaker 1: It's a cycle. But see that ship. It turns you

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Speaker 1: into it into like an angry bird, and it sucks

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Speaker 1: up your whole energy, and then it destroys your relationship

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Speaker 1: with other people because they look at you like the

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Speaker 1: mad rapper, the mad rapper. Okay, are you just handling business?

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Speaker 1: Are you the mad rapper? Are you just handling your business?

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Speaker 1: Not if you're sucking in your feelings and't complaining about

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Speaker 1: everything just because somebody did you wrong, now you're mad

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Speaker 1: at the world. I think every artist though, right, I

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Speaker 1: think every artist is in their feelings about something. I

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Speaker 1: ain't even talking about the rappers. I'm talking about this

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Speaker 1: artists period. Said the man, what do you say. No,

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Speaker 1: I'm just saying I'm not even I'm not really saying like,

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Speaker 1: you know, come on, man, screen dot don't do that, like,

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Speaker 1: don't when women and their feelings. Now, I ain't gonna

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Speaker 1: debate with that. You're supposed to be your feelings. But artists,

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Speaker 1: a lot of artists being their feelings about stuff that simple. Yeah,

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Speaker 1: Now they're thinking anything and every little thing could be

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Speaker 1: a part of They sussist, like this ship could hold

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Speaker 1: me back what you know? Yeah, you know what I'm saying.

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Speaker 1: So you got your passion. You're passionate about this ship.

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Speaker 1: So it's like you isn't need to stop in my flow. Yeah,

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Speaker 1: we're trying to. Or they'll look at it as because

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Speaker 1: you don't want to do the feature you just jealous

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Speaker 1: of them, or you ain't you know, you slick hating

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Speaker 1: on them. You know what though, sometimes that's not you're

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Speaker 1: not Yeah, sometimes that not due to feature ship, is

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Speaker 1: because I'm not saying in every situation, them niggas know

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Speaker 1: like them niggas know that that's that next nigger. Now

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Speaker 1: I think that's some bullshit. If you know that this

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Speaker 1: is the next nigga, and you know where he's going

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Speaker 1: and you hold your nuts. So I think that's some

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Speaker 1: bullshit me personally, some people do it because they don't

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Speaker 1: want other people to go above them, and then you

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Speaker 1: may take their spot and then it's like you're stopping

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Speaker 1: money from going in their family farms. That's the way

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Speaker 1: to look at it. Yeah, that's how a lot of

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Speaker 1: people look at They look out for self selfishness. So

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Speaker 1: in in somewhat of a summary, can you and it

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Speaker 1: ain't even got to just be wrap ship, It can

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Speaker 1: even be in life because you can apply this ship

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Speaker 1: to life too. Can you? If you were going this

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Speaker 1: way up mm hmm and somebody didn't show you the

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Speaker 1: proper respect, let's just say respect. We don't gotta say love,

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Speaker 1: but proper respect or try to help you out when

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Speaker 1: they could have lend lending a helping hand. And now

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Speaker 1: you get on the higher trajectory. Can you funk with them?

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Speaker 1: It just all depends, yeah, depend It depends on the

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Speaker 1: business the business made sense, What if it ain't, What

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Speaker 1: if it ain't even business on what if it's just life.

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Speaker 1: It depends on the person. Like you can't just say

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Speaker 1: because so so somebody. Let's say, somebody say that again,

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Speaker 1: Sancha says, no, I couldn't period. Wow, it's my tolerance

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Speaker 1: for people, Like if you ain't funt with me, then

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Speaker 1: what ult with me? Now? But but I had that,

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Speaker 1: but I had to learn the time, like you know

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Speaker 1: what I'm saying, wasn't the right time for them. It

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Speaker 1: was the right time for you, but it wasn't the

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Speaker 1: right time for them. I had. So you pick him

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Speaker 1: what's good for me? No? Uh, if it wasn't good

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Speaker 1: for you, then it's not gonna be good for you.

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Speaker 1: Now you can't say what's good like huh. Yeah, I

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Speaker 1: used to be like that, but I had to. I

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Speaker 1: just kind of had to. I feel like that's some bullshit,

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Speaker 1: but I don't. But I had to learn in order

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Speaker 1: to be able to in order to be able to

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Speaker 1: make it in the industry that I'm in in, in

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Speaker 1: the field that i'm in, I have to I don't

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Speaker 1: want to say make except some exceptions to a certain extent,

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Speaker 1: But I can't. I can't just be like how I

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Speaker 1: want to be and be like you got one time

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Speaker 1: with me and you forever, Like you see what I'm saying.

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Speaker 1: I'm just trying to and this for everybody, like So

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Speaker 1: is that considered if you can't funk with him once

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Speaker 1: you you up there? Is that considered? What's the word

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Speaker 1: is it? Is it petty? Protective? What's the word not? Hey,

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Speaker 1: I don't think it's warranted. It's warranted, all right, you

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Speaker 1: think it's petty? No, I don't think it's so to

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Speaker 1: see the difference for me, Like what Jade is saying

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Speaker 1: is like if you meet someone and y'all rub each

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Speaker 1: other wrong, and it may just be the time, but

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Speaker 1: there's somebody curb you, it's fuck you if you curb me.

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Speaker 1: Curve is the perfect word that I've been looking for

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Speaker 1: this whole episode. What does somebody curve you on the

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Speaker 1: way up? Yeah, curving is disrespectful. Curving is disrespectful because

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Speaker 1: you're intentionally playing me off to the left, knowing that

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Speaker 1: you have no intention of even fucking trying to either

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Speaker 1: do or not do what the funk I'm asking you

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Speaker 1: to do. So Yeah, that that the Curve ship is

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Speaker 1: like the ship that gets people like slapped out. Like

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Speaker 1: for real, Jay, you don't curb somebody before, not intentionally. No,

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Speaker 1: ain't very curse somebody. I'll carveing somebody, but I'm not

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Speaker 1: I haven't curbed somebody about that there was their dream,

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Speaker 1: like I haven't. I haven't carved somebody to crush them.

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Speaker 1: I've carved people that fucking didn't make sense at the time.

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Speaker 1: If that makes sense, Okay, rapper sends let's let's keep

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Speaker 1: it basic. Rapper sends song to your phone. You know,

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Speaker 1: but you don't know like that or your d M. Right.

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Speaker 1: You see it, you look at it. You don't listen

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Speaker 1: to it because you just might not have time to

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Speaker 1: listen to it. Isn't that curving though, because you know

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Speaker 1: it's there and curving. You see it, you acknowledge that

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Speaker 1: you know who this person is. You shut their hand

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Speaker 1: or some ship game my pound, you don't. If I

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Speaker 1: see it, I don't look at it. I don't listen

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Speaker 1: to it. But I talked back to the nigga and

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Speaker 1: tell him that, Okay, your ship is hard, but I'm

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Speaker 1: I can't funk with it right now, or like no, no,

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Speaker 1: no, no no, that carving is fucking me. Carving is the

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Speaker 1: nigga sent to me his song I'm telling of my mother.

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Speaker 1: Listen to it and then he calls me forever in

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Speaker 1: a million days, And I never nswered the phone ever.

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Speaker 1: Again after that. So curbing is making a promise, and

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Speaker 1: I'm standing on your promise basically, not necessarily because you

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Speaker 1: don't even have to be in a position to have

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Speaker 1: promised anything to curb somebody disrespectfully. You could curb somebody

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Speaker 1: with a simple what's up, Like if I see you

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Speaker 1: out thing, what he's saying is curbing too. If niggas

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Speaker 1: seen you a guy, damn your friend sing you a

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Speaker 1: baby shower ship and you just look at it and

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Speaker 1: don't go to it. Fun, I can't come. You just

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Speaker 1: curbed it. No response and no nothing right, no responses

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Speaker 1: right right, right, you leave, they're gonna sing. And he said, hey, bank,

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Speaker 1: I want to book you for a file the chi chick.

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Speaker 1: I know I ain't going to that ship. I'm not

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Speaker 1: gonna look at it. I'm not. I've just seen it.

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Speaker 1: Well fuck you, that's a curb. That's a curb. So,

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Speaker 1: but it's a curve. Always disrespectful or is it warranted?

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Speaker 1: What I'm saying at the end of the day, if

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Speaker 1: you look at it's all about perception because to him,

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Speaker 1: it's not going to be a her because well, I'm

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Speaker 1: too big, and I know I'm big, and like you're tripping.

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Speaker 1: But the nigga on the other the promoter nigg on

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Speaker 1: the other hand, is honestly looking at it like he's

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Speaker 1: reaching out to possibly put a play together. That's what

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Speaker 1: I'm saying. So you sometimes make your curb. Yeah, it's warranted.

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Speaker 1: The force curve all going back and circles saying the

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Speaker 1: same nigga seen you a song like you just sit

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Speaker 1: there and said you've been seeing it for every day

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Speaker 1: round and you sent it to him. You don't give

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Speaker 1: him no report, you don't listen to it, you know nothing.

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Speaker 1: You just cured that man. He probably gonna look at

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Speaker 1: it like taking the heart. Like she didn't say ship,

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Speaker 1: she didn't do nothing. She needs who and then she

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Speaker 1: see me again, she's trying to what's up again? He's

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Speaker 1: taking that ship the herd because you got the same

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Speaker 1: person with him getting that. I'm not gonna what's up?

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Speaker 1: You're not knowing? You curtain how you if you're but

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Speaker 1: the same person, the same person that sent that song.

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Speaker 1: He's had a nigga that wraps nigga rapper. You want

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Speaker 1: your rap friends. You know this raps might not be

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00:16:07,400 --> 00:16:09,280
Speaker 1: like tight with him. But just because I know the

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Speaker 1: nigga wraps, he's my friend. No, you might see him

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Speaker 1: in crucial. You know what's up? J? What's up? Woo woop,

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Speaker 1: that's what's up? Jas? What's up? You would take a

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Speaker 1: picture with the nigga he said, J. Let's catch this

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Speaker 1: fire pictures with anybody to ask me. There you go.

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Speaker 1: So you're being copper cold with every day that raps,

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Speaker 1: But he don't be. He's a regular nigga that rap

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Speaker 1: be around Foe l or Slim or whoever, but he's

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Speaker 1: not the main top artist. It's a nigga that you

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Speaker 1: fought with every day. Hey J, Hey such and such?

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Speaker 1: Hey who he's singing a song. You don'na listen to it.

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Speaker 1: You curbed him because you see him tomorrow. You're still

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Speaker 1: be like, what's up by your t J? Wrap? T J?

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Speaker 1: We just put t J rapp and sent you a song.

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Speaker 1: I'm not listening to t J something, but still your friend.

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Speaker 1: You still just curve t J. How you don't get that?

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Speaker 1: That don't make sense? Yeah, plenty of times when niggas

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Speaker 1: inside the club trying to get in touch with Jay

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Speaker 1: Light Swamp just said he was up here. I was

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Speaker 1: talking Swamp and curving ain't always the end of the world,

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Speaker 1: That's all I'm saying. Yeah, swamping if you inside the

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Speaker 1: club and you really ain't got no juice that night,

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Speaker 1: but everybody think Jay got juice, but he trip not that.

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Speaker 1: I can't even been busy. Even if you want busy,

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Speaker 1: still gonna take it as ain't going because I'm really

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Speaker 1: am busy, but I ain't going like what you just

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Speaker 1: did him. You didn't pick on to say, bro, I'm

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Speaker 1: busy right now, but I gotta go and you do

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00:17:39,000 --> 00:17:42,960
Speaker 1: nothing it what fun you? Basically, he finally fighting way

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Speaker 1: getting Oh, I ain't no brother, what that curb curb

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Speaker 1: and listen curb curving. Ain't people people get everybody? Yeah, everybody.

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Speaker 1: Everybody in this room has sent a curvable message. Sometimes

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00:18:02,840 --> 00:18:05,480
Speaker 1: I'm sending that message and I know, but sometimes A

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00:18:05,960 --> 00:18:08,159
Speaker 1: probably gonna curb me because this is not send me

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Speaker 1: like she can send. She can send to the group

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00:18:11,359 --> 00:18:14,639
Speaker 1: what y'all think about Bubba fuck for a big fact,

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Speaker 1: I'm not even fuck him. I don't know you know

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Speaker 1: that mean no, basically or ain't nobody spawling back to this?

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Speaker 1: I can send what y'all think about? Goddamn Jes said Jackson,

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Speaker 1: y'all gonna be like, but doesn't mean we're not friends.

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00:18:29,200 --> 00:18:32,240
Speaker 1: Kurman shouldn't be the en and let me just speak.

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00:18:32,320 --> 00:18:38,399
Speaker 1: Let me just speak from from that perspective. Oftentimes curvers

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00:18:38,520 --> 00:18:41,840
Speaker 1: are not malicious, They just don't have the heart to

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Speaker 1: tell the truth. Okay, So how you and O g

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Speaker 1: Chantageoucy and said if a motherfucker courage you, then how

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00:18:49,960 --> 00:18:51,520
Speaker 1: you know that? You know what I'm saying, I can't

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Speaker 1: never fun I went time for me to do this. Yeah,

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Speaker 1: I just don't know. I want to hurt your feeling,

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Speaker 1: be like black hell fry. I'd rather just not say nothing,

355
00:19:01,840 --> 00:19:03,760
Speaker 1: not saying that. Still trying to be cordial when I

356
00:19:03,800 --> 00:19:06,840
Speaker 1: see you. But but what we're saying is you can't

357
00:19:06,880 --> 00:19:10,680
Speaker 1: come back and be with your time and be like, oh,

358
00:19:10,720 --> 00:19:12,880
Speaker 1: I've been trying to funk with you know that? Having

359
00:19:14,080 --> 00:19:16,320
Speaker 1: Yeah you can't because I watch you, but I won't

360
00:19:16,320 --> 00:19:18,280
Speaker 1: know you to get the point the funk with you

361
00:19:19,280 --> 00:19:22,520
Speaker 1: continue to keep watching and suck my dick. But you

362
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Speaker 1: might say, but I might come with the bag and

363
00:19:24,680 --> 00:19:27,520
Speaker 1: ready to pay. You don't say business, not the feeling,

364
00:19:27,560 --> 00:19:30,480
Speaker 1: the business business. You know what I was saying. We're

365
00:19:30,520 --> 00:19:32,439
Speaker 1: seeing what you if you were gonna be this, you this,

366
00:19:32,520 --> 00:19:34,199
Speaker 1: I got a hunt a thousand for a verse. I

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00:19:34,240 --> 00:19:37,280
Speaker 1: accept your apology because you were wrong. Now give me

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Speaker 1: the money. That's what I'm saying. Can't you do business

369
00:19:39,840 --> 00:19:46,680
Speaker 1: business with them after the apology? That's the prology. Yeah,

370
00:19:46,720 --> 00:19:50,800
Speaker 1: the apology is there. I hadn't send you a huney,

371
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Speaker 1: you ain't sent me a hunted that's the wire. That's

372
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Speaker 1: the apology. We're not saying. You got to be buddy,

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Speaker 1: buddy and have your arm around him and be seen

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Speaker 1: with him in really funk with them. Can you handle

375
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Speaker 1: the business if it may be in the sense I

376
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Speaker 1: can do it? Do you know how many people on

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Speaker 1: let's just say Drake is number one at the top.

378
00:20:19,240 --> 00:20:21,439
Speaker 1: Do you know how many people curved him on his

379
00:20:21,480 --> 00:20:25,280
Speaker 1: way up? Everybody problem and he probably don't made money

380
00:20:25,320 --> 00:20:27,600
Speaker 1: with and or got money from a lot of them people,

381
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Speaker 1: a lot of them, And he had an extenuating starting

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Speaker 1: him stand though for white people carved him because he's

383
00:20:34,720 --> 00:20:42,320
Speaker 1: in Canada. He was a rad nigga. Oh goodness nah.

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Speaker 1: But at the end of the day, it's like he

385
00:20:45,880 --> 00:20:48,040
Speaker 1: put himself on the top of the game. He did

386
00:20:48,160 --> 00:20:54,399
Speaker 1: by taking it into the certified lover boy. He said

387
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Speaker 1: in the interview, basically, even all that ship on the

388
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Speaker 1: way up, he'll let all ship thought, basically to have

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00:21:01,119 --> 00:21:03,560
Speaker 1: his heart be pure. But there's one or two people

390
00:21:03,600 --> 00:21:05,680
Speaker 1: he ain't gonna sun with it. But they can't with it,

391
00:21:05,720 --> 00:21:08,240
Speaker 1: though they probably did something else. Yeah, but he knowing, like,

392
00:21:08,320 --> 00:21:11,320
Speaker 1: but because I have been in a position knowing like

393
00:21:11,920 --> 00:21:15,000
Speaker 1: niggas ain't know I'm gonna be this. So I only

394
00:21:15,040 --> 00:21:17,040
Speaker 1: spared for you to see what I see in me

395
00:21:17,600 --> 00:21:19,720
Speaker 1: up front. Okay, cool? If I call I, let you

396
00:21:19,840 --> 00:21:21,320
Speaker 1: be like, bro, I want to do a song. Bro,

397
00:21:21,960 --> 00:21:23,959
Speaker 1: And he said, what you ain't never did this? But

398
00:21:24,080 --> 00:21:26,520
Speaker 1: like he'd be like, or I see he acting like

399
00:21:26,560 --> 00:21:28,040
Speaker 1: he don't want to do that. You gotta think about

400
00:21:28,040 --> 00:21:30,199
Speaker 1: this screen. That's just like, let's make this a prime example.

401
00:21:30,240 --> 00:21:33,280
Speaker 1: We reach out to Baqua to come to Big Fact

402
00:21:34,440 --> 00:21:37,400
Speaker 1: and then y'all be like, he acting like he don't

403
00:21:37,440 --> 00:21:40,760
Speaker 1: want to do it. That's occur right, acting like I

404
00:21:40,800 --> 00:21:42,520
Speaker 1: don't want to do it. But if he called, they

405
00:21:42,600 --> 00:21:44,240
Speaker 1: want to do it. Six months from there, they want

406
00:21:44,240 --> 00:21:45,720
Speaker 1: to do it. We still don't let him do it.

407
00:21:45,680 --> 00:21:48,720
Speaker 1: The businesses, right, we've had that happen. That's what I'm saying.

408
00:21:51,680 --> 00:21:56,240
Speaker 1: It is. Yeah, a lot of people one through ten

409
00:21:56,640 --> 00:22:00,560
Speaker 1: that one with us sat right there. That's what I'm

410
00:22:00,560 --> 00:22:02,159
Speaker 1: trying to tell you. So and I don't feel no

411
00:22:02,160 --> 00:22:05,160
Speaker 1: way about it me neither period. I didn't feel aware

412
00:22:05,160 --> 00:22:07,200
Speaker 1: about it when it was when when when when we

413
00:22:07,200 --> 00:22:09,840
Speaker 1: was trying to get when we was reaching out or whatever,

414
00:22:10,160 --> 00:22:12,200
Speaker 1: because we really ain't reached out. But I'm just saying,

415
00:22:12,240 --> 00:22:14,720
Speaker 1: you know, like you can tell like we got this

416
00:22:14,840 --> 00:22:17,520
Speaker 1: going on, we got big fats going on, is doing interviews,

417
00:22:18,520 --> 00:22:20,000
Speaker 1: you know, so it don't feel like, why do you

418
00:22:20,040 --> 00:22:23,160
Speaker 1: need ain't been a big fact. So when this ship

419
00:22:23,480 --> 00:22:26,240
Speaker 1: started going up and doing whatever you're doing now, everybody,

420
00:22:26,480 --> 00:22:28,040
Speaker 1: now you reaching out, it'd be like, oh, now he

421
00:22:28,119 --> 00:22:31,120
Speaker 1: reaching out. You get what I'm saying. But I can't

422
00:22:31,160 --> 00:22:34,680
Speaker 1: feel like I can't feel like and he supposed to

423
00:22:34,680 --> 00:22:38,159
Speaker 1: have been on God them episode one. No, let this

424
00:22:38,200 --> 00:22:40,000
Speaker 1: ship see what they're gonna do and then okay, yeah

425
00:22:40,119 --> 00:22:44,080
Speaker 1: this ship deserved my presence. Now I'm just saying, I

426
00:22:44,119 --> 00:22:46,159
Speaker 1: think we gotta respect it both way though, that's all

427
00:22:46,240 --> 00:22:48,880
Speaker 1: I'm saying. I can't agree with that, But what about

428
00:22:48,880 --> 00:22:50,439
Speaker 1: I'm gonna let me just throw something else out there

429
00:22:50,440 --> 00:22:54,200
Speaker 1: and it's real. So what about because we're talking about

430
00:22:54,720 --> 00:22:56,760
Speaker 1: kind of like what we're saying, it's kind of like

431
00:22:56,800 --> 00:22:58,840
Speaker 1: a rapper and a producer, you see what I'm saying,

432
00:22:58,840 --> 00:23:00,720
Speaker 1: Like a rapper trying to get a B vice versa

433
00:23:00,760 --> 00:23:03,280
Speaker 1: and it don't work out. But what about when it's

434
00:23:03,280 --> 00:23:06,280
Speaker 1: a rapper not a rapper? What about us and other podcasts?

435
00:23:06,400 --> 00:23:10,199
Speaker 1: Motherfucker's that was acting funny when we started our podcast,

436
00:23:10,680 --> 00:23:14,400
Speaker 1: but now be acting cool? Should we know? Nobody who

437
00:23:14,440 --> 00:23:18,159
Speaker 1: had no podcast? We had one? You knew some media personalities,

438
00:23:18,480 --> 00:23:22,040
Speaker 1: Oh used my radio nigga ship like that, media personalities, media,

439
00:23:22,160 --> 00:23:25,960
Speaker 1: you jumped in media. I understand what you're saying, but

440
00:23:26,040 --> 00:23:29,080
Speaker 1: you know there were some people acting funny. Who I'm

441
00:23:29,119 --> 00:23:32,080
Speaker 1: just asking? Maybe not. We can't really call names, but

442
00:23:32,160 --> 00:23:35,960
Speaker 1: I'm I'm aware, Okay, I see they're faking it with me.

443
00:23:38,040 --> 00:23:41,800
Speaker 1: Ain't saying because I don't. I feel like we put

444
00:23:41,800 --> 00:23:44,959
Speaker 1: ourselves in a space with nobody else. Ain't that true? Indeed,

445
00:23:45,000 --> 00:23:46,440
Speaker 1: no matter if we do the same thing or not,

446
00:23:46,560 --> 00:23:49,560
Speaker 1: we're putting up. We got out on space this screen

447
00:23:49,600 --> 00:23:51,960
Speaker 1: blank and Jay ship. We got our ship. But it

448
00:23:52,119 --> 00:23:54,000
Speaker 1: was in the beginning. It was a lot of nut holding.

449
00:23:54,680 --> 00:23:56,879
Speaker 1: That's what anything you're doing. We came outside with a

450
00:23:56,880 --> 00:23:58,240
Speaker 1: barrel of pizza, say it was in the peza and

451
00:23:58,359 --> 00:23:59,840
Speaker 1: will be like, I'm gonna be wrong by the end

452
00:23:59,840 --> 00:24:02,920
Speaker 1: of the It's not that s hate on. Whatever you do,

453
00:24:03,640 --> 00:24:07,879
Speaker 1: they go in and inspiration. So can you fought with

454
00:24:07,920 --> 00:24:11,080
Speaker 1: a female that you always wanted but she never fought

455
00:24:11,080 --> 00:24:12,960
Speaker 1: with your name? When you got right, you can fun

456
00:24:13,040 --> 00:24:14,840
Speaker 1: with it. You feel like you said, that's a whole

457
00:24:14,920 --> 00:24:21,480
Speaker 1: different situation. That's definitely it's not. That's because it's not busy.

458
00:24:21,680 --> 00:24:28,240
Speaker 1: It's not business. That's personal. That ain't business because warns feelings. Yeah,

459
00:24:28,240 --> 00:24:31,840
Speaker 1: it's personal, yea, so fuck you. But what I'm saying,

460
00:24:32,440 --> 00:24:38,840
Speaker 1: that's yeah, person some guy in the relationship. It's not

461
00:24:38,920 --> 00:24:41,920
Speaker 1: really business, but it becomes business because you started playing

462
00:24:41,920 --> 00:24:45,800
Speaker 1: a mortgage as you start paying all of this if

463
00:24:45,840 --> 00:24:48,960
Speaker 1: you do marry her or whatever. So when you was

464
00:24:49,080 --> 00:24:52,560
Speaker 1: little the p on, she didn't want you, but now

465
00:24:52,680 --> 00:24:55,840
Speaker 1: you come up and she wants you. You gonna have

466
00:24:56,200 --> 00:25:04,639
Speaker 1: You're gonna allow that. Keep saying saying what I'm saying,

467
00:25:04,760 --> 00:25:06,840
Speaker 1: can't have me? If you can say things you had

468
00:25:06,840 --> 00:25:10,760
Speaker 1: a crush on the female, Yeah, coming up. You know

469
00:25:10,840 --> 00:25:13,040
Speaker 1: you want on her level, you know you want, and

470
00:25:13,080 --> 00:25:18,760
Speaker 1: you're like, I gotta go get my shot to funk.

471
00:25:18,840 --> 00:25:23,120
Speaker 1: Don't even bitch, but I'm never know I won't up. Yeah, y'all,

472
00:25:23,160 --> 00:25:25,520
Speaker 1: I'm supposed to. Come on, You're gonna you're gonna get,

473
00:25:26,160 --> 00:25:29,239
Speaker 1: You're gonna get. You're gonna get your show together for

474
00:25:29,280 --> 00:25:32,239
Speaker 1: this bitch and not for yourself. But you know what

475
00:25:32,280 --> 00:25:35,280
Speaker 1: happened though, real ship, That's that's what you see with

476
00:25:35,320 --> 00:25:37,200
Speaker 1: a lot of That's why they like, that's what you

477
00:25:37,240 --> 00:25:39,159
Speaker 1: see with a lot of athletes and a lot of rappers,

478
00:25:39,200 --> 00:25:41,000
Speaker 1: and they go get bitches that will never funk with

479
00:25:41,000 --> 00:25:44,040
Speaker 1: them when they want ship. That's why people be wanting,

480
00:25:44,080 --> 00:25:48,000
Speaker 1: and that's why they get fucking with child support for

481
00:25:48,040 --> 00:25:53,520
Speaker 1: two hundred million dollars a month. That's real. So for

482
00:25:53,560 --> 00:25:57,080
Speaker 1: me personally, fuck you, But that's not business yet they

483
00:25:57,119 --> 00:25:59,440
Speaker 1: don't start this business. Keep your hard at three stacks.

484
00:25:59,480 --> 00:26:02,359
Speaker 1: But a wrap, some wrap, some wrap, some music is

485
00:26:02,520 --> 00:26:08,040
Speaker 1: always business. But could you fuck that's the same thing

486
00:26:08,119 --> 00:26:09,800
Speaker 1: as a song. That's what I'm trying to get you

487
00:26:09,800 --> 00:26:12,600
Speaker 1: at the see like I couldn't be whenever I ain't

488
00:26:12,640 --> 00:26:14,480
Speaker 1: gonna say being a relationship because ain't Bena be in

489
00:26:14,480 --> 00:26:16,720
Speaker 1: a relationship. No, hope you need all that I'm saying,

490
00:26:16,720 --> 00:26:18,920
Speaker 1: I'm did all this all the year trying. I want

491
00:26:18,920 --> 00:26:23,080
Speaker 1: to funk this whole. Man. I like her, so now

492
00:26:23,280 --> 00:26:26,040
Speaker 1: it's a funk. It's a freak hill. You get what

493
00:26:26,080 --> 00:26:29,320
Speaker 1: I'm saying. Yeah, I got I'm trying to funk with

494
00:26:29,359 --> 00:26:32,880
Speaker 1: this whole for all this time. She didn't. She didn't

495
00:26:32,880 --> 00:26:35,639
Speaker 1: funk with me. Now she see me popping. But I

496
00:26:35,680 --> 00:26:38,520
Speaker 1: still want to funk this hold with her. But just

497
00:26:38,960 --> 00:26:43,000
Speaker 1: go Hi on your bucket list, you know. I'm just saying, like,

498
00:26:43,040 --> 00:26:46,159
Speaker 1: could you do that? Though? Like you wanna be on

499
00:26:46,200 --> 00:26:48,879
Speaker 1: my dick? Now I got them straight. No, I wanted

500
00:26:48,920 --> 00:26:51,840
Speaker 1: to fuck you, bitch, you no't matter where you come

501
00:26:51,840 --> 00:27:01,879
Speaker 1: on end that. I don't know what that's a good point.

502
00:27:01,960 --> 00:27:04,800
Speaker 1: That is true. Not want to fuck you no more

503
00:27:04,960 --> 00:27:06,760
Speaker 1: like I still want to see what that ship like.

504
00:27:08,600 --> 00:27:11,320
Speaker 1: But Jamie Cooke, you chased me a little bit. No, Yeah,

505
00:27:12,000 --> 00:27:13,600
Speaker 1: I'm gonna let you know you on my dick, don'

506
00:27:13,600 --> 00:27:15,439
Speaker 1: I'm gonna show you all the ship you could you

507
00:27:15,480 --> 00:27:18,399
Speaker 1: could have had if you came on the and then no,

508
00:27:18,640 --> 00:27:24,000
Speaker 1: I probably did. I probably let you come on, but

509
00:27:24,000 --> 00:27:27,639
Speaker 1: but but but okay with no condom, gag with no

510
00:27:27,760 --> 00:27:30,360
Speaker 1: condom ganging here? If you got them, make one. Now

511
00:27:30,400 --> 00:27:35,719
Speaker 1: you're stuck with her condom. We had the condom conversation

512
00:27:35,920 --> 00:27:41,399
Speaker 1: that episode. I'm saying, if if, if I've been watching

513
00:27:41,400 --> 00:27:45,320
Speaker 1: this whole I'm seven teen years old, twining, I've been

514
00:27:45,320 --> 00:27:47,880
Speaker 1: watching armor like they don't only hit them. She never

515
00:27:47,920 --> 00:27:49,840
Speaker 1: did funck me. She was fucking with such and such

516
00:27:50,680 --> 00:27:53,080
Speaker 1: every time I'm seeing I'm shooting my shot at Now

517
00:27:53,119 --> 00:27:55,960
Speaker 1: I'm twenty five, she got them twenty eight. I see

518
00:27:56,000 --> 00:27:58,720
Speaker 1: the bitch. I'm on top of my game. Hey, and

519
00:27:58,840 --> 00:28:00,639
Speaker 1: she smiley John, like, do you know what it is?

520
00:28:01,240 --> 00:28:05,919
Speaker 1: Still gonna take it down? Take down? Okay? If I'm if,

521
00:28:05,960 --> 00:28:09,239
Speaker 1: I'm twenty years old and a rapper, twenty five year

522
00:28:09,240 --> 00:28:10,920
Speaker 1: old rapper, my idol. I've been trying to fund with

523
00:28:10,960 --> 00:28:13,119
Speaker 1: this nig the whole time. Then I come up, I

524
00:28:13,160 --> 00:28:16,320
Speaker 1: get the halfway on this level and he see that

525
00:28:16,440 --> 00:28:18,240
Speaker 1: my ship going up. I still want to fun I

526
00:28:18,280 --> 00:28:20,760
Speaker 1: still want the first from this nigga. You still want

527
00:28:20,760 --> 00:28:23,479
Speaker 1: to verse with him even after you surpassed him. If

528
00:28:23,520 --> 00:28:26,720
Speaker 1: I surpassed him, like all the ways pass and if

529
00:28:26,760 --> 00:28:31,320
Speaker 1: I was a fan the nigga I'm gonna still do it.

530
00:28:32,119 --> 00:28:35,080
Speaker 1: That makes sense, that's almost. But the thing that you,

531
00:28:35,200 --> 00:28:37,200
Speaker 1: that's what I'm saying. You you meet Toopac, be like

532
00:28:37,240 --> 00:28:40,240
Speaker 1: brom biggest fan, who Bro, I want to funk with you, Bro,

533
00:28:41,040 --> 00:28:42,760
Speaker 1: I want to get on a song with you. He'd

534
00:28:42,760 --> 00:28:46,120
Speaker 1: be like, hell, no, you ain't ready. M hm. Ten

535
00:28:46,200 --> 00:28:48,120
Speaker 1: years later, I see two packs. I still feel like

536
00:28:48,160 --> 00:28:53,440
Speaker 1: I want to this nig on the song leaves like

537
00:28:53,520 --> 00:28:56,880
Speaker 1: I'm already. But if you but if you're a turn

538
00:28:56,920 --> 00:29:01,160
Speaker 1: you're still my My boy was like Towers on Moreland

539
00:29:01,200 --> 00:29:04,200
Speaker 1: taking out the trash and ship. You know what I'm saying, Yeah,

540
00:29:04,280 --> 00:29:08,880
Speaker 1: I get it, but that happened to that female too.

541
00:29:08,960 --> 00:29:11,440
Speaker 1: She could fall off and then you won't want Yeah,

542
00:29:11,640 --> 00:29:14,560
Speaker 1: but I'm saying she's still the same bit still the same,

543
00:29:14,760 --> 00:29:16,840
Speaker 1: But she didn't fell off. No, she don't feel out.

544
00:29:16,960 --> 00:29:19,560
Speaker 1: You know you're gonna be be turned off because she's

545
00:29:19,600 --> 00:29:22,520
Speaker 1: still the same woman Like this what this ship still

546
00:29:23,040 --> 00:29:26,320
Speaker 1: look like what I wanted been won almost still want

547
00:29:28,560 --> 00:29:33,520
Speaker 1: me being real, don't know, I ain't saying I can

548
00:29:33,520 --> 00:29:37,080
Speaker 1: got them be loyal to you or hair you in

549
00:29:37,120 --> 00:29:39,840
Speaker 1: my corner like a backbone, because I already knew that

550
00:29:40,160 --> 00:29:41,720
Speaker 1: this ship about the back of you didn't want me

551
00:29:41,760 --> 00:29:44,720
Speaker 1: when I was a dirt ball, so ship when I

552
00:29:44,760 --> 00:29:46,640
Speaker 1: was dirt bad. But I ain't gonna stop myself again.

553
00:29:46,640 --> 00:29:51,520
Speaker 1: What I won't beach because how you felt taking this

554
00:29:51,600 --> 00:29:56,040
Speaker 1: dick with regret like you could have had all of me.

555
00:29:56,120 --> 00:29:58,440
Speaker 1: But now you just get like like I don't know

556
00:29:58,480 --> 00:30:00,120
Speaker 1: that she probably don't make no sense. But if i'll

557
00:30:00,200 --> 00:30:02,920
Speaker 1: make all the sense of the world, I ain't been

558
00:30:02,960 --> 00:30:06,080
Speaker 1: stopped doing basically what I made that point to say.

559
00:30:06,240 --> 00:30:07,920
Speaker 1: If it may be an the sent with the nigga

560
00:30:07,920 --> 00:30:10,880
Speaker 1: who curred me in the beginning, and we still like

561
00:30:11,000 --> 00:30:14,920
Speaker 1: ship like like the Guchen and Jesus, and ship made

562
00:30:14,920 --> 00:30:17,120
Speaker 1: sense for him. Need to do that God, damn Versus

563
00:30:17,200 --> 00:30:20,920
Speaker 1: or whatever like you think you think back on the

564
00:30:20,920 --> 00:30:22,920
Speaker 1: all I was saying, well, we were saying the beginning,

565
00:30:22,920 --> 00:30:25,400
Speaker 1: but it makes sense now like y'all need grown it

566
00:30:25,440 --> 00:30:27,400
Speaker 1: fun man older here, I don't ain't been doing that

567
00:30:27,480 --> 00:30:29,920
Speaker 1: each other, but we'll get some money up. And they

568
00:30:30,000 --> 00:30:33,680
Speaker 1: still ain't friends, right hands what I'm saying, But why

569
00:30:33,760 --> 00:30:37,640
Speaker 1: why let the business stop? Yeah, that's the proper way,

570
00:30:37,760 --> 00:30:40,400
Speaker 1: I agree, But it takes if you're on the if

571
00:30:40,400 --> 00:30:46,120
Speaker 1: you're if final words, if you come up to that level,

572
00:30:46,160 --> 00:30:49,240
Speaker 1: when you up there, per se, it does take a

573
00:30:49,240 --> 00:30:52,560
Speaker 1: lot of humility to reach down and pull your brother

574
00:30:52,640 --> 00:30:54,640
Speaker 1: or a sister up. That's all I'm saying. That should

575
00:30:54,680 --> 00:30:57,960
Speaker 1: take a lot of humility after you've had a previous encounters,

576
00:30:58,480 --> 00:31:01,320
Speaker 1: after they didn't put know all the branch. There's gonna

577
00:31:01,400 --> 00:31:03,680
Speaker 1: let you drown. We're good with all the type of nigga.

578
00:31:03,680 --> 00:31:07,560
Speaker 1: I move on this type of ship. Bro. We gotta

579
00:31:07,640 --> 00:31:10,840
Speaker 1: let the world know that you cured me and I

580
00:31:10,920 --> 00:31:16,040
Speaker 1: still have saved your life. I respect that, right, Bro.

581
00:31:16,120 --> 00:31:18,640
Speaker 1: You remember you did some bit ship, but I did

582
00:31:18,640 --> 00:31:22,280
Speaker 1: some real ship. And my turn like, because I still

583
00:31:22,400 --> 00:31:23,720
Speaker 1: funk with you. If I funk with you, if I

584
00:31:23,760 --> 00:31:26,120
Speaker 1: don't funk with you, if if it was a if

585
00:31:26,120 --> 00:31:28,600
Speaker 1: it was a what you call it falling out, that

586
00:31:28,720 --> 00:31:31,120
Speaker 1: that's different. But if it's a ship, I gotta respect.

587
00:31:31,120 --> 00:31:33,520
Speaker 1: I gotta respect it. Because they's plenty niggas in my

588
00:31:33,600 --> 00:31:35,880
Speaker 1: d M on the other side of three thirty niggas

589
00:31:36,440 --> 00:31:39,880
Speaker 1: saying four women og pop. I feel like I'm curving them,

590
00:31:39,920 --> 00:31:41,320
Speaker 1: but I ain't got time to fun with that. I

591
00:31:41,360 --> 00:31:43,520
Speaker 1: don't it ain't know my radar yet because you put

592
00:31:43,560 --> 00:31:46,000
Speaker 1: it on them. But I funked around and see like

593
00:31:46,000 --> 00:31:49,040
Speaker 1: like it's been niggles. They'd be on traps and with

594
00:31:49,280 --> 00:31:52,640
Speaker 1: the little site, dirty gloves and ship. I'd be like, damn,

595
00:31:52,640 --> 00:31:55,479
Speaker 1: theyn't go hard and I clicked and go to miss them.

596
00:31:55,480 --> 00:31:58,920
Speaker 1: They already in my dem I thought the ship on

597
00:31:58,920 --> 00:32:00,680
Speaker 1: my page, I ain't even see you are already trying

598
00:32:00,720 --> 00:32:02,240
Speaker 1: to get me the funk with you. But it just

599
00:32:02,360 --> 00:32:04,560
Speaker 1: hit my radar and I've seen it on some incredible

600
00:32:04,600 --> 00:32:06,200
Speaker 1: ship that made me funk with it. You get what

601
00:32:06,280 --> 00:32:09,040
Speaker 1: I'm saying. You can't take that ship personal to me

602
00:32:09,200 --> 00:32:12,440
Speaker 1: personal now. If I know you, we're friend DJ screen men,

603
00:32:12,480 --> 00:32:14,560
Speaker 1: you weary day DJ scream back in the mid tape day.

604
00:32:14,680 --> 00:32:16,640
Speaker 1: You tell me like, let's get it in. That that's

605
00:32:16,680 --> 00:32:19,000
Speaker 1: real talk, and I got you got me coming to

606
00:32:19,000 --> 00:32:20,560
Speaker 1: the studio. You don't do it, then you just just

607
00:32:20,680 --> 00:32:24,600
Speaker 1: fuck you some bullshit because you're acting like we were

608
00:32:24,600 --> 00:32:26,560
Speaker 1: going to do it. But if I see you and

609
00:32:26,640 --> 00:32:28,800
Speaker 1: be like let's get in, bro, you'd be like you

610
00:32:28,920 --> 00:32:33,479
Speaker 1: tell me straight on, like nah, bro. So you say basically,

611
00:32:33,560 --> 00:32:37,240
Speaker 1: you're saying, there's a productive curve and a malicious curve.

612
00:32:37,960 --> 00:32:40,360
Speaker 1: We've been said that from the beginning, okay, productive a

613
00:32:40,400 --> 00:32:56,560
Speaker 1: malicious curve. He got it figuring it out from the beginning,

614
00:32:56,720 --> 00:32:59,240
Speaker 1: like it's all along. How you're feeling in who it

615
00:32:59,440 --> 00:33:03,640
Speaker 1: was and how you take it and you know, like

616
00:33:03,800 --> 00:33:06,800
Speaker 1: real ship like you can't because it hasn't been plenty

617
00:33:06,800 --> 00:33:10,320
Speaker 1: of time. I don't feel like, nigga, don't funk with me,

618
00:33:11,920 --> 00:33:15,640
Speaker 1: you know what I'm saying. I just don't funk with that.

619
00:33:17,040 --> 00:33:19,520
Speaker 1: The people have nothing to do with you. People have

620
00:33:19,560 --> 00:33:22,200
Speaker 1: a lot going on. That's what I've come to find

621
00:33:22,240 --> 00:33:23,800
Speaker 1: out talking to some of them. They'd be having a

622
00:33:23,840 --> 00:33:27,080
Speaker 1: lot going on. They don't just be Bank didn't do

623
00:33:27,120 --> 00:33:29,240
Speaker 1: my verses and Bank didn't do my verse I'm having

624
00:33:29,280 --> 00:33:36,760
Speaker 1: talked compounded nobody, anybody, anybody that anybody that you've ever

625
00:33:36,840 --> 00:33:39,240
Speaker 1: been especially you know, we we we take this ship

626
00:33:39,280 --> 00:33:40,800
Speaker 1: the whole. I mean, I'm a menuting this is how

627
00:33:40,800 --> 00:33:44,400
Speaker 1: long were we take this ship to like feminine members

628
00:33:44,400 --> 00:33:49,800
Speaker 1: and friends and ship like your familine member friend can

629
00:33:49,840 --> 00:33:52,040
Speaker 1: call it act you for something, right and if you

630
00:33:52,120 --> 00:33:54,960
Speaker 1: curve them, that's what I'm king curve like I'm not

631
00:33:55,080 --> 00:33:58,960
Speaker 1: even responding to it. You know what that means? No, right, okay,

632
00:34:00,040 --> 00:34:05,200
Speaker 1: and I might post men shout take going to that

633
00:34:05,400 --> 00:34:12,200
Speaker 1: damn lostocker ga. They feel like that's attack on them.

634
00:34:12,239 --> 00:34:15,200
Speaker 1: You're like a job. Okay, so here here, here's the

635
00:34:15,239 --> 00:34:19,040
Speaker 1: remix though. Now that family member sent you that message.

636
00:34:19,480 --> 00:34:22,560
Speaker 1: I really need this. Five thousand get with me. They

637
00:34:22,600 --> 00:34:24,879
Speaker 1: sent it for about five six times and the five

638
00:34:24,920 --> 00:34:28,000
Speaker 1: thousands get with me? Right? What you doing? They hit

639
00:34:28,040 --> 00:34:32,759
Speaker 1: that motherfucking power ball and they don't want to and

640
00:34:32,800 --> 00:34:34,839
Speaker 1: they don't want to with you. I don't need I'm

641
00:34:34,840 --> 00:34:37,359
Speaker 1: just saying, I don't need no funking with I got you.

642
00:34:37,440 --> 00:34:39,239
Speaker 1: I don't give a funk about the power ball. I

643
00:34:39,320 --> 00:34:46,399
Speaker 1: got you. Fuck you. Congratulations about time time did them

644
00:34:46,520 --> 00:34:52,120
Speaker 1: justice alone. You were the greatest God. That's what I'm

645
00:34:52,120 --> 00:34:55,279
Speaker 1: gonna be all like like nine people brother, take take

646
00:34:55,880 --> 00:35:00,040
Speaker 1: if you like. He just said he can't have it.

647
00:35:00,560 --> 00:35:06,520
Speaker 1: I didn't know that they get you, right, I don't

648
00:35:06,600 --> 00:35:12,040
Speaker 1: understand that. Like man, people are crazy. Man, like you're saying.

649
00:35:13,800 --> 00:35:16,840
Speaker 1: So you're saying, because I don't fix your problem, I

650
00:35:16,880 --> 00:35:19,840
Speaker 1: gotta stop living my life to show you that goddamn

651
00:35:20,080 --> 00:35:24,439
Speaker 1: I'm having problems. That is people's expectations it is wrong,

652
00:35:25,040 --> 00:35:29,920
Speaker 1: but that's people's expects people expectations. I think that I

653
00:35:29,920 --> 00:35:32,440
Speaker 1: think that people take that and my my brother's keeping

654
00:35:32,440 --> 00:35:35,360
Speaker 1: ship a little too far. But you gotta turn around.

655
00:35:36,280 --> 00:35:41,000
Speaker 1: I'm an only child, so I gotta do full circle

656
00:35:41,040 --> 00:35:45,640
Speaker 1: and ask yourself, what have I ever done for this person?

657
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Speaker 1: You should we just put all this ship on skill.

658
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Speaker 1: Let's wet this ship up you feel I'm saying, like

659
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Speaker 1: you can put you do so much for motherfucker man

660
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661
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662
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