1 00:00:05,240 --> 00:00:07,760 Speaker 1: Hey, this is Emily and this is Bridget and you 2 00:00:07,800 --> 00:00:20,120 Speaker 1: are listening to stuff Mom never told you. Today we 3 00:00:20,160 --> 00:00:23,920 Speaker 1: are tackling a fun topic that I'm excited to talk about, 4 00:00:24,440 --> 00:00:28,320 Speaker 1: and it really is a great story behind how teen 5 00:00:28,520 --> 00:00:32,880 Speaker 1: Vogue got what you might call woke. Emily, what is woke? 6 00:00:33,000 --> 00:00:36,599 Speaker 1: Can you define one? Girl? Now? I think we need 7 00:00:36,640 --> 00:00:39,680 Speaker 1: a whole other episode over that. But I think what's 8 00:00:39,720 --> 00:00:43,840 Speaker 1: awesome is there have been headlines written about teen Vogues 9 00:00:43,880 --> 00:00:47,680 Speaker 1: sort of change in direction in recent months, one might 10 00:00:47,720 --> 00:00:54,200 Speaker 1: even say the last year to incorporating more politically socially conscious, 11 00:00:54,600 --> 00:00:58,800 Speaker 1: activisty type content for its young female readers. So I 12 00:00:58,800 --> 00:01:02,520 Speaker 1: think woke has to do with being aware and spreading 13 00:01:02,520 --> 00:01:06,280 Speaker 1: that awareness and turning your awareness and consciousness raising into 14 00:01:06,400 --> 00:01:10,440 Speaker 1: actual action taking. I like that definition because they also think. 15 00:01:10,480 --> 00:01:12,040 Speaker 1: One of the ways that teen Vogue is a very 16 00:01:12,120 --> 00:01:14,679 Speaker 1: woke is that they make this argument that, like, it's 17 00:01:14,720 --> 00:01:18,199 Speaker 1: okay if you care about lip gloss and also social justice, 18 00:01:18,400 --> 00:01:21,120 Speaker 1: it's cool to care about both, Yes, which, honestly, we're 19 00:01:21,160 --> 00:01:23,800 Speaker 1: gonna We're gonna unpack many layers of that this episode. 20 00:01:23,840 --> 00:01:27,200 Speaker 1: Because I'm a little late to the party, I had 21 00:01:27,280 --> 00:01:29,080 Speaker 1: I think baggage you thought it was uncool to be 22 00:01:29,760 --> 00:01:33,200 Speaker 1: into social justice. I thought it was unco Yeah, l 23 00:01:33,480 --> 00:01:38,319 Speaker 1: L you got me. Oh man, I'm so gulliable sometimes. Basically, 24 00:01:38,360 --> 00:01:41,200 Speaker 1: I used to have feelings about women who spent all 25 00:01:41,240 --> 00:01:44,720 Speaker 1: this time on beauty products and shopping for clothes, and 26 00:01:44,800 --> 00:01:47,720 Speaker 1: I used to make really unfair judgment calls about the 27 00:01:48,400 --> 00:01:51,360 Speaker 1: awareness or activism, and that's that's not cool. So let's 28 00:01:51,400 --> 00:01:54,880 Speaker 1: let's go back to the beginning here. Teen Vogue really 29 00:01:55,040 --> 00:02:00,600 Speaker 1: started to become a phenomenon around one specific article that 30 00:02:00,680 --> 00:02:03,480 Speaker 1: was published in teen Voge last year, and the title 31 00:02:03,480 --> 00:02:08,480 Speaker 1: of that article was Donald Trump is Gaslighting America. Yeah, 32 00:02:08,800 --> 00:02:14,040 Speaker 1: like hardcore as titles go, that title is going forward, right, 33 00:02:14,120 --> 00:02:17,600 Speaker 1: Like I remember seeing funny tweets that were like teen 34 00:02:17,680 --> 00:02:20,640 Speaker 1: Vogue table of contents, how to achieve the perfect liquid liner, 35 00:02:20,960 --> 00:02:24,000 Speaker 1: the best you know sandals for summer? Donald Trump is 36 00:02:24,000 --> 00:02:30,040 Speaker 1: gaslighting America? Yeah? It is so intense. And what's great, though, 37 00:02:30,080 --> 00:02:33,240 Speaker 1: is that they took a conversation around gas lighting, which 38 00:02:33,360 --> 00:02:35,520 Speaker 1: I know we might already know what that means, but 39 00:02:35,600 --> 00:02:40,560 Speaker 1: just to reiterate, it's when someone makes you feel crazy. Specifically, 40 00:02:40,560 --> 00:02:44,000 Speaker 1: this is something that happens often to women when you're 41 00:02:44,120 --> 00:02:46,959 Speaker 1: making your voice heard, or you're advocating for yourself for 42 00:02:47,360 --> 00:02:53,120 Speaker 1: complaining righteously and with good reason about being mistreated, and 43 00:02:53,160 --> 00:02:56,399 Speaker 1: they make you feel crazy for having that complaint. Yeah, 44 00:02:56,400 --> 00:02:59,799 Speaker 1: it's a tactic of making like you or whoever is 45 00:02:59,880 --> 00:03:02,839 Speaker 1: being the victim of this, making them not believe their 46 00:03:02,880 --> 00:03:05,840 Speaker 1: own perceptions. And so it's like, it's right, it's a 47 00:03:07,800 --> 00:03:11,600 Speaker 1: totally So I think Donald Trump's relationship with the truth 48 00:03:12,000 --> 00:03:15,880 Speaker 1: is sketchy at best. You think, um, and I think 49 00:03:15,880 --> 00:03:20,600 Speaker 1: they really unabashedly broke down how Donald Trump is using 50 00:03:20,639 --> 00:03:23,200 Speaker 1: that same tactic of gas lighting that happens in one 51 00:03:23,240 --> 00:03:26,600 Speaker 1: on one conversations in a very public narrative way with 52 00:03:26,680 --> 00:03:29,200 Speaker 1: the media and with his own Twitter feed, and with 53 00:03:29,240 --> 00:03:32,160 Speaker 1: all the ways that he communicates. So they write this 54 00:03:32,320 --> 00:03:37,880 Speaker 1: article and the reaction is insane. I'm someone who pays 55 00:03:37,920 --> 00:03:41,000 Speaker 1: attention to like articles that are written about politics, and 56 00:03:41,080 --> 00:03:45,560 Speaker 1: I have not seen anything blow up exactly. So, web 57 00:03:45,600 --> 00:03:50,119 Speaker 1: traffic apparently jumped to seven point seven million unique visitors 58 00:03:50,200 --> 00:03:54,560 Speaker 1: that month, according to calm Score, from three million a 59 00:03:54,800 --> 00:04:00,400 Speaker 1: year earlier. Okay, so enormous traffic. That traffic held and 60 00:04:00,520 --> 00:04:03,720 Speaker 1: expanded over the month, hitting a high of nine point 61 00:04:03,760 --> 00:04:06,720 Speaker 1: two million unique views, according to Conde Nast. So shout 62 00:04:06,720 --> 00:04:10,000 Speaker 1: out to the journalists behind that article. Laura Duca, Um, 63 00:04:10,320 --> 00:04:12,640 Speaker 1: she is amazing. She If you, if you are looking 64 00:04:12,720 --> 00:04:15,440 Speaker 1: for someone like hilarious to follow on Twitter, definitely give 65 00:04:15,440 --> 00:04:18,719 Speaker 1: her a follow. Um. But I also think she's someone 66 00:04:18,880 --> 00:04:21,200 Speaker 1: even before teen Vogue. She's someone who's been very vocal 67 00:04:21,480 --> 00:04:24,200 Speaker 1: um in writing and writing and tweeting and posting about Trump, 68 00:04:24,640 --> 00:04:28,600 Speaker 1: and you know, like like most women who do that, 69 00:04:28,640 --> 00:04:33,240 Speaker 1: like she has done so at like great personal risk, 70 00:04:33,360 --> 00:04:35,960 Speaker 1: Like she has like the trolls that she has, Like 71 00:04:36,240 --> 00:04:40,960 Speaker 1: one of her trolls is that who's that awful AIDS 72 00:04:41,040 --> 00:04:46,560 Speaker 1: drug Pharma bro Martin's He's like a very one of 73 00:04:46,600 --> 00:04:49,440 Speaker 1: her notable trolls to the point where like he I've 74 00:04:49,440 --> 00:04:51,599 Speaker 1: seen things that he's posted about her and it's scary. 75 00:04:51,680 --> 00:04:54,040 Speaker 1: It's like it's like she posted a picture of her 76 00:04:54,080 --> 00:04:56,159 Speaker 1: and her husband or her and her boyfriend on on 77 00:04:56,160 --> 00:05:00,000 Speaker 1: on Instagram and he put his face over her husband 78 00:05:00,000 --> 00:05:02,080 Speaker 1: in face and it was the weirdest thing I've ever seen. 79 00:05:02,560 --> 00:05:05,159 Speaker 1: So she's done this, like many women, at great personal 80 00:05:05,520 --> 00:05:07,640 Speaker 1: wet To do an episode on the kind of online 81 00:05:07,680 --> 00:05:12,640 Speaker 1: harassment of female journalists get should definitely do that. Definitely. Um, well, 82 00:05:12,760 --> 00:05:16,440 Speaker 1: that is an unfortunate byproduct of being well known for 83 00:05:16,520 --> 00:05:20,479 Speaker 1: an amazing kick ass article that she wrote. But what's 84 00:05:20,600 --> 00:05:25,520 Speaker 1: funnier is the response that she got from people who 85 00:05:25,520 --> 00:05:29,240 Speaker 1: were pleasantly but suspiciously surprised. I don't know funny is 86 00:05:29,240 --> 00:05:32,480 Speaker 1: the right word here, but let's take Dan Rather for example. 87 00:05:32,560 --> 00:05:36,440 Speaker 1: Dan Rather is a an outspoken, um freedom of the 88 00:05:36,480 --> 00:05:40,120 Speaker 1: press sort of person after his long tenure on air, 89 00:05:40,839 --> 00:05:43,920 Speaker 1: and he says in his Facebook post from December eleven, 90 00:05:44,960 --> 00:05:48,960 Speaker 1: he says, some might consider teen Vogue an unlikely source 91 00:05:49,160 --> 00:05:52,320 Speaker 1: for a detailed examination of gas lighting and Donald Trump 92 00:05:52,800 --> 00:05:55,800 Speaker 1: dot dot dot, but there you have it, dot dot dot. 93 00:05:56,200 --> 00:06:02,440 Speaker 1: First of all, journalist to eclipses Dan Come on, J 94 00:06:02,600 --> 00:06:05,200 Speaker 1: school peeps would be happy with um yeah, I mean 95 00:06:05,360 --> 00:06:08,240 Speaker 1: I I've seen this Dan Rather's take, even on my 96 00:06:08,360 --> 00:06:12,520 Speaker 1: own personal Facebook feed from very well meaning, might you say, 97 00:06:12,680 --> 00:06:15,640 Speaker 1: benevolent friends who are like who would have thought that, 98 00:06:15,720 --> 00:06:18,560 Speaker 1: like teen Vogue could be leading the resistance? And I 99 00:06:18,640 --> 00:06:21,000 Speaker 1: would have thought that, Like I think the surprise I 100 00:06:21,080 --> 00:06:23,600 Speaker 1: think is meant to be complimentary, like, oh, we're pleasantly 101 00:06:24,520 --> 00:06:27,560 Speaker 1: but actually it's it's it's illustrating a kind of underlying 102 00:06:28,120 --> 00:06:32,160 Speaker 1: assumption that like young women and young women's publications can't 103 00:06:32,240 --> 00:06:35,000 Speaker 1: tackle very same topic. I will be the first to 104 00:06:35,080 --> 00:06:37,840 Speaker 1: admit that I was surprised to hear that. I mean, 105 00:06:38,040 --> 00:06:39,440 Speaker 1: I think there were a lot of people who were 106 00:06:39,480 --> 00:06:42,720 Speaker 1: surprised by that, and I think it pulled upon our 107 00:06:43,400 --> 00:06:47,640 Speaker 1: unconscious bias and our unconscious assumptions there just sort of 108 00:06:47,720 --> 00:06:49,640 Speaker 1: check ourselves, because before I even had a chance to 109 00:06:49,720 --> 00:06:54,360 Speaker 1: repost it, I started seeing the counter narrative to that narrative. Right, 110 00:06:54,440 --> 00:06:57,119 Speaker 1: the initial narrative was like, oh my god, teen Vogue 111 00:06:57,240 --> 00:06:59,320 Speaker 1: is killing it. Check this out. How surprising is that? 112 00:07:00,000 --> 00:07:02,800 Speaker 1: Then immediately the counter narrative is, if you're surprised by this, 113 00:07:03,520 --> 00:07:08,600 Speaker 1: your sexist? So interesting? How different? Um? Two different arguments 114 00:07:08,640 --> 00:07:11,600 Speaker 1: really like bubbled up. They went very quickly quickly. I 115 00:07:11,640 --> 00:07:14,880 Speaker 1: mean there were like thirty thousand tweets. Um. I think 116 00:07:15,400 --> 00:07:19,320 Speaker 1: right after that that article went public a public um, 117 00:07:19,520 --> 00:07:25,000 Speaker 1: including from journalists on NPR, CBS News, Fox News host 118 00:07:25,080 --> 00:07:29,760 Speaker 1: Tucker Carlson Show, where he had Lauren on and then 119 00:07:29,880 --> 00:07:33,640 Speaker 1: braided her for covering both politics and fashion, saying, quote, 120 00:07:34,080 --> 00:07:37,440 Speaker 1: you should stick to those thigh high boots You're better 121 00:07:37,520 --> 00:07:42,680 Speaker 1: at that. But he's not a sexist. That wasn't benevolent women, right, Yeah, 122 00:07:42,760 --> 00:07:46,520 Speaker 1: he's like just trying to help, providing editorial support. And again, 123 00:07:46,560 --> 00:07:48,400 Speaker 1: I mean, this is something that is a personal and 124 00:07:48,480 --> 00:07:50,560 Speaker 1: I know it's something that you have feelings on too, 125 00:07:50,640 --> 00:07:53,080 Speaker 1: but it's a personal pet peeve of mine because I 126 00:07:53,120 --> 00:07:55,440 Speaker 1: feel like we live in a society where it's totally 127 00:07:55,520 --> 00:08:01,040 Speaker 1: fine for men to have dual interests like ever brates 128 00:08:01,120 --> 00:08:03,120 Speaker 1: or lectures a man. No one would be like stick 129 00:08:03,200 --> 00:08:06,120 Speaker 1: to football, sir, right, Like think about Playboy. They literally 130 00:08:06,200 --> 00:08:10,120 Speaker 1: have pornographers your hard hitting journalism, and everyone took that seriously. 131 00:08:10,200 --> 00:08:12,200 Speaker 1: And I've actually seen it like maybe this is me, 132 00:08:12,480 --> 00:08:16,160 Speaker 1: you know, seeing sexism in everything because it's everywhere so pervasive. 133 00:08:16,520 --> 00:08:20,440 Speaker 1: But like when something is happening, particularly around Beyonce or 134 00:08:20,480 --> 00:08:23,440 Speaker 1: the Kardashians, and everyone is talking about it, there's always 135 00:08:23,520 --> 00:08:26,160 Speaker 1: someone who's like, wouldn't it be great if people cared 136 00:08:26,200 --> 00:08:29,920 Speaker 1: this much about war or poverty? That's like, yeah, first 137 00:08:29,920 --> 00:08:35,439 Speaker 1: of all, shut up, but also it's like who's that? 138 00:08:35,600 --> 00:08:38,520 Speaker 1: Like who let us there about you know both? I know, 139 00:08:38,679 --> 00:08:42,400 Speaker 1: women with our complex identities, like can we not hold 140 00:08:42,440 --> 00:08:45,520 Speaker 1: space for the real housewives and reading The New York Times, 141 00:08:45,559 --> 00:08:47,720 Speaker 1: he certainly can. And no one says that about men. 142 00:08:47,800 --> 00:08:49,719 Speaker 1: No one says, you know, if you care about the 143 00:08:49,760 --> 00:08:53,160 Speaker 1: super Bowl, then you're not caring about you know, serious shallow. 144 00:08:53,720 --> 00:08:55,959 Speaker 1: So I think it's time for us to unpack a 145 00:08:56,040 --> 00:09:00,560 Speaker 1: little bit of the history behind how teen Vogue went 146 00:09:00,880 --> 00:09:05,240 Speaker 1: from a publication that primarily covered sort of lighter subject topics, 147 00:09:05,280 --> 00:09:09,680 Speaker 1: subject matter, lighter subject matter in general, um to getting 148 00:09:09,720 --> 00:09:12,880 Speaker 1: to this point of wokeness and allowing us women with 149 00:09:13,240 --> 00:09:17,640 Speaker 1: multiple passions and very different kinds of interest to feel 150 00:09:17,920 --> 00:09:20,640 Speaker 1: recognized and catered to when opening the pages of something 151 00:09:20,720 --> 00:09:23,559 Speaker 1: like teen Vogue, and specifically a very young readership that 152 00:09:23,679 --> 00:09:27,320 Speaker 1: they have. Um And there's there's an interesting story behind that, Bridget. 153 00:09:27,360 --> 00:09:28,800 Speaker 1: But before we go there, I think it's time for 154 00:09:28,880 --> 00:09:31,200 Speaker 1: us to take a quick break and we'll be right back. 155 00:09:39,200 --> 00:09:41,880 Speaker 1: And we're back, and we want to peel back the 156 00:09:42,040 --> 00:09:47,640 Speaker 1: layers of teen Vogues Awakening awoken that that sounds like 157 00:09:47,679 --> 00:09:52,040 Speaker 1: a horror movie about becoming like hip hit, Like, yeah, 158 00:09:52,320 --> 00:09:55,000 Speaker 1: somebody run with that. I think that that that would 159 00:09:55,040 --> 00:09:58,120 Speaker 1: be fun. I would watch that, Okay, So the awokening 160 00:09:58,200 --> 00:10:01,080 Speaker 1: of teen Vogue has some interesting history behind it. Well, 161 00:10:01,160 --> 00:10:03,800 Speaker 1: let's first acknowledge that it was actually created in two 162 00:10:03,840 --> 00:10:07,679 Speaker 1: thousand and three, so it's not that old old. And 163 00:10:07,840 --> 00:10:10,880 Speaker 1: at the time, Teen Vogues founding editor in chief described 164 00:10:10,920 --> 00:10:14,360 Speaker 1: its mission to New York Times as she said, We're 165 00:10:14,400 --> 00:10:16,360 Speaker 1: going to do what we do well, which is fashion, 166 00:10:16,600 --> 00:10:19,800 Speaker 1: beauty and style. And for many years they stuck to 167 00:10:19,880 --> 00:10:22,240 Speaker 1: that content. And there's something wrong with that, anohing wrong 168 00:10:22,320 --> 00:10:24,840 Speaker 1: with that they have. You have to find your niche, Okay, 169 00:10:24,960 --> 00:10:27,400 Speaker 1: like that was their niche. What I love here and 170 00:10:27,480 --> 00:10:33,880 Speaker 1: this is from the Brown Daily Herald, my own newspaper 171 00:10:33,920 --> 00:10:36,880 Speaker 1: that I used to work for, which I loved its 172 00:10:37,040 --> 00:10:42,000 Speaker 1: coverage here, so shout out to Emily Miller class of 173 00:10:42,120 --> 00:10:46,760 Speaker 1: nineteen nineteen for her great piece on the politics of 174 00:10:46,840 --> 00:10:52,360 Speaker 1: teen Vogue. She showed us that after a sixteen editorial 175 00:10:52,600 --> 00:10:57,440 Speaker 1: shake up that led to the promotion of Elane welter Off. Okay, 176 00:10:57,840 --> 00:11:00,600 Speaker 1: oh god, Elaine, I adore her, and I really hope 177 00:11:00,600 --> 00:11:02,560 Speaker 1: I didn't butcher her name there. But after the promotion 178 00:11:02,600 --> 00:11:05,319 Speaker 1: of Elaine, who by the way, is the youngest and 179 00:11:05,440 --> 00:11:09,440 Speaker 1: only the second African American Conde Nast editor for across 180 00:11:09,520 --> 00:11:12,679 Speaker 1: all of their publication, which pause that that is like 181 00:11:13,000 --> 00:11:15,120 Speaker 1: on the one hand, go her, but on the other 182 00:11:15,200 --> 00:11:18,079 Speaker 1: hand kind of a third Yeah, and you know, I 183 00:11:18,120 --> 00:11:19,439 Speaker 1: can speak to that a little bit, and that like 184 00:11:19,600 --> 00:11:23,439 Speaker 1: publishing is very very white, very male, but like specifically 185 00:11:23,520 --> 00:11:26,040 Speaker 1: very white, And so for me, not only is that 186 00:11:26,160 --> 00:11:28,640 Speaker 1: like sad, but also it makes her accomplishment that much, 187 00:11:28,840 --> 00:11:31,120 Speaker 1: you know, more significant exactly And who was it? It 188 00:11:31,200 --> 00:11:33,080 Speaker 1: was Shawnda Rhimes in her book Year of Yes, who 189 00:11:33,120 --> 00:11:36,520 Speaker 1: talked about being the first or only right first, or 190 00:11:36,600 --> 00:11:38,880 Speaker 1: only is the first or only There was one other 191 00:11:39,760 --> 00:11:41,839 Speaker 1: she it's good to be the first, but you want 192 00:11:41,880 --> 00:11:44,720 Speaker 1: to make sure you're not the only, yeah, saying something 193 00:11:44,720 --> 00:11:47,880 Speaker 1: about it's hard to sort of carry that mantle when 194 00:11:47,920 --> 00:11:50,360 Speaker 1: you're when you're busy trying to achieve what you're trying 195 00:11:50,400 --> 00:11:54,079 Speaker 1: to achieve. But Elaine rocked it. She gets up the 196 00:11:54,280 --> 00:11:57,839 Speaker 1: food chain at teen Vogue, and at that time, in 197 00:11:58,040 --> 00:12:02,640 Speaker 1: great part to her work, teen Vogue actually amended its 198 00:12:02,960 --> 00:12:09,040 Speaker 1: mission to include providing sophisticated yet readable commentary on a 199 00:12:09,200 --> 00:12:15,120 Speaker 1: broad range of social and political topics. Snaps Snaps snaps amazing. 200 00:12:15,320 --> 00:12:18,280 Speaker 1: I mean, and I think that it's a great case 201 00:12:18,320 --> 00:12:21,839 Speaker 1: study for like what happens when young people of color 202 00:12:22,160 --> 00:12:25,679 Speaker 1: are not just included, but like listen to and right, 203 00:12:25,720 --> 00:12:28,200 Speaker 1: and so something that kind of like burns my beans 204 00:12:28,200 --> 00:12:30,000 Speaker 1: a little bit in the is that an expression? I 205 00:12:30,040 --> 00:12:32,559 Speaker 1: don't know, something that burns my beans will go with it? 206 00:12:33,040 --> 00:12:35,880 Speaker 1: Is this idea that like diversity is just having people 207 00:12:35,920 --> 00:12:38,439 Speaker 1: of color and women in their room. And it's like, no, 208 00:12:38,640 --> 00:12:40,959 Speaker 1: like do they feel comfortable of wasting their opinions? Do 209 00:12:41,080 --> 00:12:44,360 Speaker 1: they feel comfortable making, you know, making decisions when they 210 00:12:44,400 --> 00:12:47,599 Speaker 1: make major decisions, are they listened to and valued and like, 211 00:12:48,040 --> 00:12:49,719 Speaker 1: you know, And I think this is a good case 212 00:12:49,720 --> 00:12:52,600 Speaker 1: study for what happens when those when young people of color, 213 00:12:52,640 --> 00:12:55,080 Speaker 1: young women of color are given the reins and given 214 00:12:55,200 --> 00:12:59,079 Speaker 1: leadership positions and really having that leadership respected. Yeah, I 215 00:12:59,120 --> 00:13:03,360 Speaker 1: mean versity. I think, like Shonda Rhymes says, to pull 216 00:13:03,440 --> 00:13:07,360 Speaker 1: from her again, it's not about promoting just to promote 217 00:13:07,920 --> 00:13:12,040 Speaker 1: more diverse voices. It's about normalizing because I'm sure that 218 00:13:12,120 --> 00:13:16,360 Speaker 1: teen vogues readership doesn't look as pale as teen vogues 219 00:13:16,640 --> 00:13:20,959 Speaker 1: leadership exactly. So like Shanda normalized TV with taking over 220 00:13:21,120 --> 00:13:25,400 Speaker 1: Thursday nights, right, like having people of color in positions 221 00:13:25,440 --> 00:13:30,440 Speaker 1: of power is about normalizing our media landscape. So it's 222 00:13:30,559 --> 00:13:33,400 Speaker 1: been kind of incredible to see the changes in coverage 223 00:13:33,480 --> 00:13:37,319 Speaker 1: that's happened have happened since Eline took took the Wasted. 224 00:13:37,360 --> 00:13:39,599 Speaker 1: It's so free because you see this, like I was 225 00:13:39,640 --> 00:13:43,000 Speaker 1: saying earlier, this mix of both fashion and hair and 226 00:13:43,160 --> 00:13:46,480 Speaker 1: clothing advice alongside really heavy hitting issues. And they have 227 00:13:46,760 --> 00:13:48,959 Speaker 1: they have, Like I remember seeing one article that's not 228 00:13:49,000 --> 00:13:52,199 Speaker 1: even necessarily political that I remember thinking, like, gee, that 229 00:13:52,240 --> 00:13:54,440 Speaker 1: I would have never found that in a magazine when 230 00:13:54,480 --> 00:13:56,640 Speaker 1: I was growing up, and that's the thing that people 231 00:13:56,679 --> 00:13:58,319 Speaker 1: need to like young women need to know about. It 232 00:13:58,400 --> 00:14:00,640 Speaker 1: was like what to do if your boy and asks 233 00:14:00,760 --> 00:14:03,520 Speaker 1: you to sex with him and like send you pictures 234 00:14:03,559 --> 00:14:06,280 Speaker 1: of yourself, you know, And it was like, that is 235 00:14:06,520 --> 00:14:09,319 Speaker 1: content that like I would never have thought that I 236 00:14:09,360 --> 00:14:11,679 Speaker 1: would have seen in like a magazine, for a magazine 237 00:14:11,679 --> 00:14:15,120 Speaker 1: for young women. But are today's young women actually meet 238 00:14:15,160 --> 00:14:17,000 Speaker 1: that kind of content, Like I'm sure that's a situation 239 00:14:17,080 --> 00:14:20,120 Speaker 1: that happened exactly. Just to jump on that too, because 240 00:14:20,520 --> 00:14:23,320 Speaker 1: I actually heard from Joanna Coles, the former editor in 241 00:14:23,400 --> 00:14:27,160 Speaker 1: chief over at Cosmopolitan Magazine, about how in today's day 242 00:14:27,200 --> 00:14:30,760 Speaker 1: and age, young girls need more information and need access 243 00:14:30,800 --> 00:14:33,920 Speaker 1: to information that's traditionally been left out of those kinds 244 00:14:33,920 --> 00:14:36,920 Speaker 1: of publications. So I think it was Cosmo back in 245 00:14:36,960 --> 00:14:39,200 Speaker 1: two thousand fifteen or two thousand and sixteen. I can't 246 00:14:39,240 --> 00:14:42,680 Speaker 1: quite recall that did a huge spread on planned parenthood, 247 00:14:43,280 --> 00:14:46,520 Speaker 1: on birth control in general. And this is like to 248 00:14:46,720 --> 00:14:50,000 Speaker 1: some very political content, but really it's the spreading of 249 00:14:50,320 --> 00:14:54,000 Speaker 1: real information that's backed by science about making sure that 250 00:14:54,120 --> 00:14:58,520 Speaker 1: young women, teens and girls understand their options and understand 251 00:14:58,600 --> 00:15:01,280 Speaker 1: what's available to them. And I think, just like anyone else, 252 00:15:01,560 --> 00:15:04,640 Speaker 1: young women are better served or they have more information, 253 00:15:04,760 --> 00:15:07,880 Speaker 1: not less, right, like more information about their bodies, about 254 00:15:07,880 --> 00:15:12,840 Speaker 1: the side, right, isn't it insane though, I mean, like 255 00:15:13,280 --> 00:15:16,000 Speaker 1: more more information. No, I want my kids to have 256 00:15:16,200 --> 00:15:19,960 Speaker 1: less information. People do feel that way, which is interesting. Yeah, 257 00:15:20,000 --> 00:15:22,160 Speaker 1: And so I mean, I just I applaud teen Vogue 258 00:15:22,200 --> 00:15:24,080 Speaker 1: for for making those choices, and I just love what 259 00:15:24,280 --> 00:15:27,120 Speaker 1: Essence Magazine said about it. So they said, for exploring 260 00:15:27,240 --> 00:15:30,520 Speaker 1: Native American girls thoughts on cultural appropriation to taking a 261 00:15:30,640 --> 00:15:33,720 Speaker 1: stand on resisting trump Donald Trump's America, teen Vogue has 262 00:15:33,760 --> 00:15:36,040 Speaker 1: been at the forefront of the most pertinent issues facing 263 00:15:36,120 --> 00:15:39,240 Speaker 1: young adults. And I just love that because it's true. Right, 264 00:15:39,360 --> 00:15:41,560 Speaker 1: like a yell, if you're like a fourteen year old 265 00:15:41,600 --> 00:15:45,040 Speaker 1: woman in this country. You need to understand what's happening 266 00:15:45,120 --> 00:15:47,120 Speaker 1: when people talk about Donald Trump on the news. You 267 00:15:47,200 --> 00:15:49,240 Speaker 1: also need to understand what's happening with your body or 268 00:15:49,280 --> 00:15:51,160 Speaker 1: what to do when your boyfriend asked for, you know, 269 00:15:51,200 --> 00:15:54,040 Speaker 1: a tompless picture. You also need to understand, like you 270 00:15:54,120 --> 00:15:56,640 Speaker 1: might need to understand how to get a good liquid 271 00:15:56,720 --> 00:15:58,400 Speaker 1: line on your eyes, or how to like, you know, 272 00:15:58,560 --> 00:16:01,720 Speaker 1: match your belt and your shoes or whatever. Yeah, I 273 00:16:01,800 --> 00:16:04,480 Speaker 1: think there's a I think it also reflects a broader 274 00:16:04,560 --> 00:16:07,960 Speaker 1: trend in infotainment, you know what I mean? Like I 275 00:16:08,040 --> 00:16:10,240 Speaker 1: think about how we're getting news these days. BuzzFeed is 276 00:16:10,280 --> 00:16:14,240 Speaker 1: covering hard hitting news like buzzfeeds exposing some political scandals, 277 00:16:14,280 --> 00:16:20,800 Speaker 1: and alongside like Whatton, Yeah, what Disney character? Are you right? 278 00:16:20,960 --> 00:16:25,760 Speaker 1: What is what Disney Princess? Would you be? Definitely? Oh? Yes, girl. 279 00:16:25,920 --> 00:16:28,400 Speaker 1: I was such a super fan of The Little Mermaid. 280 00:16:29,160 --> 00:16:31,440 Speaker 1: I think I memorized every word to the songs when 281 00:16:31,480 --> 00:16:33,960 Speaker 1: I was like four. Okay, and I pretended did you 282 00:16:34,000 --> 00:16:37,400 Speaker 1: play Mermaid? Oh? Yeah, I played Mermaid in the pool. Yeah, 283 00:16:37,440 --> 00:16:40,440 Speaker 1: it was a good game. My dad also cried at 284 00:16:40,480 --> 00:16:44,720 Speaker 1: the end O Littlemaid love because she says goodbye to 285 00:16:44,840 --> 00:16:47,760 Speaker 1: her father Trayton, and then leaves for a whole of 286 00:16:47,840 --> 00:16:52,280 Speaker 1: the world. My dad's like, oh that's different, Aladdin, but 287 00:16:52,360 --> 00:16:56,400 Speaker 1: also great Jasmine shoot to Jasmin too, Okay, Um yeah, 288 00:16:56,440 --> 00:16:59,160 Speaker 1: I think this this does reflect a broader trend of 289 00:16:59,800 --> 00:17:01,920 Speaker 1: be be okay to get a mix of media in 290 00:17:02,040 --> 00:17:05,280 Speaker 1: one publication totally and then it's okay. Like just I mean, 291 00:17:05,359 --> 00:17:08,359 Speaker 1: I actually really like it when you know, outlets or 292 00:17:08,400 --> 00:17:12,320 Speaker 1: whatever go high low where it's like highbrow lowbrow, and honestly, 293 00:17:12,400 --> 00:17:16,600 Speaker 1: there's nothing I hate more than when, like, I just 294 00:17:16,720 --> 00:17:20,080 Speaker 1: feel so isolated from Mike, whether it's a media outlet 295 00:17:20,160 --> 00:17:23,360 Speaker 1: or a person who was like Taylor Swift never heard 296 00:17:23,359 --> 00:17:26,639 Speaker 1: of her. All I do is read books, Like what 297 00:17:27,119 --> 00:17:30,399 Speaker 1: that kind of vibe when people are like, oh, like, 298 00:17:30,600 --> 00:17:32,880 Speaker 1: how dare you be interested in like a lowbrow thing, 299 00:17:33,160 --> 00:17:36,840 Speaker 1: Like I'm too busy, like you know, reading proofs or whatever. 300 00:17:37,040 --> 00:17:40,320 Speaker 1: It's like purposeful ignorance. I hate that. I hate. It 301 00:17:40,359 --> 00:17:42,840 Speaker 1: has to be a name for that. There has it 302 00:17:42,920 --> 00:17:44,480 Speaker 1: must be. Like I was once at a dinner party 303 00:17:44,520 --> 00:17:46,919 Speaker 1: where someone I kid you not, was pretending he had 304 00:17:46,960 --> 00:17:49,280 Speaker 1: never heard of Beyonce, not saying he had not heard 305 00:17:49,280 --> 00:17:51,119 Speaker 1: a song. He was acting like he didn't know. He 306 00:17:51,240 --> 00:17:55,000 Speaker 1: was like, I'm not familiar he was, and he was like, oh, 307 00:17:55,040 --> 00:17:56,639 Speaker 1: I don't even own a TV. I was like, oh, 308 00:17:56,720 --> 00:18:00,320 Speaker 1: come on, it was excruciating. Now it's means chameed not 309 00:18:00,400 --> 00:18:02,399 Speaker 1: on a TV. Does he still rag about it? Probably 310 00:18:02,560 --> 00:18:06,159 Speaker 1: my own cable at least, probably Wowser's okay, liar, did 311 00:18:06,200 --> 00:18:08,720 Speaker 1: you call him out? No? I just smiled politely and 312 00:18:09,359 --> 00:18:13,920 Speaker 1: nurse to drink. I wish I were there to take 313 00:18:14,000 --> 00:18:16,320 Speaker 1: me back to them. Let's go there again so I 314 00:18:16,400 --> 00:18:18,640 Speaker 1: can call him that and we'll talk about reality TV 315 00:18:18,840 --> 00:18:21,359 Speaker 1: the whole time, and you can read a book. Yeah, 316 00:18:22,000 --> 00:18:24,320 Speaker 1: I mean I someone should write a book about reality 317 00:18:24,359 --> 00:18:26,840 Speaker 1: TV if that hasn't happened yet. Let's talk about meta 318 00:18:26,880 --> 00:18:30,080 Speaker 1: media anyway. So I think the moral of the story 319 00:18:30,160 --> 00:18:33,880 Speaker 1: here is that teen Vogue got woke and is serving 320 00:18:34,040 --> 00:18:36,439 Speaker 1: up the kind of information that young girls want to see, 321 00:18:36,600 --> 00:18:39,920 Speaker 1: with a healthy mix of the lighter topics, which are 322 00:18:40,560 --> 00:18:44,639 Speaker 1: not you know, liking makeup and liking fashion and beauty 323 00:18:44,960 --> 00:18:47,480 Speaker 1: does not make you dumb. And I think this was 324 00:18:47,560 --> 00:18:51,119 Speaker 1: hard for me, Like this idea of respecting your readership 325 00:18:51,200 --> 00:18:54,480 Speaker 1: at teen Vogue, Cosmo or wherever BuzzFeed and saying I 326 00:18:54,720 --> 00:18:58,720 Speaker 1: like a good cat gift and I like hard hitting 327 00:18:58,760 --> 00:19:02,159 Speaker 1: journalism out of city. What was what was your discomfort 328 00:19:02,240 --> 00:19:04,959 Speaker 1: around this idea that you weren't supposed to like makeup 329 00:19:05,080 --> 00:19:08,600 Speaker 1: or like I think it's the tomboy child that I 330 00:19:08,920 --> 00:19:12,800 Speaker 1: was saying, Like I want to rebel from a gendered 331 00:19:12,880 --> 00:19:16,119 Speaker 1: stereotype that I was expected to fill, and so instead 332 00:19:16,119 --> 00:19:19,000 Speaker 1: of liking frilly dresses and fashion, I still to this 333 00:19:19,080 --> 00:19:21,080 Speaker 1: day say like I don't know how to dress myself, 334 00:19:21,400 --> 00:19:25,240 Speaker 1: and in reality I really enjoy dressing myself, but like 335 00:19:25,600 --> 00:19:29,879 Speaker 1: there's something to sort of being demure about the lady 336 00:19:30,160 --> 00:19:34,399 Speaker 1: like hobbies and habits, Like I will be on Reddit 337 00:19:34,480 --> 00:19:38,240 Speaker 1: of all places, looking at streetwear inspiration for women, and 338 00:19:38,320 --> 00:19:40,720 Speaker 1: I'll be like, I'm really like spending forty five minutes 339 00:19:40,760 --> 00:19:43,840 Speaker 1: here looking at fashion stuff, Like I shouldn't be embarrassed 340 00:19:43,840 --> 00:19:45,800 Speaker 1: about this, There's nothing wrong with that. So I don't know, 341 00:19:45,800 --> 00:19:47,920 Speaker 1: I think there's I think I still especially in a 342 00:19:48,000 --> 00:19:52,920 Speaker 1: city like d C, which is almost inrogynous, it's fashion. 343 00:19:55,040 --> 00:19:57,719 Speaker 1: We were talking about New York versus DC recently, right, 344 00:19:57,880 --> 00:20:00,280 Speaker 1: or maybe it was with my friend Jesse actually who 345 00:20:00,520 --> 00:20:02,119 Speaker 1: she and I were talking about how she dresses very 346 00:20:02,200 --> 00:20:06,480 Speaker 1: boho and and very florally and very feminine, but she 347 00:20:06,680 --> 00:20:10,480 Speaker 1: works in a downtown Washington, d C. Political consulting firm 348 00:20:10,600 --> 00:20:13,200 Speaker 1: and is a hard hitting boss over there, and we 349 00:20:13,280 --> 00:20:16,920 Speaker 1: were talking about how in d C. I think there's 350 00:20:16,960 --> 00:20:20,520 Speaker 1: this feeling of shoulder pads and suits and the pants 351 00:20:20,520 --> 00:20:23,359 Speaker 1: suit phenomenon that that more and more of us are bucking. 352 00:20:23,600 --> 00:20:28,120 Speaker 1: But I'm like, where's the yoga pants phenomenon? Like, can 353 00:20:28,200 --> 00:20:33,160 Speaker 1: I be a smart, powerful person and where yoga pants? 354 00:20:33,240 --> 00:20:35,639 Speaker 1: Like nine nine out of ten days, I mean, the 355 00:20:35,760 --> 00:20:37,399 Speaker 1: answer is yes, but it's been it's taking me a 356 00:20:37,440 --> 00:20:41,879 Speaker 1: little bit. We're all learning and growing together. Yeah, I 357 00:20:41,960 --> 00:20:44,480 Speaker 1: mean I think that teen Vogue does a great job 358 00:20:44,520 --> 00:20:47,680 Speaker 1: of showing that, like that's okay, it's okay, Like we 359 00:20:47,760 --> 00:20:52,040 Speaker 1: are multifaceted individuals, but I think the patriarchy makes us 360 00:20:52,080 --> 00:20:53,520 Speaker 1: feel like we have to be one or the other. 361 00:20:53,640 --> 00:20:55,240 Speaker 1: That if we're going to be we have to either 362 00:20:55,359 --> 00:20:57,800 Speaker 1: like embrace you know, the feminine and be like the 363 00:20:57,880 --> 00:21:01,440 Speaker 1: early girl or reject the them like I'm you know, 364 00:21:03,080 --> 00:21:05,960 Speaker 1: and it doesn't allow for us to just be our authentic, 365 00:21:06,240 --> 00:21:10,160 Speaker 1: multifacet itself. And so snaps to places like teen Vogue, 366 00:21:10,280 --> 00:21:13,960 Speaker 1: who are really allowing young girls to expose to be 367 00:21:14,080 --> 00:21:18,760 Speaker 1: exposed to, you know, hard hitting journalism, political activist de 368 00:21:18,880 --> 00:21:22,760 Speaker 1: type stuff, and you know, not feel bad about having 369 00:21:22,840 --> 00:21:26,000 Speaker 1: that across the page, across the fold from Spring trends 370 00:21:26,080 --> 00:21:27,960 Speaker 1: or whatever, and that's okay. But there has been a 371 00:21:28,040 --> 00:21:33,000 Speaker 1: pushback on that because sometimes those political pieces are heavy, right, 372 00:21:33,080 --> 00:21:35,119 Speaker 1: So there was a critique that I came across in 373 00:21:35,280 --> 00:21:39,040 Speaker 1: the journalism on the journalism, on the meta journalism journalism, 374 00:21:39,359 --> 00:21:42,440 Speaker 1: but on teen Vogue sort of editorial choices, which was saying, 375 00:21:42,720 --> 00:21:45,359 Speaker 1: doesn't feel a little insensitive to have something about police 376 00:21:45,359 --> 00:21:48,720 Speaker 1: brutality across the page from you know, the best slip 377 00:21:48,800 --> 00:21:54,360 Speaker 1: glass for your Instagram selfies? Like, there are interesting conundrums 378 00:21:54,400 --> 00:21:56,240 Speaker 1: that you fall into there. I mean, I think I 379 00:21:56,320 --> 00:21:58,520 Speaker 1: definitely get that argument. But I think for me, like 380 00:21:58,600 --> 00:22:01,959 Speaker 1: I think, with your example police brutality, that's I mean, 381 00:22:02,000 --> 00:22:03,520 Speaker 1: I hate to say it, and this sounds awful, but 382 00:22:03,600 --> 00:22:05,800 Speaker 1: that is the reality of how we have to live 383 00:22:05,840 --> 00:22:08,320 Speaker 1: with police brutality. It's not it's easy to think that 384 00:22:08,400 --> 00:22:11,159 Speaker 1: it's the siloed off thing where like you deal with 385 00:22:11,320 --> 00:22:14,760 Speaker 1: it when you you know, want to have something summer, right, 386 00:22:14,840 --> 00:22:17,840 Speaker 1: like it's like you no, like you are dealing with 387 00:22:17,960 --> 00:22:21,840 Speaker 1: it alongside your everyday life, and like, um, there's a 388 00:22:21,920 --> 00:22:24,600 Speaker 1: great movie called Dope that I love and like one 389 00:22:24,640 --> 00:22:26,119 Speaker 1: of the points of the movie is that kids that 390 00:22:26,240 --> 00:22:29,160 Speaker 1: live in areas where they are plagued by violence, it's 391 00:22:29,200 --> 00:22:32,920 Speaker 1: not this like, it's they're they're living their lives, and 392 00:22:33,080 --> 00:22:34,800 Speaker 1: their lives are the same as anyone else, as like 393 00:22:34,800 --> 00:22:36,800 Speaker 1: a teenager's life where they listen to music and love, 394 00:22:36,880 --> 00:22:40,120 Speaker 1: have crushes. Their lives are just punctuated by extreme violence, 395 00:22:40,200 --> 00:22:43,160 Speaker 1: and that they are still living what what might seem 396 00:22:43,240 --> 00:22:47,160 Speaker 1: like ordinary you know, adolescent lives and ordinary adolescents concerns, 397 00:22:47,640 --> 00:22:50,080 Speaker 1: but like they are not able to then silo off, 398 00:22:50,720 --> 00:22:52,560 Speaker 1: you know, and so like why should we as readers 399 00:22:52,600 --> 00:22:54,440 Speaker 1: be able to be like, well, when I want something 400 00:22:54,520 --> 00:22:58,320 Speaker 1: bumming like a bummer magazine, when I want something that's 401 00:22:58,359 --> 00:23:00,200 Speaker 1: like light and fuffee, everach for this when that's not 402 00:23:00,240 --> 00:23:02,119 Speaker 1: how it happens, not how it happens. That it's a 403 00:23:02,160 --> 00:23:05,560 Speaker 1: really good point. Well, I think it's been a sign 404 00:23:05,880 --> 00:23:09,479 Speaker 1: of the bold leadership at teen Vogue that they are 405 00:23:09,680 --> 00:23:12,440 Speaker 1: willing to go there and push those limits and gain 406 00:23:12,600 --> 00:23:15,520 Speaker 1: get some flak in the process and deal with these 407 00:23:16,119 --> 00:23:18,959 Speaker 1: sexist reactions of saying, like, who the hell does teen 408 00:23:19,040 --> 00:23:21,720 Speaker 1: Vogue think they are? But I was really pleasantly surprised 409 00:23:21,760 --> 00:23:26,359 Speaker 1: to hear from Anna wint Or her quote um about 410 00:23:26,440 --> 00:23:29,440 Speaker 1: Elaine taking the helm. She said, Elaine is incredibly in 411 00:23:29,640 --> 00:23:32,440 Speaker 1: tune with the teen Vogue audience and has used that 412 00:23:32,560 --> 00:23:34,720 Speaker 1: unique insight to engage and connect with her readers on 413 00:23:34,760 --> 00:23:38,360 Speaker 1: a very personal level. Over the last year. She's demonstrated 414 00:23:38,400 --> 00:23:41,720 Speaker 1: a fearless leadership in her pursuit to make teen Vogue 415 00:23:42,000 --> 00:23:44,760 Speaker 1: the voice of a new generation, and we look forward 416 00:23:44,760 --> 00:23:48,159 Speaker 1: to all she will accomplish. So we have a bit 417 00:23:48,200 --> 00:23:49,960 Speaker 1: of like, I think we should take a break before 418 00:23:50,000 --> 00:23:53,240 Speaker 1: we provide the happy ending to this story, which is 419 00:23:53,280 --> 00:23:56,800 Speaker 1: even more exciting about Elaine's role at teen Vogue. Does 420 00:23:56,880 --> 00:23:59,119 Speaker 1: that sound good to you? Okay, So we'll be right 421 00:23:59,160 --> 00:24:01,480 Speaker 1: back after a quick break and a quick word for 422 00:24:01,560 --> 00:24:13,720 Speaker 1: our sponsors. So Bridget, we've got some exciting news to 423 00:24:13,920 --> 00:24:17,280 Speaker 1: share about where this story went next now that we're 424 00:24:17,320 --> 00:24:20,760 Speaker 1: back from the break. So in very exciting teen Vogue news, 425 00:24:21,359 --> 00:24:24,480 Speaker 1: Elayne was officially named as the editor in chief of 426 00:24:24,560 --> 00:24:27,200 Speaker 1: teen Vogue, which is a great for her. Like I 427 00:24:27,240 --> 00:24:30,359 Speaker 1: couldn't be more happy. And again, like, there are just 428 00:24:30,520 --> 00:24:33,119 Speaker 1: so few women of color, purely black women in the 429 00:24:33,200 --> 00:24:36,880 Speaker 1: media space. Having there be black editor in chief is huge, 430 00:24:36,960 --> 00:24:39,520 Speaker 1: I mean, just the mass head of any big, you 431 00:24:39,560 --> 00:24:42,880 Speaker 1: know publication, there's so few you know, non white faces 432 00:24:42,960 --> 00:24:45,080 Speaker 1: and so. And now she's not just in charge of 433 00:24:45,320 --> 00:24:49,680 Speaker 1: making editorial like decisions on single stories or in the 434 00:24:49,760 --> 00:24:54,040 Speaker 1: digital realm where she was really focused previously, along with Piccardi, 435 00:24:55,720 --> 00:24:59,840 Speaker 1: digital editor as well, who also played a big role, 436 00:24:59,880 --> 00:25:02,480 Speaker 1: by the way, we have to give he played a 437 00:25:02,560 --> 00:25:06,200 Speaker 1: big role alongside Elane and making this content of activism 438 00:25:06,280 --> 00:25:09,240 Speaker 1: and political awareness more of a priority in gateen Vogue. 439 00:25:09,600 --> 00:25:11,880 Speaker 1: But it's it's great to have someone like her now 440 00:25:12,040 --> 00:25:14,920 Speaker 1: in charge of thinking about the future of teen Vogus 441 00:25:15,000 --> 00:25:17,960 Speaker 1: brand and really making sure that we're aligning media with 442 00:25:18,280 --> 00:25:23,520 Speaker 1: the new media landscape that teens are consuming. I think 443 00:25:23,560 --> 00:25:26,119 Speaker 1: it was a smart move on Conde Nast's part. I 444 00:25:26,160 --> 00:25:28,000 Speaker 1: think so too. And I think I mean when you 445 00:25:28,080 --> 00:25:31,240 Speaker 1: look at when you look at her Elane's background, like 446 00:25:31,720 --> 00:25:34,359 Speaker 1: she again like really nicely bridges that gap of like 447 00:25:34,840 --> 00:25:36,920 Speaker 1: you know, coming she came from the world of you know, 448 00:25:37,400 --> 00:25:39,919 Speaker 1: fashion mags and things like that before her work at 449 00:25:40,000 --> 00:25:42,600 Speaker 1: teen Vogue. She was aye in two thousand and twelve. 450 00:25:42,680 --> 00:25:45,159 Speaker 1: She joined teen Vogue. Prior prior to that, she was 451 00:25:45,200 --> 00:25:48,320 Speaker 1: at Glamor Magazine as a senior beauty editor, and then 452 00:25:48,359 --> 00:25:50,920 Speaker 1: before that she worked as the beauty and style editor 453 00:25:50,960 --> 00:25:53,760 Speaker 1: of Ebony magazine. So how cool is that she she 454 00:25:53,880 --> 00:25:57,160 Speaker 1: really did focus on beauty style and now she's saying, 455 00:25:57,280 --> 00:25:59,159 Speaker 1: you know what we need in addition to beauty and 456 00:25:59,240 --> 00:26:02,600 Speaker 1: style in this beauty and style magazine is let's woke 457 00:26:02,640 --> 00:26:05,199 Speaker 1: it up. And that's awesome. I love that. I mean, 458 00:26:05,320 --> 00:26:07,400 Speaker 1: I think one of my favorite sayings that tweens will 459 00:26:07,400 --> 00:26:09,880 Speaker 1: save us all I think that she is. I think 460 00:26:09,960 --> 00:26:12,000 Speaker 1: that's true or now that's so true, and like I 461 00:26:12,080 --> 00:26:14,040 Speaker 1: think that like tweens will lead the way, Like if 462 00:26:14,080 --> 00:26:16,840 Speaker 1: you want to know what's hip, what's happening, like who's like, 463 00:26:16,960 --> 00:26:20,280 Speaker 1: tweens are at the forefront. If you have tween cousins, 464 00:26:20,359 --> 00:26:23,560 Speaker 1: tween kids, tween siblings, talk to the tweens, like I 465 00:26:23,640 --> 00:26:25,520 Speaker 1: know what the tweens are up to, um, And I 466 00:26:25,600 --> 00:26:28,760 Speaker 1: just think that, like someone who is young, fresh hip, 467 00:26:28,920 --> 00:26:30,600 Speaker 1: these are the voices that we need to be listening to. 468 00:26:30,920 --> 00:26:33,280 Speaker 1: And honestly, like I think that people like Elaine, people 469 00:26:33,320 --> 00:26:37,480 Speaker 1: who are young, freethinking people of color, they should be. 470 00:26:37,600 --> 00:26:39,760 Speaker 1: In my perfect world, they'd be on the mass heads 471 00:26:39,800 --> 00:26:42,600 Speaker 1: of every big publication in the United States. And I 472 00:26:42,640 --> 00:26:44,560 Speaker 1: think it would be better served that well take I 473 00:26:44,640 --> 00:26:48,520 Speaker 1: think they should take a page from teen Vogue. One 474 00:26:48,640 --> 00:26:53,320 Speaker 1: might say, because it's working. It's obviously working for them. 475 00:26:53,400 --> 00:26:56,560 Speaker 1: I think you know what's interesting about the teen Vogue 476 00:26:56,600 --> 00:27:01,720 Speaker 1: story is that when welter Off and her colleagues have 477 00:27:01,880 --> 00:27:05,639 Speaker 1: injected sort of that new activist energy into the content 478 00:27:05,720 --> 00:27:10,879 Speaker 1: strategy there, it's been noticed by other publications in this space, 479 00:27:11,000 --> 00:27:14,159 Speaker 1: and I've seen other publications what I imagine to be 480 00:27:14,280 --> 00:27:16,560 Speaker 1: taking a page from their magazine. As you said, like 481 00:27:17,119 --> 00:27:19,679 Speaker 1: um Paste magazine is a magazine that you might think 482 00:27:19,720 --> 00:27:21,840 Speaker 1: of as like a music magazine, but it's getting into 483 00:27:21,920 --> 00:27:24,160 Speaker 1: more like political stuff. And I think I saw someone 484 00:27:24,240 --> 00:27:27,879 Speaker 1: tweet once, like in the in twenties seventeen with Trump 485 00:27:27,920 --> 00:27:30,800 Speaker 1: in our White House and with like so many different 486 00:27:30,920 --> 00:27:34,720 Speaker 1: things popping off politically and socially. If you are a journalist, 487 00:27:34,920 --> 00:27:37,200 Speaker 1: you are always kind of a political journalist. And even 488 00:27:37,240 --> 00:27:39,200 Speaker 1: if you write about food, you're kind of also writing 489 00:27:39,200 --> 00:27:44,480 Speaker 1: about Pocasts are ending up being political, not really trying. 490 00:27:44,600 --> 00:27:46,040 Speaker 1: We're just like, oh my god, it all comes back 491 00:27:46,080 --> 00:27:49,240 Speaker 1: to Donald Trump. I think, um, I think that's it's 492 00:27:49,240 --> 00:27:51,640 Speaker 1: a hard thing to ignore today. And I think that's 493 00:27:51,640 --> 00:27:54,480 Speaker 1: a really fair point for everybody in the media escaped 494 00:27:54,520 --> 00:27:57,240 Speaker 1: to take into consideration because and I want to go 495 00:27:57,359 --> 00:27:59,920 Speaker 1: back to sort of wrappings up with this takeaway or 496 00:28:00,040 --> 00:28:06,800 Speaker 1: round women's publications, not having to silo women's voices into 497 00:28:06,880 --> 00:28:10,280 Speaker 1: a particular like this is all we care about category. 498 00:28:10,760 --> 00:28:13,760 Speaker 1: Like I think there's been a historical silencing of women, 499 00:28:13,880 --> 00:28:15,560 Speaker 1: like saying this is women's news, or this is not 500 00:28:15,680 --> 00:28:18,200 Speaker 1: women's news, this is women's issues, and these are not 501 00:28:18,320 --> 00:28:20,639 Speaker 1: women's issues. And I think this is a sign of 502 00:28:20,680 --> 00:28:22,639 Speaker 1: the times that those barriers are starting to really be 503 00:28:22,800 --> 00:28:25,560 Speaker 1: broken down. And we've acknowledged that it's been true all 504 00:28:25,640 --> 00:28:28,040 Speaker 1: along that women have varying interests and it's okay for 505 00:28:28,160 --> 00:28:33,240 Speaker 1: those seemingly incongruent interests to coexist peacefully in the same 506 00:28:33,280 --> 00:28:35,800 Speaker 1: magazine I love and like I as someone who was 507 00:28:35,880 --> 00:28:38,440 Speaker 1: either I'm like blogging about social change or like watching 508 00:28:38,520 --> 00:28:40,400 Speaker 1: Real Housewives, I have to defend this all the time, 509 00:28:40,680 --> 00:28:42,720 Speaker 1: and I always like to say, like I am vest 510 00:28:42,920 --> 00:28:45,720 Speaker 1: i contain multitudes, right, Like I can be you know, 511 00:28:46,120 --> 00:28:49,480 Speaker 1: on the dance floor, or I can be like yeah, 512 00:28:50,200 --> 00:28:53,120 Speaker 1: And so I think with that, I would love to 513 00:28:53,240 --> 00:28:56,040 Speaker 1: hear from our listeners in terms of what are the 514 00:28:56,560 --> 00:29:01,760 Speaker 1: seemingly incongruent interests that you hold that you're happy to 515 00:29:01,920 --> 00:29:05,560 Speaker 1: have peacefully coexist as the multitudes that are within you, 516 00:29:05,880 --> 00:29:07,560 Speaker 1: Like I'm really interested, like what do you love reading that? 517 00:29:07,640 --> 00:29:09,600 Speaker 1: Do you you know, are you able to find in 518 00:29:09,640 --> 00:29:12,960 Speaker 1: a single publication the kind of mix of media that 519 00:29:13,080 --> 00:29:15,800 Speaker 1: really speaks to you? And if so, what publications are those? 520 00:29:15,920 --> 00:29:18,080 Speaker 1: And also what are your guilty pleasures? Like what do 521 00:29:18,120 --> 00:29:20,440 Speaker 1: you or what do you want to see alongside those 522 00:29:20,440 --> 00:29:22,880 Speaker 1: guilty pleasures? Right? Like what do you think pairs nicely 523 00:29:22,920 --> 00:29:27,000 Speaker 1: together or make sense to pair today? Like pedicure and 524 00:29:27,560 --> 00:29:31,000 Speaker 1: a New York magazine or that sounds great, isn't it? Right? 525 00:29:31,160 --> 00:29:34,280 Speaker 1: That's like I think that's a very good encapsulation of 526 00:29:34,600 --> 00:29:37,240 Speaker 1: my average Saturday or Sunday. So we want to hear 527 00:29:37,280 --> 00:29:39,800 Speaker 1: from you on this. Send us a snap on Instagram 528 00:29:39,960 --> 00:29:42,440 Speaker 1: at stuff Mom Never told You, Shoot us a tweet 529 00:29:42,520 --> 00:29:45,959 Speaker 1: at mom Stuff podcast on Twitter, or we always love 530 00:29:46,040 --> 00:29:48,720 Speaker 1: to read your mail in our inbox. So shoot us 531 00:29:48,760 --> 00:29:51,920 Speaker 1: an email at mom stuff, at how stuff Works dot com. 532 00:30:00,480 --> 00:30:00,520 Speaker 1: O