WEBVTT - How Scientists are Reviving Lost Smells

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<v Speaker 1>You're listening to Part Time Genius, the production of Kaleidoscope

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<v Speaker 1>and iHeartRadio. Guess what will?

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<v Speaker 2>What's that mango mug?

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<v Speaker 1>You smell that mug?

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<v Speaker 2>Mug like a mug of coffee or hot chocolate or

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<v Speaker 2>something like that. No, just like pure mug. Can't you

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<v Speaker 2>smell that? It's like such a strong mug. I'm not

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<v Speaker 2>sure what's happening here. I can't smell just an empty

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<v Speaker 2>ceramic mug, can you?

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<v Speaker 1>Of course, this place is fragrant with mug right now.

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<v Speaker 1>I don't know that I've ever smelled mug. What's wrong

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<v Speaker 1>with me? So nothing? Everyone smells different stuff. It turns

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<v Speaker 1>out our sense of smell is so complex that there's

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<v Speaker 1>about a thirty percent difference between what I smell, which

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<v Speaker 1>is mug, and what you smell, which is nothing right now.

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<v Speaker 1>But on top of that, new sensor being introduced into

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<v Speaker 1>our environment all the time, and other sensor disappearing.

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<v Speaker 2>What do you mean, sensor disappearing like going extinct or something.

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<v Speaker 1>Yeah, sometimes there are flowers that don't exist anymore. Civilization evolves,

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<v Speaker 1>but the case of the disappearing sense is a little

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<v Speaker 1>more complicated. And that's something I thought we could tackle today.

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<v Speaker 2>I love it. I find that super interesting. So let's

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<v Speaker 2>dig in. Hey, their podcast listeners, welcome to Part Time Genius.

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<v Speaker 2>I'm Will Pearson and as always I'm joined by my

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<v Speaker 2>good friend Mangesh Shot Ticketer and sitting behind that great

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<v Speaker 2>big booth. Oh wow, I was wondering what he was

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<v Speaker 2>going to do there.

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<v Speaker 1>So for all of our listeners, we have this gigantic

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<v Speaker 1>whiteboard that rotates. You know, I can flip to the

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<v Speaker 1>other side. And usually Dylan is pretty humble and sort

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<v Speaker 1>of subtle about what he does, but I could tell

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<v Speaker 1>he was very excited, and right as I went into this,

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<v Speaker 1>he flipped the board and there is the most accurate,

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<v Speaker 1>anatomically drawn picture of a note.

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<v Speaker 2>I mean, we were.

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<v Speaker 1>Talking brazen artist or medical student.

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<v Speaker 2>No, and that big of a show off.

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<v Speaker 1>He was really in this for the big reveal. But anyway,

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<v Speaker 1>let's dive in mango. What can you tell me about

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<v Speaker 1>disappearing smells? Let's get right into it. To understand why

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<v Speaker 1>certain smells have disappeared, we need a little primer on

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<v Speaker 1>the science of smell because it is super complex. So

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<v Speaker 1>let's compare smell to the way we see light. Scientists

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<v Speaker 1>figured out in the nineteenth century that all the varied

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<v Speaker 1>hues from red to violet are produced by just three

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<v Speaker 1>types of receptors in human retinas. But the nose, or

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<v Speaker 1>rather the clump of sensory neurons that are high inside

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<v Speaker 1>your nostrils, boasts about four hundred receptors, which is obviously

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<v Speaker 1>way more complex. In two thousand and four, Richard Axel

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<v Speaker 1>and Linda Buck were award the Nobel Prize in Physiology

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<v Speaker 1>or Medicine for discovering that on these receptors there are

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<v Speaker 1>genes that encode them, and these genes sit on top

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<v Speaker 1>of specialized neurons which shoot information down leggy axons into

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<v Speaker 1>the brain, eventually landing on one of two olfactory bulbs.

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<v Speaker 1>And this is where the smells are processed. But here's

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<v Speaker 1>the thing, we don't actually know which smells those receptors recognize.

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<v Speaker 2>All right, So I'm scribbling down some notes here. You know,

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<v Speaker 2>I'm a pretty good note taker. So I've got hundreds

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<v Speaker 2>of receptors responding to some smells, driven by genetic encoding

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<v Speaker 2>that sends those smells down into the old factory bulbs

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<v Speaker 2>in your brain. All so you can go, mmmm, saffron,

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<v Speaker 2>Did I get that?

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<v Speaker 1>Right, Yeah, especially the saffron part.

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<v Speaker 2>But nailed it.

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<v Speaker 1>On top of how your brain receives this information, you know,

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<v Speaker 1>the input of smells is much more complex than light.

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<v Speaker 1>Light is electromagnetic radiation, and the same three colored receptors

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<v Speaker 1>can combine to process a range of wavelengths covering the

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<v Speaker 1>entire rainbow of visible light. But smells aren't wavelengths, and

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<v Speaker 1>they aren't coasting along a smooth spectrum. They evolve a

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<v Speaker 1>complex mix of chemical particles, all kind of bobbing around

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<v Speaker 1>in the air. So, in fact, there's this twenty fourteen paper,

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<v Speaker 1>it was in the journal Science where researchers at Rockefeller

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<v Speaker 1>University estimated that humans can distinguish, give or take at

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<v Speaker 1>least a trillion distinct smells on planet Earth. Plus all

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<v Speaker 1>those odor receptors have lots of variants, like some of

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<v Speaker 1>them are less sensitive or fully non functional in large

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<v Speaker 1>chunks of the population.

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<v Speaker 2>Which is wise you were talking about. I guess you

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<v Speaker 2>and I have about thirty percent variation between what we

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<v Speaker 2>can each smell, Like some of my receptors are more

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<v Speaker 2>sensitive than yours and vice versa.

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<v Speaker 1>Right, So maybe you walk around smelling all sorts of

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<v Speaker 1>stuff that I've never smelled. But you know, additionally, there

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<v Speaker 1>seem to be about six hundred smell pseudogenes.

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<v Speaker 2>Wait, so what's a pseudogene? I mean, I fully know

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<v Speaker 2>what a pseudo gene is, but I mean, for our listeners,

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<v Speaker 2>what can you tell them what a pseudogene?

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<v Speaker 1>You're right, you had that pseudogen poster over youre at

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<v Speaker 1>bed in college. But it's for our listeners. A pseudogene

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<v Speaker 1>is a non functional segment of DNA that resembles functional genes,

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<v Speaker 1>and scientists think that there are about six hundred smell

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<v Speaker 1>pseudogenes that don't code for working receptors in anybody alive today.

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<v Speaker 2>Oh wow, so it means they just don't work or what.

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<v Speaker 1>Yeah. So some researchers take this chunk of dormant DNA

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<v Speaker 1>as evidence of the noses terminal decline. But basically the

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<v Speaker 1>theory is that we used to be able to smell

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<v Speaker 1>stuff that we can't smell anymore.

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<v Speaker 2>That is so interesting, And is this nasal decline something

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<v Speaker 2>we should be worried about as a species.

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<v Speaker 1>I don't think so. I mean, we aren't the only

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<v Speaker 1>species that this has happened to. Bottlenosed dolphins and whales

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<v Speaker 1>gave up a lot of their sense of smell long ago,

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<v Speaker 1>possibly to free up headspace for echolocation.

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<v Speaker 2>Huh. I mean, but those are both underwater creature. So

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<v Speaker 2>why do you think we're losing our precious sense of smell?

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<v Speaker 1>Well, I mean, there could be a couple of reasons.

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<v Speaker 1>One is evolution, right, like, our sense of smell started

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<v Speaker 1>roding when we changed the way we select our mates

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<v Speaker 1>and prioritizing other factors above scent.

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<v Speaker 2>That's not tracking for me because that's actually how I

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<v Speaker 2>chose my wife, But either way, go on, Okay.

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<v Speaker 1>Well, the second is pollution. So basically, pollution particles can

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<v Speaker 1>pass through the olfactory bulb and directly into the brain,

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<v Speaker 1>causing inflammation. In twenty sixteen, a team of British researchers

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<v Speaker 1>found that tiny metal particles in human brain tissue have

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<v Speaker 1>appeared to have passed through the ol factory bulb, which

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<v Speaker 1>is you know, it's obviously scary.

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<v Speaker 2>Yeah, yeah, you know. One thing I was thinking about

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<v Speaker 2>just the other day that it's the fact that we

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<v Speaker 2>sort of all took the sense of smell for granted

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<v Speaker 2>until COVID.

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<v Speaker 1>Yeah, it's true. I mean, obviously there are like chunks

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<v Speaker 1>of the population who don't have a sense of smell,

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<v Speaker 1>but COVID definitely made that concern more mean stream And

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<v Speaker 1>you know this happened to me, like I used to

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<v Speaker 1>have a much better sense of smell until I had COVID,

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<v Speaker 1>and then I haven't fully gotten it back.

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<v Speaker 2>M M, yeah, I remember pre COVID used to be

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<v Speaker 2>a much better three point shooter. I think something about

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<v Speaker 2>COVID just really yeah, gotcha there. But it's so weird,

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<v Speaker 2>like we experienced so much through smell, and until you

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<v Speaker 2>lose that sense, you kind of take it for granted.

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<v Speaker 2>And of course everyone knows smells play a much bigger

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<v Speaker 2>role in triggering memories, sort of like PRUSD with his part.

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<v Speaker 2>You know, I was going to say madelines, but but

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<v Speaker 2>sure is passing gas too. But when you were talking

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<v Speaker 2>about sinse that have disappeared, I was thinking about how

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<v Speaker 2>they're scientists actually trying to recreate smells from the past.

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<v Speaker 2>But before we get into that, let's take a quick break.

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<v Speaker 1>Welcome back to Part Time Genius, where we're talking about

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<v Speaker 1>disappearing sense. So will. Before the break, you were telling

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<v Speaker 1>us about how scientists have begun to recreate scents from

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<v Speaker 1>the past using biomolecular tech, which you know sounds fascinating.

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<v Speaker 2>It really is, all right, So most smells stem from

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<v Speaker 2>biological materials. You've got plants, foods, human animal bodies, all

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<v Speaker 2>sorts of biological materials like that, and they decay rapidly,

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<v Speaker 2>evaporate into the air, and once the source of the

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<v Speaker 2>smell is gone, the smell has disappeared. But if they

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<v Speaker 2>are imperceptible biomolecular residues left on these items from the past,

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<v Speaker 2>you think of things like incense burners or perfume bottles,

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<v Speaker 2>cooking pots, food stores, jars, all sorts of things like this.

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<v Speaker 2>Scientists can use chromatography to basically decode the smells, and

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<v Speaker 2>one German researcher has used some of these residues from

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<v Speaker 2>archaeological artifacts to reconstruct the scent of a five thousand

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<v Speaker 2>year old oasis. This was in Saudi Arabia. It's so interesting.

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<v Speaker 1>That's amazing. But I want to walk us through what

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<v Speaker 1>chromatography is actually.

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<v Speaker 2>I feel like you should explain it, Manga, because I

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<v Speaker 2>know what a huge chromatography head you are, so this

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<v Speaker 2>is all you.

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<v Speaker 1>I mean. I did do a lot of chromatography and

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<v Speaker 1>gel electrophoresis and stuff like that. When you know, I

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<v Speaker 1>worked in a university lab in high school. But it's

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<v Speaker 1>been it's been a while.

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<v Speaker 2>Yeah, it's been been a minute. But simply put, chromatography

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<v Speaker 2>is a process for separating components in a mixture, combined

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<v Speaker 2>with mass spectrometry, which can detect different compounds. By calculating

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<v Speaker 2>the weight of different molecules, scientists can essentially reverse engineer

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<v Speaker 2>the way a perfume smelled, and they do this by

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<v Speaker 2>using the molecules left in the bottle.

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<v Speaker 1>So then you could like potentially buy a perfume and

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<v Speaker 1>smell like an ancient Egyptian.

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<v Speaker 2>Not just any ancient Egyptian, you could actually smell like

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<v Speaker 2>Cleopatra herself.

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<v Speaker 1>What that's insane?

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<v Speaker 2>Yeah, I know. Cleopatra wore a perfume called mendagean and

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<v Speaker 2>sometimes referred to as the chanelle number five of ancient Egypt. Amazingly,

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<v Speaker 2>the ancient Egyptian hieroglyphics and documents describe recipes for several perfumes,

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<v Speaker 2>including this one, but the precise ingredients and preparation methods

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<v Speaker 2>those aren't quite as well known. So this Egyptologist named

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<v Speaker 2>Dora Goldsmith, and a historian of Greco Roman philosophy and science,

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<v Speaker 2>named Sean Coughlin. They started experimenting with the ingredients. They

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<v Speaker 2>were looking at things like desert date oil, myrr cinnamon

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<v Speaker 2>pine resin, and they eventually produced the scent that they

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<v Speaker 2>suspect approximates what Cleopatrick wore. Is this very strong, but pleasant,

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<v Speaker 2>long lasting blend of spiciness and sweetness. Apparently, it's pretty

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<v Speaker 2>cool they were able to recreate.

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<v Speaker 1>This, which you know, is fascinating, but it sounds a

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<v Speaker 1>little more like trial and error of using a recipe

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<v Speaker 1>rather than just going back to the molecules.

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<v Speaker 2>Right, yeah, I mean there are two distinct methods. The

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<v Speaker 2>EU funded project ODOROPA puts it like this, if you're

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<v Speaker 2>working from a historical recipe, as the Cleopatrick perfume people did,

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<v Speaker 2>quote recreating a scent. Now, if you're using chemical analysis

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<v Speaker 2>techniques of actual ancient scent molecules, you are then quote

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<v Speaker 2>reconstructing it. So researchers at ODOROPA have even created this

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<v Speaker 2>heritage smell library that documents historically significant smells.

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<v Speaker 1>Oh wow.

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<v Speaker 2>They yeah, they've reproduced the smell of the library at

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<v Speaker 2>Saint Paul's Cathedral in London of potpourri from the seventeen

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<v Speaker 2>fifties and even Royal Car P five B.

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<v Speaker 1>Royal Car P five B what is that?

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<v Speaker 2>That would be the car used by Queen Elizabeth the second.

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<v Speaker 2>So they were able to reconstruct the smellscape of the

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<v Speaker 2>interior based on this analytical data.

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<v Speaker 1>That is so weird. I really hope that long after

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<v Speaker 1>I'm dead, no one tries to reconstruct the scent of

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<v Speaker 1>our prius because that would be all. But how exactly

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<v Speaker 1>do they capture these, you know, historic scents.

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<v Speaker 2>Well, according to this one researcher, Cecilia Bimbibra, she uses

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<v Speaker 2>a method called the headspace technic where she places an

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<v Speaker 2>object inside a clean sealed bag, has this valve on it,

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<v Speaker 2>and then they seal the volatile organic compounds. These are

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<v Speaker 2>the things that actually make up the odor. Then she

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<v Speaker 2>inserts an absorbent carbon fiber into the valve to soak

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<v Speaker 2>up the ambient compounds that have been isolated inside, and

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<v Speaker 2>once the carbon fiber is all loaded up with organic compounds,

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<v Speaker 2>she runs it through a gas chromatographer. In the end,

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<v Speaker 2>it gives her this sort of electocardiogram, but really more

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<v Speaker 2>for smells, I guess, which she can use to identify

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<v Speaker 2>the various chemicals in a smell.

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<v Speaker 1>I feel like you just have like a word salad

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<v Speaker 1>of scientific words. But it is it sounds pretty amazing.

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<v Speaker 2>One day you'll understand it's pretty complicated.

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<v Speaker 1>It is also wild to learn about, like the very

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<v Speaker 1>precise and almost like clinical process of unpacking what is

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<v Speaker 1>such a human experience, right like, because you know you

0:12:58.040 --> 0:13:01.200
<v Speaker 1>said it before, smell is so emotional and whether it's

0:13:01.440 --> 0:13:05.640
<v Speaker 1>pheromones or childhood memories or just the way home smells,

0:13:05.720 --> 0:13:09.840
<v Speaker 1>right like, these are very human experiences. And you know,

0:13:10.040 --> 0:13:11.640
<v Speaker 1>one of the things I thought was fascinating was I

0:13:11.880 --> 0:13:16.199
<v Speaker 1>found this study from twenty twelve where two researchers interviewed

0:13:16.240 --> 0:13:20.200
<v Speaker 1>thirty residents of Krakow in Poland, and they were all

0:13:20.320 --> 0:13:23.080
<v Speaker 1>old enough to remember the transition in nineteen eighty nine

0:13:23.160 --> 0:13:26.439
<v Speaker 1>out of communism, and they tracked that transition with the

0:13:26.480 --> 0:13:30.240
<v Speaker 1>smell of their neighbors cooking. Like the smell showed them

0:13:30.280 --> 0:13:34.240
<v Speaker 1>the degree to which they lacked privacy in these socialist flats,

0:13:35.360 --> 0:13:38.760
<v Speaker 1>and that all changed in the transition to capitalism. This

0:13:38.880 --> 0:13:40.520
<v Speaker 1>was kind of mind blowing to be in the nineteen

0:13:40.559 --> 0:13:45.360
<v Speaker 1>forties Russians distanced themselves from capitalist America through smell. It

0:13:45.400 --> 0:13:48.040
<v Speaker 1>was like one of the propaganda things, and communists felt

0:13:48.080 --> 0:13:51.800
<v Speaker 1>that they were living in a fragrant world where everything smells,

0:13:51.840 --> 0:13:55.319
<v Speaker 1>while Americans only experienced land sterile air.

0:13:55.720 --> 0:14:00.440
<v Speaker 2>Wow. So I guess capitalism literally smells different than socialism. Yeah,

0:14:00.480 --> 0:14:01.360
<v Speaker 2>which actually.

0:14:01.080 --> 0:14:03.720
<v Speaker 1>Makes sense, right. So think about how different cities have

0:14:03.760 --> 0:14:07.480
<v Speaker 1>a smell, like these potpourries of everything that contributes to

0:14:07.480 --> 0:14:11.320
<v Speaker 1>that city's culture. Like there's a distinct smell when you

0:14:11.400 --> 0:14:14.280
<v Speaker 1>land in Beijing. I know when I've been to Bangalore,

0:14:14.360 --> 0:14:17.880
<v Speaker 1>like in the monsoons, there's a distinct smell there and

0:14:17.920 --> 0:14:21.120
<v Speaker 1>it immediately evokes certain memories. America has this too. I

0:14:21.120 --> 0:14:22.640
<v Speaker 1>was talking to a friend who was telling me how

0:14:22.680 --> 0:14:25.600
<v Speaker 1>the Denver airport has this distinct smell to her, and

0:14:25.920 --> 0:14:28.040
<v Speaker 1>so does the Path train in New York. But what's

0:14:28.080 --> 0:14:32.160
<v Speaker 1>interesting is that some cities and countries are actually making

0:14:32.200 --> 0:14:35.000
<v Speaker 1>an effort to recognize the value of their odors. So

0:14:35.240 --> 0:14:38.680
<v Speaker 1>in two thousand and one, Japan's environment minister classified the

0:14:38.680 --> 0:14:42.560
<v Speaker 1>country's top one hundred best smelling spots, which ran the

0:14:42.640 --> 0:14:45.160
<v Speaker 1>gamut from hedges to grill deal.

0:14:46.240 --> 0:14:48.200
<v Speaker 2>I'd actually love to see this list, and it definitely

0:14:48.240 --> 0:14:50.640
<v Speaker 2>makes sense for a country that prides itself on stopping

0:14:50.640 --> 0:14:53.200
<v Speaker 2>to smell the scent of nature and forest bathing.

0:14:53.440 --> 0:14:57.040
<v Speaker 1>Yeah, but Japan isn't the only one. In istanbul Coach

0:14:57.160 --> 0:15:02.600
<v Speaker 1>University's Research Center for Anatolian'sviations has opened an exhibition called

0:15:03.000 --> 0:15:05.760
<v Speaker 1>Sense in the City to explore four thousand years of

0:15:05.800 --> 0:15:07.720
<v Speaker 1>civilization through its smells.

0:15:08.080 --> 0:15:10.320
<v Speaker 2>There is something just so cool about the fact that

0:15:10.360 --> 0:15:13.080
<v Speaker 2>you can land in another country, take this deep sniff

0:15:13.120 --> 0:15:14.800
<v Speaker 2>and go yep, that's Athens.

0:15:15.760 --> 0:15:19.040
<v Speaker 1>Yeah, it's a huge component of travel experience. There's this

0:15:19.080 --> 0:15:23.560
<v Speaker 1>professor from Goldsmith's University, Alex Rhees Taylor, who specializes in

0:15:23.680 --> 0:15:28.600
<v Speaker 1>multisensory experience of urban space, and he says, quote, you

0:15:28.640 --> 0:15:30.960
<v Speaker 1>can learn a lot about a city's economy, a lot

0:15:31.000 --> 0:15:34.000
<v Speaker 1>about its culture through the sense of smell. But he

0:15:34.040 --> 0:15:36.800
<v Speaker 1>also says that a lot of those specific smells are

0:15:36.840 --> 0:15:39.840
<v Speaker 1>starting to disappear and are being replaced by what he

0:15:39.880 --> 0:15:43.760
<v Speaker 1>calls a transnational aroma scape. And he goes on to

0:15:43.800 --> 0:15:46.480
<v Speaker 1>say this it is pretty much the same in every

0:15:46.600 --> 0:15:51.320
<v Speaker 1>global city now. Smells of pulled pork, flat whites, roasting

0:15:51.360 --> 0:15:55.120
<v Speaker 1>coffee beans is an increasing one, and microbreweries. There's a

0:15:55.120 --> 0:15:59.600
<v Speaker 1>global constellation of transnational aromas and flavors associated with transnational

0:15:59.680 --> 0:16:02.720
<v Speaker 1>class people that move around from city to city.

0:16:02.960 --> 0:16:05.120
<v Speaker 2>I guess that's the smell of globalization.

0:16:05.360 --> 0:16:08.600
<v Speaker 1>Yeah, kind of like the macdonalization of culture. Yeah.

0:16:08.640 --> 0:16:11.640
<v Speaker 2>Well, there's this community hell belief that the modern era

0:16:11.760 --> 0:16:15.000
<v Speaker 2>has been one of deodorization, that is, the belief that

0:16:15.040 --> 0:16:18.000
<v Speaker 2>we've gotten less smelly the more that we advance. Sure,

0:16:18.000 --> 0:16:20.880
<v Speaker 2>but what's interesting is that this isn't entirely true. So

0:16:21.000 --> 0:16:23.680
<v Speaker 2>first of all, we've been dividing and judging people on

0:16:23.720 --> 0:16:27.400
<v Speaker 2>the basis of smell for centuries. Socrates thought that slaves

0:16:27.400 --> 0:16:30.160
<v Speaker 2>smelled differently and that the use of perfumes threatened to

0:16:30.200 --> 0:16:33.360
<v Speaker 2>confuse the ability to tell them apart from free men.

0:16:33.800 --> 0:16:36.520
<v Speaker 1>That is so weird. I feel like the more you

0:16:36.600 --> 0:16:38.920
<v Speaker 1>learn about so creates less cool. He seems to be.

0:16:40.040 --> 0:16:43.160
<v Speaker 2>Yeah, good callback to Bill and Ted there. And it

0:16:43.160 --> 0:16:46.480
<v Speaker 2>can start to get pretty discriminatory, as you pointed out,

0:16:46.560 --> 0:16:50.640
<v Speaker 2>with kind of racists and colonial ideas that actually aren't accurate.

0:16:51.040 --> 0:16:53.840
<v Speaker 2>Historian Mark Jenner has written how when society has quote

0:16:53.880 --> 0:16:57.960
<v Speaker 2>deodorized ourselves to an extent, we've swapped one set of

0:16:57.960 --> 0:17:02.440
<v Speaker 2>smells for another, like fabriz plugins in every bathroom or

0:17:02.440 --> 0:17:05.080
<v Speaker 2>hospitals smelling like bleach, those kinds of things.

0:17:04.960 --> 0:17:08.560
<v Speaker 1>Yeah, or like pine trees hanging in every uber. But right,

0:17:08.760 --> 0:17:11.159
<v Speaker 1>you know, back to what you were saying before. Because

0:17:11.240 --> 0:17:15.040
<v Speaker 1>smell is so emotional and really so cultural, it can

0:17:15.080 --> 0:17:18.000
<v Speaker 1>actually have a lot to do with power. So in

0:17:18.040 --> 0:17:21.200
<v Speaker 1>the early twentieth century along the California coast, there was

0:17:21.240 --> 0:17:25.440
<v Speaker 1>an odor of squid and sardines that really polarized opinion.

0:17:26.040 --> 0:17:29.879
<v Speaker 1>The tourism industry thought this fishy smell was intolerable, but

0:17:30.480 --> 0:17:33.439
<v Speaker 1>you know, the fishing industry just considered it. This minor

0:17:33.520 --> 0:17:37.879
<v Speaker 1>note in the smellscape of modern ray and environmental historians

0:17:37.960 --> 0:17:41.000
<v Speaker 1>look at examples like this to see how conflicting interpretations

0:17:41.040 --> 0:17:44.240
<v Speaker 1>of the same smell tend to be adjudicated according to

0:17:44.320 --> 0:17:45.520
<v Speaker 1>who has more power.

0:17:47.320 --> 0:17:49.600
<v Speaker 2>I always thinking about that. Speaking of power, remember at

0:17:49.640 --> 0:17:51.880
<v Speaker 2>the beginning of the episode, you were actually talking about

0:17:51.920 --> 0:17:55.399
<v Speaker 2>how there are organic materials that are disappearing so their

0:17:55.520 --> 0:17:57.280
<v Speaker 2>sense will be extinct soon.

0:17:57.520 --> 0:18:00.600
<v Speaker 1>Yeah that was a long time ago, but yes, I

0:18:00.680 --> 0:18:01.280
<v Speaker 1>remember that.

0:18:01.800 --> 0:18:04.840
<v Speaker 2>Yeah. Yeah. Well there's this one smell in particular that

0:18:04.960 --> 0:18:08.560
<v Speaker 2>is extremely sought after by hot, rich people and it's

0:18:08.640 --> 0:18:09.479
<v Speaker 2>called ood.

0:18:10.160 --> 0:18:13.840
<v Speaker 1>Oh I know oud, but not because I'm rich or hot,

0:18:13.520 --> 0:18:15.000
<v Speaker 1>I just like colones.

0:18:16.320 --> 0:18:18.960
<v Speaker 2>Well then you probably also know that ood is in

0:18:19.040 --> 0:18:22.359
<v Speaker 2>a lot of luxury fragrances from brands like tom Ford,

0:18:22.480 --> 0:18:26.439
<v Speaker 2>Christian Dior, Joe Malone. But real ood comes from the

0:18:26.480 --> 0:18:28.840
<v Speaker 2>resin of wild agerwood trees.

0:18:29.200 --> 0:18:31.200
<v Speaker 1>Oh, I had no idea where the sun came from.

0:18:31.560 --> 0:18:34.120
<v Speaker 2>Yeah, and apparently those trees are under serious threat from

0:18:34.200 --> 0:18:39.120
<v Speaker 2>over harvesting. Kilo for kilo, ood is actually more costly

0:18:39.200 --> 0:18:41.800
<v Speaker 2>than gold. And as wild harvesting has been banned in

0:18:41.880 --> 0:18:44.800
<v Speaker 2>Thailand and other South Asian countries, this is where the

0:18:44.840 --> 0:18:48.719
<v Speaker 2>agerwood trees grow. There's been a boom in plantations growing

0:18:48.840 --> 0:18:53.720
<v Speaker 2>cultivated agerwood. But cultivated ood just isn't that good because

0:18:53.760 --> 0:18:56.760
<v Speaker 2>it tends to get harvested when the trees are between

0:18:56.800 --> 0:19:00.720
<v Speaker 2>five and ten years old, and generally speaking, good ood

0:19:00.800 --> 0:19:03.120
<v Speaker 2>you want to let the trees cook for really about

0:19:03.119 --> 0:19:05.080
<v Speaker 2>one hundred years, so a lot lot longer.

0:19:05.320 --> 0:19:09.639
<v Speaker 1>Yeah, I let that ood cook. But that's right. But

0:19:09.920 --> 0:19:13.560
<v Speaker 1>you know, Wil, there actually is precedent for recreating sense

0:19:13.560 --> 0:19:16.520
<v Speaker 1>from extinct plants. Well, that is super interesting and I

0:19:16.560 --> 0:19:18.320
<v Speaker 1>want to get into that. But before we do that,

0:19:18.400 --> 0:19:34.760
<v Speaker 1>let's take a quick break. Welcome back to part time genius.

0:19:34.800 --> 0:19:38.120
<v Speaker 1>We're talking about disappearing sense, all right, Mango, you were

0:19:38.240 --> 0:19:41.760
<v Speaker 1>just about to tell us about scientists recreating scents and

0:19:41.840 --> 0:19:46.840
<v Speaker 1>smells from extinct plants. I mean, the whole idea of

0:19:46.880 --> 0:19:48.840
<v Speaker 1>this is really cool to me. But actually, do you

0:19:48.840 --> 0:19:51.439
<v Speaker 1>remember in college I had an extra science credit I

0:19:51.480 --> 0:19:53.760
<v Speaker 1>needed to take, and I was looking through the options

0:19:53.760 --> 0:19:57.320
<v Speaker 1>and I almost took organic chemistry because you know, one

0:19:57.320 --> 0:19:59.160
<v Speaker 1>of the things that said in the pathleot was that

0:19:59.480 --> 0:20:01.960
<v Speaker 1>you could learned to create the scent of pairs and

0:20:02.040 --> 0:20:04.119
<v Speaker 1>a lab. And I really love that.

0:20:05.119 --> 0:20:07.239
<v Speaker 2>I love that that was like the reason you were

0:20:07.280 --> 0:20:09.840
<v Speaker 2>going to take what was probably known as like the

0:20:09.880 --> 0:20:13.359
<v Speaker 2>hardest weed out class in all of college. It would

0:20:13.359 --> 0:20:13.720
<v Speaker 2>have been a.

0:20:13.720 --> 0:20:16.320
<v Speaker 1>Disaster, I know. And actually you're the one who convinced

0:20:16.320 --> 0:20:21.359
<v Speaker 1>me not to do it, because I chemistry, but the

0:20:21.400 --> 0:20:23.480
<v Speaker 1>curiosity about how to make sense and a level almost

0:20:23.520 --> 0:20:26.520
<v Speaker 1>tricked me into hating my senior year. But I hear you,

0:20:26.760 --> 0:20:30.880
<v Speaker 1>let's talk about these extinct flowers. So in twenty sixteen,

0:20:31.119 --> 0:20:34.679
<v Speaker 1>a team of biologists, researchers, and artists embarked on a

0:20:34.680 --> 0:20:39.440
<v Speaker 1>project called Resurrecting the Sublime, and using tiny amounts of

0:20:39.520 --> 0:20:43.639
<v Speaker 1>DNA extracted from specimen of three flowers, a team of

0:20:43.680 --> 0:20:47.680
<v Speaker 1>scientists used synthetic biology to predict and resynthesize the gene

0:20:47.720 --> 0:20:52.240
<v Speaker 1>sequences that could encode for fragrance producing enzymes and then

0:20:52.359 --> 0:20:57.000
<v Speaker 1>using those findings, this smell researcher and artist named Cecil

0:20:57.080 --> 0:21:01.159
<v Speaker 1>Tolas used her expertise to reconstruc the flowers smells in

0:21:01.200 --> 0:21:05.680
<v Speaker 1>the lab, and she used identical or comparative smell molecules.

0:21:06.280 --> 0:21:08.520
<v Speaker 2>Some guys, since she's like one of these super smellers

0:21:08.520 --> 0:21:11.879
<v Speaker 2>that helped create perfumes. But what were the extinct flowers?

0:21:12.000 --> 0:21:15.200
<v Speaker 1>Yeah, she's a nose like that's what they're called. But yeah,

0:21:15.240 --> 0:21:18.000
<v Speaker 1>I'm gonna murder the pronunciation of these flowers, but bear

0:21:18.080 --> 0:21:27.040
<v Speaker 1>with me. The Hibiscadelphus wilderaneus or maui how kiwaii?

0:21:27.440 --> 0:21:28.800
<v Speaker 2>You murdered it?

0:21:28.800 --> 0:21:33.320
<v Speaker 1>It's the plant's habitat was decimated by colonial cattle ranching

0:21:33.400 --> 0:21:36.000
<v Speaker 1>and the final tree was found dying in nineteen twelve.

0:21:36.440 --> 0:21:39.159
<v Speaker 1>And then the second flower was the falls of the

0:21:39.160 --> 0:21:42.600
<v Speaker 1>Ohio scurf pee, which was last seen in eighteen eighty

0:21:42.640 --> 0:21:46.120
<v Speaker 1>one on Rock Island on the Ohio River. And then

0:21:46.160 --> 0:21:49.159
<v Speaker 1>there's Windberg cone bush, which sounds like a person, but

0:21:49.240 --> 0:21:52.320
<v Speaker 1>it's actually a flower, and it was last described in

0:21:52.400 --> 0:21:55.560
<v Speaker 1>London in a collector's garden in eighteen oh five, and

0:21:55.680 --> 0:21:58.919
<v Speaker 1>its habitat in Cape Town, South Africa was already lost

0:21:58.960 --> 0:22:02.200
<v Speaker 1>to colonial van so you know it had disappeared there

0:22:02.240 --> 0:22:03.920
<v Speaker 1>and then was preserved in London for a bit.

0:22:04.440 --> 0:22:06.520
<v Speaker 2>Yeah, I mean, I do think it'd be so amazing

0:22:06.560 --> 0:22:09.399
<v Speaker 2>to smell extinct flowers, But I guess you'd have to

0:22:09.400 --> 0:22:11.520
<v Speaker 2>go to a lab where they recreated them. It's not

0:22:11.560 --> 0:22:14.600
<v Speaker 2>like you can, you know, send off these smells or anything.

0:22:15.119 --> 0:22:18.119
<v Speaker 1>Yeah, I mean, there's something amazing about like the idea

0:22:18.119 --> 0:22:20.400
<v Speaker 1>of smelling a new scent, right, Like it's like seeing

0:22:20.480 --> 0:22:22.760
<v Speaker 1>a new color or something. It just feels unimaginable, But

0:22:23.240 --> 0:22:26.920
<v Speaker 1>you know the idea of sending smells is pretty fascinating.

0:22:27.040 --> 0:22:30.760
<v Speaker 1>In twenty fourteen, a Harvard professor named David Edwards and

0:22:30.880 --> 0:22:34.600
<v Speaker 1>one of his students, Rachel Field, invented a prototype called

0:22:34.680 --> 0:22:37.560
<v Speaker 1>the O Phone, which was designed to let people send

0:22:37.560 --> 0:22:39.440
<v Speaker 1>smells like text messages.

0:22:40.240 --> 0:22:41.800
<v Speaker 2>WHOA, so, how does that even work?

0:22:42.440 --> 0:22:45.440
<v Speaker 1>Well? The phone had a lot of moving parts. There

0:22:45.480 --> 0:22:49.160
<v Speaker 1>was the O snap app where you create an O note,

0:22:49.600 --> 0:22:52.320
<v Speaker 1>which was a photograph and a smell created out of

0:22:52.359 --> 0:22:54.680
<v Speaker 1>a palette of thirty two cents available in the app

0:22:54.760 --> 0:22:58.920
<v Speaker 1>that could be combined into three hundred thousand possible combinations.

0:22:59.000 --> 0:23:01.240
<v Speaker 1>So like the sender would forward the OH note to

0:23:01.280 --> 0:23:05.200
<v Speaker 1>an OPhone, the hardware portion of the enterprise which recreated

0:23:05.240 --> 0:23:08.360
<v Speaker 1>the aroma from the O snap app, and the key

0:23:08.400 --> 0:23:11.919
<v Speaker 1>component of the OPhone is the O chip, which you

0:23:11.920 --> 0:23:13.600
<v Speaker 1>know created the actual smell.

0:23:14.680 --> 0:23:17.040
<v Speaker 2>Yes, I mean, I guess you're not really sending a smell.

0:23:17.080 --> 0:23:19.919
<v Speaker 2>You're more like describing it to a computer, and the

0:23:19.960 --> 0:23:23.399
<v Speaker 2>computer squirts out its best guess as to what you described.

0:23:23.680 --> 0:23:25.920
<v Speaker 2>It kind of makes me feel like it's smell a vision,

0:23:25.960 --> 0:23:26.640
<v Speaker 2>but for a phone.

0:23:26.720 --> 0:23:27.560
<v Speaker 1>Yeah, pretty much.

0:23:27.640 --> 0:23:30.560
<v Speaker 2>But it is approximating a mood through smell, And it's

0:23:30.560 --> 0:23:33.399
<v Speaker 2>sort of like those fancy candle stores that now you know,

0:23:33.440 --> 0:23:36.879
<v Speaker 2>make these really specific smells to evoke a certain mood,

0:23:37.160 --> 0:23:40.920
<v Speaker 2>like pasta water or video store or things like that.

0:23:41.440 --> 0:23:43.439
<v Speaker 1>I love that video stores a smell.

0:23:44.200 --> 0:23:46.680
<v Speaker 2>Yeah. The company that makes it describes it as quote,

0:23:46.760 --> 0:23:52.240
<v Speaker 2>aromas of buttery, popcorn, plastic vhis tapes, dusty carpet, and

0:23:52.359 --> 0:23:55.320
<v Speaker 2>hints of candy to evoke the atmosphere of a classic

0:23:55.440 --> 0:23:57.760
<v Speaker 2>video store. And you have to admit, when you hear

0:23:57.840 --> 0:23:59.840
<v Speaker 2>those words, you can start to like smell it.

0:24:00.840 --> 0:24:03.040
<v Speaker 1>Yeah, bring me back to my days working at biz art.

0:24:03.080 --> 0:24:06.200
<v Speaker 1>It's like, yeah, the closest thing we have to time travel.

0:24:06.840 --> 0:24:09.320
<v Speaker 1>It's amazing and I guess until we get our OPhones working,

0:24:09.359 --> 0:24:11.879
<v Speaker 1>we'll just have to rely on these candles. Anyway, I

0:24:12.200 --> 0:24:15.040
<v Speaker 1>really am amazed that you can recreate all these ancient scents.

0:24:15.440 --> 0:24:17.760
<v Speaker 2>Yeah, it is pretty stunning. All right, Well, before we

0:24:17.840 --> 0:24:19.680
<v Speaker 2>sign off, how about we make time for a little

0:24:19.680 --> 0:24:20.200
<v Speaker 2>fact off.

0:24:20.280 --> 0:24:21.080
<v Speaker 1>Yeah, I'm into it.

0:24:29.359 --> 0:24:31.240
<v Speaker 2>Okay, Mango, here's a quick one. Did you know that

0:24:31.320 --> 0:24:34.240
<v Speaker 2>Yale University found that Crayola crayons are one of the

0:24:34.320 --> 0:24:39.359
<v Speaker 2>twenty most recognizable scents among American adults, and another survey

0:24:39.480 --> 0:24:42.400
<v Speaker 2>eighty five percent of people remembered their childhood when they

0:24:42.440 --> 0:24:45.159
<v Speaker 2>caught the scent of Crayola crayons.

0:24:45.400 --> 0:24:48.439
<v Speaker 1>Which I guess makes sense. But uh, what were some

0:24:48.480 --> 0:24:50.520
<v Speaker 1>of the other scents on Yale's list?

0:24:51.040 --> 0:24:52.840
<v Speaker 2>Well, some of them aren't that surprisingly. There are things

0:24:52.880 --> 0:24:57.119
<v Speaker 2>like coffee, lemons, bleach mothballs, which is such a strong

0:24:57.160 --> 0:25:00.879
<v Speaker 2>and terrible smell, baby powder, but also other name brand

0:25:00.920 --> 0:25:04.879
<v Speaker 2>things like Ivory, soap, Vix, vapor rub, but weirdly, the

0:25:04.960 --> 0:25:08.560
<v Speaker 2>Krayola scent comes because it's a derivative beef tallow or

0:25:08.680 --> 0:25:11.919
<v Speaker 2>beef fat, which gives the crayons their sort of waxy feel.

0:25:12.800 --> 0:25:16.120
<v Speaker 1>So, speaking of Crayola, here's one I didn't realize from

0:25:16.160 --> 0:25:18.280
<v Speaker 1>mental fluss. Did you know that? In nineteen ninety four,

0:25:18.800 --> 0:25:23.320
<v Speaker 1>Crayola released a line of food scented crayons called Magic Scent.

0:25:23.359 --> 0:25:24.200
<v Speaker 1>Have you heard about these?

0:25:24.400 --> 0:25:24.960
<v Speaker 2>No? I had not.

0:25:25.280 --> 0:25:27.879
<v Speaker 1>Yeah, so it sounds like such a bad idea because

0:25:27.880 --> 0:25:32.680
<v Speaker 1>the crayons basically came in flavors like coconut, cherry, and chocolate,

0:25:32.760 --> 0:25:36.080
<v Speaker 1>which obviously makes kids want to stuff them in their faces.

0:25:36.520 --> 0:25:39.320
<v Speaker 2>I mean, how would they not see this coming? Between

0:25:39.320 --> 0:25:42.120
<v Speaker 2>beef flavor and those dessert flavors. How could you not eat?

0:25:42.160 --> 0:25:43.280
<v Speaker 2>I think I would try them.

0:25:43.800 --> 0:25:47.120
<v Speaker 1>Yeah, But by nineteen ninety five, the next year, apparently

0:25:47.160 --> 0:25:49.600
<v Speaker 1>at least ten kids had eaten a lot of crayons.

0:25:49.640 --> 0:25:52.359
<v Speaker 1>So Crayola changed the flavors to things that are a

0:25:52.359 --> 0:25:55.679
<v Speaker 1>little less appetizing, to things like, uh dirt.

0:25:55.720 --> 0:26:00.720
<v Speaker 2>Apparently all right, Well, here's another one from a fragrance

0:26:00.760 --> 0:26:03.679
<v Speaker 2>manufacturer called Aromaco, who says that in the not so

0:26:03.840 --> 0:26:08.600
<v Speaker 2>distant future, sweat maybe used like a fingerprint. According to

0:26:08.640 --> 0:26:11.920
<v Speaker 2>the site quote, Israeli Kimis say that the food we eat,

0:26:12.200 --> 0:26:15.920
<v Speaker 2>drugs we take, gender, and even state of mind all

0:26:16.000 --> 0:26:19.840
<v Speaker 2>combined to make each person sweat unique, which is super interesting.

0:26:19.880 --> 0:26:21.960
<v Speaker 2>It makes sense. But I had not thought about that before.

0:26:22.080 --> 0:26:25.520
<v Speaker 2>And the manufacturer points to how Tel Aviv University's School

0:26:25.560 --> 0:26:28.320
<v Speaker 2>of Chemistry has this lab where a team has been

0:26:28.359 --> 0:26:31.560
<v Speaker 2>breaking down the components of human sweat. Is kind of

0:26:31.560 --> 0:26:33.840
<v Speaker 2>a new id that's crazy.

0:26:34.560 --> 0:26:38.160
<v Speaker 1>Yeah, So here's a quick fact from Scientific American. I'm

0:26:38.200 --> 0:26:40.760
<v Speaker 1>not sure if you've ever noticed this, but there's a sweet,

0:26:40.920 --> 0:26:44.719
<v Speaker 1>slightly pungent smell that comes before the rain begins, and

0:26:45.400 --> 0:26:49.919
<v Speaker 1>that smell is ozone. That's what ozone smells like. According

0:26:49.960 --> 0:26:53.840
<v Speaker 1>to tropospheric chemists from the National Center for Atmospheric Research,

0:26:54.160 --> 0:26:58.080
<v Speaker 1>the downdrafts that happen as a thunderstorm is brewing carry

0:26:58.119 --> 0:27:01.960
<v Speaker 1>the ozone from the atmosphere down to nostril level where

0:27:01.960 --> 0:27:02.760
<v Speaker 1>we can smell them.

0:27:03.240 --> 0:27:05.800
<v Speaker 2>Wow. I mean, there definitely is a distinct smell there.

0:27:05.840 --> 0:27:07.760
<v Speaker 2>I had no idea that that's what that was though.

0:27:08.200 --> 0:27:11.439
<v Speaker 2>All right, well, speaking of recreating sense, the Jorvik Viking

0:27:11.480 --> 0:27:14.800
<v Speaker 2>Center in York, England, decided they wanted to give visitors

0:27:14.880 --> 0:27:17.280
<v Speaker 2>a better sense of what it felt like to be

0:27:17.320 --> 0:27:20.840
<v Speaker 2>in a Viking village. So, as Freddale, a scent consultant,

0:27:20.840 --> 0:27:24.280
<v Speaker 2>put it, previously, museums were a series of glass cases

0:27:24.320 --> 0:27:26.560
<v Speaker 2>which had their own musty smell, but not the one

0:27:26.560 --> 0:27:29.560
<v Speaker 2>that encouraged you to think about the past. So among

0:27:29.600 --> 0:27:35.359
<v Speaker 2>smells that are pumped through the exhibits are things like wood, smoke, apples, fish, leatherwork,

0:27:35.520 --> 0:27:38.680
<v Speaker 2>and goat pooh.

0:27:38.720 --> 0:27:42.919
<v Speaker 1>Well, speaking of goat pooh.

0:27:42.160 --> 0:27:44.199
<v Speaker 2>I think I accidentally set you up here. I'm not

0:27:44.200 --> 0:27:45.399
<v Speaker 2>sure I like where this is going.

0:27:45.960 --> 0:27:49.320
<v Speaker 1>So this is a terrible fact and you did accidentally

0:27:49.359 --> 0:27:52.800
<v Speaker 1>set me up. But have you ever heard of perosmia?

0:27:52.960 --> 0:27:53.879
<v Speaker 2>I don't think I have.

0:27:54.359 --> 0:27:58.360
<v Speaker 1>Apparently it is a scent disorder. So there's anosmia, where

0:27:58.400 --> 0:28:02.560
<v Speaker 1>you can't smell anything, and then there's phantasmia, which or phantosmia,

0:28:02.640 --> 0:28:05.399
<v Speaker 1>which is it's kind of like a phantom limb, you know,

0:28:05.760 --> 0:28:08.560
<v Speaker 1>so you're smelling things that don't actually exist, the same

0:28:08.560 --> 0:28:11.040
<v Speaker 1>way people with phantom limbs feel like they have a

0:28:11.119 --> 0:28:14.840
<v Speaker 1>leg even though it's been amputated. And then there's parosmia,

0:28:15.000 --> 0:28:18.640
<v Speaker 1>which is just awful apparently it affects a very very

0:28:18.680 --> 0:28:23.040
<v Speaker 1>small part of the population. But everything smells like sewage

0:28:23.160 --> 0:28:27.160
<v Speaker 1>and mud. It's just miserable. I read this account from

0:28:27.200 --> 0:28:29.520
<v Speaker 1>this person in the Guardian who talked about getting this

0:28:29.600 --> 0:28:32.800
<v Speaker 1>awful cold and illness and it took away her sense

0:28:32.840 --> 0:28:35.920
<v Speaker 1>of scent. And then she got phantasmia first, where she

0:28:35.960 --> 0:28:39.120
<v Speaker 1>thought she was smelling a burning meat, so she kept

0:28:39.160 --> 0:28:41.440
<v Speaker 1>having her husband check the oven and look around the

0:28:41.480 --> 0:28:43.440
<v Speaker 1>house and it was just this made up scent in

0:28:43.480 --> 0:28:46.080
<v Speaker 1>her head. But then the worst thing happened and she

0:28:46.160 --> 0:28:51.080
<v Speaker 1>got parosmia, and suddenly everything smelled terrible. She lost her appetite,

0:28:51.360 --> 0:28:55.040
<v Speaker 1>everything felt disgusting, and she thought she was losing her mind.

0:28:55.160 --> 0:28:58.320
<v Speaker 1>So actually, this is her quote from the article. To me,

0:28:58.600 --> 0:29:02.360
<v Speaker 1>chocolate tastes like biting in raw sewage, chicken is muddy

0:29:02.400 --> 0:29:06.160
<v Speaker 1>and rubbery, Peanut butter and marmite are like trying to eat.

0:29:06.600 --> 0:29:08.240
<v Speaker 1>I'm not gonna say it, but let's just call it

0:29:08.280 --> 0:29:12.960
<v Speaker 1>loose motions. And she says there are a couple of exceptions. Raspberries,

0:29:13.160 --> 0:29:17.160
<v Speaker 1>carrots and parsnips don't taste vile, nor does gin, which

0:29:17.200 --> 0:29:19.560
<v Speaker 1>really helps. But you know, she didn't know what to

0:29:19.560 --> 0:29:21.760
<v Speaker 1>do about this. She goes to a conference with people

0:29:21.760 --> 0:29:25.200
<v Speaker 1>who suffered sort of these three similar traits, and she

0:29:25.440 --> 0:29:27.600
<v Speaker 1>learned some hacks to deal with the situation.

0:29:28.160 --> 0:29:31.080
<v Speaker 2>I mean, this just sounds brutal, but like, what kind

0:29:31.120 --> 0:29:32.120
<v Speaker 2>of hacks did she learn?

0:29:32.600 --> 0:29:36.560
<v Speaker 1>Yeah, basically masking the scent. So her friend, who was

0:29:36.600 --> 0:29:40.320
<v Speaker 1>a perfumer, made a strong scent out of violets and lilies,

0:29:40.360 --> 0:29:42.760
<v Speaker 1>and that was something she could actually smell. So she

0:29:42.880 --> 0:29:45.760
<v Speaker 1>puts that on herself to sort of, you know, cover

0:29:45.880 --> 0:29:48.280
<v Speaker 1>up everything around her, and she carries around what she

0:29:48.360 --> 0:29:52.000
<v Speaker 1>calls a perosmia first aid kit. This includes things like

0:29:52.040 --> 0:29:55.520
<v Speaker 1>cinnamon drops to make drinks palatable and hot sauce to

0:29:55.680 --> 0:29:57.920
<v Speaker 1>mask the taste of food. And you know, all of

0:29:57.960 --> 0:29:59.240
<v Speaker 1>it just sounds so miserable.

0:30:00.080 --> 0:30:02.400
<v Speaker 2>Yeah, it really does. I feel like we need a

0:30:02.400 --> 0:30:05.080
<v Speaker 2>palate cleanser for that last fact. So here's one that

0:30:05.080 --> 0:30:07.680
<v Speaker 2>I think is fascinating. Did you know that during the

0:30:07.720 --> 0:30:10.560
<v Speaker 2>two thousand and eight World Series, the Tampa Bay Rays

0:30:10.600 --> 0:30:14.720
<v Speaker 2>Stadium commissioned a scent called Citrus Burst, so that when

0:30:14.760 --> 0:30:17.800
<v Speaker 2>fans entered the rotunda, instead of smelling hot dogs and

0:30:17.840 --> 0:30:21.400
<v Speaker 2>stale beer, they would smell the pleasant scent of oranges.

0:30:22.040 --> 0:30:24.640
<v Speaker 1>I like that, but uh, don't they play at traffic

0:30:24.640 --> 0:30:25.240
<v Speaker 1>out of field?

0:30:25.960 --> 0:30:28.760
<v Speaker 2>That's exactly right, so it has extra a meaning. But

0:30:28.880 --> 0:30:32.240
<v Speaker 2>the experiment went over so well that stadium owners started

0:30:32.280 --> 0:30:35.480
<v Speaker 2>playing and pumping other scents into the stadiums just to

0:30:35.520 --> 0:30:39.480
<v Speaker 2>please fans, including cotton candy and tops bubblegum.

0:30:39.840 --> 0:30:42.520
<v Speaker 1>I love that. You know, you did a nice job

0:30:42.560 --> 0:30:45.760
<v Speaker 1>of covering up my perosbia fact. So why don't I

0:30:45.920 --> 0:30:46.800
<v Speaker 1>give this one to you?

0:30:47.520 --> 0:30:49.040
<v Speaker 2>I was going to say, even if I had not

0:30:49.120 --> 0:30:51.960
<v Speaker 2>earned it, just that fact alone, I think by default

0:30:52.080 --> 0:30:54.600
<v Speaker 2>I'm going to get it. But thank you so much.

0:30:54.720 --> 0:30:57.080
<v Speaker 2>That is it for this week's Part Time Genius. Thanks

0:30:57.120 --> 0:30:59.280
<v Speaker 2>so much for listening. If you like Part Time Genius,

0:30:59.280 --> 0:31:01.800
<v Speaker 2>don't forget to raise the show, write his review, tell

0:31:01.840 --> 0:31:04.400
<v Speaker 2>a friend, and if you really want to get to us,

0:31:04.440 --> 0:31:07.840
<v Speaker 2>write our moms a note at PT Genius moms at

0:31:07.840 --> 0:31:11.320
<v Speaker 2>gmail dot com. They always pass these notes along to us.

0:31:11.360 --> 0:31:14.720
<v Speaker 1>Yeah, they passed a few already, which are really really wonderful.

0:31:14.760 --> 0:31:17.520
<v Speaker 1>And I actually have a giveaway I mentioned this last week,

0:31:17.560 --> 0:31:20.800
<v Speaker 1>but we're gonna pick ten more random fans from everyone

0:31:20.800 --> 0:31:23.280
<v Speaker 1>who writes in, and I'm going to send you a

0:31:23.280 --> 0:31:25.560
<v Speaker 1>special gift to show you our appreciation. We're going to

0:31:25.600 --> 0:31:27.880
<v Speaker 1>pony you express it to you. So let us know

0:31:27.960 --> 0:31:30.400
<v Speaker 1>what you think about the show and what topics you

0:31:30.400 --> 0:31:33.120
<v Speaker 1>want us to cover, especially that, and we'll put something

0:31:33.120 --> 0:31:36.400
<v Speaker 1>in the mail for you from Will, Dylan, Marry and me.

0:31:36.600 --> 0:31:51.200
<v Speaker 1>Thank you so much for listening. Part Time Genius is

0:31:51.240 --> 0:31:55.080
<v Speaker 1>a production of Kaleidoscope and iHeartRadio. This show is hosted

0:31:55.080 --> 0:31:59.479
<v Speaker 1>by Will Pearson and Me Mongagetikler and research by our

0:31:59.560 --> 0:32:03.720
<v Speaker 1>good path Mary Philip Sandy. Today's episode was engineered and

0:32:03.720 --> 0:32:07.440
<v Speaker 1>produced by the wonderful Dylan Fagan with support from Tyler Klang.

0:32:07.920 --> 0:32:11.440
<v Speaker 1>The show is executive produced for iHeart by Katrina Norvel

0:32:11.600 --> 0:32:14.760
<v Speaker 1>and Ali Perry, with social media support from Sasha Gay,

0:32:14.800 --> 0:32:19.400
<v Speaker 1>trustee Dara Potts and Viney Shorey. For more podcasts from

0:32:19.440 --> 0:32:24.440
<v Speaker 1>Kaleidoscope and iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

0:32:24.640 --> 0:32:38.320
<v Speaker 1>wherever you listen to your favorite shows.