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Speaker 1: Curiously because I know you're such a fan. What's your

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Speaker 1: favorite ride at Disney at Disneyland, Yeah, at Land or

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Speaker 1: World anything Disney, Like, what's your jam?

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Speaker 2: Well, you know, really, I don't go on adult rides

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Speaker 2: that much anymore because I've got Monroe with me, and

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Speaker 2: I really love this summary of Finding Nemo. It's like,

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Speaker 2: first of all, I stay cool in there, nice, and

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Speaker 2: I just think it's so cute. And Monroe's like in

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Speaker 2: the little circle just like and she rides it almost

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Speaker 2: every single time and still is amazed by this ride.

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Speaker 2: Her new one, her new one. I love that it's her,

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Speaker 2: not me always. Her new one is Autotopia because she

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Speaker 2: really thinks that she's driving her car, Like really she's

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Speaker 2: in that Wait.

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Speaker 3: A second, I'm sorry, you're you're you're ruining this for me.

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Speaker 1: I'm not actually driving the car when I'm at Autotopia.

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Speaker 2: Well you are, okay, but like the track what I mean?

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Speaker 2: So I have to like sort of very quietly and

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Speaker 2: like not let her know that I'm like helping her

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Speaker 2: with the wheel because otherwise we're like bang bang, like

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Speaker 2: just right left right left right left against that track.

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Speaker 1: Well, did you ever try to get to pop it

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Speaker 1: off the track. When you were younger driving at Autotopia,

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Speaker 1: did you ever have that moment of you slam back

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Speaker 1: and forth to try to actually pop it off the track?

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Speaker 2: Why? No, I did.

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Speaker 1: Yes, you gotta get's like you crack. You go back

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Speaker 1: and forth, and occasional you'll have somebody come out to you.

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Speaker 3: And be like you got it. You gotta see you

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Speaker 3: gotta sum down. Well, yeah, comment down, calm it down.

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Speaker 1: I had not been to Disneyland in a while, and

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Speaker 1: I just went on that Star Wars ride where you

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Speaker 1: end up in like the the enemy base, okay, and

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Speaker 1: there's eighty eighties everywhere, like full size walkers around, and

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Speaker 1: that was insane, like the Rise of the Resistance, Okay.

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Speaker 2: I don't know the difference between the two of them,

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Speaker 2: to be honest. There's twoo of them.

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Speaker 3: Yes.

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Speaker 1: One of them takes place in the Millennium Falcon and

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Speaker 1: I would throw up all over everybody, And the other

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Speaker 1: one is like an actual ride where it's not motion simulator.

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Speaker 2: Okay, so you don't do motion simulating OOO.

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Speaker 1: The only thing that's simulating is me vomiting. I do

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Speaker 1: start Towars with my friend Spencer. I get horribly horribly nauseous,

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Speaker 1: but I make it through the ride. I usually just

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Speaker 1: shut my eyes. I do that on Harry Potter too.

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Speaker 1: My wife and I yell back and forth. Is it over?

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Speaker 1: So I'm walking out with my friend Spencer and the

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Speaker 1: guy and we're walking behind this guy and his girlfriend,

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Speaker 1: and the guy turns to his girlfriend and absolutely honestly says,

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Speaker 1: that's not what hyperspace is. Like it was the greatest.

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Speaker 1: He was so earnest where he was just conveyed. He's like,

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Speaker 1: they that's not that's not how it was.

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Speaker 2: Wow, what a joke.

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Speaker 3: It was so funny because he was just so.

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Speaker 2: Real and irritated, like irritated because they did not do

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Speaker 2: that correct.

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Speaker 3: Now they got it wrong. It was so funny.

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Speaker 1: Welcome back to Magical Rewind. I'm Wilfredell, I'm Sabrina Bryan,

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Speaker 1: and oh boy, I just want to say this. So

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Speaker 1: today we were reviewing a very special movie to not

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Speaker 1: only my friend and co host Sabrina here, but also

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Speaker 1: to an entire generation of especially girls all over the world. Now,

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Speaker 1: at the time, this was by far the highest rated

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Speaker 1: movie in the history of d com, so much so

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Speaker 1: that it arguably changed the entire way Disney saw their

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Speaker 1: original movies forever. Now, all I really have to say

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Speaker 1: about this film is bubbles, choucci, aqua and do Now.

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Speaker 1: I'm not trying to get crunched like cornships here, So

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Speaker 1: let's jump into this jiggy jungle together because we don't

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Speaker 1: want to open this box behind your backs.

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Speaker 3: Let's just hope we don't look tore up and.

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Speaker 1: JANKI as we do whatever's clever to keep the Cheetah

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Speaker 1: Girls on the prowl.

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Speaker 2: Wow. Oh well, I knew you were gonna love the

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Speaker 2: Cheetah Chata. I knew it. I'm so happy to blow.

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Speaker 3: Your mind amazing.

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Speaker 1: Before we deep dive into it, let's do a very

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Speaker 1: quick synopsis A four as if we need to for

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Speaker 1: anybody out there listening.

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Speaker 3: A four member girl.

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Speaker 1: Group named the Cheetah Girls hope to become the first

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Speaker 1: freshman to win their high school's talent show. But during

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Speaker 1: the auditions, they're discovered by a big time producer who

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Speaker 1: wants to turn the girls into superstars. Will the prospect

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Speaker 1: of fame break best friends apart or make.

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Speaker 3: Them closer than ever?

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Speaker 1: We can get into the stars and all that stuff,

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Speaker 1: because it's star studded especially in the world of young actors.

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Speaker 1: I mean, it's Raven Simone as Galleria. We raven icon

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Speaker 1: in the Disney Channel world. That's so Raven's Home, which

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Speaker 1: is the reboot. But she started on Cosby Show hanging

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Speaker 1: with mister Cooper. I mean, she is truly a television icon.

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Speaker 2: Absolutely, and that was one of my favorite things, honestly.

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Speaker 2: To rewatch this movie was to just I mean, she

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Speaker 2: blew me away. She's just so good, so good, and

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Speaker 2: she nails this character like in just an unreal level.

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Speaker 2: Like literally I loved it. I mean, I'm a fan

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Speaker 2: from The Cosby Show me Too, and she was by

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Speaker 2: far the cue like I wanted one day a little

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Speaker 2: girl that looked just like her, Like I just wanted

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Speaker 2: her personality, her sass, and she was just so cute.

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Speaker 2: And then this movie she killed Well.

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Speaker 3: See here's the thing.

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Speaker 1: The Cosby Show fell into that trope that television shows

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Speaker 1: often fall into. You see it all the time. We

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Speaker 1: saw it on Family Ties, you see it everywhere where.

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Speaker 1: The kids grow up aren't as cute, so they bring

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Speaker 1: on another kid, and a lot of times it doesn't work.

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Speaker 1: The kid is just kind of there and doesn't really

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Speaker 1: fit into a cast that's already there. Raven came on

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Speaker 1: as this little kid and stole the show.

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Speaker 2: Yeah.

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Speaker 1: As I was sitting there watching her, her facial expressions,

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Speaker 1: the way that she was selling everything, it reminded me

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Speaker 1: of the first time I saw Claire Danes on My

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Speaker 1: So Called Life, where everything's written on her face in

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Speaker 1: such a way that you could just follow all the

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Speaker 1: little She was awesome.

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Speaker 3: So that's Raven.

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Speaker 1: And then we've got Adrian Bilone is Chanelle Simmons.

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Speaker 3: Or Choucci, which is great.

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Speaker 1: She was a member of the actual girl group three

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Speaker 1: l W and later became a co host on the

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Speaker 1: daytime talk show The Real and He News.

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Speaker 2: Yes and she won an Emmy. On the reel they

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Speaker 2: won an Emmy?

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Speaker 3: Did they really? Yes? Yes.

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Speaker 1: Then there was some girl named Sabrina Bryan who played

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Speaker 1: Dorinda Thomas Ordeaux.

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Speaker 2: Rush off the streets of Orge County and slaying a

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Speaker 2: New Yorker.

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Speaker 1: Hiding a secret that she's kept from her girls the

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Speaker 1: entire time. But Sabrina was also on The Bold and Beautiful.

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Speaker 1: She was a Cheetah Girl's mainstay. The first Dancing with

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Speaker 1: the Stars contestant to get a perfect score from her

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Speaker 1: season where she was robbed.

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Speaker 3: I'm gonna say it of making the finals.

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Speaker 1: In my completely and totally unbiased opinion, Keey Williams aka Aqua,

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Speaker 1: who herself was another member of three l W, leaving

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Speaker 1: only one three l W member not in the movie,

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Speaker 1: and now that third member, Naurie Naughton, is on the

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Speaker 1: show Power.

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Speaker 3: So this is.

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Speaker 1: I want to We'll get into everything that you know.

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Speaker 1: I'll do the basics very quickly. It was directed by

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Speaker 1: Oz Scott. It was written by Alison Taylor, based on

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Speaker 1: a very successful book series by Debora Gregory.

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Speaker 3: Did I say that right? Yes?

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Speaker 1: And most importantly though, and the coolest thing, and I didn't.

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Speaker 1: I'm sure everyone else in the world knew this and

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Speaker 1: I didn't. This movie was produced by Whitney Houston.

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Speaker 3: Yup, did you meet Did you meet her? No?

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Speaker 2: Is sh No, I didn't, but I did. So this

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Speaker 2: was like the first job I had ever done as

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Speaker 2: an eighteen year old, meaning I was on set by myself. Right.

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Speaker 2: So I show up in Toronto and two things happened

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Speaker 2: in and there's a newspaper on the table that says

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Speaker 2: the Anahe'm Angels, which is you know from Orange County

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Speaker 2: won the World Series. Okay, very cool. The next thing,

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Speaker 2: I look over and there's a gorgeous bouquet of flowers

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Speaker 2: with a note from Whitney Houston. So she knew she

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Speaker 2: wasn't going to be able to make you know, the

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Speaker 2: tape beings. I think she was on tour. I can't remember,

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Speaker 2: but she was obviously very busy, but she did. And

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Speaker 2: I still have it.

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Speaker 3: You still have the note? Really?

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Speaker 2: Oh yeah? Oh yeah? And you know it's funny. I

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Speaker 2: do things like that that are really important to me.

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Speaker 2: I put them in different places, like when I find it,

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Speaker 2: I'll put it somewhere else, and then I'll find it

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Speaker 2: again and it's like, oh, I still have this. This

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Speaker 2: is so cool. So yeah, that's definitely something I will

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Speaker 2: always hold on to. And it's just so grateful to even,

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Speaker 2: you know, get the opportunity to be in her movie.

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Speaker 2: One of her best friends is Deborah Martin Chase, who

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Speaker 2: did Cinderella or Disney with her. They produced it together

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Speaker 2: as well as Sister of the Tribling Pants. I mean,

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Speaker 2: she was all girl power, girl you know, storylines. It

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Speaker 2: was about getting more and more women to the frontline

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Speaker 2: of the storylines. That's like what she's done, and obviously

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Speaker 2: she's done an incredible time. She princessed Diaries with Well.

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Speaker 1: That's the thing is most people don't realize how big.

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Speaker 1: I mean they know her from her singing and everything,

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Speaker 1: but she was a huge movie producer as well.

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Speaker 2: Oh yeah, well Deborah Martin Chase was the backing of

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Speaker 2: all that. So, I mean we had heavy hitters that

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Speaker 2: brought that this project to the Channel that were so

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Speaker 2: inspired and wanted to make this big and they did.

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Speaker 1: It well yeah, I mean, talk about a perfect ip

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Speaker 1: to bring to Disney Channel. I mean it was like

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Speaker 1: this was you can see Disney executives as this film

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Speaker 1: is screening, as the numbers are coming in, you can

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Speaker 1: see them going, oh, oh, this is what we're supposed

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Speaker 1: to be doing. A bunch of young women who are

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Speaker 1: you know, fighting for themselves, that are fighting the way

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Speaker 1: in the world, that are also musical and dancing.

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Speaker 3: It was just the perfect combination.

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Speaker 2: I mean multicultural, yeah, every single one of us. You know,

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Speaker 2: it was such a great setting the stage of really

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Speaker 2: pushing the world and girl power and that whole movement

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Speaker 2: forward that was and it was strategically done and you know,

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Speaker 2: it was it was awesome. It was really really awesome.

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Speaker 3: It was also done way before anybody else was doing it.

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Speaker 1: I mean, this is two thousand and three, so the

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Speaker 1: diverse Disney was ahead of the curve when it came

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Speaker 1: to diversity and everything else, and watching this film you

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Speaker 1: could see it.

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Speaker 2: Yeah, And they did that with the whole franchise with

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Speaker 2: us because the next one goes to Spain, so we

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Speaker 2: brought a lot of like Flamina, don't.

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Speaker 3: Ruin it, don't ruin it. I want to. I haven't

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Speaker 3: seen the second one yet.

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Speaker 2: Well, I mean it takes two seconds to know that

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Speaker 2: the third one, by the way, is in India.

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Speaker 3: Oh man, you're killing me, you know.

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Speaker 2: But it just it's they were so good about and

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Speaker 2: that's wow. The Channel was actually expanding into those territories

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Speaker 2: as well, right, So the Channel was pushing It was

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Speaker 2: synergy and it you know, it made sense time wise

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Speaker 2: for them. But it also being musical, brought in different

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Speaker 2: cultures as we move along with the Cheetah Girls and we'll.

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Speaker 1: Get that walking out yeah, yeah, which is an amazing idea.

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Speaker 1: So just to talk a little bit about how huge

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Speaker 1: this film was. It debuted on August fifteenth, two thousand

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Speaker 1: and three, to six point five million viewers. Now that's

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Speaker 1: on it, like the Disney Channel. That's insane. That's an

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Speaker 1: unheard of number at the time. Yeah, and one that

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Speaker 1: you can't get anywhere nowadays, just doesn't happen.

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Speaker 2: And there was a huge blackout the night of our

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Speaker 2: premiere in New York. Really do you remember that big

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Speaker 2: blackout happened and people were walking across.

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Speaker 3: The bridge the bridge. Yeah, that was the.

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Speaker 2: Night of our movie. So we got that number without

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Speaker 2: like a bit like New York, like, oh man, you

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Speaker 2: couldn't even see it that night.

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Speaker 1: The DVD would go to sell over a million copies,

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Speaker 1: and to this day it's still regularly considered the number

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Speaker 1: one Disney Channel movie of all time because it was

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Speaker 1: just so successful. It was the most successful debut ever.

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Speaker 1: So you're eighteen years old, this is the first job

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Speaker 1: you've done where you're there by yourself.

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Speaker 3: It's this kind of success right away.

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Speaker 1: How did your life change from August four fifteenth to

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Speaker 1: August sixteenth?

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Speaker 2: Not really much. I was in college working at a

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Speaker 2: tan being salon selling my tanny packages and it was

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Speaker 2: like when I booked it, as we know and are

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Speaker 2: going to find out how many Disney Channel original movies

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Speaker 2: there are right, there was one at that time, like

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Speaker 2: once a month. So we went and we rehearsed for

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Speaker 2: about three weeks in La shot in Toronto. For I

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Speaker 2: want to say, the hardest part for me with all

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Speaker 2: of that was juggling college. So I came home, had

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Speaker 2: to do my midterms one week, then the next week

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Speaker 2: I had to do my finals. So I was still studying

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Speaker 2: and doing stuff like that while we were filming. And

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Speaker 2: then the movie premiered, and of course I was excited

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Speaker 2: because that was a dream job. Once you got on,

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Speaker 2: I knew I looked young enough to play high school

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Speaker 2: for a while. And once you got a Disney Channel movie,

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Speaker 2: synergy goes a lot of times they pulled you into

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Speaker 2: their shows. So I was thinking this was an opportunity

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Speaker 2: of a lifetime for me to hopefully my dream was

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Speaker 2: to be on the Disney Channel. So this is what

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Speaker 2: I was so excited about. I didn't find out and

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Speaker 2: I will never forget. Deborah Martin Chase, producer, calls me.

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Speaker 2: I'm working at my Danning salon. She calls me about

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Speaker 2: I don't even know how long it took, but she said,

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Speaker 2: I just wanted to let you know you're a platinum

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Speaker 2: selling artist, and I was like what, I had no

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Speaker 2: idea that it was selling that well. I knew it

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Speaker 2: was doing pretty well, but Disney didn't even really do

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Speaker 2: a lot of like marketing at the time for it.

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Speaker 2: They kind of just put it out on the shelves,

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Speaker 2: didn't advertise a lot, and just went to see if

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Speaker 2: it would work. And it did.

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Speaker 3: Now, but wait a second, I want to go back.

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Speaker 1: You're in college, you're working at a tanning salon, you're

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Speaker 1: in a sorority.

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Speaker 3: Did anybody I don't know why.

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Speaker 2: I loved telling people.

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Speaker 3: Because it's awesome.

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Speaker 1: That's how we're I mean, that's the dream is you're

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Speaker 1: working one job and then you get your break. So

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Speaker 1: but did any of your friends at college? Did they

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Speaker 1: know you were going to do this thing? Or did

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Speaker 1: you just bounce?

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Speaker 2: They knew, you know, but again, like the friends that

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Speaker 2: I was really close to and really knew what I

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Speaker 2: was going through, but no one was ready for what

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Speaker 2: happened my sophomore year when it came out and just

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Speaker 2: like exploded, like.

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Speaker 1: Well that's I mean, did you did you come back

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Speaker 1: and were you like, you know, the big person on

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Speaker 1: campus where all of a sudden, everybody knew who you were.

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Speaker 2: I didn't do that. I would like if it was

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Speaker 2: until anything was out. I didn't do that. Did you

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Speaker 2: ever have jobs that like didn't work out?

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Speaker 1: Basically every single one I had, except I can pick

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Speaker 1: one or two that were awesome and the rest of them.

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Speaker 3: Are you just do your job? Yeah?

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Speaker 2: Well, I mean, like, like I booked a Christina Aguilera

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Speaker 2: music video, right, I was like the head person of

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Speaker 2: one of her vignettes. She had three, and I was

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Speaker 2: so excited. I couldn't This was in high school. I

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Speaker 2: couldn't keep it in. I had to tell people, this

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Speaker 2: was so cool. This was like Christina right, Big Days.

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Speaker 2: It was her second album, was I think Extina was

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Speaker 2: what she went by at that time. Huge, And the

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Speaker 2: video came out and my vignette got cut, So after

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Speaker 2: that it was like I didn't tell anyone really much

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Speaker 2: of anything until it came out.

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Speaker 1: That's probably gu's probably the best way to do it

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Speaker 1: those VideA Yeah, and you never know when you're gonna

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Speaker 1: end up on the coking. Ironically, I was in the

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Speaker 1: other two vignettes, Oh my Heart out with Christina.

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Speaker 2: So you're the one that stole my screen time.

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Speaker 3: I told everybody, and it just worked out like a charm.

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Speaker 1: When we talk about, for instance, when we were on

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Speaker 1: Boy Mets World and you're in school, you have a

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Speaker 1: mandatory numberumber of hours you have to do school every day.

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Speaker 3: You know, you do the hours whatever.

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Speaker 2: It's the worst it is.

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Speaker 3: But at the same time, at least you're getting your

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Speaker 3: stuff done.

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Speaker 2: Oh yeah, but it's like doing homework for three you're

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Speaker 2: not Yeah, you're not listening to a lecture.

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Speaker 3: It's a lot.

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Speaker 1: But you're an adult now, you're eighteen and in college,

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Speaker 1: so it's just on you to just keep up your grades. Right.

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Speaker 1: You know, there's no allocated time on your set for

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Speaker 1: you to do that kind of stuff.

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Speaker 3: Did you have trouble juggling both?

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Speaker 2: No, Now for the cheat of fan based and all

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Speaker 2: the you know, grolpower and keeping your head in the game.

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Speaker 2: I would love to say yes, but no, I didn't.

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Speaker 2: I procrastinated and just like didn't sleep for a few

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Speaker 2: weeks towards the end when I was about to go

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Speaker 2: back to school and start doing my test. Okay, I

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Speaker 2: was just having way too fun on set and offset

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Speaker 2: we were doing, you know, we were all going to

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Speaker 2: dinners together and you know what I mean, it was

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Speaker 2: just like I knew again, thinking this was going to

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Speaker 2: be you know, a few months and then I'm probably

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Speaker 2: never going to get to hang out with these girls again,

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Speaker 2: like this is this is?

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Speaker 3: Had you met any of them before you got the part?

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Speaker 2: We all auditioned together except for Keighley. So originally Solange Knowles,

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Speaker 2: Beyonce's little sister, was cast as Aqua Kiley's character. Okay,

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Speaker 2: and then I our fans are going to know the

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Speaker 2: Disney Channel building floor twenty one was the audition floor

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Speaker 2: that you go to course the part that they had.

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Speaker 2: So they had booked Solange, Adrian and Raven those were

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Speaker 2: already like done deals. They were looking for my part.

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Speaker 2: So I walk in and it's all different ethnicities, like

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Speaker 2: no one looked really like the same sure, and they

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Speaker 2: were looking for this last missing person. So we were

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Speaker 2: all getting it was like the especially the last call

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Speaker 2: was us getting pulled in with the three of them

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Speaker 2: to seek chemistry to see what we look like on screen.

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Speaker 3: So was it instant? I mean, did you know right

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Speaker 3: away that you had Adrian?

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Speaker 2: I mean, I was a huge thrill that would be

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Speaker 2: a fan. So Adrian passed me and I was like,

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Speaker 2: and then Raven comes in and I'm like, and then

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Speaker 2: of course, but be keeping.

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Speaker 3: It totally cool, freaking out in my head.

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Speaker 2: Like and then Solange because she was really starting to

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Speaker 2: like be on a lot of like Beyonce's stuff, and

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Speaker 2: you know what I mean, she was just really starting

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Speaker 2: to get a lot of a lot of limelight. And

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Speaker 2: she walked in and I was like, that cannot be.

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Speaker 2: That can't be Beyonce's sister. There's just no way. There's

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Speaker 2: no way, There's no way. And then I walk in

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Speaker 2: and I read one of the scenes we're going to

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Speaker 2: talk about. That's the audition piece that I had, which

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Speaker 2: was a really fun experience. But then they make me dance.

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Speaker 1: That's what I'm gonna say. Is it just acting like

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Speaker 1: you have to sing and dance too? Right?

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Speaker 2: Yeah? And back then that's when you brought your KARAOKEI tape.

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Speaker 2: Those were auditions. Yeah, the stape recorder boom press.

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Speaker 3: Play What'd you sing?

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Speaker 2: City Lights? By Judy Garland.

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Speaker 1: Hi.

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Speaker 2: It's got this high note in it that I used

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Speaker 2: to be able to hit. There's probably no way I

388
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Speaker 2: haven't done that song. It's so long, but yeah, it's

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Speaker 2: like a Broadway vibe, which is not what the music

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Speaker 2: and the two girls is. It's all but that was

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Speaker 2: really what I studied a lot, you know, growing up.

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Speaker 1: Okay, so you get the part and now you go

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Speaker 1: to three weeks worth rehearsal. What are you rehearsing the routine?

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Speaker 1: It's all dancing and singing the whole time, right, all dancing,

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Speaker 1: so just physical all day long? Is it eight hours

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Speaker 1: of dancing and singing.

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Speaker 2: Well that's when Raven and Keeley, because they were still

398
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Speaker 2: in school, that's when they had to do school. So

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Speaker 2: it was a lot of downtime so that me and

400
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Speaker 2: Adrian weren't like just dancing without them, you know what

401
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Speaker 2: I mean. So they we did have like breaks, a

402
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Speaker 2: lot of breaks and stuff like that because they had

403
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Speaker 2: to get those three hours in. But yeah, dancing, I

404
00:19:48,480 --> 00:19:52,240
Speaker 2: mean all of the movies took three weeks of rehearsal,

405
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Speaker 2: all three of them, because it's a lot stage gen

406
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Speaker 2: you know, learning choreography. It's not like they most choreographers

407
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Speaker 2: that we worked with didn't necessarily come with it like done.

408
00:20:02,760 --> 00:20:04,679
Speaker 2: It was like they were building on it, you know.

409
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Speaker 2: So yeah, it was it was and the choreographer of

410
00:20:07,760 --> 00:20:10,840
Speaker 2: the movie ended up being in the movie. He had

411
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Speaker 2: he had a little spot. He was the one that

412
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Speaker 2: was doing the audition.

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Speaker 1: That's what I figured for for that. Yeah, the gold

414
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Speaker 1: Power whatever they were. Yeah, oh I love that. Okay, Well,

415
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Speaker 1: you not only had to learn singing and dancy, but

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Speaker 1: you also had to learn basically an entire language.

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Speaker 3: Did you know any of the lingo going in.

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Speaker 2: And you no, no, so only from Kighley. Now, Keighley's

419
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Speaker 2: like a bookworm, so she read all of the Cheetah books.

420
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Speaker 2: That was one of the things she was doing in

421
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Speaker 2: her school time, and so she'd come out and like

422
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Speaker 2: obviously when we read the script, we we saw that stuff,

423
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Speaker 2: but she was like, I mean, she could just jabber

424
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Speaker 2: in that cheetah language like so well, and she would

425
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Speaker 2: just sit and crack me up because it was like,

426
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Speaker 2: what are you trying to even say?

427
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Speaker 1: Did you please tell me you started talking like that

428
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Speaker 1: off the set that you were all doing the Cheetah.

429
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Speaker 2: Oh yeah, especially when we were talking to fans, like

430
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Speaker 2: we would bring up that, like, I mean, everything was cheatahlelicious. Obviously,

431
00:21:17,960 --> 00:21:20,800
Speaker 2: Groul Power we had a grow Power Productions. When we

432
00:21:20,840 --> 00:21:24,760
Speaker 2: started doing tours, like we put you know. Yeah, we

433
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Speaker 2: we embraced the Cheetah life, and that includes the Cheetah chatter.

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Speaker 1: The Cheetah chatter is there, Cheatah? Do you still slip

435
00:21:31,840 --> 00:21:34,360
Speaker 1: into Cheetah chatter in your regular daily Yes?

436
00:21:34,440 --> 00:21:36,800
Speaker 2: And I swear Cheetah constantly.

437
00:21:38,080 --> 00:21:38,520
Speaker 3: I do.

438
00:21:38,840 --> 00:21:41,520
Speaker 2: My daughter wore a lot of it, my poor son,

439
00:21:41,680 --> 00:21:44,840
Speaker 2: my carrier. Yeah, it's Cheetah.

440
00:21:45,040 --> 00:21:46,320
Speaker 3: Have they seen the movie yet?

441
00:21:47,000 --> 00:21:51,560
Speaker 2: So when I went to rewatch it, Monroe was popping in. Now.

442
00:21:52,000 --> 00:21:54,840
Speaker 2: She did at some point leave and turn her eyepat

443
00:21:54,880 --> 00:21:58,159
Speaker 2: on it and go watch Mahana. I was bury upsetting.

444
00:21:59,200 --> 00:21:59,800
Speaker 3: It was wrong.

445
00:22:00,600 --> 00:22:04,159
Speaker 2: Off. I kind of was like, wow, okay, that was rude,

446
00:22:04,200 --> 00:22:07,040
Speaker 2: but year three, so I'll give you a pass. Then

447
00:22:07,119 --> 00:22:09,880
Speaker 2: she ended up coming back and at the very end

448
00:22:09,920 --> 00:22:14,040
Speaker 2: will she looks at me and goes, Mommy, I want

449
00:22:14,040 --> 00:22:16,359
Speaker 2: to be a Chetah girl in there. I'm like, what

450
00:22:16,359 --> 00:22:18,280
Speaker 2: do you mean? She's like, I want to be a

451
00:22:18,359 --> 00:22:20,280
Speaker 2: Chetah girl and do Cheetah movies.

452
00:22:21,440 --> 00:22:24,000
Speaker 3: There you go? How awesome? Is that?

453
00:22:24,119 --> 00:22:26,679
Speaker 2: Anything you want, baby, I'll get you an acting coach

454
00:22:27,240 --> 00:22:30,040
Speaker 2: right now. I just picked up my phone like, okay,

455
00:22:30,080 --> 00:22:33,560
Speaker 2: here we go. Who's in orange Cown? Just no, literally,

456
00:22:33,600 --> 00:22:36,680
Speaker 2: it was just like the best moment because she's never

457
00:22:36,760 --> 00:22:39,960
Speaker 2: watched them. She's just now getting to be able to

458
00:22:40,000 --> 00:22:42,800
Speaker 2: sit down. Like I said, she laughed. She doesn't have

459
00:22:42,840 --> 00:22:45,560
Speaker 2: that attention to being one hundred percent, But when the

460
00:22:45,680 --> 00:22:48,159
Speaker 2: music came on, she was always guy. She loves dancing,

461
00:22:48,280 --> 00:22:52,200
Speaker 2: So that was definitely a moment I'll never forget. And

462
00:22:52,240 --> 00:22:54,920
Speaker 2: I'm so glad that we you know, this new thing

463
00:22:55,000 --> 00:22:57,040
Speaker 2: I'm doing is watching this kind of stuff. But she's

464
00:22:57,040 --> 00:22:57,560
Speaker 2: gonna get.

465
00:22:57,480 --> 00:22:59,680
Speaker 3: To watch all the movies, all the movies.

466
00:23:00,160 --> 00:23:01,320
Speaker 2: I'm so excited.

467
00:23:01,560 --> 00:23:04,560
Speaker 1: Well, you mentioned getting a random call from the producer

468
00:23:04,600 --> 00:23:07,040
Speaker 1: and finding out that you're a platinum selling artist. So

469
00:23:07,320 --> 00:23:09,880
Speaker 1: all the auditions are all the times the Cheetah Girls sing,

470
00:23:09,960 --> 00:23:12,840
Speaker 1: or even when the Sonic Band sings at the end,

471
00:23:13,760 --> 00:23:16,240
Speaker 1: they all become you break the fourth wall, and they

472
00:23:16,280 --> 00:23:17,440
Speaker 1: all become music videos.

473
00:23:17,800 --> 00:23:19,560
Speaker 2: That was one of the things I was going to

474
00:23:19,640 --> 00:23:21,959
Speaker 2: talk about that I've found that odd. How did you

475
00:23:22,000 --> 00:23:22,480
Speaker 2: find it?

476
00:23:22,800 --> 00:23:24,960
Speaker 3: I found it odd, but I got it.

477
00:23:25,119 --> 00:23:28,760
Speaker 1: I got why Disney did it, because you know, we

478
00:23:28,800 --> 00:23:31,960
Speaker 1: talk about the synergy. They could just lift it out

479
00:23:31,960 --> 00:23:35,000
Speaker 1: of the film if they wanted to and just throw

480
00:23:35,040 --> 00:23:37,960
Speaker 1: it up as a video. Oh okay, Yeah, And you

481
00:23:38,000 --> 00:23:40,360
Speaker 1: know you went and you recorded all the music, right,

482
00:23:40,440 --> 00:23:41,520
Speaker 1: you're all singing together.

483
00:23:41,840 --> 00:23:43,960
Speaker 2: We recorded separately, Oh you did?

484
00:23:43,960 --> 00:23:44,960
Speaker 3: You didn't record together?

485
00:23:45,160 --> 00:23:48,080
Speaker 2: No, okay, well, at different times that we go in

486
00:23:48,320 --> 00:23:51,200
Speaker 2: with the different producers we were working with, and everyone

487
00:23:51,280 --> 00:23:53,840
Speaker 2: had their own you know times. I was a lot

488
00:23:53,880 --> 00:23:56,800
Speaker 2: of times hooked in with like Raven's time, because the

489
00:23:56,880 --> 00:23:59,679
Speaker 2: two girls were in the same group, so they had

490
00:23:59,720 --> 00:24:01,080
Speaker 2: a lot of the same scheduling.

491
00:24:01,240 --> 00:24:02,240
Speaker 3: So that makes sense.

492
00:24:02,280 --> 00:24:05,240
Speaker 2: I would come either before or after Raven so, and

493
00:24:05,280 --> 00:24:11,159
Speaker 2: they had in the script it was already divvied out

494
00:24:11,560 --> 00:24:13,879
Speaker 2: who was singing, what line, all that. That was all

495
00:24:14,160 --> 00:24:15,399
Speaker 2: written ahead of time.

496
00:24:15,440 --> 00:24:18,080
Speaker 3: It was also yeah, but you so.

497
00:24:18,119 --> 00:24:21,480
Speaker 1: The album not only went platinum, it went double platinum.

498
00:24:21,880 --> 00:24:24,200
Speaker 1: It charted number one on the Billboard Kids Album Chart

499
00:24:24,240 --> 00:24:28,359
Speaker 1: and spent a total of sixty five weeks on the chart.

500
00:24:28,440 --> 00:24:32,000
Speaker 3: That's nuts. Now, there's one.

501
00:24:31,840 --> 00:24:35,680
Speaker 1: Song obviously that's still everywhere and has been living on forever,

502
00:24:35,720 --> 00:24:36,400
Speaker 1: and that's Cinderella.

503
00:24:36,400 --> 00:24:38,359
Speaker 3: Do you remember the first time you actually heard the song?

504
00:24:39,320 --> 00:24:42,840
Speaker 2: Yes, I mean it was obviously during rehearsal, because recording

505
00:24:42,880 --> 00:24:46,120
Speaker 2: process happened like on days that we weren't rehearsing or

506
00:24:46,520 --> 00:24:48,639
Speaker 2: we could leave early. That kind of stuff. So we

507
00:24:48,640 --> 00:24:50,919
Speaker 2: were doing that as well schedule, and so yeah, we

508
00:24:50,960 --> 00:24:52,800
Speaker 2: heard like the demo, we were dancing to the demo

509
00:24:52,880 --> 00:24:58,120
Speaker 2: before it was us, and it just was so catchy

510
00:24:58,440 --> 00:25:01,840
Speaker 2: and so, you know, it was a great song. But

511
00:25:01,920 --> 00:25:04,920
Speaker 2: I didn't realize how amazing it was going to be

512
00:25:05,040 --> 00:25:07,680
Speaker 2: until we filmed it and we were in those costumes

513
00:25:08,320 --> 00:25:11,639
Speaker 2: and it just like, I don't know, it just it

514
00:25:11,680 --> 00:25:15,360
Speaker 2: felt so magical, like more than obviously the first song

515
00:25:15,440 --> 00:25:18,640
Speaker 2: right where we're like, we don't look polished, and it's kind.

516
00:25:18,480 --> 00:25:22,600
Speaker 3: Of like whereverywhere stuck? I mean, this is this is

517
00:25:22,600 --> 00:25:25,600
Speaker 3: a yeah I fall you know, yeah, that's where you first.

518
00:25:25,440 --> 00:25:28,399
Speaker 1: Grem with seven year olds or whatever whoever's watching your

519
00:25:28,920 --> 00:25:30,800
Speaker 1: your breakdown here right.

520
00:25:31,080 --> 00:25:36,200
Speaker 2: So yeah, So it definitely was a different feeling recording

521
00:25:36,200 --> 00:25:40,200
Speaker 2: that one, right, and and a different feeling filming it

522
00:25:40,320 --> 00:25:45,000
Speaker 2: for sure, Like it just felt slick and felt it

523
00:25:45,040 --> 00:25:45,800
Speaker 2: felt really awesome.

524
00:25:45,840 --> 00:25:49,120
Speaker 3: You do the flippy thing right there at the very beginning.

525
00:25:49,200 --> 00:25:50,879
Speaker 2: Yes, that's called an aerial.

526
00:25:51,320 --> 00:25:52,960
Speaker 1: Were you a gymnast? Like where'd you learn to do

527
00:25:52,960 --> 00:25:54,960
Speaker 1: all the flippy stuff? Was this from dancing or were

528
00:25:55,000 --> 00:25:56,160
Speaker 1: you actually into gymnastics?

529
00:25:56,200 --> 00:25:59,560
Speaker 2: It's from dancing, Yeah, I did. I did like tumbling

530
00:25:59,840 --> 00:26:02,639
Speaker 2: and dance, so I would go to like a y

531
00:26:02,800 --> 00:26:05,199
Speaker 2: m c A or a different you know, kIPS or

532
00:26:05,200 --> 00:26:09,119
Speaker 2: gymnastics studio where it was they had everything, but I

533
00:26:09,160 --> 00:26:11,840
Speaker 2: only focused on like the floor tumbling. So you would

534
00:26:11,920 --> 00:26:14,800
Speaker 2: do that when I was like competitively dancing, like I had,

535
00:26:14,840 --> 00:26:18,000
Speaker 2: I had more than what we filmed at that time,

536
00:26:18,680 --> 00:26:23,560
Speaker 2: Like I had decent trick, nothing crazy, but like, you know, yeah,

537
00:26:23,600 --> 00:26:26,320
Speaker 2: I definitely knew how to do that gymnastics, but never

538
00:26:26,440 --> 00:26:30,840
Speaker 2: the bars or that thing you run at so fast

539
00:26:30,880 --> 00:26:31,399
Speaker 2: and it looks like.

540
00:26:31,600 --> 00:26:33,560
Speaker 1: Oh the pommel is that the pommel horse or the

541
00:26:33,800 --> 00:26:38,960
Speaker 1: yeah whatever, you run full speed into a wall exactly.

542
00:26:38,480 --> 00:26:40,360
Speaker 2: As I would trip every time. There's a zero chance

543
00:26:40,400 --> 00:26:42,440
Speaker 2: I could have done that. But yeah, but I could

544
00:26:42,440 --> 00:26:46,239
Speaker 2: do the tumbling, and you know, as a dancer when

545
00:26:46,280 --> 00:26:48,479
Speaker 2: you're in the industry, that's one of the things that

546
00:26:48,560 --> 00:26:51,240
Speaker 2: like sets you apart. Like I'm sure that was helpful,

547
00:26:51,600 --> 00:26:53,320
Speaker 2: and I'm sure I did it in the little tiny

548
00:26:53,400 --> 00:26:55,600
Speaker 2: room of my audition. I probably make sure that they

549
00:26:55,680 --> 00:26:56,520
Speaker 2: knew I could do that.

550
00:26:56,760 --> 00:26:57,800
Speaker 3: You know, were you you did?

551
00:26:57,800 --> 00:26:59,399
Speaker 1: You really just do it on the street with no

552
00:26:59,520 --> 00:27:01,639
Speaker 1: matt in the scene where they're you're all in the

553
00:27:01,720 --> 00:27:02,240
Speaker 1: very beginning.

554
00:27:02,280 --> 00:27:03,000
Speaker 3: You just busted them.

555
00:27:03,119 --> 00:27:04,119
Speaker 2: Yeah, they're really easy.

556
00:27:04,320 --> 00:27:06,320
Speaker 3: They're really not. I'm guessing no, they are.

557
00:27:06,440 --> 00:27:09,000
Speaker 2: They are the group of girls that I coached. I

558
00:27:09,000 --> 00:27:10,960
Speaker 2: have twenty two of them. They can all do right, Aeriel,

559
00:27:11,080 --> 00:27:14,360
Speaker 2: every single one one, like on cue on time. It's

560
00:27:14,359 --> 00:27:16,960
Speaker 2: not it's not as hard of a trick as it looks.

561
00:27:17,200 --> 00:27:19,800
Speaker 2: It's scary because you're not you don't put your hands down,

562
00:27:19,840 --> 00:27:21,840
Speaker 2: but it's not as hard.

563
00:27:22,040 --> 00:27:25,119
Speaker 1: Yeah, I hurt myself with you talking about it, so

564
00:27:25,119 --> 00:27:27,280
Speaker 1: I'm guessing it's probably hard.

565
00:27:27,400 --> 00:27:30,600
Speaker 2: You know what, I haven't done one since I've I

566
00:27:30,600 --> 00:27:33,160
Speaker 2: have had my first baby, so I think I'm gonna

567
00:27:33,160 --> 00:27:35,560
Speaker 2: have to video it and see if I can still

568
00:27:35,560 --> 00:27:36,000
Speaker 2: do that.

569
00:27:35,920 --> 00:27:39,000
Speaker 1: Area you go a post baby aerial, let's give itba.

570
00:27:39,280 --> 00:27:42,960
Speaker 2: I haven't done it at all, So I think it's time.

571
00:27:43,200 --> 00:27:45,360
Speaker 1: Maybe throw Matt down. I would think just to kind

572
00:27:45,359 --> 00:27:47,800
Speaker 1: of maybe just oh casey, it wouldn't be bad.

573
00:27:48,080 --> 00:27:51,760
Speaker 3: So you guys go on tour. Is this right?

574
00:27:52,000 --> 00:27:55,280
Speaker 1: Miley Cyrus Cyrus's hand in Montana open for you guys.

575
00:27:55,280 --> 00:27:58,920
Speaker 1: The Jonas brothers were there, Vanessa Hudgens, I mean yeah,

576
00:27:59,200 --> 00:28:03,359
Speaker 1: but you were. You were the headliners, right, And you

577
00:28:03,400 --> 00:28:04,040
Speaker 1: know what's funny.

578
00:28:04,080 --> 00:28:07,560
Speaker 2: I just watched them the Jonas Brothers documentary and they

579
00:28:07,600 --> 00:28:10,560
Speaker 2: talk about driving around in this twelve person white van.

580
00:28:11,200 --> 00:28:13,360
Speaker 2: That's what they drove behind our bus in. They were

581
00:28:13,400 --> 00:28:17,280
Speaker 2: still really new to the label, so they were, you know,

582
00:28:17,640 --> 00:28:18,520
Speaker 2: an opening.

583
00:28:18,240 --> 00:28:19,640
Speaker 3: Act following the Cheetah Girls.

584
00:28:19,720 --> 00:28:22,919
Speaker 2: Or were so sweet. They were the best guys. They

585
00:28:22,960 --> 00:28:25,960
Speaker 2: were so awesome and really all throughout their career when

586
00:28:25,960 --> 00:28:27,679
Speaker 2: we would see them over and over again as they

587
00:28:27,680 --> 00:28:29,240
Speaker 2: got bigger and bigger, and they mean they were like

588
00:28:29,280 --> 00:28:33,439
Speaker 2: the Beatles at some point. Yeah, considered that like that

589
00:28:34,359 --> 00:28:37,640
Speaker 2: the most down to earth, so fun, so sweet, I mean,

590
00:28:38,000 --> 00:28:38,760
Speaker 2: just the best.

591
00:28:39,040 --> 00:28:39,720
Speaker 3: That's awesome.

592
00:28:40,040 --> 00:28:42,280
Speaker 1: Well, as you know, we often do here, and by often,

593
00:28:42,320 --> 00:28:43,600
Speaker 1: I mean this is the second time you've done it,

594
00:28:43,600 --> 00:28:45,080
Speaker 1: because it's our second episode, but we're going.

595
00:28:45,040 --> 00:28:47,600
Speaker 3: To keep doing it. Is we do real reviews.

596
00:28:47,640 --> 00:28:50,840
Speaker 1: So we do a five star review that is a

597
00:28:50,880 --> 00:28:53,400
Speaker 1: real review from the internet machine, and then we also

598
00:28:53,480 --> 00:28:56,880
Speaker 1: do a one star review. I think last last week

599
00:28:56,920 --> 00:28:59,360
Speaker 1: you did the one star, so I'm going to take

600
00:28:59,360 --> 00:29:01,360
Speaker 1: the one star that time you take the five star.

601
00:29:01,440 --> 00:29:03,200
Speaker 3: Let's do the good review first. What do you got?

602
00:29:03,360 --> 00:29:07,400
Speaker 2: All right? It says five out of five stars. Absolutely

603
00:29:07,480 --> 00:29:11,040
Speaker 2: the best movie of all time, no comparison. It's so

604
00:29:11,160 --> 00:29:14,440
Speaker 2: inspiring to me as a person and a man, as

605
00:29:14,480 --> 00:29:16,880
Speaker 2: I want to become a cheetah one day night.

606
00:29:17,040 --> 00:29:19,040
Speaker 3: It's a great review. Five out of five stars.

607
00:29:19,400 --> 00:29:21,320
Speaker 2: Yes, and I mean i'd like him to know he

608
00:29:21,480 --> 00:29:25,040
Speaker 2: is if you're a fan and you feel the essence

609
00:29:25,080 --> 00:29:26,040
Speaker 2: of Cheetah.

610
00:29:26,080 --> 00:29:27,080
Speaker 3: So I'm a Cheetah?

611
00:29:27,520 --> 00:29:27,800
Speaker 2: Yes?

612
00:29:28,160 --> 00:29:29,920
Speaker 3: Oh Raoul Love?

613
00:29:30,040 --> 00:29:30,240
Speaker 1: Yeah?

614
00:29:30,440 --> 00:29:31,200
Speaker 2: Absolutely?

615
00:29:31,560 --> 00:29:33,360
Speaker 3: Oh I rawl love.

616
00:29:34,480 --> 00:29:38,680
Speaker 1: Did I do that right? Here's a review that's not

617
00:29:38,720 --> 00:29:40,960
Speaker 1: as good. This is from Kaylin. It is one out

618
00:29:40,960 --> 00:29:43,920
Speaker 1: of five stars. And every time my voice gets highed,

619
00:29:43,920 --> 00:29:47,800
Speaker 1: it's because it's in caps. Okay, he says, I watched

620
00:29:47,800 --> 00:29:49,880
Speaker 1: the Cheetah Girls Marathon with my cousin and it was

621
00:29:49,920 --> 00:29:53,080
Speaker 1: the worst thing I've ever experienced, and it made my

622
00:29:53,200 --> 00:29:54,480
Speaker 1: head hurt so much.

623
00:29:55,400 --> 00:29:56,080
Speaker 3: Frownie face.

624
00:29:58,200 --> 00:30:00,800
Speaker 1: Maybe maybe split them up. Don't watch Jamal in a row.

625
00:30:00,840 --> 00:30:02,640
Speaker 1: I mean even the Star Wars movies in a row.

626
00:30:02,680 --> 00:30:05,520
Speaker 1: You start to get a headache halfway through Empire, so

627
00:30:05,640 --> 00:30:08,000
Speaker 1: I mean, come on, you break it up. The first

628
00:30:08,000 --> 00:30:09,840
Speaker 1: movie was great. I haven't seen the second one yet.

629
00:30:09,880 --> 00:30:12,800
Speaker 1: I'm not trying to to rain on anybody's parade. Maybe

630
00:30:12,840 --> 00:30:14,240
Speaker 1: the second one is not as good. I don't know,

631
00:30:14,320 --> 00:30:15,320
Speaker 1: but the first one is great.

632
00:30:15,920 --> 00:30:18,440
Speaker 2: Yeah, in my opinion, the second one's better.

633
00:30:18,200 --> 00:30:21,280
Speaker 3: But really so yeah oh yeah.

634
00:30:21,440 --> 00:30:24,600
Speaker 2: But there's also like if it's not your jam, Like

635
00:30:24,680 --> 00:30:27,360
Speaker 2: if you're like somebody who doesn't really like music or

636
00:30:27,840 --> 00:30:31,480
Speaker 2: you prefer a different genre of music, you're obviously like

637
00:30:31,760 --> 00:30:33,640
Speaker 2: you know what I mean, And it's like it's okay

638
00:30:33,680 --> 00:30:35,000
Speaker 2: to not like it, just you.

639
00:30:34,960 --> 00:30:37,600
Speaker 3: Know, in all fairness, I am not a musical guy.

640
00:30:37,880 --> 00:30:41,240
Speaker 1: Like I don't like when I'm watching a movie and

641
00:30:41,280 --> 00:30:44,240
Speaker 1: then everybody suddenly breaks into song like they've sat around

642
00:30:44,280 --> 00:30:44,880
Speaker 1: and rehearsed.

643
00:30:45,240 --> 00:30:48,400
Speaker 3: But The Cheetah Girls is about a band, So every

644
00:30:48,440 --> 00:30:52,200
Speaker 3: time you break into song, you're supposed to break into song.

645
00:30:52,240 --> 00:30:54,440
Speaker 3: You're a band singing a song. It makes sense.

646
00:30:54,520 --> 00:30:56,120
Speaker 1: Yet it's not like you're sitting at a bank and

647
00:30:56,120 --> 00:30:58,000
Speaker 1: all of a sudden, everybody in line knows the same

648
00:30:58,080 --> 00:30:58,760
Speaker 1: song and dance.

649
00:30:59,040 --> 00:30:59,280
Speaker 2: Yeah.

650
00:30:59,360 --> 00:31:02,000
Speaker 3: Oh it drives me crazy. But this is so great.

651
00:31:02,040 --> 00:31:04,960
Speaker 2: That's what I'll say about this movie. There the performances

652
00:31:05,120 --> 00:31:08,760
Speaker 2: routines that are done with this one is definitely that way.

653
00:31:08,800 --> 00:31:10,600
Speaker 2: It's set up as a performance.

654
00:31:11,080 --> 00:31:12,640
Speaker 3: Yeah, right, exactly when the.

655
00:31:12,680 --> 00:31:17,560
Speaker 2: Channel started moving along with their with their musicals. It

656
00:31:17,720 --> 00:31:20,040
Speaker 2: definitely went away with that. So that's what something I

657
00:31:20,080 --> 00:31:23,400
Speaker 2: noticed rewatching this that I never really thought about is

658
00:31:23,480 --> 00:31:26,320
Speaker 2: they must have seen ours and went, now, we don't

659
00:31:26,360 --> 00:31:28,600
Speaker 2: like it that way. We wanted to be more like

660
00:31:28,680 --> 00:31:31,040
Speaker 2: a musical where you do just break out into song.

661
00:31:31,920 --> 00:31:34,680
Speaker 2: Our second movie, i'd say, is like a combo of.

662
00:31:34,760 --> 00:31:38,040
Speaker 1: Oh, it's a hybrid. Oh okay, so sometimes their breakout okay, well, but.

663
00:31:38,040 --> 00:31:40,360
Speaker 2: If you watch, you know, if you watch like high

664
00:31:40,360 --> 00:31:42,240
Speaker 2: School musical, I know you haven't seen that yet. I

665
00:31:42,240 --> 00:31:44,120
Speaker 2: haven't seen that one yet either, but it's gonna be.

666
00:31:44,240 --> 00:31:47,520
Speaker 2: It's definitely not a set group because they're you know,

667
00:31:47,560 --> 00:31:49,000
Speaker 2: they're all from different breaks.

668
00:31:49,080 --> 00:31:50,800
Speaker 3: Right, It's like Glee where they just break in the song.

669
00:31:50,960 --> 00:31:59,920
Speaker 2: Yes, yeah, yeah.

670
00:32:00,240 --> 00:32:03,440
Speaker 1: Talking about the talent auditions, because that's we're talking about

671
00:32:03,480 --> 00:32:04,240
Speaker 1: just breaking into song.

672
00:32:04,280 --> 00:32:05,480
Speaker 3: But you walk down as a band.

673
00:32:05,880 --> 00:32:09,840
Speaker 1: Now you're auditioning for the first time to Cheetah moms

674
00:32:10,040 --> 00:32:12,760
Speaker 1: sneak in to watch the audition. They sneak in under

675
00:32:12,800 --> 00:32:17,080
Speaker 1: the cover of scarves, which I always see the cheetash

676
00:32:17,080 --> 00:32:20,960
Speaker 1: scarves the interesting way to go. They are unobtrusive as

677
00:32:21,040 --> 00:32:23,680
Speaker 1: the only two people in the entire auditorium other than

678
00:32:23,760 --> 00:32:25,719
Speaker 1: drink a champagne.

679
00:32:26,080 --> 00:32:29,360
Speaker 2: So, which isn't that so funny that that name it

680
00:32:29,480 --> 00:32:31,200
Speaker 2: drinks champagne on the channel?

681
00:32:31,240 --> 00:32:32,000
Speaker 3: You know what it reminded me of.

682
00:32:32,440 --> 00:32:36,120
Speaker 1: It reminded me of a James Bond girl like woman

683
00:32:36,200 --> 00:32:39,720
Speaker 1: likes James Bond. Women all have those terrible names and

684
00:32:39,920 --> 00:32:43,080
Speaker 1: uh yeah, Zenya on the top and I won't even

685
00:32:43,160 --> 00:32:45,480
Speaker 1: say some of them. But it did drink a champagne

686
00:32:45,520 --> 00:32:48,719
Speaker 1: sounded like an evil James Bond villain. But we're sitting

687
00:32:48,720 --> 00:32:52,640
Speaker 1: there and then we get to meet one of the

688
00:32:52,760 --> 00:32:56,640
Speaker 1: creepiest producers who doesn't look like a producer at all.

689
00:32:56,800 --> 00:33:02,280
Speaker 1: He looks like a random drug kingpin, Jackal Johnson.

690
00:33:02,640 --> 00:33:04,840
Speaker 2: Was he is there outfit in the scene? I'm thinking

691
00:33:04,920 --> 00:33:05,520
Speaker 2: yes he was.

692
00:33:05,840 --> 00:33:07,880
Speaker 3: I think he was in velor for most of the

693
00:33:07,920 --> 00:33:09,000
Speaker 3: film the whole time.

694
00:33:09,120 --> 00:33:13,480
Speaker 2: Yes, But you know what, I will say, many music

695
00:33:13,520 --> 00:33:16,080
Speaker 2: producers dressed like that. That was back in the day

696
00:33:16,160 --> 00:33:18,720
Speaker 2: with the like are they really well were the brands

697
00:33:18,760 --> 00:33:22,560
Speaker 2: like boo boo oh u p Did he had a

698
00:33:22,600 --> 00:33:27,440
Speaker 2: brand that what you know, those like bigger, baggier, matching, top, matching,

699
00:33:27,560 --> 00:33:31,240
Speaker 2: Sean John Jacket, Yes, Sewn John, Yes, Yes, there you go.

700
00:33:31,480 --> 00:33:33,800
Speaker 2: I mean so a lot of producers actually did look

701
00:33:33,880 --> 00:33:36,680
Speaker 2: like that. I thought he did so well with the bar.

702
00:33:36,920 --> 00:33:39,840
Speaker 1: He's great, Oh it was, He's great, you know instantly.

703
00:33:40,240 --> 00:33:42,320
Speaker 1: First of all, it's like, why would you trust this

704
00:33:42,360 --> 00:33:45,200
Speaker 1: guy off the bat, even though he went to the

705
00:33:45,200 --> 00:33:48,720
Speaker 1: school he knows Drinka just going from now on, even

706
00:33:48,720 --> 00:33:50,520
Speaker 1: know no one's behind me and no one knows about me,

707
00:33:50,600 --> 00:33:52,000
Speaker 1: but all the producers, everybody knows.

708
00:33:52,040 --> 00:33:53,760
Speaker 3: I'm not great with scheduling. I'm still trying.

709
00:33:53,800 --> 00:33:55,560
Speaker 1: So from now on, I just want to start going

710
00:33:55,840 --> 00:34:01,600
Speaker 1: schedule and just have somebody hand me now that Jack, that.

711
00:34:01,520 --> 00:34:05,520
Speaker 2: Guy, every line he has was like just made me

712
00:34:05,640 --> 00:34:08,840
Speaker 2: corrac I don't know why, if it was his delivery,

713
00:34:09,080 --> 00:34:11,160
Speaker 2: if it was what he was having to say, but

714
00:34:11,360 --> 00:34:15,440
Speaker 2: every time he just popped in, it was schedule.

715
00:34:15,520 --> 00:34:16,000
Speaker 3: Schedule.

716
00:34:16,480 --> 00:34:19,400
Speaker 1: It's gonna start doing that and hope somebody hands me

717
00:34:19,440 --> 00:34:23,279
Speaker 1: a gigantic cell phone or BlackBerry that he has to

718
00:34:23,480 --> 00:34:26,920
Speaker 1: uh to check his actual schedule. Yes, now, did you

719
00:34:27,160 --> 00:34:32,279
Speaker 1: have a problem with how much of a Hater's not

720
00:34:32,320 --> 00:34:37,680
Speaker 1: the right word, but standing in the way of Bubbles's dreams?

721
00:34:37,680 --> 00:34:40,319
Speaker 1: Her mom was like, right away, you figure you want

722
00:34:40,320 --> 00:34:42,879
Speaker 1: to build into that a little bit like, hey, there's

723
00:34:42,920 --> 00:34:45,120
Speaker 1: an opportunity. But she came in off the bat, like,

724
00:34:45,200 --> 00:34:48,080
Speaker 1: you're not doing this under no circumstances? Am I going

725
00:34:48,160 --> 00:34:51,080
Speaker 1: to allow you your record contract?

726
00:34:51,600 --> 00:34:54,160
Speaker 2: So there is a whole and I think it happens

727
00:34:54,239 --> 00:34:58,240
Speaker 2: in the books. There is a whole backstory of bubbles

728
00:34:58,239 --> 00:35:01,800
Speaker 2: and chew cheese mop Like, are they general Cheetah girls?

729
00:35:01,920 --> 00:35:03,920
Speaker 1: They were the original Cheetah Girls, Like they were as

730
00:35:03,920 --> 00:35:06,240
Speaker 1: an actual band called the Cheetah Girls that the moms

731
00:35:06,280 --> 00:35:06,960
Speaker 1: were a part of.

732
00:35:07,200 --> 00:35:10,239
Speaker 2: No, but they were. They are in the industry in

733
00:35:10,360 --> 00:35:11,000
Speaker 2: some form.

734
00:35:11,239 --> 00:35:13,760
Speaker 3: Well, she says modeling. She says, my modeling career.

735
00:35:13,960 --> 00:35:16,200
Speaker 2: That's where Galleria and Chanel get this.

736
00:35:16,719 --> 00:35:17,880
Speaker 3: Yeah, so she talks.

737
00:35:18,080 --> 00:35:20,520
Speaker 2: She talks about the career, but doesn't talk about how

738
00:35:20,560 --> 00:35:22,920
Speaker 2: big it was. You can tell something happened with her

739
00:35:22,960 --> 00:35:26,960
Speaker 2: career that made she feels we're bad decisions right, like right,

740
00:35:27,160 --> 00:35:30,800
Speaker 2: detrimental to the rest of her other decisions. So you

741
00:35:31,160 --> 00:35:33,400
Speaker 2: see a little bit. But yeah, it's like, whoa, we

742
00:35:33,480 --> 00:35:35,440
Speaker 2: can't have a conversation.

743
00:35:35,000 --> 00:35:36,680
Speaker 3: Like right yo.

744
00:35:37,200 --> 00:35:42,080
Speaker 1: Then her dad with the most cartoony Italian voice ever.

745
00:35:42,800 --> 00:35:44,680
Speaker 1: Some of the voices again, the woman who does the

746
00:35:44,719 --> 00:35:47,480
Speaker 1: hair too, who just has the thick Russian accent out

747
00:35:47,520 --> 00:35:50,719
Speaker 1: of nowhere. Yeah, some of the accents are pretty funny. Yes,

748
00:35:50,840 --> 00:35:54,399
Speaker 1: he comes in with the please don't allow you.

749
00:35:54,320 --> 00:35:58,120
Speaker 2: Know what did you say? He sees Mario.

750
00:35:59,719 --> 00:36:01,440
Speaker 3: Kind of sounds a little like super Mario.

751
00:36:02,160 --> 00:36:04,319
Speaker 1: But first of all, I'm pitching right now, and I'm

752
00:36:04,320 --> 00:36:06,520
Speaker 1: taking credit for the pitch, and I'm sure it's one

753
00:36:06,560 --> 00:36:09,120
Speaker 1: of the books, but I'm pitching the prequel where it's

754
00:36:09,120 --> 00:36:11,040
Speaker 1: the mom's doing the Cheetah girls.

755
00:36:11,160 --> 00:36:11,880
Speaker 3: Okay, so I'm.

756
00:36:11,760 --> 00:36:14,360
Speaker 1: Pitching because it would take place in the eighties. It

757
00:36:14,400 --> 00:36:16,359
Speaker 1: would be or the seventies of the eighties. It would

758
00:36:16,360 --> 00:36:20,120
Speaker 1: be a period piece. Think about the cheetah, then the cheetah,

759
00:36:20,200 --> 00:36:23,080
Speaker 1: then the music. Then that would be like eighty like

760
00:36:23,120 --> 00:36:25,160
Speaker 1: seventies or eighties kind of power.

761
00:36:25,600 --> 00:36:26,160
Speaker 3: Forget it.

762
00:36:26,200 --> 00:36:30,719
Speaker 1: I'm pitching that right now, trademark. But you've got the

763
00:36:31,400 --> 00:36:33,759
Speaker 1: people coming in, You've got the mom who's kind of

764
00:36:34,080 --> 00:36:36,359
Speaker 1: wanting to stop her from doing. But then there's a

765
00:36:36,400 --> 00:36:38,399
Speaker 1: line that he comes in with that I wrote down

766
00:36:38,480 --> 00:36:41,000
Speaker 1: that is so great, where she says I don't want

767
00:36:41,040 --> 00:36:44,240
Speaker 1: her making the same mistakes I did, and he says

768
00:36:44,719 --> 00:36:48,120
Speaker 1: she's not gonna She's gonna make all new mistakes that

769
00:36:48,160 --> 00:36:50,520
Speaker 1: are her own and that's gonna make her her And I.

770
00:36:50,520 --> 00:36:51,880
Speaker 3: Was like, that's brilliant.

771
00:36:52,000 --> 00:36:55,439
Speaker 2: The Disney magic right, the right. That's the moment where

772
00:36:55,440 --> 00:36:59,400
Speaker 2: it's like it's true, like you can't protect your kids

773
00:37:00,840 --> 00:37:04,439
Speaker 2: things that there's lessons they need to learn on their own,

774
00:37:04,840 --> 00:37:06,680
Speaker 2: you know, and it's better for them to learn it

775
00:37:06,760 --> 00:37:09,040
Speaker 2: on their own rather than you to tell them there's

776
00:37:09,080 --> 00:37:15,000
Speaker 2: gonna happen, you know. And again it's like, can we,

777
00:37:15,200 --> 00:37:18,279
Speaker 2: you know, Dorothea, can we just have a conversation, can

778
00:37:18,360 --> 00:37:21,920
Speaker 2: we just we can't do it because it's terrible, we won't,

779
00:37:22,000 --> 00:37:24,759
Speaker 2: but let's just have a conversation with this jackal guy.

780
00:37:24,960 --> 00:37:26,759
Speaker 3: I love the moms. I love the relationships.

781
00:37:26,800 --> 00:37:31,399
Speaker 1: I love the fact that Chucci's mom leaves her the

782
00:37:31,440 --> 00:37:33,560
Speaker 1: best named credit card in the history of the world.

783
00:37:33,600 --> 00:37:39,040
Speaker 1: She leaves her her gold platinum card. Yes, I love

784
00:37:39,080 --> 00:37:42,600
Speaker 1: that it's the gold platinum card. They're either gold or platinum,

785
00:37:42,640 --> 00:37:44,960
Speaker 1: not this one. It's the gold platinum card.

786
00:37:45,360 --> 00:37:49,279
Speaker 2: I found that crazy. I when it was I was

787
00:37:49,280 --> 00:37:51,640
Speaker 2: in high school. There was no chance that any of

788
00:37:51,680 --> 00:37:54,359
Speaker 2: my friend's moms, we're going to give us a credit card. Oh,

789
00:37:54,840 --> 00:37:57,719
Speaker 2: go get something for yourself. My mom did that once

790
00:37:57,840 --> 00:38:00,719
Speaker 2: my freshman year. She gave me money when we were

791
00:38:00,719 --> 00:38:04,200
Speaker 2: going back to school once and said, here's the money.

792
00:38:04,360 --> 00:38:07,120
Speaker 2: Let my friend and I go to South Coast Plazas

793
00:38:07,120 --> 00:38:08,399
Speaker 2: where all the great stores at.

794
00:38:08,880 --> 00:38:10,719
Speaker 1: Was my wife's favorite mall in the world because she's

795
00:38:10,719 --> 00:38:12,040
Speaker 1: from Warren County, YEP.

796
00:38:12,320 --> 00:38:16,120
Speaker 2: And get my back to school clothes. Homie got one

797
00:38:16,560 --> 00:38:20,400
Speaker 2: outfit with them. My mom. I was like, okay, that

798
00:38:20,560 --> 00:38:24,759
Speaker 2: was a mistake, but one outfit. So the fact that

799
00:38:24,800 --> 00:38:27,000
Speaker 2: she gave her a credit card like pretty much an

800
00:38:27,160 --> 00:38:29,000
Speaker 2: endless amount of money.

801
00:38:28,680 --> 00:38:30,239
Speaker 3: Gold platinum card, a.

802
00:38:30,400 --> 00:38:31,760
Speaker 2: Gold and platinum card.

803
00:38:32,280 --> 00:38:32,760
Speaker 3: Crazy.

804
00:38:33,719 --> 00:38:36,200
Speaker 1: All right, let's go to what do you think is

805
00:38:36,520 --> 00:38:39,319
Speaker 1: the movie's best quote? There's three options here, and I'm

806
00:38:39,320 --> 00:38:43,160
Speaker 1: not sure that it's on here, but we've got it.

807
00:38:43,280 --> 00:38:48,240
Speaker 1: Was drama and Kaflama, which is pretty great. You better

808
00:38:48,320 --> 00:38:51,040
Speaker 1: stash the sauce next time you see Jackal.

809
00:38:51,000 --> 00:38:52,160
Speaker 3: Which is pretty great.

810
00:38:52,520 --> 00:38:54,600
Speaker 1: And the Cheetah girls do not run with wolves or

811
00:38:54,680 --> 00:38:58,160
Speaker 1: hang with hyenas, which is pretty great. But this movie,

812
00:38:58,560 --> 00:39:00,520
Speaker 1: and I say this because my brother's and I speak

813
00:39:00,640 --> 00:39:02,040
Speaker 1: in movie quotes, this.

814
00:39:02,080 --> 00:39:03,800
Speaker 3: Movie is crazy quotable.

815
00:39:04,239 --> 00:39:07,120
Speaker 1: Oh yeah, oh yeah, so I still love I said

816
00:39:07,160 --> 00:39:10,279
Speaker 1: it in my opening I still love how oh Man

817
00:39:10,320 --> 00:39:14,120
Speaker 1: Bubbles goes to Doe and she hands her the outfits

818
00:39:14,160 --> 00:39:16,920
Speaker 1: that she needs to go by and she says, I

819
00:39:16,960 --> 00:39:23,560
Speaker 1: don't want you looking janky and Tora up oh so harsh.

820
00:39:24,040 --> 00:39:26,840
Speaker 2: I do love these ones again, there's so many. My

821
00:39:27,000 --> 00:39:29,799
Speaker 2: favorite if he doesn't love my art, he can't have

822
00:39:30,040 --> 00:39:32,920
Speaker 2: my heart. I love that one because then she actually

823
00:39:32,960 --> 00:39:34,440
Speaker 2: does go ooh lyric moment.

824
00:39:35,000 --> 00:39:37,239
Speaker 3: I love that. I love it. I also loved you

825
00:39:37,280 --> 00:39:39,560
Speaker 3: all saying he wants to be your boom.

826
00:39:40,600 --> 00:39:44,239
Speaker 2: I know those two because we did them obviously, like

827
00:39:44,280 --> 00:39:48,840
Speaker 2: back to back. Those two cafeteria scenes were so fun.

828
00:39:49,400 --> 00:39:52,160
Speaker 2: They were so fun, like we had the blast doing those.

829
00:39:52,640 --> 00:39:56,360
Speaker 1: Can we talk a little bit about the smartest dumb

830
00:39:56,400 --> 00:40:00,319
Speaker 1: dog in the history of films? Because the dog can up,

831
00:40:00,400 --> 00:40:02,920
Speaker 1: goes right to bed when asked, gets up and dances

832
00:40:02,960 --> 00:40:05,200
Speaker 1: to all the music, but then jumps in a hole

833
00:40:05,440 --> 00:40:06,439
Speaker 1: and then can't get out.

834
00:40:06,640 --> 00:40:09,080
Speaker 3: I don't it threw me a little bit. I'm gonna

835
00:40:09,080 --> 00:40:09,680
Speaker 3: be honest with you.

836
00:40:09,960 --> 00:40:12,560
Speaker 1: The the and then for some reason I get why

837
00:40:12,600 --> 00:40:14,880
Speaker 1: they're doing it, but the firefighter who's in the hole

838
00:40:15,760 --> 00:40:18,880
Speaker 1: can't seem to reach the dog unless the dog dances.

839
00:40:19,000 --> 00:40:21,520
Speaker 1: And yet in front of him has a giant bottle

840
00:40:21,880 --> 00:40:22,800
Speaker 1: of baby oil.

841
00:40:24,560 --> 00:40:27,040
Speaker 3: Did you notice this baby So he's obviously covering that.

842
00:40:27,080 --> 00:40:29,440
Speaker 1: He can reach the dog to cover it with baby oil,

843
00:40:29,480 --> 00:40:31,600
Speaker 1: but he can't get the dog until the dog dances

844
00:40:31,600 --> 00:40:31,960
Speaker 1: to him.

845
00:40:32,400 --> 00:40:34,359
Speaker 3: This is where the movie fell apart a little bit

846
00:40:34,480 --> 00:40:37,600
Speaker 3: for me, a little bit.

847
00:40:37,640 --> 00:40:39,799
Speaker 2: It's like, you get why it had to be set

848
00:40:39,920 --> 00:40:42,279
Speaker 2: up that way, But it was really just, I mean,

849
00:40:42,719 --> 00:40:46,920
Speaker 2: the urgency in the from the first time she tells

850
00:40:46,960 --> 00:40:49,480
Speaker 2: the first cop. I was like, I don't think I've

851
00:40:49,480 --> 00:40:53,279
Speaker 2: ever seen a cop move so so quickly, especially for

852
00:40:53,480 --> 00:40:53,960
Speaker 2: a dog.

853
00:40:54,440 --> 00:40:57,280
Speaker 3: I'm calling it back up. And then the nation was riveted.

854
00:40:58,120 --> 00:41:03,440
Speaker 1: Everybody's watching as the new comes down, the school empties out.

855
00:41:03,920 --> 00:41:06,400
Speaker 2: It was that was the most the scene in the

856
00:41:06,520 --> 00:41:07,759
Speaker 2: part of the storyline.

857
00:41:07,760 --> 00:41:08,240
Speaker 1: I agree.

858
00:41:08,280 --> 00:41:12,080
Speaker 2: That was just kind of like, what are you doing here?

859
00:41:12,560 --> 00:41:14,480
Speaker 2: We are in a fairydale land.

860
00:41:14,680 --> 00:41:17,680
Speaker 3: Yes, you'd have to be. You have to suspend a little.

861
00:41:17,440 --> 00:41:20,200
Speaker 2: Bit, pulls you back to going we're watching a Disney

862
00:41:20,280 --> 00:41:23,520
Speaker 2: g General movie. This is how we're gonna pull everyone

863
00:41:23,560 --> 00:41:27,000
Speaker 2: out and get back together. I mean and all and

864
00:41:27,080 --> 00:41:28,360
Speaker 2: all dressed the same.

865
00:41:28,160 --> 00:41:29,920
Speaker 3: You're all dressed in your cheetahuse.

866
00:41:30,120 --> 00:41:34,640
Speaker 2: I will say, that's probably the iconic costume of the

867
00:41:34,680 --> 00:41:37,839
Speaker 2: show more than the Cinderella one.

868
00:41:37,600 --> 00:41:38,400
Speaker 3: With the headband.

869
00:41:38,840 --> 00:41:41,040
Speaker 2: With all of us wearing those just mass I mean

870
00:41:41,040 --> 00:41:43,640
Speaker 2: they were massive that you know why we had to

871
00:41:43,680 --> 00:41:46,920
Speaker 2: wear them. We were, you know, laying that we were

872
00:41:46,960 --> 00:41:50,160
Speaker 2: in the fall, like the beginning of school right in

873
00:41:50,320 --> 00:41:55,640
Speaker 2: Toronto in the like wintertime, like November. Like we were

874
00:41:55,680 --> 00:41:59,680
Speaker 2: there filming that scene in November. It was freezing like

875
00:42:00,400 --> 00:42:02,759
Speaker 2: when they did cut, like there were people on set

876
00:42:02,800 --> 00:42:04,839
Speaker 2: that would just wrap us with jackets and they had

877
00:42:04,840 --> 00:42:08,160
Speaker 2: hot pockets in the barget It was so cold and raining.

878
00:42:08,560 --> 00:42:11,000
Speaker 1: I will say that, I uh, that scene took me

879
00:42:11,040 --> 00:42:12,960
Speaker 1: out of it a little bit. It then, of course

880
00:42:13,080 --> 00:42:16,319
Speaker 1: becomes an entire musical number with no actual microphones, but

881
00:42:16,320 --> 00:42:19,400
Speaker 1: everyone can still hear what's going on. And I still

882
00:42:19,440 --> 00:42:23,160
Speaker 1: do not understand why a dog falls in a hole

883
00:42:23,320 --> 00:42:28,040
Speaker 1: and they scent an ambulance. Yes, yeah, who who's the

884
00:42:28,080 --> 00:42:30,920
Speaker 1: ambulance for? I'm just curious, is it for the dog?

885
00:42:31,000 --> 00:42:32,120
Speaker 1: Because no people were.

886
00:42:31,960 --> 00:42:35,600
Speaker 2: Involved, firefighter that's in there. It doesn't seem that smarty either.

887
00:42:35,840 --> 00:42:38,080
Speaker 3: You sent an ambulance?

888
00:42:38,200 --> 00:42:41,120
Speaker 1: Oh my okay, so yeah, well we're I'd like to

889
00:42:41,200 --> 00:42:44,160
Speaker 1: jump right ahead if we can. Yes, let's do our

890
00:42:44,200 --> 00:42:46,200
Speaker 1: three and a half facts, because there are some great

891
00:42:46,400 --> 00:42:47,839
Speaker 1: yes Cheetah Girl facts here.

892
00:42:47,880 --> 00:42:49,759
Speaker 3: Why don't you tell us what that is? Yeah, yes,

893
00:42:49,840 --> 00:42:50,520
Speaker 3: it's where.

894
00:42:50,320 --> 00:42:53,920
Speaker 2: We find three facts and one we found on the

895
00:42:54,000 --> 00:42:57,520
Speaker 2: internet that cannot be confirmed. Right, So these are good

896
00:42:57,680 --> 00:43:01,400
Speaker 2: because they would be awesome if but we don't know

897
00:43:01,440 --> 00:43:02,040
Speaker 2: if they're true.

898
00:43:01,920 --> 00:43:03,839
Speaker 3: Or we don't know. We think they might be.

899
00:43:03,960 --> 00:43:06,319
Speaker 2: Everyone talks about it like they are, but we're not

900
00:43:06,440 --> 00:43:06,879
Speaker 2: quite sure.

901
00:43:07,040 --> 00:43:09,080
Speaker 1: Right, we can't put our stamp on the fact that

902
00:43:09,120 --> 00:43:11,520
Speaker 1: it's real. Right, give us the first one.

903
00:43:11,640 --> 00:43:15,680
Speaker 2: The Cheetah Girls merchandise while touring was so popular that

904
00:43:15,840 --> 00:43:19,720
Speaker 2: at the time they became or we became the highest

905
00:43:19,719 --> 00:43:25,640
Speaker 2: selling act at their merchandise company, even beating the Rolling Stone.

906
00:43:28,200 --> 00:43:30,080
Speaker 3: And that's not the fake fact, that's real.

907
00:43:30,440 --> 00:43:31,239
Speaker 2: That's real.

908
00:43:32,400 --> 00:43:33,480
Speaker 3: What's the next one?

909
00:43:34,040 --> 00:43:36,920
Speaker 2: All right? So this half for that we got for you,

910
00:43:37,160 --> 00:43:41,600
Speaker 2: the half fact, the half fact. The Cheetah Girls is

911
00:43:41,719 --> 00:43:47,000
Speaker 2: Obama's daughter's favorite movie. It's a half fact. We'll say

912
00:43:47,520 --> 00:43:51,480
Speaker 2: that they were at our concert really when we were

913
00:43:51,520 --> 00:43:56,680
Speaker 2: on tour, and them like Faith Hill and Tim mcgross

914
00:43:56,719 --> 00:44:00,439
Speaker 2: kids were there. But you know, to beat the rush

915
00:44:00,480 --> 00:44:03,160
Speaker 2: home and all of that our meet and greets for

916
00:44:03,280 --> 00:44:05,680
Speaker 2: the first and second tour were at the end of

917
00:44:05,719 --> 00:44:09,560
Speaker 2: the show, and so they wouldn't stay all the way,

918
00:44:09,600 --> 00:44:13,400
Speaker 2: so they'd leave, So we didn't get to do that.

919
00:44:13,440 --> 00:44:16,080
Speaker 2: And we can actually ask my girl Keeley about that

920
00:44:16,120 --> 00:44:19,800
Speaker 2: because she was so upset. It was. We were so stoked.

921
00:44:19,800 --> 00:44:22,080
Speaker 2: I mean, think about it. You're on stage performing for

922
00:44:22,120 --> 00:44:22,720
Speaker 2: the president.

923
00:44:22,920 --> 00:44:25,480
Speaker 3: Yeah, I mean that's so was the President there or

924
00:44:25,560 --> 00:44:26,719
Speaker 3: just the kids? The kid?

925
00:44:26,840 --> 00:44:28,760
Speaker 2: No? So that that's the thing too, is it would

926
00:44:28,760 --> 00:44:32,279
Speaker 2: be booked under the you know person that you would

927
00:44:32,280 --> 00:44:35,280
Speaker 2: be recognized, but we didn't always mean that that person

928
00:44:35,400 --> 00:44:38,359
Speaker 2: was there, of course, but there was a possibility, so

929
00:44:38,440 --> 00:44:41,200
Speaker 2: we would be like lighting that stage up on fire

930
00:44:41,520 --> 00:44:44,520
Speaker 2: just in the case the President was there watching.

931
00:44:45,480 --> 00:44:48,480
Speaker 1: Other confirmed fans are the Kardashian kids who dressed in

932
00:44:48,480 --> 00:44:51,600
Speaker 1: treated Girl sweatshirts as past Halloween, Quenta Bronson, who just

933
00:44:51,600 --> 00:44:53,760
Speaker 1: sang a Cheatah Girl song on the Golden Glors Red Carpets,

934
00:44:53,800 --> 00:44:57,719
Speaker 1: and Cartie b who professor Cheatah Love on IG Live.

935
00:44:57,800 --> 00:45:02,160
Speaker 2: I mean this is huge, yes, yes, I mean it

936
00:45:02,400 --> 00:45:07,759
Speaker 2: just like to know that those kinds of celebrities know

937
00:45:08,280 --> 00:45:11,320
Speaker 2: the work that you've done. It's just is like wow.

938
00:45:11,440 --> 00:45:14,320
Speaker 2: I mean it's it's so cool. I mean the Kardashian

939
00:45:15,080 --> 00:45:17,360
Speaker 2: Halloween out that happened just this Halloween.

940
00:45:17,680 --> 00:45:20,520
Speaker 1: Yeah, I mean, so it's saying it's the twentieth anniversary.

941
00:45:20,520 --> 00:45:22,959
Speaker 1: We should say that. So it's still not only alive

942
00:45:23,000 --> 00:45:24,760
Speaker 1: in kicking, but hugely popular.

943
00:45:25,120 --> 00:45:27,319
Speaker 2: I can't wait to see and the new generation like

944
00:45:27,400 --> 00:45:31,040
Speaker 2: it just keeps gaining the next generation of young cheetahs.

945
00:45:31,080 --> 00:45:32,640
Speaker 2: It's awesome. It's awesome.

946
00:45:41,360 --> 00:45:42,640
Speaker 3: The let's add Amori.

947
00:45:43,200 --> 00:45:45,240
Speaker 1: Uh, we don't really even have to do that, because

948
00:45:45,239 --> 00:45:47,239
Speaker 1: if I read something, that's very interesting. So in the

949
00:45:47,280 --> 00:45:50,799
Speaker 1: original books, there were twins that were then cut from

950
00:45:50,840 --> 00:45:54,480
Speaker 1: the books, and Tia and Tamara were actually considered to

951
00:45:54,640 --> 00:45:58,040
Speaker 1: play those parts and were considered at the time I

952
00:45:58,040 --> 00:46:01,000
Speaker 1: think too maybe too old or something. I can't remember

953
00:46:01,000 --> 00:46:03,000
Speaker 1: what it was, but they were not able to do

954
00:46:03,040 --> 00:46:06,239
Speaker 1: the project. But so we could have had a Mori

955
00:46:06,400 --> 00:46:09,440
Speaker 1: in there from the original original books.

956
00:46:09,480 --> 00:46:11,040
Speaker 3: So there you go. That's how you do it.

957
00:46:11,440 --> 00:46:16,400
Speaker 2: Yes, I off another option because the brother is he's younger.

958
00:46:16,880 --> 00:46:19,479
Speaker 2: It could have worked to make him like a little

959
00:46:19,480 --> 00:46:21,440
Speaker 2: brother of one of the girls.

960
00:46:21,680 --> 00:46:24,680
Speaker 3: That would have worked too, that's great. Or your foster brothers.

961
00:46:24,400 --> 00:46:27,080
Speaker 2: Which the twin factor and it not be two girls,

962
00:46:27,160 --> 00:46:29,120
Speaker 2: and it'd be like Aqua's twin.

963
00:46:29,440 --> 00:46:30,000
Speaker 3: Great idea.

964
00:46:30,040 --> 00:46:31,760
Speaker 2: There you go, you know what I mean, making it,

965
00:46:31,800 --> 00:46:34,600
Speaker 2: make it a little bit different, bringing a little bit

966
00:46:34,600 --> 00:46:36,480
Speaker 2: different vibe. I mean he could have been like our

967
00:46:36,520 --> 00:46:38,080
Speaker 2: main producer. There could have been.

968
00:46:38,000 --> 00:46:40,200
Speaker 3: Like like something like that is awesome.

969
00:46:40,400 --> 00:46:43,480
Speaker 2: Yes, I think I really like him because that's the first.

970
00:46:43,239 --> 00:46:45,759
Speaker 3: Person you always go to how to put Taj in

971
00:46:45,760 --> 00:46:47,320
Speaker 3: the movie. You're a big TA.

972
00:46:47,600 --> 00:46:55,600
Speaker 1: Fan, Sabrina sees what did I miss?

973
00:46:55,920 --> 00:46:59,239
Speaker 2: Okay, so first of all, you took quite a bit.

974
00:46:59,680 --> 00:47:01,880
Speaker 3: Oh so I saw quite a bit this week. Saw

975
00:47:01,920 --> 00:47:02,400
Speaker 3: a lot.

976
00:47:02,520 --> 00:47:06,359
Speaker 2: You saw a lot, which was awesome. The ones that

977
00:47:06,560 --> 00:47:09,719
Speaker 2: I really loved was there's like I'm going to go

978
00:47:09,719 --> 00:47:11,120
Speaker 2: through them really fast because they don't need a lot

979
00:47:11,160 --> 00:47:16,239
Speaker 2: of explanation. The giant home phones that bubbles and chootch

980
00:47:16,239 --> 00:47:20,480
Speaker 2: she had. I can't remember in the early two thousands

981
00:47:20,480 --> 00:47:22,320
Speaker 2: did we have that big of phones.

982
00:47:22,680 --> 00:47:25,080
Speaker 1: I think so phones went through a big phase, then

983
00:47:25,080 --> 00:47:26,560
Speaker 1: they went through a really big phase.

984
00:47:26,600 --> 00:47:29,200
Speaker 2: Okay, because her cell phone was also giant.

985
00:47:29,400 --> 00:47:30,960
Speaker 1: Yeah, but she had that great flip phone, which I

986
00:47:30,960 --> 00:47:32,520
Speaker 1: would still have right now if I could.

987
00:47:32,800 --> 00:47:36,879
Speaker 2: Yes, doesn't close it. After the the conversation on the phone.

988
00:47:36,880 --> 00:47:39,720
Speaker 3: She just puts it down. I know, yeah, she doesn't,

989
00:47:40,040 --> 00:47:42,040
Speaker 3: she does. That's interesting. I noticed that as well.

990
00:47:41,880 --> 00:47:46,000
Speaker 2: Any Fuddy. My next one is we talked about how

991
00:47:46,120 --> 00:47:48,759
Speaker 2: all the music, all the music that we did was

992
00:47:48,800 --> 00:47:51,560
Speaker 2: like a music video style. I found that jarring. I

993
00:47:51,560 --> 00:47:54,399
Speaker 2: didn't really love that part. You loved it because I.

994
00:47:54,440 --> 00:47:56,319
Speaker 3: Got how you want to watch it. I got it,

995
00:47:56,360 --> 00:47:57,600
Speaker 3: I got how they did it. I didn't love it,

996
00:47:57,640 --> 00:47:58,320
Speaker 3: but I got Okay.

997
00:47:58,600 --> 00:48:04,200
Speaker 2: So Kyle Schmid's chacter Derek, Yeah, gallerya's love interest. Right, Yeah,

998
00:48:04,280 --> 00:48:06,640
Speaker 2: when he comes out with this, you know he's going

999
00:48:06,719 --> 00:48:10,080
Speaker 2: to do something. When he comes out with his performance,

1000
00:48:10,719 --> 00:48:14,600
Speaker 2: did you expect a hit wrap routine.

1001
00:48:14,640 --> 00:48:17,920
Speaker 1: No, he's carrying a guitar half the movie. It's like

1002
00:48:18,000 --> 00:48:19,719
Speaker 1: what and then he plays at the end. But it's

1003
00:48:19,760 --> 00:48:21,440
Speaker 1: like I wasn't expressed.

1004
00:48:21,440 --> 00:48:25,880
Speaker 2: That felt like so what why why is he? What

1005
00:48:26,320 --> 00:48:29,840
Speaker 2: is that song? He doesn't look at at all like

1006
00:48:29,880 --> 00:48:33,000
Speaker 2: that would be his interest. So there's that.

1007
00:48:33,239 --> 00:48:35,240
Speaker 3: I thought he'd go out to Kyle though, I do.

1008
00:48:35,120 --> 00:48:37,840
Speaker 2: Love him so much. He's such a sweetheart. Derek was

1009
00:48:37,920 --> 00:48:41,160
Speaker 2: dreamy though, Yes, and he's gone on to do a

1010
00:48:41,280 --> 00:48:42,319
Speaker 2: lot of work, a.

1011
00:48:42,280 --> 00:48:45,440
Speaker 3: Ton of stuff. Yeah, and he's married to Katie Katie Loakes.

1012
00:48:45,760 --> 00:48:49,200
Speaker 1: Yes, but the slammed, like the tray goes all over him,

1013
00:48:49,239 --> 00:48:52,080
Speaker 1: and even the girls are like even the embarrassing stuff

1014
00:48:52,120 --> 00:48:52,600
Speaker 1: is cute.

1015
00:48:52,760 --> 00:48:55,640
Speaker 2: He has this like kind of like accent a little

1016
00:48:55,640 --> 00:48:56,400
Speaker 2: bit as he was.

1017
00:48:56,640 --> 00:49:00,960
Speaker 3: Yeah, we don't know what exactly where he's from. Yeah,

1018
00:49:00,200 --> 00:49:01,840
Speaker 3: it's it's very.

1019
00:49:01,840 --> 00:49:04,360
Speaker 2: Easy, but he was. He was awesome. I loved his

1020
00:49:04,480 --> 00:49:07,360
Speaker 2: moments too, with him pulling the friendship back together. He

1021
00:49:07,480 --> 00:49:09,360
Speaker 2: was really the one that pulled back together.

1022
00:49:09,440 --> 00:49:12,800
Speaker 1: And there was especially the piano scene, which I shout

1023
00:49:12,800 --> 00:49:15,880
Speaker 1: out to Raven, but not not great fake piano playing

1024
00:49:15,880 --> 00:49:16,160
Speaker 1: at all.

1025
00:49:16,280 --> 00:49:18,120
Speaker 2: Okay, I did want to put that in my Serena

1026
00:49:18,200 --> 00:49:21,480
Speaker 2: season because I'll say it. I mean, but when she

1027
00:49:21,640 --> 00:49:24,120
Speaker 2: was singing, I focused on her face because she.

1028
00:49:24,560 --> 00:49:27,480
Speaker 3: Wasn't any great. But they had nice chemistry.

1029
00:49:27,600 --> 00:49:28,120
Speaker 2: They did.

1030
00:49:28,200 --> 00:49:30,040
Speaker 3: They had very nice chemistry the two of them.

1031
00:49:30,160 --> 00:49:31,440
Speaker 2: Great chemistry worked.

1032
00:49:32,040 --> 00:49:34,000
Speaker 3: And now we come to the biggest thing.

1033
00:49:34,040 --> 00:49:36,520
Speaker 1: We've got to rate the movie, and I think today's

1034
00:49:36,520 --> 00:49:41,480
Speaker 1: one out of ten trapped p seanfre says, which as

1035
00:49:41,920 --> 00:49:43,920
Speaker 1: as Raven says, that is not zal dressing.

1036
00:49:43,960 --> 00:49:45,440
Speaker 3: That gets confused. That's Madonna.

1037
00:49:45,480 --> 00:49:47,040
Speaker 2: That's such a funny line.

1038
00:49:47,400 --> 00:49:49,520
Speaker 1: So that's a great line. So one out of ten.

1039
00:49:49,719 --> 00:49:51,600
Speaker 1: Do you want me to start? Do you want to start?

1040
00:49:52,200 --> 00:49:53,480
Speaker 2: You start, you start.

1041
00:49:53,280 --> 00:49:57,680
Speaker 1: I'll start, Okay. I really liked this movie. I thought

1042
00:49:58,239 --> 00:50:02,400
Speaker 1: it is a great Disney Channel movie. You've got the music,

1043
00:50:02,640 --> 00:50:05,880
Speaker 1: You've got its own little language, it's its own encapsulated world.

1044
00:50:06,320 --> 00:50:09,120
Speaker 3: It is a really good movie. You lost me with

1045
00:50:09,200 --> 00:50:10,080
Speaker 3: the dog at the end.

1046
00:50:11,040 --> 00:50:15,400
Speaker 1: It's a weird kind of way to get the band

1047
00:50:15,560 --> 00:50:18,919
Speaker 1: back together. And then a couple things here and there.

1048
00:50:18,920 --> 00:50:24,360
Speaker 1: But I'm gonna give this a solid eight. Trapped Pean

1049
00:50:24,480 --> 00:50:27,239
Speaker 1: for says, and I could go, I could go eight

1050
00:50:27,280 --> 00:50:31,160
Speaker 1: point five and not look back. It would have been

1051
00:50:31,239 --> 00:50:34,239
Speaker 1: a full on nine if the dog didn't get trapped

1052
00:50:34,239 --> 00:50:36,239
Speaker 1: in a hole at the end. It really, you know,

1053
00:50:36,280 --> 00:50:39,160
Speaker 1: which is for me, pretty close to perfection, because I

1054
00:50:39,200 --> 00:50:42,920
Speaker 1: don't know I'll ever give a ten. But I was entertained.

1055
00:50:43,280 --> 00:50:47,640
Speaker 1: You were all phenomenal. The music was catchy. Even the

1056
00:50:47,760 --> 00:50:50,480
Speaker 1: cheesy parts are Disney cheesy, so they're the way they're

1057
00:50:50,520 --> 00:50:54,080
Speaker 1: supposed to be. Yes, the acting's great, the singing's great.

1058
00:50:54,120 --> 00:50:56,320
Speaker 1: So yeah, I'm gonna say I mean, I'm gonna up it.

1059
00:50:56,320 --> 00:50:58,600
Speaker 1: I'm gonna say eight and a half and be happy

1060
00:50:58,760 --> 00:51:03,920
Speaker 1: with eight and a half oiled up trapped peanfre says,

1061
00:51:04,440 --> 00:51:06,640
Speaker 1: which which again will be put into an ambulance for

1062
00:51:06,640 --> 00:51:08,600
Speaker 1: some reason after they are taken out of the ground.

1063
00:51:08,600 --> 00:51:09,120
Speaker 3: How about you.

1064
00:51:11,600 --> 00:51:16,880
Speaker 2: So I was nervous to go watch this again. Nervous.

1065
00:51:16,920 --> 00:51:22,520
Speaker 2: I mean you're talking, I'm eighteen, you know. I was

1066
00:51:22,560 --> 00:51:25,120
Speaker 2: so worried about what it was gonna look and feel like.

1067
00:51:25,239 --> 00:51:28,400
Speaker 2: And you know, and I actually it just brought me

1068
00:51:28,480 --> 00:51:30,200
Speaker 2: back to how much fun we had out on that

1069
00:51:30,600 --> 00:51:35,680
Speaker 2: out in Toronto. The experience was just incredible the movie.

1070
00:51:35,920 --> 00:51:39,359
Speaker 2: I also was worried about that cheese factor being way

1071
00:51:39,400 --> 00:51:45,040
Speaker 2: more than what it was. And you know, again, watching

1072
00:51:45,440 --> 00:51:49,560
Speaker 2: Raven and Adrian and Kihley, you know, with their dancing

1073
00:51:49,600 --> 00:51:51,759
Speaker 2: and performance, I really loved it more than I thought

1074
00:51:51,800 --> 00:51:53,680
Speaker 2: I was good. I was ready to give this like

1075
00:51:53,719 --> 00:51:55,359
Speaker 2: a four and a half.

1076
00:51:55,680 --> 00:51:59,960
Speaker 4: Really knowing, well, you know, it's hard to watch yourself

1077
00:52:00,440 --> 00:52:04,200
Speaker 4: any This is the kind of acting that you do

1078
00:52:04,280 --> 00:52:05,520
Speaker 4: that is over the top.

1079
00:52:05,760 --> 00:52:10,880
Speaker 2: You know, there's times where I'm like, oh gosh, top down,

1080
00:52:11,520 --> 00:52:16,160
Speaker 2: shrimpy and white like Norilla acts. But you know, again,

1081
00:52:16,239 --> 00:52:18,880
Speaker 2: I think I'm gonna give it a seven, a seven Okay,

1082
00:52:19,080 --> 00:52:20,600
Speaker 2: knowing where it's gonna go to.

1083
00:52:21,320 --> 00:52:22,759
Speaker 3: See, that's the thing that's hard.

1084
00:52:22,800 --> 00:52:23,759
Speaker 2: Part. You don't know.

1085
00:52:24,200 --> 00:52:26,320
Speaker 1: I don't know yet. I don't I haven't seen Empire

1086
00:52:26,360 --> 00:52:28,440
Speaker 1: Strikes Back yet. I haven't seen the second part. I

1087
00:52:28,440 --> 00:52:30,200
Speaker 1: don't know where we're going, right.

1088
00:52:30,400 --> 00:52:30,680
Speaker 3: Yeah.

1089
00:52:30,719 --> 00:52:32,959
Speaker 1: I also you just mentioned something that I think I'd

1090
00:52:32,960 --> 00:52:35,520
Speaker 1: like to add a new category to to and I'd

1091
00:52:35,600 --> 00:52:38,080
Speaker 1: like to get a sponsor for it. Okay, whether it's

1092
00:52:38,080 --> 00:52:41,640
Speaker 1: Sargento or it's Velveta. But we're gonna need a cheese factor.

1093
00:52:41,760 --> 00:52:43,480
Speaker 1: You just said to cheese. We're gonna need a cheese

1094
00:52:43,520 --> 00:52:48,760
Speaker 1: factor category. Okay, especially for Disney Channel because I thought

1095
00:52:48,760 --> 00:52:51,279
Speaker 1: this was again I thought it was cheesy in all

1096
00:52:51,360 --> 00:52:55,560
Speaker 1: the right places, which is it's they're Disney Channel movies.

1097
00:52:55,600 --> 00:52:58,880
Speaker 1: They're all gonna be cheesy somewhere somehow, right.

1098
00:52:58,880 --> 00:53:01,759
Speaker 2: Yes, I mean that's what brings the demo back to

1099
00:53:01,840 --> 00:53:05,960
Speaker 2: what we're where it's supposed to be, right, impactly, Adults,

1100
00:53:06,120 --> 00:53:10,000
Speaker 2: it can't be too serious. There's some good serious moments

1101
00:53:10,040 --> 00:53:13,280
Speaker 2: in there, like Chanelle and her Mom's dynamic.

1102
00:53:13,000 --> 00:53:16,560
Speaker 3: You and the Master Kid and all that kid.

1103
00:53:16,640 --> 00:53:19,560
Speaker 2: Yeah, there's that, but not too you know, there was

1104
00:53:19,600 --> 00:53:22,120
Speaker 2: a lot more crying. I did not realize you did.

1105
00:53:22,200 --> 00:53:25,239
Speaker 2: You kind of always just thought it was I guess

1106
00:53:25,239 --> 00:53:28,319
Speaker 2: because I was on set for Chanelle's or for Adrian's

1107
00:53:28,760 --> 00:53:30,960
Speaker 2: crime moment at that at the end of the movie.

1108
00:53:31,320 --> 00:53:33,919
Speaker 2: But I forgot that Raven had a good one too.

1109
00:53:34,000 --> 00:53:37,120
Speaker 1: Yeah, Whitfield, so that we're also gonna have to add

1110
00:53:37,160 --> 00:53:40,720
Speaker 1: than the Johnson and Johnson no more tears category. Okay,

1111
00:53:40,840 --> 00:53:44,360
Speaker 1: I get that there was there was some crying, but again,

1112
00:53:44,719 --> 00:53:47,360
Speaker 1: all earned. I thought it was all all your acting

1113
00:53:47,400 --> 00:53:50,279
Speaker 1: was great. I wow, thoroughly enjoyed this. I can't wait

1114
00:53:50,320 --> 00:53:53,120
Speaker 1: to see the second one. Thank you for sharing your

1115
00:53:53,160 --> 00:53:56,080
Speaker 1: film with me, because it was really good. I watched

1116
00:53:56,080 --> 00:53:57,600
Speaker 1: it the first time with my wife. We both liked it.

1117
00:53:57,600 --> 00:53:58,880
Speaker 1: I watched the second time on myself.

1118
00:53:59,120 --> 00:54:01,120
Speaker 3: Uh, are you happy with what I saw.

1119
00:54:01,040 --> 00:54:03,080
Speaker 2: With the Cheetah I really love being able to kind

1120
00:54:03,080 --> 00:54:06,560
Speaker 2: of crack up at myself of course, and us and

1121
00:54:06,600 --> 00:54:09,440
Speaker 2: what we were doing and what we were wearing. But

1122
00:54:09,520 --> 00:54:13,840
Speaker 2: we are going to absolutely get into that because we

1123
00:54:13,920 --> 00:54:17,160
Speaker 2: are so thrilled to have a park Hopper episode for

1124
00:54:17,200 --> 00:54:21,120
Speaker 2: you on the Magical rewind Feet with my Cheetah Girl

1125
00:54:21,239 --> 00:54:26,560
Speaker 2: co star and bestie Keeley Williams. Yes, just search for

1126
00:54:26,680 --> 00:54:30,680
Speaker 2: Magical Rewind anywhere you get podcasts, as this is a

1127
00:54:30,719 --> 00:54:33,680
Speaker 2: special one that will not be on the pod meets

1128
00:54:33,680 --> 00:54:34,480
Speaker 2: World Feet.

1129
00:54:34,880 --> 00:54:37,000
Speaker 1: Yes and our I'm so excited to say this. First

1130
00:54:37,000 --> 00:54:39,560
Speaker 1: of all, again, thank you Cheetah girls. Great, go watch

1131
00:54:39,600 --> 00:54:42,200
Speaker 1: it again. It is on Disney Plus right now. Check

1132
00:54:42,200 --> 00:54:44,600
Speaker 1: it out. It is absolutely worth it. You're gonna love

1133
00:54:44,680 --> 00:54:47,640
Speaker 1: every second of it, except maybe the dog falling in

1134
00:54:47,640 --> 00:54:49,680
Speaker 1: the hole at the end. You'll probably also go, wait,

1135
00:54:49,719 --> 00:54:51,960
Speaker 1: and why is he playing guitar when there's drums and

1136
00:54:51,960 --> 00:54:54,200
Speaker 1: there's no drums there. It's got some issues, people, but

1137
00:54:54,239 --> 00:54:56,399
Speaker 1: it's a Disney Channel movie and it was good. So

1138
00:54:56,640 --> 00:54:59,959
Speaker 1: our next movie, we're just hitting on all cylinders because

1139
00:55:00,000 --> 00:55:04,400
Speaker 1: our next movie also haven't seen. But I've heard so many,

1140
00:55:04,480 --> 00:55:05,880
Speaker 1: so many people have told me this is one of

1141
00:55:05,920 --> 00:55:10,000
Speaker 1: their favorite movies. We are watching nineteen ninety eight Break

1142
00:55:10,400 --> 00:55:13,239
Speaker 1: with an exclamation point, of course, and it's viewable on

1143
00:55:13,280 --> 00:55:16,960
Speaker 1: Disney Plus. So go get your rollerblades and your helmets ready.

1144
00:55:17,120 --> 00:55:19,160
Speaker 1: I'm so excited for this one because this is so

1145
00:55:19,320 --> 00:55:21,520
Speaker 1: in my wheelhouse of movies that I grew up watching.

1146
00:55:21,920 --> 00:55:24,359
Speaker 1: So this was such a fun episode. Don't forget again.

1147
00:55:24,440 --> 00:55:26,879
Speaker 1: As Sabrina said, go to the park Hopper episode where

1148
00:55:26,880 --> 00:55:29,600
Speaker 1: we talked to Keeley Williams. I'm just gonna watch, sit

1149
00:55:29,640 --> 00:55:31,960
Speaker 1: back and watch the two of you reminisce about a

1150
00:55:32,000 --> 00:55:35,680
Speaker 1: pretty great film that started an absolutely amazing franchise, and

1151
00:55:35,680 --> 00:55:38,040
Speaker 1: we will be watching the next ones further down the line.

1152
00:55:38,040 --> 00:55:39,920
Speaker 1: But thank you so much for joining us, and remember

1153
00:55:39,960 --> 00:55:42,160
Speaker 1: to subscribe to our feed and you can follow us

1154
00:55:42,160 --> 00:55:47,480
Speaker 1: that magical rewind pod on Instagram. Growl Powell, Growl Powell.

1155
00:55:47,600 --> 00:55:50,600
Speaker 1: I still can't get it right, will grawl Power.

1156
00:55:51,120 --> 00:55:55,080
Speaker 2: It is a spinoff of Girl Power. Growl Power, Growl Power.

1157
00:55:55,440 --> 00:55:58,080
Speaker 1: Yeah, I feel like an official Cheetah I really do.

1158
00:55:58,400 --> 00:56:01,879
Speaker 2: H is always room for more Cheetah boys always we

1159
00:56:02,000 --> 00:56:02,439
Speaker 2: love it.

1160
00:56:02,640 --> 00:56:05,719
Speaker 1: I will take that all day. Thanks for joining us

1161
00:56:05,760 --> 00:56:08,480
Speaker 1: for the Cheetah chatter. This episode's been cheat delicious.

1162
00:56:09,080 --> 00:56:09,919
Speaker 3: Join us next time