WEBVTT - Episode 82: Watchmen

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<v Speaker 1>Hello, everyone, Welcome to another edition of Nerdificence. I am

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<v Speaker 1>one half of your host, Danny Fernandez, sitting across from

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<v Speaker 1>me as always. How's everybody doing? He looks, we look shnazzy,

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<v Speaker 1>very snazzy. We like match too, I know. And then

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<v Speaker 1>I have this excuse to break out. I can't raise

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<v Speaker 1>this too high. Not that you haven't like, I don't care.

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<v Speaker 1>I've I've bared all at all times, especially my friends.

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<v Speaker 1>That sounds bad. You know what we have that giggle

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<v Speaker 1>on here is you know where you love her. She's

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<v Speaker 1>a pop pop culture critic, amazing, very thoughtful writer. It

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<v Speaker 1>is our friend Joel Monique. Hey, I'm so excited. Hey,

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<v Speaker 1>how's it gone? I see you came prepared. You you

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<v Speaker 1>have readings, dramatic readings for you guys, especially as we

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<v Speaker 1>start to talk about the differences and similarities between the

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<v Speaker 1>show and comic book. Well, speaking of the show, we

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<v Speaker 1>normally talk about what we're geeking out about, but this

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<v Speaker 1>week we're geeking out about the Watchman show. Yes, Regina King,

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<v Speaker 1>and yeah, yeah, it's a lot. There's a lot happening

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<v Speaker 1>to show. Our good friend Cheyenne took me she was

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<v Speaker 1>working for HBO at New York Comic Con and so

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<v Speaker 1>they had the Watchman premier party there and Regina King. Listen,

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<v Speaker 1>famous people in public, they just stand out in a

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<v Speaker 1>way that we don't understand. Like she like, even when

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<v Speaker 1>I'm done up, like she was just glowing, Like they're

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<v Speaker 1>just on a different level than the rest of us.

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<v Speaker 1>That's that's true. That's true. But it's just like she

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<v Speaker 1>was wearing regular clothes. I feel like, but she Oh

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<v Speaker 1>my gosh, it was just radiant. Um, I feel that way. Yeah,

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<v Speaker 1>when I run into I don't know, like Chris Hemsworth

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<v Speaker 1>or something. Yeah, yeah, it's Regina. I feel like, specifically

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<v Speaker 1>as a post Oscar glow, like the women have babies

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<v Speaker 1>and they're glowing. She had an Oscar and she was like,

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<v Speaker 1>I have arrived finally, Holly would like, notice isn't recognizes.

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<v Speaker 1>She also talked about how she feels like she's really

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<v Speaker 1>coming to her own now. I mean, she's obviously been

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<v Speaker 1>around for a while. One of my earliest memories of her,

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<v Speaker 1>and this just goes for when I was growing up,

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<v Speaker 1>is um, she was in a Cinderella story. Do you

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<v Speaker 1>remember that? That was so long ago? Um, that was

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<v Speaker 1>like my Lizzie McGuire days. Um, but yeah, she she's

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<v Speaker 1>been a phenomenal actress for so long. But she said,

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<v Speaker 1>like having kids like that, really being a mother like

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<v Speaker 1>changed her acting style. Testing. I cannot speak to um

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<v Speaker 1>post children, pre children or Gina King performances, but I

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<v Speaker 1>do think that there's a level of comfort in this performance,

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<v Speaker 1>level of like inherent talent and badass three and sort

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<v Speaker 1>of like how did it take us this long to

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<v Speaker 1>realize she should be a superhero. She's just so false,

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<v Speaker 1>being like dark and brooding but also like really on

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<v Speaker 1>her detective stuff. Um, it's it's incredible. She had better

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<v Speaker 1>go all the nominations. That would be very upset about it.

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<v Speaker 1>We'll see, we've been we've been uh burned before. Alright,

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<v Speaker 1>let's just jump into the nitty gritty and start with

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<v Speaker 1>the comics. So Watchman is a comic book MAXI series

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<v Speaker 1>by the British creative team of that of writer Alan

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<v Speaker 1>Moore and artist David Gibbons, and colors John Higgins. It

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<v Speaker 1>was published by d C Comics in nine eighty six

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<v Speaker 1>in seven, and collected in a single volume edition in

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<v Speaker 1>nineteen eight seven. Watchman originated from a story proposal More

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<v Speaker 1>submitted to d C featuring superhero characters uh that the

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<v Speaker 1>company had acquired from Charlton Comics. As Moore's proposed story

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<v Speaker 1>would have left many of the characters unusable for future stories,

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<v Speaker 1>Managing editor Dick Giordano convinced Moore to create original characters instead.

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<v Speaker 1>See why he kind of blows out the world at

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<v Speaker 1>the end of Yeah, he actually originally so More wanted

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<v Speaker 1>comics from MLJ and he couldn't use those, So then

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<v Speaker 1>they recommended Charlton Comics would had which had just been

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<v Speaker 1>acquired by d C, but then he couldn't use those either,

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<v Speaker 1>So then you just ended up kind of creating characters

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<v Speaker 1>based off of their characters. This actually becomes like an

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<v Speaker 1>extreme blessing for the comic book because I think if

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<v Speaker 1>you're taking those original characters that come with all of

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<v Speaker 1>that backstory, which you know, it can be fun to

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<v Speaker 1>to see alternative universes, um. But to get this straightforward

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<v Speaker 1>look at superheroes, he was able to take multiple heroes

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<v Speaker 1>and make a Rory Shack and comment on what kind

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<v Speaker 1>of comics are you reading, our kind of stories are

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<v Speaker 1>we telling our kids, and who do we view as heroes?

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<v Speaker 1>I think it works much better as a metaphor and

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<v Speaker 1>using the characters a symbolism as opposed to taking those

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<v Speaker 1>direct characters and using them in that way. Yeah. So

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<v Speaker 1>Watchman depicts an alternate history where superheroes are real in

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<v Speaker 1>real life. What it would be like where superheroes emerged

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<v Speaker 1>in the nineteen forties in nineteen sixties sounds a lot

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<v Speaker 1>like The Incredible It is a little a little bit. Yeah,

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<v Speaker 1>that's what I thought of whenever Bradbird had that, because

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<v Speaker 1>it's like set in that fifties style and it's a

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<v Speaker 1>world in which what would happen with superheroes, Well you

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<v Speaker 1>would probably sue them. There would be you know, like

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<v Speaker 1>it's not as pretty as we think it is. It's

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<v Speaker 1>like Superman coming to save the day and we all

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<v Speaker 1>love him. It's like, no, they like, actually, this is

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<v Speaker 1>what it would be like in real life. I often

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<v Speaker 1>think of that with Batman. It's like, would we really

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<v Speaker 1>be okay with a billionaire dressing up in rubber? Definitely

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<v Speaker 1>not beating up people. I mean that was the one

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<v Speaker 1>like good takeaway I did have for The Joker where

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<v Speaker 1>it really did uh kind of addresses that like income

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<v Speaker 1>disparity and got them and like how they viewed it,

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<v Speaker 1>and I was like, that would be I mean, I

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<v Speaker 1>don't think people are ready if we truly do like

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<v Speaker 1>view that, if we got more than just that surface

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<v Speaker 1>layer of like there's poverty here, Yeah, because that that

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<v Speaker 1>would be cool to see how Batman deals with that.

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<v Speaker 1>I feel like the cartoons actually did try and lightweight

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<v Speaker 1>tackle it by making Bruce Wayne so much of a

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<v Speaker 1>lanthropist and it's like, uh so, I think we can

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<v Speaker 1>go beyond that and like see you like you know,

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<v Speaker 1>something like the Court of Vials but real life, like

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<v Speaker 1>you go in and trying to like break down this structure.

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<v Speaker 1>But that's another DC comic. Here we're talking about Watchman,

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<v Speaker 1>which has that if you wanted that insight on the world,

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<v Speaker 1>then uh you go, then Watchman is going to go

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<v Speaker 1>even deeper. Alan Moore very better and I mean that

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<v Speaker 1>in a good way. He has he's better or awake

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<v Speaker 1>if he see Well. What's also funny is like you know, um,

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<v Speaker 1>but he's like like British right, and it's so like

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<v Speaker 1>a lot of these quote unquote takes that he has

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<v Speaker 1>a Watchman have to do with you know, overseas, and

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<v Speaker 1>I think that's which you know, we're talking about Stephen

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<v Speaker 1>King not liking the Shining Uh. Alan Moore did not

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<v Speaker 1>like the uh Watchman. He didn't like V for Vendetta either,

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<v Speaker 1>doesn't this series either? Yeah, well, I mean and he could.

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<v Speaker 1>I could care less about the series because mostly because

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<v Speaker 1>I think we did better with this series what we're

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<v Speaker 1>supposed to do. Because yeah, you're you're a Londoner. You

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<v Speaker 1>that's your world. This is America. So if we're really like,

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<v Speaker 1>I like that he's a Londoner coming to like make

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<v Speaker 1>a comment on America. I like the the idea of

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<v Speaker 1>going to another place and examining it with fresh eyes.

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<v Speaker 1>And I feel like he's not so to me, it

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<v Speaker 1>doesn't necessarily feel like he's taking the pits out of America.

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<v Speaker 1>You know. It doesn't seem like it's it's degrading to

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<v Speaker 1>America more. It's just like a this is sort of

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<v Speaker 1>the all consuming fear that we all have. And I

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<v Speaker 1>think for a lot of pop culture things, you can

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<v Speaker 1>distill it to America because most of the pop the

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<v Speaker 1>world's pop culture, you know, originates here, like the big stuff,

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<v Speaker 1>the stuff that goes global. I think what I was

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<v Speaker 1>going to say to your point to both of y'all's

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<v Speaker 1>point is that he said it's not anti Americanism, but

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<v Speaker 1>anti Reaganism. So he did want to specify and and

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<v Speaker 1>it definitely that breathes through and I think that's fine too.

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<v Speaker 1>But when you have like a British why London or

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<v Speaker 1>come in, you always have oversight because the one thing

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<v Speaker 1>that Brits love to like try and like harp on

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<v Speaker 1>is like America's racism, totally trying to sidestep the fact

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<v Speaker 1>that they went ahead Africa. As a Nigerian, I always

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<v Speaker 1>have to point that out. But you know, but I

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<v Speaker 1>you know, I will pat them on the back that

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<v Speaker 1>you know, Uh, they still do put more interracial couples

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<v Speaker 1>on TV than we have in ever period. I remember

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<v Speaker 1>when I first watched Doctor Who. My first tweet after

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<v Speaker 1>it was like there was more interracial couples on TV

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<v Speaker 1>in one season than we've had in the history of Americans.

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<v Speaker 1>I feel that way about Black Mirror. I'm like, I've

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<v Speaker 1>never seen this many black and brown people period on

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<v Speaker 1>any shows, live in their lives, hanging out and being

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<v Speaker 1>tortured by internet. Um So, Joel, can you walk us

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<v Speaker 1>through some of the iconic characters from The Watchman and

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<v Speaker 1>what they're personalities are, their history. Sure, let's start with

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<v Speaker 1>the Minutemen. This is the original batch of Watchman characters.

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<v Speaker 1>That's you're still expector is your um night Owls? Who

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<v Speaker 1>else is on that team? Oh, my gosh, Billy Banks

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<v Speaker 1>or something like that. He's like basically a mascot for

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<v Speaker 1>the Bank, um, which is amazing. Um. The Minutemen are

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<v Speaker 1>an interesting team. They're started by Hooded Justice. Um kind of.

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<v Speaker 1>He's sort of the Hooded Justice is the first superhero period.

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<v Speaker 1>He stops robbery at a like local Delhi. People are like,

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<v Speaker 1>what is going on? They read the Superman comic. Comic

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<v Speaker 1>comic comes out. He's like, Yo, heroes are dope. I'm

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<v Speaker 1>gonna do that. I don't like defend people. But Hooded

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<v Speaker 1>Justice is sort of like their take on Batman kind

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<v Speaker 1>of in that he's like, I will never reveal my identity.

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<v Speaker 1>Nobody don't talk to me about anything. I have very

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<v Speaker 1>specific missions. He doesn't really get along with the rest

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<v Speaker 1>of the team. He's gay. Um, he's with another member

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<v Speaker 1>of the team. They fight a lot. It's messy. That's

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<v Speaker 1>really cool because I didn't know that about him. So

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<v Speaker 1>this was from the eighties. It's when he or the

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<v Speaker 1>Minute Man and come out like goodness testamentality here. Okay,

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<v Speaker 1>So nineteen thirty something we have the original Superman. The

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<v Speaker 1>Minutemen are like just a few years after that, so

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<v Speaker 1>we're talking late, I think is when he was really queer. Okay,

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<v Speaker 1>so that was part of the reason. I think he

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<v Speaker 1>was not taking off the mask um. And it's like

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<v Speaker 1>they would push him and Silk Specter together in photos

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<v Speaker 1>to make it look like he wasn't. There would be like, oh,

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<v Speaker 1>rumors they're dating Um, and that's how they tried to

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<v Speaker 1>pull that off. But eventually I was founded in nineteen

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<v Speaker 1>thirty nine during the Golden Age, being he does he

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<v Speaker 1>started to night The Minute Men are started in thirty nine. Yes,

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<v Speaker 1>there's a Keen Act of seventy seven. And then in

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<v Speaker 1>the fifties when Carthier is happening, all the superheroes get

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<v Speaker 1>called in and they're like, yo, you guys need to

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<v Speaker 1>tell us who you are. We don't like that you're

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<v Speaker 1>out here fighting crime. That's not really due process of law.

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<v Speaker 1>It's problematic. He was like, listen, not doing it disappears

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<v Speaker 1>um Stil Expector was the first one to kind of

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<v Speaker 1>realize that you could make money off of this, and

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<v Speaker 1>she was like, listen, I can market myself. People like

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<v Speaker 1>it will sell dolls. She tried to make a movie.

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<v Speaker 1>It bombed horribly, and after the disbanding of Superhero, she

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<v Speaker 1>didn't do really well. Her daughter later takes over her

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<v Speaker 1>mantle to varying degrees of effect. Um Night all former

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<v Speaker 1>police officers second Superhero, inspired by Hooded Justice a story.

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<v Speaker 1>He reads it in the paper. He's like, wow, you

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<v Speaker 1>see Superman. He's like, he has to want to do this.

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<v Speaker 1>He writes a book that tells all of them that

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<v Speaker 1>it men's dirty secrets, including the fact that the comedian

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<v Speaker 1>tried to rape Silk specter, so that really hurts the team. Um.

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<v Speaker 1>He's like, yeo, I'm done, I'm out, I'm coming clean.

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<v Speaker 1>They're coming after us anyway, what's the point um, And

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<v Speaker 1>then I'll just finish up with comedian. There's others, but

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<v Speaker 1>we can you guys can read up on this. Comedian

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<v Speaker 1>is like basically a soldier for hire. He starts by

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<v Speaker 1>being this kind of like wears a black mask, very

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<v Speaker 1>like leathery sort of vibes going on. Um, and then

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<v Speaker 1>once the government is like listen, no more superheroes. You

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<v Speaker 1>can come work for us, though, because you're pretty good

0:12:00.200 --> 0:12:02.520
<v Speaker 1>at your job. They dropped him in Vietnam. He is

0:12:02.600 --> 0:12:06.440
<v Speaker 1>having so much fun killing women and children, very disturbing

0:12:06.960 --> 0:12:10.599
<v Speaker 1>until Dr Manhattan is created on accident, joins him and

0:12:10.600 --> 0:12:13.520
<v Speaker 1>now he's a human walking bomb and he is a god.

0:12:13.920 --> 0:12:15.640
<v Speaker 1>He ends the war, and that is sort of what

0:12:15.760 --> 0:12:20.040
<v Speaker 1>starts the retro direction of the history in Watchman. It's

0:12:20.040 --> 0:12:24.640
<v Speaker 1>basically like a parallel universe. But if people became heroes

0:12:25.200 --> 0:12:28.199
<v Speaker 1>and Dr Manhattan en did the war, so America wins

0:12:28.240 --> 0:12:31.560
<v Speaker 1>in Vietnam. It's like a rousing victory. We pick up

0:12:31.640 --> 0:12:35.160
<v Speaker 1>Vietnam as a state and then from there we're like

0:12:35.440 --> 0:12:38.040
<v Speaker 1>booming with technology. Dr Manhattan introduced us this holy world

0:12:38.080 --> 0:12:41.800
<v Speaker 1>of like text. We have electric cars. Now computers are faster.

0:12:42.200 --> 0:12:45.079
<v Speaker 1>It's like a glorious kind of Golden Age with heroes

0:12:45.080 --> 0:12:47.680
<v Speaker 1>back on control. Everyone feels pretty good. Then in the

0:12:48.040 --> 0:12:50.480
<v Speaker 1>seventies you have the next round of superheroes, so you

0:12:50.480 --> 0:12:52.960
<v Speaker 1>have a new night Owl. So it comes back Dr

0:12:53.000 --> 0:12:55.800
<v Speaker 1>Manhattan's fighting. It doesn't last very long. Governments like you

0:12:55.800 --> 0:12:58.960
<v Speaker 1>can't do this. We have actual people to uphold the law,

0:12:59.559 --> 0:13:02.160
<v Speaker 1>and that's what we enter here. Rorshack is like, listen,

0:13:02.200 --> 0:13:03.800
<v Speaker 1>I'll give an e foot any of you say, I'm

0:13:03.800 --> 0:13:05.960
<v Speaker 1>going to still go out here where my weird changing

0:13:06.040 --> 0:13:10.440
<v Speaker 1>mask and uh be a hero? Um, And the book

0:13:10.480 --> 0:13:14.240
<v Speaker 1>kind of takes a really sharp look at again who

0:13:14.280 --> 0:13:16.960
<v Speaker 1>we call a hero? Oh yeah, I forgot to say so.

0:13:17.120 --> 0:13:20.720
<v Speaker 1>The Watchman term comes from a Latin phrase that essentially

0:13:20.760 --> 0:13:26.160
<v Speaker 1>translates as who watches the Watchman? Yes? Right, and it's

0:13:26.200 --> 0:13:29.120
<v Speaker 1>and it it is like that general. I think the

0:13:29.160 --> 0:13:32.440
<v Speaker 1>mythos of the book is just basically Lex Luthor's like

0:13:32.520 --> 0:13:36.920
<v Speaker 1>initial mythos against you know, against Superman, which is like, what,

0:13:37.000 --> 0:13:41.360
<v Speaker 1>we shouldn't trust this powerful alien like in in a

0:13:41.400 --> 0:13:44.720
<v Speaker 1>normal world, Lex Luthor isn't really that much of a

0:13:44.760 --> 0:13:46.840
<v Speaker 1>bad guy. He's just someone with sense where it's like, no,

0:13:46.920 --> 0:13:50.800
<v Speaker 1>we shouldn't let this superpowered alien just do whatever he

0:13:50.880 --> 0:13:54.440
<v Speaker 1>wants and then that drives him mad, uh and money

0:13:54.520 --> 0:13:57.760
<v Speaker 1>and all that. But it is funny how like Lex,

0:13:58.040 --> 0:14:01.880
<v Speaker 1>Yeah he isn't. No, he has a point and yeah

0:14:02.080 --> 0:14:06.040
<v Speaker 1>it is an insight. So the just to talk about

0:14:06.080 --> 0:14:09.000
<v Speaker 1>all the information that went down, is that just sprinkled

0:14:09.000 --> 0:14:12.480
<v Speaker 1>throughout the book or is that all supplemental stuff as well,

0:14:12.600 --> 0:14:15.720
<v Speaker 1>or so if you get I've only ever read Watchman

0:14:15.760 --> 0:14:18.640
<v Speaker 1>as the completed novel, so I know some people who

0:14:18.640 --> 0:14:20.880
<v Speaker 1>have read it separately. I think they still had all

0:14:20.920 --> 0:14:23.680
<v Speaker 1>this little bit of information in the back of each comic.

0:14:23.800 --> 0:14:27.240
<v Speaker 1>There's like either a big magazine or a book that's

0:14:27.320 --> 0:14:32.200
<v Speaker 1>between that gives you all this like very rich history.

0:14:32.200 --> 0:14:34.960
<v Speaker 1>Phil for example, the first night Owl he wrote, The

0:14:35.040 --> 0:14:36.720
<v Speaker 1>parts of the book he wrote are in the first

0:14:36.880 --> 0:14:41.240
<v Speaker 1>two comics, and then there's um, there's a secondary pirate

0:14:41.320 --> 0:14:44.160
<v Speaker 1>comic they write that sort of parallels all of the

0:14:44.200 --> 0:14:49.120
<v Speaker 1>things happening inside of the story. It's about um, a

0:14:49.320 --> 0:14:53.600
<v Speaker 1>big ship that souls basically is that's the one that's

0:14:53.680 --> 0:14:58.240
<v Speaker 1>kind of like popping up throughout the throughout the story. Right. Yeah,

0:14:58.240 --> 0:15:00.760
<v Speaker 1>the kid at the newsstand, he's always listen to the

0:15:00.760 --> 0:15:02.920
<v Speaker 1>news stand treat it which if you're poor and do

0:15:02.920 --> 0:15:04.640
<v Speaker 1>you every went to a comic bookstore just to read

0:15:04.680 --> 0:15:07.000
<v Speaker 1>the comics, he could relate. That was my story. Um,

0:15:07.360 --> 0:15:10.120
<v Speaker 1>and the floor of borders putting bookstores out of business.

0:15:10.120 --> 0:15:14.640
<v Speaker 1>That's what millennials did. Listen, you would have liked to

0:15:14.640 --> 0:15:17.720
<v Speaker 1>have read those. It wasn't just you, it was all

0:15:17.760 --> 0:15:20.720
<v Speaker 1>of us. I don't know why Borders never stopped us

0:15:20.720 --> 0:15:23.400
<v Speaker 1>from reading all those manga on the floorboards, like just

0:15:23.920 --> 0:15:27.960
<v Speaker 1>droves of kids just sitting in the Walden's books, Borders,

0:15:28.280 --> 0:15:33.160
<v Speaker 1>Barnes and Nobles. Really not a single employee said anyway.

0:15:33.680 --> 0:15:35.360
<v Speaker 1>The employees were not paid enough to care in the

0:15:35.360 --> 0:15:37.920
<v Speaker 1>same way that my saw pomping movies at the AM sales,

0:15:37.960 --> 0:15:40.160
<v Speaker 1>like God, bless you have fun kids, I don't have

0:15:40.200 --> 0:15:43.280
<v Speaker 1>the time. Always that one though, there's always that one

0:15:43.320 --> 0:15:46.520
<v Speaker 1>who just feels it's going to get them employee of

0:15:45.760 --> 0:15:48.840
<v Speaker 1>the try it, and then they don't get employee of

0:15:48.880 --> 0:15:52.280
<v Speaker 1>the month. And then they they realize everyone has to learn.

0:15:52.760 --> 0:15:55.480
<v Speaker 1>Everyone does one extra thing at there, like part time

0:15:55.600 --> 0:15:58.840
<v Speaker 1>job and get no recognition for it. And that's when

0:15:58.880 --> 0:16:02.200
<v Speaker 1>you learn, oh, this is useless. I remember, I think

0:16:02.240 --> 0:16:05.920
<v Speaker 1>about mine every Halloween. At Halloween horn nights. I was

0:16:05.960 --> 0:16:08.640
<v Speaker 1>so trying to like I was like trying to stand

0:16:08.640 --> 0:16:10.720
<v Speaker 1>out and be like the good one. And like if

0:16:10.760 --> 0:16:13.320
<v Speaker 1>I knew, I knew if I stood out, you know,

0:16:13.400 --> 0:16:15.360
<v Speaker 1>they would they would keep me. And there was a

0:16:15.400 --> 0:16:17.240
<v Speaker 1>guy all he was he was just trying to bring

0:16:17.280 --> 0:16:19.360
<v Speaker 1>in a pipe with some weed. You don't have a

0:16:19.400 --> 0:16:21.240
<v Speaker 1>good night. I don't know why you would try and

0:16:21.280 --> 0:16:24.280
<v Speaker 1>be high in a scary place. That is my worst nightmare.

0:16:24.560 --> 0:16:26.560
<v Speaker 1>But he was. He was doing it, and I caught

0:16:26.600 --> 0:16:28.280
<v Speaker 1>him and he was like he was a young brother too.

0:16:28.280 --> 0:16:29.680
<v Speaker 1>We looked and he tried to keep gave him the

0:16:29.680 --> 0:16:32.360
<v Speaker 1>bro like come on, bro, and I was like, I

0:16:32.440 --> 0:16:35.320
<v Speaker 1>need a job, bro, And I poured him and they

0:16:35.360 --> 0:16:37.200
<v Speaker 1>patted me on the back and then they let me

0:16:37.240 --> 0:16:39.280
<v Speaker 1>go at the end of the season. And that's when

0:16:39.280 --> 0:16:43.520
<v Speaker 1>I learned, never would never show out, never break color lines,

0:16:43.760 --> 0:16:47.720
<v Speaker 1>always employee lines. We have to take a really quick break.

0:16:47.760 --> 0:16:50.600
<v Speaker 1>And they were going to hop back into more of

0:16:50.640 --> 0:17:02.760
<v Speaker 1>The Watchman right after this, and we're back. Was there

0:17:02.800 --> 0:17:06.040
<v Speaker 1>any other characters that we okay, okay, so let's just

0:17:06.080 --> 0:17:08.480
<v Speaker 1>to wrap. There are so many characters, guys, so I apologize.

0:17:08.720 --> 0:17:11.600
<v Speaker 1>So just to recap in our current day, we have

0:17:12.000 --> 0:17:15.120
<v Speaker 1>a version of night Owl. He's new. We're younger, frashure.

0:17:15.240 --> 0:17:17.080
<v Speaker 1>This is all he's ever wanted to do. We have

0:17:17.119 --> 0:17:19.240
<v Speaker 1>Silk Specter. She dresses in the yellow and black. She's

0:17:19.280 --> 0:17:22.120
<v Speaker 1>the daughter of the old Silk Specter. She doesn't really

0:17:22.119 --> 0:17:24.440
<v Speaker 1>want to be here, but she's doing it anyway. When

0:17:24.480 --> 0:17:26.919
<v Speaker 1>she was sixteen, she started looking up with Doctor Manhattan,

0:17:27.000 --> 0:17:32.240
<v Speaker 1>who was like late thirties early forties when she was sixteen?

0:17:33.080 --> 0:17:37.000
<v Speaker 1>Is this from the text the original text very clearly

0:17:37.080 --> 0:17:41.200
<v Speaker 1>she was sixteen free. I was sired to read it

0:17:41.240 --> 0:17:44.640
<v Speaker 1>twice like wait what, um so that happened? Um, but

0:17:45.240 --> 0:17:48.160
<v Speaker 1>they're together for twenty years. It's still weird, but context

0:17:48.200 --> 0:17:51.760
<v Speaker 1>I don't know. Um So. Then Dr Manhattan, big blue

0:17:51.760 --> 0:17:55.560
<v Speaker 1>guy likes to walk around naked and basically a bomb. Um.

0:17:55.800 --> 0:18:00.560
<v Speaker 1>Then you have Rorschach. He has the as iconic. He's

0:18:00.600 --> 0:18:02.760
<v Speaker 1>got the trench coat, the hat, he's sort of designed

0:18:02.760 --> 0:18:06.480
<v Speaker 1>out of off the question, which is a character from DC. UM.

0:18:06.600 --> 0:18:09.399
<v Speaker 1>He had his face changes and uh, he was abused

0:18:09.400 --> 0:18:12.480
<v Speaker 1>as a child, he had a horrible life, and he

0:18:12.520 --> 0:18:15.600
<v Speaker 1>thinks of the mask as his face. Uh. Then you

0:18:15.640 --> 0:18:19.040
<v Speaker 1>have Azzymandias, who it sort of becomes a bad guy.

0:18:19.200 --> 0:18:22.359
<v Speaker 1>Spoiler alert. If you're like liking everything we're talking about,

0:18:22.359 --> 0:18:25.439
<v Speaker 1>like maybe I'll go read this comic, stop like don't listen.

0:18:26.000 --> 0:18:31.960
<v Speaker 1>Um okay, okay, alright, we're good. We just want to

0:18:31.960 --> 0:18:35.320
<v Speaker 1>make sure maybe sometimes you change mind way okay. Um.

0:18:35.520 --> 0:18:38.320
<v Speaker 1>This guy basically thinks he's the next coming of Alexander

0:18:38.359 --> 0:18:42.160
<v Speaker 1>the Great. Um. He is a narcissist of the highest order.

0:18:42.760 --> 0:18:46.240
<v Speaker 1>Um is born wealthy, gives all of that up, tracks

0:18:46.280 --> 0:18:50.199
<v Speaker 1>through the desert, follows like Alexander's path, regains all of

0:18:50.280 --> 0:18:53.040
<v Speaker 1>his money, becomes like this marketing genius basically, so he's

0:18:53.040 --> 0:18:56.520
<v Speaker 1>a billionaire. He owns a huge company. He predicts trends.

0:18:57.880 --> 0:19:01.480
<v Speaker 1>At the end of this story, Oh and a year

0:19:01.520 --> 0:19:05.080
<v Speaker 1>before the Keen Act, which outlawed superheroes forever, he revealed

0:19:05.119 --> 0:19:07.040
<v Speaker 1>his identity, which is really important to note because this

0:19:07.080 --> 0:19:09.680
<v Speaker 1>is sort of what makes people trust him. They're like, oh, well,

0:19:09.680 --> 0:19:11.240
<v Speaker 1>he was honest with us, and he told us who

0:19:11.240 --> 0:19:14.040
<v Speaker 1>he is, and he's a good guy's a philanthropist, and

0:19:14.080 --> 0:19:16.040
<v Speaker 1>he's in good shape, and he's white and he's blond.

0:19:16.359 --> 0:19:20.080
<v Speaker 1>He's the best. Also, want to say, the privilege of

0:19:20.119 --> 0:19:22.400
<v Speaker 1>like giving all your money away and still being able

0:19:22.440 --> 0:19:25.800
<v Speaker 1>to get it all back. It was wild. It's a

0:19:26.160 --> 0:19:28.879
<v Speaker 1>wild journey. And so and he's kind of like a

0:19:28.920 --> 0:19:32.120
<v Speaker 1>suave ladies like you, women would want to be with him,

0:19:32.119 --> 0:19:33.440
<v Speaker 1>but we don't see him with a lot of ladies.

0:19:33.440 --> 0:19:35.800
<v Speaker 1>Like that's heard of the persona that he has. Uh.

0:19:35.800 --> 0:19:38.280
<v Speaker 1>In the end, he decides that what the world needs

0:19:38.520 --> 0:19:41.120
<v Speaker 1>UM the whole book is based off the fears of

0:19:41.880 --> 0:19:45.440
<v Speaker 1>an atomic bomb an atomic attack again. Um, and what

0:19:45.480 --> 0:19:49.320
<v Speaker 1>do we do when we're afraid? So his solution is,

0:19:49.359 --> 0:19:52.399
<v Speaker 1>if we're all afraid of different countries and borderlines, what

0:19:52.520 --> 0:19:56.119
<v Speaker 1>if a giant space squid fell from the sky, landed

0:19:56.119 --> 0:19:58.960
<v Speaker 1>on New York killed half the population, start talking about

0:19:58.960 --> 0:20:01.640
<v Speaker 1>three million, three and a half people. Uh, and then

0:20:01.800 --> 0:20:03.400
<v Speaker 1>we would be afraid of space and so we would

0:20:03.760 --> 0:20:07.960
<v Speaker 1>like band together and it picking worked. People were like, yo,

0:20:08.160 --> 0:20:12.200
<v Speaker 1>screw that space alien. We're john with technology, Like, we

0:20:12.240 --> 0:20:14.240
<v Speaker 1>don't want none of that anymore. We need a new

0:20:14.320 --> 0:20:19.960
<v Speaker 1>cowboy in office. Um. So Robert Redford runs for president

0:20:20.040 --> 0:20:24.320
<v Speaker 1>at the end. Um And basically yeah, then he sort

0:20:24.320 --> 0:20:27.920
<v Speaker 1>of gets to get away with it. So so gets

0:20:27.920 --> 0:20:31.120
<v Speaker 1>away with it, right, So here's the thing in the text.

0:20:31.600 --> 0:20:34.200
<v Speaker 1>The final scene is Rorschach, who's been keeping a journal

0:20:34.200 --> 0:20:37.119
<v Speaker 1>of everything, discovers, Oh, this is what he's gonna do,

0:20:38.240 --> 0:20:41.040
<v Speaker 1>writes all of that downtown to into a conservative newspaper.

0:20:41.560 --> 0:20:43.639
<v Speaker 1>Now that's all you know. So it's a very much

0:20:43.640 --> 0:20:45.679
<v Speaker 1>a cliffhanger at the end of the book. If you

0:20:45.800 --> 0:20:49.680
<v Speaker 1>choose to follow the stories Cannon as it travels to television.

0:20:50.040 --> 0:20:52.240
<v Speaker 1>We have answers about how that ends now if you

0:20:52.240 --> 0:20:55.280
<v Speaker 1>want to transition, but I want to talk about too.

0:20:56.720 --> 0:20:59.720
<v Speaker 1>I'm just for some reason, I'm forgetting Dr Manhattan's arc.

0:21:00.280 --> 0:21:03.240
<v Speaker 1>What what ends up happening with? Oh yeah, okay. So

0:21:03.520 --> 0:21:07.160
<v Speaker 1>Dr Manhattan basically decides to leave because he doesn't understand

0:21:07.200 --> 0:21:11.200
<v Speaker 1>humanity anymore. He's become just like higher thought. Basically, he's

0:21:11.240 --> 0:21:13.280
<v Speaker 1>like a dead body has the same atoms as an

0:21:13.320 --> 0:21:16.119
<v Speaker 1>alive body, so there's literally no difference to me. Yeah,

0:21:16.160 --> 0:21:20.280
<v Speaker 1>he's a galaxy brain like the version I'm thinking so

0:21:20.359 --> 0:21:22.760
<v Speaker 1>much further beyond humanity. So he goes to Mars and

0:21:22.800 --> 0:21:24.800
<v Speaker 1>he builds himself little palace. He's having good time there,

0:21:24.840 --> 0:21:27.720
<v Speaker 1>but there is one person he cares about. That's Laurie,

0:21:27.920 --> 0:21:30.800
<v Speaker 1>oksal expector. So he comes back down, grabs her, whisked

0:21:30.800 --> 0:21:32.560
<v Speaker 1>her off to Mars, and it's like, you know, if

0:21:32.600 --> 0:21:34.760
<v Speaker 1>you can convince me to care about these humans, maybe

0:21:34.760 --> 0:21:37.800
<v Speaker 1>I'll come back. Now. Dr Manhattan sees in multiple times,

0:21:37.800 --> 0:21:41.159
<v Speaker 1>so basically anything that's happening to him, it's all happening

0:21:41.200 --> 0:21:43.920
<v Speaker 1>to him at once. If that makes sense. What happened

0:21:45.800 --> 0:21:47.560
<v Speaker 1>eight now it all he can see it all at

0:21:47.560 --> 0:21:49.840
<v Speaker 1>the same time happening to him because in the future

0:21:49.880 --> 0:21:53.800
<v Speaker 1>and the past. Um. But he convinced me, basically convinced me.

0:21:54.240 --> 0:21:57.600
<v Speaker 1>So just as a note on what you just said. Visually,

0:21:57.640 --> 0:22:01.280
<v Speaker 1>it's really cool because you're having these multiple animals showing

0:22:01.359 --> 0:22:04.720
<v Speaker 1>like these different time frames and it's translated within that

0:22:04.760 --> 0:22:07.920
<v Speaker 1>way instead of just outright saying it. As you're watching

0:22:08.200 --> 0:22:11.679
<v Speaker 1>these different moments happen. Listen, I'll read you three panels

0:22:11.760 --> 0:22:14.680
<v Speaker 1>real quick. And this this is Dr Manhattan talking. He's

0:22:14.680 --> 0:22:16.560
<v Speaker 1>on Mars. He's looking at a photograph of him and

0:22:16.600 --> 0:22:19.040
<v Speaker 1>his first wife Janie. He says, the photograph is in

0:22:19.040 --> 0:22:20.840
<v Speaker 1>my hand. It is the photograph of a man and

0:22:20.880 --> 0:22:23.920
<v Speaker 1>a woman. They are an amusement park in nine nine.

0:22:24.600 --> 0:22:27.000
<v Speaker 1>In twelve seconds time, I dropped the photograph to the

0:22:27.000 --> 0:22:29.800
<v Speaker 1>sand at my feet walking away. It's already lying there

0:22:29.880 --> 0:22:33.440
<v Speaker 1>twelve seconds into the future. Ten seconds now. The photograph

0:22:33.480 --> 0:22:35.360
<v Speaker 1>is in my hand. I found it in a derelict

0:22:35.400 --> 0:22:39.160
<v Speaker 1>bar at the Gilla Flatts test based twenty seven hours ago.

0:22:39.440 --> 0:22:41.520
<v Speaker 1>This is how he sees all of time. It's either

0:22:41.640 --> 0:22:45.120
<v Speaker 1>happening now and it's all at the same time. So basically,

0:22:45.160 --> 0:22:48.600
<v Speaker 1>Lori's like, listen, if you love me and the plausibility

0:22:48.640 --> 0:22:52.439
<v Speaker 1>of all of time that I came into being, Like,

0:22:52.520 --> 0:22:55.600
<v Speaker 1>you have to see the miracle that is humanity and

0:22:55.640 --> 0:22:59.680
<v Speaker 1>want to protect that. And he's like, okay, kinda yeah.

0:23:00.160 --> 0:23:02.320
<v Speaker 1>He pops back down to Earth, but he lands like

0:23:02.400 --> 0:23:05.440
<v Speaker 1>two seconds after the squid has already done its job.

0:23:06.320 --> 0:23:08.439
<v Speaker 1>The squid lives for like six seconds, three seconds and

0:23:08.440 --> 0:23:12.280
<v Speaker 1>then dies immediately. Um. It turns out Azzy's head like

0:23:12.320 --> 0:23:14.280
<v Speaker 1>these Basically he said up a bunch of different satellites

0:23:14.280 --> 0:23:16.119
<v Speaker 1>and stuff that would block his ability to see in

0:23:16.160 --> 0:23:19.000
<v Speaker 1>the future, and what he what specifically Ozzy was doing.

0:23:19.760 --> 0:23:22.080
<v Speaker 1>I want to say that I am so floored by

0:23:22.200 --> 0:23:25.000
<v Speaker 1>the fact that he's so inhuman and he still gets

0:23:25.000 --> 0:23:28.159
<v Speaker 1>a ton of booty, Like I mean, I'm listening to

0:23:28.240 --> 0:23:31.200
<v Speaker 1>this and I'm like, this man is a human calculator

0:23:31.920 --> 0:23:34.359
<v Speaker 1>and then he's just like scoring hot, Like we just

0:23:34.400 --> 0:23:37.920
<v Speaker 1>want someone to hold us and respect us, Like, truly,

0:23:37.960 --> 0:23:43.720
<v Speaker 1>how many of of your friends are chasing emotionally unavailable men? Mean,

0:23:45.080 --> 0:23:48.760
<v Speaker 1>I mean, listen, you know what he does. Though he

0:23:48.800 --> 0:23:51.359
<v Speaker 1>probably keeps all his appointments, he doesn't go like he

0:23:51.480 --> 0:23:55.280
<v Speaker 1>probably basicle, if you're super emotional, I prefer a practical

0:23:55.320 --> 0:23:57.280
<v Speaker 1>partner who's like, let's just look at the He's probably

0:23:57.400 --> 0:24:00.760
<v Speaker 1>very time oriented. He can also be multiple places at once,

0:24:00.760 --> 0:24:02.639
<v Speaker 1>so he didn't have as many hands as you would

0:24:02.680 --> 0:24:04.520
<v Speaker 1>need to get the job. He's not going to send

0:24:04.520 --> 0:24:08.439
<v Speaker 1>you ah y w y d text like you know,

0:24:08.960 --> 0:24:11.919
<v Speaker 1>he's going to be considerate anyways, I'm sorry, I'm just

0:24:11.960 --> 0:24:13.800
<v Speaker 1>looking at the pictures of the women that he's that

0:24:13.880 --> 0:24:16.439
<v Speaker 1>makes you feel any better. Lorie leaves him at the

0:24:16.560 --> 0:24:19.600
<v Speaker 1>end of the comic and is off with her owl

0:24:19.600 --> 0:24:23.160
<v Speaker 1>guy um, and they have like a very domestic ending.

0:24:23.200 --> 0:24:26.120
<v Speaker 1>It's cute, um, but to your point, he comes back,

0:24:26.320 --> 0:24:30.199
<v Speaker 1>um Rorschach cannot take the injustice of Azzi Mandius winning.

0:24:30.600 --> 0:24:34.879
<v Speaker 1>So uh, Manhattan snaps him dead basically, and his like, listen,

0:24:35.040 --> 0:24:38.119
<v Speaker 1>you can't be here ruining our plans. We're trying to

0:24:38.400 --> 0:24:40.920
<v Speaker 1>achieved piece at a horrible cost, but it's achieved. Let's

0:24:40.920 --> 0:24:44.760
<v Speaker 1>not because that's what happened. Is Manhattan's kind of like, oh,

0:24:45.040 --> 0:24:47.560
<v Speaker 1>I get what you did, and yeah, He's like, I

0:24:47.560 --> 0:24:49.840
<v Speaker 1>wouldn't have done it, but we're here now, so what

0:24:49.880 --> 0:24:53.919
<v Speaker 1>about yeah, and is losing his mind crying in the

0:24:53.960 --> 0:24:58.280
<v Speaker 1>snow and he's like all right, by Yeah, begs him

0:24:58.320 --> 0:24:59.960
<v Speaker 1>for death. He's like, just do it because this world

0:25:00.119 --> 0:25:03.879
<v Speaker 1>this freaking nuts. Uh. And that is what document. Then

0:25:03.880 --> 0:25:05.159
<v Speaker 1>he goes back to Marks, He's like, yeah, I really

0:25:05.200 --> 0:25:07.800
<v Speaker 1>don't care about anything. Happy to hear Pete out. So

0:25:07.840 --> 0:25:09.360
<v Speaker 1>we have to talk about just a couple of other

0:25:09.440 --> 0:25:11.720
<v Speaker 1>comic stuff before we hop into the movie, which I

0:25:11.720 --> 0:25:13.800
<v Speaker 1>know if he wants to talk about. Um. So there

0:25:13.800 --> 0:25:18.320
<v Speaker 1>were nine prequel mini series in so if you do

0:25:18.920 --> 0:25:21.040
<v Speaker 1>love the comedian I don't know for some reason, and

0:25:21.119 --> 0:25:24.600
<v Speaker 1>you want to read I mean his prequel, um, there's

0:25:24.600 --> 0:25:28.680
<v Speaker 1>an entire comic devoted to him. There's also Doomsday Clock,

0:25:28.720 --> 0:25:31.320
<v Speaker 1>which I heavily, I actually really enjoyed, although it's not

0:25:31.600 --> 0:25:34.520
<v Speaker 1>over like they were dealing with a lot of delays,

0:25:34.760 --> 0:25:40.159
<v Speaker 1>So now you know, okay. So essentially Doomsday Clock is

0:25:41.280 --> 0:25:45.560
<v Speaker 1>was written by Jeff John's and uh art by Gary

0:25:45.600 --> 0:25:48.119
<v Speaker 1>Frank and Color Sprad Anderson. So it was essentially a

0:25:48.160 --> 0:25:54.520
<v Speaker 1>world where what if Dr Manhattan like left this universe? Uh.

0:25:54.560 --> 0:25:57.399
<v Speaker 1>And but what happened with it is that it was

0:25:57.440 --> 0:26:01.720
<v Speaker 1>supposed to affect the rest of d C comics. However

0:26:01.760 --> 0:26:03.639
<v Speaker 1>the rest of d C comics has kind of like

0:26:03.760 --> 0:26:07.640
<v Speaker 1>moved on, So it's like, what are we doing with

0:26:07.680 --> 0:26:11.440
<v Speaker 1>this storyline? Uh. Something cool that happened when the original

0:26:11.440 --> 0:26:13.959
<v Speaker 1>Watchman came out was that it kind of made the

0:26:14.040 --> 0:26:17.240
<v Speaker 1>other DC comics a little bit darker. Uh. This was

0:26:17.280 --> 0:26:20.360
<v Speaker 1>a super dark comic and it kind of influenced Superman

0:26:20.440 --> 0:26:22.960
<v Speaker 1>and Wonder Woman and Batman at the time. So they

0:26:23.080 --> 0:26:27.800
<v Speaker 1>ended up doing a one shot It's called DC Universe Rebirth,

0:26:28.480 --> 0:26:32.879
<v Speaker 1>and that was too essentially essentially explained that Dr Manhattan

0:26:32.880 --> 0:26:37.320
<v Speaker 1>was the reason why that was happening. Yeah, so um,

0:26:37.359 --> 0:26:38.960
<v Speaker 1>and I know this because I talked to our friend

0:26:39.040 --> 0:26:42.359
<v Speaker 1>Hector Navarro, who is like encyclopedic knowledge, and I'm like,

0:26:42.400 --> 0:26:45.359
<v Speaker 1>explain this universe rebirth. It's a fun It's a fun

0:26:45.400 --> 0:26:48.000
<v Speaker 1>rebirth because if you think about the theme of time

0:26:48.040 --> 0:26:50.199
<v Speaker 1>and how the importance of it throughout Watchman and the

0:26:50.240 --> 0:26:53.440
<v Speaker 1>idea that all Moore did fundamentally change the face of comics,

0:26:53.560 --> 0:26:56.760
<v Speaker 1>not yes the Watchman, because now on a literary scale,

0:26:56.800 --> 0:27:00.840
<v Speaker 1>it's comics are now considered, uh being cosidered period, where

0:27:00.840 --> 0:27:02.720
<v Speaker 1>before they were like child's play and I was like, no,

0:27:02.840 --> 0:27:06.359
<v Speaker 1>look great art. Um. So, between this series and Swapman,

0:27:07.160 --> 0:27:09.480
<v Speaker 1>not only did things get darker, but we also started

0:27:09.480 --> 0:27:12.520
<v Speaker 1>taking comic books more seriously. We started looking at artists

0:27:12.560 --> 0:27:16.160
<v Speaker 1>more seriously, and I think that there's something kind of fun,

0:27:16.520 --> 0:27:20.960
<v Speaker 1>especially with the difficult relationship Alan Moore And do you

0:27:21.000 --> 0:27:24.120
<v Speaker 1>see that out of them being like, well, well we'll

0:27:24.160 --> 0:27:27.760
<v Speaker 1>pay homage like many many years too late and after

0:27:27.800 --> 0:27:29.720
<v Speaker 1>making very terrible deals with you, but well we'll try to,

0:27:29.840 --> 0:27:32.520
<v Speaker 1>you know, honor you in in this way. Um. I

0:27:32.600 --> 0:27:34.120
<v Speaker 1>kind of wish I had stuck around and it would

0:27:34.119 --> 0:27:36.639
<v Speaker 1>have been interesting to put that whole layer up. But

0:27:36.640 --> 0:27:38.200
<v Speaker 1>I think there's also a lot of pressure for writers

0:27:38.200 --> 0:27:43.440
<v Speaker 1>to constantly considering this cornerstone work that is constantly making,

0:27:43.880 --> 0:27:46.760
<v Speaker 1>you know, maybe not the greatest statements about superheroes in general.

0:27:46.880 --> 0:27:48.639
<v Speaker 1>To try to work under that umbrella all of the

0:27:48.680 --> 0:27:51.879
<v Speaker 1>time on something you genuinely love might be challenging. Definitely.

0:27:51.960 --> 0:27:55.359
<v Speaker 1>Do you both also know about the button them Facebook? No,

0:27:55.480 --> 0:27:59.159
<v Speaker 1>the comic, Oh yeah, but please explain that to to people,

0:27:59.600 --> 0:28:01.800
<v Speaker 1>Smily is buch is like iconic. I didn't know what

0:28:01.840 --> 0:28:04.040
<v Speaker 1>it was for like the first twelve years of my life.

0:28:04.119 --> 0:28:05.920
<v Speaker 1>The lore of it, to the best of my understanding,

0:28:05.960 --> 0:28:07.400
<v Speaker 1>is this, The smiley face is one of the most

0:28:07.400 --> 0:28:10.840
<v Speaker 1>recognizable symbols. Uh in the United States at the time,

0:28:11.040 --> 0:28:13.280
<v Speaker 1>and because he's a comedian, they were sort of looking

0:28:13.320 --> 0:28:15.560
<v Speaker 1>for like a badge or a symbol for him. Every

0:28:15.600 --> 0:28:19.040
<v Speaker 1>different hero got a badge or a symbol because, um,

0:28:19.200 --> 0:28:21.240
<v Speaker 1>they're trying to god to market them to the larger public.

0:28:21.440 --> 0:28:24.359
<v Speaker 1>So he became the Smiley Face. But if you know

0:28:24.359 --> 0:28:26.199
<v Speaker 1>anything about the comedian, you know that he's laughing at

0:28:26.280 --> 0:28:30.959
<v Speaker 1>literally everything, and that gets very disturbing up to a point. Um,

0:28:31.040 --> 0:28:34.040
<v Speaker 1>and so the opening image for the comic sort of

0:28:34.040 --> 0:28:37.640
<v Speaker 1>that smiley face flattered with blood. It's on the cover. Um,

0:28:37.800 --> 0:28:41.160
<v Speaker 1>it kind of just represents both the comedy and the

0:28:41.160 --> 0:28:44.560
<v Speaker 1>gore that you're about to get into. Yeah. So there

0:28:44.640 --> 0:28:46.920
<v Speaker 1>was a comic that came out called The Button. It

0:28:46.960 --> 0:28:51.240
<v Speaker 1>was comic book crossover. It was actually a storyline where

0:28:51.280 --> 0:28:53.760
<v Speaker 1>Batman in the Flash worked together to uncover the truth

0:28:53.800 --> 0:28:56.440
<v Speaker 1>behind the mysterious button that they found, or that Batman

0:28:56.480 --> 0:28:59.600
<v Speaker 1>found in the bat Cave. Uh So, there's so much

0:29:00.000 --> 0:29:03.880
<v Speaker 1>are honestly behind the Watchman. But we also had a

0:29:03.960 --> 0:29:06.280
<v Speaker 1>film that had a lot of It was released in

0:29:06.280 --> 0:29:08.600
<v Speaker 1>two thousand nine and directed by Zack Snyder, and it

0:29:08.640 --> 0:29:11.040
<v Speaker 1>was based off the comics. I mean, really, there's only

0:29:11.120 --> 0:29:13.600
<v Speaker 1>one thing to really talk about because it is like

0:29:13.640 --> 0:29:17.280
<v Speaker 1>a pretty faithful adaptation. Uh, and you know it has

0:29:17.440 --> 0:29:20.240
<v Speaker 1>it's one of those one uh one of the it's

0:29:20.280 --> 0:29:24.880
<v Speaker 1>the one uh broken clocks being right twice where his

0:29:25.360 --> 0:29:29.120
<v Speaker 1>Zack Snyder's dark vision, you know, totally fits this comic.

0:29:29.400 --> 0:29:32.360
<v Speaker 1>And and this was two thousand nine, so we haven't

0:29:32.360 --> 0:29:35.080
<v Speaker 1>seen in a million times. It was very fresh, you know,

0:29:35.160 --> 0:29:37.920
<v Speaker 1>we're very ready for it. So it's great. Yeah, there's,

0:29:38.760 --> 0:29:40.880
<v Speaker 1>like I said, really nothing to say because it falls it.

0:29:40.960 --> 0:29:43.080
<v Speaker 1>There was only one change and that's why I had

0:29:43.120 --> 0:29:44.520
<v Speaker 1>to bring it up because I have to talk about

0:29:44.560 --> 0:29:47.800
<v Speaker 1>how much I dislike this change. And change was they

0:29:47.840 --> 0:29:50.360
<v Speaker 1>removed the squid that we talked about and everything that

0:29:50.400 --> 0:29:54.520
<v Speaker 1>we explained and changed it to Dr Manhattan exploding in

0:29:54.640 --> 0:29:58.400
<v Speaker 1>New York. And this is what was supposed to, uh

0:29:58.840 --> 0:30:01.400
<v Speaker 1>make you know, all the states that were at odds

0:30:01.520 --> 0:30:06.520
<v Speaker 1>come together. And you know because Doctor Manhattan quote unquote

0:30:06.520 --> 0:30:10.680
<v Speaker 1>went rogue, which which if you know anything about just

0:30:11.200 --> 0:30:13.640
<v Speaker 1>the way politics and the blame game that comes with

0:30:13.800 --> 0:30:17.480
<v Speaker 1>disasters go, that would that just wouldn't happen. And that's

0:30:17.600 --> 0:30:21.600
<v Speaker 1>just a complete lack of like if that happened, no

0:30:21.640 --> 0:30:24.760
<v Speaker 1>one would assume that doctor Man hadn't went wrong rogue,

0:30:24.800 --> 0:30:26.719
<v Speaker 1>it would be looked at as the us at fault.

0:30:27.080 --> 0:30:30.120
<v Speaker 1>It would probably be speculized that maybe they were testing

0:30:30.120 --> 0:30:32.000
<v Speaker 1>it to use on one or the other one, maybe

0:30:32.000 --> 0:30:35.600
<v Speaker 1>even furthering this arms arms race. So the squid was

0:30:35.680 --> 0:30:38.280
<v Speaker 1>perfect as is. And the reason I disliked it is

0:30:38.280 --> 0:30:42.000
<v Speaker 1>because it felt like that very early early two thousand

0:30:42.120 --> 0:30:44.840
<v Speaker 1>nine comic book movie thing of being of thinking, oh,

0:30:44.920 --> 0:30:47.400
<v Speaker 1>this was too silly and it only works in a comic.

0:30:47.520 --> 0:30:50.000
<v Speaker 1>It was exactly that. I remember reading a lot of

0:30:50.040 --> 0:30:52.920
<v Speaker 1>interviews with that kinding like it we can't really do that,

0:30:53.000 --> 0:30:56.360
<v Speaker 1>Like who would a believe it? Or be like I

0:30:56.360 --> 0:30:58.040
<v Speaker 1>think it we came about. I mean, I'm trying to

0:30:58.040 --> 0:31:01.840
<v Speaker 1>thou nine graphics and like what that would physically look like.

0:31:02.040 --> 0:31:03.400
<v Speaker 1>But if you look in the comic, I think it's

0:31:03.400 --> 0:31:05.880
<v Speaker 1>like only two or three panels and all you're seeing

0:31:05.880 --> 0:31:07.880
<v Speaker 1>our tentacles. You have a big eye and a couple

0:31:07.880 --> 0:31:11.760
<v Speaker 1>of tentacles on a building. You have my attention. You know,

0:31:14.160 --> 0:31:17.000
<v Speaker 1>it's been a long day. I have to make our

0:31:17.760 --> 0:31:22.360
<v Speaker 1>all right. Well that and that's pretty much the movie. Okay,

0:31:22.400 --> 0:31:26.800
<v Speaker 1>So the budget was one thirty hundred thirty eight million.

0:31:26.920 --> 0:31:30.520
<v Speaker 1>It actually did make a hundred one five point three

0:31:30.520 --> 0:31:32.320
<v Speaker 1>million of box office, so it did make its money

0:31:32.360 --> 0:31:36.560
<v Speaker 1>back and more. Nice. I mean, it's funny because I

0:31:36.080 --> 0:31:40.480
<v Speaker 1>I've have a strong film opinion about superhero movies, and

0:31:40.480 --> 0:31:43.040
<v Speaker 1>it's funny to think back in those days when you

0:31:43.040 --> 0:31:46.600
<v Speaker 1>were making only like eighty million more when you make

0:31:46.640 --> 0:31:50.760
<v Speaker 1>a superhero movie. Uh you know. I believe superhero movies

0:31:50.760 --> 0:31:54.080
<v Speaker 1>are guaranteed hits now because we they've been so consistent

0:31:54.160 --> 0:31:56.320
<v Speaker 1>for so long that it's trusted that people will at

0:31:56.400 --> 0:31:58.600
<v Speaker 1>least see it, even if it's a spectacle, which is

0:31:58.600 --> 0:32:01.320
<v Speaker 1>why movies like Joker and Venom still do really well,

0:32:01.600 --> 0:32:04.600
<v Speaker 1>even though like everyone's like this, even people online are

0:32:04.640 --> 0:32:07.960
<v Speaker 1>like this can't be that great. Uh so. And my

0:32:07.960 --> 0:32:11.080
<v Speaker 1>my pitch before we move on is that instead of

0:32:11.440 --> 0:32:15.680
<v Speaker 1>trying to hire these like big time you know directors

0:32:15.840 --> 0:32:18.880
<v Speaker 1>who like do it, I think you should pilot newer

0:32:18.960 --> 0:32:23.480
<v Speaker 1>directors on movies and let them. Here's my pitch to

0:32:23.480 --> 0:32:25.840
<v Speaker 1>to double down on that and give them a smaller budget,

0:32:26.240 --> 0:32:29.920
<v Speaker 1>makes small budget, intimate stories with superheroes. We do not

0:32:30.160 --> 0:32:32.880
<v Speaker 1>need an apocalypse at the end of every superhero movie.

0:32:32.920 --> 0:32:36.160
<v Speaker 1>I'm so tired of I mean that's why Aunt Man

0:32:36.240 --> 0:32:38.840
<v Speaker 1>was so refreshing. Yea, you went from these big thing

0:32:38.920 --> 0:32:42.320
<v Speaker 1>to like a small heist and a guy who loves

0:32:42.360 --> 0:32:46.240
<v Speaker 1>his daughter. Same with Homecoming felt so good. Jason Aaron,

0:32:46.280 --> 0:32:48.960
<v Speaker 1>who did that really good run of Hawkeye? I think

0:32:49.000 --> 0:32:52.040
<v Speaker 1>so yeah, do that. I don't understand why that is

0:32:52.120 --> 0:32:54.240
<v Speaker 1>not a movie we've been got yeah yet or even

0:32:54.280 --> 0:32:56.520
<v Speaker 1>like how we don't have a really good like Kamala

0:32:56.600 --> 0:32:59.240
<v Speaker 1>khan As, like you know, a young girl just in

0:32:59.320 --> 0:33:02.000
<v Speaker 1>high school fighting a local bag guy with a killer soundtrack,

0:33:02.120 --> 0:33:05.760
<v Speaker 1>like done, wrap it up. I'm ready. I'm waiting for

0:33:05.880 --> 0:33:08.600
<v Speaker 1>because I think whatever Kamalakan movie comes out, it needs

0:33:08.640 --> 0:33:10.800
<v Speaker 1>to be shot like a teen movie. That's what I'm saying. Like,

0:33:10.800 --> 0:33:12.920
<v Speaker 1>I don't understand how doesn't have an entire line of

0:33:12.960 --> 0:33:14.600
<v Speaker 1>teen movies. I'm so sorry this is really off tracked,

0:33:14.640 --> 0:33:17.200
<v Speaker 1>but just like really quick between her and America Javas

0:33:17.320 --> 0:33:20.160
<v Speaker 1>and both Spider Man, like you've got an entire and

0:33:20.200 --> 0:33:22.600
<v Speaker 1>then you have uh, oh my gosh, what are their

0:33:22.840 --> 0:33:26.600
<v Speaker 1>Young Justice version? Oh you're talking about the New Avengers

0:33:26.760 --> 0:33:30.480
<v Speaker 1>have a Hawkeye and I mean technically Captain Marvel yes,

0:33:30.600 --> 0:33:34.760
<v Speaker 1>in the Little Queer babies give them to me. Um, well, yeah,

0:33:34.800 --> 0:33:36.360
<v Speaker 1>I think that. I think what they're doing though, is

0:33:36.400 --> 0:33:39.040
<v Speaker 1>they want to make sure that everyone goes to Disney Plus.

0:33:39.280 --> 0:33:41.280
<v Speaker 1>So that's why a lot of those and I think

0:33:41.480 --> 0:33:45.080
<v Speaker 1>to their meredit, I mean, for the Mandalorian, they're giving

0:33:45.120 --> 0:33:50.040
<v Speaker 1>them a movie budget, and it's yeah, it's it's really

0:33:50.560 --> 0:33:54.120
<v Speaker 1>cool seeing the stuff that they that they have planned

0:33:54.120 --> 0:33:57.080
<v Speaker 1>for Marvel and taking these like side stories that won't

0:33:57.120 --> 0:34:00.240
<v Speaker 1>be these huge movies, but can explore these stories which

0:34:00.280 --> 0:34:03.240
<v Speaker 1>will hopefully, yes, we'll lead to New Avengers and me

0:34:03.400 --> 0:34:06.880
<v Speaker 1>being cast as cap uh you know, just you know,

0:34:07.000 --> 0:34:08.799
<v Speaker 1>I was you know, I was running out of black

0:34:08.840 --> 0:34:11.160
<v Speaker 1>heroes and then now we're getting so deep in there

0:34:11.200 --> 0:34:16.319
<v Speaker 1>that we can go like new powerman Young Uh. I

0:34:16.320 --> 0:34:19.040
<v Speaker 1>feel bad for forgetting his name, Well it was was

0:34:19.040 --> 0:34:22.480
<v Speaker 1>it Justice? I don't know, Uh, are you talking about Aquel? No,

0:34:22.960 --> 0:34:26.480
<v Speaker 1>I'm talking about even though he were like no, no,

0:34:26.640 --> 0:34:30.120
<v Speaker 1>it's the leader of Young Justice and he's the Isaiah Bradley.

0:34:30.200 --> 0:34:35.359
<v Speaker 1>That Isaiah Bradley, his grandson Elijah Bradley, patriot of the

0:34:35.400 --> 0:34:40.480
<v Speaker 1>Young Avengers. So I was super doubling that they Avengers

0:34:40.520 --> 0:34:42.480
<v Speaker 1>and and Justice have black leads. Were still off tract,

0:34:42.520 --> 0:34:48.840
<v Speaker 1>but it's Young Avengers, not New Avengers. I misspoke and

0:34:49.000 --> 0:34:53.200
<v Speaker 1>Young Justice. I see why. We're okay anyway, Yeah, we digress.

0:34:53.440 --> 0:34:55.200
<v Speaker 1>We have to take a really quick break and then

0:34:55.239 --> 0:34:57.239
<v Speaker 1>we're going to hop into the show. Now if you

0:34:57.280 --> 0:35:00.000
<v Speaker 1>haven't seen it, We're not going to give any huge

0:35:00.040 --> 0:35:02.360
<v Speaker 1>spoilers away. We're just going to kind of talk about

0:35:02.560 --> 0:35:04.120
<v Speaker 1>we're gonna set it up and kind of talk about

0:35:04.120 --> 0:35:06.040
<v Speaker 1>some of the issues that it tackles. Right after this

0:35:13.360 --> 0:35:16.480
<v Speaker 1>and we're back. So Joel, who you are actually doing

0:35:16.640 --> 0:35:20.719
<v Speaker 1>recap for if you have watched the show, or once

0:35:20.760 --> 0:35:22.440
<v Speaker 1>you do watch the show, if this makes you want

0:35:22.480 --> 0:35:24.560
<v Speaker 1>to watch it. Where can people catch your recap? A

0:35:24.719 --> 0:35:28.520
<v Speaker 1>V Club TV club about nine oh five every day

0:35:28.560 --> 0:35:32.800
<v Speaker 1>after the episode airs. Um, we get into heavy spoilers,

0:35:32.840 --> 0:35:35.080
<v Speaker 1>so you know, it's a recap com prepared, but also

0:35:35.080 --> 0:35:36.719
<v Speaker 1>trying my best to try to give you guys enough

0:35:36.760 --> 0:35:39.880
<v Speaker 1>history from the original comic and talk about what's being

0:35:39.920 --> 0:35:44.120
<v Speaker 1>laid over and it makes some wild predictions at the end. Um.

0:35:44.160 --> 0:35:46.360
<v Speaker 1>The message boards on avy Club are amazing, so if

0:35:46.360 --> 0:35:48.520
<v Speaker 1>you guys want to join the conversation, they're giving me

0:35:48.600 --> 0:35:53.640
<v Speaker 1>so much new information. Damon Lindelof. He loves this story

0:35:53.880 --> 0:35:55.399
<v Speaker 1>so much. She's got a quote actually on the back

0:35:55.400 --> 0:35:58.280
<v Speaker 1>of my comic. Uh, the greatest piece of popular fiction

0:35:58.440 --> 0:36:02.160
<v Speaker 1>ever produced. So does a direct quote from Damon about Watchman. Uh.

0:36:02.200 --> 0:36:05.440
<v Speaker 1>This comes out two thousand five, I think so, almost

0:36:05.440 --> 0:36:09.600
<v Speaker 1>twenty years ago. Um. It's amazing to me that he's

0:36:09.600 --> 0:36:14.600
<v Speaker 1>been able to produce such a high quality, such a

0:36:14.920 --> 0:36:19.640
<v Speaker 1>thought provoking, thoughtful, loving like homage to the original comic,

0:36:19.760 --> 0:36:23.280
<v Speaker 1>and still make it polished and updated four viewers today,

0:36:23.480 --> 0:36:26.680
<v Speaker 1>like even just two episodes in. It's it's quite an accomplishment.

0:36:26.719 --> 0:36:28.960
<v Speaker 1>I'm loving the TV series. Yeah, so can you set

0:36:28.960 --> 0:36:32.560
<v Speaker 1>it up for us? What are we walking into thirty

0:36:32.800 --> 0:36:38.680
<v Speaker 1>five years into the future? Roughly? It' um, yeah, from

0:36:38.680 --> 0:36:40.400
<v Speaker 1>the future of watch From the future of Watchman. So

0:36:40.440 --> 0:36:42.840
<v Speaker 1>the Watchman d nineteen eighty five, that's when the squid drops.

0:36:43.080 --> 0:36:46.280
<v Speaker 1>Eleven two is the date they used to describe the event,

0:36:46.760 --> 0:36:51.800
<v Speaker 1>much like our nine eleven. Um. You enter in Tulsa, Oklahoma.

0:36:52.360 --> 0:36:55.160
<v Speaker 1>The cops have just faced what it's called the White Night,

0:36:55.200 --> 0:36:59.000
<v Speaker 1>which is a night where a local white supremacist terrorist

0:36:59.120 --> 0:37:02.279
<v Speaker 1>organization invades all the cops homes and does their best

0:37:02.320 --> 0:37:06.719
<v Speaker 1>to assassinate, murder, remove all of them in a single night. Uh.

0:37:06.760 --> 0:37:09.480
<v Speaker 1>They don't fully succeed, but they get pretty close. The governor,

0:37:09.800 --> 0:37:12.840
<v Speaker 1>along with the police, decide that the best option is

0:37:13.080 --> 0:37:16.640
<v Speaker 1>for them to be masked. So they're essentially a police

0:37:16.640 --> 0:37:18.920
<v Speaker 1>force of superheroes. So they don't view themselves like that

0:37:19.040 --> 0:37:21.680
<v Speaker 1>at all. They're like, we wear the mask for our

0:37:21.719 --> 0:37:26.120
<v Speaker 1>own protection because people try to assassinate us. Um, some

0:37:26.120 --> 0:37:28.440
<v Speaker 1>stuff you can get off of. There's a thing called

0:37:28.920 --> 0:37:33.040
<v Speaker 1>pd PDA which is run by Dale pet of the FBI.

0:37:33.719 --> 0:37:38.840
<v Speaker 1>UM the Operation against Mass Heroes something I can't remember

0:37:39.080 --> 0:37:42.640
<v Speaker 1>the acronym, but basically, the FBI runs an organization that

0:37:42.680 --> 0:37:45.960
<v Speaker 1>helps make sure any vigilantes are immediately snuffed out before

0:37:45.960 --> 0:37:48.839
<v Speaker 1>they take charge. Um. And there you get a bunch

0:37:48.880 --> 0:37:51.480
<v Speaker 1>of like really great information mostly. Uh, what I want

0:37:51.480 --> 0:37:54.840
<v Speaker 1>to focus on today here is that after Doctor Manhattan

0:37:55.400 --> 0:37:58.640
<v Speaker 1>goes back to Mars, there's in the middle of Watchman

0:37:59.080 --> 0:38:02.040
<v Speaker 1>there's a theory that he's causing cancer to those closest

0:38:02.080 --> 0:38:05.040
<v Speaker 1>to He invented a lot of technology that helped move

0:38:05.120 --> 0:38:09.919
<v Speaker 1>them up. The world's up technology technologically, and now people

0:38:09.920 --> 0:38:11.560
<v Speaker 1>are afraid of technology. So in the show, there are

0:38:11.600 --> 0:38:14.120
<v Speaker 1>beepers and still a phone book, and mostly people use

0:38:14.200 --> 0:38:17.640
<v Speaker 1>landlines because they've become terrified of technology and the damage

0:38:17.640 --> 0:38:19.680
<v Speaker 1>that it can do, so much so that companies have

0:38:19.719 --> 0:38:21.680
<v Speaker 1>to be like, listen, we have a new computer and

0:38:21.760 --> 0:38:24.200
<v Speaker 1>you need to use it. It's not dangerous, we promise you,

0:38:24.280 --> 0:38:26.560
<v Speaker 1>like please, please, please, don't be afraid of the technology.

0:38:26.600 --> 0:38:29.399
<v Speaker 1>We need to move forward. It's also the reason cops

0:38:29.440 --> 0:38:31.120
<v Speaker 1>are kind of stuck in the past. Not enough crimes

0:38:31.120 --> 0:38:33.840
<v Speaker 1>are getting solved because we haven't updated to a computer system,

0:38:34.080 --> 0:38:36.359
<v Speaker 1>which means we're still doing everything by hand with old

0:38:36.360 --> 0:38:40.359
<v Speaker 1>giant binders. It's messy, old school police work, which makes

0:38:40.400 --> 0:38:42.680
<v Speaker 1>for a cool, gritty like crime drama because it gives

0:38:42.719 --> 0:38:45.200
<v Speaker 1>you that old school feel and it doesn't feel forced.

0:38:45.680 --> 0:38:47.600
<v Speaker 1>I'm sorry because I review these. I've seen some of

0:38:47.640 --> 0:38:49.359
<v Speaker 1>head and I want to make sure and I give

0:38:49.360 --> 0:38:51.279
<v Speaker 1>you guys, any kind of spoilers or anything. Well, I

0:38:51.320 --> 0:38:54.360
<v Speaker 1>can talk about a side thing that isn't necessarily a spoiler,

0:38:54.400 --> 0:38:57.440
<v Speaker 1>because it wouldn't be an episode of Nerdificent if we

0:38:57.480 --> 0:39:00.239
<v Speaker 1>didn't ruin some Nerds stuff with our s J you

0:39:00.360 --> 0:39:03.160
<v Speaker 1>crap like this takes place in Tulsa, which is known

0:39:03.200 --> 0:39:08.279
<v Speaker 1>for the bombings of Black Wall Street. And I heard

0:39:08.320 --> 0:39:11.759
<v Speaker 1>that they actually do some like some homages akin to

0:39:11.920 --> 0:39:15.200
<v Speaker 1>that to kind of, you know, actually like bring this

0:39:15.320 --> 0:39:17.640
<v Speaker 1>because I think a lot of people don't know that

0:39:17.640 --> 0:39:20.640
<v Speaker 1>that happened. I mean, I definitely was late in life

0:39:21.120 --> 0:39:23.120
<v Speaker 1>when I found it. I spoke about it as if

0:39:23.120 --> 0:39:27.520
<v Speaker 1>I've already died. Uh, But like it's it's it's a

0:39:28.160 --> 0:39:31.640
<v Speaker 1>it's it's funny because it just kind of is a

0:39:31.880 --> 0:39:35.400
<v Speaker 1>such a response to theo why won't the black community

0:39:35.400 --> 0:39:38.040
<v Speaker 1>pull themselves up by their bootstraps? And it's like, WHOA

0:39:38.400 --> 0:39:41.960
<v Speaker 1>we were? And every time we do it, white people

0:39:42.120 --> 0:39:45.279
<v Speaker 1>are there to, you know, come along and just burn

0:39:45.320 --> 0:39:49.280
<v Speaker 1>it to the ground. And and so sorry I didn't

0:39:49.320 --> 0:39:52.080
<v Speaker 1>Well no, let's let's talk about that if you. Because

0:39:52.280 --> 0:39:57.760
<v Speaker 1>this show Watchman has a ninety eight percent certified fresh

0:39:57.840 --> 0:40:00.920
<v Speaker 1>on the Tomato meter, that is by critic. Almost a

0:40:01.000 --> 0:40:06.280
<v Speaker 1>hundred eighty nine reviews have gotten it to audience score

0:40:06.880 --> 0:40:14.919
<v Speaker 1>forty three percent. Um. When you look at WHOA, why

0:40:14.960 --> 0:40:18.760
<v Speaker 1>do we think that critics have Yeah, And it's because

0:40:18.880 --> 0:40:24.319
<v Speaker 1>it is, um, this is what we're talking about. I

0:40:24.360 --> 0:40:26.759
<v Speaker 1>am so upset. I don't know people who vote it

0:40:26.840 --> 0:40:31.600
<v Speaker 1>thumbs down because it's because here's the thing. I am

0:40:31.680 --> 0:40:34.600
<v Speaker 1>patting DC on the back for tackling this. And on

0:40:34.680 --> 0:40:38.040
<v Speaker 1>Immigrant Day I retweeted it they said, immigrants make the

0:40:38.120 --> 0:40:43.839
<v Speaker 1>multiverse better hashtag immigrants. Yes they did. I am so

0:40:43.920 --> 0:40:47.120
<v Speaker 1>happy that they are, like, f y'all, we can't say

0:40:47.160 --> 0:40:50.799
<v Speaker 1>the real thing. Um, you know, they're telling these stories.

0:40:50.920 --> 0:40:53.080
<v Speaker 1>But one thing I kind of want to Sorry, I

0:40:53.080 --> 0:40:54.960
<v Speaker 1>didn't mean to cut you off. I want to touch

0:40:55.000 --> 0:40:57.400
<v Speaker 1>on because something you were saying and with the tomato

0:40:57.440 --> 0:41:00.640
<v Speaker 1>meter that made me think is like the thing that

0:41:00.640 --> 0:41:03.240
<v Speaker 1>that gets me is like, I think, like the people

0:41:03.280 --> 0:41:05.800
<v Speaker 1>who are like dumbing it down and saying as forced

0:41:05.880 --> 0:41:08.439
<v Speaker 1>s j W. They aren't even people I think are

0:41:08.560 --> 0:41:12.000
<v Speaker 1>fully on the right. It really are is this group

0:41:12.040 --> 0:41:15.240
<v Speaker 1>of people who are quote unquote apathetic, who are quote

0:41:15.280 --> 0:41:18.279
<v Speaker 1>unquote in the middle, who are quote unquote And then

0:41:18.920 --> 0:41:22.400
<v Speaker 1>every time I see that sentiment, it always comes. It

0:41:22.400 --> 0:41:25.279
<v Speaker 1>seems to come from that group more than anything. And

0:41:25.400 --> 0:41:27.680
<v Speaker 1>it's very funny because it goes back to that thing

0:41:27.760 --> 0:41:31.080
<v Speaker 1>of like when they say when you don't uh, it's

0:41:31.080 --> 0:41:33.360
<v Speaker 1>the Martin Luther King quote where everyone uses where like

0:41:33.400 --> 0:41:35.640
<v Speaker 1>if you if you don't pick a side, you have

0:41:35.719 --> 0:41:41.560
<v Speaker 1>chosen the side of white supremacy. But it's like, but

0:41:41.600 --> 0:41:43.560
<v Speaker 1>it really does feel that way where it's like you're

0:41:43.600 --> 0:41:45.719
<v Speaker 1>the like cool, you don't want to pick a side,

0:41:45.760 --> 0:41:48.719
<v Speaker 1>but if someone wants to speak out against the you know, oppressor,

0:41:49.120 --> 0:41:51.279
<v Speaker 1>then then you have a problem. I've definitely had some

0:41:51.320 --> 0:41:54.000
<v Speaker 1>of these comments and you know chatter, I mean, like

0:41:54.080 --> 0:41:55.920
<v Speaker 1>I just don't understand. And a lot of times it's

0:41:55.960 --> 0:41:58.919
<v Speaker 1>so funny because their critiques are so very vague. They're

0:41:58.920 --> 0:42:02.120
<v Speaker 1>like something's just like I just feel it's very contrived. Yeah,

0:42:02.239 --> 0:42:05.480
<v Speaker 1>thought was put into it. It is contrived. So I'm sorry,

0:42:05.480 --> 0:42:07.919
<v Speaker 1>but did you read the original comics by a man

0:42:08.040 --> 0:42:11.200
<v Speaker 1>who literally people were saying was anti American. But there's

0:42:11.239 --> 0:42:13.279
<v Speaker 1>also the thing that people walked away thinking Rorschack was

0:42:13.320 --> 0:42:16.160
<v Speaker 1>the hero of this story. So a lot of people

0:42:16.239 --> 0:42:19.160
<v Speaker 1>are not getting and so let's let me wrap. Okay.

0:42:19.160 --> 0:42:21.240
<v Speaker 1>So Nicole Cassell, who was the director of the pilot

0:42:21.239 --> 0:42:25.640
<v Speaker 1>and episode two, the way she shot that opening scene

0:42:26.000 --> 0:42:28.560
<v Speaker 1>was like you felt history come alive in a way

0:42:28.640 --> 0:42:32.200
<v Speaker 1>that I don't think we often get, especially for like

0:42:32.760 --> 0:42:35.120
<v Speaker 1>black people. Like it's sort of it reminded me of

0:42:35.239 --> 0:42:40.200
<v Speaker 1>um Spielberg's saving Private Ryan. Those which are just very

0:42:40.239 --> 0:42:46.360
<v Speaker 1>intimate portrayals of what chaos and catastrophe looks like. Um

0:42:46.400 --> 0:42:48.160
<v Speaker 1>and I think that what the show was giving us.

0:42:48.320 --> 0:42:52.800
<v Speaker 1>In we saw Night Sister, that's Regina King's character, visit

0:42:52.840 --> 0:42:56.480
<v Speaker 1>a museum recently and like learn you could basically just

0:42:56.520 --> 0:43:00.480
<v Speaker 1>look up family history in there, which is I'm like,

0:43:00.960 --> 0:43:03.040
<v Speaker 1>if you know your family history, if you can trace

0:43:03.080 --> 0:43:06.160
<v Speaker 1>it back, that's incredible. So many Black Americans cannot. UM

0:43:06.640 --> 0:43:10.600
<v Speaker 1>my family we've gotten back to I want to say,

0:43:10.640 --> 0:43:14.080
<v Speaker 1>my three grades, so we can track two decades back

0:43:14.120 --> 0:43:17.560
<v Speaker 1>in two people into slavery, back to grandmother's past. That

0:43:17.600 --> 0:43:20.960
<v Speaker 1>there's just not records. We just we were nameless on paper,

0:43:21.280 --> 0:43:23.359
<v Speaker 1>being shifted around in different places. You can't track your

0:43:23.360 --> 0:43:25.200
<v Speaker 1>history like that. So if there was a way to

0:43:25.200 --> 0:43:28.040
<v Speaker 1>have a DNA database to sort of start examining, you know,

0:43:28.120 --> 0:43:29.640
<v Speaker 1>who were your people and where do they come from

0:43:29.640 --> 0:43:32.360
<v Speaker 1>and what does that mean? Like, my god, it's amazing

0:43:32.600 --> 0:43:35.280
<v Speaker 1>the idea of like I know, redfordations are rubbing people

0:43:35.320 --> 0:43:37.680
<v Speaker 1>really the wrong way. That's Robert Redford gives black people

0:43:37.719 --> 0:43:40.759
<v Speaker 1>reparations in the show. And it's still beautiful. Now they

0:43:40.800 --> 0:43:43.120
<v Speaker 1>live in like this thriving metropolis of black people so

0:43:43.160 --> 0:43:46.400
<v Speaker 1>many black extras on this damn show just looking amazing

0:43:46.440 --> 0:43:49.120
<v Speaker 1>living in this like stunning space, a space that I

0:43:49.160 --> 0:43:51.360
<v Speaker 1>think typically would have been gentrified by white people is

0:43:51.360 --> 0:43:52.839
<v Speaker 1>what it looks like, but it's got a whole one

0:43:52.840 --> 0:43:55.719
<v Speaker 1>to like a thriving black community. And I think that

0:43:55.840 --> 0:43:58.120
<v Speaker 1>for David, he was like, if you don't know David

0:43:58.160 --> 0:44:02.040
<v Speaker 1>Lindloff is um creator of Lost, He did um and

0:44:02.200 --> 0:44:05.200
<v Speaker 1>having a brain fart y'all. Lost, Oh Leftovers, Um soosere

0:44:05.200 --> 0:44:07.759
<v Speaker 1>are his two big shows. He does these really thoughtful

0:44:08.120 --> 0:44:11.480
<v Speaker 1>examinations of what it means to basically exist, Like what

0:44:11.520 --> 0:44:13.360
<v Speaker 1>does it mean to be a person, a good person?

0:44:13.800 --> 0:44:16.120
<v Speaker 1>How do we handle ourselves in crisis? For him to

0:44:16.160 --> 0:44:17.960
<v Speaker 1>turn his eye and be like, so, like, what have

0:44:18.040 --> 0:44:22.000
<v Speaker 1>black people been doing under crisis in America forever? Starting

0:44:22.040 --> 0:44:25.440
<v Speaker 1>in but then also going back in the second episode

0:44:25.480 --> 0:44:29.080
<v Speaker 1>to look at black people fighting for um America in

0:44:29.080 --> 0:44:31.839
<v Speaker 1>World War One and what that was like when you

0:44:31.880 --> 0:44:34.839
<v Speaker 1>could not get equal service in America but we're dying

0:44:34.880 --> 0:44:37.880
<v Speaker 1>for your country. How does that like rek havoc on

0:44:37.920 --> 0:44:40.200
<v Speaker 1>the soul? And then more importantly, what does that do

0:44:40.280 --> 0:44:42.120
<v Speaker 1>to your children and their children? And how do we

0:44:42.200 --> 0:44:45.760
<v Speaker 1>carry that? He said very openly, like he was nervous

0:44:45.800 --> 0:44:47.960
<v Speaker 1>about it, but that as a person in a position

0:44:48.000 --> 0:44:51.080
<v Speaker 1>of power, he felt it important. And as a black

0:44:51.080 --> 0:44:53.960
<v Speaker 1>person who loves comics, who's always, you know, very excited

0:44:53.960 --> 0:44:55.800
<v Speaker 1>to go to these movies and see these TV shows

0:44:55.840 --> 0:44:58.480
<v Speaker 1>or whatever, to feel that Lens specifically turned to my

0:44:58.520 --> 0:45:01.799
<v Speaker 1>community in a way that is not looking down upon

0:45:01.960 --> 0:45:05.760
<v Speaker 1>or feeling bad for but just simply examining the circumstances.

0:45:06.000 --> 0:45:09.480
<v Speaker 1>My god, well, to me, it's so telling whenever, like

0:45:09.520 --> 0:45:12.280
<v Speaker 1>you said, examining the circumstances. And when people I literally

0:45:12.320 --> 0:45:16.080
<v Speaker 1>I was reading reviews of it and one said preachy

0:45:16.160 --> 0:45:18.719
<v Speaker 1>and another says forced. And I'm like, why is it

0:45:18.760 --> 0:45:21.960
<v Speaker 1>that when we tell our stories it's forced. It's because

0:45:21.960 --> 0:45:24.480
<v Speaker 1>they're not thinking about it, so it feels forced. It's like, oh,

0:45:24.520 --> 0:45:26.839
<v Speaker 1>because never in your life do you think about this,

0:45:27.239 --> 0:45:30.120
<v Speaker 1>because it doesn't feel forced when people when when you

0:45:30.160 --> 0:45:32.600
<v Speaker 1>watch success and you're like, oh, they're not they're forcing

0:45:32.840 --> 0:45:35.640
<v Speaker 1>this idea that being rich is so bad. Also, don't

0:45:35.680 --> 0:45:37.640
<v Speaker 1>say you have a hard time understanding black stories when

0:45:37.640 --> 0:45:39.239
<v Speaker 1>you're watching all those rich people and you ain't never

0:45:39.280 --> 0:45:41.960
<v Speaker 1>been rich in your life. You know, like it's just

0:45:42.080 --> 0:45:44.720
<v Speaker 1>like it's people that people are always reaching and making

0:45:44.760 --> 0:45:47.920
<v Speaker 1>some sort of excuse or you know, b as to

0:45:48.040 --> 0:45:51.400
<v Speaker 1>like to like try and like shoot down things that

0:45:51.440 --> 0:45:55.600
<v Speaker 1>are trying to say something and to like like and

0:45:55.680 --> 0:45:59.200
<v Speaker 1>we set this a few episodes back to like really

0:45:59.400 --> 0:46:03.400
<v Speaker 1>try and like look at a medium that was really

0:46:03.880 --> 0:46:07.439
<v Speaker 1>uplifted by two Jewish dudes from New York and try

0:46:07.440 --> 0:46:10.560
<v Speaker 1>and be like, oh, it's s j W. Force. It's

0:46:10.600 --> 0:46:14.160
<v Speaker 1>like now it's been literally creating Superman to go fight

0:46:14.360 --> 0:46:18.360
<v Speaker 1>like a monster that was attacking them directly. Like, Also,

0:46:18.880 --> 0:46:20.680
<v Speaker 1>what do you think the Justice League or any of

0:46:20.719 --> 0:46:24.120
<v Speaker 1>these are they are warriors fighting for social justice? Like

0:46:25.080 --> 0:46:27.640
<v Speaker 1>like we get those comments sometimes too iffy and I

0:46:27.640 --> 0:46:30.480
<v Speaker 1>I'm like, well, we're talking about superhero culture. What do

0:46:30.520 --> 0:46:33.960
<v Speaker 1>you think superhero culture is. It's a team of of

0:46:34.040 --> 0:46:36.680
<v Speaker 1>superheroes who are taking on who are trying to write

0:46:37.000 --> 0:46:40.960
<v Speaker 1>the injustice is done to marginalize groups. Well here's what

0:46:40.960 --> 0:46:43.719
<v Speaker 1>what what it is and uh and then after this

0:46:43.760 --> 0:46:46.560
<v Speaker 1>weekend close, But here's what it is is that the

0:46:46.600 --> 0:46:50.520
<v Speaker 1>way every person who reads superhero, the way we the

0:46:50.640 --> 0:46:53.600
<v Speaker 1>idea that we have of a superhero is someone who

0:46:53.640 --> 0:46:58.040
<v Speaker 1>fights for what's important. The problem that that we have that.

0:46:58.120 --> 0:47:01.440
<v Speaker 1>I think that is being lost in translation is the

0:47:01.480 --> 0:47:04.799
<v Speaker 1>idea of what's important to people. If if if the

0:47:05.040 --> 0:47:08.400
<v Speaker 1>if you know, if equality and freedom for all people

0:47:08.560 --> 0:47:10.920
<v Speaker 1>isn't important to you. Every time you see those heroes

0:47:10.960 --> 0:47:13.359
<v Speaker 1>fight that it seems like they're doing something weird, but

0:47:13.400 --> 0:47:16.480
<v Speaker 1>it's like, no, bro, you just never realize. You just

0:47:16.560 --> 0:47:19.480
<v Speaker 1>never paid attention because you've only cared about yourself. You've

0:47:19.480 --> 0:47:21.719
<v Speaker 1>only cared about the things affecting you, and you've let

0:47:21.760 --> 0:47:23.879
<v Speaker 1>that be an excuse and let that make you into

0:47:23.920 --> 0:47:27.880
<v Speaker 1>a whiney, shriveled up person who honestly can't be that good.

0:47:27.920 --> 0:47:31.879
<v Speaker 1>Because if you cannot care for the people who are

0:47:31.920 --> 0:47:34.879
<v Speaker 1>surrounding you, if you cannot care for your fellow human being,

0:47:34.920 --> 0:47:37.279
<v Speaker 1>you have no humanity and you are a villain. You're

0:47:37.320 --> 0:47:39.560
<v Speaker 1>not a hero. Yeah, And I want to say to

0:47:39.600 --> 0:47:41.400
<v Speaker 1>the people that are like, well, just don't change the

0:47:41.440 --> 0:47:43.560
<v Speaker 1>source material. I would like you to go back in

0:47:43.600 --> 0:47:45.400
<v Speaker 1>the time when the source material was made in the

0:47:45.400 --> 0:47:49.000
<v Speaker 1>thirties and forties, and we were not allowed in those stories.

0:47:49.080 --> 0:47:50.839
<v Speaker 1>We were not allowed to be on screen, we were

0:47:50.840 --> 0:47:53.200
<v Speaker 1>not allowed to be on the cover. So yeah, now

0:47:53.239 --> 0:47:55.960
<v Speaker 1>it's going to be reflective. This we were always a

0:47:56.000 --> 0:47:57.839
<v Speaker 1>part of the world, we just weren't allowed to be

0:47:57.880 --> 0:48:01.080
<v Speaker 1>reflected in it. Now we are so sorry that they're

0:48:01.120 --> 0:48:04.719
<v Speaker 1>infusing us into the story. We've always been here, we

0:48:04.800 --> 0:48:07.040
<v Speaker 1>just weren't allowed to be on the cover. How do

0:48:07.080 --> 0:48:08.759
<v Speaker 1>you want better? We'll do whatever we want to the

0:48:08.760 --> 0:48:11.359
<v Speaker 1>source material. You go read the source material. You want

0:48:11.360 --> 0:48:13.080
<v Speaker 1>to read that, go read that. It's there for you.

0:48:13.120 --> 0:48:15.520
<v Speaker 1>It's not getting deleted. I can't encourage you enough if

0:48:15.520 --> 0:48:19.760
<v Speaker 1>you're enjoying this conversation to just keep watching Watchman, because

0:48:20.719 --> 0:48:24.399
<v Speaker 1>the way they're examining the history of comic books and superheroes,

0:48:24.520 --> 0:48:30.160
<v Speaker 1>especially in some of those later episodes, I just you guys, shaken, shaken.

0:48:30.200 --> 0:48:32.960
<v Speaker 1>There's a moment I had to pause and write a review.

0:48:33.360 --> 0:48:35.239
<v Speaker 1>I skipped four reviews to write a review. I was

0:48:35.280 --> 0:48:39.160
<v Speaker 1>so moved by an episode. I was like, you did that, Like,

0:48:39.520 --> 0:48:42.920
<v Speaker 1>I just think it's so important that if you're not

0:48:42.960 --> 0:48:46.160
<v Speaker 1>ready to or don't want to examine your white privilege,

0:48:46.280 --> 0:48:48.959
<v Speaker 1>and or if it makes you uncomfortable to see black

0:48:49.000 --> 0:48:52.160
<v Speaker 1>and brown people in heroic roles, or if it makes

0:48:52.160 --> 0:48:55.560
<v Speaker 1>you uncomfortable to see the destruction and the devastation that

0:48:55.600 --> 0:48:58.160
<v Speaker 1>they faced to take a second, and ask yourself, just

0:48:58.320 --> 0:49:00.319
<v Speaker 1>why are you uncomfortable with that? And do that on

0:49:00.320 --> 0:49:03.840
<v Speaker 1>your own without ruining or or trampling on other people's

0:49:03.880 --> 0:49:06.160
<v Speaker 1>excitement to just see themselves on a screen. You see

0:49:06.200 --> 0:49:08.440
<v Speaker 1>yourself all the time. Take yourself out of it. I

0:49:08.480 --> 0:49:10.640
<v Speaker 1>mean even I think I even want to, even though

0:49:10.680 --> 0:49:13.120
<v Speaker 1>that is a very important message, and yes, clock that

0:49:13.520 --> 0:49:16.359
<v Speaker 1>I even want to take like five steps back and

0:49:16.400 --> 0:49:19.560
<v Speaker 1>just say, if you see someone enjoying something, let them

0:49:19.600 --> 0:49:22.000
<v Speaker 1>have that. Why do you have to Why do you

0:49:22.000 --> 0:49:24.680
<v Speaker 1>have to input the why you didn't like the thing

0:49:24.719 --> 0:49:27.439
<v Speaker 1>they like to the conversation. That's never been fun, It's

0:49:27.440 --> 0:49:29.920
<v Speaker 1>never been cool. And people didn't do that back in

0:49:29.920 --> 0:49:31.879
<v Speaker 1>the day because people wouldn't talk to you. But now

0:49:31.920 --> 0:49:33.719
<v Speaker 1>you have a platform where you can just insert your

0:49:33.800 --> 0:49:36.880
<v Speaker 1>voice and you know, and and and disappear into the

0:49:36.960 --> 0:49:40.640
<v Speaker 1>night behind your anime avatar. It's like if someone's enjoying something,

0:49:40.680 --> 0:49:43.359
<v Speaker 1>and there's tons of things that people enjoy that I

0:49:43.480 --> 0:49:47.560
<v Speaker 1>do not care for, or there are tons of people

0:49:48.080 --> 0:49:54.719
<v Speaker 1>and music rappers, you know, artists that people love and

0:49:54.840 --> 0:50:00.279
<v Speaker 1>I do not for the like of me half of

0:50:00.320 --> 0:50:03.560
<v Speaker 1>a smidgeon, And you know what I do, I just

0:50:03.640 --> 0:50:07.400
<v Speaker 1>keep scrolling pushing because I followed too many anime boobs

0:50:07.400 --> 0:50:09.600
<v Speaker 1>to be wasting time. I'm going with some money on Twitter,

0:50:10.160 --> 0:50:12.480
<v Speaker 1>I do want to say, um, one of these reviews

0:50:12.520 --> 0:50:17.040
<v Speaker 1>said that it was to woke. On that note, Joel

0:50:17.800 --> 0:50:21.840
<v Speaker 1>too woke, Joel, where can everyone catch you? Yeah? Follow

0:50:21.880 --> 0:50:24.799
<v Speaker 1>me over at Twitter at Joel Monique because we find

0:50:24.800 --> 0:50:27.040
<v Speaker 1>all of the things A V club, TV club or

0:50:27.040 --> 0:50:29.200
<v Speaker 1>I hopefully we're revealing a couple more shows coming up.

0:50:29.239 --> 0:50:30.920
<v Speaker 1>I really love that community. So if you want a

0:50:30.960 --> 0:50:34.640
<v Speaker 1>twin in the conversation, we'd love to have you. And finally,

0:50:34.960 --> 0:50:38.799
<v Speaker 1>in the next magazine on Got Guys, uh Cultured Magazine,

0:50:38.960 --> 0:50:42.000
<v Speaker 1>the cover issue it's gonna be um Lena Wait and

0:50:42.040 --> 0:50:43.880
<v Speaker 1>Melina Metsukas. I got to sit down with both of

0:50:43.880 --> 0:50:48.239
<v Speaker 1>them and talk about their new movie, which we will

0:50:48.280 --> 0:50:51.279
<v Speaker 1>be talking about for literally ever. It's so good. It's

0:50:51.280 --> 0:50:54.680
<v Speaker 1>called Queen and Slim. It comes out November sixteenth. I

0:50:54.800 --> 0:50:57.359
<v Speaker 1>think check your local listings by a ticket, be the first.

0:50:57.400 --> 0:50:59.279
<v Speaker 1>Don't wait a second weekend or the ending will be

0:50:59.320 --> 0:51:03.759
<v Speaker 1>spoiled for you. I'm at miss Danny Fernandez and just

0:51:03.800 --> 0:51:06.560
<v Speaker 1>another heads up, I have that Fathom event. If you

0:51:06.600 --> 0:51:08.840
<v Speaker 1>love the Twilight Zone I think they're showing four of

0:51:08.880 --> 0:51:12.960
<v Speaker 1>the original Twilight Zone episodes. It's November four at local theaters,

0:51:13.000 --> 0:51:15.040
<v Speaker 1>so check it out. I think you can just google

0:51:15.040 --> 0:51:18.000
<v Speaker 1>Fathom event twilight Zone and I pop up to talk

0:51:18.040 --> 0:51:21.200
<v Speaker 1>a little bit about Rod Serlin before it starts and

0:51:21.320 --> 0:51:23.799
<v Speaker 1>or in between the episodes. I don't know, you're one

0:51:23.800 --> 0:51:28.319
<v Speaker 1>of those things and you know me, uh next, or

0:51:28.480 --> 0:51:32.560
<v Speaker 1>you're listening to this. So this weekend, if you're in St. Louis,

0:51:32.840 --> 0:51:34.600
<v Speaker 1>me and those guys and white women will be at

0:51:34.640 --> 0:51:38.319
<v Speaker 1>the Flyover Comedy Fest doing some improv. And after that,

0:51:38.560 --> 0:51:41.640
<v Speaker 1>I'm probably gonna be eating some barbecue. So catch me

0:51:41.880 --> 0:51:45.520
<v Speaker 1>at a barbecue spot munching down or on stage, whatever

0:51:45.640 --> 0:51:51.160
<v Speaker 1>have you. I mean, look, we'll have to discuss because

0:51:51.160 --> 0:51:53.520
<v Speaker 1>I'm back on ketos, no sauce on it. I gotta

0:51:53.719 --> 0:52:00.000
<v Speaker 1>I gotta eat it dry. God, Like we always say,

0:52:00.239 --> 0:52:02.240
<v Speaker 1>stay nerdy, stay too woke.